TYPE DESIGN INFORMATION PAGE last updated on Mon May 5 19:40:03 EDT 2025
FONT RECOGNITION VIA FONT MOOSE |
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Serbian book illustrator, graphic arts teacher and phototype, woodtype and linocut letter type designer, b. Despotovo, 1931, d. Belgrade, 1999. His sons Rastko and Vukan write about both aspects of his life. His CV: he graduated in 1954 from the Academy of Applied Arts, Belgrade and took his Masters Degree in 1959, under Professor Mihailo S. Petrov. He was professor at the Faculty of Applied Arts, University of Arts, Belgrade from 1964 until 1997. He was Head of the Graphic Department from 1974 to 1975. His publications include Graphic identification 1961-1981 (SKZ, Belgrade, 1982), Graphic communications 1954-1984 (Vajat, Belgrade, 1986), Heraldry 1 (University of Arts, Belgrade, 1983) and Coat-of-Arms of Belgrade, Heraldry 2 (Cicero, Belgrade, 1991). Most of Ćirić's types were for Cyrillic, while some have Latin alphabets as well. Many would be classified today as poster types, type to accompany illustrations. The list of his typefaces:
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Codesigner, with Diana Ovezea, of the typefaces Passenger Display and Passenger (2017, Indian Type Foundry). Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. Passenger Serif (released in 2019) on the other hand is a Clarendon. In 2019, Diana Ovezea and Samo Acko added Passenger Sans, which is characterized by horizontal and vertical terminal strokes and small apertures, and delivers a relaxing read in long texts. Facebook link. [Google] [MyFonts] [More] ⦿ | |
At Camberwell College of Arts, London, UK, Aigeriwa Aaa created a squarish bilined typeface in 2015. [Google] [More] ⦿ | |
Another URL. Hellofont link. [Google] [More] ⦿ | |
Danish designer (b. 1990) who lives in Copenhagen. He worked for five months to complete the good-looking geometric type family Comfortaa (2008), which is free at CTAN and Google Font Directory. In 2009, he made Trunkmill (2009) and the useful organic sans family Lastwaerk. In 2010, he added Montepetrum (a basic condensed family). Devian Tart link. Fontspace link. Font Squirrel link. Fontspace link. Catalog in 2010. Fontsy link. Kernest link. Klingspor link. Dafont link. Abstract Fonts link. Google Plus link. [Google] [More] ⦿ | |
Surabaya, Indonesia-based designer, b. 1987, of these typefaces in 2017: Clone Line, Blitz, Genio Script, Rhythm Script, Luzhniki, Cendana, Wow, Single, Mantra, Lovable, Eruption, Finger Dance, Never Old, Bravo, Funday, Lexa Sans, Supernova, Ventura sans, Lol Signature, Frysca, Granite, Signsation, Addictive, Magic Wave, Vallent (sans), Signora, Magic Wave, Signature Talk, Alexis, Prologue, Bullet, Red Blood, Talkin Talk, Tsamina, Jealous Boy, Almost Soul Mate, Romantic Story, Alayhome Dirty, Angle Silence, Wave of Love, Sleeping Child, Move On, Hompimpa, Cheap Road, Cheerful, Stay Close, Wholess Script, Morning Painters, Slow Down Script, Empty Family, Jumping Pack, Signaspies (signature font), Private Emotion, Cubby Cheeks, Lonely, Cat Cute, Thin Man, Sheep Horn, Angelie, Aza (brush script), Wrong Way, Solid, Swirling, Slash, Child Write, Ink Scratches, Stalk, Being Lazy, Longitudinal End, Unchained, Curbside, Naura, Lay, Elastic, and Ladies Sky. Typefaces from 2018: Dilan Signature, Syndrom, Ground (rounded sans), Glass, Flowrish (floriated), Aline (multiline), Salting (script), Sellow, Marion, Melting, Move Closer, Reflection, Cavalry, Sway Script, Chenthini, Vero, Inner, City, Break, Bat Hill. Typefaces from 2019: Pring, Racheto (bilined), Alusans, Tooth (Tuscan), Apache, Analyst (stencil), Amblas (geometric monoline sans), Nona (oriental look), Pieces, Black Forest (textured caps), Drops. Typefaces from 2020: Barella, Bound, Fillet, Gigs, Greysia, Playon, Rindang, Squad, Tuman, Ampera, Asolola, Britania, Coobra, Focus, Force, Gopoh, Rumput, Black Boxes, Canthink, Garage, Ledre, Pashion, Vonari, Ambyar, Bendoyo, Bergomi, Buroq, Cydro, Gresix, Langgam, Laron, Risole, Super Fans, Trailer. [Google] [More] ⦿ | |
Norwegian designer of the detached all caps typeface Detached (2018). [Google] [More] ⦿ | |
Andres Aarik is a graphic designer and a student in Media and Advertisement design in Tartu, Estonia. Designer of the fat and wide typeface Hustler (2010) and the chiseled typeface Tode Ja Oigus (2009). Behance link. [Google] [More] ⦿ | |
Christine Aaron is a New York-based designer specializing in lettering and typography. She studied graphic design at the School of Visual Arts, with a focus in editorial design, branding, and motion graphics. | |
Graphic designer in Pensacola, FL, who created Gill Sans Icons (2013). [Google] [More] ⦿ | |
As a student at KHIB in Bergen, Norway, June Aarseth designed the decorative caps typeface The Most Amazing Font (2016). [Google] [More] ⦿ | |
During her studies at the School of Visual Communication in Haderslev, Denmark, Anne Aarup created a brushy typeface with an asparagus (2014). [Google] [More] ⦿ | |
Creator of the elegantly plump rounded sans typeface Vinyl Cuts (2013), Samatya (2013, a unicase piano key typeface), Boldie (2013), Laundry Day (2013, alphadings), and the wood log typeface Timbers (2013). Typefaces from 2014: Smush, Slim Fir (athletic lettering), Typonome, Typo Slab, Neons, E-Square (sci-fi typeface), Screamer, Typoline (piano key typeface), Omniblack (flared display face), Papillons (flared caps), Typoster (a great fat geometric slab serif typeface family accompanied by an equally great shaded outline style), Typo Comica (a family drawn to compete with Comic Sans), Tipo Press, Manyeto (calligraphic), Quatroline (prismatic typeface), Wardoom, Cabold Comic, Digiform, Akaju (oily fat typeface with lighting effects), Almira, Bonebastic, Comic White Rabbit, Sinema (a bit of retro movie art deco), Sober, Cali Brush, Tiny Plate, College Player, Smart Kid, Barbed, Wideroy, Angella (+outline: a poster family), Megi Sans. Typefaces from 2015: Bro 4D (outlined 3d capitals), Typo GeoSlab, H&B Sketch (a gorgeous sketched didone), Mixiva (a six-style athletic lettering slab serif family), Typo Sketch (sketched font), Malter Sans, Parole Script, Degaws (a great sketch font), Typo Comics, Gribal, Gribal Shadow, Early Times (a sans family), Quizma (an elegant sans family), Super Seven (shaded), Typo Slab Inline, Type Slab Irregular, Geoma (hairline geometric sans), Double Bubble (bubblegum typeface), Mona Bella, Typo Grotesk, Typo Grotesk Rounded, The Matic, Typografix (avant garde sans), Move X (techno family), Savaro Stencil (in the geometric style that is characteristic of Futura Black), MindBlue (sans), A Space. Typefaces from 2016: Wox Striped (multiline typeface), Wox Modelist (organic sans), Aprikas (sans), Meltix (techno sans family), Widolte (sans family), Mayeka, The Wireframe, Typo College (athletic lettering), Halftone Poster, Chocolate Bar (oily and gleaming), Type Round (circle-based sans typeface family). Typefaces from 2017: Zelta Six (octagnal), Wida Round (round sans), Prestij (geometric sans), Typo Style, Naughty Squirrel (fat poster typeface family that includes hatched and shadow styles), Typo Quik, Ageta (bubblegum style), Rock On (glaz krak typeface), Typo Square, Typo Angular Rounded, Planetium-X (monoline, techno), Big Pixel (octagonal), White Festive, Watchword Hairline. Typefaces from 2018: At the Midday, Typo Hoop (rounded circle-based sans family), Typo Longest (tall condensed sans), Maccos (a multilined font family), Asectica, Magettas (rounded monoline sans), Bluefish, Bluefish Eroded, Bluefish Scratched, Quesat (rounded sans), Quesat Striped. Typefaces from 2019: Manti Slab College, Pesta Stencil, Type Draft (a drafting font), Pages Grotesque (a caps only geometric sans), Typo Cut-Out, Swera, Minalis (futuristic). Typefaces from 2020: Typo Cut-Out Shaky, Typo Oval, Typo Formal (a tall monolinear sans), Typo Ring (circle-based, monolinear), Manti Slab, Manti Sans (+Fixed), Geco Strong (a fat sans), Tually, Slabten (an inline typeface), Minalis Double (an inline typeface). Home page. Fontspace link. [Google] [More] ⦿ | |
During her studies at UEMG (Universidade do Estado de Minas Gerais), Jenifer Abad (Belo Horizionte, Brazil) created an untitled connect-the-dots typeface (2014). [Google] [More] ⦿ | |
Pablo Abad's other typefaces: No Future (2009, sci-fi), Knife (2008, modular), Pinza (2008, clothespin-themed), Romantique (2008, ultra-fat modular art deco face), Modul01 (2008), and Mambo (2008, super-ultra-fat art deco), Slaba (2009, fat slab serif), Voyeur (2009), Nostalgia (2013, Hype For Type). Old URL. Behance link. [Google] [More] ⦿ | |
During her studies at ECV in Paris in 2016, Julie Abahouni designed a modular squarish typeface. [Google] [More] ⦿ | |
The DownHill Publishing fonts are grouped into Print Writing, D'Nealian, Box Writing, Cursive Writing, Phonics, Sign Language, Seasonal, Decorative. [Google] [More] ⦿ | |
Graduate of ESAD Matosinhos, class of 2014, who is based in Porto, Portugal. During his studies, he created the soccer shirt font Chile (2013). [Google] [More] ⦿ | |
During his graphic design studies at ESAD Matosinhos, Porto-based Luis Abaladas created the soccer jersey typeface Chile (2013). [Google] [More] ⦿ | |
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At Escola Superior de Artes e Design de Caldas da Rainha (ESAD.CR), Portugal, during an exchange program, Anita Abarenkova (Riga, Latvia) created the stencil typeface Anita PT Light (2013). [Google] [More] ⦿ | |
Ruslan Abasov is a freelance graphic designer working on projects within the range of booklets, posters, type design, illustrations, animations and visual identities. In 2020 and 2021 he designed Tannhäuser, a decorative blackletter typeface with large contrast that was inspired by Richard Wagner's romantic opera of the same name. [Google] [More] ⦿ | |
French graphic designer. Creator of the typefaces Robinson (decorative caps), Mondaine, Girofle, and Pixel. [Google] [More] ⦿ | |
Creator of the free font Dekas (2012, OFL). This looks like a copy of Geoffrey Lee's Impact (1965, Monotype), with multilingaul (Cyrillic, etc.) sets added in. I am not sure how kosher this all is. [Google] [More] ⦿ | |
Nadia Abate (Turin) designed the paperclip font Clips in 2010 during a workshop led by Piero De Macchi. She graduated from ISIA in Urbino in 2010, and designed the outline typeface Naa there. Nadia created the flowing script typeface Female (2013). Behance link. [Google] [More] ⦿ | |
Designer (b. 1999) of the organic chemistry font Benzeno (2017-2022). [Google] [More] ⦿ | |
Graphic designer in Baku, Azerbaijan, who created the free octagonal Latin typeface Auroor in 2017. [Google] [More] ⦿ | |
Faisal Abbas "merged" (?) an Arabic font by Jamil ur Rahman and a Latin font by Astigmatic in his free typewriter fonts Profaisal Elite Riqa and Profaisal Elire Tahreer (2012, OFL). [Google] [More] ⦿ | |
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While studying in Cairo, Egypt, Menna Abbas created the thin Latin display typeface Emerlad (2014). [Google] [More] ⦿ | |
Founded in 2020, Abbas Type is a type design studio based in Aceh, Indonesia, Designer of the swashy formal calligraphic typeface Delayed Love (2020). [Google] [MyFonts] [More] ⦿ | |
Designer of the Persian font soroush (2006), which can be found here. [Google] [More] ⦿ | |
Type designer who published these fonts at Photo Lettering: Aqua Bold (signage font), Black Gothic Condensed, Gothic Bold, Nixon (a soft poster face), Stencil Condensed. [Google] [More] ⦿ | |
Mauro's graduation thesis in Rome was about the development of the Sady typeface, wg=here Sady stands for Sabon Dyslexic. He took Tschichold's Sabon and broke the smooth Beziers up to increase the angular aspect of each glyph. In addition, attention was paid to the spacing and global word shapes (or Boumas). [Google] [More] ⦿ | |
Klingspor link. FontShop link. FontFont link. [Google] [MyFonts] [More] ⦿ | |
Florence, Italy-based designer of the Cymatics dingbat series (216) and the sans typeface Straya (2016), which is based on iconic Australian shapes. [Google] [More] ⦿ | |
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Maxine Abbott (Nottingham, UK) studies graphic design at Nottingham Trent University. He created the pixelish typeface Nokia Snake (2012). [Google] [More] ⦿ | |
During his studies, Leipzig-based François Abboud created the blocky typeface Cubix (2015). [Google] [More] ⦿ | |
Graduate of FAAP (Fundação Armando Alvares Penteado) in Brazil. Sao Paulo-based graphic designer who created the lava lamp typeface Damascus in 2015. [Google] [More] ⦿ | |
During his studies in Beirut, Ibrahim Abdallah designed the Latin / Arabic typeface Wavy (2017). [Google] [More] ⦿ | |
Kuwait-based designer of the Latin typeface MHD (2014). [Google] [More] ⦿ | |
Sharjah, UAE-based designer of a hand-drawn Latin / Arabic typeface in 2014. [Google] [More] ⦿ | |
Khillo is Khaled Abdelaziz, a Sétif, Algeria-based illustrator and designer, b. 1986. He created Architek (2010) and Burger (a free avant-garde typeface). Behance link. Dafont link. Another URL. [Google] [More] ⦿ | |
Mansoura, Egypt-based designer of the Arabic typeface Tagarob (2013). Behance link. [Google] [More] ⦿ | |
New Cairo, Egypt-based designer of the triangular typeface Map My Art (2017). Behance link. [Google] [More] ⦿ | |
Designer at Full Sail University in Winter park, FL, of the multiline art deco typeface FS Radial(2018). [Google] [More] ⦿ | |
Argentinian designer of the speed and car mechanics font Super Chevy (2018) and the art deco poster typeface Chalke (2018). [Google] [More] ⦿ | |
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Cairo-based graphic designer. Creator of Bird Man (2012, a simple sans) and some Arabic typefaces. [Google] [More] ⦿ | |
Kirkland, WA-based designer of the display typeface GuGu (2013). | |
Yogyakarta, Indonesia-based designer, b. 1992, of these script typefaces in 2019: Raquen, Sunset City (a monoline script). Typefaces from 2020: Coolesta (a signature font), Vertica Scripts. [Google] [MyFonts] [More] ⦿ | |
Kota Bogor, Indonesia-based designer of the free elliptical modular typeface Abdi (2016). [Google] [More] ⦿ | |
Wonosobo, Indonesia-based designer of the monoline script typefaces Rosallinda (2019) and Quattro (2018), the signage script typefaces Rallina (2019) and Billyon (2019), the fashion mag typeface Brandson (2019), and the handcrafted typeface Roller Dodlle (2019) and Sweet Donuts (2019). Typefaces from 2020: Hello Doctor (script), Berlin Monogram (decorative caps), Stayola (script), Unicorn Dancing, Garden Party (script), Bolder, Darllinge, Rosallinda, Power Sell, Adventures, Smiles Women (an upright script), Beauty Moon. [Google] [More] ⦿ | |
Linz, Austria-based designer of these handcrafted (mostly brush) typefaces in 2018: Berlin Lives (dry brush), Steyr, Reid, Lynn, Jorik, Jora (dry brush), Hayes, Ened, Danata, Aidana, Neilella, Hyllus, Dionisia, Davis, Correia, Momina, Ryder, Norene, Maxene, Leilani, Hailee, Dory, Calista, Genus, Correia, Davis. Aka Edin Ab. Typefaces from 2019: Simone, Ramina, Barbara, Andronika, Elisenda, Valentina, Saturnia, Hanna, Francisca, Dominik, Aubrielle, Samantha, Farrand, Castianiera. [Google] [More] ⦿ | |
Amman, Jordan-based designer of a multiline Arabic typeface in 2018. [Google] [More] ⦿ | |
Free Khmer fonts, aka Khmer Smart Writer Fonts designed in 1995-1997 by Abdulrohman Abdolgony (Cambodian Software Development): Battambang, Kaoh Kong, Kom Pong Toum, Kom Pot, Kompong Cham, Prey Veng, Pursat, Siem Reap, Stung Treng, Svay Rieng, TaKeo, KSW Battambang, KSW Kaoh Kong, KSW KeyBoard, KSW Kom Pot, KSW Kompong Cham, KSW Preh Vihia, KSW Prey Veng, KSW Pursat, KSW Siem Reap, KSW Stung Treng, KSW Svay Rieng, KSW TaKeo. Download here. [Google] [More] ⦿ | |
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Graphic designer in London who created Mirror (2013). [Google] [More] ⦿ | |
Lebanese designer who created Beantown (2004, an athletic lettering font), Staubach (2004, an athletic lettering typeface based on the lettering of the Dallas Cowboys), Wagner Modern (2011), Kroftsmann (2004, on octagonal face), Kavelry (2004, based on the Kemper Insurance logo), 4th and inches (2008, rounded octagonal; based on the proprietary font used by Russell Athletic, makers of sports apparel as used by Georgia Tech BKB, Washington State, Alabama State, Tennessee State, Mississippi Valley State, and many others in college football), and PopWarner (2004, a Bank Gothic lookalike), Wagner Zip Change (grotesque), Richardson Fancy Block. Creator of some free soccer team lettering alphabets in 2010: Louisville, Puff Script, Red Raiders, Richardson Fancy Block, Wagner Zip-Change (based on grotesque signage letters), ACMilan2009, ASRoma, ChampionsLeague, England2007, MLSUniform, RealMadrid2009. About his GeauxXPDF typeface (2010), he writes: I had extracted a nearly complete set on this one a few years back, except for J and Z which I created on my own. As best I can tell, it only exists as an upper case font without most punctuation, so I created that too to make it more useable. I don't know how much LSU [Louisiana State University] paid for this design, but to me it always looked like something that Larabie or Iconian would have given away. He also extracted HDRadioAlphabet from a rounded Arial typeface he found on HD radio. His UScoreRGK (2012) is a blocky angular font used on-screen by Fox Sports. LCD Display (2012) is a 28-segment LED font. UA Terrafont (2012) was based upon the vector art in this PDF file. In 2013, he published the athletic lettering family High School USA and the octagonal typeface UA Cadet. See also here. Dafont link. Fontspace link. Another URL. [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the bold typeface Black Widow (2018). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the Arjuna puppet font Wayang (2018). [Google] [More] ⦿ | |
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Birmingham, UK-based graphic designer who created the art-nouveau-meets-the-future typeface Cosmic. (2009). [Google] [More] ⦿ | |
Creator of the children's hand font Aram Abdulla (2013). [Google] [More] ⦿ | |
Based in Male on The Maldives, digital artist Basim Abdulla created the hand-drawn typeface Black Widow in 2013. [Google] [More] ⦿ | |
Type designer (b. 1957, Mosul, Iraq) who participated in the Linotype International Type design Contest in 2000 and lives in Germany, where he set up Markenbau in 2000. Author (with Roger Hübner) of Pictograms and Icons (2005, Herman Schmitz, Mainz) and Arabische Schriftkunst (1993, Hochschule der Künste Berlin). [Google] [More] ⦿ | |
During her studies in Bandar Seri Begawan, Brunei, Rina Abdullah designed Hexrunic (2017). [Google] [More] ⦿ | |
Nusajaya, Johor, Malaysia-based designer (b. 1995) of the hairline hand-printed typeface Sweet Life (2013). [Google] [More] ⦿ | |
Typefaces from 2016: the connected script typefaces Hermes, Beatrice, Bellati, Slowly and Elmaira, the sans typeface Asiach, the handcrafted typeface Country, and the brush script typefaces Astro, Getter, Metric, Brusher, Spontance, Fronte Script, Rocket, Arthands, Brokelly, Armant, Batagors (calligraphic dry brush style), and Almaida, the sans titling typeface Asiach, the connected script Spontance, the handcrafted Country Light, Twetter (swashy calligraphic style), Rantes, Lucue, Brusher (dry brush), Beetle (connected script), Freestyle, Notulen. Typefaces from 2017: Herawati (signature font), Shabira, Bintang, Hand Boys, Sambilan, Betania (brush), Blangku, Valentina, Mother Love, Mangifera (calligraphic script), Happy Berry, Expant (dry brush script), Boston (brush script), Rosenesya (calligraphic script), Bonita (fat brush), Shabira, Amster (an elegant high-contrast signage script), Just Beauty, Justin, Blangku, Mother Love, Bettol, Anitha (calligraphic script), Settiya, Hello Sweety, Expant (dry brush), Boston, Bonita, Astro (brush script), Metric, Getter (dry brush script), Hermes, Arthands, Brokelly, Bellati, Country Family, Batagors (a great dry brush calligraphic script), Armant, Slowly, My Heart, Love & Heart, Heartless, Justin (rough brush script), Muthya. Typefaces from 2018: Romantina, Solution (sans), Mellanie, Rocket, Fronte Script, Berlian. Typefaces from 2019: Muctar (a signage script by Ront Jorse), Taranum (a calligraphic script), Delegation (Script, Sans; by Symon Adam Abdullah), Quintrell, Vortices, Wolfsbane (by Sai Poel), Wamelo. Typefaces from 2020: Creative Signature. Typefaces from 2021: Chayton (script), Osmont (a Treefrog script), De Monte (a 20-style geometric sans). Behance link. Graphic River link. Yet another Creative Market link. Graphic River link. Newest Creative Market link. Fontspring link. Graphicriver link. [Google] [MyFonts] [More] ⦿ | |
Pekanbaru, Riau, Indonesia-based designer of these script and calligraphic typefaces in 2019: Shabira Bloom, Adinda Script, Script Mothers, Ramadhan Kareem, Rosenesya, Mother Love, Bointang Cifoy, Sambilan, The Playing, Eisha Script, Sugartina Font Signature, Romantina Font Script, Herawati Signature Font, Bintang, Hand Boys, Betania, Blangku, Mangifera, Happy Berry, Beatrice, Almaida, Elmaira. [Google] [More] ⦿ | |
Egyptian designer in 1992-1994 of these Arabic fonts: ACS-Akeek-Bold, ACS-Akeek-Extra-Bold, ACS-Akeek, ACS-Almass-Bold, ACS-Almass-Extra-Bold, ACS-Almass, ACS-Bassmalah, ACS-Fayrouz-Bold, ACS-Fayrouz-Extra-Bold, ACS-Fayrouz, ACS-Hieroglyphic, ACS-Islamy, ACS-Koraan, ACS-Morgan-Bold, ACS-Morgan-Extra-Bold, ACS-Morgan, ACS-Symbols, ACS-Topazz-Bold, ACS-Topazz-Extra-Bold, ACS-Topazz, ACS-Yaqout-Bold, ACS-Yaqout-Extra-Bold, ACS-Yaqout, ACS-Zomorrod-Bold, ACS-Zomorrod-Extra-Bold, ACS-Zomorrod. They can be downloaded here, here and here. [Google] [More] ⦿ | |
Moscow-based designer of several experimental typefaces in 2014. [Google] [More] ⦿ | |
Abu Dhabi, UAE-based designer of the Arabic typeface Hibr (2014). [Google] [More] ⦿ | |
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Bandung, Indonesia-based designer of the uppercase display typeface family Srivijaya (2017). [Google] [More] ⦿ | |
Typefaces from 2020: Sharifa (script), Emyrla (2020: a minimalist futuristic sans), Samosan (2020: titling sans), and Marrowish (titling serif). Creative Fabrica link. [Google] [More] ⦿ | |
Sulawesi, Indonesia-based designer (b. 2000) of the tall display typeface Aftur Seven (2021). [Google] [More] ⦿ | |
North-Carolina-based designer (b. 1989) of the dot matrix font Sam's Town (2006) and the graffiti typeface February (2007). Alternate URL. [Google] [More] ⦿ | |
Tabriz, Iran-based designer (b. 1990) of these typefaces:
Github link. [Google] [More] ⦿ | |
Graduate of the Communication Design program at Emily Carr University of Art & Design in Vancouver, 2012. Creator of the high-contrast artsy headline typeface called Yaletown (2012). Cargo collective link. [Google] [More] ⦿ | |
During his studies in Jakarta, Indonesia, Adhi Abel designed the sans typeface Belanusa (2014-2015). Behance link. Home page. Dafont link. Cargo Collective link. [Google] [More] ⦿ | |
Designer of Abel Cursive (Compugraphic, 1974). For a digital revival, see Alan Jay Prescott's APT New Abel Cursive (1996). [Google] [More] ⦿ | |
Schwäbisch Gmünd, Germany-based designer of a custom typeface for Deutsches Verpackungsmuseum (2017). [Google] [More] ⦿ | |
Granada, Spain-based designer of the cutesy typefaces Alice, Smiles, Alhambra and Ohlala in 2015. [Google] [More] ⦿ | |
Creator (b. 1991, The Philippines) of the outlined hand-drawn typeface Chickfactor (2013), as well as Ham And Eggs (2013), Bookends (2013), Bookends with Accents (2014), Font5 (2013) and Whiplash Girl Child (2013). Typefaces from 2014: Basic Space, Hypersober (textured shadow face), Hypersober Clean. In 2015, she designed the avant garde sans typeface Morning Crescent. In 2016, she published the handcrafted typeface Summer Fling. Dafont link. Fontspace link. Home page. [Google] [More] ⦿ | |
Israeli type designer at MasterFonts. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Minneapolis, MN. Creator of the handcrafting all-caps face Knots&Loops (2011). Behance link. [Google] [More] ⦿ | |
Graphic designer who created the art deco headline typeface Strain Theory (2011). [Google] [More] ⦿ | |
Napoli, Italy-based designer of the geometruc sans typeface Ulio (2015). [Google] [More] ⦿ | |
Thai type designer. His typefaces at Ziam Type include -ZT Khun Saibua (2018). [Google] [More] ⦿ | |
Beirut, Lebanon-based designer of the Latin / Arabic multiline art deco typeface Str8 Tracks (2016). [Google] [More] ⦿ | |
Israeli type designer at MasterFonts who made the hand-printed Hebrew typeface Racheli MF (2009). [Google] [MyFonts] [More] ⦿ | |
Kenitra, Morocco-based designer (b. 1993) of Kenta (2020) and Semlor (2020), a Latin / Cyrillic typeface that plays with stress and is destined for posters. Earlier typefaces include the handcrafted Agenzada and the free formal sans typeface Jervinho (2019), which was inspired by Maven Pro and Titillium Web. [Google] [MyFonts] [More] ⦿ | |
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During her studies at Nanyang Academy of Fine Arts in Singapore, Christianne Abigael created the wonderful pearl-studded (or floriated) decorative typeface Daisy (2015). [Google] [More] ⦿ | |
Designer of LX Sans (2016). Creative Market link. [Google] [More] ⦿ | |
Madrid, Spain-based designer of the art deco revival typeface Cine Rex (2016). This typeface is based on the sign for the Cine Rex movie theater. [Google] [More] ⦿ | |
Designer of these Uyghur typefaces: Ukij 3D, Ukij Esliye (with Turghun), Ukij Imaret (with Turghun), Ukij Jelliy, Ukij Kawak, Ukij Merdane, Ukij Qolyazma, Ukij Qolyazma. With Turghun at Alpsoft Science and Technology Development Co., Ltd., Urumchi, he designed Ikij Esliye. With Alim Ahat, Memtimin (Alyar) and Abdureshit (Qarlighach), he designed Ukij Zilwa. Open Font Library link. [Google] [More] ⦿ | |
Antalya, Turkey-based designer of a display typeface in 2017. [Google] [More] ⦿ | |
At H. Berthold AG, Thomas Abold published the phototype typeface Abold (1972). [Google] [More] ⦿ | |
During his studies in Montalban, The Philippines, Renz Abong created the free sans typeface Tale (2013, FontStruct), the free condensed typeface Versa (2013, FontStruct), and the free monoline geometric font Tribe (2013). Behance link. [Google] [More] ⦿ | |
Aka Minz Creations. Indian designer of the free Malayalam typefaces Ashique ML Minnu Semi Bold (2013) and Ashique ML Ashu Condensed Bold (2013). In 2014, he created Ashique ML Minnu Bold. Fontspace link. [Google] [More] ⦿ | |
During her graphic design studies in Cairo, Egypt, Mounira Abouauf designed the Latin typeface Simplicity Serif (2015), and the Arabic display typeface Mousool (2016) and Mamary (2016). [Google] [More] ⦿ | |
French designer of the human figure silhouette font C Comme Corps (2015). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the Latin display typeface Rondo (2014). [Google] [More] ⦿ | |
Inspired by the movie Edward Scissorhands (1990), and Fontdiner Swanky (1996, Stuart Sandler), Sherine Abouelmagd designed a Latin display typeface and the great Arabic typeface Sherif ElKordy in 2018 during her studies at German University in Cairo. [Google] [More] ⦿ | |
Beirut, Lebanon-based designer of the Latin / Arabic display typeface Skeletal (2016). [Google] [More] ⦿ | |
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Designer at Union Type of Timura (deconstructivist face). [Google] [More] ⦿ | |
Venezuelan creator of the experimental / alchemic typeface Carnada (2011). [Google] [More] ⦿ | |
Graphic designer based in Gold Coast, Australia. In 2018, she created the rounded sans typeface Mochi. [Google] [More] ⦿ | |
Cape Town, South Africa-based designer (b. 1979) of the art deco stencil typeface Daddy Dont Disco (2008). [Google] [More] ⦿ | |
Aka Bicho. Designer in San Jose, Costa Rica, b. 1974. He created the decorative typeface Malajeno (2011). [Google] [More] ⦿ | |
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Australian student-designer of the organic typeface Pandanus (2019). [Google] [More] ⦿ | |
At MIT Institute of Design in Pune, India, Tanuj Thomas Abraham created the monoline sans typeface family Burgeon (2017). [Google] [More] ⦿ | |
Lithuanian designer of these free display fonts in 1993: KABlokHead, KABlokHeadJam, KACobra, KACobraCreep, KADinoSlay, KADinoSob, KAHorrible, KAHorribleSquish, KAMarble, KAMarbleClear, KAMonster, KAMonsterSmirk, KAPasta, KAPastaAldente, KAPizza, KAPizzaMunch, KASnake, KASnakeNite, KAStorm, KAStormRain. [Google] [More] ⦿ | |
Vancouver-based designer of the pixel font Bitmap (2013). [Google] [More] ⦿ | |
Italian designer (b. Bologna, 1976) of some deconstructivist fonts such as Kill Your Neighborhood (2000, knife dingbats and scanbats of typefaces), and the broken stencil font Metal Meltdown (2001). In 2000, he co-founded the magazine Pressure, dedicated to graffiti art. [Google] [More] ⦿ | |
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Mobispot Regular (2013) is a beautiful contemporary geometric grotesque for Latin and Cyrillic, designed by Olga Balina and Vit Abramov at Flëve for Mobispot Social Systems, a company that creates cool applications for life and business based on NFC technology. | |
Moscow-based designer of the free Latin / Cyrillic typeface Lena (2017). He also cyrillicized Ben Dalrymple's Geared Slab here. [Google] [More] ⦿ | |
Graphic designer from Kansas who made several experimental fonts in 2011. [Google] [More] ⦿ | |
George Abrams (b. 1919 or 1920, Brooklyn, d. 2001, Manhasset, NY) is the designer of the gorgeous font families Augereau, Abrams Caslon and Venetian, at Expert Alphabets in Great Neck, NY. Abrams taught lettering and typeface design at the Parsons School of Design, the New School for Social Research and at the Columbia University Teachers College. He had over 50 years of Madison Avenue experience designing ads, logos, typography and lettering for Fortune 500 companies and more. His early typefaces were photo types published by Headliners in New York City. He died on June 7, 2001 at age 81. About Augereau: This is the only digitized typeface by George Abrams [in fact, the digitization is due to Charles Nix, for George Abrams]. Its 28 weights include over 2,000 sorts including expert, OsF,&alts. Augereau is named for Antoine Augereau, who was a typographer who had a few claims to fame - one was that he was Claude Garamonds teacher, and two was that he was sentenced to death for heresy in 1544. Heresy for a typographer in 1544 meant that he printed something that the king or the Pope didn't like and died for it. I would like to thank Poul Steen Larsen for clarifying the history of Abrams' Venetian: The Abrams Venetian was donated to Mr. Poul Kristensen of Herning (in Jutland), then Printer to the Royal Court (which he has ceased to be in 1995). You are right about the font being today locked to Poul Kristensen' old Linotron, from which not even Linotype experts brought in to unlock it, could get it out for conversion into an up-to-date digital font. So the font will disappear from the type arena when Kristensens Linotron one day breaks down. You can trust me, for I was the one who established the contact between George and Mr. Kristensen back in 1986. The font was first used in 1989 in a book by Martin Lowry, British renaissance historian, with the title Venetian Printing. George Abrams' chalk drawings of the entire alphabet in regular and italic were scanned, more precisely vectorised on-screen and downloaded in Denmark by the Kristensens and therefore, in one sense, could be called the first Danish complete font. A sample of the first use of Abrams' Venetian. A second sample from "Venetian Printing". Abrams Venetian was digitized at some point by Jorgen Kristensen for Poul Kristensen Grafisk Virksomhed Printer. Apostrophe wrote this about Abrams Caslon: This was actually reviewed by Caflish and, if I remember correctly, Mark vonBronkhorst, so there are at least 3 or 4 copies of it out there, other than the Abrams' estate original data. Sumner Stone once said that this is the best Caslon he has ever seen. At least he has seen it; I haven't. The typefaces by Abrams (Abrams Venetian and Augereau) are preserved in the New York City-based Abrams Legacy Collection (see also here). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Student in the Masters in Typography program at EINA in Barcelona. He is working on Filler Sans (2011) and Holden (2011, serif face). Behance link. [Google] [More] ⦿ | |
During her studies at the University of Falmouth in the UK, Madelaine Abrams designed the fun display typeface ChatterBox (2016) and the circle-based Cirque (2016). [Google] [More] ⦿ | |
During her studies at ESAD.cr, Sara Abrantes (Lisbon, Portugal) designed the high contrast text typeface Eros (2019). [Google] [More] ⦿ | |
Auckland, New Zealand-based designer of a multilined typeface in 2014, possibly called Ponsonby. [Google] [More] ⦿ | |
Creator of simplistic hand-printed typefaces such as Pointy Fontawlious, Plain Sexy and Best Font Ever (2010). [Google] [More] ⦿ | |
Fortaleza, Brazil-based creator of an electronic circuit-inspired blackletter typeface called Cyber Gothic or Cibergotica (2014). This typeface was developed during his studies at Universidade Federal do Ceará, together with Eduardo Novais (project leader), Deivith Silva, Onofre Paiva, and Rodrigo Almeida. [Google] [More] ⦿ | |
During her studies in Lisbon, Portugal, Francisca Abreu designed the modular display typeface Close (2016). [Google] [More] ⦿ | |
Boston, MA-based designer of the school project font Azua Sans (2014). Behance link. [Google] [More] ⦿ | |
During his graphic design studies in Rio de Janeiro, Hanry Abreu designed the ethnic typeface Guarany Serif (2014), and the informal custom typeface Lorenzo Sans (2014). [Google] [More] ⦿ | |
Joao Abreu (Quarteira, Portugal, b. 1985) designed the free font Horny Village (2013). Dafont link. Behance link. [Google] [More] ⦿ | |
Based in Matosinhos, Portugal, Miguel Abreu created the rounded bold printed typeface Untitled (2014). [Google] [More] ⦿ | |
French designer of the geometric / mechanical (variable) font Tosh (2022, Black Foundry), which covers Arabic, Latin and Cyrillic. [Google] [More] ⦿ | |
Sao Paulo-based designer of the liquid display typeface Abreus RD (2004). [Google] [More] ⦿ | |
In 2008, he published Orbe (Fountain), an exotic all-caps blackletter inspired by Portuguese and Lombardic calligraphy [it deservedly won an award at TDC2 2009; Orbe Pro at MyFonts], Gesta (2008, sans family), Gesta Condensed (2012), Gesta Semi Condensed (2012), Gira Sans (2012, a grotesque family), Foral Pro (2011, an elliptical slab serif), Catacumba (2011, a high-contrast ball terminal wedge serif family), Aria Pro (2011, a delicate high-contrast transitional serif family), Forma Solid (T26). In 2013, Rui published Aria Text (a rational (transitional) toned-down version of Aria that comes in three sets of optical sizes, G1, G2, and G3), the geometric sans family Azo Sans and Azo Sans Uber, a geometric sans with a humanist element. Grafolita Script (2013) is a connected typeface family that borrows ideas from signage scripts. Typefaces from 2014: Litania (medieval-style typeface with roman capitals, Lombardic capitals, and Carolingian minuscules; nice fists accompany the type), Signo (a dynamic sans serif with reverse contrast, designed for editorial and branding). Signo won an award in the TDC 2015 Type Design competition. Typefaces from 2015: Montblanc (a custom sans for the Montblanc company that won the IF Design award in 2015), Usual (a neutral sans with large x-height). In 2010, Peter Bruhn started a typeface but he died before it was finished. In 2015, Rui Abrey and Göran Söderström finished it as Bruhn Sans (Fountain Type). In 2010 Peter was commissioned to design a wordmark for the documentary Harbour of Hope. The type was to ellicit Malmö's harbor, and Peter found inspiration from the painted type of industrial tankers docked in his hometown. Typefaces from 2016: Grifo, Symbio and Symbio Arabic (at Typotheque; prize winner at Granshan 2016), Sul Sans (a geometriclly constructed sans with features frequently seen on signs and buildings in Portugal). Typefaces from 2017: Sul Mono (a typewriter style), Grifito, Grifinito (condensed versions of the sharp-edged display typeface Grifo), Aquino (by Rui Abreu and Ricardo Santos; a display calligraphic stencil typeface inspired by a liturgic book made by Portuguese friar Tomas Aquino in 1735). Typefaces from 2018: Gliko Modern (an award winner at the Type Directors Club's Type Design Competition 2019). Typefaces from 2019: Flecha (a sharp and streamlined old-style typeface made for editorial design that won an award at 23TDC in 2020), Staff (a neo-grotesk from X Wide to XXX Condensed). Typefaces from 2020: Flecha Bronzea (M, L: the condensed version of Flecha). Typefaces from 2021: Azo Super (a heavy display font), Staff Grotesk (a low key sans family derived from Abreu's 2019 font, Staff), Gineto (a grotesque developed from the brevier size of Gothic no. 4, a nineteen century design by the New York type foundry Farmer, Little & Co), Chassi (in three optical sizes, S, M and L: a revival of Garamond as a genre, slightly reinterpreted for our times; I duisagree though with the word "slightly"). MyFonts interview in August 2013. MyFonts page. T-26 page. Old home page. Klingspor link. Fountain Type link. View Rui Abreu's typefaces. [Google] [MyFonts] [More] ⦿ | |
Graphic design student in Lyon. Creator of Antarctica (2012), and Miles Davis (2012, an inline art deco typeface). [Google] [More] ⦿ | |
Parisian designer of the Bauhaus-inspired Ortaki (2012, with Cyril Barrier). In 2014, he designed the display typeface Norris and the calligraphic typeface Yonne. Behance link. [Google] [More] ⦿ | |
Photographer and graphic designer in Sevilla, Spain, who created the italic didone stencil typeface Doñ in 2017. [Google] [More] ⦿ | |
Bogota, Colombia-based designer of the paper fold typeface Fabric Type (2017). [Google] [More] ⦿ | |
Designer who used FontStruct in 2009 to make HBK Friday, an LED simulation face. [Google] [More] ⦿ | |
Releases in 2012 include HS Future Sans (with Abdulsamie Rajab Salem), HS Amal, HS Alfaris, HS Al Basim A, and HS Almohandis. Typefaces from 2013: HS Alwafa, HS Masrawy (a display typeface done with Abdulsamiea Rajab Salem), HS Elham (Kufi). Behance link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Montevideo-based designer of the organic typeface Escrin. See also here. [Google] [More] ⦿ | |
Jorgito Abuin (b. 1967, Spain) designed the brush font Cabanyal Z (2013). Fontspace link. [Google] [More] ⦿ | |
His typefaces include Zena (2009), Layal (2007), Mehdi (2005: follows the guidelines of the Mutamathil Taqlidi type style), Sabine (2008: it too follows the guidelines of the Mutamathil Taqlidi type style), Fallujah (2005), Mutamathil Falujah, Yasmine Mutamathil, Mutamathil Taqlidi, Arabic Mutamathil, Arabic Mutamathil Mutlaq (2004), Arabic Mutamathil Tibaah, Arabic Mutamathil Mutlaq Tibaah, Arabic Mutamathil Muttasil and Arabic Mutamathil Tibbaah Muttasil. Mutamathil and Mutamathil Taqlidi include optional Lam-Alif ligatures. See also Kufa Mutamathil (2011). Other font families: Nasrallah, Silsilah, Yasmani, Mutamathil, Yasmine Mutamathil, Amudi, Amudi Mutamathil, Anbar (2008), Handasi, Yasmine Mutlaq, Jazm (2010), Jalil (2011). In 2012, he added Nuqat, Nastarkib, Lahab, Ibrani, Hallock, Arabetics Latte (for Latin and Arabic), and Banan (Mutamathil Taqlidi type style). In 2005, he created Handasi, about which he writes: The idea behind Handasi, Arabic word for engineered, was to design a font without a single curve that would at the same time resembles traditional curves-rich Nask style. The font strictly uses straight lines. The design of Handasi is based on the Mutamathil Taqlidi design style where each letter is represented by one normal glyph assigned the basic Unicode number and an additional final shape glyph to letters capable of dual connection within traditional Arabic text. No initial, medial, or standalone shapes are provided. Arabetics Symphony (2012) is a sans serif Latin typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. In 2013, he published PF Nuyork Arabic at Parachute. His Arabetic fonts from 2013 include Nagham, Arabetics Harfi (for Latin and Arabic), Camille, Raqmi and Raqmi Monoshape. In 2015, he published Hazim (in Mutamathil Taqlidi style), Sada (for small devices, in Mutamathil Taqlidi type style), Khatt, which follows the Arabetics Mutamathil Taqlidi style. Typefaces from 2016 include Mashq, possibly the first typeface implementation ever of the early Quranic scripts of the Early Mashq, Mashq Kufi, and Mashq Ma'il. The font family design is primarily based on the scripts of the Quran manuscripts of the Topkapi Museum, the Bergstraesser Archive, and other scattered samples. Typefaces from 2018: Arabetics Detroit. Typefaces from 2020: Arabetics Aladdin. Hiba Studio link. [Google] [MyFonts] [More] ⦿ | |
Communication design student in Milwaukee, WI, who made Embodiment (2011), a typeface for genies. [Google] [More] ⦿ | |
Designer of Matmos, which won an award at ProtoType in 2016. [Google] [More] ⦿ | |
Tripoli, Libya-based designer, with Abd-Elrahman Ammar (development), of the free Arabic font family Raoof. [Google] [More] ⦿ | |
London-based graphic designer and illustrator, who studied graphic design at London's Architecture and Visual Arts school. Behance link. Her typefaces include Valence (2011, blackletter/tattoo face). Also, starting in 2011, she decided to drawn one letter per day. Shapes (2011) is a geometric face. [Google] [More] ⦿ | |
Cairo-based designer of an Arabic Tetris-inspired typeface (2014). [Google] [More] ⦿ | |
Based in Cairo, Nayera Ezzal Din Abesteit created an Arabic typeface using compass and ruler in 2013. In 2014, she published a condensed Latin/Arabic typeface called Tall. [Google] [More] ⦿ | |
American designer of the bicolored caps typeface Ketab (2018). [Google] [More] ⦿ | |
Argentinian designer in Buenos Aires of the pixel typeface Andina (2012). Home page [Google] [More] ⦿ | |
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Typefaces from 2016: Annabelle (formal script), Beautification (connected script), Better (2016). [Google] [More] ⦿ | |
Dafont link. Behance link. Old URL. Creative Market link. [Google] [More] ⦿ | |
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During her studies in Ankara, Turkey, Bengisu Acar created the modular computer emulation typeface Majesty (2015). [Google] [More] ⦿ | |
At Yasar University, Izmir, Turkey-based Eylem Eylül Acarsoy designed the squarish typeface MGMT (2018). [Google] [More] ⦿ | |
Izmir, Turkey-based designer of the foliate typeface Acar (2016). [Google] [More] ⦿ | |
Turkish designer of the bouncy squarish font Halit (2008). [Google] [More] ⦿ | |
Art director in Buenos Aires, Argentian, who designed a squarish all caps typeface called Thesame (2017). [Google] [More] ⦿ | |
Or Aleksey Achyo. Omsk, Siberia-based designer of the free Pacman-inspired typeface Accio Beta (2016). Behance link. [Google] [More] ⦿ | |
Brazilian graphic design student. Creator of Lovato Serif (2012). [Google] [More] ⦿ | |
Buenos Aires-based designer of the tall thin typeface family Dunn (2016) as a project at Universidad de Palermo. [Google] [More] ⦿ | |
Cranbrook Academy of Art student who designed Thermal (2001). [Google] [More] ⦿ | |
During her studies at Flagler College, and exactly obn the day hurricane Irma hit Florida in 2017, Orlando, FL-based Daniela Acevedo designed the decorative caps typeface Interlace. [Google] [More] ⦿ | |
Barcelona-based designer of the Escher-style outline typeface Barcelona (2014). Behance link. [Google] [More] ⦿ | |
Merida, Venezuela-based designer of Joro Pop (2012). [Google] [More] ⦿ | |
During her graphic design studies at Fachklasse Grafik in Luzern, Switzerland, Anina Achermann created a bold sans typeface (2014). Behance link. [Google] [More] ⦿ | |
Creator of the hand-rendered typeface Rubbish (2012). [Google] [More] ⦿ | |
Designer of the 3d shadow typeface Rubbish (2009, HypeForType). [Google] [More] ⦿ | |
The Iching truetype font by Connie Achilles and Font Source, Inc. (1997). [Google] [More] ⦿ | |
Indramayu, Indonesia-based designer of the modular sans typeface Daun (2018), the squarish techno typeface Troton (2018) and of Modern Ball Icons (2018). [Google] [More] ⦿ | |
Finnish graphic designer and illustrator, who is finishing a BA in Graphic and Media Design, at London College of Communication in 2013. Creator of a collaborative typeface (with Sam Brogan) in 2013. [Google] [More] ⦿ | |
Rego Park, NY-based creator of the free techno typeface Acid Structure (2011). Behance link. [Google] [More] ⦿ | |
Eskisehir, Turkey-based designer of Wave Script (2018). [Google] [More] ⦿ | |
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Istanbul, Turkey-based creator of the circle-inspired typeface Retrospective (2014). Behance link. Dafont link. [Google] [More] ⦿ | |
Designer of the first Serbina Cyrillic blackletter font, Gotica (2012). [Google] [More] ⦿ | |
Recife, Brazil-based designer of the display typeface Monsters (2014) and the pixel typeface Games (2014). [Google] [More] ⦿ | |
Christian Acker (b. 1979, Norwalk, CT) and Kyle Talbott, two graphic designers in New York City, set up Handselecta on Long Island in 2003 as a division of Adnauseum, Inc. They have pages on graffiti art, graffiti and calligraphy, and graffiti-based typefaces: Espo, Joker (done with Jerry Inscoe), Sabe, Mesk, Mesk AOK. Run by Brooklyn-based Christian Acker. They are selling the graffiti fonts. MyFonts link. MyFonts sells HSMene One NYThrowie (2006), 24 HRS, Joker Straight Letter, Mene One Mexicali, Mesh One AOK, Meskyle Laid Back, Sabe Ghetto Gothic, and Sailor Gothic. Behance link. Interview by Ping Mag in 2006. In 2008, he made a custom graffiti font called Lebron6 for the launch of Lebron James's Sixth Shoe. View Christian Acker's typefaces. [Google] [MyFonts] [More] ⦿ | |
Adnauseum is an experimental design studio in Brooklyn, NY, run by Christian Acker, an American type designer (b. 1979, Norwalk, CT) who graduated from the Parsons School of Design in New York City in 2002. Christian occasionally guest lectures typography classes at Parsons. He set up Adnauseam in 2002 and Handselecta in 2003. He designed Sailor Gothic (2003), the Spanish-looking font Sailor Jerry (2002), Joker Straight Letter (2006), Mene One NY Throwie (2006), Mesh One AOK (2006), Meskyle Laid Back (2006), Sabe Ghetto Gothic (2006), and 24Hrs (2002, Cubanica). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Fonts made by Paul Ackerley include Ackadia (1999, 3D simulation font). [Google] [More] ⦿ | |
Lansing, MI-based designer of Glyph Sans (2015), a free experimental sans typeface made with FontStruct. [Google] [More] ⦿ | |
Cape Town, South Africa-based designer of the 3d shadow typeface Disclosed (2016). [Google] [More] ⦿ | |
Cape Town, South Africa-based designer of the blocky typeface Pajitnov (2015), which was inspired by the classic arcade game Tetris and named after its Soviet developer, Alexey Pajitnov. [Google] [More] ⦿ | |
Codesigner of FF Bauer Grotesk (2014, Fontfont), with Felix Bonge. Fontfont writes: FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the Art Deco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval O is a good example of this approach, as are characteristic shapes like the capital M or the unconventional varying stroke endings on the c and s which give them a less constructed look. [Google] [MyFonts] [More] ⦿ | |
Designer of the delicate font Russell at Alphabets Inc., and of Russell Oblique (1994, Adobe). Karen Ackoff has a BFA in Illustration from the Philadelphia College of Art and an MFA in Medical Illustration from the Rochester Institute of Technology. She has worked as Scientific Illustrator at the National Museum of Natural History, Smithsonian Institution in Washington, DC. She presently teaches and coordinates the Graphic Design program at Indiana University South Bend. She is available for freelance commercial artwork and fine arts commissions. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Mezz Acmal is the Brunei-based creator of the futuristic font Akmal [no downloads]. [Google] [More] ⦿ | |
Graphic designer in Queretaro, Mexico, who created the stencil typeface Warnol (2015). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Xixo Xixo (2008). [Google] [More] ⦿ | |
Graphic designer in Montreal who created the italic didone typeface Vogue in 2017---her Vogue is not at all related to the well-known geometric sans Vogue. Behance link. [Google] [More] ⦿ | |
Based in Mexico City, Alejandra Acosta Chavez created Gormley Bold (2013), which is a squiggly typeface created from Helvetica in the style of the English painter Anthony Gormley. [Google] [More] ⦿ | |
Lagartija desino is the Puerto Rican foundry of Edna Acosta that produced Aliance (1998), Chupacabra (1998), the Diplomatica family (1998, with ornaments), Acosta Regular, Acosta Italic, Acosta Bold, Acosta Bold Italic, Acosta Black, Acosta Black Italic, Spirograf (1998, dingbats). All fonts by Edna Acosta. Edna graduated from the Parsons School of Design in New York in 1990 with a BFA. Klingspor link. [Google] [More] ⦿ | |
Bogota, Colombia, and Montreal-based designer of the great poster series Puscifer (2016) and the handcrafted typeface Nuvoo (2018). [Google] [More] ⦿ | |
Freelance designer in Buenos Aires, Argentina, who created the blackboard bold typeface Cinemanette in 2016. [Google] [More] ⦿ | |
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Guarenas, Venezuela-based designer of the multiline typeface Typossibilia (2014). [Google] [More] ⦿ | |
Graphic designer in Mesquita, Brazil. A painting by Herbert Bayer inspired Patricia Acosta to create the art nouveau typeface Bayou (2014). [Google] [More] ⦿ | |
Sao Paulo, Brazil-based graphic designer (b. 1988) and art director. Creator of the ultra black typeface SubSquare (2009). Aka "subdoom". Dafont link. Devian Tart link. Behance link. [Google] [More] ⦿ | |
Graphic designer in Brooklyn, NY. He made the custom logortype Chimaera (2010) for a mediaeval-style cafe. Behance link. [Google] [More] ⦿ | |
Behance link. Dafont link. [Google] [More] ⦿ | |
During his studies at University of South Wales (CCI/ATRiuM, Cardiff), Thomas Acton created the experimental typeface The Captain Is A Storyteller (2013). [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the thematic typeface Headphone (2017). [Google] [More] ⦿ | |
Fray Luis Beltran, Argentina-based designer of the display typeface Linear Group (2019). [Google] [More] ⦿ | |
Creator of the free fonts Fontanera (2013) and XII (2013, a clean hand-printed caps typeface). [Google] [More] ⦿ | |
Free original fonts by Yuji Adachi: Nice Age, Arcade (pixel font family that includes a horizontally-striped style, 1998), Bop Gun, No Problem, Dymos, One Nation, Atari 80, Bad Matrix and Lavalite, Dimension (kids' orthographic font, 1999), UHF (baseball shirt lettering, 1999), LogoSystem (1998), Bangalore (Stephen Coles says that this is still the world's best small pixel script), Radio Dept, Ole Segments, Code3X (barcode font, 1999), Neo Dymos, Major Kong (handprinting, 1999), Ohio Player. Font Pavilion sells his Dymos (katakana), One Nation, Bop Gun, Logo System. In Digitalogue's DPI72 package, he published the screen pixel fonts CODE14X (1999), DryBones7 (1999), Tempo9 (1999). Promised fonts: Wax, Problems, Bad Matrix, Atari80, Neo Dymos, No Problem, Ole Segments. Fontspace link. Dafont link. [Google] [More] ⦿ | |
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The Scholars Press Fonts are public domain fonts that are designed to work on both Windows computers and Macs. Fonts for Hebrew, Greek, Syriac, Coptic, and Semitic-language transliteration. (Mac and Windows): SPEzra (fixed width Hebrew/Aramaic, 1998) and SPTiberian (Hebrew/Aramaic), SPIonic (Greek, see also here), SPEdessa (Syriac), SPDoric (1999, uncial Greek), SPAchmim (Coptic), SPDamascus (Hebrew, 1998), SPCaesarea (dingbats, 1998), and SPAtlantis (transliteration). All fonts by Jimmy Adair. He states: "Patrick Durusau, formerly my colleague in crime at Scholars Press and now with the Society of Biblical Literature, was instrumental in the design and disseminatation of the SP fonts." FTP access. Truetype archive. See also here. fontspace link. [Google] [More] ⦿ | |
American designer (b. 1984) of Nefraka Print (2006, runes for an artificial language). Home page. [Google] [More] ⦿ | |
Creator of the free typeface Adais (2010, OFL). Download dysfunctional. [Google] [More] ⦿ | |
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Creator of the free ink run typeface Symbiote (2012). [Google] [More] ⦿ | |
London-based designer of Bootround (2006, a techno version of Amelia). [Google] [More] ⦿ | |
Creator of the cross-themed dingbat typeface called Little Gidding. Alternate URL. [Google] [More] ⦿ | |
Software developer in Bucharest, Romania, who specializes in generative and algorithmic art and design. Github page. He has used Andreas Koller's Fontastic tool to create a family of generative experimental typefaces in 2015. [Google] [More] ⦿ | |
American designer, b. 1984. Home page. Her free fonts include Selfish Bitch (2010, hairline, hand-printed), and the ornamental art deco caps typeface Sundays Are Boring (2010). [Google] [More] ⦿ | |
Designer at Genzsch&Heyse, who made Rex (1924). [Google] [More] ⦿ | |
Carl Adam taught design at the Staatlichen Fachschule für das Buchgewerbe in Hamburg. He designed the openface font Rex (1924, Genzsch & Heyse). [Google] [More] ⦿ | |
Blaise Adamczyk (aka de Seingalt) is the Polish designer (b. 1986) of Rounded (2006), an all caps stencil face. [Google] [More] ⦿ | |
Graphic designer in Poznan, Poland, who published the squarish typeface Quadrum (2019). [Google] [More] ⦿ | |
During her studies in Tijuana, Mexico, Gabriela Adame created the geometric display typeface Geogar (2013). [Google] [More] ⦿ | |
Polish designer of the hand-printed typeface Szarpany (2004). [Google] [More] ⦿ | |
Ish Adames, a graphic designer and photographer in Philadelphia, PA, designed the titling sans typeface Duma in 2013. Behance link. [Google] [More] ⦿ | |
Philadelphia-based designer of the free geometric sans typeface Duma (2014) and the free Duma Bold (2014). Behance link. [Google] [More] ⦿ | |
Graduate of Masaryk University in Brno, Czechia, class of 2013. Brno-based graphic artist who created a blackletter typeface in 2011 at Masaryk University that is based on lettering in the Krems Bible (1333/1334, Austria). In 2015, he published the splendid handwriting font Linkingabo. Behance link. [Google] [More] ⦿ | |
Michal Adamiec (b. 1987) is studying at the Pedagogical University in Krakow, Poland. He made Murena (2012, a bouncy sans family), Cello Sans typeface (2010, organic), and the techno-inspired Penumbrum (2010). Behance link. [Google] [More] ⦿ | |
Stockholm-based graphic and type designer who cofounded Theygraphics with Stockholm-based Fredrik Forsberg and Prague-based Zdenek Patak. He obtained an MA in Graphic Design at the Konstfack College of Arts and Design, Stockholm, Sweden. [Google] [More] ⦿ | |
Rome-based designer of Racing Font (2014). [Google] [More] ⦿ | |
Belgian designer (b. 1978) of Lazy Sunday (2007, octagonal, mechanical) and SNC Bishop (2007, grunge). Dafont link. Goes under the alias Magic Chicon. [Google] [More] ⦿ | |
Hungarian designer of the shadow typeface Invisible (2015). [Google] [More] ⦿ | |
Hungarian designer of HUN-DIN 1451 (2012). [Google] [More] ⦿ | |
Redhill, UK-based designer of Rapide Sans (2015, a hexagonal typeface). [Google] [More] ⦿ | |
Patrick Adamove (Charter Design) is the Hamburg-based designer of Horoscopia (2000, dingbats) and CharterD-Normal (1999, grungy) at Garagefonts. At Charterdesign, he created Dementia 13 and Planquadrata. Klingspor link. FontShop link. Garagefonts link. [Google] [More] ⦿ | |
Illustrator, cartoonist and comic book author, who, during her studies in Belgrade, designed the calligraphic old church Slavonic / Latin typeface Sokolar (2013). This delicate and readable typeface was her Master's graduation project. [Google] [More] ⦿ | |
Designer of the hand-printed typeface Uncensored (2013). I am not entirey sure, but this could be the same Andrew Adams in Orem, UT, who designed a Deseret typeface in 2016. The latter Andrew Adams graduated from Utah Valley University in 2014. [Google] [More] ⦿ | |
Freelance graphic designer from Chipping Norton in rural Oxfordshire, UK. In 2015, Calum designed the sans typeface Zyana. Dafont link. Behance link. [Google] [More] ⦿ | |
Designer at the Open Font Library, who contributed Just Letters (2012, blackletter) to the project. This was based on Albrecht Duerer's Of the Just Shaping of Letters (1525). [Google] [More] ⦿ | |
Wellington, New Zealand-based designer of Dan Sans (2015). Behance link. [Google] [More] ⦿ | |
Winter-Garden, FL-based designer who studied at the Art Institute of Fort Lauderdale. Creator of the tall handcrafted typeface Procerus (2020). [Google] [More] ⦿ | |
Evan Adams graduated with a Computer Science degree from Oregon State University and has been with Google since 2005. He worked on Google Slides, ensuring consistent line-breaking in the face of different browsers, OSs, font files, font-rendering engines, zoom levels and kerning. Adams is currently part of the Google Fonts team, where he focused on discovering the best strategies for delivering Korean fonts. Speaker at ATypI 2018 in Antwerp. Graduate of the TDi program in 2018 at the University of Reading. [Google] [More] ⦿ | |
German designer (b. 1981) of the techno font PBIO (2014). Dafont link. [Google] [More] ⦿ | |
A graduate of NC State's College of Design, Heidi created a slabby monoline typeface there in 2009. Born in Columbus, OH, she lives in Raleigh, NC. Behance link. [Google] [More] ⦿ | |
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During his studies at The Columbus College of Art and Design in Columbus, OH, Ian Adams designed the mini-serifed display typeface Aroma (2016). [Google] [More] ⦿ | |
American designer of the piano key typeface Lure (2019). [Google] [More] ⦿ | |
Fonts by Matt Adams, all made in 2001: Atari, AtariTheTempleofDoom, DaddysTools, Drafting (2001), HelBit, IUD, Naked, Paprika, PopularMechanics, StillPantless. Some of these fonts are derived from screen fonts, and have jagged looks. [Google] [More] ⦿ | |
Memphis, TN-based Michael Adams (Roadgeek Fonts) developed a series of (free) heavy sans US highway sign fonts in 2002: Roadgeek2000SeriesB, Roadgeek2000SeriesC, Roadgeek2000SeriesD, Roadgeek2000SeriesE, Roadgeek2000SeriesEModified, Roadgeek2000SeriesF, RoadgeekTransportHeavy, RoadgeekTransportMedium. In 2005, he extended his font collection to include UK, German and US highway signs:
Additional links: Fontspace link. Fontreactor link. Home page. Download the full Roadgeek 2005 collection. There was some controversy in 2022 when type xdesigners learned that the highway signs in Argentina used Roadgeek 2005, while the license obviously states that use on actual highway signs is not allowed. [Google] [More] ⦿ | |
Writer and editor. Graduate of Type West in San Francisco, class of 2020. Her graduation typeface was the calligraphic, nostalgic and retro-space age typeface Chronicle. [Google] [More] ⦿ | |
Designer in 1996, with Tony Knight at T26, of Hybrid, Protoplazm and Shameless. [Google] [More] ⦿ | |
One Way Out (or: Church Art Fonts) sells about 100 display fonts. Eleven collections of seven fonts at about 95 USD per collection. By Dave Adamson. Some font names: Beat Street, Blitzkrieg, Day Three, El Nino, Erratic, Espresso, Frazzle, JiveTalk, Knucklehead, Lost Tribe, Lunatic, Protoplazm, Ragamuffin, Slackhappy, Squidly, Thud, Twitch, Toxic, Toxic Waste, Astro Boy, HunkyDory, Hybrid, Jolly Roger, Shameless, Surf City, Swanky, Armageddon Medium, Mystery 2, Raw, Neo-Human Outline, Cattitudes (cats), Epidemic, Dimentia, Dimentia Wide, Damage Light, Thus Thin, chronicle, Hoopla, Wisecrack, Dimentia Thin, Yoo-Hoo, Why Kee Kee, AlterEgo, Damage, Havva Nice Day, reactor, Slade, Aspire, Scooter, Squidly Bold, Shogun (oriental simulation), NeroHuman, Euphoria (handwriting), Army Surplus (stencil), Armageddon Bold, Chop Top. Most fonts distributed by T-26 and copyright of "One Way Out". Please will someone explain to me who designed what for whom? Earlier, Adamson designed for FontHaus, see, e.g., Bristol Adornado Regular (1994). [Google] [More] ⦿ | |
Rachel Adams (Savannah College Of Art & Design, Savannah, GA) created the stick typeface Touch (2013). [Google] [More] ⦿ | |
Fontspace link. Dafont link. [Google] [More] ⦿ | |
FontStructor who made the textured typeface Amoeba (2012). [Google] [More] ⦿ | |
At The Art Institute of Austin, Austin, TX-based Samantha Adams designed the handcrafted typeface Sam's Font Lie To Me (2016). Behance link. [Google] [More] ⦿ | |
Scott Adams, of Dilbert fame, created a font for his lettering, which is not generally distributed. However, the free font Filbert (2004) does a good job imitating the lettering in Dilbert. And so does Dilbert Font (2010, freefontfan). [Google] [More] ⦿ | |
Student at ZIVA, a typography and graphic design school in Harare, Zimbabwe, led by Saki Mafundikwa. In 2001, she designed a font with letters made up of lizards. [Google] [More] ⦿ | |
Poole, UK-based designer of Urbane (2014). [Google] [More] ⦿ | |
He developed Mako (2007), a type family for text and image in magazines. Earlier, he created AutoPacHousehold. Nobile (2010) is part of the Google font directory. Through the Open Font Library, one can get the source Fontforge code for this open source sans family. About Mako, he writes that he submitted the font to Fontsmith, which sat on it for a while and rejected it, only to publish a few weeks later Lurpak, which according to Vernon is too similar to his rejected design. Free fonts at Google Code by Vernon, as of the end of 2010 include Coda (a heavy elliptical face), Nobile (mentioned above), Corben (a curvy bold typeface in the style of Cooper Black), and Gruppo (a thin sans). In 2011, he added Coustard (a slab serif family), Damion (connected signage script), Smythe (Victorian), Radley (display face), Oswald (a reworking of the Alternate Gothic style: see this dedicated page; Oswald was updated continually by Vernon Adams until 2014. Vernon added Light and Bold weights, support for more Latin languages, tightened the spacing and kerning and made many glyph refinements throughout the family based on hundreds of users' feedback. In 2016 the family was updated by Kalapi Gajjar and Alexei Vanyashin to complete the work started by Vernon, and support languages that use the Cyrillic script), Candal (sans), Pacifico (connected signage face), Bangers (comic book face), Anton (heavy sans), Bevan (a reworking of Beton, a traditional slab serif display typeface created by Heinrich Jost in the 1930s), Six Caps (a condensed headline face), Meddon (a display font created from the handwritten script of an Eighteenth century legal document), Rokkitt (an Egyptian), Paytone One (headline face), Holtwood One SC (wood block simulation face), Monofett (white on black), Carter One (casual face), Francois One (gothic sans), Sigmar One (think mid twentieth century pulp magazine advertising), Bigshot One, Metrophobic, Mako, Francois One, Nunito (rounded; CTAN link), Shanti, Sigmar, Muli (minimalist sans), Kameron (an Egyptian), Stardos Stencil, Bowlby One, Bowlby One SC (fat poster face), Tienne (serif), Monoton (a multiline face in the style of Koch's Prisma, 1931), Sancreek (emulating an ornamental wood font), Amatic SC (hand-printed poster family), Sancreek (a Tuscan face), Oswald (in the old Alternate Gothic tradition of sans typefaces---a free Google font; CTAN link), Rammetto (based on the Stephenson Blake uppercase display font Basuto, released in 1926), and Michroma (modeled after Microgramma). Typefaces made in 2012 include Bench Nine (Google Web Fonts: based on old Stephenson Blake typefaces), Oxygen (a sans typeface available from Google Web Fonts; forked in 2016 at Open Font Library as Comme and in 2017 as Oxygen Sans, with two new oblique styles), Oxygen Mono (Google Web Fonts), Norican (free script font at Google Web Fonts based in part on Stephenson Blake's Glenmoy from the 1920s), Cutive (free at Google Web Fonts, based on the IBM typewriter typefaces Executive and Smith-Premier), Pontano Sans (Google Web Fonts: a light basic sans), Trocchi (Google Web Fonts: derived from Nebiolo's Egiziano, and Caslon & Co's Antique No.4 and Ionic No.2), Seymour One (Google Web Fonts: derived from Sigma One), Anaheim (sans, Google Web Fonts), Cutive and Cutive Mono (Google Web Fonts: based on the typewriter typefaces of IBM's Executive and the older Smith-Premier). Typefaces from 2013: Mondo (sans), Anton (grotesque). In 2016, Jacques Le Bailly extended Nunito to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans. Another extension of Nunito is Iunito (2019, unknown designer). In 2020, Jacques Le Bailly, Cereal and Vernon Adams (posthumously) released the sans typeface family Mulish at Google Fonts. Mulish is a minimalist sans, designed for both display and text typography. It was initially drawn in 2011 by Vernon Adams under the name Muli and then refined until 2014. In 2017 the family was updated by Jacques Le Bailly to complete the work started by Vernon after he passed away, in collaboration with his wife Allison, an artist who holds the trademark on the typeface family name. In August 2019, it was updated with a variable font weight axis. Donations to Vernon's family. Memorial. Fontspace link. Dafont link. Google Plus link. Fontsquirrel link. Klingspor link. Github link. Fontsquirrel link. [Google] [More] ⦿ | |
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In 2014, he designed the multicolor layered typeface Bron and Bron Shadline. Bron is based on Zelek, designed in the early 1970s by Polish type designer Bronislaw Zelek at Mecanorma. This typeface was originally made for dry transfer lettering sheets. It is has been redrawn and refreshed by Adatte. Also in 2014, he created Day and Collins Logotype (2014, based on catchwords and fists fond in a 1910 wood type catalog by Day & Collins, London). In 2015, he designed Marcel, an angular upright script typeface that was inspired by Jacno (1948) by French type designer Marcel Jacno. In 2016, Jeremia designed Script Typewriter Rough, which is the very first complete cursive digital typewriter font ever made after the original 1960 Smith-Corona Electra 210 typewriter. Behance link. [Google] [MyFonts] [More] ⦿ | |
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Creator of the grungy typeface Tomb Raider (2014). [Google] [More] ⦿ | |
Laura Addari (Venice) created Positive Negative (2013). [Google] [More] ⦿ | |
Creator of the psychedekic typeface Addiel (2008). [Google] [More] ⦿ | |
Graduate of Indonesia University of Education, b. 1993. Ciamis, Indonesia-based designer of the Peignotian typeface Viola (2017) and the tall monolinear sans typeface Grosella (2020). [Google] [More] ⦿ | |
Designer of IDM Minimal (2011, organic). Abstract Fonts link. [Google] [More] ⦿ | |
Designer from Keller, TX, whose fonts at Garagefonts include the futuristic family Transpond (1999-2000). Home page. FontShop link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Canadian designer of Stefanie (2009, hand-printed using Fontcapture). Devian tart link. [Google] [More] ⦿ | |
Creator of some free (often experimental) fonts in 2010-2011. Cooperators include Sylvain Henri, Jérémy Landes-Nones, and Sébastien Hayez. Frank's typefaces:
Author of a book on the life and work of Fran+çois Boltana (2012, with Suzanne Cardinal). Behance link. Open Font Library link. Klingspor link. Home page. Future Fonts link. [Google] [More] ⦿ | |
Lagos, Nigeria-based designer in 2020 of Business Icons and Masegfo (a free squarish typeface). [Google] [More] ⦿ | |
Montreal-based designer. During her studies at Concordia University, she created the free floriated caps typeface Floralism (2013), a font whose glyphs are shaped like in Novecento, one of the "in" typefaces of early 2013. Its decoration is inspired by art nouveau and psychedelia from he 1960s. Behance link. [Google] [More] ⦿ | |
Egyptian designer of Coxa Headline (2011), a geometric typeface in which the Arabic and Latin parts were created in harmony. [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the display typeface Qurvene (2016). [Google] [More] ⦿ | |
A web page devoted to Hugh J. Schonfield's reformed Hebrew script. I quote: In his 1932 book The New Hebrew Typography (London: Denis Archer), Hugh J. Schonfield ranted about his dissatisfaction with the Hebrew writing system. His complaints included a limited selection of typefaces, the lack of a capital-lowercase distinction, and finding Hebrew type ugly. His solution was to revise how Hebrew was written. Schonfieldian script has capital and small letters; Hebrew script letters do not have this distinction. Five Hebrew letters have special forms for when they occur at the ends of words; Schonfieldian does not have any final forms. Hebrew letters forms usually are emphasized horizontally; Schonfieldian letters are emphasized vertically like Latin letters. Punctuation and numerals are horizontally flipped versions of the usual Western forms; in Hebrew script, they are not flipped. The pages include four truetype fonts made by Barry Eshkol Adelman, called Schonfield. Schonfield experiments: Cable Light Hebrew (1932), Caslon Old Face Heavy Hebrew (1932). [Google] [More] ⦿ | |
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Mannheim, Germany-based creator of Surya Grotesque (2013, an alchemic typeface created during his studies at the University Of Applied Sciences in Mannheim). Behance link. [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the black Arabic display typeface Mikha (2019). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of The Mask (2018), which is named after the 1994 movie. [Google] [More] ⦿ | |
Graphic designer in Cairo who created the Mokabat typeface for Arabic in 2015. [Google] [More] ⦿ | |
During her studies at ESAIG (Ecole Estienne) in Paris, Marine Ade designed the graceful script typeface Bengale (2016) and the informal calligraphic typeface Aicha (2016). In 2017, she designed the calligraphic print typeface Zadig. [Google] [More] ⦿ | |
Brazilian designer who looks like Woody Allen. His typefaces include Chora na Rampa (2012, signage family), Fonte Gorda (2011, pixelish) and Fonte Galhos (2010, dot matrix face). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the children's book or ecological studies font Bornywale (2021), which has a free set of aquatic dingbats. Typefaces from 2020: Gwynothe (an SVG brush font), Donald Dickies (a handcrafted casual text typeface family) and Silky Watery (handcrafted). [Google] [MyFonts] [More] ⦿ | |
Electronics engineer from Birmingham, UK, who created Clarissa (2005) in regular and bold weights as a sans body family. No downloads. Continued here. In 2005, he started the serif typeface Ledbury. [Google] [More] ⦿ | |
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Indonesian illustrator who created Box Sliced (2011, counterless face). [Google] [More] ⦿ | |
Surabaya, Indonesia-based designer of the condensed didone typeface family Hollow (2017). In 2018, he designed Local (a sans serif) and Legacy (a geometric sans). His partially free squarish typeface family Dirty (2018) was influenced by Bebas Neue. [Google] [More] ⦿ | |
Typefaces from 2014: December, Kandel (a great layered typeface in Regular, Bevel and Inline versions), Jingga, Expatriate (a compass-and-ruler typeface), Father (vintage signage face, with 3D and Distort styles). In 2015, he designed Puna (copperplate), Nawaitu (signage typeface), Tresno (a curly brush script), Mementomori (a modern blackletter), Gulana Slab Serif, the piano key typeface Zaun, and the 7-style vintage typeface family Sonten, which comes in 3D, Bevel, Contour, Deboss, Outline, and Shadow forms. Typefaces from 2016: Hujan (a fun calligraphic printed typeface), Canda, Canda Script, Ririwa (evil ghost: a wonderful scary ink splatter font). Typefaces from 2017: Oun (a vernacular blackletter typeface inspired by the Khmer alphabet). Aka Ezza Zebra. Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Surabaya, Indonesia-based designer, b. 1996, of the tall octagonal typeface The Hangover Decade (2019). [Google] [More] ⦿ | |
Typefaces from 2020: Fontana, Houston (inline caps), Goord (titling caps), El Fonte (all caps), Norland, Bonjour (condensed caps), Sigtia (calligraphic), Honney (calligraphic), Bigola, Axilia, Sunkisa, Santhin, Sulqata, Nagisha, Rithey, Rodelia, Betharia, Celya, Sonetha, Ruang Teduh, Reality, Jallu Salafi, Tagonda, Sigoda. Typefaces from 2021: Bunny Flowers (a scrapbook font), We Are Allstar (a playful font, perhaps even beatnik), African Paradise (a beatnik font), House Easter (a scrapbook font), Nona Manis (a beatnik font), Anak Sultan (a scrapbook font), Luar Galaxy, Lovely Unicorn (a scrapbook typeface), Ikan Salmon (a beatnik font), The Crafty (a scrapbook font), The Funy Times (a scrapbook font), Lovely Unicorn, Fontena (an all caps arts-and-crafts sans), Amoselia (a wild calligraphic script), Bontour (a skyline font), Goordy (a classical roman caps typeface with unbracketed serifs), Hatolie (display wedge serif caps), Marisa, Cameta Cuttes (wild calligraphy), Hello Crimsons (blackboard bold), Chris Master (wild and calligraphic), Carilos (an all caps decorative serif), Budyloves (a romantic script), Valentina (an upright Valentine's day script), Berylover (a wild calligraphic script), Love Birdy (a wild calligraphic script), Loving Hearty (a lovers' script), Night City (a forceful script), Beach Loves (wild and inky calligraphy), Kity love (wild calligraphy), Love Angel (wild calligraphy), Lovely Valentine, Helo Xmas (wild calligraphy), Karoline (wild calligraphy), Looqie (a display font), Mettalian (a wild calligraphic script), Royante (a signage script), Verali (a wild calligraphic script), Quality Times (a wild script). Typefaces from 2022: Collager (an 18-style display serif family). [Google] [MyFonts] [More] ⦿ | |
Indonesian designer, b. 1981, of the modular typeface Therover (2019) and the script typeface Elabor (2019). [Google] [More] ⦿ | |
Creator of the free font Probolinggo (2010, monoline simple sans). [Google] [More] ⦿ | |
Designer of these handcrafted typefaces: Biglittle Script (2019), Barossa Brush (2019), Exotic Queen (2019), Willona Script (2019), Hellokids (2019), Blondy (2019), Christopher Script (2019), Villaque script (2019), Daniella Script (2019), Villaque Script (2019), Tegofia (2019), Gallant (2019), Aleysia Script (2019) and Capital Script (2019). [Google] [More] ⦿ | |
M-A-D is an interdisciplinary design agency with primary expertise in branding and visual communications. Located in Sausalito, CA, its main designer is Erik Adigard. In 2012, Erik Adigard and Joachim Müller-Lancé co-designed the rounded octogonal monospaced typeface family Oktal Mono (Delve Fonts). [Google] [More] ⦿ | |
Cocreator of TX Signal Simplifier (2002, Typebox), a hilarious information design dingbat face. MyFonts writes: Eight designers present a set of icons that indicate the fun and fantastic world of signage. Each collaborator's solution represents a completely different interpretations on signage vernacular. The designers are Erik Adigard, Cynthia Jacquette, Akira Kobayashi, Michael Kohnke, Patricia McShane, Joachim Müller-Lancé, Jean-Benoît Lévy, Kevin Roberson, Diana Alisandra Stoen. [Google] [MyFonts] [More] ⦿ | |
Jakarta, Indonesia-based creator (b. 1995) of the free soft sans typeface Livewell (2015). In 2017, he designed Hagano Sans. Blogspot link. Behance link. Home page. [Google] [More] ⦿ | |
Indonesian designer of the free organic sans typeface RixPinkRibbon M (2013). [Google] [More] ⦿ | |
Or Adi Nugroho, b. 1987, Indonesia. Illustrator since 2008. In 2018, he published the script typeface Granotta, the handcrafted font Nafeeda, and the poster typeface Balbeer. [Google] [More] ⦿ | |
Her MA graduation typeface at reading was Tranquebar, which covers Latin and Tamil. In some places, this typeface is called The Herald. Pria also designed the free monolinear Latin / Devanagari typefaces Palanquin Dark and Palanquin in 2014 at Google Web Fonts that also covers Tamil, Bengali, Kannada, Telugu, Malayalam, Burmese, Khmer, Gujarati, Gurumukhi, Sinhalese & Oriya. In addition, she designed an 11-script Indic companion in four weights for URW++'s Nimbus Sans (and thus Helvetica), that includes the following scripts: Tamil, Bengali, Kannada, Telugu, Malayalam, Myanmar, Devanagari, Gujarati, Gurumukhi, Sinhala & Oriya. Catamaran (2015) is a contemporay sans typeface family for Latin and Tamil. Github link for Catamaran. Neue Frutiger Tamil (2018) was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. In 2019, at URW, she published the humanist sans typeface family Olivine. In 2021, Kostas Bartsokas, Mohamad Dakak and Pria Ravichandran set up Foundry 5 Limited where they released Peridot Latin (2022: a 121-strong sans superfamily by Kostas Bartsokas and Pria Ravichandran) and Peridot PE (2022: a 121-style sans superfamily by Kostas Bartsokas and Pria Ravichandran designed for branding, display, corporate use, editorial and advertising; it covers Latin, Greek and Cyrillic). Github link for Palanquin. In 2020, Eben Sorkin, Pria Ravichandran, Inga Ploennigs and Dan Reynolds co-designed the sans family Karow at URW. [Google] [MyFonts] [More] ⦿ | |
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Banda Aceh, Indonesia-based designer of Takeshi (2018), Studio 18 (2018), the creamy script font Chocolate (2018), the squarish typeface Everest (2018), and Winda (2018: a signature font). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer, b. 1979, of the outlined typeface Difo (2019). Creative Fabrica link. [Google] [More] ⦿ | |
Indonesian designer of the outlined handcrafted typeface Rev (2018). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the semi-alchemic typeface Arcaditya (2019). [Google] [More] ⦿ | |
Designer of the pixelish typeface Cedge 1 (2014, FontStruct), the organic typeface Syny (2014, FontStruct), and the rounded sans typeface Roung (2016). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the hand-drawn typeface Octopus (2013). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the organic typeface Fooner (2010). Home page. [Google] [More] ⦿ | |
Semarang, Indonesia-based type designer, b. 1992. His typefaces from 2020: the script typeface Moonlight Sonata, Happy Lucky, Mirabelle (script), Den Basuky (a dry brush script), Musashi (squarish and interlocking), Bratterly (a monoline script), Anastasya (a signature script), Signaline (a font duo), Camilla (a thick poster brush script), Ravenda (a unicase piano key font), Rosseville (a flowing script). Typefaces from 2021: Eksellena (a weathered blackletter), Etheryna (script), Anderlacht (a vintage all caps font with antiqued outlines), Puertofino (script), Rhinestone (an expressive hand-printed font), Alleyosha (a Treefrog style brush script), Hayabusha (a squarish typeface with interlocking letters), Sancho, Cornetta, Lucky Sunshine (calligraphic), Kintapani (a brush script), Sendang Mulyo (brush script), Manokwary (script). Typefaces from 2022: Mariska (emulating Japanese), Sophia Laluna (a display serif with an astrological vibe). [Google] [MyFonts] [More] ⦿ | |
Jakarta, Indonesia-based designer of the decorative typeface Kathakali (2015), which is patterned after an ornament on Kerala Island. This typeface was finished during her studies at Binus International University. [Google] [More] ⦿ | |
Graphic designer at Emanart in Scranton, PA, who created a decorative alphabet in 2014. [Google] [More] ⦿ | |
Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed ARB-187 Moderne Caps AUG-47 (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt. Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt. Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999), Jackport (2014, athletic lettering and Western typeface family). Adkins also designed the commercial font First Vision at GarageFonts in 1998. Review at &Type. List of the fonts on his CD. MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter typefaces Ironhorse and Ironrider (2007), revivals of classic wood type typefaces. FontShop link. Some fonts are inspired by sign painter Frank H. Atkinson. These include the Broken Poster series done in 2010, FHA Modernized Ideal Classic (2011), and FHA Nicholson French (1999-2014: art nouveau). In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline typefaces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010-2018) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge typefaces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (1999-2014, art nouveau) are based on Frank H. Atkinson's examples. Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family). Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling), FTY Varoge Saro Noest. Typefaces from 2015: FHA Sign DeVinne (after a popular sign painting design by Frank H. Atkinson named after DeVinne). Typefaces from 2016: FTY Delirium (+Neon), Delirium NCV. Typefaces from 2017: FTY Galactic VanGuardian. Typefaces from 2021: Fty Old Sport (a slab serif athletic lettering font family, one of the best in this genre). Typefaces made by Fontry West. Typefaces by Mike Adkins. Fontspace link. Klingspor link. Dafont link. Abstract Fonts link. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
During her studies at Flagler College, Saint Augustine, FL, Taylor adkins (b. 1992) designed the angular bas de casse typeface Salt of the Earth (2013). [Google] [More] ⦿ | |
Todd Adkins' fonts: Shatterfont, Chaotix, AortalHard, CaniptionFit (1996, alternative for Treefrog), LeprocyFace (1996), Mercurial and SuessFont (1996) are free. Mac and PC. They also sell font packages in all formats. [Google] [More] ⦿ | |
German designer of the phototypeface Black Wings (1976, H. Berthold AG). [Google] [More] ⦿ | |
Israeli type designer who created the Hebrew typeface Adler MF (2002) and Helena Gothy MF (2016) at Masterfont. [Google] [MyFonts] [More] ⦿ | |
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Adler's Dings shut down. In an earlier life, we could find here, from Vienna, Ursula Adler's commercial dingbat fonts: "LaMorte" dingbat fonts (13 fonts in all, and counting), Kick-a-ding (3), Roll-a-ding (3), Ring-a-ding (3), Divide-o-rama (3). 25 USD per 3-font set (truetype for Mac and PC). Other fonts: Butterbees, Reboot1, Abracadabra, Hidden Ghosts, Trinsomnia, U-Mix-U, DaDoodle, Stars No Stripes, Daymares. TypOasis (the link on the left) has a back-up of her non-commercial fonts. Her collection is now here: it has LaMorte 1 to 9, 11, 12, Abracadabra 1, Butterbees, Da Doodle, Daymares, Hidden Ghosts, Insanity Stroke, Reboot 1, Stars no Stripes, Trinsomnia, and U-Mix-U. Alternate URL. [Google] [More] ⦿ | |
Indonesian designer, b. 1991, of the upright script typeface Silvermain (2018), Monoline (2018), Koala Script (2018) and Tanpa Kata (2018), and the sans headline typeface Rave (2018). In 2019, he designed the script typeface Yosephine and the monoline script Jack & Jean. Typefaces from 2020: Port Harcourt, Siroep Mardjan, Baby's Dream. [Google] [More] ⦿ | |
German designer who is now located in Chicago, IL. For a club night in Frankfurt, she created the straight-edged techno typeface Sexpol (2014). For KISD Gala 2012, she designed an experimental geometric solid typeface. Behance link. [Google] [More] ⦿ | |
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During her studies in Kota Bharu, Malaysia, Nadia Adnan created a display typeface (2014). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the 3d typeface Cubic (2018). [Google] [More] ⦿ | |
Timisoara, Romania-based student who is developing some typefaces. He is working on an artsy, 45-degree serifed, silent-film inspired type family called Stab (2007) that can be viewed here. [Google] [More] ⦿ | |
Graphic designer in Buenos Aires who created the informal typeface Pinecone (2014). [Google] [More] ⦿ | |
Recife, Brazil-based creator of the pixelish typeface Gordina (2015). [Google] [More] ⦿ | |
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German designer of the paperclip typeface Drahtika (2017). [Google] [More] ⦿ | |
Argentinian designer of Artifex Regina (2022: a tall hand-crafted font family with sketched textures), Neon Summer (2021: a condensed handcrafted monolinear font family), Cookie Time (2021: script), Arkhania (2020: a vampire script for Halloween), Aeonian (2020: a 12-style retro futuristic sans), Nature Boy (2018, a display type that is almost art nouveau). [Google] [MyFonts] [More] ⦿ | |
Designer of some fonts at Chank's place, including The Naughties (1999). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the condensed blackletter typeface Wayne Bruce (2009). [Google] [More] ⦿ | |
Design studio in Bengkulu, Indonesia, established in 2018 by Rivo Adriansyah, a designer specializing in decorative serif typefaces. His catalog from 2021: Voguella (a luxury serif), Aveneur (a wavy reverse stress display typeface), Sableklish (a display serif), Waltrach (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), Belgietta (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), Rogie (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), The Quality Moment (a stylish all caps typeface by Abdul Malik Wisnu and Rivo Adriansyah), Bestagrach (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), Orchidesta (a stylish formal serif), Elegante Classica (a decorative serif), Kavaloora (a roman caps typeface), Magicher (a ligature-laden serif), Black Delights (a display serif with hipster coathanger lower case f and t), Wonderlova (a spurred and star-studded display typeface), Stangith (co-designed with Abdul Malik Wisnu), Elegante Classica (+Stencil), The Quality, Kavaloora. Typefaces from 2020: Bestorika (a decorative serif by Abdul Malik Wisnu and Rivo Adriansyah), Magicher, Stinker. [Google] [MyFonts] [More] ⦿ | |
Bengkulu, Indonesia-based designer (b. 1996) of these typefaces in 2019: Ophelie (script), Piedmont Hill (modular sans), Romerio (a sharp-edged text typeface), Black Roasters (monoline script), Maryland, Golden Gate (a font duo), Braceline, Custer Sans & Serif, Rafflesian Poem. Typefaces from 2021: Phenorush (a dry brush script). [Google] [MyFonts] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Etile (2010). [Google] [More] ⦿ | |
Israeli type designer at MasterFont. He designed the Hebrew typeface Karnaf in 2008. [Google] [MyFonts] [More] ⦿ | |
10USD shareware Hindi font by Shashi Advani. [Google] [More] ⦿ | |
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Designer of the script typeface Adyana (2019), which is advertised as a modern dancing font. Adyana also designed Vougoat (2019). [Google] [More] ⦿ | |
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Zurich-based creator of an experimental squarish 3d typeface (2013), tentatively called 360 Degrees. Behance link. [Google] [More] ⦿ | |
Swiss type designer at Fontnest who designed these fonts: mtrxs (with Jérôme Rigaud: a dot matrix font), Troyd, Encoda MM (sans serif), Encoda Anfang (sans serif), Absinthia, Punebot, Alchemia, Basicrounded, Bacted_Flagada_Trigger (a dirty look font), Helveliga (with Jerome Rigaud and Fabian Monod). [Google] [More] ⦿ | |
At the National Institute of Fashion Technology, Mumbai, India-based Anupriya Aeron designed the devanagari typeface Aeranya (2017). [Google] [More] ⦿ | |
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Magelang, Indonesia-based designer (b. 1990) of the octagonal all caps sports jersey typeface Basketball (2020) and the fat finger font Beloved Girl (2020). [Google] [More] ⦿ | |
Creator of the display typefaces Pistachio (2019), and Brewok (2019: a sans with hairy outlines), Glippy (2019: a glitch font), and Neon Desmon (2019), the fat finger fonts Granada (2019) and Macadamia (2019), the rounded handcrafted sans typefaces Maven (2019) and Dear Audrey (2019), and the script typefaces Attaya (2019), Sabrina (2019), La Petite (2019), Molita (2019), Geulis Stylish (2019), Gladyss (2019), Nina Ninut (2019), Lulla (2019), Dear Audrey Script (2019) and Camellia (2019). Typefaces from 2020: Sparkle (a connected script), Mischella (a signature script), Chia Seeds, Summer Pisces, Jerome (a condensed slab serif in three weights), Marylinda (script), New Interspeaker, Revnosa (a dry brush typeface), Chasy (script), Sherletta, Candela (a monoline script), Danyla, Grand Duke (a display serif), Sintya (a stylish script), Hey Monday, Chapillada, Butterfly, Good Vibes, Techno Space (futuristic), Oregano, Sabrina, Femme, Bilderberg (a display serif), Sagara (a vintage text typeface co-designed by Ahmad Syarif Afandi and Tri Kuncoro). Typefaces from 2021: Agathis, Allenisa (an open connected script), Beautiful Variella, Betteryou (a smooth script with contrast), Bitterlove (a curly script), Black Thunder (a fat finger font), Bunnyheart, Christhine (an elongated bean font), Christmas Craft (a blackboard bold font), Christmas Heart, Christmas Weather (script), Christmas Winter, Early Christmas (a scrapbook script), Easter Story, Evelyne, Febriella (a fine script), Firstlove (an upright script), Fishbone, Gabriella, Geollitta, Halloween Monoline, Hillarie, Holidate, Honey Love Bunny, Jaggielka, Kattsia, Lovebird, Nathilda (a calligraphic script), Phitaya (a hand-printed typeface with small x-height), Rabitta, Salminah (a monoline script), South Town (a monoline script), Spooky Hunter, Summer Beach (a playful font), Sweet Christmas, Thanks Mom (a scrapbook script), Violethe (a painter's font), Warilah, We Love Mom (a fat finger font), Wolfriend, Yattina (script). Old link for Peterdraw. Old link for Delapan. Typefaces from 2022: Angolla (a textured hand-crafted display font). [Google] [MyFonts] [More] ⦿ | |
During his studies in Beirut, Lebanon, Hovig Afarian created a modular Arabic typeface (2015). [Google] [More] ⦿ | |
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During his studies, Malang, Indonesia-based Muhamad Asnan Affandi designed Hoerop 45 (2017). [Google] [More] ⦿ | |
Bandar Seri Begawan, Brunei Darussalam-based designer of the free display typeface Forged (2017). Behance link. [Google] [More] ⦿ | |
Art director, photographer and illustrator in Tel Aviv-Yafo, Israel. Creator of the Hebrew typeface Zelda (2015). [Google] [More] ⦿ | |
Swiss designer of Affolter Grotesque (1945), aka Ouvrière. That typeface was digitally revived by Alex W. Dujet, Dylan Sauty and Hugo Marucco in 2011 (League, Genève). I have been unable to verify this information which was seen on an image shown by Hugo Marucco. [Google] [More] ⦿ | |
Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic typeface also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau typefaces, some Victorian ornamental typefaces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter typefaces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental typefaces), Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More] ⦿ | |
During his studies in Pelotas, Brazil, Fernando affonso designed an unnamed curly typeface (2013). [Google] [More] ⦿ | |
Designer of the brush font Emerald Brush (2016). [Google] [More] ⦿ | |
Typefaces from 2020: Blue Spiris, Grapine (Victorian), Ricasto (a signage script), Grizlie (an octagonal sports font), Madanira (a semi-formal script), Amellisa Ink, Anstec (a techno / sports font), Razen (a techno / sports font), Sourta (a speed emulation sports font), Abigile (an upright script), Off Side (all caps, brush), Bastina Sindey (a dry brush script), Bread Store, Feeling Blessed (an upright rabbit ear script), Meristmas, Mosteri (a fantasy font), Ateros (a sci-fi typeface), Aloner (a sci-fi font), Nucleo (a sci-fi font), Roline (prismatic), Tahu Bullats (a creamy signage script), Valentiqu (a curly upright script), Magic Funk (a psychedelic script), Letter Magic (a decorative serif), Craft Lovers, Magzo (a decorative serif), Belights, Cute Meow, Baking Pastry, Sweet Butter, Feeling Blessed, Baby Bunny Script, Misteri Caps, Carglos (blackletter), Traditian, Genta (a rounded bold all caps typeface), Beyond Stars, Off Side (brush), Santoriu, Hi Panda, Crows (a curly serif), Zeniq (a stencil font), Nucleo, Abigile, Blaster, Botania, Crunchy, Femina, Graphite, Holly Days, Hot Sauce, Just Swirls, La Fiesta, Lets Espresso, Little Baby, Magic Sparkle, Ricota, Secillia, Shinesy, Skid Rock, Stripline, The Englands, The Spectre, USA Nation, Magzo (a display serif indeed for food packaging and logos), Stabillo (a food logo brand typeface), Austina Capitton, Kora Kora, Mosherif (Regular, Tall, Short), Golden Stanbury (a signature script font duo), Risolla Calisto (a wild calligraphic typeface), Wild Wolf (brush), Balistone (a wild script), Glastia Monoline, Amorista (a rabbit ear script), Eastblue, Crimmy (a dry brush script), Buchery, Castel, The Begundals, Sambal Pedas (a dry brush script), Blastoic (a dry brush script), Queen Sea, Skid Rock, Platinum Signature, Sonita (a condensed decorative serif typeface). Typefaces from 2021: Bastro (a great obese short-necked retro display typeface), Romantic Serif, Pastel Orange (an elegant artsy ligature serif), Romantic Serif, Sunroll (fashion mag caps), Romla (a wide display serif), Magic Retro (a heavy magic mushroom typeface), Holingston (a dry brush script), Gopetter, Ballomont (handwriting), Astopher, Restoe Bumi (a handwriting font), Rotenfold (a script), Halima Sofira, Anastia Buttery (an inky signature script), Belighta (wild calligraphy), Bittle Birdy (an irregular typeface that will cause psychological damage), Magic Sparkle (a decorative all caps serif), Notted (an exaggerated fashion mag font loaded with smooth ligatures and featuring surprise gyhphs such as a lower case a that is a mirror of the lower case e). HansCo Studio. [Google] [MyFonts] [More] ⦿ | |
Behance link for Lettercorner Studio. [Google] [MyFonts] [More] ⦿ | |
Aka Muhammad Afif. Indonesian designer of these typefaces in 2018: Kalimastha (script), Pariangan (a script), Kafka (a signage script), Hello World (free), Codename, Natash Sena (a script), Futusicia (font duo), Jorge (a brush font), Fourty (sans), Giagonic (a hipster sans), Muvcix (a display sans). Typefaces from 2019: North London (script), Astroman (sci-fi), Retropus (signage script), Sureface (a dry brush typeface), Kick Slipe (a free brush font), The Tormanted (sic) (a scary brush type), The Breachery Script, The Dreamstars (a creamy script), Starhawks (a font duo), Speakup Script, Droping (a techno sans). [Google] [More] ⦿ | |
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Edgar Afonso (b. Viana do Castelo, Portugal, 1976), is a graphic designer and illustrator who embarked in 2010 on some fontr projects. These include the modular typeface Nave (2010). Behance link. [Google] [More] ⦿ | |
Yerevan, Armenia-based designer of the squarish Latin typeface Riccardo (2019). [Google] [More] ⦿ | |
Aka Fred Africkian. Yerevan, Armenia-based architect, letterer and type designer who wrote The Art of Letter-Type by Fred Africkian. 120 Tables of Armenian decorative types (1984). See also here. Taboo (Canada Type) is a Latin typeface inspired by lettering from Africkian's book. Patrick Griffin of Canada Type writes: Virtually unknown in the West, Africkian was one of the most talented eastern block artists. Though mainly a calligrapher working with traditional tools, he embraced geometry on multiple occasions for the sake of drawing simple modern Armenian and Cyrillic alphabets. Though he normally tried to maintain in his work a certain homage to Mesrop Mashtots (5th century Armenian monk who invented the Armenian alphabet), his late 1970s experiments made use of so many modern elements that the results were hailed as "real art mingled with science." [Google] [More] ⦿ | |
Aka afronsu Afronsu. Crazy Sao Paulo-based Brazilian designer (b. 1986) of the grunge typeface Antropofagia (2010). Born in 1986. He also made Urbana (2020), Futurista (2019: an experimental font), Afronsu (2011), Estaktu (2012, influenced by Sao Paulo's graffiti or pixacao), and Abstract Rua (2012). [Google] [More] ⦿ | |
Petros is also a talented typographic illustrator---see, e.g., his Blue Heron (2011). An example of his typography for information design: Table Tennis for the 2012 Olympics. At Studio SAP in London, he had a hand in many illustrations and illustrative typefaces such as Sleipnir (2012). In 2018, he designed the alchemic or hipster typeface family Geometrica, which comprises Arcane, Orion and Gravity. He also created the hipster font Bastion (2018, with Kimmy Lee and Matthew James) and the blackboard bold typeface Trindle Sans. As Swash Hub, he designed the hexagonal Elixia (2018), the hipster font Avion (2018, with Joshua Baron), and the rounded lowercase sans Kaige (2018). It is possible that SwashHub is Kimmy Lee (London). Still in 2018, Matthew James and Petros Afshar co-designed the Japanese emulation font Okami. Typefaces from 2019: Bael (sans, by Petros Afshar and Matthew James), Berman Bold (a blackletter font by Petros Afshar and Matthew James). Behance link. Home page. [Google] [More] ⦿ | |
In 2017, she published Athelas Arabic at TypeTogether, to accompany Scaglione and Burian's Athelas (2008). In 2022, she designed Portada Arabic for TypeTogether. Speaker at ATypI 2017 Montreal. [Google] [MyFonts] [More] ⦿ | |
Manchester, NH-based designer of Vernacular Typeface (2015). This typeface was finished during his studies at New Hampshire Institute of Art, Behance link. [Google] [More] ⦿ | |
London-based designer of the techno typeface Tokyo Type Font (2015). [Google] [More] ⦿ | |
Creator of the free font Quater Circles (2013). [Google] [More] ⦿ | |
Italian designer of Mr. Whippy (2011), a fluffy typeface inspired by ice cream and whipped cream. He studied at Politecnico di Milano. [Google] [More] ⦿ | |
Istanbuul-based designer of the angry modular typeface Pasif Agresif (2018). [Google] [More] ⦿ | |
Tula, Russia-based design studio, whose owners (Oleg and Kate, or Oleg Agafonov and Katja Buzova) studied at British Higher School of Art and Design in Moscow (2012-2014) and Tula State University (2006-2010). In 2016, they created the handcrafted / crayon typeface I Am Berliner. They are now based in Berlin. Typefaces from 2017: YD Modernist (monospaced sans). Behence link for Oleg Agafonov. Behance link for Ekaterina Buzova. [Google] [More] ⦿ | |
Norwegian design student at Norges Kreative Fagskole in Oslo. Creator of a floriated caps alphabet in 2012, and the typeface Creativity in 2011. Devian tart link. Behance link. [Google] [More] ⦿ | |
Jerusalem-based creator of the Hebrew typeface Haimon (2005). Behance link. [Google] [More] ⦿ | |
Israeli type designer at Masterfont, where he published Agam MF. [Google] [MyFonts] [More] ⦿ | |
Cipta Nuansa, Indonesia-based designer of the decorative Victorian typeface Bogalakon (2019) and the Victorian typeface D Warung (2019). [Google] [More] ⦿ | |
Santa Monica, CA-based designer of some experimental typefaces. [Google] [More] ⦿ | |
Designer of the Agave font between 2013 and 2019. He writes: Agave was an attempt at making a small, monospaced, outline font that would be geometrically regular and simple. The endeavor was motivated by a deep adoration of old-school console bitmap fonts, of Consolas, of Pragmata Pro, as well as a novice's curiosity for typographical design. When it came to establishing a "simple" design scheme, the natural inclination was to separate the glyph design concerns into that of "frame" and "trait". By frame, we refer to the naive geometric extent of a glyph and its parts. And by trait, we mean, for example, the "way" in which a stroke curves, or the relationship between one part of a glyph and another. Adhering to personal tastes, bone-deep laziness, and the quirky spirit of old computer terminal fonts, the delineations of frame and trait amounted to two mathematical patterns: the power of two and the golden ratio. That is of course an understatement. This wonderful font has almost 5000 glyphs, half of them useful icons. To be sure, many of these glyphs were added by Ryan McIntyre in his Nerd Fonts version of Agave in 2020. Earlier (pixel) fonts by Agaric include Autonoe [autonoe is a fixed-width, 7x14, bold-only, unicode, bitmap typeface] and Ino. Github link. [Google] [More] ⦿ | |
During her studies at MSU Baroda (India), Anusha Agarwal designed the sci-fi typeface Chunk (2019) and the handcrafted Kooky (2019). [Google] [More] ⦿ | |
During her studies at the MIT Institute of Design in Pune, India, Avi Agarwal (New Delhi) created the condensed typeface Canister (2014), which is based on basic geometric shapes. [Google] [More] ⦿ | |
As a student in Bangalore, India, Sanchitaa Agarwal designed a curvy handcrafted Latin stencil typeface. [Google] [More] ⦿ | |
During her studies in Bangalore, India, Umang Agarwal designed the squarish typeface Brick & Block (2019). [Google] [More] ⦿ | |
As a student at NIFT in New Delhi, Gurgaon, India-based Vrinda Agarwal designed the fun figurine typeface Porangi (2018). [Google] [More] ⦿ | |
Izhevsk, Russia-based designer of a brush pen set of numerals in 2015. Behance link. [Google] [More] ⦿ | |
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Graphic designer in Northampton, UK, who created a circle-based typeface called Aga (2013). [Google] [More] ⦿ | |
Bekasi, Indonesia-based graphic designer. In 2021, the octagonal typeface Avro Gadro and the techno typeface Nitro Flex. [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of the script typefaces Blasty (2017), Sweet Saturday (2017) and Bianglala (2017), and the calligraphic typeface Dandelion Script (2017). Graphicriver link. [Google] [More] ⦿ | |
Graphic designer in Nashville, TN, who created the decorative typeface Twisted in 2016. [Google] [More] ⦿ | |
Toronto-based designer of the display caps school project typeface Feather Font (2013). Behance link. [Google] [More] ⦿ | |
Russian designer of BedrockCyr after an original by Corel. [Google] [More] ⦿ | |
On the day the FCC voted for net neutrality, Toronto-based Mike Agency published the display typeface Pirlo (2015). Behance link. [Google] [More] ⦿ | |
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Or Yudha Rahmat Ageng. Yogyakarta and/or Jakarta, Indonesia-based designer (b. 1996) of the bold script typefaces Eusthalia Sans and Clean (2018: a free font duo), the signage script typeface Chillout (2018), the calligraphic typeface Anthasic (2018), Helsinki (2018), Manhattan (2018) and Matane (2018), the vintage typeface Boatman (2018), the signature font Better Signature (2018), the monoline script typeface Royaland (2018) and the modern script typefaces The Blendhes (2018: a baseball script), Bellasic (2018) and Pharosi (2018). Typefaces from 2019: Haydes (a signage script), Eusthalia Stamped, Boatman Stamped, Buryland ((monoline) Script, (Victorian) Sans, Serif), Rocka + Billy. Typefaces from 2020: Sunpalm Addict (script). Typefaces from 2021: Boatman (a vintage label font). Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More] ⦿ | |
Art director in Aarhus, Denmark, who created the signage script typeface Freddy (2014). [Google] [More] ⦿ | |
Stockholm-based designer of So Low Sans (2014). [Google] [More] ⦿ | |
New Delhi-based designer of a pixelish typeface in 2014. [Google] [More] ⦿ | |
Typefaces from 2020: Natuna (a very wide script), Kidszania (a curly children's font). Typefaces from 2021: Doyotama (an eerie graffiti font). [Google] [MyFonts] [More] ⦿ | |
Tripoli, Greece-based designer of the free angular vampire font Vampyri (2015, FontStruct). Behance link. [Google] [More] ⦿ | |
Salma Hisham Aggour (Cairo, Egypt) created the Latin typeface Punk Plan and Movie Genre Pictograms during her graphic design studies in 2013 under the supervision of Sabine Schwarz at the German University in Cairo. [Google] [More] ⦿ | |
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Tatevik Aghababyan is an Armenian designer who lives and works in Frankfurt, where she is the main person at the studio Tatssachen. She designed these typefaces: Fedra Sans Armenian (with Peter Bilak; Third Prize at Granshan 2010 for Armenian text types), Elien (an experiental modular family), Glueziffer (2010; a Treefrog-style scratchy hand family), Arpi (2007; sans Armenian unicode face). Elien (2009, 26plus) is a monospace typeface inspired by bike chains and dot matrix ideas. [Google] [More] ⦿ | |
Designer of the Ostovar typeface for Persian in 2011. He lives in Sari, Iran. [Google] [More] ⦿ | |
Indonesian designer (b. 1975) of the techno typeface Aghara (2015) and the casual typeface Peyori (2016). Dafont link. [Google] [More] ⦿ | |
Prague, Czechia-based designer of the brush scripts Lemonfish (2016), Cupcakia (2016) and Karlita (2016), the handcrafted typeface Funisima (2016) and the calligraphic script typefaces Lavandia (2016) and Hanelka (2016). Typefaces from 2017: Cedrika (calligraphic script), Florisa (signature script). Typefaces from 2018: Magic Winter, Snowy Christmas Script, Bright Side, Elderflower. [Google] [More] ⦿ | |
Australian designer of Cap Constructed (2005). Dafont link. [Google] [More] ⦿ | |
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London, UK-based designer of the children's lettering font Ecel (2017). [Google] [More] ⦿ | |
Based in London, UK, Yulia (or Julia) Agisheva designed Ribbon Type (2012) and Now Grotesk (2012) during her studies. Behance link. [Google] [More] ⦿ | |
Agius is from Mosta, Malta, b. 1994. Creator of the children's handwriting font Children Once Where (2007), as well as Rough Graffiti and Space and Astronomy. Dafont link. Alternate URL. [Google] [More] ⦿ | |
Omer Agiv (Fontomania) made freeware Latin, Hebrew and dingbat fonts such as Amraheb, Electroni, Jumang, Krashim-signs, LironAgiv, Moshe, Outline, Samurai, Samuraiheb, Sunnyday, Transport, Worms, arrow, boards, bw, dotty, goggles, krashim, leaves, nuni, nurit, wood-sticks, Dinorific, omerh. Some fonts are commercial. Personal handwriting font service for 55USD (Latin, Hebrew or Arabic). Personal signature for 10USD. Some commercial fonts at 8 to 12 dollars, such as Smily, Cookie (curly), Orenh (handwriting), Geometry, Tal, Jifa, Sun, Hairy, ABC, Chains, Liner, Chinese, Arak, Parkinson, Papio, Tropical Sickness and IceSticks. The free and commercial Hebrew fonts include the Tapuach package (8 fonts). Fontomania also sells the 13-font 44 USD-"Silver Collection" on CD. Free handwriting font download: Janet Luther. At Elifont, one can download Wood Sticks, Samurai, Liron, Ice Sticks, and Boards. Dafont link. Old URL. [Google] [More] ⦿ | |
Tours, France-based designer of the experimental typeface Pli (2017). [Google] [More] ⦿ | |
London, based-designer of the stencil font Vacui (2020). [Google] [MyFonts] [More] ⦿ | |
Jakarta, Indonesia-based designer of HelpetikA. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Read Praz Std (2010), a typeface that evolved from Adobe Caslon Pro. [Google] [More] ⦿ | |
Eric Agnew is the codesigner with Shaun Kardinal, Starseed and Brian Barbour at Themes of a scorched earth of TSP Dingbats. [Google] [More] ⦿ | |
Bangalore, India-based creator of the alchemic typeface Tricul (2014), for which inspiration came from semaphore signals. [Google] [More] ⦿ | |
During his studies in Pune, India, Vedang Agnihotri created the modular squarish typeface Tirccha (2015). [Google] [More] ⦿ | |
Futuristic, experimental, grungy stuff not found elsewhere, by agnuaspflibko in Sweden. Check Pormask Ytterhud. Tarmsaft is no more, though. Some of its fonts may still be found on archives, so here is a list of font names: Äggstock, ArsleGothic, ArsleGothic, Bajoran-Ancient-STsemicanonbased, Bajsmaskintjocksprutande, Bajsmaskin, Bajsmaskintjocksprutande, Bajsporr, BantarbjrnHeavy, BilligHora, Bonushora, Brottardolme, Brunkål, Brunst, BrunstCaps, Brunöga, FetmaHeavy, Fisring, Fisring, Fittsvamp, Flottig, FlytningarSvulstiga, Flytningarsprutande, Flytningar, FlytningarSvulstiga, Flytningarsprutande, GallaBlack, GallaBold, Galla, GallaBlack, GallaBold, Gathora, Gubbrra, elvetet, InavelFrtvinad, InavelKromosomkalas, InavelKusin, InavelMutant, InavelStorebror, InavelTetkaCyr, InavelTjockaSlkten, Kewken, Kattakodd, Kisskorv, Knarkarsvin, Knulla, Lantfnask, Läderbög, LillSnase, Lingonvecka, Manslem, Multihora, Muttprutt, Ollon, Onani, Pormask2039, PormaskRemix, Pormask-Ytterhud, Pormask, PormaskInnebrännare, PormaskInnebrännare, PormaskKlämd, PormaskKlämd, PormaskRemix, Porrblaska, Psttning, Pungen, Psttning, Reningsverk, Rättpick, Rugguggla, Rumpnisse, Runkspad, RuttenSpya, Rvkrm, Rvple, RvpleTjock, Rännskita, Rvkrm, Skinnbanjo, Skäggbiff, Snderfistad, SneflabbNormal, Snetripp, Snuskpk, SpinkigJvel, SpinkigJvel, Spräckaren, Spritad, Sprutfest, Spräckaren, Spyhink, Stjrt, Stngkorv, Stngkorv, Snderfistad, TarmSystem, Taskekseminflamerat, Taskeksem, Taskekseminflamerat, Tidelag, Tidelagskoprofag, Tjackluder, Tjockebo, TrampaIntePMinKukSlyna, TrampaIntePMinKukSlyna, TrampaIntePMinKukSlyna, Våldtäkt, Våldtäkt, Våldtäkt, Aptango, Åderpåk, Nobrain, Tjockebo, Äggstock, ÄggstockGravid, Åderpåk. The full archive has been restored by CybaPee at TypeOasis. Italian tarmsaft site. typeOasis archive. URL at DaFont. [Google] [More] ⦿ | |
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Caldas da Rainha, Portugal-based designer of the serif typeface Sbn (2011). [Google] [More] ⦿ | |
Designer of Phoinike, 1998. Downloadable here. [Google] [More] ⦿ | |
Joinville, Brazil-based designer of the graffiti font Vandalbier (2016). Behance link. [Google] [More] ⦿ | |
During her studies at FAU / UBA, Laura Agostino created an untitled boudoir typeface (2013). [Google] [More] ⦿ | |
Banda Aceh, Indonesia-based student-designer of the brush script typeface Millenials (2017). Behance link. [Google] [More] ⦿ | |
Brazilian graphic designer who lives in Aracaju and studied communication at UFBA in Bahia. Studio. She created Egito (2009), an out-of-focus optical illusion font. The papyrus font Egypt Typography was done in 2003 during her studies. Aka Bebecca. [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the Moluccan tribal-themed font Maluku (2019). [Google] [More] ⦿ | |
Designer at Graphic bureau Az-Zet of the zodiac sign font LifeSigns (1995), the Cyrillic/Latin fonts AZGaramondExtraBoldC (1990-1995), ParagonNordC (1990-1995), and ELIZAZPS (1993). [Google] [More] ⦿ | |
During her studies in Vilnius, Lithuania, Greta Agst designed the display typefaces Viscera (2018) and Teutonik (2018). [Google] [More] ⦿ | |
Typophile link. [Google] [More] ⦿ | |
Student at the University of Algarve, Portugal. Creator of Escorregar do Moreno (2011), a typeface based on toilet paper rolls. [Google] [More] ⦿ | |
Houston, TX-based designer of the connect-the-dots constellation typeface Oblivion (2018). [Google] [More] ⦿ | |
Creator in Colima, Mexico, of Aprim (2011, hand-printed) and Secondo (2012, fat finger face). [Google] [More] ⦿ | |
Typoidea is an outfit in Guadalajara, Mexico, run by Paco Aguayo, the Jalisco-based designer at the Argentinian outfit SantoTipo of Sapucai Picada and Mofles. Aguayo also designed the bitmap font family SacrilegaPX (2001) and the pixel font family Escritura PX. At Tiypo, you can also find Artimania, Hija de Perra, and La Neta (simulating paint). [Google] [More] ⦿ | |
Patricia graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the curly vine-inspired typeface Primavera. [Google] [More] ⦿ | |
Barcelona-based designer of the blackletter font Gothic Proto (2019) and the circle-themed Round Proto (2019). [Google] [More] ⦿ | |
During her studies in Buenos Aires, Natalia Aguerre created a fat poster typeface (2014). [Google] [More] ⦿ | |
During her design studies in Porto Alegre, Brazil, Ana Carolina Aguiar created the display typeface Schloss (2014). [Google] [More] ⦿ | |
Recife, Brazil-based designer of the vintage script typeface Arcaico (2015). [Google] [More] ⦿ | |
Recife, Brazil-based designer of the signage typeface Tipografia Vernacular (2015). [Google] [More] ⦿ | |
Graphic designer in Sao Paulo who created the display typeface Crype in 2014. [Google] [More] ⦿ | |
During her studies in Gaithersburg, MD, Maria Aguila designed Chain Mail (2013), a photographic alphabet. [Google] [More] ⦿ | |
Overland, KS-based designer of the outlined typeface Nin-Nah (2016). [Google] [More] ⦿ | |
Art director and graphic designer in San Luis Potosi, Mexico. Creator of the bold display typeface Pildora Pro (2014). [Google] [More] ⦿ | |
Arequipa, Peru-based designer of the display typeface Fabric (2015). [Google] [More] ⦿ | |
During her studies in Leon, Mexico, Dulce Aguilar created Mctypo (2016), Craft Sticks (2014, a hand-drawn typeface), and Creatures (2014, hand-drawn monster dingbats). [Google] [More] ⦿ | |
Monterrey, Mexico-based designer of an unnamed display typeface in 2013. [Google] [More] ⦿ | |
Quezon City, The Philippines-based designer of the experimental geometric typeface Geometreo (2014). Behance link. [Google] [More] ⦿ | |
Jorge Aguilar (Reaktor Lab, Guadalajara, Mexico) is mainly into graphic design and illustration. His Solera family of typefaces (2011: Solera 2D, Solera 3D and Solera Canto) is designed for chrome jobs---smooth and flashy. Behance link. [Google] [More] ⦿ | |
Sao Paulo-based designer of the ultra fat typeface Hong Kong (2010) and of this experimental face (2010). [Google] [More] ⦿ | |
Barcelona-based designer of Kandu (2013), a thin typeface that was derived from Bell MT in 2013. Behance link. [Google] [More] ⦿ | |
Mexico City-based designer of Tourist (2012, an inline typeface), Holy Type (2012, experimental typeface), Lemon (2012, display typeface) and Profane (2012, alchemic typeface). [Google] [More] ⦿ | |
Puebla de Los Angeles, Mexico-based designer of the bike gang tattoo typeface Boa (2014). [Google] [More] ⦿ | |
Freelance designer in Puebla, Mexico. Creator of Nina Sans (2014) and Puro Cuento (2014, a simple monoline font for children's books). [Google] [More] ⦿ | |
Santiago, Chile-based design group. One of them, Sebastian Aguila, co-designed Amazonia Life (2018), a typeface that depicts 104 endangered animals, with Sofia Mohr. MyFonts link for Amazonia. [Google] [More] ⦿ | |
Aka Felipe Felipe. Graphic designer from Santiago, Chile, who made the origami typeface MyTypo (2012). [Google] [More] ⦿ | |
Gina Aguilera (JMRBooks) created the hand-gridded free font Olde Wampum Belt (2009), classified by Fontspace under "Native American". JMR stands for Jennie's Music Room. [Google] [More] ⦿ | |
Marcela Aguilera is a Chilean type designer and calligrapher. She graduated from the Santo Tomas professional institute in 2013, and has a post-graduate degree in Type Design from Universidad de Chile (2015) and a Masters in Advanced Type Design (2017) from EINA in Barcelona. She develops typefaces for Type-o-Tones with Laura Meseguer and Josema Uros, and for PeGGO Fonts with Pedro Gonzalez. In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats). [Google] [MyFonts] [More] ⦿ | |
Barcelona-based creator of the modular typeface Pagesa (2015). [Google] [More] ⦿ | |
San Salvador-based graphic designer (b. 1985) who created the 3d sketch font Elli Noise (2008) and the refreshing jungle font Adry of Hanabi (2009). Abstract Fonts link. Yet another URL. [Google] [More] ⦿ | |
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As a student at UPC (Universidad Peruana de las Ciencias), Lima-based Arieh Aguirre designed the shadow caps typeface Chola Pink (2018). [Google] [More] ⦿ | |
Cali, Colombia-based designer of the slightly squarish display typeface Presser (2016). [Google] [More] ⦿ | |
Designer (b. 1991) of the free fashion mag typeface Modikasti (2016). [Google] [More] ⦿ | |
During his studies in Montreal, Marko Aguirre co-designed the experimental minimalist typeface Emmentype (2016) with Marie Chénier. [Google] [More] ⦿ | |
Illustrator and designer in Madiun, Indonesia, who created the calligraphic typefaces Helena and Caroline Script, the vintage typeface Clementine, and Prastika Script in 2017. Behance link. Creative Market link. [Google] [More] ⦿ | |
In 2018, he released the hexagonally-patterned color font Space, the nervous monoline display typeface Barcelona, the monoline script Brandy, the tattoo and metal band blackletter font Amstha, Twinkle (hexagonal texture), Premium Quality, Hightide (signage script), Ashley Pages, Bold Grunge (a wood style Western font), Rabbit House, Strongbold (brush style), Onthel (a rhythmic signage script), Cafeine, Seulanga (calligraphic), Sweet Bubble, Downhill, Architecture (technical writing font), Wisethink (rough brush), Emerald, Ghotic, Oakland (signage script), Parthenon (signage script), Strawberry Night (script), the formal calligraphic font Beauty Athena, the inline font Epicentrum, and the signature font Attitude in 2018. Typefaces from 2019: Ghoust (a marker font done at Cititype), Diamant Handwriting (a signature font), Utrecht (with Siti Saribanon Nurjannah), Exhibitionist (a fine rhythmic script), Holimount, Prague Metronome (a thin signature script), Allegroost (a brush typeface), Anisha (script), Kyoto Northern, ChiQuel (a Victorian display typeface that can be layered), Hillstone (a dry brush script), Malique, Ginchiest (a retro signage script), Kid Knowledge, Haghia, Khatija Calligraphy, Bernound, Graffity, Brandy Script (monoline), Downhill, Concept (sketched, blueprint font), Konya (signature script), Blacksmith, Curve Calibration (condensed sans). Typefaces from 2020: The Pallace (a great natural inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Chipen (inline, all caps), Jakarta (a flowing inky script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Rhode White (a great signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Bailamore (a creamy signage script), Vogie (a sporty / techno sans family of 72 fonts, plus a variable font), Rollingtime (a brush script jointly designed by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Piedmont (a heavy connected handwriting script advertized as a masculine signature font), Whiplash (an all caps dry brush font), Aceh (a 36-style geometric sans), Youthink, Sacred Letter (a vintage weathered script), Serif Sketch (by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Corinthiago, Smart Chameleon (a handcrafted typewriter font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Hiroshima Gyoshi (a brush font inspired by Japanese calligraphy), Roughmarker (dry marker font), Brotherhood, Blugie (a fat finger font), Rome Ionic (an all caps roman typeface), Black Orchestra (a great horror or black metal font), Black Orchestra (a horror font). Typefaces from 2021: Magreb (an 8-style renaissance serif typeface), Toxide (calligraphic; Celtic; uncial), Redtone (a 14-style geometric sans), Moula (an 18-style geometric sans for Latin, Greek and Cyrillic), Zouk (blackletter), Zagreb (an inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Alsace (Victorian), Backbone (a black metal blackletter typeface), Roundkey (a 24-style condensed, but not round, sans), Wordwalker (a marker pen font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah for Cititype), Sweet Bubble (a bubblicious font), Souljah (an elegant inky calligraphic script). Creative Fabrica link. Another Fontbundles link. [Google] [MyFonts] [More] ⦿ | |
Siak, Indonesia-based designer (b. 2000) of the handcrafted typeface Filatelis (2019) and the sans typeface Boomerang (2019). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the dot matrix typeface Agata (2017). [Google] [More] ⦿ | |
Spanish designer of Agustina (2005, scratched handwriting). [Google] [More] ⦿ | |
Tangerang, Indonesia-based graphic designer and photographer who created the umbrella-inspired typeface Pyoong (2015). [Google] [More] ⦿ | |
Designed (the ugly) Futura EF Script in 1954. [Google] [More] ⦿ | |
Bekasi, Indonesia-based designer (b. 1997) of the graffiti font Dxdiag (2015). [Google] [More] ⦿ | |
Israeli type designer, b. Radomska, Poland, 1909, d. 1981. In 2020, Masterfont released an expanded version of Aharoni's famous typeface as Aharoni MF as well as Aharoni Polished MF (by Zvika Rosenberg). [Google] [MyFonts] [More] ⦿ | |
Caracas, Venezuela-based creator of Kahue (2013), Dot Typeface (2012), Mechanoid (2012), Folded Typeface (2012) and Cubika (2012, a 3d face). Behance link. [Google] [More] ⦿ | |
Designer of these Uyghur typefaces: Ukij Ruqi (with Xoten Chiwer Qol), Ukij Zilwa (with Memtimin (Alyar), Abdureshit (Qarlighach) and Adiljan Abliz (Uchqur)). Open Font Library link. [Google] [More] ⦿ | |
Cedar Rapids, IA-based designer of the video game typeface Arcade (2016). [Google] [More] ⦿ | |
Lisbon, Portugal-based designer of the embroidery font Means Sans in 2017. [Google] [More] ⦿ | |
Typefaces from 2021: Highes Signature (script), Patternly (a stocky monolinear script), Bluegold (script), Primal Signature, The Songket (script), Katagiri (script), Luthon Southard (a font duo), Fife Gallery, Sign Rathi (an inky signature script), Penguin Blush (a scrapbook font), Bostroom (a dry brush script), Sagata Normal (sans and script), Monosign (a monolinear signature script), Dontheus (an inky script), Magis Authentic. Typefaces from 2022: Satchell (a scrapbook script), The Billion (an inky signature script, accompanied by a monoline version), Hayken Script (signage script), Resonant Chilliner (font duo). [Google] [MyFonts] [More] ⦿ | |
Designer in Denver, CO. Behance link. He was inspired by some Bollywood movies when he made Pyar Mohabbat (2010, Devanagari face). [Google] [More] ⦿ | |
Creative designer in Mumbai who designed the prismatic op-art Latin typeface Squoil (2014), the Buds typeface (2014, a modification of Cooper Black), and the decorative dot matrix typeface Bandhani (2014). [Google] [More] ⦿ | |
Johan Ahlberg's site on pixel fonts that are very readable at extremely small point sizes, on screen, anno 2000. The web site disppeared so here is Ahlberg's original list: Pixel, Pixel4x4, PixelClassic. Plus an archive of techno/computer/dot/pixel fonts, including many Chinese and Japanese character fonts: 35base, 35basewide, 35lines, 35rounds, ArakawaPlane (katakana), BMUGAsianFont, Beatbox, BlobThin, DFFangSong1B_GB (simple Chinese characters), DotplLCD_KANA, Dotplain, Flytningar (Tarmsaft), Flytningarsprutande, Futalic_win (kana), BlockOut2097 by Matthew Sephton, CoilKtb, MM, Parade20, Pinponpan, Gachaponka__akana (the latter five fonts by Masayuki Sato at Maniackers Design), Jim_s_Kanji_A__PS, Kiloton_v1_0, ManiacKt, Olasfontirregular, Onakanormal, PKNB, PropellerFuel, Sevenet7, Thyristor, Ticker, VTMeiOrnaments (Susan Townsend's nice Chinese ornaments), VTMeiOrnamentsOnBlack, VTMeiOrnamentsOnCircle, WA50, Hirosh, InavelMutant, InavelStorebror, Jetplus, KEWKEN, Koshgarian_Light, Neuropol_Medium, Ollon, Reningsverk, Shamen_Remix. Abstract Fonts link. [Google] [More] ⦿ | |
Berlin-based designer of the handcrafted typeface Lefi (2016). Behance link. [Google] [More] ⦿ | |
Designer of the free fonts Helena'sHand (handwriting), and Scrapbook-Chinese (Chinese characters). Helena grew up in Ohio and graduated from Brigham Young University. [Google] [More] ⦿ | |
Tasikmalaya, Indonesia-based designer (b. 1997) of the upright script typeface Charganolton (2019) and the modular typeface Mitsuha (2019). In 2020, he released the script typefaces Raleigh Modesto, Sweenline, The Disnathos, and Dhelman. Typefaces from 2021: Mechaniclove (a stocky bold upright script), Anboug (a retro signage script), Angela Heart, Anghora, Backstone, Bloadrish, Boendalove, Bootterfly, Brush Curly, Cheerful Dynamite, Christmas Halcyon, Christmas Holland, Elizafat, Fallind, Hand of King, Hatimune, Higher Monday, Hittany (a monoline script), Holiday Sweet Lovely, Hypherin (a bold signage script), Kandel, Kashiwa, Kawula Moeda, Kidszonia, Kralken (a display serif), Rosemarine (a delicate flared serif), Signatype, Skyzone, Soulness, Sweenline, The Mainstay. Typefaces from 2022: Findastone (script), Balnuettes (a bold signage script). [Google] [MyFonts] [More] ⦿ | |
As a student at Indus Valley School of Art and Architecture, Karachi, Pakistan-based Aamnah Ahmad created the Urdu typeface Qatrah (2015). [Google] [More] ⦿ | |
Paris-based designer of the great custom vintage typeface Illusions of Grandeur (2017). Behance link. [Google] [More] ⦿ | |
Malang, Indonesia-based designer (b. 1986) of Reaf Singer (a fat finger script) (2021), Regon (an unkerned 18-style sans) (2021), Happy Single (a comic book font) (2021), Brogllin (a monolinear script) (2021), Meigtan (a lava lamp font) (2021), Chiyaw (a fat finger font) (2021), Hellobye (2021), the square-shaped video game typeface Battlefly (2021) and the foliated sans typeface Qailbert (2021). Typefaces from 2022: Minthy Stones (a scrapbook script). [Google] [MyFonts] [More] ⦿ | |
Beirut, Lebanon-based designer of the constructivist typeface Lakov (2019). [Google] [More] ⦿ | |
During her studies at Raffles College of Higher Education in Kuala Lumpur, Malaysia, Liana Ahmad created the textured caps typeface Zentangle (2015). [Google] [More] ⦿ | |
Lahore, Pakistan-based creator (b. 1989) of Gutsy (2012, a four-style techno typeface family). Dafont link. Behance link. [Google] [More] ⦿ | |
Despite its name, Mohammad Alhaj Ahmad's type foundry is based in Turkey. In 2019, he designed the Arabic typeface Althawra Fikra. [Google] [MyFonts] [More] ⦿ | |
Art director and educator in Dubai. Creator of the sans typeface Carioli (2014). [Google] [More] ⦿ | |
Irbil, Iraq-based designer of the monoline Kurdish font Qshtoka (2014). Free download. Earlier he made a series of 32 Arabic / Kurdish typefaces called Kazhin 1 through Kazhin 32 (2014). Free download. See also here. Behance link. [Google] [More] ⦿ | |
Graphic designer of New Delhi, India, who created a free geometric monospace typeface in EPS and AI formats in 2017. [Google] [More] ⦿ | |
Amman, Jordan-based designer of the scribbly Latin typeface Rozalinda (2017) and a handcrafted Arabic typeface (2017). [Google] [More] ⦿ | |
Islamabad, Pakistan-based designer (b. 1991) of the skeletal geometric typeface Round Geometric (2017), the textured Bubble (2017), Pixel (2017), Monocle (2017), Pickles (2017), Scoop (2017), Spooky Smoke Events (2017), Good Day (2017), Serial Killer (2017), Barb Wire (2017), Satan (2017), Happy Easter (2017), Zoom (2017), Aqua Beach (2017), and the Hawaiian spirit typeface Luau Party (2017). Typefaces from 2018: Good Day. Typefaces from 2019: X Force (techno), Cherry Love. Behance link. [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer (b. 1988) of the monoline script Sarmilla (2019), the dry brush typeface Sandora (2019) and the fat finger font Gempita (2019). [Google] [More] ⦿ | |
Typefaces from 2017: Damean, Candace, Christmas Script, Ulyssa, Hanma, Carla, Abasalom, Amidala, Vanett, Kaayla, Habel, Cabales, Barden, Zayley, Ceica, Maleah Sans, Vannah, Ireene Serif, Jerrick, Perkin, Talissa, Stay Wanderer, Immani, Acacio serif, Charlton, Earwyn Serif, Catheryn, Ailish (free), Adney, Ackley, Lisandro, Janecia Serif (angular style), Hagito Serif, Abiah Sans, Hadwin Serif, Erynn Serif, Ethan (wedge serif), Alodie, Ainsley Sans, Adyson Sans, Jesusa Serif, Jerricca Serif, Chrys Sans, Cartland Serif, Brydon Serif, Orrick Slab Serif, Adenn Sans, Dayleen Sans, Cordaro Sans, Carra Serif, Adriell Sans, Diedra Serif, Cleantha Serif, Cordaro Serif, Carra Serif, Birtle Serif, Axell Serif, Ahijah, Aderes Serif, Achazia Serif, Brycen Serif, Jaavon (fashion mag serif typeface), Cheston Slab Serif, Treyton, Shaaron, Severn Sans, Darrion (slab serif), Naava (slab serif), Tabner, Garvin (slab serif), Jotham, Sumer, Sharis serif, Jerrad, Orrick (slab serif), Ethan (wedge serif), Zack Thin, Abril, Haytham Slab Serif (free), Khwaja, Jennet Brush, Asma (curly script), Jaraad Script, Yessica Sans, Rockley (sans), Cason, Carita (text typeface), Glennda, Starlyn, Hommer (mini-serifed), Adouliss Mag (a great angular design), Wrenn Sans, Medric Serif, Erica Script, Timm Serif (high contrast fashion didone), Veera Serif, Sondra Serif (lapidary, flared), Abira Sans, Montrell Serif, Spark Serif, Jassmine Hand Written, Berton Sans, Beacher (sans), Varina, Mercuric Fancy, Deron Sans, Edina Sans, Adley (sans), Aariel (sans), Hurst (sans), Azel, Aaliyah (fashion font), Barnes Serif, Zimra Serif, Zisel (sans), Bethan (sans), Abner, Abed Serif, Aludra (serif), Myron Serif, Aster Slab Serif, Anaan (sans), Aara Serif, Zack Serif, Alex Sans, Vengeance (sans), Aaron (sans), Aaron Serif, Adon, Alex, Maaz Serif, Thomas Mag (fashion mag family), Zahra, Zack, Aagaz, Barden, Erica, Asbah, Aiden, Anzil, Zahra, Alayna, Aaminah, Atifa Serif, Barkat, Adouliss, Amirah, New Year 2017, Dr. Usama, Yadon (a fashionable Peignotian), Tyra, Abell (an angular typeface family), Akiva. Typefaces from 2018: Saarah Fresh, Pierson, Moisses, Wensley (roman caps), Cammron Serif (roman caps), Enrique Sans, Zevida, Aimen Serif, Aarianna, Farhan, Nasya, Mahlon, Jadrien, Ahsan, Gayora Slab, Haana Slab, New Year 2018 Brush, Carolin, Galvin Slab Serif, Sharoon, Bellinor, Fonzy, Hacca, Abeetha. Typefaces from 2019: Adrina, Solomon, Qanaya, Yarelli, Edingu, Eadita, Daecca, Cansu, Madelin, Caelan, Banquo, Haddie, Aabel, Hyman, Maiah, Walcot, Hyogo, Fabyen, Gerard, Hadasa, Yafeu Sans, Benett, Yahir, Raanan, Geldwine, Karlton, Abrasha, Linnett (a geometric sans), Cador (a fashion mag font), Daaron (sans), Yessica, Ammar, Eadfrid, Boulia, Stay Writer, Soulmarker, Dusty Chalk, Xantheus, Adallyn, Badrick, Paulose, Labor Union Serif. Aka Symufa. Creative Market link. Dafont link. Home page. Aka Creativewhoa. Creative Fabrica link. [Google] [More] ⦿ | |
In 2016, she published the fun Egyptian typeface family Napo (Zetafonts) which is partly free. Leon is the accompanying sans family. Both are named after Napoleon Bonaparte. | |
During her art design studies in Kuala Lumpur, Malaysia, Zarynn Ahmad created the cat-themed caps typeface Cat (2015). [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Sudanese type designer who created the Arabic display typeface Isra (2005), which won the first prize for Arabic display type at Linotype's 1st Arabic Type Design Competition in April 2006. That typeface can be bought from Linotype. [Google] [MyFonts] [More] ⦿ | |
Canadian creator of Leafy Font (2013). [Google] [More] ⦿ | |
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UK-based designer of Bravo Sans (2017), a display typeface designed to accompany the cartoon character of Johnny Bravo. [Google] [More] ⦿ | |
Graphic designer in London whose typeface Morse Code (2015) is based on the Morse code. [Google] [More] ⦿ | |
Tanta, Egypt-based designer of a free experimental decorative Latin all-caps typeface called Polygonal (2015). [Google] [More] ⦿ | |
Born in Egypt, Moataz Ahmed now lives in Stamford, CT. In 2018, he designed the free curly text typeface Teach. Aka Motizzy. [Google] [More] ⦿ | |
During her studies in London, Nabila Ahmed created a blocky 3d typeface (2014). [Google] [More] ⦿ | |
Dhaka, Bangladesh-based designer of the geometric display typeface Cleek (2020). [Google] [More] ⦿ | |
At Badr University in Cairo, Moqattam, Egypt-based Salma Ahmed designed an experimental hexagonal Arabic typeface (2018). [Google] [More] ⦿ | |
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Designer of the free organic typeface Nillima (2018). [Google] [More] ⦿ | |
Dhaka, Bangladesh-based designer of the experimental painted look typeface Banjonborna (2013). [Google] [More] ⦿ | |
Oslo, Norway-based designer of the Urdu simulation typeface Alif (2015) and the high-contrast poster typeface Modest (2016). Behance link. [Google] [More] ⦿ | |
Typefaces from 2021: Bant (hand-printed), Royalana (a stocky monolinear sans; eight styles), Nevaeh (an 8-style rounded sans), Nevaeh Scratch, Pen Wave (a wild script), Verlo (a 6-style geometric serif with 45-degree terminal slopes), Celestial Planet (eight styles: stylized and minimalist). Typefaces from 2022: Stigna (a condensed art deco typeface). [Google] [MyFonts] [More] ⦿ | |
Madura, Indonesia-based designer, b. 1991, of the brush typeface Mocker (2019), the monoline connected script typefaces Golden Slayer (2019) and Anderlecht (2019), and the fun children's book font BigBro (2019). [Google] [More] ⦿ | |
Pik Chu Ahmetaj (b. Hong Kong) studied at Tompkins Cortand Community College Upstate NY, and at the Fashion Institute of Technology in NYC. Her decorative caps Garden typeface (2013) is based on Century Gothic. [Google] [More] ⦿ | |
Kosovar designer of the free geometric sans typeface Banderi (2020). [Google] [More] ⦿ | |
Evanston, IL-based creator of Chicago Type Redesigned (2014). Behance link. [Google] [More] ⦿ | |
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Digital artist in Seoul, who created the multilined geometric prismatic art deco Latin typeface Facetype (2012). [Google] [More] ⦿ | |
Designer of the squarish Mustache Bandit (2009, FontStruct). [Google] [More] ⦿ | |
During his studies at Kookmin University in South Korea, Tampere, Finland-based Jussi Ahola created the full hangul typeface Jangul (2013). [Google] [More] ⦿ | |
I am surprised that we had to wait until 2017 before someone made a dingbat font consisting only of behinds, but Loretta Aho obliged with her Alphabutt in 2017. Well, the font info says that Brandon Korvas was the designer, and that Loretta Aho holds the copyright. [Google] [More] ⦿ | |
As a student at ENSAD in Paris, she co-designed Métis (1998). [Google] [More] ⦿ | |
Finnish student who graduated in 2007 from the University of Reading, where she designed Ilona, an informal rounded-serif face designed for children's books. [Google] [More] ⦿ | |
Chicago-based designer of a dingbat font called Hairstyles (2012). In 2019, she published a decorative caps typeface. [Google] [More] ⦿ | |
Aarhus, Denmark-based designer of an unnamed thin font with technical / architectural roots. Behance link. [Google] [More] ⦿ | |
At ATypI 2008 in St. Petersburg, he spoke about Font Remix Tools and on Optical Sizes. In 2010, he started a web font service. In 2011, I found his name listed as an employee of the web font service Typekit. Author of Size-specific Adjustments to Type Designs: An Investigation of the Principles Guiding the Design of Optical Sizes (2008, Mark Batty Publisher). Technical image from that book. Abstract Fonts link. MyFonts page. FontShop link. Linotype page. Home page. Creative Market link. Klingspor link. View Tim Ahrens's typefaces. [Google] [MyFonts] [More] ⦿ | |
During his studies in Hannover, Germany, Felix Ahr created FA Echelon (2015), an experiment on a new style of inverted serif. [Google] [More] ⦿ | |
Artistic director in Paris who designed a geometric siolid and several other experimental typefaces in 2017. [Google] [More] ⦿ | |
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Graphic designer in New Delhi, India. In 2016, she designed a modular typeface using FontStruct, as well as a Devanagari typeface called Kala Chashma. [Google] [More] ⦿ | |
Creator of the school project typefaces BOOoomer (2012, sci-fi style) and Swinger (2012, piano key style), which were created during her studies at the University of Buenos Aires, Argentina. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of the Arabic typeface Haykal (2014). [Google] [More] ⦿ | |
Israeli type designer of the Hebrew typeface Napolitana at MasterFont. [Google] [MyFonts] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Dam (2010). [Google] [More] ⦿ | |
Aicher was a world expert on pictograms, having designed, e.g., the pictograms for the 1972 Munich Olympics, and his visual language system of over 900 pictograms. Robin Kinross and Erik Spiekermann discuss the pros and cons of Rotis. Hrant Papazian sums up Rotis, a family disliked by many type designers, but that has some oomph: Rotis -the typeface- is admirable not for its typographic merit, but for its lion-hearted spirit, its golden intentions - things so totally lacking in almost every other font ever made. Norbert Florendo, who worked with him on and off, muses: If anything, Aicher was a formalist in turmoil. A philosopher in spirit who was shackled by his sense of order. He called for revolution in design and typography, but adhered to the grid (anti-nature) in distrust of chaos. He admired Adrian Frutiger immensely and one can undoubtably see how Univers influenced the Rotis matrix. If one reads deeper into Aichers Typographie, one will see Aichers concepts as being less typographic (relating to type design and type layout) and more involved with humans within a rapidly changing environment in need of new symbology and notation systems. [...] I am far more an admirer of Herr Aicher than Rotis the type family. Rotis was named after the village (Rotis über Leutkirch) in Allgäu where Aicher lived from 1972 and died in 1991. Typophile discussion. URW shows the Monotype WMF Rotis family (2007) which was exclusively used by WMF AG. The Rotis family consists of Rotis Serif (1988), Rotis Semi Serif (1988), Rotis Sans Serif (1989) and Rotis SemiSans (1989). Author of these books:
This biography reveals that Aicher was a German soldier in the second world war, both on the Russian and French fronts. In 1953, he founded the HfG (Hochschule für Gestaltung) in Ulm, and he helped with the graphic design for the Olympic Games in München in 1972. Discussion of his contributions by the typophiles. Markus Rathgeb wrote Otl Aicher (2006, Phaidon Press Limited, London), which is about Aicher's life as a graphic designer, and has little about his type design. Vendors of Rotis and typefaces like Rotis: Rotis Sans Serif (Linotype), Rotis Semi Serif (Monotype), Rotis SemiSans (Monotype), Rotis Serif (Monotype), Rotis SansSerif (Adobe), Cutoff Pro (URW++), Rotis Sans Serif (Monotype), Rotis SemiSans (Adobe), Rotis Semi Serif (Adobe), Rotis Serif (Adobe), Diphthong (Diphthong Type Foundry), Cutoff Pro Regular (URW++). Klingspor link. FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿ | |
During her graphic design studies in Barcelona, Mademoiselle Aida created the experimental modular display typeface Kiungo (2013) and the display typeface Mezzarondi (2013). [Google] [More] ⦿ | |
Banda Aceh, Indonesia-based designer (b. 1995) in 2019 of the calligraphic typefaces Deliagha, Amettha, Whinter, Better, Legenda, Queenly, Bantaci, and Navitta. [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer (b. 1980) of the script typefaces Rantca (2019: for signatures) and WirePop (2019). [Google] [More] ⦿ | |
Designer of the fine free sketched font Nedele (2021). [Google] [More] ⦿ | |
Italian creator in Milan of the free techno typeface Black Caps (2011). Dafont link. Devian Tart link. [Google] [More] ⦿ | |
Student at the Fashion Institute of Technology in New York. Creator of the grungy ink splash typeface Phobia (2011). [Google] [More] ⦿ | |
Otoko Aie offers three fonts in the comicbabies series, all made in 1997: Thinbaby, Noisebaby and Brokenbaby are noisy alterations of standard fonts. Alternate URL. Fontspace link. [Google] [More] ⦿ | |
As a student at ENSAD in Paris, she co-designed Poinçons (1999), a typeface based on a design of Fournier. [Google] [More] ⦿ | |
During her studies at British Higher School of Art and Design in Moscow, Anastasia Aiguzina designed the straight-edged techno typeface Kurskaya (2016, for Latin). [Google] [More] ⦿ | |
Designer of the pointy font Spearhead (2015). [Google] [More] ⦿ | |
Graphic designer in Tours, France, who designed the hipster typeface Mandruva in 2014. Behance link. [Google] [More] ⦿ | |
Graphic designer in Helsinki, who created the display typeface Airon (2013). [Google] [More] ⦿ | |
Designer of the pixel typeface HacenPixer (2006, HacenType). [Google] [More] ⦿ | |
Nurul Ain, a freelance graphic designer in Selangor, Malaysia, created the paper fold typeface Zaroux in 2013. [Google] [More] ⦿ | |
With Robert de Niet, [T-26] co-designer of 9 mm. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the futuristic 90s-retro militaristic typeface Tailgunnar (2018). Designer of the 10-style pure cyberpunk typeface family MuX1ne (2021). [Google] [MyFonts] [More] ⦿ | |
Graphic design student at Western Washington University. Designer of the informal font Leonor (2000). [Google] [More] ⦿ | |
During his studies in Buenos Aires, Danel Aisemberg designed Elessar (2015), starting from Carolingian letterforms and Caxton. [Google] [More] ⦿ | |
Japanese designer of Fray Deco (2018). Typefaces made at FontStruct by him include Detour (2019), Handsmooth (2019), Playful Deco (2019), Bullet Train (2018), Gothicized Art Deco (2018), Koffie Stencil (2019: piano key style), Rounder (2019), Border of Breath (2019), Two Stage Stencil (2019), and Horse Power Nick (2019). [Google] [More] ⦿ | |
Behance link. [Google] [MyFonts] [More] ⦿ | |
During his studies in Marrakesh, Morocco, Yassine Ait-el-Mouden designed these Tifinagh fonts: Tifinagh Ayt Lmuddn Anfriwn, Tifinagh Ayt Lmuddn Dar Waman, Tifinagh Ayt Lmuddn Iziki, Tifinagh Ayt Lmuddn Ighsan, Tifinagh Ayt Lmuddn Jimmi, Tifinagh Ayt Lmuddn Mrym. [Google] [More] ⦿ | |
As a Student at Srishti School of Art, Design and Technology in Bangalore India, Sushma Aithal created the decorative caps typeface Commercial Street (2014). [Google] [More] ⦿ | |
Perth, Australia-based designer of Tropical Party Icons (2018) and the grungy Halloween font Goosepimple (2018). [Google] [More] ⦿ | |
During her studies in Cape Town, South Africa, Elara Aitken designed Basic Bites (2015, a fruit and vegetable-themed all caps alphabet). [Google] [More] ⦿ | |
Creative Market link for Bowery Studio. Behance link. Yet another Creative Market link. [Google] [More] ⦿ | |
Aka vintsis, this Casablancan runs a caligraphy blog. Creator of Vintsis (2009, FontStruct). [Google] [More] ⦿ | |
Banda Aceh, Indonesia-based designer (b. 1992) of Country (2017, a script typeface) and Nature Forest (2017). In 2018, Fontysia designed Coffeesia Script and the calligraphic Cantina Script. Script typefaces from 2019 include Heliconia, Shears (a great free signature font), Fantasy, Aperto, Akhlak, Brilliant, So Sweet and Jungle. Typefaces from 2020 (all scripts): Aldabela, Brewoke, Cornelia, Hamiliton, Heliconia Script, Joe Amer, My Darlia, Reinachely, Silversun. Typefaces from 2021: Gattermoon Handwritten Signature Font. [Google] [MyFonts] [More] ⦿ | |
During her studies in Beirut, Amira Ajam created a Latin display typeface. [Google] [More] ⦿ | |
For a school project in Los Angeles, Anie Ajamian started from Gill Sans and created a trimmed version of it called Elie Sans (2013). Behance link. [Google] [More] ⦿ | |
Creator of the free brush typeface Villa Sanjurjo (2013). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the school project font Groundy (2016). [Google] [More] ⦿ | |
Bekasi, Indonesia-based Agik Purnomo Aji designed the free grid-based typeface Daul (2017). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of Stoneberg (2020: a script font), Dellima (2020), the marker pen font Brother Janu (2020), Localova (2020: a monoline script), Djavaloca (2020: a modular techno typeface family), Superstition (2020), Lockanantta (2020), PaintLova (2020), Steelystico (2020) and Aullocka (2020). [Google] [More] ⦿ | |
Blitar, Indonesia-based designer of the tall monolinear sans typeface Skyline (2020). [Google] [More] ⦿ | |
Japanese type designer who published some Japanese typefaces at FONT1000. [Google] [More] ⦿ | |
Kebumen, Indonesia-based designer (b. 1997) of these typefaces in 2020: Arkaedos (a creamy script), Amtera (a fat finger font), Takidos (children's letters), Merilland, Tamword, Terasu Brush (a dry brush script), Chalk Perio (a chalk font), Diltoon (a cartoon font), , Savattera, Pecattes (a very dry brush script), Dhecalovia (a fat finger font), Launsela (a fat finger font), Super Love Christmas, Bevalonia, Butter Spoky, Super Love Christmas, Merilland, The Bonbon, Annila Script, Kagatsun, Frangstton, Sophomore, Reacter, Oliotton, Many Cheeks, Keyrannha (monoline script), Chatalisa, Dhecca House (a monoline script), Ligotra (all caps, Victoriana), Fagetone (a retro signage script), Gangsoka (an angry serif), the script font Meltinghones and the monoline script typefaces Caligendings and Frangstton. Typefaces from 2021: Flower Glory (a counterless kindergarten font), Delichan (a calligraphic script), Smile Darling (a decorative stencil), Fondest (a Peignotian sans with a hipster f), Mintage (a retro serif), Klender (a descendant of Cooper Black), Charming Smile (a plump painted font), Hey Tiny (a fat finger font that emulates a child's hand), Central Display, Street Ruins (a graffiti font), Bruskest (a bold dry brush script), Klemer Display (a flat top display typeface), Nectarine (a plump almost psychedelic font), The Burcey (a casual cutout typeface), Relation De Luxe (a rounded all caps sans characterized by many interlocking pairs), Qochy (a display font with elephant feet serifs), Urban Starblues (a graffiti font duo), Urban Java (a reverse stress Western font), Brugty (a bold display typeface in the Cooper Black / Windsor genre), Organic Peach (a fat finger font), Kosans (all caps), Magilio (in the trendy Windsor / Cooper Black style), Elkoga (an 8-style rounded wedge serif), Onedrips (a dripping paint font), Bilground (script), Dassie (an all caps display font), Sugar Smile, Roti Bakar (a sans with swirls), Dripping Drops (a dripping paint font), Apple Slices (a font duo), Dialog Anila, Goodwin Geraldine, Tropical Blooming (a scrapbook script), Bomb Da Gone (graffiti lettering), Fillings Urban (a plumpish graffiti font), Tratags (graffiti), Johny Palkons (letterpress emulation), Kickcore (a brush font), Lonely Girl (a fat finger font), Malistiona, Bittermoon (a fat finger script), Demilton (a heavy script). Typefaces from 2022: Amila Cuties, Cansetras (a tattoo blackletter), Codigra (a liquid serif), Distant Neighbors, Employed, Favorite Notification (a hipster serif), Getrok, Glemor (font duo), Niblick, Olasthy Script (a loopy script), Peach More, Pink Punk (a death metal font), Red Royale (blackletter), Shining Youth (ornamental caps with flowery texture), Sunday Bloom (a hand-drawn serif), Ditsa Calista (script), Brume Matinale (a sharp-edged display serif). [Google] [MyFonts] [More] ⦿ | |
Yogyakarta, Indonesia-based designer (b. 1987) of the script typefaces Dear Elisa (2018), Great Saturday (2018), Fighter (2018), Willgate (2018) and Austhin (2018). Typefaces from 2019: Gloriousity (One, Two), Tiger Walk (a brush font), Charlotte Sweet, Rain Brush, Bumble Blitz, Delissa Script, Shining Times. [Google] [More] ⦿ | |
Kochi, India-based designer of the free modular FontStruct font Shark Fin (2017). Behance link. [Google] [More] ⦿ | |
During her studies at the German Jordanian University in Amman, Jordan, Sara Ajlouni designed the Latin display typeface Churny (2017) and a playful Arabic typeface (2017). [Google] [More] ⦿ | |
Creator of the free sharp-edged typeface Edges (2013). [Google] [More] ⦿ | |
Indonesian is a graphic designer based in Bandung, Indonesia. Her type designs are published at her foundry, Panatype. Typefaces from 2017: Baysoir Script, Baysoir Sans , Saltery Brush. Typefaces from 2018: Harvels (a vintage font), Melastory, Casterio (signature script), Balig Script (a signature font), Thistails Font Duo. Typefaces from 2019: Alios Script, Fiest (font duo), Bulgis (a monoline script). Typefaces from 2020: Monzo (with Boyan Nurdiansyah), Roylands Font Duo. [Google] [MyFonts] [More] ⦿ | |
During his studies in Izmir, Turkey, Ataberk Akalin created the logotype Pimapen (2016), the stencil typeface Sax (2016) and the striped typeface Gevrek (2016). [Google] [More] ⦿ | |
Aceh, Indonesia-based designer of the script fonts Frelline Script (a brush script) (2020), Willgets Calligraphy (formal style) (2021), Everytime Script (2020: wild calligraphy) and Dagestan (2020). Typefaces from 2021: Sugar Garden (a calligraphic script), Gritalina Script (a wild calligraphic script), Western Brushes (a font duo). [Google] [MyFonts] [More] ⦿ | |
During his studies at the Yoobee School of Design (Auckland, New Zealand), Cleo Akaroa created Viaduct Basin (2013, an angular typeface). [Google] [More] ⦿ | |
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Jakarta, Indonesia-based designer, b. 1997, of the script and display typefaces Mahadetty (2019), East Djakarta (2019), West Djakarta (2019), North Djakarta (2019), South Djakarta (2019), Djakarta (2019), Taylilla (2019), Clausly (2019), Helleny (2019: a signature font), Sattiade (2019), Darling (2019), Hanie (2019: a wide signature font), Ryna (2019), Adipilia (2019), Loadtz (2019), and Beaudthy (2019). Typefaces from 2020: Zamilla. Typefaces from 2021: Lithunoa (a bold monolinear script), Lithunoa Dingbats, Eathoma Script, Hokaide, Santhony (a bold script), Eathoma Sans, Cynthian, Hembusan, Ophalaria, Themarie, Coby Daila, Galagar, Eraox, Famanthalio, NeoStone, Steelr, Achone (modular). [Google] [MyFonts] [More] ⦿ | |
Indonesian designer of these typefaces in 2017: Carita (round brush script with a glaz krak substyle), Borneo, Darker Time (stone chisel type), Mosqita, Segaris (curly). In 2018, he/she designed Merchants (a spurred vintage typeface), Ugly Jelly (textured), the poster typeface Barakuda, Bartholomew (Dutch deco), Raphaelum (a playful script), Tremore, Magnetum, Stabillum, Parisian (art nouveau), Chopio (a notebook font), Pristine (slab serif), Wilhelmina, Matheo Aans, and Grundschule (handcrafted). Creative Fabrica link. [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of these fonts in 2020: Antonie, Black House, Black Passion (a dry brush script), Brentley, Charmelya, Galguna, Hackbot (a pixel font), Hailey, Hello Madelyne, Hi Rolley, Hollowtown (graffiti), How Dare You, Life Of Apple, Monkey Geek, Punkiss, Randhu, Reviola, Sendha, Seymore, Silver Flower, Someday, Sounding, Speedkings, The Speciment, Thundra. Typefaces from 2021: How Dare You (grungy vintage caps), Mystic Forest (a chalk font), Hello Jones (a vintage shadow font), My Home (a fat finger font), Honey Jar (handprinted), My Fox (a scrapbook font), Beachfly (a decorative serif), Hardinge (a hand-drawn blackletter), Chalkboy (sketched). Their catalog in 2022 showed 250 fonts: Abilane, Abrock, Acetone, Aestetic, Allista, Amal Baik, Aquarex, Archking, Aslah, Authentique, Avena, Avoda (a fashion mag sans), Baker's Dozen, Bakery Home, Baleho, Baloba, Bancak, Bangke, Barnies, Bayleigh, Beach Hits, Beachfly, Big Heroes, Big Jelly, Big Tales, Black Passion, Blackold, Bloody Camp, Bluffton, Bodor, Bratton (spurred), Bricius, Brickrow, Brickson, Brutaly, Bunaken, Came Back, Candola, Candyful, Carisyn, Chalkboy, Charmelya, Cider Lime, Classy, Coconutz, Cold Army, Combust, Coming Sans, Cordion, Cosmogen, Crabug, Crow Bait, Cutenest, Cybersky, Daewon, Dandely, Dark Magic, Day n Nite, Daya Sans, Death World, Debug, Delta Force, Destro (stencil), Dirty Drags, Dutch Brigade, El Mayor, Elecstrom, Exton, Fall Season, Fall Story, Fire Ace, Fronzy, Fun Show, Galguna, Garden Bloom, Gludak, God Doll, Golday, Grane, Grateful Life, Gummies, Gunji (Japanese emulation), Hackbot, Hacklife, Hadest, Hadeya, Hailey, Hakan, Hakio, Hakubo (Japanese emulation), Haloha, Happy Gnome, Hara, Hardinge, Harvest Day, Harvest Time, Hastag, Hazeland, Hello Jones, Hello Madelyne (a calligraphic script), Hellow, Helsinky, Hey Jack, Hey Jane, Hiccup, Hollowtown, Home to Rome, Honey Belly, Horrific (a horror font), How Dare You, Howling Nightmare, Jackal Band, Javanica (a vintage label typeface), Jonks, Jungle Hope, Just For You, Just Ruth, Kahlil, Kana & Hana, Kanatala, Kastil, Kesal, Killing Me, King Castle, King Malik, Klassiek (a crayon font), Kohatu, Kulo, Kurayami (Japanese emulation), Last Mission, Legendary Runes, Life Rolling, Life of Apples, Lubang Hitam, Madsense, Madtune, Maluku, Marsea, Marsela, Marshed, Mauricio, Melon, Mexican City (a Western slab serif), Miami Beat (a multiline font), Mighty Star, Mika Story, Mister Hipster, Mistery, Mistis (spooky), Mocktail Blues, Modeon (a wonderful layered all caps sans), Moeloek, Monde, Monkey Geek, My Fox, My Home, Mystic Forest, Night Vibes, Nightscary, On My Way, Orchard Song, Ovalie, Panikos, Parylicious, Poked, Princess Star, Punkiss, Qabil, Quirky Bay, Rabiul, Racula, Randhu, Rebutan, Reclaim Glory, Rekan, Remily, Renji, Retro Sick, Reviola Bold Script, Risky Venture, Romeda (a vintage serif), Runboy, Salacia, Saluyu Script, Sandatory, Savilla, Savon Burg, School Kids, Scribery, Secret Mansion, Seledina, Semur, Sendha, Senja, Sensai, Serkan (a Celtic font), Seymore, Shade June, Shayan, She Dance, Shocked Up, Show Up!, Shufen, Shutter Speed, Sketchup (a sketched font), Skullbone, Sneak Peak, Snooby, Soda Land, Someday, Sorreal, Sounding, Space Corner, Speedkings, Spirit Freak, Steak House, Sticky Web, Stitch Boy, Story of Alundra, Summer Blaze, Summer Blues, Summer Creamy, Sundae Bite, Sunday Coffee, Sunkiss Bliss, Sweet Beans, Sweet Cherry, Tangisan, The End Story, The Millers, The Speciment, Thundra, Ugly Byte, Uncracked, Urbanded, Vintage Wheel (a retro signage script), Voltec, Wake Snake, Walers, Walk Away, Wavemax, Weloved, West Yard, Wicked, Wild Justice, Winola, Wonder Magic, Wonder Soul, Wrecked Works. Envato link. [Google] [MyFonts] [More] ⦿ | |
Aceh, Indonesia-based designer, b. 1993, of the connected script typefaces Salwomen Script (2018), Kristallian Script (2018), Delaney Script (2018), Mikayla Script (2018), Rieesflomeo (2018) and Gresthine (2018). Typefaces from 2019: Salwomen, Wafonak, Black Stud. Typefaces from 2020: Heartkything, Black Thise Script (wild calligraphy). [Google] [More] ⦿ | |
Aka Akbarmeasalaro. Banda Aceh, Indonesia-based calligrapher and designer, b. 1981, of mostly calligraphic or connected script typefaces. He ran Tone Studio, Triotone and Sinfa, and most recently, he set up Stasy Font in 2020. On Dafont, his location is East Kalimantan, not Sumatra, though. In 2020, he released Aurum (a bold script). [Google] [MyFonts] [More] ⦿ | |
In 2021, he designed Party Lover (a tall rabbit ear script), Wondrous (an inky script) and Wondrous (an inky script). In 2020, he released Stargild and Bettiya. In 2019, he designed Longtime, Friendship, Gesture (a great inky calligraphic script), Saylove (a hairline script), Madani Script, Santha Cruze (a signature font), Hasnita, the monoline script Stuttgart, the signature script Santhalia and the script typefaces Amelia Amanda, Zeinstore and Metic. In 2018, he designed Janetta, Marta Anthoni, Vineshia Johnson, Adelea, Edore, and Melitta&Jeffry. Earlier typefaces: Lagena (2017, formal calligraphy), Transformer (2017, bold script), Anton Script (2017), The Kastle (2017), Zeinstore (2017), Melitta&Jeffry (2017), Fisherman (2017), Maheishia (2017, an irregular script), Romantis Momen (2017, calligraphic), Zuraida (2017, calligraphic), Picture (2017), Mirantie (2017: calligraphic), Kayla (2017; connected inky calligraphic script), Blester (2017, outlined script), The Flashter (2017, script), Mother Love (2017, thin calligraphic script), Atlantic (2017, calligraphic), Gentle (2017, calligraphic), Buffalo (2017), Leather (2017, calligraphic script), Turkeye (2016, script), Fastter (2016, script), Andrea (2016, calligraphic script), Confident (2016), Carolina (2016, script font) and Anton (2016, bold brush script). [Google] [MyFonts] [More] ⦿ | |
Jakarta, Indonesia-based designer of the angular typeface Isometric (2016). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the free display typeface Decruiser (2016). Behance link. [Google] [More] ⦿ | |
During her graphic design studies in Toronto, Sayeda Akbary designed a modular typeface (2013). [Google] [More] ⦿ | |
Istanbul-based designer of the display typeface Improvisation (2016). [Google] [More] ⦿ | |
Turkish creator of the hand-printed typeface Furro Script (2012). Dafont link. [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the monolinear sans typeface Minight (2020), the tape font Birik (2020), the all caps sans typeface Bosno (2020) and the display typeface Seconding (2020). [Google] [More] ⦿ | |
Graphic designer in Aksaray, Turkey. In 2015, she created the display typeface Riim. [Google] [More] ⦿ | |
Graphic designer in Izmir, Turkey, who designed the cursive typeface Tasarim in 2016. [Google] [More] ⦿ | |
Turkish-born designer in Brooklyn, NY, who created the display typeface Beykoz in 2016. In 2014, Sinem published the curly Light Gothic Godo. [Google] [More] ⦿ | |
Turkish designer of the display typeface Traptik (2016). [Google] [More] ⦿ | |
Designer at tipografia.cl in Santiago de Chile, who designed TCatomica. [Google] [More] ⦿ | |
Chinese foundry, est. 2019. In 2019, Lee Aken published the leafy display typeface Lancet Aken. [Google] [MyFonts] [More] ⦿ | |
Rachel Ake (New York, NY) created the informal and bouncy display typeface Jambo (2012). [Google] [More] ⦿ | |
Ufa, Russia-based designer of the Latin typeface Paper Town (2018). [Google] [More] ⦿ | |
Vector artist in Kiev, Ukraine. In 2018, he designed these display typefaces: Round, Retro, Music, Fashion, Gold. [Google] [More] ⦿ | |
London, UK-based designer of the modular squarish typeface Vertext (2015). [Google] [More] ⦿ | |
Goregaon, India-based designer of an electrical circuit typeface in 2012. Behance link. [Google] [More] ⦿ | |
Designer of Sousui, the bronze prize in the 6th Morisawa Awards International Typeface Design Competition, 1999. A simple, light and elegant kanji font. [Google] [More] ⦿ | |
Istancul-based designer of the liquid typeface Leak (2016). [Google] [More] ⦿ | |
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Bandar Seri Begawan, Brunei-based student-designer of the free pencil-inspired typeface Multi Pop (2015). [Google] [More] ⦿ | |
Turkish graphic designer who created a curly hand-drawn alphabet in 2010. [Google] [More] ⦿ | |
Bersearch is a distributor of Cyrillic typefaces. RussianH has four weights, and was made in Moscow by Russian typographers Dmitry Akindinov and Alex Romanov. Free demo fonts. [Google] [More] ⦿ | |
Graphic designer in Ankara, Turkey, b. 1989. She graduated from TED Ankara College in 2006, and obtained a BFA degree in Graphic Design from Bilkent University in 2010. Currently she works for Kraf & Co. In 2015, she designed the (commercial) rounded comic book sans typeface Sugar Yes Please. In 2014, she created the thin hand-printed poster font Dilem (free download), the bilined sketched Blaze & Radley, and the poster typeface Skip Leg Day. Dafont link. Behance link. [Google] [More] ⦿ | |
Turkish type designer. His repertoire consists of a number of techno or modular typefaces, a contructivist typeface (Attack), some upright connected scripts (like the Arabic simulation typeface Alibaba), some geometric sans typefaces, a hexagonal face (Hexa). Scans: I, I, II, III, IV, V, VI, VII, VIII, IX, X, XI. [Google] [More] ⦿ | |
Ivan Akinin (Kiev, Ukraine) designed the monoline titling caps typeface Profihouse (2011). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Istanbul-based designer of the display typeface Emin Barin Anitkabir (2015). [Google] [More] ⦿ | |
Creative director in Istanbul, who oversaw the development of the custom typeface Audio Book Sans in 2017. [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the colorful all caps typeface Font Block (2017). [Google] [More] ⦿ | |
Creator of the free hand-printed typefaces Baby Disney 3 by Natsu (2012), Quirlycues (2013---copyright string points to Joanne Taylor, 2009), James Almacen (2013, copyright string points to James Fajardo, 2007), and Girly (2013). Fontspace link. [Google] [More] ⦿ | |
American fantasy writer (b. 1994?) who created the hand-printed Verdok Foundation in 2008 for the manga called Verdok. [Google] [More] ⦿ | |
Art director in Istanbul, Turkey. In 2017, she designed the free ball terminal-themed typeface Globe. [Google] [More] ⦿ | |
Deltatype is a type foundry based in Bangkok, a subsidiary of Craftsmanship. Typefaces made by Kwanchai Akkaratammagul:
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In 2016, Kwanchai designed Martian B at Deltatype. [Google] [MyFonts] [More] ⦿ | |
Bangkok, Thailand-based designer of the monoline slab serif typeface Doublef (2016) for Latin and Thai. [Google] [More] ⦿ | |
During his studies, Yasir Burak Akkaya (Edirne, Turkey) designed Pipette (2019). [Google] [More] ⦿ | |
Izmir, Turkey-based designer of the display typeface Kemeralti (2019) and the wavy typeface Bipolar (2019). [Google] [More] ⦿ | |
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Aceh, Indonesia-based type foundry specializing in calligraphic script typefaces. Typefaces from 2021: Calisga (a rounded glamour serif), Mostera (an intestinal font), Vintage Culture (a display serif), Histeria Dinamond (script), Hello Balgetia (script), Amontesa (a vintage label font), Baby Valentina. In 2020, Mega Type released Marvelan (a bold flared decorative titling font), Black Dragon (a dry brush script), Black Dragon (a dry brush script), Salenta (a flowing rabbit ear script), Megatype Script (a signage script), Hello Molydia, Greater Amberjack, Wastima (script), Yoshieka (with curly swashes) and Barlington (a monoline script). In 2019, Mega Type published Estebak (a dry brush script), Good Selection, Marliesta, Mobaster, Helostar Script, Randing, Belgiana Script, Freshline, Mareline Script, Yasmine Gardner (a feminine script) and Argentina Script. In 2018, they published Mareline, Young Girls Script, Calissha Script, Ramolina Script, Lady Angelina, Reading (a signature font), and Marchanda Script. In 2017, they designed Delaras, Retroyal (a condensed sans), Wacthout Script, Gebrina, Bethanya, Kamelia Script and Prestiquen Script. Typefaces from 2022: Chandler Mountain (a tightly set headline sans family). [Google] [MyFonts] [More] ⦿ | |
Graphic designer from Lagos, Nigeria. He created the vector format alphabet BitSyringe (2012): BitSyringe is a collection of letters inspired by drill bits, medical syringes and geometry. Behance link. Hellofont link. [Google] [More] ⦿ | |
Creator of the free Thaana typeface My GroupX Avas (2000). Fontspace link. [Google] [More] ⦿ | |
Oslo-based designer who made the hand-printed Rev (2009) and Festival Jomfruer (2010, all caps). Aka huskmelk. Blog. Alternate URL. Fontspace link. Home page. [Google] [More] ⦿ | |
Designer of the pree pixel typeface 7Squared (2018). [Google] [More] ⦿ | |
Indonesian designer of the blackletter-inspired typeface Malocknow (2018) an the octagonal typeface Belltrain (2018). [Google] [More] ⦿ | |
Semarang, Indonesia-based designer (b. 1998) of these script or handcrafted typefaces in 2020: Akagami, Aokiji, Baby Boy, Bad Boys, Be Natural, Black Moon, Black Tea, Brown Cake, Button Box, Coffee Break, Electric Kiss, Emptiness, Feel Calm, Fresh Tea, Green Lemonade, Halloween Day, Halloween Movie, Halloween Night, Hand Ball, Heavy Rain, Ice Cream Cake, Lafitte, Little Smile, Little Waves, Lucky One, Magic Leaf, Magnum Saber, Mermaid Baby, Monday Special, Morning Friday, New Divide, Nightmare Side, One Shot, Queen Bee, Rainbow Cake, Rainbow Flower, River Water, Roronoa, Second Date, Secret Number, Short Zippers, Sulung, Sunday Special, Sunrise Trip, Sweet Banana, Sweet Cherry, Sweet Coffee, Sweet Mango, Sweet Orange, Sweet Watermelon, Torao, Unicorn Toys, Vasco, Yagami Light, Yellow Moon, Yellow Star. [Google] [More] ⦿ | |
Krakow, Poland-based designer of the free-for-commercial-use Latin / Cyrillic all caps font Neutral Face (2021). [Google] [More] ⦿ | |
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Montreal-based designer of the geometric typeface Les Enfants de la Bolduc (2012). Behance link. [Google] [More] ⦿ | |
Istanbul, Turkey-based co-founfder of Monajans. In 2018, Fatih Hardal and Mustafa Akülker co-designed the hipster sans typeface Unshaped. [Google] [More] ⦿ | |
Creator of the free font Sundanese Unicode (2012). [Google] [More] ⦿ | |
Graphic designer in Istanbul who created the organic sans typeface Aldoeni in 2012. [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the minimalist Arabic typeface Bethra (2017). [Google] [More] ⦿ | |
Designer of a Latin display typeface as part of her requirements at the Cairo Ad School in 2017. [Google] [More] ⦿ | |
Or Djadli Zine El Abidine. Algerian designer of some typefaces. In 2009, he created the Latin / Arabic stone cut typefaces Djadli Tachkili (or Djadli Maghribi Djadid), which were programmed by Zakariah Saleh (Palestine). Free download. [Google] [More] ⦿ | |
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At Halic University in Istanbul, Izlem Alacam designed Monster Alphabet (2016). [Google] [More] ⦿ | |
Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script typeface based on J.J. Sierke's 1964 typeface Privat), Rhino (revival of Mobil, a 1960 typeface by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting typeface based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Swan Song (2006: a calligraphic typeface based on the hand of Alexander Nesbitt. A later document states that it is based on work by British artist Rachel Yallop from 1986), Evolver (2006, a 9-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955). In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years. VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 typeface for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno typeface Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall typeface in the mold of Bernhard Fashion and other era poster or film typefaces (they say that it is rooted in the film typefaces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF). Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011) were both co-designed with Patrick Griffin. In 2020, they released the variable informal sans typeface Bananas: Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners' Catalina and its very similar cousin, Letter Graphics' Carmel, served as initial study points. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Valencia, Spain-based designer of the paper-fold typeface Concordia (2013), named to support the fight against AIDS. His studio is called Yonoh Estudio Creativo. In 2014, he designed the circle-based typeface Sophie. Behance link. [Google] [More] ⦿ | |
During his studies at the University of Ballarat, Australia, Nawal Al-Adasani created the sharp-edged display typeface Aris (2013). Aris borrows ornamental details from Arabic. [Google] [More] ⦿ | |
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Amman, Jordan-based designer of the Arabic typeface Damascus (2016). [Google] [More] ⦿ | |
After some work experience in Buenos Aires, he returned to Spain. Nowadays Pablo is living in Madrid, works as Creative Director at Picnic and teaches editorial design at the Istituto Europeo di Design. [Google] [MyFonts] [More] ⦿ | |
Australian animator. Designer of Poo (2005, ugly handwriting). [Google] [More] ⦿ | |
Mohammad Alagha is Almedia Interactive (or: MAK Alagha, or: Applied Graphic Arts), an Arabic font producer active since 1994. The (beautiful!) AGA Fonts for Arabic are exclusively sold by Almedia Interactive Limited, which is based in the UK. His fonts include AGA-AbasanRegular, AGA-AladdinRegular, AGA-BattoutaRegular, AGA-DimnahRegular, AGA-FuratRegular, AGA-GranadaRegular, AGA-JuhynaRegular, AGA-KayrawanRegular, AGA-MashqBold, AGA-MashqRegular, AGA-NadaRegular, AGA-PetraRegular, AGA-RasheeqBold, AGA-SindibadRegular.
Another URL. Free font sublink. Fontspae link. Dafont link. Download here. The beautiful dingbat fonts AGA Arabesque and AGA Arabesque Desktop (1994-1996) are here and here. OFL link. [Google] [More] ⦿ | |
As a student at Ecole d'art Maryse Eloy (Paris), Barbara Alaimo created the modular stencil typeface Split (2016). [Google] [More] ⦿ | |
Toronto-based creator of Remix Type (2012) and Bovine (2015). Behance link. Cargo Collective link. [Google] [More] ⦿ | |
Singapore-based designer (b. 1985) of 7x7 (2004, outline pixel face), which used to be downloadable from Devian Tart. [Google] [More] ⦿ | |
London-based designer of an Arabic Didot typeface in 2013. Behance link. [Google] [More] ⦿ | |
London, UK-based visual designer, who made some fonts, including the ultra-thin Moda (2013). Home page. [Google] [More] ⦿ | |
Graphic designer in Barcelona, who created the broken style font Dajaja (2014). [Google] [More] ⦿ | |
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The Latin / Arabic version of Dalton Maag's Effra was co-designed by Azza Alameddine and Alex Blattmann. It won an award at Granshan 2016. In 2017, she finished Adelle Sans Arabic at Type Together. In 2019, Type Together released Catalpa (Veronkia Burian, Jose Scaglione, Azza Alameddine) and wrote: Primed for headlines, Catalpa is designed to give words bulk and width and gravity itself. The Catalpa font family is José Scaglione and Veronika Burian's wood type inspired design for an overwhelming headline presence. Catalpa was followed in 2021 by Belarius, a three-axis variable family that shifts from sans to slab serif, from condensed to expanded widths, and includes every possibility in between. Published by Type Together in 2021, it was developed under the guidance of Veronika Burian and José Scaglione, with type design by Azza Alameddine and Pooja Saxena, and additional kerning and engineering help from Radek Sidun, Joancarles Casasin and Irene Vlachou. At the end of 2021, she finished Bree Arabic as part of Type Together enormous Bree multiscript typeface family. [Google] [More] ⦿ | |
During her communication design studies in Amman, Jordan, Jude Al-Amin created an experimental Arabic typeface (2014). [Google] [More] ⦿ | |
Lebanese graduate of the MATD program at the University of Reading in 2012. Azza's graduation typeface is Sila (2012, for Latin and Arabic). [Google] [More] ⦿ | |
Thirteen free Unicode 3.0-compliant Ethiopian fonts by Abbas Alamnehe: EthiopiaJiret, EthiopiaJiretSlant, EthiopicFantuwua, EthiopicHiwua, EthiopicTint, EthiopicWashRaBold, EthiopicWashRaBoldSlant, EthiopicWashRaSemiBold, EthiopicWashRaSemiBoldSlant, EthiopicWookianos, EthiopicYebse, EthiopicYigezuBisratGoffer, Sabaean. There are subpages on Ethiopian typographic history. Fonts2U link. [Google] [More] ⦿ | |
Or Kathleen Alamon, based in Las Piñas, The Philippines. Creator of the free hand-drawn typeface Cornleaves (2014) during her studies at DLS-CSB. Behance link. Dafont link. [Google] [More] ⦿ | |
Designer (?) in 2000 of the Arabic fonts AL-Aser-Outline, AL-Aser, AL-Battar-Outline, AL-Battar, AL-Bsher-Outline, AL-Bsher, AL-Hor-Outline, AL-Hor, AL-Hosam-Outline, AL-Hosam, AL-Hotham, AL-Manzomah, AL-Mateen-Outline, AL-Mateen, AL-Mohanad-Bold, AL-Mohanad, AL-Qairwan, AL-Sarem-Bold, AL-Sarem, AL-Sayf-Bold, AL-Sayf, Al-Hadith1, Al-Hadith2, Al-Homam, Al-Mothnna, Al-Samsam, Bader, Othmani, Pen-Kufi-Shadow, Pen-Kufi, Quran-1, Quran-2, Zokrofi. They can be downloaded here. [Google] [More] ⦿ | |
Koripan, Matesih, Karanganyar, Indonesia-based designer (b. 1995) of the monoline script Araina (2020). [Google] [More] ⦿ | |
Typefaces from 2019: Vignettic (a heavy retro signage script), Basuki Script, Agradian (script), Adonessia (wild calligraphy), Black Hummer (brush script, identical to Bellarsky), Ethiopia, Starlight (script), Giorello (a signature script), Ducky Manly, Mohica (a license plate font), Realistica (a brushed signage font), Mondella (a ronde script), Bellarsky, Thunder, Thunder Rough. Typefaces from 2020: Pottery Crafting (a brush script), Manhattan (a dry brush script), Retrophilia, Castlefire (a circus font), Ebullience, Humanely, Resemhary. Typefaces from 2021: Vignettic (a wonderful creamy retro signage script), Mohan (a decorative serif). Typefaces from 2022: Rattani (a hyper-inktrapped display typeface). [Google] [MyFonts] [More] ⦿ | |
Kuala Lumpur, Malaysia-based creator of the circuit board font ElectroKufi (2013). [Google] [More] ⦿ | |
During her studies in Cairo, Egypt, Lujain Al Anany designed an Arabic and a Latin typeface (2018). [Google] [More] ⦿ | |
Design student in Monterrey, Mexico, who created Reverend Type (2012). [Google] [More] ⦿ | |
Sevilla, Spain-based designer of the geometric solid typeface Lichtenstein (2017). [Google] [More] ⦿ | |
Graphic design student at UANL in Monterrey, Mexico. In 2012, he created Angd. Behance link. [Google] [More] ⦿ | |
At De La Salle College of Saint Benilde, Jana Alano (Manila, The Philippines) designed an art deco typeface in 2016. Behance link. [Google] [More] ⦿ | |
Designer of the remarkable free display typeface Alanesiana (2017)C: Alanesiana is a font created in accordance with the idea to read the text in a slightly insecure form, and supports exactly 5650 characters. Each character has its own character, looks different from the rest, but all are made in a similar style and have a similar thickness, so the text still looks consistent, making it perfect for longer texts as opposed to many other decorative fonts that tire the reader. What is important Alanesiana supports not only Latin alphabet but also Cyrillic, Greek, Hebrew, Armenian, Georgian and phonetic and mathematical symbols as well as some emoticons and other symbols, alphabets such as Coptic. [Google] [More] ⦿ | |
At Lahti Institute of Design in 2018, Finnish illustrator Lara Ala-Olla (b. 1995) designed the rigid geometric sans typeface Nocturne. [Google] [More] ⦿ | |
Buenos Aires-based creator of an untitled art deco typeface in 2012. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the Arabic typeface Lulu (2015). [Google] [More] ⦿ | |
Porto, Portugal-based designer of The Big Bang Font (2014). The shapes of the glyphs are inspired by the constellations. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the ultra-condensed didone typeface Taipu (2010). [Google] [More] ⦿ | |
Chilean designer (b. 1990) of the destructionist typeface Vibrate Letters (2006). Home page. Another URL. [Google] [More] ⦿ | |
Graphic designer in Sao Paulo. She made a light sans mix between 20db and Gill Sans Light in 2009. [Google] [More] ⦿ | |
During her studies in Dammam, Saudi Arabia, Farah Alarifi designed the Arabic typeface Layla (2016). [Google] [More] ⦿ | |
Student in Kuweit. Pure geometry (circles and lines) and a rigorous design process led to Shahad AlAsfour's Turns of a Tensile Typeface (2012) for Latin and Arabic. [Google] [More] ⦿ | |
Tyre, Lebanon-based designer of the Arabic typeface Nota (2017). [Google] [More] ⦿ | |
During her studies in Tartu, Estonia, in 2014, Triin Alas created a paperclip / neon tube typeface. [Google] [More] ⦿ | |
Aka Lhotse. Rome-based designer of various sets of icons (Adventure, Stupid, Sugar) and the monoline sans typeface Sweet Snow (2017). Behance link. [Google] [More] ⦿ | |
Saudi Arabian graphic designer Ali Al-Attas began designing fonts at the end of 2020. In 2021, he published Alilato (a 9-style wayfinding sans for Latin and Arabic). [Google] [MyFonts] [More] ⦿ | |
Kuala Lipis, Malaysia-based designer of Floret (2015), a school project modular typeface that was inspired by the bougainvillea flower. [Google] [More] ⦿ | |
As a student at Abdulrahman bin Faisal University, Foziya Al-aujan (Al Khobar, Saudi Arabia, Saudi Arabia) designed a 3d experimental Arabic typeface (2017) and a decorative Latin typeface called Dracos (2017). [Google] [More] ⦿ | |
Graphic designer in Riyadh, Saudi Arabia, who created the painted Arabic alphabet Holm (2015). [Google] [More] ⦿ | |
During her studies, Zahra Alawami (Dammam, Saudi Arabia) designed three art deco Latin typefaces that were inspired by stained glass. [Google] [More] ⦿ | |
During his studies at Institut Kesenian Jakarta, Indonesia, Mujahid Alawy created the modular display typeface Mighty (2014). Dafont link. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the Arabic typeface Munhana (2015). [Google] [More] ⦿ | |
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Arabic typeface designer located in Amman, Jordan. Behance link. In 2011, he created the children's typeface Tajheez. [Google] [More] ⦿ | |
Medical imaging researcher and specialist at Universidad Autonoma de San Luis Potosi, Mexico. He hooked up with Mexican type designer Manolo Guerrero and together, they co-designed the experimental typeface Sonotipo (2015) that emulates a cardiogram or other medical electronic signal. Sonotipo won an award at Tipos Latinos 2016. Home page. [Google] [More] ⦿ | |
Wonosobo, Indonesia-based designer (b. 1999) of these handcrafted typefaces in 2020: Amoeba Square, Amsteroid Space, Angella (a formal script), Baby Queen, Belove, Berllina, Butter Food, Catty Magic, Hallo Bernad, Halloween Day's, Hanitha, Micky Dicky, Mighty Time, Pinky Unicorn, Rainy Snow (2020), Ranked Hockey, Rolling Love, Summer Sale, Sweet Dream. Typefaces from 2021, mostly display serifs: Levaus, Gingko, Wilkista, Larissa, Magistic, Minthe, Berllina, Marcost Toto (spurred Victorian), Foundation (script), Morvino Growing. [Google] [More] ⦿ | |
Iraqi type designer who created the traditional Kufi Arabic typeface Firas (2005), which won the second prize for calligraphic Arabic type at Linotype's 1st Arabic Type Design Competition in April 2006. That typeface can be bought from Linotype. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Jakarta, Indonesia-based designer of the modular display typeface Dramarupa (2015) and the batik-themed typeface Hanacaraka (2018). [Google] [More] ⦿ | |
KA Designs is Kaitlynn Albani's shop on the web. She created these handcrafted typefaces in 2018: Earthy, Beautiful Awakening, Gingerbread Cookies, Mink Beach (SVG font), Grateful, Chic, Jellyfish, Haunted House, Cozy, Harvest, Winter Wonderland, Literally, Jingle Bells, Iced Coffee, November, Animal Crackers, All the Thangs, Country Market, Scarecrow, Hayride, Superstitious, Sweet Dreams, Pinecone, Autumn Sky, Cake Batter, Birthday Cake, Sprinkled Donut, Handwritten Monogram, lackout, Mimosa, Safari, Frosting, Timeless, Creep it Real, Sloth Life, Halloween, Fragments, Sky, Starfish, Blueberry Lemonade, Snicker, Mademoiselle, Effortless, Seashore, Beach Shop, apple Cider, You Gon Learn, Apple Pie, Pumpkin Season, Winter Wishes, Little Bird, Sunshine, Oatmeal, Kandi, North Pole (a doodle font), Bamk (a cartoon font), Fall Fun, Sassy, Country Farmhouse, Skipjack, Sidewalk, Boardwalk (textured, almost tattoo style), Chalkboard, Maryland, Mishap, Kashing, Adventure (doodles), Pink Flamingos, Charming, Skeleton, Cloudy, Kiwi Smoothie, Whaley Fun, Lemondrop, Ghost Tales, Karrilee, Ladybug, Saturday, Honeydew, Floaties, Dream (floral caps), Cookie Monster, Nora, Sailboat, Bearly, Fall Breeze, Ocean, BlueberryShake, Calm, Wishful, Summertime, Fairytale, Dotty, Spring, The Park, Farm House, Going Camping, Bright Lights, Vanilla Cupcake, The Bakery, Cheesecake, Kate Johnson (signature script), Foxtrot, Dotty, Dairytale, Wishful, Bonfire, Calm, Cats+Dogs, Spring Sunshine, Mason, Water Park, Lumineuse (a nice art deco typeface), Raspberry, Forest Friends, Alpine Forest, Everlasting, One Teaspoon, Bonfire, Blushed, Farmhouse, Twigs, Summer Break, Fanactus (cacti), Sophisticated Outfit, Koalifications, Whimsy, Cookie Jar, Unicorn Wishes, Lots of Love, Believe, Tropical (dingbats), Alpaca My Lunch, Very Berry Smoothie, Valentine (dingbats), Tuesday, Spring Fling (doodle font), Gingerbread, Calm, Baked Goods, Park, Bearly Awake, Moonwake, Grateful, Blooming, Friday, Lakehouse, Beautiful Awakening, Sophisticated, SaltWater, Serendipity, All the Things (doodles), Monday Blues, Sunday Morning (fat finger font), Silence, Pink Lemonade, Lemonade, Hoptrot, Blueberry Shake, Lynchburg, Alpenglow, Darlington Park, The Lighthouse, Extraordinary, In Lust. Typefaces from 2019: Absolutely, Amsterdam, Arrows, Asteroid, Beautiful Disaster, Believe, Birthday Cake, Black Kitten, Bloomy, Builder, Bunny Ears, Butterflies, Cinnamon, Cloud Nine, Dandy Dandelions, Day Dreamer, Fairytales, Fancactus, Friendship (comic book font), Grapefruit, Guilty, Guilty, Handwritten Font Bundle Harvie, Hey Style, Hi Valentine, Island Tea, Joy & Hugs, La Vie (dry brush), La Vie, Little Bear, Little Kitty, Little Reindeer, Logan Ann, Lovebirds, Lucky Charm, Marvelous, Melon, Merry and Bright, Mintsy, Molly & Elroy, One Wish, Pink Polka, Pink, Sassy, Saturday, Sky, Snickerdoodle, Starburst, Sugar Cupcake, Sugar and Nutmeg, Sweet Dreamer, Sweetheart, The Scarlett, The Shaker, Things (dingbats), Ultimately, Unlikely Friends, Valencia Font, Valentine's Day Font, Walking on Mars, Washington, Wildflowers, Wink (cartoon font), Wonderful (cartoon font). Typefaces from 2020: Silverway. Typefaces from 2021: Harlots (a thin monoline script and sans font duo), Magic Charm. Typefaces from 2022: The California (decorative serif), Like Totally (psychedelic), Limited Edition (psychedelic), Moonstone Style (script), Alysar (calligraphic), Barley (a scrapbook script), Moonshire (a scrapbook script), Wild Mango (a modern display serif). [Google] [More] ⦿ | |
During her graphic design studies at Ufes in Vitoria, Brazil, Lilian Albani (Vila Velha, Brazil) co-created the typewriter-style slab serif typeface Eureka Serif (2013) with Cassio Ferreira. [Google] [More] ⦿ | |
Industrial designer in Lucca, Italy, who created the techno font Adic (2013) and the free experimental typeface Leliel (2013). [Google] [More] ⦿ | |
Designer based at UW-Stout in Menomonie, WI, who created the caps font Kidsplay (2003). [Google] [More] ⦿ | |
Art director in Madrid, Spain, who created the free connect-the-dots typeface family Anaglyphos in 2014. Behance link. [Google] [More] ⦿ | |
Muhammad Zuhair Albazi is based in Lahore, Pakistan. He made the Naskh font Musa Albazi Naskh (2009). He also created Adobe Naskh. His main Arabic typeface to date is Zuhair Albazi Naskh, an advanced OpenType Arabic typeface, which is based on the Ottoman manuscript. He writes: This unique typeface contains an unmatched range of features known from the Arabic script. It is not merely a font but an ultimate typesetting and design tool for the Arabic script in classic Naskh style, with letters variants and calligraphic styles, specifically developed to take advantage of the extensive functionality for Naskh Arabic typography. The typeface allowd many controls such as shape alternates, space adjustments, mark placements, and swashes. Two very special features: Calligraphic Naskh kashida (Tatweel) upto three levels of elongations, so the Kashida distribution and frequence can be precisely controlled to create Arabic calligraphic documents without a calligrapher; thousands of kerning pairs for the fine adjustment of letters specially after Raa, Zaa, Waw and before Kaaf. In 2017, he published Omar Naskh and writes: Omar Naskh is an amazing Naskh font having full Unicode support for Arabic script till Unicode version 9.0. The font covers all the languages of Arabic Script like Arabic, Persian, Urdu, Pashto, Sindhi, Saraiki, Kazakh, Uyghur, Punjabi, Khowar (Chitrali), Malay (Jawi), Balochi, Brahui, Kurdi (Kurdish), Kashmiri (Koshur), Kirghiz, Ozbek, Turkmen and Gawri (Kalami). [Google] [More] ⦿ | |
During her studies in San Marcos, TX, Kara Albe created Pixel Typeface (2014). [Google] [More] ⦿ | |
Avezzano, Italy-based creator of the poster headline typeface family Linestoorb (2015). Behance link. [Google] [More] ⦿ | |
Graphic designer from Barcelona, who created a clean marker pen typeface called Marker (2012). [Google] [More] ⦿ | |
The type foundry Great Dane Designs was established in 2012 by Stine Aelberry in Derby, UK. Zygon Regular (2012, unicase) was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a multicultural event, would feature celebrations inclusive of all cultures. The typeface is based on the Panjabi syllabary alphabet (Gurmukhi script) combined with the Latin alphabet. [Google] [MyFonts] [More] ⦿ | |
Portland, OR-based creator of Old English Style Font (2011). [Google] [More] ⦿ | |
Digital descendants of Albers's work include ThM Architype Albers (2013, Thijs Mertens), Architype Albers (Freda Sack and David Quay of The Foundry, 1997), P22 Albers (P22), Futura Black (Bitstream), Alber New (2010, Chris Dickinson at Moretype), Concreta (Tony de Marco and Niko Fernandez, 2011, at Just in Type), Modernist Stencil (Keith Bates, 2009, at K-Type), Sessions (John Skelton, 2009, at Afrojet), Idiom (Mike Jarboe, 2010, at Reserves), Gridiot (2003-2011, Peter Bain), Plaster (Eben Sorkin, 2011), Slink (Gene Buban, 2009), Albers (Crissov, 2009), Albers Numerals (2015, Tomek Zastawny), Duo (Omer Chafai), Rigid (Marta Cerda Alimbau, 2010), Albers Moiré (Nick Shea), Little Tittle (Michael Blair, 2012), Tp Floral (Two Points, 2006), Decade (Robert Holmkvist, 2015), Bauhaus Typography Experiment (Jonathan Kevin William Holburn, 2014), and Modular Alphabet (Isa Lloret, 2015). References: Regarding the Economy of Typeface (an article explaining Albers' vision for typography), Josef Albers: Interaction of Color (1975, New Haven: Yale University Press), François Bucher: Josef Albers: Despite Straight Lines: An Analysis of His Graphic Constructions (1977, Cambridge, MA: MIT Press), Brenda Danilowitz and Fred Horowitz: Josef Albers: to Open Eyes: The Bauhaus, Black Mountain College, and Yale (2006, Phaidon Press), Eva Diaz: The Ethics of Perception: Josef Albers in the United States (2008, Volume XC Number 2 of The Art Bulletin), Nicholas Fox Weber and Fred Licht: Josef Albers: A Retrospective (1988, New York: Guggenheim Museum Publications), Nicholas Fox Weber, Fred Licht and Brenda Danilowitz: Josef Albers: Glass, Color, and Light (1994, New York: Guggenheim Museum Publications), The Josef & Anni Albers Foundation. [Google] [MyFonts] [More] ⦿ | |
German creator in 1997 of CRX, Z1 Alice Dee (art nouveau), Sign (dingbats and scanbats), and Bundesliga. Alternate URL. Fontspace link. [Google] [More] ⦿ | |
Ottawa-based Paul Albers is the designer of the Startrek font Tron. See also here. Fontspace link. [Google] [More] ⦿ | |
Parisian art director and graphic designer. Creator of the experimental typeface Numberz (2009), in which all the capitals are made up of pieces of numbers. Other experimental fonts: Seven (only the 7 is used to make up letters), Binary (only 1 and 0 are used), and Suffer (letters made by removing chunks). Creator of CrisisFont (2010), a display typeface created to remmember the Greek finincial crisis of 2010. Its letters are quite geometric and seem lost in confusion. [Google] [More] ⦿ | |
Creator of the grunge typeface Green Energy (2011). [Google] [More] ⦿ | |
Indonesian designer of the casual script typeface Coffee (2017). [Google] [MyFonts] [More] ⦿ | |
At the Rencontres de Lure 2005, she spoke about OpenType and Latin characters. Her typefaces:
Alternate URL. MyFonts link. Behance link. Klingspor link. Google Plus link. [Google] [MyFonts] [More] ⦿ | |
Washington, DC-based art director at AARP Media who has worked for The York Times Magazine. He created some retail and custom typefaces such as Rittenhouse (stencil face), Colosseum (fat octagonal), Barbarossa (modular typeface) and a thin octagonal typeface, co-designed with Tom Brown, for Architecture Magazine. Behance link. [Google] [More] ⦿ | |
During her studies at Algonguin College in Ottawa, Canada, Stephanie Albert designed a condensed modular typeface called Omega (2013). [Google] [More] ⦿ | |
American designer of Aquitaine Initials (1987), sold by ITC. See also here. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Tobias-David Albert (b. 1978) studied visual communication at the design faculty of Hochschule Wismar as well as type design at Hochschule für Grafik und Buchkunst Leipzig (with Fred Smeijers and Stephan Müller). His thesis work, an antiqua with an italic cut called Tilia, won the state prize for upcoming designers in 2011; a bold weight of Tilia is currently in development. From 2012, Tobias-David taught at Wismar, and since 2016 he has been at Burg Giebichenstein, Halle. Working at the intersections between calligraphy, sign-writing, lettering and type design, Tobias-David's work includes many customized letterforms for labels, posters, store signs, glassware, and tombstones. He applies a wide range of lettering techniques such as drawing, painting, etching, carving, and moulding. Swiss type foundry Lineto turned to Tobias-David for the brush script typeface LL Blankenhorn in 2014, named after lettering artist Fritz Blankenhorn. Among other designs that Albert produced digitally are a poster with a Gerrit Noordzij quote for Museum für Druckkunst, Leipzig (2013), and various brush letterings for commercial magazines such as Shape, Men's Fitness, and MusikExpress (2014-2017). [Google] [More] ⦿ | |
During her studoes at ESDA (Design School of Aragon), zaragoza, Spain-based Andrea Albiac designed the uppercase didone typeface Artemisa (2018). [Google] [More] ⦿ | |
Wigan and/or Manchester, UK-based designer of the pixel typefaces Xilla (2019) and Xilla Pro (2019). Both were inspired by the Google open source font Zilla. In 2020, he released the commercial typeface Polli Sans, which includes Polli Sans Mono. The typeface is characterized by Renner's square jawed letters---in this case, they include g, j and y. Still in 2020, he designed AC Honey Bee. [Google] [MyFonts] [More] ⦿ | |
Porto Alegre, Brazil-based designer of the octagonal origami typeface Triangular (2017). Behance link. [Google] [More] ⦿ | |
Palmira, Colombia-based designer of the horror movie font The Cramps (2015). [Google] [More] ⦿ | |
Typefaces from 2022: Budare (a geometric display sans in 16 styles that marries Bauhaus with hipsterism; Albornoz: its design is based on the shape of the wrought iron plate used in Venezuela and other countries to make arepas and other food). [Google] [MyFonts] [More] ⦿ | |
Creator (b. 1987) of the con language typeface Alien Gantz (2011). [Google] [More] ⦿ | |
Born in Tskhinvali, South Ossetia, in 1965. In 1982 Alborov graduated from Tskhinvali National High School No.2. He entered the Department of Engineering of the Bauman State Technical University in Moscow (class of 1988). Until 1996 he worked at Tbilisi Aircraft-Building Corporation. Since 1996 Alborov works for the RSO-Alania State Research Center. He gave a license for his type Ger (1998, kaleidoscopic dingbats) to ParaType. This type is based on forms of national Ossetic ornament. Ger won an award at Kyrillitsa '99. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Aachen-based font software developer who also made some fonts such as CommScriptTT (a calligraphic script) and the sans serif ecofont family. CommScript. [Google] [More] ⦿ | |
Graphic designer in Dortmund, Germany. During her studies at FH Dortmund in 2014, she designed Scandrawn Script. [Google] [More] ⦿ | |
Graphic designer who created the stencil family Stencer in 2009. He also made the counterless fat 3d shadow typeface Fruit Basket (2009). [Google] [More] ⦿ | |
During her studies at Skolen for Visuel Kommunikation, Copenhagen, Denmark-based Liv Banja Albrektsen designed the squarish modular typeface Copenhagen High Line (2016). [Google] [More] ⦿ | |
During his studies in Mankato, MN, Patrick Albrent designed the custom display typeface Do Not Touch (2014). [Google] [More] ⦿ | |
Oslo-based designer of the thin lachrymal sans typeface Velouet (2014). [Google] [More] ⦿ | |
Designer of the Arabic font Boahmed AlHarf Bold (2005). Download here. [Google] [More] ⦿ | |
Art student in Boston. Designer of the hand-printed typeface Tima's Font (2011, iFontMaker) and of Blocks (2011, iFontMaker). [Google] [More] ⦿ | |
Graphic designer from Barcelos, Portugal. Together with Miguel de Sousa and Marcelo Santos, he made BetaDin (2010). [Google] [More] ⦿ | |
Behance link. [Google] [MyFonts] [More] ⦿ | |
Creator (with Debora Aquino) of the computer game dingbat font Sentai 30 (2007). Based on the Super Sentai logos and characters by Toei Company. See also here. [Google] [More] ⦿ | |
Illustrator and web designer in Parede, Portugal, who made Afrika (2010)---the ornamental caps alphabet, not the continent. Behance link. [Google] [More] ⦿ | |
During her studies at PUC in Rio de Janeiro, Maria Victoria Albuquerque designed the modular sci-fi typeface Timer (2015). [Google] [More] ⦿ | |
During her studies, Sao Paulo, Brazil-based Nathali Albuquerque designed the multilined typeface Autoral Pop Art (2017). [Google] [More] ⦿ | |
Aracaju, Brazil-based creator of an untitled display typeface in 2013. [Google] [More] ⦿ | |
During her studies in Valencia, Karmen Alcaide created the display typeface Rotville (2015). [Google] [More] ⦿ | |
Or Lucas Alcaide De Wandeleer. Spanish archiect who studied at the University of Alcala in Madrid. Designer of the hand-printed typeface Aylan (2013, Eurotypo), the script typeface Idea (2014), and the signage script typeface Globie (2016, Eurotypo). Behance link. [Google] [MyFonts] [More] ⦿ | |
Malaga, Spain-based designer of a decorative set of letters simply called Floral Alphabet (2016). Behance link. [Google] [More] ⦿ | |
Eurotypo is also the foundry of Olcar Alcaide. Catalog of Olcar Alcaide's typefaces. In 2010, he published the text family Antium and the warm signage typefaces Mijas Ultra and Lila Pro Heavy. Typefaces from 2011 include Lila pro, Atenea (a humanist sans family), Agerola Script (a fat flowing signage face), Teja (signage face), Zalea (yet another signage face), and Nabu Pro (a connected signage script). Equalis (2011M, with Juan Lavalle) is a monoline slab typeface with a huge x-height and wide open counters. It was followed by Equalis Stencil (2011). Ravel (2011) is a fat signage script face. Atenea Egyptian (2011) is a solid slab serif family. Berta (2011) is a signage brush typeface with connected and unconnected versions. Optic Art (2011) is an ornamental typeface with building blocks that can be used for overlays. Creator of Eurotypo Bodoni Bold (2011). Typefaces from 2012: Cubus (dingbats), Saxo Deco (art deco), Moliere (2012, an elegant didone family with outspoken ball terminals), Melon Script (a fat curvy signage script family), Riky (comic book family), Chipa (a signage and package design script), Heket (an expressive curly script), Lenga (a slab serif typeface family), Mikal (brush script). Duktus is a 1940s style script in the style of Donatello (1935, Wagner & Schmidt), Troubadour (1927, Wagner & Schmidt), Liberty Script (1927, Willard T. Sniffin), Trafton Script (1933, Howard Allen Trafton), and Coronet (1937, R.H. Middleton). Typefaces from 2013: Dignus (influenced by Bank Gothic and Eurostile), Bague (old Dutch style with little contrast, in the style of Jan Van Krimpen), Lugo (a heavy signage or advertising script), Brittes (copperplate script), Talis (contrast-rich sans family), Fiesole (display family with an awkward back-curled lower case d), C Duflos (after a bâtarde coulée by Claude Duflos, a French engraver who was acitve around 1690). Typefaces from 2014: Talks (creamy signage script), Fiume (calligraphic script), Predy, Daevon (copperplate script), Beily (letterpress style), Ritts (a heavy script-like display family), Ritts Cursive (in the style of the brush signage scripts descending from Robert E. Smith's Brush Script for ATF in 1942). Typefaces from 2015: Valentia (a semi-copperplate calligraphic script followed by Valentia Condensed in 2016), Stabia, Digatte Quill (connected script), Digatte (connected monoline cursive script). Typefaces from 2016: Duero (signage script), Turia (calligraphic script), RRollie (a lapidary typeface based on the roman inscriptions), Valentia Nit (a copperplate typeface enriched with swashes and extensions). Typefaces from 2017: Citix (a great calligraphic / penmanship script), Citix Two Condensed, Alfabetica (humanist sans), Merick. Typefaces from 2018: Fortezza (a stiifened didone), Portoluce, Hotdogger (a cursive brush font family), Hotdogger Extras (dingbats), Favarotta, Vikive (a grotesque family), Aretino (a renaissance text typeface), Mirabella, Lectio. Typefaces from 2019: Palio (a condensed tall didone), Fractus (blackletter), Blackduck (blackletter), Sgraffio (copperplate script). Typefaces from 2020: Eolia A (a 12-style low contrast grotesque typeface), Breda (a 12-style geometric sans), Breda Two (six additional condensed styles), Marcus Traianus (in the Trajan style, with lowercase included as well), Eurotypo Sans, Eurotypo SII, Eurotypo BKL (a Baskerville-inspired family), Cannoli (a retro brush lettered signage script). Typefaces from 2021: Zornale (a 7-style text family inpsired by the Zornale, an original manuscript that contains a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488), Alacant (a 14-style slab serif with elliptical shoulders), Tre Giorni (a carefully designed script in solid and outline styles), Due Giorni (a rhythmic calligraphic script), Sagasti (a text typeface with straight serifs), Calcis (a 10-style sans), Rufolo (an 8-style lapidary typeface influenced by Robert Hunter Middleton's Stellar (1929), William A. Dwiggins' Albertus (1932) and Hermann Zapf's Optima (1952)). Typefaces from 2022: Zornale Title. Creative Market link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Art director in Guadalajara, Mexico, who created the spurred typeface San Andres (2013) for a Mexican brewery. [Google] [More] ⦿ | |
San Salvador, El Salvador-based designer of the free deco typeface Alcala (2018). [Google] [More] ⦿ | |
Granada, Spain-based designer of the student project font Cantalde (2014), which is based on Jenson Old Style. [Google] [More] ⦿ | |
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Photographer, designer, illustrator and typographer in Mexicali, Mexico.Oscar created the plump signage typeface Benveliu in 2013. Behance link. [Google] [More] ⦿ | |
Graphic designer in Dallas, TX. In 2012, he was working on the display typeface Santeria. At he Type @ Cooper program in 2012, Rolando C. Alcantara designed Murnau. Behance link. [Google] [More] ⦿ | |
San Diego, CA-based designer of Kryponita (2016), a typeface that is probably inspired by kryptonite bike locks. [Google] [More] ⦿ | |
Aka DV82. Dafont link. Behance link. [Google] [More] ⦿ | |
Argentinian graphic designer, aka El Cerezo. In 2004, he moved to Mexico, where he is a member of Circulo de Tipógrafos and participates in Fontstage, and art director in Mexico City. He teaches at CE Gestalt in Veracruz since 2011. He created Felipa (2011, a free cursive text typeface that can be downloaded from Fontstage) and Vulgata (2013), an angular text typeface influenced by Dwiggins and Menhart. [Google] [More] ⦿ | |
Graphic design student in Valencia, Spain. Together with Samantha Di Prospero, she created the alchemic display typeface Pintadera (2013). Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based creator of the school project font BFI Golden Years Of Hollywood (2013), art deco typeface). [Google] [More] ⦿ | |
Madrid, Spain-based designer of the deco typeface Laika (2016). [Google] [More] ⦿ | |
New Foundland-born type designer of the hand-printed typeface Soupbone (+dingbats), who directed commercials at Tricky Pictures, Chicago. He returned to Canada in 2000 to form Global Mechanic with filmmaker Ann Marie Fleming. Home page. FontShop link. Klingspor link. FontFont link. [Google] [MyFonts] [More] ⦿ | |
Phototype designer for Photo Lettering Inc in New York. Her typefaces there include the uncial / medieval style family Alcock, which includes Alcock Roman, (+Inline), Alcock Light Italic and Alcock Versal. [Google] [More] ⦿ | |
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Oakland, CA-based motion graphic designer, who created the typeface Conch (2012). [Google] [More] ⦿ | |
Jerez, Spain-based designer of the octagonal typeface Origami (2014). [Google] [More] ⦿ | |
Spanish creator of Trian Alfarera (2010), a free Open Font Library typeface based on street tiling in Sevilla. [Google] [More] ⦿ | |
Madrid, Spain-based designer of Geometric (2019). [Google] [More] ⦿ | |
Zahar Al-Dabbagh (Jeddah, Saudi Arabia) created the Arabic typeface Syoola in 2013. [Google] [More] ⦿ | |
In 2014, Aldabó made Climb Font (based on climbing gear), Tipoencuentro (poster face), Typoasi (modular), 15M Typestencil, and I Love Climbing. Typefaces from 2017: Walls Talk. Behance link. FontStruct link. Creative Market link. Older Behance link. Newest Behance link. [Google] [More] ⦿ | |
Qatari graphic designer who created the hand-printed Arabic typeface Mazaza (2011). [Google] [More] ⦿ | |
Art director in Galapagos, Ecuador, who designed the animal-themed ornamental caps typeface Galapagos in 2016. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Irontail Gothic (2009). [Google] [More] ⦿ | |
Puebla, Mexico-based designer of the angular semi-blackletter typeface Reaper (2014). [Google] [More] ⦿ | |
Jordan-based designer of Zaatar Arabic (2002; with Abdo Mohamed). [Google] [MyFonts] [More] ⦿ | |
Bremerton, WA-based designer of the Indic simulation typeface Aniya (2013). [Google] [More] ⦿ | |
Auckland, New Zealand-based creator of the decorative typeface Britomart (2013) which was inspired by the logo of Woolmark. This typeface was designed during her studies at Yoobee School of Design. | |
Toronto, Ontario-based designer of the lachrymal and perhaps sligtly art nouveau-ish typeface Wanderlust (2017). Behance link. [Google] [More] ⦿ | |
CV. Jorge is an illustrator, who was born in Argentina in 1971. He studied at the National University at La Plata, Buenos Aires majoring in graphic design and visual communication. He now lives in Mexico City and works as an illustrator for numerous Mexican and Spanish magazines. Home page. At Union Fonts, he published Rubias Morenas Pelirojas (a dingbat font) and Unplugged in 2003 and Saratoga (a fifties face; see also at T-26) in 2004. At SinergiaLab in Argentina, he created the dingbat typeface SLChe, which was subsequently published at Sudtipos. At Tiypo, we find Che (a guerilla dingbat face), Platillo (condensed squarish), RMP (dings of female heads), Saratoga and Unplugged. [Google] [MyFonts] [More] ⦿ | |
During her graphic design studies in Leeds, UK, Kirst Alderson created several decorative typefaces (2013). [Google] [More] ⦿ | |
Typefaces from 2016: Monolith, Ashtone (signage script), Black Vision (Victorian), The Minier, Bellarious, The Sectione Bright Script (heavy brush), Capricorn (decorative blackletter), Blings (signage type), Weinston (vintage signage typeface), Weinston Sans, Hours, Quinte, Monttier Script, Shine (signage script), Holywants (brush script), Choconut. Typefaces from 2017: Skylight Graffiti, The Wednesday (swashy blackletter), Java Heritages (a fine layered vintage signage typeface). Typefaces from 2018: Amstrong (tattoo or black metal blackletter), Typefaces from 2019: Hustle Times (a neon font), Giver (dry brush), Hunting Season (brush script), California (a swashy blackletter). Typefaces from 2021: Diamond History (a graffiti font). Typefaces from 2021: Northen (a horror font), Nightmare Gothic. On Behance, we find the name Rifqi Triana (b. 1989, Bandung). Creative Market link. Behance link. Alternate URL. Graphicriver link. [Google] [MyFonts] [More] ⦿ | |
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Dortmund, Germany-based designer of the headline display typeface Apathy (2013). Behance link. [Google] [More] ⦿ | |
Graphic designer at Coventry University (UK). Creator of the experimental Fingerprint Typeface (2012). [Google] [More] ⦿ | |
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Ashby de la Zouch, UK-based designer of the display typeface RES (2015). Behance link. [Google] [More] ⦿ | |
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Book printer in St. Paul, Minnesota. Chank writes: Kent Aldrich of the Nomadic Press creates everything from invitations and stationery to hand-bound books and paper props, like origami or boxes. Though he works with metal type every day and has kept sketchbooks of letterforms for years, the is his first venture into the modern world of type. That first venture are sketches that were digitized by Chank in 2005 into two fonts, Nomadic Egyptian and Nomadic Sketchbook. [Google] [More] ⦿ | |
D. Paul Alecsandri designed the runic fonts Futharc (2001), NewSymbolFont (2000) and Samaritan (2001). We also find the rather complete Unicode truetype font Roman-Unicode (2001), which cover all European, Arabic, Hebrew, Greek, Cyrillic, Thai and Indic languages, and provide kana as well (but not kanji). All parts of unicode covered. See also here. Samaritan (2001) deals with a pre-Samaritan or pre-Babylonian Hebrew. Originally designed for linguistics, the free typeface Chrysanthi Unicode (2001) contains all Unicode Latin characters (including Basic Latin, Latin 1 Supplement, Latin Extended A&B, IPA, and Latin Extended Additional) as well as Greek, Cyrillic, Hebrew, and everal others. Fontspace link. [Google] [More] ⦿ | |
Greek designer of Guernica (2015), a typeface that consists of pieces of Pablo Picasso's famous painting. [Google] [More] ⦿ | |
Joan A. Alegret (Tipomatica; formerly "La Tipomàtika") is a Barcelona-based Catalan designer (b. 1987) who studied graphic communication at Escola Massana in Barcelona. Creator of the free geometric sans families Candela (2009), Cicle (2007) and Newcicle (2007), and the absolutely rectangular sans family Simply Mono (2007). Joan's first commercial typeface is the didone fat typeface Bendita (2011), done for Bonart magazine. Muro (2013) is a heavy sans face. Chispa (2013) aand Verano (2013) are free hand-printed typefaces. Dafont link. Font Squirrel link. Fontsy link. Kernest link. Klingspor link. Creative Market link. Behance link. Old URL. Dafont link. [Google] [MyFonts] [More] ⦿ | |
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His fonts can also be found at Pfadfinderei. Aleith started PFA Typefaces out of Berlin. His catalog of typefaces there in 2021 included Gratis, Grinsen, Haben, Kyoto TW (emulating type on old computer screens), Laminar, Meilen (pixelish), Quartier, Quanten and Quoten. [Google] [More] ⦿ | |
Born in 1992 in Argentina, Jazmin Alejandra created the free hand-printed typeface Jale (2013). [Google] [More] ⦿ | |
Mexican designer of the Greek emulation typeface Leppardy (2017). [Google] [More] ⦿ | |
Graphic designer in Trujillo, Peru, who made an arc-themed typeface called Circle (2012). [Google] [More] ⦿ | |
Christina Alejandro, or calej d'art, is located in Quezon City on the Philippines. Creator of Bimbam (2012), Conner (2008, a hand-printed blackboard bold typeface), Dotted Line (2012), Serifadow (2012, a shaded outlined sketched typeface), Scription (2012), Stripes Forever (2012), Square Hair (2012), Loverly (2012), Scripterina (2012), Sesaw (2012), Fair View (2012), Reach (2012), Bright Future (2012), Amidst (2012, children's handwriting), Jewels (2012), Christiana (2012), and Shaded Letters (2012). Typefaces from 2015: Doodlizing, Patterns (artsy dingbats). In 2016, she made the dingbat typeface Owlmazing, and in 2018 Outlyne. Dafont link. [Google] [More] ⦿ | |
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Behance link. [Google] [More] ⦿ | |
Liz Alejos (La Fabrika Studio 33, and Liluz Art, Caracas, Venezuea) designed several typefaces in 2015, including Stillita. Behance link. [Google] [More] ⦿ | |
Gregory Alekel (CommodoreServer Admin) designed the pixel typeface Commodore Server (2010). Home page. Fonts2u link. [Google] [More] ⦿ | |
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Baku, Azerbaijan and Florence, Italy-based designer of Carpet Font (2014) and Alchemical Font (2014). Behance link. [Google] [More] ⦿ | |
Bulgarian type designer, b. 1983, who runs a foundry by the same name in Yambol. Bulgaria. Typograph Pro (2010) is a clean almost geometric sans family with two hairline weights. Zip (2010) is a squarish techno family. Another URL: Amateur Media. [Google] [MyFonts] [More] ⦿ | |
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Russian designer at Frog 1812 of Frog 1812 Sans (2021; with Vsevolod Syzdykov and Vladislav Zhuk). [Google] [MyFonts] [More] ⦿ | |
Barcelona-based designer of the free experimental multiline typeface Fusion (2012, Adobe Illustrator format), and of the connected script signage typeface Dolorosa (2012). [Google] [More] ⦿ | |
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Honduras-based designer (b. 1996) of the very curly free font Geordana (2017). [Google] [More] ⦿ | |
Auckland, New Zealand-based designer of the shadow font Alchemist Whiteboard (2020). [Google] [More] ⦿ | |
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Yerevan, Armenia-based designer of a tringular alphabet (2017). [Google] [More] ⦿ | |
Grodno, Belarus-based designer of the deco typeface Razrabotka (2018). [Google] [More] ⦿ | |
Vilnius, Lithuania-based designer of several display typefaces in 2018, including the architecural typeface Visaginas, the neon font Design, a watercolor font and Apricot. [Google] [More] ⦿ | |
Graphic designer in Rome. She created the condensed typeface Humoral (2012). [Google] [More] ⦿ | |
Inventor of the classification system Codex 1980 that provoked heated responses from luminaries such as Vox, baudin, Blanchard and Mendoza. Author of Typomanie / Jean Alessandrini; préface de Massin (Paris: La Noria, DL, 1977). In 2013, David Rault wrote the monograph Jean Alessandrini Le poète de la lettre. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Designer, b. 1992, of the titling typeface Jupiter Ascending (2015). [Google] [More] ⦿ | |
Oliveira de Azem&eacite;is, Portugal-based designer of the calligraphic typeface Platonic (2014) and of the curly typeface Orta (2014). [Google] [More] ⦿ | |
American designer of Cutull (2004, a dirtied version of the Google font) and My silly handwriting (2005). [Google] [More] ⦿ | |
Designer and illustrator in Chicago. She ceeated the wide and elegantly thin display sans typeface Tuba (2011). Behance link. [Google] [More] ⦿ | |
Graduate of the Art Institute of Pittsburgh. Southington, CT-based designer of the steampunk typeface Tick Tock (2016). [Google] [More] ⦿ | |
Designer at the Lab of Futurex SCOSF (2001). [Google] [More] ⦿ | |
Graphic designer in Bandung, Indonesia, b. 1990. He created the signage typeface Besi Tua (2011) and the heavy rounded sans typeface Dinasti (2013). Sanrok Studio link. [Google] [More] ⦿ | |
Saint Cloud, MN-based designer of Amyst (2012). Behance link. [Google] [More] ⦿ | |
In 2018, he designed Kensmark (athletic lettering in 45 styles), Jawbreak (Sans, Serif and Slab), Infield (an athletic lettering font), Hitch Route (a sports typeface family), and Backcheck. In 2019, he released North Block (an octagonal sports font), Campione Neue (an octagonal sports font, with two variable font styles), Le Bronn (a condensed movie credit sans), and Mavericks (an industrial strength octagonal typeface). Typefaces from 2020: Playmaker (a varsity font), Areno (an octagonal sports font), QB One (an octagonal sports font family with square counters; 28 styles), Kensmark (octagonal), Outlast (a sports shirt font). [Google] [MyFonts] [More] ⦿ | |
This outfit used to sell and give away fonts made by Stirling H. Alexander until it closed in 1996. Based in Orinda, California, they also were into custom handwriting and custom calligraphic fonts. Free typefaces included Lingbats and Ling Print Brush. Alexander made a dozen fonts in all. Acutetype morphed into a porn site and then another site since 1996, but Stirling H. Alexander has nothing to do with that. [Google] [More] ⦿ | |
Designer of the pixel typeface Tokayz (2006). [Google] [More] ⦿ | |
Daniela Alexandra graduated from Universidade Lusofona do Porto, Porto, Portugal (2017) and started a Masters at Faculdade de Belas Artes, Porto, Portugal, in 2017. She designed the minimalist sans typeface Botanic Sans in 2018. [Google] [More] ⦿ | |
Designer in 1992 of AlexAntiquaBook and in 1991 of Alex Regular. [Google] [More] ⦿ | |
Belem, Brazil-based designer of a vernacular outlined typeface in 2018. [Google] [More] ⦿ | |
Graphic designer in Natal, Brazil, who created the circle-based deco typeface Decode in 2016. [Google] [More] ⦿ | |
Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
French punchcutter who was the successor of Philippe Grandjean, the developer of the Romain du roi in 1702. The complete set of 21 sizes of roman and italic letters was finished by Grandjean's successor Jean Alexandre and completed by Louis Luce in 1745. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Deva, Romania, who created the all caps art deco typeface Expresso Verage in 2016. Aka Graphicity. Creative Market link. [Google] [More] ⦿ | |
Graphic designer in Athens, Greece. Creator of the display typefaces Muchic (2019) and Straight Broken Line (2018, a project at Vakalo Art & Design College). [Google] [More] ⦿ | |
Milton Keynes, UK-based creator of Greenlish (2012), a font that mixes Latin and Greek. Behance link. [Google] [More] ⦿ | |
Type designer, b. 1989, Lviv, Ukraine. In 2014, with Lukyan Turetskyy at 2D Typo, she created Kalyna. This Latin and Ukrainian-Cyrillic font has asymmetrical serifs, characteristic for the Ukrainian style. It is based on Heorhiy Narbut's sketches, a well-known Ukrainian graphic artist from the early 20th century. Kalyna comes also with a set of ornaments. Still in 2014, she created the rune simulation typeface Norden (Latin and Cyrillic). Behance link. [Google] [MyFonts] [More] ⦿ | |
Drawing artist and illustrator from St. Petersburg, Russia. Flickr page. She created some beautiful illustrated caps in 2009. Also of interest is her Logoman ink on paper drawing (2010). [Google] [More] ⦿ | |
Russian designer of Sapiens, a handcrafted typeface that won an award at Modern Cyrillic 2014. [Google] [More] ⦿ | |
Saint Petersburg-based designer of a 3d Cyrillic alphabet (2013) called Schloss. [Google] [More] ⦿ | |
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UK-based designer of Azu (2005, handwriting). [Google] [More] ⦿ | |
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Melbourbne, Australia-based student-designer of a folding tape font in 2018. [Google] [More] ⦿ | |
Typefaces from 2016: Jenny Simol (a signature typeface), Ipanema, Esse (brush script), Shaggie (script), Inkotsi (a rough sans serif). Typefaces from 2018: Vladiviqo, Apple Peach, Sanango (script), Bamboo, Original Sin, Manchuria (wavy prismatic caps). [Google] [More] ⦿ | |
Calang, Indonesia-based designer (b. 1996) of the calligraphic typefaces Shanella (2019), Undestand (2019: upright script), Quick Start (2019), Maillane (2019), Shanetha (2019), Holliday (2019), Claudia (2019), Chilldranety (2019: monoline), Changda (2019), Marsellina (2019), Calysta (2019), Khumaira Brush (2019), Thaanderley (2019), Brigadil (2019), Barbarella (2019), Labang Donya (2019), Bagadang (2019) and Culture (2019), and the script typeface Break Out (2019). Typefaces from 2020: Alfaraby, Amania, Billabang, Capacity, Cattaya Rusty, Chimahy, Chokellate, Coralina, Faradila Love, Girl Love, Holliday, Mandala, Realistica, Ronald, Rossalle. Typefaces from 2021: Sallenda (an upright monoline script), Girl Love (a swashy script), Karephia (a bold rhythmic script), Realistica (a scrapbook font), Draghile (formal calligraphic), Lenkina (a signage script), Chandiluna (formal calligraphic), Fathan (a brush script). Typefaces from 2022: Natalia Smitt (a scrapbook script), Calliagona (a swashy serif), Blustella (a scrapbook script). [Google] [MyFonts] [More] ⦿ | |
Surabaya, Indonesia-based designer, b. 1997, of Damar Kurung (2018). [Google] [More] ⦿ | |
Madrid-based designer of a pixel typeface (2014). [Google] [More] ⦿ | |
During his digital design studies, Soharm Oman-based Ahmed Alfarsi created the Latin typeface Moon (2013). [Google] [More] ⦿ | |
Makassar, Sulawesi-based designer who added decorations to Monserrat when he created Benteng Rotterdam (2019). [Google] [More] ⦿ | |
Sidoarjo, Indonesia-based designer (b. 2000) of Margareth Script (2019: monoline), Rotten Brothers (2019), Gatteway Signature (2019), Sabrina Pamella (2019), Wonderkids (2019: a children's font), Pevanytta (2019), Blackpool (2019), Southwill (2019: a monoline script), Ventina (2019), Kingstand (2019), Andalusia (2019), Nottingham (2019: a monoline script), Fatherland (2019: a monoline script), The Hanster (2019: a monoline script), Bandicat (2019: a children's book font), Brittney Signature (2019), The Suavity (2019), The Submit (2019), Salatama (2019), the handcrafted typefaces Kindness (2019), Kittenblue (2019), Jackblack (2019), Boldy (2019), Bambu (2019), and Bumper (2019), and the connected script typefaces Buttervill (2019), Angellita (2019), Hamellista (2019), Lambada (2019) and Tunggang (2019). Typefaces from 2020: Bellinda Christina, Sandblack, Denira Signature, Northampton, Angellia, Caroline Amanda, Magdallena (a signature script), Balada, Elliana Samantha, Hanglatter (a sign-painting font). Typefaces from 2022: Modern Royale (a vintage luxury serif). [Google] [MyFonts] [More] ⦿ | |
Bogor, Indonesia-based designer, b. 1985. Creator of the Arabic emulation typeface Arab Emang (2019). Typefaces from 2020: Some Brush, The Buzz (grungy), Sportypo, The Secret Love, and the pixel typeface Play Me Games. [Google] [More] ⦿ | |
Banjarmasin, Indonesia-based designer (b. 1992) of the techno monoline sans typeface Quantify (2016) and the handcrafted typefaces Retquizer (2019) and Skytark (2019). Aka Senhikari Design. [Google] [More] ⦿ | |
Buenos Aires-based graphic designer and typographer, aka Alfieri. Flickr link. Behance link. He designed Playful (2010), a geometric font that was inspired by 3d toys for children. Odyssea 652 (2010) and Odyssea 632 (2011-2012, Thinkdust) are also geometric in nature. This poster showcases his lettering. With Mariano Farias, he formed Plenty. At HypeForType, Plenty published the arts and crafts typeface Odyssea (2011). [Google] [More] ⦿ | |
Creator of the free Startrek style typeface Angled (2010). [Google] [More] ⦿ | |
Federico Alfonsetti designed the highly legible font family Easy Reading in 2009. It is used on many web sites, including at the University of Turin, and is recommended by the designer for use by dyslexics. A comparative study was carried out by Dr. Christina Bachmann that showed the value of the font. [Google] [More] ⦿ | |
During her graphic design studies, probably at FADU/ UBA in Buenos Aires, Camila Alfonso created a typeface, possibly called Uncomic (2013). I may be totally off, but that is all the information I have. [Google] [More] ⦿ | |
Designer at Stereo Typehaus of Loco and 2Bit. He seems to have disappeared from that foundry though. [Google] [More] ⦿ | |
Porto, Portugal-based designer of the elegant formal script typeface Stylist (2017). [Google] [More] ⦿ | |
Designer whose fonts can be bought at FontHaus: Inverse Recto (dingbats), Quantum, Quantumex. The latter two are extensive futuristic / octagonal families. [Google] [More] ⦿ | |
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During her design studies, Farroupilha, Brazil-based Luise Tonett Alfonso created a circuit of subway map-based typeface (2013). [Google] [More] ⦿ | |
Graduate of The University of Santo Tomas. Manila, The Philippines-based designer of the display sans typeface In Between (2016), which was influenced by Trade Gothic. [Google] [More] ⦿ | |
In 2016, he designed the warm woolly rounded Latin /Arabic typeface Hekaya, the monoline Latin / Arabic script typeface Sacramento Arabic (which extends Brian Bonislawsky's Sacramento to Arabic), the Latin / Arabic script typeface La Belle Aurore, the kufi Arabic typeface FF Khallab (free), and the Latin / Arabic handwriting font Hamish. In 2017, he designed the free Latin / Arabic grunge typeface FF Taweel. In 2018, he designed the comic book typeface Musally for Arabic, the free font FF Dusha Arabic (to accompany Ducha by DS Type Foundry designed for the FIFA World Cup 2018), Mshabbak, and the Latin and the Arabic super-family Shamel. Typefaces from 2019: Wahm (a scribbly Latin / Arabic script), Mufreh (a marker pen font). [Google] [More] ⦿ | |
In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿ | |
Parisian graphic designer, who created the modular typefaces Structur (2013) and Sucré Salé (2013, a monoline circular arc-based typeface). Behance link. [Google] [More] ⦿ | |
Designer and illustrator in Berlin (was: Bonn), Germany. In 2012, he made a wonderful ornamental caps face, World Font, which illustrates 26 of the main scripts in the world today. [Google] [More] ⦿ | |
Al Khobar, Saudi Arabia-based designer of the Arabic typeface Jameel (2017). [Google] [More] ⦿ | |
During his studies at the University Of Lincoln's School of Art and Design, Christopher Algar (London, UK) designed the display typeface Two-Faced (2013). Behance link. [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the techno typeface Caracas (2016). [Google] [More] ⦿ | |
Graphic designer in Jeddah, Saudi Arabia, who created the Arabic typeface Al-Hzm in 2017. [Google] [More] ⦿ | |
As a student at UOD in Dammam, Saudi Arabia, Fayzah Alghamdi designed the Arabic typeface Zukhrof (2016). Co-designer (with Sara A. Al Suwaiygh, Al Khobar, Saudi Arabia, and Alaa Zakary, Dammam, Saudi Arabia) of the Arabic typeface Fulad (2017). [Google] [More] ⦿ | |
Or Youthlabs Studio, or Zrox Studio. Bandar Lampung, Indonesia-based graphic designer and lettering artist, b. 1997, whose name is either Muhammad Fathi Al Ghazi or Jafar Furgon. Creator of the strange typeface Sword Shit (2018), the handcrafted Kinderspiel (2018), the Victorian typeface Royale Kingdom (2018), the signage script typeface Thipe (2018) and the bloody brush font Mad Faith (2018: inside the font we find the name Jafar Furgon, so it is unclear who designed what). Other script typefaces include Mellati Script (2018), Grumpys (2018), Geralia (2018) and Washington Rough Script (2018). Typefaces from 2019: Black Widow, Halmahera Island, Hustle Hardcore, Kathlyn, Yuminika, Hamburg. Typefaces from 2020: Qaligo (a decorative serif), Milky White (a dry brush script), Supermove, Rose Brown, Piassey (a decorative serif), Basics Serif, Agrasia, Black Widow, Blues Coast, Schoolyst, Zephyrush. Typefaces from 2021: Baskvrl Club (a reverse stress typeface with art nouveau features), Keira (a display serif), Lucky Change (a ligatured serif), Allenia (a delicate fashion mag font), Kagnue (a stocky flared display serif). Typefaces from 2022: Kagnue (a display serif). [Google] [MyFonts] [More] ⦿ | |
French designer in Saint Rémy de Provence. Dafont link. He created the high-contrast organic typeface Botanic (2011). [Google] [More] ⦿ | |
Saudi Arabian designer of the free fashion serif typeface Branic (2021). [Google] [More] ⦿ | |
Saudi Arabia-based designer of the free fashionable Latin typeface Branic (2021). [Google] [More] ⦿ | |
Aceh, Indonesia-based designer (b. 1988) of these calligraphic script typefaces in 2017: Orlando, Magnalia, Indiana, Amalyara. In 2018, he added the calligraphic typeface Jacqueline, the signature font Safarnama and the calligraphic scripts Umbrella and Ametta. | |
Indonesian designer of Aylea (2020) and the organic monolinear sans typeface Chevayo (2020). Typefaces from 2021: Summer Kali (a draftsman's font), Billa Summer (hand-printed caps), Summer Butterfly, Aulya Westeria, Billa Brush, Hyomenha (a fat finger font), Helynovia, Lanxi Rexas. [Google] [MyFonts] [More] ⦿ | |
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Malang, Indonesia-based designer of The Hagen (2019). [Google] [More] ⦿ | |
Dhahran, Saudi Arabia-based designer of the plain form Arabic typeface WAKF (2017) at the University of Dammam. [Google] [More] ⦿ | |
Dhahran, Saudi Arabia-based designer of the Arabic techno typeface WAKF (in 2017, at the University of Dammam). [Google] [More] ⦿ | |
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Jeddah, Saudi Arabia-based designer of Arabic Wire Font (2014). [Google] [More] ⦿ | |
Illustrator and designer in Jeddah, Saudi Arabia, who created the Latin display typeface Congrats (2017). Behance link. [Google] [More] ⦿ | |
During her graphic design studies in Dubai, UAE, Dana Alhasan created the steampunk-inspired Latin / Arabic typeface Tick Tock (2014). [Google] [More] ⦿ | |
During her studies in Qortuba, Kuwait, Mariam Al-Hassan designed the squarish typeface Hantangular (2016). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of an Arabic blackletter typeface in 2017 that matches the blackletter style of the heade of The New York Times. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based student-designer (at the University of Dammam) of the Arabic typeface Sama (2015). [Google] [More] ⦿ | |
Aceh, Indonesia-based designer (b. 1992) of Sellower (2019), AlhenyaScript (2019), MacrofhyllyaScript (2019), Westeros (2019) and Pichellya Script (2019). In 2020, he released the wild calligraphic typeface Revalisha. [Google] [More] ⦿ | |
Doha, Qatar-based dype designer of the Arabic / Latin typeface Zamalka (2014), which won an award at The 2014 Horouf Type Design Competition. [Google] [More] ⦿ | |
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Located in Jeddah, Saudi arabia, Maya Alhomsi created the music-inspired Latin / Arabic typeface Tune (2014). Behance link. [Google] [More] ⦿ | |
In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿ | |
During his studies at the American University of Kuwait, Rawan Alhussaini (Qortuba, Kuwait) designed several all caps Latin display typefaces (2016) and the skull-themed Skullets (2016, for Latin and Arabic). [Google] [More] ⦿ | |
Dharbin, Saudi Arabia-based designer of the Arabic display typeface Leef (2018) and a tribally patterned typeface in 2017. [Google] [More] ⦿ | |
Also, as there are perhaps two Zulfikar Ali's, the Aceh, Indonesia-based designer (b. 1990) of these script typefaces in 2017: Cumtbum (or Camtbum), Vathina Script (calligraphic), Alif Script. In 2018, he designed the signage script typefaces Dealova, Parent, Norty, Alongtime Script, and Alakita, as well as the decorative typeface Singel Parent Serif and the thin script Van Basten. In 2019, he designed the creamy brush scripts Insting, Camping and Wanita, the modular typeface Batavia Glamore, the wooden plank font Woodyssey, the horror brush script Realiztix, and the monoline scripts Daddy Doctor, Batavia Glamore Script and Dirgantara. Typefaces from 2020: Resolve, Khansa (an inky signature script), Hino Nagata, Roster, Estika (a brush script), Queen Mestalla (ornamental, Tuscan), Birthy (a decorative serif), Willgive (a display family), Alterous Display, Alterous Text (a bold, perhaps threatening, vintage typeface), Queenzy, The Brothers (exaggerated decorative), Funboo (a Halloween font), Restrick (a heavy decorative serif), Scratoon (a scratchy font), Pentoon, Doodletoon Pencil (3d, sketched), Aquaboy, Cartoonic (a bold monoline cartoonish font), Justheros (a bold display typeface), Quinlophe (a Valentine's Day font), Goodbees (a retro signage script), Radhistone (a florally decorated serif), Magnitudo (a signage script), Cute Frog, Kachong, Sakalangkong, Madina, Online. Typefaces from 2021: Wedef (a creamy signature script), Broost (a groovy script), Nugetto (a curly magic mushroom font), Quegos (a lava lamp font), Blastand (a techno typeface), Racesky (a speed font), Qoutiens (a signature script), Scratchman (a sketched font), Gerush (a fingerprint font), Grandix (a fat finger font). Typefaces from 2022: Stellafox (a stylish brush font). [Google] [MyFonts] [More] ⦿ | |
Designer of the Arabic typeface Ahmed (1980, Linotype). [Google] [More] ⦿ | |
Palikseniya Aliakseyenka studied architecture at Building College Belorussia in Mogilev in 2011 and design at European Humanitarian University Lithuania in Vilnius in 2015. Now in Ashalim, Israel, she created various Latin display typefaces, including Poliksenya (2012). [Google] [More] ⦿ | |
UK-based art student (b. 1988) who created the handwriting font Ali (2006). [Google] [More] ⦿ | |
During her studies in Athens, Greece, Georgina Aliazi designed the experimental typeface Line And Dot (2017). [Google] [More] ⦿ | |
Designer of the free Urdu / Arabic fonts Jameel Khushkhat-LK (2018: for Arabic, Latin, Farsi, Kazakh, Pashto, Sindhi, Uighur, and Urdu), Qurran Arabic (2016), UrduKhushKhati (2016), KhushKhati (2016), KhushNuma (2016), and LFC Opensource (2016). In 2017, he designed the Nastaleeq typeface Jameel Khushkhat and the Urdu typefaces Noori Khush Khat and Dehalvi Khush Khat. [Google] [More] ⦿ | |
Safwa, Saudi Arabia-based designer of the Arabic typeface Forty Five (2018). [Google] [More] ⦿ | |
Cantara Ali (Texas State University, San Marcos, TX) designed the pixel typeface JBE Zorg in 2014. [Google] [More] ⦿ | |
During her studies at the University of Reading in 2015, Francesca Alice combined the didone and Celtic styles in her typeface Wink. [Google] [More] ⦿ | |
Filipino designer in Cebu City, b. 1997. Designer of the free font Recycled Bit (2013). Dafont link. [Google] [More] ⦿ | |
Creator of Gunabrez (2011) during TipoBrda 2011, a type design workshop held in Slovenia. [Google] [More] ⦿ | |
Orlando, FL-based designer of the floriated caps typeface Fleurnacular (2014), which uses a Times New Roman outline. [Google] [More] ⦿ | |
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During her graphic design studies in London, Ottavia Alieri (b. Italy) created several typefaces (2013). [Google] [More] ⦿ | |
At Limkokwing University, Cyberjaya, Malaysia-based Ingga Alifa designed the circular arc typeface Arc of Istanbul (2019). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of an experimental typeface based on rectangles, triangles and circles (2015). [Google] [More] ⦿ | |
New York City-based creator of the nicely tuned squarish typeface Sharp Turns (2011). [Google] [More] ⦿ | |
Typefaces from 2017: Haynthams, Sabreena (Script, Signature Script, Vintage Bold), Botthanie Script, Velociraptype, Vandalord Grafiti. Creative Market link. Behance link. Dafont link. Graphicriver link. [Google] [More] ⦿ | |
Dhaka, Bangladesh-based designer of Allusion (2018), the monoline sans typeface Archet (2018), the brush fonts Shrub (2018) and Archet Brushy (2018), the script typeface Figurat (2017), the display typeface Fashionista (2018), Lathie (2018: sans), Liquefist (2018), Rainbow (2018), the handcrafted Epistle (2018) and the display typeface Grandiose (2018). [Google] [More] ⦿ | |
Faisalabad, Pakistan-based creator of the clean sans typeface Techno LCD (2011) and the dot matrix typeface London (2013). Khat-e-Kamal Urdu was developed by Aslam Kamal and modified by Ishtiaq Ali in 2014. Behance link. [Google] [More] ⦿ | |
Creator (b. 1990, UK) of the fat finger fonts Wub Dub (2013) and Easy as ABC (2013). [Google] [More] ⦿ | |
Kuala Terengganu, Malaysia-based graphic designer. Creator of an inky hand-drawn typeface in 2014. [Google] [More] ⦿ | |
Bandung, Indonesia-based designer (b. 2000) of Sikotak (2019), Uchul (2021: a signage script) and Endjoyable (2019: a brush lettering font). [Google] [More] ⦿ | |
At the Indian Institute of Technology, Hyderabad, India-based Margoob Ali designed the modular typeface Curvular (2017). [Google] [More] ⦿ | |
Debutart link. Klingspor link. Behance link. [Google] [More] ⦿ | |
Salvador (or just Tori) Alimbau is a designer at type-o-tones in Barcelona who made Vulcano (1997, with José Manuel Urós). Tori Alimbau, Luis Mendo and José Manuel Urós co-designed DesignOrDie. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Creator of the electronic circuit symbol font SofexIndia (2011). Fontspace link. [Google] [More] ⦿ | |
Graphic designer in Alexandria, Egypt, who created Characters Alphabet for Arabic (2015). [Google] [More] ⦿ | |
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Florence, Italy-based designer of the neuron network-inspired typeface Neuron (2016). She also created an ugaritic-style Persian font (2016) and a Bauhaus-inspired Latin sans typeface (2016). Behance link. [Google] [More] ⦿ | |
Riz Ali is at Noetic Brands, a Toronto based branding agency. He designed the deconstructed sans typeface Corporate Glitch in 2018. [Google] [More] ⦿ | |
Created in December 2009, Murmure is a communication, design, web and art agency. It is composed of four members: Julien Alirol, Graphic Designer, Photographer&Web Designer; Simon Roche, CTO&Illustrator; Paul Ressencourt, Art Director; Cyrille Baekelandt, Programmer&SEO. Headquartered in Caen, its web site is based in Lille. They seem to have moved to Paris. Designers of the ink drip face Typollok (2010), named after Jackson Pollok, who initiated the dripping ink technique. In 2018, Jeremy Landes (Studio Triple), under the art direction of Julien Alirol and Paul Ressencourt, published the great display sans typeface Le Murmure, which won an award at the Type Directors Club's Type Design Competition 2019. [Google] [More] ⦿ | |
Romanian designer. During her studies in 2013, she created an austere monospaced typeface. [Google] [More] ⦿ | |
Karachi, Pakistan-based student-designer of the Urdu typeface Simt (2014). [Google] [More] ⦿ | |
During her studies in Cairo, Egypt, Salma Ali designed the bubblegum Arabic typeface Boklz (2018). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the Arabic typeface Safroot (2015). In 2015, she created the multiline tuxedoed art deco typeface Steps for a course project. [Google] [More] ⦿ | |
Silver Spring, MD-based designer of Palm Line (2016). [Google] [More] ⦿ | |
Bogor, Indonesia-based designer (n. 1987) of LED1Segmnt (2015) and LED1Segmnt2 (2015). Dafont link. [Google] [More] ⦿ | |
Urdu Nastaliq Unicode is a Windows True-Type Urdu font which uses Unicode Arabic coding. It was developed by Shehzad Ali and unicoded by Tabish Qureshi (Department of Physics, Jamia Millia Islamia, New Delhi). Here we find more Urdu fonts: AlKatib1 (1998, Naseem Amjad Ali Khan), Umair I (1997, Umair Khan, Urdu Web, based on Neda Reyanah's Persian Font), Urdu Khat-e-Naqsh (1998, AHS), Urdu (1995, Tooraj Enayati and 1997, Adil Rehan, Karachi), Urdu Khat-e-Naqsh (Nastalique) (1999, Shehzad Ashiq Ali). [Google] [More] ⦿ | |
Graphic designer in Natal, Brazil. Creator of the art deco typeface Chan Art DC (2013). [Google] [More] ⦿ | |
Designer of the scrapbook fonts Amelie (2018: floriated), Ginger, Hygge (2017: a textured Scandinavian party font for Latin and Cyrillic) and Chalk (2019: an SVG font). [Google] [More] ⦿ | |
Graphic designer in Belgrade, Serbia. Designer of the custom handcrafted sketched shadow typeface Happy Eggs (2015). [Google] [More] ⦿ | |
Graphic designer in New York. Behance link. She created Three Kilometer Type (2012) by emptying her ballpoint pen (which apparently runs for three kilometers). [Google] [More] ⦿ | |
During her design studies in Dublin, Ireland, Valentina Ali created the decorative caps typeface Silica (2015). [Google] [More] ⦿ | |
Graphic designer, illustrator and moving image designer in London, UK. Creator of an decorative Latin / Greek caps typeface in 2014. [Google] [More] ⦿ | |
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At the University for the Creative Arts in London, Paria Alizadeh created an Arabic typeface in 2014. [Google] [More] ⦿ | |
Graduate of the TDi program at the University of Reading, UK, 2017. He is based in Riyadh, Saudi Arabia. [Google] [More] ⦿ | |
Designer in 2019 of the calligraphic script typefaces Evelyne Script, Dreamer, Nicole Script, Patricia Script and Mahony Script. [Google] [More] ⦿ | |
Al Qatif, Saudi Arabia-based designer of a squarish Arabic typeface in 2016. [Google] [More] ⦿ | |
During her studies at Imam Abdulrahman Bin Faisal University, Al Qatif, Saudi Arabia-based Noor Aljishi designed the Arabic typeface Hadal (2018). [Google] [More] ⦿ | |
At the University of Dammam, Al Qatif, Saudi Arabia-based Wala Aljishi designed the Arabic typeface Retag in 2016. [Google] [More] ⦿ | |
Graphic designer in Marl, Germany, who created the experimental Arabic typeface Yosr (2013). [Google] [More] ⦿ | |
Beureunuen, Indonesia-based designer of the calligraphic script typefaces Brigattin (2020), Ramozact Script (2019), Blueprint (2018), Angie's Dean (2018) and Anna Marie (2018). [Google] [MyFonts] [More] ⦿ | |
Syifidz was founded in 1995 to house a small collection of fonts created by Ahmad Alkandary. In 2021, they released Kota Mara (a diseased sans). [Google] [MyFonts] [More] ⦿ | |
Istanbul, Turkey-based designer of Memories (2019), and the custom organic sans font Life (2019), which was created for The Wellness Center. [Google] [More] ⦿ | |
Gumushane, Turkey, and Gothenburg, Sweden-based designer of fonts developed based on old European runic inscriptions, old Asian runic inscriptions, old Hungarian runic inscriptions, runic inscriptions found in Africa, and italic inscriptions such as Etruscan and Iberian. Typefaces from 2022: Ongunkan All Runic Unicode A (a major font that covers Latin, Old Hungarian, Old Turkic, Old Italic, runic, Tifinagh, Lycian, Lydian, Carian, Phoenician, Cypriot, Ogham, Old South Arabian, Old North Arabian, Old Persian, and Ugaritic), Ongunkan Phrygian, Ongunkan Armanen Runes (a series of 18 runes, closely based on the historical Younger Futhark, introduced by Austrian mysticist and Germanic revivalist Guido von List in his Das Geheimnis der Runen, published as a periodical article in 1906, and as a standalone publication in 1908), Ongunkan Danish Futhark (he explains: Prior to 500 AD the 24-rune Elder Futhark was used in Denmark. From 500 AD to 800 AD there were many transitional futharks, reflecting a change from the 24-rune Futhark to the 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed.), Ongunkan Gothenburg Futhark Swe (based on the 26-letter Bohuslän runes, which are used in the west coast area), Ongunkan Latin Space, Ongunkan Latin Techno, Ongunkan Norwegian Futhark (he explains: The oldest runes discovered in Norway date from 400 AD. They were based upon the 24-rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. About 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD), Ongunkan Anglo Saxon Spirit, Ongunkan Younger Futhark One, Ongunkan Younger Futhark (he explains: The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a transitional period during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same. The Younger Futhark is divided into long-branch (Danish) and short-twig (Swedish and Norwegian) runes; in the 10th century, it was further expanded by the "Hälsinge Runes" or staveless runes. The lifetime of the Younger Futhark corresponds roughly to the Viking Age. Their use declined after the Christianization of Scandinavia; most writing in Scandinavia from the 12th century was in the Latin alphabet, but the runic scripts survived in marginal use in the form of the medieval runes (in use ca. 1100-1500) and the Latinised Dalecarlian runes (ca. 1500-1910)), Ongunkan Fantastic Latin, Ongunkan Modern Latin, Ongunkan Sweden Futhark, Ongunkan Sweden Dalecarlian Run (a late version of the runic script that was in use in the Swedish province of Dalarna until the 20th century), Ongunkan Sweden Dalecarlian Run, Ongunkan Old Turkic Yenisei (based on the Yenisei inscriptions, which consist of a total of 158 Turkish inscriptions, kurgans (graves) and rock stones that have been found along the Yenisei river, which passes through the Khakasya, Tuva and Altai autonomous republics in Russia. The inscriptions were written with Turkish stamps, also known as the Orkhon Alphabet), Ongunkan Old Turkic Arrival (based on an alien language in the science fiction movie called Arrival), Ongunkan Old Turkic Predator (old Turksih runic; based on alien script from the Fantastic Predator movie), Ongunkan Runic Predator (runic; based on alien script from the Fantastic Predator movie), Ongunkan Runic, Ongunkan Greek Script, Ongunkan Karamanli Turkic Scrip (based on the Greek alphabet used by the Karamanli Turks (who are Orthodox Christians) and adapted to Turkish), Ongunkan Kensington Runestone (a rune-covered slab of brownstone that was claimed to have been discovered in central Minnesota in the United States in 1898; probably a hoax perpetrated by its discoverer, Olof Öhman), Ongunkan Old Hungarian Runic (used in parts of Transylvania until the 1850s; banned by Istvan, the first Christian king of the Hungarians (Szekel)), Ongunkan Rosetta Stone (ancient Greek as seen on Egypt's rosetta stone), Ongunkan Tifinagh Berber. [Google] [MyFonts] [More] ⦿ | |
Al Minya, Egypt-based designer of the Arabic typefaces Ahmed (2015) and Ussef (2015). [Google] [More] ⦿ | |
Adana, Turkey-based designer of a bilined typeface in 2014. [Google] [More] ⦿ | |
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Dubai, UAE-based designer of the kufi Arabic typeface Ghada (2016). [Google] [More] ⦿ | |
Designers of the Arabic fonts Al-Kharashi 52 (1993, based on AF_Hijaz-Normal), Al-Kharashi 59 Naskh (1994: this design was stolen from Thomas Milo), Al-Kharashi 65 (1993, based on JaridahItalic; said to have been done by Hisham Diab and Hassan Loutfy), Al-Kharashi 66 Koufi (1993, maybe a copy of Monotype Koufi Bold) and Al-Kharashi 20 (1993), which could be found here. [Google] [More] ⦿ | |
In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿ | |
Graduate of Imam Abdulrahman Bin Faisal university at Khobar. Saudi Arabia-based designer of the straight-edged modular Arabic typeface Nooran (2019). [Google] [More] ⦿ | |
Graduate student of typography at the University of Reading, 2005. [Google] [More] ⦿ | |
Creator of the iFontMaker font Tom (2010, hand-printed, fat-fingered). [Google] [More] ⦿ | |
During her studies in Beirut in 2014, Aya Al-Kotob created experimental Latin and Arabic typefaces. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based graphic designer and photographer. In 2021, he released the incised all caps headline typeface Ugaritica. [Google] [MyFonts] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the rounded handcrafted Arabic typeface Maalam (2017) and the antiqued Arabic typeface Adghal (2017). [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the Arabic typeface Catalogue (2017). [Google] [More] ⦿ | |
Finnish outfit owning the rights to the font Nokia by Lauri Alku, 1990. [Google] [More] ⦿ | |
Commercial tattoo fonts. I can't figure this site out. At one point, access will cost you 1000 Euros, but wait, you'll get 50% off right now---that is only 500 Euros to access a site with useless fonts. The guy behind this is Tahiti-based Frenchman André Allaguy-Salachy. There appears to be *one* freeware font, China, but for that you need to register. At Fontspace, we find a number of their fonts for free, such as ATHREEDTOFFUGRADIENTASIAN (2010), ATHREEDTOFFUCUBIC (2010), ATHREEDTOFFUCUBICASIAN (2010), and ATHREEDTOFFUCUBICLOUPE (2010): these are interesting typefaces with a gray gradient. [Google] [More] ⦿ | |
Typefaces from 2018, all free: Typochok, Louizede, Absortile, LodisZit, Guasmally, Feedjique, Matea 3, Valiere 4, Wattafont Gras, Smartryck (grunge), Destruck (grunge), Schuwmatik (a fun take on Excoffon's style from the 1950s), Surprise (grunge), Thao Sao (retro comic book script; with Hung Lan Nguyen). In 2020, he released Plastik (a handcrafted typeface), Plastik Deco, Umberto (a fat brush face), Vefirdix, and the grungy typeface Destruck V1. Home page. Open Font Library link. [Google] [More] ⦿ | |
Graphic designer in Barcelona who makes extraordinary typographical posters. [Google] [More] ⦿ | |
Prolific art director from Moscow who is now located in New York. Her work includes the fashion mag Latin/Cyrillic typeface Cadre (2014), the prismatic custom typeface Icon Face (2014, done for a make-up school) and a few other fashion industry fonts. Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of a decorative layered or chromatic typeface in 2014. Cherie writes: Inspired by Palais du Louvre, Pierre Fontaine was known for Empire and Directoire style design and was responsible for restoring the Louvre-Tuileries complex under Charles X and Louis-Philippe until 1848. This work was done while Cherie was studying at Design College Australia. [Google] [More] ⦿ | |
Australian designer of Future Palms (2018). [Google] [More] ⦿ | |
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Graphic designer based in Kolding, Denmark, who studied at Design School Kolding (1968-1973). In 1988, he set up his own studio for identity systems, publications, exhibitions and printed matter, while teaching at Design School Kolding. His typefaces: Lizie Slab (2019, inspired by the De Stijl movement and Gerrit Rietveld). [Google] [MyFonts] [More] ⦿ | |
Roubaix-based photographer. At Behance, one can admire his psychedelic font Kubold (2009). [Google] [More] ⦿ | |
French graphic designer whose graduation thesis in 2010 contains Alphabet Formel [Google] [More] ⦿ | |
Typefaces from 2017: Intra Muros, Paccbet (a free Latin / Cyrillic constructivist typeface that could pass for a unicase style). Behance link. [Google] [More] ⦿ | |
Mike Allard (DeNada Industries, Gainesville, FL) is the designer in 1992 of many early shareware fonts. The text provided by DeNada: Founded by a grumpy fellow when some software installation actually required a company name in the registration line. DeNada Industries has grown to include one employee (aka Mike Allard). A producer of typefaces in their early years, De Nada has slowly undeveloped over the years to include the odd Theatre Flyer design for out-rageous amounts of money. Their advertising budget is so severely limited as to preclude your being aware of their existence except by sheer accident. DeNada Industries is one of the slowest growing non-corporate entities in all of North America encompassing a wide variety of activities including: Typeface creation, flyer design, theatrical scenic and lighting design (in conjunction with The Shumway Brothers Moving Company) and a wide variety of other activities that defy specific categorization despite the heroic efforts of our staff. Dafont link. His typefaces:
Klingspor link. Fontspace link. [Google] [More] ⦿ | |
During her studies at the University of Dammam (Saudi Arabia), Fatimah Allawaim designed the decorative Latin typeface Carrom (2017), which took inspiration from the game of carrom. [Google] [More] ⦿ | |
Creator of Flabby Bums Handwriting (2009). Fontsy link. [Google] [More] ⦿ | |
Geoff Alleger lives near San Francisco, and was born in 1981. At Devian Tart, he designed a wonderful (but not downloadable) font, Imagination. [Google] [More] ⦿ | |
As a student at the Rhode Island School of Design, Joseph Allegro (Providence, RI) designed the 9x9 pixel grid typeface Linus (2016). Behance link. [Google] [More] ⦿ | |
Type designer of the photolettering era (1960s) who created the chiseled 3d typeface Sculpture. Nick Curtis's Haut Relief (2007) is based on this typeface. The African-themed Djibouti of Nick Curtis (2007) is based on West's African Queen, also a 1960s font. [Google] [More] ⦿ | |
Designer at FontStruct in 2008 of Global Tall, Inverted Block 9x9, and Old Skool Blocks. [Google] [More] ⦿ | |
Designer of the display slab typeface Merengue (2021). [Google] [More] ⦿ | |
Designer of Black Chancery (with Doug Miles, in 1993). See also here. [Google] [More] ⦿ | |
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Creator of Amateur Comic (2012, fat finger face, done with iFontMaker) and Alligator Soap (2012, fat finger face). [Google] [More] ⦿ | |
Illustrator and graphic designer in Chicago, IL. In 2012, he designed Hodgepodge SemiSerif, a modular typeface designerd with compass and ruler. [Google] [More] ⦿ | |
Located in Oaxaca de Juarez, Mexico, Justin Allen (b. California) used FontStruct to create the tall skinny font Delgado (2013), which was inspired by public lettering in Oaxaca. Behance link. [Google] [More] ⦿ | |
During her studies, Uttoxeter, UK-based Kate Allen designed a decorative typeface (2018). [Google] [More] ⦿ | |
During his design studies at the Arts University Bournemouth, Lewis Allen designed Ernesto (2013), an experimental typeface dedicated to Che Guevara. [Google] [More] ⦿ | |
California-based [T-26] designer of Aurelius (1994, a spindly typeface ideal for dungeon party announcements), and Riot. [Google] [MyFonts] [More] ⦿ | |
Australian designer of All Day (2017, handcrafted), Spot Me (2017, handcrafted typeface) and Stalactites Script (2017). [Google] [More] ⦿ | |
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Three Celtic knot fonts (truetype) by Rich Allen: Diagonal Knots, Vertical Knots, Horizontal Knots. [Google] [More] ⦿ | |
Based in the space industry capital of France, Toulouse, Corentin Allerdet designed the hairline futuristic typeface First Step Typo (2013). [Google] [More] ⦿ | |
Robert Allgeyer's MusiQwik series of music fonts (2001-2008) is now hosted by me. In 2009, Allgeyer wrote: Welcome to my now-obsolete home page. In early 2009, I removed my web site from the Internet. I have done enough of it, and reached the stage in my life where I want to spend time doing other things. I have left this page for a couple of extra months, so that occasional visitors can find it, before I finally remove everything. I now live in Ormond Beach, Florida USA. Formerly, I was in Aptos, California USA. My name is prominent on the Internet due to my music fonts, fiction, essays, and travel comments. However, do not confuse me with the Midwestern jazz musician, the artist, the dancer, or any number of others with my same name. His free fonts besides MusiQwik and MusiSync, include Bongos, FretQwik, and MusiTone, all made in 2001. NWC Scriptorium has further fonts by him: NWslur (2002), Romital (2002, text font). In 2005, he added NoteHedz. Fontspace link. [Google] [More] ⦿ | |
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Creator of the original screen font Dala (no downloads). [Google] [More] ⦿ | |
Creator of Dotty Fold (2012, based on folded paper). [Google] [More] ⦿ | |
As a FontStructor and student at Bristol UWE, he created Rebuild Metal, Newbuild Featherlight, Skylight, Newbuild, Picaresque, Newbuild Reflecto, Convention (a great experimental face), Newbuild Demi, Newbuild Bold, Newbuild Modular (octagonal), Familiar Face Inkjet, Familiar Face Grey (texture face) and The New Alphabet (a Wim Crouwel face) in 2008 and 2009. In 2010, he made Global Village (an organic grotesk). In 2017, he designed the tall display sans typeface Raceband. His blog. Behance link. Creative Market link. [Google] [More] ⦿ | |
London-based designer of Swirl (2011), a typeface based on strings. [Google] [More] ⦿ | |
During her studies in Johannesburg, South Africa, Zoe Allison designed the lava lamp typeface Anthro Po (2018) and the compass-and-ruler font Shot (2019), which is inspired by the city of Johannesburg. [Google] [More] ⦿ | |
During her studies at Farnham university, Fleet, UK-based Nicole Allman designed the triangulated crystallized typeface Divide (2017). [Google] [More] ⦿ | |
Designer of Stop Dead (2001), which can be downloaded here. [Google] [More] ⦿ | |
College Station, TX-based designer of the spurred bilined typeface Finetica (2015). [Google] [More] ⦿ | |
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Creator of the iFontMaker font Mark's Comic (2010, hand-printed). [Google] [More] ⦿ | |
Photographer, designer, and musician in Spartanburg, SC. During his studies atAnderson University in Anderson, SC, he designed the octagonal typeface Keystone (2013). Behance link. [Google] [More] ⦿ | |
Hjarta Smarta is a set of ornamental alphabets created in 2012 by Allsindar. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of an Arabic logotype face for Masmak fortress (2017). [Google] [More] ⦿ | |
Type designer, b. 1946, based in Twickenham, United Kingdom. He made a career in the broadcast business and has for for Channel One Television, Swan Media and The Graphics Department. In the 1970s, he designed these art deco typeface designs for Panache Photosetting / Face Ronchetti: Allumette, Ruthie, Danny Boy. He also designed the Neon Condensed weight for the Pink Floyd album Koda, but Neon was conceived by someone else. Linkedin link. [Google] [More] ⦿ | |
Israeli type designer at MasterFonts. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Australian designer who created the handwriting font Nifty (2007). [Google] [More] ⦿ | |
Specialist of fashion mag typefaces. Qamari Ally (Ultrabrain, Paris, France) made the delicately thin display types Luxurious (2011) and Qult (2011), and the high-contrast serif script typeface Transition (2011). He also did the grotesk display typeface Pli (2011). Behance link. [Google] [More] ⦿ | |
Based in Quebec and born in 1994, Bella Alma created the pixel typeface What A Pity (2010, FontStruct). [Google] [More] ⦿ | |
Graduate of Senac in Rio de Janeiro, Brazil. Rio-based designer of the handcrafted typeface Handed Painty (2016) and thmodular e techno typeface Cutted Future (2016). [Google] [More] ⦿ | |
In 2016, he designed the free display typeface Averoster. In 2017, he published the fashion mag didone typefaces Quartz (free) and Ahpuch Apollyon (free). [Google] [More] ⦿ | |
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The list in 2009: Aden, Nada, Shamsan, Sultan, Sera, Balloon, Yemen, Noha, Maeen, Free, Mona, Nahia (2005, Linotype), Waddah, Sana'a, Hemear, Belqees, Mohammed, Hadramut, Mareb, Saba, Thuyazan, Zabeed, Mahra, Digital, Mobil, Ausan, Musnad, Ruqah. List of typefaces as of 2013: Pumice (Latin / Arabic typeface family for text and screen), Sultan Hussein (angular, contains Latin as well), Sultan Aden-black, Sultan Alweeam, Sultan Change, Sultan Free, Sultan Hemear-black, Sultan Hemear-bold, Sultan Hemear-light, Sultan Kufi, Sultan Kufi2, Sultan Mareb, Sultan Mohammed, Sultan Nahia, Sultan Naskh, Sultan Naskh2, Sultan Qatar-Spirit, SF Shabwa (a sans for Latin, Arabic, Farsi and Urdu), Sultan Shamsan, Sultan Tahrer, Sultan Thuyazan-Bold, Sultan Tihama, Sultan-naskh-Handwriting, Sultan Ruq'ah-Bold, Sultan Ruq'ah-Light, Sultan Ruq'ah-Regular. In 2018, he added SF Kitab and Sultan Free Bold (despite the name, this is far from free). Typefaces from 2019: Tarim (a text typeface for Latin and Cyrillic). Typefaces from 2020: SF Pastel (a simplified Arabic Ruqah font). Typefaces from 2021: SF Mayyun (an Arabic text typeface), Aden. Klingspor link. Behance link. Home page. [Google] [MyFonts] [More] ⦿ | |
Israeli type designer who created these Hebrew typefaces at Masterfont: Hagedi MF (2002). [Google] [MyFonts] [More] ⦿ | |
Israeli type designer at MasterFonts, who created the Hebrew typeface Gad Agada in 2007. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Born in Monterrey, Mexico, in 1989, Mario Almaraz designed the prismatic art deco poster typeface New York in 2012. Behance link. [Google] [More] ⦿ | |
Studio in Goiania, Brazil. Designer of the free bold sans typeface Milico Sans (2020), which is inspired by lettering near a military base in Goiania---I think possibly to warn people of the dangers posed by Bolsonaro. In 2015, the studio designed the custom typeface Inquieta. [Google] [More] ⦿ | |
Miskolc, Hungary-based designer of the handcrafted typefaces Szu Serif (2019) and Borsod (2019) and the comic book typeface Vampira (2019). [Google] [More] ⦿ | |
In 2020, he co-designed Palsam Pro (Abjad) with Alja Herlah. This rounded sans typeface covers Latin and Arabic. Regarding Palsam Arabic, they write: The main highlight for Palsam was the cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. The Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Typefaces from 2021: Manchette Fine (an Arabic typeface), Manchette (an Arabic headline typeface that was inspired by the hand-written Naskh newspaper headlines during the 1960s and 1970s). Behance link. Klingspor link. Behance link for Abjad. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2022: Marcel Merlina (a scrapbook script), Louries (display serif), Sweet Darling (script). [Google] [MyFonts] [More] ⦿ | |
Designer of the Arabic fonts Al-Rashed-Riyadh and Al Mawash Shatt Al-Arab. Download here. [Google] [More] ⦿ | |
Type designer and lettering artist in Moscow. Her typefaces include Diamond Crystal (a script) and Roller Coaster (a brush font). In 2020, she released White Stork, Simple Monoline and the curly script typeface Sweet Tooth. [Google] [MyFonts] [More] ⦿ | |
Moscow-based designer of the hand0-crafted typefaces White Stork, Sweet Tooth and Simple Monoline in 2019. [Google] [More] ⦿ | |
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Type designer based in Sanaa, Yemen who set up A Type in 2020 and Gheen Studio in 2021. In 2020, he designed the display typeface Sheba (5 styles), Alm Sanaa (for Arabic and Latin), and the sans family Atype Belqees Sans (9 styles, for Arabic, Latin and Persian) at AType. Typefaces from 2021: Suhail (an 18-style font for Arabic, Latin, Persian and Urdu), Sheba (for Latin and Arabic), Atype Belqees Rounded, Atype Belqees Sharp, Toleen Pro (a 7-style Arabic typeface family that covers Urdu and Farsi as well). Typefaces from 2022: Ghaith Sans (a Naskh-inspired font for for Latin and Arabic). [Google] [MyFonts] [More] ⦿ | |
Sao Paulo-based designer of Tamir Sans (2012), a display typeface that was created during her graphic design studies. [Google] [More] ⦿ | |
Porto, Portugal-based creator of the calligraphic typeface Violeta (2014). [Google] [More] ⦿ | |
During her studies in Lisbon, Anais Almeida designed an art deco typeface (2017). [Google] [More] ⦿ | |
At the University of Aveiro, Portugal, Catarina Almeida created the experimental Everyday Typeface (2015). [Google] [More] ⦿ | |
She created some remarkable ornamental caps, such as Dessert Rose, and a dollar sign. At Type Paris in 2015, she designed Iño, a humanist typeface influenced by Garamond. Type Paris link. [Google] [More] ⦿ | |
Fortaleza, Brazil-based student-designer of the thin monoline display sans typeface Ambar (2017). [Google] [More] ⦿ | |
Sao Paulo, Brazil-bsed designer of SkullSupplyCo (2014). [Google] [More] ⦿ | |
Graphic designer at BMT London. In 2014, Ricardo Martins, Filipe Almeida and Curtis White co-designed the ray-lit 3d Balloon typeface (2014), which must have been a technical tour de force. [Google] [More] ⦿ | |
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At UFRJ in Rio de Janeiro, Lais Almeida created the pearly display typeface Bolleans Type (2015). [Google] [More] ⦿ | |
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Lucas Almeida is also known as Lucas Perdidaão. He is a Brazilian web developer and art director located in Londrina. Behance link. Creator of the free grid-based art deco typeface Bobber (2012, in ai format; developed with Dmitry Goloub). In 2014, he finished Alpine. [Google] [More] ⦿ | |
FontStructor who made the gridded tablecloth typeface Offshoot (2012). [Google] [More] ⦿ | |
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Viana do Castelo, Portugal-based designer of the tall modular typeface Sabores (2016). [Google] [More] ⦿ | |
Lisbon-based designer (b. Brazil, 1977) of Digital Circuit (2013), a typeface inspired by pieces of a subway map. Behance link. [Google] [More] ⦿ | |
FontStructor who made Code (2011, stencil face). [Google] [More] ⦿ | |
Graphic designer in Valencia, Spain, who created Sibila in 2015. [Google] [More] ⦿ | |
Calligrapher, letterer, photographer and graphic designer in Tours, France, who created the display typeface family Helixo (2014) and the poster typeface family Smoby (2014). [Google] [More] ⦿ | |
Designer in 1999 of the children's handwriting font Mellop. [Google] [More] ⦿ | |
During her studies at the University of Dammam in Saudi Arabia, Al Jubayl Industrial City-based Dhay Almindeel designed a colorful decorative typeface (2018) that was inspired by the geometric patterns found in Turkish rugs and carpets. [Google] [More] ⦿ | |
Designer (b. 1979, San José, CA) who made the graffiti typeface Hypografic (2010) and the fingerpainted typeface Fingerlinger (2012). Fontspace link. Dafont link. [Google] [More] ⦿ | |
In 2014, he created Sheba. In 2015, he added Sanaa, Balqees and Sheba Ye. In 2016, he designed Sanaa Ye. In 2017, he added the rough brush typeface Angry Bird. [Google] [More] ⦿ | |
Riyadh-based designer of the Arabic font Bassam Ostorah (2000). Download here or here. [Google] [More] ⦿ | |
Al Jubayl, Saudi Arabia-based designer of the techno style Arabic typeface Zawaya (2016). [Google] [More] ⦿ | |
Designer in Qurtoba, Kuwait, b. 1988. Flickr page. In 2010, he designed Dots and Lines. [Google] [More] ⦿ | |
Indonesian designer of Arcane Land (hand-printed) (2021), Saint Abigail (a signature script) (2021), Sweet Azalea (a fat finger script) (2021), Sidney Bloom (a fat finger font) (2021), Daily Mood (a fat finger font) (2021), Poem Harmony (a fat finger script) (2021), Negentherophy (script) (2021), La Trains (a bold monolinear signature script) (2021) and the fantasy font Pillow Fort (2021). [Google] [MyFonts] [More] ⦿ | |
Safwa, Saudi Arabia-based designer of the monoline Arabic typeface Fosool (2016). [Google] [More] ⦿ | |
Typefaces from 2018: Malikon, The Duality, Karmila Script (a signature font), William Duke (a great formal calligraphic script), Differenlight (Spencerian calligraphic), Stipa Willington (formal calligraphic), Gatlik Saphir (formal calligraphic), Lile Dahliya (formal penmanship calligraphy), Bulgattie (copperplate calligraphy). Typefaces from 2019: Laront Monoline, Claristy, Graceful (a thin Spencerian script), Beduga (a signature script), Desirable Calligraphy (Spencerian), Fantera (a baseball script). Typefaces from 2020: Colfige (a fashion mag typeface), Claristy, Dalgond Script (formal calligraphic), The Duality (a formal calligraphic script), Peaches (a penmanship script), Imagine (calligraphic), Willmaster Calligraphia (a Spencerian penmanship script), Quntas Script (a hairline calligraphic font), Kota Datoma (wild calligraphy). Typefaces from 2021: Betting Soker (a brush script), Tugafy (fashion mag font), Mole Display (a distorted font), Avole (a hipster fashion mag font), Qanthorely Castigra (a wild Tree Frog genre script), Bolgifam (a triptych of stylish typefaces including a formal copperplate calligraphic style), Matilost Wikly (script), Silta The Farming (a brush script), The Kaluge (a feminine display typeface), Silta The Farming (a brush script), Tylaco (an art nouveau typeface), Dofta (a high-contrast decorative typeface), Dofta (a high-contrast decorative typeface), Batick Rodist (a wild script in a font duo), Blosta (a fashion serif and a copperplate calligraphic script), Piguet Script, Migueto (a fashion mag typeface), AvOle Serif (a fashion mag typeface; identical to Migueto). Typefaces from 2022: Roti Brown (an elegant wild script). [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2016: Ry-Tha (alphadings), Good Time, One Piece, Blangkon, Syrial Mursa (script), Chopperrr (cartoon font), Dilove, Ceria Cinta (handcrafted), Move On, Enjoy Boy, Melankolia, I Will Wait. Typefaces from 2017: Broken Home, Bogor, Rainbow, Going Merry (cartoon font), Bromo, Gatot Kaca, Sweet Revenge, Mars Mellow (cartoon font), Glory United (comic book font), A Voice of Liberty (scratchy brush font), Jak Arta (graffiti font), Home Sweet Home, Dragon Ball, Sweety Tea, Hero Killer, Fish&Bear, Baduy, Coffe&Milk, Bansky, Goblins (brush style), Hoobie. Typefaces from 2018: Queen Mataram, Browny Bear, Sea Salt, Bood Street, Lord of the Ring (brush), Sweety Cheese, Rocket to Mars (3d, sketched), Sweety Baez, Dutsky Time, Moqa Float, Banda Neira (shadow font), Zara Thustra (a fat finger font), The Jacatra (outlined cartoon typeface). Typefaces from 2019: Read and Read (grungy), Happy Little Soul, Hell Raiser (a brush font), Killing The Moon (a dry brush font), Avocado, Nias Bird, Jakarta Legal Aid Institute, Redhead Snake, Ubud Fest, Tigeryen. Typefaces from 2020: Joe Rabbit (a cartoon font), My Dutsky Art, Calm Down, Sugar Poof, Ciao Adios, Hooman (Love, Stitch, World), Dark Sky, Dafont link. Another home page. Yet another home page. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of Eid Free (2014, an Arabic typeface). Behance link. [Google] [More] ⦿ | |
Graphic designer in Kuwait who created an Arabic typeface in 2014. [Google] [More] ⦿ | |
Tiziana Alocci (Milan) created an interesting parametric font in 2012 called Trapezifont. She writes: Trapezifont is a parametric font created in FontLab through the programming language Python. The glyphs were not drawn in a traditional way, with the Bezier curves but writing the codes inside the edit macro of FontLab. Trapezifont works according to one variable included between 0 and 100 that can be set at will. Once set the script the font is re-drawn as to the variable given changing the value of the tapering of each glyph. She is pursuing a masters degree in Communication Design at the Politecnico of Milan. [Google] [More] ⦿ | |
Graduate (UK and India) of the type design program at the University of Reading, class of 2017. Her graduation typeface there was Omala, a Latin / Devanagari text typeface with calligraphic roots. [Google] [More] ⦿ | |
In 2011, she created the absolutely fantastic ornamental caps typeface Saudade, which consists of overlapping circles. She writes: Poster for a talk of Marina Willer. Saudade is the most beautiful word in Brazilian Portuguese. It means something a bit like nostalgia. Typeface: In collaboration with Henrik Kubel. Maya (2011) and Sea Shells (2011) are typefaces that were inspired by Indian architecture. Behance link. [Google] [More] ⦿ | |
During her studies at the University of Dammam in Dhahran, Saudi Arabia, Asmaa AlOmair designed a creamy Arabic typeface (2016). [Google] [More] ⦿ | |
During his studies at German Jordanian University in Amman, Jordan, Durra AlOmar created the Latin typeface Religious Buddhism Font (2012-2013). [Google] [More] ⦿ | |
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Kaunas, Lithuania-based designer of Wood Runes (2017). [Google] [More] ⦿ | |
Hong-Kong-based designer of Half Type (2012). Behance link. [Google] [More] ⦿ | |
Designer at BA Graphics of Chicken Feet (2007). She was 11 years old whebn she drew this---the typeface was digitized by her grandfather Bob Alonso (1946-2007) who lived in the Bronx in New York. [Google] [MyFonts] [More] ⦿ | |
Graduate of the Escuela de Arte y Superior de Diseño de Ourense, 2012. At Fontsquirrel, one can download his free font Gaspar (2014). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Blackwidow (2009). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Buenos Aires-based designer of some poster typefaces in 2013. [Google] [More] ⦿ | |
Luis studied Graphic Design at ESDI (Ramón Llull University) and earned his Masters degree in Advanced Typography at Escola Eina (Autonomous University of Barcelona). Since 2006 he has worked from Plam on various projects related to, above all, corporate identity and editorial design. He is working as a type designer, along with Ricardo Santos and Charlie Zinno, with whom he founded in 2011 the type design collective Tiponautas. With Santos, he designed the techno sans families Lab Slab Pro (2011) and Lab Sans Pro (2011). Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in San Luis Potosi, Mexico. Creator of the display typeface Revolver (2014). [Google] [More] ⦿ | |
John Bomparte wrote this obituary: Throughout his career at the legendary Photo-Lettering, Inc. (one that spanned four decades), Bob created original typefaces and tailored type by modifying, revising and filling out families, fashioning pieces of type for hand-lettered jobs, as well as being involved with the updating of a number of well-known logotypes. Bob was blessed with natural teaching abilities; and those in social and professional circles who had the good fortune to know him considered him not just a type designer but a mentor and a friend. As one such person close to him put it, he was a graphic technician [...] back when computers were not even in site for graphic arts, he would take on any intricate&complex graphic project that others would shy away from and come up with a solution that achieved a masterpiece. I'll always remember someone saying "this can't be done" and Bob saying let me see it and a short time later, there it was---done&perfect. I would like to think that attitude rubbed off on me. Along with this gift for teaching and explaining the complex, Bob exhibited a level of professionalism that was unsurpassed. A number of years ago when the need came to make the transition from the traditional to digital way of creating fonts, he rose to the challenge admirably. Towards the last few years of Photo-Lettering, Bob played a vital role in the conversion to digital, of many of the typefaces within the collection, notably those fonts that carry the prefix PL. More recently, Bob Alonso released several fonts through ITC, Adobe and his independent foundry, BA Graphics. Bob was on the cutting edge of his best work, and in the circumstance of his untimely passing, left a measure of unfinished designs. However, the spirit of his typographic talents and his fine sense of humor lives on through the many much-loved, and popular fonts he has left us: fonts such as Cookie Dough, Equate, Elephant Bells and Pink Mouse, to name a few. Alonso created these typefaces:
FontShop link. Klingspor link. View Bob Alonso's typefaces. View the BA Graphics typeface collection. An alphabetic listing of Alonso's typefaces. [Google] [MyFonts] [More] ⦿ | |
Monterrey, Mexico-based designer of the hybrid display typeface Twinkle Twinkle Little Star (2014), which is based on a blend of Bureau Grotesque and Adamas Regular. [Google] [More] ⦿ | |
Dhaka, Bangladesh-based designer of Bloop Alo Bangla (2017) for Bloop Ice-cream. He also created Bidrohi Alo (2017). Behance link. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of an Arabic display typeface in 2015. [Google] [More] ⦿ | |
Designer of the Arabic fonts AdvertisingBold, AdvertisingExtraBold, AdvertisingLight, AdvertisingMedium, M-Unicode-Abeer, M-Unicode-Dawlat, M-Unicode-Diala, M-Unicode-Hadeel, M-Unicode-Noora, M-Unicode-Sara, M-Unicode-Sima, M-Unicode-Susan, M-Unicode-Wafa, khalaad-AL-Dorrh, khalaad-Abeer, khalaad-Dawlat, khalaad-Diala, khalaad-Hadeel, khalaad-Noora, khalaad-Sara, khalaad-Sima, khalaad-Susan, khalaad-Wafa, khalaad-al-arabeh-2. They can be downloaded here and here. See also here. [Google] [More] ⦿ | |
Bruno Aloy is located in Versailles, Argentina. His creations include Typorama (2014, at FADU / UBA). [Google] [More] ⦿ | |
Photographer in Buenos Aires who designed the teardrop typeface Drop in 2016 during his studies at UBA. Behance link. [Google] [More] ⦿ | |
Istanbul-based graphic designer. Behance link. He created the organic typeface Sharp (2011). Poster entitled Kuresel is anma (2011). [Google] [More] ⦿ | |
Izmir, Turkey-based designer of Flora Sans (2013) and Slice Sans (2013). Behance link. [Google] [More] ⦿ | |
Behance link. Fontspace link. Dafont link. [Google] [More] ⦿ | |
Riyadh, saudi-Arabia-based designer of the free brush script typeface Brushed (2015), the free handcrafted Latin typeface Uno (2014)and the free handcrafted typeface Editor (2015). Behance link. Dafont link. [Google] [More] ⦿ | |
Dammam, Saudi-Arabia-based designer of the Arabic poster typeface Nedhal (2017). [Google] [More] ⦿ | |
Indonesian type designer (b. 2001) specializing in script typefaces. Typefaces from 2021: Manda Rawles (a curly script), Gerakona (a calligraphic script), Baby Boy (a calligraphic script), Braly Latoya (a calligraphic script), Baby Boy (a calligraphic script), Cornelia (calligraphic), Holly Molly, Elora, Aqilla, Fussena, Breakfast, Girly Rose, Balyona. Typefaces from 2022: Magmola (wild calligraphic), The Benmoka, Hi Margaret (script), Beauty Cosneta (a swashy script), Koodgeta, Womly Queen. [Google] [MyFonts] [More] ⦿ | |
As a student in the United Arab Emirates, Sawsan Al Qasimi made a Latin / Arabic typeface, Rukn (2014), starting out from a simple circle. [Google] [More] ⦿ | |
Muscat, Oman-based designer of Turnover (2015), a Latin typeface that was designed for a skateboard company. [Google] [More] ⦿ | |
Type designer whose typeface Bilingual Perspectives won an award at ProtoType in 2016. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of a refined Latin / Arabic typeface in 2019. [Google] [More] ⦿ | |
Sragen, Indonesia-based designer of these typefaces: the sports font typeface Trabash (2019), the blackletter font Makunu (2020), the minimalistic sans serif Sidiqie (2020), the signature fonts Insani (2020: monolinear) and Charles Bridge (2020), and the decorative serif typeface Luvenia (2020). Typefaces from 2021: Bendungan Signature. Elsewhere, we find the name Iqbal Hidayanto. [Google] [MyFonts] [More] ⦿ | |
Muscat, Oman-based designer of the techno (Latin) typeface Sklide (2014). [Google] [More] ⦿ | |
Illustrator and calligrapher in Istanbul, who designed the J diwani (arabic) typeface in 2017. [Google] [More] ⦿ | |
Indonesian designer (b. 1992) of Trifont (2011), a purely geometric counterless experiment. Dafont link. Muhammed lives in Bandung. [Google] [More] ⦿ | |
Arabic font designer with a penchant for logotype. Examples: i, ii, iii, iv, v. [Google] [More] ⦿ | |
French type and graphic designer. His typefaces include Adrianistique, Ad Scriptum, Coffea and Ixoxi (logotype). [Google] [More] ⦿ | |
At the University of Dammam in 2015-2016, Zainab Alrowai (Al Qatif, Saudi Arabia) designed the squarish Arabic typeface Zainab. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Arabic Znikomit (2018). [Google] [More] ⦿ | |
A calligraphic Arabic typeface with over 3000 glyphs, by Diwan Software. "Mishafi contains more than three thousand shapes, making it possible for the first time to compose proper Quranic calligraphy with all their shapes, markings and recitation symbols. It is also most suitable to compose traditional text of Hadith and commentary texts in respectable form. Both classic and modern Arabic poetry can be presented by it in clear and elegant formats." The typeface was designed by the acclaimed Iraqi calligrapher Hamid Al-Saadi (b. Baghdad, 1955), and won the Type Directors Club 2000 award. [Google] [More] ⦿ | |
Graphic designer in Nijmegen, The Netherlands. In 2011, he made the squarish typeface Mandaicana, about which he writes: Mandaicana is one of the few Mandaic type[faces] which exist in the world. Mandaic, the most Southeastern Aramaic dialect spoken in antiquity in Babylonia (Mesene, Characene, Khuzistan), reflects similarities to Jewish Babylonian Aramaic, both belonging to the Eastern Middle Aramaic branch. Although most scholars located the origin of the baptizing community in the East Jordan regions (Mark Lidzbarski, Rudolf Macuch, Kurt Rudolph) the Mandaeans are considered to spent a large part of their still controversial and mysterious history alongside the big rivers (Euphrates, Tigris, Karunriver) in the southern borderland between present-day Iraq and Iran. This was followed by Ardwan Malka and Englaiscana (2011). In 2018, he designed Ardwan Lidzbarski, which is based on the Mandaic handwriting of German scientist Mark Lidzbarski. Ardwan Manuscript (2019) is a cursive font based on Mandaic manuscripts. In 2021, he published Ardwan Drower, a mandaic font based on Ethel Stefana Drower's handwriting and philosophy. Lady Drower was a British cultural anthropologist who studied the Middle East and its cultures. She was regarded as the main specialist in Mandaeism and authored the book The Mandaeans of Iraq and Iran. [Google] [More] ⦿ | |
Qatar-based designer of the Arabic typeface Indimaaj (2012), which combines the modernity of the contemporary Arabic typeface, and the originality of the geometric Kufic style. [Google] [More] ⦿ | |
Gaza-based designer of the Arabic typeface Alaa (2013). [Google] [More] ⦿ | |
London-based creator of a piano key custom typeface for Scout: The Trends Intelligence magazine in 2011. The typeface is called Scout. [Google] [More] ⦿ | |
Creator of Samman (2011, Arabic), Castile (2011, kufic style), Nasser (2010), Zawiya (2008). In 2012, he made Eyadish (Latin and Cyrillic): Eyadish is specifically designed for commercial, educational, cultural, and social purposes related to infants, babies, kids, and children, Loyolliams (2012, squarish, a renamed version of Concordia) and Alfarooq (2013). Typefaces from 2014: Kindah (a modern Kufic font named after Kindah, an ancient Yemeni tribe), Nusaibah (a modern, geometric, and headline Arabic display typeface. Typefaces from 2015: Ghibli (a free Latin text typeface). Typefaces from 2016: Matwin (a children's script), Thwaites (named after his Canadian friend James Douglas Thwaites). Typefaces from 2018: Danah. Typefaces from 2019: Awwam (a wide headline Arabic typeface). Typefaces from 2020: Yusyad (a tall condensed display family). [Google] [MyFonts] [More] ⦿ | |
Egyptian designer of the terminal-laden typeface Amelie (2017), which was inspired by the movie. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the Arabic typeface Nadher (2017). In 2017, Ahlam Alsaqrah, Maryam Almohanna, Ashwag Madkhli, and Faten Almogeem co-designed the Book of Life font. [Google] [More] ⦿ | |
During her studies in London, Alaa Alsaraji created the hairline avant-garde typeface Vienna (2015). Behance link. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of the Arabic typeface Lughat Aldhad (2014). [Google] [More] ⦿ | |
Icon sets: Syrian & Turkish Sweets Icons (2020), Cafe Essentials (2020). | |
American designer of the display typeface Houz (2018). [Google] [More] ⦿ | |
Arab type designer who has embarked on a project with Lucas De Groot to design some Arabic fonts that fit de Groot's designs. [Google] [More] ⦿ | |
Graphic designer in Cairo, Egypt, who created a squarish kufic Arabic typeface and American Typewriter Arabic in 2016. [Google] [More] ⦿ | |
Designer of these Arabic fonts: Mohammad-Dawlat (1996), Mohammad-Laha (1996), mohammad bold art 1 (2001). Download here. [Google] [More] ⦿ | |
During her studies in Dubai, Ayesha AlSharid designed the shar-edged Arabic typeface Bakkah (2018). [Google] [More] ⦿ | |
Doha, Qatar-based designer of the Arabic typeface Qatra (2012). [Google] [More] ⦿ | |
Sharjah, UAE-based designer of a few Latin typefaces in 2016 done for various school projects. [Google] [More] ⦿ | |
Oman-based designer of the Latin typeface Curvy (2014, modular). [Google] [More] ⦿ | |
Saida, Lebanon-based designer of Transmission Font (2013). [Google] [More] ⦿ | |
Dubai-based designer of the crystallized typeface Low Poly (2015). [Google] [More] ⦿ | |
Student in Muscat, Oman, in 2013. Creator of an Arabic typeface (2013) and of two Arabic simulation (Latin) typefaces, Islamic Font (2013) and Omani Khanjar Font (2013). [Google] [More] ⦿ | |
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Designer of famous freeware/shareware fonts RansomNote and LeftyCasual. [Google] [More] ⦿ | |
Al Khobar, Saudi Arabia-based co-designer (with Alla Zakary, and Fayzah Alghamdi) of the Arabic typeface Fulad (2017) at Imam Abdulrahman bin Faisal University. [Google] [More] ⦿ | |
Lahore, Pakistan-based designer of the monoline sans typeface Thinoo (2019). [Google] [More] ⦿ | |
Kuwait City-based designer of a geometric kufi Arabic typeface in 2016. [Google] [More] ⦿ | |
Italian graphic designer who is based in Fragagnano. In 2013, she designed the cursive typeface Female and the display typeface Oskar Kokoschka. Behance link. [Google] [More] ⦿ | |
Altemus Creative Services sells dingbat fonts by Robert Altemus from New York, NY: Your premiere source for digital decorative fonts. Their commercial dingbats are sold by MyFonts. Partial list: AltemusBirds, AltemusBorders 1 through 4 (1992; Borders 4 containss pointing hands and flourishes), AltemusBursts 1 through 4, Altemus Bursts 1 through 4 (2002, contains snowflakes), AltemusChecks, AltemusChecksTwo, AltemusCorners, AltemusCrosses, AltemusCuts, AltemusCutsThree, AltemusCutsTwo, AltemusFlowers, AltemusHands, AltemusHolidaysOne, AltemusKitchen, AltemusPinwheels (1996), AltemusPointers, AltemusRays, AltemusRaysBold, AltemusRoughcuts, AltemusRounds, AltemusRules, AltemusSecurity, AltemusShields, AltemusSpirals, AltemusSpiralsBold, AltemusSpiralsBoldItalic, AltemusSpiralsItalic, AltemusSquares, AltemusStars 1 through 3, AltemusSuns, AltemusSunsBold, AltemusToolKit (2 fonts), Altemus Web Icons, EuropaArabesque, Games (cards, domino), Games 2 (mahjong, chess), Sports (balls), Sports 2, Leaves 1 and 2. Catalog, part I, part II. [Google] [MyFonts] [More] ⦿ | |
In 2014, he published the thin but striking fashion mag and all caps titling typeface Uberschrift at FDI. In 2020, he released the variable font CoronaFaceImpact, which has three axes, Effects from wearing a face mask, Change of look due to closed hairdressers, and Results of home schooling. Behance link. Kernest link. Old URL. Interview with Friedrich Althausen. Google Plus link. Github link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Pilar, Argentina, who created the quaint typeface Courbe in 2013. [Google] [More] ⦿ | |
Creator of the free ornamental typeface One Piece (2006). See also here. [Google] [More] ⦿ | |
Turkish graphic and type designer, b. 1935. He created many posters. [Google] [More] ⦿ | |
German designer of Ruzicka LH Freehand for Linotype Hell in 1993, together with Ann Chaisson. This typeface was based on an original by Rudolph Ruzicka from 1936. FontShop link. [Google] [MyFonts] [More] ⦿ | |
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During her studies at FADU / UBA, Buenos Aires-based Carolina Altmann designed Ruffina Serif (2015). [Google] [More] ⦿ | |
Ateljé Altmann is Christian Altmann's Stockholm, Sweden-based creative studio with a background in art direction, typography and graphic design. In 2020, it released Altmann Grotesk, a 5-style almost monolinear sans by Christian Altmann and Janik Sandbothe that was initially planned as an internal studio typeface. [Google] [MyFonts] [More] ⦿ | |
During his design studies in München, Germany, Lukas Manuel Altmann created the Cross typeface (2014), which is based on the proporetions of a cross. [Google] [More] ⦿ | |
Saarbrücken, Germany-based designer of the rounded sans typeface Glow (2014). [Google] [More] ⦿ | |
Graphic designer in Brooklyn, NY. Behance link. Creator of the display poster typeface Stay True Chief (2011). [Google] [More] ⦿ | |
Brett Alton from Peterborough, ON, is a graduate in computer science from Trent University. He created the Open Font Library handwriting font Brett Font (2007). [Google] [More] ⦿ | |
In 2010, he created Dopamin (a high-contrast display sans), Square Comic, and Nilish (monoline geometric display sans). In 2011, Ahmet created the art deco chic family Turquoise, the techno sans family Altuna Sans, the semi-hand-printed Shirin, and the organic and elliptical monoline sans family Deria Sans. Sterk (2011) is a legible and open masculine sans family. Glode (2011) is a masculine geometric sans family. Calligra (2011) is an elegant almost calligraphic flared sans. Ephesus (+Shadow) is a caps-only titling sans family. Tillom (2011) is an elegant decorative face. Ondule (2011) is a horizontally-striped texture face. Brounde (2011) is a rounded monoline slab family. Eggy (2011) is a monoline sans display typeface with slightly shaky outlines. Uno (2011) is an organic display face. The display sans Veberk (2011) has contrast and style. Typefaces made in 2012: Halis Grotesque, Uneven (a bold poster typeface family), Ferforje (curly all caps face), Daphne (a hand-drawn all caps poster family), Mancho (a stylish caps only sans family), Cillop (elliptical sans), Typonil (elliptical sans), Omar (squarish poster font), Gulyesa Script (a beautiful informally hand-printed poster typeface), Smyrna (hand-printed poster face). Typefaces from 2013: Minik (a great hand-drawn typeface with tall ascenders and descenders), Festivo Letters (a popular hand-made layered font system with 19 fonts numbered No1 through No19; see also Festivo LC, 2014, which has new sketches, shadows and ornaments), Halis Rounded, Troia (a flexible sans family). Typefaces from 2014: Harman (a 7-style hand-drawn collection of retro poster fonts), Akon (hand-drawn poster family), Minimo (a geometric organic minimalist sans family in four weights). Typefaces from 2015: Racon (weathered type, perhaps letterpress emulation), Masif (heavy brush script renamed Pitos after 24 hours, most likely after a complaint from Monotype which markets a Steve Matteson font called Massif---Ahmet should have ignored that request as Monotype itself ignored Jean Joveneaux, who created another font called Massif in 1957, decades before Matteson's font), Deepika (swashy script), Tropen. Typefaces from 2017: Buket (an 18-font collection including Marquee, Roman Shiny, Fat Sketch, Script, Decorative Shiny, Basic Retro, and Prismatic). Typefaces from 2018: Narin. A geometric sans family with rounded corners. Typefaces from 2019: Revello (hand-painted and layered), Festivo Clean, Salve (a monoline script), Urfa (an 18-style sans family). Typefaces from 2020: Izmir (a 44-style geometric sans family), Grand Sword (a decorative all caps typeface). Typefaces from 2021: Urfa Rounded (an 18-style rounded elliptical sans). Typefaces from 2022: Sarmal (a great handlettered interlocking poster typeface), Punkto (an 18-style geometric sans). | |
Sharjah, UAE-based designer of a circle-based Latin display typeface in 2015. [Google] [More] ⦿ | |
During her studies in Ankara, Turkey, Elif Altun created the bold display typeface Lore (2015). [Google] [More] ⦿ | |
Turkish web writer and philosophy student based in Ankara. He created the sturdy octagonal typeface Okula Hayir in 2012. He also made the fat finger font Elif Sans Herif (2012). In 2013, Okula Hayir Soft followed. In 2016, he designed Pek Komik Sans, a take on Comic Sans. Dafont link. Behance link. [Google] [More] ⦿ | |
Las Vegas-based designer (b. 1977) of the free handcrafted typeface Big Boss (2015). Dafont link. [Google] [More] ⦿ | |
In 2012, OSC published Italian Throwback 3D (shadow), Italian Throwback Outline, and Italian Throwback Fill, in the style of the Italian Western typefaces of the late 19th century. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Vienna, Austria, who created the minimalist sans typeface Älskling in 2017. [Google] [More] ⦿ | |
During her design studies, Chorrillos, Peru-based Catalina Alva created the display typeface XOF (2015). Behance link. [Google] [More] ⦿ | |
Guaynabo, Puerto Rico-based student-designer of the backslanted display typeface Ansible (2018). [Google] [More] ⦿ | |
Monterrey, Mexico-based creator of the curly sea snail-inspired AI-format typeface Mood Board (2012). [Google] [More] ⦿ | |
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Carolina graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the slightly grungy outline typeface Bicifont. [Google] [More] ⦿ | |
Valencia, Venezuela-based designer of some squarish experimental school project typefaces in 2015. [Google] [More] ⦿ | |
During her studies at Texas Tech University, Maria Alvarado (Lubbock, TX) created a modular display typeface (2016). [Google] [More] ⦿ | |
During her studies, Lynchburg, VA-based Noelia Alvarado designed the art deco typeface Charleston (2016). [Google] [More] ⦿ | |
American designer of the rounded typeface GROFLZ (2011). No downloads. [Google] [More] ⦿ | |
Designer in Goiania, Brazil, who created the free sans typeface family Polt (2014). Behance link. [Google] [More] ⦿ | |
Chilean designer who created the fat rounded typeface Rumbo (2009, Tipos de Cartagua) while studying type design at the University of Chile. [Google] [More] ⦿ | |
Madrid-based designer of Fusion (2014, a 3d font), Black (2014, an alchemic typeface) and Magma (2014, an experimental geometric typeface). [Google] [More] ⦿ | |
Medellin, Colombia-based designer of Mani (2018, prismatic caps) and Niyo (2018, a hyper-decorative typeface). [Google] [More] ⦿ | |
Aldo Alvarez's outfit, part of the Chank Army. [Google] [More] ⦿ | |
Cadiz, Spain-based designer of the decorative blackletter typeface Nirvana (2015) and the angular text typeface Wild Roman (2015). [Google] [More] ⦿ | |
During his studies in Ciudad Obregon, Mexico, Alizair Alvarez designed the left-leaning typeface Aliena (2017). [Google] [More] ⦿ | |
Graphic designer from Valencia, Spain. He has a site with Spanish and Catalan language type material, including an interview with Fred Smeijers and the history of typefounding in Valencia. He is working on the stone and garden inspired Lhorta (2007). [Google] [More] ⦿ | |
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Graduate from FADU, University of Buenos Aires, who created the typeface Peperina (2008). [Google] [More] ⦿ | |
Valencia, Venezuela-based designer of the pixelish typefaces Rockon (2015) and Hiplight (2015). [Google] [More] ⦿ | |
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Creator of the ornamental display typeface Moliere (2011) while she was studying at FADU UBA in Buenos Aires. [Google] [More] ⦿ | |
Katya graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the display typeface Rapa Nui which tries to revive the spirit of a mythical figure, Hombre Pájaro. [Google] [More] ⦿ | |
During her graphic design studies at the University of Kansas in Lawrence, KS, Kylee Alvarez created the sci-fi typeface Orbit (2013). Behance link. [Google] [More] ⦿ | |
Spanish designer of the display typeface Ovetus (2016). [Google] [More] ⦿ | |
Student at Columbia College in Chicago, class of 2015. Creator of Nu-Maya (2014), a typeface based on the dots-and-dashes Mayan numerical system. Behance link. [Google] [More] ⦿ | |
Pasto, Colombia-based designer of a dot matrix font in 2015. [Google] [More] ⦿ | |
Student of Graphic & Web Design at DMACC (Des Moines Area Community College). FontStructor who made Emma Witchson (2012, alchemic typeface). [Google] [More] ⦿ | |
Atlanta, GA-based designer of the prismatic caps typeface Rhizome Alphabet Song (2014). [Google] [More] ⦿ | |
American designer of the techno font UpUp DownDown (2015) that takes inspiration from the video games of Electronic Entertainment Expo. [Google] [More] ⦿ | |
Her early typefaces: 1 | 2 | 3 | 4 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | Sukkhos (Mr. Softie) | Overseas Type (2010, done at Concordia University in Montreal) | Moda Barcelona (2011). In 2010, she designed the map face Cartola, which grew out of a project at EINA in Barcelona and is based on Mrs Eaves. Mar 34 (2011) designed exclusively for the identity of Estruch, a restaurant located at the Plaza of the Cathedral in downtown Barcelona. The project was made in collaboration with Raquel Quevedo, who used the typeface for designing a graphic system for the identity. Both the face&the graphic design are based on postal service paraphernalia. Momo (2011) is a typeface that is developed based on the concepts of dada by El Lissitsky&Kurt Schwitters. In 2013, she graduated from the Type & Media program at KABK in Den Haag with a text typeface called Botanica that is geared towards scientific publications. In 2018, she published Tara at Indian Type Foundry. Designed for immersive reading, it has considerable contrast and wedge serifs. | |
Designer of a (partial) metafont for Nahuatl (2021). [Google] [More] ⦿ | |
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Italian type designer who grew up in Reggio Calabria and now lives and works in Florence, Tuscany. Associated with Italian type Foundry, he designed the compressed font Jonio (2021), which took inspiration from a typeface by Fonderia Tipografica Reggiani. Interview in 2021 by MyFonts. [Google] [More] ⦿ | |
During his studies in Lima, Peru, Ruddy Alva created the ornamental typeface Vertage (2014). [Google] [More] ⦿ | |
During her studies in Mumbai, Simoul P. Alva designed the curvy Vixen Display (2017). [Google] [More] ⦿ | |
Swedish photographer, b. 1976. Creator of the hand-printed typeface Alve (2013). Dafont link. [Google] [More] ⦿ | |
Graduate from Portugal who obtained a Masters degree from KABK, Den Haag. She designed the Dialogue type family for screen reading. [Google] [More] ⦿ | |
In 2021, he replaced MMC Typodrome by MMC-TypEngine, and reminds us that MMC stands for Multimedia Mastering Creative-Types. Earlier acronyms included Macacos me Mordam and Many Meanings Challenge. His first typeface was the Escher-inspired Penrose Geometric (2013, extended to 22 styles in 2021). In 2015, he published Technical Signature (18 styles: labyrinthine) and Technical Scripture (18 styles). In the labyrinthine genre, this family is close to perfection. In 2020, he released the 22-style MMC Grafik and in 2021 the related MMC Insignia (32 styles). [Google] [MyFonts] [More] ⦿ | |
Designer in Sao Paulo. In 2011, Danilo created an unnamed avant-garde sans face. [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Belo Horizonte, Brazil-based designer of a brush typeface in 2018. [Google] [More] ⦿ | |
At Unesp in Bauru, Brazil, Gabrielli Alves designed the all caps sans typeface Lord Sans (2017). [Google] [More] ⦿ | |
Creator of the thorny typeface Erlantz (2014). [Google] [More] ⦿ | |
Typefaces from 2017: Contra Headline (a stencil typeface for the revolution). Behance link. [Google] [More] ⦿ | |
In 2012, he published the pointy calligraphic typeface Bispo---free at MyFonts and at Fontspring. Nova Bispo (2013) and Bispo Pro (2013) are available from MyFonts. In 2015, he designed a custom typeface for the Brazilian beer Kaiser. Behance link. [Google] [MyFonts] [More] ⦿ | |
Brazilian designer---I think---of the stencil typeface Columbina (2018) for a branding project. [Google] [More] ⦿ | |
Lisbon-based designer of the round neogrotesque slabbish typeface Missanga (2013), which was a school project. [Google] [More] ⦿ | |
Lisbon-based designer of an experimental compass-and-ruler typeface in 2015. [Google] [More] ⦿ | |
Goiania, Brazil-based graphic design studentr at Universidade Federal de Goiás in 2015, when she created the italic typeface Hadnos in cooperation with Guilherme Marques and Thiago Augusto. [Google] [More] ⦿ | |
Porto, Portugal-based designer of the school project fonts Vento (2015: an italic font) and Ornaments (2014). [Google] [More] ⦿ | |
During her studies at the University of Aveiro, Margarida Alves (Porto, Portugal) created the sans typeface Clemente (2014). [Google] [More] ⦿ | |
Belo Horizonte, Brazil-based designer of a hipster school project font in 2013. [Google] [More] ⦿ | |
Or Marta Goncalves. Faro, Portugal-based designer of the stencil typeface Broken Tipo (2016, a student project at University of the Algarve). [Google] [More] ⦿ | |
Leiria, Portugal-based designer of the stencil display typeface Corvo (2019). [Google] [More] ⦿ | |
Designer in Sao Paulo. During his studies at SENAC in 2011, he created a hand-printed typeface called Messtype for subtitles of a children's magazine. [Google] [More] ⦿ | |
Nuno Pedro Soares Alves (b. 1978, Lisbon) is the FontStructor who made Terramoto (2010), an earthquake font. In 2012, he went commercial as UFF Portugal, located in Tomar. His commercial typefaces include Branca Poster (2012: a high-contrast fat didone poster family), and Shearman STD (2012: a rounded octagonal typeface). [Google] [MyFonts] [More] ⦿ | |
Osasco, Brazil-based designer. For a course given by Priscila Farias, he designed Marvel Comics Dingbats (2016). [Google] [More] ⦿ | |
Designer in Lisbon, Portugal. Creator of the handcrafted typeface Broken Arrow (2015). [Google] [More] ⦿ | |
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During her studies in Sao Paulo, Brazil, Vitoria Alves designed the decorative multi-outline typeface Mockingjay (2018). [Google] [More] ⦿ | |
Graphic designer in Criciuma and Florianopolis, Brazil, b. 1989. Creator of the monoline avant garde sans typeface Caos Light (2010), the handrprinted Mierda (2011), and the minimalist organic typeface Nawger Sans (2011). Home page. [Google] [More] ⦿ | |
Amjad Hussain Alvi (Alvi Technologies, Pakistan) makes available a free Urdu font, Alvi Nastaleeq (2008). [Google] [More] ⦿ | |
During her studies in Rio de Janeiro, Rayane Alvim designed a decorative set of caps (2017). Behance link. [Google] [More] ⦿ | |
At MAGA Atelier in Lisbon, Luis Alvoeiro designed the stencil typeface Alvo Eat (2016). Behance link. [Google] [More] ⦿ | |
Beirut, Lebanon-based designer of the Arabic display typeface Iris (2018). [Google] [More] ⦿ | |
Graduate of Lebanese American University in Beirut, Lebanon. Graphic designer in Beirut who created the Bellow Straw typeface for Latin and Arabic in 2014. [Google] [More] ⦿ | |
Mumbai, India-based designer of several experimental geometric typefaces in 2016. [Google] [More] ⦿ | |
Torrance, CA-based designer, who, during his studies at OTIS College of Art and Design, created Newfangled Grotesk (2016). Behance link. [Google] [More] ⦿ | |
At University of Sharjah, Haya Alyafi (Sharjah, UAE) designed the multiline Latin typeface Video Tape Effect Font (2017). [Google] [More] ⦿ | |
Karachi, Pakistan-based designer of an untitled display typeface in 2014. [Google] [More] ⦿ | |
Wisconsin-based designer (b. 1987) of Love You Long Time, BLINGladash, Clare's-Special-Sauce, Could-Be-Infected, Got-Ballz, Retro-Stylee, Scrapbooking-Special, Sooper-Cool and stellar-handwriting, all handwriting fonts made in 2007. She also made the western look font WANTED-Dead-Or-Alive! (2007) and the script font Love You Long Time (2007). [Google] [More] ⦿ | |
Designer of the handcrafted poster typeface Sandman (2018). [Google] [More] ⦿ | |
During her studies at German University in Cairo, Egypt, Yomna Aly designed a font dedicated to Kevin McAllister (2018). [Google] [More] ⦿ | |
During her studies at University of Dammam, Al Qatif, Saudi Arabia-based Noor Alzaher designed the rounded stencil typeface Domino (2017). [Google] [More] ⦿ | |
At the University of Dammam, Al Khobar, Saudi Arabia-based Anfal M. Alzarraj designed the Arabic typeface Rhuda (2017). [Google] [More] ⦿ | |
Camilo Alzate is from Medellin, Colombia. In 2012, he graduated from the type design program at FADU UBA (University of Buenos Aires), where his graduation work consisted of the informal typeface Sabrosa (2012). In 2013, he created the warm text typeface Colemica. | |
During her studies at Campus de la Fonderie de l'Image, Antony, France-based Ophélie Alzieu designed the polygonally stroked typeface Bilum (2017). Behance link. [Google] [More] ⦿ | |
Jordanian designer of the Latin sans typeface Mool Boran (2013). He is located in Irbid. [Google] [More] ⦿ | |
Ponta Grossa, Parana, Brasil-based inddustrial designer. Creator of the stencil typeface New Stencil (2006) and the graffiti typeface StreetBlok (2006). [Google] [More] ⦿ | |
Portuguese type designer who lives in Almada. He created the octagonal typeface No Manners (2010). His foundry at MyFonts. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Started and maintained by Portugal-born Pedro Amado, who taught in the Faculty of Fine Arts at the University Porto, and is now professor at the University of Aveiro, the LiveType Project focuses on the development of complete Fonts using Fontforge. This project aims that everyone involved can and will learn more about typography and type developing in a collaborative method. It will provide the fonts and the font files regularly to users, developers and anyone with an interest in type. They are working on their first font. On Typophile, the question came up regarding the use of the (free) FontForge software rather than the commercial FontLab editor. Amado's reply and additional points:
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Brazilian type designer who works at Tipos do aCaso. Her fonts include the children's handwriting font Toinho, designed with Renata Faccenda. [Google] [More] ⦿ | |
In 2012, he created the script display typeface JdS. [Google] [More] ⦿ | |
New York and Pasadena, CA-based designer of the display family Hierarchy, which won an award at the TDC2 2001 competition (Type Directors Club). Rie studied with Jens Gehlhaar at the Art Center College of Design. [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the textured typeface Hudoq (2015) for a school project. Hudoq is based on the Dayak traditional culture in Kalimantan, Borneo. [Google] [More] ⦿ | |
Kudus, Indonesia-based designer, b. 2000, of the script typeface Dapka (2019), the condensed sans family Engula (2019), the thin upright script typeface Quesky (2019) and the sports stencil font Debrosee (2019). Typefaces from 2020: Gillebra (script), Rakeboom, Sahur Bosku (a monoline script), Sweety Meilita, Beskill, Hambu Radul, Febyetska, Arlista (script), Bordershine Script, Bordershine (a monoline script). Typefaces from 2021: South Roman (an upright and loopy signature script). [Google] [MyFonts] [More] ⦿ | |
Brazilian designer of a pixel font in 2011. [Google] [More] ⦿ | |
German designer at Fontkitchen Type Foundry of Cosicon (2003, dingbats) and Obivan (2004). [Google] [More] ⦿ | |
Muneo Amano's fonts are sold through Font Pavilion: the Nohofont family (1998) includes Cat's White, Cat's Black (cats take the shape of letters), Crayon (alphabet, katakana, hiragana), Rakugaki (child's dingbats), Usamoji. [Google] [More] ⦿ | |
Magelang, Indonesia-based designer (b. 2001) of the glitchy display typeface Borobudur (2021). [Google] [More] ⦿ | |
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Belem, Brazil-based Fontstructor who made Geom Type (2014). [Google] [More] ⦿ | |
Graphic design student at UEMG in Belo Horizonte, Brazil. During her studies in 2012, she designed the hairline typeface Skinny Heels. [Google] [More] ⦿ | |
Rio de Janeiro, Brazil-based designer of Modernidade (2017) and Bear Blade (2017). Behance link. [Google] [More] ⦿ | |
Fortaleza, Brazil-based designer of the fantasmagoric font Coraline (2018). [Google] [More] ⦿ | |
Designer from Quezon City, The Philippines, b. 1993, who used FontStruct in 2009 to make Pointers and Pointersoft (pixel arrow fonts), Eleaves, AcidSpeed, Parallelofont (octagonal), Missing Block, Acid Square, The First Font, Danubee (organic), Thorns, ReilyBill Richkid, Tabloid, StillAliveForNow, StillAlive, and The Curve. In 2009, he added Unbranded, Nokia 6000, Quickening, Bump it up, Corte (3d shadow face), Unbranded, Piloton (techno; +Piloton G, 2012), Tahoma (pixel family), Raft, Paper Company (octagonal), Afro Style, Arko, 7th Service (stencil), Thorns, and Afro Superstar. In 2012, he created Afro Superstar, Malibata Neue, a modernized and simplified Baybayin/Alibata (ancient Filipino writing), Gumball. In 2014, he designed the free gravestone typeface Furgatorio and an ancient Filipino script font, Malibata (2014, FontStruct). In 2015, he added XOX, the futuristic Babayin typeface Maria Stellar, and the techno sans typefaces Dozer One and Dozer Two. In 2016, he designed the marker pen font Jeboy and the coffin font Furgatorio Sans. Typefaces from 2017: Alta (a fashion design sans). Typefaces from 2018: Matatas One (a free Baybayin typeface), Cubao (free; inspired by the signboards hanged on Jeepneys, SUVs, buses and other transport vehicles within and outside the Metro; in 2022, a variable font was added), Quiapo (handcrafted all caps sans), Alta Kratos (alchemic; with Jean Pierre Cruz). He explains the genesis of Quiapo which is based on signs hanging in jeepneys: Quiapo Free is a brush typeface dedicated to the Filipino sign makers, Jeepney drivers, and the daily commuters in the streets of Metro Manila and anywhere in the Philippines. Typefaces from 2019: Maria Stellar X (a futuristic font for Latin and Baybayin). Typefaces from 2020: Hayskul, Kawit (a brushed lava lamp font), Dangwa (brush script), HPB (a stylish all caps sans created for the Christian Fellowship Church founded in Plaridel, Bulacan, Philippines), and the Baybayin fonts Malibata Redux (prismatic), Titulo Tagalog, MKBYN Clara (cursive, pixelized), Malamaya. Typefaces from 2021: Goth Gothic (a free blackletter / tattoo font), Copula (a retro inline typeface). [Google] [More] ⦿ | |
Israeli type designer. Creator of the paint drip Hebrew typeface Tipot (2010, Masterfont), Plateau MF (2010, Hebrew signage face), Amar MF (1986, Masterfont). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Designer of the monoline sans typeface Doubt (2020). [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of Impossible Font (2015). [Google] [More] ⦿ | |
During her studies at the University of Buenos Aires, Belen Cornejo Amat designed an untitled modular Peignotian typeface (2018). [Google] [More] ⦿ | |
Born in 1988 in China, Eric Amate (Rhinophant Graphics) designed White Knight in 2015. [Google] [More] ⦿ | |
Tatui. Brazil-based designer of the script typeface Amate (2018). [Google] [More] ⦿ | |
Andrea Amato graduated from the Politecnico di Milano with a thesis on the history of sanserifs, and went on to work with Matteo Thun & Partners and Massimo Pitis. He is art director of That's Contemporary, which keeps an eye on contemporary art in Milan. He founded and runs the Tipiblu Studio with Aurora Biancardi. He is a contract professor at Raffles Milano and teaches lettering at the Accademia Belle Arti Santa Giulia in Brescia. He has been a member of the cooperative Italian type foundry CAST and is its art director since 2018. His typefaces include Frusino (2015), the official font of the county of Frosinone, near Lazio. Together with Aurora Biancardi, he designed Sempione at Tipiblu Studio. [Google] [More] ⦿ | |
Design student at the City College of New York. She created the smooth modular display typeface Chynna Cali (2012). [Google] [More] ⦿ | |
Mexican designer of the free avant-garde typeface Cosmoluna (2018). [Google] [More] ⦿ | |
Bogota, Colombia-based designer of the rounded sans display typeface Radioactive (2017). [Google] [More] ⦿ | |
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Designer in San Salvador, El Salvador. Creator of the geometric typeface Cubo (2012). [Google] [More] ⦿ | |
Bogota, Colombia-based creator of Shooter (2012). [Google] [More] ⦿ | |
Designer and illustrator in Barcelona and/or Bogota, Colombia, aka Xato. Creator of the spiky hexagonal typeface Uglymann (2012). The octagonal typeface Crwell (2014) was designed on a rhombic grid. Dafont link. Behance link. Cargo collective link. [Google] [More] ⦿ | |
Mumbai, India-based designer of the free Peignotian typeface Suave (2018). [Google] [More] ⦿ | |
Artist and printer, 1899-1950, who was based in New York City. He designed Bam-Stencil in 1937 for Ruttle, Shaw and Wetherill. Mac McGrew: Bam-Stencil was designed by F. L. Amberger and reportedly cut by Ruttle, Shaw&Wetherill, a Philadelphia typographic firm, about 1937. It follows the general style of Corvin us (Glamour) Bold, but is heavier and has stencil-like breaks in the strokes. No lowercase was made. [Google] [More] ⦿ | |
Together, Elliott Amblard (France) and Gia Tran created the bold signage / retro baseball script typeface Paname FY at FontYou in 2014. At Long Type, he created Oradour: Inspired by french vernacular lettering, it is also a very contemporary re-interpretation of Eurostile typeface (Aldo Novarese) by stripping it from this dated aesthetic. FontYou link. In the TypeMedia program at KABK in Den Haag, he designed Emil for his graduation in 2015. Emil is situated between a text typeface and a slab serif typeface. It is characterized by convex stems and low contrast and includes a Hairline weight. In 2016, he published Yuzu at Indian Type Foundry. It is a simple yet effective straight rounded sans typeface family. Guide (2016), also published by Indian Type Foundry, is a wayfinding and traffic sign sans typeface family. In 2017, Elliott Amblard and Théo Guillard designed Read Greek Condensed, which won an award at TDC Typeface Design 2018. In 2018, Elliott Amblard and Jérémie Hornus co-designed the information design humanist sans typeface family Drive. It is accompanied by the more typewriter-styles families Drive Mono and Drive Prop, and published by Black Foundry. Angus (2018) is a multiplexed rounded sans typeface family by Elliott Amblard that includes a variable font. [Google] [MyFonts] [More] ⦿ | |
Cavite, The Philippines-based designer of Pokemon Font (2016). Tumblr link. [Google] [More] ⦿ | |
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During her graphic design studies at The College of Saint Rose, Cheryl Ambrosio (Albany, NY) created a logotype (2014). [Google] [More] ⦿ | |
During her studies at Bandung Institute of Technology in Indonesia, Belinda Amelia designed the pearly caps typeface Embara (2018). [Google] [More] ⦿ | |
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Graphic designer in Virginia who runs Fevera Graphics. Creator of the techno barcode-simulation typeface Barcode (2012). [Google] [More] ⦿ | |
American design studio run by Lindsay Amerault. Behance link. Creator of the marihuana smoke typeface Paisley (2011). [Google] [More] ⦿ | |
Egyptian graphic designer. Typefaces from 2022: Foda Display (a display typeface for Latin and Arabic by Ahmed Eraqi, Nohamad Foda and Esraa Amer), Quta Rounded (by Ahmed Eraqi, Nohamad Foda and Esraa Amer), Quta (a 10-style sans with a preference for 90-degree junctions in unusual places; by Ahmed Eraqi, Nohamad Foda and Esraa Amer). [Google] [MyFonts] [More] ⦿ | |
Salt Lake City, UT-based designer of the tangram typeface Visual Alphabet (2015). [Google] [More] ⦿ | |
During her studies in Caracas, Venezuela, Natasha Ametrano created the free modular typeface Acantilada (2014). [Google] [More] ⦿ | |
French designer of the graffiti typeface Ameze (2005). Web page. Yet another URL. [Google] [More] ⦿ | |
Designer of the fat finger font Special Blackletter (2021). [Google] [More] ⦿ | |
Milan-based designer of the Bauhaus-style stencil font WRD Sans (2013). [Google] [More] ⦿ | |
While studying graphic design at the Academy of Art University in San Francisco, Hanisha Amin (b. UK), who was raised in Arkansas, created an unnamed techno typeface in 2013. Behance link. [Google] [More] ⦿ | |
American designer of the squarish typeface Jeli (2019). [Google] [More] ⦿ | |
Tabuk, Saudi Arabia-based designer of the Arabic typeface Amin (2015), which extends the Latin typeface Harabara (2009, André Harabara). [Google] [More] ⦿ | |
Brunei-based student-designer of the free textured display typeface Tangled (2015). [Google] [More] ⦿ | |
Seremban, Malaysia-based designer of monoline sans typeface in 2017. [Google] [More] ⦿ | |
Indonesia-based designer of the free display font Tipals (2020). [Google] [More] ⦿ | |
During her studies in Kuala Lumpur, Diyana Amir designed Bunga (2013), an ornamental caps typeface based on Kebaya Nyonya embroidery designs in Melaka Malaysia. [Google] [More] ⦿ | |
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Falling Angel Studio in Partile, Gothenburg, Sweden, was established in 2009 by Alireza Amiri (b. 1986, Teheran). Their first fonts include Circ (pixelish), Ki Moa Triangle Park (2011, with Mohsen Khaki), Sandikza (scribbly hand), Smart (rounded hand-printed face), Smart Maximus, Entoferno, Kakeroon (2010), Scatterbrain, XMadness (dot matrix face), Smart Wix (2010), Mazigh (2010, hand-printed), Jebrill (2010), Khoft (2010, grungy stencil), Kanta Cube (2010, block letters), Smart Maximus (2010), and Smart Toxonic. The following alphading pages were published in 2012: Ghab Star David, Ghab Star Clipart, Ghab Star Bahai, Ghab Star, Ghab Leaf Plane, Ghab Leaf Lucky, Ghab Leaf, Ghab Heart Triple, Ghab Heart, Ghab Gravestone, Ghab Cloud, Ghab Bubble Speech Black, Ghab Bubble Speech 2, Ghab Bubble Speech, Ghab Bottle, Ghab Atom. They were created jointly by Alireza Amiri and Sevin Shiva. Kokab (2012, with Sevin Shiva) and Azad (2012, with Sevin Shiva) are elegant black extended display typefaces. Bisheh (2012, with Sevin Shiva) is a condensed sans display family. Vierw Alireza Amiri's typefaces. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Cairo who created the elegant display typeface Melinda and the Arabic typeface Gawaher in 2018. [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer of the free font Automata (2017). It is interesting that this font is called Origami inside its guts. [Google] [More] ⦿ | |
Designer of Arabic fonts, such as AlKatib1 (2001). See also here. [Google] [More] ⦿ | |
At Institut Teknologi Brunei, Kuala Belait, Brunei-based Naqiuddin Ihsan Amj created the free typeface Anchored (2015). Behance link. [Google] [More] ⦿ | |
Jaipur, India-based designer of the hipster font Animotemezoo (2015). [Google] [More] ⦿ | |
Aka Abody Ammar. Damanhar, Egypt-based designer. Co-designer with Yousuf Gamal of the fun fluid Arabic typeface Marshmallow (2017). Free download for personal use. In 2017, Abd Al Raoof (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Raoof. Still in 2017, Yousuf Gamal (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Caramel. In 2018, he designed the free Arabic / Urdu / Farsi font Oya together with Avd Al Raoof (Abdoaroof Aburzizh). [Google] [More] ⦿ | |
Medan, Indonesia-based designer, b. 1993, of the lava lamp typeface Melbournistic (2018), the brushed Spiky (2018), the script typefaces Azzanya (2018) and Baluap (2018), and the cursive typeface Chorety (2018). He runs Zhalul Design Studio. [Google] [More] ⦿ | |
Graphic designer in Florence, Italy. In 2017, he created the brushy display typeface Full Pac. [Google] [More] ⦿ | |
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Student in illustration in Cologne, who created a modular layered typeface in 2012 called Suva Fontart. [Google] [More] ⦿ | |
Typefaces from 2022: Chicago (a display serif), Quiny (a display or poster sans). [Google] [MyFonts] [More] ⦿ | |
In 2017, during his studies in Cambridge, UK, Dennis Amoah designed the decorative typeface Afro, which uses patterns inspired by those seen in various forms of African folk art, from countries such as Morocco, Ghana, Zimbabwe and Tunisia. Behance link. [Google] [More] ⦿ | |
Taranto, Italy-based graphic designer (aka Jean Grphx) who made the free brush typeface Ciao (2010) and the grungy Anconventional (2012). Dafont link. Old URL. [Google] [More] ⦿ | |
Fontspace link. He used the company name Brainstorm at some point. [Google] [More] ⦿ | |
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Graphic designer in Buenos Aires, who created the display typeface Chini (2017). [Google] [More] ⦿ | |
Graphic designer in Malaga, Spain, who created the great angular text typeface Norden (2017). Behance link. [Google] [More] ⦿ | |
Sao Paulo-based designer of the free font Estreita Condensed (2015). Behance link. [Google] [More] ⦿ | |
Brazilian graphic designer, aka Caio Amorim. For a college project in 2018, he designed the brush typeface Pixim. [Google] [More] ⦿ | |
Tunis, Tunisia-based designer of the Latin all caps typeface Hachtacta (2018). [Google] [More] ⦿ | |
UK-based designer of these script typefaces in 2019: Freezetide, Northern Petal, Rossioffe (script), Ailre Heleris, Hazel Shadow, Oriole Bird, Ametrine, Leisoll Reef (wild calligraphy), Carnelian Antique, Tiara (a calligraphic script), Morning Mood, Michael (a signature script), Violets (brush), Cookie Jar, Parapluie. She also designed the decorative sans typeface Peronel (2019). Typefaces from 2020: Tralee (a rounded handcrafted sans), Cookie Treat. Typefaces from 2021: Blicalon (a bold monolinear sans). [Google] [MyFonts] [More] ⦿ | |
Milpitas, CA-based student-designer of an untitled display typeface in 2015. [Google] [More] ⦿ | |
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Graphic designer in Lima, Peru, who created the display typeface Bubble Gum in 2014. [Google] [More] ⦿ | |
At German University in Cairo, Miral Amr designed the display typeface Minara (2015). In 2016, he created the TV caption Arabic font LCD. [Google] [More] ⦿ | |
During her design studies at German Jordanian University in Amman, Jordan, Nadine Amr designed a wavy display typeface called Latin (2017). [Google] [More] ⦿ | |
During her studies at the German University in Cairo, Egypt, Roba Amr designed the informal typeface Tinhard (2018). [Google] [More] ⦿ | |
Photo. Joaquin Contreras wrote a thesis at the Faculty of Architecture of the University in Chile in 2007 entitled Diseño de fuentes tipográficas, basadas en los libros integramente caligrafiados por Mauricio Amster en Chile. I quote from a talk given by Contreras in 2021: Mauricio Amster Cats is a leading Polish editorial designer who worked for 40 years in Chile as a publisher, potter, lettering artist and teacher. He published two books on graphic standards to support his classes at the school of journalism and design hundreds of books. Son of Jewish parents persecuted by the Nazi regime, as a young man he studied graphic arts in Germany. Together with his friend Mariano Rawicz he travelled to Spain to take part in the civil war. In Madrid he designed newspapers, pamphlets, posters and books, the best known being the Cartilla Escolar Antifascista, a study book for militiamen. As a refugee he travelled to Chile on the Winnipeg, a ship prepared by Pablo Neruda (Chilean poet, diplomat, winner of the Nobel Prize) where he arrived with his wife Adina, a Spanish bookbinder with whom he shared his life. In Chile he started out as an anarchist, but as time went by he became part of Chilean culture until he became probably the most important designer of the last century. [Google] [More] ⦿ | |
Co-founder in 2000 of the Zurich-based design studio Moiré. With Dominik Huber at Grilli Type, she designed GT Pressura (+Mono) in 2013. In 2008, she made the corporate typeface Regina for Regina Gallery in London and Moscow. [Google] [More] ⦿ | |
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London, UK-based designer of the display typeface Comb (2017). [Google] [More] ⦿ | |
Located in Powder Springs, GA, AKOFAType has published the following dingbats with symbology from Ghana: Adinkra Calabash, Adinkra FineFine, Adinkra WantaWanta (2007). The designer is Kwesi A. Amuti (b. East Lansing, MI, 1974). He is working on Steady Rockin (a display face) and Fat Head. In 2013, he published Ehmbeecee, a typeface with frames. In 2014, he made the elliptical sans typeface Cabeza Grossa and the snowflake typeface Flurry. Creative Market link. Typedia link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
M/M Paris is a studio in Paris run by Michael Amzalag (b. 1962, Paris) and Mathias Augustyniak (b. 1967, Cavaillon), est. 1992. They created the decorative caps typeface Pradalphabet in 2014. It was custom designed for Prada's collection of unique T-shirts. [Google] [More] ⦿ | |
Panamanian designer who lives in Argentina, b. 1985. Creator of the artsy display typeface 4564 (2007). [Google] [More] ⦿ | |
Parisian illustrator and designer. Creator of JPO (2012), a squarish typeface named after the event it was created for, les Journées Portes Ouvertes des Gobelins. He also made Irregular (2012, a paper cutout face), History (2012), an experimental typeface that uses various layers of overlays. Tribu (2012) is hand-drawn. [Google] [More] ⦿ | |
MA-based designer of the pixel font 51291pix (2008). [Google] [More] ⦿ | |
Typefaces from 2016: Lotte (script), Kely (sic) Rose, Anomaly Script, Adleit (signage script), Markinson (retro signage script), Colorado (retro sign painting style), Fresh From The Farm (a playful all caps sans), Le Paris (creamy lettering), The Airlines (script), Aventura, Maskoolin (a free bold all caps titling typeface), Amerizana (heavy signage script), Scribble Script. Typefaces from 2017: Winifred (signature font by Wahyu Pribadi), Litograph, Bosque (Regular, Press), TF Opicular (geometric sans), TF Hillmark (a script typeface by Firman Suci Ananda and Wahyu Pribadi), TF The Fest (a script typeface by Firman Suci Ananda and Wahyu Pribadi), Volkschaft TF (baseball script by Firman Suci Ananda and Wahyu Pribadi), Bender Script, Hurley 1967 (signage script), Marana, Goodwyn (spurred vintage font), the script font Cartel Deux (+Sharp, +Smooth), the titling font Cartel Deux Black, the brush script Ruthmike. Typefaces from 2018: Taneka (signature font), US Bill Sans (published by Unidaas; co-designed with Fajar Wahyu Pribadi and Irfan Ulya), US Blaak (a wedge serif by Firman Suci Ananda and Fajar Wahyu Pribadi), Rucyva (by Le Magh). Creative Market link. Newer Creative Market link. Behance link. Dribble link. Dafont link. Creative Market link for Koll Kolls. Creative Market link for Cartel Deux. Skolbord link. Creative Market link for Tyfo Mono. Creative Market link for Koll Kolls. Creative Market link for Le Magh, a venture of Wahyu Pribadi. Behance link for Wahyu Pribadi. [Google] [MyFonts] [More] ⦿ | |
Neuebel & Mark is a small graphic and type design studio in Medan, Indonesia. It is yet another venture of Firman Suci Ananda, and started in 2019. The first typeface at Neuebel & mark is the display typeface Elgoc (2019). [Google] [More] ⦿ | |
Typefaces from 2020: NS Bullsmith (a Victorian typeface), NS Mudolf (a script/sans/serif vintage type package). Typefaces from 2021: NS Gibswing (a spurred Victorian extravaganza, with a dingbat font that contains Victorian panels and flowers), NS Blackbooks Victorian, NS Lasttown (a penmanship script, and vintage capital and serif styles). Typefaces from 2022: NS Deckpress (a layerable Victorian label font). [Google] [MyFonts] [More] ⦿ | |
Yogyakarta, Indonesia-based designer (b. 1980) of these script typefaces in 2019: Serenity, Great Wishes, Bright Monday, Amelia Script. Typefaces from 2020: Sweety Palm, Popy Jelly, Sparks Fly, Swiss Bloom, Sweet Brownie, Fluffy Puddle, Sweet Kitten, Magicelf, Sweet Dawn, Limelly, Cloudy Wavy, Melly Dream (a heavy upright script), Puppy Baby, Queen Kyra, Night Candle, Pink Miracle (monoline script), Silky Daisy, Eloisse (a brush script), Milky Matcha, Honey Sky, Pheonies, Saphire, Pinktart, Sugar Story, Starling Bright, Rooling Candy (a dry brush script), Angelia, Pretty Spring, Lovely Dream, Marlyna, Barelyn, Mellisa Jonathan, Makayla, Sandreya, Margareth Gretal, Amelisa, Kathiya, Carlista, Meliya, Melyana, Great Wishes, Great Wishes, White Glory, Standing Miracle, King Lounpera, Snowing, Awesome Party (font duo), Sweet Winter. Typefaces from 2021: Angelin Heart (a scrapbook script), Intouch Sky (a monolinear upright script), Masculine (an upright high-contrast script). | |
Communication designer in Pune, India, who created the 3d display typeface Geo Lith in 2016. [Google] [More] ⦿ | |
In 2014, Varsha Anand (Bangalore, India) created a modular typeface based on a grid design. [Google] [More] ⦿ | |
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Montevideo, Uruguay-based designer of a squarish modular display typeface in 2017. [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer (b. 1994) of the free shadow typeface family Airment (2018). [Google] [More] ⦿ | |
New York City-based web and graphic designer (b. 1984, Los Angeles) who created the bilined headline typeface Doubletri (2011). She studied first at Tel Aviv University and then Instituto Europeo di Design i Barcelona. Home page. [Google] [More] ⦿ | |
Born in 1987 in Indonesia, Aryoni Ananta created the culturally inspired typeface Fernanta (2013). [Google] [More] ⦿ | |
Bangkok-based graphic designer (b. 1979) who founded Design Reform Council in 2005, and is senior designer at YWFT. He made Fetti (2009), a type experiment in 3d based on polyhedra. Spikes (2009) is a modern, wild and abstract handset. Buffer (2010) is a highly contrasted slab display face. YWFT Soaka (2010) is more grungy, but remains slabby. YWFT Gavin (2010) began as a hand-drawn exploration of George Bruce's Seven-Line Pica. YWFT Wonderland (2011) is a smorgasbord of various hand-drawn styles. Pello (2011) is an arts and crafts typeface with Mexican influences. Typefaces from 2013: YWFT Swell (a rounded vector EPS font), YWFT Riet (Bauhaus or architectural style letters in vector format, You Work For Them). Home page. You Work For Them link. Behance link. Klingspor link. [Google] [More] ⦿ | |
Florence, Italy-based designer of the mini-serifed typeface Herm (2018). [Google] [More] ⦿ | |
Designer in San Francisco. In 2014, she created Ksztalt (2014). This contemporary sans typeface was inspired by the architecture of the Jewish Museum of San Francisco, and the shapes of modern Hebrew letters. She is motivated by this quote by Antoine de Saimt-Exupery: A designer knows he has arrived at perfection not when there is no longer anything to add, but when there is no longer anything to take away. Behance link. [Google] [More] ⦿ | |
Computer science engineer, b. 1993, who is based in Chennai, India. In 2016, she designed a geometric solid alphabet. Behance link. [Google] [More] ⦿ | |
Minsk, Belarus-based designer of a geometric display typeface for Cyrillic in 2016-2017. She also designed a cool set of icons in 2016. [Google] [More] ⦿ | |
Kharkiv, Ukraine-based designer of the multiline Latin / Cyrillic typeface Alain Le Quernec (2015), named after French poster artist Le Quernec (b. 1944). [Google] [More] ⦿ | |
Font vendor site. One of its fonts is called Magic Mushroom (2020). It was published a week after research went viral that shows that magic mushrooms are beneficial for many troubles, including anxiety and depression. [Google] [More] ⦿ | |
Art director in Athens, Greece. Creator of the hairline avant garde typeface Mythont (2013). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the display typeface The Wonder (2015). Behance link. [Google] [More] ⦿ | |
Milan, Italy-based designer of Abecedario del Falso Libro (2019). [Google] [More] ⦿ | |
Athens-based designer of the circle-themed Latin/Greek typeface Cyberia (2012) and the (free) alchemic typeface The Quantum (2013). In 2016, he designed the Latin / Greek titling typeface Rode Sans, which was influenced by Gotham, Hurme and Neutraface. A second Behance link. [Google] [More] ⦿ | |
Designer of the wavy Latin / Greek typeface Hyto (2020). [Google] [More] ⦿ | |
Russian fonts designed after historical examples. Free downloads. The list: Arkhive, Belukha1, BrokgauzItalic, Brokgauz, Edisson, Elzevir, Figured, Gloria, Heading (2004, by Anatole), Imperial, Italiano, Karmen, Medieval, Redinger, RomanaScr, Round-Italic, Saksonia, ScriptEnglishItalic, ScriptThinPen, Tcheconin41, Tchekhonin2, Venecia (2004, by Anatole), Washington (2004, by Anatole), Zecession, AAlbionicTitulNrSh, Flomast (handwriting), flomaster-Bold (handwriting), Flomaster (handwriting). [Google] [More] ⦿ | |
Graphic designer from Escondido, CA. He created the fat counterless slab typeface Manzana (2010). [Google] [More] ⦿ | |
Designer of the Tamil font TAB-LFS-Kamban Normal (1999) which can be found here. [Google] [More] ⦿ | |
Frenchman living in Taipei, Taiwan. Designer of the modular typeface Banano (2016) and Asian Food Icons (2016). In 2018, he added Dumdum Sans. [Google] [More] ⦿ | |
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UK-based designer of Emmental Font (2017) and Juliet Script (2017). [Google] [More] ⦿ | |
At UNSW, Janine Andaya designer the tall informal typeface Graffe (2019). [Google] [More] ⦿ | |
Designer at RGB107,6 of Stikker99, a font that simulates lettering sewed on clothes. [Google] [More] ⦿ | |
During his studies in Haderslev, Denmark, Aske Gramstrup Andersen created the curvy display typeface Farisaeer (2015), which is named after a drink in Southern Denmark with coffee, rum and whipped cream. [Google] [More] ⦿ | |
During his studies at the Yoobee School of Design (Auckland, New Zealand), Ben Andersen created Silo Park (2013, based on the masts and rigging atop the boats that litter Aucklands Habour). [Google] [More] ⦿ | |
Agency in Wichita Falls, TX, run by Bill Andersen. Their commercial Kindergarten family is sold through Font Factory. [Google] [More] ⦿ | |
At The School of Visual Communication in Haderslev, Denmark, Camilla Drejer Andersen designed the rune and Viking-inpspired techno typeface Njordwear (2015). Behance link. [Google] [More] ⦿ | |
In 2013, Andreas Peitersen & Jess Andersen co-designed Faux at the danish type foundry Playtype. Faux is a three-dimensional, all caps display typeface inspired by old stone carving and engraving techniques. [Google] [More] ⦿ | |
For Kenn Munk's class at the School of Visuel Communication, located in Haderslev, Denmark, Lube Glien Andersen designed the Balloonaddict typeface (2013). [Google] [More] ⦿ | |
Los Angeles, CA-based designer of the hipster typeface Chimera (2016). Behance link. [Google] [More] ⦿ | |
Norwegian graphic designer, who created New Typeface (2012, experimental), Marune Five (2012, runic simulation typeface), and Spacematter (2012). [Google] [More] ⦿ | |
Denmark-based designer of the free font Ant Serif (2018). [Google] [More] ⦿ | |
During her studies at the School of Visual Communication in Haderslev, Denmark, Stine Holm Andersen created the cassette tape-inspired typeface Caset (2015). [Google] [More] ⦿ | |
Graduate of the The Danish Royal Academy of Fine Arts---School of Design, who works as a type designer at ABC Design, a type foundry he cofounded with Rasmus Michaelis in Copenhagen. His typefaces:
Behance link. [Google] [More] ⦿ | |
Rheinfelden-based designer of free Luwian hieroglyphic fonts, LuwhittA (2006), LuwhittB (2006). These symbols were developed by M. Marazzi in Atti della Tavola Rotonda (1995) and D. Hawkins in Corpus of Hieroglyphic Luwian Inscriptions (Walter de Gruyter Verlag, 2000). See also E. Laroche's Les Hieroglyphes Hittites (Edition du Centre de la Recherche Scientifique, 1960) and Piero Meriggi's Hieroglyphenhethitisches Glossar (Harrassowitz Verlag, 1962). [Google] [More] ⦿ | |
This South Carolinian cartoonist made the squarish typeface Pilgrimage BLT (2010, FontStruct). Aka Sabata. [Google] [More] ⦿ | |
Based in North Dakota, Adam Anderson is the designer of Garden of Eden (2007, a casual display face). No downloads. Alternate URL. [Google] [More] ⦿ | |
During his studies at the University of Kansas in Lawrence, KS, Alex Anderson designed the squarish all caps typeface Nomadic (2012) and the straight-edged heavy metal band typeface Robotz Death Metal (2012). In 2013, Alex published Sideshow Slab. [Google] [More] ⦿ | |
During her studies at the University of Nebraska in Lincoln, NE, Ali Anderson created the rounded display typefaces BAE (2014) and Winslows (2014). Behance link. [Google] [More] ⦿ | |
During her studies at Flagler College, Saint Augustine, FL, Anabel Anderson created the ornamental caps typeface Empress (2014). [Google] [More] ⦿ | |
Lawrence, KS-based designer of the University of Kansas school project font Hello (2014). [Google] [More] ⦿ | |
Branding and advertising specialist Brent Anderson is based in Amsterdam, where he runs The Fabriek and Meet Brent. In 2019, he designed the perfect-circle-geometric sans typeface Pulp Display and the text typeface Maniac Display. In 2020, he released the wedge serif typeface Node Display. [Google] [MyFonts] [More] ⦿ | |
At Type Paris 2018, Callie Anderson designed the text family Rougir. [Google] [More] ⦿ | |
Type web log run by Carl Anderson in Portland, OR. Carl Anderson is the designer of Cyclist (2005), a font done as a project in Amy Conger's class at the City College of San Francisco. [Google] [More] ⦿ | |
Carl Edlund Anderson from the Dept. of Anglo-Saxon, Norse,&Celtic at St. John's College, University of Cambridge, makes medieval fonts of the highest quality. Made an Icelandic font, Eidlundur (Mac Icelandic encoding), Edlund Insular, Edlund SmallCaps, Edlund (Italic). Work on these fonts was done by Darcy Burner, Carl Anderson and Gary Munch. [Google] [More] ⦿ | |
Chank became a popular and colorful figure who said this about himself: I like to drink a lot, and would like to think I'm known for it. Several of my fonts were inspired by booze, and I like to encourage other people to drink more, too. My best font is called Liquorstore. A partial list of his typefaces:
At Ascender: the mostly hand-printed typefaces Birthday Girl, Bleacher, Bobby Zee, Chauncy Decaf, Churros, Collateral Damage, Couchlover, Easterbuns, Loopy Fiesta, Mister Marker, Mister Twiggy, Prickly, Snowballs, Space Toaster, Tipsy, Twigdancer, Younger Than Me (2009, grunge). Chank also has a bunch of free fonts such as Yellabelly (handwriting), Fridley, Airboy, SundayLuck, Shadowboxer, Portastat, Fridayluck, Twenty Six Snake Rumba, and Blinkers. Dafont link. I Love Typography link. Behance link. Klingspor link. | |
English artist (b. 1988) who created the Bifur-inspired Vuur (2008). Dafont link. [Google] [More] ⦿ | |
Daniel Anderson's outfit, part of the Chank Army. Fonts: Dr. Waagel (pixel font), Wicky Ways (pixel font), X-Raymond, El Assasin, Argus, FaxMachine, Block Buster, Sreenman. [Google] [More] ⦿ | |
Toronto, Canada-based designer of Raleigh Regular (1977, Ingrama), a typeface that takes after Carl Dair's Cartier. That typeface was copied (without Anderson's knowledge) and expanded (without italics, though) to a full set of weights by Adrian Williams (ca. 1978), who licensed it to Linotype. Today, Raleigh is sold by Bitstream. Anderson was associated with Toronto's Typsettra, which in 1977 began the design of original typefaces for Berthold, Letraset and ITC. [Google] [MyFonts] [More] ⦿ | |
Designer of the dingbat font and scratchy lettering Bear Paw. Check also at Utopia. Alternate URL. [Google] [More] ⦿ | |
Designer of a hand-printed typeface in 2012 during her studies at the Pratt Institute in New York City. [Google] [More] ⦿ | |
Vancouver, Canada-based designer of the techno-military or athletic lettering font family Squadron (2019). [Google] [More] ⦿ | |
Sparklefonts (est. 2005, England) showcases the work of founder Geoff Anderson, who wants to maintain legibility without compromising style. Chocolate (2005) is a flexible, monoline comic book family. Also: Obsidian (2005, bubblegum or oil slick font), Festival (2005, art nouveau), Dialog (2005, liquid, with stencil versions), Groundhog (2005), Tungsten (2005, futuristic). Klingspor link. [Google] [More] ⦿ | |
Effektive (Greig Anderson) practices graphic design and communication in the UK. Among its many creations are some experimental typefaces such as Circul8 (2009) and Pixel8 (2009). Behance link. Originally from Aberdeen, Scotland, Greig graduated with a BA (Hons) Graphic Design degree in 2004 and previously spent 4 years working withinn the Scottish/UK design industry at multi disciplinary agency Curious (Previously CuriousOranj) based in Glasgow. Greig spent the academic year 2008-2009 in Sydney. [Google] [More] ⦿ | |
Creator of the outlined hand-printed typeface Futuristic Dream (2011, iFontMaker). [Google] [More] ⦿ | |
Designer in the FUSE 6 collection of the pixel font Dr No B. [Google] [More] ⦿ | |
Creator of Audrey (2013, typewriter typeface) and Boulder (2013, display typeface). [Google] [More] ⦿ | |
Jardin Anderson (Museum of Old and New Art (MONA), Melbourne, Australia) designed the free typeface Sans Sixteen Sans (2017). This typeface contains only 84% of the ink of a standard sans, to point out that the wage gap between men and women in Australia is sixteen percent. [Google] [More] ⦿ | |
Art director, senior designer and illustrator in New York City. Creator of the following fonts, ca. 2013: Phys Ed Dept (grungy athletic lettering), Monogram, Wild Modern (spurred), Queendsbridge (bubblegum face), Motown USA, Wild Modern, Catholic Guilt (spurred). Behance link. [Google] [More] ⦿ | |
Free fonts, mostly for artificial languages, by Jeff Anderson (Akumu). These include Aram, Rhaelik, SexyScript, Sketchy-Tirin, Tengwar-Typewriter, Tirin-Hand, Tirin-Script, Tirin-Type. [Google] [More] ⦿ | |
Jesse J. Anderson (b. 1980) lives Puyallup, WA. At Devian Tart, he designed BoldnBugly (2002), and AlienBud (2002). He also made Fikle Skratch (2001), Boxer-Pants (2001), Inky-News (2001). [Google] [More] ⦿ | |
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During her studies, Ann Arbor, MI-based Kelly Anderson designed the display typeface Le Poivre (2017). [Google] [More] ⦿ | |
In 2015, Idaho Falls, Idaho-based Kimberly Anderson created a visual alphabet that is based on the cup rings of cranberry juice. [Google] [More] ⦿ | |
Danish designer of Capitalis Purificalis (2000, a minimalist sans), Quinone Headline (1999, a sans), and City Talker (1998, a condensed sans). [Google] [More] ⦿ | |
Cambridge, New Zealand-based designer of Ambriosia (2018) during her studies at Wintec, Hamilton. [Google] [More] ⦿ | |
During her studies at SCAD in Savannah, GA, Lauren Anderson designed the vintage typeface Lanister (2013). [Google] [More] ⦿ | |
Art Director at Vatson & Vatson (now Vatson Wunderman) in Estonia. At ATypI 2005 in Helsinki, he spoke about Digitizing the "Estonian national" typefaces. In his own words: His fonts Pagana, Vaderi and others are based on a lettering of such Estonian mid-20th century typographers as Günther Reindorff, Paul Luhtein and Villu Toots. ATypiI reports: Mart Anderson is producing a range of revival typefaces based on the lettering on 20th century Estonian book designers. The character of their (mainly pen-drawn) work is rather like woodcut lettering, with gently curved slab sides. To make them suitable for typesetting, the characters have been slightly tidied up. Typefaces: Sula (2005, flowing and angular), Panin (2006, playful), EiBanner (2006, comic book face), AmaKaas (2005, again that soft angular theme), Isanda, Humala. Sample of his work on posters, 2005-2006. [Google] [More] ⦿ | |
Designer of the SKYfont family (SKYfontbrands, SKYfontmovies, SKYfontnews, SKYfontone, SKYfontsport, SKYfonttravel, SKYfontThick) for the SKY TV station. Can be freely downloaded here. [Google] [More] ⦿ | |
In 2014, Matthew created the free sans typeface family Klima for the climate movement: Klima is my version of a more relaxed DIN: slightly wider, with a similar geometric foundation but more plainspoken. In three weights with obliques, free for non-commercial, non-climate denial use. It is exquisite and quite good, except perhaps that the italics are just obliques (slanted romans). In 2015, he made OCR-B, extending Adrian Frutiger's 1968 design towards more languages (by adding accents of all sorts) and making the weight lighter. The all caps sans typeface Graph was used in websites, signs and posters for the 2014 People's Climate March in New York City. It is designed to be a display-oriented companion to Klima. It was inspired by typefaces like DIN 1451 Engschrift, Tungsten and Trade Gothic Bold Condensed. In 2015, Graph was supplemented with Graph Paris in view of the major U.N. climate conference in Paris. It is characterized by the curvy elliptical A, V and W. | |
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Designer of the grungy typeface FarCry (2004). [Google] [More] ⦿ | |
Designer of the free garffiti font Triffiti (2018). [Google] [More] ⦿ | |
Lima, Peru-based designer of a monster font called Moco (2013) and of Cristal Font (2014). [Google] [More] ⦿ | |
Oakland, CA-based graphic designer and typographer. She created RF Franklin Phonetic (2011), RF Shavian (2011), and RF Deseret (2011). These were all designed to be part of the RF Phonetic Suite, a group of typefaces designed to support historic phonetic English alphabet reform. She also completed the Tamil typefaces Jatiya (2007, Tamil complement to the open-source Latin/Greek/Cyrillic typeface Gentium, designed by Victor Gaultney) and Surai (2011). [Google] [More] ⦿ | |
Alternate URL at TypOasis. Other archive categories: runic fonts, gothic, versals (initial caps), uncial, roman era, anglo-saxon. Old URL. Dafont link. Fontspace link. [Google] [More] ⦿ | |
Alexandria, VA-based designer of the ornamental caps typefaces Uncle Paul (2015) and Tripel Six (2015), and the typeface Turnstyle (2015). Steve is associated with Yellow Wine Labs. Behance link. [Google] [More] ⦿ | |
AmeriCorps volunteer math tutor from Packwood, WA, who designed Oregon (2004), a serif face. [Google] [More] ⦿ | |
Chicago-based graphic designer. He created the organic experimental face Moxie (2009). [Google] [More] ⦿ | |
Goteborg, Sweden-based designer of an all caps sans typeface simply clalled Alfabet (2013). Behance link. [Google] [More] ⦿ | |
Type designs include Berling Nova Sans&Serif (with Orjan Nordling), custom work for Nu-institutet and Botkyrka konsthall, and a release for Fountain is also in the works. He is the chairman of the Stockholm typographic guild. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Göran Andersson lives in Östersund, Sweden. He made these free fonts in 1999: BocceGG, BrutalGG, EgyptienneGG, GraffeGG, GroteskGG. Click on Typsnitt. [Google] [More] ⦿ | |
Swedish illustrator and graphic designer. In 2010, she made Papercut Font. Behance link. [Google] [More] ⦿ | |
Based in Malmö, Sweden, Maja Andersson designed the display typeface Rootwork (2015). [Google] [More] ⦿ | |
Petter Andersson is a Swedish graphic designer currently based in Amsterdam who specializes in identity, typography, web and print design. In 2011, he created the simple geometric display sans family Ekzakto. His blog. [Google] [More] ⦿ | |
Open Font Library link. Github link. Linkedin link. Aka rsms. [Google] [More] ⦿ | |
Art director in Stockholm, who created Fohrsmark (2014, a conndensed skyline typeface) during his studies at Södertörn University. [Google] [More] ⦿ | |
Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Indonesian designer of the stencil typefaces Raba (2020) and Bace (2020), and the condensed all caps typeface Slim (2020). [Google] [More] ⦿ | |
Ronald Andhrad (Rio de Janeiro, Brazil) was inspired by Kubrick's Clockwork Orange and a building in Rio in the design of his art deco / Futura-style stencil typeface Clockwork Orange (2011). [Google] [More] ⦿ | |
Creator of the constructivist and socially critical font Tihemetsa (2014), which is named after her hometown in southern Estonia. [Google] [More] ⦿ | |
Typefaces from 2019: Rangen (a sign painting script), Fathoni (a signage script), Batavia Script, Diamond, Melly Script, Buttering, Authem, Stayhill (a retro signage script), Austine Script (for signage), Stayland. Typefaces from 2020: Beautiful Day Script Duo, Mogila Display (a decorative serif), Stay Glory Script (monolinear handwriting), Angelta Script, Beauty Queen Script, Sagita Script, Resnick (a fat headline or poster serif in the genre of Cooper Black or Windsor), Childa Script (a formal script), Amolina Boutique Script (a luxury script and accoapnyiong all caps sans), Budgeta Script (a signage script), Starline (monoline script), Ragilone Brush, Dustine Script (a remarkable high-contrast script characterized by samurai sword swashes and a military horizontal trim), Bufally Script (a vintage script). Typefaces from 2021: Morning Flower Serif (an inky script), Salisha Signature, Agustina Script (upright), Golding Signature (an inky signature script), Rosthila Script (a creamy upright script), Liontine Script, Molista Script (an upright calligraphic script), Galitha Script (upright and calligraphic), Hello Georgina Script (an upright rabbit ear script), The Humble Script (a creamy script), Beauty Night Script (an upright script), My Sweety Script, Sweet Child Script (a formal calligraphic script), Hello Baby (an upright script). [Google] [MyFonts] [More] ⦿ | |
Tegucigalpa, Honduras-based designer of the free modular typeface Round (2017). [Google] [More] ⦿ | |
At Pelita Harapan University in Jakarta, Indonesia, Sisca Andiny created the display typeface Metromini (2015). [Google] [More] ⦿ | |
Mahendra Andisona (Salatiga, Indonesia) created the MSTCH ornamental caps typeface in 2012. [Google] [More] ⦿ | |
Designer of the modular typeface Emma (made with FontStruct). [Google] [More] ⦿ | |
Porto Alegre, Brazil-based designer of the new deco / avant garde typeface Avant Vita Gothic (2017). Behance link. [Google] [More] ⦿ | |
During his studies in Curitiba, Brazil, Bruno Andrade designed the sci-fi stencil typeface Starkiller (2015) and the vernacular handcrafted typeface Po de Guarana (2015). [Google] [More] ⦿ | |
During her studies at Middlesex University, London-based Christina Dias Andrade designed Missing Anatomy Typeface (2016). [Google] [More] ⦿ | |
Santiago, Chile-based designer of the handcrafted pop art typeface Andy Warhol (2015). [Google] [More] ⦿ | |
Mexican designer of the hand-printed script typeface Curve (2012). [Google] [More] ⦿ | |
Graphic designer from Lawrenceville, GA, who made the experimental custom typeface Assemble (2009). [Google] [More] ⦿ | |
Graphic designer in Cascais, Portugal, who created the free alchemic / hipster typeface Sequi (2013). Cargocollective link. [Google] [More] ⦿ | |
Porto, Portugal-based designer of the fun deco poster typeface 67 Primeira (2017), which as done with/at 67 Creative Agency (which is based in Matosinhos, Portugal). [Google] [More] ⦿ | |
San Francisco-based designer, developer, photographer, and musician. Behance link. He created the typeface Sender (2011). [Google] [More] ⦿ | |
During his studies in Campinas, Brazil, Neto Andrade created the hand-drawn typeface Salamandra (2013). [Google] [More] ⦿ | |
Rio de Janeiro-based designer of the geometric sans typeface Soul Regular (2015). [Google] [More] ⦿ | |
Paulo Augusto Andrade (Curitiba, Brazil) created the eerie typeface Mentes Secretas in 2013. [Google] [More] ⦿ | |
The list: BlownDroid, Neatified, HappyLarry, IShotTheSheriff, Alien Marksman, EvilCow, Corporate Suit, BadHairDay, Tiptonian, Philbats. Grouped as Scroll fonts from the dead Sea, we find: Habbakuk Scroll (Hebrew), Manual of Discipline (Hebrew), Parthenon (Greek), Ambrosius, Problem Secretary (old typewriter), DeadCircuit, MoldyPillow, Pastorswrit, RadiatedPancake, StolenLlama, Untitled, WetNapkin, Worn Manuscript (1999, grungy blackletter), DustyWombat, NasalDrip, Alphasnail, CarbonatedFont, RaptorAttack (2001), Warped Greased Monkey, Alphasnail (2001), Beth David (1999, Hebrew), Greased Monkey (2001), Lost City (1999, Hebrew), Missing man out (2001), No Brainer (2001), Raptor Kill (2001), Spazbats (2002, dingbats), Speed of Oatmeal (2001), Troglodyte (2001), Polyphemus (2000), Infestation (2000), Hand Drawn Wasabi (2002, katakana font), I Am A Font Designer (2003, scanbats), Neosight (2003), FirstTemple (2003, an old Phoenician lettering font), ScreamingGuitar (2002, guitar dingbats), DHUgaritic (2003), PeskyPhoenicians (2003). Devian tart link. Alternate URL. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿ | |
During her studies, Sao Luis, Brazil-based Sarah Andrade designed the vernacular typeface Aghora (2017). [Google] [More] ⦿ | |
Caracas-based digital artist (b. 1985) of drearetro (2007), a nice grungy sans. [Google] [More] ⦿ | |
Kiwi designer (b. 1983) of the handwriting typeface AndreWriting (2005). [Google] [More] ⦿ | |
Los Teques, Venezuela-based designer of the curly display typeface Alice Torn (2016). [Google] [More] ⦿ | |
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Jakarta-based graphic designer. Creator of the display typeface Magic Worm (2013). [Google] [More] ⦿ | |
Paris-based designer of Genesis Mono (2018), a display typeface that is influenced by nuclear disasters such as the one in Fukushima in 2011. [Google] [More] ⦿ | |
Greek graphic designer. He created a number of minimalist/pizelish/squarish Latin/Greek fonts in 2009 under the name City Fonts. His Totem Font (2009) is experimental. Nomass Team Font (2009) is a squarish stencil. His typographic posters. Alternate URL. Another URL. Behance link. Devian tart link. Nomass site. [Google] [More] ⦿ | |
Hicksville, NY-based creator of the display typeface Louder (2013). Behance link. [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the rhombic / hexagonal typeface Navajo (2014). This was developed while she was studying at Limkokwing University of Creative Technology in Malaysia. [Google] [More] ⦿ | |
Graphic designer in Bournemouth, UK, who designed the organic sans typeface Bankside (2016), which is proposed for wayfinging in the Tate Modern. Behance link. [Google] [More] ⦿ | |
Tangerang, Indonesia-based designer (b. 1991) of the free squarish sans typeface Balkinsat (2022). [Google] [More] ⦿ | |
French calligrapher who designed some (mostly hand-drawn) typefaces in 2011-2014. These include Utah (2011), Les Caves Populaires, [Google] [More] ⦿ | |
During her studies at Universidade de Caxias do Sul (UCS), Brazil, Giulia Andreazza created the hand-drawn typeface Youngtype (2015). [Google] [More] ⦿ | |
Cristian and Andre (Bucaramanga, Colombia) co-designed the display typeface Vista (2013) with Carrillo Diaz. [Google] [More] ⦿ | |
Denoel Andre, who runs Wanker Studio in Rennes, France, created the wavy typeface Fluide in 2013, and the experimental geometric typeface Fabrik Art in 2014. Behance link. [Google] [More] ⦿ | |
Art director in Bucharest, Romania. Creator of Industrial Font (2013, ornamental caps) and Poli (2013, a triangulated techno font). [Google] [More] ⦿ | |
Lima Peru-based designer of the display typeface Fractal (2017). [Google] [More] ⦿ | |
New York City-based designer of a typeface made up entirely of logos (2017). [Google] [More] ⦿ | |
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Designer at ATRI, Graphic bureau Az-Zet of the Cyrillic/Latin font AZ NewsPaperC (1990-1995), which is similar to News Gothic by Morris Fuller Benton, ATF, 1908. [Google] [More] ⦿ | |
Bulgarian freelance type designer based in Potsdam, Germnany, where he studied at Fachhochschule Potsdam. [Google] [More] ⦿ | |
Zdravko Andreev (Z-design, Bulgaria) created the free experimental typefaces Diffuse Away (2011), Broken Squares (2011) and Sliced Tech (2011). He also made Girl Characters (2012), Suns and Stars (2011, dingbat face), Pet Animals (2012), Boy Characters (2012), White Outlines (2011), Radiation (2011, radiation symbols), Sexy Love Hearts and Sexy Love Hearts 2 (2012), Christmas Shapes (2011) and Christmas Trees (2011). [Google] [More] ⦿ | |
During his studies in Curitiba, Brazil, Felipe Andre designed the simple sans typeface Luther (2017). Behance link. [Google] [More] ⦿ | |
As a student in Lisbon, Portugal, Francisco André designed a stick matrix typeface (2018). [Google] [More] ⦿ | |
Designer in Londrina, Brazil. In 2016, Henrique Mantovani Petrus and Gustavo André co-designed the squarish all caps typeface Maquinada for a school project at Universidade Estadual de Londrina, Brazil. [Google] [More] ⦿ | |
Designer at Clear Studio in Bordeaux, France. In 2009, he made the straight line experimental typeface KNKTR. Behance link. [Google] [More] ⦿ | |
Graduate of Virginia Commonwealth University in Richmond, VA. He created a modular gridded grungy typeface called Trifecta (2010). [Google] [More] ⦿ | |
Author of Histoire de l'écriture typographique: Le XIXe siècle français (2013, with Christian Laucou). From the blurb: Pour montrer toute la richesse de cette période, les auteurs ont choisi d'en raconter les aventures successives: les Anglais avec l'invention des caractères gras, des égyptiennes et des sans-sérifs; la fonderie GillÃé qui devient celle de Balzac puis de De Berny et qui rejoindra, à l'aube du XXe siècle, celle des Peignot; la saga des Didot, de la rigueur de Firmin à l'extravagance de Jules; l'Imprimerie royale, puis impériale ou nationale, ses caractères orientaux et ceux de labeur, qui perdureront tant qu'il y aura du plomb; Louis Perrin, qui réinvente les elzévirs; les grandes fonderies françaises, qui rivalisent d'invention et de copies, et, enfin, les évolutions techniques de tout le siècle. The book also contains chapters by Alan Marshall, Alice Savoie and Matthieu Cortat. Author of Caractères numériques: introduction, in: Cahiers GUTenberg, 1997, pp. 5-44. Author of Histoire de l'écriture typographique---Le XXe siècle, (Atelier Perrousseaux, Gap, France, 2016). [Google] [More] ⦿ | |
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Cascais, Portugal-based designer of the squarish typeface Mark (2013). [Google] [More] ⦿ | |
Graduate of Escuela Superior de Diseño de la Rioja. Graphic designer in Logroño, Spain. Creator of the hand-drawn typeface Amanuense (2013) and of the pixelized typeface Pixelada (2013). [Google] [More] ⦿ | |
Graphic designer from Frederiksberg, Copenhagen, Denmark, who created Ideo Stencil (2006, a slab serif stencil) and Paperwing Sans (2006). [Google] [More] ⦿ | |
American designer of the interesting font NotCaslon (1995) at Emigre. [Google] [MyFonts] [More] ⦿ | |
Icelandic graphic designer in Reykjavik. Asplund's Stockholm public library inspired him to create the geometric compass-and-ruler family Tornado (2010). The New Black (2009) is a very black threatening headline type. Behance link. [Google] [More] ⦿ | |
French designer of the animal silhouette typeface Le monde de Victor (2010). His web site is dedicated to children. [Google] [More] ⦿ | |
San Jose, CA-based designer of the sturdy titling typeface Hansen (2014). [Google] [More] ⦿ | |
Chicago, IL-based designer of Beer Glasses (2015) and Material Design Icons (2015: free). Creative Market link. [Google] [More] ⦿ | |
St. Louis, MO-based designer of William Deco (2019). [Google] [More] ⦿ | |
London-based creator of the wavy font Wavey (2013) and the ornamental caps alphabet Pencil (2013). [Google] [More] ⦿ | |
Kaare Andrews is the designer of the comics font Gnatfont. Alternate URL. Dafont link. [Google] [More] ⦿ | |
French calligrapher from Saint-Laurent-en-Grandvaux. Designer of a French school font, which was presented in March 2005 during a meeting held at the National Museum of Education in Rouen, France. The link given here refers to a PDF which contains the proceedings of that meeting. Marion Andrews's school font has a basic monoline sans caps style tilted at only 5 degrees, and a connected lower case whose rhythm was influenced by the Dryad Writing style of Alfred Fairbank (1932). Marion Andrews won an award for writing organized by the Ministère de l'Éducation nationale in France. Marion organized a workshop on Fraktur/Gothic fonts, from 21-26 July 2003, in the Jura region of France. See also here. Marion Andrews, Malou Verlomme and Laurence Bedoin collaborated on the school fonts Écriture A and Écriture B which are presented in Modèles d'écriture scolaire (2013), a document issued by the French Ministry of Education. These fonts are available from Eduscol. PDF with some of her work. [Google] [More] ⦿ | |
During her student days in Brisbane, Australia, Rachele Andrews designed the fashion mag typeface A La Paris (2018). [Google] [More] ⦿ | |
Newsletter created by Taylor Andrews, who made the font "Possibly". [Google] [More] ⦿ | |
Graphic designer in Hartford, CT. He created the free Helvetica-like typeface LüYlandika (2010). Behance link. [Google] [More] ⦿ | |
Youngstown, OH-based designer of the rounded sans typeface Stem Cell (2019). [Google] [More] ⦿ | |
Indonesia-based designer. Her typefaces from 2021 include Andria, Averil (a vintage caps typeface), Big Mike (a fat finger font), Bloody, Creayon, Cut out Paper, East Java, Horror 666, Kartoon Movie, MilkyWay, Ranting, Real Pen, Root of Life (emulating tree roots), and Walk N Roll. [Google] [More] ⦿ | |
Student in Singapore in 2014 who created the hand-painted typeface Oiseau (2014). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of Rewind (2016, a script typeface), Heaven Type (2016, a modular poster typeface) and Lucky Script (2016). Creative Market link. [Google] [More] ⦿ | |
Subang, Indonesia-based designer, b. 1994, of the curly textured typeface Batik Ganasan (2019). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the deco typeface Hye Horizon (2015) that takes clues from Armenian. [Google] [More] ⦿ | |
Viananda Andrias (Bandung, Indonesia) designed the Garutan Adiwijaya typeface in 2012. This type was based on patterns found in traditional garments (batik) from Garut, Indonesia. He also made the floriated typeface Rivaurum (2012). [Google] [More] ⦿ | |
Main type designer (b. 1915) at AlphaType in Niles, IL. Bitstream states: AlphaType Corporation, a family-owned company, was founded by Al and Beatrice Friedman in the mid-1960s to make high quality but inexpensive phototypesetters for advertising typographers. In 1981 Berthold acquired AlphaType. His typefaces:
MyFonts and Linotype refer to this designer as Vladimir Andrevich. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Quebec-based computer scientist who has been involved in the multilingual and Unicode world. He was one of the authors of a proposal adding Tifinagh to Unicode. He is currently working with people in France and Niger on the development of OpenType fonts to support Tuareg. He is also involved in other African scripts such as Moroccan and Sahelian Arabic and a recent script from the Congo (Mandombe). [Google] [More] ⦿ | |
Graphic designer in London, who created the modular high-contrast typeface Flare (2013). Elena graduated from Shillington College in London. Behance link. [Google] [More] ⦿ | |
During her studies in Torino, Italy, Sara Andrini designed the modular octagonal typeface Edges (2017) and Weather Icons (2017). [Google] [More] ⦿ | |
Athens, Greece-based designer of Liquid Golden (2018). [Google] [More] ⦿ | |
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Vilnius, Lithuania-based designer of the sci-fi typeface Font Capsule (2015). [Google] [More] ⦿ | |
His new site offers these fonts: Elizabeth_TT-Italic, Elizabeth_TT, Elizabeth_tt-Roos-Italic, Elizabeth_tt-Roos, Orthodox.tt-Ucs8-Caps-SpacedOut, Orthodox.tt-Ucs8-Caps-tight, Orthodox.tt-Ucs8-Caps, Orthodox.tt-Ucs8-Drop-Caps, Orthodox.tt-Ucs8-SpacedOut, Orthodox.tt-Ucs8-tight, Orthodox.tt-Ucs8, Orthodox.tt-eRoos-SpacedOut, Orthodox.tt-eRoos. The Elizabeth_TT series is a gorgeous done family from 1993 (by "ATRI"Graphic Bureau "Az-Zet"), and renovated in 2003 by Andrushchenko. The Orthodox series is by SoftUnion, 1994, rejuvenated by Andrushchenko in 2003. Free Coda music fonts by Andrushchenko, dated 2000, at the same site: MaestroSquare, MaestroWideSquare, PetrucciSquare. [Google] [More] ⦿ | |
Or Artem Andryushkin. Designer, with Ivan Gladkikh (Jovanny Lemonad) of the free typeface Flow (2010), published by Typetype in Russia. [Google] [More] ⦿ | |
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Szczecin, Poland-based student-designer of the blackletter pixel typeface Pixel Gothic (2018). [Google] [More] ⦿ | |
Designer of the plump handcrafted typeface Are You Kitten Me (2020). [Google] [More] ⦿ | |
Jabalpur, India-based designer of Broken Bold (2016). Behance link. [Google] [More] ⦿ | |
Designer of Tanimachi 5 and PetSounds (2000), sold at Font Pavilion. Designer of the screen pixel fonts Dannybitman-7pt, DingBit-FreeSoul, DoshinFont in Digitalogue's DPI72 package. [Google] [More] ⦿ | |
Born in 1986 in Grand Junction, CP and educated in art&graphic design at Western State College of Colorado, Scott now works as a freelance designer in Wichita, KS. Creator of the handwriting font Scotosaurus (2011) and the blackletter typeface Cartographer (2011). Ellephont (2011) is hand-printed. Dafont link. Klingspor link. [Google] [More] ⦿ | |
During her studies, Bandung-based Maryane Ane designed the decorative caps typeface Bali Ornament (2016). [Google] [More] ⦿ | |
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Behance link. [Google] [More] ⦿ | |
Designer from Riyadh, Saudi Arabia. He created the oriental simulation typeface Saif (2011). [Google] [More] ⦿ | |
Creator of the hand-printed NADC Heartbeat (2011). NADC stands for Nepean Arts&Design Centre (NADC) at Nepean College (Kingswood Campus) near Sydney, Australia. [Google] [More] ⦿ | |
Creator of the free curly font Puppy Pooky (2012, an embroidery font), of Prestica (2012), and of the textured typeface Stoneflint (2012). Wilcom sells several font sets. They include curious offerings like Undergrad Tees, freshbase1, Babypop Outline, Babypop Distressed, Freshman Athletic ESA, LC Lucida Graphic, and Papy Rustica D. Dafont link. [Google] [More] ⦿ | |
Founder of Kyiv Type Foundry, which aims to offer new perspectives on Cyrillic type design. His typefaces:
Lineto link. [Google] [More] ⦿ | |
Creator in Reykjavik of the wavy hypnotic and futuristic typeface Pastura (2011). [Google] [More] ⦿ | |
Singapore-based graphic designer. She created Utopia (2010), a blackletter typeface, and Mononoke (2014, a display typeface). Behance link. [Google] [More] ⦿ | |
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Paris-based designer of Gambadi (2014), an organic sans typeface that was inspired by dance. This typeface was finished during her studies at ESAG Penninghen. [Google] [More] ⦿ | |
Sacramento, CA-based designer of the free Google font Balsamiq Sans. Balsamiq Sans is a rounded sans typeface created for the Balsamiq Wireframes software and has been in use since version 2.1 in 2011. It contains 942 glyphs in two weights with italics/obliques, and includes the basic and extended Latin character set, Cyrillic, some symbols, dingbats, mathematical symbols and technical symbols. Github link. [Google] [More] ⦿ | |
Canadian lettering artist wh runs the design studio Hoffmann Angelic Design together with his wife, graphic designer Andrea Hoffmann. Ivan created the vernacular script typeface Sashay Script in 2018. [Google] [MyFonts] [More] ⦿ | |
Sao Paulo-based Brazilian designer in 2007 of the hookish hand-printed typeface Original Olinda Style, and of Lego System (dingbats). FADU-UBA link. Dafont link. Klingspor link. [Google] [More] ⦿ | |
Fortaleza, Brazil-based designer of the vernacular typeface Tipos de Muro (2014). [Google] [More] ⦿ | |
Indonesian designer of the blackboard bold typeface Lightning Strike (2018). [Google] [More] ⦿ | |
Indonesia-based designer at John Petra University of the modular inline typeface Forctis (2021, FontStruct). [Google] [More] ⦿ | |
Design student in Oslo, aka Frisso. Creator of a few all caps typefaces in 2012, including one called DNA Sans. [Google] [More] ⦿ | |
Branding expert in Calgary, who has created some curly logotypes in 2009. In 2010, he made the geometric beveled face Architype, and the octagonal techno typeface Phreeker. [Google] [More] ⦿ | |
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British creator of the curly hand-printed typeface Angelova (2012). [Google] [More] ⦿ | |
Norwegian creator of the free pixel typeface Baardfaant (2015) and the stitching font Cross Sew (2016). [Google] [More] ⦿ | |
Graphic designer in Minneapolis, MN, who started life in North Dakota. He created the (free) tall sans display typeface Insanability (2010). He also made a Didot specimen poster. Home page. [Google] [More] ⦿ | |
German designer of Permutation 9, 5x5, Asiatiq, Dotto Regular, Leuna Nord, Natty Skinny, Natty Natty, Natty Fatty, OC Rater, Penumbra Black, Tulipa Arabica, Scriboni, and Siegelring. Earlier, he created the pixel font DSP9RMX (2001) with Stefan Gandl at Designer Shock. On the Fontomas CD, we find his dot matrix family Dotto: Dottoacqua (1998), Dottocrema (1998), Dottomokka (1998), Dottozucchero (1998). Home page. [Google] [More] ⦿ | |
Indonesian designer (b. 1989) of the signature font Fuzzybrand (2019), the sports font Football Attack (2019), the neon / paperclip font Neoncity (2019), the upright monoline script Angelia (2019), the script typeface Mysterio (2019), and the fat finger fonts Smile Day (2019) and Roar (2019). Typefaces from 2020: Smileday, Morning Star, Lovelica, Summer Vacation, Madagaskar. [Google] [MyFonts] [More] ⦿ | |
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His typefaces from 2016: Formatif Std (sans), Fortika Display (first published by Regario), Mono RGO (an octagonal typeface family first published by Vial Work, it has one free weight), and Metrisch (first designed with Gumpita Rahayu). I have no clue as to who is who in this Indonesian conundrum. I suspect that Deni Anggara only did the artwork and not the fonts, but it would be great if he could say that up front. He designed Fold No.21 Mono and Neutrif Pro. Typefaces from 2017: Neutrif Studio (a geometric sans), Neurial Grotesk (published in 2018 by Indian Type Foundry), Biotif (grotesque), Folty (a geometric sans), Mono RGO Pro. Typefaces from 2018: Monorama (a squarish octagoinal caps only typeface family published at Indian Type Foundry), Alliance (an 28-style grotesk sans), Rileno Sans (geometric sans). Typefaces from 2019: Regio Mono (a great monospaced choice, even as a programming font), Folito (a stylish modernist sans at Indian Type Foundry), Blimone and Blimone Inktrap, Aktifo (a geometric sans by Deni Anggara and Boyan Nurdiansyah). Aktifo, in 28 styles, covers Latin and Cyrillic. Typefaces from 2020: Bombay Mono (an octagonal typeface at Indian Type Foundry), Fracktif (geometric and grotesk at the same time). Behance link. Another Behance link. Cargo Collective link. Creative Market link. Old studio Formika link. [Google] [MyFonts] [More] ⦿ | |
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Kediri, Indonesia-based designer (b. 1989) of the rounded squarish typeface Dixietal Basic (2018) and the straight-edged typeface Wkwkwk Land (2018). In 2019, Afiq published the children's handwriting fonts Jack No Fruit and My Scrawl. Typefaces from 2020: Skinny Buttom, Kediriku Bagus, Dagelan Malam (counterless), Pemburu Sinja (a children's hand), Al Faragh (Arabic emulation) and Al Ghazali (Arabic emulation). [Google] [More] ⦿ | |
Magelang, Indonesia-based designer (b. 1984) of the handcrafted typefaces Liberty (2020), Gerilyaz (2020), Askara (2020) and Coffee Shop (2020), and the display typefaces Noise (2020), Satriya (2020) and Modern Java (2020). [Google] [More] ⦿ | |
During his studies in UNISO, Sorocaba, Brazil, Denis Angheben designed an alchemic typeface (2013). [Google] [More] ⦿ | |
Original dingbats by Angielyn. Makambo used to sell Jewels One and Two, Menus, Scrollettes, Double Borders. Free: Tiles One, Tiles Two, Jewelled Tiles. [Google] [More] ⦿ | |
Athens, Greece-based designer of the rune-inspired Latin / Greek typeface Witchcraft (2018). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of Beluga (2018). [Google] [More] ⦿ | |
Montreal-based designer of an informal sans face (2004). [Google] [More] ⦿ | |
During her design studies in Singapore, Sharilyn Ang created the script typeface Repose (2013). [Google] [More] ⦿ | |
During her studies at Washington University in St. Louis, MO, Maddy Angstreich designed the text typeface Galileo (2019: a didone with altered angular terminals) and the free variable typeface Jailbird (2019), in which the size of dominos changes.. She also designed the pixel typeface Dot Dot Dot (2019). [Google] [More] ⦿ | |
Spanish designer who created the free experimental typeface Legotype in 2008 for Neo2, a Spanish magazine. [Google] [More] ⦿ | |
Alexis Angulo (Pasay, The Philippines) created the angular display typeface Angulo in 2013. Behance link. Dafont link. [Google] [More] ⦿ | |
Bogota, Colombia-based designer of the black display typeface Floating (2016). [Google] [More] ⦿ | |
In 2017, this Mexico City-based graphic designer created a number of individual glyph type posters. His typefaces, ca. 2017-2018 include Revolutia (a didone), Anima Serif (a Venetian), Anima Sans (a humanist sans). Home page. [Google] [More] ⦿ | |
Aka Asia Ang. During her graphic design studies at Poznan Fine Arts University in Poznan, Poland, Joanna Angulska created the free condensed sans display typeface Komoda (2013), which has interlocking ligatures. In 2016, as part of Warsaw Types, she designed the connected monoline marker script typeface Havana, which is inspired by Warsaw's neon signs from before 1989. This free typeface is named after a former cafe in Warsaw. In 2017, she designed the pointed brush font Jubiler Script. [Google] [More] ⦿ | |
Kirkland. WA-based designer of the free handcrafted typeface Kindle (2016) and the octopus-themed decorative typeface Sucker (2016). Behance link. [Google] [More] ⦿ | |
Hungarian designer (b. 1984) who made the free animal dingbat font Red List (2011). [Google] [More] ⦿ | |
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During his studies in Hanoi, Vietnam, Quach Dong Duy Anh designed the textured all caps typeface Flowtrail (2016). [Google] [More] ⦿ | |
During his design studies in Sydney, Australia, Trinh Tuan Anh created an untitled 3d typeface in 2014. [Google] [More] ⦿ | |
During her studies at German University in Cairo, Nadaa Aniis designed the modular Latin typeface Bryan (2018). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of these typefaces in 2016: Bandung Jalak Harupat (based on Bandung's city icon), Rereng Priangan (based on Rereng style batik motives). [Google] [More] ⦿ | |
Norwegian type designer. Some of his work:
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Typefaces from 2019: Boulders Beach, Cloudy Night, Creamy Love, Better Rolling (a dry brush font), Exposedly, The Fashionist, Madigel, Andrea Roft, Aedesty, Sail Royals (a dry brush script), Anjel Script, Getolyfe, Theandous (script), KoalaKumal Handwriting, Dellisya (script), Fredericy (script). Typefaces from 2020: Red Sky, Advisor, Bostya, Rollblast (a dry brush font), The Fashionist, Palmire (a light asymmetric serif), Raysat (script), Belle Millies (scipt), Summer Fruits, Rajawalite, The Broadband (a crayon script). Fontdaily link. [Google] [MyFonts] [More] ⦿ | |
Borisov, Belarus-based designer of the Latin/Cyrillic typeface Motion (2014). [Google] [More] ⦿ | |
Typefaces from 2021: Vienna Town (an interlocking font by Widiyanti & Sarah Suci Pauziah). Home page. [Google] [More] ⦿ | |
Designer in Magelang (was: Yogyakarta), Indonesia, b. 1989. In 2020, she created the script typefaces Grand Amoura (script), Black Colnes, Des Rosesa, Nathiya, Lazy Boy, Brocke Jackson, Summer Like (+Sans), Magic Glass, Sweet Janette, Ceriya, La Muselle, Las Antonio, Shine de Love and Marionite. Typefaces from 2021: Blinks High (a monoline script), Rhastelie (a sharp-edged reverse stress display serif), Christmas Melody (a calligraphic script), Billies Island (script), Bonjour Sydney (brush script), Mellaney Script, Bonjour Sydney (script), Le Vangeline (a calligraphic script), Soligant (an elegant typeface), Asillynne (an inky script), Paisleigh (a thin calligraphic script), Romantic Sunday (a graceful calligraphic script), The Julayna (a formal calligraphic script), Mon de Tresor (a condensed fashion mag serif), Medyson (a fattish vintage serif), Baby Rainbow, Magic Glass, Californian Beach, Caliner Script, The Bernardo, The Adelyne Script, La Vieste (a display serif with swashes), The Keandro (a signage script). Typefaces from 2022: Roxale Story (a fashion mag serif), Te Quirtez (a sharp-edged vampire serif with rhombic tittles), Des Morgan (a condensed fashion mag serif), Triple Lemon, Cupid Darling (a scrapbook font), Seventh August (a display serif). [Google] [MyFonts] [More] ⦿ | |
During her studies in Jakarta, Vannya Anjani created the modular typeface Contra (2014). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the free grunge font Robotype (2017). Behance link. [Google] [More] ⦿ | |
Visual communication student at Universidade Federal do Rio de Janeiro (UFRJ). He designed the display typeface d.ball (2011). [Google] [More] ⦿ | |
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Born in 1873 in Berlin, Johannes Anker died in 1950 in Hannover. He was a painter, a sculptor and a graphic designer and studied at Kunstgewerbeschule in Berlin, and at Akademie der Künste in Berlin. His typefaces include an Anker Ornament Series (1905) and a Plakette Ornament series (1913), bothe for H. Berthold AG. [Google] [More] ⦿ | |
Graphic designer in Copenhagen. In 2012, he created the bold grotesk typeface Baltikum. He explains: Baltikum is a typeface inspired by the work of Danish designer/architect Knud V. Engelhardt. The type is based on an all capital letters alphabet by Knud. In collaboration with Christian Smed and Frederik Ibfelt 'Surplus Wonder' we create a modern version which includes the lowercase version of the alphabet. [Google] [More] ⦿ | |
Fremont, CA-based designer of the modular Ankiewicz Block typeface family (2015). Behance link. [Google] [More] ⦿ | |
Kristen Ankiewicz offered lovely type 3 fonts and postscript examples of fancy things such as curlicue letters, and beads. She also has a lovely Celtic alphabet done in Adobe Illustrator. Fractal postscript demos as well. All free, of course. The fonts are here. Kirsten runs Ankiewicz Studios, an art studio in San Francisco. [Google] [More] ⦿ | |
German type designer, b. 1842, Berlin, d. 1931, Berlin. In 1870, he started working at Genzsch and Heyse in Hamburg as punchcutter and engraver. His Neue Schwabacher of 1876 became a very popular typeface. Anklam created Mönchs-Gotisch (or: Mediaeval-Gotisch) in 1877 (Schnelle says 1881) at Genzsch & Heyse. In 1876, he made Neue Schwabacher (normal and halbfett) at Genzsch & Heyse (and Klinkhardt). That same type can also be found at many other typefoundries, including J. John&Söhne, Shelter&Giesecke, Ludwig & Mayer, Gebr. Klingspor, AG Schriftguss, Barnhart Brothers Spindler, H. Berthold AG, etcetera. Author/editor of Kunstwerke der Schrift Bund für deutsche Sprache und Schrift (Großenkneten 1994). Digital revivals include Schwabacher Mager Gross and Möncgs-Gotisch, both by Gerhard Helzel, and Neue Schwabacher (2021) by Ralph Unger. [Google] [More] ⦿ | |
Industrial designer in Moscow who created the display typeface Electroclash (2016).and Olympic Games pictograms (2016). [Google] [More] ⦿ | |
German designer (b. 1990) who created the handwriting typeface AnnasSchrift (2008). [Google] [More] ⦿ | |
At New Design University, Vienna, Austria-based Laura Anna designed the modular typeface Caelum (2017). [Google] [More] ⦿ | |
Sidoarjo, Indonesia-based designer (b. 1999) of the upright connected script typeface Sellebeew (2018), the vintage typeface Brave (2019), and the script fonts Valetha (2019), Goldbery (2019), Chooki Bold (2019) and Sagne (2019). [Google] [More] ⦿ | |
Designer in Bandung, Indonesia, who created the ornamental caps typeface Oculus (2012), a custom design for Sirkus Garut based on Georgia. Behance link. [Google] [More] ⦿ | |
John Annear is a Perth, Australia-based digital designer. Creator (b. 1995) of the pixel typefaces White On Box (2010, FontStruct), Sloth (2009, FontStruct), Lont (2012) and Sloth Rounded (2012). Dafont link. Devian Tart link. Aka Qwert-Acme. [Google] [More] ⦿ | |
Bernard Anne (Bordeaux, France) created the experimental circle-based geometric typeface Circa (2012). [Google] [More] ⦿ | |
Designer of the hand-printed typefaces Buttercup (2014) and Bella (2014). Creative Market link. [Google] [More] ⦿ | |
Aka pixelated princess. Creator of the pixel typeface Pixelated Priness (2012). [Google] [More] ⦿ | |
Groningen, The Netherlands-based amateur photographer and student at the Art Academy Minerva Groningen. She created a decorative alphabet in 2014. Behance link. [Google] [More] ⦿ | |
Annemieke (Leiden, The Netherlands) created the school project fonts Ik Zie, Script Sans and Scruipt Serif in 2014. [Google] [More] ⦿ | |
In 2016, he designed the retro signage script fonts Hollywood and Berry Juice. Behance link. [Google] [More] ⦿ | |
Co-designer with Ian Party of Suisse International Condensed (2013). Designer of Rouillé (2010-2011 a revival of a French Renaissance typeface from 1581, possibly designed by Robert Granjon), Fokko, Euclid, and Finito (2012: a humanist sans done for a Masters thesis at ECAL in Lausanne). [Google] [More] ⦿ | |
In 2012, he created the free monoline octagonal typeface Segmentum, and the poster typeface Sportiva. Grottangeles (2014) is possibly named after the cholo graffiti style practiced in Los Angeles. He also designed a set of wayfinding icons in 2014. Other typefaces: Ballphabet (2015, an experimental circle-based typeface family), El Santo (2014, a hipster typeface). Pierfrancesco's logo and typography work includes beauties such as a fish called Aperitivo (2011), and a foot illustration called Walking (2011). Behance link. [Google] [More] ⦿ | |
Buenos Aires-based designer of Elclip (2013), a basic monoline sans family. [Google] [More] ⦿ | |
Tallinn, Estonia-based designer of the sans typeface family Tropfen (2018). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of the script typefaces Candys (2017: monoline), Nightstory (2017) and Westdjava (2017). Graphicriver link. [Google] [More] ⦿ | |
Designer of the free Burmese font MON3 Anonta (2013). [Google] [More] ⦿ | |
Aka Adamas Regular. Coco Anouk designed the free fonts Paranoid (2012, experimental triangular typeface) and Pasion (2012, balloonish typeface). [Google] [More] ⦿ | |
Aka Zaffar Sabbir, b. 1995. At Auckland University in New Zealand, Zaffar Sabbir (Fox and Firefly, or White Smoke Design, b. 1995) designed the free brush typefaces Sunday Mornings (2015), Black Sand (2015), Gypsy Brush (2015), Elise No 7 (2015), White Wood (2015) and Baby Fox (2015). Other fonts from 2015 include Dear Annabelle, Dear Claudia, Nova Hearts, Bedouin, Midnight Cali (connected script), The Sarcastic Giraffe, and White Wood Hollow. Typefaces from 2016: Daylight, Desert Road, Compass, Youngblood Brush, Root Beer (handcrafted), Aroha (brush script). Typefaces from 2017: Surfer Bay, Summer Love, Five Foxes, Marmalade, Raisin Bread, Sunday Best. Typefaces from 2018: Gemini Brush, Wellington, Marbelous, Tiny Trees. Typefaces from 2020: Willow Wisp, Coral Reef, Sunday Morning, Lemon Cake. Typefaces from 2021: Honeybutter. Dafont link. Creative Market link. Fox and Firefly link. Another Dafont link. Another Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Neusiedl am See, Austria-based designer of the modular typeface Chiaro Regular (2017). [Google] [More] ⦿ | |
Vienna-based designer of Chiaro (2012), a sturdy modular display typeface designed for her Bachelors thesis. [Google] [More] ⦿ | |
Graphic designer in London, UK, who created the ultra-fat octagonal typeface Solari (2015). Behance link. [Google] [More] ⦿ | |
Italian designer of the pay pixel typefaces iPix (2008) and Pixies (2009). [Google] [More] ⦿ | |
As a design student in Farroupilha, Brazil, Joao Pedro Anselmi created Ribbon Furled Typeface (2013). [Google] [More] ⦿ | |
Portalegre, Portugal-based designer of the geometric typeface No Reason (2013). [Google] [More] ⦿ | |
In 2017, he designed the spurred Trump Font: Inspired by The Greatest Donald of our time (with apologies to Sutherland & Duck). Trump Bold is designed in his image; Bold and Distinctive. Trump Bold works well alone and is kind of a big deal!! So choose Trump Bold for your next brand or advertising project and Make Typography Great Again!!! Other typefaces from 2017: Frate (stencil). [Google] [More] ⦿ | |
Kota Sorong, West Papua, Indonesia-based designer (b. 1994) of the weathered typeface My Yanda (2019) and the script typeface Ayu Widya (2019). [Google] [More] ⦿ | |
Marrakech-based creator of the octagonal Latin typeface Typographie Latin (2013). [Google] [More] ⦿ | |
Alexandria, Egypt-based designer of Koumi (2015), a squarish Arabic typeface. [Google] [More] ⦿ | |
Graphic designer in Kolding, Denmark, who created the high-contrast display didone typeface Oh Boi (2015) and the monospaced sans typeface Kaxe (2018). [Google] [More] ⦿ | |
Designer of these free Khmer fonts in 2003: Kampot Gras (2 styles), Kompong B, Lekh Hora B and Lekh Hora Mool. He also assisted Xavier Dupré with the creation of ChriengCKS. Download here. [Google] [More] ⦿ | |
Madrid-based designer of a colorful geometric solid typeface (2016). [Google] [More] ⦿ | |
Istanbul-based designer of the roundish logotype font Ideatick (2013). [Google] [More] ⦿ | |
Creator of Martijns Handschrift (2011, iFontMaker). [Google] [More] ⦿ | |
During his design studies in Annemasse, France, Clavel Anthony created the ornamental caps typeface Leopard Boy (2013). [Google] [More] ⦿ | |
Washington, DC-based graphic designer. He created some experimental custom fonts such as Cuez (2010). [Google] [More] ⦿ | |
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Buenos Aires-based designer of the great unconnected art nouveau handwriting typeface Postina (2015). [Google] [More] ⦿ | |
Graphic designer, living in Paris, b. 1986. From 2007 until 2009, she studied type design at Ecole Estiene in Paris. In 2010, Budapest inspired her to create the open organic typeface Buda, which is characterized by large counters. Free download at Google Fonts. Home page. Klingspor link. Google Plus link. [Google] [More] ⦿ | |
Chilean designer who created the display typeface Paila Marina (2009, Tipos de Cartagua) while studying type design at the University of Chile. [Google] [More] ⦿ | |
The deco typeface Twentyone (2020) was co-designed by Gajana Aslanjan, Gumilang Anggara Ruslan, Slava Antipov, and Fidan Aslanova. In 2021, Slava released Quanty (a free geometric sans for Latin and Cyrillic), Mars Wars (octagonal and militaristic), and the headline sans typefaces Phonk and Phonk Sans (a wide branding sans in 20 styles) for Latin and Cyrillic. Typefaces gfrom 2022: Gella Display (40 styles; a headline or poster sans with considerable internal contrast). [Google] [MyFonts] [More] ⦿ | |
Vincennes, Paris-based designer of the sans typeface Locutio (2014). His web site also called Locutio. In 2020, he went public at MyFonts. His first font released on that platform was the nine-style humanist sans family AC Texto, which was meant to be used for sending text messages. [Google] [MyFonts] [More] ⦿ | |
Marie Antoine (Krispy Krush) is an illustrator and art director in London, b. Gerardmer, France, 1979. Creator of the curvy free font A Taste ofHeaven (2010). Home page. In 2011, she went commercial at MyFonts. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
FontStructor who made TWKcode (2012, blocky white on black face). [Google] [More] ⦿ | |
Ljubljana, Slovenia-based designer of the pixel typeface Lear (2015). [Google] [More] ⦿ | |
Polish designer based in Szczecin. At Typeclinic 12th International Type Design Workshop, he created Toucan (2016), a text typeface characterized by teardrop terminals, large x-height and bracketed round serifs. [Google] [More] ⦿ | |
Graphic designer from Guadalajara, Mexico, who made a Dia de Muertos font in 2010, as well as Kushtie Script (2010). [Google] [More] ⦿ | |
Design student in Buenos Aires, class of 2013. Designer of a geometric experimental typeface called Times (2013) and of the hybrid serif typeface Nivo (2013). [Google] [More] ⦿ | |
Designer at SignDNA who created the 3-d fonts Banner Priz, Corinne, Lori Slant, Nicole, Tommy B, Rocinante, Zak, Prizmatic Numbers. His bio there states: Dan Antonelli owns and operates Graphic D-Signs, Inc. - a full service graphic design and advertising agency. He is focused on providing small to mid sized firms a one stop solution for all their marketing services, from logo and print advertising design to custom truck lettering and web design. His favorite type of work is logo design, and he recently published a book through SignCraft entitled Logo Design for Small Business which features over one hundred logo design. He has had his work featured numerous times in SignCraft. Sign DNA link. Klingspor link. [Google] [More] ⦿ | |
Whistler, BC-based designer of the decorative Victorian typeface Tango Type (2016). [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer of a great handcrafted Cyrillic typeface in 2017. [Google] [More] ⦿ | |
London-based graphic designer. In 2012, he experimented with various styles of typefaces. [Google] [More] ⦿ | |
Typefaces from 2017: Flourish (swashy calligraphic script), Buoyage, Overheat (connected script). Typefaces from 2019: Replay (signage script), Tyler (script). [Google] [More] ⦿ | |
Milan-based graphic designer and graphic artist. He created the 3d typeface Platform (2009) and Century Funky (2009, after Century Gothic; free). Behance link. Abstract Fonts link. [Google] [More] ⦿ | |
Graphic designer and self-declared hyperartist based in La Chaux-de-Fonds in Switzerland. Creator of these typefaces in 2020: Hyper Brush, Hyper Flufy (sic), Mathias (a modular sans in regular and shadow versions) and Hyper Cool (a comic book typeface in Bold and 3D versions). Typefaces from 2021: Mathias (a squarish logo font), Hypercreepos (hand-crafted) (a creepy hyper-bold font inspired by the horror comic books of the 60s), Hyper Turfu (a bold mechanical titling font). Typefaces from 2022: Hyper Top (a supermarket typeface). [Google] [MyFonts] [More] ⦿ | |
Sydney-based designer, who created Livin Life (2012, an origami paper fold alphabet). [Google] [More] ⦿ | |
Polish designer (b. 1989) who created Balls (2006), Ross (2006, handwriting), MPL (2006, handwriting), Dominos (2006, handwriting), Qlfones (2006, handwriting), Melsy (2006, handwriting) and New Age (2007, handwriting). Home page. [Google] [More] ⦿ | |
Art director in Lille, France. Designer of the blackletter typeface vengeresse (2017). [Google] [More] ⦿ | |
Art director in Lille, France. Designer of the decorative typeface Enlarge (2015), the display typeface Organic (2015) and the blackletter typeface Vengeresse (2017). Behance link. [Google] [More] ⦿ | |
Designer of the sans caps typeface Janvier (2015). [Google] [More] ⦿ | |
Designer of the modular typeface Geotype (2015). [Google] [More] ⦿ | |
Brazilian student at UFPE who makes type at Tipos do aCaso. [Google] [More] ⦿ | |
Graphic designer in Haarlem, The Netherlands, who works as We Art Free. He created an art deco custom typeface called Delapampa (2009). Behance link. [Google] [More] ⦿ | |
Designer of the free handwriting typeface Ma Sexy (2004). In 2003, she made the handwriting fonts MABrownietOO, MAFishy, MAFlirtyBLOCKED, MA-Flirty, MAKulot, MAQuaddie, MASexy, MASimplePleasure. They can be downloaded here. Bio. Dafont link. Abstract Fonts link. [Google] [More] ⦿ | |
Aka Vallex. Designer of the fattish comic book typeface Obelix Pro (2011), which covers both Latin and Cyrillic, and seems to be based on the titling typeface of the Asterix and Obelix series. In 2012, he added Obelix Pro Cry and Obelix Pro Broken. [Google] [More] ⦿ | |
Born in Havana, Cuba, in 1988, Ernesto Antón designed the free typefaces Cicero Serif (2014) and Cicero Sans (2015). In 2017, he added the sans typeface Eutelia. [Google] [More] ⦿ | |
Priscilla Anton (Berlin) created the typeface Hamburgefontiv (2014). [Google] [More] ⦿ | |
Professor Elmer H. Antonsen, Head Department of Linguistics at the University of Illinois, has developed a runic font for the Mac called Vimose (this font is not on his site though). [Google] [More] ⦿ | |
Flores, Argentina-based designer of some untitled hand-drawn typefaces in 2014. [Google] [More] ⦿ | |
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Typefaces from 2018: Sihaloho (sigage script), Countdownville (spurred vintage style). Creative Market link. Creative Fabrica link. [Google] [More] ⦿ | |
Moscow-based designer of a modular monoline typeface in 2012. In 2013, at the British Higher School of Art and Design in Moscow, he created the paperclip typeface Stepan, the shaky typeface Artquake, the display typeface Duchess, and Sketch Font (alphadings). [Google] [More] ⦿ | |
Type designer in Java, Indonesia, who published his typefaces at the type coop Qwrtype Foundry. In 2021, Suhery Anto and Odies Dwi Yudhistira co-designed the calligraphic typeface Holdywood and the script typefaces Elmimore (a monoline script), Bumblemilk (a children's book font), Donnabold (monoline script), Spearmint, Pear Amigo, Earthroline, Mochaberry and Stalshine. [Google] [MyFonts] [More] ⦿ | |
Parisian art director who designed a geometric outlined display typeface in 2016. Behance link. [Google] [More] ⦿ | |
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Esa Anttikoski's page with minority Russian language links. Has fonts for Altai/Mari, Kazakh, Tatar, Chechen, Chuvash (TimesEC), Udmurt, Ossetian, Karelian, Yakut. His font Abur (2000). Subpage on Russian minority language fonts. In particular, free fonts offered include
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During his studies in Curitiba, Brazil, Alexander Antunes designed the rounded sans typeface Auchme (2016). [Google] [More] ⦿ | |
During her studies in Coimbra, Portugal, Andreia Sofia Antunes designed the display typeface Madalena (2014). [Google] [More] ⦿ | |
Lisbon-based creator of the oil slick display typeface Ville Nouvelle de Boughezoul (2011), probably as a commission for the Algerian city of Boughezoul. She is a graduate from IADE in Lisbon. [Google] [More] ⦿ | |
Goiania, Brazil-based designer of the display typeface D Holic (2016). [Google] [More] ⦿ | |
Portuguese designer of the thin slab serif typeface Olivia (2016). [Google] [More] ⦿ | |
During her multimedia studies in Sao Paulo, Brazil, Francielly Antunes created an attractive squarish typeface (2015). [Google] [More] ⦿ | |
Frederico Antunes (Chiba Chiba) is a designer From Porto Alegre, Brazil. At T-26, he published the runic display face Pixo (2007). In 2009, he created the boxy rave and drugs-inspired Fiasco (YouWorkForThem) and the experimental Cabulosa (YouWorkForThem). Other fonts include VoidJam and Cachorra (based on urban Brazilian street calligraphy called pixacao). MyFonts link. YouWorkForThem link. MyFonts foundry link. Personal home page. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
At Universidade de Aveiro, Joana Antunes and Joao Cardoso designed Galos (2019), an informal typeface inspired by Portugal, sardines, and all things Portuguese. [Google] [More] ⦿ | |
Lisbon, Portugal-based designer of the squarish typeface Britz (2016). [Google] [More] ⦿ | |
Belgian creator of the pixel typeface MsPain (2008). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of Bimaclare (2016), a decorative typeface that combines Clarendon with elements of Wayang Bima. [Google] [More] ⦿ | |
Creator of the free logo font Dipanegara (2012), DHF Broffont Script (2012), the hand-printed DHF Semangat 2012 (2012), and the pretty hand-printed typefaces DHF Quinta's Diary (2012) and DHF Happy Birthday Ryan (2012). In 2013, he added DHF Story Brush, DHF Milestone Script (a tattoo script available from 123 Creative), DHF Dexgraffiti Return and DHF A Great Happiness (hand-printed), Roverd (signage script), Story Brush (brush face), Broffont Script (retro signage script). Typefaces from 2014: Bandung (a flowing connected brush script, done with Erwin Indrawan), Aceserif Regular, Doedel (signage script), Goodfy (brush script). Typefaces from 2016: Rephone, Antebras (handcrafted poster typeface), Zephan (calligraphic script), Hayne Script. Typefaces in 2017: Prayerd (dry brush script), Kayto (an oriental brush script: collaboration of Erwin Indrawan as the calligrapher and Dexsar Harry Anugrah of Majestype as the typeface designer). Typefaces from 2018: Rockyeah (script, sans and serif), Quente (script), Tamigos (all caps sans). Typefaces from 2020: Orjel Baru (a brush script), Misopen Script. Typefaces from 2021: Burgendry. Fontspace link. Facebook link. Dafont page. Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿ | |
Bangkok, Thailand-based designer (b. 1986) of the Latin / Thai typeface CRU Sarawut 57 (2014). [Google] [More] ⦿ | |
Colombo, Sri Lanka-based student-designer of the (Latin) melting chocolate font Chocola (2018). [Google] [More] ⦿ | |
Art director in Cairo, Egypt, who designed the Arabic typeface Corpo Arabic (2016). [Google] [More] ⦿ | |
Johor Bahru, Malaysia-based designer of the foliate typeface Nastaleaf (2015). [Google] [More] ⦿ | |
Mojokerto, Indonesia-based designer (b. 1986) of these typefaces in 2020: Abimoty, Agoxes Game (octagonal), Amellya (wild calligraphic), Arahma, Asgore (a horror font), Assiaam, Aulidah, Battom Glory (a curly blackletter), Blapuhy (a dry brush script), Blondie, Bodihel, Brithny (a plumpish upright script), Busero (a speed emulating sports font), Christmas (a signage script), Deuglas (a wide monolinear sans), Domino, Duralit, Endellia (dry brush), Fastrace (a race car font), Gladish, Gondes, Hello Father (a heavy upright script), Kafenot, Kehraut, Killega (a decorative serif), Kris Kringle (Christmas-themed caps), Little Aliens, Love Money (an upright script), Merry Santa, Miss Mince, Moody, Queen, Rayhed, Sadish (a spurred decorative blackletter all caps typeface), Challiren (a Valentine's day script), Sakurata (oriental simulation), Santomyse Eridupes (a heavy rabbit ear script), Stiffeny Maritta (a rhythmic script), Tehisa, The Backro, Time Christmas (a retro signage script), Wuudy Cow, Yogurt Luber (a dripping paint font). Typefaces from 2021: Saevul (an elegant inline typeface), Maferic (a display serif and script), Liferdas (an 18-style transitional serif), Adeston (a fashion mag serif), Edhan Martine (luxury serif), Abygaer (a refined display serif), Asbigan (a ligature serif), Maguire (a display sans), Angela (a swashy display serif), Nergisha (a trendy fashionable serif typeface), Weatsyam (a stylish signature script), Weatsyam (a stylish signature script), Mansdefia (a formal calligraphic script), Romantic (a script with personality), Bandes (an upright supermarket script), Love Rysma (a scrapbook font), Adaniya (a calligraphic signage script), Alyesina (calligraphic), Hay Monster (a scrapbook font), Balloon Duwoor (a scrapbook font), Crazy Robot (a blocky all caps typeface), Belyna (an upright script), Lovelys (a textured script), Sanderyna (a signature script), Magemin (a decorative serif), Hello Bucin, Founder Christmas, Amania (a bold signature script). Typefaces from 2022: Sugela (a display serif), Ramadhan Amazing (Aarabic emulation), Algoria (a 36-style sans), Sageyl (a spider web serif). [Google] [MyFonts] [More] ⦿ | |
Tangerang, Indonesia-based designer of the signature script typeface Zolland (2019). [Google] [More] ⦿ | |
Kurdistan, Iraq-based designer of the rounded sans typeface family Twitter Kurdish Font (2015). [Google] [More] ⦿ | |
Cairo-based creator of an untitled Arabic typeface in 2013. [Google] [More] ⦿ | |
Frankfurt-based photographer, b. 1973. Creator of the free font Toms Handwritten. In 2008, this font was commercialized as Toms Handwritten (URW++). MyFonts link. FontShop link. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Yusuke Anzai is the designer of the futuristic and LCD-type fonts Stargazer, RGB, Signboard, Match99, Calcium, Cocoa, Scratch, Escape, Speedstar, Psycho, Naturalist, Galapagos, and Prototype, mostly freeware. Mac only, type 1 and TT. The YG01 series seems to be commercial. [Google] [More] ⦿ | |
Coram, NY-based creator of the Soda Pop typeface in 2012. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Yabuchan (K. Anzawa) is the designer of the Fraktur font YABU-Gothic-Font. Alternate URL. [Google] [More] ⦿ | |
Ljubljana-based creator of Football Shirt Font (2015) and Mint (2014, a text font co-designed with Elizabeta Jevnikar). [Google] [More] ⦿ | |
Marseille (2017) is co-designed by Louise Fili, Nicholas Masani and Andy Anzollitto. It is an art deco-inspired letterform that is based on Louise Fili's cover design for the Marguerite Duras novel The Lover. [Google] [MyFonts] [More] ⦿ | |
Designer at MvB Design of these fonts: AcmeAnimals (1993), AcmeDinosaurs (1993), AcmeExpressions (1993), AcmeGreenGarden (1994), AcmeSportsGames (1993), AcmeWhatever (1995), Aunt Mildred (1995-2008), MVB Fantabular and MVB Fantabular Sans (2002, a monospaced typewriter family), the HotsyTotsy family (1995-1996, with Mark van Bronkhorst), MVB Pedestria Pict (2002, dingbats), MVB Pedestria (2002, sans family), MVB Grenadine One and Two (2003, sans families). View Akemi Aoki's typefaces. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Geometrically strong fonts by Atsushi Aoki: AddFatMan, Shade, Speedy, Round, Steel, Line, Rusty, Loops, Shark (not free), WASP (not free), Jazz, IronPoint7, StandardBitmapPoint9. Mac type 1 and Windows truetype. Font names: AddCityboyNormal, AddElectricCity, AddFatMan, AddJazz, AddLGBitmap09, AddLine, AddLoopsNormal, AddMBitmap06, AddRusty, AddShade, AddSniperNormal, AddSpeedy, AddStandardBitmap (2011), AddStarSugarNormal, AddStarSugarOblique, AddSteel, AddWBitmap09, Addround. Font Pavilion sells AddWasp (1999). He designed PointN (1999) at Digitalogue in their DPI72 series. Alternate URL. Dafont link. [Google] [More] ⦿ | |
Milan, Italy-based designer of the display typefaces Junktown (2016) and Lamp (2016). [Google] [More] ⦿ | |
Japanese type designer who published some Japanese typefaces at FONT1000. His site is called Design Base Tokyo. Typefaces: Jaraku, Jaipo, Jaipo-Min, Jaroku, Jaipo-K. [Google] [More] ⦿ | |
In 1996, Aoki won Silver Prize at the annual Tokyo Type Designers Club competition for a logotype he designed for Hiromichi Nakano Design Office. Born in Tokyo in 1965, and employed by San-Ad Co., Ltd. since 1989. [Google] [More] ⦿ | |
Toshimichi Aoki (Ghost Workshop) is the designer of the OpenType font AokiTegaki (2002, handwriting). This also exists in type 3 format. [Google] [More] ⦿ | |
Chiho Aoshima's fonts are sold through Font Pavilion: Kodomo-Manju (Marshmallow) would make a nice Japanese comics book font. [Google] [More] ⦿ | |
Graphic designer in Cairo, Egypt, who created Quadrilateral (2016), a free experimental Latin typeface obtained by superimposing parallelepids. He also designed the free font AX Curvature (2016). [Google] [More] ⦿ | |
Shigeru Aoyama's fonts are sold through Font Pavilion: Aru. [Google] [More] ⦿ | |
Daniel A.P.Acuña (Shiken Studio, Barcelona, Spain) designed the squarish modular typeface Underpick in 2016. Aka Daniel Pepe. [Google] [More] ⦿ | |
Student at Sabanci University, Turkey, b. 1989. She created the upright script typeface Muffin (2011). [Google] [More] ⦿ | |
Istanbul-based designer of the triangulated typeface Less Is More (2016) and Grids (2016). [Google] [More] ⦿ | |
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Creator of the slightly calligraphic script typefaces Apantasia (2008) and Apantasia 2 (2008). [Google] [More] ⦿ | |
Raquel Aparicio, one of a group of illustrators called Purple rain Illustrators in Princeton, NJ, published an erotic all-caps alphabet in American Illustration 2013. [Google] [More] ⦿ | |
After graduation, he started freelancing as a graphic and type designer in Amsterdam. Partner at The Place. Other typefaces include The Chattam (2009, a Clarendon revival), Boujour (2008, an ultra fat deco face), Moudwi (2007, an experimental Arabic detached typeface inspired by the Unified typeface created by Nasri Khattar). His typefaces: Arek, Hagatir, Boujour (2008, piano key typeface), Mulsaq (2008, Arabic), Moudwi, Nuqat (2010: a dot matrix typeface by René Knip, Khajag Apelian, Jeroen van Erp, and Reza Abedini). Graphic Arabic (Wael Morcos and Khajag Apelian) won an award at Granshan 2017. IBM Plex Sans Arabic (2019, by Mike Abbink, Paul van der Laan, Pieter van Rosmalen, Wael Morcos and Khajak Apelian) is a free typeface family at Google Fonts. Typecache link. Behance link. [Google] [More] ⦿ | |
Since 1992, he has been teaching typography at the Ecole Nationale Superieure des Arts Decoratifs. In 2012, the people at Nouvelle Noire in Zurich helped produce several of Apeloig's typefaces:
Alternate URL. Photograph. Winner in 2009 of the typographic design award of the International Society of Typographic Designers (ISTD). Nouvelle Noire Behance link. Klingspor link. [Google] [More] ⦿ | |
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Moscow-based designer of the Cyrillic potato font Potato Font Sunset (2015). [Google] [More] ⦿ | |
Typefaces from 2018: Version Line, Lollipop, Himalayar, Chicago, Only You, Roadtrip, Day Dream, Hard Times (SVG brush), Twingle, North Remember, Still Mind, The Inner Peach, Simple Harmonic, Realistic, Playmate, Silver Mind, Malina, Let's Party, Halfdressed, Twenty Six, The Subject, Nonlineal, Wanderlust, Please Onself, Pommie, Cherish, Simple Harmonic, Memories, Valensia, Raymond, California, Stepbrother. Graphicriver link. [Google] [More] ⦿ | |
Thai designer of the brush script Oho Julie (2019) and the script typeface Slowly (2019). [Google] [MyFonts] [More] ⦿ | |
During his studies at the Escuela Nacional de Artes Plástica de la UNAM (Mexico City), Angel Apolinar designed the Tekia text typeface (2013). [Google] [More] ⦿ | |
Vargas, Venezuela-based designer of Rupees (2013), which is based on the lettering used in the Legend of Zelda game. [Google] [More] ⦿ | |
New York-based Puerto Rican artist, who designed the sports dingbat font DF Energetics (1995). Versions at Elsner&Flake, ITC and Esselte (original). This font was inspired by Picasso. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Athens, Greece, who created Tutfont, Circlefont and the experimental sans typeface Geometric in 2016. [Google] [More] ⦿ | |
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Designer of Cyrivendell (2011) about which he wriotes: Cyrivendell - a portmanteau of Cyrillic (which it does support entirely) and Rivendell, the fictious city from LOTR. This script does resemble a couple of existing and popular fonts; this one, however, focuses on Cyrillic and also contains all European international characters. Cyrillic support is for Serbian, Macedonian, Russian, Ukrainian, Bulgarian and Belarus. [Google] [More] ⦿ | |
Brooklyn-based graphic designer who created a squarish typeface called Joyce Dance Studio (2013). [Google] [More] ⦿ | |
Helsinki-based designer of the pixelish typeface Alfabeth (2014). [Google] [More] ⦿ | |
Creator of the hand-printed caps typeface Elon Community (2012). [Google] [More] ⦿ | |
Gruppo Due (Berlin, London, Karlsruhe and Bern) is a type design platform and foundry offering retail typefaces, alongside bespoke designs resulting from a close collaboration with our commissioners. Gruppo Due was founded in 2019 by Moritz Appich, Massimiliano Audretsch, Jonas Grünwald and Bruno Jacoby. He published these typefaces at Gruppo Due:
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Sheffield, UK-based designer of the minimalist outline typeface Mist (2018). [Google] [More] ⦿ | |
After studying the illustrations, cartographies, and penmanship of Lord of the Rings author, J.R.R. Tolkien, Chicago-based Madison Apple (b. Whitefish, Montana) created a detailed script font based on his handwriting called Legendiarum (2015). It was developed during his studies at Columbia College Chicago. [Google] [More] ⦿ | |
Good Apples is a design studio in Boulder, CO. Creators of the monoline display typeface Hello Denver (2012). 1001Fonts link. [Google] [More] ⦿ | |
Indonesian designer of the signage fonts Rolyta (2019) and Rainbay (2019), and the script typeface Berthany (2019). [Google] [More] ⦿ | |
Jawa Tengah, Indonesia-based type designer. Typefaces from 2021: Gutheng (a horror font), Kurenai (emulating a Japanese brush), Sanstooy (a comic book font) (informal), Mandasari Script (monolinear), and Devitaria (a monoline script).. [Google] [MyFonts] [More] ⦿ | |
Bandung, Indonesia-based designer (b. 1997) of the calligraphic typeface Oathkeeper (2020) and Piledrive Walts (2020). [Google] [More] ⦿ | |
Typefaces from 2021: Chelliond (an inky script), Fall in Love, Harland Roselyn, Revisthond, Qhitela Cruzh, Constaller (an inky script by Toni Setiawan and Eep Apringga), NCS Radhiumz (a wide sans in eight styles). Typefaces from 2022: Collingethon (a signature script by Toni Setiawan and Eep Apringga). Creative Fabrica link. [Google] [MyFonts] [More] ⦿ | |
Pune, India-based designer of a handcrafted devanagari script typeface in 2017. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Verjilius Augusteus (2008), a display typeface that is in search of an identity. [Google] [More] ⦿ | |
Typefaces from 2017: Chatting, Rositha (curly script), Bonety Lady, Mantana (calligraphic script), Squadwife Script, Lovelyou Script. Typefaces from 2018: Mention (a signature font), Soul Amsterdams, Cratti, Vettorell, Lobsters Blush, Battal, Sallat, Autumn, Lovelyou, August Script, Clarity. Aka Meutuwah. Typefaces from 2020: Pisonest, Momday, Rosebondy, Orlando Smith (a signature font), Winterous (font duo), Valentine. Typefaces from 2021: Northell (a fat finger script), Pisonest (script), Mountty (brush script), Love Squall (script). [Google] [MyFonts] [More] ⦿ | |
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Designer of the art deco multiline typeface Beacon Hill (2009, FontStruct). The font is called "Beacon Hill" because it's inspired by the totem pole carvings at Beacon Hill park in Victoria, BC, Canada. If you turn the word on its side, it looks like a totem pole. Dave Aquino is located in Vancouver. [Google] [More] ⦿ | |
Creator (with Gabriela Albuquerque) of the computer game dingbat font Sentai 30 (2007). Based on the Super Sentai logos and characters by Toei Company. See also here. [Google] [More] ⦿ | |
Graphic designer, illustrator, painter and photographer in Rio de Janeiro. During his studies, he created the text typeface Gladius (2014). Behance link. [Google] [More] ⦿ | |
Walled Lake, MI-based creator of Devine (2011). [Google] [More] ⦿ | |
Muriae, Brazil-based graphic and industrial designer. Creator of Vendi Si (2015), a vernacular market signage typeface. Behance link. [Google] [More] ⦿ | |
Migo Aquino (Quezon City, The Philippines) created the animal-themed typeface Amigoville in 2013. [Google] [More] ⦿ | |
Graphic designer from Rio de Janeiro (b. 1982) who created a mecano-style typeface called Articulada (2011) and the basic geometric shape typeface Patriota (2012, based on the Brazilian flag). Articulada won an award at Tipos Latinos 2012. In 2015, Thales designed the pixel typeface Nativa over at FontStruct. | |
In 2014, Yani Arabena and Guille Vizzari published Abelina Pro at Sudtipos. It is based on Yanina's thesis project in 2011-2012 at FADU/UBA simply called Abelina, which was mentored by Ale Paul and Ana Sanfelippo. Abelina won an award at Tipos Latinos 2016. For the 3rd edition of Masticar (2014), an Argentine Gourmet fair, an exclusive hand-drawn poster typeface was developed by Yani Arabena and Guille Vizzari for use in the identity of the fair. For the 2015 edition of the fair, Masticar Bold was added. In 2015, Alejandro Paul, Yani Arabena and Guille Vizzari combined forces in the signage script typeface Quotes (Script+Caps) (2015, Sudtipos). Envelove (2017) is a script typeface family consisting of Script, Icons, and Caps, designed at Sudtipos by Yani Arabena, Guille Vizzari, and Alejandro Paul. Winner at Tipos Latinos 2018 of a type design award for Envelove. In 2018, Yani Arabena and Guille Vizzari published the lively vernacular signage typeface family No Molestar, which won an award at the Type Directors Club's Type Design Competition 2019. Behance link, jointly with Guille Vizzari. Another Behance link. Facebook link. Joint web page with Guillermo Vizzari. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2018: Crossten (a rounded geometric sans typeface family by Emre Güven). Typefaces from 2019: Marcher (a 10-weight sans family). Typefaces from 2021: Chesna Grotesk (a 20-style geometric sans), Acherus Feral (a 20-style geometric sans). Fontsquirrel link. [Google] [MyFonts] [More] ⦿ | |
Boaz Arad (aka Funky Type) is the designer of Facelift (1997), a very grungy old typewriter font. See also here and here. Dafont link. [Google] [More] ⦿ | |
Typefaces from 2021: Hello Easteria (a playfil scrapbook font), Blacker Valentine (an inky and wild calligraphic script), Allisabeth (a thick-and-thin script), Christmas Rockstar (a dry brush script), Dreamy Summer (script), Berries (a bold informal signage script), Miss Christine (a brush script), First Love FD (a font duo), Gardening, Chilli Peppers, Black Spartan (a dry brush script), Nijikon Japan (a plump supermarket or food packaging font), Summer Flower (a bold script), Mother Love (script), Earth Days (a textured typeface for ecologists), Good Friday (a heavy script), Natural Handwritten (script), Captain Kangaroo, Leaf Spring (a wild script), Merijola (script), Seruput Kopi (a fat finger font), Black Gladiator (a dry brush font), Baby Girl (a rabbit ear script), Heartberry (a scrapbook script), Princess Kimberli (an inky script), Wedding Dress (wild calligraphy), Harriella (an inky script), Pretty Butterfly (a wild playful script), Dear Darling (a wild script), Spring Sunshine, Still Valentine, Still Valentine. Typefaces from 2020: Bellissa, Declaration Of Love, Endless Love, Bobby Anderson (a dry brush script), Thunder Ragnarok, Our Valentine (an inky script), Shepherd, Snowbound, Romeo Juliet, Sheepfold, Christmas Wonderland (a brush script), Holi Christmas Eve (an upright wild script), Christmas Journey, Mabelle (wild calligraphy), Barbiel (a wild calligraphic script), Michaello (a brush script), Sabastian (a wild inky script), Christmas Lights (a wild script), Merlyn, Snowball Bush, Christmas Magic (a creamy script), Cheerful Day (a wild script), Snowland (an inky Treefrog style script), Rolling Beat (a dry brush script), Batik Worldwide (a great textured font), Creepy Witch (a Halloween font), Angelynn Monogram, Angelynn, Mattera, Sweet Husky, Father Christmas, Hadriel, Alleffra, Olliffia (a great wild calligraphic script), Aguellera (a wild script), Angellolga (a signature script), Higher Jump (a dry brush font), Love Lovely, American Bulldog, Heal The World, Alaskan Malamute, Fergitta, Millena, Love Miracle, Cleanliness Power (a bold script, with our without shadows), Rayya (script), Matthew Woolsen, Heaster, Honnitta, Bluettelli, Good Thinking, Fressia , Easter Sunday, Well Done (swashy), Kobryan, Mileadila, Rutter, Jacksonville, Rockybilly (a brush script), Angelin Love (wild calligraphy), Backstreet, Roberto, Honey Bear (a heavy cartoon font), Horror Metal. Typefaces from 2019: Anderson Silvai (a monoline display typeface), Maithe, The Army of God (a rough brush font), Puppy Love Brush, Beautiful Kisses, Black Note (a cartoon font), Kristabelle, Ramovia (wild calligraphy), Brenda Valentine, Margareta, Fabregas, Darkness of the Night (a brush font), Black Fighter (a dry brush script), Brother Tom (a dry brush script), Antika (a calligraphic script), Gamos, Airora (or Aurora), Keraton, Djoker State, Angel Maleficent, Harleyquin, Boomboyah (dry brush), Seronita, Untitled Artwork (in the "wild calligraphy" genre), Hertina, Reindeer, Right Now (a monoline script), Assinatura (a signature font), Snowby (snow-capped letters), Rosse, Snowky Brush (snowy letters), Black Area, Mariagata, Cubby Brush, Mariosa , Princess Berlianty, Gennie, Bestowens, Haruka, Kanaggawa, katherine, Halloween Story, Only One, Kutharock, Happy Halloween, Art Maria, Knighthood (dry brush script), California Street (script), After Zero (brush), Hong Kong (dry brush script), Alleluya (script), Handpick (a creamy brush script), Yolanda Love Script, Summer Cherry, Black Pink Summer, Johnson Rock, Hobenshaw (a free bold signage script), Eiffel in Love, Galgadot, Andora, Heanffe, Santeria Signature, Jason Statan (free), Brigitta, Peach Queen, Black Pink Signature, Garbera, Flaming Carrot, Seoul Script, Ferrero Rocker (marker pen font), Ferrero Rocher, Stefani, Adventure Dreamer, and Witherscollin. Typefaces from 2021: Amsterdam Kindom (a fat finger script), Ordillon Handwriting (a fat finger script), Vallenta, Bittersoni (an inky script), Christmas Worship, Brigitta Signature (a dry brush script), Limit Breaking (letterpress emulation), Bellarosa (a dynamic inky script), Monster Scratch (a dripping blood font), Spooky Grave (a dripping blood font), Hallo Skull (a skull-and-bones font), Halloween Island, Billys Rock, Zombie Mummy (a textured mummy emulation font), Queenlery (a display serif), Ultimate Battle (dry brush script), Fastest (a speed font), Asgardian (a bold stencil font), Brillianissa (a stylish script), Hello Beach (a heavy script), Summering (a scrapbook font), Aishiteru (oriental emulation), Chilli Peppers, Gardening, Thanks Summer, Clarissa. Fontdaily link. [Google] [MyFonts] [More] ⦿ | |
Aka Duke. Dhaka or Narayanganj, Bangladesh-based designer (b. 1986) of the free squarish sans typefaces Cox's Bazar (2019) and Sundarbans (2018). In 2019, he published Humayun Ahmed (a bilined font named after a Bangladeshi writer, dramatist, screenwriter, filmmaker, songwriter, scholar, and lecturer), Rohingya (+Outline), George Harrison and Friends, and Saint Martin. Fonts2u link. [Google] [More] ⦿ | |
Belo Horizonte, Brazil-based designer of the octagonal typeface Urbano (2018). [Google] [More] ⦿ | |
Lina Aragon (Cali, Colombia) is a graphic design student. Her designs, including her typefaces and her moustache, are curly, lively and fun. The typefaces include Santonia (2011). [Google] [More] ⦿ | |
Isaac AraGuim, a student at IESB in Brasilia, Brazil, created the hand-printed caps typeface Trilo (2012). [Google] [More] ⦿ | |
Indonesian designer of these typefaces in 2021: Nutch (display), Clutch (a geometric sans), Macmore (brush), Bluestick (script), Saintage (a monoline script), Anita lakent (script), Croom (a display font), Hello World (a signature script), Caslim (a display typeface). [Google] [More] ⦿ | |
Jambi, Indonesia-based graphic designer. Creator of these typefaces in 2015, all handcrafted: Moizture (water brush), Chewing Gum Script Font, Sangkuriang (curly script), Gabbarra. In addition, Nopi designed the circle-based typeface Onde Onde (2015, inspired by a traditional Indonesian rice cake). [Google] [More] ⦿ | |
Yoshihide Arai's Japanese foundry which produced these free fonts from 2003 until 2007: Acidpunk, Aqutone Circle (only black circles), Blockbox3D, BlockboxHeavy, BlockboxLigh, BlockboxMaruheay, BoxboxboxHeavy, Bubble, CharacerAfro, ChildrenLigh (children's scribbles), Circle, Genjiko, Genshi, Gucle Bold, Handoo, Heainz, Hexagon (hexagonal letters), Hieroglico A, Korrekt (techno), Korrekt Oblique (techno), Majipane (kana face), Marudo (pixel face), Mimot Bold (curly), Mixertype (dings), MonolinRegular (upright script), Morphon, Newdo99 (pixel face), Nwnwn, Omocha No. 1 and No. 2 (dingbats), Rippen Regular and Bold (octagonal), Teks Bitmap, Ufons, Webicon1 (dingbats), Acidpunk. Old URL of its predecessor, YaFontWeb. Dafont link. [Google] [More] ⦿ | |
San Luis Potosi, Mexico-based creator of the soft art nouveau typeface Crixus (2014). [Google] [More] ⦿ | |
Coburg, Germany-based designer of the Startrek style font Warpalpha (2018). [Google] [More] ⦿ | |
During her studies at FADU / UBA in Buenos Aires, Maria Laura Arakaki designed a curvy typeface (2017). [Google] [More] ⦿ | |
During his studies at Anhembi Morumbi, Sao Paulo, Brazil-based Raul Betelli Arakaki created the thin display typeface Rome (2014). [Google] [More] ⦿ | |
Inari Type is an independent type foundry with Japanese roots, which specializes in both Latin and non-Latin typefaces. Based in Campinas, Brazil, it was established in 2020 by Caio Kondo and Satsuki Arakaki. Caio Kondo and Satsuki Arakaki co-designed Mori Gothic (2020), a seven-style geometric sans, and the connect-the-dots typeface Inari (2020). [Google] [MyFonts] [More] ⦿ | |
As a student in Las Vegas, NV, who created the handcrafted typeface Chaos (2016). [Google] [More] ⦿ | |
In 2017, at YWFT, he published YWFT Sugar. He also designed Constructor (a layered, beveled typeface), Presto Script, Synopsist and Paramaribo (a delicate upright hand-lettered typeface) that year. Typefaces from 2018: Cutcut (a party time paper cutout typeface), Bon Ami, Good Day (a delicate handcrafted coffeeshop typeface), Turkuaz (a comic book family), Episode (an ultra-condensed tall poster typeface), Skyscraper (a tallcondensed hexagonal typeface). Typefaces from 2019: QSansPro (a workhorse sans), Legatum (a classical roman font inspired by the old inscriptions in Rome). Typefaces from 2020: Avayo (a 9-style modern sans), Sansmatica (38 condensed techno fonts), Formatica, Ascent Pro (a geometric sans), Factum (a didone hybrid with high contrast styles culminating in some stencil types). Typefaces from 2021: Uplift (a 6-style font characterized by mechanical notches and a certain blue collar appeal), Hygge Sans (a 34-style simple sans). [Google] [MyFonts] [More] ⦿ | |
Barcelona-based designer of the sans headline typeface Lick King (2017). Behance link. [Google] [More] ⦿ | |
Zaragoza, Spain-based designer of the titling typeface Deep Blues (2018). [Google] [More] ⦿ | |
Spanish designer of the bold all caps sans typeface Aran (2019). [Google] [More] ⦿ | |
Madrid, Spain-based designer of the modular rounded sans typeface Yummy (2016). [Google] [More] ⦿ | |
Manila-based creator of the very original multilined caps typeface Achille Castiglioni (2011), which was named after the industrial designer. She graduated from the Ateneo de Manila University in March 2013. [Google] [More] ⦿ | |
Oviedo, Spain-based designer of the bilined all caps typeface Creta (2016). Behane link. [Google] [More] ⦿ | |
Felipe Cáceres helped out with the final production of these typefaces designed by Moisés Arancibia: Alpaca (a slab face), Mafia (an experimental face), Mokeka (a display face), Matas (a display face), Central (a display face), Chacon (a black rounded face), and Bikini (a squarish face). In addition, Moisés Arancibia created Menu (not at SMOG) and Hola Mundo (alien dingbats, some of which were designed by Sebastian Platz and Sebastian Pagueguy). | |
Australian designer (b. 1998) of the Mexican party font Las Locuras del Emperador (2017). [Google] [More] ⦿ | |
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Santiago, Chile-based creator of the sans typeface Fetiche (2013). [Google] [More] ⦿ | |
Graphic designer in Medellin, Colombia. Creator of the fat monoline all caps sans typeface Plus (2014). [Google] [More] ⦿ | |
Maria Sofia Arango used iFontMaker to create Sofia's (2011), a curly hand-printed face. [Google] [More] ⦿ | |
Guatemala City-based designer of a decorative caps typeface in 2017. [Google] [More] ⦿ | |
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CEO of Tahavolgaran Arse Ettelaat in Tehran. His old site offered two free fonts: Sin-Titr-Bold (1997, Sina Dadras), and Mellat (1999, Majlis Research Center by Reza Arani). He explains that he was one of the first people to solve the problem of Persian scripts on web pages, and that his fonts were designed for that purpose, mainly. With permission of Arani, we offer the truetype versions of these fonts for free download: Mellat, Sin Titr Bold. [Google] [More] ⦿ | |
San Francisco-based designer of the water splash font Splash (2017). [Google] [More] ⦿ | |
During her studies in 2013 at York College of Pennsylvania in Collegeville, PA, Erica Arantowicz created the typeface T3ch over at FontStruct. [Google] [More] ⦿ | |
During her studies at Moholy-Nagy University of Art and Design in Budapest, Hungary, Zsofia Arany designed the sans display typeface Chopped (2016). Chopped is based on the lettering seen on a poster by Hungarian artist Gönczy-Gebhardt. [Google] [More] ⦿ | |
Graphic designer in Buenos Aires, who created Mostra (as a student at FADU / UBA in 2013) and the very fat display typeface Botterista (2017). [Google] [More] ⦿ | |
Greek graphic designer. She studied Graphic Design at TEI, in Athens, and later received an MA in Communication Design from Central Saint Martins, in London. During her stay in London, Kanella worked as an Art Director for some design agencies. She designed PF Haus Square Pro for Parachute in 2001-2006. This squarish family has Greek and Cyrillic versions as well. [Google] [MyFonts] [More] ⦿ | |
In 2016, she designed Becky for W Foundry: this friendly display family has subtly bent strokes and lightly inflated, pumped up counters. Her motivation: geared towards the world of advertising and retail [...] well-suited for large headlines, branding, logos, publishing and short texts. In 2017, she designed the 40-style all caps Americana typeface family Cenzo Flare at W Foundry. Tumblr link. [Google] [MyFonts] [More] ⦿ | |
Istanbul-based student designer (at Sabanci University), with Selin Dönmez, of the 1980's style techno typeface Synth Break (2015). [Google] [More] ⦿ | |
Canadian youngster (b. 1992) who is working on the pixel typeface Chmod (2007). Home page. Chmod 1.0 (2008) was made with FontStruct. Alternate URL. [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the display typeface Bugis (2015), the torajan wood carving-inspired Rastoraja (2015), and the alchemic / hipster typeface Patotoe (2015). [Google] [More] ⦿ | |
Creator of the free grungy typeface Random Access Memory (2013). [Google] [More] ⦿ | |
Designer (1936-2001) who studied at the School of Visual arts in New York. At Photolettering Inc, he made the phototype font Alef-Bet (Hebrew). [Google] [More] ⦿ | |
During her studies in Manaus, Brazil, Alice Araujo designed the handcrafted typeface Tipatinhas (2019). [Google] [More] ⦿ | |
London-based designer of the display typeface Floffy Foffi (2013). [Google] [More] ⦿ | |
Editorial designer and illustrator in Guimaraes, Portugal. Creator of a brush all-caps alphabet in 2010 while studying at ESEIG. [Google] [More] ⦿ | |
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Designer of these free fonts: Evil Dead, Evil Dead Army of Darkness, Evil Dead II UK, and Evil Deas by Dawn US. [Google] [More] ⦿ | |
Creator at Unique Types of the free experimental typeface Pé da letra (2011) and of Diego (2011, FontStruct). [Google] [More] ⦿ | |
Lisbon-based designer of the kitchen tile typeface Modular (2014), which was a school project at the University of Lisbon. Behance link. [Google] [More] ⦿ | |
Designer in Sao Paulo, Brazil. His typefaces from 2012: Artmarker, Belezera, Putana, Putana Negrita, Banga. [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the Brodowski typeface (2017). [Google] [More] ⦿ | |
Gabriela Araujo (Recife, Brazil) created Horror Type (2011, a pixel face). At FontStruct, she made Missing (2011, pixel face). [Google] [More] ⦿ | |
Ines Araujo (Lisbon, Portugal) created the modular typeface Let's Jazz in 2012 in collaboration with Joana Couto. [Google] [More] ⦿ | |
Lean Araujo (Buens Aires, Argentina) created an untitled monoline typeface in 2013. [Google] [More] ⦿ | |
During her studies in Porto, Portugal, Lia Araujo designed a decorative typeface (2016). [Google] [More] ⦿ | |
Brazilian creator of the iFontMaker fonts Autalinha (outline, hand-printed), Garrancho, Setetres. [Google] [More] ⦿ | |
Teresina, Brazil-based designer of the avant garde sans typefaces Amira (2017) and Enif (2017), and the minimalist sans typeface Good Lingua (2017). [Google] [More] ⦿ | |
During his studies at the Universidade Federal de Goiás (UFG) in Brazil, Luis Araujo designed the display typeface Naomi (2013), which is based on Robert Slimbach's Minion (1990). [Google] [More] ⦿ | |
Santiago, Chile (was: Maracay, Venezuela)-based designer of the grungy slimy typeface Flavor (2017). In 2020, he released the free dry brush pen typeface Eighty Seven. [Google] [More] ⦿ | |
Creator of the free thin chisel font New Theory (2012), of the stick font SixSixSix (2013), and of the hand-drawn Dollar Lemonade (2013, yours for two dollars), Anke Sans (2014: a free geometric sans), Beeeer (2014, tweetware poster font), Giant (2014), California (2014), My Hand (2014), Raw Font (2014), and Composition (2014). In 2015, he made the watercolor brush script typefaces Arrows, Hawaii, Cafune Script, Karla Script, Michelle (free), Love Letter, Matilda, Natalie, Palapa, Heather and Wendy. Other typefaces from 2015 include Beeeer (poster type), Compass, Rustic (consisting of Things, Paper, Margot, Monsters, and Welcome Home), Akuma (heavy brush), Composition (hand-printed), Saints (a stick, or rune emulation font), Lorem Serif, Helena (watercolor brush script), Dakota (script), Convoy (handcrafted), Tomahawk (hand-drawn), Holga Script, and Emily (hand-drawn). Typefaces from 2016: Rapture (rough brush), Mono (futuristic), Big Sur (thin sans), Piedra & Stone, Tigers, Tiburon, Colorado, Super Normal, Brown Fox Script, Reading This, Frank, Nudos (script), Penny Handmade, Lula (brush style), Jamaica Script (brush font). Typefaces from 2017: Wild (dadaist), OK Regular, Ugo. Typefaces from 2018: Weekend, Destroyer (brush). Creative Market link. Behance link. Dafont link. Open Font Library link. [Google] [More] ⦿ | |
Rayssa Araujo (Brasilia, Brazil) used FontStruct to design the modular sci-fi typeface Kaizen (2015). Behance link. [Google] [More] ⦿ | |
During her studies in Sao Paulo in 2017, Samantha Araujo designed a display typeface. [Google] [More] ⦿ | |
During her studies in Brasilia, Brazil, Samantha Araujo designed the pixel typeface Quadradin (2016, FontStruct). [Google] [More] ⦿ | |
Fortaleza, Brazil-based designer of the free connect-the-dots typeface Conexao (2017). Behance link. [Google] [More] ⦿ | |
Graphic designer in Barcelona since 2004. Creator of the wood type-inspired typeface Madera (2014) and of the ornamental caps typeface Metamorfosis (2014). Behance link. [Google] [More] ⦿ | |
Designer of the connected monoline Lovely Script (2013) which was developed during a course given by Daniel Hernandez and Paula Nazal in Santiago, Chile. [Google] [More] ⦿ | |
Panama City-based student-designer of the decorative caps typeface Clawvy (2017). [Google] [More] ⦿ | |
Creative Market link. Behance link. Another Creative Market link. Old foundry link at MyFonts. Behance link for Without Foundry. Yet another Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Check out Biblioteca (2015) by Roberto Osses, Cesar Araya, Patricio Gonzalez and Diego Aravena: this typeface won an award at Tipos Latinos 2016. In 2017, Sergio Ramirez, Cesar Araya and the Latinotype Team developed the information design super-large typeface family Informative (+pictograms as a tribute to Gerd Arntz: Informative Alimentation, Informative City, Informative Energy, Informative People, Informative Politics, Informative Sports, Informative Work). In 2016, Cesar Araya and Daniel Hernandez co-designed the very Latin / curvy / warm slab serif typeface family Hernandez Niu. In addition, Bercz Design Studio, Latinotype Team, Rodrigo Fuenzalida, and Cesar Araya co-designed the expressive typeface family Snatch, which comes with Snatch Dingbats. In 2019, Cesara Araya and Fadhl Waliy Haqq published the didone variant Bunta. Together with Alfonso Garcia, Cesar Araya designed the spurless sans family Branding SF (2019, Latinotype). Typefaces from 2020: Organetto (at Latinotype: a 50-style all caps headline or poster typeface based on early 20th century examples), Spock (2020: a 48-style demi-sans demi-slab family by Luciano Vergara, Cesar Araya and Rodrigo Fuenzalida), Corporative Slab (developed together with the Latinotype team, it is characterized by asymmetric roof slabs on the lower case x and y). [Google] [MyFonts] [More] ⦿ | |
Eduardo Araya (Arica, Chile) created the free squarish sans typeface Manteka (2012). [Google] [More] ⦿ | |
Valparaiso, Chile-based illustrator (b. 1991) who made the free hand-drawn hipster typeface Eleven (2014). [Google] [More] ⦿ | |
Rodrigo Typo link. RAS Design link. Dafont link. Dafont linkNewer Dafont link. Behance link. Fontspace link. Fontsy link. Abstract Fonts link. Old URL. Creator of many hand-drawn free fonts. His typefaces from 2008 and 2009: Super (2009, for signage), Snow (2009), Mari (2009), El Cubano (2009, dingbats of typefaces), Mental Freak (2009, outline), Freak Animals (2009), Brigada Ramona Parra (2009, dingbats), Happie (2009, dingbats), Santiago Icono (2009), Icono Skate Dingbat (2009), 78 Skate (2009), The Sorden (2009), Estilo Urbano (2009, stencil), Tetris (2009), Techno (2009), Kona (2009, childish hand), Parody Logoskate (2009, dingbats), Fat Love (2009), La Rata Bizarra (2008), Tabla (2008), A Mano Alza (2009), Maribel (2009, handwriting), Stencil (2009), Rayando (2008, chalky writing), Klam, Loco TV, Monos Frekis (2008, funny dingbats), Tabla (2008), Happie (2009, more funny dingbats), Funny Icons (2009), Kiltro (2008, dog dingbats), Pokemona (dingbats), Maniatico (scratchy outlined hand), Bizarro 1 (outline hand), Chile (dingbats), Freaky (2008, dingbats), Esquiso (outlined handwriting), Crazy Ras (outlined and hand-printed), Skatelove (2008, dingbats), Los de Abajo (2008, dingbats), Logoskate (2008), David (2008, flowing ultra fat face), Destruccion (2008, grungy), Skateboarding (2008, ransom note face), Mike Valley (2008, skateboard dingbats), Rodney Mullen King (2009, skateboard dingbats), El Chavo del 8 (2008, scanbats), Grande Maradona (2008, scanbats), Saintfont (2009, hand-printed), New Tetris (2009), September 11 Icon (2009, a powerful set of dingbats), Icono BMX (2009, bike dingbats). Typefaces from 2010: Commando X (2010, a pixel dingbat typeface for computer games), Raya Irregular, Mari+David, Depressive Icon, Esquiso, Ego (2010), El Cubano (dingbats with typefaces), Barras Bravas (almost graffiti face), Globe Face (award winner at Tipos Latinos 2010). Fonts done in 2011: Logo Font, Buen Dia (ransom note face), Drugstore (blackletter), Condorita (dingbats), KingKöng (a nice fat letter comic book face), Rolo (fat letter face), Logo, Comando X (a pixelized dingbat typeface based on video games), Catbox (2011, fat and rounded), Joia (a thin octagonal face), Plop (a "hip hop font"). Typefaces from 2012: Designio (rounded sans family), Nollie, Rocka (triangulated), Mosku (paint or blood drip face), Gigio Italia Bizarre (dingbats), Conny Rocket, Retro Hand Type (stitched), Wood (wood type simulation), Tritona, Nollie, Zdravo Maria (children's hand), Bordados (stitched typeface). Typefaces from 2013: Mexe, Polly, Pintanina (+Pro) (comic book caps face; the Pro version appeared in 2015), Giger Free (inspired by the paintings of H.R. Giger), Rango (fat hand-printed face), Smile (fat signage face), Pequena (a fat finger typeface for children's books; in Latin, Greek and Cyrillic), Children One, Lollapalooza, BRP (dingbats), Koni Black, Cusco, Rorschach, Children One (poster font), Varial Hellflip, Marty (hand-drawn poster font for Latin and Cyrillic), Barricada [not to be confused with the Barricada font by Sudtipos]. Typefaces from 2014: Marty Spring, Munky Negra (a creamy signage typeface by Rodrigo Araya Salas and Raphael Rodriguez), Tobogan (ultra-black poster face), Lilirun, Peral, Zurita (brush face), Ruba, Street Animals (dingbats), NegritaPro (funky), Ruda (brush face), Muro (thick brush type), Cucho (signage typeface), BRC (hand-printed), Konga (a chocolaty creamy signage script originally from 2012), Pony, Guakala, Alboroto, Loyola (a cartoon script started in 2013, which won an award at Tipos Latinos 2018), Froh (an informal fat stencil), Paihuen Pro (Mapuche-inspired letters), Helenita (perhaps useful for children's books; see also Helenita Dos in 2017), Macabro (a great hand-lettered and weathered typeface family), Box10, Ria, Bototo. Typefaces from 2015: Mari+David, Good Friend (a primitive script), Galpon (a great vernacular signage and/or comic book typeface for Latin, Greek and Cyrillic; extended in 2020, with Bruno Jara Ahumada, to Galpon Pro), Smile Pro (a fat multi-style handcrafted poster family of exceptional beauty; together with Andrey Kudryavtsev), Ardilla Small (a rounded organic sans by Rodrigo Araya and Andrey Kudryavtsev), Konga Pro (based on his own creamy script, Konga, from 2012), Mari & David (poster typeface), Forest Puyehue, Skatista (handcrafted script and skateboard dingbats), Ruba Style, Janmeid, Forma (experimental, robotic), Australia Skate (vernacular type), Tobi Black (for comic books and children's books, +Greek, +Cyrillic), Tobi Dirt, Basural (experimental). Typefaces from 2016: Bowl, Aliengo (a fun Martian font family done with Andrey Kudryavtsev), Marty Two (a lovely handcrafted typeface, ideal for children's books), Minnie Play (a children's book typeface by Rodrigo Araya and Andrey Kudryavtsev), Camo (a layered typeface family by Rodrigo Araya and Andrey Kudryavtsev), Camo Dirt, Clarence World (with Andrey Kudryavtsev: a rounded cartoon font inspired by the logo of the Cartoon Network series Clarence; followed in 2017 by Clarence Two), Pequena Pro (+Cyrillic) (with Andrey Kudryavtsev), La Mona Kids, Konga Rock, Movskate (a skateboarding culture font by Rodrigo Araya, Juan Sepulveda and Patricio Gonzalez), La Mona Pro (72 styles: A feast of textures!). Typefaces from 2017: Hatter Display (a Halloween font), Hatter Display Pro (+extensive dingbats), Hatter Cyrillic Display, Macabro Danger (wall paint style), Checkin Script (with four sets of travel dingbats), Caleuche (a bold weathered typeface, with Andrey Kudryavtsev; but that coauthorship was altered in 2021 to Franco Jonas Hernandez), Pequena Neo, Bike Park, Bike Park Two, Kawaii RT, Clarence Two, Portena, Mi Cocina (restaurant icons and dingbats), Big Foot Forest, Clarence Cyrillic (by Rodrigo Araya and Andrey Kudryavtsev), Galpon Spring, Spike Bot (by Rodrigo Araya and Andrey Kudryavtsev), Forest Two. In 2018, Rodrigo Typo published these typefaces: Ding (a great fattish cartoon font, co-designed with Andrey Kudryavtsev and Franco Jonas; see also its extensions, Ding Pro (2019) and Ding Extra (2019)), Squick (a comic book / children's font family by Franco Jonas, Andrey Kudryavtsev and Rodrigo Araya), La Pica Pro (by Rodrigo Araya and Andrey Kudryavtsev), Catshape (dingbats by Rodrigo Araya), Tobi Pro (by Franco Jonas, Rodrigo Araya Salas, and Andrey Kudryavtsev), Spiro (a retro almost psychedelic lettering font based on the series The Boatniks; by Rodrigo Araya Salas and Andrey Kudryavtsev), La KonyBlack (by Rodrigo Araya and Andrey Kudryavtsev), Ruda Two, Nuby (Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev), Garita, Alquitran (based on pixacao), Alquitran Stencil and Alquitran Rust (by Francisco Paez, Rodrigo Araya Salas and Andrey Kudryavtsev), Rague Pro (a stone-cut font by Rodrigo Araya Salas and Andrey Kudryavtsev, which won an award at Tipos Latinos 2018). Typefaces from 2019: Hatter Halloween, Clarence Alt (a an almost bubblegum children's book sans by Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev), Nacho Rough, Naguel, Lolapeluza Two, Nacho (a Mexican party font by Rodrigo Araya and Franco Jonas). Typefaces from 2020: Minado Rough, Toretto, Diablito One (a two-font and four dingbat-font package by Rodrigo Araya Salas and Bruno Jara Ahumada), Clarence Inline (a plump informal typeface family by Rodrigo Araya Salas and Franco Jonas Hernandez), La Pica Bonus (a vernacular or supermarket style font and dingbat family by Andrey Kudryavtsev and Rodrigo Araya Salas), Ancoa Slanted (an angular display family in 15 styles; by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez), Ruina One (rough, distressed), fj Trance (a reverse contrast Egyptian by Rodrigo Araya Salas, Franco Jonas, Valentina Faundes and Jorge Morales Salas), Tunning (an all caps speed font), Skippie (a comic book family by Andrey Kudryavtsev, Rodrigo Araya Salas, Bruno Jara Ahumada and Franco Jonas, and four sets of dingbats including Skippie Monster Lucha Libre and Skippie Monster Halloween), Ancoa (an angular 19-style layerable typeface by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez). Typefaces from 2021: Rinno (a rounded geometric display family by Rodrigo Araya Salas and Franco Jonas Hernandez), Ripster, Elah (a children's book or supermarket font; with Andrey Kudryavtsev), Loyola Next (a 14-style sans by Rodrigo Araya Salas and Bruno Jara Ahumada), Clarence Pro (a vernacular supermarket font by Rodrigo Araya Salas and Franco Jonas Hernandez), Meche Pro (a 12-style ligature-rich poster typeface), Rambi, Willner (a 5-style display sans by Rodrigo Araya and Franco Jonas), Picaflor (a titling or children's book typeface by Rodrigo Araya Salas and Bruno Jara Ahumada), Picaflor Hand (by Rodrigo Araya), Picaflor Soft (a fine national park or children's book family of organic sans fonts by Rodrigo Araya Salas and Bruno Jara Ahumada). Vectorlove won an award at Tipos Latinos 2012. Mona won an award at Tipos Latinos 2014. View Rodrigo Typo's typefaces. [Google] [MyFonts] [More] ⦿ | |
Based in Tel Aviv, Zohor Arazi designed a Hebrew typeface in 2013 that is based on Bodoni. [Google] [More] ⦿ | |
Mexicali, Mexico-based designer of Cutter (2018). [Google] [More] ⦿ | |
Graphic designer in Moscow. Creator of an unnamed artistic Latin script typeface in 2013. [Google] [More] ⦿ | |
Creator of Franzisk (2001, with Dmitriy Ivanov). [Google] [More] ⦿ | |
Medellin, Colombia-based designer of Vinnie Six Rounds (2013), a Western typeface based on the movie Pulp Fiction and co-designed with Daniel Hernandez and Jorge Arias Flores. [Google] [More] ⦿ | |
Pixelsurgeon has pixel and other fonts by Jason Arber, a typographer/designer based in London. Partially commercial. Free fonts: Teenage Delinquent, Pancake, Good Advice, Chinese Whisper (neat Chinese seals by Rina Cheung). Commercial: Waikiki, Tekno, Surgery, San Francisco, Rubbish, Protopixel, Pixelbitch, PhutureBelly, Octopuss, Offender, Los Mutantes, Eviltype, EqualRights, Buddha's Teeth, Boxy 35, Boxy 5, Bongo, 3Some, Area 51. old Phont Typographics page. Other fonts that were at Phont Typographics include Phont Threesome (like Mahovac's Kalendar), Poopy (by Funny Satan), Fantazija (by Jason Arber), Crunchy Fax Phont, Death Phont (Jason Arber) and Nobby Phont (by Jason Arber), as well as Iron Forge Phont (1999, free at Chank's). [Google] [More] ⦿ | |
Marlboro, NJ-based graphic designer, who created Hand-painted Typeface and Simple Mechanics Font in 2017. Behance link. [Google] [More] ⦿ | |
Buenos Aires-based designer of the colorful textured typeface Amazulojo (2015). [Google] [More] ⦿ | |
Graphic and type designer, b. Tapachula Chis, Mexico, 1978. He obtained a Masters in type design in 2006 at the C. E. Gestalt in Veracruz. He is currently consultant on typography and design in the Veracruz area. Creator of Bique (with Pedro Santoyo), mentioned here. As a student at Gestalt, Juan Manuel Arboleyda designed the serif typeface Sonera in 2006. Since 2012, he is creative director at Arboretum Studium in Veracruz. [Google] [More] ⦿ | |
Graphic designer in Tours, France, who created the multiline typeface simply called Grid (2012). In 2013, he added the experimental stick font Antica. [Google] [More] ⦿ | |
Designer from the Gold Coast in Australia, who created an ornamental octopus-themed ornamental alphabet called Tentacle (2013). Behance link. [Google] [More] ⦿ | |
Bhanu Arbuaratna is a New York based Art Director, designer and illustrator. Behance link. Creator of the slab typeface Number & Symbols (2012). [Google] [More] ⦿ | |
Mexican digital artist and typographer. He created the octagonal ultra-black typeface Qbo (2009). [Google] [More] ⦿ | |
Designer of Man of War (2010), which can be found at Freehostia. It is admittedly an mateurish attempt at copying Horseface (Robert Wilson, 2010), a mini-slabbed typeface. [Google] [More] ⦿ | |
Graphic designer in Palencia, Spain, who created the typeface AntiType in 2017. [Google] [More] ⦿ | |
Type designer (b. New Jersey, 1967). He is involved in ornament design at the foundry of Charles Nix, New Fonts in New York, where he helped create Nani (2001, inspired by handpainted letterforms on the Sumatran island of Samosir, this typeface was awarded a TDC Certificate of Excellence in Typographic Design), NixRift (2001, based on W.A. Dwiggins's Eldorado), and Tuk Tuk (2001, based on lettering from the Tuk Tuk village in Sumatra). [Google] [MyFonts] [More] ⦿ | |
Grand Rapids, MI-based designer of Glitched (2016). Behance link. [Google] [More] ⦿ | |
Montreal-based art director and designer. Creator of the creamy script typeface Silhouette (2015), whgich is based on the logo of Danone's Solhouette yoghurt. [Google] [More] ⦿ | |
Montreal-based designer of the counterless geometric typeface Hays & Co (2019). [Google] [More] ⦿ | |
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Southern Californian who designed ITC Eastwood (1997, grunge), and Fear. The flared typeface Teen (2000) is due to Martin Archer and Ray Larabie. Home page. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Brooklyn, NY-based designer of the stained glass font Stained (2013). [Google] [More] ⦿ | |
Italian designer of the free hand-printed font A Day in Autumn (2012) and of Trattopenlife (2012). [Google] [More] ⦿ | |
Russian designer of the blurry Latin/Cyrillic font FD Median (2003). He calls himself the "Flying Dutchman". [Google] [More] ⦿ | |
Aka Ioana J. Alfa. Athens, Greece-based codesigner with Claire Susie Jane and Iordanis Passas of the free brush typeface Abys (2015). Dafont link. [Google] [More] ⦿ | |
Typefaces from 2016: Santral (geometric sans), Antre (free handcrafted monoline connected script typeface). Typefaces from 2020: Antikor (a monoline sans for programming and play). Typefaces from 2021: Planc (a 20-style geometric sans). Alternate URL. Creative Market link. Home page. [Google] [MyFonts] [More] ⦿ | |
Indonesian font outfit, offering mostly script fonts designed by Mega Ardelia. Their typefaces as of 2020: Aglio Olio (a monoline script by Mega Ardelia), Aventurine (a signature script), Beezy Bee, Brownsville, Dinotopia, Emilio (an all caps poster typeface by Mega Ardelia), Evangeline, Fadorable, Feeling Groovy, Gedrik, Hamberger, Hanooman (a signature script), Hungry Charlie, Jamaika (by Mega Ardelia), Lockport (by Mega Ardelia), Maisonette, Monstarr, Nuthsell, Ozwald, Panthera, Pichola, Qumalu (a script typeface by Mega Ardelia), Reyhana, Rockstar, RushFord, Shafiya, Sienna, Soetta Laga, Sun Kissed, Sweet Delight, Sweetmango, Teemika, Toraja (patterned, by Mega Ardelia), Tropica, Woodland. [Google] [More] ⦿ | |
Bayonne, France-based designer of Cardinal (2019: a revival of a modern text typeface), Justine (2019: a typeface with injuries), and Ligatur (2019). [Google] [More] ⦿ | |
Banyuwangi, Indonesia-based designer specializing in script typefaces. Creator of Serrem (2019: a melting wax font), Bridamount (2019), Brigham (2019: a signature script), Creata (2019: a brush script) and Hollen Amare (2019: a font duo). Typefaces from 2020: Trackers (a brush font), Vanessia (script), Allea Sweet (a scrapbook font), Holligate Signature, Rochester Monoline, Gellardo, Centhiny, Hello Freeday, Aullia, Creattion, Black Angel. Typefaces from 2021: Ashley + Mellisa (script), Oishigo (a wild script), Ashgabat (a pure signature script), Threva (a blackboard bold font), Gleamore (a creamy display typeface), Darlington Signature, Gothix (brush script), Mustine (script), Darlington Signature Script, Solastion (brush script), Holista (a calligraphic script), Justmine (a signature script), Mutine (script), Fostone (a signature script), Imoon, Eigha, Wishloved, Quetta Signature Script, Southam (an inky script), Mustica (a brush script), Lasthrue (a signature font), Signora (a signature font). Typefaces from 2022: Eastory (an inline display font), Onthel (a race car font), Qramesy (for display). Home page. [Google] [MyFonts] [More] ⦿ | |
Semarang, Jawa Tengah, Indonesia-based designer, b. 1985, of Yocellina (2018). [Google] [More] ⦿ | |
Typefaces from 2019: Brunches (all caps, vintage), Under Weak (a signage script), Better Friend, Breakdance (weathered, vintage), Arthur Hill (script), Rech Munchase (script), Nervous (script), The Wildeast (a sketched font), White Buttell (brush style). Typefaces from 2020: Bounches (a brush script), Quartiel (a dry brush script), Causten (an 18-style geometric sans), Braveold (a warm rounded text typeface), Willcather (a dry brush script), Black Hat, Brushine Collection, Breakdance Reborn. Typefaces from 2021: Crunold (all caps, hand-drawn), Caupako (a tribal font based on the form of an axe), Brodaers Expanded (a 6-style monumental all caps sans), Dynamic Schematic, Boneous (a plumpish all caps display serif), Brodaers (an all caps sans), Splashed (a brush font), Meutas (a 20-style humanist and geometric sans family), Undos Paintes (a painted wall poster typeface), Causten Round (an 18-style rounded geometric font family), Brumers (a plump poster font). Typefaces from 2022: Rawkner (a bold hipster sans with serious ink traps). Dribble link. [Google] [MyFonts] [More] ⦿ | |
Pondok Gede, Indonesia-based creator (b. 1991) of the modular sci-fi typeface Abandon (2014). Fontspace link. Dafont link. [Google] [More] ⦿ | |
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Chilean designer of the text typeface Mangai Regular, which won an award at Tipos Latinos 2014. [Google] [More] ⦿ | |
Graphic designer in Vitoria, Brazil, who created the text typeface Prongs in 2016 with Jessica Serafim during her studies at UFES. [Google] [More] ⦿ | |
Creator of the minimal sans typeface Albertino (2008), and the monoline sans typeface Giorgino (2011). Fontspace link. [Google] [More] ⦿ | |
Indonesia-based designer (b. 1984) of the display typeface Tambora (2020). [Google] [More] ⦿ | |
Designer of the squarish typeface Rectand (2020). [Google] [More] ⦿ | |
Whittier, CA-based designer of Jeep (2012, a blackboard bold face). [Google] [More] ⦿ | |
In 2016, he designed the gorgeous Aref Kufi typeface, the free Aref Ruqaa (with the help of Khaled Hosny, Kalapi Gajjar and Nzar Design for Kurdish support), and the advertizing typeface Aref Albasel. [Google] [More] ⦿ | |
Alberto Arellano (Memela Studio, Guadalajara, Mexico) designed Cali (2010) and Marga (2010, a polygonal geometric display sans done with Peter Lorenz). [Google] [More] ⦿ | |
Tijuana, Mexico-based designer of the circle-based sans typeface Curvie (2015). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Enrique Arellano (b. Colombia) runs Estudio Arellano Type Foundry in Mexico City. Behance link. Creator of Barata Display (2012, a free signage typeface). In 2013, Arellano went commercial. [Google] [MyFonts] [More] ⦿ | |
In 2012, they published the commercial typefaces Bolta (monoline organic sans), Caronta (a monoline humanist sans with a large x-height), Tecpana, Naolica (a monoline, elliptical sans family), Auloe (a rounded contrast-laden sans family), Olpan (monoline sans family), Kaodai (monoline sans), Ocelca (a tribal organic type family), Qatana (a Peignotian sans family), Metrica (an organic elliptical sans family in 12 styles), Minimalista (monoline sans family with a hairline weight), and the elegant wide sans family Ekon. Typefaces from 2013: Ancora (high-contrast fashionable titling face), Binaria. Typefaces from 2014: Ipnea (a logotype sans), Gillca. Typefaces made in 2015: Minum Sans. Typefaces from 2020: Cairus (a futurist circle-themed font). Typefaces from 2021: Nahualli (a script inspired by the Mexican codex called Codice Mendoza / Mendocino). Dafont link. Aka Jef Triforce. Fontspring link. FontVila link. [Google] [MyFonts] [More] ⦿ | |
Creator of the hand-printed typeface David Regular (2012, iFontMaker). [Google] [More] ⦿ | |
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Graphic designer in Milan who was born in 1990 in Ancona, Italy. In 2011, he made a grid and compass-based geometric typeface called Le Tour Eiffel. At Politecnico in Milan, Nicolo Arena and Claudia Consiglieri did research under Marta Bernstein on the use of typefaces in the music field. Nicolo Arena designed the compass and ruler-based typeface Tour Eiffel (2012). Behance link. [Google] [More] ⦿ | |
Perivian designer of a needle-and-thread font in 2018. [Google] [More] ⦿ | |
Industrial designer in Wellington, FL. In 2015, he created the angular almost-blackletter typeface Catalina Gotic. Behance link. [Google] [More] ⦿ | |
Rotting vegetables inspired Lynda Aneno-Aciro (London, UK) when she developed the textured all caps typeface Decay in 2014 during her graphic design studies. [Google] [More] ⦿ | |
Plakatschrift type specialist from Estonia. Sample of his work from 1913 until 1927. Images: i, ii, iii, iv. [Google] [More] ⦿ | |
In 2012, she created an unnamed black didone display typeface. Home page. Behance link. [Google] [More] ⦿ | |
Lene Arensdorff is a graphic designer in Copenhagen, Denmark. For a project in Kenn Munk's class at The School of Visual Communication, she designed the didone-influenced display typeface Ten Moge (2015). In 2013, she created Haute Serif. Behance link. [Google] [More] ⦿ | |
Saarbrücken-based designer of the freeware font Suetterlin (1995). [Google] [More] ⦿ | |
Designer of D'Ni, a strange script font (D'Ni is a trademark of Cyan Productions). [Google] [More] ⦿ | |
Berlin, Germany-based designer of Hyper Trax (2019), a monoline typeface that takes inspiration from music from the 1990s. His Rugged Bois memes are also noteworthy. [Google] [More] ⦿ | |
Buenos Aires-based designer, b. 1971, Buenos Aires. Graduate of the Universidad Nacional de La Plata, class of 1993. Since 1993, he teaches at that same university. Author of Libro Expósitos. La tipografía en Buenos Aires 1780-1824. In 2013, he received the FADU Prize for his work Expósitos. Revalorización patrimonial tipográfica del Buenos Aires virreinal (1780-1810). In 2013, Fabio Ares and Octavio Osores created the vernacular railroad signage typefaces FC Sud, FC Norte, and FC Monte Chingolo, which is based on iron signage found in train stations in Argentina. In 2010, he designed the colonial typeface family Expositos (in redondo, cursiva and vinñetas styles). There is also a book called Expositos La tipografia en Buenos Aires 1780-1824. Further railroad typefaces include FC Nordeste (2013), FC Provincial (2013), FC Gambier (2013) and FC Quinquenal (2013). In 2014, he designed Garrigos Ornamental (a set of ornaments based on the period between 1780 and 1824 in Buenos Aires). The Ferrocarril series continues with FC Nefa (+Stencil). In 2016, he published Garrigos at TipoType and later at Underground. Garrigos is a set of ornaments based on the decorative motifs used by the first typographic workshop in Buenos Aires, Imprenta de Niños Expósitos, between 1780 and 1824. Behance link. Other link. [Google] [MyFonts] [More] ⦿ | |
Pleaseletmedesign is a duo of Belgian graphic designers comprising Pierre Smeets (b. 1981) and Damien Aresta (b. 1979). They set up their own graphic design studio in 2004 after graduating from Saint-Luc Higher School of Arts in Liège (Belgium) and spending almost a full year in ERG (Graphic Research School) in Brussels (Belgium). The projects of pleaseletmedesign range from graphic design, books, posters, identities and stationnery to exhibition design, signage, titles sequences, and website in cultural sectors as diverse as music, architecture, cinema and advertising clients. Toyota Belgium used a car to design the outlines of an upright script called iQ (2009). Free download. The font was made by Pleaseletmedesign. [Google] [More] ⦿ | |
Montreal-based designer (b. Venezuela) of the octagonal typeface Collineo (2016), Behance link. [Google] [More] ⦿ | |
For a school project in Ecuador, Jose Camacho (Guayaquil), Naath Drouet (Guayaquil), Tata Marcillo (Guayaquil), Eleana Espana Arevalo, and Isaac Zhamir Bazan Urquizaco (Guayaquil) co-designed the chalky typeface Wolf (2019) and the electric poster font V-Zion (2019). [Google] [More] ⦿ | |
Argentinian graphic designer who made the connected advertising script font Dulcita (2006). [Google] [More] ⦿ | |
Graphic design student in Los Angles in 2015. While interning, also in 2015, he created a custom kitchen tile font for Playboy. [Google] [More] ⦿ | |
San Salvador-based designer of the grungy typeface Splash Apple (2013). Behance link. [Google] [More] ⦿ | |
During her studies at Humber College in Toronto, Jenita Arevin created Modern Gaelic (2014) with a lower case t straight from a cemetery vampire movie. [Google] [More] ⦿ | |
Creator of M/M Paris Tribute (2008, FontStruct). [Google] [More] ⦿ | |
Depok, Indonesia-based designer of Binfont. [Google] [More] ⦿ | |
Indonesia-based designer of Rewe Rewe (2021), a curly serif that is inspired by the rewe-rewe or grasak dance in Magelang, Indonesia. [Google] [More] ⦿ | |
Hong Kong-based designer of the Latin typefaces Paperclip (2019) and Tape (2019). [Google] [More] ⦿ | |
Italian designer at FontStruct in 2008 of cialix. [Google] [More] ⦿ | |
Fonts from 2019: Talk Sing, New Garden Two (a circle-based sans), Hearts Garden, Garden Black, Adalgisa, Mellissa, Mattisse, Universal Sans, Universal Script, The Light, Campesina, Babeface, Soulstice, Movements, Love Empure, No Stress (grungy sans), Flowers (script), Magical Day, North Shore (a weathered slab serif), Theodora, Amandita, Brilhant, Alamoana, Palomita, Superworld, Black Rose, Mistical, Rocks (grungy), Marvelous, Dinasty, Magic Touch, Hot Jacket (brush script), Simplicity (beatnik face), Ibiza Crystal, Mystical Eyes, Allicia, Misterios del Amor, Sugar Kisses, Gonna Getha (weathered sans), Valentine Day, Secretss, Honey Lips, Got to be real, Afternoon in Stereo, Hotel Costes, Wall Paper, Fonts from 2018: Children's Party, Music Magic, Awesome Season, Lavelle, Wonderful Night, Chapter One, Atmospherica, Lost Sunset, Claudina, Run To The Hills, Placid Pool, New Balance, Euphoria, Claudia, Barbecue, Salsa Parrilla, Pilsen Extra, Morphine, Love is the Law, United Forces, Smell a Daisy, Allegratta, Hamburguer, Gingerale, Anette, Marshmallow, Bunch of Flowers, Cinderela, Antonine, Sepetiba, Anastasia Script, Alliance, Mustard, Superstar, Makeup, Flowers of Summer, Honeybe, Mirella, Fantastic (signage script), Inked Skin, Girls Got Rhythm, Dirty Queen, Ipanema, Antidote, Galaxie, Moving Star, Miraflor, Beredith, Allessa, Worldwide, Andorra, Single case, Carpenters, Monster Party (eerie font), Dontchastop, Love Strong, The Hills, Romantica, Attraction, Burning Heart (monoline script), Local Motion, Summer Daisy, Pumpkins, Space Jam, Sweet Movements, California Sun, Body & Soul, Choppers, Magical Waste, Over The Seas, Vegan Yummy, Glamour Girls, Flower Power, Quick Kiss, Star Light, Costa Rica, Nuclear Boots, Amore Mio, Lovely Summer, Roses Everywhere, Love Is The Antidote, Wisdom Words, Limousines, Mysteries of Passion, Moving Pictures, Blackberry Jam, Movie Poster, Beauty Mountains, Bunch Blossoms, Flora, Inked Angels (tattoo font), Loveland, Beautiful Lovers, Belle et Belle, Cherry Blossom, Let It Be, Casual Chance, Caranda, Aromabar, Capable of Loving, Miss Daisy, Mardi Gras, Last Frontier, Nouvelle Vague, Travel Light, Mind Rescue, Bella Fashion, Amarula, Sweet Easy, Indian Strength, Everlast, Megan, Hello Beauty, Vegan Style, Andaluzia, Ambar Pearl, New Era, Candice, Hometown, Sunrise Place, Lemon Jelly, Nature Beauty, Natural Beauty, Black Pearl, Tan Pumpkins, Acid Label II, Thrasher, Inked Babes, Ribbons in the wind, Calligraphy (inky), Amsterdam, Sweet Sixteen, Sunset Beach, Star King, Countryside, Crazy Love, Little Sister, Creature, House Queen, Dr Phibes (beatnik style), Moskitoes, Nirvana (script), Iceland, The Cure, Mr. Fink (beatnik style), Sea Balance, Hot Dog, Blow Up, Blow Me (crayon font), Sunrise, Joes Burguer, Splatted, Moonbeam, Tomatoes, Beautiful People, Hamsters, Vacations in Paradise, Lover Artefacts, School Days, Traffic, Campus (weathered athletics font), Universidad (weathered athletics font), Sundance, Siberian, Rich The Barber, Aurora, Dove of Peace, Clipper, The Quick Fox, Daisy Days, Dieselpower (grungy texture), Progress, Loud and Clear, Generator, Wannabees, Ripmonsters, Shity Chats, Death Before Chocolate, Karmacoma, Clever Couple, Astrovegan, Clarification, Breakfast on the beach, Graceland (signage script), Beauty Bright, Atlantida (letterpress grunge), Cassandra, Gene Loves Jezabel (brush), Great Cities, Crackerdown, Lost Ages, Bite Chocolate (script), Sunflowers (script), Mon Cherry (script), Lovely Day (heart font), Miracle Place, Ebony Eyes, Skywalker, Zabritzkyes, Black (grungy octagonal slab serif). Fonts from 2017: Waiting a Silver Moon, Master of Comics, Millenia, Fantastic Reason (signage script), Varukers (dry brush), Awakening (grunge), Majestic (signage script, Emotional Rescue, Misstral, Elements, Alouette, Cure of Pain (ink splash type), Farenheight (octagonal), Peacemaker (upright retro script), Altavista (creamy script), Ananda (script), Alexandra (script), Paper Rib (script with paper rib outlines), Honeymoon (script), Gotcha (heavy headline type), Christmas Day (signage script), Clarice, Orange (signage script), Indiana (baseball script), Magnificent (blackletter), Sketching Summer (signage), September Five, Cross Town (weathered), Saturday Nights (signage script), Blessed (baseball script), Blobbers (baseball script), Jam Sessions, Moon Walker (dry brush), Drawing Nature, Sketching Stars, Lone Wolf, Cubika Script, Bonneville Co, Walk (wide wood type), Rio Black (counterless), Secret Agent, Trouble (blackletter), Trouble II (blackletter), Living Colours, Crystal, Sepia (letterpress poster font), Rainbow Bridge, Black Diamonds (signage script), Candy Shop, Enthrall (sharp-edged retro signage script), Movie Makers (script), Sunshine Boulevard, Black Napkins (grungy), Brush Stroke, Carolina Mountains, South Gardens, Calling Angels, Cherry Kisses (candy script), Messenger Pigeons (script), Shine, Carolina Hills, Shave The Whales (tattoo script), Diamonde (baseball script), Yananeska, Black Ball, Miss Hanna (signage script). Fonts from 2016: Sweet Sensations, Breeze (brush script), Christmas Time (script), Propaganda Sight, Modern Stencil, Eyes Wide Open, Bella Donna, Safira Shine, Heaven Matters, Electricity (fifties script), Maccrap Asphalt (textured), Blockhead Dude (beatnik style), Weekend Flower Hunters, Sunset Clouds (tattoo script), Bikinis, Chedelparedon (scartchy font), Dattermatter (connected script), Granada-Blues (connected script), Mistery-Curse (connected script), Walking-Stones (calligraphic), Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font). Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script). Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, Popcorn (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face). Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT. Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil). Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed, Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont). Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿ | |
Chilean designer of La Choly, a signage typeface that won an award at Tipos Latinos 2008 in the non-text typeface category. Her Rakatan Negra (2011) is a comic book typeface that can be had for free at Andez. At Tipos Latinos 2012, Flora Argemí won an award in the display type category for Perejil. [Google] [More] ⦿ | |
Envigado, Colombia-based designer of ABC Recto (2017) and ABC Loma (2017), two blackletter-inspired typefaces. [Google] [More] ⦿ | |
During his studies at the University of Alabama at Birmingham, AL, Joe Argent (Jasper, AL) created the display typeface family Argent (2013). Behance link. [Google] [More] ⦿ | |
Bender Script (2008) is a brush script developed from an incomplete script drawn by Charles Chas Bluemlein. Barnstormer Script (2010) is a sign painter typeface. Gonte (2013) is a sketchbook script typeface. Saskya (2015) is a rough chancery script. Glade (2015) is a formal calligraphic copperplate script in five widths. In 2016, she designed the architectural lettering typeface Robard, the brush script typeface Beckford Script and the ballpoint pen script Generous Hospitality. Typefaces from 2020: Postale (a monoline gas pipe sans). [Google] [MyFonts] [More] ⦿ | |
Graphic designer Mike Argles (Milton Keynes, UK) created the experimental piano key typeface Cut Type (2012). [Google] [More] ⦿ | |
Luis Arguedas (Heredia, Costa Rica) designed the wavy Alfa display typeface in 2015 during his studies. [Google] [More] ⦿ | |
Creator of Brainy (2013). The texture of the typeface is probably meant to depict a brain, but it could also be considered as a camouflage texture. [Google] [More] ⦿ | |
Graphic design student in Cordoba, Argentina. Creator of the free paperclip typeface Clip (2012). Dafont link. [Google] [More] ⦿ | |
Aka Neo. Graphic designer in Azcapotzalco, Mexico, who designed the 3d typeface Your Selfont (2015). [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer of the display typeface Voyage (2013). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the sans typeface Denhaus (2017). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the ultra-condensed didone typeface Joker (2010). FADU UBA link. [Google] [More] ⦿ | |
Russian type designer. His Colmena (2009, ParaType) was designed for books for children. This font used to be called FD Harvey. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Bandung, Indonesia-based designer (b. 1995) of the rounded sans typeface Delio (2018) [Google] [More] ⦿ | |
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During her studies in Lima, Peru, Candy Yrupailla Arias created Sppoky Font (2015). [Google] [More] ⦿ | |
Type and culture blog by Vancouver-based designer David Arias. He created Isometrica (2008, a 3d pixel block face) and Toko (2009). Home page. [Google] [More] ⦿ | |
Graphic designer in Buenos Aires, Argentina, who created the fat poster typeface Bungo (or Bitacora) in 2016 during her studies at FADU/UBA. Behance link. [Google] [More] ⦿ | |
Aka Mario Ernesto and Mario Ariaz. El Salvador-based designer (b. 1988) of the pixelish typeface Cube (2011) and the hand-printed typeface Stylo (2011). Dafont link. [Google] [More] ⦿ | |
Art director in Barcelona who designed Trump Font in 2016. Behance link. [Google] [More] ⦿ | |
Montreal-based designer of Punto (2017), a typeface obtained by subtracting from Futura Light. [Google] [More] ⦿ | |
Creator of Shapur (2012) for inscriptional Pahlavi. [Google] [More] ⦿ | |
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Company based in Dallas, TX, that markets Marwan Aridi's great drawings. His borders, ornaments, initial caps, ribbons and banners are almost legendary. They are for now in EPS format, and truetype and type 1 versions are available for many. Alternate URL. He sells great sets of drawings for the following: Arabic Calligraphy Art, Arabic Caps&Fonts, Web Clips, Initial Caps I, Initial Caps II, Initial Caps III, Initial Caps IV, Historical Ornaments Patterns&Frames, Arabesque Ornaments, Arabesque Borders, Olde World Borders I, Olde World Borders II, Calligraphia, Olde World Ornaments, Ribbons, Banners&Frames, Ornamental Backgrounds, Crests, Ribbons&Frames, Typography&Printer's Ornaments, Aridi Fiesta, Business 1, Background Two, Arabesque Designs. Alternate URL. Arab Caps has many fonts. Package of 30 display fonts for 500USD. [Google] [More] ⦿ | |
Makassar, Indonesia-based designer of Power Display (2022; an 18-style anthroposophical typeface family designed for cartoons and supermarket packaging), Power Grotesk (a wide hipster sans in 16 styles) (2021). [Google] [MyFonts] [More] ⦿ | |
Israeli font designer who made the Hebrew typefaces Afifon MF (hand-printed), Krashim MF (2006). [Google] [MyFonts] [More] ⦿ | |
Amanda Ariel (Kaboom Kreaticve) is the Australian creator of the hand-printed typeface Peak (2012) and the comic book typeface Quickstyle (2012). [Google] [More] ⦿ | |
Graphic design student in Schoonhoven, The Netherlands, who created the squarish typefaces Squareb45 (2013) and Squareb90 (2013), and the display typeface Leaf (2013). Behance link. [Google] [More] ⦿ | |
Born in 2001 in Tuban, Jawa Timur, Indonesia, Muhammad Rizky Ariesto created the inky script typefaces Hanatasya Sans (2014), Omong Kosong (2014), Kunjara (2014, Javanese script), Arrogano (2014), Damai Pemilu (2014), English van Java (2014), Salto (2014), Kecil Cabe Rawit (2014), Sunyi Normal (2014), Tersesat (2014), Ozi's Handwrite (2014), 8 Octav (2014), Semangat 45 in 2014. Doraemon (2014) is a comic book character typeface. Robin (2014) is a curly typeface. Andromeda (2014) is a poster font. Mayangsari (2014, FontStruct), Zanki (2014), 1945 (2014) and Aufal (2014, FontStruct) are display typefaces. [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer (b. 2000) of the display typefaces Greisy (2020) and Chrulle (2019). [Google] [More] ⦿ | |
Designer of the monospaced Arabic typeface Kawkab Mono (2015), which is available from Open Font Library. It is paired with Source Code Pro for the non-Arabic glyphs. [Google] [More] ⦿ | |
Bandar Seri Begawan, Brunei Darussalam-based designer of the free arrowed display typeface Montrilo (2014). [Google] [More] ⦿ | |
At Institut Teknologi Brunei, Bandar Seri Begawan, Brunei-based Mariatul Ariffin created the free display typeface Squarey Tail (2015). [Google] [More] ⦿ | |
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Indonesia-based designer of the soft serif typeface Aligarh (2020: by Nur Syamsi and Bustanul Arifin), Aligarh Arabic (2020: by Nur Syamsi and Bustanul Arifin), the comic book typeface Tufuli Arabic (2020, by Nur Syamsi and Bustanul Arifin) and the fat finger font families Childos and Childos Arabic (2020, by Nur Syamsi and Bustanul Arifin). In 2021, Nur Syamsi and Bustanul Arifin designed Kidzhood Arabic (a children's book font), Mahameru (a 20-style display typeface), Mahameru Arabic, Meila (a plump almost-bubblegum font family in seven styles), Meila Arabic, Kidzhood (a children's book font family), Naveid (an 18-style mini-serif typeface; and two variable fonts), Naveid Arabic (a ten-style Arabic typeface), and Gestura (an upright connected typeface in 14 styles, and two variable fonts). [Google] [MyFonts] [More] ⦿ | |
Indonesian designer (b. 1995) of Rosewind (2019: a script), the mini-serifed typeface family Brand Law (2019) and the free typeface Evalia (2019). [Google] [MyFonts] [More] ⦿ | |
Based on Paul Klee's Castle and Sun, Tazul Arifin (Bandung, Indonesia) created the hexagonal-grid typeface Trekant (2012). [Google] [More] ⦿ | |
Surabaya, Indonesia-based designer (b. 1987) of the tall script typefaces Arandelle (2021) and Drawpen (2021). [Google] [More] ⦿ | |
Muhd Arif (Selangor, Malaysia) created the decorative displa typeface Effrice in 2012. [Google] [More] ⦿ | |
Aka Semiotica. Istanbul-based designer of the ine Tech Inn Line Icon font (2016). Graphicriver link. [Google] [More] ⦿ | |
During his studies in Istanbul, Mehmet Oguz Arikan designed the display typeface Agaga (2013). [Google] [More] ⦿ | |
His typefaces include the free didone typeface Valentina (2012). In 2016, he published the humanist sans typeface family Mestre, which, in his own words, is a German & Dutch-inspired geometric sans-serif. In 2017, Pedro graduated from the University of Reading with the multi-script typeface pair Rock (for Latin, Greek and Cyrillic) and Roll (for Latin, Arabic and Japanese). In 2018, Fontsmith published the mammoth sans family FS Industrie. Still in 2018, Arilla released FS Neruda at Fontsmith. This transitional storytelling text family is named after Chilean poet Pablo Neruda. The Lost & Foundry family of fonts was designed in 2018 by Fontsmith's designers Stuart de Rozario and Pedro Arilla together with M&C Saatchi London: FS Berwick FS Cattle, FS Century, FS Charity, FS Marlborough, FS Portland, FS St James. The campaign was developed by Fontsmith, M&C Saatchi London and Line Form Colour. The crumbling typefaces of Soho were recovered to be sold online as a collection of display fonts, to fund the House of St Barnabas's work with London's homeless. In 2020, Monotype released Bunbury, FS Rosa (a soft serif family influenced by Cooper Black and Windsor), FS Renaissance, a stencil serif typeface by Pedro Arilla and Craig Black. Behance link. Home page for Pedro Arilla. [Google] [MyFonts] [More] ⦿ | |
Born in northern Mexico, Aldo Arillo has a Bachelors from CEDIM in Monterrey, Mexico, and a Masters in typography from FADU, UBA in Buenos Aires, Argentina. In 2015, Aldo Arillo and Ariel di Lisio set up Nodo Type Foundry in Buenos Aires. Nodo's motto: Typography transcends time. The future is grotesk. [Google] [More] ⦿ | |
As a student at Kadirhas University in Istanbul, Turkey, Omer Ariman created the display typeface Galata (2016), which is inspired by the Galata Tower. [Google] [More] ⦿ | |
Toru Arima's fonts are sold through Font Pavilion: KanaRS is a katakana font family. ATBeta-A (2000) is part of Font Pavilion 12. Klingspor link. [Google] [More] ⦿ | |
Ex-director of Scriptorium de Toulouse, calligrapher, teacher and typographer. Michael Levy took these pictures of him in 2004: Arin drawing, sketching a Trajan typeface on a stone. [Google] [More] ⦿ | |
In 2017, he created the connected script typeface Molluca, the signage typeface Cheese Latte, the heavy brush typeface Breed and the avant garde sans typeface Moody Rock (+the shadow version called Moody Rock Extrude). In 2018, he designed the handcrafted typeface Cuties Caps. The mini-slabbed Bounaville was added in 2019. [Google] [More] ⦿ | |
Yoichi Arisaka (Arisaka Design, Tokyo, est. 2003) created the experimental typeface FONTA (2011), which just consists of dots and rectangles. Behance link. [Google] [More] ⦿ | |
Floridian designer of Ancient G written and Ancient G Modern. These runic style typefaces are based on Anquietas, Alteran, and Anc Hand. [Google] [More] ⦿ | |
Typefaces from 2018: Hothead, Anderson, Nodes, Salome (art nouveau style), Dirdy Birdy (calligraphic and inky), Betong (stencil), Solid Sans, College Sans, Giovanni, Cardboard Cutout, ZX80. Typefaces from 2019: Brush Off (brush script). Creative Fabrica link. [Google] [More] ⦿ | |
During her studies at the School of Arts, Design & Media Nanyang Technological University, Singapore, Suhaila aris created the modular typeface Poised (2014), which has adapted patterns embedded in the font. [Google] [More] ⦿ | |
Italian graduate of the Typemedia program at KABK, class of 2016. After his graduation, he became a lecturer at ISIA Urbino, Italy. His KABK graduation typeface is Brugola, which is crafted to be used with CNC technolgy. Github link. [Google] [More] ⦿ | |
Creator of Buzzwaktype (2012). [Google] [More] ⦿ | |
Russian creator of the (free) calligraphic script fonts Allegretto Script One and Two (2004). Designer of the Cyrillic font Champignon Script (2004), which can be found here. [Google] [More] ⦿ | |
Manila, The Philippines-based designer of Papercut (2018). [Google] [More] ⦿ | |
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Indonesian designer (b. 1993) of Aftershocks (2020), Shape Shift (2020) and Ainsley (2020: thin script). [Google] [More] ⦿ | |
Chalco, Mexico-based designer of the handcrafted poster typeface Angustia (2014). [Google] [More] ⦿ | |
Typefaces from 2021: Briztle (grungy condensed caps), Crafty Bestie (hand-crafted), Howling Wolf (a brush font), Klop (a bold soft sans) Klorofeel (hand-crafted), Moreganic (for national park signage), Protagonice (a hand-drawn slab serif), Mogathe (a spurred Western font), Courage Union (a weathered athletic lettering font), Overgreed (a rounded blackletter), Hypercrack (type for crack addicts), Flashy (making fun of the loud 1990s), Machine Killer (blackletter), Enjoyable, Harmoneux (an all caps display font), Mighty Rooster (a weathered letterpress emulation typeface), Sacred Musk (a display typeface), Mighty Rooster (a weathered letterpress emulation typeface), Sacred Musk (a display typeface), Amateur Hunter (handdrawn caps), Quiet Backyard (a scrapbook font duo), Funky Gloom (a blackletter), Boredom. Typefaces from 2022: Blastvader (a reverse stress bean font), Hurtmore (a doodled brush script), Youthful Radiance (brush caps), Morphadore (a wide connected script), Foliage Exotica (a hand-crafted serif), Peaceful Island, Local Groceries (a vernacular typeface), Brughler (a vintage label font), Polka Collecta (a casual all caps sans), Constaline Script (a monolinear script), Sirkle (a troubled wedge serif with rhombic tittles). [Google] [MyFonts] [More] ⦿ | |
Malang, Indonesia-based designer of the script typefaces Flower Grave (2018) and Djajady (2018), and the rounded sans typeface Alisca (2018). Creative Fabrica link. [Google] [More] ⦿ | |
Jepara, Indonesia-based designer (b. 1995) of the free fonts Sweet Rathulia (2018), Mylandia (2018), Prily (2018), Zaskiya (2018), Sweety Lovely (2018), Rosterica (2018), Karam (2018), Lily White (2018), Hillend (2018: brush script), Eliyana (2018), Metasha (2018), Monogram (2018), Avinda Script (2018), Sweet (2018), Palamia (2018), Merana (2018), Kalesun (2018), Chabitta (2018: a heavy brush font), Harligh Brush (2018), Monthey (2018), Royalia Signature (2018), Honest (2018: heavy script), Karam Italic (2018, brushed) and Kutoen (2018: an eerie font). Typefaces from 2019: Brada Riders, Winterfun, Patrice Stamp, Hellytail (a monoline script), Romedhal sans, Purple Grande, Arealand (a monoline script), Belynda (a heavy brush typeface), Romedhal Script (monoline, weathered), Belandia (signature script), Amanise, Moshinta, Sharkiness, Tualang, Stonehard Brush (a fine dry brush typeface), Strongwild, Mahira, Fianna, Fineberg (a heavy brush script), Amindinah, Wandertucker, Pasatona, Pindow, Rabites, Curtina, Partner in Crime (a marker font). Typefaces from 2020: Bhoco Letter, Cute Pinkies, Jupiter Love, Joyful Unicorn, Island Namina, Hello Crush (a horror font), Arealand (a monoline script), Bilanesa, Blindsay, Bholu, Brattalia (script). [Google] [MyFonts] [More] ⦿ | |
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Graphic designer in Moscow who created the wavy typeface Sea Sans (2016). [Google] [More] ⦿ | |
Slovenian designer (Ljubljana, b. 1983) of the futuristic monoline sans family Nouvelle during the design workshop TipoBrda in 2008. It was perfected and started selling at MyFonts in 2011. In 2009, she created Afrikana, an alphabet with a decidedly African theme. During TipoBrda 2010 in Ljubljana, she designed the didone numbering typeface Kampula. In 2014, she cooperated with Gaja Meznaric Osole on the commercial casual hand-printed script Jadran, which was created as an homage to a cult children's magazine named Ciciban. [Google] [MyFonts] [More] ⦿ | |
Athens, Greece-based designer (b. 1973) of Greek Bear Tiny E (2006, pixel). Blog (in Greek). [Google] [More] ⦿ | |
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Art director in Istanbul, Turkey, who designed the interloicking square-shaped typeface Borderless in 2016. Behance link. [Google] [More] ⦿ | |
Also called Stigbergets Stamp och Press. Fonts: Funkiswoodcut (1999), Moravus (1999). [Google] [MyFonts] [More] ⦿ | |
Located in Jakarta, Dhany Arliyanti (b. 1983) created the organic sans family Juice in 2008. Dafont link. [Google] [More] ⦿ | |
Soccer enthusiast and graphic designer in West Lancashire, UK, who created the display typeface MUFC in 2015. He writes: Typographical based project for Manchester United and Adidas to promote and market the new kit. [Google] [More] ⦿ | |
Creator of the free organic sans family Juice (2008). Her home page. [Google] [More] ⦿ | |
Singapore-based designer of Picklock (2017). [Google] [More] ⦿ | |
Icelandic art director, designer and typographer Sigurður Ármannsson graduated from The School of Arts and Crafts [now Icelandic Academy of the Arts]. He teaches there part-time. He also studied at the Rijksakademie van Beeldende Kunsten in Amsterdam. Creator of the structured sans family Guinevere Pro (2011, Canada Type). His font anatomy wallpaper is a visual glossary of the parts of typefaces. Klingspor link. Home page at font.is. Blog. [Google] [MyFonts] [More] ⦿ | |
Owing Mills, MD-based freelance graphic designer who created the geometric solid typeface Pizazz (2015) during her studies at SCAD (Savannah College of Art and Design). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer (b. 1980) of script and handcrafted typeface. In 2020, he published The Street, Savira, Beach, Honey, Yume, Beauty Day, Hello World, Play Date, Black Cat, Tropical, Allure of the Sun, Sky Blue, Scenery, Lazy Monday, and The Moon. [Google] [More] ⦿ | |
Designer in Minnesota. Behance link. Creator of Desiann (2011). [Google] [More] ⦿ | |
Quito, Ecuador-based designer of the scribbly Halloween typeface Branch (2017). [Google] [More] ⦿ | |
Oriol Armengou (Toormix) is a designer based in Barcelona specialised in branding projects, art direction, graphic design, and websites. Toormix sells these typefaces: Vermut (2014, based on Spanish toothpicks called palillos), Poligonal (2014, octagonal), Optilus (2014, beveled) and Marimuntanya (2014, alchemic). Behance link. HypeForType link. [Google] [More] ⦿ | |
Graphic designer in Orange, CA. Creator of the display typeface Flunk (2014). Behance link. [Google] [More] ⦿ | |
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Madrid-based creator of the free font Morning Glory (2011) and the free font Plstk (2012, designed with Christian Baumgartner). Behance link. Home page. [Google] [More] ⦿ | |
Graphic designer in Buenos Aires who created a cathedral-inspired typeface during his studies at FADU / UBA in 2013. [Google] [More] ⦿ | |
Israeli designer (b. 1986) of Kitbiya Amerikaya (2006), an organic grunge jungle typeface created for the Sterna 2395 comic book series, and Chronicles of Arkmar (2008) and Hebrew Chronicles (2008). Alternate URL. In 2010, he made the Groovy Cursive Hebrew font. [Google] [More] ⦿ | |
Las Cruces, NM and Israel-based designer (b. 1991) of Elite, a grunge version based on Adobe's Trajan. Creator of the Hebrew fonts Groovy Cursive (2014) and Shakked Pirate (2014). [Google] [More] ⦿ | |
Mexico City-based designer of typefaces influenced by Salvador Dali (2018) and Joan Miro (2018). [Google] [More] ⦿ | |
Lisbon-based creator of the dot matrix typeface Diamond (2013). [Google] [More] ⦿ | |
During her studsies in San Diego, Olivia Armitage created a the pixelish Richard Meiere Custom Typeface (2014). [Google] [More] ⦿ | |
Kilgore, Texas-based designer of these pen typefaces in 2017: Messdy Ink Pen, Humphrey, garden Gnome, Smarty Pants, Cheesy Enchilada, Maggie Mae, Stella, Jackson, Blue Mason Script (free), Lucille Hand, Simon, Matchstick, Marley, Marigold, Lumberjack, My Dear Watson, Betty Jane, Whiteboard, Oscar Bravo, Ella Harper, Curly Lou, Twiggy Pop, Gina Bina, Mimsy Whimsy. Creative Market link. Behance link. [Google] [More] ⦿ | |
During her studies at the University of Central Arkansas in Conway, AR, Allison Lea Armstrong designed Architecture Anatomy Font (2016, decorative caps) and the related artchitect (2016). [Google] [More] ⦿ | |
Designer, educator and artist who studied at the University of Wisconsin. She created Lady Killer (custom typeface and logo designed for Lilly Red Studio, Wedding Photography and Invitation Design, Chicago), Stylo Neuf (2009, a contrasted sans done in laser-cut letterpress), and Foundry Type (2008). [Google] [More] ⦿ | |
UK-based designer (b. 2000) of the condensed bold sans typeface Rainbow (2014). Aka Elizabeth Grant and as A Sky Ferreira. [Google] [More] ⦿ | |
Based in the north west of England, David Armstrong designed the dot matrix all caps typeface Fernando (2012). Behance link. [Google] [More] ⦿ | |
Erin Armstrong (Atlanta, GA) created the Sci-fi Fantasy Alphabet (2011, all caps). [Google] [More] ⦿ | |
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Grunge type, digital art. New York-based. Fonts created by Jon Armstrong. About 15 dollars per face. Fonts: BadNovel, Bizheads, HighSodium, Insecurity, Jiggy, MildHeadache, NoBleach, Rash, ToxicMarker. All formats except Windows PostScript. [Google] [More] ⦿ | |
American designer of Vacillation (2001, a display font), Cursory, a pixel font, Rotund, another pixel font, Being (2002, a tiny all caps screen font), Chronic (2002, unreadable pixel font), Quadrate (2002, a nice pixel font family), and Typical, yet another pixel font. [Google] [More] ⦿ | |
Leah Armstrong (Ballarat, Australia) designed the hand-lettered display typeface Happy Ending (2013). [Google] [More] ⦿ | |
York, PA-based student-designer (at York College of Pennsylvania) of the display typeface Down Low (2014). [Google] [More] ⦿ | |
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Original designs such as TRUCK Conky Choo Driver, a dingbat font by Chris Stone. Don Weber's grungy Truck Novembre Gruppe, Truck Rocketry by Truck Armstrong, and truck transmission by Steve Wilson can also be downloaded. Latest addition: Mandible Mama (by Truck Armstrong as well). The new page seems a dead end, so Truck Fonts was revived by CybaPee at typOasis. Alternate URL. [Google] [More] ⦿ | |
Basque designer from San Sebastian who created a Basque typeface for the Euskadi company in 2006. [Google] [More] ⦿ | |
Originally from Reykjavik, Atli Þor Árnason is studying at The School of Visual Communication in Haderslev, Denmark. He created the runic and/or Futhark simulation typeface Ristir (2011), a typeface that was heavily inspired by The Elder and The Newer Futhark alphabet. Behance link. [Google] [More] ⦿ | |
Bordeaux, France-based designer of the part hexagonal, part octagonal typeface Grenade (2016). Behance link. [Google] [More] ⦿ | |
Letterer and graphic designer based in Los Angeles. In 2016, Emily created a drop cap alphabet. In 2017, she designed Iva Sans and the dot matrix typeface Dotty (free at FontStruct). Behance link. [Google] [More] ⦿ | |
Coimbra, Portugal-based designer of a multiline pixel face, Fonte Bitmapped (2011). [Google] [More] ⦿ | |
Creator of the hand-printed typeface Occult Technique (2013). [Google] [More] ⦿ | |
Copenhagen-based graphic designer, who created God Mother High Nose (2012), a modular monoline sans family. [Google] [More] ⦿ | |
The Sean Arnett Type Foundry used to be called "Corduroy". This Canadian foundry sells about 175 fonts at 55 dollars a piece. The list: ALCHEMEY, AMSTERDAM, ANALOG, APRICOT, ARISTOTLE, BADLY DRAWN BOY, BALI EYES, BARREL OF A GUN, BARREL OF A GUN 2, BI - POLAR BEAR, BLITZKRIEG BOP, BROKEN, BUDDY HOLLY, BULLET, BULLETPROOF, BUTTERFLY, CAKE, CATERPILLAR, CHEMISTRY, CLEOPATRA, CLOSE TO ME, CONTINENTAL, CONTINENTAL EXTENDED, CONTINENTAL EXTENDED WIDE, CONTINENTAL OUTLINE, CONTINENTAL OUTLINE CLEAR, DEVOTION, DIESEL, DR. NO, EGYPTIAN HIEROGLYPHICS, ELVIS, ELVIS PRESLEY, ELVIS PRESLEY BOLD, ELVIS PRESLEY OUTLINE, ELVIS PRESLEY OUTLINE ZEBRA, EMBRACE, ESCTASY, EUROPA, EVEL KENIEVEL, EVEL KENIEVEL BROKEN, FANTA, FLAMENCO, FLAVOUR FLAV, FRANK SINATRA, FREESTATE BOLD OUTLINE, FREESTATE CHROME, FREESTATE OUTLINE, FROSTY THE SNOWMAN, FUTURAMA, GASOLINE, GAS PANIC, GINGER, GIRAFFE, GIRAFFE OUTLINE, GIRAFFE OUTLINE BOLD, GIRAFFE SHADOW, GOLDFISH, GUS GUS, GYPSEY KINGS, HAPPINESS, HASH PIPE, HEPBURN, HEPBURN BOLD, HEPBURN BOLD OUTLINE, HEPBURN OUTLINE, HOWDY, INSIGHT, INSIGHT BOLD, INSIGHT HIGHLIGHT, INSIGHT OUTLINE, INSIGHT THIN, INSTRUCTIONS, IRONWORK, IRONWORK BORDER, JESUS SAVES, JO JO'S JACKET, JOHNNY CASH, KEE WEE, KEE WEE BOLD, KEE WEE OUTLINE, KEE WEE OUTLINE OUTLINED, KEE WEE SMOOTH, KEE WEE SMOOTH OUTLINED, KISS ME KISS ME KISS ME, KUBRICK, LED ZEPPELIN, LEONARDO DA VINCI, LEONARDO DA VINCI SYMBOLS, LICORICE, LOU REED, LUSH, MARLON BRANDO, MARTINI, MATADOR, MEGATRON, MEMENTO, MEMPHIS, METRO, METRO BLOCK, MOLECULE, MONET, MONET SYMBOLS, MOONLIGHT DRIVE, MUTATIONS, NEIL FINN, NERO, NICO, OASIS, ODELAY!, ONES AND ZEROS, ORBIT, PARIS, PEIGNOT, PENGUIN, PETROGLYPHS AFRICAN, PEZ, PIXEL BUBBLE BUBBLE, PIXEL CONDENSED HV, PIXEL CONDENSED, PIXEL CURVED EXTENDED, PIXEL CURVED HV, PIXEL SPACE INVADERS, PIXEL SQUARE, PIXEL SQUARE EXTENDED, PIXEL SQUARE HV, PIXEL SQUASHED, PIXEL TECHNO, POPSICKLE, POSTCRYPT, QUICKDRAW, RAMONES, RAYGUN, RAYGUN OUTLINE, RED HOT CHILI PEPPERS, REVOLVER, RUN LOLA RUN, SAUL BASS, SCRABBLE, SEAHORSE, SEAWEED, SIGNAL ONE, SIGNAL TWO, SPIDERWEB, SPUTNIK, STEPHEN MALKMUS, STEREOPHONICS, STYLOROUGE, STRAWBERRY FIELDS, SUPERGRASS, SUPERMAN, SWANSONG, SWEETHEART, TAHITIAN MOON, TELEVISION, TROPICALIA, TECHINCOLOR©, THE NIGHT BEFORE CHRISTMAS, THE OYSTER (DO NOT FEED), THE STROKES, TIGER THE LION, TURNTABLE, USELINK, VELOCITY, VENICE, VERTIGO, VESPA, VESPERTINE, VINCENT SYMBOLS, VINCENT VAN GOGH, VIOLATION, WATER AND A SEAT, WILLIE NELSON, WOODY, WOWEE ZOWEE. [Google] [More] ⦿ | |
Chris Arney (Hemphacker) is the Alabama-based designer (b. 1980) of the pixel font Digital 5x7 (2003). Fonts2u link. [Google] [More] ⦿ | |
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His early fonts were released at VGC, the Visual Graphics Corporation: VGC Aquarius (2, 4, 5, 6, 7, 8, Outline) (1967) (this was digitized in 2007 by Steve Jackaman as Aquarius), VGCArnholm Sans Bold (1965), VGC Fovea (1977). Arnholm also designed WTC Veritas for the World Typeface Center, New York, 1981-85. He created these headline typefaces for the Los Angeles Times, 1980: L.A. Times Regular, L.A. Times regular italic, L.A. Times Bold and L.A. Times Bold Italic. MyFonts page. Linotype bio. FontShop link. Klingspor link. View Ronald Arnholm's typefaces. [Google] [MyFonts] [More] ⦿ | |
Righteous Fonts in Brooklyn was started by Theres Wegmann and Gill Arnò, the designer of SubTalk (scratchy letter font) and Rec. [Google] [More] ⦿ | |
English page. For 10DM (5 USD), Anke will make your handwriting into a font! Alternate URL. Dafont link. Another link. Open Font Library link. [Google] [More] ⦿ | |
During her Visual Communication Design studies at Northern Kentucky University, Briana Arnold (Ft. Mitchell, KY and Cincinnati, OH) created the rounded squarish sans typeface Aero (2012). She also created the sans typeface Sequent in 2012, which was designed for screens. Behance link. [Google] [More] ⦿ | |
Designer of Elxil (2015, pixelish), Floh (2012) and Percellian (2015, connected script). [Google] [More] ⦿ | |
American designer of Only Dancing (2010, scanbat face). Home page. [Google] [More] ⦿ | |
Klingspor link. Linotype link. [Google] [MyFonts] [More] ⦿ | |
Campo Bom, Brazil-based designer of the pixacao typeface Pixo (2016). [Google] [More] ⦿ | |
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Jan-Henrik Arnold (JHA, Berlin, Germany), b. 1980, studied first in Konstanz and then in Berlin at the University of Applied Sciences in Potsdam where he was taught by Luc(as) de Groot. He works mainly as a type designer. His typefaces from 2013: JHA Zucker (a fat didone stencil), JHA Libre (elliptical sans, +Pro), JHA Yeni Zaman (geometric sans with roots in the 1930s). In 2014, he published Bodoni Ritalic, a backslanted Bodoni Italic. In 2015, Arnold created the transitional typeface family JHA Times Now and the chiseled typeface Tetraktys (inspired by Friz Quadrata). In 2016, he released the text typeface Praeneste. Typefaces from 2017: JHA My Happy 70s. [Google] [MyFonts] [More] ⦿ | |
Sao Paulo-based creator (b. 1977) of the upright connected monoline script typeface Lumem (2013). [Google] [More] ⦿ | |
Creator of the etched / engraved typeface Kartenschrift Parisienne (1905, C.F. Rühl, H. Berthold AG). [Google] [More] ⦿ | |
Milan-based designer of Double Chocolate Brownie (2012, hand-printed, available from Ten Dollar Fonts). Klingspor link. [Google] [More] ⦿ | |
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During his studies, Betim, Brazil-based Diego Arnoud designed the handcrafted typeface Luxella (2017). [Google] [More] ⦿ | |
Type designer at Deberny & Peignot who created Guy Arnoux capitales (1914: caps typeface). [Google] [More] ⦿ | |
In 2013, he published the brush script typeface French Kiss. [Google] [MyFonts] [More] ⦿ | |
Jericho, VT-based designer of Pixie Talon (2004). [Google] [More] ⦿ | |
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Bogota, Colombia-based designer of the techno or video game font Phalax (2018). [Google] [More] ⦿ | |
Student at the Rocky Mountain College of Art + Design (RMCAD). Colorado-based creator of Dinotype (2011, letters inspired by dinosaurs). Devian tart link. [Google] [More] ⦿ | |
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Budapest, Hungary-based designer of an art deco typeface in 2017. [Google] [More] ⦿ | |
Graphic designer in Crotone, Italy. Designer of the compass-and-ruler typeface Trado (2014). [Google] [More] ⦿ | |
Rose Aron, who works at cartier International in Paris as a graphic designer, created Lacroix (2013), an ornamental typeface that was inspired by couturier Christian Lacroix. Behance link. [Google] [More] ⦿ | |
American type designer. His typeface Apogee won an award in the kanji category at the 22nd Morisawa Type Design competition in 2019. [Google] [More] ⦿ | |
Indian graphic design student. Creator of the techno typeface Headstrong (2011). [Google] [More] ⦿ | |
During her studies in Singapore, Esha Arora created the typeface Diamante (2015). [Google] [More] ⦿ | |
Indonesia-based designer of the 20-style squarish typeface family Chiaroscuro (2021). [Google] [More] ⦿ | |
Bindu is a circle-based experimental display font designed during Rishabh Arora's UKIERI student exchange at Adam Smith College in Scotland. He lives in New Delhi. [Google] [More] ⦿ | |
Graphic designer who graduated from National Institute of Design in Ahmedabad, India in 2019, and is based in Bagalore, India. At Type Paris 2019, she designed the high-contrast display typeface Extra (five styles including a stencil) which was used for the identity system of 46 & 2, a Mumbai-based design studio. [Google] [More] ⦿ | |
During his studies at the University of Southern California in Los Angeles, Simone Arora designed a super-tall sans typeface in 2016. [Google] [More] ⦿ | |
Gurgaon, India-based designer of the Latin display typeface Potli (2018). [Google] [More] ⦿ | |
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Argentinian designer of the nice blockish typeface Matryshka. [Google] [More] ⦿ | |
North Hollywood, CA-based designer of the simple geometric typeface called Feeling Right (2012). [Google] [More] ⦿ | |
Ayelen (b. 1989) lives in Buenos Aires. She created Bauserif (2009), a serifed version of ITC Bauhaus Medium, Geometric 752. [Google] [More] ⦿ | |
Overland Park, KS-based student-designer (at KU) of the hairline sans typeface Kindred (2018). [Google] [More] ⦿ | |
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Acarigua, Venezuela-based designer of Bombigot (2012), a very heavy typeface midway between graffiti and bubblegum. [Google] [More] ⦿ | |
Aka Nasrun. Payakumbuh or Jambi, Indonesia-based designer of the script typefaces Cleverlands (2019) and Readfaster (2019). [Google] [More] ⦿ | |
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Spanish creator of Galaxy Visitors (2013) and Mrs Chocolat (2013). Dafont link. [Google] [More] ⦿ | |
Mexican designer of the mini-serifed typeface Gama (2018). [Google] [More] ⦿ | |
Chattanooga, TN-based designer of the display typeface Javel Sans (2018). [Google] [More] ⦿ | |
Or Maya Arredondo. Graphic design student in Monterrey, Mexico. In 2012, she created the hairline avant-garde typeface Sencilla Light while studying at UANL. | |
Graduate from FADU, University of Buenos Aires, who created the serif typeface Clonum (2008). [Google] [More] ⦿ | |
London-based graphic designer. He created a custom Taiwanese display face. Behance link. [Google] [More] ⦿ | |
Mexican designer of Tipos de Cuidado (2018), which was inspired by the 1953 movie Dos Tipos de Cuidado starring Jorge Negrete and Pedro Infante. It has some features of Lucian Bernhard's Bernhard Antiqua Fett. [Google] [More] ⦿ | |
Guatemala City, Guatemala-based designer of the modular typeface Squatec (2018). [Google] [More] ⦿ | |
Graphic designer in Ciudad Real, Spain, who created several display typefaces in 2017. [Google] [More] ⦿ | |
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Guanajuato, Mexico-based designer of the blackboard bold typeface Bucle (2018). [Google] [More] ⦿ | |
Creator of the free curly Victorian font Black Flowers Blossom (2012). [Google] [More] ⦿ | |
Graphic and web designer in Montevideo. In 2012, he designed Figari Sans and Barreiro Serif. [Google] [More] ⦿ | |
Norfolk, UK-based designer (b. 1983) of the handwriting typeface I have problems (2005), of the clipped Arial typeface CD Player (2005), of the tall-ascendered Doctor Fox Classic (2006) and of FishNChips (2005). Web page. [Google] [More] ⦿ | |
Student at Flagler College in Tallahassee, FL. She created the futuristic rounded typeface Discoid (2011). [Google] [More] ⦿ | |
With Joachim Müller-Lancé at Kame Design, Jorge Arriola designed the typeface family SoMA in 2009. [Google] [More] ⦿ | |
Mexico City-based designer of the free script typeface Abydos (2016). [Google] [More] ⦿ | |
During his studies in Amiens, France, Yulen Iriarte Arriola designed the weathered typeface Walabok (2017). Behance link. [Google] [More] ⦿ | |
Argentinian type designer based in Pilar. He created the rounded sans typeface family Uyuni (2012). [Google] [MyFonts] [More] ⦿ | |
Spanish designer of the horizontally striped typeface Griffin (2017). [Google] [More] ⦿ | |
Costa Rican architectural designer, technical illustrator, and typographer.. Creator of Techni Sans (2010), the rounded sans typeface AR Techni (2010), Cipher Code (2011, a Masonic symbol typeface done at FontStruct), and the squarish typefaces Q-Module (2011, FontStruct) and Cynthe (2011). Dafont link. Behance link. [Google] [More] ⦿ | |
Quito, Ecuador-based designer of Circles Light (2016). [Google] [More] ⦿ | |
Mexican designer of Brassia, mentioned here. [Google] [More] ⦿ | |
Teresa Arroyo is a graphic designer in Valencia, Spain. She created Puzzle Font in 2013. Free PDF source. Behance link. [Google] [More] ⦿ | |
Campinas, Brazil-based designer of the rough brush script Lets Punk (2017). [Google] [More] ⦿ | |
Illustrator and graphic designer in Monterrey, Mexico, who created the sans display typeface Wawa in 2016. Behance link. [Google] [More] ⦿ | |
During her studies at Lasalle College of the Arts in Singapore, Kyla Birgitta Arsadjaja created the decorative typeface Betawi (2014). [Google] [More] ⦿ | |
Icelandic designer of the futuristic typefaces Complete (2006) and Keystone (2006). [Google] [More] ⦿ | |
Basque font company headed by Thierry Arsaut from Biarritz, France. Sells about 12 Basque typefaces. Has a history of Basque letters. Thierry Arsaut designed the commercial Basque typefaces Koldaka (2002), Sculpturas, Euskara Classic, Euskara Emakhor, Euskara Etxeak, Euskara Old, Euskara Ferrus, Euskara Gernika, Euskara Haritzaga, Euskara Irouleguia, Euskara Karako, Euskara Kaxko, Euskara Kutxas (farm dingbats), Euskara Moderna, Euskara Ostoa (with Ramuntxo Partarrieu), Euskara Eskultura. His typefaces can be bought here. Basque Classic is discussed here. [Google] [More] ⦿ | |
Argentinian graphic designer, b. 1984. Dafont link. She used Baskerville Bold to derive a condensed and ancient-looking typeface Sir William (2009). [Google] [More] ⦿ | |
Codesigner with Jeremy Vessey of Genuine Sans and Script (2017). [Google] [More] ⦿ | |
Bucharest, Romania-based student-designer of the wavy font Zig Zag (2018). [Google] [More] ⦿ | |
Saint Petersburg, Russia-based creator (aka Scilla) of the Latin / Cyrillic typeface Violet (2012). Behance link. [Google] [More] ⦿ | |
Typefaces from 2017: City Track (graffiti font), Midnight (script), Glitzy, Glitch, Glaze, Chunky (spurred), Davil (spooky), Champion (striped), Asphalt (heavy weathered slab serif), Acids (art deco), Splodge (dry brush), Brush, Mars. His icons are sold separately. [Google] [More] ⦿ | |
Or Mane Arsh. Yerevan, Armenia-based designer of an Armenian display typeface in 2016. [Google] [More] ⦿ | |
Tetovo, Macedonia-based designer of the thin angular Cyrillic typeface Ostar (2018). [Google] [More] ⦿ | |
Ankara, Turkey-based designer of the triangular typeface Trey (2017). [Google] [More] ⦿ | |
Graphic designer in Eskisehir, Turkey, who created the display typeface Wider (2015). Behance link. [Google] [More] ⦿ | |
Designer in Barcelona. His Oboe typeface (2012) has a negative axis and is remarkably sturdy and readable. [Google] [More] ⦿ | |
Eitiqad was founded by Indonesian designer Ahmad Farhan Taufiq Arsyadi in 2020. He created the racecar font Fuixg and the scrapbook typeface Pletty Book in 2021. [Google] [MyFonts] [More] ⦿ | |
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Mehrdad Arta (Stockholm) created the 8-style sans typeface family Arta Crisp in 2012. Behance link. [Google] [More] ⦿ | |
Chernivtsi, Ukraine-based designer (b. 1992) of the squarish modular typeface Monolith (2020). [Google] [More] ⦿ | |
Tabanan, Bali, Indonesia-based designer. In 2022, he created DST Helfita (a 9-style display sans). [Google] [MyFonts] [More] ⦿ | |
Santa Tecla, El Salvador-based designer of the tall handcrafted typeface Filto (2017). [Google] [More] ⦿ | |
Russian co-designer with Jovanny Lemonad of Flow (2010, a free pair of Latin hand-printed typefaces). [Google] [More] ⦿ | |
Magnitogorsk, Russia-based graphic designer who created Simple Line Icons (2015) and the grid-based squarish typeface Mebius (2015). [Google] [More] ⦿ | |
Yerevan, Armenia-based designer of a squarish outlined Armenian typeface in 2016. [Google] [More] ⦿ | |
Codesigner at T26 with Brad Brawley and Noel Childs of Finial Regular (1994). Klingspor link. [Google] [More] ⦿ | |
Indonesian designer (b. 1986) of Ovalium Starmind (2019). [Google] [More] ⦿ | |
Indonesian designer, b. 1999, of the rounded sans typeface Brantone (2019). [Google] [More] ⦿ | |
Kristine Arth (San Francisco, CA) is the founder and principal designer behind Lobster Phone. During a workshop at Type Paris 2018, she designed Mademoiselle Didot, a curvaceous typeface that celebrates the human form with references to Firmin Didot and Eero Saarinen. [Google] [More] ⦿ | |
Graphic designer in Santiago, Chile, who graduated from Universidade de Chile. She created the free Google Web Font Inika (2012) about which she writes: Inspired by Easter Island and its Rapa Nui language and culture, this typeface captures the essence of an island located in Chile, full of mystery, sacred places and stories of the past. Inika means ink in the Rapa Nui language, and it represents the tradition of the rongo-rongo writing, used by people on the island thousands of years ago. Klingspor link. Google Plus link. [Google] [More] ⦿ | |
Creator of the curly hand-drawn typeface Curly Cuties (2014). [Google] [More] ⦿ | |
ArtistMike (real name unknown) designed Komica Halftone, Shaded Art Brush, Animal Letters, Gargoyle 11, YellowSub&Dings, Mickey Letters, Mickey Dings, Mickey Mouse Dings&Letters 3.0, Rooster Font, Scary Clowns, School Dings, PinUps, Scrolls Dings, MC Borders, MC Pinup, SandDaisy, ScaryClowns, Donald&Dings, ArtistMike.Orniments12, Sun Dingbats. Get the fonts by email. Logo to font and signature to font conversion service. [Google] [More] ⦿ | |
Chisinau, Moldova-based designer of the decorative blackletter typeface Neogothic (2015). [Google] [More] ⦿ | |
Mhfooz Art (Amman, Jordan) designed the round monoline typeface family Round Modern (2017), which is free in AI vector format. This typeface was renamed Aoox one day after its publication. [Google] [More] ⦿ | |
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Žiga Artnak is the Slovenian designer of the semi-blackletter typeface Yellow Snow during the design workshop TipoBrda in 2007. Designer of Crack Whore (2006). [Google] [More] ⦿ | |
Tehran, Iran-based designer of an expermental multiline Latin alphabet in 2015. [Google] [More] ⦿ | |
Designer of the free rounded counterless typeface Oh Mai Mai (2010), which was inspired by the Mai Mai Monster. Behance link. Dafont link. Jorge lives in Madrid. Klingspor link. [Google] [More] ⦿ | |
German punchcutter active in the first two decades of the 18th century. He supplied matrices to B.C. Breitkopf in Leipzig, ca. 1717. Before that, he had worked as a punchcutter for Johann Heinrich Stubenvoll of Frankfurt. Examples: Doppel Mittel Antiqua (ca. 1700), Grobe Missal Antiqua (before 1716), Kleine Missal Antiqua (before 1716). [Google] [More] ⦿ | |
Jeddah, Saudi arabia-based designer of the free Arabic typeface Rami (2018). [Google] [More] ⦿ | |
Klingspor link. Dafont link. Fontspace link. [Google] [MyFonts] [More] ⦿ | |
During his studies in Barcelona, Darek Artworks designed Gothic Stencil (2019). [Google] [More] ⦿ | |
Madrid-based designer of the free spurred squarish typeface Rude Rude (2014). [Google] [More] ⦿ | |
Graphic designer in Newark, NJ, who made Arial Fuzion (2010). [Google] [More] ⦿ | |
Sapporo, Japan-based designer of the dotted Latin typeface Tsubu (2015). [Google] [More] ⦿ | |
Sidoarjo, Indonesia-based designer (b. 1990) of script or handcrafted typefaces. His typefaces from 2021: Arully, Ballmonte, Beauty Flower, Beauty Wall, Black Coffee, Black Wood, Dark Soul, Happy Time, Hello Toys, Hello World, Love, Paradise, Pride, Procreate Signature, Puzzle Food, Road Race, SouthWest, Startup, Story Life, Symphony, Things Love, Tuesday. [Google] [More] ⦿ | |
Kab Semarang, Indonesia-based designer, b. 1980, of Hot Chili (2019) and Deefont (2019). [Google] [More] ⦿ | |
Tel Aviv-based creator of a Hebrew font in 2014. [Google] [More] ⦿ | |
Romanian designer of the techno typeface Neo Modern (2019). [Google] [More] ⦿ | |
Dimitris Arvanitis (b. 1948, Chalkis, Greece) is a painter and graphic designer who has been or is art director EMI-Columbia and Minos and for magazines such as Periodiko, Difono, Tachidromos, Jazz&Tzazz, Kaleidoscopio and Adobe Magazine. He is a member of the Cannibal Fonts company, and founded Espresso Society Studio. He writes in magazines and newspapers, and designs fonts. His creations for Latin and Greek include CF2 Sophia, ConduitTC-Hel, Modula TallGreek and Senator TallGreek (a Greek version of Emigre's Senator). Cannibal Fonts by him include Bac CF, Bloco CF, Fat CF, Milk CF, Poster CF, Sophia CF, Type Polaroid CF, and Type Ray CF. MyFonts page. Klingspor link. Old home page. Cannibal Fonts link. [Google] [MyFonts] [More] ⦿ | |
During her studies at ESAD.CR, Maria Arvelos (Lisbon, Portugal) designed the modular typeface Guim (2018). [Google] [More] ⦿ | |
French designer (b. 1972) of ZyxTof (2003), an artificial language font. Dafont link. [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of these display typefaces in 2020: Black arcade (Tuscan), Crowded, Stradas (Victorian), Brainster (blackboard bold). [Google] [More] ⦿ | |
Graphic designer in Bandung, Indonesia. Creator of the fat counterless octagonal typeface Simpledenny Bold (2012). [Google] [More] ⦿ | |
Indian graphic designer. Behance link. Creator in 2011 of a decorated caps face. [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the elegant display sans typeface kalani & Hopkins (2016). [Google] [More] ⦿ | |
Indonesian designer, b. 1993, of Kids Zone (2018). In 2019, he designed the vintage label fonts Senator and Gacoure, the minimalist sans typeface Magnum (2019), and the script typefaces Lifogia and Shangrella. [Google] [More] ⦿ | |
Typefaces from 2019: Quitgan Script (signage script), The Spooky Time (a beatnik font), Sunday (bold sans), Bythemis Quertas (script), Elegant, Voques (all caps), Brongline Presiom, Summer Tropical, Alarate Script, Letterhear (calligraphic) Frayhord Monoline, Situgintu, Rubinetto (a signage script), Rottrydam Wargna, The Hartes, Mosgrade, Fashion Script, Charllie (upright script), Originality Script, Friday Worst Letters, Silhouette. Typefaces from 2020: Bogies Bird, Tilmans (a fine decorative serif), Goovy Modice (a psychedelic serif), Revitale (a Victorian display typeface), Former Broston, Choges (a creamy serif), Youth Cow, Boxes Dream, Follio Cooper (a creamy script), Cats Style, Minoila, Ameliya, Hummingbird, Loveline, Hisyam, Brightlast (a retro script), The Heglio (a formal script), Monthella, Motgan (weathered textured caps), Bronxi (a flared all caps sans), Revolage (a vintage sans serif and monolinear script pair), Quentes Fleur (spurred, Victorian), Midnight Story, Hella Mella, Daylight, Xiolien, Flawless, Tails Mermaid, Havana, California Sunrise, Range Orange, Mallaba, Banbos (a dry brush script), Anattalia (script), Bright Sunkiss (script), Rattaullie (a beatnik typeface), Imagine Dreams, Schuttezerg Script, Makgraf Script (for signage), Sweet Duck, Theyriad Script (signage script), Hilgreds Script (a nice fat signage script), The Matesih (a plump signage script), Othersight Script, Roquero (an octagonal athletics font). Typefaces from 2021: Kinderly (a signature script), Red Ribbory (a spurred Victorian typeface), Red Ribbory (a spurred Victorian typeface), Muriely (a warm if not mischievous display serif), Amigo (a script), Thinkers (a dry brush script). Creative Fabrica link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Batam City, Indonesia, who created the artsy display typeface Cabeza (2016) based on a painting by Paul Klee. [Google] [More] ⦿ | |
Kendari, Indonesia-based designer of a retro font in 2018. [Google] [More] ⦿ | |
Brazilian designer (b. 1988) of Crash-a-Like (2010), SharkFormalFunnyness (2010), Shark Party (2010, comic book face), SharkMadeInJapan (2010, hand-printed), Shark Army (2010, stencil), SharkHandWrittenABC (2010), Shark Random Funnyness 2 (2009), Shark Claw Damage (2009), Shark Trouble (2009), Shark Claw Damage (2009, hand-printed), Super Mario Bros Alphabet (2009), Shark Got Your Hand (2009), Shark Soft Bites (2009), SharkCrash (2009, comic book style), FOP Title Style (2009, comic book face), Onomato Shark (2009, comic book style), FOP Title Style (2009, comic book face), Shark Super Hand (2009), FairlyOddFont (2008, comic book style), Shark Supah FX (2008, comic book style), Shark Heavy ABC (2008), Shark Hands (2008, comic book outline face), SharkRandomFunnyness (2008, comic book style) and the pixel typefaces SMWHudNameFont (2008) and SMWTextFont (2008), used in the Super Mario games. He also made Shark Scratching (2008). FairlyOddFont (2008) is based on a font shown in the cartoon Fairly Oddparents, by Butch Hartman. | |
Designer of the brush script or signage typefaces Batoshi (2018), Jacklyne (2018), Acknesia (2018), Rockwild (2018), Sapous (2018) and Diora (2018). Other typefaces include the monoline script typeface Khanela (2018), the vernacular font Think Action (2018) and the great connected signature script typeface Jamilah (2018). Typefaces from 2019: Camelia (script), Backabon, Baltimore, Americanism, Sapous, Fabiana. Typefaces from 2020: Kickrush (a bold brush script, or baseball signage script), Cwacker (script), Samantha (script). Typefaces from 2021: Abigale (script). [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Laramie, WY, who created Bersantai (2013), a curvy display typeface that was inspired by Indonesian symbolism. [Google] [More] ⦿ | |
In 2018, he designed the free vintage monoline script typeface Carimba [Google] [More] ⦿ | |
Mike Arzoumanian (Arzo Electronics) created the free Armenian font 1Arzo Ani (1996) and 1ArzoArarat (1996). [Google] [More] ⦿ | |
As a design student in Curitiba, Brazil, Nicolle Arzua created the hand-printed typeface Arzua (2012). Today, she is a lettering artist in Curitiba. Behance link. [Google] [More] ⦿ | |
Armenian type designer. She won awards at Granshan 2016 for MAA Mary (Armenian category) and MAA Sergo (display typeface category). [Google] [More] ⦿ | |
At the American University of Kuwait in Kuwait City, Farah Asaad designed the decorative Latin / Arabic typeface Mixaur (2016). [Google] [More] ⦿ | |
Asaba is the chairman of the Tokyo Type Directors Club (TDC) and of the Japan Graphic Designers Association (JAGDA). He is a committee member of the Tokyo Art Directors Club (ADC). His principal area of expertise lies in the pictographic Dongba script used in rituals by the Naxi tribe in China. He has been awarded the Tokyo ADC Grand Prix, and the Medal with purple ribbon. Keynote speaker at ATypI Hong Kong in 2012. Portrait by Frank Kawamata. [Google] [More] ⦿ | |
Cluj-Napoca, Romania-based designer of the hand-painted typefaces Katrina (2017) and Bluberry (2016). Behance link. Home page. [Google] [More] ⦿ | |
Tiberiu Asafti (28ink) designed the monoline rounded children's sans typeface Jiraf in 2016. Creative Market link. [Google] [More] ⦿ | |
Brazilian creator of the pixel fonts Asai Analogue (2014) and Asai Haxxor (2014, FontStruct). Aka Minoru Asai. Dafont link. [Google] [More] ⦿ | |
Born in Japan. Designer who studied at the Parsons School of Design, New York City. Creator of this experimental typeface. Behance link. In 2010, she created New International. [Google] [More] ⦿ | |
Japanese designer of the futuristic (Latin) typeface Utopia (2019). [Google] [More] ⦿ | |
Keisuke Asami's fonts at Designers HIGH include kana and Latin versions for each typeface. Commercial, sold through Font Pavilion: KSKD3 (2003), DAF (2003, liquid crystal font), Strange Days, Arc and Line (1999), Octagon (1999), Massive, Ecoda. Free: 4or5H, Bitween10A, Bitween10A2, Bumpy (pixel font), COMMUNICATIONA, COMMUNICATIONH, COMMUNICATIONK, EDIFICE, EDITION12A, Elephant A, Elephant K, EQUIPMENT10, EQUIPMENTMONO, EQUIPMENTMONOLight, EQUIPMENTMONORoundLight, EQUIPMENTMONORoundRegular, FONTDELIC, KEY14A, KSKDATA10 (2000, pixel face), MASSIVE10A, MASSIVE10K, MULTIPLIESH, NERIMA, QUIPMonoRegular. Almost all are geometric techno fonts with Roman and Japanese versions. In Font Pavilion 12 (2000), they published MASSIVE, a Latin/kana font family. At FRONTLINE 01, they published Elephant (2002) (Elephanta, 2003). [Google] [More] ⦿ | |
Designer in Cambridge, UK, who created the minimalist poster typeface galaxy in 2018. [Google] [More] ⦿ | |
Lithuanian designer of the digital clock font Digital System (2012). [Google] [More] ⦿ | |
American designer of the art deco typeface Geoffrey (2019). [Google] [More] ⦿ | |
Creator of the dingbat typeface Arab TV logos (2009). Dafont link. Fonts2u link. [Google] [More] ⦿ | |
Norwegian designer of the display typefaces Broadway (2018) and Sharp (2018). [Google] [More] ⦿ | |
Delta, PA-based designer of Deco Funk (2016) and Equality (2017). [Google] [More] ⦿ | |
Creator of the incomprehensible über-neurotic typeface Kamis (2016). [Google] [More] ⦿ | |
Graphic designer in Berlin. In 2016, he designed the modular multiline typeface Bauhaus (2016) following the principles of architectural modernism. [Google] [More] ⦿ | |
Italian designer (b. 1990) of the pixel typeface Super Effective (2012). [Google] [More] ⦿ | |
Nashville, TN-based creator of the decorative typeface Radiant Tea (2013). [Google] [More] ⦿ | |
St. Louis, MO-based designer of these typefaces in 2018: Lagarto (for athletic lettering), Stag, Home Plate, Titan Sans. [Google] [More] ⦿ | |
Illustrator, graphic designer and graffiti painter in Barcelona who created the pixacoo-inspired typeface Distilo (2014). [Google] [More] ⦿ | |
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Torredonjimeno, Spain-based designer of the hipster typegace Mephisto (2017). Beghance link. [Google] [More] ⦿ | |
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Type and graphic designer in New York City. In 2017, he created Grail Grotesque. Behance link. [Google] [More] ⦿ | |
Type and graphic designer in New York City who created the sans typefaces Grail Grotesque and Stake Regular in 2016. Behance link. [Google] [More] ⦿ | |
Italy-based designer of an experimental set of fonts called Wired (2016). [Google] [More] ⦿ | |
Iranian graphic designer who lived in Turkey and after a stint in Washington Park, WA, he is now based in Germany. He graduated from B.A Hacettepe University in Ankara in 2012, and from the Mirak Fine Art School in Tabriz, Iran, in 2005. His typefaces: [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2021: The Deen (a reverse stress display font), Carrot and Strawberry (a scrapbook font), Echo Ethnic (a display typeface), Archapolago (a casual bold script), Rootsy (a signage font), Sunday Vibes (script), Relaxy, Rollerblack (script), Straight Edge (all caps, for signage), Michella Songs, Hello Tiffany (a swirly Valentine's Day script), Silly Girls (a thin script), Delissa Beauty (a thin script), Eve Adam (wild, calligraphic), Pro Smile, Vembazax Rm (an all caps display typeface with some stencil styles). Typefaces from 2022: Fortunella (a high-waisted vintage display serif), Aztec Club (a hilarious decorated typeface), Makio (a 6-style organic sans), Aztec Club (a hilarious decorated typeface), Quickly Brown (a bold all caps supermarket font). [Google] [MyFonts] [More] ⦿ | |
Bandung, Indonesia-based designer of Holistic Duo (2017: Script and Sans), the monoline all caps sans typeface Aerioz (2017) and the tattoo script font Familia Script (2017). In 2018 she designed Colesberg Script (retro calligraphic) and Golden Signer, which was influenced by vintage and tattoo letters, and Versica (with Agung Gumilang Sugih). Typefaces from 2020: Breland (a titling typeface, and decorative borders and ornaments, by Agung Gumilang Sugih and Irma Asharini). Typefaces from 2021: Casler (a steampunk era caps typeface). Home page. [Google] [MyFonts] [More] ⦿ | |
British type designer, b. Isleworth, 1863, d. Kent, 1942. He made Endeavour Type (1901) and Prayer Book Type (1903). Part of the Arts and Crafts movement, [quoting Wikipedia] he was the son of businessman and erotic bibliophile Henry Spencer Ashbee. His Jewish mother developed suffragette views, and his well-educated sisters were progressive as well. Ashbee went to Wellington College and read history at King's College, Cambridge from 1883 to 1886, and studied under the architect George Frederick Bodley. Ashbee was involved in book production and literary work. He set up the Essex House Press after Morris's Kelmscott Press closed in 1897. Between 1898 and 1910 the Essex House Press produced more than seventy books. Ashbee designed two typefaces for the Essex House Press, Endeavour (1901) and Prayer Book (1903), both of which are based on William Morris's Golden Type. Quoting wikipedia again: Despite his father's amateur career as an enthusiastically heterosexual pornographer, Ashbee was gay. He came of age in a time when homosexuality was illegal and "the love that dare not speak its name". He is thought to have been a member of the Order of Chaeronea, a secret society founded in 1897 by George Ives for the cultivation of a homosexual ethos. To cover his homosexuality, he married Janet Forbes, daughter of a wealthy London stockbroker. CRA, as he was known, had admitted his sexual orientation to his future wife shortly after he proposed. They wed in 1898 and, after 13 years of rocky marriage (including a serious affair on the part of Janet), had children: Mary, Helen, Prue and Felicity. Berry, Johnson and Jaspert write: A black face with heavy serifs, designed by C.R. Ashbee, the punches cut by E.P. Prince. This is perhaps the most exotic of the private press types. Few of the letters have a normal design. The bowls of the B are divided diagonally. H has a very high bar. The M has slab serifs and very short middle strokes. W has foot serifs and brief middle strokes. In the lower case e is a cursive form, g has no link and a contorted tail, in the h, m and n the last stroke is curved and descends below the line, w has the foot serifs of the capitals. Ascenders and descenders are short. The ampersand is curious. The name is derived from the title of the first book in which the type was used, An Endeavour towards the Teachings of Ruskin and Morris. The Prayer Book Type of 1903, is the same design in Great Primer. [Google] [MyFonts] [More] ⦿ | |
During his studies in Falmouth, UK, Ed Ashby-Hayter created the Latin / Cyrillic / Gree sans typeface EAH Rounded (2015). [Google] [More] ⦿ | |
Creator of the free school fonts Kiwi School Handwriting (2013) and Kiwi School Handwriting with Guides (2013), both based on the style described in the New Zealand Ministry of Education 'Teaching Handwriting' manual. [Google] [More] ⦿ | |
During her studies in Moscow, Alexandra Ashikhina designed an octagonal typeface for Latin and Cyrillic in 2019. [Google] [More] ⦿ | |
Beirut-based designer of an untitled Arabic typeface in 2013. [Google] [More] ⦿ | |
Israeli type designer who made Dakick (1999). [Google] [More] ⦿ | |
Graphic designer based in Israel, who graduated from the Department of Visual Communications, Minshar for Art, in 2012. Creator of the Hebrew typeface Klinika (2012). Lihi also designed a font for use on a cover of a Hebrew book on Kurt Schwitters. [Google] [More] ⦿ | |
Based in New York City, Liron Ashkenazi designed the display typeface Homilia (2014). Behance link. [Google] [More] ⦿ | |
Susan Ashley (Australia) offers commercial fonts for sign language: Auslan Susana 1 and 2, Auslan Comic (using Mickey Mouse hands), and BSL and NZSL versions of these fonts as well. [Google] [More] ⦿ | |
Design student in Sydney. Creator of Stencil (2012, an octagonal typeface), Almost There (2012, experimental, minimal, and circle-based) and Emotionfree (2012). [Google] [More] ⦿ | |
Aka Ashura. Tehran, Iran-based designer of the calligraphic Arab script dingbat typeface SHia (2007). Very original. Alternate URL. [Google] [More] ⦿ | |
Amman, Jordan-based designer of the arabic typeface Zakhrafa (2017). [Google] [More] ⦿ | |
In 2011, she went commercial at MyFonts as Lauren Ashpole Foundry, located in Brooklyn, NY. Her fonts there include Starry Night (1998), Sewing Patterns (2010, silhouettes of women), Sewing Patterns 2 (2012), Origami Bats (2010), Horseshoes And Lemonade (1998), Forgotten Playbill (2011), Bikes (2011, dingbats), Paper Hearts (2012, a Valentine's Day font), and Candy Randy (1998). Typefaces from 2014: Hellmuth (2014, based on the Tuscan writing on the Hellmuth Building) . Typefaces from 2015: Herbaceous Border (2015, floral caps). Typefaces from 2016: Bar Book (dingbats), Parallel Lines. Typefaces from 2017: Sewing Patterns 3. Typefaces from 2018: Roundabout (a display type with circus font textures), Mistletoe (a color SVG font). Typefaces from 2019: Thornback (sketched). Typefaces from 2020: Sacremende (a chunky, slightly messy display font inspired by the retro California aesthetic and, in particular, old surf rock posters). Typefaces from 2021: Space Time (a starry stackable shadow font). Abstract Fonts link. [Google] [MyFonts] [More] ⦿ | |
Mississauga, Ontario-based designer of the rounded sans typeface Jelly Bean (2015). [Google] [More] ⦿ | |
Krefeld, Germany-based designer, with Saif Zain, of the tangram typeface Anniway (2019), which is based on textile patterns designed by Bauhaus artist Anni Albers. [Google] [More] ⦿ | |
Nada Mohamed or Nada Ashraf is the Egyptian designer of the Arabic typeface Jane Lane (2019) and the Latin display typeface Black Swan (2019). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of an experimental subtractive Latin typeface called Incomplete (2013). It was part of a project at the German University in Cairo. She also created the Arabic compass-and-ruler typefaces Al Dababa (2014) and Coco (2014). [Google] [More] ⦿ | |
During her studies, New Cairo, Egypt-based Randa Ashraf designed the Arabic typeface Samir Sbot (2018) and the blackboard bold Latin typeface Harvard (2018). [Google] [More] ⦿ | |
Designer of Elements (2017), a decorative typeface that consists of juxtaposed triangles and geometric solids. This typeface was published during her studies at Sophia Polytechnic, Art & Design, Mumbai. [Google] [More] ⦿ | |
Ashton is the Southend, Essex, UK-based foundry of Andrew Ashton, est. 2008. Born in 1971, Andrew Ashton is a book designer and illustrator. He won the British Book Industry Award for Design and Production (Nibbie) 2007 for The Dangerous Book for Boys. He created Bowen Script (2008), a font from the lettering of some Caribbean maps. In 2013, he published the handwriting typeface Maree. [Google] [MyFonts] [More] ⦿ | |
Inspired Vizions offers commercial dingbats by Brandi Ashton. I must say that her frames and partitions are refreshing and very original, a real find. Her fonts are are available through Fontitude.com. She made two free handwriting fonts at Kiss My Pixels: Bonnie (2003), Clyde (2003). [Google] [More] ⦿ | |
Creator of Ninestein (2020), a digitization of the font used in the TV show Terrahawks. [Google] [More] ⦿ | |
During his studies, Denzel Asiedu (Haymarket, VA) designed the poster typeface Samurai (2016). [Google] [More] ⦿ | |
During her graphic design studies in Ottawa, Ontario, Sundus Asif created the typeface Gentleman's Club (2013). [Google] [More] ⦿ | |
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Dubai-based designer (b. 1992) of Tire Typeface (2015) for Latin and Arabic. [Google] [More] ⦿ | |
During his Masters degree studies at the Kolding School of Design, Sebastian Askari Schmidt created the simple sans typeface Askari (2012). [Google] [More] ⦿ | |
Young man (b. 1980) from Tampa, FL, who used to make type in a foundry called Betabetics. In 2001, he created BA Wet Paint, which can be downloaded at Dafont. [Google] [More] ⦿ | |
Designer in Atlanta (b. 1976) who made the finger brush font Inkdup (2001), Ruffdup, Satellite, Screen VST, Sinestra, Singapore and Stereotype. In 2005, he added Moderna (a lightweight sans text face). He does custom type design. [Google] [More] ⦿ | |
As a student in Paris, Noah Askienazy designed Unusual Brush (2017). [Google] [More] ⦿ | |
Paris-based FontStructor who made Loop (2012) and Ring (2012). Behance link. FontStruct link. [Google] [More] ⦿ | |
During her studies in Izmir, Turkey, Elif Askin designed the display typefaces Pepita (2017) and Shisha (2017). Home page. [Google] [More] ⦿ | |
Norwegian designer in Trondheim. He created the sans typefaces Grot (2016), Eurostile Nova (2004) and Adressa (2005). [Google] [More] ⦿ | |
At FMV Isik University, Istanbul-based Ilayda Aslan designed the ovctagonal typeface Less Is More (2019). [Google] [More] ⦿ | |
The deco typeface Twentyone (2020) was co-designed by Gajana Aslanjan, Gumilang Anggara Ruslan, Slava Antipov, and Fidan Aslanova. [Google] [MyFonts] [More] ⦿ | |
Baku, Azerbaijan-based designer of the Cyrillic display typeface Alcohol (2014). [Google] [More] ⦿ | |
Creative artist in Den Haag, The Netherlands. Behance link. Creator of the octagonal Netherlands Typo (2009). [Google] [More] ⦿ | |
Danish designer of the rough brush typeface Tin Foil (2017). [Google] [More] ⦿ | |
Typefaces from 2021: Wellmons (a rounded hand-drawn blackletter), Sigher, Grissed (free, vintage), Elthon (sketched), Sirie, Kranon (vintage metal sign emulation), Soerip, Tudjuh Dua (vernacular, all caps), Balero (+Stencil). [Google] [More] ⦿ | |
Designer at Maniackers Design of Wall Painting, Cosmic and Bellows (1998), all done in collaboration with Masayuki Sato. [Google] [More] ⦿ | |
Nithya Asokan (Gurgaon, India) created an untitled Tamil typeface in 2014. [Google] [More] ⦿ | |
Creator of the old typewriter typeface Olivetti Type 2 (2010). [Google] [More] ⦿ | |
Swedish creator of the nicely paced hand-printed typefaces FP Third Hand (2011) and FP Second Hand (2011). Home page. [Google] [More] ⦿ | |
Milan, Italy-based designer of the free brushy Hosp Script (2017) and the monoline script Calligro (2017). In 2020, he released the script typeface Lerof. [Google] [More] ⦿ | |
Creator of the Basque look typeface Euskal (2000). Old URL. Dafont link. [Google] [More] ⦿ | |
A student in Salisbury, MD, Josh Aspril created the tennis-themed Racquetype (2012). [Google] [More] ⦿ | |
Indonesian designer of the handcrafted or script typefaces The Warlock (brush script) (2020), Pantaleone (2020), Stereography (a heavy all caps brush typeface) (2020), The Kindamana (a hand-printed typeface) (2020), Tahnia (2020), The Greyhound, Romain SVG, Hazel Clouds, Birdspring Signature (2020), Scarious (2020), Bandira Script (2020), Superbia (2020), Kaluna Script (2020), Payland (2020: monoline script), Darkwell (2020), Bromrose Sands Signature (2020) and Greyspark (2020). He also designed the 10-style sans / serif /stencil family Ravager (2020), the all caps sans typeface Reliva Sans and the decorative serif typeface Dayanara in 2020. Typefaces from 2021: Crimson Queen (an all caps display typeface), The Vaguer (a monoline script), Altaria Miguel (a stylish display sans), Taniesha (script), Dark Witches (script), Karline (a reverse contrast script), Materniva (a script), Athina (an all caps display serif), Ballistic (a bold brush script), Gilhampton (a vintage label font), Southville (a bold carpenter's font), Diamond Lake (a sturdy slab serif), Syarilla (a tall script), Moyshire, Gamata (script), Easthallow (an inky script), Farland (a bold psychedelic script). Typefaces from 2022: Gremio (stencil), Redmayne (a headline typeface), South Montana (a rough font midway between a Western and a national park font), Biomorph (ultra-condensed sans caps; 7 styles), Daymore (a font duo), Quentin Sonata (a font duo), Reliva Sans (an attractive national park sans), Saint Capital (script), Dirchave (Victorian caps, with copperplate serifs). Gustian Agung Asprilla also ran Papercrown. [Google] [MyFonts] [More] ⦿ | |
Known as Lucy Carter and Gustian Agung Asprilla. Indonesian designer of the script typefaces Birdspring Signature (2020), Hazel Cloud (2019), Greyhound Script (2019) and Lucy Carter (2019), and the sans typeface Greyhound Sans (2019). Typefaces from 2020: Greyspark, Bromrose Sands Signature. [Google] [MyFonts] [More] ⦿ | |
Limassol, Cyprus-based designer of Double Lanes (2018). [Google] [More] ⦿ | |
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Banda Aceh, Indonesia-based designer (b. 1990) of these typefaces:
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Graphic designer in Dbayeh, Lebanon. In 2012, he created an Arabic typeface called Al Zakher: A typeface designed based on the typeset used in the 16th century in the first Arabic printing press in the Orient which is located at St. John monastery at Khenchara, Lebanon. The printing press was invented by Al Shammas Abdallah Al Zakher, thus the name. Behance link. [Google] [More] ⦿ | |
FontStructor who made the slab typeface Nova Informe Serif (2012). [Google] [More] ⦿ | |
Abu Dhabi-based student-designer of the squarish textured typeface Mosaic (2017). [Google] [More] ⦿ | |
Surabaya, Indonesia-based designer, b. 1990, of the display typefaces Bitink (2018) and Force (2018). [Google] [More] ⦿ | |
Sao Paulo-based designer of the dadaist vernacular typeface Mainha (2014), which emulates the technique of xilogravura. [Google] [More] ⦿ | |
Sorocaba, Brazil-based designer of the vernacular (school project) typeface OfFantasy (2016). [Google] [More] ⦿ | |
Creator of typefaces at VGC, such as the bilined typeface Burgondy Right (1974). [Google] [More] ⦿ | |
Rouen, France-based designer of the high-contrast display typeface La boréale (2016). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of Scribble Font (2011, a sketch typeface for Latin). Home page. Graphicriver link. [Google] [More] ⦿ | |
South Celebes, Indonesia-based designer of these hand-crafted typefaces in 2021: Softeraphy, Masterina, Jumper Boost, Stamp Method, Fahreza (squarish). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of the display sans typeface Gogila (2017). [Google] [More] ⦿ | |
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Art director in Sao Paulo, Brazil, who published the squarish / techno / futuristic typeface Unispace Sans in 2018. [Google] [More] ⦿ | |
Curitiba, Brazil-based designer of the all caps art deco typeface Meia Lua (2016). [Google] [More] ⦿ | |
German company of Wolfgang Scheppe and Florian Böhm in München, with offices in Venice and New York. They are working on some type projects such as the minimalist typeface AmBig (2003), in which just seven glyphs suffice, by rotation, to cover all letters of the alphabet. The type project part is called Scarface. AmBig will be part of the FontShop library at the end of 2003. [Google] [More] ⦿ | |
Uyghur Kompyutér Ilimi Jem'iyiti Fontliri (or: Uyghur Computer Science Association) | Free Uyghur Unicode fonts on a page by the Uyghur Computer Science Association. Free downloads in truetype, all copyright of the Uyghur Computer Science Association, and made ca. 2004:
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Lara Assouad Khoury was born in Montreal, and graduated from the American University of Beirut with a Bachelor in Graphic Design degree (BGD) in 1998. She worked as a designer at LeoBurnett (Lebanon, 1998-2000). After one year in Cairo, she moved to Dubai (UAE) and worked as a Senior Designer for Landor Associates (2001-2005) where she was involved in the design of extensive corporate identity projects for large Middle Eastern companies and institutions, such as the visual branding for the country of Jordan. She has graduated with an MA from the Atelier National de Recherche Typographique in Nancy (France), where she studied under renowned type designers such Hans-Jürg Hunziker, André Baldinger, and others. She has researched and is in the process of developing her own extensive Arabic Naskh font. She taught graphic design and Arabic typography courses, at the American University in Dubai. She is an independent type and graphic designer since 2005. She embarked on a project in 2005 with Fred Smeijers to make an Arabic sister, Fresco Arabic, for Smeijers' Fresco family. For this, she takes inspiration from calligraphic samples of the Maghrebi script. Fresco Arabic won an award at TDC2 2008. Her geometric experimental Arabic typeface Tabati (2010) won an award at TDC2 2011. [Google] [More] ⦿ | |
Illustrator in Belo Horizonte, Brazil. In 2017, he designed a circle-enclosed vernacular typeface. [Google] [More] ⦿ | |
Recife, Brazil-based designer of a dot matrix typeface in 2015. [Google] [More] ⦿ | |
Was also operating as Alice Whales and Nendes Kombet. Malang, Indonesia-based designer (b. 1997) of these typefaces in 2018: Michelles, Brighton (calligraphic script), Australis (free), Mouley (free script font), Chickadee, Alice Whales (script), Passion (script), Daydream (script), Zallord (a free brush font), Eisley Claise (script). [Google] [More] ⦿ | |
Designer of the clean notepad typeface Note Paper (2021). [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer of the text typeface Aurora (2019). [Google] [More] ⦿ | |
Penza, Russia-based designer of the free font Pepsi Cyr-Lat (2017), a Cyrillic adaptation By Dmitry Astakhov of 2000 typeface by Jakub Degorski. In 2018, he designed the free font Astakhov Brush Hooliganism, the free font Astakhov First Simple, the free font Astakhov Access Degree, Astakhov Dished, the free font Astakhov First One Stripe, and the free font Astakhov First Two Stripes. [Google] [More] ⦿ | |
Free Arabic font developed by Ahlul Bayt for the Digital Islamic Library Project (DILP). [Google] [More] ⦿ | |
Student at European Humanities University in Vilnius, Lithuania. Creator of Voyeurfont (2012). [Google] [More] ⦿ | |
Bali, Indonesia-based photographer (b. 1984). Designer of the calligraphic typeface Alisya (2019). [Google] [More] ⦿ | |
During her studies at Manchester School of Art, Grace Astin (Manchester, UK) designed Semicircular (2017). [Google] [More] ⦿ | |
Type foundry in Birmingham, UK, est. 2011. Its type designer is Mark Astle, b. 1971, a graduate of Birmingham City University. Creator of the marker font Scamps (2011) and the distressed rubber stamp font Stampact (2012). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Templetype (2009). [Google] [More] ⦿ | |
Multimedia artist in in Buenos Aires, b. 1983. Designer of the hand-printed typefaces Vastorga Letter (2013) and Vastorga Bold Letter (2013). Dafont link. [Google] [More] ⦿ | |
French comic book illustrator who created various comic book or hand-drawn typefaces in 2010: Gribouille, Corbeau, RIFFC8310, Zinzozo. Prefelectique (2014) is a modular techno typeface. In 2016, she designed Cailloux. Dafont link. [Google] [More] ⦿ | |
Graphic designer in Buenos Aires, who created the signage typeface Wife (2015), which is inspired by type styles popular in women's magazines in the fifties. [Google] [More] ⦿ | |
Portuguese designer of the outline handwriting font Bigacho. [Google] [More] ⦿ | |
Designer of the futuristic font Alpha Base Slanted, and of the fat-lettered Dinky. Also did Filur and Klopstock Normal. [Google] [More] ⦿ | |
Medan, Indonesia-based designer (b. 1993) of the liquid pixel typeface Clepto (2020). [Google] [More] ⦿ | |
Designer of the free font Tactico (2021) and of Beliya (2021: a monolinear signature font), Kimburgery (2021), Jumbox (2021: an all caps headline sans), Ketsiyo (2021), New School (2021: a script), and Small Handy (2021). [Google] [More] ⦿ | |
Coimbatore, India-based designer of an all caps Latin display typeface in 2016. Behance link. [Google] [More] ⦿ | |
Malili and Makassar, Indonesia-based designer (b. 1984 or 1990) who also releases fonts a Colllab Studio. Designer of the monoline script typeface Southfilla (2018), Stylish Classy (2018), Guthen Bloots (2018) and Six Away (2018). Typefaces from 2019: Sister Times (script), Novah (all caps sans), Right Times, Ghost Brush (dry brush), Jungle Bloods, Hype Quarter, Ever Looser (brush style; free), Sillli Willinn, Dolato de Stato (dry brush), Minnie Queen, Awkward Alone, Aligantis (a great rythmic script), South Celebes, Wedding Ampersand, Hai Angellica, Lucy Black (dry brush), Oops Kidos, Right Gilligant, Jetta Kloots, Rwanda Tyler, Get Lost, Lost Rock, Sterling Heights, Authentic Handwritten (a signature font), Stay Young, Fibonacci Journey. Typefaces from 2020: Hello Mornin, Gilligan Coast, Summer Lovers (+Dingbat), Effingham (+Extra), Uncle House (+Extra), Father Farmhouse (Sans, Script), Botes Frica, Eiffal Merrias, Summer Coast (+Extra), South Dreamers, Sweet Home, Oh My Baby, Greatest Richmond (a dry brush script), Craftypreneur, Lovely Ampersand, Balonku Dalima, Love Quirky, The Sticky Longest, Authentic Photograph, Besteam (a dry brush script), Sitting Pretties, Piece of Cake, Babies Shower, Moms Crafter, Sunday Craft, Fresh Lemon, Easter Bunnies, Elifia Girly, Sweet Witch, Fresh Grass, Agile Sloth. Typefaces from 2021: Alingtone (script), Bones Stone (script), Blastone (a brush script), Journey Signature. Creative Fabrica link. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2019: Rebeque Deco, Larasati, Verveda 01, Northern, Cemoro (an all caps sans), Mullion (a wedge serif), The Bordellia (font duo), Verveda, Carily, Bellonion (monoline script), Boulder, Gillnord (a weathered monoline script), Castela (script). Typefaces from 2020: Benford (script). [Google] [MyFonts] [More] ⦿ | |
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Indonesian designer (aka Smprvl) of the techno typeface SMPRVL (2011). He studied graphic design at ADVY Yogyakarta, but lives in East Montreal. Behance link. Devian tart link. [Google] [More] ⦿ | |
Bekasi, Indonesia-based designer (b. 1997) of the free octagonal typeface Pixoct (2017) and the free modular typeface Golok (2017) during his studies at Jakarta Institute of Art. [Google] [More] ⦿ | |
For a project at Sopron Institute of Applied Arts in 2016, Adam Asztalos (Sopron, Hungary) designed the techno display typeface Wagr. [Google] [More] ⦿ | |
Ashgabat, Turkmenistan-based designer of Garagum (a modern bold display typeface) (2021). [Google] [MyFonts] [More] ⦿ | |
Turkish graffiti artist. Designer of Coffee Beans (2021). [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2017: The handcrafted typefaces Aardwork, Jackrabbit, Goodwill Script, and the supermarket signage typeface Signface. Typefaces from 2018: Toote Sweet, Paperboy (a playful hand-drawn serif), Madfish. Typefaces from 2019: Message in a Bottle, Destined (a brushed font and a signature script), Diamonds & Pearls (a signature script), Cake & Cutie, Think Cosmic (script), Polytones, Qliché (a thick monoline script), Modern Society (a monolinear rounded display sans), Bisquit, Ever After, Bellissimi (script). Typefaces from 2020: Metaphysica (a futuristic typeface with purposeful glitches), Coquillette, Radian (an information design sans), Ink Tonic (an SVG brush font), Easy Notes (a fat finger font), The Twenties, Wildcard. Typefaces from 2021: Hydrella (a sans with sharp terminals; includes a variable font), Verstyle (a 6-style sans), Verstyle (a 6-style sans). Typefaces from 2022: Prose Sans (an 8-style wide display sans and variable font family), Gardo Grotesk (a grotesk display typeface with serious ink traps). [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Buenos Aires who made Cruda (2013), a very condensed tall typeface. [Google] [More] ⦿ | |
Bulgarian designer with Stefan Stoychev of the notched geometric typeface Plam (2020) for Latin and Cyrillic. [Google] [MyFonts] [More] ⦿ | |
Bulgarian creator of the free pixel font Puke Force 8 (2013). [Google] [More] ⦿ | |
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Saint Petersburg, Russia-based designer of the free Latin / Cyrillic modular typeface Molodost (2018) and the free hipster typeface Nesovremenny (2019). [Google] [More] ⦿ | |
Designer at Font Pavilion 12 of Fire (2000) and Check (2000). [Google] [More] ⦿ | |
Illustrator in Riga, Latvia, who designed the handcrafted typeface Baltic Holidays in 2017. [Google] [More] ⦿ | |
Freelance illustrator and graphic designer in Eskisehir, Turkey, who designed a monoline hand-printed typeface in 2017. [Google] [More] ⦿ | |
Graphic designer in Tatui, Brazil, who designed Satellis Type (2013), a hexagonal sci-fi typeface. [Google] [More] ⦿ | |
Ankara, Turkey-based designer of the squarish typeface family Thinner (2015). [Google] [More] ⦿ | |
Istanbul-based designer of Baghdat v0.1 (2007). [Google] [More] ⦿ | |
Art director in Umea, Sweden, who created a display typeface in 2014. [Google] [More] ⦿ | |
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Egyptian designer of a display typeface called Harry Potter (2018). In 2018, she designed the rounded Arabic typeface Ibn Hamido. [Google] [More] ⦿ | |
Lisbon-based studio. For an African project, it created the African symbol typeface Afroglyphics (2014). [Google] [More] ⦿ | |
Thessaloniki, Greece-based designer of Quake Display (2015). [Google] [More] ⦿ | |
Athens, Greece-based designer of a purely geometric alphabet or typeface in 2016. Behance link. [Google] [More] ⦿ | |
John Athan's free typeface Breaking B (2013) is based on the TV Show Breaking Bad. [Google] [More] ⦿ | |
Mumbai-based designer of the circle and arc-based Devanagari typeface Vartul (2012). In 2013, she made Square Font. [Google] [More] ⦿ | |
Australian designer, b. Melbourne, 1976. Codesigner with Graham Meade of the 18-style sans family Nok (2006, Typotheticals). [Google] [MyFonts] [More] ⦿ | |
Marcela graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the Indic atmosphere typeface Siddhartha, named after Siddhartha Gautama. [Google] [More] ⦿ | |
UK-based designer (b. 1994) of the counterless paper cutout typeface Decades (2017). Dafont link. [Google] [More] ⦿ | |
Creator of the hand-printed typeface Any Average Day (2012, iFontMaker). [Google] [More] ⦿ | |
Vancouver-based designer of the experimental photograph-based typeface Wreckage (2014). [Google] [More] ⦿ | |
Designer in Madrid (since 2008) who has worked with Alberto Corazon in Madrid (2004-2005) and Massimo Vignelli in New York (2006-2007). She studied at the Sorbonne (1999), Universidad San Pablo CEU in Madrid (2004), Parsons in New York (2007) and Cooper Union (2011). With Juanjo López, she designed the multilayered and/or chromatic circus font family Show (2014). Influenced by chromatic letterpress types, it is based on a type family called Concave, a Victorian type launched in 1884 by the foundry Marder, Luse & Co. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Cairo-based designer of a blackletter and a squarish Arabic typeface in 2014. She also created some pictograms in 2014. [Google] [More] ⦿ | |
Aceh, Indonesia-based designer of Moghel Display (2021: a bold decorative serif), Brigent Display (2021: a fattish display serif) and Magilon Display (a chunky retro display serif) (2021). Typefaces from 2022: Angina Display, Bugisha Display (a decorative serif). [Google] [MyFonts] [More] ⦿ | |
Penang Island, Malaysia-based designer of the display typeface Javann (2019). [Google] [More] ⦿ | |
Bangkok-based creator of Huntingbear (2013), a Latin display font. [Google] [More] ⦿ | |
Udon Thani, Thailand-based designer of handcrafted typefaces. [Google] [More] ⦿ | |
American designer of the alien script Alien English (2010). [Google] [More] ⦿ | |
During her studies, Emily Atkins (Troy, AL) designed the display typeface Spoons and Sprinkles (2018). [Google] [More] ⦿ | |
British creator of the hand-printed typefaces Pickwick, Pickwick Bold, and Pickwick Light (2012, iFontMaker). [Google] [More] ⦿ | |
Designer of the script bitmap font Venice, used on the original Mac computers. [Google] [More] ⦿ | |
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University student in High Wycombe, UK, who created the experimental typeface Tube (2011) based on parts of the London subway system map. [Google] [More] ⦿ | |
Designer in Melbourne. Creator of Belove (2012). Behance link. [Google] [More] ⦿ | |
South African graphic designer who lives in Johannesburg. His typefaces include Atcurve (2008, avant-garde). [Google] [More] ⦿ | |
Auckland, New Zealand-based designer of the hipster typeface Divergent (2017), described as an eclectic typeface designed to showcase Karangahape road, Auckland. [Google] [More] ⦿ | |
During his design studies at Yoobee in Auckland, New Zealand, Tony Jon Atkinson created the hipster display typeface Divergent (2016). [Google] [More] ⦿ | |
During her studies at Falmouth, UK,Ro Ella Atkins designed the experimental typeface Robet (2013). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of Afteris Moghu (2021: a luxury font) and Leuthikline (a connected monoline script) (2021). [Google] [MyFonts] [More] ⦿ | |
Jordan-based designer of the free sci-fi typeface Pulsar (2020). [Google] [More] ⦿ | |
Designer of the Nahuatl (Aztec)-inspired free typeface Tlakah (2015). [Google] [More] ⦿ | |
Arabic type site by Tarek Atrissi, a Beirut-born Lebanese professional designer, who is located in Hilversum, The Netherlands. He holds a BA in Graphic Design from the American University of Beirut, Masters of Arts in Interactive Multimedia from Utrecht School of Arts in Holland and an MFA in Design from the School of Visual Arts in NY. A Designer of the 6-weight Arabic family called AT, The Spirit of Doha (2004, for the Asian Games 2006), Al-Ghad (for the Jordanian newspaper Al-Ghad), the Ghad TV font (for the Jordanian station ATV), Etisalat (custom type for Etisalat Communications), Ayna (a squarish typeface done for Ayna.com), and Ambesque (2006, for the Amwaj Islands of Bahrain). He manages Arabtypography.com, a site dedicated solely to Arab typography. In 2008, he created Atrissi Sans. In 2007, he embarked on a project with Peter Bilak to develop Fedra Arabic to accompany Bilak's Fedra family. In 2010, he designed a custom Arabic font for the new BBC Arabic TV channel and custom Farsi face for the new BBC Farsi TV channel. [Google] [More] ⦿ | |
Panamanian designer of the children's hand typeface Primera (2012). [Google] [More] ⦿ | |
During her studies in Shelby, MI, Megan Atsoff created the modular typeface family Machine (2013). [Google] [More] ⦿ | |
Designer of the kana/kanji calligraphic fonts rkgyou and rkten, both free. [Google] [More] ⦿ | |
Selangor, Malaysia-based cartoonist (b. 1997). Designer of Sushibrush (2021). [Google] [More] ⦿ | |
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Graphic designer in Elorrio, Basque country. Together with Gotzon Garaizabal, he made the brush typeface Zu Zarautz (2013). It was developed specifically for Debolex films for use in their film series that centres around the people of the coastal Basque town of Zarautz. Angel Brotxa (2013) is a free brush script typeface by them. Behance link. Dafont link. [Google] [More] ⦿ | |
Raleigh, NC-based designer of Hexel Sans (2011), which was inspired by the hexagonal patterns seen in beehives. [Google] [More] ⦿ | |
Rome-based designer of the free font Ozneo (2014), a geometric sans-serif that is inspired by neon signs. [Google] [More] ⦿ | |
Mexican designer of the basic sans typeface Isadora (2018). [Google] [More] ⦿ | |
Hungarian designer of the angular, mannered, retro geometric display typeface ITC Grapefruit (1997). [Google] [MyFonts] [More] ⦿ | |
Italian designer of the handwriting font Amyie (2000). [Google] [More] ⦿ | |
Designer in 2002 of UKNumberPlate. Fontspace link. Dafont link. [Google] [More] ⦿ | |
Born in 1986 in Paris, Aurélie Attuil studied graphic design and typography at École Estienne, Paris, where she obtained a Masters in Type Design & Graphic Design (DSAA Création Typographique) in 2009. Her typefaces include Bricklane (2014) and Galim (for Hebrew). [Google] [More] ⦿ | |
French designer of the didone stencil typeface Modulo (2016). Behance link. [Google] [More] ⦿ | |
As a student at UWE, Bristol, UK-based Sophie Attwill designed the free bone-themed FontStruct font Finger Licking Good (2017). FontStruct link. [Google] [More] ⦿ | |
Emily Atwood is an independent designer based in New York City. She has previously worked as a Senior Designer at Pentagram Design in New York City for Paula Scher, leading identity, editorial, campaign and web design projects. In 2014, she earned her Bachelor of Arts in Visual Art at Fordham University in the Bronx, New York, and obtained a BFA in Graphic Design + Digital Media at Laguna College of Art + Design in 2017. She is currently involved in the Type at Cooper Extended Program Certificate in Type Design at The Cooper Union in New York City. She is also an adjunct instructor in the design departments for Laguna College of Art and Design in Laguna Beach, California and The School of Visual Arts in New York City. Her typefaces:
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In 2012, he designed the signage typeface Sardine and the blackletter typeface Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012). His fonts at Coppers Brasses:
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Fabien Aubert (aka Fabien Graphiste) is a graphic designer in Aix en Provence and Marseille, France. Creator of the fantastic font Aniikla (2010) and of Natural Writing (2012) and Elegance (2012). [Google] [More] ⦿ | |
French graphic designer who has made some typefaces in 2013. Defective web page. Together with Romain Oudin, he set up Lift Type. Designer of a corporate typeface for Printemps de l'Art Contemporain Marseille (2017-2018). [Google] [More] ⦿ | |
West Hartford, CT-based designer of the geometric solid typeface Primary (2016). [Google] [More] ⦿ | |
French designer, b. 1972, aka Joe Skull. Creator of Skull Type Wr00 (2003) and Skull Font 00 (2003). Home page. [Google] [More] ⦿ | |
Graphic designer and illustrator in Nantes, France, who designed the reverse stress display typeface Louisette in 2019. [Google] [More] ⦿ | |
Zürich-based design firm of Bastien Aubry (a graduate of Schule für Gestaltung, Biel, Switzerland) and Dimitri Broquard, who designed interesting fonts (no sales or downloads though): Bundesrat (2006, octagonal), Macaroni (2006: letters from circles), Courier Fleurie (2006), Flop (2006), Fleurie (2009, by Aurele Sack, Bastien Aubry and Dimitri Broquard). Both graduated from HGK Zürich in 2002. Klingspor link. [Google] [More] ⦿ | |
Chilean designer of the lively typeface José (2011). [Google] [More] ⦿ | |
Graphic designer in Manchester, UK, who studies graphic design at the University of Salford. He created the hand-printed typeface Remnant (2010). Dafont link. [Google] [More] ⦿ | |
Ty Auchter (b. 1983) lives in Pennsylvania. At Devian Tart, he designed the pixel font Stitches (2001). See also here. [Google] [More] ⦿ | |
Graphic designer and student in Quebec City. Creator of this cool casual hand-lettered face (2006). [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Josh Aucutt created Dimensional Typeface (2014) and Perspectives (2014). [Google] [More] ⦿ | |
Ruthi Auda is an artist, designer, and explorer in Long Beach, CA, who graduated from Biola University in 2008. Art Director and Owner of CAMP Design Group. Creator of the beveled all-caps typeface Camper (2013). [Google] [More] ⦿ | |
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Raoul Audouin is a Paris-based, Amsterdam-raised graphic designer. He regularly collaborates with writers, editors, curators and artists from the Netherlands, Middle East and the U.S. on digital and printed publications and publishing platforms. In 2017, he designed the free ultra-condensed sans typeface Outward at Velvetyne. [Google] [More] ⦿ | |
Codesigner with Philipp Herrmann of the script typeface Blitz Script (2016, Fontseek). At Gruppo Due [founded in 2019 by Moritz Appich, Massimiliano Audretsch, Jonas Grünwald and Bruno Jacoby], he published G2 Ciao (an informal typeface; he writes: The letter shapes of G2 Ciao are derived from an historical sketch by the American typographer, book and puppet designer William Addison Dwiggins. The sketch labeled Modelled letter No1, shows the original four letters t, a, i, and e. They consist of individual elements, precisely drawn outlines, connectedonly by hairlines. No repetitive pattern is recognizable. Each letter follows a self-contained principle), and G2 TGR (a workhorse sans). [Google] [More] ⦿ | |
Founded in 2019, Coastal Type is an independent collaborative type foundry in Bandung, Indonesia that was started by Freissy Audrey. In 2020, Freissy Audrey designed the inverted stress typeface Geiny that is characterized by sharp flared serifs. Other typefaces include Atomicaboy (2020, a retro streamlined script). [Google] [MyFonts] [More] ⦿ | |
Kiena Audri (Jatinangor, Sumedang, Indonesia) and Shabrina W, co-designed many handcrafted typefaces in 2016. Their collection includes Michigan Brush (with Gilang Purnama Jaya, at Imagi Type: a farmer's market signage font by Key Audri and Gilang Purnama), Lark Script, Harrison Sans, Krate, Simone, Jazzmine, Catchword, Signage Shape, Flourishes, Edmond, Grenson, and Herschel. [Google] [MyFonts] [More] ⦿ | |
During her studies in Brisbane, Australia, Usha Audrinisa designed the pine needle-inspired typeface Forest (2016). [Google] [More] ⦿ | |
With Olivier Nineuil at Bonté Divine, this French designer made P'tit François in 1997. [Google] [More] ⦿ | |
Graphic designer and painter (b. San Francisco, 1981) who created the free hairline octagonal typeface Pomegranate in 2007 for Neo2, a Spanish magazine. She also has many nice typographic posters in her gallery. In 2008, Dick Pape captured some of her work in his scanbat typeface Tauba Auerbach. [Google] [More] ⦿ | |
Graphic designer and typographer from North Carolina, who studied graphic design at Savannah College of Art&Design. He created the geometric counterless typeface King Pong (2010). [Google] [MyFonts] [More] ⦿ | |
In 2012, Roland Hörmann and Felix Auer co-designed the refined didone fashion mag display typeface Aquus (+the outline version, Aquus Linearis), which was published by Phospho. [Google] [MyFonts] [More] ⦿ | |
Alois Ritter Auer von Welsbach (b. Wels, Austria, 1813, d. Vienna, 1869) was a typographer and printer for the state. He was famous for special techniques for "nature printing". Michael Everson Conjectures that he made the Gaelic typefaces Vienna A (also called Altirisch A, Altkeltisch) ca. 1845 and Vienna B (also called Altirisch B or Neukeltisch) ca. 1845. The former typeface is a manuscript face, while the latter is Gaelic uncial round. [Google] [More] ⦿ | |
Indonesian designer (b. 1994) of Space (2020: molecular), Epic (2020), Corret (2020: a sketched font) and Circle (2020). [Google] [More] ⦿ | |
Graphic designer and illustrator in Bandung, Indonesia. In 2017, he created these typefaces: Echizen (brush style), Hairmusk (brush), Von Everect (display style),Oliemolly (connected brush script), Sigismund No 7 (a fun casual script), Baumkuchen (a severe-looking octagonal typeface). [Google] [More] ⦿ | |
Chicago-based designer of Potato Print Font (2013) and of a geometric typeface done for KISD (Köln International School of Design) Gala 2012. Behance link. [Google] [More] ⦿ | |
For a course at Politecnico in Milan, Valentina Aufiero, Leo Colalillo, Alejandra Sepulveda Hernandez and Francesca Sperti co-designed Gill Trump in 2013. [Google] [More] ⦿ | |
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Bio at Emigre. MyFonts site. FontShop link. View Bob Aufuldish's typefaces. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
French type designer and punchcutter, ca. 1490-1534, and teacher of Claude Garamond in Paris. He was one of the first French to engrave roman letters, when other French printers were mostly using blackletter. He began to work for Robert Estienne, one the first Parisian printers to use this type. Influential in creating a French typographical look, he was hanged for printing a poem without permission. George Abrams' rendering of Garamond, called Augereau [digitized by Charles Nix], is a wonderful text family! Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Designer at Union Type of Electronica (letters made up of electrical circuits). [Google] [More] ⦿ | |
German designer who published Wald Ast (1996-2002, tree branch look face, Volcano Type) and Wald Blatt (1996-2002, a leaf-themed font, Volcano Type) together with Tanja Raststätter. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
During his studies at Universidade Estadual Paulista Julio de Mesquita Filho in Sao Pualo, Brazil, Ruan Augus (Bauru, Brazil) designed the modular condensed movie titling typeface Nostra (2016). [Google] [More] ⦿ | |
Chongqing, China-based designer of the Chinese typeface JStone Mincho (2018). [Google] [More] ⦿ | |
Keneel Augustin (b. 1992, USA) designed Keneel Messy in 2013. [Google] [More] ⦿ | |
Aka Gaia Runes, BryanGu and BryAlien. Brazilian creator (b. 1999) of Gate for Mars (2011), Neo Gate for Mars (2011), Neo-Sci-Fi (2011, FontStruct), Neo Sci-Fi v. 2 (2012) and of Gaia Runes (2011, white-on-black pixel face). In 2012, he made Araknas (a pixel script face), Pluto, Pluto 0, Pluto Zero and Pluto Androids. In 2013, he added Pluto Revolution. In 2018, he designed the tall ascender typeface Ex Vitrum. In 2019, he released the octagonal typeface Brutl. [Google] [More] ⦿ | |
Old URL. Behance link. Klingspor link. [Google] [More] ⦿ | |
Guayaquil, Ecuador-based designer of the experimental geometric typeface Geart (2015). [Google] [More] ⦿ | |
For an academic project, Sao Paulo, Brazil-based Leonardo Augusto designed a rounded monoline sans typeface family (2016). [Google] [More] ⦿ | |
FontStructor who created the blackletter typeface Mt Gothic (2010). [Google] [More] ⦿ | |
Mandaguari, Brazil-based designer of the paperclip typeface Incomplete Letter (2017). [Google] [More] ⦿ | |
His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent typefaces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline typeface Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Jennifer Augustus (Chicago, IL) created the curlified Wedding Cake Font (2012). [Google] [More] ⦿ | |
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M/M Paris is a studio in Paris run by Michael Amzalag (b. 1962, Paris) and Mathias Augustyniak (b. 1967, Cavaillon), est. 1992. They created the decorative caps typeface Pradalphabet in 2014. It was custom designed for Prada's collection of unique T-shirts. [Google] [More] ⦿ | |
Jalandhar, India-based designer of the neon typeface Virtue (2018). [Google] [More] ⦿ | |
Graphic designer from Darmstadt, Germany, who studied at KABK in Den Haag. He created Neuberger Grotesk and Ladywell in 2012. [Google] [More] ⦿ | |
In 2018, Ion Neto, Lara Benedet and Nicholas Auler, all students at Universidade Federal de Santa Catarina in Florianopolis, Brazil, co-designed the free brutalist typeface BoBardi. In 2019, he designed the free informal typeface family Spurce Sans. In 2021, Auler released Esquinera (a variable font for wayfinding applications). [Google] [More] ⦿ | |
Graphic designer in Donostia-San Sebastian, Spain. Behance link. In 2011, he created for his graduation a typeface called Aulestika Neue. [Google] [More] ⦿ | |
Lettering artist in Lombok, Indonesia. In 2022, together with Sarid Ezra, he published the handlettered mini-serif typeface Savoire and Paletone (handlettered caps) at Bale Type. [Google] [MyFonts] [More] ⦿ | |
Indonesian designer (b. 1995) of the foliate typeface Quartog (2019). [Google] [More] ⦿ | |
Indonesian accountant and graphic designer. In 2022, she released the 14-style large x-height display serif typeface family Sregs Serif Display. A hint of Souvenir? [Google] [MyFonts] [More] ⦿ | |
Malang, Indonesia-based designer of Kalif Std (2018). It is inspired by the architecture of ziggurats. [Google] [More] ⦿ | |
Jakarta, Indonesia-based visula communication designer. His typeface Bornelo (2013) is an ethnic font that showcases Kalimantan (Bornean) patterns. [Google] [More] ⦿ | |
Istanbul-based designer of Maori (2013), a display typeface that builds on Maori ornaments. Behance link. [Google] [More] ⦿ | |
Graduate of the type design program at the KABK. [Google] [More] ⦿ | |
During her graphic design studies in Bordeaux, Justine Auque created the display typeface Simple Font (2013). [Google] [More] ⦿ | |
Alva Aur (Valencia, Spain) designed the Witch Lab typeface (2012, alchemic). [Google] [More] ⦿ | |
Bethany Aurand, a graphic designer in Boise, ID, combined Palatino, Kepler, and Giovanni when she created her thesis typeface in 2012 in the BFA program at the University of Missouri-St. Louis. [Google] [More] ⦿ | |
Marcos Aurelio Morais (Recife, Brazil), created the pixel typeface Uomo and the display typeface Popcorn in 2015 during his studies at UFPE. [Google] [More] ⦿ | |
Aguas Lindas de Goias, Brazil-based designer of the pixacao graffiti font Rooftop (2016). [Google] [More] ⦿ | |
London, UK-based designer of the octagonal typeface Undone Type (2019). [Google] [More] ⦿ | |
American designer of the handcrafted typeface Chunky Kitty (2017), which comes with three sets of dingbats. [Google] [More] ⦿ | |
Linotype page. Web site dedicated to Auriol by Jean-Christophe Loubet del Bayle. Pic. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the tall condensed typeface Erahood (2008). [Google] [More] ⦿ | |
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Spanish type designer at the Richard Gans Foundry who died in 1998. [Google] [More] ⦿ | |
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Student at the University of Wuppertal who made the experimental typefaces Split One and Split Two (2004). [Google] [More] ⦿ | |
Designer in Frogner, Norway. For one of his school assignmints, he made the bitmap typeface Analog (2012). Behance link. [Google] [More] ⦿ | |
Codesigner with Bill Moran at Blinc Publishing of Goshen, Gommorah (1999), and Prospect. These fonts were published at Chank's Place. [Google] [More] ⦿ | |
Creator of the iFontMaker font Hipster (2010, hand-printed poster family, +Thin, +UltraThin). [Google] [More] ⦿ | |
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Californian designer of the very black typeface Chub Rock (2002). [Google] [More] ⦿ | |
During his studies at Staffordshire University, Peter Austin (Stroke-on-Trent, UK) created a typeface based on woodblock letters (2014). [Google] [More] ⦿ | |
American designer of the outlined typeface Feeling Loopy (2017). [Google] [More] ⦿ | |
One of the most remarkable digital revivals and extensions of his work is also called Austin. Originally designed by Paul Barnes as headline type for the British magazine of fashion Harper's & Queen, of Hearst Magazines UK, Austin is a loose revival of the typefaces cut by Richard Austin in the late 18th century. Referencing Austin's original creation, Paul Barnes turned up the contrast, tightened the spacing and came up with a fresh, new, bold and beautiful look for the constantly changing world of fashion. Barnes himself describes the face as "a British Modern with the styling and sheen of New York in the 1970s." The Cyrillic version was designed in 2009 and 2016 by Ilya Ruderman (CTSM Fonts). FontShop link. Klingspor link. Wikipedia link. View Richard T. Austin's typefaces. Alexa Stephenson's detailed image of Bell. View Richard Austin's typefaces. [Google] [MyFonts] [More] ⦿ | |
Design student in Monterrey, Mexico, who created the squarish typeface Estructura (2012). [Google] [More] ⦿ | |
At UBA, Buenos Aires-based Anita Autorino designed the display typeface Deco (2019). [Google] [More] ⦿ | |
Graphic designer from Belgrade. Typeface 206 (2011) is an ornamental caps typeface that pays homage to da Vinci's Vitruvian Man. [Google] [More] ⦿ | |
With Olivier Nineuil at Bonté Divine, this French designer made Bonté Divine 009 in 1996 and Fiston Divin in 1997. [Google] [More] ⦿ | |
Minsk-based Belarussian designer of the Cyrillic/Latin version of Friedrich Poppl's font Laudatio, of Zipper1Cyr (2000; after a font by FishDicks), and of Willamette SF (2001), after an original by ShyFonts in 1999. He also extended Faust Antiqua in 2005 to Cyrillic (he claims the artwork is by G. Klikushin, but the typeface itself is by Kapr, 1958). Creator of Asessor (2000). [Google] [More] ⦿ | |
During his graphic design studies, Rémi Auvray (Cergy, France) created the minimalist organic sans typeface Cosmos (2014) and the circle-based typeface Birman (2017). [Google] [More] ⦿ | |
As a student at ENSAD in Paris, she co-designed Jannet (2001), a typeface based on Jannet's garalde revivals, ca. 1860. [Google] [More] ⦿ | |
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Florence-based designer of the octagfonal typeface Zeta Squared (2013). She also created Fairytale Icons (2013). [Google] [More] ⦿ | |
Maxim Avdeev (aka Amazingmax) is the Kazan, Russia-based creator (b. 1997) of some futuristic/game fonts in 2009: AmazXakep, AmazDooMLeft, AmazDooMLeft2, AmazDooMLeftOutline, AmazDooMRight, AmazDooMRight2, AmazDooMRightOutline, AmazS.T.A.L.K.E.R.Italic, AmazS.T.A.L.K.E.R.v.2.0. In 2010, he made the AmazGoda family of comic book typefaces. In 2011, he added AmazHand_First, AmazHand_First_Alt, AmazHand_First_Alt_X, AmazHand_First_Hard, AmazHand_First_Smooth. Fonts from 2012: Amaz Mega Grunge. [Google] [More] ⦿ | |
In 2017, he published the monoline script typeface UT Laurelle. The monoline script typeface UT Sugar Cane and UT Marmalade, followed in 2018. Typefaces from 2019: UT Saturday (script). Typefaces from 2020: The Bystander Collection (eleven all caps fonts and a monoline script, inspired by the masters of art photography). You Work For Them link. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2017: Wermland Gothic, Fields of Cathay, Chrobot, Grenade Stencil (military stencil), Camargue Serif, Krechanstaud Gothic (grungy), Spettekaka Serif, Boulodrome (heavy rounded sans script). Typefaces from 2018: Les Champs, Backcountry, Manhandle Slab, Out of My League (sans). Typefaces from 2019: Budokan Rounded, Edsbacka Flare Serif, Bonard, Generalissimo, Airside Sans, Haute Corniche (art deco caps), Danderyd Gothic. Typefaces from 2020: Big Star (octagonal). [Google] [More] ⦿ | |
Designer in Lisbon who created the display typeface Nu Delhi (2012). [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the modular typeface Wire (2015) and the circle-based avant-garde typeface OxType (2015). [Google] [More] ⦿ | |
Mexican designer (b. 1988) of the free pixel typefaces HaxrCorp S8 and S12 (2010). Disfunctional web site. [Google] [More] ⦿ | |
During her design studies at PUC (Rio de Janeiro), Isabela Avellar created the woody typeface Primavera (2015). [Google] [More] ⦿ | |
Graphic designer in Anderson, SC, who created Sans Imperius (2015), which is based on classic roman proportions. [Google] [More] ⦿ | |
Designer in Jacksonville Beach, FL. Her work includes the decorative oblong typeface Petulia (2013). [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer of Sigillium (2022: a 4-style flared, beveled, embossed and carved serif typeface), New Comer Sans (imitating Comic Sans) (2022). [Google] [MyFonts] [More] ⦿ | |
Portland, OR-based designer of the mini-stencil typeface Do It Again (2011, caps only---almost like architectural lettering), developed while he studied type design under Pete McCracken at the Pacific Northwest College of Art in Oregon. Home page with a free download. MyFonts has the commercial version sold by Thinkdust. HypeForType link. Behance link. [Google] [More] ⦿ | |
Creator of the free sans caps font Ruth Slab One (2013). [Google] [More] ⦿ | |
In 2002, she founded a signage agency, Tous les anges. Trashhand became Naturehand in 2008 when it became the house font of The Body Shop. The Greek and Cyrillic extensions will be done jointly by Luce Avérous and Dalton Maag. Over at Dalton Maag, she designed the technical handwriting typefaces Verveine (2009) and Verveine Corp (2009), which covers Greek as well. I believe that Verveine and Trashhand are identical. Behance link. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in New York City who created Binghamton Sans (2012). Behance link. [Google] [More] ⦿ | |
For a project at UNIMEP (Universidade Metodista de Piracicaba, Brazil), Heitor Aversa created the deco typeface Curab (2014). [Google] [More] ⦿ | |
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Creator of Santo (2012), a sans typeface that was submitted at FADU UBA (University of Buenos Aires) for her graduation work. [Google] [More] ⦿ | |
During his studies at URJC, Felix Avia (Madrid, Spain) designed the free modular typeface Kuban (2018). [Google] [More] ⦿ | |
Graphic designer in Tel Aviv. In 2019, he created the Latin stone cut typeface Epilepsy, and the Hebrew ransom note font Kolboinic. [Google] [More] ⦿ | |
Amed Avila (Jalisco, Mexico) created jaeger Bold (2014, a bold design on a hexagonal skeleton), Bng Light (2014, an organic circle-based sans typeface) and Drago Serif (2014). Behance link. [Google] [More] ⦿ | |
Colombian graphic and type designer, b. Cali, 1976. He has an undergraduate degree from Instituto Departamental de Bellas Artes in Cali (1996-2001), and Masters degrees in corporate identity (from ELISAVA in Barcelona, 2006-2007) and in type design (from IED in Madrid, 2012). In 2012, he created the sans typeface Nerea (Comando Cran). This typeface was a school project at IED in Madrid. [Google] [More] ⦿ | |
Designer in Porto Alegre, Brazil, who, during her studies at ESPM, created a clean sans typeface (2015) [Google] [More] ⦿ | |
Chilean designer of the modular typeface Vitacura (2019, released by Rodrigo Typo). However, MyFonts claims that this font was designed by Rodrigo Araya Salas. [Google] [More] ⦿ | |
Graphic designer in Balneario Camboru, Brazil, who created several display typefaces in 2016 such as Fileteada, Mond Min (inspired by Piet Mondrian) and Cosmic. [Google] [More] ⦿ | |
Guadalajara, Mexico-based designer who created the bilined typefaces B Side of Courier (2012) and Ossom (2012). [Google] [More] ⦿ | |
Or just Vince Avila. Designer of the rounded sans typeface Outdoor Code (2016) and the wide rounded all caps sans typeface Vindemia (2016). He also designed Western Exploits (2016, rounded sans), Outdoor Icon Set (2016) and Storm Riders (2016). Typefaces from 2017: Forest Dreams (hipster), Fairhope (sans titling), Cannes (sans titling), Alcester (rounded sans). [Google] [More] ⦿ | |
During her design studies in Rio de Janeiro, Yasmin Avila designed a modular typeface (20124). [Google] [More] ⦿ | |
During her studies in Baltimore, MD, Kat Aviles designed a decorative caps typeface called Quote (2013). In 2015, she added Solid, Contour, Disconnect and Quad. [Google] [More] ⦿ | |
York, PA-based designer of the squarish typeface Fat Cap (2016). [Google] [More] ⦿ | |
Bwehance link for Vit A. Behance link for lëve Partners. [Google] [More] ⦿ | |
Israeli type designer. Creator of Haratza MF (2009, Masterfont; with Avital Fuks). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Graphic designer in London who created the squarish typeface Towering Blocks (2014). Behance link. [Google] [More] ⦿ | |
Brazilian designer of the alphading font Medalhao (2000) under the label Sandra-Nat. [Google] [More] ⦿ | |
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Graphic designer in the UK, who created a triangular modular typeface in 2011. [Google] [More] ⦿ | |
Ramat Gan, Israel-based designer of the revival Hebrew typeface Halfon (2015). [Google] [More] ⦿ | |
Minsk, Belarus-based designer of the free thin display typeface 2159 (2019), the clean monoline sans typeface Centralny (2019) and the free typeface Technique Sans (2018). In 2020, he released the severe-looking wedge serif typeface Rassvet. [Google] [More] ⦿ | |
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Typefaces from 2019: Lemon&Fresh, Germany (script), Cremona (a free fashion sans), Designer (sans). Behance link. BluGraphic link. [Google] [More] ⦿ | |
Futuristic fashion accessory and costume designer in Madrid. Behance link. Creator of Asho (2011). [Google] [More] ⦿ | |
Or Rizky Awal. Indonesian designer of the monoline script typefaces Gorinchem (2020, for signatures), Braindly (2020), Bielifild (sic) (2019) and Carlington (2019). He also made the script typeface Khalsa Billa (2019). Typefaces from 2020: Roast Chicken (hand-printed), Deary Darling (script), Almond Nougat, Madison Script, Chicken Quiche, Paper Flowers, Braindly, Hashed Browns, Marsheilla, Mayones, Chicken Pie, Creamy Chocolate, Banitha, Dianita, Luisha, Marleigh, Chariska, Belitha, Salvyna, Herliana. Typefaces from 2021: Marchila (a swashy calligraphic script), Galistan, Cherilyn, Blackmatte (a bold script font). Typefaces from 2022: Simply Blessed (a curly upright script). [Google] [MyFonts] [More] ⦿ | |
Bandung, Indonesia-based designer of Viva Persib (2014), Dandding (2014, dingbats), Antara (2014), Balaka (2014), Ananda (2014), Elnaya (2014), Bahana (2014), Buwana (2014), Waskita (2014), Tamada, Bunda, Coolin Cheer (2014, Victorian), Bobotoh (2014), Pasundan (2014), Bimasakti (2014), Masra (2014), which is inspired by the logo of Himasra. Most of these are traditional Sundanese script fonts. He also created the display typefaces Lagegg (2014), Gardawesi (2014), Masra (2014), Oplo Sans (2014), Sunantara (2014), Sheandy (2014), Gondrong (2014) and Parahyangan (2014). Aka Kasuki (Kawula Sunda Kiwari). [Google] [More] ⦿ | |
Saudi Arabia-based designer of the grid-based Arabic typeface Durra (2017). [Google] [More] ⦿ | |
Aka Betmen. Magelang, Indonesia-based designer (b. 1990) of the constructivist typeface Fastron (2021) and the techno font Megafont (2021). [Google] [MyFonts] [More] ⦿ | |
Aurora, IL-based designer of the display typeface Flora (2016). [Google] [More] ⦿ | |
During her studies at Central Connecticut State University, Sabrina Awdi designed the hairline sans typeface Ponyo (2019). [Google] [More] ⦿ | |
Born in Dayton, OH, in 1991, Frederick Awich founded the Deleterious Design foundry in North Brunswick, New Jersey, in 2010. His first fonts were Infringe (display sans) and UndercoverLovahh (hand-printed face). Old URL. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Campotype is an Indonesian foundry run by Andi Aw Masry (b. 1970, Makassar), a civil engineer and type designer from Makassar (b. 1970) who lives in Jakarta. Masry made the connected script typeface FmiringCampotypeOne (2008), the Lontara Bugis script typeface OgieCappo Campotype (2008) and the angry typefaces Rambat Campotype (2008) and Creator Campotype Smcp (2008). In 2011, he went commercial at MyFonts. His first commercial font was the angular italic typeface Slantblaze Pro (2011). This was followed by the fat finger typeface Geegantic Black (2011) and the tattoo font Creator Campotype (2011). In 2012, he made Coomeec (advertised as a calligraphic comic book face) and Garuda (angular). In 2013, he designed Timesquare (based on Helvetica signage on a subway escalator in Time Square), Fruitygreen (Linotype) and Column Sans. Abstract Fonts link. Dafont link. Fontsy link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Pickerington, OH-based designer of the set of dingbats called Global Footrints Ghana (2017) and of the Africa-themed typeface Tribal Warrior (2017). Behance link. [Google] [More] ⦿ | |
Born in Amman in 1985, Fadi holds a bachelor of Graphic Design and Fine Arts degree from Yarmouk University in Jordan. He created several Arabic typefaces in 2012. [Google] [More] ⦿ | |
During her studies in Malmö, Sweden, Stina Axelsson designed Brison (2018). [Google] [More] ⦿ | |
Designer of the Latin/kana handwriting font ayaFONT01. Alternate URL. [Google] [More] ⦿ | |
Graphic designer in Philadelphia, who created the fable-themed font Whimsical (2014). [Google] [More] ⦿ | |
Industrial designer in Bogota, Colombia, who created a modular typeface in 2014. [Google] [More] ⦿ | |
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Graphic designer in San Vincente, El Salvador, who created the spurred medieval typeface Dungeon (2014). [Google] [More] ⦿ | |
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In 2016, now located in Kansas City, MO, he designed the rough stencil typeface Surplus Pro. Typefaces from 2017: Sumner (soft edge sans), Union Made (a vintage typeface family: It offers that bit of that masculine, whiskey drinking, machine using, denim wearing, ass-kicking touch to any design or logo), Argentine (a great roughened poster font), Kansas City, Pueblo Blackletter (tattoo font), Sylvester (headline sans), Soft Block (vintage octagonal typeface). Typefaces from 2018: Homestead, MDC Uptown, Vintage Athletic, Venice Gothic, Bevel Block. Behance link. Creative Market link. Old URL. [Google] [More] ⦿ | |
Aka Baville, Artman Ay is based in Gothenburg, Sweden, and studies dentistry at the Medical University of Lublin, Poland. Creator of the hand-printed typeface Irregularis (2013). Created with Font Creator, it is useful for casual text, or blackboard emulation. Wikipedia link. Fontspace link. [Google] [More] ⦿ | |
Eskisehir, Turkey-based graphic designer who created the blackletter typeface Hairbrush Black Letter (2017). [Google] [More] ⦿ | |
Aydee (b. 1989) designed the handwriting typefaces Cazzy (2004), Starz (2004) and Aydee (2004), as well as the dripping blood font Wannabe monsters (2004) and the scribbly Freetype (2004). [Google] [More] ⦿ | |
During his studies at Texas State University in San Marcos, TX, Alexander Aydelott created a pixel typeface in 2015. [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the monoline sans typeface Cycle (2018). [Google] [More] ⦿ | |
Istanbul-based designer of the elegant artsy typeface Flebard (2015). [Google] [More] ⦿ | |
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Kiel, Germany-based designer of Schleswiger Sans (2015). [Google] [More] ⦿ | |
Based in Brooklyn, NY, Kathrin designed the synthetic Hindi typeface Sprue (2003). [Google] [More] ⦿ | |
Designer of the somewhat contrasted free typeface Thrums Serif (2017, Open Font Library). [Google] [More] ⦿ | |
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Typefaces from 2016: Kimberlay (calligraphic script), Free Your Mind (handcrafted), Hysteria Sans, Hysteria (calligraphic script), Magenta, Ghisella (calligraphic script), Rosaline, Angelista, Axellaria, Smileheart (calligraphic script), Ambassador (formal connected script), Comely (flowing script), Fashionista (brush style), Prestige, Brightlight, Catherine (connected calligraphic script). Typefaces from 2017: Misgaretha (calligraphic), Magnificent (formal calligraphy), Synthesia (calligraphic), Angelique (calligraphic), Wellthington (calligraphic), Mainstream, Mystified (calligraphic), Exellentia (calligraphic), Kayleight (calligraphic script), Juliane (script), Carlington (calligraphic), Bellagio (connected script), Shinelight (calligraphic), Cornelia (calligraphic), Spotlight (script). Creative Market link. [Google] [More] ⦿ | |
Graphic Communication student at UCA Farnham, UK. She designed the anti-smoking typeface Stub Out Your Addiction (2010). [Google] [More] ⦿ | |
During her studies at the German University of Cairo, Merna Ayman created an untitled Arabic typeface, as well as the modular Latin typefaces Valiant (2014, FontStruct), Height (2014) and Elite (2014). [Google] [More] ⦿ | |
During his studies in Cairo, Rehab Ayman designed the display typeface The Red Queen (2018). [Google] [More] ⦿ | |
Girona, Catalunya-based designer of the triangulated typeface Threetype (2016). She also made Citric Type (2016). [Google] [More] ⦿ | |
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During her studies in Savannah, GA, Chloe Ayoub created the dot matrix typeface Toutou (2015). Behance link. [Google] [More] ⦿ | |
During her studies in Sharjah, UAE, Sumayia Ayoub designed the bare bones sans / kufi typeface Monoglyceride (2015). [Google] [More] ⦿ | |
Taunton, UK-based designer of Ayres Mono (2020), which includes some music and mathematical symbols. A guitarist and guitar teacher, he also created The Ayres Music Standard font for use in Sibelius and Finale. [Google] [MyFonts] [More] ⦿ | |
Sakarya, Turkey-based designer of the display typeface Ay (2016). [Google] [More] ⦿ | |
Moscow-based creator of the experimental Cyrillic typeface Velvet Moss (2014). [Google] [More] ⦿ | |
During her studies in Singapore, Michiko Ayumi created the script typeface Ayatori (2014). [Google] [More] ⦿ | |
Free Japanese and Latin fonts designed by Ayumu in 2006: biz-hiragana (Hiragana pixel font), Choco-oiwai (Latin, kana and kanji handwriting), biz_alp (Latin pixel font), biz_pencil (hiragana), Biz-Utatane (Latin and Cyrillic handwriting), biz-chocolat (curly lettering, Latin only). Alternate URL where we find the handwriting fonts Banana Chips (2008) and Burst Chocolate (2008). The designer is called Akira there, and another URL is given as well. [Google] [More] ⦿ | |
During her studies at ITENAS, this Bandung, Indonesia-based illustrator and graphic designer created the ornamental Rose Garden typeface (2013). [Google] [More] ⦿ | |
Graphic designer in Mississauga, Canada, who created the sans typeface Dancers Creed (2014). [Google] [More] ⦿ | |
Designer of an Arabic Opentype font in 2007. [Google] [More] ⦿ | |
Free OpenType Bangla fonts created by Solaiman Karim, with the help of Omi Azad: Rupali (2002), SolaimanLipi (20030. Omi Azad has worked with Microsoft to help them develop Bengali OTF&Uniscribe Rendering engine for Bangla. He also tested the Microsoft Keyboard Layout Creator and currently testing the Microsoft Unicode Uniscribe Text Engine for Bangla&Microsoft Official OTF Bangla fonts. Other free fonts added in 2005: # Ekushey Sharifa, Ekushey Punarbhaba, Ekushey Sumit (see also here), Ekushey Durga, Ekushey Saraswatii, Ekushey Puja, Ekushey Azad, Ekushey Godhuli, Ekushey Mohua (see also here). Also available on this page is Likhan (Deepayan Sarkar | |
Graphic designer in Zaragoza, Spain. In 2017, she created these typefaces: Volantis (a connect-the-dots font), Divex (hairline sans), Orion (slab serif). [Google] [More] ⦿ | |
Graphic designer in London who created the deco typeface Alphabet in 2016. Behance link. [Google] [More] ⦿ | |
Karachi, Pakistan-based designer of the avant-garde typeface Crescent (2014), which is a hybrid of ITC Avant Garde and ITC Anna (1991, Daniel Pelavin). [Google] [More] ⦿ | |
Creator of the animated sans typeface Madrid (2017). [Google] [More] ⦿ | |
At the University of Kaslik, Zahle, Lebanon-based Rita Azar designed the modern display typeface Poset (2017). [Google] [More] ⦿ | |
Creator of the ultra-bold Arabic display typeface F Jadid (1996). [Google] [More] ⦿ | |
Bordeaux, France-based designer of a modular grid-based typeface in 2014. [Google] [More] ⦿ | |
In 2016, he designed the free art deco typeface Tagus, the bilined and outlined Irene, the bilined titling typeface Kanji (which contains no kanji), and the free decorative Pole Numerals. In 2017, he designed the informal typeface Phan, the Escher-inspired typeface Aclo, the children's book typeface Phan, and the blackboard bold font Quira. In 2018, he published the Escher font Loophole and the soft poster typeface Gelato. [Google] [More] ⦿ | |
Niram Factory is run by Tharique Azeez, the London, UK and Sri Lanka-based designer of the commercial (originally, free) hand-drawn outline font Verumai (2014), the hand-drawn Solvanam (2014), the handcrafted Melampus (2014), the hand-drawn slab serif Amutham (2014), Aaram (2014, a monoline circle-based sans family), Rain & Neer (2014), the hand-drawn Ecstatic (2014), Nimiran (2014), Neythal (2014, free), Neythal Tamil (2014, free), Padagu (2014, a poster font), Besty (2014, a display typeface family), and the shaky hand font Rise Star Hand (2014). In 2011-2013, Kosala Senevirathne, Siva Puranthara, Lasantha Premarathna and Tharique Azeez co-designed the free stencil typeface family Post No Bills (Fontsquirrel link). Typefaces from 2015: Chaseera (a display sans with pizzazz), Neythal (free Comic Sans style Latin / Tamil typeface), Marziona (a gorgeous heavy brush font), Silgoumy (connected monoline script), Goldes, Tamil Didot. Typefaces from 2016: Icings (a free handcrafted typeface), Pavanam (a free Google Font for Latin (based on Vernon Adams's Pontano Sans) and Tamil; Github link), Kavinavar (a free Google Font for Latin and Tamil, whose slanted letterforms for Tamil are inspired by a manuscript by Kavivanar M. A. Azeez (1948-2002), a Tamil poet and educator who lived in Sri Lanka). Typefaces from 2017: Sofeeda (a free handcrafted typeface). Typefaces from 2021: Stick No Bills (a Latin / Sinhala font by Kosala Senevirathne, Siva Puranthara, Lasantha Premarathna and Tharique Azeez, Google Fonts, Mooniak). Dafont link. Fontspace link. Creative Market link [for buying his typefaces]. Behance link. Open Font Library link. Home page. Fontsquirrel link. [Google] [More] ⦿ | |
Singapore-based designer of the experimental geometric typeface Geometrical (2015). [Google] [More] ⦿ | |
Passos, Brazil-based designer of the art deco typeface Majesty (2014). [Google] [More] ⦿ | |
Campos dos Goitacazes, Brazil-based designer of the paper-fold typeface Tipos de Papel (2015). [Google] [More] ⦿ | |
Alter Order is the web alias for Pedro Gonçalves, a Portuguese art director based in Barcelona. Creator of the ultra black slab typeface Gorda Slab (2010). [Google] [More] ⦿ | |
Graphic designer in Porto, Portugal, who created the modular typeface Choo (2016). [Google] [More] ⦿ | |
During her design studies in Caldas da Reinha, Portugal, Joana Azevedo designed the straight-edged typeface Rosace (2013). [Google] [More] ⦿ | |
Illustrator and graphic designer from Vitoria, Brazil, who is now located in Bremen, Germany. On his Behance page, we can find many great typographic posters. In 2014, he created a scratchy multiline typeface called Scratching Font. [Google] [More] ⦿ | |
Florianopolis, Brazil-based designer of a curly typeface (2015). [Google] [More] ⦿ | |
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Art director in Lisbon, Portugal, who created the mechanical octagonal typeface Type Font in 2014. [Google] [More] ⦿ | |
At Escola Superior de Educação de Coimbra, Portugal, Rosa Azevedo designed a squarish bilined typeface in 2015. [Google] [More] ⦿ | |
Sidoarjo, Indonesia-based designer of the grungy typeface Coralbro. Behance link. [Google] [More] ⦿ | |
Indonesian designer (b. 1993) of the angular display typeface Anak Muda (2015). [Google] [More] ⦿ | |
Kuala Belait, Brunei Darussalam-based designer of Remote Gaming Font (2015). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the display typeface Barong (2014), which is inspired by Barong Bali Indonesia. [Google] [More] ⦿ | |
During his studies in Poznan, Poland, Bartosz Aziewicz designed an angular text typeface (2016). [Google] [More] ⦿ | |
Bekasi, Indonesia-based designer of Aneh (2016, sans), Shelldon (2018: brush script) and Bianka Script (2018: upright). In 2019, he designed the script typefaces Isyana and Pattheda, and the arc-themed Auriga. Typefaces from 2020: Kiddie Monster, Aesthetikos, My Witcher (a vampire font), Deer Up Shoutttap, Rusty Frozee (a brush script), One Mith (Signature, Capitals), Sweethampton, Bikambone, Hand Note, Bear Butter. [Google] [MyFonts] [More] ⦿ | |
Surabaya, Indonesia-based designer of Royal Quest (2019), Amandella (2019), Ganesha (2019), Ghost House (2019), Banabo (2018) and Free Food Icons (2018). Creative Fabrica link. [Google] [More] ⦿ | |
Jakarta Timur, Indonesia-based designer, b. 1993, of the script typefaces Chikonica (2019) and Lichalizta (2019), and the blackboard bold typeface Linegers (2019). Typefaces from 2020: Undergod (eerie), Hildane (spurred), Kavri (decorative caps), Xavier Eskimo (script), Super Dust (a speed emulation font), Hulalaby, Funies, Kavri Display, Breadly. Typefaces from 2021: Aligan, Keiltija Rathijan (script), Sancaka, Harebo (a Japanese emulation brush font), Thirttin (a spooky font), Sasat (a Halloween font), Suditha Signature, Lemonade, Toon, Komonesia (a signature script), Ride and Race (a speed font). [Google] [More] ⦿ | |
Designer of the spindly calligraphic typeface Abeltar (2016), the brush script typeface Suicide Vilmashar (2016), the handcrafted Asgoth (2016, called a scum font), the spurred tattoo typeface Grecfels (2016), the ghoulish Goreinfection (2016), Gattelcog (2016), and the squarish typeface Quger (2016). Newer Creative Market link. [Google] [More] ⦿ | |
Designer of the calligraphic typeface Bruke (2019), the script typeface Rostock (2019) and the fat signature font Pastcode (2019). He also designed the display typefaces Aurond (2019), Zoctopus (2018), Scream (2018), Grimsby (2018) and Eqiva (2017: a trilined logo font). [Google] [More] ⦿ | |
Malaysian designer of the cat-themed display typeface Kuc Ink (2017). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of Clipper (2014). [Google] [More] ⦿ | |
Indonesian type designer who published Melatea (2021: a 54-style sans) and the adorable shiny chubby (children's book?) font Gemoy in 2021. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2017: Belmout Script. Behance link. [Google] [More] ⦿ | |
Designer of the geometric solid font Geomet (2020). [Google] [More] ⦿ | |
Terengganu, Malaysia-based designer (b. 1995) of Syarpfiqr Sans (2017) and Gigigit (2017). [Google] [More] ⦿ | |
Indonesia-born architect. Designer of Barranom (2020: rounded, octagonal), Cartoon Book (2020), Sketsa (2020: an architectural blueprint font), and the informal monolinear elliptical sans typeface Handhuel (2020). Typefaces from 2021: Blancos (a ligature-rich sans), Velove (a scrapbook script), Battafia (a calligraphic script), Bondtique (a heavy round monolinear sans), English1707 (bilined), Alfatih (a display typeface), Ceudah (futuristic, art deco). [Google] [MyFonts] [More] ⦿ | |
Muhammad Jauhar Azmi s an Indonesian designer (Kendal, b. 1991). He founded Jojonikitype in 2013. Creator of free typeface Acro Script (2013) during his visual communication design studies at Semarang State University. In 2019, he released Quartro and the octagonal typeface Ron. [Google] [More] ⦿ | |
Other typefaces by Rania Azmi include the stencil typeface Genoa (2019) and the free display typeface Hela Ho Revolution (2019). [Google] [MyFonts] [More] ⦿ | |
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Madrid, Spain-based designer of the free typeface Comic Serif (2019), which is clearly modeled after Vincent Connare's Comic Sans. [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the rounded stone cut typeface Fantasy Abstract (2018). [Google] [More] ⦿ | |
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During her studies in Paris, Chloe Azuley created Outline Surf font (2014). She also made the sweeping brush typeface John Butler Trio (2014). [Google] [More] ⦿ | |
Designer of the cute facial dingbat font Azudings (2005), digitized by Vic Fieger at Vic Fieger Fonts. [Google] [More] ⦿ | |
Japanese-Brazilian designer, b. 1984, who created the pixel font Minami (2007). Dafont link. [Google] [More] ⦿ | |
Singapore-based designer of the techno typeface Trickster (2014). [Google] [More] ⦿ | |
Semarang, Indonesia-based designer of the free font Kendal (2017). In 2018, he designed the doodle font Esok Tiba. [Google] [More] ⦿ | |
Kaen Graphics is a French studio based in Lille and/or Brussels. He also opertates as Benelux Graphic Designer. They created the experimental typeface Paintedfonts (2012) and the outlined WeWork (2008). Trustin (2012) is a display typeface created for Advertising Brands Magazine. In 2014, Kaen Graphics published Wiggle Font (2014). | |
As a student at Moscow State University, Sophie Azzheurova designed the tall Latin / Cyrillic display typeface Azzfont (2016). [Google] [More] ⦿ | |
Graphic designer in Lyon, France, who drew a decorative architectural alphabet called Konnexion (2016) and the Clarendon/ Capsuula hybrid The Pastemporary (2016, for the antique shop Lecomte Antiquités located near Nantes). Behance link. Another home page. [Google] [More] ⦿ | |
Milan, Italy-based designer of the spurred modular typeface Kramer (2019) and the free spurred handcrafted typeface Pirate K (2019). [Google] [More] ⦿ | |
Hal Balzan, Malta-based designer of the display typeface Kinoko (2016). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the Arabic typeface Al-Motaereg (2016). For a design course, she created the Latin typeface Leafy (2016). [Google] [More] ⦿ | |
Art director in Miami, FL, who designed the squarish typeface Puneta (2018). [Google] [More] ⦿ | |
FontStructor who made the textured typeface Fencing (2013). [Google] [More] ⦿ | |
Born in Beirut, Lebanon in 1986, Zeina graduated in 2008 from NDU (Notre Dame University Lebanon). Presently she is a print and media designer in Florence, Italy. Creator of the Arabic simulation typeface Gibran (2012), which was created for Lebanese author Gibran Khalil. Behance link. [Google] [More] ⦿ | |
Designer of the Halloween font Heavy Moon A (2015). [Google] [More] ⦿ | |
Rotterdam-based designer of the De Stijl typeface Piet Mondrian (2015). Behance link. [Google] [More] ⦿ | |
Baar published these typefaces with Linotype: Atlantis, Linotype Kaliber, Linotype Balder (1994), Linotype Ordinar (2000), Linotype Pisa (1997), Feltpen, Nordica (chiseled typeface). Nice fonts at old Antropos site included: Aristoteles, Platonia, Andromeda, Zeitgeist, Artemis, Andromeda Engschrift, BaarAntropos, BaarAntroposAidfont, BaarAntroposBold, BaarAntroposBoldItalic, BaarAntroposCaps, BaarAntroposDisplay, BaarAntroposEngschrift, BaarAntroposItalic, BaarGoetheanis (2002), BaarLemuria (2002), BaarMetanoia (2002), BaarMetanoiaBold, BaarMetanoiaBoldItalic, BaarMetanoiaItalic, BaarPhilos, BaarPhilosBold, BaarPhilosBoldItalic, BaarPhilosItalic, BaarSophia (2002), BaarSophiaBold, BaarSophiaBoldItalic, BaarSophiaItalic, BaarZeitgeist. He founded Menschengeist and Aidfonts (2005), where one can download his Sophia, Metanoia and Philos families. Dafont link. Linotype link. FontShop link/ Klingspor link. Fontspace link. Catalog of Lutz Baar's commercial typefaces. See also here. [Google] [MyFonts] [More] ⦿ | |
Kiwi graphic designer based in Auckland. Behance link. His fonts include Cirone (2009, art deco), and Enever (2009, techno). He is working on the ornamental capitals typeface Mad Alphabet. [Google] [More] ⦿ | |
Czech designer (b. 1967) who studied at the Academy of Arts, Architecture and Design in Prague. He founded Studio Machek & Babak. Since 2003, he works as a graphic designer at his own studio, Laboratory. Head of the Graphic Design and New Media department at the Academy of Arts, Architecture and Design in Prague since 2005. Designer of the experimental typeface Prkno (1992-1993, wooden plank-shaped letters). At Briefcase Type in 2014, he published the grungy typefaces Prkno, Rezan, Sijan (a needle and thread font) and Trhan. Interview (in Czech). Graphic design and new media web page. [Google] [More] ⦿ | |
Russian designer at TypeMarket of AllegroScript (1995), Palladium (1994-1995), SonetSerif (1996, based on Stone Serif from 1987), Anastasia Script (1996: based on Shelley Script (Matthew Carter, 1972)), and Oliver New (1995, TypeMarket: based on Antique Olive by Roger Excoffon, Olive, 1962-1968). ParaType link. [Google] [More] ⦿ | |
Lahore, Pakistan-based designer, b. 1995, of the spiky typeface Mishu (2019). [Google] [More] ⦿ | |
Russian designer of the handcrafted Latin typeface Kombucha (2016). [Google] [More] ⦿ | |
Poitiers, France-based designer of the alchemic typefaces Avlib (2013) and Okey (2013). Behance link. [Google] [More] ⦿ | |
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The Lego logo inspired Timothy Babayev (Moscow, Russia) to make the rounded Legotype font in 2015. [Google] [More] ⦿ | |
Fonts by Brooklyn, NY-based art director Andrew Babb: Dog Eared (2012, a paper fold typeface), Lava Vision (a great rounded original font), Polygon (2009, octagonal, gridded structure), First Attempt, Tuskey-San (2000), Gear Crank (2013), Oh Balloney (2000), Lestat (2001), and QuietInfinity (2000). | |
Edmond, OK-based designer of the neo deco typeface Flare (2017). [Google] [More] ⦿ | |
Creator of the handcrafted outline font The Nigel Font (2020). [Google] [More] ⦿ | |
Nigel Babb at The Burning Duck Department (cartoon specialists) in South Africa. Together with Matt Tapson (?), he created Broken Stick (2005), a free paint brush font. [Google] [More] ⦿ | |
American designer of Timeless Blocks (2015). [Google] [More] ⦿ | |
Michael Babcock's hot metal type collection. He made Bradley Combo Ornaments (2001) by digitizing samples from the Nov. '74 Kingsley/ATF "Fonted Ornaments and Typographic Accessories" sheet. Free. [Google] [More] ⦿ | |
Denver, CO-based designer of the experimental typeface Intent (2015). Behance link. [Google] [More] ⦿ | |
Designer of the dingbat font Faces Female. [Google] [More] ⦿ | |
Rostov-on-Don, Rissia-based designer of the artsy typeface Pozds (2016), and the ghastly Horror Font (2016). Behance link. [Google] [More] ⦿ | |
Amsterdam-based designer of the heavy almost monolinear sans typeface Maria (2010). [Google] [More] ⦿ | |
Novi Sad, Serbia-based designer of several untitled Latin and Cyrillic typefaces, ca. 2013. [Google] [More] ⦿ | |
Typefaces from 2017: Grunge Dry Brush (an extension of her 2016 typeface), Ink Brush, Bold Brush, Bold Grunge Display, Dry Brush, Bold Dry. [Google] [More] ⦿ | |
Graphic artist in London. Designer of the face-themed typeface Graphic Face (2017). [Google] [More] ⦿ | |
Graduate of Tomas Bata University. Ostrava, Czechia-based designer of the organic sans typeface Jarmila (2016) which was inspired by Jan Tschichold and the Bauhaus movement. [Google] [More] ⦿ | |
During her studies in Trier, Germany, Inessa Babkovich designed the stencil typeface Frosh (2017). [Google] [More] ⦿ | |
Based in Campinas, Brazil, Babuino created Gans Baai (2012), a modular squarish display typeface. Free download. Behance link. [Google] [More] ⦿ | |
As a student at Nanyang Academy of Fine Arts in Singapore, Pranay Ravi Chandra Babu designed the display typeface Digital Dystopia (2015). [Google] [More] ⦿ | |
Istanbul-based designer of the custom modular typeface Honey Bunny (2013). [Google] [More] ⦿ | |
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Graphic designer and illustrator based in Manila, The Philippines. In 2019, she created the free squarish display typeface Far Out using FontStruct. [Google] [More] ⦿ | |
Carson, CA-based designer who studied at the Art Institute of Los Angeles. In 2016, he designed a modular rhombic typeface. [Google] [More] ⦿ | |
Ljubljana-based designer of the display typeface Decklina (2015) and experimental typeface Poba (2015). [Google] [More] ⦿ | |
In 2013, she created G Font (a pixel face) and Pirassununga (a modular typeface). [Google] [More] ⦿ | |
Graphic designer in Bilbao, Spain. In 2017, Hamex Design (Bilbao, Spain), Teresa Bacelar, Laura Pajuelo, and Ainara Rodriguez co-designed a geometric solid typeface. [Google] [More] ⦿ | |
Adrian Bach (Essen, Germany) created the calligraphic typeface Broken Hand Regular (2013). Behance link. [Google] [More] ⦿ | |
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Lithuanian book and type designer. At Polygraphmash type design bureau, he created the unusual low-contrast serif family Bachenas (1963). The digital version was developed for ParaType in 2003 by Lyubov Kuznetsova. [Google] [MyFonts] [More] ⦿ | |
Graz, Austria-based designer of Spoon (2013), a sans serif typeface developed during Typeclinic 6 in 2013 for use in small print or on web pages. Behance link. [Google] [More] ⦿ | |
During their studies at ESAG Penninghen, Paris-based Eléonore Bacher and Léna Consigny co-designed the experimental unicase typeface Michael Bublé (2017). [Google] [More] ⦿ | |
Catalog. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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During her studies in Austin, TX, Helaine Bach designed the vintage typeface Chana Oro (2016). [Google] [More] ⦿ | |
Oesterreichische Schulschrift: Austrian School Writing Letters developed in 1995 by Gerhard A. Bachmaier. In metafont format. [Google] [More] ⦿ | |
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Zurich-based illustrator and art director who made the octagonal typeface Qbik in 2010. Home page. [Google] [More] ⦿ | |
New York City-based designer. In 2021, she designed Z3non, a groovy retro-futuristic typeface that fits in square blocks. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Blowing Rock, North Carolina. He created the experimental typefaces Fanetik (2011) and Unfolded (2011, 3d, origami style). Old URL. Behance link. [Google] [More] ⦿ | |
Ondrej won the silver medal in the Latin category at the 22nd Morisawa Type Design competition in 2019 for Kolektiv. [Google] [More] ⦿ | |
Israeli type designer who created these typefaces at Masterfont: Blender MF (2003, with Ido Zemach), Amit MF, May One MF (2004, with Ido Zemach), Caveret MF (2003, octagonal Hebrew face, with Ido Zemach). [Google] [MyFonts] [More] ⦿ | |
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As a student at HEAD Genève, Mael Bächtold (Neuchatel, Switzerland) designed the Byzo typeface (2017). [Google] [More] ⦿ | |
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At Budapest Metropolitan University, Viktoria Bach designed Hexagon (2016). Behance link. [Google] [More] ⦿ | |
Uruguayan type designer (born in 1952 in Montevideo), one of the pioneers of Brazilian type, dabbling mainly in corporate type in Brazil, such as for Vasp (1985), Cia. Hering, Bardahl and Continental 2001. [Google] [More] ⦿ | |
Designer in Buenos Aires who created the heavy rounded sans typeface Allonge (2012) for a school project at FADU / UBA. [Google] [More] ⦿ | |
Cordoba, Argentina-based designer of the free pixelish video game typeface family Kid A (2017). [Google] [More] ⦿ | |
In 2005, Peter Backes created a simple sans serif Metatype typeface called Oceania. In 1993, Phil Cordingly from ABC Network in Australia created some letters for the logo of the TV series Ocean Girl. Phil Watts (Jonathan M. Shiff Productions) then added some letters for Orca City and Ocean Odyssey. But the full font in Metatype was designed by Peter Backes in 2005, who made the source code freely available. [Google] [More] ⦿ | |
Mainz, Germany-based designer of a squarish font (2018) that was programmed with Nodebox, and a monoline modular typeface called Module (2018). [Google] [More] ⦿ | |
Nu-des is a Brazilian foundry located in Rio that is involved in visual identity. They are experimenting with type. Its main designer, Billy Bacon, created the scribbly font Pasmado (1996) and Marola (1996). In 1997, he created the foundry Subvertaipe. In 2006, he made the blood-drip grunge typeface Caracura Professor at PUC-Rio and at Kabum! Escola de Artes e Tecnologia. Dafont link. [Google]
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During her design studies at Chapman University in Orange, CA, Lizz Bacon created the hand-drawn typeface Split Ends (2014). [Google] [More] ⦿ | |
Illustrator in Le Havre, France. In 2017, she designed the neo deco typeface Nova. [Google] [More] ⦿ | |
Designer of the display typeface Ferro (2015). [Google] [More] ⦿ | |
Christophe runs Typophage, a type activity center. Interview with Planete Typographie. Some of his fonts are also at Typotek. In 2004, he joined Ultra Pixel Fonts, where he made the pixel typeface Mr. Pixel. His historical pages explain about things such as Quadrata (first century roman lettering). Dafont link. Klingspor link. FontShop link. Linotype link. Badani's personal site. Behance link. Christophe Badani at Velvetyne. [Google] [MyFonts] [More] ⦿ | |
Leslie Badani (Washington, DC) is a graphic designer and art director with a focus on publication design, branding, and typography. She is currently an Associate Creative Director at Weber Shandwick and studying typeface design in the Type@Cooper Extended Program at The Cooper Union. At Type Cooper 2020, Leslie Badani designed the angular display typeface Phyla. [Google] [More] ⦿ | |
French designer (b. 1969) of the silhouette typeface Linea1 (2016). [Google] [More] ⦿ | |
Graphic designer in Karachi, Pakistan, who created Solid (2012), a heavy mechanical typeface with a 3d version. [Google] [More] ⦿ | |
During her graphic design studies in Ottawa, Dima Badawi designed Old Touma (2013). [Google] [More] ⦿ | |
Pune, India-based designer of the devanagari typeface Pumawati (2019), which is based on the Latin sports shoe font My Puma by Samuel Parks. [Google] [More] ⦿ | |
Designer of the free marker script typeface Aeland (2018). [Google] [More] ⦿ | |
Doha, Qatar-based design student who created the Arabic typeface Rafeedia (2012). [Google] [More] ⦿ | |
Her typefaces include:
Type Together link. [Google] [More] ⦿ | |
Beirut-based designer of the plump pop-art / bubblegum font MyFont (2014, Latin & Cyrillic). [Google] [More] ⦿ | |
Tel Aviv-based designer of the sans serif Hebrew typeface Telescope (2014). [Google] [More] ⦿ | |
Illustrator and graphic designer in Rijeka, Croatia, who created the free handcrafted typeface Not So Elegant (2015). [Google] [More] ⦿ | |
Grand Rapids, MI-based designer of the modular condensed sans typeface Eden (2014). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the display typeface Marvel Gate (2016). [Google] [More] ⦿ | |
New York-based designer of the free truetype bitmap fonts: Civil01B, Civil01R, Civil02B, Civil02R, Dukie01B, Dukie01E, Dukie01R, Pookie01, Pookie02, Pookie03. [Google] [More] ⦿ | |
Copenhagen-based designer of the stylish bilined typeface Arkham (2015), which was developed during her studies at Skolen for Visuel Kommunikation in Haderslev, Denmark. [Google] [More] ⦿ | |
Designer in Oslo. At Fontspace, one can find his free fonts. These include the octagonal typeface True Blood (2010). [Google] [More] ⦿ | |
In 2017, the blackletter typeface Aktura was published by Fontstore. At Black Foundry, he designed the emoji font Bluumoji as part of Jean-Baptiste Morizot's brutalist Bluusuuperstar (2017). In 2018, he published Neptune (a 12-style geometric sans family with a dwarf "t") and the organic sans typeface Hongkong at Indian Type Foundry. Finder is a multiscript typeface developed in 2020 at Black Foundry by Jérémie Hornus, Gaëtan Baehr, Changchun Ye and Zhang Miao. This neutral sans is intended for interface design, and covers Arabic, Cyrillic, Greek, Hangul, Hebrew, Japanese, Latin, Simplified Chinese, Thai and Traditional Chinese. Zodiak (2021, Jérémie Hornus, Gaetan Baehr, Jean-Baptiste Morizot, Alisa Nowak, and Théo Guillard at Fontshare) is a free 24-style text family with Century-like newspaper roots and sturdy bracketed slab serifs. It was originally named Claire (2020). [Google] [MyFonts] [More] ⦿ | |
Schwalbach am Taunus, Germany-based designer of the geometric solid typeface Onyu Leon (2016). Behance link. [Google] [More] ⦿ | |
Creative director in Seoul. In 2015, he created the Latin sans typeface DT321. Behance link. [Google] [More] ⦿ | |
Kidon Bae is a multi-disciplinary designer from Los Angeles, California, currently residing in Seoul, South Korea. In 2017, Kidon created a custom modular typeface for Tive Inc's branding. Behance link. [Google] [More] ⦿ | |
Graphic designer in Germantown, MD. Her typeface Baer (2013) was influenced by Bauhaus and Neutraface. [Google] [More] ⦿ | |
Thomas Baert (Deluxe Graphique), is from Kortrijk, Belgium. At Graphic River, one can buy Deluxe Bold (2008, pixel face). [Google] [More] ⦿ | |
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Hugo Baeta is a designer and front-end developer living in San Francisco. Originally from Lisbon, Portugal, Hugo studied web design and new media at the San Francisco Academy of Art University and, in 2019, type design at Type West, where ihis graduation typeface as Madrigal. He writes: Madrigal is a sans serif type family, inspired by Southern European, fascist-era type, with a transformed blackletter structure, and a cinched silhouette. Named after Mrs. Madrigal from Armisted Maupin's Tales of the City, this type family embodies a lot of the fictional character's traits. Madrigal has variable thickness. [Google] [More] ⦿ | |
Monuments and Museums (2012) was commissioned by the Greek design studio Bric-a-Brac for a visual identity for Greece's museums and monuments. Bligh is a 3-weight sans-serif type family designed from scratch during her time working at Dalton Maag, published in 2015. [Google] [More] ⦿ | |
Seoul, Korea-based designer of the decorative Latin typeface Old Menu (2017). Behance link. [Google] [More] ⦿ | |
Javiera Baeza (Santiago, Chile) designed the eroded serif typeface Rouillé in 2013. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Antigona (2010). [Google] [More] ⦿ | |
Designer of the Arabic font family Shurooq 01 through 29 (1995, 2000). It can be found here. [Google] [More] ⦿ | |
Designer a a number of free Arabic typefaces at Arabeyes, including Tholoth, Hor, Haramain, Electron. [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer (b. 1999) of the techno display typeface Reison (2020). [Google] [More] ⦿ | |
Aka Goldlake Graphic. Bhima Bagaskara (Malang, Indonesia) designed the spurred display typeface GL Firstblood and the EPS-format brush typeface Steak Brush in 2013. In 2018, he created the thin calligraphic typeface GL Roosy Script, and the brush typeface GL Steak Brush V2. [Google] [More] ⦿ | |
Fontstructor who made the Tipografia series in 2011. [Google] [More] ⦿ | |
Italian designer (b. 1971) who graduated from the Art Institute of Parma. He is currently the main designer for MTV Italia. He created the gothic font Grimoire, first as a logo for the group Barbie Car and later for some MTV titles. [Google] [More] ⦿ | |
Aka softhunterdevil, Saptarshi Bagchi (b. 1985, India) lives in Kolkata. As FontStructor, he made Pixelian Nights (2015), Roboscript (2015), 3 Strokes (2010), a multiline face, SlamDunk (2010) and Diagonal Knife (2009, octagonal). At Graphic River, one can buy Pixel Knife (2009), also a FontStruction. Memories (2010) is a grunge face. In Her Memory (2011) is a semi script typeface with tall ascenders. [Google] [More] ⦿ | |
Brownfaox specializes in the design and production of Latin and Cyrillic fonts for print and for screen. They are the organizers of the first Russian international type conference Serebro Nabora. Their first typefaces in 2012, all posted at Google Web Fonts, include Simonetta (readable angular typeface: see here), Sevillana (curly upright script by Olga Umpeleva), Geometria (a geometric sans by Vyacheslav Kirilenko and Gayaneh Bagdasaryan), and Henny Penny (a playful decorative typeface, also by Olga Umpeleva). In 2013, we also find Super Disco (an art disco layered typeface family by Gayaneh Bagdasaryan). Institut (2013) is an industrial-strength sans typeface designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan. In 2013-2014, Gayaneh Bagdasaryan and Dmitry Rastvortsev created the Latin / Cyrillic sans typeface family Brutal Type (Brownfox) that is genetically linked to DIN. Typefaces from 2014: Gerbera (a sans face co-designed with Vyacheslav Kirilenko), Formular (by Vyacheslav Kirilenko and Gayaneh Bagdasaryan: a Swiss sans family for Latin and Cyrillic), Activist (a minimalist all caps typeface commissioned by the Anticorruption Foundation). Typefaces from 2015: Nolde (a Latin / Cyrillic titling typeface named after german-Danish printer Emil Nolde; by Vyacheslav Kirilenko and Gayaneh Bagdasaryan). Typefaces from 2016: Wermut (a dagger-serifed transitional Latin / Cyrillic text typeface family by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, published at Brownfox). Typefaces from 2017: Aeroport (by Gayaneh Bagdasaryan & Vyacheslav Kirilenko). Typefaces from 2022: Jet (the authors, Gayaneh Bagdasaryan and Vyacheslav Kirilenko, write: Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go). Behance link. Fontspace link. [Google] [MyFonts] [More] ⦿ | |
Cyreal is a type foundry with expertise in both Latin and Cyrillic scripts. Its founders are lecturers at the British Higher School of Art and Design in Moscow. They are
Fonts:
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In 2013, he published Pont (a slab serif typeface) and Woodburn (a Cyrillic constructivist typeface). Dafont link. Behance link. Fontspace link. Aka Dima Bag or Dmitry Bag. [Google] [MyFonts] [More] ⦿ | |
Photographer in Barcelona who created the modular art deco typeface DecoPop (2013). [Google] [More] ⦿ | |
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A collaboration with Anton Koovit on custom typefaces for GQ France led in 2012 to the founding of Fatype, a digital type foundry for retail and custom typefaces. Codesigner with Anton Koovit of the slab serif family Arvo (2010). His graduation work at KABK included the development of Bois (2011): Bois is a Roman Antiqua flirting with Gothic influences. The design, based on calligraphy and craftsmanship, was inspired by the works of Villu Toots, Rudolf Koch, Oldrich Menhart, and William Morris. The name Bois, French for wood, stands for the natural and solid aspect of the typeface. In 2012, he created the custom typeface family Derzeit for Derzeit, the Berlin Fashion Week Daily. It was designed in collaboration with art director Manuel Schibli. Yassin designed the high-contrast Peignotian sans family Beausite Fit and Beausite Grand in 2014 at Fatype. It comes with subfamilies called Grotesk, Grand and Slick, and has fashion mag appeal. Beausite Classic is a more standard sans. Between 2014 and 2018, with the help of Anton Koovit and Selina Bernet, it grew to 56 styles. Anton Koovit and Yassin Baggar offer a new take on Fatype's U8 (the typeface that ios based on lettering in Berlin's subway) in their UCity typeface family (2019). [Google] [More] ⦿ | |
Tobias Baggemann (Breitenlauf) is a German graphic and type designer. He designed Construct (2011, contructivist). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Californian designer of Ruban (2016) for a project at St. John's University in New York City. [Google] [More] ⦿ | |
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Yerevan, Armenia-based designer who created a triangulated Armenian alphabet in 2014. [Google] [More] ⦿ | |
Tehran-based designer of the Persian font Beno (2011). [Google] [More] ⦿ | |
Creator of the free font Vadiraja (2012) for Sanskrit. [Google] [More] ⦿ | |
During his studies at Canterbury College, UK, Thomas Bagnall (London, and before that, Ashford, UK) designed Paper Cut Typeface (2013), X-Code (2013, a circular typeface), and the modular typeface Quadratix (2013). In 2016, he designed the octagonal typeface family System. In 2017, he published Adept Sans. [Google] [More] ⦿ | |
During her studies, Charlotte Bagnara (Manchester, UK) created the connect-the-dots typeface Anger Tracks (2013). [Google] [More] ⦿ | |
BurnType is a small studio specializing in creating bold fonts that balance function with expression. The studio is run by founder Michael Bagnardi in Brooklyn, New York. At The Designers Foundry, they relaesed BT Brik in 2018. [Google] [More] ⦿ | |
Taguig, Philippines-based designer of the free soccer font PF UEFA Super Cup (2018). [Google] [More] ⦿ | |
Harare, Zimbabwe-based designer (b. 1982) of KonQa (2006), a grunge Cyrillic simulation face. [Google] [More] ⦿ | |
Designer from Easley, SC. He created the perfectly square (and thus monospaced) typeface GridFit (2012), and of the squarish techno typeface Urban Cowboy (2012). Behance link. [Google] [More] ⦿ | |
At Dar Al Hekma University, Jeddah, Saudi-Arabia-based Wijdan Bahadi designed a rounded Arabic typeface in 2017. [Google] [More] ⦿ | |
Designer of Terrorama Chiseled (2005, grunge). [Google] [More] ⦿ | |
During her studies in Istanbul, Ipek Bahar created the dripping blood font Korku (2013). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the monoline script typeface Monoright (2020). [Google] [More] ⦿ | |
Or Azmill Bahar. Semarang / Kendal, Indonesia-based designer (b. 1996) of the handcrafted typefaces Holaholo (2019), Gembrik (2019: beatnik style), Hoam (2019: monoline), Chopyor (2019: beatnik style), Bencoleng (2019), Vakansy (2019), Mooncrato (2019: beatnik style) and Dollanan (2019), and the minimalist sans typeface Molor (2019, +Shadow, +Outline). [Google] [MyFonts] [More] ⦿ | |
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Mexico City-based designer of the text typeface Arre (2017) during a lettering workshop at FAD UNAM led by Cristobal Henestrosa. [Google] [More] ⦿ | |
During his studies in Cairo, Egypt, Shahenda Bahgat designed the rounded sans (Latin) typeface Orbicular (2016). [Google] [More] ⦿ | |
In 2007, he released the BopMusic font family for Sibelius and Finale. This is a third party set of music symbol fonts which can be used with Sibelius to produce handwritten music in a style similar to that of many jazz charts, including a complete script font for text, chord symbols, and hundreds of symbols for jazz and commercial music. The fonts set includes BopMusic, BopMusic Script, BopMusic Chords, BopMusic Text, BopMusic Special, BopMusic Metronome and BopMusic Time. All the fonts are commercial. BopMusic Script and NorText are two handwritten fonts that are sold separately. NorScript Fonts v2 (2009) contains seven new handwrittren text fonts similar to JazzText with different effects: NorScript Bold Font v2, NorScript Cased Oblique Font v2, NorScript Cased Font v2, NorScript Italic Font v2, NorScript Font v2, NorScript Shadow Font v2 and NorScript Title Font v2. In 2011, he designed RealScore Jazz Font Set for Sibelius and Finale. This is a third party music symbols font which can be used with Sibelius to produce handwritten music in a style similar to that of many jazz charts, including a complete script font for text, chord symbols, and hundreds of symbols for jazz and commercial music. The fonts set includes seven accompanying fonts to help transform the overall appearance of the music and titles. RealScore Sibelius includes these fonts: RealScore, RealScore Script, RealScore Extended, RealScore Oblique, RealScore Chords, RealScore Text, RealScore Special, RealScore Metronome, RealScore Time, RealScore Title. In 2020, he released the architectural lettering font family NorB Architect, NorB Architect CF, NorB Architect Pencil Condensed, NorB Architect Line and NorB Architect Pencil, Jazz Copyist (an informal comic book font), NorB Type Writer Roughen, NorB Croquis, Ricks Cafe, NorB Bop, NorB Cobalt, NorB TypeWriter, NorB Sans, NorB Sans Expanded, NorB Scribe, NorB Casual, NorB Chalk, NorB Pen, NorB Pen Cased, NorB Sketch, NorPen Script, NorB Comic (a comic book font), NorB Note, NorB Felt Tip, NorB Marker, NorB Felt Marker, and LeadSheet Pen. [Google] [MyFonts] [More] ⦿ | |
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Designer from Recife, Brazil, b. 1983. Her typeface Srip Alic is based on the city street signs in Porto de Galinhas. Soldiers of Hell (2010, co-designed with Luciano Gonçalves) is a toy soldier silhouette dingbat font. Dafont link. [Google] [More] ⦿ | |
Austrian art teacher who studied at the Akademie der bildenden Künste in Vienna. Born in 1806 in Neutitschein, he died in 1981 in Vienna. He was Professor at the Universität der bildenden Künste in Vienna. In 1943, he created the unpublished metal typeface Wega. Samples of Wega can be found in the Hessischen Landesmuseum. Klingspor link. [Google] [More] ⦿ | |
Typefaces from 2017: Story of Butterfly (rough brush script), Fabitha Script (elegant and upright), Jet Seat Script (hairline), Saythis Script (formal calligraphy), Nafigat Script (calligraphic), Staylish Script (upright calligraphic script). Typefaces from 2018: Milestone (a signature font). Typefaces from 2019: Anna Marseinta (calligraphic script), Aidercy (script). Typefaces from 2020: Ahsan Sinta (a wild calligraphic script), Notulen Serif Display [inside the font, we learn that the designer is in fact Sarwo Edi], Timphan Brush (a wonderful rough brush script), Mabista Script (a calligraphic script). Typefaces from 2021: Nurbaya Script (calligraphic), Kalimat Script (a painted script). Behance link for Teuku Bahraini. [Google] [MyFonts] [More] ⦿ | |
FontStructor who made the tall typeface Second One (2012) and the pixelish First Time (2012). [Google] [More] ⦿ | |
Sleman (Yogyakarta), Indonesia-based designer (b. 1995) of Bellisya Signature (2020), the script typeface Tessla (2020) and the brush typeface Crafter (2020). Typefaces from 2021: Beth Harmone (a stylish typeface with art nouveau traits), Seriffity (a display serif), Hashira Mt (a decorative serif), Mariyam (a wild inky script). [Google] [MyFonts] [More] ⦿ | |
Lebanese designer of the Latin display typeface Bicycle (2015). [Google] [More] ⦿ | |
Neha is a graduate from the National Institute of Design (NID), Ahmedabad. Based in Mumbai, she co-designed Kunkun Devanagari in 2012 with Satya Rajpurohit at Indian Type Foundry. [Google] [More] ⦿ | |
Lisbon, Portugal-based designer of the octagonal typeface Subliminal Numbers (2017). [Google] [More] ⦿ | |
During her studies in Athens, Greece, Anna bai designed the symbolic typeface Mandala (2016). [Google] [More] ⦿ | |
As a student at British Higher School of Art & Design in Moscow, Elya Baibikova designed the Scream-style typeface Morkva (2015). [Google] [More] ⦿ | |
Cristi Baic (Creative Art Fonts) is the creator in 2004 of the CA Europa pixel font series which can be found here. [Google] [More] ⦿ | |
John Baichtal (Famished.org) is the designer (b. 1971) of the art deco typeface Cronus (2002), Globe (a pixel font), Addled, Creamed Corn, 121, Boa Hamata, One Twenty One, November 14th, Peanut, Pinnacle (a deformed font), Plateau, Quigley, Skinny, Stogie, the kitchen tile typeface Abacus (2002), Equanimity Stencil (2002), Ripsaw (a Tuscan display font, 2002), Girder (2002), Equanimity Linked (2002), Faxt (2002, pixel font), Purvey Grecian (2002), Gold (2002, sans serif), Mullet (2002), Eidolon (2002), Sloth, Tourmaline (a great art deco typeface with many gorgeous ligatures), Transaction, Octuple, Mullet (2002, sans), Hellios (2002, a bitmap stencil font with spikes), Nairoby (2002, experimental), Tray (2002), and Dactylic (2003, octagonal). Some free Mac fonts are supposed to be here. [Google] [More] ⦿ | |
Jakarta-based designer, b. 1985. He created the squarish Cross Screw (2010). [Google] [More] ⦿ | |
New Delhi-based designer of the monoline display sans typeface Shalet (2015). [Google] [More] ⦿ | |
Aka Design Shark. Conroe, TX-based designer of these display typefaces in 2017: Roasted Chestnuts, Snowman Kisses, Milk for Santa, Christmas Wishes, Buffalo Plaid, Oh Deer, Candy Cane Cutie, f-Stop, Chunkster, Winter Holiday, Starry Sky, Snowball Fight (connect-the-dots), Sneaker Girl, Semi Charmed Life, I Love Books, Goal Line, Felty Dot, Fairytale Forest (curly, vampirish), Fairy Dust (hyper-curly), Dots A Lot (connect-the-dots script), Dream Days, Christmas Sweater (a stitching font), Be My Honeybee, Apple Pie, Outline Sketch, Dreams, Kids Kick, Dorm Days, Cookie Cutter, Morning Coffee, Holly days, Magical Unicorn, Maniac Monday, Hot Chocolate, Quirky Engraver. Typefaces from 2018: Pastry Shoppe, Tomcat, Kindergarten Teacher, Hollywood Gothic, Messy Life, Sleepy Puppy, Spooky Nights, Thin Man, Wine Not, Honeysuckle, Love Always. [Google] [More] ⦿ | |
Manfred Baierl created the screen fonts Mini-5 and Mini-7 for 5pt and 7pt screen text in 2001. He also created the old typewriter font AltAdler, and the dot font Punkt. Free downloads. He sells Fishsoup, a type 1 font consisting of a smorgasbord of type styles. His pages have lots of useful discussions and links, not least of which is Bembo's Zoo. Check also on-line converter for typographic measurements, Top 10 typefaces, Information on the Euro. Download Ansicode (ANSI numbers replace characters). [Google] [More] ⦿ | |
German designer (b. 1983, Ulm) of the zebra-inspired rotor blade typeface Rotor (2009, Avoid Red Arrows). Klingspor link. [Google] [More] ⦿ | |
Lahore, Pakistan-based designer of the fingerprint Latin typeface Finger Prints (2015). [Google] [More] ⦿ | |
Lahore, Pakistan-based designer of the wooden plank-themed typeface Wood (2017). [Google] [More] ⦿ | |
Paris-based graphic designer who created the modular pixelish typeface Hama in 2016 during her studies at ECV Paris. Behance link. [Google] [More] ⦿ | |
During her studies at Chelsea School of Art, UAL, Charley Bailey (London, UK) created the hairline display typeface Fringe (2015). Behance link. [Google] [More] ⦿ | |
Fontosaurus (est. 1996) has about 75 original giftware fonts by Dan Bailey (b. Minnesota, 1972) from Eagan, MN and now Coon Rapids, MN: Blowfish (2001), Negotiated (2006), GhettoBooty (2003), Laika (2003), Amerinese, Heptathalon, Riffic (2002), XMR (2002), Amerikatakana (2002), Experimenta (2002), Tapdance (2002, a great ultra-high contrast Broadway face), Casual Roman (2002, not free), Casual Roman Capitals (2002, not free), Heater (2001), Crank (2001), Halloweenies (2001), GaramOrbital (2001), Microbial (2001, pixelized), Inception (20USD), Fallen Thyme (a hacker font: letters are overlayed in Chank Diesel's Thymesans), Candycorn Overdose (2001), Statebats (2001), Whackbats (2001), 5by (bitmap font for the Mac), Deadwrong (2001), Alien Artifact (2001), Hoodoo Two (2001), Noonan (2001), YChrome (2001), Martini (2001), DresdenFirestorm (2001), Backlash, Brainwave, Whiplash, BlockheadInsecure, Blockhead, BlockheadSpeedy, CancunSiesta, CitizenDick (double writing), CSDAnorexic, CSDMegabold, CSDNormal, CSDPhattie, Danwriting, Eagan, Ebola Jones (2001), FallenDirty, Fallen, KaffeinePsychosisHeavy, KaffeinePsychosis, LucidityNormal, LuciditySlasher, MankatoHalfwit (outlines), MarsColony, MyFriendPoopa, OralExpulsive, Preternatural, Psychoactives (great!), RadiationBurn, Soviet2002, Starvetica, 989MaxProtect, Ablative (2001), Crackaddict, Harleysville, Juggernaut, LoveBot (a mashed Times Condensed), Packer, Sexypants (reworking of Calligraphic 421), Shadowboxer, Skylab (2000), Arduous, Bewbz, BungholioSurprise, Crotchrot, Numatrix, Oddziab, RonnieRaygun, Rusch (2006), Runningback, 1978NYC, Erg, Exclaim, Gigaton, Grackle, Kiloton, MashedPotatoes, Megaton, Moonbase, Mullet, Pornstar, PornStarAcademy, Scumbucket, SnowCrash (hacker face), Speeddealer, SpringBreak, Statebats. Gumbo (2001) and Tirade (2001) are commercial. Does also custom work. At some point, it was part of the Chank Army, where Fontosaurus had the commercial pixel font Noonan (2002). Creator of Jantze (2003), a comic book font based on the cartoon The Norm by Michael Jantze, and whose profits will go to the Lance Armstrong Foundation. Dafont link. MyFonts link. [Google] [MyFonts] [More] ⦿ | |
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ZETAFonts, run by Frank E. Bailey, is located in Johannesburg, South Africa. His typefaces include Bloxxx Extra Bold (2010), Caligula Dodgy (2010: a Trajan caps face), Neil Normal, Shoom Vertical, Roller Bollocks, FreakE Beta, Reservoir Grunge (1999, a digital version of Aurora Grotesk), Rund Marker (2010: a felt tip font), Feena Casual, Shoom Vertical (2010: a monoline techno squarish sans). Dafont link. [Google] [More] ⦿ | |
Designer in the FUSE 18 collection of Sclerosisscript. [Google] [More] ⦿ | |
Designer in Truro, UK, specializing in fashion graphics. Her typeface Fashion Studio (2014) was custom designed for Fashion Studio Magazine. Behance link. [Google] [More] ⦿ | |
Graphic designer in Dallas, TX. Creator of ITC Bailey Quad (1996), the ITC Bailey Sans Book family (1996), and the fat-lettered font ITC Liverpool in 1999. Linotype link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
In 2019, he released the rounded geometric sans typeface Pastrami. Typefaces from 2020: Latte (a vintage serif family in 16 styles and a variable font). Fontsquirrel link. Open Font Library link. [Google] [MyFonts] [More] ⦿ | |
M.J. Bailey (GD Fonts) is a student at Saginaw Valley State University (MI). In 2011, he created the grungy hand-printed typefaces Loose Ends and Sea Turtle. [Google] [More] ⦿ | |
Dallas, TX-based designer (b. 1990) of the handcrafted poster typeface Stuck (2015). [Google] [More] ⦿ | |
Sean Bailey (aka FonTek, and aka theonesean) is the FontStructor who created the fonts Dominoes (2011), ASD font (2011), Raundi (2011) and Circles Etc (2011, a dot matrix face). [Google] [More] ⦿ | |
Steve Bailey is the designer (b. UK, 1984) of DigitalDream (2003), an LED font. Alternate URL. [Google] [More] ⦿ | |
Greek designer of the techno typefaces Project and Project Goodies (2010, FontStruct). [Google] [More] ⦿ | |
Nicolas Baillargeon (Montreal) is a talented art director. His campaign for Tabasco (2011) is outstanding. In 2011, he made an unnamed 3d typeface and the curly family Shoelace. Reserva (2011) is a vintage stencil family made for a brand called Reserve 51 for the Bâton Rouge restaurant. [Google] [More] ⦿ | |
Graphicriver link. Behance link for North Park. Behance link. [Google] [More] ⦿ | |
Parisian designer of Wim Crouwel Type (2015, together with Sabine Condiescu and Julie Soudanne) and the experimental typeface Akot (2015). Behance link. [Google] [More] ⦿ | |
Denver, CO-based creator (b. 1973) of these free dingbat fonts: ReZZyN'SHeartsDesire (2008), ReZZyN'S-KissNBuds (2008), ReZZyNSScrolls (2008), ReZZyN'SHeartsDesire (2008), ReZZyNTattoo1 (2008). Alternate URL. Before that, she was known as Theresa Mustaccio and Theresa Mustaccio-Bail and Theresa Bail, and had a web presence called Fontageous. She was (is?) a bridal consultant and seamstress from Northglenn, CO, who offered her own font designs: HotHotHot, Fiesta, Computer Calculator, TheresaDolphins, WeddingCelebrationsDings, Bail Celebrations, Theresa Cursive Hand (2001), Chicken Hatchlings (1998), BailPlayfulDolphins (1998), PotOfGold (alphadings, 1998), Wedding Script Bail (1999), Swyfp, Dawson's Creek (1998, see also here), Tamagotchi, FemaleBodyParts (demo), WedDing (1998), Heads. [Google] [More] ⦿ | |
Todd Bainbridge at Frankenfonts is the designer of CultLove, CultFonts, CultLove Ornate (2000), FF Nosebleed (2001) and FF Cultbats (2001). Fontspace link [Google] [More] ⦿ | |
During his studies in New York City, Devon Bain designed the hexagonal typeface Hexagon (2017). [Google] [More] ⦿ | |
Scottish type founder from Edinburgh who was active during the second half of the 17th century. He started out in St. Andrews in 1742 in partnership with Alexander Wilson when thwey co-founded the Wilson Foundry there, but moved in 1744 to Glasgow and in 1749 to London (when his partnership with Wilson ended) and in 1768 to Edinburgh. In 1787, he published "A Specimen of Printing Types, By John Baine&Grandson in Co", and emigrated to Philadelphia, where he set up a foundry. The elder Baine died in 1790, and his grandson continued until 1799, when he sold the equipment to Binny&Ronaldson for $300. [Google] [More] ⦿ | |
Located in Portsmouth, UK, Jon Baines is a web designer and advertising person. He created a super-fat font called Square in 2009. [Google] [More] ⦿ | |
British graphic designer who was born in 1958 in Kendal, Westmorland, and died in 2024. Baines graduated from St Martin's School of Art in 1985 and the Royal College of Art in 1987. He worked as a freelance graphic designer, was Professor of Typography at Central Saint Martins College of Art&Design (now a university) in London (from 1991 until retiement), ran Phil Baines Studio, maintained Public Lettering (about type found in cities), and was Typographic Advisor to the Central Lettering Record CD-Rom project. He designed FUSE Classic 1, Can You (1989), Ushaw (FUSE 8, FontShop, 1993), Toulon (1994), Horncastle (1994), VereDignum LT Std in Alternate, Decorative and Regular weights (2003, Linotype Taketype 5 collection) and Can You Read Me (FUSE 1, 1991). His pages on public lettering in London. His books include Signs, lettering in the environment (with Catherine Dixon, 2003) and Type&Typography (2002, with Andrew Haslam). Author of Rookledges Classic International Typefinder (Christopher Perfect, Gordon Rookledge, Phil Baines). At ATypI 2007 in Brighton, he spoke on From the Motor Car Act to motorways. He has also a good reputation for taking people on typographic city tours, as he did in 2006 at ATypI in Lisbon, and at ATypI 2010 in Dublin. Linotype link. FontShop link. Speaker at ATypI 2010 in Dublin in which he explained how he and Catherine Dixon produced the lettering for the Pozza Palace in Dubrovnik on commission for the Serbian Orthodox Church. Obituary in The Guardian. [Google] [MyFonts] [More] ⦿ | |
In 2017, Tatiana Gancedo and Angelica Baini co-designed the free modular typeface Renasci. Behance link. Cargo Collective link. You Work For Them link. [Google] [More] ⦿ | |
Designer in 1994 of BigFella and of the grunge font MK Ultra at Garagefonts. In 1993, he did TBickle and Tooth31, also at Garagefonts. [Google] [More] ⦿ | |
Incipit, or Peter Bain Design, was Peter Bain's type and graphic design studio in Brooklyn, New York. It closed down gradually between 2007 and 2010. Peter Bain received his M.F.A. in Design: Visual Communications from Virginia Commonwealth University. He was type director at Saatchi&Saatchi Advertising in New York, and taught at Parsons/The New School for Design and Pratt Institute in New York. After Saatchi, and before Incipit, he was freelancing. After Incipit, he relacted briefly to Virginia to attend VCU and then went on to Mississippi, where he was Assistant Professor of Art, Graphic Design at Mississippi State University. He lived then in nearby Starkville, MS. He is currently located in Birmingham, AL. He is best known for his wonderful book Blackletter: Type and National Identity (1998, with Paul Shaw). His photocomposition display typefaces were reedited and available in reproduction proofs (for a short time). The photocomposition display typefaces are in two-inch film format, as formerly used on machines such as the Typositor and Filmotype. They are being held in storage, and are no longer listed for that reason. PDF format list. Text format of Bain's file. Bain says he built this from the Typositor type libraries formerly offered by Techni-Process Lettering and Pastore DePamphilis Rampone, which he bought at an auction. Report on his talk in London on blackletter type (2003). MyFonts sells the 4-weight Josef Albers-inspired stencil family Gridiot (2003-2011). His thoughts about the art of Albers: Remember, any idiot can design a typeface on a grid: Gridiot. Speaker at ATypI 2006 in Lisbon. Speaker at ATypI 2013 in Amsterdam. MyFonts link. Behance link. Peter Bain Design. [Google] [MyFonts] [More] ⦿ | |
During her studies at IAAD (Istituto di Arte Applicata e Design), Turin-based Carola Baiotti designed the octagonal typeface Optagon (2016). [Google] [More] ⦿ | |
Creator of the circuit font Chiptype (2015). [Google] [More] ⦿ | |
Melbourne-based designer of the solid geometric figure typeface Azpac (2013) and of the kitchen tile typeface Geometric (2013). Behance link. [Google] [More] ⦿ | |
In 2012, Matt designed the nibbed typeface Yeti. [Google] [MyFonts] [More] ⦿ | |
Alex Baisan (Valencia, Spain) designed Soul Trumpet (2013), a display typeface. Behance link. [Google] [More] ⦿ | |
Moscow-based designer of the Cyrillic typeface Gore (2015), which is a hybrid of Kekur and Paratype's Rodeo. In 2015, he designed the free vector format font Shadow Cross. [Google] [More] ⦿ | |
German designer of the freeware font Alphabet of the Magi, Alphabet of Daggers, and of Masonic-Rosicrucean (1997). [Google] [More] ⦿ | |
Beijing, China-based designer (b. 1987) of the experimental Latin typeface Yarn (2012). Behance link. [Google] [More] ⦿ | |
At the Savannah College of Art & Design in Savannah, GA, Dipali Bajaj created the thin symmetry-themed sans typeface Twins (2016). [Google] [More] ⦿ | |
Slovak designer of the experimental typeface Benka (2001) and of the pictogram typeface Via Dolorosa (2002). [Google] [More] ⦿ | |
Luka Bajic (Johannesburg, South Africa) created the hand-printed poster typeface Luka (2013) during his studies. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Two Lines (Latin and Arabic) (2015). [Google] [More] ⦿ | |
Paris-based designer of the display typeface Marmo (2018). [Google] [More] ⦿ | |
In 2018, together with Virgile Flores, Paris-based Valentin Bajolle designed the variable with typeface La Gomme, which was inspired by the Pirelli logotype. In 2015, he made the modular typeface Herbie Hancock. [Google] [More] ⦿ | |
Detroit, MI-based designer of the display typeface Regal (2018). [Google] [More] ⦿ | |
Another URL. [Google] [More] ⦿ | |
During her studies, Cesis, Latvia-based Liene Bakane designed a thin Latin display typeface (2015). [Google] [More] ⦿ | |
Artist and illustrator in Kazakhstan. Specializing in decorative caps typefaces, he created Isometric (2015, 3d caps), Funny Cartoon (2015), Mechanical (2015), Headline Serif (2015), Funny Summer (2015), Cartoon Robot (2015), Cartoon Colorful Robot (2015), and Headline Bold Serif (2015). In 2016, he designed the vector format typeface Aweseome Script. [Google] [More] ⦿ | |
Bandar Seri Begawan, Brunei-based designer of the free display typeface Blek Hol (2018). [Google] [More] ⦿ | |
Greek graphic and type designer, b. 1954. He studied typography at London College of Printing. Since 1997 he designs and publishes the magazine Akro. He was a professor at Graphic Design Department of University of Wales College Newport and Creative Director of Basis, an advertising company based in Thessaloniki. He collaborates with Cannibal since 1999, where he designed Darkroom CF (brush face) and Smooth CF Condensed. . Klingspor link. [Google] [More] ⦿ | |
In 2018, he published Baobab. Typefaces from 2022: Handcraft (a scrapbook script). Dafont link. Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer from York, PA, who created Shard (2003). [Google] [More] ⦿ | |
Some explanations by Freddy Nader: The Baker Argentina and Danmark typefaces were variations on his Signet. Baker originally made Signet for Headliners International in the 1960s, where he worked full time. In 1972 he was approached by VGC and told that they would pay him royalties as well if he made the same typeface for them. Royalties were a relatively new thing back then - Tommy Thompson was the very first person to ever earn royalties in type (in 1944 for his Thompson Quill script for Photo Lettering Inc), and he wasn't a type designer per se, he was a calligrapher. Lured by the idea of royalties coming his way from two different directions for the same face, Baker did a Signet for VGC. When Bob Evans, owner of Headliners, found out, he threatened to sue VGC for trademark infringement (copyright for typefaces was unheard of at the time - every major photo type house had "similar" fonts, and whenever someone got exclusives made by outside designers under a royalty program, it was only a matter of weeks before they were knocked off and changed slightly by other type houses, big and small). So in order to avoid a trademark infringement lawsuit, VGC called their typeface Baker Signet, instead of just Signet, and went further by asking Arthur Baker to make a lighter version and a condensed version. The lighter version was called Baker Argentina, the condensed version was called Baker Danmark. The "Number One" prefix was added to both so that when the inevitable knockoffs happened, type buyers would know which type was made first. About Baker Sans, Freddy writes: The Baker Sans was a knockoff of Helvetica. It was a massive family of a lot of fonts, rendered very ugly by camera stretching and slanting. Eddie Bauer used it as their corporate typeface for a long time in order to avoid the expensive fees of licensing Helvetica. Tim Ryan ended up digitizing it for Arthur Baker in the mid 1990s for a lot of money. That digital version is now being sold by ITF under one of its many companies (either Arthur Baker Design, or Arthur Baker Designs, or maybe Maverick Designs). MyFonts link. Klingspor link. View Arthur Baker's typefaces. Linotype link. MyFonts page. Another MyFonts page. And still another MyFonts page. FontShop link. View Arthur Baker's typefaces. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Brisbane, Australia. Creator of a variable baseline blackboard bold typeface in 2013. [Google] [More] ⦿ | |
Brian Baker (b. 1983) at ThisAlso is the designer of the pixel font Auditorium8 (2002). [Google] [More] ⦿ | |
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Several free original truetype dingbat fonts by Cindy Baker. Each font has just a few intricate and beautiful drawings. There are Baby'sBreath2, Baby'sBreathnativeamerican, BabysBreathEaster, BabysBreathStPats, Kids, CindyBaker, and a few other fonts. [Google] [More] ⦿ | |
Toronto-based designer of the ornamental unicase typeface Flash (2013). [Google] [More] ⦿ | |
Lake Forest-based designer (b. 1991) of the manipulated font Instant Message Freak (2006). Dafont link. [Google] [More] ⦿ | |
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Sydney-based creator of Media Typeface (2012). [Google] [More] ⦿ | |
Student at the University of Kansas in Lawrence, KS, in 2014. Creator of the constructivist typeface Tundra (2014). [Google] [More] ⦿ | |
Joe Baker graduated from University College Falmouth, Cornwall, in 2012, and is a freelance designer based in London. Creator of Part (2012). [Google] [More] ⦿ | |
Using iFontMaker, Joey Baker created Mobile's Font (2011). [Google] [More] ⦿ | |
Joy Anne Baker designed "Stargate SG1 Address Glyphs" (2000). [Google] [More] ⦿ | |
During her studies at Anderson University in Anderson, SC, Kristen Baker created Draper (2012), a typeface custom-designed for Modcloth, an online vintage, indie, retro clothing company. [Google] [More] ⦿ | |
Parkersburg, WV-based designer of New Alphabet (2014). [Google] [More] ⦿ | |
Mary Kate Baker (Amherst, NY) works for Apple. In 2015, she created the squarish sci-fi typeface Qube. [Google] [More] ⦿ | |
Designer at FontStruct in 2008 of bauhouse, i_love_fontstruct (horizontal stencil). [Google] [More] ⦿ | |
Paul Baker's type-related book, right here on the web. He created Alphabet26 in 2001, an implementation of a unicase font proposal by Bradbury Thompson. Writings on "Evaluating typography and typesetting". He digitized Andromaque Uncial (1958, Victor Hammer) in 1995. [Google] [More] ⦿ | |
Alternate URL. Dafont link. Open Font Library link, where he is known as psb6m. Fontspace link. Link to his foundry, Thornbec Staefwyrhtan. Github link. [Google] [More] ⦿ | |
At Filmotype, he made the brush script typeface LaSalle (1950s), which was digitized in 2008 by Stuart Sandler at Font Bros in 2008 as Filmotype LaSalle. In 2010, MyFonts credits Patrick Griffin and Rebecca Alaccari with the digitization though. Other Filmotype typefaces digitized in 2011 include Filmotype Harmony (original from 1950), Filmotype Kentucky (a 1955 original), Filmotype Kingston (a 1953 original), Filmotype Hamlet (a 1955 original), all in the connected signage type category, and all done by Patrick Griffin and Rebecca Alaccari. The latter two also digitized Filmotype Lucky (2012), a signage typeface from 1953. Bio at Linotype. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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During her studies in Sydney, Australia, sarah Baker created the cut up typeface Disassociate (2014). Behance link. [Google] [More] ⦿ | |
Dubai, UAE-based designer of the triangulated typeface Abstract (2015) for Latin and Arabic. [Google] [More] ⦿ | |
FontStructor who made the halftone texture typeface Fox Talbot Print in 2013. [Google] [More] ⦿ | |
Seoul-based designer of Talking Font (2013, squarish and modular), Adel (2014, avant-garde sans) and an untitled connect-the-dots typeface (2014). Behance link. [Google] [More] ⦿ | |
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Graduate from the College of Fine Arts, University of Tehran, 2012, b. 1988, Tehran. He created the Farsi typefaces Arya and Paakize in 2013. He currently works as a graphic designer in Salt Lake City, UT. [Google] [More] ⦿ | |
In 2015, he made Yekan Bakh, Chista UI and the handcrafted Leila. In 2017, together with Omid Emamiam, he designed the wonderful Farsi font Vazeh Quranic. Ray (by Reza Bakhtiarifard and Omid Emamiam) won an award at Granshan 2017. Both Ray and Vazeh won awards at TDC Typeface Design 2018. In 2017, he designed Nian for Arabic, Urdu, Kurdish and Jawi. Typefaces from 2018: Khameneir, MTN Irancell (with Omid Emamiam), Dabestan (a rounded monoline Arabic typeface by Reza Bakhtiarifard and Omid Emamiam). Typefaces from 2020: Ayendeh Bank Typeface (commissioned; with Mahdi Ershadi). Typefaces from 2021: Alibaba Travels Co Typeface (custom; with Mahdi Ershadi). | |
In a time of turmoil for Turkey under the dictatorship of Erdogan, Istanbul-based Cenk Bakir designed Peace Type (2016). [Google] [More] ⦿ | |
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Japanese designer of the dripping blood font Bloodyslime (2007). [Google] [More] ⦿ | |
Przysietnica, Poland-based designer of the free light sans typeface Kabe (2017). [Google] [More] ⦿ | |
Under the mentoship of Nikola Durek and Marko Hrastovec, Darian Bakliza (Zagreb, Croatia) designed the blackletter typeface Unholy (2017). [Google] [More] ⦿ | |
Copenhagen, Denmark-based designer of Gordita Sans (2015). [Google] [More] ⦿ | |
Israeli type designer at MasterFonts. He made Glukoz MF (2005). [Google] [MyFonts] [More] ⦿ | |
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Buenos Aires-based designer of the Tuscan typeface Jolie (2012) and the display typerace Tiny Glow (2015), which were finished during her studies at FADU / UBA. [Google] [More] ⦿ | |
Turkish designer at FontStruct of Q-Key (2008, rounded and fat), and Nano (2008, white on black, and squarish). [Google] [More] ⦿ | |
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Creator of the logo dingbat typeface EU Sym (2012). [Google] [More] ⦿ | |
Bucharest-based designer of the experimental geometric typeface Linia (2013). [Google] [More] ⦿ | |
Graphic designer in San Diego, CA. Creator of the display sans Disconnected (2013): Disconnected is a typeface that was designed for Disconnected Salon in North Park, San Diego. The typeface was created to mimic the letters of Disconnected Salon's original logo. This typeface will also be used for a lot of Disconnected's upcoming marketing campaigns including Graphic Ts, billboards, and more. Behance link. [Google] [More] ⦿ | |
During her studies in Montevideo, Soledad Balarini designed the connected script typeface La Linea. [Google] [More] ⦿ | |
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Typefaces from 2019: Love Republic (script). [Google] [More] ⦿ | |
Designer (aka Opex) who used FontStruct in 2008 to create the typefaces font Wooster together with Alexei Vanyashin and Kate Semenova. He runs 110design in Moscow. [Google] [More] ⦿ | |
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Bogdan created the display sans typeface Facebook Letter Faces (2011) and the medieval lettering typeface Kogaion ESS (2011), which are both free. Klauss (2011) and Pain in the sky (2011) are commercial soft techno typefaces. In 2012, Bogdan created the groovy typeface Best Party Of The Week-End. In 2020, he released BlinkHead (a modular typeface), Damasquine (an art deco-ish Greek enulation font), and Architype AD-2014. In 2021, he published Greuceanu (a decorative archaic typeface), Areon Flux (a modular typeface), Squadzone (an urban techno font) and the medieval font Monasterka (for Latin, Greek and Cyrillic). [Google] [MyFonts] [More] ⦿ | |
Hungarian creator (b. 1995) of the octagonal typeface Altera (2013), the hand-printed typeface Earth (2013), the pixel typeface Dots (2013), and the circle-based typeface Bublet (2013). In 2014, he designed the squarish typeface Mars and the display typeface NG. In 2016, he published the octagonal typeface Minimal. [Google] [More] ⦿ | |
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Creator of the iFontMaker fonts MabBig, MabCalligraphic, MabFantasy, MabHard, and MabSimplicitas (2010, hand-printed typefaces). [Google] [More] ⦿ | |
Freelance designer in Lima, Peru, who created the bilined typeface Panibo (2012) and the circle-based monoline typeface Bahuaja (2013). Panibo is a free native symbol-inspired typeface. It was influenced by the culture of the Ucayali river communities. Free download. Codesigner (with Michael Prado) of the circle-based typeface Ena (Ena Kuei), which won an award at Tipos Latinos 2014. He writes: This project was born at the request of the Wildlife Conservation Society (WCS). The brief was to diffuse and protect the Bahuaja Sonene national park located in the rainforest of southern Peru. Behance link. [Google] [More] ⦿ | |
Graphic designer in Luque, Paraguay, who created the chromatic number typeface Circus Numeros in 2015. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Clara (2018: a school font) and the free architecturally-inspired typeface Articular (2018). [Google] [More] ⦿ | |
Student in the BFA program in Graphic Design and in the MS program in Management at the University of Florida. At Type Cooper 2021, she designed Kiko Display, a reverse contrast soft-edged typeface with curves that are influeb=nced by her favorite rooster. [Google] [More] ⦿ | |
Balcells created these typefaces in 2012, most of which cover both Latin and Cyrillic: Engranajes (bike gears), Eslava Inline, Eslava Double Line, Eslava Stencil, Eslava Solid, Eslava Outline, Solida (10-style sci-fi blocky sci-fi typeface), Pixelar, Armadura (a monoline octagonal typeface with a stencil style), Oboe (an ultra-fat blocky typeface), Cuantica (sci-fi) and Led. In 2013, he published Gubia (a condensed elliptical techno sans), Mensura (a gaspipe sans), Mensura Slab, Mensura Titling (all caps titling typeface family that includes outlined and stencil styles), Mensura Slab Titling, Herradura (an 8-style wide wood type slab serif), and LED. Typefaces from 2014: Necia (modular), Necia Stencil, Tecnica Stencil, Tecnica Slab Stencil, Aguda (modular geometric sans), Aguda Stencil, Cintra (gaspipe sans, +Stencil, +Inline, +Outline), Cintra Slab, Tecnica, Tecnica Slab. Typefaces from 2015: Violenta Slab (+Stencil, +Unicase, +Inline), Violenta (+Inline, +Unicase, +Stencil). Typefaces from 2016: Citadina (techno sans family). Still in 2016, Jeroen Krielaars and Pablo Balcells co-designed the animated pixel typeface Pixelar. Typefaces from 2017: Estricta (a slightly elliptical techno typeface), Ruda (+Ruda Unicase, +Ruda Stencil), Ruda Slab. Typefaces from 2018: Binaria (an octagonal family), Ordax (an industrial sans typeface by Pablo Balcells, Mariya Vasiljevna Pigoulevskaya and Donna Wearmouth). Typefaces from 2019: Electronica, Intensa, Masiva (a geometric sans). Typefaces from 2020: Holgada, Densa (an 8-style condensed sans), Nebulosa (a sci-fi typeface), Naftera (a squarish typeface). Typefaces from 2021: Tuerca (an 8-style octagonal typeface), Oxima (an 8-style technical sans). Fontsquirrel link. [Google] [MyFonts] [More] ⦿ | |
During her studies in Poznan, Poland, Marta Balcer designed the old slavonic emulation typeface Baba Jaga (2017) for a board game. [Google] [More] ⦿ | |
UK-based designer who graduated in graphic design from Central St. Martins in 2009. He made several typefaces, including Detain (2011, a high-contrast octagonal face), DDR 1967 (2011, an ultra-fat beauty). Behance link. [Google] [More] ⦿ | |
UK-based FontStructor (student at Bristol UWE) who made the all caps chaos-themed font Pandemonium (2010). [Google] [More] ⦿ | |
During her studies in Istanbul, Sezen Balci created the display typeface Pipot (2015). [Google] [More] ⦿ | |
Lithuanian-born Newcastle, UK-based designer (b. 1994) of a De Stijl genre typeface in 2016. [Google] [More] ⦿ | |
In 2013, she published the connected script typeface Matchmaker (Fonted House), the hand-printed Southern Belle, and the ampersand font Quirky Sands. Typefaces from 2014, now published under her own label, Angie Makes, include Graciela (hand-printed), Hollyhock (sribbly script), Milkmaid. In 2015, she made the script typefaces Flatland, Lovefern, Frolicky, Malarkey, Bellwethers, Snowberry (watercolor emulation) and Fetching. Typefaces from 2016: Halfback, Foxglow, Heathrow (a great connected script), Duckbite (a script). Still in 2016, she published the Font Bundle of Glory, which contains these handcrafted typefaces: Blacksheep, Claphands, Dahlia Darling, Fandangle, Fineday, Funfetti, Helsinki, Hola Bonita, Hoodwink, Ladyfinger, Okey Doke, Rockaby, Seafair, Shippey. Typefaces from 2017: Hartley (textured brush script). Dafont link. Creative Market link. Another Creative Market link. Aka Angie Makes. [Google] [MyFonts] [More] ⦿ | |
Mexico City-based designer of the multilingual Le Hand hand-printed typeface, the sans display typeface Axima (2013, tweetware), the hand-printed typeface Engine, the hand-printed tweetware font L'Engineer, and the cartoonish futuristic font Neo Genesis in 2013. Typefaces from 2014: Silici (a tweetware marker pen font for Latn, Greek and Cyrillic). Behance link. Fontspring link. Devian Tart link. [Google] [More] ⦿ | |
Buenos Aires-based student-designer who created the signage typeface Hotter Type (2015). [Google] [More] ⦿ | |
New York City-based designer of the minimalist fonts Nomnom (2014) and Square (2013). In 2014, she made the curly typeface Moon, and in 2015 the circle-based display family Milk. | |
Graphic and product designer in Vancouver, who made the quaint octagonal typeface Salvador (2012). [Google] [More] ⦿ | |
Italian designer (b. Rome, 1973) who studied Industrial Design and Visual Communication at Rome University. He works sometimes in Paris. For the magazine 2A+P, he created the monospaced font 2A+P (2000) which evokes robots and synthesized voices. Mènil (1999) is a fluid informal sans family. He also made Jollymusic. Solid Script and Streetfont were made in 2004 for the French mag Worldsigns. [Google] [More] ⦿ | |
André Baldinger is the Swiss typographer and type designer (b. 1963) who made the Newut (1996, all letters of equal size, and thus a semi-unicase) and the B-Dot (pixel) families (1998). His outfit in Lausanne is called amb+. In 1994, he graduated from the Atélier National de Création Typographique (ANCT) in Paris. Since 1995, he teaches typography at the École supérieure d'arts visuels de Lausanne. He lives in Paris. Together with Philippe Millot, he heads the type design unit of the Creation and Innovation Research Centre (EnsadLab) at ENSAD Paris. He teaches typography and type design at the École Nationale Supérieure des Arts Décoratifs (ENSAD) and the Zurich University of the Arts (ZHdK). He was involved in projects such as the logotype for the Cité Universitaire and a custom type for the Eiffel tower. He also digitized the Frutiger-Hunziker typeface CGP (used in the Centre Georges Pompidou, originally designed in 1974) in 1997. The full list of his typefaces: AB BaldingerPro Font, AB BDot Font, AB BLine Font, AB CiteInter Font, AB Eiffel Font, AB Newut Font. Speaker at ATypI 2010 in Dublin where he introduced the Gering project. I cite: Based on a close analysis of typefaces created by Ulrich Gering at the Atelier de la Sorbonne and the Soleil d'Or workshop in the 1470s, the first typefaces produced in France, postgraduate students Timm Borg, Anthony Dathy, Perrine Saint Martin and Ok Kyung Yoon have been working on a versatile, modern font family for the last 2 years under the guidance and watchful eyes of André Baldinger and Philippe Millot. Focusing on two of Gering's designs --- a sturdy roman font that closely imitates the texture of blackletter and a roman with blackletter influences --- the EnsadLab team has developed a complete family, reviving the work of the father of the printed word in France and bringing together aesthetics rarely seen in such an ensemble. Working only a few hundred metres from the original site of Gering's workshop they have thoroughly reworked the letterforms found in the extant incunabula available in the Bibliothèque Nationale, complementing the original characters with italics, small caps, and supplementary weights, as well as all of the glyphs necessary in a 21st century font. | |
Chico Baldini is a Brazilian designer. At ByType, a foundry in Sapiranga, Brazil, he published the Easter-themed dingbat typeface The World is a Bunny (2007, co-designed with Fabio Luiz Haag). [Google] [MyFonts] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the italic script typeface Saint Firulet (2009). [Google] [More] ⦿ | |
Designer from Sydney. Creator of the angular magazine type Archi Sans (2011). [Google] [More] ⦿ | |
Florence, Italy-based (co?)designer of Antipasto (2017), Cinematografica (2017), and Florentia (2017). Unclear what Tommaso's role was in these Zetafonts designs. [Google] [More] ⦿ | |
Tarija, Bolivia-based graphic designer, b. 1986. Creator of the thin techno sans Typro (2012) and the counterless typeface Come Callado (2013, free). Other typefaces from 2013 include A Little Bit (pixel face), Hola Bitch, All Around (dot matrix font), Bolivia No Problem (FontStruct), All Round Free, The Enemy is Public (a FontStruct font), Mambo and White Lines. Typefaces from 2014: Mi Nombre Es Problema (brush face), Pan y Vino. In 2015, he made the graffiti font I Lost It In The Street, the dripping wax font Got Brain, and the script typeface Lazy Dog. Typefaces from 2015: Hell Yeah. Typefaces from 2019: Milky Letters. Dafont link. Behance link. Aka Stigma. [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the display typeface Holograma (2014). [Google] [More] ⦿ | |
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Designer of BubbleSheet (2009, Open Font Library), a sans typeface with letters inside circles. [Google] [More] ⦿ | |
Amanda Baldwin (Mount Airy, MD, b. 1994) created the thin vintage typeface Peasant (2015). In 2015, she was a student at Liberty University in Lynchburg, VA. [Google] [More] ⦿ | |
In 2011, she made DJB C Lyle Run, DJB Blueprint, DJB Crazy Goofy Cool, and DJB Cassandra. Typefaces designed in 2012: DJB Play Misty For Me (made in conjunction with Misty Cato), Bean Pole, DJB Liz, DJB Worn at the knees, DJB Cris Script, DJB Doodle Beans, DJB Squirly Q, DJB Jacked Up Kinda Luv, DJB Lena, DJB Pookiedoo, DJB Geeks Who Wear Glasses, DJB Brewhaus Special, DJB Emily's Garden (curly alphabet, co-designed with Lauren Grier), DJB Room Mother Script, Lucy Lu. In 2013, Darcy published the outline typeface Just an Outty (made together with Lauren Grier), the curly swirly DJB Swirl Me Around (made in conjunction with Shawna Clingerman), and the hand-printed DJB Boyfriend Jeans. In 2014, she made DJB Tweenybopper, DJB Holly Serif, DJB Chalk It Up, DJB Angel Baby, Upstairs at the Abbey (blackboard bold), Scruffy Angel, This Font Is Empty, All Cool Chicks, DJB Me and My Office, DJB Holly Serif, DJB Tweenybopper, DJB Angel Baby, DJB Holly Jolly, DJB All The Cool Chicks, DJB Doodle Beans, DJB Bad Stamp Job, DJB 2 Cute 4 U, DJB A Bit if Flaire, DJB I'm No Wizard, DJB Annalise The Bold, DJB This is my life, DJB This Font is Bold, DJB Holly Berry Wonderland, DJB Baby Bump, DJB Upstairs Downstairs, DJB Coffee Shoppe (Venti, Buzzed, Espresso), DJB Holly Enchanted, DJB Dear St. Nick, DJB Color Me Chic, DJB Coffee Shoppe Buzzed, DJB A Bit of Flaire, DJB Sarah Prints, DJB Monkey Scratches (scratched, sketched typeface), DJB This Font Is Worn, DJB Vintage Find Stamped (with Jennifer Barrette), DJB This Font Is Bold, DJB This Font Is Stressed, DJB This Font Is Empty, DJB Werecow of Danville, DJB Geordie Girl, DJB Fancy Nancy, DJB Fizza Wizza Wowza, DJB What A Babe, DJB Chubby Muffins, DJB Rubia's Tiny Print, DJB Chicken Scratchez, DJB High Zombie, DJB Holly Enchanted, DJB Coffeeshoppeespresso, DJBHeatherG, DJBZoraPrints, DJB Belly Button Outtie, DJB Skritch Skratch, DJB It's Full of Stars, DJB It's Full of Dots, DJB Doodle E Doo, DJB Mess in My Head, DJB Miss Liz, DJB About A Boy, DJB This Moment, DJB Danielle 2.0, DJB Merry, DJB BellyButton-Innie, DJB I Love A Ginger, Hand Stitched, Hand Penned, Baby Bump, Rubia Tuesday, DJB Bailey, DJB Emphatic, DJB You make Me Blush, DJB Doodled Bits, DJB Hunky Chunk, DJB Bad Stamp Job 1 (2), DJB In Such A Rush, DJB Sheldon's Girlfriend, DJB Uncertain Tense, DJB Holly Jolly B'Golly (a great poster typeface), DJB Lemon Head (hand-drawn), My Boyfriend's Handwriting, Sugar Shock. Typefaces from 2015: DJB On The Spot, DJB The Generic, DJB Nouveau (beatnik typeface), DJB Nouveau Straight, DJB Monogram Font, DJB Ransom Note Clipped, DJB-Another-Mandy, DJB-Dear-Mr-Claus, DJB-Eggsellent-Wobbly, DJB-Eggsellent, DJB-Got-No-Time-For-That, DJB-Lemon-Head-Dots, DJB-Speak-the-Truth-Bold, DJB-Speak-the-Truth-Boldly, DJB The Generic Kinda Funky All Caps, DJB It's Our Choices, DJB Mr. Claus, DJB Sunflowers for Vincent, DJB Standardized Test (+Oval), DJB Up on the Scoreboard (dot matrix font), DJB Friday Night Lights (dot matrix font), DJB My Last Amen, DJB The Cheerleader, DJB Drives Me Dotty, DJB This Font is Bold, DJB This Font is Empty, DJB On The Spot, DJB Don't Call Me Crazy, DJB Sticky Tape, DJB Messy Amanda Goes Bold, DJB Pokey Dots Font, DJB Friday Night Lights, DJB Up On The Scoreboard (dot matrix font), DJB Starry Starry, DJB Linus Pumpkin, DJB Number 2 Pencil, DJB In A Hurry, DJB Gonna Share My Story, DJB Stinky Marker, DJB Get Digital (LED font), DJB My Last Amen (sans), DJB Standardized Tests, DJB Number 2 Pencil (in the style of Comic Sans), DJB Sticky Tape Labels, DJB Speak Softly, DJB Ransom Note, DJB Meet Me At My Locker, DJB Ransom Note, DJB Lemon Head Dots, DJB Messy Amanda Goes bold (handwriting font), DJB Jenna, DJB Speak Up, DJB Sandra Dee, DJB Speak Out (outlined sans), DJB Pinky Swear, DJB Oh Suzannah, DJB Gimme Space, DJB My Mood Ring Says Blah, DJB Elliephont, DJB Fan Girl, DJB Sissy, JB I'm No Wizard, DJB Writes A Lot, DJB Letter Game Tiles (scrabble font), DJB Just An Outty, DJB Speak Up, DJB Poppyseed, DJB Lemon Head, DJB Miss Molly Brown, Holly Typed, Speak Out, DJB Writes A Lot, DJB On The Lighter Side, This Font Is Stressed, DJB Straight Up Now, DJB See Spot Run, DJB Jacked Up Kinda Luv, DJB I Love Me Some Brook, DJB This is me, DJB I Love Me Some Aly, DJB This Is Me, DJB Speak The Truth Boldly, DJB Me and My Shadow, DJB Rubia's Tiny Script, DJB Fresh Start, DJB Poppyseed, DJB Tootsie Wootsie, DJB Tootsie Wootsie Bold, DJB Downstairs at the Abbey, DJB Holly Typed Too Much, DJB Heart Attack, DJB That Font I Saw On TV, DJB Constance Beauregard (architectural lettering font), DJB I Love Me Some Aly, DJB Annalise, DJB Carly Sue Got Married, DJB Miss Molly Brown, DJB This Font is Worn, DJB Almost Perfect, DJB Holly Typed, DJB What A Babe, DJB How Cute Am I, DJB Brit's Thick Pen, DJB Brit's Thin Pen, DJB Scruffy Angel, DJB Sand Shoes and a Fez. Typefaces from 2016: DJB Hunky Chunk, DJB Ornamental (alphadings in Christmas balls), DJB Shape Up Stars (alphadings), DJB Candy Corn, DJB File Folder Labels, DJB File Folder Tabs, DJB About A Boy, DJB It's My Birthday, DJB Happily Ever After (curly font), DJB Journaling, DJB Yard Sale Marker, DJB Gonna Share My Story, DJB Smarty Pants, DJB This Font Is (Bold, Stressed, Worn, Empty), DJB Elliephont, DJB Nouveau, Cutouts, Drives Me Dotty, It's Our Choices. Typefaces from 2017: DJB Shape Up Hearts, DJB Another Mandy, DJB Almost Perfect. Typefaces from 2018: DJB Miss Jinkie Van Pelt, DJB Holly Jolly, Snarky Bess, Mia Script. Dafont link. Creative Market link. Fontspace link. Klingspor link. [Google] [More] ⦿ | |
Joe Baldwin (b. UK, 1973) runs RoastHorse Type Foundry. He is the designer of the pixel font Flash Script (2002, italic), the sarcastic RHBertholdRegularIndustryofTyrany RHBurroughs, RHCarrierStencil (2004, a free font created because of Berthold's "abuse of copyright"; it is an octagonal stencil font), Linx Pro (a MICR and dot matrix family), the pixel typeface RHBurroughs, the fat Western style typeface Hubbard Hand Lettered (2003, available at T-26), and the flash-optimized Kerouac (2002, T-26). His defunct home page. [Google] [MyFonts] [More] ⦿ | |
Located in Casino, NSW, Australia, DKB Fonts is Daniel Keith Bale's outfit. A graphic designer and illustrator, his first typeface is Aurélie (2005), a curly fashionable display face. [Google] [MyFonts] [More] ⦿ | |
David Bale (DASH Software) made some rune fonts such as Dethek (1994) and Common Tongue. See also here. See also here. [Google] [More] ⦿ | |
Minsk, Belarus-based designer of Monatik (2018) and Alphabetic Zoo (2018). [Google] [More] ⦿ | |
Pamplona, Spain-based designer of the bilined typeface Ladoble (2018). [Google] [More] ⦿ | |
Designer of Britannica Display (2005), a hairline geometric all caps face. [Google] [More] ⦿ | |
Graphic designer in Sofia, Bulgaria. In 2016, Svetlin Balezdrov and Ventsislav Yordanov co-designed the free geometric Latin / Cyrillic inline typeface Socium. They explain: The font is a fresh look at the aesthetics of Bulgarian socialism that interprets in a memorable way the achievements of the Bauhaus. In 2015, Svetlin Balezdrov and Svetoslav Simov co-designed Simbal. In 2016, Svetlin Balezdrov & Ventsislav Yordanov co-designed Leks and the free font Balkara. In 2013, Svetlin Balezdrov designed Balezdrov11. In 2016, he designed the dot matrix typeface Knoway, and in 2017 Karano. Behance link. Npoekmu download site. [Google] [More] ⦿ | |
In 2018, Svetlin Balezdrov and Svetoslav Simov co-designed the humanist sans typeface family Squad at Fontfabric. [Google] [MyFonts] [More] ⦿ | |
New York, NY-based designer of the vintage railroad car and/or Far West font Cash West (2019). [Google] [More] ⦿ | |
As a Fine Art student at TUP Manila (The Philippines), Angelica Marie Balida designed several decorative typefaces (2017). [Google] [More] ⦿ | |
In 2008, she created Charlotte (Latin&Cyrillic). During her studies at British Higher School of Art & Design in Moscow, she created ALS Meringue (2009, a serif family for Art Lebedev Studio, done with Taisiya Lushenko). In 2009, she also created a dotted line pixel type for FLYmagazine. As a student project at the British Higher School of Art and Design in 2009, she made a Natural Alphabet using stone scratching. Mobispot Regular (2013) is a beautiful contemporary geometric grotesque for Latin and Cyrillic, designed by Olga Balina and Vit Abramov at Flëve for Mobispot Social Systems, a company that creates cool applications for life and business based on NFC technology. MyFonts link. Behance link. Behance link for Flëve. [Google] [MyFonts] [More] ⦿ | |
Polish designer of the handcrafted typeface Erqif (2017). [Google] [MyFonts] [More] ⦿ | |
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Saint Petersburg, Russia-based designer of the Latin / Cyrillic beveled display typeface Qui (2016) and the script font Old Motorcycle (2019). [Google] [More] ⦿ | |
Balius won a Bukvaraz 2001 award for Pradell. Pradell also won an award at the TDC2 Type Directors Club's Type Design Competition 2002. SuperVeloz (codesigned with Alex Trochut) won an award at the TDC2 2005 type competition. At ATypI 2005 in Helsinki, he spoke on Pradell and Super-Veloz. Speaker at ATypI 2006 in Lisbon. At ATypI 2009 in Mexico City, he spoke about the Imprenta Real. Coorganizer of ATypI 2014 in Barcelona. Author of Type at work. The use of Type in Editorial Design, published in English by BIS (Amsterdam, 2003). FontFont link. Linotype link. Behance link. His production:
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During her graphic design studies at the Moholy-Nagy University of Arts Budapest, Hungary, Anna Balizs created the experimental geometric typeface Triongl (2013). Behance link. [Google] [More] ⦿ | |
MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
In 2012, Adele Ball graduated from Central Saint Martins College of Art and Design and Scripps College. Creator of some the Ancestors typeface in 2013. [Google] [More] ⦿ | |
Many nice examples of creative typography, worked into a blog by Hungarian designer Dora Balla. In 2015, she made the experimental typeface HV Font. Home page. Behance link. [Google] [More] ⦿ | |
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During his studies, Adrien Ballanger (Nantes, France) created Sorry Mom (2014), a typeface that was inspired by Quaver Serif (2011, Nick McCosker, Tipple Type). Behance link. [Google] [More] ⦿ | |
While studying at Kingston University, Kristie Ballard designed the grungy experimental typeface Lost Language (2013). [Google] [More] ⦿ | |
Italian designer in Torino (b. 1984) who studied at Universita del Piemonte Orientale (class of 2010) and Universita di Torino (with a Masters degree, in 2012). Co-founder in 2014 of Pop Com, he is based in Torino, Italy. Designer of the free handcrafted typeface Johnson Script (2014), the sans typeface Hasta Grotesk (2015), the rounded geometric sans typeface Menulis (2015), the hand-printed typeface Wicked Child (2014) and of Antraste (2015, a rounded geometric all caps sans), Vulpes (2015, a bold geometric sans), Easy Skyline (2015, dingbats), Danae (2015) and Bellerophon (2015, a rounded slab serif). In 2016, he designed the sketchy handcrafted typeface Houndville, the sans typefaces Voras and Gotu, and the free brush typeface Remisso. In 2017, he designed the free text typefaces Novar and Bludhaven, and the vernacular typeface Potatoes And Peas. In 2018, he added the fat finger font Johnson Script. Dafont link. Behance link. [Google] [More] ⦿ | |
Creator of the grunge font used by the rock band Los Piojos, called Los Piojos (2008). [Google] [More] ⦿ | |
In 2017, Stefano Torregrossa and Lorenzo Ballarini (Verona, Italy) co-designed the custom sans typeface Salvagnini for the sheet metal company by that name. [Google] [More] ⦿ | |
Based in Quezon City in The Philippines, Ja Ballarta created a tall hand-drawn display typeface called Marawi (2013). [Google] [More] ⦿ | |
Seattle, WA-based designer of the hand-drawn typeface Estadio (2015, vernacular style) and Ojos Sans Serif (2015). In 2017, he designed the soft-cornered wedge serif typeface Berbati. Creative Market link. Behance link. Home page. [Google] [More] ⦿ | |
Designer at the Bauersche Giesserei of fonts such as Ballé initials, a series of light floral initials. In the meantime, Andreas Seidel made a great digital version of this and called it Alea (2005). Not to be outdone, ARTypes created its own version, Maria-Ballé-Initials (2007). [Google] [MyFonts] [More] ⦿ | |
Communication design student at Politecnico di Milano, who lives in Modena. She designed Liquid Stencil (2010). [Google] [More] ⦿ | |
Barcelona-based designer of Filfont (2014: a modular display face). Behance link. [Google] [More] ⦿ | |
Black Flag (2013) is a poster typeface motivated by revolutions. Dans (2013) is a letterpress typeface. [Google] [More] ⦿ | |
Micaela Ballew is a graphic designer born and raised in the Napa Valley, California. In 2014, she was working towards her BFA at Pacific Union College. Designer of Typeaux (2014), a hybrid typeface based on Didot and American Typewriter. [Google] [More] ⦿ | |
Leipzig-based creator of the early transitional Gaelic typeface Ballhorn (also called Leipzig, 1861), based on Watts. Author of Alphabete orientalischer und occidentalischer Sprachen (F.A. Brockhaus: Leipzig, 1859). Head of F.A. Brockhaus Printing in Leipzig, in 1856 he published "Grammatography. A Manual of Reference to the Alphabets of Ancient and Modern Languages". [Google] [More] ⦿ | |
During her studies at The College of Saint Rose, Albany, NY-based Maria Balli designed the outline typeface Totally (2015). [Google] [More] ⦿ | |
Welsh owner of Poked Studio, where he designed the headline typeface "450" in 2008 as part of a project at the University of Glamorgan. [Google] [More] ⦿ | |
Typefaces from 2019: Musubi (a tiki-inspired cocktail lounge typeface). Typefaces from 2021: Alkaline (Jonathan Ball, Mattox Shuler and Brian Brubaker at Fort Foundry: This typeface family at an 18 degree slope was inspired by 1950s lettering and logos on kitchen appliances). [Google] [MyFonts] [More] ⦿ | |
Designer at First Image (UK) of the 3d sans typeface Fiesta (2014). [Google] [More] ⦿ | |
Or just Theo Ballmer. Swiss designer (b. Lausanne, 1902, d. 1955), who worked for Hoffmann-LaRoche before he went to work at the Bauhaus in Dessau in 1928. The URW font family Theo Ballmer (2000) is based on his ideas, and was digitized by Theo's grandson Thierry Ballmer. The family has many typical Bauhaus ingredients. Another digital revival of this is Architype Ballmer by The Foundry. [Google] [MyFonts] [More] ⦿ | |
Swiss designer (b. 1965, Basel) who with the help of URW created the font family Theo Ballmer (2000), based on his grandfather Theo's ideas from the Bauhaus era. Thierry balmer teaches type design at Haute Ecole des Arts du Rhin in Mulhouse, France. [Google] [MyFonts] [More] ⦿ | |
From Biel, Switzerland, Thomas Balmer's outfit, Guerilla Grafik, offers a few free fonts for download. The page is extremely dangerous (it will take over your screen!), with pop-ups and uncontrollable things happening left and right. Be prepared for a reboot. Anyway, if you risk it, you may find these mostly pixel fonts: GG-Motor, GG-Realpx, GG-Nintendo, GG-Digitalareal, GG-KGB. Working on the simple sans serif typeface GGrapidograph (2002). Non-free fonts: GG-Modul, GG-Formular, GG-Vektor, GG-Eckhardt, GG-Info, GG-Zike, GG-Balmer, GG-Sanchezclone. Mac fonts only. [Google] [More] ⦿ | |
Toto's K22 Stile Ballmer (2011) is a free art deco typeface modeled after Walter Ballmer's typeface designed for Olivetti. The Olivetti logo from 1960 by Ballmer also led to Interno (2004), a type family created by Eli Carrico and Ian Lynam at Wordshape. The Olivetti logo was also extended by Serena Petraglia into a full font (in 2016). In 1963, together with Gret Mengelt-Mergenthaler, he created Texpo for the Schweizer Expo 1964. This custom typeface is not generally available. However, Mindofone made a free version of it, called Hadley Stencil, in 2013. [Google] [More] ⦿ | |
Third year graphic design student at Salford University, who lives in Manchester, UK. Behance link. She used Fibonacci patterns in her creation of the Turing alphabet (2012), named in celebration of Alan Turing's 100th birthday. Dutch city bikes inspired her in the design of the spoke and wheel font Amsterdam (2012). | |
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American designer of the OpenType font MonoDisplay (2003). [Google] [More] ⦿ | |
German designer of Molecular, Detector (2000, electrical circuit-themed letters) and Tsunami (2002) at T26. Not to be cofused with the 1998 Monotype font TsunamiMT. He also made the experimental font Weird (1996, Garcia Fonts). [Google] [MyFonts] [More] ⦿ | |
Aka Doppelquer. Creator of the grungy typeface Dopplequer (2014). [Google] [More] ⦿ | |
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Bern (was: Basel), Switzerland-based designer of the free geometric caps typeface Noir (2014) and the free sketched caps typeface Helvetica Children. [Google] [More] ⦿ | |
Born in 1977, this Brazilian graphic and web designer in Florianopolis created an experimental geometric typeface, Duotonic (2009). Behance link. [Google] [More] ⦿ | |
Bursa, Turkey-based graphic designer who made the floriated typeface Herseydir (2013). [Google] [More] ⦿ | |
During his studies in Quito, Ecuador, Jore Baltan designed the textured and patterned typeface Sierra Ecuatoriana (2017). [Google] [More] ⦿ | |
As a student at San Francisco State University, Ricardo Baltazar designed an innovative techno display typeface inspired by window signs in San Francisco. He called it Windw St (2016). Behance link. [Google] [More] ⦿ | |
Free download of two fonts made in 2010 and 2012 respectively, also by an unknown designer. One of these fonts claims in its metadata that the original is due to Vladimir Balthasar in 1934. In 2016, Peter Bilak reports that Indra Kupferschmid told him that Universal Grotesk is basically Kristall Grotesk (1937, Wagner & Schmidt in Leipzig). As Wagner & Schmidt morphed into the East-German type foundry TypoArt some time after 1945, Bilak conjectures that Grafotechna got its matrices from Wagner & Schmidt. Digital descendants:
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Vilnius, Lithuania-based designer of the texture typeface Tekstile (2013, FontStruct). [Google] [More] ⦿ | |
Dutch designer (b. 1988) who made the hand-printed typefaces Nb Obese and Nb Strange in 2008. Home page at Skeedio. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
French designer of the hipster typeface Altfried (2016). [Google] [More] ⦿ | |
Johanna Balusikova (b. 1974, Slovakia), now Johanna Bilak, studied typography at Atelier National de Création Typographique in Paris and at the Bratislava Art Academy in her native Slovakia, as well as at the Jan van Eyck Akademie in the Netherlands. She now works as a freelance graphic designer in The Hague, where she has lived since 1999. She designed Jigsaw (1999-2000) at Typotheque: this was originally intended as a Multiple Master font that varies from roman to stencil. At ATypI 2004 in Prague, she spoke about "Experiment and typography". Co-editor with Alan Zaruba of We Want You To Love Type (2004, e-a-t). Since 2003 she is a partner in Peter Bilak's Typotheque. [Google] [MyFonts] [More] ⦿ | |
At T-26: Marshmallow (2001, rounded monoline geometric face), Superfly (2002, a Western font), Thursdoo (2002), Pacfont Good (2002), Thug (2002), Dokyo (2002, a free competitor of Futura Extra Black and Folio Extra Bold), Supreme (2002), Fresh (2002, at Chank's place), Juice (2002), Pinball (2002, not free), RunTron1983 (2002), Pixel Pirate (2002), Odysseus (2002). Rascal Miniatures, Wonderkid, Smilage Regular, Milk with Peanut Butter and Barnaby Candy machine are 2009 comic book style creations. Other 2009 fonts include Gringo Enchilada, Brute Strength, Blonk and Sparkle, Cheri Liney, Metroflex, Weltron (techno family), Sanka, Rolloglide (multiline), Pussycat, Poppycock, Pasteris, Moog Schmoog, Moog Synthesizer, Magnum, Krupke, Joinks, Jabbie, Hustle, Hungrumlat, Gravity, Fresh, FineOMite, Dunebug 45mph, Coney Island, Blackjack, Atomic, Air Regular, Shatner, Pixel Pirate, Munkeyshine, Thursdoo, Swinkydad, Surf Safari, Supreme, Stoney Billy, Speed Freaks, Bike Riding Chopper (Tuscan), Popcorn Loaded (ultra fat), Malibu Oceanside, Snafurter (Sinaloa?), Der Weiner Stentzel (stencil), Wordworth Byte, Blingo Diamond and Tiger Roams Jungle (art deco chic). Fonts from 2014: Blonk, Kangaroo, Giant, Jingles, Rascal, Coopman, Sinafurter (Sinaloa meets Frankfurter), Supergum (bubblegum font), Tiger, Popcorn, Der Weiner Stentzel (rounded stencil), Milk, Plague (scary font), Wonder (popart), Globitron (art deco), Death Squad (brush face), Spring Break, Tigra (stencil),Tigra (stencil), Fantastic, Parker (signage script) and the vector sets Mid Century Patterns, Banners (01, 02, 03, 05), Campus (01, 02, 03, 04: athletic lettering), Chickabiddles, Holiday 03, Jewelry, Lip Service 03, Optical Illusions, Seals, On The Radio, Viva, Hipster, Geometric Patters (+02). Interview. Alternate URL. Dafont link. Yet another URL. And another one. Many fonts sold since 2007 by Font Bros (see here for the announcement). URL from 2005-2007. Behance link. [Google] [MyFonts] [More] ⦿ | |
For the identity of Amais Mens wear, Nidhi Balwada (Ghaziabad, India) designed the multiline typeface Amais (2016). [Google] [More] ⦿ | |
Designer of Birds of Prey, and Unofficial BoP Font. [Google] [More] ⦿ | |
Merida, Venezuela-based designer of Goldschmidt (2015). [Google] [More] ⦿ | |
Moscow-based designer of Vaghintara (2016). She explains: Agvan Dorjiev is a reformer of Mongolian vertical writing adapted to Buryat language. Vaghintara alphabet which he has created was the exact reproduction of Russian words in Buryat language popular between 1905-Â1910. However, this particular font type was not properly used in Buryat language because of the Russian revolution. [Google] [More] ⦿ | |
Foundry that grew out of the now defunct and controversial Gasoligne in Brest, France, which was run by Yves Patinec (Roubaix) and his brother. The Bamboo Type fonts rescued from Gasoligne in 2008 are Neborg Sans (2008, organic and techno), Mignone (2011, fat organic face), Bambhout Connect Trial (2010), Bambhout (2009, experimental), Oxea (2008, organic), Magenta (2009, italic display type inspired by Inverserif from Infinitype, which in turn has roots in Speedway from FontBank, Concorde from Brendel Informatik, OptiIambic from Castcraft, and so forth), and Veeko, Veeko Wide (informal and organic). Bamboo Types says that the fonts were designed by freelance designer Florian Bambhout. I don't believe that for a second----that name was made up. Typefaces from 2014: Meditation. | |
Berlin, Germany-based designer of Vaporetta (2020). [Google] [More] ⦿ | |
German printer and type developer, who ca. 1472 created the type style called Alte Schwabacher in Augsburg. [Google] [More] ⦿ | |
Australian designer (b. 1984) who is based in Sydney. He created the graffiti typeface Jo's Styles (2012), and Thick Bitch (2012). He also made the futuristic typefaces Grand Lethals (2012, for an album cover of this group) and Aliens Can Suck It (2012). [Google] [More] ⦿ | |
During his studies, Mannheim, Germany-based Erik Banane created the display typeface Arktiz (2015). [Google] [More] ⦿ | |
Lviv, Ukraine-based designer of the handcrafted Cyrillic poster typeface Bjaka (2017). [Google] [More] ⦿ | |
Nyiregyhaza, Hungary-based designer of hand drawn all-caps serif font Zetha (2016). [Google] [More] ⦿ | |
Freelance graphic designer in Charlotte, NC, who created the pixel typeface Pixel It in 2016. [Google] [More] ⦿ | |
Student at Chandrakasem Rajabhat University (Faculty of Visual Communication Arts), Thailand, in 2012-2013. Creator of the free fonts CRU Todsaporn Sketch Book (2012) and CRU Todsaporn handwritten. Fontspace link. [Google] [More] ⦿ | |
During his studies in Birmingham, UK, Wasawat Banchongthanakit designed a circle-based display typeface (2016). [Google] [More] ⦿ | |
Romanian designer of Tudy 1311 (handcrafted typeface) and Dacian Donarium in 2014. In 2015, he created CyberGothic (almost piano key style), Thi and Darkwoman (handcrafted). Other fonts include Ud and the prismatic / Memphis style typeface Hipstravaganza. [Google] [More] ⦿ | |
During her graphic design studies in Lima, Peru, Carla Torres Banda created Huaca (2014), a display typeface that was inspired by the Huaca Mateo Salado site in Lima. [Google] [More] ⦿ | |
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Behance link. Another Behance link. Linkedin link. [Google] [MyFonts] [More] ⦿ | |
Udaipur, India-based designer of a Hindi origami typeface in 2019. [Google] [More] ⦿ | |
Perth, Australia-based designer, b. 1985, who created these free typefaces in 2012: Simply Chalky, Sunday Sunday, Pinwheel, Porcelain Paper Pie, Indifference, Geo, and Care To Dance. Her company is called Porcelain, Paper & Pie. Fontspace link. [Google] [More] ⦿ | |
Bendery, Moldova-based designer of Ink Brush Font (2016, for Latin), Thinletter (2016), Inks (2016), Liliafon (2016), Handliner (2016), and Blobletter (2016). [Google] [More] ⦿ | |
Eoweniel (aka Lady Dark Bane, and aka Darklight Systems) is the British designer of the African theme font DreamWalker (2001) and of the handwriting font Stray Cat (2007). [Google] [More] ⦿ | |
Creator (b. 1992, Singapore) of the all caps brush typeface The Calligraph (2011, cloned from Swifter Strokes by "badgerkin"). He also made the experimental typefaces Insanity (2011). The typefaces were made with the help of FontStruct. [Google] [More] ⦿ | |
Type and graphic designr based in Saudi Arabia, who specializes in Latin and Arabic typefaces. Typefaces from 2021: Balaleen (a layerable chunky font for Latin and Arabic, perhaps with applications in children's books). [Google] [MyFonts] [More] ⦿ | |
Jaipur, India-based designer of a straight-edged bilined Latin display typeface for a school project at Banasthali Institute of Design in 2015. [Google] [More] ⦿ | |
Illustrator and graphic designer in Birmingham, UK. He used road signs to construct his Motorway Madness alphabet in 2011. [Google] [More] ⦿ | |
Pune, India-based designer of a hilarious funny-man-themed alphabet simply called Character (2014). [Google] [More] ⦿ | |
Designer from Seoul, who created a Latin typeface called Winter in Basel (2013). [Google] [More] ⦿ | |
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Budapest-based designer of Lightline (2013, a paperclip font) and Papercut (2014, octagonal), two typefaces that were created during her studies. [Google] [More] ⦿ | |
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Australian foundry and design studio, est. 1991, located in Melbourne. Fonts by Stephen Banham, an Australian graphic designer and writer, who was born in Melbourne in 1968. Banham has written and produced fourteen publications on typography, notably the Qwerty series (1991-96), the Ampersand series, Fancy (2004), and the Oblique series (2008). Since 2005 he has run a very successful public forum series on graphic design and typography known as Character. Stephen teaches at RMIT in Melbourne. His typefaces: Bisque (2007, curly monoline connected script), Gingham (1996: a thin artsy sans), Kevlar (inspired by 60s style audiotape logotype), Terital (2003, monoline connected script), Berber (2002, Caps and Regular; Niels Oeltjen is associated with this typeface in 2007, perhaps in an update), Gaberdine (fat sans), Nylon (comic book style), Morice (2005, a collaboration between Morice Kastoun and Stephen Banham at Letterbox). E-store. Wiki. MyFonts link. [Google] [MyFonts] [More] ⦿ | |
Sans Forgetica is a free stencil font that is scientifically designed to help students remember their study notes. It was created by a multidisciplinary team of designers and behavioural scientists from RMIT University based on the principles of cognitive psychology. The design of Sans Forgetica was led by RMIT lecturer of typography Stephen Banham, who is based in Melbourne, Australia, under the scienti c guidance of Janneke Blijlevens and Jo Peryman from RMIT's Behavioural Business Lab.. [Google] [More] ⦿ | |
Graphic designer and typographer in Toronto. In 2009, she created the experimental geometric typeface Kolo (This typeface design was inspired by tin can pull tabs. Thank you chicken of the sea.), the cool Newmar (Newmar was designed to compliment the symbol above. Influences: paperclips, Julie Newmar 1966&a gold belt. This typeface has two ascender lines&three descender lines.), and the curly display face Gallnut (gallnut---a round gall produced on the leaves and shoots of various species of the oak tree.). Home page. About Newmar, she writes: Newmar was designed to compliment the symbol above. Influences: paperclips, Julie Newmar 1966&a gold belt. This typeface has two ascender lines&three descender lines. In 2012, Dorothy published the fun alchemic family Gelato (2012). [Google] [More] ⦿ | |
During her graphic design studies at Sheffield Hallam University, Lauren Banister (Derby, UK) created the experimental typeface Makeup (2013). Behance link. [Google] [More] ⦿ | |
During her studies in Belgrade, Anja Banjesevic created the handcrafted Latin / Cyrillic typeface Mukva (2015). [Google] [More] ⦿ | |
At the Department of Design of IIT, Guwahati, India-based Mihir Bankapure designed the devanagari typeface Ambadnya (2017). [Google] [More] ⦿ | |
In 2016, he designed the squarish Flat Four typeface family. In 2018, he published the speed-themed techno typeface Hachiroku86, the pixel / video game font Gridner AB, the industrial futuristic typeface Karbonis, and the modular monoline typeface Shampoo AB. Typefaces from 2019: Spectrum (wavy, techno). Typefaces from 2020: Auratium (a tall slab serif), Epyon Mech (a mechanical or futuristic typeface), Initium (a glitch font family), Exolus (futuristic), Bear Hunt (a national park font), Undertow (squarish), Luna Parc (rounded, techno), Classic Retro. Typefaces from 2021: Shampoo, Supply, Vecktor (futuristic and octagonal). Devian tart link. Behance link. Another Behance link. [Google] [More] ⦿ | |
Author of London's handwriting (London Transport Museum, 1994) about the development of Edward Johnston's Underground Railway Block-Letter. CV. He died in March 2002 in Blackheath. Obituary by James Alexander. Banks&Miles had offices in London, Amsterdam, Hamburg and Bruxelles. Their clients included the British Council (it is unclear if he helped design British Council Sans at Agfa Monotype in 2002: a major controversy erupted in the UK when it was learned that the British Council had paid 50k pounds for British Council Sans), English National Opera, the European Parliament Election campaigns, producing corporate identities for the Post Office, Royal Mail, British Telecom, the Institute of Mechanical Engineers, Fondation Roi Baudouin, City and Guilds, Commission for Racial Equality, United Nations University, and major publications etc for UNHCR Geneva. He was consultant to London Transport for over thirty years, then Mott Macdonald engineers and Oxford University Press. The Royal Mail font is called Post Office Double Line, and was designed by Colin Banks in the 1970s. The British Council Sans family (2002, Agfa Monotype) is now available for free download here. Included is support for Arabic (Boutros British Council Arabic), Khazak, Greek, Cyrillic, and Azerbaijani. Other typefaces with Colin Banks's name on it include New Johnston (1979, after Edward Johnston's typeface for the London subway) and the sharp-serifed Gill Facia (1996, Monotype: based on letters drawn by Eric Gill in 1903-1907 for use by the stationers, W. H. Smith) [Google] [MyFonts] [More] ⦿ | |
Kyneton, Australia-based designer of a vintage custom logotype for The Argus Dining Room in Hepburn Springs (2014). [Google] [More] ⦿ | |
Graphic design student at University of North Carolina at Charlotte. Behance link. Creator of On The Vine (2012), a pixelish typeface. [Google] [More] ⦿ | |
Free handwriting fonts made in 1996 by John David Banks from Tucson, AZ (b. 1953) such as BudHand (Regular, Bold, Angular), BethHand (Angular, based on the hand of Beth E.LK. Banks), and fonts such as BudEasy, BudNull, and BudBird. Dafont link. Fontspace link. [Google] [More] ⦿ | |
Or Kodhi Bank. Banda Aceh, Indonesia-based creator of the elegant connected script typeface Wallows (2015) and the useful unconnected script typeface Sherly (2015). Typefaces from 2016 include the calligraphic typefaces Ramberos, Entihay and Markonah. Typefaces from 2017: After Midnite, Wasteros (calligraphic script). Typefaces from 2018: Suntruns (connected script), Rejoice (calligraphic), Dest, Delima (script). | |
Michael Banks at Johnson Banks designed Phonetikana (2012), a typeface that helps Europeans read katakana. A great idea! [Google] [More] ⦿ | |
He also published Type Trumps, a set of playing cards that feature the main typefaces. Behance link. [Google] [MyFonts] [More] ⦿ | |
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Designer of DTF Volume 3 (has runes and Hebrew). [Google] [More] ⦿ | |
Digital Type Foundry is James Banner's (extinct) Seattle-based foundry that produced typefaces such as Angelic, Bamberg-Initials, Bamberg, Burton, Caxton-Initials, Daggers, Enochian, FetteFraktur, Fraktur, Futhark-Gothic, Futhark, Hebrew, Hermetica, Titling-Ornaments-1 and Turkish, around 1991-1992. Some fonts can be downloaded for free at Fontspace. He wrote: I started making fonts in 1988 and still produce work, although as it became more difficult to upload my work or share it using the University of Michigan FTP server, I haven't released much. Most recently, I issued the Geoffroy Tory initial letters as a Type 1 font and separately as EPS files as Freeware. I've produced 20-30 fonts since the DTF Volume Three bundle package came out. The foundry disappeared. The licensing today is unclear. Fontspace link. Old URL. Defunct URL. [Google] [More] ⦿ | |
Liverpool, UK-based designer of Glitch Font (2018). [Google] [More] ⦿ | |
See here for a picture, which shows without a shadow of a doubt that she was Donald Rumsfeld's real mother. Alternate URL. [Google] [MyFonts] [More] ⦿ | |
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UI designer at Fueled who is based in London. He is working on a sans typeface in 2015. [Google] [More] ⦿ | |
During her studies in Manchester, UK, Jasmin Bannister designed the thin squarish outlined typeface Sqeleton (2017). [Google] [More] ⦿ | |
Hazleton, PA-based designer of the outlined typeface Goober (2014). [Google] [More] ⦿ | |
Creator (b. Bacoor, Cavite Philippines, 1993) of the free spurred typeface Cliff Edge (2012). [Google] [More] ⦿ | |
German designer of the Peignotian typeface Plus (2010, 26plus-zeichen). Free download. [Google] [More] ⦿ | |
Creator of the soft and elegant hand-printed typeface (lower-case-only) Zea Mays Everta (2013). [Google] [More] ⦿ | |
Barcelona-based creator (b. 1987) of Hipot (2012) and Bloquer (2013, a monospaced and blocky face). During his studies in 2014, he made Edelweiss. Behance link. Dafont link. [Google] [More] ⦿ | |
Design student in Monterrey, Mexico, who created the display typeface Coachella (2012). [Google] [More] ⦿ | |
Graphic designer in Potchefstroom, South Africa. Creator of Teleline (2013), a hairline typeface that was inspired by telephone lines. [Google] [More] ⦿ | |
Bowen Island, BC-based very talented graphic artist, who specializes in custom type and ornaments. Her typographic work:
She teaches typography through Emily Carr Institute in Vancouver, BC. Speaker at ATypI 2010 in Dublin. Klingspor link. [Google] [More] ⦿ | |
As a student at ENSAD in Paris, he co-designed Bertrand (2003), a typeface based on work by the Fonderie Bertrand (end of 19th century). [Google] [More] ⦿ | |
During his studies in Chicago, Hector Banuelos created the hipster typeface Korse (2015). [Google] [More] ⦿ | |
During her studies at ESAG Penninghen, Paris-based Angèle Banus designed the bilined display typeface Eso (2017). [Google] [More] ⦿ | |
During her studies at ESAG Penninghen in Paris, Angèle Banus designed the bilined display typeface Esoteria (2017). In 2015, she designed two experimental typefaces as a tribute to Belgian singer Stromae. [Google] [More] ⦿ | |
Artist from Manchester, UK. Behance link. Creator of a hand-drawn floral caps face in 2010. [Google] [More] ⦿ | |
During her studies at the Visual Arts Institute in Eger, Hungary, Zsofia Banyai (Budapest, Hungary) designed the blackboard bold typeface Personopathia (2019) by altering Courier New. [Google] [More] ⦿ | |
Typefaces from 2021: Laire Sans (a 40-style sans with one variable font; +Cyrillic), JT Olifer (a 40-style hipster sans, complete with deep ink traps and a coathanger lower case f; by Laire Banyu and Dyaharum Pungki Revitasari), Gretha (a 14-style hipster serif accompanied by a variable font; by Laire Banyu and Dyaharum Pungki Revitasari), Louis Felligri (a 15-style display typeface, with variable font support, by Laire Banyu and Dyaharum Pungki Revitasari), Le Baffec (an 18-style decorative serif by Laire Banyu and Dyaharum Pungki Revitasari), Le Buffec (similar to Le Baffec), La Fausto (a wild script), Colibre Bristole Pro (a stylish serif typeface family in nine styles by Laire Banyu and Dyaharum Pungki Revitasari), Holy Type (a wild rabbit ear script), Little Brownie. [Google] [MyFonts] [More] ⦿ | |
Xanh Mono is a monospaced didone typeface for Latin and Vietnamese, designed in 2020 by Lam Bao and Duy Dao. It can be downloaded from Google Fonts. In 2021, Lam Bao, Tony Le and Vietanh Nguyen co-designed Be Vietnam Pro, a multi-style neogrotesque typeface family for Latin and Vietnamese. Github link. Google Fonts link. [Google] [More] ⦿ | |
Graphic designer in Auckland, New Zealand, who created the display sans typeface Fireworks (2013) and the hand-printed typefaces Untitled (2013) and School Enrolments (2013), a chalky cursive typeface based on Snell Roundhand. Behance link. [Google] [More] ⦿ | |
Indonesian creator of the free fat brush typeface Garter Max (2012). [Google] [More] ⦿ | |
During his studies, Lisbon, Portugal-based designer of Olissipo Script (2015). [Google] [More] ⦿ | |
During their studies at Universidade de Aveiro in Portugal, Sara Cardoso (Porto), Marcelo Baptista (Espinho) and Rute Baltazar Fernandes (Porto) co-designed the modular typeface Bricks (2014). In 2017, now based in Espinho, Portugal, he designed Marco Paulo, a typeface that alludes to the curly hair of the singer. Cargocollective link. [Google] [More] ⦿ | |
Designer with Bruno Breda of the scary grungy typeface About Dead (2007). [Google] [More] ⦿ | |
Happy graphic designer in Manchester, UK, who created a number of typefaces in 2012. Via Hellofont, he sells Slabfont, Sectional (kitchen tile font), Extraordinary (hipster font) and Modern Font (sans family). Hellofont link. [Google] [More] ⦿ | |
Graduate of Queens Borough College. Rosedale, New York-based designer of the squarish typefaces Bold Brick (2014) and the dot matrix typeface Regular Spot (2014). [Google] [More] ⦿ | |
Haddonfield, NJ-based designer of Spoopy (2013, a spooky grungy typeface). [Google] [More] ⦿ | |
During her studies at Universidade Nove de Julho, Sao Paulo, Brazil-based Leticia Baptistiolli designed Bugtype (2018). [Google] [More] ⦿ | |
As a student in Universidad Mayor de Chile, Bogota, Colombia-based Jefferson Baquero created the Victorian typeface Colonial (2016). [Google] [More] ⦿ | |
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Designer of the hand-printed typefaces Jackie K and Jackie K Cursive (2013). [Google] [More] ⦿ | |
Curitiba, Brazil-based designer of the watercolor brush typeface Baracho (2016) during his studies at Universidade Positivo. [Google] [More] ⦿ | |
Bucharest, Romania-based creator of the rounded heavy display sans typeface König (2015), the Victorian typeface Aprille (2016), Sailors Treasure (2016), and the monoline script and sans typeface family The Wild Things (2016). Typefaces from 2017: Bright Moments (handcrafted). Typefaces from 2018: Blackout. Typefaces from 2019: Slake (a geometric grotesk). [Google] [More] ⦿ | |
Designer of the Persian font Farhangsara (2000). [Google] [More] ⦿ | |
Writer, director, editor, and graphic designer based in India. In 2021, he released the blocky geometric typeface Vaelor, and the Greek emulation typeface Brush Of Zeuxis. Nasir writes that inspiration for his font came from the ancient painter Zeuxis. [Google] [MyFonts] [More] ⦿ | |
Communication designer in Mumbai, India. In 2011, he made an experimental modular typeface. [Google] [More] ⦿ | |
Monolito (Juan S. Baraglia) is a mobile design studio from Buenos Aires, Argentina. They created the logotype typeface Holanda (2012). Behance link. [Google] [More] ⦿ | |
Chilean designer of Señorita Book (2008), a winner in the Tipos Latinos 2008 competition for best text family. [Google] [More] ⦿ | |
Cairo, Egypt-based creator of the free 16-style hand-drawn typeface family Noni (2014). [Google] [More] ⦿ | |
In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿ | |
Designer of the freeware fonts Kur2siv-Italic, Pni2na. [Google] [More] ⦿ | |
During his studies in Toronto, Albi Baraku designed the constructivist typeface Baeier (2018). [Google] [More] ⦿ | |
In 2012, Baramov designed the ten-style contrasted semi-serif typeface Mart, which was influenced, he says, by Rotis Semi Serif (Otl Aicher) and Apple Garamond. In 2021, he published the eight-style low contrast geometric sans family Zagore. [Google] [MyFonts] [More] ⦿ | |
Polish design student who made a typeface while studying in Krakow from 2003 until 2005. [Google] [More] ⦿ | |
Jersey City, NJ-based designer of the experimental typeface Geovetica (2015), created by deconstructing Helvetica. [Google] [More] ⦿ | |
Swiss type designer, b. 1979, Winterthur. He studied graphic design at the Hochschule für Gestaltung und Kunst Luzern. His typefaces:
Together with Megi Zumstein, he set up Hi. [Google] [More] ⦿ | |
Graphic designer in Kuala Lumpur, Malaysia, who created Funky (2016), a circle-based deco typeface. [Google] [More] ⦿ | |
Bratislava, Slovakia-based designer of the handcrafted Treefrog-style typeface Gumont (2016). Behance link. [Google] [More] ⦿ | |
Odessa, Ukraine-based creator of the Cyrillic font Nordika (2015) that was inspired by Scandinavian runes. [Google] [More] ⦿ | |
Julia Baranova (Julia Dreams) is a graduate of the School Of Contemporary Art, class of 2013. Perm, Russia and Copenhagen, Denmark-based creator of the thin connected script typefaces Merry Christmas (2015) and Olesia (2015), Christopher (2015), Happy Newyear (2015), The Valley (2015, brush script), Confetti (2015), Cleaf (2015), the watercolor script typeface Crispy (2015), Ah Punch (2015), and the monoline sans typeface Woonder (2015). Typefaces from 2016: Cornish Pasty (outlined, textured and sketched), Fish and Chips, English Castles, Windsor Great Park (+Italic), Worcestershire Sauce (+Press), Smoothie Life, Caprese, Carbonara, Minestrone, Beathrice (connected script). Typefaces from 2017: The Fontytotty Collection [Cat and Dog (Display + Italic), Quinny (Display + Italic), Sunshine (Display + Italic), Cherry Pie (Display + Italic), Honey Jar (Display + Italic), Holidays (Display + Italic), Jellyfish (Display + Italic), Yellow Fruit (Display + Italic), Flower Tea (Display + Italic), Monday (Display + Italic), Koala (Display + Italic), Jellyfish Outline (Display + Italic), Elements Font]. Typefaces from 2018: Handwritten font collection (free). [Google] [More] ⦿ | |
Vitebsk, Russia-based designer of the free molecular stencil font Cosmo (2019), renamed Galaxy, and the free squarish typeface Slender (2019). [Google] [More] ⦿ | |
Ukrainian designer of the dot matrix font (Latin/Cyrillic) Matricha (1999). [Google] [More] ⦿ | |
Moscow-based designer of several untitleddecorative Cyrillic alphabets (2013). He also created the experimental typeface Dotmaster (2013). [Google] [More] ⦿ | |
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Designer of the old Bulgarian fonts Putiata (2004), Putyata (2004), Menaion Medieval (2004) and Menaion (2004). Alternate URL. Free downloads. [Google] [More] ⦿ | |
Some of Baranowski' fonts are released under the label Transkrypt. Open Font Library link. [Google] [MyFonts] [More] ⦿ | |
Latest creations: Karoline (2005), New Telegraph (2007, slab serif), Funtype (2009, hand-printed), Monumental (2009, a fat typeface made for stacking), Dodgy Ultra (2009, fat face). He has a page on "Typen mit Schwung". He also designed many elaborate initial caps typefaces, such as Tookatooth Initialen, Schnabel, Alien Initials, Siamesisches Alphabet (Thai simulation face), Banderol Initialen. In 2010, he started Fontschmiede with Michel M, where further fonts, commercial and free, can be found: Mrs Beasley, Sputnik, Superia, Tambourine, Destroya, Alphabutts and Elemenz are free. In 2011, he published New Telegraph Arrows at Fontschmiede. In 2012, he created Journal 74 (Fontschmiede), a retro font family. MyFonts site. Linotype page. View the transkrypt typeface library. [Google] [MyFonts] [More] ⦿ | |
Wroclaw, Poland-based designer of the grungy typeface Typo Stempel (2015). [Google] [More] ⦿ | |
Izmir, Turkey-based designer of the politically critical---and, dare I say, anti nationalism---typeface Colombe Condensed (2018). [Google] [More] ⦿ | |
Designer in Coimbra, Portugal. In 2011, she created Sew Up Sans. [Google] [More] ⦿ | |
Designer (b. Pau, France, 1970) of fonts at Garagefonts, including the pixel font family Kamaro (1999), Karazan, Klif (1999), Klock (1999), Kynzo, GF Mistic Art, Truth (2000-2001). He lives in Ares, near Bordeaux. [Google] [More] ⦿ | |
Art director in Rome, Italy. Creator of the alchemic typeface Carma (2014). Behance link. [Google] [More] ⦿ | |
Lille, France-based designer of the pixel blackletter font Methazoa (2013). Crapotine (2013) is an experimental diamond- or rhomboid-inspired ornamental caps typeface. Behance link. [Google] [More] ⦿ | |
Designer and illustrator in Mexico City. Creator of the fashion mag display typeface Isadora (2013) and the high-contrast display typeface Jericho (2013). [Google] [More] ⦿ | |
Howard Beach, CA-based designer of Viola (2014), an ornamental caps typeface. [Google] [More] ⦿ | |
Joseph Carmelo Barba (b. 1994, The Philippines) created the fixed gear bike-themed font Barbalicious in 2013. Dafont link. [Google] [More] ⦿ | |
Barcelona-based creator of some geometric typefaces in 2013. Behance link. [Google] [More] ⦿ | |
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At MyFonts, one can buy Voynich, Reaver, Orthotopes, Semiautonomous Subunit Clade (2009, sci-fi), Gauche Display (2010), American Sensation (2010, a techno family), Onigiri (2012), and Shibuya Dancefloor (2009, a techno family), Une Nuit Parisienne (2010, a techno family), Xero (2010, a sans family with irregular stroke widths). Some time in 2009, their fonts went commercial and their address changed to Ashburn, VA. In 2013, Megami Studios published the cartoonish family Pennywhistle, and in 2018 The Happiest Cruise In Anaheim (inspired by signage at Disney World) and Doki Doki Tokimeki (for mangas). Typefaces from 2019: Ferrocarbon (an industrial octagonal design), Shenandoah Clarendon. | |
Graphic designer in Torino, Italy. Creator of Regolo (2014 Ten Dollar Fonts), a fun display typeface inspired by Cuisenaire Rods. Behance link. [Google] [More] ⦿ | |
Brazilian designer of the display typefaces Antique Blue Beetle (2010) and Tchuli Gothic Std (2010). [Google] [More] ⦿ | |
Marine Barbaud (Paris) created the weathered poster typeface Farambulle (2013) during her studies. She also does digital illustrations. Behance link. [Google] [More] ⦿ | |
Valerio Barba (Valerio Barba Design, Rome, Italy) created Dada Font in 2015. Behance link. [Google] [More] ⦿ | |
Behance link. Home page. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
In 2013, he made the alhemic typeface Black. Hellofont link, where his fonts can be bought. In 2019, he set up Studio B and promptly released the icon set Tropical (2019) and the great art deco bold poster and display typeface Coquette (2020). In 2020, he designed the art deco typefaces Yangi, Helite and Richart, and the unicase display typeface Boala. | |
Quimper, France-based designer of the heavy comic book or signage typeface Fatbuddy (2017). Behance link. [Google] [More] ⦿ | |
During her studies at UFRJ (Rio de Janeiro), Ingrid Barbedo created the art deco typeface Lunar (2013). [Google] [More] ⦿ | |
Buenos Aires-based creator of Archdeco (2012, art deco typeface). [Google] [More] ⦿ | |
Chris Barber (aka An Creon and An Creon Systems) is the American designer of the futuristic typeface An Creon (2004). Alternate URL. Dafont link. Home page. Fontcubes listing. [Google] [More] ⦿ | |
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Creator of the gaelic script font Rudhraigheacht (2000), available here. Rudhraigheacht Unicode (2003) has extra characters and was re-encoded in Unicode by Korvellou An Drouizig. [Google] [More] ⦿ | |
Buenos Aires-based designer of the pearled display typeface Cuboline (2014). [Google] [More] ⦿ | |
Letterer and type director at House Industries. He also teaches experimental typography at the Maryland Institute's College of Art. His interests include the inter-disciplinary relationship between hand-lettering and type design. His typefaces include Maddhouse (1994), Chalet (1996), Heads of the Household, Fink Bold (1996), Fink Brush (1996), Fink Casual (1996), Fink Condensed (1996), Fink Gothic (1996), Fink Heavy (1996), Fink Roman (1996), Fink Sans (1996). The Rat Fink series was made with Ed Roth. Part of the proceeds from each sale go to the estate of Ed "Big Daddy" Roth. At ATypI 2004 in Prague, he spoke about "Imre Reiner: the alphabet as art". Ken Barber and Tal Leming combined forces in 2008 on the signage script family Studio Lettering Swing (House). He digitized Ed Gothic and Ed Script, both originally designed by Ed Benguiat. These fonts won awards at the TDC2 2005 type competition. Smidgen (2011: winner of an award at TDC 2012). Studio Lettering Slant (2008) and Blaktur (2007) won awards at Letter2 in 2011. For many years, he digitized and designed fonts for House Industries. These include Sign Painter (a 9-style family), Plinc Italiano (2015: a digital revival by Steve Ross and Ken Barber at House Industries of Dave West's 1960s Photo Lettering Inc Bodoni-style italic called Italiano). He spoke at ATypI 2005 in Helsinki on Lettering, typography or somewhere in between. At ATypI 2008 in St. Petersburg, his talk (shared with Tal Leming) was entitled Pac-Man fever, quantum mechanics and the design of digital type. Ken Barber interview by T. Wilkins. [Google] [MyFonts] [More] ⦿ | |
Codesigner with Max Infeld of Crankdeal (2012, a hand-printed poster face: free at Dafont). He also made the multiline typeface Third Leg (2012, Dafont, Late Nights, Gateway Drug (2013), and Mad Caps (2012, Dafont). [Google] [More] ⦿ | |
Aka Lady Frambuesa, this Spanish designer is one of the co-founders of the type foundry Comando Cran. At Comnado Cran, she published Flaminga (2012, an offbeat beauty in the style of the Pink Panther movie credits). She is no longer an active member of Comando Cran. [Google] [More] ⦿ | |
Ray Barber created the iconic logo for Saturday Night Fever. He taught typographic design at Pratt in New York for over 30 years. With Don Munson, former director at Ballentine Books, he created MGB Patrician (1980, Letraset). The letters MGB refer to Don Munson, Lynda Graham-Barber and Ray Barber (Lynda's husband). Digital revivals or remakes include Verve (Dieter Steffmann), Mazama Plain (Harris Type), Aegina (Brendel Informatik GmbH), and Protea (Castcraft/Opti), In the MyFonts forum of 2005, J-Louise Heron wrote: Don Munson, former Art Director of Ballantine Books, NYC---designed MGB Patrician. (The initials I believe were for him, his wife and partner, the Patrician for his daughter) At first it was a typositor exclusive at Haber. They would bill out 2 dollars a letter for each letter they set. Eventually, it was turned over to Letraset and made a rub-on transfer---with those great alternative "S"s... Mr. Munson left his job, Haber's shop moved into Image's shop, and old man Haber, left the office one night, took 4 steps outside the door, had a heart attack, and was found dead on the floor later that night. [Google] [More] ⦿ | |
During her graphic design studies, Cambrai, France-based Marine Barbet created the Phoenician or Greek simulation typeface Fenicia (2014). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Or Maria Smith. Or Maria B. Paints. New York-based designer of the outlined handcrafted typeface Pitter Patter (2015). Creative Market link. [Google] [More] ⦿ | |
Graphic artist in Pelotas, Brazil, who designed the hipster or native symbolism font Espaco Amerindio in 2013. It is based on pre-Colombian graphic culture. [Google] [More] ⦿ | |
Turin, Italy-based designer of the geometric sans typeface Flaud (2015). [Google] [More] ⦿ | |
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Braga, Portugal-based designer of a stylish modular alphabet in 2016. [Google] [More] ⦿ | |
A resident of Lisbon, Cris Barbosa is a graphic and brand designer who has worked on a Hebrew font, Ivrit (2009). [Google] [More] ⦿ | |
During her studies in Embu das Artes, Brazil, Dayana Barbosa designed the sci-fi typeface Moon Sides (2017). [Google] [More] ⦿ | |
Portuguese designer and teacher. Since 1998, he is professor at Escola Superior de Artes e Design (Matosinhos, Portugal). [Google] [More] ⦿ | |
Graphic designer in Recife, Brazil. In 2017, she created the display typeface Anabela. [Google] [More] ⦿ | |
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Rio de Janeiro, Brazil-based designer of the nature-inspired typeface Virga (2015). [Google] [More] ⦿ | |
Leo Barbosa (aka Ceccatto) is the Brazilian creator of the ultra-fat counterless typeface Cubo (2010). Other FontStructions by him include the squarish typefaces Half D and Aqui (2010). [Google] [More] ⦿ | |
Designer of the free display typeface Cratense (2017), which is based on the architecture of the Portuguese city of Crato. [Google] [More] ⦿ | |
Recife, Brazil-based designer of a paper cutout stencil typeface in 2018. [Google] [More] ⦿ | |
Matheus Barbosa (Tipoforme) is a graphic designer Fortaleza, Brazil, who studied design at the Universidade Federal de Pernambuco. He is studying typography at Universidad de Buenos Aires in the Masters program of CDT-UBA. His Armoribat 2, co-designed with Buggy, won an award at Tipos Latinos 2008. He also does calligraphic work. | |
Sao Paulo, Brazil-based designer of the cold war font Detente (2016). [Google] [More] ⦿ | |
Portuguese designer who during his employment at Wolff Olins (UK) started work on Metroplis (1995) for Metroplisboa, the Lisbon subway. This typeface was subsequently drawn by Freda Sack and David Quay at The Foundry, London. [Google] [More] ⦿ | |
FontStructor who made In Tacto (2010), an art deco-ish typeface which has Braille supermposed on the letters. [Google] [More] ⦿ | |
Brian Barbour is the codesigner with Shaun Kardinal, Starseed and Eric Agnew at Themes of a scorched earth of TSP Dingbats. [Google] [More] ⦿ | |
Mississauga, Ontario-based designer of the art deco typeface Metria (2016). [Google] [More] ⦿ | |
Campinas, Brazil-based designer of the vernacular outlined typeface Sagafé (2015). [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the pixel font Lucirnaga (2015). [Google] [More] ⦿ | |
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Maks Barbulovic studied communication design at the Hochschule Düsseldorf (Germany), and participated in an internship program at Ecole Nationale Supérieure d'Art et de Design in Nancy (France). At Type Tomorrow, he published the dot matrix typeface Dusseldot (2020) together with Ilya Bazhanov. [Google] [More] ⦿ | |
Designer of the ultra-condensed thin hand-printed typeface Paki (2014) and the fuzzy typeface Barber Shop (2014). [Google] [More] ⦿ | |
Graphic designer and illustrator in Belo Horizonte, Brazil, who created the display typeface Breeze (2015). [Google] [More] ⦿ | |
Corona, CA-based designer of the custom font Ichii (2014), which was inspired by the Japanese splatter film Ichi the Killer. The letters are made up of many chopped up body parts. [Google] [More] ⦿ | |
He has shown some complete, mostly calligraphic, alphabets that I suspect have never been fonted. These include the calligraphic brush set ABC Narrow (2008), a blackletter demo, and Dry Brush Fraktur (2010). Pic. [Google] [More] ⦿ | |
Novo Hamburgo, Brazil-based designer of Minimal Type (2015). [Google] [More] ⦿ | |
Designer, illustrator and art director in Rio de Janeiro who created the display typefaces Paper Clips (2015) and Lowpoly (2015, a triangulated font). [Google] [More] ⦿ | |
Buenos Aires-based designer of the computer age display typeface Replicante (2017). [Google] [More] ⦿ | |
Illustrator and designer in Palma de Mallorca. She created some hand-drawn school fonts, both connected and non-connected, in 2013, in a learning to read project called Pipo. [Google] [More] ⦿ | |
Palma de Mallorca, Spain-based designer of the hexagonal stencil typeface Dimetric (2016) and the octagonal typeface family Xfont (2016). Behance link. [Google] [More] ⦿ | |
Mexican designer of the serif typeface Enrico, mentioned here. [Google] [More] ⦿ | |
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Educator Nan Jay Barchowsky from Aberdeen, MD, designed many fine handwriting fonts. She wrote BFH, a Manual for Fluent Handwriting (Aberdeen, MD, 1997) and runs Swansbury Inc. Her connected and didactical fonts are part of a commercial package, BFH. In 2002, John Butler made a connected OpenType version of Barchowsky Fluent Hand. MyFonts sells Barchowsky Dot and Barchowsky Fluent Hand. [Google] [MyFonts] [More] ⦿ | |
Nice free fonts made by Jenny Barck, who sometimes uses the name Joakim Kihlström. The fonts include AsaRocks, BabyBazonga, BabeBamboo, BatBen (batman font), Beam, BrandNewHeavies, Ceasar, DayOfTheTentacle, Diodos (1997), Djellibejbi (hearts), ElasticWrath (curly), Eller, Flame, HailMary, HarryPotter, Holywood, Heffaklump, Jagular, Jamiro, Komhjlp, Korv, KabanossNormal, Magnumpi, ManaMana, Modinskan, Megafon, Merde, Monday, Rambo, RamboKiller, Reddordedd, Runar, Salamander, Serru, SugarRay, Swabba, Tigger, Walter (2001, a Disney font), XFiles, Zeppelin. Dafont link. Fontspace link. Abstract Fonts link. [Google] [More] ⦿ | |
Missy Barclay (Long Beach, CA) created a stencil typeface called Stencil (2012) that uses some ball terminals. Behance link. [Google] [More] ⦿ | |
Creator of the iFontMaker font Nathalie Cursive (2010, hand-printed). [Google] [More] ⦿ | |
Cali, Colombia-based designer, who, during her studies at Pontificia Universidad Javeriana, created the modular decorative caps typeface Camicb (2016). [Google] [More] ⦿ | |
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Moscow-based designer of Rbichigy Mashbin (2015), a squarish computer emulation typeface that was inspired by the music of the Russian punk-rock band. [Google] [More] ⦿ | |
Daniel Bär (Pyroglyphix) is a talented Swiss designer in Lausanne. Type subpage. Creator of the monoline grotesk typeface GT Skeletor (2009, Grilli Type). This typeface can be stretched and compressed at will without losing its effectiveness. While studying at ECAL in Lausanne, he made the gorgeous fat didone display face Pyrose (2008), the all caps sans headline typeface Pyroplastic (+Fat). At ECAL in 2010, he made the Bauhaus-inspired PYROhbau (a scripted font system based on a skeleton). Behance link. [Google] [More] ⦿ | |
Frenchman (b. 1986) located in Paris. He created I Shot The Serif (2008), an ultra-black blockish face. [Google] [More] ⦿ | |
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Graduate of the University of Toulouse, class of 2019. Toulouse, France-based designer of the art nouveau typeface Viaticus (2019). [Google] [More] ⦿ | |
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Alexandra Bardou, a graduate from the ELISAVA School of Design in Barcelona in 2013, created an unnamed connected script font in 2013. Behance link. [Google] [More] ⦿ | |
Matthew Bardram (b. New York City, 1965) is the Tucson, AZ-based [T-26] founder of Atomic Media, who specializes in bitmap fonts. He designed Atomic, Centrifuge, Bromide (at T-26), Crackle, Klaxon. At Nakedface (now gone), he made Arachnid, Bitpak, Bylinear, DhexInline, Genetica, Economy Large, Empiric, Hypersigna (2005, bitmap face), Montreal (the family) and two katakana fonts. His Bitpack includes the following pixel fonts: Bylinear (2000), Cellular (2000), Genetica (2000, free download), Genetrix, Macroscopic, Metodic, Microscopic, Noir, Scriptometer, Remote (2000), Monocule (2000), Joystik, Centrifuge, Quantaa (2000), Bionika, Megalon (2000), Wired, Badfish. Bardram's Digipak includes Atomic-Inline, Atomic-Outline, Bionika-Black, Bionika, Genetrix-Crossed, Genetrix-Square, Genetrix-SquareCore, Genetrix-SquareHollow, Joystik, Macroscopic-A, Macroscopic-B, Macroscopic-C, Macroscopic-D, Macroscopic-E, Methodic-Bold, Methodic, Microscopic, Noir, Scriptometer-SanScript, Scriptometer. Additional typefaces: a 3D pixel font called Boxer 3D (2002), Neuronic (2002-2004, nice outlined pixel font; see also here), Fusionaire (2002, a display font) and Wijdeveld, a squarish font based on the lettering of poster artist Wijdeveld from The Netherlands. In 2005, these fonts were added: Magnetica, Imperium, Ratio, Hypersigna, Sequence and Tempora, all by Matthew Bardram. Sausan Kare's pixel fonts at Atomic Media: Mini Food, Kare Dingbats, Biology, Everett, Harry, Ramona, Kare Five Dots, Kare Five Dots Serif, Kare Six Dots, Kare Six Dots Serif. Alternate URL. Interview. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Denver, CO-based designer of Baskerunity (2017). [Google] [More] ⦿ | |
During her studies at Flagler College in St. Augustine, FL, Alyssa Barella designed the dot matrix typeface Conbria (2018). [Google] [More] ⦿ | |
At San Francisco State University, Alissa Barendse designed the 3d outline typeface Surface (2016). [Google] [More] ⦿ | |
Designer at the The Hague-based foundry LUST of LUSTPure, LUSTGrotesk, LUSTBlowout, LUStTGothic (1994). [Google] [More] ⦿ | |
Bogor, Indonesia-based designer of the free modular counterless typeface Xerox (2017). [Google] [More] ⦿ | |
Designer of the hand-printed typeface Chuckster (2011, iFontMaker). [Google] [More] ⦿ | |
London-based designer of some futuristic typefaces in 2014. [Google] [More] ⦿ | |
Eddie Baret was born in 1978 in Marseille. He studied graphic design and typography in Paris, Besançon and Brussels. In 2001, he founded, with Clément Lyonnet, the association Typo.gras.free. Eddie Baret designed the handwriting font FF Eddie (2001). He currently works in Paris as a free-lance graphic designer. The Typograsfree fonts are (were) mostly of the deconstructivist kind:
FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
During his studies at UQAM in Montreal, Pierrick Barfety designed the serif typeface Vicomte (2019). [Google] [More] ⦿ | |
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Comic strip artist who designed a character in the September 11 charity font done for FontAid II. [Google] [More] ⦿ | |
Located in Atlanta, GA, Hannah Barganier created the ornamental typeface Crop in 2013. Behance link. [Google] [More] ⦿ | |
Lipetsk, Russia-based creator of Cherty Rezy (2014), a Cyrillic typeface based on Slavic runes found when he was researching the pre-Christian Slavic literature. [Google] [More] ⦿ | |
Silvia Bargelli is a graphic designer in Livorno, Italy. She created a set of line-based geometric typefaces called Linja (2013). [Google] [More] ⦿ | |
Loughborough, United Kingdom-based creator of Pixel Pack (2012). [Google] [More] ⦿ | |
Freeware and commercial fonts by graphic designer Brad Barham. Clearlight disappeared in June 1999. Commercial typefaces: Anger, Borough, Cape, Customer, Destination, Everlast, Extrinsic, Item No.1, Media, Metropolic, Millenia, Numbed, Phonic, Savios, Shelle, Stall35, Stereophrenic, Timecode, Treason, Vegas, W2[3bw]. A free font list: Jungle, Asylum, FriedEggs, Influcts, Parasight, Clearwerkkraftremix, Cracko Deco, Five Finger Discount, Influcts (RMX), Intermission, Heliosphan, Spotlight Romat, Technine, Technine NA, Unsight, Too Much to Drink, JungleBold, JungleClean, JungleRuff, Embryonic inside, Cobb (1995), KrylonGothic (1997), Parasight (1997), and Pensmooth (1996, by Greg Meronek and Gavin Kalinthianalionalia). | |
Graduate from FADU, University of Buenos Aires, who created the high-contrast typeface Oriental Condensed (2010). [Google] [More] ⦿ | |
Graduate of the University of Nevada at Las Vegas. Las Vegas-based designer of the poster typeface Button (2016). [Google] [More] ⦿ | |
Turkish graphic and type designer, and calligrapher of both Latin and Arabic. He lived from 1913 until 1987. His calligraphy has led to some fine alphabets, including a blackletter and a flared Basque alphabet. Picture. Bio (in Turkish). [Google] [More] ⦿ | |
German designer who has his own graphic design studio in Dortmund. Behance link. Creator of a great minimalistic logo face for the Swiss company Swyx (2009). [Google] [More] ⦿ | |
Italian artist. Designer of Linotype Graphena (1997), a very aesthetic architectural font. FontShop link. Linotype link. [Google] [More] ⦿ | |
In 2013, Joan Barjau published the cartoonish typeface family Sniff, which he first created in 1995. He writes: Joan Barjau used the pseudonym Sniff while working as a cartoonist for the Spanish satirical magazine El Papus, and Sniff is also the typeface based on the style of lettering he used for the balloons. FontShop link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Paris-based designer of the experimental didone typeface Les Rita Mitsuoko (2016), custom-designed for the group. [Google] [More] ⦿ | |
Boulder, CO-based designer of Tundra (2019). [Google] [More] ⦿ | |
FontStructor who made the squarish typefaces Doyle, Block Chop, Milx, Gonka and Lexilu in 2010. Aka Mikey Alcohol. [Google] [More] ⦿ | |
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John Bark founded the Bark Design Studio in Stockholm in 1988, after several jobs in New York at the School of Visual Arts, Milton Glaser Inc, and Esquire. With Örjan Nordling, he designed DN Bodoni for use as headlines in the Swedish newspaper "Dagens Nyheter". [Google] [More] ⦿ | |
Brooklyn, NY-based designer of the deconstructed didone typeface Lunera (2015). Behance link. [Google] [More] ⦿ | |
Designer of the children's book font Baby Smile (2016). [Google] [More] ⦿ | |
During his graphic design studies in Paris, Nicolas Barlier created the display typeface Pop Eye Font (2013) with Maxime Roman. [Google] [More] ⦿ | |
Digital versions of some of these fonts by Peter Wiegel (Barloesius-Schrift, 2015), Manfred Klein (Barlosius Edged, 2007) and Klaus Burkhardt (Barlösius, 1999). [Google] [More] ⦿ | |
During her studies at Appalachian State University, Boone, NC-based Anna Barlow designed the old typewriter font Bark (2018). [Google] [More] ⦿ | |
During his studies, Aldershot, UK-based Harry Barlow created an experimental typeface (2014). [Google] [More] ⦿ | |
Early transitional Gaelic typeface prepared by the Gaelic Society of Dublin in 1808-1821, which, just as the very early Queen Elizabeth type, used some roman characters, in part to draw in people to study the Irish language. Sample from a grammar book published by John Barlow in 1808. [Google] [More] ⦿ | |
Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿ | |
Font designer and type historian. Professor at the Zurich University of the Arts (Zürcher Hochschule der Künste). In 2018, Nouvelle Noire and Barmettler joined forces in the design of Rektorat. They explain: In 2001, during a renovation of the Zurich School of Applied Arts and Crafts (today ZHdK), hand lettered signage was discovered hidden behind ancient wallpaper. The letters were individually painted and had been applied by hand in 1930 as signage for the modernist building. The letter designs are assumed to be the work of Ernst Keller. Between 2001 and 2004, Prof. Rudolf Barmettler, in collaboration with students, digitized the letters and combined them into fonts. In conjunction with the recent renovation of the Design Museum, Prof. Barmettler, in collaboration with the Zurich-based type foundry Nouvelle Noire, has drawn Rektorat, a type family based on this historical lettering. [Google] [More] ⦿ | |
Billy Barnard designed Jurassic Park. The link is broken. The font may be viewed here. [Google] [More] ⦿ | |
Early 20th century designer of letters, such as this Modern Roman typeface. He was an editor of Graphica (The Herald Press, Montreal and Toronto). [Google] [More] ⦿ | |
Designer of the music notation typeface Chords (2008, FontStruct). [Google] [More] ⦿ | |
In 2015, Ian created the vernacular script Northern Soul, the brush script Enjoy The Ride, the free handcrafted typeface Foxhole, the brush font Sun Kissed, the connected monoline script typeface Smoothy and the letterpress emulation font Saltash. In 2016, he designed the poster typeface Sticky Lollipop, the American Oak series (Script, Serif, Slab, +scratchplate drawings by Emma Lindley), the vintage artisanal display typeface family Sugar Boats, the handcrafted Outbound and Money Penny Script, VTC Symbols, the sans titling typeface Fruitbox, Money Penny Sans, the handcrafted travel poster typeface Cool Britannia (2016), and the connected script font Bloomsbury, which is accompanied by Bloomsbury Sans and Bloomsbury Serif. In his Wood Type series (2016), he emulates old worn wood type and letterpress type---try out the free Condensed Slab Rough. Typefaces from 2017: Simple Things (old typewriter font), Dorchester Display (Victorian), Besties, Montebello (monoline script), Radiant Beauty (brush script), Adrenaline Brush, Foxtrail Script, Bookend (a super-condensed sans). Typefaces from 2018: Lemon Bird (free), Beautiful Grace (Serif, Script). Typefaces from 2019: Bloke (a revival Miller & Richard's classic metal typeface Egyptian Expanded). Typefaces from 2020: Andre's Diner (Peignotian). Creative Market link. Behance link. Home page. [Google] [MyFonts] [More] ⦿ | |
London, United Kingdom-based brand designer, who has worked for some of the UK's biggest titles, including Grazia, FHM, Men's Health, Heat, Empire, Cosmopolitan, Kiss FM, The Daily Telegraph, and The Times. Creator of the free squarish display typeface Odibee Sans (2019). Google Fonts link. Github link. [Google] [More] ⦿ | |
Kylee studied at Savannah College of Arts and Design (SCAD), class of 2016. Savannah, GA-based designer of the free monoline sans display typeface Tessalate (2015, renamed Tessellate). [Google] [More] ⦿ | |
London, UK-based creator of the free oriental simulation typeface Reading From The East (2012), which is entirely based on hiragana for lowercase and on kanji for uppercase. He also made Roarin Twenties Counterfeit (2012, art deco), Halftone Nium (2014), Radium Corporation (2014), Uraenium (20143), Coradium (2014), Radiometry (2014), and Longhaul (2016, techno typeface). In 2019, he designedthe tall condensed sans typeface Brusio. [Google] [More] ⦿ | |
Designer of a mathematical symbol metafont called dbnsymb. Bar-Natan is Professor at the Department of Mathematics at the University of Toronto, and has included a Canadian flag symbol as well. He also has a free script that one can use to make xfig drawings into a metafont. [Google] [More] ⦿ | |
MyFonts interview. Creative Pro interview. Bio at Emigre. In 2007, Mathieu Réguer wrote a thesis at Estienne on Barnbrook. Barnbrook designed these typefaces:
Fontworks link. MyFonts link. FontShop link. Showcase of Jonathan Barnbrook's typefaces. [Google] [MyFonts] [More] ⦿ | |
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Creator of the free hand-printed typeface Dashley (2013, OFL). [Google] [More] ⦿ | |
Logan, UT-based designer of the techno typeface Syncopate (2014). [Google] [More] ⦿ | |
Designer from Lebanon, OR (b. 1986), who created Funkified (2002) and Jack's Handwriting (2004). [Google] [More] ⦿ | |
During her graphic design studies at Huddersfield, UK, Jasmine Barnes created the geometric figure typeface Sally Trace (2013), which is named after artist Sally Trace. [Google] [More] ⦿ | |
Type designer in the making, b. 2001, London. She created the 3d alphabet Picklepie (2008) and the hand-drawn Pigeonpie (2009). Her father Tim Barnes produced the fonts at his Chicken type foundry. [Google] [MyFonts] [More] ⦿ | |
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Brooklyn, NY-based designer of these display typefaces: Cybergoth Chinese Food (2019), Dark Scripture (2019), Steak and Lemonade (2016: a geometric solid family). [Google] [More] ⦿ | |
His typefaces:
The crew in 2012 includes Paul Barnes (Principal), Christian Schwartz (Principal), Vincent Chan (type designer), Berton Hasebe (type designer, who worked at Commercial type from 2008 until 2013) and Mark Record (font technician). Miguel Reyes joined in 2013. Hrvoje Zivcic helps with font production. View Christian Schwartz's typefaces. His St Bride Type Foundry. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
British outfit located in London. MyFonts sells the double-stroked and African-themed comic book style family Picklepie (2008), the curly Galerie Simpson (2011), the playful Message of the Birds (2009), Lemon Flower (2010), No Liming (2009), Out Back (2009) and Pigeonpie (2009), made jointly by Tim Barnes (b. 1967, London) and his six-year old daughter Lydia Barnes (b. 2001, London). In 2013, Tim Barnes published the hand-printed caps family Pegasus, Lobo (an interlocking letter typeface), Barb (angular poster face), Ply, and the crazy mixed-glyph typeface Coo Coo I Coo Coo For You Too. [Google] [MyFonts] [More] ⦿ | |
Woking, UK-based designer of the signage script typeface Allora (2018). His decorative caps typeface Reverie (2018) is inspired by the bizarre and surreal work of Terry Gilliam. [Google] [More] ⦿ | |
FontStructor who specializes in technical device fonts. In 2010, he made Texas Instruments TI-84 (+Pixellated) and Simplexica (in 5x5 and TI84 styles). He also made the white on black dot matrix typeface Scoreboard Generic. [Google] [More] ⦿ | |
Designer of the grunge font DiSToRTioN (1997). [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, whose studio is called Could Not Sleep. He created the experimental loopy typeface called Boundary (2010). Behance link. [Google] [More] ⦿ | |
Wellington, New Zealand-based creator of the alchemic typeface Mercy (2013), which was designed during his studies at Yoobee School of Design (formely Natcoll Design Technology). [Google] [More] ⦿ | |
Creator of the iFontMaker font Scribbled Swiss Caps (2010, sketched). [Google] [More] ⦿ | |
Grade Script, Plankton-B, Plankton Larvae, BugLight, Gracie Script, Larvae Symbold and Nekton Numbers are gorgeous grunge creations by Don Barnett. Truetype fonts at about 30 dollars per face. Beautiful web page as well. Klingspor link. [Google] [More] ⦿ | |
As a student in Farnham, UK, Jade Barnett created the dotted typeface Evaporate (2015). [Google] [More] ⦿ | |
Germantown, MD-based designer of Shadow Box MB (2017). [Google] [More] ⦿ | |
View digital implementations of VAG. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Type designer who co-founded Barnhart Brothers and Spindler in Chicago. Creator of a squarish typeface in 1887. [Google] [More] ⦿ | |
Type designer at Barnhart Brothers and Spindler in Chicago. Creator of a typeface in 1890. [Google] [More] ⦿ | |
Designer at iFontMaker of Outline Freehand (2011, hand-printed) and Get Well Soon. [Google] [More] ⦿ | |
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Beele Center, OH-based type designer Kent Barns created Dolsáb (2011) and Remedia (2013, an 18-weight sans). [Google] [MyFonts] [More] ⦿ | |
Porto Alegre, Brazil-based designer. In 2013, Felipe created Neptune's Garden Typeface. [Google] [More] ⦿ | |
French graphic designer based in London when Brexit happned. A few days later, she designed the circle-themed deco sans typeface Black Mamba (2016). Behance link. [Google] [More] ⦿ | |
Laura Barone (aka Foodonthewall) is the creator of the free hand-printed typefaces Cupcake (2013), Wine By The Glass (2013), You and me coffee (2013), Apothecary (2013), The queen is having fun (2013), The London (2013), The Francesca Font (2013), Skinny Vanilla Latte (2013), Paris by daylight (2013), Minty Fresh Gelato (2013), Figs in the summer (2013), Everyday typo (2013, typewriter typeface), Ciao ciao friends (2013), Squiggly Little Wiggly (2013) and A Simple Life (2013). She also made The Unknown Side (2013). Dafont link. [Google] [More] ⦿ | |
Designer of the custom typeface on which Christian Schwartz based his design David Yurman (2001), commissioned by Lipman Advertising for David Yurman. [Google] [More] ⦿ | |
Designer who used FontStruct in 2008 to create a futuristic font called NearFuture Pixel. [Google] [More] ⦿ | |
During her studies in Curitiba, Brazil, Carolina Baronio created the curly script typeface Bouclé (2014). [Google] [More] ⦿ | |
Saint Petersburg, FL-based designer, with Petros Afshar, of the hipster typeface Avion (2018). [Google] [More] ⦿ | |
Madrid and/or Dubai-based designer of the geometric solid typeface Cloudy (2014), which was created during a workshop led by Pablo Abad. She also created the beveled 3d typeface Arch (2014). [Google] [More] ⦿ | |
Mexico City-based designer of the pointillist dot matrix font Puntilica (2014) and the blocky font Chalupa Gordibuena (2014). Behance link. [Google] [More] ⦿ | |
Art director in Paris who created a stitching typeface out of Garamond and called it Garaline (2013). [Google] [More] ⦿ | |
STEDT is a free phonetic font that is being maintained and developed by a number of people. From the web site: "To accomodate the various orthographies of our source transcriptions, a special Macintosh Font was developed. The original bitmap font developed by Stephen P. Baron in the late 1980's evolved with advances in typographic technology into the STEDT Font for Macintosh a TrueType outline font, created early in 1993 by John Brandon Lowe. STEDT Font for Windows is currently available for beta testing. Currently being maintained by Richard Cook, the current (2001/02/22) release version of the STEDT Font is 5.1.5." STEDT stands for UC Berkeley's Sino-Tibetan Etymological Dictionary and Thesaurus (STEDT) Project. [Google] [More] ⦿ | |
During his studies, Khobar, Saudi Arabia-based Yomn Baroudi designed the Arabic typeface Arabiski (2015). [Google] [More] ⦿ | |
Creator (b. 1984, Greece) of the hand-drawn typeface Ancient Hellenic (2013). | |
Brno, Czechia-based designer of the handcrafted art nouveau typeface Alfontzo (2019). [Google] [More] ⦿ | |
Designer of the Kaffeesatz display family (1994, Linotype): great coffeehouse lettering. Smell the coffeebeans. [Google] [More] ⦿ | |
Palestinian designer based in Amman, Jordan. She created the Latin typeface Jerusalem in 2015, which is inspired by the architecture of the city. As a student at German Jordanian University, she also created the Arabic typeface Morocco (2015). [Google] [More] ⦿ | |
Illustrator and graphic designer in Porto, Portugal, who created the display typeface Erro in 2016. [Google] [More] ⦿ | |
Kevin Barrack (aka waxyleaves) designed the lovely irregularly hand-printed typeface Illustria (2000). [Google] [More] ⦿ | |
Puebla, Mexico-based designer of the free (vector format) paperclip font Clip (2018). [Google] [More] ⦿ | |
Leon, Mexico-based designer of the handcrafted typeface Baam (2015). [Google] [More] ⦿ | |
Barrakuda designed the grunge/graffiti font Coulon Liquor (1998). Barrakuda also designed the scratchy typeface Barrakuda'z-FontZamba. Fontspace link. [Google] [More] ⦿ | |
Nürnberg, Germany-based designer (b. 1990) of the organic sans typeface barca (2020). [Google] [More] ⦿ | |
Bogota, Colombia-based designer of the art deco typeface family Bat Murcielago (2015), which is claimed to be free, but no download link is provided. [Google] [More] ⦿ | |
Creator of the techno font Eduardo Barrasa (2013, FontStruct). [Google] [More] ⦿ | |
Milano, Italy-based creator of the squarish typeface Chair (2013). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the semi-blackletter typeface Blackheart Inertia (2009). Dafont link. [Google] [More] ⦿ | |
Julien Barrau made a gorgeous pixel font, IBSE (or: In Blue Special Edition) in 2001. [Google] [More] ⦿ | |
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During her studies at UABC in 2014, Tjupil-Mexico-based Lesly Barraza created a display typeface. [Google] [More] ⦿ | |
Orlando, FL-based designer of the organic sans typeface Keenton (2011). [Google] [More] ⦿ | |
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Portuguese graphic and type designer from Setubal. He made the techno typeface Break (2008) and the 3d techno typeface Octopus (2008). Behance link. [Google] [More] ⦿ | |
Paris-based designer of the modular all caps typeface Modul (2016). Behance link. [Google] [More] ⦿ | |
French graphic designer who created the free blackletter font Edelweiss in 2014 (FontStruct). Dafont link. Aka lakoni313. [Google] [More] ⦿ | |
Santiago, Chile-based designer (b. 1982) of the plumbing dingbat typeface GasfiterbarreraNormal (2004). Home page. [Google] [More] ⦿ | |
Santo Domingo, Dominican Republic-based Leticia Barrera designed Persa Deco in 2016. [Google] [More] ⦿ | |
Artist in San Francisco who designed the decorative caps typeface Fiend in 2016. [Google] [More] ⦿ | |
As an arts student in Monterrey, Mexico, Thelma Barrera designed the grungy typeface Mawa Fo (2016), which is based on Adobe Garamond. [Google] [More] ⦿ | |
In 2021, he published Longinus (a tall condensed all uppercase display typeface also inspired by the anime Neon Genesis Evangelion), Tenebras, a sans serif display uppercase typeface inspired by art nouveau and Heinrich Heinz Heune's Edda (1900) [free trial], as well as the techno typeface Substance. [Google] [More] ⦿ | |
Rio de Janeiro-based designer of the matchstick font Fosforo (2017). Behance link. [Google] [More] ⦿ | |
Buenos Aires-based designer of the modular typeface Nutfont (2016). [Google] [More] ⦿ | |
Lisbon, Portugal-based designer of the angular Wonder Typeface (2014). [Google] [More] ⦿ | |
Designer of the strong text typeface Arbor (1994) at Alphabets Inc. Klingspor link. [Google] [More] ⦿ | |
Wellington, New Zealand-based digital designer. in 2019, she made the textured all caps color font Naumai, which is based on the geometric patterns found in traditional Maori art forms, weaving and tukutuku patterns. [Google] [More] ⦿ | |
Atlanta, GA-based designer of the handcrafted typeface Tall American (2015). Creative Market link. [Google] [More] ⦿ | |
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Graduate of the College for Creative Studies in Detroit, MI. Still based in Detroit, she created the cross-stitch inspired typeface Betty (2012). [Google] [More] ⦿ | |
Norwich, UK-based designer of the vintage Belgian Beers (2016), the pixelish Simplified Typeface (2016) and the outlined signage typeface Mighty Tough (2016). [Google] [More] ⦿ | |
Lobelville, TN-based designer of the display typeface Boketto (2017). [Google] [More] ⦿ | |
Barrientos designed Vecchia Romana (2008), a winner in the Tipos Latinos 2008 competition for best text family. At Tipos Latinos 2012, he won awards in the display type category for Agony, and Ecstasy. Speaker at ATypI 2014 in Barcelona. Speaker at ATypI 2016 in Warsaw. Graduate of the TDi program in 2018 at the University of Reading. In 2012, these commercial fonts were offered via MyFonts: Vecchia (Venetian), Ochenteros (counterless geometric face), Escuadra (squarish), Signorina, Ecstasy (blackletter), Agony (a script). Kyrenia TTW (2014) is a calligraphic script family. In 2014, after heaving studied Elzevir in depth, Jesus published his Leidener typeface family. The actual letters were developed from those found in Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), which were printed by Louis and John Elzevir in their workshop in Leiden. In 2017, he published the pixelish typeface Kader at Letter Inc. In 2018, he designed Malaguenya and the grungy Rapenburg. Typefaces from 2020: Nimbo TTW (kaleidoscopic mandalas). Typefaces from 2021: Keizer (a superb 5-style display serif with Titling, Inline, Openface, Initials and Outline options; Keizer has its roots in early XXth century cartography), Blacken (a blackletter inspired by the gothic-cholo style, Mexican sign painting and some delicious Belgian beer). | |
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American web and graphic designer in Derby, CT. Behance link. Creator of the funky bullet hole typeface Buboo (2009). [Google] [More] ⦿ | |
Graduate of IADE, based in Lisbon, Portugal. In 2016, she designed the experimental typeface Double. [Google] [More] ⦿ | |
Creator of the constructivist typeface Russian (2010). [Google] [More] ⦿ | |
Type designer from Boston, who created Shatterboxx and Ocho8. [Google] [More] ⦿ | |
Typefaces from 2017: Zilap Sound (hipster style), Zilap Precolombino, Zilap Mystery, Zilap Combat, Zilap Africa, Zilap Monograma, Zilap Black Storm, Zilap Nitro (a racetrack font), Zilap Evolution, Zilap Deep Sleep. Typefaces from 2018: Zilap Sensitive, Zilap Russia (constructivist, Cyrillic simulation), Zilap Exclusive (pearled), Zilap Orion (futuristic). It is unclear if Juan Navarro is the same as Luis Jaramillo, because his fonts are published under Luis Jaramillo's label, LJ Design. Typefaces from 2019: Zilap Destiny. Typefaces from 2020: Zilap Romance. Fontspace link. Facebook link. Fontspace link. LJ Design Studios link. [Google] [More] ⦿ | |
Tijuana, Mexico-based designer of the sharp-edged sans typeface Sofrix (2016). [Google] [More] ⦿ | |
Barcelona-based designer of an arc and straight line typeface called Circles Groove (2012). Behance link. [Google] [More] ⦿ | |
Brazilian graphic design student in Recife who made the pixel typeface Chunky (2011). [Google] [More] ⦿ | |
Designer of the display typeface Specere (2019). [Google] [More] ⦿ | |
Meridian, ID-based designer of the upright rabbit ear ronde typeface Swirl (2019). [Google] [More] ⦿ | |
Mexico-based member of the Bedepecus team (Laura Barron Rivera, Pedro Elias Sosa Montoya, Ulises Ricardo Ortiz Cisneros, Miguel Angel Contreras Cruz, and Jorge Ivan Moreno Majul) that took part in Torneo tipografico in 2020 with the text typeface Animal designed for screen. [Google] [More] ⦿ | |
Brazilian designer of the polygonal typeface Techno Poly (2017). [Google] [More] ⦿ | |
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Nelio Barros is part of Kinobrand Design in Geneva (and now Lausanne). While they are mostly occupied with graphic and brand design in general, they found the time in December 2011 to design a geometric monoline fashion mag typeface family Nixin: A nixie tube is a technology from the 50s used to display numerals that are composed by metal filaments that light up much like a lamp bulb. Due to their beauty these little numerals (0-9) are a love case for any designer, and formally it's where the inspiration for the Nixin typeface came from. Typophile link. [Google] [MyFonts] [More] ⦿ | |
Coimbra, Portugal-based designer of the display typeface Stark (2015). [Google] [More] ⦿ | |
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Graphic designer at Leo Burnett in Lisbon who created a display typeface called Rational (2013). He also created the sans typeface Massive (2013). [Google] [More] ⦿ | |
Graphic designer in Santiago, Chile. During her studies at Eina in Barcelona in 2008, she designed the calligraphic typeface Republica. [Google] [More] ⦿ | |
Suzie Barros (Manchester, NH) created the pixel typeface Pistil Whipped (2013). [Google] [More] ⦿ | |
Graphic designer in Buarcos, Figueira da Foz, Portugal, b. 1992. During her studies at Instituto Politécnico de Coimbra, Tamara Barros created Perola (2013, an angular hand-drawn typeface). [Google] [More] ⦿ | |
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Brazilian illustrator who made the straight-edged typeface Rochedo (2012). [Google] [More] ⦿ | |
Designer of the Peanuts font, 1999, which is based on the friendly handwriting of Charles "Sparky" Schulz. Fontspace link. [Google] [More] ⦿ | |
FontStructor who made the wire furniture typeface Unos (2011) and the bilined typeface Threepwood Thin (2011). [Google] [More] ⦿ | |
Parisian designer. Creator in 2012 of the curly geometric hairline typeface Ipsen for the pharmaceutical lab Ipsen. This is a tour de force, as the user can choose to use between one and seven oparallel lines to compose the glyphs. A beautiful blend from a monoline display typeface to a prismatic wonder. [Google] [More] ⦿ | |
Designer in 2000 for Ignition Management of the (free) Oasis font for use by the music group Oasis. See also here. See also here and here. Dafont link. [Google] [More] ⦿ | |
American designer of the pixelish font NTF Tout (2020) and the squarish modular typeface NTF Fragma (2020). [Google] [MyFonts] [More] ⦿ | |
Zebbug, Malta-based creator of the video game font Geaky (2015, for a school project at MCAST Art and Design). [Google] [More] ⦿ | |
Graphic designer and illustrator in Worcester, MA. Creator of the free rounded sans and slab typefaces Jekyll (2015) and Hyde (2015), both finished during his studies at Becker College. [Google] [More] ⦿ | |
Graphic designer in Chicago, IL, who created the pixel typeface Snake (2015). [Google] [More] ⦿ | |
German foundry that had some free offerings by Berlin-based graphic designer, typographer and illustrator, Helge Barske. In 2001, he made Dirty Bitch, Kombuese, Badfag, Gogogogo, Kloezzler, Klozzbats, Krossklozz, Mahoney, Pixelplastique, Plastiquekingdom, Sinner (constructivist), Snowbats, Stanzefett, Suplex. Several dot matrix and pixel fonts. The fonts typically had no punctuation though. At some point, the free font pages disappeared. KingConvex (2009, hairline) was shown at Behance. Schneusel Sans (2010) is a soft octagonal face. Klingspor link. Fontspace link. Dafont link. [Google] [More] ⦿ | |
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Web and graphic designer in Venice, Italy, who created the display typeface Triangle (2013). [Google] [More] ⦿ | |
From Beirut, Elia Barsoum developed Syriac TTF fonts for Windows (Latin and Arabic versions). Names of the fonts: EB SERTO, EB ESTRANGELO, EB MADENHAIA, EB MERABAH (old Assyrian/Hebrew). He also made some utilities and DLLs to assist the user to write from right to left on the Western edition of Windows which usually writes from left to right. Elia holds a masters degree in operations research from Twente Universiteit in the Netherlands. Currently, he works as a GIS expert and application developer in Beirut for Khatib&Alami, an engineering company. [Google] [More] ⦿ | |
Amy Barstow (Leeds, UK) created a multiline typeface in 2013 for a school project at Huddersfield University. This typeface was inspired by the lines used by couture house Viktor & Rolf. Still in 2013, she created The Modern Roman (an art deco face) and The Perfect Woman. [Google] [More] ⦿ | |
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Graphic designer in Pasadena, CA. Creator of the all caps display typeface wallclock (2015). Behance link. [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Eger, Hungary-based designer of the tweetware hexagonal vector font Decode (2015). Behance link. [Google] [More] ⦿ | |
Israeli type designer at MasterFonts. He is credited with the Hebrew typefaces Atid MF, BarTal MF, Beebee MF, Belet MF, Corona MF, Dinamo MF, Eser MF, Exodus MF, Humanist MF, Korinty MF, Or MF, Telad MF. [Google] [MyFonts] [More] ⦿ | |
San Francisco-based designer of the party animal dingbat font Bartalk (1996, T26). In 2015, he made a paperclip typeface. Klingspor link. Cargo Collective link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Paris who designed the free rounded sans display typeface Super Soupe in 2016. Behance link. [Google] [More] ⦿ | |
During her graphic design studies in 2013, Abby Bartels (New Ulm, MN) designed an experimental typeface called Tiny Bubbles. [Google] [More] ⦿ | |
Ben Bartels (aka Benny Blunder, London, UK) is a graphic designer and illustrator. He created a number of typefaces in 2014 that are related to comic books and illustrations. These include Bones, Creepin (Halloween font), Bruiser, and Foundry (a spurred heavy octagonal typeface). [Google] [More] ⦿ | |
Hubert Bartels' Albedo fonts in truetype and type 1, 1996. "This is the font used in Steven Gallacci's Albedo Universe. Sean Malloy created a Postscript version in 1992; I based my font on that version, modifying many of the characters and adding punctuation." [Google] [More] ⦿ | |
German type expert, 1948-2005. At the Berlin-based Berthold AG, he was responsible for the digitizing of its library. After its demise in 1993, he worked for its successor, H. Berthold Systeme GmbH, and this company made the collection available since 1997 as The Berthold Type Collection. In 2000, he founded Babylon Schrift Kontor (or BSK) which also had on board Wolfgang Talke, Bernd Pillich, and the type experts René Kerfante and Frank Sax. [Google] [More] ⦿ | |
Student at Pacific Northwest College of Art in Portland, OR. Behance link. She created a bouncy alphabet in 2010. [Google] [More] ⦿ | |
Fontwerk is (was) Monika Bartels's font technology company in Lindenberg, Germany. They specialize in font modification, OpenType programming, font analysis, and digitizations. Having started out in FontShop Germany's technical support and corporate font departments, she founded FontWerk in 2005. FontWerk offers a variety of technological services on fonts including OpenType feature programming for non-Latin scripts, Python programming, and font production. She specializes in TrueType hinting. In 2018, she jumped ship and was hired by Alphabet Type as a type hinter. Alphabet Type link. [Google] [More] ⦿ | |
At the Visual Arts Institute in Eger, Hungary, Rebeka Bartha designed the lowercase for the sans typeface Fonseca (2019), and the curly script typeface Any (2020). [Google] [More] ⦿ | |
During her studies, Paris-based Anais Barthélémy designed the futuristic circle-based typeface Astronaut (2015). [Google] [More] ⦿ | |
[T-26] designer of Bundy and Digital Decay (1996). [Google] [MyFonts] [More] ⦿ | |
Strasbourg, France-based codesigner with Helene Blanc and Adelaide Neveu of Androtype (2017), which is a mix between DIN Alternate and Bilbo INC. [Google] [More] ⦿ | |
René Barth (Kassel, Germany) designed the heavy display sans Cicciona (2013). Behance link. [Google] [More] ⦿ | |
Breda, The Netherlands-based designer of the modular display typeface Konzentrat (2016), which was designed for the illustration magazine Konzentrat. [Google] [More] ⦿ | |
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Printer and typographic director at Linotype, 1863-1942. He refined many typefaces, and designed the Benedictine series, Elzevir No.3, Garamond (+Italic), Garamond Bold (+Italic). [Google] [More] ⦿ | |
Bloomington, IN-based designer of the straight-edged oriental simulation typeface Chinatown (2016). [Google] [More] ⦿ | |
Denver, CO-based designer of the handcrafted Quipley (2017) and the poster sans typeface Milkbox (2017). Creative Market link. [Google] [More] ⦿ | |
Graphic and web designer from Cardiff. He created the kitchen tile face S, the wire frame typeface WireFrame, and the ultra black art deco typeface Black and White in 2009. [Google] [More] ⦿ | |
Self-proclaimed illustrator and gunslinger in Cape Town, South Africa, who created the beautiful art deco typeface Empire Deco in 2012-2013. Aka Her Name Was Lola. [Google] [More] ⦿ | |
Chester, VA-based illustrator, aka Karbacca, b. 1985. He created the handwriting typeface Rusty's Handwriting (2009). Bartlett Photography and Design. [Google] [More] ⦿ | |
Houston, TX-based designer, b. 1983. Creator of the simple octagonal typeface family SB Modern (2012). [Google] [More] ⦿ | |
Media designer in Forchheim, Germany. In 2013, he created the condensed poster typeface Golden Rules. Behance link. [Google] [More] ⦿ | |
During his studies at HEAD in Geneva, Tristan Bartoline designed a typeface, L'Inculsif-ve (2020) that through various ligatures allows printed French to become more inclusive and gender neutral. For that typeface, he was awrded the Prix de l'Art Humanité at that school. [Google] [More] ⦿ | |
JAB is Joseph Anthony Bartolo's foundry, located in Tarxien, Malta. MyFonts sells the hieroglyph-inspired ransom note font Hieroglyphs Nefertiti Akhenaten (2006) as well as Hebrewish (2007), a faux Hebrew face. Megre (2010) is an exercise in unusual placements of serifs. [Google] [MyFonts] [More] ⦿ | |
General Pacheco, Argentina-based designer of the blackletter typeface Ramirus (2016), which was done for a project at FADU / UBA. He also designed Benighted (2018). [Google] [More] ⦿ | |
In 2013, she published sansmathfonts, motivated by Ariel as follows: The Computer Modern font family has a sans serif typeface. However, compared to the serif typeface, it is incomplete: there are no sans serif small caps or math fonts. Furthermore, the bold slanted font is not available as an outline font. This leads to highly unsatisfactory typography of documents that use sans serif for the body text. The sansmathfonts package provides these missing" fonts. Most of the usefulness of the package is in the fonts; sansmathfonts.sty is a small package providing LATEX support. [Google] [More] ⦿ | |
Connecticut-based designer of the monoline marker pen font Southern Mood (2019) and the kawaii font Slinky Bear (2019). [Google] [More] ⦿ | |
In 2019, he published the variable font BC Minim Variable at Brieface Type Foundry. It was designed for extreme small size print, and offers weight and ink trap axes. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2020: Aligant (Peignotian), Kidcut (paper-cut glyphs), Prymityv (a blocky Latin / Cyrillic typeface inspired by East European brutalist architecture), Milky Bar. Typefaces from 2021: Kwadrat (a 5-style squarish display family). [Google] [MyFonts] [More] ⦿ | |
Prague, Czechia-based designer of the connect-the-dots typeface Astryc (2016). [Google] [More] ⦿ | |
Hradec Kralove, Czechia-based designer of the angular expressionist typeface Johana (2015) and of the signage typeface Flaga (2014), which is inspired by railroad warning signs. [Google] [More] ⦿ | |
Designer of Ribbit (1994, Red Rooster). Graduate of Cranbrook Design Academy (1995). [Google] [MyFonts] [More] ⦿ | |
Catalan designer of Arepas y Queso (2006, irregular hand), Belisa Plumilla Regular (2006), Lughdailh Regular (2006) and Mariana Peluso (2006, great curly handwriting). Dafont link. Fontsy link. [Google] [More] ⦿ | |
German designer, b. 1971. Dafont link. Creator of the free fonts B Kings (2009, funny figurines), Paul Pulpo (2011), Junglefood (2011), FC Podolski (2010, logos). [Google] [More] ⦿ | |
In 2011, he used FontStruct to make the counterless typeface UglyKost. In 2012, he created Kafalan Serif, a square-serifed typeface, and the accompanying Kafalan Sans, which are both available from Ten Dollar Fonts. Typefaces from 2013: Zona Black (a Latin-Greek geometric sans-serif black display typeface that was inspired by posters from the late 1920s), Zona Black Slab. In 2014, still in the same style, we find Zona Pro in weights from Hairline to Black. Ridewell (2014) is a wood type inspired 1800-glyph typeface with many opentype features including foremost interlocking pairs of characters. It comes with Ridewell Print, which emulates the degradation of letterpress. In 2015, he designed the geometric sans typeface family Averta and Averta Standard. Averta CY won an award at Granshan 2017 in the Cyrillic category. He writes about his University of Reading graduation typeface, Eqil (2016): Eqil is a multiscript type family for extensive texts. It is conceived as a typographic system wise enough to respond to complex publishing challenges. It consists of a range of styles and its quiet personality transforms and gets louder as the intended sizes increase. Eqil identifies as an elegant contemporary take on transitional types. It does not intend to be a showstopper, instead it aspires to be the lever that silently elevates the content. The combination of straights and curves creates a dynamic yet fluid character and the relatively low contrast gives it a slightly dark and warm texture on the page. The four scripts, Latin, Arabic, Cyrillic, and Greek, were designed to work harmoniously together without compromising each scripts historical and individual characteristics. Eqil won an award at Granshan 2016 in the Latin / Cyrillic category. His super-fat free typeface Oi (2017) is described as a Clarendonesque on steroids. Commercial version of Oi!. Oi won an award at TDC Typeface Design 2018. In 2021, it became a free Google font. Github link. His big project in 2019 is the free 4-axis (weight, slant, flair, volume) variable font Commissioner. Google Fonts link. He writes: Commissioner is a low-contrast humanist sans-serif with almost classical proportions, conceived as a variable family. The family consists of three voices. The default style is a grotesque with straight stems. As the flair axis grows the straight grotesque terminals develop a swelling and become almost glyphic serifs and the joints become more idiosyncratic. The volume axis transforms the glyphic serifs to wedge-like ones. It supports Latin, Greek and Cyrillic. For an extension, see Heraclito (2020). Co-designer of Peridot Latin (2022: a 121-strong sans superfamily by Kostas Bartsokas and Pria Ravichandran) and Peridot PE (2022: a 121-style sans superfamily by Kostas Bartsokas and Pria Ravichandran designed for branding, display, corporate use, editorial and advertising; it covers Latin, Greek and Cyrillic). Buy at Ten Dollar Fonts, Hellofont, Creative Market, or MyFonts. Behance link. The Designers Foundry link. Github link. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2017: Malandrino (dry brush font). Typefaces from 2018: Whirly Birds (Great Lakes Lettering). [Google] [MyFonts] [More] ⦿ | |
American lettering artist, 1902-1975. Designer of Trophy Oblique (Agfa, 1950), Caslon No. 641, News Gothic Condensed Bold and other News Gothic weights (1958-1966) and many other photolettering typefaces such as Satanic and the playful didone, Century Bartuska. For digital revivals, see PL Trophy Oblique by Monotype, and Baryton (2020, of Century Bartuska) by Coppers and Brasses. [Google] [More] ⦿ | |
Talas is a free font by Norbert Bartz (NBgraphik) made in 2007. As he explains, Talas script, dated to the second half of the 8th-10th centuries, was spread in the Altai and Tuva area of Southern Siberia. In Southern Siberia during the Early Middle Age Talas script coexisted with other runiform alphabets. The Karluk Yabgu state developed in the Jeti-Su after 766, it replaced the Türgesh Kaganate and its Sogdian cursive script, and in the middle of the 9th century it became a Kaganate. In the 940 Karluk Kaganate was destroyed by the Karahanids. In the Karluk Kaganate, with territory from the western spurs of Altai to the Tarbagatai range, the Enisei alphabet transformed into Talas alphabet. Formation of the Talas alphabet was under obvious influence of the Enisei script and without notable connections with the Orhon alphabet. [Google] [More] ⦿ | |
Graphic designer, b. 1901, Hamburg, d. 1989, Jerusalem. She graduated from Staatlichen Kunstgewerbeschule Berlin and emigrated to Palestine in 1933. Designer of the Hebrew typefaces Rambam, Rahel, Staam Hasofer (1936, now at Masterfont), Schocken Baruch (a custom font), and Stam and Stam Mager (1930, H. Berthold AG). See Stam MF and Staam Hasofer MF at Masterfont. With Leo Ary Mayer, she designed Mayer Baruch (published by J.h. Enschedé). At MyFonts, her name is spelled Franceska Baruch. Reference: Specimen of Stam, Magere Stam, Rambam and Rahel (Berthold AG). Local download. [Google] [MyFonts] [More] ⦿ | |
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During her studies at National Institute of Fashion Technology, Shivangi Barwar designed an octagonal typeface (2019). [Google] [More] ⦿ | |
British designer who created glyphs from icons in order to create the experimental Punk Rock Font (2010). [Google] [More] ⦿ | |
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Bildan Barzaly (BCo Design and Lettering, Gresik, Indonesia) designed the handcrafted poster typeface Grissee in 2016. [Google] [More] ⦿ | |
New York City-based graphic designer, who has worked in London. Behance link. In 2010, he created the Model T Ford Face (2010), a typeface based on bent frames of glasses. The Porsche sunglasses led to Porsche Carrera Rear Ended (2010). [Google] [More] ⦿ | |
Alua designed the curly typeface Verdure (2013) while studying in Fairfax, VA. [Google] [More] ⦿ | |
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Graphic designer in Jeddah, Saudi Arabia, who created the Arabic display typeface Maawi in 2018. It was made using seven goat intestines. [Google] [More] ⦿ | |
Designer of the techno stencil typeface Buzpark (2005). [Google] [More] ⦿ | |
Turkish designer, b. 1989. She created the dingbat typefaces Aman Neyse (2011), Neden Olmasin (2011) and Istanbul (2011, city outline dings), all made with FontStruct. Anadolu (2011) is an Anatolian culture dingbat face. [Google] [More] ⦿ | |
German designer of the experimental typeface Nails and Strings (2010, Avoid Red Arrows). [Google] [More] ⦿ | |
Spanish designer of the display typeface Girasoules (1998). [Google] [More] ⦿ | |
Midland, TX-based designer of the elegant high-contrast display typeface Oblige (2017). Creative Market link. [Google] [More] ⦿ | |
Graphic designer in Istanbul. In 2019, she designed the Peignotian typeface Violet Grotesque. [Google] [More] ⦿ | |
Moscow-based designer of the free Latin / Cyrillic vector format font Noize (2018), later renamed to Noise. [Google] [More] ⦿ | |
Designer of the gothic typeface Count Kinski (2011). [Google] [More] ⦿ | |
Calling herself an ink evangelist, Johanna Basford (Aberdeen, UK) created exquisite ornamental capis typefaces called Alphabots (2012) and Alphabotanics (2012). She graduated in 2005 from Duncan of Jordanstone College of Art and Design in Dundee. Behance link. [Google] [More] ⦿ | |
Graphic designer, born in 1973 in Birmingham, UK. Lee Basford (Fluid +) is the [T-26] designer of FungFoo (1996, with James Glover, an oriental simulation font), Euphoric (1996, with James Glover, a paperclip style font). At Fountain, you can buy his techno font Nuephoric. At his Fluid + studio, you can find Euphoric, Fungfoo, Haircut Sir? (1999), Ultra and Death, mostly grunge fonts. FontShop link. Home page and blog. Klingspor link. Fountain Type link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer from Birmingham who is studying typography and graphic design at the University of Reading in 2013. He used Baskerville as a model to create the transitional typeface Virgil (2013). Behance link. [Google] [More] ⦿ | |
Aden, Yemen-based designer of the Latin display typefaces Origami (2015, more a foliate font, actually) and Phobia (2015, an angry angular typeface). [Google] [More] ⦿ | |
Israeli type designer who made Riksha MF (2010). [Google] [MyFonts] [More] ⦿ | |
Graphic design student at the London College of Communication, who created a string-themed typeface called String (2012). [Google] [More] ⦿ | |
Adiliya, Kuwait-based designer of the free font Circle Curve (2018), and the free font Clicky (2018). [Google] [More] ⦿ | |
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Graphic designer, and student at Ural State Academy of Architect and Arts. Creator of the iFontMaker font BK Handy Cyr (2010, hand-printed). [Google] [More] ⦿ | |
Russian designer of Reflex, a typeface that marries old ustav influences with modern scripts. His LineFont is a pixel experiment. [Google] [More] ⦿ | |
During her studies at Falmouth University in the UK, Eva Bashford-Harrison designed the handcrafted multiline typeface Lean (2016). [Google] [More] ⦿ | |
Hamburg, Germany-based designer of the geometric display typeface Moko (2015). [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the pixelish typeface Bethlehem Moon (2015). [Google] [More] ⦿ | |
While working at Mario Eskenazi Studio in Barcelona, Nikita Bashmakov designed the sturdy Latin / Cyrillic text typeface Olga (2016). [Google] [More] ⦿ | |
Designer in Zagreb, Croatiam who created Quentin (2016), a typeface revival, at the School of Design, Zagreb. It uses a combination of the old Badel comapany logo and custom lettering from old Yugoslavian books. [Google] [More] ⦿ | |
Creative director of BasileADV who is based in Bonito, Italy. In 2021, Giuseppe Salerno and Andrea Basile co-designed a wayfinding typeface and icon set for Univerest. [Google] [More] ⦿ | |
Florence, Italy-based designer of Joan Miro Font (2015). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the connected script typeface Zephora (2009). [Google] [More] ⦿ | |
During her studies at the University of Buenos Aires, Marina Basile designed the video game font Gamer (2015). [Google] [More] ⦿ | |
During her studies, Oswego, NY-based Olivia Basile designed the geometric typeface Electric Hooker (2012). Behance link. [Google] [More] ⦿ | |
Dubai-based designer of a modular Arabic typeface (2015). [Google] [More] ⦿ | |
Swiss designer of the free circle-themed font GB (2022). [Google] [More] ⦿ | |
Mataram West Nusa Tenggara, Indonesia-based designer (b. 1987) of the brush font Examplle (sic) (2019), the script typefaces Samantha (2019: for signatures) and Amanda (2019), and the rounded informal sans typeface The Book (2019). [Google] [More] ⦿ | |
Colombo, Sri Lanka-based designer of the alchemic typeface Geometric (2015), which according to the designer was influenced by De Stijl. Behance link. [Google] [More] ⦿ | |
Faisalabad, Pakistan-based designer of the straigtedged Latin typeface Inclined (2016). [Google] [More] ⦿ | |
During her studies in Kiev, Ukraine, Viktoriia Basiuk (Kiev, Ukraine) made the Cyrillic typeface Narbutivka (2016), which was inspired by Georgy Narbut's Abetka. [Google] [More] ⦿ | |
In modern times, we find the 1978 rendering of ITC New Baskerville by Matthew Carter and John Quaranda. Linotype offers 38 Baskerville typefaces. URW Baskerville has 51 styles. Publications include Essai d'épreuves des caractàres de la fonderie de Baskerville (Paris, ca. 1750). Local download. Biography by Nicholas Fabian. CV in Spanish. Wikipedia. In 2009, the Baskerville Project was conceived, an animated movie with David Osbaldestin as its Creative Director, and Caroline Archer and Ben Waddington as researchers. Linotype link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Designer who used FontStruct in 2008 to create Structica Solid and True (octagonal). [Google] [More] ⦿ | |
Creator of the iFontMaker font Basnec (2011). [Google] [More] ⦿ | |
Turkish designer of the geometric display typeface Geotik (2016). [Google] [More] ⦿ | |
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Aceh, Indonesia-based designer of the Western font Mafia (2018). [Google] [More] ⦿ | |
Illustrator and graphic designer in Farnham, UK, who created some experimental counterless typefaces in 2013. Behance link. [Google] [More] ⦿ | |
Milan-based creator of the handmade experimental typeface Tracce (2012). [Google] [More] ⦿ | |
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Campinas, Brazil-based designer of the vernacular typeface Baiano (2013), which was a school project. [Google] [More] ⦿ | |
During his studies at São Paulo State University (UNESP Bauru), Renan Bassan designed Caribantu (a ten-style geometric grotesque with curved terminals) (2021). [Google] [MyFonts] [More] ⦿ | |
Typographer in Melbourne, Australia, who created the black counterless typeface BLK.OPS (2011). [Google] [More] ⦿ | |
Student in Cape Town, South Africa, who created an experimental geometric hand-drawn typeface in 2016. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the tweetware fat brush font Hot Mess and the curly sketched font Tribal Life in 2015. In 2017, she designed the tall monoline sans typeface Saignee. Typefaces from 2018: Hedron Sharp, Hedron Round. Typefaces from 2019: Shell's Hand, Etta Errol (bilined, art deco), Clandelia (an organic monoline sans). [Google] [More] ⦿ | |
Parisian graphic designer who created the multiline display typeface L'Intangible (2013). [Google] [More] ⦿ | |
Alexandre Bassi is a type designer and researcher. He specializes in art direction, visual indentity and type design. During Type Paris 18, Alexandre Bassi designed Optika, a text typeface that was influenced by Dwiggins. At ANRT, he designed the free script font Chaumont Script (2021), which is based on the handwriting of Chantal Jacquet, a sign painter in Chaumont (Haute-Marne, France) in the 1980s. [Google] [More] ⦿ | |
London-based designer of the stitching font AlphaX (2017). [Google] [More] ⦿ | |
Beirut, Lebanon-based designer of the Arabic typeface Afreet (2016). From Hares's studies at ATDB in 2016-2017, we retain the Arabic typeface Mahrous (meaning "guarded"), which was inspired by decoration and Ruq'ah-like script seen on trucks in Lebanon. [Google] [More] ⦿ | |
UK-based designer of the runic simulation typeface Towers of Babel (2012). [Google] [More] ⦿ | |
Simon Baßler (Designconcepts, Furtwangen, Germany) designed the free typeface Iconconcepts Round (2017). [Google] [More] ⦿ | |
During her studies in Toulouse, France, Lucile Basso designed an eroded version of DIN Condensed Bold (2016). [Google] [More] ⦿ | |
Graphic designer and illustrator in Brescia, Italy, who created the counterless typeface Sohri in 2013. In 2014, he added the sci-fi typeface Ski-Fi. Behance link. [Google] [More] ⦿ | |
During her studies in Cape Town, South Africa, for a reason only she knows, Erica Basson designed Shitface (2016). [Google] [More] ⦿ | |
Greenville, SC-based designer of the typeface Rockefeller New (2013-2015). Behance link. [Google] [More] ⦿ | |
Savannah, GA-based student who proposed Betwixt and Between (2006), a display typeface with swashes. [Google] [More] ⦿ | |
The Graphic Arts Department of CBS News developed CBS News 36 [dead link], a TV font with ink traps. The project leader was Rudi Bass. Adam Twardoch compares the ink trapping with that of other fonts, such as Bell Centennial Bold (Matthew Carter, 1978). [Google] [More] ⦿ | |
Type design came as a by-product of his famous logos or movie posters. He designed the artsy Rainbow Bass (1982), as well as a gaspipe-style logo typeface for Alcoa (1963) to accompany his logo for Alcoa. Revivals and descendants of Bass's work:
Jennifer Bass (his daughter) and Pat Kirkham published Saul Bass: A Life in Film&Design (2011). The book's blurb: This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century. Wikipedia page. [Google] [MyFonts] [More] ⦿ | |
Rome, Italy-based designer of the free dry brush script typeface Perfetto (2017). [Google] [More] ⦿ | |
Serbian designer who made the hand-drawn Latin and Cyrillic typeface family Mexico (2012). [Google] [More] ⦿ | |
Anaco, Venezuela-based designer of the Halloween font Longly Ghost (2021; or Lonely Ghost), the minimalist geometric sans Linarc (2021), and the octagonal typeface Quadrilateral (2021). Typefaces from 2022, mostly with free versions: Sweet Choco (retro slab serif), Wavystem (a display sans, perhaps with a childish charm), Round Love (plumpish, hand-drawn), [Google] [More] ⦿ | |
During her studies, Al Khobar, Saudi Arabia-based Judy Bastaty designed the Latin typeface Bitmap (2017). [Google] [More] ⦿ | |
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During his studies at ESAG Penninghen, Paris-based Louis Bastelica (b. Toulouse) created a multiline typeface called The White Stripes (2013). [Google] [More] ⦿ | |
Designer of the hand-printed families Frau Becker (2011) and Linda (2011), together with Volker Schnebel at Profonts. [Google] [MyFonts] [More] ⦿ | |
Dave Bastian is from Utah and graduated from Brigham Young University. Dave Bastian's free fonts: Etruscan, Fancy Face, Frankie (Frankenstein font), Korohanza, Noodle Calligraphic, Noodle Script (upright script), Noodle Shaded, SixtySeven, Startling, Stone-Age, Weehah. Astound Dings and Bloopty (2002) were published at Garagefonts. FontShop link. Klingspor link. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿ | |
Raphaël Bastide, graphic designer, hacker, open source evangelist, was born in 1985 in Montpellier, France. He currently lives in Paris and works as a freelance graphic designer and artist. FontStructor who made the pixelized typeface Terminal Grotesque (2011, OFL) for which he was inspired by Radim Pesko and Paul Renner. He also made the pixel typeface LYPC (2009). He proposes Unified Typeface Design for the standardization of typeface design in an open source context. It also aims for the promotion of open source typography by introducing a transversal and flexible classification. Technically, UTD is a folder architecture to organize font sources, inspirations and references. It is also a JSON file containing useful meta informations about the typeface and its repository. Further font software by him includes Ofont, a tool to list and organize fonts online. At Velvetyne, he published the free pixelish typeface Terminal Grotesque (2014). Avara (2013) is a free polygonal typeface. Avara Two (2013) is a derived typeface by Raphaël Bastide, Wei Huang and Lucas Le Bihan. Whois Mono (2014) is a monospaced sans typeface (perhaps for programming applications) that can be downloaded from Open Font Library. Open Font Library link. Github link. Fontsquirrel link. Raphaël Bastide at Velvetyne. Fontsquirrel link. [Google] [More] ⦿ | |
Designer whose fonts may be bought from 2Rebels in Montreal. Some creations: NuclearReactor, ScratchNsniff (1997), SemiSans, Sofa (at UQAM in 1995, as a student there). Annie grew up in Laval, near Montreal, and is a graphic designer in Montreal. See also here. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Antibes, France-based creator of Ufo Runes (2012). [Google] [More] ⦿ | |
Home page. Dedicated web site for the Cirulis font. You Work For Them link. [Google] [MyFonts] [More] ⦿ | |
Australian graphic and type designer who is based in Melbourne. An artist interested in Australiana, he created Boomerang JY for Jack Yan and Associates. [Google] [MyFonts] [More] ⦿ | |
During his studies at FADU in Buenos Aires, Mariano Bastita created the religious graffiti typeface Ciudad de Dios (2012). Behance link. [Google] [More] ⦿ | |
During his studies in Coimbra, Portugal, José Basto created the angular typeface Frankenstein (2014). [Google] [More] ⦿ | |
FontStructor who made the pixelish typefaces Light Condensed and Pixel Script in 2011.This was work done for her Masters Degree at the University of Porto, Portugal. Behance link. [Google] [More] ⦿ | |
During his studies at ESAD Matosinhos, Joao Bastos (Oporto, Portugal) created the modular stencil typeface Asgard (2013). [Google] [More] ⦿ | |
Graphic design student in Belo Horizonte, Brazil. Creator of the curvy display typefaces Modular (2012) and Lindha (2012) while studying at UEMG. [Google] [More] ⦿ | |
During her studies in Esmoriz, Portugal, Juma Bastos designed an untitled display typeface (2016). [Google] [More] ⦿ | |
FontStructor who made the pixel typefaces Chunky, Piramides and Balao in 2011. [Google] [More] ⦿ | |
Graphic designer in Sao Caetano do Sul, Brazil. In 2016, she created the striking organic display eco magazine typeface Leafy (2016). [Google] [More] ⦿ | |
Argentian designer, b. 1986. Creato the experimental slab typeface Improvisation (2008). Alternate URL. [Google] [More] ⦿ | |
Designer in Santiago, Chile, who created the handcrafted pen brush typeface HandLetter (2015) and the handcrafted Flaka (2015). Download links: i, ii. Behance link. [Google] [More] ⦿ | |
Basque designer located in San Sebastian, Spain. Creator of Lineados (2013, a sans typeface with curly terminals), and Blackletter Typeface (2013, an octagonal font). [Google] [More] ⦿ | |
Illustrator in Tijuana, Mexico, who created Gordina (2014), a fat hand-drawn typeface, and My Double Line Font (2014, a bilined typeface). [Google] [More] ⦿ | |
Indonesian designer (b. 1986) who created the frilly typeface Kujang Ciung Basyri (2014). [Google] [More] ⦿ | |
Creator of the painter's typeface Blocked (2014). [Google] [More] ⦿ | |
Hungarian designer of the 5x5 pixel typeface Pixel (2011). [Google] [More] ⦿ | |
Porto Alegre, Brazil-based designer of the Peignotian sans typeface Batalha (2014), which was finished during her studies at ESPM-Sul. [Google] [More] ⦿ | |
Web designer in Ribeirao Preto, Brazil, who created the poster typeface Che Guevara (2014). [Google] [More] ⦿ | |
During his studies in Izmir, Turkey, Busra Bat created the wavy outlined typeface Ince Bel Sans (2015). [Google] [More] ⦿ | |
Jack Albert Batchelor (b. 1994) is a graphic designer and photographer in Glasgow. During and after his studies at Glasgow School of Art, he designed these typefaces:
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American designer, b. 1973, based in Cincinnati, OH. Between 2002 and 2010, he created Rebel Caps. Rebel Redux and Chemy Retro (art deco) followed in 2013. [Google] [More] ⦿ | |
During her type design studies at the University of Reading, UK, in 2013, Kelly Batchelor created a revival of Elzevier. [Google] [More] ⦿ | |
Maine-based photo editor, designer, and web guy. Creator of the upright connected (school) script font Fifth Grade Cursive (2011), Smotth Papyrus (a smooth version of papyrus), the cleanly hand-printed Mathilde (2012) and Popcorn Mountain (2012). In 2013, he created Frosting For Breakfast (script face), Turkeyface, Mathilde (script face), Que Rompa (an extreme-contrast poster face: the full family is commercial), Pretty City Kitties, Mousedrawn, and the gorgeous technical handwriting typeface #1 Ichiro. Dafont link. [Google] [More] ⦿ | |
Creator (b. 1991, Missouri) of the free pixel font CaZOOM. Dafont link. [Google] [More] ⦿ | |
Designer in 1995 of a Deseret alphabet font called Deseret. It can be found here. [Google] [More] ⦿ | |
Sopron, Hungary-based designer of the piano key typeface Monostein (2019). [Google] [More] ⦿ | |
Born in 1989, Ian Bates (iBates Designs) is a Graphic Design major at York College of Pennsylvania. He is from Fort Salonga, NY. FontStructor who made Blacktop (2010) as part of a typography project in school. Behance link. [Google] [More] ⦿ | |
Commercial typefaces:
His free fonts:
Custom / corporate typefaces: With Liverpool-based art director Liz Harry, Bates created a personalized font, loosely based on Coco Sumner's handwritten capitals, for the band I Blame Coco. Medium and Semibold weights of Gill New Antique were commissioned by LPK Design Agency. Stepping Hill Hospital and Bates created Dials, a pictorial font to help hospital managers input data about improvements. A custom font was designed for Bolton Strategic Economic Partnership. Abstract Fonts link. View Keith Bates's typefaces. Dafont link. Yet another URL. Fontspace link. Fontsy link. Behance link. [Google] [MyFonts] [More] ⦿ | |
Designer in Toronto, who created Kelmo Sans (2018) and Warehouse (2018: a futuristic blackletter). [Google] [More] ⦿ | |
Personal site. [Google] [More] ⦿ | |
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During her studies at Universidad Iberoamericana, Lily Bather (Dallas, TX) created the didone display italic typeface Florence Italic (2013). Behance link. [Google] [More] ⦿ | |
Graphic designer in Beirut, Lebanon. Designer of the great display typeface Konstruct (2017), which conjures up jewelry applications. This typeface, however, is based on patterns in Dr. Woo's tattoos. [Google] [More] ⦿ | |
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Israeli type designer at MasterFonts who created these Hebrew fonts: Batish MF, Blind Date MF, Degol MF, Kayzi MF (2012), Liti MF, Mabsut MF, Pashkevil MF, Shishki MF. [Google] [MyFonts] [More] ⦿ | |
Brazilian art director, graphic designer and illustrator based in Los Angeles. Born in 1981 in Sao Paulo. Behance link. He designed various display typefaces for his projects: Mariana (2005) is an experimental typeface for the Havaianas web site. Cristiane (2005) is a Bank Gothic-inspired sans. Mathews (2005) and Ana Rayssa (2005, upright connected script) are experimental types. Antonio (2005) is a fat rounded sans. Josefa (2005) is a grunge typeface created for Brahma Bier. Adilson (2005) is a super-fat display face. Rose (2005) and Douglas (2005, also a super-fat display face) were created for Sensorama ID. Other typefaces include Mark, Mike and Cris. [Google] [More] ⦿ | |
At the Universidade de Brasilia, Daniel Batista de Oliveira designed the video game typeface Blockade (2016). Behance link. [Google] [More] ⦿ | |
Coimbra, Portugal-based designer of the Tuscan typeface Velharias (2016). [Google] [More] ⦿ | |
Designer of the free fat finger typeface Franjinha (2013). [Google] [More] ⦿ | |
Santa Cruz de Tenerife, Spain-based student-designer of the oriental style typeface Hook (2017). [Google] [More] ⦿ | |
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FontStructor in Kansas City, MO, who made the spurred typeface Turret in 2015. Blogspot link. Behance link. [Google] [More] ⦿ | |
Brazilian creator at Unique Types of the free semi-stencil typeface Horizontes (2011, with Karen Sampaio). [Google] [More] ⦿ | |
In 2010, with the help of Dick Pape, she created an ornamental caps alphabet called HRG that was inspired by the sexy surrealist drawings of Swiss Oscar-winning artist H.R. Giger [wiki]. Behance link. Scans: Logo, illustration, more illustrations, HRG's letter F, HRG's letter E. The full HRG alphabet: A, B, C, D, E, F, G, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. In 2012, she published Lettercats, an all caps alphabet of cats. | |
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Odense, Denmark-based creator of the free ai format font Paper (2013), which consists entirely of superimposed triangles. [Google] [More] ⦿ | |
Small archive by Paolo Batori, who is the Italian designer (b. 1976) of the artsy octagonal typeface Batho (2007). Dafont link. Another URL. [Google] [More] ⦿ | |
5ive is the design studio of Fabrice Bats, a Parisian who has moved to Oslo. His lettering includes a couple of alphabets called Kinky (2010). Dafont link. Devian Tart link. [Google] [More] ⦿ | |
Florence, Italy-based graphic designer who released the 16-style creamy decorative large x-height serif typeface Queens Pro in 2020. In 2022, he designed the 112-style Swiss style sans family Enotria (for Latin, Cyrillic and Greek), that is characterized by Calbrian quirks such as an overreaching r and a perky ear on the g. [Google] [MyFonts] [More] ⦿ | |
Creator of the hairline arc-and-circle-based typeface Umbra (2013). [Google] [More] ⦿ | |
Student in Armin Vit's typography class at the Portfolio Center in 2002. She designed "Go Lightly". [Google] [More] ⦿ | |
During his studies at Skolen at Design College Australia in Brisbane, Dalton Batt created the modular display typeface Dune (2016). [Google] [More] ⦿ | |
Mac McGrew: Athena is a very narrow, light roman typeface with unusually tapered vertical strokes, designed and cut by George Battee of Baltimore Type about 1955. It is a distinctive novelty, useful for a limited amount of delicate display. Athena was digitally revived and expanded by Miranda Roth as LTC Athena (2013, P22/Lanston). [Google] [More] ⦿ | |
Graduate of Quasar Design University who is based in Rome, Italy. Giulio Battelli's Kenya (2014) is a light all caps typeface created during his studies as a hybrid situated between Avenir Next Ultra Condensed (Adrian Frutiger) and Adobe Caslon Pro. [Google] [More] ⦿ | |
Designer from Köln, Germany. Creator of the super-heavy Bildhauer Kant (2008). Link at Dafont. [Google] [More] ⦿ | |
During her studies, Clara Battestini (Cabrils, Spain) designed the roundish text typeface Battestini (2019). [Google] [More] ⦿ | |
Based in Caballito, Argentina, Bruno Battistel created the Haiga Serif typeface and the calligraphic Ministry Script in 2014. Behance link. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Visual communication student at IADT in Dublin, who created many highly experimental geometric typefaces in 2014, including Molecule Type, Destruct, D-Struct, Con-Nect, and Constellation Type. Behance link. [Google] [More] ⦿ | |
Illinois-based "designer" of English Gothic (2007, blackletter), which she is actually selling. She also made Johnny B (2007, handwriting), Think Pink Alphabet (2007) and Damaged Alphabet (2007). Alternate URL. Yet another URL. [Google] [More] ⦿ | |
Her typefaces show calligraphic influences:
Bio at ATypI. Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graduate of Central Saint Martins College of Art and Design, who works in London. In 2013, he created the modular Tuscan typeface Hebrew Type. Behance link. [Google] [More] ⦿ | |
Alan Bauchop (Sophtecks, Wellington, New Zealand) made these typefaces in 1998: Trix, ScreenyJubs, Earth People, Brickle, Cain, Chunk, Miniskip, Miniskap, Miniskup (techno), and the experimental Silo. Some pixel fonts. Fontspace link. Dafont link. [Google] [More] ⦿ | |
Wellington, New Zealand-based designer. Creator of the display typeface The Bay (2014), which is named after Titahi Bay. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the text typeface Jokimo (2008). [Google] [More] ⦿ | |
Graphic designer and photographer in Montreal, who created Module Sans in 2015. Behance link. [Google] [More] ⦿ | |
Belgian typographic expert and writer (b. Bachte-Maria-Leerne, 1918, d. Grez-Doiceau, July 16, 2005), and author of "How Typography Works (and why it is important)" (New York: Design Press). This is a translation of La Typographie au Tableau Noir (Retz, Paris, 1984), a book entirely written by hand! Uitgeverij de Buitenkant published "Fernand Baudin, typograaf, typographiste, book designer". Baudin wrote "L'Effet Gutenberg" (1974, Editions du Cercle de la Librairie). He was active in the Rencontres de Lure, the ATypI, and was instrumental in the creation of the curriculum of the Plantin Genootschap in Antwerp. Another reference. Exposition Fernand Baudin from April 14 until May 27, 2000 at the Royal Library of Belgium. In 2004, he received the Laureate Honoris Causa award from the Plantin Society's Institute of Printing and Graphic Arts. CV (doc file in French). CV (txt file in French). Elly Cockx-Indestege et Georges Colin wrote Fernand Baudin ou La typographie au service du lecteur (2000, Bibliothèque royale de Belgique, Brussels). [Google] [MyFonts] [More] ⦿ | |
Between 2017 and 2021, P. Baudin developed the free Advanced Cross Stitch Fonts. Some of the fonts are based on alphbaets seen in volume 1 of the book Cross Stitch Letters Bible des lettres au point de croix (2009, Valérie Lejeune). [Google] [More] ⦿ | |
Lisbon-based designed of the ornamental caps typeface Afroglyphics (2013), which was custom-made for the visual identity of a DJ duo from Lisbon. Afroglyphics used in Celeste Mariposa. | |
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During her studies at Flagler College in Saint Augustine, FL, Brooke Bauer designed the free diamond-themed display typeface Diams (2015). Dafont link. [Google] [More] ⦿ | |
During his studies in Trier, Germany, Caspar Bauer designed the modular techno typeface Bistro (2013). Behance link. [Google] [More] ⦿ | |
FontStructor from York, PA, who made The Drew Effect (2012). [Google] [More] ⦿ | |
From Mönchengladbach, Germany, Christian Bauer's commercial fonts: Buddy (childish leters), Grandma, Lineal, Missal, Salatino (free), World (dingbats), Linotype Compendio (1997, grungy), Oneworld. You may request a free copy by email of Salatino, a reworked Garamond. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Designer of a handcrafted architectural typeface (2015). [Google] [More] ⦿ | |
In 2021, Erwin Bauer, Mischa Herzog and Daniel Schaffer co-designed Mono To Go, a monospaced typeface with a constructed, grid-based body and a playful spirit. It is entirely based on modular pieces such as circles and other simple geometric shapes. Erwin Bauer's home page. [Google] [MyFonts] [More] ⦿ | |
The first appearance of Nordisk Antiqua (or Genzsch-Antiqua) was in 1906 with a single weight under the name of "Nordisk Antiqua". In 1912 a family of seven weights was announced under the name "Genzsch-Antiqua" honoring the foundry in Hamburg where Bauer had been the manager of composing and printing since 1900. As the foundry Genzsch&Heyse had a lot of customers in Scandinavia, their Nordisk Antiqua became widely spread over the north of Europe. All his other typefaces appeared at J.D. Trennert&Sohn: Fortuna (1930), Friedrich-Bauer-Grotesk (1933), Friedrich-Bauer-Grot. kräftig (1934), Friedrich-Bauer-Grot. halbfett (1934), Friedrich-Bauer-Grotesk fett (1934), F.-Bauer-Grot. schmalhalbfett (1934), Friedrich-Bauer-Grotesk licht (1934), Trennert Antiqua (1926), Trennert Kursiv (1927), Trennert Antiqua halbfett (1927), Trennert Antiqua fett (1929), Trennert Kursiv fett (1930), Trennert Antiqua schmalhalbfett (1929), Trennert Latein (1932). For a digital revival of Friedrich Bauer Grotesk, see FF Bauer Grotesk (2014, Thomas Ackermann and Felix Bonge for Fontfont). Digital revival of Senats Fraktur: Senatsfraktur (2020, Raph M. Unger). Digital revivals of Genzsch Antiqua:
Author of Chronik der Schriftgiessereien in Deutschland und den deutschsprachigen Nachbarländen (1928, Offenbach am Main). A PDF file exists that was made and expanded by Hans Reichardt in 2011. [Google] [MyFonts] [More] ⦿ | |
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Linotype link. [Google] [MyFonts] [More] ⦿ | |
During his graphic design studies in Cardiff, Jonathan Bauer designed the art deco marquee typeface Vegas Vault (2012). [Google] [More] ⦿ | |
Designer at the Pseudoroom of the pixel font Pro Bulbous (2001). [Google] [More] ⦿ | |
View various digital versions of Folio. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
During her studies in 2013 at York College of Pennsylvania in Collegeville, PA, Lauren Bauer created a font over at FontStruct. [Google] [More] ⦿ | |
American designer of Beefd (2016, pixel font), Green Flame (2016, pixel font), 6 Script (2016), Obti Sans (2016, an elliptical sans), Pixel Signboard (2016). Dafont link. [Google] [More] ⦿ | |
Designer at Brass Fonts in Cologne of Saw (1997). Cofounder of Brass Fonts in 1996. MyFonts link. [Google] [MyFonts] [More] ⦿ | |
German designer of the Swiss techno style typeface Letrix (2008, Avoid Red Arrows). [Google] [More] ⦿ | |
Type designer closely associated with So Type and Söderhavet, a Stockholm-based type foundry and design studio, respectively. His typefaces there:
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Type designer who designed fonts at Klingspor such as Magnet (1906). [Google] [More] ⦿ | |
Type designer, 1861-1936. His typefaces include Rübezahl (1904, Klingspor), an art nouveau typeface, and Magnet (1906, Klingspor), a condensed display typeface. [Google] [More] ⦿ | |
During her graphic design studies in Utica, NY, Flor Baumann created the display typeface Ents (2013). [Google] [More] ⦿ | |
Defunct type design and typography blog and news site (part of a much larger graphic design blog) run by Dutchman Sander Baumann. Alternate URL, where one can find his SymbolSigns-Basisset font made in 2009. [Google] [More] ⦿ | |
Designer in Israel, b. 1981, Haifa. Eyal studied at Shenkar College in 2009 and runs the Eyal Baumert Graphic Design Studio. Creator of the Latin / Hebrew typefaces Amitay (2012), Baba (2011, rounded sans), Esther (2011), and Q Block (2011). These typefaces can be bought at T26. In addition, Eyal designed several Hebrew fonts that can be bought on his web site. Klingspor link. Cargo Collective link. [Google] [More] ⦿ | |
Londrina, Brazil-based designer of the distinguished sans typeface Farth (2018). [Google] [More] ⦿ | |
Concord, NC-based creator of a steampunk caps typeface in 2012. [Google] [More] ⦿ | |
Madrid, Spain-based codesigner, with Luis Armesilla, of the free display typeface Plstk (2016). Behance link. [Google] [More] ⦿ | |
Polish graphic designer in Krakow, b. 1979. Creator of the great Koch Antiqua style typeface Baumgartner (2007). [Google] [More] ⦿ | |
Graphic designer in London, UK, who created the free sans typeface family Dressler (2015). [Google] [More] ⦿ | |
Creator of the free hand-drawn typeface Esperanza (2012). [Google] [More] ⦿ | |
Creator of the modular typeface Phresh (2013). [Google] [More] ⦿ | |
German creator of the sans family Jaune d'oeuf (2010), and of Acid (2010, a free simple monoline sans family). Stephan studied at the Fachhochschule Trier. His blog is called Stivolio. See also 26plus, where Acid can be found. | |
Brooklyn, NY-based type and graphic designer. He created the spurred typeface Haymaker (2012, free at Lost Type Co-op) and the bold display typeface Laika (2012). With James T. Edmondson, he co-designed the wood type-inspired sans typeface Mission Gothic (2013). Home page. Dribble link. [Google] [More] ⦿ | |
Together with Konrad F. Bauer, he designed the Akzidenz Grotesk-like sans serif typeface Folio (1957-1965; see digital revivals Folio EF by Elsner & Flake (condensed styles only), Folio by URW++ (the largest of the sets of revivals), Folio by Adobe, Folio by Linotype, Folio by Tilde, Folio SB by Scangraphic, Folio B EF by Elsner & Flake, and Folio by Bitstream), as well as Caravelle (1957), Alpha (1954, a comic book style face), Beta (1954, another comic book style face; both Alpha and Beta designed with K.F. Bauer), Imprimatur (1952-1955, a narrow roman done with K.F. Bauer at Bauersche; also called Horizon; for digital revivals, see I772 Roman by SoftMaker, and Gmuender Antiqua Pro (2015) by Ralph M. Unger), Impressum (1963), Volta (1956), and Verdi (1957, a shadow caps face) for the Bauersche Giesserei in Frankfurt am Main. Klingspor link. Linotype link. FontShop link. View digital typefaces that can be traced back to Baum. View digital typefaces based on Walter Baum's work. Digital versions of Folio. [Google] [MyFonts] [More] ⦿ | |
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Studio in Paris, Zürich and Berlin. In 2008, they were commissioned to make a special identity typeface for Les Beaux-Arts de Paris. Clearly a near-copy of Verdana, the French typophiles react with astonishment and surprise. In 2029, Ruedi Baur released Archives, a heavy octagonal typeface for the visual identity of Archives Nationales. [Google] [More] ⦿ | |
In 2010, she made Kafka, a font based on the handwriting of Franz Kafka. Edvard (2012) is based on the handwriting of Norwegian painter Edvard Munch. In 2014, she designed the hand-printed poster typeface Walpurga. In 2015, she designed the expressive poster typeface Bassanova and the connected script typeface Luba Luft. Klingspor link. Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿ | |
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Abbotsford, BC-based designer of Bauhouse Universal (2017), a typeface family that is based on Herbert Bayer's Universal (1925). [Google] [More] ⦿ | |
Creator of Pipes Type (2010), an all caps typeface with letters in the shape of tools and pipes---inspiration came from an 18th century typeface. [Google] [More] ⦿ | |
Student at the Rhode Island School of Design, class of 2013. New York City-based creator of Luc (2013), a geometric sans serif typeface inspired by Jean-Luc Godard's film titles. Behance link. [Google] [More] ⦿ | |
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Morelia, Mexico-based designer (b. 1993) of the elephant-themed display typeface Olifant (2016). [Google] [More] ⦿ | |
Designer at Typolis in Antwerpen, Belgium, where she designed the experimental pixel font Metric, and the font Metround. She lives in Temse. [Google] [More] ⦿ | |
FontStructor who made the monoline, squarish and wide typeface Panorama (2015). [Google] [More] ⦿ | |
Born in Modena, graphic designer Elisa Bavieri now lives in Rome. She created the display typeface Chance in 2012. [Google] [More] ⦿ | |
During his studies at IIT Bombay, Palash Bawankar designed a calligraphic devanagari typeface (2017). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Arabic typeface (2013). [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the bit-textured squarish typeface Cipher (2017). [Google] [More] ⦿ | |
Graphic designer in Milan, b. 1990, Thiene, Vicenza, who graduated from IED in Milan. Creator of Bax 01 (2012) and the geometric typeface Tracce (2012). [Google] [More] ⦿ | |
As a student at Middlesex University, London-based Laura baxter designed the architectural typeface Dawson Construct (2018). [Google] [More] ⦿ | |
Commercial fonts by Melissa Baxter (2002): Blocks (Baseball, Canada, Circles, Creativity, Little Words, Road Trip, Spring, Actions, Birthday, Cooking, Happy, Music, NYC, Ocean, Pets, Pretty, Zoo, Americana, Basketball, College, Hockey, Home, Love, Picnic, Thanksgiving, Valentine, Calendar, Cards1, Cards2, Character1, Character2, ChristmasCards, Colors, Fishing, Football, Golf, Halloween, Memories, Baby, Boys, Christmas, Emotions, Fall, Family, Girly, Heartfelt, School, Summer, SweetBaby, Travel), Cookie Dough, Gas Station, Haunted House, Rocky Road, Sophisticated, Sunflowers, Vegetable Soup, Wonderful, Wrought Iron, Beautiful, Cherub, Fairy Princess, Falling Leaves, Fudge Brownies, Nevermind, Rock Star, Spread Sunshine, Artsy, Beach Balls, Block Party, Distorted, Distressed, Just Plain Little, Proud Papa, Ribbons, Rustic, Stonewashed, Sunshine, Angel, Bleached Blonde, Dreams, PackedInASuitcase, IceCubes, Picnic Basket, FlipFlops, Pancakes, Jilted Bride, Little Ladybug, Moonbeams, Piano Recital, Tuxedo, Unforgettable, Wedding Day, Chestnuts, Evergreen, Hot Chocolate, Jack Frost, Sleigh Ride, Sugarplums, Composition, White Sale, Crate, Aloha, BadAttitude, Cindy, Rain, Morgan, Short Blonde Hair, Slide, Katherine Ann, Samantha, 2Peas-Amazing, 2Peas-Bad-Hair-Day, 2Peas-Commercial-Break, 2Peas-Couch-Potato, 2Peas-Dainty, 2Peas-Downtown, 2Peas-Drama-Queen, 2Peas-Drip, 2Peas-Giggle, 2Peas-Grandpa, 2Peas-Little-Buddy, 2Peas-Megablock, 2Peas-Melissa, 2Peas-Miss-Priss, 2Peas-Paintbrush, 2Peas-Plain-Jane, 2Peas-Remote-Control, 2Peas-Ringlet, 2Peas-Silly-Fill-In, 2Peas-Silly, 2Peas-Sitcom, 2Peas-Spotty-Dotty, 2Peas-Stand-Tall, 2Peas-Talk-Show, 2Peas-Think-Small, 2Peas-Vintage, 2Peas-Wide-Load. All these fonts represent handwriting or hand printing. 2USD per font. In 2005-2007, she made MB-Candy-Corn, MB-Caramel-Apples, MB-Domino, MB-Dot-Com, MB-Hobgoblins, MB-Jack-O'Lantern, MB-Pigment, MB-Salsa, MB-Scream, MB-Sunflower, MB-Taffy, MB-Wicked, MB-Wildflower, MB-Yeah. [Google] [More] ⦿ | |
Designer at Monotype of the sans serif typeface Jocunda (1933), in which horizontal strokes are wavy. He also created Basuto (1927, Stephenson Blake), a fattish headline face. Nick Curtis revived the latter typeface as Bazoo Tow NF (2011) and calls the style bold, brassy and a little sassy. A free digital revival of Basuto is provided by Vernon Adams in his Rammetto One (2011, Google Font Directory). [Google] [More] ⦿ | |
During her graphic design studies in Lille, France, Lorraine Bayard created a typographic poster in 2013, for which she custom-designed a modular typeface. [Google] [More] ⦿ | |
Minsk, Belarus-based designer in 2005 of the Hindi fonts Chandas and Uttara. Latin and Cyrillic glyphs were added from DejaVu font and modified according to GPL by Dharmo Raksati Raksitah. I quote: The font contains 4347 glyphs: 325 half-forms, 960 half-forms context-variations, 2743 ligature-signs. It is designed especially for Vedic and Classical Sanskrit but can also be used for Hindi, Nepali and other modern Indian languages. The font includes Vedic accents and many additional signs and provides maximal support for Devanagari script. In version 1.1 were added Latin and Cyrillic characters and corresponding Open Type tables for Sanskrit transliteration. Chandas font represents Southern (most commonly used today) style of Devanagari script. And Uttara font represents Northern style of Devanagari Script. These styles are sometimes also called Bombay (Southern, contemporary) and Calcutta (Northern, old) pen families accordingly. Uttara is today the only Devanagari OTF font which supports Northern variations in simple glyphs and in ligatures. He also created the free Devanagari Unicode opentype font Siddhanta. Siddhanta font home page. The font can be used for Sanskrit, Vedic, Hindi, Nepali and other languages which use the Devanagari script. Siddhanta supports many ligature variations and script variations---Calcutta, Bombay and Nepali styles. Google Plus link. [Google] [More] ⦿ | |
Designer in New York City. Behance link. Creator of the free typefaces Manhattan Hand, The Missus Hand and The Missus Hand Oblique (2011). [Google] [More] ⦿ | |
Parisian art director who designed the modular semi-blackletter display typeface Piano (2017). [Google] [More] ⦿ | |
Gülce Baycik (b. 1990, Istanbul) studied visual communication at Sabanci University in Turkey. Today, she designs type from her base in Kodikoy, Istanbul. In 2012, she created the high-contrast decorative typeface Mr. Victoria. [Google] [MyFonts] [More] ⦿ | |
Designer of the grungy typefaces Angeli2, Oliver, Choirboy, Virginia Two and Myscriptfont (2011). [Google] [More] ⦿ | |
Graphic designer and illustrator in Beirut, Lebanon. In 2015, he created an Arabic typeface that was inspired by a leaf. [Google] [More] ⦿ | |
Moscow-based graphic designer. She created a useful informally hand-printed family of typefaces called Owl (2011). [Google] [More] ⦿ | |
New York City-based designer, who created a blackletter typeface called Black Bayer (2013). He also made the über-frilly All Frills (2013). [Google] [More] ⦿ | |
Dedicated web site. FontShop link. Picture. Klingspor link. Revivals of his work:
A list of commercial typefaces based on Herbert Bayer's work. [Google] [MyFonts] [More] ⦿ | |
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Cape Town, South Africa-based designer of the handcrafted typeface Cubek Touch (2017). [Google] [More] ⦿ | |
Graphic designer in Johannesburg, South Africa. Creator of the sci-fi typeface Trains in Space (2013). Behance link. [Google] [More] ⦿ | |
During his studies at London College of Communication, Gabriel Coelho Bayne-Jardin designed the circle-based typeface Round (2017). [Google] [More] ⦿ | |
During his studies at KU in Kansas City, KS, Kevin Baynham designed the soft-edged poster typeface Ouija (2017) and the rounded set of numbers Loaded (2017). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of these vector fonts in 2016: Colorful Box, Stars Block, Batik. Creative Market link. [Google] [More] ⦿ | |
Designer in Manila, The Philippines, who created the typeface Basso & Brooke (2012), which was inspired by the curly and colorful fashion collection of Basso & Brooke. [Google] [More] ⦿ | |
Brooklyn, NY-based designer. Created of the floriated caps typeface Flourish (2013). Behance link. [Google] [More] ⦿ | |
Turkish designer based in Lisbon, Portugal. In 2016, she designed the textured display typeface Tatavla. [Google] [More] ⦿ | |
Istanbul-based student-designer of Axis (2017). [Google] [More] ⦿ | |
At T.C. Halic University in Istanbul, Mustafa Bayrali designed the decorative Candy Alphabet (2016). [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the thin display typeface Mam (2016). [Google] [More] ⦿ | |
Art director in Istanbul, Turkey. In 2018, he published the sports and soccer shirt typeface Besiktas. [Google] [More] ⦿ | |
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Aka The Butterfly, Vanessa Bays specializes in very clean hand-printed typefaces. Texan creator (b. 1982) in 2014 of Sweet and Sassy Serif, Alexis Marie (a very clean hand-drawn sans), Clean Up Your Mess, Our Lil Secret Forever, My Silly Willy Girl, Amber Shaie, Expressions of the Soul, A Little Sunshine, Celia Garcia, and Sorry We're Closed. Typefaces from 2013: Running For A Cause, Give It Your Heart, Please write me a song, Where the lonely ones roam, Chunkster Jamz, Just Gotta Smile, Bubble Bath, Grandma's Garden, Sealed With A Kiss, Macilynn Marie, Love and Laughter, Baby Lexi, Papa Bear, All Things Pink, Sophmore Year, Diamond Girl, Always In My Heart, Georgia Belle, Chocolate Covered Raindrops, Miss Smarty Pants, Flower Power, Just for Giggles, Isabelle Layne, Cutie Patootie, Life's A Beach, VB Dings, Eternal Promise (upright connected script), The Urban Way (comic book font), Anjelika Rose, Jessica Elaine, My First Crush, A Gentle Touch, Penelope Loves Anne, You Make Me Smile, Simple Kind of Girl, Passing Notes, VB Dings, Wednesday, Bubble Letters, Panic Stricken, Yummy Cupcakes, Ribbon of Hope, Vanessa's Valentine, Eternal Script, Scrapoholic, Curly Shirley. Typefaces from 2012 include the free hand-printed typefaces Dazzling Divas, Smell The Roses, Urban Class (coic book style), Spring Rolls, Puppy Bellies, Too Tight, Daddy's Girl, Simplicity, Sloppy Hollow, Vanessa Loves You, Forget Me Not, Scrap It Up, Lilian, Caffeine, Sixteen, Kelli Lynn, By The Butterfly, Live Laugh Love, Little Miss Priss, LoveNess Three, Whisper a dream, Kenzie, Seriously, Hyperness, My Skinny Jeans, Love Me Forever, Sweetness, Workaholic, Connected (connect-the-dots face), Vannessa Marie, Christmas Eve, Lazy Day, Angel Toes, Fat Marker, Amanda Rae, Slopness, So Posh, I Lovers You, Wassup, DashNess, Chunkyness, Thinnyness, Bigness, Christmas Lightness, Lil Guy, Ness, LoveNess Two, Girl Next Door, Skinnyness, This Sux, VaNess, DotNess, LoveNess, Just Playin, Squishy, Cuteness. Dafont link. Fontspace link. [Google] [More] ⦿ | |
Malang, Indonesia-based designer of the spurred display typeface Grova (2019). and the tattoo font Flasher (2020). [Google] [MyFonts] [More] ⦿ | |
Designer of the multiscript Bodoni typeface Kasira (2015), which covers Latin, Cyrillic, Greek, and Balinese, and the Javanese fonts Nawatura (2016), Bangil (2016) and Makara (2016). Typefaces from 2017, designed during his studies at Parahyangan University in Bandung: Nakea (Javanese), Pustaka (Javanese). Typefaces from 2018: Batangan (Javanese), Kavali (Sundanese), Jogjakartaip (Javenese), Salapa (for Lontara script), Pustaka Bali (Balinese), Nawatura, Istaka, Dioharudin (Cirebonese script). Typefaces from 2019: Merpat (for Balinese), Kataruman (for Sundanese). [Google] [More] ⦿ | |
Graphic designer in Moscow, who created the multilined Latin typeface Guitar (2014), which uses Avant Garde Gothic's skeleton. Behance link. [Google] [More] ⦿ | |
Sportsfonts was founded in 2014 or 2015 by Kristopher Bazen (b. Canton, OH) who studied at the Art Institute of Pittsburgh. He worked in the world of sports marketing, lived in Columbus, OH, and is now in Charlotte, NC. He writes that Sportsfonts was built with the sports designer in mind. We are a rare breed that is enamored with the aesthetic of athletics, so it was only appropriate to create a site focused on such a crucial element of sport: typography. From jerseys to end zones, it is impossible to downplay the effect of type in our industry/passion of choice, so instead, we choose to embrace it wholeheartedly. Please join me in creating the one and only mecca of all sports font foundries! Typefaces: Forge, Robison, Playoff, Nameplate, Champions, Recon, Edge, Junction, Special Forces / Ops, Capone, Rush, Union, Full Speed Ahead, Armor, Sports Machine, Flint, Okie, Razor, Roundtree. Creative Market link. [Google] [More] ⦿ | |
Russian type and book designer, 1902-1945 or 1946. His characters were made into alphabets in 1961 by Mihail Grigorevich Rovenskiy, who called the type family Bazhanov. [Google] [More] ⦿ | |
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Moloko88 is Ekaterina Bazhenova, the designer of Rufus (2017, brush typeface) and Gertrude or Gertruda (2017, a connected monoline script typeface). [Google] [More] ⦿ | |
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Tea Bazon studied in Ljubljana, Slovenia, and works in Koper / Capodistria, Slovenia. Designer of the display typeface Morning Rain (2017). [Google] [More] ⦿ | |
Slovenian designer of Morning Rain Dot (2018). [Google] [MyFonts] [More] ⦿ | |
Silvia baz (London) played around with glyph outlines at various sizes and angles and created a beautiful set of decorative caps in this manner. Behance link. [Google] [More] ⦿ | |
Tyre, Lebanon-based designer of the Arabic typeface Yam (2017). [Google] [More] ⦿ | |
Booka B is a painter, dj, musician, poster artist, type designer and teacher who lives and works in St. Paul, MN. In 2012, he designed Blazedale (Chank). [Google] [MyFonts] [More] ⦿ | |
Illustrator in Frankfurt, Germany. In 2012, she created the ultra-fat rounded typeface Smoothie. [Google] [More] ⦿ | |
Creator of the iFontMaker fonts Flagship Script (2011), Filler, FAQuix and Grafibly (2010, hand-printed). [Google] [More] ⦿ | |
Grand Rapids, MI-based interaction designer and photographer. Behance link. He created Stringbean (2009, FontStruct), a hairline condensed sans. As iFontMaker, he created the hairline hand-printed typeface Outy Thin (2011). [Google] [More] ⦿ | |
Graphic designer in Paris who created the decorative erotic caps typeface The Sexy Font (2015) and The Fight Font (2015, modular construction). [Google] [More] ⦿ | |
During her studies in Buenos Aires, Victoria Beade created the sci-fi typeface Typorama (2014). [Google] [More] ⦿ | |
Designer of the techno typeface Quadratum (2015). [Google] [More] ⦿ | |
Graphic designer in Brisbane, Australia. Behance link. She made the geometric counterless typeface Empire (2011). [Google] [More] ⦿ | |
Creative studio in San Francisco run by James Beall. Creator of the pixelish typeface family Bitblox (2013) which includes styles such as Regular, Embiggened, Stackable, Outline, Dimensional, Monospaced, Blocked and Dingbats. Bitblox was created for Glyfyx, Inc. by James Beall and PSY/OPS Type Foundry. PSY OPS link. Bitblox link. [Google] [MyFonts] [More] ⦿ | |
The principals are Michael Leighton Beaman and Zaneta Hong. Michael holds a Bachelor's degree in Architecture from North Carolina State University and a Master's degree in Architecture from the Harvard University. He teaches at the University of Virginia and is associated with the Rhode Island School of Design. His research covers speculative future of technology in architecture. Zaneta is a professor in landscape archirecture at the University of Virginia, where she teaches courses in information-based digital practices and materials systems and technology. One of Beta Field's projects is the decorative didone typeface Pistilli Mutatio (2017). It is a parametric digitization of John Pistilli's 1964 phototype typeface Pistilli Roman. [Google] [More] ⦿ | |
FontStructor who made Kricket (2014) during her studies at The University of Tulsa, OK. FontStruct link. [Google] [More] ⦿ | |
Creator at Ohio State University of the handwriting font Sribble Normal (sic). [Google] [More] ⦿ | |
Wellington, New Zealand-based designer of the free alchemic typeface Transmission (2013). [Google] [More] ⦿ | |
Brazilian designer of the free stone age typeface Beanesdrock (2015) and the counterless typeface Lola (2019). [Google] [More] ⦿ | |
Paty Bean lives on a south Chilean farm. She drew a children's alphabet, Handy Cut (2013), that was published by Los Andes. She also made Handy Cut Dingbats (2013). [Google] [MyFonts] [More] ⦿ | |
In the early seventies, he designed a five-weight Avant-gardish family named Virginia (now also digitized). He then worked for the Los Angeles studio of Lettergraphics International in charge of lettering, logo design and converting type designs to film fonts. It was at this time (1973) that the Washington Family was completed. Upon his return to Australia that year, he teamed up with a long time colleague to form a design and art group in Sydney. Russell has been responsible for the creation of many Australian icons, including the Qantas logo. Russell Bean has served on the executive committees of The Australian Type Directors' Club and Australian Graphic Design Association. Typefaces available from MyFonts include Bougainville (1994-2005, a condensed sans family), Bougainville Neo (2021: 16 styles), Fremantle (1994), Beanwood Script (1997, a calligraphic script co-designed with David Wood), Craigie Halpen, Eumundi Sans [also available in the Agfa Creative Alliance], Eumundi Serif, Linear, Melissa, Rhodamine Blue, Sanguine (2004, handwriting), Semaphone (brush writing), Washington (1973, art deco family--really nice geometric letterforms with at least one hairline weight), and Xaltier. He designed ITC Christoph's Quill (2004), Billabong (2006, 1950s handlettering), Charleston Caps (2007, art deco) and the comic book lettering typeface Rhapsodie (2006). In 2007, he added the Threepoints East, North and West sans typefaces. About the Avant-Garde-style geometric sans family Virginia (2008), Bean writes: she was the most popular headline typeface around, at least in my home town in the year of her release circa 1970. That was the year my five-weight design won the inaugural (and only) Lettergraphics International Alphabet design competition and shut out 5000 competitors. Alas, Lettergraphics ceased to trade from its LA studios after the mid-80s and Virginia's two-inch film fonts were left to collect dust on the cutting room floor. The Koomerang family and Karmel (flare-legged retro display) were added in 2008. In 2009, Bean created Comp Sans 226, Argyle Rough, Empirical (12-style DIN-like sans family), Dotmap (pixel family) and Macquarie Heavy. In 2010, he made the poster signage typeface Hangtime. In 2013, he published the hand-printed typeface famiy Progeny. He is associated with Keith Morris in the type foundry Bean & Morris. In 2015, Russell created Macaroni Sans. In 2017, he added the calligraphic script typeface My Pimp. Typefaces from 2019: Aodaliya (an ultra-condensed typeface family). FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Jacksonville, FL-based designer of Oops (2014), a typeface designed for all the klutzes. Brittney is a graphic design assistant at Jacksonville State University. Behance link. [Google] [More] ⦿ | |
Creator of the rough counterless hand-printed Hello Brock (2009). Wild Arrows (2009, Fontcapture) is experimental. [Google] [More] ⦿ | |
Mariah Leah Beard grew up in Beverly, Massachusetts and currently resides in Boston, as a student at the Massachusetts College of Art and Design, she created the clean handcrafted monoline sans typeface Mariah Papaya (2016). Behance link. [Google] [More] ⦿ | |
Freelance artist and designer. Dafont link, where one can download Daub (2007), Pointy (2007), Pointy Solid (2009), and Stiff Neck (2007), all sketchy typefaces. He also made Iron Mathbook (2007) and Clink (2008). Check his scratchy typeface Spectre Scratch. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿ | |
Parisian motion graphics designer who created DNA Font (2013). [Google] [More] ⦿ | |
Designer of the graffiti typeface Brass Monkey, which can be found here. [Google] [More] ⦿ | |
Chicago-based designer at BBS of a Victorian face that was patented in 1890. [Google] [More] ⦿ | |
Illustrator and designer at Deletion Design in Sittingbourne, UK. Creator of a few techno typefaces like Techno Funk and Roun Da Funk. At Behance, one can find his fat counterless typeface Humain (2010). [Google] [More] ⦿ | |
André Beato (Media one) is a Portuguese graphic designer and illustrator, born and based in Lisbon. He took a BA Graphic Design and a MA Design Visual Culture -Visual Production at IADE (Instituto de Artes Visuais e Marketing) in Lisbon. Behance link. Designer of Artilharia Sans (2010). [Google] [More] ⦿ | |
Designer of the old typewriter font Truetypewriter Ployglott (2012). [Google] [More] ⦿ | |
Ottawa-based creator of the slab serif typeface Popsicle (2014), which was designed during her graphic design studies. [Google] [More] ⦿ | |
As a student at AUT University in Auckland, New Zealand, Esther Keyte Beattie designed the display typeface Core Alphabet (2015). [Google] [More] ⦿ | |
Matthew Beattie (Q3 Designs, Spain) created the handwriting typeface Matt Serif (2006) and the hand-drawn fat display typeface Beluga Script (2007). Alternate URL. [Google] [More] ⦿ | |
Indiana-based designer (b. 1987) of the font called Wolf's Rain (2005-2007). Devian tart link. Dafont link. [Google] [More] ⦿ | |
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Scott Beaty is a Toronto-based writer and graphic designer. Creator of Wolfkitten Grotesk (2013), which was inspired by the roughhewn letterforms found on constructivist poster art of the early 20th century.. [Google] [More] ⦿ | |
Lasalle, Ontario-based designer (b. 1988) of Matt's Handwriting (2004, handwriting). Home page. [Google] [More] ⦿ | |
Specimen books include Beaudoire & Cie., fonderie générale de caractères français et étrangers (18xx, by Théophile Beaudoire). In 2012, Parisian graphic designers Thomas Bizzarri and Alain Rodriguez co-designed Thermidor, a revival based on the work of Baudoire---it was a custom design for the Feu Sacré books. [Google] [More] ⦿ | |
typefaces attributed to him, besides Romana, include Old Roman Stephenson Blake (1878) and Elzevir (1858). Elzevir was also known as French Old Style. Berry, Johnson and Jaspert write in 1953: The upper case is derived from Louis Perrin's Lyons Capitals. Note the splayed M and the tail of the R. The type is somewhat condensed and has short ascenders and descenders. In the c and e the thickest parts of the curves are very low; the g has a steeply inclined tail and there is a tall t. The italic has a slight inclination. Linotype (London) Old Style No. 33 is similar. The scans below include Romain Elzevir (1858) and Elzevir (corps) 14 (1863, Fonderie Generale), which is a copy of Perrin's Marquet 14. As for partial revivals or descendants, we refer to Mercure (Charles Mazé at Abyme, 2010-2021). Mercure is based in part on Beaudoire's Elzévir, but also on Perrin's Augustaux. [Google] [MyFonts] [More] ⦿ | |
Los Angeles-based designer of the monoline script Silverlake (2015) and of the free handcrafted typeface Refuge (2015). In 2021, he released Vintage Varsity, (a handcrafted rounded chamfered varsity font). [Google] [MyFonts] [More] ⦿ | |
France-based designer of the Bauhaus-inspired stencil typeface Baufils (2020) and the frilly hand-drawn typeface Henna (2020). [Google] [More] ⦿ | |
Drawing of her by Eric Gill. Life story. Beatrice Warde was educated at Barnard College, Columbia, where she studied calligraphy and letterforms. From 1921 until 1925, she was the assistant librarian at American Type Founders. In 1925, she married the book and type designer Frederic Warde, who was Director of Printing at the Princeton University Press. Together, they moved to Europe, where Beatrice worked on The Fleuron: A Journal of Typography (Cambridge, England: At the University Press, and New York: Doubleday Doran, 1923-1930), which was at that time edited by Stanley Morison. As explained above, she is best known for an article she published in the 1926 issue of The Fleuron, written under the pseudonym Paul Beaujon, which traced types mistakenly attributed to Garamond back to Jean Jannon. In 1927, she became editor of The Monotype Recorder in London. Rebecca Davidson of the Princeton University Library wrote in 2004: Beatrice Warde was a believer in the power of the printed word to defend freedom, and she designed and printed her famous manifesto, This Is A Printing Office, in 1932, using Eric Gill's Perpetua typeface. She rejected the avant-garde in typography, believing that classical forms provided a "clearly polished window" through which ideas could be communicated. The Crystal Goblet: Sixteen Essays on Typography (1955) is an anthology of her writings. Wood engraved portrait of Warde by Bernard Brussel-Smith (1950). [Google] [MyFonts] [More] ⦿ | |
Originally from Montreal, Camille studies graphic design at Anderson University in South Carolina. During her studies, she created the quaint mini-serifed typeface Ado (2012). Behance link. [Google] [More] ⦿ | |
Designer in Montreal who is working on an art deco font, Lychee. [Google] [More] ⦿ | |
Gothic font designer in Littleton, NH. Creations include the free font DBYD (2011), and the commercial typefaces Dynasty Belt (2011), Steel Heart (2011), Killer Saints Hymn (2011), Red Bill Farts, and an unnamed gothic face (2011). Snake Dick and Witch Eyes are free. Typefaces from 2013: Data Trolls, Burned Wormwood (Western, ornamental wood type), Venomous Leviathan, The Sins of Nomad's Bones, Brotherhood of Thieves, Black Queen Sex Machine, Avalon's Teeth. Typefaces from 2014: Ninja Scorpion Penis, Appalachian Force, Future Sperm, Bulgarian Mustache, Blunderbuss, King Slayer. Behance link. [Google] [More] ⦿ | |
Christophe Beaumale designed the free upright script educational handwriting fonts, Cursif and Cursif&Lignes (without and with lines). Dafont link. [Google] [More] ⦿ | |
Kalamazoo and/or East Lansing, MI-based designers of the tattoo typeface Mancer (2016), the space age / futuristic typeface Wilhelm (2017), and the 1980s-inspired sans headline typeface Barkleigh (2017). Creative Market link. [Google] [More] ⦿ | |
Alex C. Beaumont (ACB Graphics) is a student at London College of Communication. He creates experimental designs, and this includes a typeface called Fracture (2013). [Google] [More] ⦿ | |
Menomonie, WI-based designer of a stencil font (2015). [Google] [More] ⦿ | |
Graphic designer in Paris, France. Creator of the typefaces Ponctype (2016), Dreieck (2015: a triangulated style) and Crumple (2015: a crumpled Helevetica). Behance link. [Google] [More] ⦿ | |
FontStructor who made the texture typeface Skyline (2010) and the tattoo typeface Angular Gothic 2 (2010). [Google] [More] ⦿ | |
FontStructor who made the pixelish typeface Coolio (2013) and the pixel typeface 8 Bit Party (2013). [Google] [More] ⦿ | |
During her graphic design studies, Alice Beavon (Birmingham, UK) created an unnamed modular geometric typeface (2012). In 2013, she published a modular bilined typeface possibly called Sense Of Memory. [Google] [More] ⦿ | |
Wroclaw, Poland-based designer of the construction-themed stencil typeface Configure (2022). [Google] [More] ⦿ | |
Creator of the iFontMaker font Beca Font (2010, hand-printed fat finger font). [Google] [More] ⦿ | |
Viareggio, Italy-based designer who has a degree in graphic arts from Accademia delle belle Arti Carrera, class of 2020, and attended IED Florence as well. In 2022, he released Tritone, an art nouveau font which was inspired by the facade of a bathing establishment. [Google] [MyFonts] [More] ⦿ | |
During his studies in Buenos Aires, Facundo Beccaglia created two typefaces---an unnamed experimental blackletter typeface (2013), and Filo 74, an uncial-style display typeface (2013). [Google] [More] ⦿ | |
From 1997 until 1999, Turin-based Claudio Beccari created his cb fonts (metafont) for Greek by adapting Silvio Levy's Greek fonts. The cb-fonts are now the official fonts for the Greek option of the BABEL package. They are very complete and highly recommended. Type 1 versions here. In 2004, he added the CB Coptic family (metafont), which was based on files created in 1995 by Serge Rosmorduc. The type 1 fonts were made by using TeXtrace and pfaedit by Apostolos Syropoulos. The fonts: glic0700, glic0800, glic1000, glic1200, glic1382, glic1659, glic1991, glic2389, glic2866, glic3440, glic4128, glii0700, glii0800, glii1000, glii1200, glii1382, glii1659, glii1991, glii2389, glii2866, glii3440, glii4128, glin0700, glin0800, glin1000, glin1200, glin1382, glin1659, glin1991, glin2389, glin2866, glin3440, glin4128, glio0700, glio0800, glio1000, glio1200, glio1382, glio1659, glio1991, glio2389, glio2866, glio3440, glio4128, gliu0700, gliu0800, gliu1000, gliu1200, gliu1382, gliu1659, gliu1991, gliu2389, gliu2866, gliu3440, gliu4128, gljc0700, gljc0800, gljc1000, gljc1200, gljc1382, gljc1659, gljc1991, gljc2389, gljc2866, gljc3440, gljc4128, gljn0700, gljn0800, gljn1000, gljn1200, gljn1382, gljn1659, gljn1991, gljn2389, gljn2866, gljn3440, gljn4128, gljo0700, gljo0800, gljo1000, gljo1200, gljo1382, gljo1659, gljo1991, gljo2389, gljo2866, gljo3440, gljo4128, glmc0700, glmc0800, glmc1000, glmc1200, glmc1382, glmc1659, glmc1991, glmc2389, glmc2866, glmc3440, glmc4128, glmi0700, glmi0800, glmi1000, glmi1200, glmi1382, glmi1659, glmi1991, glmi2389, glmi2866, glmi3440, glmi4128, glmn0700, glmn0800, glmn1000, glmn1200, glmn1382, glmn1659, glmn1991, glmn2389, glmn2866, glmn3440, glmn4128, glmo0700, glmo0800, glmo1000, glmo1200, glmo1382, glmo1659, glmo1991, glmo2389, glmo2866, glmo3440, glmo4128, glmu0700, glmu0800, glmu1000, glmu1200, glmu1382, glmu1659, glmu1991, glmu2389, glmu2866, glmu3440, glmu4128, gltc0700, gltc0800, gltc1000, gltc1200, gltc1382, gltc1659, gltc1991, gltc2389, gltc2866, gltc3440, gltc4128, gltn0700, gltn0800, gltn1000, gltn1200, gltn1382, gltn1659, gltn1991, gltn2389, gltn2866, gltn3440, gltn4128, glto0700, glto0800, glto1000, glto1200, glto1382, glto1659, glto1991, glto2389, glto2866, glto3440, glto4128, glwc0700, glwc0800, glwc1000, glwc1200, glwc1382, glwc1659, glwc1991, glwc2389, glwc2866, glwc3440, glwc4128, glwi0700, glwi0800, glwi1000, glwi1200, glwi1382, glwi1659, glwi1991, glwi2389, glwi2866, glwi3440, glwi4128, glwn0700, glwn0800, glwn1000, glwn1200, glwn1382, glwn1659, glwn1991, glwn2389, glwn2866, glwn3440, glwn4128, glwo0700, glwo0800, glwo1000, glwo1200, glwo1382, glwo1659, glwo1991, glwo2389, glwo2866, glwo3440, glwo4128, glwu0700, glwu0800, glwu1000, glwu1200, glwu1382, glwu1659, glwu1991, glwu2389, glwu2866, glwu3440, glwu4128, glxc0700, glxc0800, glxc1000, glxc1200, glxc1382, glxc1659, glxc1991, glxc2389, glxc2866, glxc3440, glxc4128, glxi0700, glxi0800, glxi1000, glxi1200, glxi1382, glxi1659, glxi1991, glxi2389, glxi2866, glxi3440, glxi4128, glxn0700, glxn0800, glxn1000, glxn1200, glxn1382, glxn1659, glxn1991, glxn2389, glxn2866, glxn3440, glxn4128, glxo0700, glxo0800, glxo1000, glxo1200, glxo1382, glxo1659, glxo1991, glxo2389, glxo2866, glxo3440, glxo4128, glxu0700, glxu0800, glxu1000, glxu1200, glxu1382, glxu1659, glxu1991, glxu2389, glxu2866, glxu3440, glxu4128, gmmn0500, gmmn0600, gmmn0700, gmmn0800, gmmn0900, gmmn1000, gmmn1095, gmmn1200, gmmn1440, gmmn1728, gmmn2074, gmmn2488, gmmn2986, gmmn3583, gmmo0500, gmmo0600, gmmo0700, gmmo0800, gmmo0900, gmmo1000, gmmo1095, gmmo1200, gmmo1440, gmmo1728, gmmo2074, gmmo2488, gmmo2986, gmmo3583, gmtr0500, gmtr0600, gmtr0700, gmtr0800, gmtr0900, gmtr1000, gmtr1095, gmtr1200, gmtr1440, gmtr1728, gmtr2074, gmtr2488, gmtr2986, gmtr3583, gmxn0500, gmxn0600, gmxn0700, gmxn0800, gmxn0900, gmxn1000, gmxn1095, gmxn1200, gmxn1440, gmxn1728, gmxn2074, gmxn2488, gmxn2986, gmxn3583, gmxo0500, gmxo0600, gmxo0700, gmxo0800, gmxo0900, gmxo1000, gmxo1095, gmxo1200, gmxo1440, gmxo1728, gmxo2074, gmxo2488, gmxo2986, gmxo3583, gomc0500, gomc0600, gomc0700, gomc0800, gomc0900, gomc1000, gomc1095, gomc1200, gomc1440, gomc1728, gomc2074, gomc2488, gomc2986, gomc3583, gomi0500, gomi0600, gomi0700, gomi0800, gomi0900, gomi1000, gomi1095, gomi1200, gomi1440, gomi1728, gomi2074, gomi2488, gomi2986, gomi3583, gomn0500, gomn0600, gomn0700, gomn0800, gomn0900, gomn1000, gomn1095, gomn1200, gomn1440, gomn1728, gomn2074, gomn2488, gomn2986, gomn3583, gomo0500, gomo0600, gomo0700, gomo0800, gomo0900, gomo1000, gomo1095, gomo1200, gomo1440, gomo1728, gomo2074, gomo2488, gomo2986, gomo3583, gomu0500, gomu0600, gomu0700, gomu0800, gomu0900, gomu1000, gomu1095, gomu1200, gomu1440, gomu1728, gomu2074, gomu2488, gomu2986, gomu3583, goxc0500, goxc0600, goxc0700, goxc0800, goxc0900, goxc1000, goxc1095, goxc1200, goxc1440, goxc1728, goxc2074, goxc2488, goxc2986, goxc3583, goxi0500, goxi0600, goxi0700, goxi0800, goxi0900, goxi1000, goxi1095, goxi1200, goxi1440, goxi1728, goxi2074, goxi2488, goxi2986, goxi3583, goxn0500, goxn0600, goxn0700, goxn0800, goxn0900, goxn1000, goxn1095, goxn1200, goxn1440, goxn1728, goxn2074, goxn2488, goxn2986, goxn3583, goxo0500, goxo0600, goxo0700, goxo0800, goxo0900, goxo1000, goxo1095, goxo1200, goxo1440, goxo1728, goxo2074, goxo2488, goxo2986, goxo3583, goxu0500, goxu0600, goxu0700, goxu0800, goxu0900, goxu1000, goxu1095, goxu1200, goxu1440, goxu1728, goxu2074, goxu2488, goxu2986, goxu3583, grbl0500, grbl0600, grbl0700, grbl0800, grbl0900, grbl1000, grbl1095, grbl1200, grbl1440, grbl1728, grbl2074, grbl2488, grbl2986, grbl3583, grmc0500, grmc0600, grmc0700, grmc0800, grmc0900, grmc1000, grmc1095, grmc1200, grmc1440, grmc1728, grmc2074, grmc2488, grmc2986, grmc3583, grmi0500, grmi0600, grmi0700, grmi0800, grmi0900, grmi1000, grmi1095, grmi1200, grmi1440, grmi1728, grmi2074, grmi2488, grmi2986, grmi3583, grml0500, grml0600, grml0700, grml0800, grml0900, grml1000, grml1095, grml1200, grml1440, grml1728, grml2074, grml2488, grml2986, grml3583, grmn0500, grmn0600, grmn0700, grmn0800, grmn0900, grmn1000, grmn1095, grmn1200, grmn1440, grmn1728, grmn2074, grmn2488, grmn2986, grmn3583, grmo0500, grmo0600, grmo0700, grmo0800, grmo0900, grmo1000, grmo1095, grmo1200, grmo1440, grmo1728, grmo2074, grmo2488, grmo2986, grmo3583, grmu0500, grmu0600, grmu0700, grmu0800, grmu0900, grmu1000, grmu1095, grmu1200, grmu1440, grmu1728, grmu2074, grmu2488, grmu2986, grmu3583, grxc0500, grxc0600, grxc0700, grxc0800, grxc0900, grxc1000, grxc1095, grxc1200, grxc1440, grxc1728, grxc2074, grxc2488, grxc2986, grxc3583, grxi0500, grxi0600, grxi0700, grxi0800, grxi0900, grxi1000, grxi1095, grxi1200, grxi1440, grxi1728, grxi2074, grxi2488, grxi2986, grxi3583, grxl0500, grxl0600, grxl0700, grxl0800, grxl0900, grxl1000, grxl1095, grxl1200, grxl1440, grxl1728, grxl2074, grxl2488, grxl2986, grxl3583, grxn0500, grxn0600, grxn0700, grxn0800, grxn0900, grxn1000, grxn1095, grxn1200, grxn1440, grxn1728, grxn2074, grxn2488, grxn2986, grxn3583, grxo0500, grxo0600, grxo0700, grxo0800, grxo0900, grxo1000, grxo1095, grxo1200, grxo1440, grxo1728, grxo2074, grxo2488, grxo2986, grxo3583, grxu0500, grxu0600, grxu0700, grxu0800, grxu0900, grxu1000, grxu1095, grxu1200, grxu1440, grxu1728, grxu2074, grxu2488, grxu2986, grxu3583, gsma0500, gsma0600, gsma0700, gsma0800, gsma0900, gsma1000, gsma1095, gsma1200, gsma1440, gsma1728, gsma2074, gsma2488, gsma2986, gsma3583, gsmc0500, gsmc0600, gsmc0700, gsmc0800, gsmc0900, gsmc1000, gsmc1095, gsmc1200, gsmc1440, gsmc1728, gsmc2074, gsmc2488, gsmc2986, gsmc3583, gsme0500, gsme0600, gsme0700, gsme0800, gsme0900, gsme1000, gsme1095, gsme1200, gsme1440, gsme1728, gsme2074, gsme2488, gsme2986, gsme3583, gsmi0500, gsmi0600, gsmi0700, gsmi0800, gsmi0900, gsmi1000, gsmi1095, gsmi1200, gsmi1440, gsmi1728, gsmi2074, gsmi2488, gsmi2986, gsmi3583, gsmn0500, gsmn0600, gsmn0700, gsmn0800, gsmn0900, gsmn1000, gsmn1095, gsmn1200, gsmn1440, gsmn1728, gsmn2074, gsmn2488, gsmn2986, gsmn3583, gsmo0500, gsmo0600, gsmo0700, gsmo0800, gsmo0900, gsmo1000, gsmo1095, gsmo1200, gsmo1440, gsmo1728, gsmo2074, gsmo2488, gsmo2986, gsmo3583, gsmu0500, gsmu0600, gsmu0700, gsmu0800, gsmu0900, gsmu1000, gsmu1095, gsmu1200, gsmu1440, gsmu1728, gsmu2074, gsmu2488, gsmu2986, gsmu3583, gsxa0500, gsxa0600, gsxa0700, gsxa0800, gsxa0900, gsxa1000, gsxa1095, gsxa1200, gsxa1440, gsxa1728, gsxa2074, gsxa2488, gsxa2986, gsxa3583, gsxc0500, gsxc0600, gsxc0700, gsxc0800, gsxc0900, gsxc1000, gsxc1095, gsxc1200, gsxc1440, gsxc1728, gsxc2074, gsxc2488, gsxc2986, gsxc3583, gsxe0500, gsxe0600, gsxe0700, gsxe0800, gsxe0900, gsxe1000, gsxe1095, gsxe1200, gsxe1440, gsxe1728, gsxe2074, gsxe2488, gsxe2986, gsxe3583, gsxi0500, gsxi0600, gsxi0700, gsxi0800, gsxi0900, gsxi1000, gsxi1095, gsxi1200, gsxi1440, gsxi1728, gsxi2074, gsxi2488, gsxi2986, gsxi3583, gsxn0500, gsxn0600, gsxn0700, gsxn0800, gsxn0900, gsxn1000, gsxn1095, gsxn1200, gsxn1440, gsxn1728, gsxn2074, gsxn2488, gsxn2986, gsxn3583, gsxo0500, gsxo0600, gsxo0700, gsxo0800, gsxo0900, gsxo1000, gsxo1095, gsxo1200, gsxo1440, gsxo1728, gsxo2074, gsxo2488, gsxo2986, gsxo3583, gsxu0500, gsxu0600, gsxu0700, gsxu0800, gsxu0900, gsxu1000, gsxu1095, gsxu1200, gsxu1440, gsxu1728, gsxu2074, gsxu2488, gsxu2986, gsxu3583, gttc0500, gttc0600, gttc0700, gttc0800, gttc0900, gttc1000, gttc1095, gttc1200, gttc1440, gttc1728, gttc2074, gttc2488, gttc2986, gttc3583, gtti0500, gtti0600, gtti0700, gtti0800, gtti0900, gtti1000, gtti1095, gtti1200, gtti1440, gtti1728, gtti2074, gtti2488, gtti2986, gtti3583, gttn0500, gttn0600, gttn0700, gttn0800, gttn0900, gttn1000, gttn1095, gttn1200, gttn1440, gttn1728, gttn2074, gttn2488, gttn2986, gttn3583, gtto0500, gtto0600, gtto0700, gtto0800, gtto0900, gtto1000, gtto1095, gtto1200, gtto1440, gtto1728, gtto2074, gtto2488, gtto2986, gtto3583, gttu0500, gttu0600, gttu0700, gttu0800, gttu0900, gttu1000, gttu1095, gttu1200, gttu1440, gttu1728, gttu2074, gttu2488, gttu2986, gttu3583. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the curvaceous Fraktur typeface Dei Verbum (2009). [Google] [More] ⦿ | |
Waddell, AZ-based designer at The Art Institute of Phoenix of the octagonal typeface Stellar (2016), which she describes as a geometric mandala hipster font. [Google] [More] ⦿ | |
Temperley, Argentina-based designer of the Halloween typeface Bewitching Style (2012). She studied at the University of Buenos Aires. [Google] [More] ⦿ | |
Designer of the handcrafted typeface Fresszettel (2016). [Google] [More] ⦿ | |
Haderslev, Denmark-based designer of the bilined textured typeface Saxo (2016) for a school project at the School of Visual Communication. [Google] [More] ⦿ | |
French designer of L'Autre Plain (Letraset), Anamorphosee (1999), Logos Mylène Farmer (2001), Sans Logique (2000, with Brian Powers), and Innamoramento (1999). Alternate URL. Dafont link. [Google] [More] ⦿ | |
Aaron Beck started making fonts in the 1990s under the labels Recordkeeper Software, Audio Electric Systems, and Aaron W. Beck Co. These include Beckett (textura, 1994), Cupertino (sci-fi face), Graveyard, Headstone, Pirate Bones, StoneCutter, Tombstone and Warlock. Fontspace link for RecordKeeper Software. Fontspace link for Aaron W. Beck Co. Dafont link. [Google] [More] ⦿ | |
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Designer of the 150-dollar 4-font family Cyberotica (futuristic writing; LCD). [Google] [More] ⦿ | |
Australian designer who created Becksfirstfont (2007, hand-printed). [Google] [More] ⦿ | |
Art director in Dallas, TX. He created the art deco typeface Dirty House (2009). [Google] [More] ⦿ | |
London, UK-based designer of Wim (2017), a typeface dedicated to Wim rouwel. [Google] [More] ⦿ | |
Dafont link. Designers Skulls. Another Dafont link [Google] [More] ⦿ | |
Alf Becker (b. St. Louis, IL, d. 1959, St. Petersburg, FL) was a sign artist in the 1930's and 40's. Beginning in January 1932, at the request of editor E. Thomas Kelly, Becker supplied the Signs of the Times (The National Journal of Display Advertising) magazine's new Art and Design section with an alphabet a month, a project initially predicted to last only two years. Misjudging the popularity of the series, it instead ran for 27 years, ending finally two months before Becker's death in 1959, for a total of 320 alphabets. In late 1941, just ten years after the first alphabet was published, 100 of those alphabets were compiled and published in book form under the title 100 Alphabets, by Alf R. Becker. The American Sign Museum shows the following death notice, taken from the April 1959 issue of Signs of the Times: A chapter of almost 27 years of extensive influence upon the development of sign and outdoor advertising lettering came to a close March 10 in the passing of Alf R. Becker, whose alphabets had been presented consistently in Signs of the Times since January, 1932. Death came in St. Petersburg, FL, where he had been hospitalized since last November. The funeral services were in St. Louis, March 16. Mr. Becker had operated a commercial sign business in East St. Louis, IL., and was widely known for his lettering ability when requested 27 years ago by the late E. Thomas Kelley, then editor of Signs of the Times, to do a series of alphabets for the magazine. They had estimated that 24 alphabets which would be presented in a period of two years would serve the purpose. The series was so enthusiastically received and so many readers urged continuation that it was projected indefinitely to eventually each a total of 320 before failing health of Mr. Becker forced him to give up that creative work. His last alphabet for ST appeared in the January issue this year. Countless are the signmen and women who broadened the horizons of their lettering ability by thorough study of Mr. Becker's alphabet. In 1941, his book, "100 Alphabets" was published by Signs of the Times, and all 3,000 copies that were printed were sold out long ago. Numerous requests have been received for a reprinting, but in view of the changes of time in lettering styles, it has not been considered advisable. Mr. Becker's failing health in 1957 influenced him and Mrs. Becker moving to St. Petersburg, where they bought a home, and where he went into semi-retirement. His love of the sign business was such that he continued his alphabets in spite of the problems of his illness. Many of his typefaces have art deco influences. LHF Monogram at Letterhead is a digital version of one of his fonts. Other digitizations include Whomp (2006) and Buffet Script (2006) by Alejandro Paul (Sudtipos) and Daffadowndilly (2007) and Stony Island NF (after Becker's art deco typeface Chicago Modern), Quaint Notions (2003), and Shaq Attack NF (2011, a wood plank font) by Nick Curtis. The Fontry (James Stirling and/or Adkins) is undertaking a grand digitization project, and releases free and pay fonts with names that start with ARB, followed by the font number, the font name, and the month and year of issue. In The Fontry's ARB series, we find ARB-187 Moderne Caps AUG-47 (2013, didone), ARB-85 Poster Script (2011, after a 1939 typeface by Becker), ARB 70 Modern Poster, ARB 93 Steel Moderne, ARB 44 Chicago Modern, ARB 66 Neon (2010, after a 1937 font, +Block, +Line), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), and ARB 67 Modern Roman, and ARB08ExtremeRomanAUG-32CASNormal (2009; the original is from 1932). Jeff Levine created a number of typefaces based on Becker's work as well: Show Card Casual JNL (2018: based on a single stroke brush alphabet by Alf Becker), Casual Signage JNL (2018), Modern English JNL (2018), Kanona JNL (2010), Karaoke JNL (2010), Mocombo JNL (2010). John Davis created LHF Pipeline (2012) based on Becker's designs. Kaitlin Sims designed LHF Becker No. 45 (2015). Catalog of some of his digitized typefaces. View the digital typefaces that are based on Becker's work. Showcase of Alf R. Becker's fonts. [Google] [MyFonts] [More] ⦿ | |
German digital photographer who lives near Kassel, Germany. Creator of Corbach (2006, hand-printed style). Alternate URL. [Google] [More] ⦿ | |
ATF matrix and pattern maker. Born in Germany, he died in 1948. He was involved in the design of Cloister Cursive Handtooled (Cloister Handtooled Italic, 1923), Goudy Handtooled (1923; see Goudy Handtooled BT) and Novel Gothic (1928-1929, a heavy art deco face), all in cooperation with Morris Fuller Benton. He created Quick-Set Roman&Italic in 1918, also at ATF. Stephen Coles writes: Novel Gothic was frequently used for record covers in the 1960s-1970s particularly John Berg's designs at Columbia Records, such as Miles Davis: Bitches Brew. There are many digital typefaces in this 1920s showcard style (such as Kobalt), and many poor digitizations of Novel Gothic, but no faithful revival currently exists. Telenovela NF is a digital interpretation with an additional highlight effect, while Napoli and Naked Power are attempts to tame Novel Gothic's comical personality into large, straightforward sans families. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Prof. Don Becker of the German Department at the University of Wisconsin-Madison has made his Sütterlin font (1995) available to the public. [Google] [More] ⦿ | |
Designer of the rune font Becker-Fraktur (1999). [Google] [More] ⦿ | |
In 2013, James Puckett (Dunwich Type Founders) revived five typefaces from this manual as digital typefaces in his Becker Gothics collection. They include Egyptian, Egyptian Rounded, Stencil, Tuscan and Concave. All have Western and wood type influences. In 2009, Becker's 1854 book was used by Monogram Fonts Co in the creation of Noir Monogram (2009), which was based on Becker's Pearl type. Downloads of his 1854 book: University of Michigan scan. For a Facsimile, see Becker's ornamental penmanship. A series of analytical and finished alphabets [FACSIMILE]. Free PDF file of the latter book. In 1993, Dover reprinted 23 complete alphabets in Ornamental Calligraphy [With 50 Plates] (Dover Books on Lettering, Graphic Arts & Printing). Local download of his 1854 book. [Google] [MyFonts] [More] ⦿ | |
As a student at MICA, Baltimore, MD-based Henry Becker designed the moiré-pattern typeface Chromogenic in 2015. Behance link. [Google] [More] ⦿ | |
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During his studies in Pforzheim, Germany, Hyo-Song Becker created the blackletter typeface Fraktaeder (2013). [Google] [More] ⦿ | |
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Hannover, Germany-based designer of the display typeface Nynxia Sign (2019). [Google] [More] ⦿ | |
Graphic designer in London. Creator of The Whole Racket (2013), a typeface and a logo for a music video and short film production company based in Brooklyn, NYC. Behance link. [Google] [More] ⦿ | |
During her studies at Appalachian State University, Meg Becker (Boone, NC) designed the very original multiline typeface Paradox (2014). [Google] [More] ⦿ | |
German designer (now based in Paris) who started out specializing in logotypes, and then spent a few years at URW in Hamburg in the type production department, before moving to Paris as a freelance designer. In 2018, he set up PB Types. His (mostly script) typefaces:
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In 2013, with Federico Neeva Orrù, he created a versatile octagonal multiline display family, Vasarely, named after optical artist Victor Vasarely. In 2014, Simon designed the manicured sans typeface family Helado together with Sabrina Ekecik and Benjamin Campana. Vagtur (a tweetware hybrid of VAG Rounded and Fette Fraktur) was co-designed with Sabrina Ekecik. In 2016, he designed the deco typeface Twokes. Behance link. [Google] [MyFonts] [More] ⦿ | |
Israeli designer of the Hebrew tape font Akum (2019). [Google] [More] ⦿ | |
Creator of Pascu 1 (2008). Born in 1992, she is from Santiago, Chile. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of Saber (2014, a stencil typeface with maori symbolism) and of the alchemic Symbols Typeface (2014). [Google] [More] ⦿ | |
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Felix Beckheuer set up his own type foundry in Germany in 2013. His typefaces include the geometric headline typeface Pavo (2013), which was inspired by Lubalin's Avant Garde. [Google] [MyFonts] [More] ⦿ | |
Aka L'Invisible. Creator of the free cuneiform-inspired typeface Nineveh (2015). [Google] [More] ⦿ | |
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In 2015, he started work on Graciosa, a revival of a typeface by Carlos Winkow, subsidized by the Spanish Ministry of Education, Culture and Sport. Graciosa, which has a gorgeous engraved style as well as four other styles, was published in 2021 by P22 as P22 Graciosa. [Google] [More] ⦿ | |
Canadian graphic designer and creative director Bob Beck has been living in the Montreal area since 1995. In 1999, he set up Dialekt Design. His typographic oeuvre is extensive:
Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Designer at AlphaBeck in the UK of the free font Bayou (2006), which can dbe downloaded here. [Google] [More] ⦿ | |
Designer of Billy Beck System 1, 2, 3 and 4 (VGC). [Google] [More] ⦿ | |
American designer (b. 1986) of the funky junkyard display typeface Elefunkt (2007). Home page. [Google] [More] ⦿ | |
San Francisco-based designer of the artsy typeface Tanah (2013). Behance link. [Google] [More] ⦿ | |
Creator of the free fonts Eka's Handwriting (2013) and Eka's Android Handwriting (2013). In 2014, he made the sketched typeface Striped Edges, which was created using Google Play Store's app, InstaFont Maker. [Google] [More] ⦿ | |
French designer of the modular color font Morphe (2019). [Google] [More] ⦿ | |
Prague-based creator of Angus (2014), a squarish typeface. [Google] [More] ⦿ | |
Riverside, CA-based designer of the poster typeface OC Life (2019). [Google] [More] ⦿ | |
Berlin-based designer who seems to have made some typefaces according to his Behance face, but I could find no confirmation that he has actually created complete alphabets. Before his Berlin stint, he studied communication in Barcelona. [Google] [More] ⦿ | |
Bolton, MA-based designer of a counterless experimental typeface in 2013. [Google] [More] ⦿ | |
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Marion Andrews, Malou Verlomme and Laurence Bedoin collaborated on the school fonts Écriture A and Écriture B which are presented in Modèles d'écriture scolaire (2013), a document issued by the French Ministry of Education. These fonts are available from Eduscol. [Google] [More] ⦿ | |
Parisian designer of the outlined typeface Bonobo (2013). [Google] [More] ⦿ | |
Professor of Applied Arts who graduated from Ecole Estienne. Designer (with H&eacut;loïse Tissot) of a French school font, which he presented in March 2005 during a meeting held at the National Museum of Edication in Rouen, France. The link given here refers to a PDF which contains the proceedings of that meeting. [Google] [More] ⦿ | |
Chihuahua-based Mexican designer (b. 1984) of Yodeb (2011) and Bedoy (2013). [Google] [More] ⦿ | |
Mumbai, India-based designer of Meitei Script (2018). Meitei Mayek was used for the Metei language (aka manipuri) spoken in the south-eastern Himalayan state of Manipur. It was replaced in the 18th century by Bengali. She also designed the Marathi font Tamasha (2018). [Google] [More] ⦿ | |
Parisian art director who created the lachrymal typeface Gouttype in 2014. Behance link. [Google] [More] ⦿ | |
Graphic design and brand identity specialist who created Subway, a sans face. At DsgnHaus in the 1990s, he made Azenormal. [Google] [More] ⦿ | |
As a student at Ecole de Design de Nantes Atlantique in Nantes, France, Claire Béduneau designed the sharp-edged display typeface Kenaz (2016). [Google] [More] ⦿ | |
Burlington, VT-based designer of Dextra (2017). [Google] [More] ⦿ | |
Christina Bee ("Krizbi") is a type designer from Darmstadt who studied in Den Haag at the KABK in 2006, where she designed the Renaissance Antiqua typeface Olga while doing a Masters. Olga won an award at TDC2 2007. Christina lives in Hamburg. She participates in Type Destroyers with Frederik Berlaen. Other typefaces by Bee: Pony (2007, stencil). [Google] [More] ⦿ | |
Indonesian designer of the bold script typeface Moonlight (2019). [Google] [More] ⦿ | |
Bangalore City, India-based designer of Monopod (2012), a geometric organic sans, and Absolute (2012), a display sans. [Google] [More] ⦿ | |
Anniksha Beejan, a graphic designer and illustrator in Port Louis, Mauritius, created a fresh and colorful floriated ornamental caps typeface (2012). [Google] [More] ⦿ | |
Freelance Swiss designer (b. Bern, 1978) who graduated in 2004 in visual communication from the Hochschule de Künste in Bern. Creator of the typefaces 3x3-block, 3x3-flat, 3x3-italic, 3x3-outline, 3x3 (2001) and Rotor (2003, sans). He also made Radion (2006), a minimalist futuristic typeface. Dafont link. [Google] [More] ⦿ | |
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Speaker at ATypI 2013 in Amsterdam. Dafont link. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
The font Stripes was made by 15-year old Ruben Beekman in the Netherlands. [Google] [More] ⦿ | |
Washington, DC-based designer of the handcrafted typeface Akemi (2016). Creative Market link. [Google] [More] ⦿ | |
Type designer, b. 1855 Philadelphia, d. 1934. He made a condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887, and digitally revived as Roundhead by Dan Solo (Solotype). In fact, this type already appears in an 1883 specimen book by Mackellar, Smiths & Jordan. For a second revival of Roundhead, see LevellerNF (2014, Nick Curtis). Still at Mackellar, he created a fist-based alphading typeface in 1891. Hansard (1887) and Telegraph (1895), Victorian designs, were also revived by Dan Solo. Manifesto Bold (2003, Dan Solo) is a further revival. Google patent link. MyFonts catalog. Klingspor link. Patent office link. [Google] [MyFonts] [More] ⦿ | |
Marty Bee is a designer and medical illustrator in Sulphur, LA. He has designed both free and commercial typefaces. His commercial fonts are available from Plazm and T-26: Slumgullion (1993, a party headline font), Flowerchild, CropCircles, Gargantua, SonofStarmanA, StarmanPict. At Plazm, he did Cibola (1995, nice dingbats), Wet and Wilde (1994) and Three Rivers (1994), for example. Some more fonts: Wildside (1994, angular and gothic), Cheap Motel, Halloweenies, Flowerchild, Sangreal (1994, gothic), Scaredycat, SidTheSpider, Slasher (2000), Slumgullion (1993, ornamental caps), Space Cowboy, Stiletto (2000), Saguaro (2000, angular), Cactus Pete, MyShoes, Tropicana (1994, chiseled look), Trapping, Galleon, Goblin Moon (scary), Ghost Bayou (blood drip face), Big Bubba, Lafitte (2000, a didone display face), Daytripper, Contraband (grungy), Fat (1994, oriental simulation face), Fat Sushi, Beatnik, Kerouac (1994, a Kafkaesque face), PostModern Oblique (2000), PricklyPear (2000, angular and angry), AtomicSushi. The font WheresMarty by an unknown designer is named after the world-wide search for Marty. Where are you, Marty? Free fonts at Fontspace: Freakout, Frankenstein, Atomic Sushi (1999, oriental simulation face), Manzanita (1990), Hill William (2011, brush face), Kris Kris (2000, gothic; an even sharper and more condensed version of Stiletto), Porpoise (1994, pixelish). FontShop link. Moorstation link, where one can also find Calypso (1997, after Excoffon's Calypso, 1958), which Marty claims as not done by him. The Calypso typeface at that site was made by Martin Pfeiffer, in fact. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Operating as Here Be Monsters and as Big Minion. UK-based designer (b. 1988) of the techno-experimental typeface Mixit (2014) and the squarish typeface family Bureau (2014: the shadow font is called Bureau Trend). Typefaces from 2017: Wonky Ron, HBM Penultimate (hipster style), HBM Forista (+Sketchy, +Woody), Flexure, HBM Ridge (techno), Infektion (gory font), Happy Times, Razed, HBM Serenity, HBM Serenity Symbolism (dingbats), Old Time Villain, Zool Lives (handcrafted), Dirtee Box (grungy). Dafont link. Home page. [Google] [More] ⦿ | |
Graphic designer in Amsterdam. Creator of the architecturally inspired sans typeface Haus (2012). Behance link. [Google] [More] ⦿ | |
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Mike Beens is a graphic designer specializing in hand lettering and identity design. Michael D. Beens graduated from the College for Creative Studies in Detroit. He was mentored by Lothar Hoffman, Jerry Campbell and Dick Isbell, and worked in Belleville, MI, for 25 years under the name Case Studio, Inc., and taught lettering and typography for fourteen years. He did custom jobs for General Motors and redesigned the Little Caesars logotype. While based in Southfield, MI, Mike won in the Chartpak Designer Velvet Touch Transfer Lettering Typeface Competition in 1988 for Muirfield Book. Designer of the sturdy text and large omnibus text family P22 Mackinac (2011). Images: i, ii, iii, iv. P22 link. [Google] [MyFonts] [More] ⦿ | |
Eindhoven, The Netherlands-based designer of Scratch Font (2015). [Google] [More] ⦿ | |
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Belgian designer at FontShop in 1993 of the FUSE font TV27. Born in 1971, he studied at St Lukas in Gent, and works as a freelance designer. [Google] [More] ⦿ | |
Graphic design student in Antwerpen, Belgium, who made this gorgeous faux Hebrew and faux Arabic typeface in 2004. Hrant Papazian raves about it, and calls its competitor, FF Falafel (Per Jorgensen, 2002), unsatisfying. [Google] [More] ⦿ | |
Designer who works for the BBC in London. He created BSLphabet in 2012, which works the British Sign Language into a sans typeface. Behance link. [Google] [More] ⦿ | |
FontStructor who made the dot matrix typeface Digi Digi (2010). [Google] [More] ⦿ | |
University link. [Google] [More] ⦿ | |
Graz, Austria-based designer of Mur (2020). [Google] [More] ⦿ | |
Graz, Austria-based illustrator and graphic designer who created the display typeface Mur (2018). [Google] [More] ⦿ | |
During her visual communication studies at ECV Provence, France, 2008-2012, Rosalie Begalla and Clara Lapprand designed the display typeface Medley. In 2015, now based in Miami Beach, FL, Roslaie created Incisive, which serves as a revival of the font used in the opening sequence of Erich Maria Remarque's movie All Quiet on the Western Front. Behance link. Cargo Collective link. [Google] [More] ⦿ | |
Munich, Germany-based designer of Vienna Classica (2014, a stencil didone) and Noham (2014, a playful redesign of Gotham). [Google] [More] ⦿ | |
At Yasar University, Dilara Begisi (Izmir, Turkey) designed the gridded typeface Bao Bao (2018). [Google] [More] ⦿ | |
French designer who has made some typefaces. [Google] [More] ⦿ | |
Animator and designer in Prague. He created the squarish script typeface Dyktaat (2009). [Google] [More] ⦿ | |
During his studies in Dublin, Ireland, Declan Behan designed Brathair (2017). Behance link. [Google] [More] ⦿ | |
During his studies in Dublin, Ireland, Declan Behan designed the multiline display typeface Lockup (2015) and the display typeface Brathair (2017). He explains: Brathair is a typeface that combines the characteristics of An Clo Gaelach (Gaelic type) with Slovak typography used on street signs, billboards and shopfronts during the Socialist period, particularly during the period of normalisation between 1960 and 1990. The typeface was created during my Erasmus semester at the Academy of Fine Arts and Design in Bratislava.Behance link. [Google] [More] ⦿ | |
Student at Parsons the New School for Design majoring in Communication Design. Behance link. Creator of the ultra fat blocky typeface Little Blocks (2011). You 've got to love her Whalee illustration. [Google] [More] ⦿ | |
Creative director in Toronto. Designer of the geometric typeface LAB 195 (2013). Behance link. [Google] [More] ⦿ | |
E A Behl Technologies in Clearwater, FL, (old defunct website) made (still makes?) fonts for the production of high-quality technical manuals and documentation. I guess, but am not very sure, that the designer's name is E.A. Behl. Typically, 5 to 10 USD per font: Video Screen family, Video Enhanced, Alphanumeric, Seven Segment, Dialtone, Plasma 16. See also here or here, here or here. [Google] [More] ⦿ | |
Klingspor link. [Google] [More] ⦿ | |
Communication designer in Dortmund, Germany, who designed the information design icon font PB Info in 2019. [Google] [More] ⦿ | |
Designer at SignDNA who made the comic and signpainting typefaces ChicagoStyle, NewCity, SantaFe, KedzieLite, Heading Script, Pravda Casual, Pulaski Script, Archer, Harlem. Behounek's bio states: Bob Behounek is a journeyman sign artist from Chicago, Illinois, plying his trade for 35 years. He has been a contributing editor for SignCraft Magazine since 1982. "I created these alphabets basically as a foundation to intermix, stretch, enlarge or do just about anything a signpainter would use to handletter the most fun-action words with readability as a priority! Do not limit yourself to what you see... but what you can create." Sign DNA link. Klingspor link. [Google] [More] ⦿ | |
Bochum, Germany-based typographer who created, I think, a typeface called Manifest (2014). [Google] [More] ⦿ | |
Graphic designer and illustrator from Hannover, Germany. During his studies at the University of Appliedc Sciences and Arts in Hannover, he created a rounded bold sans typeface called Manchester (2012). [Google] [More] ⦿ | |
Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿ | |
Complink. MyFonts page. Klingspor link. View typefaces. [Google] [MyFonts] [More] ⦿ | |
Designer in Taichang, Taiwan, who created the monoline sans typeface Tunnel in 2016. [Google] [More] ⦿ | |
FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
American creator (b. 1993) of the techno typeface Sprawl (2012). [Google] [More] ⦿ | |
In 2014, he created the free font Densia Sans, which is condensed and has a tall x-height and some contrast. Graviola (2014) is a soft sans family, with possible applications in information design and wayfinding. It won an award at Tipos Latinos 2016. In 2016, he published Graviola Soft, an even softer version. He also published the fresh corporate sans typeface family Malva, which can be recognized by the typically Latin American curvy tail on the lower case a and l. Malva was a winner at Tipos Latinos 2018. A variable font option was added in 2019. In 2017, Henrique Beier published Rocher, a wonderful layered stone emulation font, Flintstone style. It won an award at Tipos Latinos 2018. He has a free variable color version with bevel and shadow axes, Rocher Color (2018). In 2019, Henrique Beier and Ana Leydner, assisted by Luisa Leitenperger, co-designed Kiperman at Harbor Type. This sturdy 4-style text typeface family pays homage to Brazil's publishing icon Henrique Leao Kiperman (d. 2017). Harbor Type also released the branding and packaging sans typeface family Dona in 2019. In 2020, Henrique Beier joined Fabio Haag Type, where he promptly published the circular sans family Igual. In 2021, he assisted with the engineering and design of Salva (Fabio Haag Type), a versatile workhorse sans family: Eduilson Coan was the lead designer. He was supported by the Fabio Haag Type team of Henrique Beier, Ana Laydner and Fabio Haag himself. Seiva (2021). Designed by Henrique Beier, Eduilson Coan and Fabio Haag, this distant relative of Didot is an exotic sans family. Partitioned into Text, Display and Poster subfamilies, it also welcomes variable font technology. [Google] [MyFonts] [More] ⦿ | |
Author of Reading Letters: Designing for Legibility (2012) and Type Tricks (2017). Designer of these typefaces:
Speaker at ATypI 2011 in Reykjavik. Speaker at ATypI 2013 in Amsterdam on the subject of typeface legibility. Her talk at ATypI 2014 in Barcelona was entitled The voice of a typeface. Speaker at ATypI 2014 in Barcelona. Speaker at ATypI 2016 in Warsaw on The legibility of letters and words and at ATypI 2017 in Montreal on The legibility of numerals. Speaker at ATypI 2018 in Antwerp on the topic of stroke weight and letter width. Speaker at ATypI 2019 in Tokyo on the topic of Age-Related Deficits and Their Effects on Reading. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Baltimore, MD, who created the display typeface Dagger (2012). [Google] [More] ⦿ | |
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FontShop link. MyFonts link. [Google] [MyFonts] [More] ⦿ | |
Austrian designer of the sticky tape typeface Indu (2016). [Google] [More] ⦿ | |
Santarem, Portugal-based designer of Radical (2018). [Google] [More] ⦿ | |
For a school project, Joana Beja (Aveiro, Portugal) designed the new deco typeface Throwback (2017). [Google] [More] ⦿ | |
French designer Pascal Béjean has designed Son in 1996 for Bulldozer. Available at Typotek. Bulldozer (Labomatic) was created in 1995 in Paris by 4 designers interested in a wide variety of graphical expressions. Gaël Etienne designed Labomatic (1999). [Google] [More] ⦿ | |
Author of Font Design (2018, Huis van het Beeld, Brussels). Johnny Bekaert designed these fonts: Oneline (1971), Urbas (1976), Scrittostyle (1985), Fridabrush (1986), Plowboys (1988), Hibblesibble (1990, deco style), Xorkaz (1991), Thingydingy (1992), Bruxell (1996, a redesign of a font by Jacques Richez, 1957), Zuzulma (1997, angular and expressionist), Razor Dina (1998, dada style), Cakewalk (1999), Theo & Phil (2000), Gasbangers (2002), Blind Liddy (2003), Archie Teck (2003), Fridadida (2005), Bettsie-X (2008), Tweedledum (2010), Roswellian (2013, a UFO font), Struktura (2013-2014), Blacknoir (2014), Blackblanc (2014), Enozeno (2015, a compass-and-ruler typeface), Kublar (2015), Zapristie (2014-2015), Delphis (1993), Quodic (2015), Oscura (2016). [Google] [More] ⦿ | |
Hungarian designer of the SVG font Zorka (2019). [Google] [More] ⦿ | |
Her first typeface is the plump Havanna Display (2016). Other typefaces from 2016 include the angular Dutch Winter. In 2019, Nora Bekes and Celine Hurka published Reviving Type. The book as described by them: One study tells the story of the Renaissance letters of Garamont and Granjon. The other is about the Baroque types of Nicholas Kis. Reviving Type guides the reader from finding original sources in archives, through historical investigation and the design process, to a finished typeface. The first, theoretically grounded part of the book provides insight into historical changes in type design through visual examples of printed matter. The second part offers a thorough explanation of the production process of the revival typefaces. Here, two different approaches are placed side by side, creating a dialogue about different working methods in type design. Technical details, design decisions, and difficulties arising during the design process are thoroughly discussed. Rich imagery of original archival material and technical illustrations visually buttress the texts. Taken as a whole, the publication becomes a cookbook for anyone wanting to dive into revival type design. Speaker at ATypI 2019 in Tokyo. [Google] [More] ⦿ | |
Type designer, b. 1869, Mainz, d. 1909, Nürnberg: Hermann Bek-Gran-Schrift (1905-1906, blackletter typeface at D. Stempel). [Google] [More] ⦿ | |
Rotarian Alp Bekisoglu from Rotary Club of Damansara, Kuala Lumpur, Malaysia, created the RotaryInternational dingbat font (2000). [Google] [More] ⦿ | |
As a student at Design College Australia in Brisbane, Neesh Bekker created the ball terminal laden typeface Elysees (2015). [Google] [More] ⦿ | |
Morton Bek (Denmark) used to run The Tolkien Homepage. He designed the free fonts Futharken (1995; old Swedish/Norwegian from 700AC), Moon Runes (1995; Anglosaxon runes, supposed to resemble the writings on the maps from The Hobbit, by J.R.R.Tolkien) and Angerthas-Moria (1997; a Cirth font). Alternate page. Yet another URL. [Google] [More] ⦿ | |
During his studies in Athens, Greece, Haris Bekrakis created the hexagonal alchemic typeface Inguz (2013) for Latin and Greek. [Google] [More] ⦿ | |
François Belair, an ex-graduate student from McGill University in Montreal, has written a driver for a SumaTech Pad that allows one to write on a pad with a magnetic pen, capture the important points of the strokes and make Bézier curves for a PostScript type 3 font (based upon the algorithms of Knuth and Hobby explained in Knuth's The Metafont Book (Addison-Wesley, 1986)). [Google] [More] ⦿ | |
Calligrapher who started out as a graffiti artist in Montreal. Presently he teaches at Cegep Marie-Victorin. In the early part of his career, he created the pixel / dot matrix typeface family Knitmap in 2004 at 2Rebels in Montreal. After the sale of 2Rebels to Fonthaus, one can obtain the typeface via FontHaus. [Google] [MyFonts] [More] ⦿ | |
During her studies in Montreal, Stephanie Belanger created a curly descendant of Ellington MT and called it Vaudou (2014). [Google] [More] ⦿ | |
Argentinian designer (b. 1988) of Bleach Font (2005). Fontspace link. [Google] [More] ⦿ | |
Paris-based designer of New Wave Font (2015, thin avant-garde sans). Behance link. [Google] [More] ⦿ | |
Designer of the free sans all-caps typeface Eret (2012, FontStruct). FontStruct link. [Google] [More] ⦿ | |
Aka Mohamed Amine Belcaid. Casablanca, Morocco-based designer of the animated display caps typeface Meed's (2015). Free download. Behance link. Home page. [Google] [More] ⦿ | |
Casablanca, Morocco-based designer of Untitled (2017, a dusty alphabet) and Bitcount (2017, a pixel font). [Google] [More] ⦿ | |
During her studies in Rome, Giulia Belcastro created the modular typeface Negative Circle (2014). [Google] [More] ⦿ | |
During his studies at FADU / UBA in Buenos Aires in 2012, Ignacio Belderrain created the dingbat typeface Super Stewies, which was inspired by Stewart Griffin, known as Stewie Griffin of The Family Guy. [Google] [More] ⦿ | |
During her studies at the British High School of Art and Design in Moscow, Polina Belenchuk designed the outlined display typeface Kapusta (2014). [Google] [More] ⦿ | |
Professional lettering artist in Chicago, who created the display typeface JJBLN (+Outline) in 2016. Behance link. Creative Market link. [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer of the colorful Cyrillic initial caps alphabet Razrabotka (2017). [Google] [More] ⦿ | |
Buenos Aires-based creator of the graffiti-inspired typeface Maribel (2014). [Google] [More] ⦿ | |
Designer in Greenville, SC. He created the Peignotian typeface Contempo (2011). [Google] [More] ⦿ | |
American creator of a grungy face in 2011. No downloads. [Google] [More] ⦿ | |
Designer from Lasalle, Quebec who created a Chinese zodiacal sign typeface in 1979. Google patent link. [Google] [More] ⦿ | |
Designer at Atomic Media of Schmoutz, an interesting cartoonish dingbat font. [Google] [More] ⦿ | |
Designer of the free five-style techno font family Nultien (2021). [Google] [More] ⦿ | |
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Vilnius, Lithuania-based designer of the dreamy display typeface Fata Morgana (2020). [Google] [More] ⦿ | |
Russian designer of the handcrafted typeface Gabriell (2015) and the fat finger font Dmilid (2015). Creative Market link. [Google] [More] ⦿ | |
Hungarian designer. He created these typrefaces in 2012: Kilimanjaro GT, Open Mind Sans. [Google] [More] ⦿ | |
Designer in Buenos Aires who created the art nouveau typeface Cliché's (2013). [Google] [More] ⦿ | |
Creator of the stitching font Zigie Zag (2009). [Google] [More] ⦿ | |
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Podolsk, Russia-based designer of the hipster Cyrillic typeface Trifont (2015) and the deco Cyrillic font Kit (2015). [Google] [More] ⦿ | |
Odessa, Ukraine-based designer of the display typeface Heimdall (2017). Behance link. [Google] [More] ⦿ | |
Octavan Belintan (Colorblind Studio, Arad, Romania) created the free triangulated caps typeface Adamas (2012). Free download. Behance link. Fontspace link. [Google] [More] ⦿ | |
Based in Marrakech, Morocco, Laila Belkaziz created the experimental typefaces Mon Empreinte (2014)(and Virgule (2014), which is entirely composed of capital J's. [Google] [More] ⦿ | |
FN Font was set up in 2018. Designer of FN Dagon Deco (2019). Future fonts include FN Coco Sans and FN Quorum Sans. [Google] [More] ⦿ | |
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Buenos Aires-based graphic designer, b. 1994. She created the pixel typeface Uhlala (2010). [Google] [More] ⦿ | |
In 2015, at Microsoft, he designed the free sans typeface Selawik, which is metrically compatible with the infamous Segoe UI. Selawik now also exists as a variable font. In 2016, het up his own type foundry in Seattle, Saja TypeWorks. At Saja TypeWorks, he published the sans-serif typeface Salish, which is inspired by the art of the Salishan tribes in the Northwest Americas: It draws heavily on the concept of the ovoid, a wide ovular shape that is flat on the bottom and top heavy, that is central to the art style known as Formline. Language support includes some 200 Latin-based languages as well as the necessary orthographies for all Salishan languages, including: Comox, Sliammon, Klahoose, Pentlach, Sechelt, Squamish, Halkomelem, Nooksack, Straights Salish (Saanich), Lushootseed, S'Klallam, Quinault, Upper Chehalis, Lower Chehalis, Cowlitz, Bella Coola, Ditidaht, Tseshaht, Nuu-chah-nulth, Ehattesaht-Nuchatlaht, Kwak'wala, Shuswap, Lillooet, Thompson River Salish, Coeur d'Alene, Columbia-Moses, Colville, Okanagan, and Montana Salish. Haida (a non-Salishan language) is also supported. At FontStruct, he designed Syzygy. In 2017, he published HWT Aetna at P22. Aetna is a sturdy roman wood type first see in William H. Page's 1870 specimens. Aaron Bell digitized the free logo font Air America in 2018. He writes: This font was produced for William G. Sherman who recreated this alphabet from samples of the logo and other sources from the airline company Air America. In 2018, he published the free DIN-based sans typeface Bahnschrift for Microsoft at Open Type Library. The font posted at Open Font Library is flawed (look at the capital A), so I wonder if that post was done by an impostor. Bahnschrift was the basis of his 2021 typeface, Grandview, which could be tipped by Microsoft to replace Calibri---in use since 2007--in its Microsoft 365 apps and Office products. Typefaces from 2019: Industrial Spill (with Dave Savage), Tipsy Waitress (beatnik, cartoonish; with Dave Savage), Super Chill MC (with Dave Savage). For Microsoft's Windows 10, he designed the open source monospaced font Cascadia Code. The plan is to add support for Greek, Cyrillic, Vietnamese, Arabic and Hebrew during 2020. TeX support for Cascadia Code. Speaker at ATypI 2012 in Hong Kong: Seeking the Korean true italic. Speaker at ATypI 2013 in Amsterdam: Directionality in Korean type design. Fontsquirrel link. [Google] [MyFonts] [More] ⦿ | |
Designer in 2016 of the free handcrafted typeface Mariah Openface at iFontMaker. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Creator of the octagonal family called Longhorn (2012), which includes a 3d style as well as a stencil style. [Google] [MyFonts] [More] ⦿ | |
A few archived fonts at this gothic font site. Includes some original fonts by "Belladonna": Flatley, Gothic Love Letters (semi-blackletter), Aelfa (calligraphic). Dafont link. Fontspace link. [Google] [More] ⦿ | |
Graphic designer in Gent, Belgium, who created an untitled counterless typeface in 2014. [Google] [More] ⦿ | |
Designer of Morphine Jack (2003) and the nice but gory blood splatter typeface Dark Theater (2003). Dafont link. [Google] [More] ⦿ | |
Andrew Bellamy designed 64-SRC (2017), a rare condensed monospace font inspired by IBM's Selectric type from the 1960s. His 57 Nao (2016) is a revival of a Japanese typewriter font from the 1950s called Messenjaa. They explain: Designed in 1950s Japan by Okanao & Kushiro, the perfect partnership until artistic temperaments drove them apart. The duo spent years crafting the font with the working title Messenjaa, Okanao bringing technical expertise to craft letterforms, while Kushiro made it his life, obsessively working late into the night to check pages for errors. For him the project was never about making money, it was an artistic endeavor to reprint the great Western works of literature. When he found out Okanao had secretly sold the rights of the font for use as a logo for a major Japanese manufacturer, Kushiro burned all evidence of the designs in a fit of passionate fury. The two reportedly never spoke again. Messenjaa was thought lost forever until a type specimen was discovered in a vintage typewriter box bought on eBay. Now redrawn and available as 57-nao, a faithful and beautifully crafted monospace characterized by what is considered Okanao's defining moment, the angular loop on the lowercase a. 52-Kfx (2017) is an extra tall sans typeface. 35-FTR (2017) was custom drawn specifically for the book Analogue Photography which required the timeless elegance of Futura and the compact utilitarian typesetting of Helvetica. In 2018, he designed the fashion mag typefaces 19Pra and Coutura Sans. In 2019, Bellamy published OC Bartok (a wedge serif), OC Pajaro (a sans family between Futura and Akzidenz Grotesk), OC Format Sans (a geometric grotesk sans serif that fuses the style of Futura with the rhythm and proportions of Akzidenz), OC Rey. Typefaces from 2020: OC Format Stencil (a variable font design inspired by the work of Bruno Munari, Paul Rand, and Max Huber), OC Format Collage, OC Format Shards. A special mention for the masking tape font OC Revolt, a variable display font made for the protest graphics of the NYC-based Trump Brexit era Non-Complicit project who initially made guerrilla type with masking tape applied directly in situ or to silk screens. Typefaces frm 2021: OC Highway Var (a free variable font based on Highway Gothic). It builds on Ash Pikachu's free Highway Gothic font. [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2021: Adverb Mono (influenced by OCR-A (1966, American Type Founders) and Frutiger's OCR-B; developed for a masterclass at IED Florence in 2020), Gerucht 2.0 (a 6-style grotesk originally designed in 2019). Typefaces from 2022: Jungler (a comic book font). [Google] [MyFonts] [More] ⦿ | |
Parisian illustrator who created an untitled experimental typeface in 2013. Behance link. [Google] [More] ⦿ | |
Graphic designer in Angers, France, who proposed a grid for creating circle-based outline typeface s in 2015. [Google] [More] ⦿ | |
Twitter page. [Google] [More] ⦿ | |
Rio de Janeiro, Brazil-based designer of Fonte Display No 4 (2019). [Google] [More] ⦿ | |
Los Angeles-based graphic and type designer (b. 1994, Scottsdale, AZ) who studied at Chapman University. He designed the children's script typeface Mathieu (2016). Behance link. [Google] [MyFonts] [More] ⦿ | |
Farroupilha, Brazil-based designer of the experimental typeface Planetarium (2015). [Google] [More] ⦿ | |
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Orlando, FL-based graphic designer who made the ultra fat typeface Blockhead (2008, FontStruct). [Google] [More] ⦿ | |
Brisbane-based designer of the minimalist monoline geomnetric sans typeface Loft Sans (2012). [Google] [More] ⦿ | |
Manchester, UK-based student-designer of an experimental geometric typeface (2015). [Google] [More] ⦿ | |
London, UK-based designer of the free pixelish blackletter typeface Frakture (2017), the ribbon typeface Neo Rotunda (2017), and the brutalist Beton Brut (2017). Behance link. [Google] [More] ⦿ | |
During her studies at LISAA Rennes (France) in 2016, Sandy Bellec designed a paperclip typeface. [Google] [More] ⦿ | |
Brazilian designer (b. 1988) of the geometric sans Crop Types (2008). Alternate URL. At FontStruct, he made Mary Jane (2008) and Utitled Yet (2009, dot matrix face). [Google] [More] ⦿ | |
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Wikipedia link. More on his typeface. Another wikipedia link. [Google] [More] ⦿ | |
Grenoble, France-based designer of the circle-based typeface Omahas (2016). Behance link. [Google] [More] ⦿ | |
Designer of Elite (1984, with David Braben). [Google] [More] ⦿ | |
Washington, DC-based designer of Kaleidoscope (2014), a typeface based on Univers. [Google] [More] ⦿ | |
Barcelona-based designer of Icarus (2015). [Google] [More] ⦿ | |
Piracicaba, Brazil-based designer of these typefaces in 2014: Mermaid Hooker, Scheibe (Greek simulation font), Heavy Fancy. [Google] [More] ⦿ | |
Savio Bellini (Bellini Studio, Capua, Italy) designed the free monoline sans typeface Inprimis (2016) and the informal typeface Sgriffo (2016). In 2018, he designed the semi-stencil typeface Omologo and the ampersand typeface Etaday. In 2019, he designed the handcrafted typeface Impreciso. [Google] [More] ⦿ | |
Brazilian creator at Unique Types of the free fat counterless octagonal typeface No Access (2011). [Google] [More] ⦿ | |
Marseille, France-based designer of the experimental monolinear sans typeface family Bebel (2021). [Google] [More] ⦿ | |
Terni, Italy-based creator the monospaced alchemic typeface Chroma (2013). Behance link. [Google] [More] ⦿ | |
Salaheddine Bellizi is a typographer and 3D designer at Babelfont Studio. He studied at the ESAV (School of Visual Arts) in Marrakech, Morocco, and specializes in Arabic calligraphy and typography. He also works intermittently as an assistant at ESAV Marrakech. [Google] [More] ⦿ | |
Designer of the LeWitt typeface family (2013, Angular, Wave, Regular). Student at the Pratt Institute (New York) in 2013. [Google] [More] ⦿ | |
American multimedia artist. Designer of the cartoonish dingbat font Decanter (1999), the spindly gothic typeface Fiddums Family, the fat typeface Casper, and of Godfather (2001, after the film). In 2010, he created TR2N, a futuristic typeface based upon the poster text for the TRON LEGACY movie. Dafont link. Klingspor link. Home page. Devian tart link. [Google] [More] ⦿ | |
Graphic designer in Gambrills, MD, who created the stencil font Celabracion (2013). [Google] [More] ⦿ | |
Graduated of the Art Institute of California in Santa Ana. Jessica Bell (Jessica Bell Designs, Honolulu, HI) created the modular display typeface Crux (2013). Behance link. [Google] [More] ⦿ | |
A graduate of UCLA and Otis/Parsons, Los Angeles-based Jill Bell has worked as a graphic artist, primarily creating letter forms, logotypes, signage, calligraphic elements, icons, and handwriting pieces, starting ca. 1980. At one point, she worked as sign painter in a shop and as a production artist for Saul Bass. Original fonts and artwork by Jill Bell include It's A Breeze, ITC Clover (1997), ITC Gigi (1995), ITC Hollyweird (1995), ITC Carumba (1995), ITC Caribbean (1996), ITC Smack (1995, ink-stain typeface), ITC Stranger (1997), Jill's Miro, Bruno (handwriting font), Swank (2000, Agfa: a fuzzy-edged calligraphic font). At TypeCon 2016 in Seattle, she had a timely talk: The Best of Clients at the Craziest Time: Hand-lettering & Font Design for the Trump Hotels. The abstract: It began with creating a logotype for The Spa by Ivanka Trump. The lettering was so well received by Ivanka, their ad agency and others running the Trump hotel empire that Bell's lettering quickly became the de facto style for their current advertising and branding: from hand-lettered headlines to a font to be used throughout the Trump hotels. Autobiography. FontShop link. [Google] [MyFonts] [More] ⦿ | |
John Tranter tells the story: John Bell, an English publisher and bookseller, advertised a book called The Way to Keep Him in The World newspaper in London in June 1787, saying: 'J. Bell flatters himself that he will be able to render this the most perfect and in every respect the most beautiful book, that was ever printed in any country.' That was a tall order. In his quest for perfection he set up a type foundry, and hired a young punchcutter named Richard Austin to cut a new typeface for him. The face, named after Bell, was based on a typeface designed some thirty years before by John Baskerville, another perfectionist. Baskerville had said 'Having been an early admirer of the beauty of Letters, I became insensibly desirous of contributing to the perfection of them.' Though Baskerville went broke eventually, his typeface was indeed very close to perfection, and went on to become one of the most popular typefaces of all time. John Bell's type foundry didn't do well. He closed down his shop within two years and went on to other things, and his typeface sank almost without trace in England. Newer trends in typefaces (Didot in France, and Bodoni in Italy) eclipsed the modest elegance of Richard Austin's design. The Americans, though, took a shine to it. It was copied as early as 1792, and always remained popular there. A complete set of type cast from Bell's original matrices was purchased by the American Henry Houghton in 1864 and installed at his Riverside Press. He thoughtlessly labelled it 'English Copperplate'. Later, the distinguished American book designer Bruce Rogers used the typeface frequently, naming it 'Brimmer', after the author of a book he'd seen the typeface used for when he worked as a young man at the Riverside Press. The designer Daniel Updike also worked at Riverside, and also used the 'English Copperplate' type extensively in later years, naming his version of it 'Mountjoye'. Bell's type would have remained obscured by these disguises perhaps forever, but for the alert eye of Stanley Morison. He was doing research at the Bibliothèque Nationale in Paris in 1926 when he came across a copy of the first specimen sheet of type samples issued from John Bell's foundry in 1788. No copy of it existed in England at that time, and Morison recognised the typeface immediately as the original of the 'Brimmer' and 'Mountjoye' fonts used in America. He researched the matter and in 1931 published an important monograph which, as the type scholar Alexander Lawson says, 'returned the name of John Bell to its proper place in the pantheon of English printers'. The typeface was unique in another way. Until Richard Austin cut the typeface in 1788, all numerals were traditionally written like lower-case letters -- small, with some numerals hanging below the line. Bell is the first typeface to break with that tradition cleanly: Austin's numerals are larger than lower-case letters (at two-thirds the height of the capitals) and sit evenly along the line. The trend was taken up. These days the numerals in most printed matter are (unfortunately) the full size of the capital letter, and are called titling figures, ranging figures, or lining figures. | |
During his studies, Aberdeen, Scotland-based Jonathan Bell designed Stoneywood (2018). [Google] [More] ⦿ | |
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Graphic designer from Waco, TX, working in Santa Fe, NM. He started making some typefaces during his studies in 2012, but these remain unnamed and unpublished. [Google] [More] ⦿ | |
Justin Bell is a graphic design student at the University of Kansas, 2008-2012. Behance link. In 2010, he created a modified version of Helvetica by using horizontal stripes and filling in the counters. [Google] [More] ⦿ | |
American creator (b. 1992) of Death Note Font (2009), modeled after the font used on Light/Ryuk's Death Note. [Google] [More] ⦿ | |
Based in London, Laura Bell experimented with type in 2015. Her creations include Black and the modular typeface Barbican that was influenced by the work of Jonathan Barnbrook. [Google] [More] ⦿ | |
Yet another URL. This site offers free demo fonts by Rubicon: Bentley (Bembo-like), BurnettDemo-Normal, FrobisherCondDemo-Normal, FrobisherCondDemo, FrobisherDemo-Normal, FrobisherDemo, GisborneDemo, GuilfordDemo-Normal, GuilfordDemo, HilbertNeue, HilbertNeueCondDemo-Normal, HilbertNeueCondDemo, HilbertNeueDemo-Normal, HudsonCondDemo, HudsonDemo, IGaramondDemo-Normal, IGaramondDemo, Karat, KaratDemo-Normal, OpulentDemo-Normal (humanist sans), OpulentDemo, SGaramondDemo-Roman, SGaramondDemo, TribuneCondDemo, TribuneDemo, UranusCondDemo-Normal, UranusCondensedDemo, UranusDemo-Normal, UranusDemo. [Google] [More] ⦿ | |
Glen and Jessa Bellman (Fabled Graphics, Geelong, Australia) designed Studio Hand and the handcrafted Spiderling and Happy Glen in 2016. Creative Market link. [Google] [More] ⦿ | |
During his graphic design studies at FADU UBA in Buenos Aires, Andres Silva Bello created the art deco typeface Love Trucha (2013). [Google] [More] ⦿ | |
Athens, Greece-based designer of the labyrinth-based typeface The Maze (2016). He designed The Maze (2016), which was inspired by the movie The Maze Runner. [Google] [More] ⦿ | |
In 2017, he designed the dynamic hand-printed Boluda. Behance link. Behance link for JNP Design. Creative Market link for JNP Studio. [Google] [More] ⦿ | |
In 2020, he released Closeby (ultra-condensed, rounded, italic) and Tocco (which is based on chunks of wood type; it includes a variable style) at Papanapa. Thiago also created the custom typeface Bib Sans (2021) at Papanapa. [Google] [MyFonts] [More] ⦿ | |
Mushroom Type home page. Behance link. Behance link for Mushroom Type. [Google] [MyFonts] [More] ⦿ | |
P.J. Bell (MIXFIT) lives in Los Angeles. A digital artist, he made the counterless experimental typeface No Retnuoc in 2010. [Google] [More] ⦿ | |
Designer of Echo (1956-1957, Stephenson Blake), a fuzzy outline font, Consort Italic (1958, Stephenson Blake), and Wide Sans (1956, Stephenson Blake). [Google] [More] ⦿ | |
During her studies, Evelyn Bellreng (Niagara Falls, NY) used pieces of a can opener to design the experimental typeface Obscura (2017). [Google] [More] ⦿ | |
British creator of the experimental hexagonal typeface Triso (2008). [Google] [More] ⦿ | |
Sculptor and graphic designer Robert Bell runs Typerbole, and is located in Wollongong, Australia. At Garagefonts, he designed Ecliptica Sans, Serif and Round (2002), which became Bitstream fonts in 2004, sold as Ecliptica BT. At T-26, he created the techno font Kono (2002), Trez (2004), the 4-weight flared lettering family Boler (2003), Boler Round (2004), Almonda Condensed (2004) and Almonda (2003). At Union Fonts, he designed Zeon (2004). Other typefaces include Chromage (2016), Architect's Blocks (a 3d typeface), Alluvia and Pagenta Surf Gothic. FontShop link. Klingspor link. Behance link. [Google] [MyFonts] [More] ⦿ | |
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Motion designer in Sao Paulo, Brazil. Creator of the neurotic squarish typeface Fragmento (2014). Home page. [Google] [More] ⦿ | |
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Creator of the hand-printed typefaces Friendly Note (2012, iFontMaker) and Calligraphish (2012, iFontMaker). [Google] [More] ⦿ | |
Home page of this French graphic designer. He created the bewitched angular typeface RqF (2008). [Google] [More] ⦿ | |
In 2008, they published the hairy multiline typeface Mink and the linocut emulation typeface Linostate. They also designed the blackletter typeface Heinrich. [Google] [More] ⦿ | |
Mataro, Spain-based creator of the modular typeface Ox (2013). [Google] [More] ⦿ | |
In 2015, she designed Di Mare, a layered script inspired by Italian restaurant and cafe signs. In 2016, she designed MT Brush, Allister Rough, the brush signage typefaces Mixed Tape and Mixed Tape Rough, and the heavy monoline script typeface Jonesy. Typefaces from 2017: Eldwin (The Northern Block: a connected script), New Jonesy Latin, Luna Brush (brush script). Typefaces from 2018: Frederik (a great Latin / Cyrillic humanist sans family published by The Northern Block in 2019), Garnet (Capitals and Script, with a great Inline). [Google] [MyFonts] [More] ⦿ | |
Moscow-based designer of the blackletter typeface Why Tiger Gothic (2017). [Google] [More] ⦿ | |
Behance link. [Google] [MyFonts] [More] ⦿ | |
Thailand-based designer of Cracked Stone Alphabet (2015). Home page. [Google] [More] ⦿ | |
Florence, Italy-based designer of Albe Font (2014, imitating calligraphy), and a few experimental typefaces. [Google] [More] ⦿ | |
Graphic designer in Moscow, who created the Latin / Cyrillic typeface Russian Dolls (2012, free) and the sci-fi typeface Axis Modul (2012). [Google] [More] ⦿ | |
During his studies, Itu, Brazil-based Jonathas Beloni designed the display sans typeface Beloni Unclosed Sans (2015). [Google] [More] ⦿ | |
Russian designer (b. 1975, Moscow) who won an award at Bukvaraz 2001 for Handmade (hand sign font), and for Rouble, a minimalist Latin/Cyrillic font made in 1999-2001. He received a TypeArt 05 award for the dingbat family Astra. Other typefaces include Lenta, Moloko and Svoboda. He graduated from Moscow State University of Art (named after S. Stroganov in 2001). The astronomical signs font Astera was published by Paratype in 2008. Other Paratype fonts by him include Brusque (2008, renamed Rouble), Cliche (2008, stencil face), FastFingers (2008, remake of Handmade), Powerview (2010, with Yana Kutyina), Chetwerg (2014, which won an award at Modern Cyrillic 2014), and Vataga (2008, a human typefaces dingbat font co-designed with Yana Kutyina). [Google] [MyFonts] [More] ⦿ | |
Parisian designer of the custom display typeface JPO (2014). [Google] [More] ⦿ | |
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Graphic designer in Lyon, France, who created Robotto (2016, with Sandro Salomone), a font designed for Aldebaran's identity. It is based on the original Aldebaran Futura-style logo. [Google] [More] ⦿ | |
Designer in Berdyansk, Ukraine, who created Lombard (2013, a blackletter typeface for Latin and Cyrillic). [Google] [More] ⦿ | |
Russian creator of a nail-themed all caps Cyrillic typeface in 2012. [Google] [More] ⦿ | |
Athens, Greece-based designer of the squarish typeface Parallel Thoughts (2015). Behance link. [Google] [More] ⦿ | |
In 2018, Mirela Belova and Svetoslav Simov co-designed the 20-style geometric sans typeface family Mont. Codesigner of Mozer (2019, by Svetoslav Simov, Ani Petrova, Mirela Belova and Nikolay Petrousenko: a condensed headline sans family that covers Latin, Greek and Cyrillic; Mozer SemiBold is free). In 2020, Stan Partalev and Mirela Belova set up Spacetype. In 2020, Mirela Belova and Stan Partalev co-designed the 22-style (+variable) geometric sans family Gogh at Spacetype. Typefaces from 2021: Steam (a 13-style layerable Western family that emulates wood type; with Stan Partalev), Code Next (a 20-style geometric sans by Svetoslav Simov, Mirela Belova and Stan Partalev; it includes two variable fonts). Garet (2021) is a 22-style (+variable) geometric sans family by Mirela Belova and Stan Partalev. Dedicated page. [Google] [MyFonts] [More] ⦿ | |
Russian graphic designer. She made the neon-sign based Cyrillic typeface Provoloka (2009). [Google] [More] ⦿ | |
During her studies in Buenos Aires, Rocio Alvarez Bel designed a deco typeface (2017). [Google] [More] ⦿ | |
Scandinavian designer of the handcrafted Halloween typeface Mischano (2018)a, the textured typeface Atribalize (2018), the blackletter tattoo font Skandinav (2018), and the old typewriter font duo Versaint (2018). His typefaces often come with great sets of icons or extras. [Google] [More] ⦿ | |
Designer of Frankfurter (1978-1981, with Alan Meeks and Bob Newman, who did the original Letraset design in 1970), Victorian Inline Shaded (1980, Linotype) and the curly Belshaw EF (1980, Linotype). FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿ | |
This American company is called 33 Third, MTN, Molotow Belton, Graffiti & Arts Supplies, and Montana Paint. I assume (wrongly?) that Molotow Belton is the name of the designer (b. 1977). | |
The list of fonts, all made between 2006 and 2008: Tulip, Fragments of Eter (2007, upright connected paperclip script), Next Level (display sans), Ironbeauty, Esquizofrenia (grunge), Nü, Yellow Move (a great art deco sans), The King and Queen (2007, grunge medieval calligraphy), Foelia (dot matrix), Ank (2007, grungy sketch face), Nü Creactivo 2008 (spurred Western face), Further, One and Four, Quiñók (2007, experimental), Defekto (2007, gothic), Mondula (more calligraphic grunge). Alternate URL. [Google] [More] ⦿ | |
Typographer and designer at TV Globo, Brazil. He designed the squarish typefaces Retour (2012) and Sauer (2011). Cargo collective link. [Google] [More] ⦿ | |
During her studies in Madrid, Ana Beltran designed a Mondrian-inspired typeface in 2015. Behance link. [Google] [More] ⦿ | |
Santa Tecla, El Salvador-based student-designer of the Chinese ink font Pagis (2016). [Google] [More] ⦿ | |
Graphic designer in Medellin, Colombia. Together with Catalina Bustamante and Maria Luisa Arias, he created a stencil typeface called Fortune (2013). Behance link. [Google] [More] ⦿ | |
Talcahuano, Chile-based designer of the native symbolism font Mapuche (2013). [Google] [More] ⦿ | |
Digital artist in Baja California, who created the pixel typefaces Squarebit, 1980, Newsgeek, Toy, VGA Typewriter, That Boy, and Heartbit in 2016. In 2017, he designed the pixel font Awkward. Creative Market link. [Google] [More] ⦿ | |
Students at the San Francisco Art Institute got together to create the hand-printed typeface Kuchar (2012). These include Cory Bates, Tyler Cross, Michael Figge, Erin Hall, Elise Inferrera, Antonia Kimatian, Roman Koval, Joey Kuo, Riho Kurematsu, Noell Nelson, Kelly Nettles, Kegan Snyder, Dayna Rochelle Stanley, and San Francisco Art Institute professor J.D. Beltran. Kuchar is based on the handwriting of filmmaker George Kuchar, as found on the labels of his VHS and mini-DV tapes. Dafont link. [Google] [More] ⦿ | |
Designer of Yorkie (2021, at Fontpeople), a flared terminal typeface family. [Google] [More] ⦿ | |
Creator of the free typeface X Horror X (2014). [Google] [More] ⦿ | |
Tijuana, Mexico-based designer of Doble Line (2018). [Google] [More] ⦿ | |
Sao Paulo-based designer, b. 1985. Creator of the experimental typeface Jesus Chorou (2010), the alchemic typeface Shuv (2013), the art deco typeface Terecodeco (2012) and the poster face Grossa (2010). In 2013, he designed Cities in Construction. Home page. Dafont link. Behance link. Hellofont link (for buying his fonts). [Google] [More] ⦿ | |
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Belwe is best known for his Belwe text family (1907, a somewhat unsuccessful art nouveau font). Based in Berlin, Georg Belwe lived from 1878 (b. Berlin) until 1954 (d. Ronneburg), and was for a long type head of the typography department at the Leipzig Academy for Art. After studies in Berlin, he set up the Steglitzer Werkstatt in 1900 with F.H. Ehmcke and F.W. Kleukens. He taught at the Kunstgewerbschule in Berlin. His typefaces: Belwe Antiqua (1913), Wieland (1926, a handwriting typeface done at J.G. Schelter&Giesecke), Schönschrift Mozart (1927), Belwe (1907, a somewhat unsuccessful art nouveau font that saw several additions in the period up to 1914 such as Belwe Kursiv (1914)). He designed the blackletter font Belwe Gotisch in 1912 at J.G. Schelter&Giesecke. Digitizations of his work include Nick Curtis's 2009 typeface Bellwether Antique NF and in the Scangraphic collection, Belwe SB and Belwe SH. Dieter Steffmann designed Belwe Gotisch and Belwe Vignetten in 2002. [Google] [MyFonts] [More] ⦿ | |
Polish designer of the faux Hebrew typeface Izrael (2004). [Google] [More] ⦿ | |
Freelancer in London, who created several experimental typefaces in 2013. [Google] [More] ⦿ | |
Designer with Amit Fuchs of Ron's Thi (Hebrew) and Ron's Handwriting (Hebrew). [Google] [More] ⦿ | |
For a school project in Guayaquil, Ecuador, Daneida Cueva Coronel, Majo Benalcazar, MaBelen Montes, Andy Abraham Zuniga Carranza, and Tito Moreno co-designed the genie font Sao (2019) and the casual typeface Rounike (2019). [Google] [More] ⦿ | |
Israeli type designer. At Masterfont, he published Tziporen MF, Laguna MF, Harmonya MF, Dolfine MF, Concord MF, and Caspit MF. [Google] [MyFonts] [More] ⦿ | |
During her studies in Lima, Peru, Yara Benancio designed a couple of decorative typefaces. [Google] [More] ⦿ | |
Bordeaux, France-based creator of the high-contrast typeface Virgule (2011). Vekst (2013, with Lucile Cazanave) is in the hacker type and/or alchemic type categories. [Google] [More] ⦿ | |
During her graphic design studies in Toulouse, Eva Benarrous created the modular typeface Spades (2013). [Google] [More] ⦿ | |
Boston, MA-based student-designer of a decorative blackletter typeface in 2015. [Google] [More] ⦿ | |
Curitiba, Brazil-based designer of the display sans typeface Movement G (2018) and Galaxyy (2018). [Google] [More] ⦿ | |
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Designer in Monterrey, Mexico, who created Boulder (2013, a geometric sans with an alchemic alternate version), Healthy Icon Set (2013), Eterna (2011) and Stellar (2011, art deco). [Google] [More] ⦿ | |
At the Universidad Nacional de Costa Rica, Karen Herrera Benavides (Heredia, Costa Rica) created the rounded handcrafted typeface ika (2015, also called iMac (2015). Behance link. [Google] [More] ⦿ | |
Monterrey, Mexico-based designer of the pixel typeface Ultramar (2017). [Google] [More] ⦿ | |
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Graphic designer in Sao Paulo, Brazil. He created the tribal typeface Kasibue in 2014. [Google] [More] ⦿ | |
Future Fonts link. [Google] [More] ⦿ | |
Graphic designer in Tel Aviv, Israel, who designed a Hebrew display typeface in 2016. [Google] [More] ⦿ | |
During her studies, Augsburg, Germany-based Irina Bencheci created the transitional wedge serif typeface Bena (2015). Bena was a project at ESAD.cr. [Google] [More] ⦿ | |
During her studies in Orlando, FL, Kristin Bencomo designed Torch (2013), a hand-drawn typeface. [Google] [More] ⦿ | |
Petra Docekalova, an expert on Benda, writes: Czech typography has been long influenced and deeply shaped by an incredibly hard-working figure---Jaroslav Benda. He was an important pillar who stood at the beginnings of contemporary Czech typography. He was an influencer who greatly inspired generations of type designers. Creator of a rather clumsy typeface in 1923 that exhibits quite a few irregularities (image below from Veronika Burian's thesis). Veronika writes in 2017: In the 1930s, Benda attempted to develop his first, typically Czech, typeface. He sent his drawings to the Monotype Corporation for casting, but the design never made it into production. As Benda believed the drawings had been destroyed, he continued revising his own version until the 1960s. In 1962, at the age of 80, he and his daughter Jarka Tupa published Betu (Benda-Tupa), an evolutionary conclusion of the designs supplied to Monotype. Donald Partyka believes that Betu was designed in 1952, but, as mentioned above, it has its roots in that original typeface from 1923. Revivals and reinterpretations of his work:
References: In 2014, Petra Docekalova wrote a thesis about Jaroslav Benda. This led to the book Jaroslav Benda 1882-1970 by Lucie Urbankova and Petra Docekalova (2017, in Czech). Kickstarter project in 2020 to extend and translate the text in English. [Google] [More] ⦿ | |
Usti nad Labem, Czechia-based designer of the text typeface Neposeda (2016). This typeface was developed during the 29 th Tipo Brda workshop in Ljubljana. Behance link. [Google] [More] ⦿ | |
Cargo collective link. [Google] [More] ⦿ | |
During his type and graphic design studies, Batke Bendegüz (Kamut, Hungary) created the inline triangulated and octagonal typeface family Erida (2013-2014). [Google] [More] ⦿ | |
Waldbrunn, Germany-based student-designer of the hand0crafted all caps typeface Rustic (2017). [Google] [More] ⦿ | |
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During his studies at the School of Visual Communication in Haderslev, Denmark, Mathias Olin Bender designed the spurred didone typeface El Paso (2016). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the custom typeface Blacker (2015), which is inspired by a 1950s lacquer ad found in a homemaker woman's magazine. Behance link. [Google] [More] ⦿ | |
Stefanie Bendfeldt (Bootie, Berlin, Germany) created the beveled and triangulated typeface Onska (2015), the vector format 3d ribbon font Knut (2015), and the art deco typeface Doblin (2016). Creative Market link. [Google] [More] ⦿ | |
Graphic designer in Paris who created a custom typeface for GQ France in 2015. [Google] [More] ⦿ | |
Israeli type designer (b. 1980) who lives in Tel-Aviv. His old typefaces include Eccentric (1997). At Masterfont, he designed 1984 MF, Afifonim MF, Avtala MF, Capriza MF, Cinamon MF, Cubist One MF, Cubist Two MF, Flyntstones MF, Goolish MF, Inflazia MF, Milizia MF, Monumental One, Monumental Two, Musa Decor MF, Populist MF, Technocratia MF and Temperament MF. These typefaces were later withdrawn from the Masterfont collection. In 2005, he made Hagalil, which is discussed here. He also created this unnamed pixel typeface (2005). Graduate of the postgraduate type design program at ESAD Amiens, France, class of 2021. His graduation typeface there was the legible slab serif text typeface Ginegar (2021), which is named after a kibbutz. There are also three styles for use at larger sizes: display, head and subhead. These have novel triangular serifs and terminals. [Google] [MyFonts] [More] ⦿ | |
Israeli type designer who created the Hebrew typeface Dror MF (Masterfont). [Google] [MyFonts] [More] ⦿ | |
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Sao Jose do Rio Preto, Brazil-based designer of the fun children's font Squarepants (2016). [Google] [More] ⦿ | |
In 2018, Ion Neto, Lara Benedet and Nicholas Auler, all students at Universidade Federal de Santa Catarina in Florianopolis, Brazil, co-designed the free brutalist typeface BoBardi. [Google] [More] ⦿ | |
Designer of the pixel typeface Vade (2000, FontStruct), a font used in game development. Mary Ann teaches at Brooklyn Poly. [Google] [More] ⦿ | |
American designer (b. 1977) of Pho Tai (2012), which has hints of an oriental simulation typeface. [Google] [More] ⦿ | |
Designer based in Fortaleza, Brazil. At Type Cooper 2020, Benedicto developed the text typeface Oniresii with diacritics for the Yoruba language wh=hich is spoken in Nigeria. [Google] [More] ⦿ | |
Jeffree Benet (Inky Brain, Prague, Czechia) created the free arrowed font Arrowrifficly (2011). Prague Post link. Behance link. [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the Greek simulation typeface Kasibue (2015). He explains that it is actually influenced by the simplicity of Amazon tribes. Behance link. [Google] [More] ⦿ | |
Kobi Benezri was born in Jerusalem, Israel, in 1976. He studied graphic design at the Bezalel Academy of Arts and Design in Jerusalem and completed his studies at the Cooper Union School of Art in New York. In 2003 he started working at I.D., the International Design Magazine in New York, and in 2004 he became the Art Director of the magazine. During his work at I.D. he has redesigned the magazine together with Nico Schweizer. In 2008 he opened his own studio, focusing on books, editorial, type, identities, and web design. LL Lettera (2008, Lineto) and Lettera Text (2012, Lineto) are sans serif typefaces designed by Kobi Benezri. They are based on Candia, a typewriter type created in the 1950s for Olivetti typewriters by Josef-Müller Brockmann and cover many languages. He added LL Lettera Mono (2019) and a new version of LL Lettera (2019). Typecache link. Lineto link. [Google] [More] ⦿ | |
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Los Angeles-based creator of the very cleverly and beautifully executed futuristic uncial typeface (if you can picture such a beast!) Saoirse Smalls (2006). [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Lilypond is a Swedish site with Mats Bengtsson's fonts which are useful for music composition and mathematics (different sets of braces and numbers). Mats created the type 1 versions from Metafont bitmaps using pktrace. The fonts in the Feta font series: TeX-feta-braces0, TeX-feta-braces1, TeX-feta-braces2, TeX-feta-braces3, TeX-feta-braces4, TeX-feta-braces5, TeX-feta-braces6, TeX-feta-braces7, TeX-feta-braces8, TeX-feta-din10, TeX-feta-din11, TeX-feta-din12, TeX-feta-din13, TeX-feta-din14, TeX-feta-din17, TeX-feta-din19, TeX-feta-din4, TeX-feta-din5, TeX-feta-din6, TeX-feta-din7, TeX-feta-din8, TeX-feta-din9, TeX-feta-nummer10, TeX-feta-nummer11, TeX-feta-nummer12, TeX-feta-nummer13, TeX-feta-nummer4, TeX-feta-nummer5, TeX-feta-nummer6, TeX-feta-nummer7, TeX-feta-nummer8, TeX-feta11, TeX-feta13, TeX-feta16, TeX-feta19, TeX-feta20, TeX-feta23, TeX-feta26, TeX-parmesan11, TeX-parmesan13, TeX-parmesan16, TeX-parmesan19, TeX-parmesan20, TeX-parmesan23, TeX-parmesan26. See also here. [Google] [More] ⦿ | |
Ed Benguiat taught at SVA in New York for more than fifty years. Ed is a popular keynote speaker at major type meetings, including, e.g., at TypeCon 2011, where he entertained the crowd with quotes such as I do not think of type as something that should be readable. It should be beautiful. Screw readable. His typefaces---those from PhotoLettering excepted:
Links: Linotype, CV by Elisa Halperin. Daylight Fonts link (in Japanese). Catalog by Daylight, part I, part II. Pics harvested from the web: Portrait With Ilene Strivzer at ATypI 1999. One more with Strivzer. With Jill Bell at ATypI 1999. In action. At TypeCon 2011 with Matthew Carter and Alejandro Paul. At the same meeting with Carole Wahler and with Roger Black. FontShop link. Klingspor link. View Ed Benguiat's typefaces. Ed Benguiat's fonts. [Google] [MyFonts] [More] ⦿ | |
Israeli type designer at MasterFonts. [Google] [MyFonts] [More] ⦿ | |
Guillaume Benhamou (aka Zmo) was born in Marseille, France, and studies Graphic design and Typography at E.R.G. in Brussels. In 2010, he created a monoline typeface in which each letter was made with one stroke, called D'un trait. [Google] [More] ⦿ | |
Bristol, UK-based designer of the all caps typeface Hot Rod (2018). [Google] [More] ⦿ | |
French designer of the organic display typeface Typographie (2019). [Google] [More] ⦿ | |
Antwerp, Belgium-based designer of Arabista (2016), an Arabic typeface influenced by Islamic architecture. [Google] [More] ⦿ | |
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Brazilian design student, and designer of the soft sans typeface Rosie (2010). Home page. [Google] [More] ⦿ | |
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Sao Paulo-based designer of the 2-style organic sans typeface family Interessante (2014), which was created during her studies. [Google] [More] ⦿ | |
Daniela Benitez (Bogota, Colombia) created a set of numbers useing a compass and ruler in 2014. Behance link. [Google] [More] ⦿ | |
Argentinian designer (b. 1989) of the hybrid display typeface Yedra Purpurea (2014). Dafont link. [Google] [More] ⦿ | |
Monterrey, Mexico-based designer of Story Telling Font (2016). [Google] [More] ⦿ | |
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Designer of the free Thai simulation typeface Fontok (2005, Chank's place). [Google] [More] ⦿ | |
Designer of the rune font Robert's_Runes (2001), free at the Technische Universitat Wien site. Ten more complete fonts here for 8USD. [Google] [More] ⦿ | |
Spanish designer of the hand-printed typefaces Charanga (2013) and Inocua (2013). [Google] [More] ⦿ | |
Bangladeshi-American designer of the scribbly typeface ben (2003). [Google] [More] ⦿ | |
Lynnwood, WA-based designer of a truetype font, Morrissey (1997), based on Morrissey's handwriting. Alternate URL. See also here and here. [Google] [More] ⦿ | |
Slovak painter and illustrator, b. 1888, Kostoliste, d. 1971, Malacky. He is regarded as the founder of Modernist 20th century Slovak painting. His typefaces include a hexagonal typeface from 1956, and a stone-chiseled typeface from the 1940s. Lubomir Longauer wrote Martin Benka, the first designer of the Slovak National Myth. [Google] [More] ⦿ | |
Croatian designer of the sci-fi typeface Aerospace (2019). [Google] [More] ⦿ | |
Subway maps were the inspiration for the layered typeface system Subterranean (2013) by Kelcey Benne. Kelcey lives in Adamstown, PA. [Google] [More] ⦿ | |
He lives and works in London, after graduating from the Royal College of Art in London in 2000. Benner is part of Reala. [Google] [More] ⦿ | |
The Subtil logotype was developed for the corporate design of DSW21/public services of Dortmund. The font style is derived from their logo, a stylised uppercase D. The conglomerate DSW21 consists of twelve individual enterprises, such as Dortmund Airport, the harbour and the city's public transport. In 2007 Subtil was awarded the Certificate of Excellence in Type Design by the Type Directors Club, and in 2009 it was awarded the Certificate of Excellence by the International Society Of Typographic Designers. This rounded sans was designed together with Alexander Gialouris and Victor Malsy. Other typefaces include BKH (corporate), NKO 1957, and Bruna Grotesk. In 2010, he added Rota (a squarish sans: since 2010, Rekord is the corporate typeface of the Rotterdam Philharmonic), and Cafe Rekord (done with Lisa Eppinger, this is a squarish logotype). Rheinlogik is a horizontally striped logotype for the software company Rheinlogik. MI Grotesk was custom-designed for Museum Insel Berlin. Cargo Collective link. [Google] [More] ⦿ | |
Aka My Thoughts Exactly Stamps. American creator of the free blackboard biold font ALLined (2013, copyright to Alyssa Leanne). [Google] [More] ⦿ | |
Starkville, MS-based designer of the hipster typeface Edge (2016). Behance link. [Google] [More] ⦿ | |
Designer at ScrapNFonts/Creating Keepsakes of CK Ashley Alpha (child's handwriting). [Google] [More] ⦿ | |
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UK-based designer of the free advertizing font Ammonite (2019). [Google] [More] ⦿ | |
During his studies at Oaklands College in St Albans, UK, Ethan Bennett (London) designed the techno typeface Xenon (2013). [Google] [More] ⦿ | |
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Australian designer of the curly mosaic art typeface Gaudia (2018), which is inspired by Gaudi's work. [Google] [More] ⦿ | |
Doncaster, UK-based designer of Blok Type (2015). [Google] [More] ⦿ | |
Alternate URL. Dafont link. [Google] [MyFonts] [More] ⦿ | |
Northamptonshire, United Kingdom-based designer of Beast (2013, hand-drawn caps) and Engin (2013). [Google] [More] ⦿ | |
Graphic communication design student at the University of Cincinnati. During his studies, he created a high-contrast display typeface (2012). [Google] [More] ⦿ | |
Los Angeles-based designer. During her studies at Lipscomb University in Nashville, TN, Laura Bennett designed a constructivist typeface (2012). In 2014, she designed Egidio. In 2020, she designed the dry brush font Mattina Sera with the help of New Tropical Design. [Google] [More] ⦿ | |
Parker Bennett works at Mogulsoft in LA. He is the designer of a character in the September 11 charity font done for FontAid II. In 2014, he published Stack Icons (Branding, Social, and Social Minimal). Github link. [Google] [More] ⦿ | |
Designer of Gadget Lined at Zipatone, a fat art deco typeface. For a digital remake, see Toto's K22 Gadget Lined (2012) and K22 Gadget (2014). [Google] [More] ⦿ | |
British designer in London. Creator of commercial typefaces at The Type Foundry, such as Milk (2012, LED face). [Google] [More] ⦿ | |
During his studies, Rotherham, UK-based Sam Bennett created the techno / sci-fi typeface Speed Rail (2015) for the proposed HS2 (High Speed Rail 2) trains. [Google] [More] ⦿ | |
Campbelltown, Australia-based designer of a font in 2018 that was inspired by witchcraft. [Google] [More] ⦿ | |
Designer at FontStruct in 2009 of Look Sharp and Looking Sharp, art deco style typefaces. The grungy versions is called Look Scarpered. He also made the sharp-edged geometric Scorio family in 2009. [Google] [More] ⦿ | |
David Bennewith runs Colophon in Auckland, New Zealand. He created a few experimental typefaces in 2003-2004: Concorde (a diamond shape pattern font), Mobile Carrion (Courier-style face) and Pukeko. In 2016, he produced Lincoln Mitre, a free font with a military history. He writes: In the early 1950s the US NAVY and Air Force commissioned MIT Lincoln Laboratory (Massachusetts Institute of Technology, Lexington) to begin Research & Development for what was to eventually become SAGE (Semi Automatic Ground Environment)---a computer network designed for strategic, early warning air defence---in retort to a new technology-enabled reality of long range attack from the sky [and weapons of mass destruction], and new forms of Super Power paranoia that would lead to the Cold War. The SAGE network---capable of real-time mass data processing---worked with large computers, networking equipment and radar sites to produce an image of the protected airspace over the U.S. continent. One element of the computer network was the AN/FSQ-7 Combat Direction Central, a computerised command and control system, produced by IBM military Products Division. The AN/FSQ-7 was equipped with command post digital display desks operated by a soldier, using a light gun, push buttons and voice communication to identify and track targets, and if necessary plot an intercept course to them. Work on computer display systems began almost simultaneously with the computers operational design, leading to the design of a new typography for the console's displays, designed to mitigate human error in reading and reporting of data displayed on the screen. Taking into account that the type system would be used in situations of pressure and stress, the MIT Lincoln Laboratory and Mitre Corporation commissioned large studies into type legibility, as well as undertaking their own legibility tests. The goal being to create a type design that would work both technically, over various display systems [Cathode Ray Tube and Dot-Matrix displays], and visually (as a whole) while creating maximum visible differentiation between individual glyphs within its alphanumeric and graphic system, therefore reducing mistakes in recognition between signs that are commonly mistaken for one another: for example I, L and 1, or 0 and O. The outcome of the L/M type system is a programme for creating a typeface that doesn't necessarily aid legibility---which is arguably a context based phenomenon---but presents a solution to the problem of producing maximum letter differentiation in a given type design system – which aids character recognition and acquisition. The L/M types were never developed to render continuous text but call signs (the designation of the aircraft followed by an identification number), more visual signals, or data, than lexical semantics. Yet, these call signs find their way back into civil society via air disasters reported through media, like the disappearance of MH370 or the shooting down of MH17. The resources dedicated to the research and development of the L/M typefaces alone are remarkable, for example, declassified reports reference what appears to be all published studies in legibility available up to the time. We can see what is possible, and also what is impossible, with seemingly infinite resources. For example, it is impossible to define any particular author of the font, or ascertain how many people worked on its development. its design being part of a contingent and iterative process, over what appears to take place over many years. Curiously, to this day, the original drawings of the type system remain classified in The MITRE Corporation archives. These fonts are digitisations of the alphanumerics I found in many military and research reports connected to the L/M type system. Each font is connected to a particular visual display on which the letters, digits and symbols would be rendered. Punctuation and accents have been added for convenience in use. Library Stack link. [Google] [More] ⦿ | |
Corien Bennink (Corien's Handwritingfonts) is a Dutch portrait photographer and pencil artist, b. 1980. She lives in Diever. Corien has been making custom handwriting fonts since 2005. Creator of the comic book / chalk board font Whiteboard (2007). She is the designer of Heroes Font (2006, hand-printed, made based on screenshots of the Heroes TV series; see also here) and House Whiteboard Font (2006). Commercial fonts include Spidery Elegance (2008), Dausby (2012, based on a secretary's hand from the 1850s), Ashby (2015, a Spencerian script), Concinnitas (2015, a neat upright handcrafted typeface), Deveren (2017, based on goosefeather writings from the late 1600s), Notetaker (2019) and Yarker (2019, a business hand of the late 19th century). She also offers a commercial handwriting font service (40 USD), and has some free handwriting demo fonts from 2005 and 2006: Angela, Bob-H., Escribiente, Heroes-font, Kendall-j, Krusoe, Nongtung, R.-Bruce, Whiteboard, richie. Alternate URL. Yet another URL. [Google] [MyFonts] [More] ⦿ | |
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Affula, Israel-based designer of the Hebrew typeface Afula (2016). [Google] [More] ⦿ | |
During his studies, Biringham, UK-based Jobin Bennykutty created the geometric display typefaces Boxhead (2015) and Arrowhead (2015). Behance link. [Google] [More] ⦿ | |
During his studies in Birmingham, UK, Jobin Bennykutty created an untitled stick-based typeface (2015). Behance link. [Google] [More] ⦿ | |
French type designer at the ADT (Atelier de decoupage typographique) who designed La Fabienne and La Fafabienne. [Google] [More] ⦿ | |
Codesigner at Typebox with seven others of dingbats in the traffic signal font TxSignal Signifier (2002). [Google] [More] ⦿ | |
Art director in Montreal who designed the free duck tape typeface Ducktype (2016). [Google] [More] ⦿ | |
Rotterdam-based designer. He is working on a nice set of stitching fonts in 2007. [Google] [More] ⦿ | |
Graphic designer in Brooklyn, NY. He made the fat typeface Folded Stone (2010). Behance link. [Google] [More] ⦿ | |
Designer based in Montreal, New York and Bern. Devian Tart link. He created the roundish high-contrast art deco typeface Artificial Timepiece (2011). [Google] [More] ⦿ | |
Typefaces from 2010-2011: What UP (2011, gridded), Headshot (2011), PHUTUREphlamesPHAST (2011), PHUTUREphlames (2011), Gothferatu (2010, a spiky tattoo parlour blackletter face), Skyline (2010), Hexcellent (2011). Typefaces from 2012: Fontmageddon. Typefaces from 2014: Bus Stop, Blockt, Skylinesketch, Fast Block Flames, Hot Librarian, Hot Secretary, UpTop, Synced, Small Tall, Bus Stop Worn. Typefaces from 2015: Namo, Jinkeez (dripping ink font), BeWicked (script), Stout Deco (art deco geometric sans), Middle Management (thick calligraphic script), A15Bit, Tentacles, Dsplaid, 1313 Mockingbird Lane (dripping blood font), Red Velvetica Shadows Bold (Helvetica with an outline and a shadow), Rough Draught, Prosciutto Sansish. Typefaces from 2016: Brown Bag (script). Typefaces from 2017: Zombie Tai, Gooey Drippy Sticky, Fingerspelling, Super Skyline, Picksuhl (pixel), Stop Slant Sans. Typefaces from 2018: Flip Clock, Spoopy, Bologna Sansish, Flip Clock Black, Flip Clock White, Runden, Time For Salad (fat rounded italic), Grabage (grunge), Sole Survivor, Capicola Sansish. Typefaces from 2019: Shocktober (a dripping blood Halloween font), Puck Man (Pacman font). [Google] [More] ⦿ | |
For a school project in Santander, Spain, Leila Bensghaiyar and Javier Amigo co-designed the geometric typeface Three Angles (2016). [Google] [More] ⦿ | |
Product, graphic and fashion designer in London, UK, b. 1999. Creator of the free hand-printed typeface Last Line (2013) and the squarish typeface FuturBlock (2018). [Google] [More] ⦿ | |
Moscow-based designer of the deco typeface Wave (2016) and the grungy modular typeface Splash (2016). [Google] [More] ⦿ | |
British creator of the hand-printed typeface Amelia Lily KT (2013). [Google] [More] ⦿ | |
Executive Creative Director and Punchcut Founder. Typophile.com is run by Jared Benson, who is Jonathan Hoefler's webmaster since 1999, from San Francisco. Incredible web pages! Jared designed Review Beta, Yakuza (Japanese letters), Benson Caps (pixel font), Benson Linear (pixel font), Pixeltrap (2003), Bitmuni (2003, based on San Francisco MUNI train windows: a fantastic creation!), Trinary (2003, a crazy bar-coding typeface invention), Benson Nonlinear (another font for small point sizes), Freiburger (2003, based on a scan from from D.B. Updike's Printing Types, Vol 1, pg. 87. This was the type used for the first Bible printed in France: Freiburger, Gering and Kranz, Paris 1476) and Academic. At FontStruct, he created the Singularity family in 2009. Typophile.com is a general information site on type with essays, discussions, tutorials, examples, beautifully organized. On April 8, 2002, Jared spilled hs coffee on one of the most interesting places in the type world with this message: While we encourage healthy debate and meaningful discussion, posts containing inflammatory remarks and/or personal attacks will be deleted in their entirety by the board moderator. [Google] [MyFonts] [More] ⦿ | |
His typefaces include the understated calligraphic scripts Alexa (1995-2002, Adobe), Balzano (1994, Adobe) and Caliban (1995, Adobe), the titling typeface Aardvark for Font Bureau (1991, with Jill Pichotta), and several phototypefaces for architectural applications. Sample of his work from 1973 now at the MoMA in New York. Wikipedia link. Font Bureau link. . Fontshop link. Linotype link. View the typefaces that were made by Benson. [Google] [MyFonts] [More] ⦿ | |
Creator in 2013 of Benson Script (with three contrast levels, from didone to monoline), the octagonal angular typefaces Millie and Truth, and of Clayton, Red Benny, Tide's In, Tide Sans (the surf-inspired humanist with a humorous selection of weight names ranging from Lil Bunny, to Dudette, Bunny, Mondo, Kahuna and Dude), Tide Sans Condensed, and Farmer's Co-Op (a vernacular sans with wood type influences). Typefaces from 2014: Jeames (a high-contrast decorative typeface with vintage serifs), Maritime Champion, Maritime Champion Stencil, Good News Sans (a set of 18 display sans typefaces, mostly for titling or short pieces), Kansas Casual (a sign painting font), Maritime Champion (inline typeface), National Champion (octagonal athletic lettering family). Typefaces from 2015: Qualtrics. Typefaces from 2018: Gooper (a take on Cooper Black; at Future Fonts). Typefaces from 2019: Bruphy (a variable font modeled after hand-painted brush lettering and released at Future Fonts). Typefaces from 2020: Gooper Text, Bruphy Text. Typefaces from 2021: Nudge (a condensed gothic sans based on a dog defecation sign composed of letters hand cut out of vinyl at Silver Lake Reservoir in LA), Gooper Deck. Typefaces from 2022: Henrietta (a revival of a 1980s font that ripped off Souvenir; I would like to have a good definition of the difference between revival and ripoff). [Google] [MyFonts] [More] ⦿ | |
Portland, OR-based designer (City Limit Design) who created the paper fold ribbon font Galactic (2013). Behance link. [Google] [More] ⦿ | |
At the Académie royale des beaux arts de Bruxelles, Salma Bens designed a constructivist typeface (2012). [Google] [More] ⦿ | |
Charleston, SC-based creator (b. 1990) of Spooky Drips (2011, a dripping blood Halloween face). Dafont link. [Google] [More] ⦿ | |
At ECAL (Lausanne, Switzerland), Sascha Bente designed the transitional text typeface Augustyn Display (2020). [Google] [More] ⦿ | |
Type designer associated with the Swiss foundry Lineto. In 2019, he extended LL Jumping Jack with approval by Dieter Zembsch and Charles Grant. Dieter Zembsch had designed Jumping Jack at Mecanorma in 1975, and Lineto had started work on a digital revival in 2011. LL Jumping Jack Jack was published in 2020. [Google] [More] ⦿ | |
Leeds, UK-based graphic designer who created the display typefaces Bones (2012) and Cuckoo (2012). | |
Sebastian Bentler at Dezyner Records is the German designer (b. 1981) of mostly techno/futuristic fonts. Partial list: Neue Saat (2002, futuristic), Mayagen-r (2001), Tesh (2001), Smart AI Expansion (2001, pixel font), Cyborg 45 (2001), Quadspeed (2001, pixel font), FutureFlash (2001). Alternate URL. Alternate URL. Dafont link. [Google] [More] ⦿ | |
London, UK-based designer of Zadar (2016), a font designed to accompany the packaging of an album celebrating the Sea Organ of Zadar. She also designed Toothed (2016), a display font inspired by a carved wooden mask from Bamana in Mali, that can be found in the permanent collection of the British Museum, London. [Google] [More] ⦿ | |
At TypOasis. Dafont link. [Google] [More] ⦿ | |
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During her studies, Catia Bento (Coimbra, Portugal) designed the display typeface Royals (2015). [Google] [More] ⦿ | |
Graphic designer from Mompiche, Ecuador. He created an octagonal display typeface called Mompiche (2009). [Google] [More] ⦿ | |
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Article by Patricia Cost for Printing History: Linn Boyd Benton, Morris Fuller Benton,&Typemaking at ATF. Cynthia Jacquette writes about Linn Boyd and his son. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Typefaces alphabetic order:
View Morris Fuller Benton's typefaces. A longer list. A listing of various digital versions of News Gothic. More News Gothic-like typefaces. Even more News Gothic-like typefaces. [Google] [MyFonts] [More] ⦿ | |
Santarem, Portugal-based designer of Clarendon Stencil (2014). [Google] [More] ⦿ | |
Aka Glym Forest. Yogyakarta, Indonesia-based designer of the monoline connected script typeface Wonderline Script (2017). Behance link. Creative Market link. [Google] [More] ⦿ | |
In 2012, he created the geometric sans typeface Acumen, and the sans family Silence. He is working on Fragile, Terminal, Link, Recurrence (very experimental), Autonomy, Motor, Velcro, and Elevator. In 2013, he designed the sans typeface Figure. In 2016, he published the ultra-condensed blackletter typeface Optimum Compress in Textura style. In 2018, he published the great condensed brutalist octagonal typeface Texel, the experimental geometric typeface Pyxis (published by The Designers Foundry), and the geometric solid typeface Geometer. In 2019, he added the ultra-fat Dot19, the monoline experiment LXII, the modular Alexandro, the geometric sans typefaces Software and Gertrudes, and the sans font Mizzen. Typefaces from 2020: Geometer. Typefaces from 2021: LXII Display (a prismatic typeface). [Google] [More] ⦿ | |
Home page. Dafont link. Fontsy link. Klingspor link. Abstract Fonts link. Devian tart link. Behance link. Tumblr link. [Google] [More] ⦿ | |
Norwegian-born graphic designer in London, UK, who designed the eperimental typeface Tissi (2016) which is named after designer Rosmarie Tissi. [Google] [More] ⦿ | |
Eric Bentzen has links to chess diagram software, and to about twenty chess fonts. THE site for chess fonts! Download his Chess Alpha, his Chess Berlin, and many more TrueType chess fonts. See also here. [Google] [More] ⦿ | |
Virum, Denmark-based student-designer of the all caps sans typeface Joule (2018). [Google] [More] ⦿ | |
Graphic designer and illustrator in Portland, OR. Creator of the decorative typeface Rot (2014). [Google] [More] ⦿ | |
Creator of the script typefaces Marisha Script (2016) and Andelya (2016), and the signage typeface Pumpkino (2016). [Google] [More] ⦿ | |
Graphic design student in Zurich. Creator of the hand-printed typeface Rennie (2012). [Google] [More] ⦿ | |
During her studies at SCAD, Taylor Benvenutti (Boca Raton, FL) created the unicase display typeface Dailey (2013). Behance link. [Google] [More] ⦿ | |
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Wichita, KS-based designer of the 1920s movie poster font Broadway Figura (2015). [Google] [More] ⦿ | |
Art director in Paris who designed the art deco typeface Veloztica (2016) and the display typeface Anguline (2016). [Google] [More] ⦿ | |
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Diego Berakha is a Buenos Aires-based graphic designer. Born in Zaragoza, Spain, he lives in Buenos Aires since 1966 and works on editorial pieces, movie posters, type design and illustration. He also works as an advertising film director and is co-founder and designer of the art & culture magazine Labor. His Diego Berakha Studio in Buenos Aires. His lettering style is flashy and colorful and nicely interwoven with the graphic elements. In 2016, he designed the monoline connected script typeface Melodi. [Google] [MyFonts] [More] ⦿ | |
During his studies at Technology Senac University in Sao Paulo, Murillo Beraldo designed the techno typeface Straight Jam (2016). [Google] [More] ⦿ | |
Paolo Beraldo (b. 1984) of zero8production in Italy designed a battery of pixel typefaces, all called Pixel Berry. I cannot find download buttons, but one of the fonts, Pixel Berry 08/84 (2003) is free at Dafont where he is known as zero8. [Google] [More] ⦿ | |
German designer of the stencil typeface Richy (2017). [Google] [More] ⦿ | |
French creator of the free octagonal typeface Anxiolytic (2013). [Google] [More] ⦿ | |
In 2010, Paola Berardelli finished her Bachelors Degree in Communication Design at Politecnico di Milano. In 2011, she created the organic typeface Kihon. [Google] [More] ⦿ | |
Miami, FL-based designer of the exprimental school project font Interlaced Alphabet (2015). Behance link. [Google] [More] ⦿ | |
Montrealer who designed the free display font Bold Display 19412K at Chank (2002). [Google] [More] ⦿ | |
In 2016, Juliette Beraud and Lena Douani co-designed the legible sans typeface family Cinétique as students at ECV Paris. [Google] [More] ⦿ | |
Marila, Brazil-based designer of the circle-and-arc themed typeface Orb (2012, with Vanessa Koga). [Google] [More] ⦿ | |
Creator of the nice art deco typeface Berbel Serif (2011), and of the free hairline swashy typeface Boros Rounded (2012). Dafont link. Behance link. Old URL. [Google] [MyFonts] [More] ⦿ | |
During her art and design studies, Nicole Berbers (Rosmalen, The Netherlands) created an untitled typeface (2014). [Google] [More] ⦿ | |
Madison, WI-based creator of the pixelized typeface Metropolis (2014), which was finished during his studies at the University of Wisconsin. He also designed the distressed typeface family Underwood (2014-2015), which is not related to the typewriter. [Google] [More] ⦿ | |
Brazilian designer, b. 1993, who lives in Sao Paulo. Creator of Lignum Melle (sans face, 2012). Dafont link. [Google] [More] ⦿ | |
Paris-based designer of Fish Skeleton Alphabet (2014). [Google] [More] ⦿ | |
Chilean codesigner (with Leonidas Loyola) of the display typefaces LD Info and LD Picto, which won an award at Tipos Latinos 2014. [Google] [More] ⦿ | |
Designer of Quake, a quite useless font showing wiggly characters. See also here. Linotype link. [Google] [MyFonts] [More] ⦿ | |
Buenos Aires-based designer of the experimental typeface Robber (2014), which interpolates between Bodoni and Futura. [Google] [More] ⦿ | |
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Russian designer of the experimental geometric typeface Krok (2018). [Google] [MyFonts] [More] ⦿ | |
Norwegian designer who is working on this tilted sans (2007). He works at the design firm Orangeriet. [Google] [More] ⦿ | |
Paris-based designer of the squarish Lapita typeface in 2012. [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer of the display typefaces Stone Bridge (2016), Vintage Script (2016) and Hieroglyphic Alphabet (2016). [Google] [More] ⦿ | |
Kiev, Ukraine-based creator of the free hipster typeface Nordic (2014), which was inspired by Norwegian runes. In 2015, while at the Kyiv National University of Construction and Architecture, she created the free techno sans typeface Build. In 2016, she finished the free futuristic typeface Quantum, and the free connected calligraphic typeface Luciano (2016). [Google] [More] ⦿ | |
London-based designer of the constructivist typeface MI6 (2014). Behance link. [Google] [More] ⦿ | |
Romain Bergaentzlé is a graphic designer running his studio OOII since 2007 in Berlin. He created the octagonal stencil typeface Ossature (2013, Ten Dollar Fonts and The Designers Foundry). Behance link. [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design (which he founded in 1992) of Academy, Baseline, Bodoni Anorexia, Bodoni Catwalk, Fat Neon Inline, Flanger, Funky Reverb, FuzzBox, Galley Family, Gimp, Gimp's Brother, Gimp's Sister, Hardwear Nth, Hardwear Sth, Mezzo Family, National Guard, Next century, Next Times, Pseudo Deco, Spy Force, Tank Gothic, Uni code, X-Kommunicate. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Graphic designer in Barcelona, who co-designed the liquidy Cool Shit font in 2017 with Dani Vidal. Behance link. [Google] [More] ⦿ | |
Masters degree student (b. 1983) at the Politecnico di Milano, who specializes in signage, wayfinding and information design. He researches traffic system fonts and typography. His Flickr page has scans of the Italy's Codice della Strada which dictates street type in Italy, and features his world map which shows the origin and the different "routes" taken by the two main typefaces used in world signs: the American Highway Gothic, published by the traffic engineer Ted Forbes in 1945 and the British Transport type by Jock Kinneir and Margaret Calvert, published in 1963. He also has photographs of traffic signs. Creator of the free family Flaminia (The League of Movable Type, 2009; see also here). He writes: Flaminia is a 2008 opensource project started as a Master Degree Thesis by Andrea Bergamini, an Italian graphic designer annoyed by the chaotic and poorly designed road signage system in his country. The leading idea was that tests taken in real-life conditions are the only way to validate the design of a font to be used for signage and that the final solution should always come from all of the modifications derived by those experiments. These considerations led to the design of Flaminia, a typographical system that allows its users and its future designers to quickly morph (through the use of Multiple Master axes) different variants of the glyphs. By allowing minimal changes of only one variable in the letter shapes, Flaminia also provides a tool to study which are the most relevant factors in the process of reading signs, and can be used free of charge for further researches in this field. [Google] [More] ⦿ | |
Italian designer of the refined display typeface Jent (2011), which is fit for a gentleman's fashion mag. Home page. [Google] [More] ⦿ | |
Computer and software specialist. He made the Meslo LG font in 2010. As he says, Meslo LG is a customized version of Apple's Menlo-Regular font (which is a customized Bitstream Vera Sans Mono). He did not like certain spacing decisions in Menlo, and so decided to make Meslo LG, where LG stands for Line Gap. The free family, made in 2009-2010, consists of these styles: MesloLGL-Bold, MesloLGL-BoldItalic, MesloLGL-Italic, MesloLGL, MesloLGM-Bold, MesloLGM-BoldItalic, MesloLGM-Italic, MesloLGM, MesloLGS-Bold, MesloLGS-BoldItalic, MesloLGS-Italic, MesloLGS. [Google] [More] ⦿ | |
Designer of the pixel font family Bit Meda. [Google] [More] ⦿ | |
Publicist in Envigado, Colombia, who created Pixel Type in 2012. [Google] [More] ⦿ | |
Graphic designer. Home page. Born in 1984, he designed Beneath the Surface (2008, emulating the font used in the TV show SeaQuest DSV/2032, + Dingbats based upon the logos seen in that show). [Google] [More] ⦿ | |
During his studies in Hannover, Germany, René Bergenroth designed the plump round sans typeface Valken (2013). [Google] [More] ⦿ | |
Johannes Bergerhausen (b. 1965, Bonn, Germany), studied Visual Communication at the University of Applied Sciences in Düsseldorf. From 1993 to 2000, he lived and worked in Paris. First he collaborated with the Founders of Grapus, Gérard Paris-Clavel and Pierre Bernard, then he founded his own office. He returned to Germany in 2000, where he is Professor of Typography at the University of Applied Sciences in Mainz (since 2002). In 2003, together with Paris-Clavel, he published the font "LeBuro" at ACME Fonts, London. At ATypI 2004 in Prague, he spoke about Decoding Unicode. He describes his Unicode character collection project at Typotechnica 2005. In 2012, he was awarded with the Designpreis in Gold of the Federal Republic of Germany. He is currently working on a digital cuneiform font. Author, with Siri Poarangan, of decodeunicode: Die Schriftzeichen der Welt (2011, Verlag Hermann Schmidt Mainz). This text shows all 109.242 typographic symbols in the Unicode standard at the time of its publication. Speaker at ATypI 2018 in Antwerp, during which (jointly with Morgane Pierson) he published a silkscreen poster with 292 glyphs, representing all 292 known writing systems of the world, together with their names, regions, and timeframes. [Google] [More] ⦿ | |
During his studies in Montreal, Carl Bergeron-Gagnon designed the text typeface Ernest (2016). [Google] [More] ⦿ | |
Graphic design student at the University of Kansas in Lawrence, KS. Creator of the display typeface Carneval (2011). [Google] [More] ⦿ | |
Montreal-based designer at Spotful. His typefaces:
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Designer in 1994 of EverydayFont. With Matt Chisholm, he designed Flow, also in 1994. [Google] [More] ⦿ | |
Norwegian co-designer with Magnus Rakeng at Millimeter Design of Telenor (2001, sans) for the new corporate identity for Telenor. Still with Rakeng, but now at Melkeveien designkontor, he cocreated Always (2005, a connected 1950's style face, based on Rakeng's very popular earlier typeface Radio) and the Jugendstil style typeface Ålesund jugendstilsenter (2004, based on architect H. Schytte Berg's architectural lettering). [Google] [More] ⦿ | |
Hamburg, Germany-based designer of the display sans typeface Jardin (2020) at HAV Hamburg. [Google] [More] ⦿ | |
Designer of the free font Wallpoet (2011), a stencil typeface that can be downloaded at Google Font Directory. [Google] [More] ⦿ | |
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Creator of the iFontMaker font Bergius (2010, hand-printed). [Google] [More] ⦿ | |
In 2015, he created Shop Casual, Hamilton Grand (flowing formal script), Muy Bueno (a regular monoline script font), Rough Draw, Gambit and Tradition. In 2015, he designed Ale House (a slab serif done with Lavonne West). Typefaces from 2016: ASU Stingray Regular (a casual rhythmic hand), Dragonfly (Victorian octagonal style), California Script. Typefaces from 2017: Tramp (signage script). | |
Norwegian graphic designer and illustrator who lives in Oslo where he started studying at the Oslo Academy of the Arts in 2009. Behance link. Creator of the beveled alphabet Metalface (2010) and the blackletter typeface Entartete Fraktur (2010). In 2014, he created the free font Helsinkifjes (Citype). Helsinki is inspired by leters on the memorial monument for fallen German soldiers of the Finnish civil war in 1918 in Vanha Kirkkopuisto in Helsinki. Hellofont link. [Google] [More] ⦿ | |
During her studies in Copenhagen, Katrine Berg designed two handcrafted typefaces. Behance link. [Google] [More] ⦿ | |
Graphic designer in Ulm. Behance link. He created the horizontally striped typeface DIN Cut (2010). [Google] [More] ⦿ | |
Digital fonts based on Bergling's work:
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FontStructor who likes pixelish typefaces. He started out in 2010 with the Two Three font family, and has a white-on-black pixel typeface called False BIT. Home page. [Google] [More] ⦿ | |
Letterer and graphic and type designer from Sweden, who set up Björn Berglund Creative Studio in 2015. In 2021, he released the elliptical sci-fi sans typeface Fuglesans. Typefaces from 2022: Vivo Sans (a squarish sans). [Google] [MyFonts] [More] ⦿ | |
Martin Bergman (Täby, Sweden) created the truetype dingbat font DancingMen in 1994 for his father, Ted Bergman, a well-known Sherlockian. The font is based upon the secret alphabet developed by a gang of American criminals in the Sherlock Holmes adventure "The Dancing Men", first published in 1903. The font notice states that Poul Steen Larsen (Denmark) may have helped with the font in 1995. [Google] [More] ⦿ | |
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Berlin-based designer of the semi-blackletter typeface Frago (2014). [Google] [More] ⦿ | |
Based in Stuttgart, Germany, Clemens Bergmann designed the broken grotesk typeface Daimonion (2013). [Google] [More] ⦿ | |
FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Amsterdam who made the grid-based typeface Lovelo (2014). [Google] [More] ⦿ | |
In 2016, he designed the free 28-style octagonal (or athletic lettering) ink-trapped typeface family Bedel and the free pixacao graffiti font Essipe. Behance link. [Google] [More] ⦿ | |
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Graphic designer and illustrator from Stockholm. Creator of Suprematic (2008), an ultra-constructivist typeface inspired by the Russian artist Kazimir Malevich and his art form of suprematism. | |
Barcelona-based graphic designer who created some ornamental caps for the Festa Xica Pont de Suert (2012). Behance link. [Google] [More] ⦿ | |
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Valinhos, Sao Paulo, Brazil-based designer (b. 1985) in 2020 of Kabarovsk (Cyrillic emulation), Holy Sans, LAL Proto, and Berguerand. [Google] [More] ⦿ | |
Splendor was digitized in 2009 by Ralph M. Unger at Profonts / URW++ under the same name. In 2014, Ralph Unger published Splendor Pro. Andreas Seidel's Adana (2005) is based on Wilhel Berg's 1930 script, which according to Seidel was an answer to Lucian Bernhard's Schönschrift. | |
American illustrator, typographer, painter and potter. In 2020, he designed the display typefaces Varet Gothic (in copperplate gothic style), Monde Libre and Lilette, the rounded monoline sans typeface Luwest Rounded and the nautical-themed condensed typeface Oceantide Display. [Google] [MyFonts] [More] ⦿ | |
Argentinian designer of a revival of Resolut (2006), a font due to Brünnel (Nebiolo, 1937). [Google] [More] ⦿ | |
Bozeman, MT-based designer of the monoline circular sans typeface Otter (2014). Behance link. [Google] [More] ⦿ | |
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Designer of Stealthy Bat (2008, FontStruct). [Google] [More] ⦿ | |
Israeli codesigner with Peter Bilak of Greta Sans Hebrew (2015), which won an award at TDC 2016. His Hebrew typeface Susim won an award at Granshan 2016. [Google] [More] ⦿ | |
Author of Fields of Force (Routledge), Learning from Error (Open Court) and the Becoming a Mentsh workshops (Mentsh.com) and the forthcoming Avot: Ancient Wisdom for Modern Life. Berkson led a panel at Typecon '05 (NYC) on subway type, and gave a talk about his work reviving Caslon at Typecon '06 (Boston). He was also a speaker at TypeCon 2009 in Atlanta. Home page. [Google] [MyFonts] [More] ⦿ | |
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Krystian Berlak (Akkurat Studio, Lodz, Poland) designed the free experimental geometric 122 IOC font in 2016. Behance link. [Google] [More] ⦿ | |
Art director in Florianopolis, Brazil, who created the deco Sleek Numbers in 2015. Behance link. [Google] [More] ⦿ | |
Vormedal, Norway-based designer of the free squarish typeface Geometrix (2015). [Google] [More] ⦿ | |
Ukrainian designer of the creamy brush script Bushy (2019), the geometric poster sans typeface family Beginner (2019), the Peignotian sans family Novia (2019) and the techno sans typeface Litto (2019). Typefaces from 2020: Yaro (a minimalist geometric sans with 16 styles for Latin and Cyrillic). Typefaces from 2021: Incus (a 6-style squarish ink-trapped techno typeface), Urbancat (an 8-style monolinear geometric sans in which all curves are arcs of circles), Parus (a compressed geometric sans), Lokko (an 8-style techno typeface for Latin and Cyrillic). [Google] [MyFonts] [More] ⦿ | |
During her studies at Universidade Federal de Santa Maria (Brazil), Gisela Berlesi designed the cursive typeface Alteza (2019). [Google] [More] ⦿ | |
During his graphic design studies at the Danish School of Media and Journalism in Copenhagen, Hodja Berlev created the rounded fat poster typeface Turtle (2013, with Kamho Yung). [Google] [More] ⦿ | |
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Printer, and one of the last (metal) typefounders in the USA. Located at P.O. Box 6, Nevada City, CA 95959. Some of his typefaces are listed here. [Google] [More] ⦿ | |
20-font archive with the Howard M. Berlin Hebrew fonts AinYiddisheFontCursiv, AinYiddisheFontModern, AinYiddisheFontTraditional (1997) (see also here), and TorahSofer. Also Boomerang (Harold Lohner), DIVCHEM, Dahrlin (WSI), Fifties (WSI), GothicHijinx and GothicHijinxRough from Omega, Hirosh (AARRGGHH), MendelSiddurBold, ParishMedium (LMNo Designs, Steven Shepard), SymbolMW-Normal (MWSoft), and WarnSymbols5. [Google] [More] ⦿ | |
In his first life, he ran a free font site called 11th Floor, where he made these free typefaces in 1999: Civilization (octagonal), Plastik-Film (grungy semi-stencil), Raw (grunge), Rocket-Fuel, Timeline, Greenlight (dot matrix), Interstatic (futuristic), Handsolo, Optimum, Roswell (handwritten), Jean-Pierre (handwriting), 11th Floor (gridded). At FontMeister, he published
In a third life, now as Elmigo at Dafont, he published the circle-based font Modern Ringflash (2012). View Font Meister Elwin Berlips's typefaces. [Google] [MyFonts] [More] ⦿ | |
At ATypI 2004 in Prague, David spoke about Daily types. At ATypI 2009 in Mexico City, he spoke on The heart of my letter, (and the online version). Since that time he has been very active and vocal on the issue of high quality web fonts. Speaker at ATypI 2011 in Reykjavik and at ATypI 2014 in Barcelona. David Berlow Type Specimens (free pdf). Another type specimen booklet. Interview by A List Apart in 2009. Speaker at ATypI 2010 in Dublin. FontShop link. www.typovideo.de/david-berlow. David Berlow on web fonts. Interview by The Boston Globe. His typefaces:
View David Berlow's typefaces. Another catalog of David Berlow's fonts. Speaker at ATypI 2018 in Antwerp. [Google] [MyFonts] [More] ⦿ | |
Art director living in Williamsburg, VA, who studied at the Pratt Institute and the School of Visual Arts in New York. Creator of the experimental typeface Incognita (2012). [Google] [More] ⦿ | |
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Graphic designer in Barcelona who created Fucktype (sic) (2011), a fat rounded typeface that is based on the logotype of Yoigo. Home page. [Google] [More] ⦿ | |
Cali, Colombia-based designer of the dystopian typeface Darkrise (2019). [Google] [More] ⦿ | |
Graphic designer in San Antonio, TX, who designed Messy Monster Font (2016, handcrafted) and Thomas (2016, a wide sans). Behance link. [Google] [More] ⦿ | |
Typographer, illustrator and web designer in Westwood Village, CA. Graduate from UCLA's Design|Media Arts program. . Designer of the octagonal techno typeface Digital Circuit (2010). [Google] [More] ⦿ | |
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Barcelona-based designer of the runic straight-edged typeface Focka (2015). Behance link. [Google] [More] ⦿ | |
Graphic designer in Antwerp, who created a straight-edged caps typeface called MyHandwriting (2012). [Google] [More] ⦿ | |
During their studies at Ecole Design Nantes Atlantique, Emma Brossaud and Fiona Bernaerts designed the decorative monoline sans typeface Phranakhon (2017), which is inspired by the spires of Bangkok. [Google] [More] ⦿ | |
Born in Sevilla, Spain, in 1989, Jaime Bernaldez designed Futuro Sans Serif in 2012, a year after his graduation from the Escuela de Arte de Jerez. Behance link. [Google] [More] ⦿ | |
Graphic designer in Medford, NY. He created the soccer shirt number typeface Tuzografia for the Mexican soccer team Club Pacheco (2015-2018). [Google] [More] ⦿ | |
Tarbes, France-based designer who made Idea (2011). Behance link. [Google] [More] ⦿ | |
At ATypI Montreal 2017 Bruno Bernard spoke on Excoffon Book, the last typeface by Roger Excoffon? [Google] [MyFonts] [More] ⦿ | |
Together, Andreza Bernardes, Felipe Galante and Luan Bernardes of the Centro Universitário Belas Artes in Sao Paulo created a typeface-on-a-diet for a vegetarian restaurant in 2010. [Google] [More] ⦿ | |
Graphic designer in Varese, Italy, who created the stackable artsy typeface family Fork (2015). [Google] [More] ⦿ | |
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Florianopolis, Brazil-based designer of the curly typeface Wendy (2014). [Google] [More] ⦿ | |
Wolverhampton, UK-based designer of the polygonal typeface Metatron (2015). Behance link. [Google] [More] ⦿ | |
Artistic director in Paris who created the decorative typeface Miro (2017). [Google] [More] ⦿ | |
At ESAG Estienne in Paris, Lucas Bernard designed the calligraphic LGB Antiqua (2016), whih has influences from many medieval styles (Carolingian, blackletter, etc). Behance link. [Google] [More] ⦿ | |
Graduate of Escola Superior de Artes e Design (ESAD.CR), Caldas da Rainha, Portugal. Designer of the reverse contrast typeface Opposition (2021). [Google] [MyFonts] [More] ⦿ | |
R. Bernard designed the free fonts Hiragana and Katakana (1996) as well as Dragon Ball (1999, kanji dingbats). [Google] [More] ⦿ | |
Kai Bernau (Letterlabor) is a German type designer (b. 1978) who studied graphic design at the University of Applied Sciences Schwäbisch Gmünd. He created "The neutral typeface" (2005), a sans family, as his thesis project at the KABK in Den Haag. The typeface was born as a mathematical average of ten sans typefaces: AG Buch, Neue Helvetica, Univers, Grotesque, Franklin Gothic, Frutiger, Trade Gothic, Documenta Sans, The Sans and Syntax. He graduated there in 2006 with a masters degree. Together with his wife Susana Carvalho, they formed Atelier Carvalho Bernau, a practice that designs printed matter (mainly books), bespoke and retail typefaces, and identity programs. At Commercial Type, he published Lyon Text and Lyon Display in 2009, described by Commercial Type as follows: Begun as Kai Bernau's degree project on the Type + Media course at the Royal Academy of Art (KABK) in The Hague, Bernau extensively revised the typeface in time for its debut in the New York Times Magazine in 2009. Like many of the great seriffed typefaces it draws intelligently from the work of Robert Granjon, the master of the Renaissance, while having a contemporary feel. Its elegant looks, are matched with an intelligent, anonymous nature, making it excellent for magazines, book and newspapers. The Atelier also has other typefaces on its site, all done between 2007 and 2010, such as Neutraface Slab (for House Industries), Atlas Grotesk (2012, by Kai Bernau, Susan Carvalho and Christian Schwartz, Commercial Type: a revival of Dick Dooijes's Mercator), Neutral (an outgrowth of Kai's thesis work), PDU (a French stencil revival project), and some custom typefaces such as Proprio. Write-up at Fontshop. Critique by Experimenta. [Google] [More] ⦿ | |
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Art director in Buenos Aires who created a curvy display typeface called Flock (2013). [Google] [More] ⦿ | |
During his studies in Paris, Baptiste Bernazeau designed the display typefaces Dragon (2017), Agrafe (2016), Chimera (2016) and Brique (2016). Behance link. [Google] [More] ⦿ | |
Swedish designer born in 1924 in Stockholm. He says of himself: Compositor, Linotype operator, teacher of typography. Type designer in a small matrix factory 1950-51. Calligrapher, book designer, author, lecturer and trade mark specialist. Now retired, but does type design as a hobby and to special orders for museums, ad agencies, companies and even to private persons. His typefaces:
Pelle Anderson interviews Bo Berndal. Bitstream write-up. Agfa/Monotype write-up. Author of Typiskt typografiskt (Fisher and co, 1990). MyFonts page. Linotype page. MyFonts interview. FontShop link. Klingspor link. View Bo Berndal's typefaces. [Google] [MyFonts] [More] ⦿ | |
Type founder who succeeded Jacques Sabon in 1580. He was the son-in-law of Christian Egenolff and his successor at the Egenolff print office. His catalog of type specimens is dated 1592. The "Berner specimen" of 1592 formed the basis of the free Google Web Font family EB Garamond (or: Egelnoff-Berner Garamond) developed by Georg Duffner. In 1626, his foundry passed into the hands of Johann Luther. At the time, he was the main type supplier for Germany, the Scandinavian countries and the Netherlands. [Google] [More] ⦿ | |
Designer of Cue Card (1993, alphadings). Fontspace link. Aka Sarcosmic Fonts. [Google] [More] ⦿ | |
Type designer in Sankt Gallen, Switzerland. Graduate of HBK in Bern, and the Typemedia program at KABK, class of 2016. Her KABK thesis typeface, Junior, is lapidary and flared. Yassin Baggar (Fatype) designed the high-contrast Peignotian sans family Beausite Fit and Beausite Grand in 2014 at Fatype. It comes with subfamilies called Grotesk, Grand and Slick, and has fashion mag appeal. Beausite Classic is a more standard sans. Between 2014 and 2018, with the help of Anton Koovit and Selina Bernet, it grew to 56 styles. She also did Nana Mouskourim Greek (2016), a Greek addition to the lapidary typeface Albertus. [Google] [More] ⦿ | |
Graphic designer who creates custom fonts. Located in Seattle, WA. Behance link. [Google] [More] ⦿ | |
Posters by Bernhard: An advertising exhibition in 1929 (with Fritz Rosen), Manoli Cigarettes (1912). Linotype link. FontShop link. Klingspor link. View Lucian Bernhard's typefaces. Showcasing the digital legacy of Lucian Bernhard. [Google] [MyFonts] [More] ⦿ | |
Creative director in Budapest, who used FontStruct to create the modular straight-edge typeface Henry (2011). [Google] [More] ⦿ | |
From the author, Jon Bernhardt: Springbats Deluxe combines Springbats with Mugshots along with my own Binky, Akbar&Jeffs. His Akbar font is a 1996-2000 adaptation of the 1991 font by Cowan Design Associates, which in turn was based on the famous handwriting of Matt Groening, the creator of The Simpsons and the comic Life in Hell. In 1996, he created SimpsonFont (from The Simpsons). | |
During his studies in Buenos Aires, Sol Bernhardt designed a display typeface (2015). [Google] [More] ⦿ | |
Austrian designer of the display sans typeface family Rika (2019). [Google] [More] ⦿ | |
Environmentally responsible designer in New York. Behance link. She created an animal alphabet for Wolf Awareness Week (2010). [Google] [More] ⦿ | |
Roman designer of the squarish typeface Lyoko (2014). [Google] [More] ⦿ | |
Bianca specializes in the technical aspects of type design. As a font engineer with a background in civil engineering, communication and typeface design, she joined the Brixton, UK-based Dalton Maag type foundry in 2011. Until 2018 she headed their Skills & Process team, responsible for training and development, knowledge management, and for the implementation of font development processes. In 2018, she was appointed Creative Director and became responsible for ensuring that Dalton Maag remains at the forefront of type innovation. She directed the design of brand typefaces and complex type systems for international clients such as the Amazon, AT+T, BBC, Bodyform, Goldman Sachs [Goldman Sans], and Jacobs Engineering Group [Jacobs Chronos], and oversaw the design and refinement of wordmarks and font modifications. Speaker at ATypI 2018 in Antwerp, at ATypI 2017 in Montreal and at ATypI 2016 in Warsaw. [Google] [More] ⦿ | |
FontStructor from Wilmington, DE, who made Peephole (2011). She studies graphic design at York College of Pennsylvania. [Google] [More] ⦿ | |
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Designer of freeware/shareware fonts, some of which refere to TQF, or "Typset Quality Font): 3-DHotDog, AardvarkBold, AbbotDemi, Andros, Architech, Aristocrat, Ashford, BambiBold (a black didone face), Bankrupt, Blackwoods, BoltedBold, BrushArt, CloisterBlack, DoubleTrouble, GalacticFuss72-Condensed, GalacticFuss72-Ext, GalacticFuss72-SPBold, GalacticFuss72, GalacticFuss72Stch, GalacticFuss72SupCon, Galla, Gallery, HotDog, TQFAllisonScript, TQFAnimals, TQFElectronics, TQFFlorentine, TQF Freight Train, TQFFruitfulBlack, TQFMachine, TQFPCMedium, TQFPlants, TQFWordTrain. Dafont link. [Google]
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FontStructor in 2009 of Boredoni. Trial typefaces by him include Fancy, Stubborn Straight, Foostruct v1.1, and Negative Creep. [Google] [More] ⦿ | |
Designer who created the modular typeface Spacebound (2013). Student at York College in York, PA, class of 2014. [Google] [More] ⦿ | |
Lauren Bernstein (Atlanta, GA) designed the script typeface Goldenwood in 2016 and writes: Goldenwood is a typeface inspired by a whimsical woodland wedding. [Google] [More] ⦿ | |
Originally from Milan, she is currently Associate Creative Director at Studio Matthews (Seattle, WA), developing EGD and wayfinding systems. Graduate of the Type and Media program at KABK, 2009. There, she designed the serif family Alice, specifically for magazines. She is working on Bolano in 2010 about which she writes: It is based on my brush calligraphy, tamed down to a book typeface. Marta Bernstein is a partner at TM (Tiemme Studio), an architecture and design studio based in Seattle. She has a decade long experience in developing identities across various media, and designing wayfinding and signage systems. Marta is an adjunct professor in Typography at Milan's Polytechnic, visiting professor in Architecture and Design at University of Navarra and regular lecturer for the Interior Design master at Tongji University, Shanghai. In 2014, Marta Bernstein was a founding partner in the new CAST type foundry. She was associated with LS Design in Milan. She wrote A Hundred Years of Type 1813-1908 Typefounders and Printers in Italy from Bodoni's death to the foundation of Augusta company in Turin (Master degree dissertation developed with Emanuela Conidi. Supervisor: Prof. James Clough at Politecnico di Milano, July 2006; in Italian: Cento Anni di Caratteri 1813-1908). Cargo Collective link. Speaker at ATypI 2018 in Antwerp. [Google]
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Monthey, Switzerland-based designer of some typefaces during his studies at ECAV in 2016. [Google] [More] ⦿ | |
Designer based in Chicago. In 2016, he released the free monolinear geometric sans family Seiden Sans. Github link. [Google] [More] ⦿ | |
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Antwerp, Belgium-based designer of the all caps display typeface Gravity (2018) during his studies at the Royal Academy of Fine Arts. [Google] [More] ⦿ | |
Cuenca, Ecuador-based designer of the multiline typeface Kandinsky Bauhaus (2019). [Google] [More] ⦿ | |
During her studies at Liverpool John Moores University, Liverpool, UK-based Hayley Berridge created the painter's typeface Typy (2015), which was inspired by Kate Moross. [Google] [More] ⦿ | |
Brazilian designer of the grunge typeface Black Nouveau (2011). Behance link. [Google] [More] ⦿ | |
Miami, FL-based designer of the condensed typeface Abraham Lincoln (2015) and the handcrafted Atomica (2015), which was inspired by the atomic age. [Google] [More] ⦿ | |
Creator of the curly ball terminal typeface Retro Loops (2012). [Google] [More] ⦿ | |
Melbourne-based graphic designer. Creator of Fat Face (2007), a fat serifed headline face. He also made AB Uncial (2007). Graduate with an MA in typeface design, University of Reading, 2008. His graduation project was a versatile serif typeface created for use in magazines and books, Hyde Serif. [Google] [More] ⦿ | |
Canadian designer of the hand-printed typefaces Georgina's Hand and Celine's Hand (2011). Dafont link. [Google] [More] ⦿ | |
During his studies, Leeds, UK-based Craig Berry created Cheeky Vimto (2015). [Google] [More] ⦿ | |
Designer at iFontMaker of Silky (2011). [Google] [More] ⦿ | |
His typefaces include Chupple (stencil), Sin84, Gelinda, Winslow. [Google] [More] ⦿ | |
Designer in Perth, Australia, b. 1983. Creator the primitive handwriting typeface The World's Worst Font (2010). [Google] [More] ⦿ | |
Communication designer based in Norwich, UK with an interest in science, sustainability and society. Creator of the Café Vélotypeface (2012), which was designed as part of a rebranding of the Cambridge-based French café, Café Vélo. [Google] [More] ⦿ | |
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Sheri Berry created a Sheriberry DingFont, and a few Netbaby fonts (for dressing dolls). She specializes in fun fonts for children. The fonts were created ca. 1998. In 2007, SheriBerry Graphics became CastleBeary Graphics. The fonts: jagedge, just_willys, sbding2, sbelephant, sbfence, sbhading (Halloween font), SB Halloding (Halloween font), sbnetbaby, sbunny, sherberi, silly_willys. Dafont link. [Google] [More] ⦿ | |
Madison, WI-based designer of the paperclip typeface Tubing (2018), which was developed during her studies at the University of Wisconsin-Madison. [Google] [More] ⦿ | |
Creator of Sevastopol Interface (2015, FontStruct), a pixel typeface that is inspired by the font in the game Alien: Isolation. [Google] [More] ⦿ | |
Graphic designer based in Rio de Janeiro. Creator of the experimental typeface Bossa (2011). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the Indonesian Sign Language font Bk Bisindo (2021), which was done for Burger King Indonesia's Campaign called Sunyi Bersuara (voice of the silent). [Google] [More] ⦿ | |
During his studies at the School of Type design in Saint Petersburg, Russia, Sasha Bersym designed the monolinear sans typeface Parazit (2016-2017), which covers Latin and Cyrillic. [Google] [More] ⦿ | |
Based in Sao Paulo, Andrés Bertachini Deranian created the art deco typeface Slayer (2013). Behance link. [Google] [More] ⦿ | |
Mobile, AL-based designer of the hand-drawn typeface Katydid (2014). [Google] [More] ⦿ | |
Brazilian co-designer, with Jean Wojciechowski, of Linsingen (2017). Linsingen comes in Vintage, Moderna and Stencil styles, and was inspired by Brazilian lithographic tea barrel labels from the early 1900s. [Google] [MyFonts] [More] ⦿ | |
Communication design student at Politecnico di Milano, who is from Mantova. She created Pasticcio Storico (2011). [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the Victorian era typeface Arnol (2009). [Google] [More] ⦿ | |
Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip typefaces). In private email, he calls himself Carl. The foundry evolved from 2theleft. Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it. Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture typefaces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL. In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium. In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats). MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima. Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (ultra-condensed), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display typeface with mustache dings thrown in), FT Master of Poster (bi-level display typeface with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display typeface with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna). Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals). In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments. Typefaces from 2013: No. Seven (a successful brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script). Typefaces from 2014: Larry (sturdy connected script), Silver (upright connected script), Powder Script, Peaches And Cream (creamy signage or baseball script), In and Out (a connected retro signage script), The Carpenter (a script family in the style of Mercury Script). Typefaces from 2015: HMS Gilbert (a collection of 14 hand-crfated vintage types), Lager (a signage script family with adaptable swashes and other opentype goodies), Vanilla Shot, Journey (a smooth and elegant vintage script family of four weights and a matching ornament set, packed with alternate characters, and, in Bertell's style, perfect connections between glyphs), Tea Biscuit (signage script), Skipper, Skipper (connected script), Frost (a signage typeface that is just right, a sure award winner), Monday (sign apinting typeface). Typefaces from 2016: Jazz Script, Fragola (sign painting font), Syrup (sign painting font), Cosmopolitan (monoline connected script), Bluebell (copperplate calligraphic script), Inkston (vernacular brush script together with the standard handcrafted sans and text styles), Beaujolais (brush script), Black Script (a heavy signage script), Beaujolais (an organic brush script), Cold Brew (signage script), Inkheart (tattoo style). Typefaces from 2017: Camper (monoline script, accompanied by Camper Print), Aether Rain (thin script), Thang, Big Fish, Bolton (Bolton Script and Bolton Script, and the degraded Bolton Print pack), Vodka (Slab, Sans, Pen and Brush), Poster Brush, Fresh Press (signage style), Praktika (grotesk), Praktika Rounded, Blossoms, Kitchen (sign painting brush), Letterpress Studio, Takeaway, Aether Rain, Pitcher (baseball script), Karu (a workhorse sans), Bluebell (calligraphic), Roster (signage script), Dog Days, Catsy, Alfons (in Script, Display, Sans, Serif, Tiki, Extras and Ornaments subfamilies), Cosmopolitan (monoline script and sans pair), Snooker (retro signage script), Salty (a creamy brushed signage typeface). Typefaces from 2018: Aster Script, Audrey (a monoline script and sans duo), Galatea (a 48-style sans family by Erik and Emil Bertell), Double Porter (an 18-style font collection with scripts, sans, and grunge faces thrown in the mix), Matchstick, Fruitos, Corner Deli (a layerable set of fonts in script and sans styles), Bayamo (a brush script done for Monotype), Sidecar (a connected monoline neon sign script, and a matching sans), Ginger John, Brush Marker, Shirataki (monoline soft pen script), Ash (a crayon font), Breakfast Script, Dallas Print Shop (a display family by Teo Tuominen and Emil Karl Bertell), Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell). Elixir, Maestri (a classical connected scrupt by Teo Tuominen and Emil Karl Bertell), Popcorn (brush script), Cherry (signage script), Goodwater, Signature Script, Kingfisher (a beer botle signage script), Sonder (brush script). Typefaces from 2019: Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Ex Libris (a high contrast flared serif titling font), Riley (a retro sign painting script), Allison Script, Milky (a sign-painting brush script), Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Boardwalk Avenue Rough (a monoline script and a weathered all caps sans), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Yes Script, Gainsborough (script), Florian (a roman typeface with crisp edges and some contrast), Vogue Sans (a haute couture all caps contrast sans), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Chai (an expressive sans / serif hybrid), Rainmaker Script (monoline), Aequitas (a stylish sharp-edged roman typeface family), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Lawrence (a stylish roman typeface), Kallio Brush (a signage brush script), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Felicity Serif (a juicy bold high-contrast serif), Las Palmas (Brush, Pen, Slab, Condensed), Honey Drops, Explorer, Boardwalk Avenue (a sans/script font duo), Skye (a heavy decorative didone), Leftfield (a retro baseball script), Steak And Cheese, Agile Sans (a humanist sans by Emil Karl Bertell, Erik Jarl Bertell, and Teo Tuominen), Punk Rocker, Silverline, Perfume (Pen, Brush and Sans), Hops And Barley, Allison. Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Omnipop (Sans, Brush, Script), Paper Tiger (a Victorian Script accompanied by a condensed flared serif in two weights and a chunky sans serif), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Gambler (a 14-style display type collection), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Slacker (a brush script), Grand Atlantic (a vintage display package), Magnolia (Brush, Serif), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen), Rose Garden Deluxe (a font duo), Felicity (a heavyweight display sans). Typefaces from 2021: Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Briston (a bold creamy serif in the Windsor genre), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Skillet (a chubby Cooper Black-genre typeface full of hedonism and joie de vivre), Kings Valley (a decorative serif), Shaker Script (monolinear), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Ellie Script (a signature script), Dirty Sundae (a casual font), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen), Kiosk (a 4-style vintage headline typeface family in Script and Sans versions). Typefaces from 2022: Blood Orange (in the Cooper Black / Windsor / Souvenir genre), Tomato Ketchup (supermarket kitsch in the fat rounded Windsor genre). Dafont link. Behance link. Creative Market link. MyFonts interview. | |
Erik's fonts EB Base Mono (2009, monospaced), EB Futuretro (2002, bilined art deco techno face), EB Neon (2002), EB Boogie Monster (2002, multiline prismatic op art family), EB Vintage Future and EB Humboldt (2002, ultra fat). EB Martin (2010) is, in his own words, a post modern take on several traditional blackletter types. EB Bellissimo Display (2010) is a rounded monoline geometric sans typeface family. EB Jessica (2011) is part typewriter, part cemetery. Typefaces from 2013: Steamer (which he calls a grimy grotesque), EB Vintage Future, EB Martin (blackletter), EB Jessica Condensed Book. Moomin (2015) is a custom typeface designed for the Moomin brand. It is based the type used in the early comic strips by Tove Jansson, the author and creator of the Moomins. Cavalier (2016) is an avant-garde sans in the style of the 1970s. Typefaces from 2018: Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell). Typeface from 2019: Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Galatea (a 48-style sans family by Erik and Emil Bertell), Well (Erik Bertell and Toni Hurme: a wavy custom display typeface for Well Coffee), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Frank Sans (grungy). Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen). Typefaces from 2021: Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen). Link to Bond Creative Agency. Behance link. [Google] [MyFonts] [More] ⦿ | |
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During his studies Ringling College of Art and Design in Sarasota, FL, Kenyon Bertelsen designed the squarish display typeface Lumber (2017). [Google] [More] ⦿ | |
Designer of the paper fold typeface Paper&Love (2010). Chris was born in and lives in Montreal. [Google] [More] ⦿ | |
Graphic and web designer in Paris, b. 1983. He made the art deco blackened out geometric typeface Caligari (2008, German expressionism), the sans typeface Tir-bouchon (2015), the mirror typeface Rivulet (2011) and the martini glass-inspired art deco beauty called Sophia (2008). Home page with incorrect HTML code. Behance link. Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿ | |
Graphic design student in Lyon, who created an art deco prismatic typeface called Striped (2012). [Google] [More] ⦿ | |
Quebec-based designer of the experimental typeface Hamlet at UQAM (2003). [Google] [More] ⦿ | |
Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿ | |
Madrid, Spain-based designer of the sans display typefaces Culonite (2018: rounded and circular; lowercase only), Natural (2018: handcrafted), and Acatisia (2018). [Google] [More] ⦿ | |
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During his studies in Hasselt, Belgium, Massimo Berti designed Two For All (2013). [Google] [More] ⦿ | |
Bordeaux, France-based student-designer at ECV of the display typeface Typoney (2017). [Google] [More] ⦿ | |
Vivien Bertin (Caribara, Paris) designed the sans typeface family Egg (2013). Behance link. [Google] [More] ⦿ | |
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Alicante, Spain-based designer of the condensed Victorian typeface Regencia (2018) and the free sans typeface Kymera (2018). [Google] [More] ⦿ | |
During his graphic design studies in Milan, Giulio Bertolotti created the display sans typeface Hill House (2013). [Google] [More] ⦿ | |
The font creators at MB Music Engraving In Greely, CO, write: "MBPercussion is a 116 character symbol or pictogram font created for the engraver, copyist, and composer who work with contemporary percussion notation. Advantages of percussion symbol use include clarity, efficiency of space, and the elimination of translation problems." 30 USD, Windows and Mac. Notational symbols for wind chimes, ratchets, vibes, slide whistle. [Google] [More] ⦿ | |
Graphic designer who was born and grew up in Milan. In 2011, he created The Fresh Sans. Behance link. [Google] [More] ⦿ | |
As a student, Camilla Bertoni (Cuneo, Italy, b. 1995) created the free black counter typeface Linestones (2016), the free script typeface Honey Llama (2016), the free the handcrafted typeface Moody Spaghetty (2016) and the cursive typeface Yellow Llama (2016). Dafont link. Home page. [Google] [More] ⦿ | |
Italian artist who, with the help of Cosimo Lorenzo Pancini at Zetafonts, designed the chalky typeface Berton(2017). [Google] [MyFonts] [More] ⦿ | |
Hungarian designer of the multiline display typeface Finity (2014). Dafont link. [Google] [More] ⦿ | |
During their studies at ECV in Nantes, France, in 2018, Julie Bertrais, Solenne Pagès, Clara Tourneux, Carla Salaun and Constance Reygrobellet codesigned the super-heavy typeface family Mauer, to commemorate the Berlin Wall that came down in 1989. Also in 2018, Julie Bertrais and Solenne Pagès co-designed Jauria. [Google] [More] ⦿ | |
Australian designer of the free fonts Vertigon (2012, poster face) and Wolfsburg (2012, techno). [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of Bodoni Java, City Central, City Estate, Code, Empyre, Interface, Krush, Nippon, Ruby, Special Deluxe, Speedster, Vertigo, Bats Noir, Beds, Bats&Tables, Numb Bats, Sports Bats. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Designer of delicately quaint Lucinde family in 16 styles (2011, Linotype), in collaboration with calligrapher and type designer Andreas Frohloff. Lucinde was later renamed Rabenau. Images: i, ii, iii. Linotype writes: In March 1999, Axel Bertram carried out the first test prints of a typeface which he had originally developed for his own use. He had been searching for an appropriate script to evoke both a significant period in the history of printing and the literary historical milieu of Berlin around 1900. His attention was drawn to Friedrich Schlegel's novel Lucinde which appeared to great acclaim in 1799 and whose ideas found great sympathy in Axel Bertram. (The novel deals with the major re-ordering of the roles between men and women, in particular arising from the lifestyle of a young Romantic. Sensibility and intellectual attraction, earthly and heavenly love were no longer to be seen as irreconcilable opposites and certainly not to be seen as being divinely pre-ordained for one sex only. This was a small historical step on the path towards equality of rights for the sexes. The novel remained an incomplete fragment and the ideas contained did not catch on in the author's lifetime. These new demands had, however, found a voice and continued to resonate.) In 1999 the new typeface was therefore dedicated to the ideals of this young Romantic with all its sublime insolence. In 2012, he published FF Videtur, together with Andreas Frohloff: The concept for FF Videtur is based on bitmap fonts Axel Bertram created for the state television broadcaster in East Germany (GDR Television) during the 1980s. Thorough research and testing led to the creation of an open, functional serif typeface with alternating contrast. Freed from yesteryear's technical restrictions, the new FF Videtur was entirely redrawn while keeping the best characteristics of the earlier forms. Despite its workmanlike appearance at first glance, its warm character is undeniable. The reasons for this are its modest stroke contrast; the open, clearly differentiated letterforms; the relatively short and rounded wedge-shaped serifs; and the consistent rhythm it sets in lines of text. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Jersey-based designer (b. 1991) of the ghostly typeface Spook (2016). Dafont link. [Google] [More] ⦿ | |
Graduate of ESDAP, Barcelona, who works as a graphic designer in Barcellona. In 2020, she released the decorative display typeface Orquidia. [Google] [More] ⦿ | |
During her studies at the École de Communication Visuelle ECV Aquitaine, Bordeaux-based Anne-Lise Bertrand designed the origami-style typeface White Shape (2012). [Google] [More] ⦿ | |
Jacques Bertrand works in the Department of Psychology at the University of Trois-Rivières, Québec, Canada. He designed the Mac fonts Amour Tendre, Bertrand, Jean Camil, Nancy Blue, Petit Bonheur (see also here), Provence, Puccini and Steinbeck (Mac only). [Google] [More] ⦿ | |
Parisian designer of the video game typeface Massive Attack (2014). [Google] [More] ⦿ | |
Stefi Bert (UK) designed the puffy cloud font Nubles in 2013. In 2016, he designed the connect-the-dots font family Not Only Braille. Dafont link. Another URL. Home page. Behance link. [Google] [More] ⦿ | |
During his studies at Univali, Florianopolis, Brazil-based Inacio Berutti designed the free display typeface Funky Break (2017, FontStruct). [Google] [More] ⦿ | |
Graphic and web designer from Barcelona who created the fat squarish typeface Dora (2011). [Google] [More] ⦿ | |
As a student in Salford, UK, Chebo Besa created Diamond Typeface (2015). [Google] [More] ⦿ | |
Designer in 2016 of the FontStruct fonts Drosé KXK Plus, Drosé KXK Zero, Mannaffe Yunis, and Manaffe-Zero Yunis. [Google] [More] ⦿ | |
Madison Besch (b. Omaha, NE) designed the slab serif typeface Madislab in 2016 during her studies at the University of Nebraska at Omaha. [Google] [More] ⦿ | |
Moscow-based designer of the Latin / Cyrillic arts-and-crafts typeface American Horror Story (2016). Behance link. [Google] [More] ⦿ | |
Dnipropetrovsk, Ukraine-based designer of the squarish typeface Magic Moments (2015) and a monoline display typeface. [Google] [More] ⦿ | |
Winner of an award in Alessandro Segalini's type design class at Izmir University of Economics in June 2007 with the grunge stencil typeface Cig Kofte. [Google] [More] ⦿ | |
In a course in Fortaleza, Brazil, Reno Beserra created the free semi-stencil deco typeface R Judas Sans (2014) which was inspired by British urban art and Bauhaus. [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the rhombic and hexagonal typeface Prayer (2019). [Google] [More] ⦿ | |
Graphic designer in Red Deer, Alberta, who created the vintage typeface Mount Pleasant in 2013. Behance link. [Google] [More] ⦿ | |
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The French type designers Michel (b. 1942) and Rosalyne Besnard (b. 1946) live in Rouen. Under the brand Les Besnardtypo, they jointly designed Micmac (Agfa Creative Alliance, 1997), ITC Odyssee (1996), ITC Typados (1997), Rom (Creative Alliance, 1998), Bouchon (Letraset, 2000), Huit (Visual Graphics Corporation, 1972), Sargon (Visual Graphics Corporation, 1974: bilined and futuristic), Migraph (Agfa Monotype, 1999), PistolShot LT Std Normal and Light (Linotype, 2003), Nazca (Monotype Imaging, 2005), Sargon (Monotype Imaging, 2006), First One (Monotype Imaging, 2006: a family for teaching the alphabet to children), Mickros (Monotype Imaging, 2007), Pantin (Monotype Imaging, 2007), De Gama (Monotype Imaging, 2008), Pasta (Monotype Imaging, 2008). As of 2015, Monotype sells De Gama, Filao, First One, Gamira, Huit, Makina, Mickros, Modern B42, Nazca, Pantin, Pasta, Robotool, Sargon, Season. Linotype page. FontShop link. Another FontShop link. View Michel Besnard's typefaces. [Google] [MyFonts] [More] ⦿ | |
The French type designers Michel (b. 1942) and Rosalyne Besnard (b. 1946) live in Rouen, France. Under the brand Les Besnardtypo, they jointly designed Micmac (Creative Alliance, 1997), ITC Odyssee (1996), ITC Typados (1997, art nouveau), Rom (Creative Alliance, 1998), Bouchon (Letraset, 2000), Huit (Visual Graphics Corporation, 1972), Sargon (Visual Graphics Corporation, 1974: bilined and futuristic), Migraph (Agfa Monotype, 1999), PistolShot LT Std Normal and Light (Linotype, 2003), Nazca (Monotype Imaging, 2005), Sargon (Monotype Imaging, 2006), First One (Monotype Imaging, 2006: a family for teaching the alphabet to children), Mickros (Monotype Imaging, 2007), Pantin (Monotype Imaging, 2007), De Gama (Monotype Imaging, 2008), Pasta (Monotype Imaging, 2008), Gilde (2014: a monoline script), Didosystem (2017: a connect-the-dots font). Linotype page. FontShop link. Another FontShop link. Klingspor link. View Roselyne Besnard's typefaces. [Google] [MyFonts] [More] ⦿ | |
Constanza graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the organic typeface Pomaire, which was named after a picturesque and rustic village. [Google] [More] ⦿ | |
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Brazilian creator in 2008 of an Avant Garde style font RavenGarde for TIM Festival 2008. He works at Tátil Design. [Google] [More] ⦿ | |
In 2018, his road signage typeface Signal PK was published by Production Type. The pictograms in the font were drawn by Donald Choque. Art direction by Julien Lelièvre. Production Type explains: Signal is a typeface that leans on a significant part of the French typographic landscape, the "Caractès" for road signage. These alphabets made by norm, with obscure origins, are present all across the French road network since the 1970s, and are emblematic of its typographic identity. Signal fulfils the broken promise that these alphabets used to make: until now, Caractères existed only in their normative shape (4 incomplete styles named L1, L2, L3, and L4: two of uppercase-only, two of italics only). The few digital fonts available are equally incomplete and mediocre digitization attempts, with poor execution. Specifically designed with urban signage, interface and exhibition design, in mind, this new series (Signal) completes and extends the existing typefaces. The current palette consists in previously unseen romans in two weights and their matching italics, a complete set of accents for multilingual typesetting, numerous arrows and pictograms, and characters for mathematical typesetting. An extra style, Condensed, deformed and excessive, wittily tops the typeface family. As a new ensemble, its demultiplies the potential uses of Caractères, beyond their original purpose, making them notably suited for interface design. In 2020, Production Type launched Signal Mono, and advertized it as a straightforward bureaucratic typeface. It was made by Emmanuel Besse, who was assisted by Julien Lelièvre (art direction), Hugues Gentile (Cyrillic) and Laurane Perrot. Together with the Production Type team of Quentin Schmerber and Hugues Gentile, he designed the severe-looking mechanical typeface family Kreuz, which is also a sign of the times---the rise of threatening right-wing dictators in Europe and America. Designer of Enduro (2020, Production Type), a sturdy 44-style no-nonsense sans having a Cyrillic that was designed by Marion Sendral. Typefaces at Large Projects include Principal (sans) and Norman (condensed sans). [Google] [More] ⦿ | |
Ann Bessemans (b. 1983) obtained her Ph.D. in 2012 from Leiden University (under Gerard Unger) and Hasselt University. She grew up in Sint-Truiden, Belgium. In 2011, she finished the Expert Type Design Class with Frank Blokland at the Plantin Genootschap in Antwerp, and created the typeface Matilda. Matilda was specially designed to help make kids make the transition from reading simple type forms to more complex ones. Her PhD in 2012 entitled Type Design for Children with Low Vision was jointly supervised by Gerard Unger at Leiden University, and Bert Willems at Hasselt University. Her research interests include the interrelations between image & word, typography, font design, legibility, reading graphic design, book design and modular systems. She speaks regularly about legibility. Speaker at ATypI 2013 in Amsterdam and at ATypI 2014 in Barcelona. In 2014, Ann Bessemans designed a Belgian postage stamp that set a Guinness record of 606 words on one stamp. Speaker at ATypI 2016 in Warsaw on READSEARCH---A Platform for Reading Research (together with Kevin Bormans and Maarten Renckens). READSEARCH, launched in 2015, is Bessemans's research group that studies reading from a multidisciplinary and scientific perspective, covering both impaired and normal readers. Speaker at ATypI 2017 Montreal. [Google] [More] ⦿ | |
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During his studies in Lausanne, Switzerland, graphic designer Guillaume Besson created the frivolous Strawberry Thief Grotesk (2015). Behance link. [Google] [More] ⦿ | |
Callum Best (Bournemouth, UK) created the art deco typeface Ark Deco (2012). Behance link. [Google] [More] ⦿ | |
Cincinnati, OH-based designer of these typefaces in 2011: Frakked (blackletter), Spartan, Octagon, Modern Wood, Wasabi (a free Asian calligraphic simulation face; +Shogun, +Samurai, +Ninja). Behance link. [Google] [More] ⦿ | |
Purkersdorf, Austria-based designer of the modular monoline sans typeface family Tauy (2017, FontStruct). [Google] [More] ⦿ | |
Cape Town, South Africa-based designer of a deco typeface in 2017. Behance link. [Google] [More] ⦿ | |
Designer at Typolis in Antwerpen, Belgium, where he designed the grunge font Dyslexic. Tom lives in Borsbeek. [Google] [More] ⦿ | |
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Many free Sanskrit-diacritic typefaces here, all designed by Murari Dasa (was Madhava Dasa), aka Michael Best, who is the oldest son of Pratyatosa Dasa. The fonts: Tamal (1993, based on Times Ten), Bhaskar (NewBaskerville), Devanagari (well, this is a true Devanagari font done in 1995), Drona (Dutch), Garuda (FuturaCondensed), Gaudiya (Goudy), Hladini (Helvetica), Karuna (Courier), Shanti (Sabon), Avatar (Avenir), Bhimasena (Benguiat), Gauranga (FormalScript), Kunti (KuenstlerScript), Kurma (Cooper), Uttama (University Roman), Yama (TempHeavyCondensed). In 1996-1997, Best designed the Tamil font Indevr20, with copyright to The Bhaktivedanta Book Trust. All his fonts on one zip file. [Google] [More] ⦿ | |
During her studies in Tampico, Mexico, Valeria Betancourt (b. 1992) created Vale Hand (2012) and Rounded Vale (2015). Dafont link. [Google] [More] ⦿ | |
Creator of the modular typeface Jomibe (2013). [Google] [More] ⦿ | |
Student at UWE Bristol in the UK. FontStructor who made the grunge typeface Tooth Decay (2010). [Google] [More] ⦿ | |
Welsh youngster (b. 1993) who created Dwarvish (2008, runes). [Google] [More] ⦿ | |
Graphic designer in Ferndale, MI, who created the sci-fi font Funky Space Robot (2014, FontStruct) during her studies. [Google] [More] ⦿ | |
FontStructor whose fonts include Gridsix (2010, a unicase kitchen tile face), Blockhead (2008, the ultimate fat face), and Quadrants (2008, modular). [Google] [More] ⦿ | |
Strasbourg, France-based designer of the architectural decorative typeface Indus (2017) that is based on the work of Hilla and bernd Becher. [Google] [More] ⦿ | |
Portuguese designer (b. 1986) who is based in Macau. Creator of the free script typeface Bettencourt (2012). Her display typeface Radius (2013) is also free. Behance link. Dafont link. [Google] [More] ⦿ | |
Relay Fonts (Rebecca Bettencourt, aka Beckie RGB, and also known as Kreative Korporation and Kreative Software) offers a number of free fonts.
Dafont link. Fontspace link. Abstract Fonts link. Klingspor link. Open Font Library link. [Google] [More] ⦿ | |
Aka as theterrible. Designer in 2008 of this font, based on FontStruct: Struktur (2008, blackletter), more_than_meets_the_eye (2009, based on The Transformers) and New Traface (2009, sans). [Google] [More] ⦿ | |
Hopewell Junction, NY-based graphic designer who has created some custom typefaces such as Birds (2009). The alphabet. [Google] [More] ⦿ | |
Italian creator (from Jesolo) of the ink trap techno face Lumina (2009), which was designed while he was studying at the Politecnico in Milan. It was intended for applications such as illuminated dashboards of cars and planes. [Google] [More] ⦿ | |
Designer in Elmont, NY. In 2012, he used Futura as a basis for Arcade, a typeface used for wayfinding on a campus. [Google] [More] ⦿ | |
Jersulaem, Israel-based designer of the Hebrew typeface Renée Sans (2015) and of the Hebrew marker font Kumzitz (2014). [Google] [More] ⦿ | |
Graduate of Mankato State University, class of 2015. New Prague, MN-based designer of the octagonal typeface New Prague (2015). Behance link. [Google] [More] ⦿ | |
During his studies at The School of Visual Arts in New York, Maxwell Beucler created the all caps typeface Bones (2013) and the scary typeface Slime Sans (2013). | |
Leo Beukeboom was the in-house sign painter for Heineken brewery for more than 30 years. An accomplished and skillful lettering artist, he was heavily influenced by Dutch writing masters such as Cornelis Boissens and Jan van de Velde. He created a unique script style that became one of the distinctive characteristics of traditional brown café's in Amsterdam. Leo is now working on Beukeboom Script (Re-Type, 2009). [Google] [More] ⦿ | |
Eastburgh (2011) is a slightly slabbed humanist sans face. In 2012, he published the nearly monoline sans typeface family Aubaine. [Google] [MyFonts] [More] ⦿ | |
During his studies in Salford, UK, Shaun Bevan created a triangulated typeface (2016). [Google] [More] ⦿ | |
Creator of Leprechaun (2011) during TipoBrda 2011, a type design workshop held in Slovenia. [Google] [More] ⦿ | |
During TipoBrda 2010, she created the contrast-rich display sans typeface Untitled. At Fontsmith, she published FS Olivia (2012), an angular text family for Latin Greek and Cyrillic. [Google] [MyFonts] [More] ⦿ | |
San Benedetto del Tronto, Italy-based graphic designer. Behance link. Creator of an experimental typefaces Jellymorph (2012) and No IS (2011), which use the Perlin random number generator and trigonometric functions to create glyph outlines. [Google] [More] ⦿ | |
Designer (Steve Bevis?) of "In the Zone Dingbats". Elswhere you can download Britney Jean Spears Dingbats (2005, Jennifer Paige). [Google] [More] ⦿ | |
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Designer who used FontStruct in 2008 to create GRRRILLA (Western billboard face) and Bombs (ultra-condensed fat face). [Google] [More] ⦿ | |
French creator of Gagaille Premiere (2005) and Gagaille Seconde (2005). Dafont link. [Google] [More] ⦿ | |
West Bradenton, FL-based designer of Dinosaurus Text (2018), which includes a set of dinsaur doodles for children. She also created an icon set called Under The Sea (2018). [Google] [More] ⦿ | |
Brooklyn, NY-based illustrator and graphic designer who created the floriated typeface Merci Beaucoup (2015). Behance link. [Google] [More] ⦿ | |
Tehran-based designer (b. 1987) of a futuristic caps set in 2012, called Future Type. [Google] [More] ⦿ | |
Graphic designer and fashion model Julia Beynon (Daphne Designs, Los Angeles) created the handwriting all caps outline typeface Bully Boys (2003), downloadable from DaFONT. [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Olinda, Brazil-based designer of the free crop circle typeface ET Crop (2017). [Google] [More] ⦿ | |
During her studies at KSADA in Kharkiv, Ukraine, Anna Bezhan designed the handcrafted Cyrillic typeface Postanova (2017). [Google] [More] ⦿ | |
It is difficult to believe, but there is a type designer called Bézier. He lives in Nantes, France, and created his first typeface, an inline deco face, in 2014. [Google] [More] ⦿ | |
During her studies in Arequipa, Peru, Francesca G. B. designed the Eiffel Tower-inspired typeface Paris (2015). [Google] [More] ⦿ | |
In 2013, Markela designed the display sans family Mismark, which comes with a hairline weight. In 2014, she created Copy Paste Futura, which can be bought here. Behance link. [Google] [More] ⦿ | |
Roman creator of BBB (2012), a typeface created with compass and ruler. [Google] [More] ⦿ | |
Banda Aceh, Indonesia-based designer, b. 1990, of the signage script typefaces Hancock Script (2019), Maestro Script (2019) and Hector Barbossa (2019). Typefaces from 2020: Parmela, Bradley, Aotria, Remington. [Google] [More] ⦿ | |
South Sumatera, Indonesia-based designer (b. 1981) of the minimalist monolinear sans typeface Verno (2020). [Google] [More] ⦿ | |
Pune, India-based designer of the foliate typeface Edge (2018). [Google] [More] ⦿ | |
At Racahna Sansad College of Applied Arts and Craft, Mumbai-based Kajol Bhalerao designed the textured caps typeface Katti Batti (2018) and the Rajasthani dance-inspired color typeface Ghoomar (2018). [Google] [More] ⦿ | |
During her studies, Jaipur, India-based Ayushi Bhandari created a geometric solid typeface (2015). [Google] [More] ⦿ | |
Mumbai, India-based designer of the high-contrast sans typeface Touché (2016). Behance link. [Google] [More] ⦿ | |
India-based principal designer of the free Google font Mina, a contemporary geometric Bangla (Bengali) and Latin family. The family comes in two weights, Regular and Bold. It started by extending the Latin font Exo, initially designed by Natanael Gama. Contributors to Mina include Mooniak (a group of designers based in Sri Lanka), Pathum Egudawatta, Ayantha Randika, and Kosala Senevirathne. Github link for Mina. Graduate of the MATD program at the University of Reading, class of 2019. Suman's graduation typeface, Aahir, covers Arabic (Nasq & Nastaliq), Bengali and Latin and is intended for use as a workhorse text typeface. [Google] [More] ⦿ | |
Mumbai, India-based designer of the free Urdu-Arabic typeface Baloo Bhaijaan (2017). Github link for EK Type's Baloo family of fonts. [Google] [More] ⦿ | |
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Yogyakarta, Indonesia-based designer of the watercolor brush typeface Brushylicious (2016), the Victorian typeface Grandeven (2016), and the free Victorian signage typeface The Bravery (2016). Typefaces from 2018: Budaphest. Typefaces from 2020: Hassengard (nodular), Rochard Benoitt (script), Believe Dreams (a monoline script), Luxuriougenics (script), Almada (a wild calligraphic script), Bobaniac (creamy, hand-printed), Warrington, Bruan Letter, Liefont Mooncrat (a fat finger font), Harlem Boston [Google] [More] ⦿ | |
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Guwahati, India-based designer of the comic book font Archi Sans (2018). Behance link. [Google] [More] ⦿ | |
New Delhi-based designer of the tangram-style Geometric (2014; a set of numerals). [Google] [More] ⦿ | |
Helsinki, Finland-based designer of the free heavy handcrafted font Icecany Fontantara (or Tropical Ice) (2016, during her studies at Srishti Institute of Art, Design and Technology). Behance link. [Google] [More] ⦿ | |
During her studies in New Delhi, Shriya Bhattacharya designed the arrowed Tuscan typeface Pisces Zodiac (2016). [Google] [More] ⦿ | |
Baroda, India-based designer of the condensed monospaced typeface Monophis (2019). [Google] [More] ⦿ | |
During her graphic design studies in Milwaukee, WI, Maria Bhatti created the delicate script typeface Peacock (2013). [Google] [More] ⦿ | |
Montreal-based designer of the modular typeface family Bousculade (2018). [Google] [More] ⦿ | |
Based in Buffalo, NY, Vijay Bhat created the display typeface Kayak (2014). [Google] [More] ⦿ | |
Located in Indore, India, this foundry sells fonts by B. Manojkumar Bhawsar (b. 1970, Kukshi) such as the Cut Sans Serif family (LED family, 2006). [Google] [MyFonts] [More] ⦿ | |
Designer and illustrator in Mumbai. In 2016, she created the sketched typeface Mario. [Google] [More] ⦿ | |
Indonesian designer of Beltskerville (2011) and Earfont (2011). [Google] [More] ⦿ | |
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Designer of Anek Telugu as part of Ek Type's award-winning family Anek (2022). [Google] [More] ⦿ | |
Designer of the decorative caps typeface Britomart in 2015 during his studies at Yoobee School of Design in Auckland, New Zealand. Behance link. [Google] [More] ⦿ | |
Names associated with Seemly Designs and Comely Designs and Fancy Fonts and Seemly Fonts include Jamel E. Robin and Mohammed Shohail Bhuian. Bangladesh-based creator (b. 1984 or 1985) of Merry Christmas Go (2014, Christmas dingbats), Delphinium (2014, modular typeface), Calla (2014, ornamental letters; called Brush Moon inside the font), Christmas Go (2014, Christmas icons), Artindo (2014, rounded hand-printed sans) and Gerbera (2014, an experimental outline typeface). Typefaces from 2016: Crocus, Formiane (handcrafted), Xiovus (a rough brush face), Brown Foxy (a brush typeface), Burly Stain, Brown Crow, Funtos, Borsta (thick brush), Handwritten Artem, Burly, Goajubia, the handcrafted typefaces handwritten Artem and Vimofee, the grungy Grungoe, the outlined typeface Yarrow, the brush face Renbion, the sans typeface Carefaq. Typefaces from 2017: Shurjota, Admixes, Darkling, Daichi, Deadway (gothic), Dorathy, Funbox, Getrox, Kadence, Quinni, Radburn, Red Runner, Rishima Tint, Rishima (monoline hand-printed), Brave Rocker, Mantre, Marlys Wilson, Bixens, Anxious, Plucky, Terbium, Fraxinus, Leilani (sans), Gresan (signage), Isrety, Sinewy (rounded sans), Foglia, Josen, Meriana (hand-printed), Landis (dry brush), Radburn, Deadway, Bince Triex (rounded sans), Celibe (sans), Rodless, Axile, Bexirow, Jacsony (dry brush), Rantox, Dream Booker, Saburio, Nioxra, Waking Dreamer, Faegan (sans), Quenby, Jugsar (fat brush), Priopa, Tenure (grungy), Hardy Street, Noisette, Disjunct (grungy), Nigella, Xioxca (grungy), Goajubia Next, Rocky Here, Grand Dreamer (sans), Speedwell (text typeface), Scabiosa, Celosia, Gaillardia, Matthiola, Clarkia (dry brush), Jaxcos (prismatic), Jacsony (drybrush), Nelumbo. Typefaces from 2019: Sebqor, Sombir, Cherish Today, Rosbed, Bookish, Bonrin, Dokrak, Moorish Nonary, Notice Things, Single Step, Musicality, Axile, Funbox, Spring Season, Journey Planner, Rockwork, Notice Things, Finder, Caroos, Our Goal, Single Step, Rekobip, Mobstex, Bogwood. Typefaces from 2020: Leman, Valentine Dream, Thrive Xmas, Christmas Respite, Good Mood, Our Santa, Christmas Love, Supposition, Stay Happy, Christmas Tree, Nest, Mother Wonder, Autumn Arbor, Keep Smiling, Be Honest, Spread Beauty, Spread Joy, Happy Dreamer, Delighted Panda, Christmas Eve, Derivation, Be Kind, Dream Arranger, Enjoy Summer, Fallen Dreamer, Father, Follow Through, Hello Brilliant, Hello Christmas, Hello Halloween, Mermaid, My Father, Natural, Obsessed Halloween, Shadowy, Spooky Haunt, Spooky Regime, Summer Garden, Syncopator, Target (textured caps), Travel, Vacation Planner, Veritas Christmas, Welcome Everyday, Sweet Summer, Halloween Occurrence, Bomka, Floweret, Keqima, Mando, Qiko, Runner, Demure Dogma, Epoch (Bold/Light/Regular), Floret, Goodenia, Grand, Hello Brilliant, Jacsony, Plight (Bold/Light/Regular), Queenship, Scabiosa, Sombir, Mamma, Mammy, Momcare, Mother, Mother Special, Mother Wonder, Valentine Things, Autumn Happiness and Valentine Monster. Typefaces from 2021: Strong Passion (a scrapbook font), Striking Rainbow, Food Zone (a round vernacular caps font), Remind Him (hand-crafted), Monteya (a bold display serif), Our Happy Holiday, Sweet Daydream (hand-printed), Eerie House (a Halloween brush font), Scary Hours, Big Dreamer, Christmas Preference (hand-printed), Wake Up Now (a scrapbook font), Connect Christmas, Merry With Dream, Dark Misery, Spooky Sphere, Creepy Night (a brushed horror font), Happy Moment (all caps, handcrafted), Summer Motion, Inquisitive (handdrawn caps), Aim High, Hold On (an all caps brush font), Aim High, Positive Attitude, Take Chances, Hardy Mind, Pretty Magnolia, Summer Ink, Tidy Mom (a chalk font), Think Big, Precious Way, Just Believe (a marker pen font), Generous Monarch (a tall condensed dry brush typeface), Our Goodwill (hand-printed), Keep Me, Intense Emotion, Majestic Valentine (hand-drawn), Wow Darling (handcrafted), Love Taking, Love Radiate. Typefaces from 2022: Easter Discover (condensed, hand-printed), Instinct Question (a condensed all caps brush font), Summer Fable (handprinted), Cute Rabbit (a fat finger children's book font), How Lovely (hand-printed), Summer Splendor (casual, hand-crafted), Individual Thinking, See You Again (handprinted caps), Juicy Fruit. Some fonts are free at Dafont. Creative Market link for Jamel E. Robin. Fontspace link. Sellfy link. [Google] [MyFonts] [More] ⦿ | |
Behance link. Andrea Biagi's home page. Igor Biagi's home page. [Google] [More] ⦿ | |
Member of the Sic Typus Creatus Est team (Dafne Martinez, Jorge George, Leonardo Delgado, Iordan Evair and Federico Biagioli) that designed Calmadita in 2020 for the Torneo tipografico competition. Calmadita is an angular slab serif meant for Ipads and Kindles. [Google] [More] ⦿ | |
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Yauheni Bialiuha (Re:Vision, Saint Petersburg, Russia) made an experimental counterless Latin font in 2010. Behance link. [Google] [More] ⦿ | |
Student in Poznan, Poland. Designer of the curly typeface Rooko (2012) and the cool display typeface Pear (2012). In 2013, she created the grotesque typeface Roma. In 2014, she made the informal children's book font Linda. [Google] [More] ⦿ | |
Parisian designer who made a techno alphabet in 2011. Behance link. [Google] [More] ⦿ | |
Graphic designer based in Sao Paulo, Brazil. Designer in 2021 of Niju (a 3d or shadow font). [Google] [MyFonts] [More] ⦿ | |
Tijuana, Mexico-based designer of the thin display typeface Athisuuwhite (2014). [Google] [More] ⦿ | |
Italian designer at the graphic design studio Tipiblu in Milan. Her typefaces include:
Behance link. [Google] [More] ⦿ | |
He used Fontifier to design the handwriting typeface whitesteve (2004). See also here. [Google] [More] ⦿ | |
With iFontmaker, Svet Bianca designed the handcrafted typeface American Typewriter By SvetB (2015). [Google] [More] ⦿ | |
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Graphic designer in Brescia, Italy, who created the pearly caps typeface Capilettera (2013). [Google] [More] ⦿ | |
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Chicago, IL-based designer of the modular display typeface Fiends (2013). [Google] [More] ⦿ | |
Graphic designer in Buenos Aires, who created a playful display face in 2011. She is a student at FADU UBA. [Google] [More] ⦿ | |
Graphic designer and photographer who graduated from ESDA in Zaragoza, Spain. Creator of the circle-based Round Around Font (2014). [Google] [More] ⦿ | |
Designer of Sumo Joe (2022), a Japanese emulation typeface inspired by an animated series on Cartoon Network called Samurai Jack. [Google] [More] ⦿ | |
Media Production student at the University of Lincoln, UK. As iFontMaker, he created the scratchy hand Shotgun Shak (2011). [Google] [More] ⦿ | |
Belo Horizonte, Brazil-based designer of Patricinhas (2014, a school project typeface at Universidade Estadual de Minas Gerais). [Google] [More] ⦿ | |
Fabián Bicco (Montevideo, Uruguay) is a designer and illustrator. He created the octagonal CBO (Central J. Batlle y Ordoñez) font in 2012. Behance link. [Google] [More] ⦿ | |
Shanghai-based designed of the spurred typeface Bourgeon (2013). [Google] [More] ⦿ | |
Aix-en-Provence, France-based designer of Bino Slimo (2015). Behance link. [Google] [More] ⦿ | |
Designer in the FUSE 7 collection of the lunatic scribbly font Illiterate. [Google] [More] ⦿ | |
Type Department link. [Google] [MyFonts] [More] ⦿ | |
Rio de Janeiro-based designer of the free renaissance typeface Patrizia (2021). [Google] [More] ⦿ | |
Born in 1973, Auckland, New Zealand-based Justin Biddle created the children's script typefaces M9 (2019) and Jesse 5 (2013), the handcrafted The Best of My Love (2015), and the modular Bigdog (2015). Dafont link. [Google] [More] ⦿ | |
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Quadon (2013) is a slab serif that seems ideally suited for information design. Gentona (2013) is a neutral neo-grotesque sans that has 18 styles/weights. His last typeface family of 2013 is Canaro, a spurless simple information design sans with very large counters---some weights are free. Still in the early 20-th century tradition of neutral sans typefaces, but with influences from breakaway designs such as Futura and Avant Garde, René Bieder created Campton in 2014. The excellent slab serif version of Campton is Choplin (2014). Just before the end of 2014, he surprised with yet another powerful sans typeface family, Galano Grotesque, the punchier Galano Grotesque Alt, which shows geometric roots that go back to Futura, Avant Garde and Avenir, and the display version Galano Classic, which has smaller x-height. Typefaces from 2015: Mirador (a high contrast wedge serif typeface family with many angular details). Typefaces from 2016: Sagona (a Clarendon style slab serif family), Rational (a Swiss style sans family), Rational TW (the typewriter version of Rational). Typefaces from 2017: Quarion (neo-humanist sans), Milliard (part geometric, part humanist sans family consisting of 22 weights. Typefaces from 2018: Faktum (an exploration of the geometric genre with modulated joints), Mackay (a transitional serif inspired by Alexander Kay's Ronaldson from 1884), Franca (a neo-grotesk with large x-height named after the typefaces it inherits shapes from Franklin and Helvetica). Typefaces from 2019: Total Sans (monolinear and widely spaced), Magnat (a high contrast fashion mag sans family in Poster, Head and Text subfamilies). Typefaces from 2020: Freigeist (a typeface family based on the early British grotesks from the 19th century), Novera (a 40-style geometric sans divided into Novera Modern and Novera Classic subfamilies, characterized by vertical terminals, circular shapes and angular apexes). Behance link. Klingspor link. Interview in 2014 by MyFonts. [Google] [MyFonts] [More] ⦿ | |
Malaysian or Indonesian designer, b. 1996, of the tall condensed all-caps typeface Sans Francisco (sic) (2019), Unicorn Pop (2020), Thankies (2019), KidsZone (2019), Funkie Bunny (2029), Camellia (2019: a curly script), and Deliciously (2019: a font duo). [Google] [More] ⦿ | |
During her studies at Flagler College, Saint Augustine, FL, Ashley Bielecki created Ecliptica (2015). [Google] [More] ⦿ | |
Typefaces from 2017: Peachy+Pure, Savo Bawdy (monoline script), Sonophone (signage script), Slowbird (brush script). Creative Market link. Graphicriver link. [Google] [More] ⦿ | |
Gina Biel (Trier, Germany) designed the organic script font Amoebe (2012) and the retro script typeface Madison (2013) that was inspired by the city of San Francisco. [Google] [More] ⦿ | |
Hungarian designer of the plumpish typeface Skopje (2017). [Google] [MyFonts] [More] ⦿ | |
San Francisco-based graphic designer who created an untitled circle-based experimental alphabet in 2013. [Google] [More] ⦿ | |
During her studies, Lyon, France-based Victoria-Adelaide Bielmann designed the experimental decorative typeface Inception (2017). [Google] [More] ⦿ | |
Presov, Slovakia-based creator of the tattoo font Bad Boys (2010). Specializing in vintage and Victorian lettering, he published Sign Shop (an ornamental Victorian typeface with many spurs and frills; together with Neuron Type) and Tobie in 2020. [Google] [More] ⦿ | |
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Art director in Groningen, The Netherlands, who created the heavu brush typeface Mot Massive in 2017. Behance link. [Google] [More] ⦿ | |
Berlin-based art director. Designer of Fruboni (2018), a hybrid of Frutiger Extra Black and Bodoni Bold (2018). [Google] [More] ⦿ | |
Warsaw, Poland-based designer of the organic typeface Boa (2016) for a school project. [Google] [More] ⦿ | |
Designer of the alphading font Smiley Faces. [Google] [More] ⦿ | |
Canadian designer of Linotype Rory (1997) and Linotype Dummy (1997). FontShop link. Linotype Dummy is an Escheresque optical illusion face. [Google] [MyFonts] [More] ⦿ | |
Type foundry established in 2017 by Winston Scully & Scott Biersack, aka Scinston & Wott. Both graduated from the Type@Cooper program. Scott Biersack is a designer and illustrator, while Winston Scully is a lettering artist and type designer. Their typefaces:
Home page of Scott Biersack. Link to You Bring Fire, Scott's studio that offers custom lettering. At You Bring Fire, he released Malice Stencil (2018), a calligraphic blackletter-inspired typeface with a modern approach. At Type Paris 2019, he designed Sweet Jesus (an 8 style display family with the beginnings of an 8 style italic companion; with large open counters, sharp angular terminals and serifs). [Google] [MyFonts] [More] ⦿ | |
Young Berlin-based type designer who made the Chemo family, Bionic Dynamic, Localizer, Localizer Clones and FF Magda Clean (1997, together with Henning Krause), a monospaced typewriter font related to Cornel Windlin's Magda, all at FontFont. His company is called Critzler Font Investigation. He created the fun Linotype typefaces Linotype Down Town, Linotype Go Tekk and Linotype Mindline in 1997. Before 1990, he was an East-German sign painter. He recently founded Pfadfinderei, an "all-round" agency for visual communication, where he designed the futuristic techno display type family FF TradeMarker (2007), Flomaster (1998, graffiti, done with Jayone), Vinataba Solid (2002), Nicola Zucka (2002, connected cursive script), Franz Jäger (2000, ultra fat, mini-slabbed), and Neo (2002, geometric as in the logo of the Neo car). [Google] [MyFonts] [More] ⦿ | |
A design site where one sometimes finds discussions on type. The founding writers are Michael Bierut, William Drenttel (an ex-typographer practicing law), Jessica Helfand and Rick Poynor. From Bierut's CV: Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning. Prior to joining Pentagram in 1990 as a partner in the firm's New York office, he worked for ten years at Vignelli Associates, ultimately as vice president of graphic design. His clients at Pentagram have included The Council of Fashion Designers of America, Harley-Davidson, The Minnesota Children's Museum, The Walt Disney Company, Mohawk Paper Mills, Motorola, Princeton University, the Brooklyn Academy of Music, and the New York Jets. Bierut's work is represented in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Musee des Arts Decoratifs, Montreal. He has served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. Michael was elected to the Alliance Graphique Internationale in 1989, and was elected to the Art Directors Club Hall of Fame in 2003. Michael is a Senior Critic in Graphic Design at the Yale School of Art. He writes frequently about design and is the co-editor of the four-volume series Looking Closer: Critical Writings on Graphic published by Allworth Press. In 1998 he co-edited and designed the monograph Tibor Kalman: Perverse Optimist. His commentaries about graphic design in everyday life can be heard nationally on the Public Radio International program "Studio 360." He received the AIGA Medal in 2006, and was a winner in the Design Mind category at the 2008 Cooper-Hewitt National Design Awards. He is a cofounder of the website Design Observer. Michael's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. His collection of new essays, Now You See It, was published in the fall of 2017. In 2018, Michael Bierut and Village type director Chester Jenkins talk collaborated on the Sherman typeface designed as the linchpin of the new identity for Syracuse University. The typeface revives a design created by Frederic Goudy in 1912 which ended up in the possession of the University. Additional material and links on Bierut: The Atlantic Talks Typography: interview with M. Bierut, Pentagram link, Reasons to Choose a Particular Typeface For a Project. In 2013, Bierut redesigned the New York City parking signs. [Google] [More] ⦿ | |
Wisconsin-based graphic designer, who obtained a BFA from University of Wisconsin-Madison. She created the futuristic typeface Moonboots (2011). [Google] [More] ⦿ | |
Ravensburg (was: Konstanz), Germany-based designer of the experimental sans typeface families Increase (2018) and Güggeli (2018). In 2019, he released the sans typeface Pedalo. In 2020, he designed the custom hipster typeface Knoblauch Jubilee. [Google] [More] ⦿ | |
Marlton, NJ-based creator of the decorative typeface Hopefully Yours (2014). [Google] [More] ⦿ | |
Semarang, Indonesia-based designer (b. 1980) of the rounded monolinear techno typeface Typoline (2020). [Google] [More] ⦿ | |
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American letter designer who created Orbit-B (1972, VGC), an LED font, now digitized by Bitstream as Orbit-B BT. Zach Whalen on Orbit-B: Orbit-B is less common than either Moore Computer or Data 70, possibly because its MICR influence is more subtle and less arbitrarily intrusive, but it still appears frequently in and around videogames and in contexts where some intimacy is suggested between humans and computers. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
During her studies in Saint Louis, MO, Ariel Biggerstaff created the brush typeface Espresso (2013). [Google] [More] ⦿ | |
During her studies at Manchester Met University in manchester, UK, Megan biggin created three experimental typefaces---Nature's Numbers (a honeycomb typeface), Chaos (2015) and The Pleasure Of Finding Things Out (a circle-based font). [Google] [More] ⦿ | |
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Jason Biggs (Kurai Studios, Florida) is the designer (b. 1985) of 3Dot (2004) and Anchrish Runes (2004). [Google] [More] ⦿ | |
British creator of the connect-the-dots typeface Constellation (2013). [Google] [More] ⦿ | |
Dublin-based creator of the modern Gaelic Uncial typeface Biggs (1953). A draft of a digitization, called Doolish (Michael Everson), is in the works. [Google] [More] ⦿ | |
Turin-based creator of the hand-printed typeface Irreality Mark 01 (2012, iFontMaker). [Google] [More] ⦿ | |
Latina, Italy-based designer of an unnamed modular display typeface in 2013. Behance link. [Google] [More] ⦿ | |
FontStructor who made the modular typeface Jacko Mongo (2013). Jerome Newton (2013) is a condensed squarish sans typeface named after David Bowie's character in The Man Who Fell to Earth. [Google] [More] ⦿ | |
For her type revival project at KABK, she picked Lutetia (2013) and writes: Lutetia was designed as a commission from Enschedé by Jan van Krimpen. The drawings of the typeface were ready in the middle of 1924 and first cut and cast in 16 point size in the Enschedé Type Foundry. For the first time the typeface was used in the book dedicated to the exhibition that took place in Paris in 1925. Therefore the name Lutetia reffers to the Roman name of Paris. Her KABK graduation typeface family was Mala (2013). Loaded with opentype features and choices of widths, Mala was created for cartographic purposes. It was published by Bold Monday in 2016. In 2016 she published Abelard at Indian Type Foundry and wrote: Abelard is a modern (or neoclassical) family with 10 font styles. It is a contemporary take on classic types like Baskerville, Bulmer, and Scotch Roman that has been optimised for text embedding on eReaders. The design features elements ensuring even text color, including case-sensitive forms, prominent punctuation marks, ligatures, and four sets of figures. Each font also contains ornaments resembling pen nibs, bullet points, and arrows. In 2017, she published the didone fashion mag typeface family Rion and the text typeface Neco at Fontstore. Rion was republished in 2018 at Indian Type Foundry. Typefaces from 2018: Bonny (a decorative serif font family published by Indian Type Foundry; see also Bonny at Fontshare). In 2019, Noopur Choksi and Barbara Bigosinska published the sturdy wedge serif text typeface family Sapien at Indian Type Foundry. Still in 2019, Manushi Parikh and Barbara Bigosinska released the octagonal athletics font Fielder at Indian Type Foundry. Somehow this octagonal typeface seems to have been evolved into the 5-style free typeface Nippo at Fontshare. In 2021, Barbara Bigosinska released the 12-style didone family (+two variable fonts) Boska at Fontshare. Boska has quite extreme contrast and some calligraphic hooks in the c, f, k, r, s, x and z glyphs that make it perhaps less suitable for text but more in line with fashionable displays. Bevellier (2019-2021; by Arya Purohit and Barbara Bigosinska) is a 16-style (+variable) rounded condensed organic sans family. In 2021, Barbara Bigosinska, Rafa Buchner and Diana Ovezea set up Blast Foundry. At Blast Foundry, she designed the wonderfully expressive sharp-edged display typeface Sharf. Boska was published as a free font at Fontshare. Behance link. Bold Monday link. [Google] [MyFonts] [More] ⦿ | |
St Louis, MO-based designer who was born in Poland and has an MFA from Lindenwold University, St. Charles, MO. Creator of KY Deco (2015). [Google] [More] ⦿ | |
Krakow, Poland-based created of a hand-drawn alphabet, Usterka (2013), which was done for a TV program. Behance link. [Google] [More] ⦿ | |
Designer of the techno typeface Veltor (2021). [Google] [More] ⦿ | |
Vernon, BC-based creator of Sandy (2012, hand-printed), Simply Delicious (2012, hand-printed) and Viande Funée (2012, hand-drawn). Dafont link. Aka Tuna Fish. [Google] [More] ⦿ | |
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During her studies at AGR l'Ecole de l'Image in Nantes, France, Elisa Bihan designed a deconstructed Celtic ornamental caps alphabet called Couture Haut de Casse (2016), and City Futuriste (2016). Behance link. [Google] [More] ⦿ | |
Lagny sur Marne, France-based designer at Velvetyne of the pixel font VG5000 (2020). He writes: The VG5000 takes its name from the homonymous computer manufactured by Phillips, released in 1984. Its video processor displays bitmap characters built in a common matrix of 8x10 dots. Github link. Open Font Library link. Justin Bihan at Velvetyne. [Google] [More] ⦿ | |
Hungarian designer of Anton Intone (2019) as a school project at Visual Arts Institute in Eger, Hungary. [Google] [More] ⦿ | |
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A revival of a skeletal slab serif from 1939 bu Biilmann Petersen was done in 2018 by Henrik Kubel in his Foundation Serif Didot. Paul Shaw surmises that this typeface by Biilmann Petersen was part of a mapmaking project. Another revival is New Plantin (2012, Mikkel Breck). This typeface was originally sketched by Biilmann Petersen based on an original Plantin typeface. [Google] [More] ⦿ | |
Designer of the free font Planet 7 Casino (2019). [Google] [More] ⦿ | |
Sabin Bik (b. 1998) is based in Rome. He created the angular outline typeface Looking Like Diamonds (2016). [Google] [More] ⦿ | |
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Graphic designer in Sheffield, UK, who created the monospaced typeface Sometype in 2016. Behance link. [Google] [More] ⦿ | |
Tebessa, Algeria-based designer of school fonts for Arabic. In 2021, he released Arabic Dotted. [Google] [MyFonts] [More] ⦿ | |
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Spanish type designer who created Escorial (ca. 1960, Richard Gans Foundry), a display typeface with Koch Antiqua influences. [Google] [More] ⦿ | |
ZicklePop Productions is a web design and development company ran by American Jake Bilbrey. In 2010, he used iFontMaker to draw Whipping Cream. Devian Tart link. [Google] [More] ⦿ | |
Lisbon-based designer of the high-contrast typeface plié (2018). [Google] [More] ⦿ | |
Istanbul-based designer of the hexagonal typeface Nordic (2017). [Google] [More] ⦿ | |
Chris Bilheimer (R.E.M. Athens) attended the fine arts program at the University of Georgia and began working as art director for the band R.E.M. in 1994. While still working for R.E.M., he continues with other work in the music industry, art directing bands including Green Day, Beck, and Weezer. Bilheimer has garnered three Grammy nominations for art direction, and, with Michael Stipe, co-designed several fonts for use on the band's artwork: REM Accelerate, REM Orange, REM Tourfont. With the help of type foundry TypeTrust, these fonts have recently been released commercially by Neil Summerour at Positype. Speaker at TypeCon 2009 in Atlanta. [Google] [MyFonts] [More] ⦿ | |
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Creator at FontStruct in 2009 of Mother May I, Arlen Rage, Hunger, Burnt Out (fat stencil), Yes You May, Crave. [Google] [More] ⦿ | |
Typefaces from 2021: Walkout (script), Just Overthink (a scrapbook script), Always Lovely (hand-printed), Tropical Country (an inky script), Daniela Charming (script_, Magical Spring (script), Spring Plum (bold and hand-printed), Romland (a brush script), Gasthony Signature, Hastery Signature, Magista Brush (a dry brush script), Rustling Sound (an inky script), Maghony (Peignotian caps), Romantic Lovely (a wild calligraphic script), Magical Snow (a fat finger font), Mistery Heart (calligraphic), Merciful Heart, The Snowday (a fat finger font). Typefaces from 2020: Wintersing, Delight Coffee, Cold Outside (script), Snow Bright, Winterhome, Winter Song, Sunday Snow, Secret Winter (a wild script), October Story, Raffaello (a wild inky script), Pumpkin Story, Sunday Smoothie, Koe Benson, Barlista (an inky wide calligraphic script), Lovely Sister, Sandy House, Magistone, Delight Cookies, Baby Pumpkin, Warmesty (a creamy high contrast script), Nice Dream, Margenta (a wild calligraphic font), Pashmina (a wild inky script), Almond Whisp (a rabbit ear script), Milkhouse, Pretty Animal, Pretty Smile, Scary Vampire, September Twilight (a rabbit ear script), Fresh Cocktails, White Bowling, Homeday, Krispy Panda, East Watch, Hippotamia, Light In Brush, Kabut Hitam, Paris Tonight, Gilmour. Typefaces from 2019: the handcrafted typefaces Winter Festival, Big Points, Handsnow, Light Brighter (dry brush script), Hasting, Singletone, Walkout, The Plumber, Signeritta, Scatter Ink, Sheridan, The Sopher, Darmogo, Aisha Blush, Vista La Diva, Shelma&Hugie (Sans, Script), Synthia, Month Glade, Anastacy, Ragland, Capappa, (a Treefrog style script), Tantinotes (a scrapbook script), Amourist, Handita, Ramland, Hugos (a dry brush typeface), Displatter, Kaileigh, Handsel, Oliver Notes, Sunday Vibes, Saturday Vibes, Friday Vibes, Monday Vibes (brush script), Tuesday Vibes, Wednesday Vibes, Thursday Vibes, Bombinate, Gallatone (a great inky script), Aliquest, Watercoral, The Brittany. Typefaces from 2018: The Brittany (a script with irregular stress, accompanied by sans and serif styles), Better Caramel (a font trio), Appocalypse (a great signature font), Millano, Lilypaly, Baltimore (a signature font), Dalmatins (for signatures), Martinesse, Blesson (a signature font), Bluebell (calligraphic), The Grateful, a monoline script), Black Butter, The Consultant, Violette, Hiroshima (a monoline handwriting font), Bellatrix, Rahayu (a signature font), Chiko, Kingsley (formal calligraphy), and Lillylucky. Creative Fabrica link. [Google] [MyFonts] [More] ⦿ | |
Si Billam designed the neon signage font Doppler (2008) at the Archetypal Foundry. [Google] [More] ⦿ | |
Parisian graphic designer. She created the experimental counterless typeface Tritype (2013). [Google] [More] ⦿ | |
As a student at ENSAD in Paris, she co-designed Métis (1998). [Google] [More] ⦿ | |
During his studies in Amiens, France, Robin Billaudel designed the geometric poster typeface Cisco (2017) and the broad nib emulation typeface Brave (2017). Behance link. [Google] [More] ⦿ | |
Pandora metafont family written by N. N. Billawala. [Google] [More] ⦿ | |
Matteo Billia (Utilitype) is the Italian designer of the free heart-textured Valentine's Day font Moltissimo Hearted Borders (2013). [Google] [More] ⦿ | |
At Luca School of Arts in Antwerp, Belgium, Iris Billiauw designed the tall techno typeface Nervo Lit together with Laura Gieseke, Monica Kopka and Rodrigo Fraga. [Google] [More] ⦿ | |
Seattle, WA-based designer of the children's script font Cassidy Loves You (2013). [Google] [More] ⦿ | |
Max Bill created the typeface Bill (1949-1950) which is characterized by straight-edged glyphs (the o excepted). Digital typefaces based on his work include the geometric Max Bill (2014, Jack Harley Szukalski), Architype Bill (The Foundry), Bill Corporate Narrow (2015, Oliver Jeschke), Bill Corporate (2015, OGJ Type Design), Bill Display (2015, Oliver Jeschke: Greek simulation style) and Sequel Sans (Oliver Jeschke), Sequel Geo (2022, Oliver Jeschke). Swiss Type Design link. [Google] [MyFonts] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the curly script typeface Filografía (2009), in the style of the Sudtipos scripts by Koziupa and Paul. [Google] [More] ⦿ | |
For a type design class in Nantes, France, Axelle Billon created Roundness (2014), a typeface that is based on Clarendon. [Google] [More] ⦿ | |
During his studies in Lyon, France, Denis Billou created the display typeface Prozac (2016). [Google] [More] ⦿ | |
Kherson, Ukraine-based designer of the decorative Bad Habs Alphabet (2015, for Cyrillic). Behance link. [Google] [More] ⦿ | |
Designer of the heavy watercolor brush typeface Rubi (2016) and the brush font Little Fox (2016). [Google] [More] ⦿ | |
Sydney, Australia-based designer of Black Drop (2017). Behance link. [Google] [More] ⦿ | |
Wroclaw, Poland-based designer of a hairline display typeface in 2018. [Google] [More] ⦿ | |
Linotype designer of the big Compatil family (1999-2001), with Olaf Leu and Reinhard Haus. As the name suggests, this typeface was intended for use in reporting computations, tables, and in information design in general. The 16-font family from Linotype comprises Compatil Fact, Compatil Letter, Compatil Text, and Compatil Exquisit. View the Compatil typefaces. [Google] [More] ⦿ | |
Type designer who worked with Ludwig&Mayer and with Francesco Simoncini in the 1950s and 1960s. With Francesco Simoncini, he created Simoncini Garamond from 1958-1961. Not the best version of Garamond in my view. Bitstream's Italian Garamond (by Bilz and Simoncini) is in the same style. The transitional typeface Life (1965) was designed by W. Bilz, and jointly developed by Ludwig&Mayer and Francesco Simoncini. Digital revivals of it incude Dutch 806 (Bitstream), Lyon (Softmaker) and L830 Roman (Softmaker). FontShop link. [Google] [MyFonts] [More] ⦿ | |
In 2017 he published the calligraphic typeface Anther, the clean legible sans typeface family Syabil, which features a free weight, Syabil Book. Kecap (2017) is a creamy upright script. Musk (a modulated sans) and Musk Script (a signature font) followed at the end of 2017. Typefaces from 2018: Urbax (a signage script), Anakoala (serif), Mulka (sans), Fexa (rounded hexagonal). Typefaces from 2019: Hornbill (a supermarket serif family), Rossanova (a 36-style semi-serif family with some flared strokes), Clab (a slab serif family), Mollen (an information design sans with 48 styles), Anko (text or newspaper type), Malvie (free demo), the free font Remove, Dear Pony (a great text typeface which Eko describes as sweet, warm, kinky, classy), Ageo (a 16-style geometric sans family). Typefaces from 2020: Blogh (a heavy inktrapped display typeface), Dunley (a creamy script), Amio (a mix between script and sans; in six styles), EB Mensch (a 32-style family consisting of sturdy legible humanist sans and slab serif sets; features include large x height, low caps, spacious counters and apertures, and diagonal and sunken stroke ends), Florania (a decorative serif), Stannum, Bovino (an 18-style display serif), Modeco (a fashion-friendly 18-style geometric art deco sans characterized by an earring lower case g), EB Corp (a simple 18-style corporate sans family), Slippery (an oldstyle text typeface family), Hando (neo-grotesk). Typefaces from 2021: Manju (a soft supermarket typeface in ten styles with two additional variable fonts), Shallot (a well-balanced 10-style serif with pointy terminals), Kutai (an ethnic typeface family), Capuche (a gorgeous eccentric bloated display font), Kimaus (a reverse contrast music note emulation font), Sandor (a striking blackletter / medieval typeface), Bizmo (an 18-style headline sans family; includes two variable fonts), Homade (a 12-style display sans), Svelte (a condensed serif), Altone (an 18-style geometric sans), Highman (a tall bold condensed all caps titling sans), Vanio (a 12-style wedge serif family). [Google] [MyFonts] [More] ⦿ | |
Pakistan-based designer of the computer/futuristic typeface Tameeraati (2005). [Google] [More] ⦿ | |
Indonesian designer (b. 2002) of the hand-printed typeface Mikrokosmos (2021). [Google] [More] ⦿ | |
Italian designer of the condensed typeface Opt (2013). [Google] [More] ⦿ | |
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German type designer who wrote a typographic handbook in 1995 (unpublished). [Google] [MyFonts] [More] ⦿ | |
Creator of the script typeface Robin (2012) at The Cooper Union. [Google] [More] ⦿ | |
Sosnowiec, Poland-based graphic designer who created the experimental geometric typeface Openspace (2013). [Google] [More] ⦿ | |
Alex Binenstock (Bloomington, MN) created the display typeface Hairline in 2013. Now, this is not a hairline font in the sense used on my web pages. [Google] [More] ⦿ | |
Designer of YahELite (2001), which can be downloaded here. [Google] [More] ⦿ | |
Karolis is freelance graphic and fashion designer, currently based in Herning, Denmark. His work includes the techno typeface Pegasus (2013). [Google] [More] ⦿ | |
Bern, Switzerland-based designer of the triangular typeface Diagonal (2014). Behance link. [Google] [More] ⦿ | |
Josh Bingham (b. 1982) lives in California. At Devian Tart, he designed Point Blank and Featherweight in 1999. I am confused, because what is in the font does not correspond to the web page, which says that he is Arthur Shotwell. Other fonts by him: Rollover (2007), 20th Century Woodcut (2004), the postal series (2004, consists of Parcel Post, Media Mail, First Class, and Air Mail), Halftone (2004), Unprofessional, Tron, Scrawl, Platform Shoe, Maps, Kaboom, Federal Reserve, Faces, Curvature, Bitmap, Bellbottom, Ballpoint, Quill, No Smoking, Perfectly Cromulent, Chronicle (2004, modeled after the lettering in the San Francisco Chronicle), 20th Century Woodcut (2004). Dafont link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the bike parts font Cyclography (2014). [Google] [More] ⦿ | |
During her studies in Farnham, UK, Talia Bingham designed the circle-based geometric sans typeface called Curvum (2013) and the 3d typeface Perspective (2014). [Google] [More] ⦿ | |
Creative director, graphic designer with a BFA from the Pratt Institute and an MFA from the California Institute of the Arts. Typography and design teacher at the School of Visual Arts and the Pratt Institute. Also working for Wolff Olins, NY. Designer of Baudrillard in the early 1990s at the California Institute of the Arts. Quoting Claudio Piccinini: Baudrillard is very methodic and sports even a set of connected numerals (!). [Google] [More] ⦿ | |
Chinese type expert. Lead concept designer of the free Google Font ZCool Kuaile (2018), which was created by a team of font design trainees under Bingko's supervision. First, Liu created the character shape framework and design standards; then, a group of over 100 typography apprentices fleshed out the character set. Finally, Liu and other designers from his workshop, including Yang Kang and Wu Shaojie, edited and adjusted the characters to unify the design. [Google] [More] ⦿ | |
A first digital revival was done in 2010 by AR Types, which writes about Freundschafts-Antiqua AR: Freundschafts-Antiqua AR is based on a 20th-century German type design. Freundschafts-Antiqua (which was also called Chinesische Antiqua) was designed by the Chinese calligrapher Yü Bing-nan when he was a student at the Hochschule für Grafik und Buchkunst at Leipzig in 1960. It was cast in 1964 by VEB Typoart, Dresden, in 9-pt and 28-pt (Didot). The design combines the best German traditions with the Chinese bamboo pen. It is a unique, wholly modern, yet quiet and dignified typeface which is well suited for text-setting in many sizes. In 2017, Roman Wilhelm and 3type, a Shanghai-based type foundry, released a six-style extension called Freundschafts Antiqua Neue. 3type has also fashioned a sans-serif member of the Freundschafts-Antiqua Neue family. [Google] [MyFonts] [More] ⦿ | |
Ankara, Turkey-based designer of the outlined display typeface The Sea (2015). [Google] [More] ⦿ | |
Guo Bingquan, a native of Nanhai county (Guangdong province, China), is a specialist in type design. He has been working on Chinese font design since 1973. He used to serve as the chief artist at Luck Advertising Group (Australia) for years and taught Chinese font design at Design First Institute of Hong Kong for five years. He was commissioned to do the internal design for the Far East branch of Philip Morris in 1975, to design Chinese and Japanese fonts for Sha-Ken in Japan from 1980 to 2000, to design Chinese, English and Japanese fonts for Monotype in the United States from 2001 until 2014, and to design multiple Chinese fonts for Founder Type (between 2000 and 2015). Guo Bingquan has published over 80 Chinese fonts. [Google] [More] ⦿ | |
Communicatoion designer in Toronto. For a course at OCADU, she created the Kusaidia typeface in 2013. This organic sans was designed to promote maternal health in Tanzania---Kusiadia means Help. [Google] [More] ⦿ | |
Creator of the iFontMaker font Fasthand (2010, hand-printed). [Google] [More] ⦿ | |
Graphic designer in Pune, India, who created Elder Forest in 2016. [Google] [More] ⦿ | |
Belgian graphic designer, typographer and type designer, and a professor at the Koninklijke Academie voor Schone Kunsten Antwerpen (Royal Academy of Fine Arts Antwerp) and at the Institute for Graphic Arts of the Plantin-Genootschap, also in Antwerp. He designed three experimental fonts and many book covers and posters. [Google] [More] ⦿ | |
PBinns Design (est. 2012) is located in Toronto, Canada. Creator of Electrical Tape (2012). [Google] [MyFonts] [More] ⦿ | |
Thessaloniki, Greece and Korce, Albania-based designer of the fine free (Latin) display typeface Geometrico (2016). His main thing, though, is the design of sets of icons, such as the large varied sets Slimicons (2016) and Sharpicons (2016). His company is called Dreamstale. Behance link. Creative Market link. [Google] [More] ⦿ | |
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During his studies in Rio de Janeiro in 2015, Bruno Biolchini created a condensed deco font. [Google] [More] ⦿ | |
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Flores da Cunha, Brazil-based student-designer of Tie Exclusive (2015). [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer of Biggie (2016). [Google] [More] ⦿ | |
Brazilian student and artist who made the pixelish typeface Synth (2011). [Google] [More] ⦿ | |
During his studies in Milan, Italy, Marco Biraghi designed the poster typeface Rocoe (2015). [Google] [More] ⦿ | |
Israeli type designer. At Masterfont, he published the Hebrew typefaces Beeran MF, Beeranit MF, Birana MF, Birana plus MF (2010), Biran Ktav MF (2012), Efrat MF (1999), Kookies MF, Noale MF, Noalle Dak MF (2010), Nookik MF (2000), Talmon MF (2013, Masterfont), MF Talmon (2020, Masterfont: an update), Yotamy MF (2014, Masterfont), MF Yotamy (2020: an update). [Google] [MyFonts] [More] ⦿ | |
British designer of LCD (1981, Letraset, ITC, and then Linotype), Crystal (1981, cyrillicized in 1993 by A. Kustov), Letraset Bitmax (1990), Rubber Stamp (1983, a grungy military stencil), and Synchro (1984). Digital versions of LCD include LCD SH (2004, Scangraphic) and Quartz (2019, SoftMaker). MyFonts write-up. Linotype link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Belo Horizonte, Brazil-based creator of Sans Wings (2013, a modular typeface) and Folding (2013, an origami font). Behance link. [Google] [More] ⦿ | |
Brooklyn, NY-based FontStructor who made Skinny (2011) and a few other experimental typefaces. In 2013, he made Monster Face. Behance link. [Google] [More] ⦿ | |
Swiss type designer who created Hydrargyrum, Bold&Round, Hopp, Ditter, Dreissiger, Effeu, Halifax1, Kissinger, Manhattan, Moood, Neunziger, Robbery, Rough G, Swirth. [Google] [More] ⦿ | |
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Codesigner, with Alfredo Marco Pradil, of Sauce Grotesk (2019), a sans serif typeface developed for Creative Sauce's internal type system. [Google] [More] ⦿ | |
Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Wayne Birch ("Aanguish") is the British designer of Major Minus (2011), a fat counterless face. [Google] [More] ⦿ | |
London-based creator of the free fonts Modo (2012, logotype) and Oomix (2012, monoline sans). Home page. Devian tart link. [Google] [More] ⦿ | |
Wilmslow, UK-based designer of Periphery (2015, a squarish typeface), and Rank Icons (2014). Behance link. [Google] [More] ⦿ | |
Shrewsbury, UK-based creator of the circle-based font Circles Are Round (2012) and of the hairline alchemic typeface Trifont (2012). She is associated with Burnt Button Design. Behance link. [Google] [More] ⦿ | |
London-based designer of Mechanic Type (2011, based on nuts and bolts). [Google] [More] ⦿ | |
Imprint Foundry in London is run by Fred Birdsall, who is a typographer and book designer, who occasionally designs and/or digitizes typefaces and fonts. He created Default Mono (2010, a pixel face). [Google] [MyFonts] [More] ⦿ | |
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Danish creator (b. 1987) of the experimental font Soft Triangles (2009). [Google] [More] ⦿ | |
In 2017, he designed the 162-style geometric sans typeface family Artegra Sans, which covers Latin, Greek and Cyrillic. He added the 54-font family Artegra Slab later in 2017. Near the end of 2017, he designed the squarish Latin typeface Kufica, which is based on the Arabic kufic style. Typefaces from 2018: Millard (a transitional typeface family), Caldina (a rounded sans family), Suprema (geometric sans in 14 styles; it features horizontal and vertical terminal cuts). Typefaces from 2020: Dexa Pro (a 72-style workhorse sans), Artegra Soft, Habanera (a semi-geometric sans family with Outline and Rounded subfamilies). Typefaces from 2021: Dexa Round (an 18-style rounded sans family), Anatolian (a 12-style octagonal slab serif), Procerus (an 18-style ultra-compressed movie credit font family). Fontspring link. Behance link. . Home page of Ceyhun Birinci. Fontspring link. Fontsquirrel link. Behance link for Artegra Type. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Budapest. He created Hand BT (2011). Behance link. He also created the extreme contrast fashion mag typeface Duett (2010). [Google] [More] ⦿ | |
Ukrainian designer of Alive (2021: a monolinear all caps script font). [Google] [MyFonts] [More] ⦿ | |
During her studies at Hochschule Trier Kommunikationsdesign, Caroline Birkel created the modular typeface Kalinka (2014) [Google] [More] ⦿ | |
Johannes Birkenbach (b. 1956, Ludwigshafen) began his career with D. Stempel AG in 1983 drawing typefaces and moved to digital typeface design and development while working at Linotype in Germany and then Monotype in the UK. Since 1994 Johannes has operated his own design studio, ABC Design, and has worked with Ascender since 2004 on many font projects. In 2008, he joined Ascender Corp and is associated with its German branch. Based in Pirmasens, Germany, his fonts include the Bijoux, Palazzo Caps (1997), Palazzo Text (2004), Jeunesse (1993), Jeunesse Slab (1993), Jeunesse Sans (1993), Cicero Caps (1996), Ambiente (2004), Jocelyn, Jonas, Ulissa, and Perrywood (Monotype, 1993). Klingspor link. Fontshop link. [Google] [MyFonts] [More] ⦿ | |
Jesper Birk's FunkDaFont series. His cool shareware fonts include Funky Deco (Arnold Boecklin grungified), Bandit, Barmos, BlueRoom, ConnectionBad, Clockwork, DanzinLikeCrazy (a very curly pen-drawn face), See Your Point, and StageDive. Other URL. Fontspace link. Dafont link. [Google] [More] ⦿ | |
Designer of BD Fimo (2007, Burodestruct) in regular and outline versions. Free fonts. [Google] [More] ⦿ | |
Creator of the multipatterned texture typefaces Amor Infiniti (2011) and Youniek (2011). [Google] [More] ⦿ | |
A graduate from Shillington College in London. Behance link. In 2010, Birks created the free octagonal typeface Aura. [Google] [More] ⦿ | |
In 2015, Morten Rostgaard Olsen (Fontapartners), Ole Søndergaard and Henrik Birkvig co-designed the free typefaces KBH and KBH Pictos for the visual identity of the city of Copenhagen. At the retail level, one can buy FP Kobenhavn at MyFonts and FontShop. Co-organizer of ATypI in Copenhagen in 2001. His talk at ATypI 2014 in Barcelona was entitled Type said to Illustration: You wanna team up? [Google] [More] ⦿ | |
Designer in the FUSE 12 collection of F X Fuse. [Google] [More] ⦿ | |
During her studies at York College of Pennsylvania in 2017, emily Birsa designed the fun silhouette alphabet Oxter. [Google] [More] ⦿ | |
In 2013, he designed the Cyrillic sans typeface Ledokol and the Cyrillic ornamental caps typeface Kirillica Hersonese. In 2016, he designed the handcrafted Cyrillic typeface Dlja Goroda Tihvin. [Google] [More] ⦿ | |
In 2012, Biryukov and Korolkova co-designed the Christmas dingbat font Gingerbread House, together with a plump display face, Gingerbread. In 2013, he published the Peignotian typeface Romanovsky at Paratype: Romanovsky is a font developed on the base of samples from the catalogue of Osip Lehman foundry in Sankt Petersburg. Original Latin design that was used for Romanovsky can be found in Feder Grotesk by Jacob Erbar. The current digital font is not a scanned version of Lehman's samples but a newly drawn typeface that differ from the original in many details. In 2013, Vasily Biryukov and Alexandra Korolkova co-designed the soft roundish sans typeface Kiddy Kitty (link). In 2015, he designed the 18-style industrial sans serif DIN 2014 (Paratype), which was followed in 2017 by DIN 2014 Stencil. In 2021, Paratype designers Isabella Chaeva, Vasily Biryukov and Alexander Lubovenko added DIN 2014 Rounded, a six-style typeface that supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh and Kyrgyz) and has a variable version. [Google] [MyFonts] [More] ⦿ | |
During her studies at Algonquin College in Ottawa, Heather Bisaillion designed the tattoo typeface tattooer (2016). [Google] [More] ⦿ | |
In 2010, he made Cutoff Pro (URW++, +Bold), a serif family with serifs cut off in odd ways, and which covers all European scripts, including Cyrillic and Greek. One could say that it is a hyper-organic typeface. Typefaces from 2014 include Vertebrata. Behance link. Logo. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Milan, Italy-based designer of the free circle-based sans typeface Biscia sans (2015). [Google] [More] ⦿ | |
Hannah Bischoff (Hannah Marie Design, Rexburg, ID) created Inked Alphabet (2013), an experimental typeface with the texture and look of lipstick. [Google] [More] ⦿ | |
In 2021, Libbie started a font-a-week program for 52 consecutive weeks, in the spirit of The Pyte Foundry: Frostie, Fan Gurl, Mercredi (a text typeface), Buds (an alphading font), Stockinette (a knitting magazine script), Spook City, Drench, Drench II, Cruz Control, Squiggees (doodles), Backflip (a slab serif), Backflip2, Backflip Mono, Byffy (blackletter), Rogier (an italic caps font with vampire serifs), Pattern Dingbats (including kitchen tile numbers), Shellphone (a Tuscan Western typeface with mermaid curves), Stilt House (numbers only), Stilt House II, Mort (Dutch deco), Mort Variable (with a rotation axis), Trimmies (borders), Rhub, Roundy Road, Yolker (inspired by egg yolks), Knotical, Knotical II, Mr. Rightside, Piecees (a dingbat font), Scraps2, Dazzle Razzle, Dazzle Razzle II, Mrs. Barb, Alexander The Babe, Scraps. Continuing that list in 2022: BudsII, Designer Dingbats (Sunbursts and Squiggles; Shapes), 414 (beveled numbers), Pulp, Socko, Ms Sherwood (a monospaced script), Clay Class, Lavandula (her graduation typeface at Type West in 2020), Backflip3, Backflip4, Pointees (an arrow font), Maede. | |
Commercial typefaces include Luco Sans (2009), Sketch Block (2009) and the octagonal family Wombat (2009). Yaa (2010) is a hand-sketched headline font. Dock 11 (2011) is a (free) heavy art deco headline face. Sketch Gothic (2011) is a sketched Franklin Gothic. Typefaces from 2012: Zwodrei, Kurt (a hand-printed typeface), Artill Weather Icons (free). In 2014, together with Sascha Timplan at Stereotypes, he created the athletic lettering typeface family Atletico. See also here. In 2016, Sascha Timplan and Lukas Bischoff published the handsome sans typeface family Golden Sans. In 2016, Fargus Meiser and Lukas Bischoff co-designed Paul Grotesk and Paul Soft. In 2018, they added Paul Slab and Paul Slab Soft. In 2021, they released Paul Grotesk Stencil. Behance link. Blog. Old URL. Klingspor link. Abstract Fonts link. Dafont link. Behance link. [Google] [MyFonts] [More] ⦿ | |
Jeanik Bischof (Valencia, Spain) created the unicase typeface Fathika in 2006. [Google] [More] ⦿ | |
Quoting MyFonts: Earl Biscoe was a Bitstream font designer who retired in the mid-1980s because of illness. Earl lost his battle with mesothelioma cancer in October of 2001 after surviving 16 years beyond all expectations due to alternative therapy. Earl inspired people with his determination for beating the odds with an unfaltering wit. His positive attitude for the gift of life gave him strength to endure and help others in similar situations. [Google] [MyFonts] [More] ⦿ | |
Codesigner with Jovanny Lemonad of the free squarish typeface Kazmann Sans (2016). [Google] [More] ⦿ | |
At Skolen for Visuel Kommunikation in Haderslev, Denmark, Heidi Bunk Bisgaard designed the display typeface Bare in 2018. [Google] [More] ⦿ | |
Haderslev, Denmark-based designer of the display typeface Curves (2016). [Google] [More] ⦿ | |
The starry fonts Sabrina and SabrinaStar (1998) are designed by Carrie Ann Bishop at Fey Productions. Dafont link. [Google] [More] ⦿ | |
Designer of the free truetype dingbat font "halloween2001" (2001). She calls her company Bishop Computer Corporation. She also made Summer Dings (2001) and School Days (2001). Dafont link. [Google] [More] ⦿ | |
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Brisbane, Australia-based designer of the free rounded monoline sans typeface Forma (2018). [Google] [More] ⦿ | |
During his studies at Minnesota State University in Mankato, MN, Mel Bishop created the kitchen tile display typeface Blocking (2013). [Google] [More] ⦿ | |
Peggy Bishop (Bishop Computer Corporation) designed the free handwriting font "Print" (2001). We also find Summerdings (2001, Courtney A. Bishop). [Google] [More] ⦿ | |
Raleigh, NC-based designer of Cornered Typeface (2014). Behance link. [Google] [More] ⦿ | |
Designer at Graphic bureau Az-Zet of the Cyrillic/Latin font AZGaramondC (1990-1995). Anton published Dikovina and DikovinaBildchen at Type Market in Moscow in 1995. [Google] [More] ⦿ | |
Designer of the sans typeface Defused (2004, T-26). [Google] [More] ⦿ | |
At the Academy of Fine Aets in Krakow, Poland, Karolina Biskup designed the piano key typeface Bryka (2019). [Google] [More] ⦿ | |
During her studies at DIT, Dublin-based Paulina Biskup created the curly display typeface Pala (2015). [Google] [More] ⦿ | |
For Martina Flor's type design class at Fachbereich Design Dessau's Department of Design (in Dessau, Germany), Vanessa Bisky created the ball terminla-laden didone display typeface Minna Drop (2014). [Google] [More] ⦿ | |
Indonesia-based designer of the spurred all caps typeface Amelia (2020). [Google] [More] ⦿ | |
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Designer of 12 Saru Yellow Fog, a futuristic techno font. [Google] [More] ⦿ | |
Murilo S. Bispo (Murilo Design, Sao Paulo, Brazil, b. Jaguaquara) created the lined typeface 7 Linhas in 2013. Behance link. [Google] [More] ⦿ | |
Based in Rio de Janeiro, Valter Bispo (b. 1988) studied at PUC-Rio. Dafont link. He created the octagonal typeface VLOBJ (2010). [Google] [More] ⦿ | |
Born and died in Addis Ababa, 1926-1979. Educator (at Addis Ababa University), author, and calligrapher, who was frequently called upon by Emperor Haile Selassie for calligraphy and lettering. His Gothic Goffer (blackletter-style) characters were extended into a font by Abbas Alamnehe (2006). [Google] [More] ⦿ | |
Matilda (2012) is a sans typeface designed together with Max Gregory and Joe Warburton. The same trio set up Form and Writing in 2012. [Google] [More] ⦿ | |
Lancaster, PA-based designer of Kiddie Sampler (2011) and Elaine (2006, curly hand-printed face). In 2012, she went commercial via Creative Market. Her fonts there include Kiddie Things Dingbats and Victoriana Caps (2012). Fontspace link. [Google] [More] ⦿ | |
German designer at the University of Applied Sciences Düsseldorf of the neutral sans typeface Format Grotesk. [Google] [More] ⦿ | |
In 2020, she designed the branding typeface Type 01 Regular for the Type 01 web site. Type Department link. [Google] [More] ⦿ | |
Graphic designer in Berkhampstead, UK, who created an experimental typeface in 2012. [Google] [More] ⦿ | |
Designer of Pscruf (1995) and Rufnu (1994) at Plazm. [Google] [More] ⦿ | |
Laure Boer and Sebastian Bissinger published their all caps license plate font Guida at Colophon Type Foundry. Guida is based on an Italian license plate that was in use some time between 1980 and 1990. [Google] [More] ⦿ | |
He defines free software in this manner: You can use without restrictions. You can copy and distribute freely (as in freedom), and therefore often for free (gratis). You can study by reading its source code, its recipe. You can change to improve. In addition to the philosophical choice, there are three reasons behind my choice of free software, despite my initial training on the Adobe suite and 3ds Max. (1) Software and updates at no cost, even if I donate to projects. (2) Sustainability of my data, thanks to open formats. In 20 years, I will have access to my files, so my creations, without having to seek permission from Adobe! (3)Technical stability of Linux and theses softwares in general, which is a real working comfort. | |
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Mumbai, India-based designer in 2018 of Anya Latin, Anya Bengali and Anya Maithili (Maithilki is a scrpt on the verge of extinction). [Google] [More] ⦿ | |
In 2013, he published Abstrakt Slab (the slab serif version of Type Two) and Aero (techno font). In 2015, he designed the sans typeface family Huntkey. Behance link. He is at Picatype Design Studio in Mumbai. Dafont link. [Google] [More] ⦿ | |
Designer, type designer and professor in Salvador, Brazil. He made Benedicta (2006), a blackletter-inspired sans. See also here. He also made the geometric blackletter typeface Tex (2006). [Google] [More] ⦿ | |
Seoul-based graphic designer. In 2008, he designed Plamodel (LED font), Layer (experimental font), and Piece (octagonal and minimalist). His type designs in 2009 include Glasses (letters using frames of glasses). Behance link. [Google] [More] ⦿ | |
Mumbai, India-based calligrapher, b. 1968. Designer of many Indic simulation typefaces in 2016: Bitling-lipika-Bold-Italic, Bitling-lipika-Bold, Bitling-lipika-Italic, Bitling-lipika-Regular, Bitling-moksh-Italic, Bitling-niks-musical-Bold-Italic, Bitling-niks-musical-Bold, Bitling-niks-musical-Italic, Bitling-niks-musical-Normal, Bitling-shivom-Italic, Bitling-shivom-Regular, Bitling-sujatra-Bold-Italic, Bitling-sujatra-Bold, Bitling-sujatra-Italic, Bitling-sujatra-Regular, Bitling-sulochi-calligra-Italic, Bitling-sulochi-calligra-Regular, Bitling-vedas-Bold-Italic, Bitling-vedas-Bold, Bitling-vedas-Italic, Bitling-vedas-Regular, Bitlingmoksh-Regular. Dafont link. [Google] [More] ⦿ | |
For a school project in Kenn Munk's class at the School of Visual Communication in Haderslev, Denmark, Sonny Bitsch designed the free hexagonal typeface Hexonny (2017). [Google] [More] ⦿ | |
During her studies, Luanna Bittencourt (Indaiatuba, Brazil) created the vernacular typeface cachaca (2014). [Google] [More] ⦿ | |
Designer of Metalbitt Manetrix (2003), a white on black face. Marcelo (b. 1982) lives in Curitiba, Brasil. [Google] [More] ⦿ | |
For school projects, Kieran Bitten (Cambridge, UK) designed Thinifers (2016: a vintage typeface) and Burleigh Sans (2016: vernacular style). [Google] [More] ⦿ | |
Swiss-American designer who won an award at Bukvaraz 2001 for the slab serif typeface Tourist. In 2020, he designed the experimental typeface Zigzag. He works at MetaDesign in San Francisco. [Google] [More] ⦿ | |
Linotype link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
German type designer (1890, Frankfurt/Oder-1972, Frankfurt/Main), who made Element Fraktur (1933-1934, Bauerische Giesserei). Ben Archer writes: Element was Max Bittroff's rational attempt to solve a dispute raging within German typography of the middle 20th century; the rivalry of two competing orthographies - blackletter or gotisch versus roman or antiqua. While Rudolf Koch's Peter Jessen Schrift was also an attempt to provide a synthesis between blackletter and roman styles, it was intended as a private press face. Element was released as a fully commercial typeface in four weights by a larger foundry, Bauer, which had a programme of modernized blackletter typefaces, such as Tannenberg, National and Gotenberg. [Google] [More] ⦿ | |
Creator of the grunge typefaces Schwabstrasse (2008) and We are Potatoes (2007, potato printing). Dafont link. [Google] [More] ⦿ | |
The Letterfoundry of Michael & Winifred Bixler in Skaneateles, NY has been devoted to the book arts, particularly the craft of fine letterpress printing, metal type founding, and traditional book typography, since 1965. Michael Bixler studiede at Rochester Institute of Technology. The Bixlers are known for their quality and ongoing preservation of the craft of typecasting. Some of its types are listed here. Their catalog of metal typefaces as of 2007: Albertus (+Titling), Baskerville, Bell, Bembo (+Bold, +Titling), Blado, Castellar, Centaur & Arrighi, Dante (+Titling), Ehrhardt, Fairbank Bembo Italic Condensed, Fournier, Garamond, Gill Sans, Joanna, Lombardic Capitals, Lutetia, Octavian, Old English, Perpetua (+Titling), Plantin, Poliphilus (+Titling), Spectrum, Sachsenwald, Univers, Van Dijck, Walbaum. Michael Bixler designed the metal typeface Bixler Roman in 1968. Matrices were cut in Japan and the typeface was cast privately. Bixler issued the blackletter metal typeface family Sachsenwald which is modeled after Berthold Wolpe's Sachsenwald (1936-1937; formerly known as Bismarck Script). In 2020, the Bixlers and P22 jointly published the ornamental typeface LTC Bixler Ornaments, and in 2021, they added LTC Bixler Ornaments Two. The digital versions are due to Terry Wüdenbachs. [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the display sans typeface Afrantik (2019). [Google] [More] ⦿ | |
Bucharest, Romania-based designer of the squarish modular typeface Bizinia (2018). [Google] [More] ⦿ | |
Vienna-based student-designer of the constructivist typeface Fundamental Right Living Font (2015). [Google] [More] ⦿ | |
Art director in Nantes, France, who created the free display sans typeface Bizon in 2014. Behance link. [Google] [More] ⦿ | |
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American designer of Growth (2018: a curly font inspired by the Parkmerced neighborhood in San Francisco), Quandary (2018). [Google] [More] ⦿ | |
Cadiz, Spain-based designer of the free pixelish typeface Hueca (2019). [Google] [More] ⦿ | |
Graphic designer and illustrator in Reykjavik, Iceland. Creator of the decorative caps typeface There Be Monsters (2013), which is based upon the illustrations found on a 1598 map of Iceland drawn by Abraham Ortelius. [Google] [More] ⦿ | |
Icelandic graphic design student who lives in Reykjavik. He designed the pearly typeface Typhoon in 2008 during the course Holy Geometry at the Iceland Academy of the Arts. [Google] [More] ⦿ | |
A free grunge font by Carl Bjorklund called Lemonheads (1996). Fontspace link. [Google] [More] ⦿ | |
Graphic designer Brian Bjorkman (Richmond, VA) created Conectatype (2010), a connected typeface that was influenced by pixels, mazes, Islamic calligraphy and cuneiform. Behance link. [Google] [More] ⦿ | |
Tengwar calligraphic page by Måns Björkman from Sweden. Free fonts made by him include Sarati Eldamar (2005), Valmaric Eldamar (2006), Tengwar Scribe, Tirion Sarati (2002), Tengwar Parmaite. Plus many calligraphic notes. He explains: This page is dedicated to the beautiful writing systems that in Tolkien's works derived from the continent of Aman. They are often collectively called Tengwar, although strictly speaking this is wrong, Tengwar being the name of Feanor's writing system (Feanors Tengwar) but not of the Sarati, Rúmils script (the Tengwar of Rúmil). Alternate URL. [Google] [More] ⦿ | |
Swedish designer (b. 1965) of the comic book font Steelhand, and the handwriting font Peba. [Google] [More] ⦿ | |
Swede Thomas Björkstrand designed two architectural drawing fonts, Truetrans1 and Truetrans2 (1998). [Google] [More] ⦿ | |
Ola Björling (Beyond Design) is the designer of Advent (dot font), HybridBold (1999), HybridOutline (1998), JuliaEngstrmBold (based on the handwriting of Julia Engström), Muttprutt, Omicron (a beautiful futuristic face), Randi (1998), Slidfis, Slidfiskittlande (1997, athletic lettering), Slidfissaftig, Starlightseedcitysightseeing, Technoidone. Some of his fonts are under the (Swedish) TarmSaft label, and some under Beyond Design. All were made around 1997. He also made Agaro to Sagaru and Serial Killer, both techno fonts as well. | |
Designer of the old typewriter font DeadOnArrival. Also did Yardie. [Google] [More] ⦿ | |
Norwegian designer of the avant garde sans family Daco (2004) sold by Luth. He was also commissioned to make Aenigma, a techno face. Identifont says: Magnus Holder Bjørk is a freshly educated designer now working in Trondheim, Norway. While at a design school in Australia he started developing an Art Deco font family, and with the helping hand of FontShop Norway his Daco font family was prepared for sale. [Google] [More] ⦿ | |
Norwegian designer of the free monolinear monospaced typeface Victor Mono (2019). It comes in seven weights and Roman, Italic and Oblique styles, and covers Latin, Greek and Cyrillic. Font Squirrel link. [Google] [More] ⦿ | |
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Canadian designer who created Pixified (2007) and Pixeltastic (2008). [Google] [More] ⦿ | |
Polish designer of the free comic book font Addex (2017). Open Font Library link. [Google] [More] ⦿ | |
Michelle Blackard (Elle Marie Calligraphy, Grapevine, TX) designed the connected script typeface Getaway (2017). Creative Market link. [Google] [More] ⦿ | |
Illustrator in New York City who runs Rob Blackard Studio. In 2016, Rob designed Children's Alphabet Art Print, and the octagonal typeface Rooftop. Behance link. [Google] [More] ⦿ | |
Craig Black is a Scottish-born graphic designer, lettering artist and typographer, who graduated from University West of Scotland in 2013. Having spent the first few years of his career in leading design agencies in London, he currently runs his own design studio in Gourock, Scotland. In 2020, Monotype released FS Renaissance, a stencil serif typeface by Pedro Arilla and Craig Black. [Google] [MyFonts] [More] ⦿ | |
Dann Black (Indonesia) created the ornamental typeface Woody (2011). [Google] [More] ⦿ | |
Rangoon, Burma-based designer of a Burmese typeface (2015). [Google] [More] ⦿ | |
Designer of the dingbats family Leiure Tourism Icons DT (2008, DTP Types). These icons were developed over many years by Mike Blacker of Blacker Design, the icons cover a comprehensive range of leisure, tourism and access themes. [Google] [MyFonts] [More] ⦿ | |
American designer of the circle-and-rectangle-based typeface Potamus (2017). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the handcrafted typeface Everbody (2019) that plays on the fashionable wide-versus-narrow theme. [Google] [More] ⦿ | |
Leeds College of Art-based student designer of Dissect (2013), a typeface in which texture is applied to a Gill sans all caps background. [Google] [More] ⦿ | |
West Virginia-based designer, b. 1968. Designer of the scratchy graffiti scripts My Chemical Romance (2007) and The Chemical Parade (2007). Her home page. Fontspace link. [Google] [More] ⦿ | |
Kiwi creator of DaRKnesS (2009), a handwriting face. [Google] [More] ⦿ | |
In 2012, he published the smilie alphading typeface Say Cheese at Linotype. Linotype page. Adobe page. [Google] [MyFonts] [More] ⦿ | |
During her studies, Ariel Blackman (Gilbert, AZ) designed the thin impressionist art nouveau script typeface Keats Imperfect (2015). [Google] [More] ⦿ | |
Codesigner with Chank of the handwriting font Darling Nikki (2006). Nicole Blackman is a New York City-born performance artist, poet, author, vocalist, teacher, and former music industry publicist. She is also a top voice-over artist for television and radio. [Google] [MyFonts] [More] ⦿ | |
San Jose, Costa Rica-based designer of the decorative Black Font (2016). [Google] [More] ⦿ | |
Nottingham, UK-based illustrator and filmmaker who created Bastard Sans in 2015. Behance link. [Google] [More] ⦿ | |
Free original dingbats by Markie Blackmon: BR Turkles Revenge (delicate and detailed ornaments), BR Odd Assortment, BR Nouveau Ramblings 1 and 2, BR 4 My Dad, BR Trivets, BR Doodles (this one is fantastic!!!), Markie Ding 1, 2 and 3 (all equally wonderful), BR KnockKnock, BR HeyFlinty, BRFrames, BRPrimitives, BRReflections, BRThorns, BRForMembersOnly (1999). Dafont link. [Google] [More] ⦿ | |
Darby, PA-based designer of the octagonal typeface Bitmap (2015). [Google] [More] ⦿ | |
During her graphic design studies at Columbus College of Art and Design, Camika Blackwell (Cleveland, OH) created the connect-the-dots typeface Spacial (sic) Constellation (2014). [Google] [More] ⦿ | |
Tanya Blaeser (Johannesburg, South Africa) created Urban Typeface in 2013. [Google] [More] ⦿ | |
In 2019, Ilya Naumoff and Benjamin Blaess co-designed the variable font Grtsk at Black Foundry. Its three axes, weight, width and slant, combine for 126 styles, that are all captured in one variable font. Mini-site. [Google] [More] ⦿ | |
London-based designer of these display typefaces in 2014: Helios (hipster font), Metazoa (animal-themed caps), Krystall. [Google] [More] ⦿ | |
Aka Ungrund, based in Paris, b. 1988. Designer of the free rounded liquid look typeface Soft Core (2012), Reappeat (2017), and the sans typeface Core (2017). [Google] [More] ⦿ | |
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Petra Blahova (Carlisle, UK) created the octagonal experimental typeface Architecture (2013) and the decorative caps typeface Wonderland (2013). Behance link. [Google] [More] ⦿ | |
Spring, Texas-based Brian Blaine (b. 1960) who created the free arrowed devilish typeface Midevil in 2014. His Dafont site disappeared, and he now operates as the commercial studio Dymond Speers. His commercial typefaces include the spurred Dymond Speers Solid and Outline (2014), which look very much alike his original Midevil font. Hellofont link. Fonts2u link. [Google] [More] ⦿ | |
As a student at ENSAD in Paris, she co-designed Poinçons (1999), a typeface based on a design of Fournier. [Google] [More] ⦿ | |
During his studies at ECV Atlantique, France, in a workshop led by Christophe Badani, Louis Blain (Nantes, France) created the compass-and-ruler display typeface Helium (2014). Behance link. [Google] [More] ⦿ | |
Lettering artist in Salt Lake City, UT, who designed Killer Deco in 2017. Behance link for Blair Design. [Google] [More] ⦿ | |
Creator of the pixel font The Tiniest Font (2013). [Google] [More] ⦿ | |
Savannah, GA-based designer of the notched Latin / Cyrillic typeface Wyssheé (2018). [Google] [More] ⦿ | |
Creator of an unnamed Tuscan caps typeface in 2013. [Google] [More] ⦿ | |
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Designer in Nantes, France, of an experimental typeface (2015) that was inspired by the architecture of Ieoh Ming Pei. This typeface was created for a school project at L'Ecole de Design Nantes Atlantique. Behance link. [Google] [More] ⦿ | |
High Wycombe, UK-based student-designer of a dot matrix typeface in 2015. [Google] [More] ⦿ | |
Edward Blake's foundry located in Chicago. Blake was born in 1978 in Chicago. He created the hand-printed typeface Ten Till (2011). [Google] [MyFonts] [More] ⦿ | |
William Stremic may also be known as Bill Blakefield. Designer of Airport Black. The reason for that uncertainty about the name is this paragraph written by mac McGrew: Most of this series [Airport Gothic] is the first American copy of Futura, which originated in Germany in 1927, designed by Paul Renner for Bauer. One source says it was cut from original Futura drawings, smuggled out of that country, but it seems more likely that matrices were made by electrotyping the imported type. An extrabold weight, Airport Black, was cut by Baltimore about 1943; information on this cutting is scarce and contradictory- one account says it was designed by Bill Stremic or Bill Blakefield, another that it was designed by Carl Hupie (or Hooper), and cut by Herman Schnoor. There is also Airport Black Condensed Title and Airport Broad. The latter is a modification of Airport Black, cut 50 percent wider on the pantagraph by Herman Schnoor. Baltimore later cast some of its Airport series from Monotype Twentieth Century matrices, and in a few cases listed both series. Airport Relief, Baltimore 299, is English Monotype Gill Sans Cameo Ruled, while Airport Tourist, Baltimore 602, is Futura Display, cast from electrotype mats of the German foundry type. [Google] [More] ⦿ | |
Oceaside, CA-based designer of several typefaces in 2014, such as Pixel Rif. [Google] [More] ⦿ | |
During her studies in Cape Town, South Africa, Kelsie Blake created How to English (2015). [Google] [More] ⦿ | |
Fontstructor who made My Orchard (2012, a fattish modular typeface). Aka Sunburned Surveyor. Home page. Landon is a land surveyor in California and Nevada and lives in Stockton, CA, after graduating from the Flathead Valley Community College in Montana. [Google] [More] ⦿ | |
Ilkley, UK-based foundry of Graham David Blakelock (b. 1947, York, England). MyFonts sells his fonts. These include typefaces used in role playing games, often with a medieval look, all published in 2005: Fifteen36 (Venetian with rough edges), Fourteen64 (Venetian with rough edges), High German (blackletter), ItalicHand (inspired by 11th or 12th century Carolingian hand-drawn cursive), Old Russian (fake Cyrillic), Ye-As-Ta (rotated brush style caps), Good Taste (2006), Hieroglyph Informal (2006), Kanjur (2006, Indic simulation face), Mayan (2006, dingbats and Mayan-looking letters), Pepper (2006), Salt (2006). View Graham David Blakelock's typefaces. [Google] [MyFonts] [More] ⦿ | |
Portland, OR-based designer of the hand-printed typeface Granite Letter (2013), the experimental typeface Moonblock (2015), the pixel typeface Protovision (2015), the techno typeface Anchorage (2015), the crayon typeface Autumn Pixels (2015), Barcode Decol (2015), and the hairline squarish typeface Granite Mode (2015). Typefaces from 2016 include Granite Postmodern and the squarish Turntable Aux (2016). Typefaces from 2017: Fuzzface, Graytype, Ventures. Typefaces from 2018: Microchip (an LED or MICR font), Aroundabout (circle-themed), Blakeman Hand, June 5. Dafont link. Old personal URL. [Google] [More] ⦿ | |
The neon signs of Seoul, Korea, inspired Pete Blake (Liverpool, UK) in his design of Downtown Font (2013). He also created a set of 3d hexagonal numerals in 2013. Behance link. [Google] [More] ⦿ | |
Lille, France-based designer of a typeface in 2018 that was inpired by the art of Swiss dada era painter / sculptor Jean Tinguely (1925-1991). [Google] [More] ⦿ | |
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Born in 1954 in Athol, MA. Studied at the University of Vermont and the Mass. College of Art. Type designer and type design manager at Compugraphic at some point. The eight weight-Garth Graphic family was jointly designed by Renée LeWinter, John Matt and Constance Blanchard (1979, Agfa / Monotype). Fonshp link. [Google] [MyFonts] [More] ⦿ | |
For a school project at the University of Kansas, Patrick Blanchard (Lawrence, KS) created a pixelized typeface in 2013. [Google] [More] ⦿ | |
Student in Bordeaux who created an ornamental caps face, Type Addikt (2012). [Google] [More] ⦿ | |
Nantes, France-based designer of the tennis-themed display typeface Wimbledon (2017). Behance link. [Google] [More] ⦿ | |
Brisbane-based creator of The Mouldy Lovers (2012, a geometric stencil font created from arcs and straight line segments). Behance link. [Google] [More] ⦿ | |
Yanick Blancho ("My name is Yanick", Brussels, Belgium) created the commercial typefaces Biarritz Light (2013), Ruff Draft (2013, hand-printed poster font), Archive (2013, hand-printed), Charlie's Bold (2013), Riot Gothic Condensed (2014), Sarifa (2014), and Charlie's Font (2014). In 2015, he made the rounded cursive typeface Koëlh, based on Pittoresques penchées (1924, La Fonderie Typographique Française). In 2016, he published Futuros. In 2018, he added Analogis (a rounded sans), and in 2019 the roughened text font Chapitre. [Google] [More] ⦿ | |
FontStructor from Toulouse, France, who made the modular typeface Disparity (2013). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the hairline display typeface Gatwick (2015), which was developed during his studies at University of Technology Sydney. [Google] [More] ⦿ | |
Baltimore, MD-based designer in 1905 of a decorative outlined typeface. [Google] [More] ⦿ | |
French codesigner (b. 1986), with Julien Saurin, of the free graffiti font Vandalism (2007). Dafont link. In 2009, Emmanuel Blanc and Julien Saurin set out to sell their fonts under the name La Goupil (based in Paris). At La Goupil, they co-designed the scratchy hand-printed typeface Carving (2010). MyFonts link. Alternate MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Bratislava, Slovakia-based designer of Genetika (2014) and Rhum Negrita (2014, a shaded caps typeface family). Behance link. [Google] [More] ⦿ | |
Buenos Aires-based designer of the school project typeface Typorama (2014, FAD/UBA). [Google] [More] ⦿ | |
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Creator of the modular monolinear typeface DesiGn Dnub (2020) for DesiGn Dnub Company. [Google] [More] ⦿ | |
Jerez de la Frontera, Spain-based designer of the art deco typeface Largarian (2016). [Google] [More] ⦿ | |
Andaluz, Spain-based illustrator who made the typefaces Gothic Stencil (2012, blackletter) and Getto Style (2012). Behance link. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Manila-based designer of the handcrafted or fat finger fonts Mistress (2015), Joanne's Freehand (2015), Joanne Candy (2014), Matcha (2014), Orbicularis (2014), Mikee (2014), Joanne's Handwriting (2013), Joanne Papercut (2013), Joanne Marker Serif (2013), Joanne Deoxyribose (2013) and Joanne Enzyme Kinetics (2013). She also made the hand-drawn 3d typeface Joanne Tic Tac (2013). Dafont link. [Google] [More] ⦿ | |
Graphic designer in Miño, Spain, who created the sans typeface Neo Galaica in 2016 for his graduation project at the Faculty of Fine Arts in Pontevedra. [Google] [More] ⦿ | |
For his graduation work in the Masters of Type Design program of the University of Reading, Juan Luis Blanco (Spain) created the Latin, Greek, Cyrillic, Tifinagh, Arabic typeface family Amaikha (2014). Amaikha is characterized by Latin warmth and roundness. A list of his typefaces:
Speaker at ATypI 2016 in Warsaw on A Typographic Maghribi Trialogue. In this talk, he explains, together with Laura Meseguer and Krystian Sarkis, the Typographic Matchmaking in the Maghrib project of the Khatt Foundation, which tries to facilitate a cultural trialogue as well as shed a typographic spotlight on the largely ignored region of the Maghreb in terms of writing and design traditions. The specific goal of the collaboration is the research and development of tri-script font families (for Latin, Arabic and Tifinagh) that can communicate harmoniously. [Google] [MyFonts] [More] ⦿ | |
During her design studies in Bauru, Brazil, Larissa Blanco designed The Awesome Fox typeface (2013). [Google] [More] ⦿ | |
Toulouse, France-based designer (b. 1994) of Arta (a tall deco typeface family). [Google] [MyFonts] [More] ⦿ | |
Aka ArtisMelB. Was Melby's Magic, and also Melanie's Creations. Guatemalan designer (b. 1990) of Lion King (2007), Mulan (2008, a slightly grungy all caps face), and Nederland Fantasy (2012, a hand-drawn outline face). Dafont link. [Google] [More] ⦿ | |
Her graduation typeface at KABK was Minima (2012), a text typeface families woth sans and serif components. The sans is roundish and flared, and both read very well at small point sizes. In 2013, together with Jordi Embodas, she designed the commercial rounded grotesk typeface Bulo Rounded (2013, Tipografies). Codesigner with Jordi Embodas of Trola Text (2014). Co-designer of Epicene Text & Display (2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. These are baroque typeface families inspired by the work of 18th century masters J-F. Rosart and J.M. Fleischmann. AIGA describes the result as a baroque typeface celebrating ornamental idiosyncracy. Co-designer of Manuka (2019-2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. Compressed typefaces for large sizes. Described by Klim Type: With deviant details pilfered from Teutonic timber type, Manuka grafts a contemporary antipodean aesthetic onto 19th century German root-stock. Tight spacing, closed apertures and sharp joins make a compelling texture, like sunlight sparkling through a forest canopy. Her talk at ATypI 2014 in Barcelona was entitled Fonts out of ink. [Google] [MyFonts] [More] ⦿ | |
Costa Rican designer (b. 1974) of the modular geometric typeface Noviembre 29 (2011). [Google] [More] ⦿ | |
Between 2017 and 2021, inspired by Japanese pop culture, he developed the rounded sans family GT Maru (maru means round in Japanese). It is accompanied by a bubblegum-like typeface family, GT Maru Mega (which was produced by Huw Williams), and a monospaced family, GT Maru Mono. All three families have variable fonts as well. Grilli Type and Anya Danilova added GT Maru Emoji (in black and white, and color). [Google] [More] ⦿ | |
Illustrator and designer in Shipley, UK, who created a few decorative caps typefaces in 2016. Behance link. [Google] [More] ⦿ | |
Designer of the free sans typeface Rabbit Fount (2015), Maria (2016, free: a typeface for stoners), and the blobby Ink (2016; a free typeface done for La Rivoluzione delle Seppie). Behance link. [Google] [More] ⦿ | |
Horsham and Cambridge, UK-based designer who proposed the Kobi Serif typeface in 2014: I found the idea of Kobigraphs whilst researching methods of communication for the blind. The website dotlessbraille.org was the sole proprietor of the Kobigraph idea and it was virtually unknown outside of that website. Researching the website further I became curious about the idea of this typographic bridge between embossed braille for the blind and visual letterforms for sighted persons to read braille more easily. Braille is becoming something of a dying form even though it is extremely important for blind people to know some form of written communication. Fewer than 1% of the two million visually impaired people in the UK are users of Braille. Yet 66% of blind or partially sighted people of working age are unemployed as a result of a lack of some form of literacy. It seemed to me that helping to make braille as accessible as possible to everyone through using the Kobigraph would help raise awareness of the issues of blind literacy and encourage everyone to try learning braille. The Kobigraphs visual form can be read by sighted persons at a glance as opposed to braille - which is usually colourless dots printed on a page. And as the Kobigraph uses the same cell structure as braille, the dots could be raised to allow blind users to read too. The links between cell dots could also be raised to help users further guide their way around a letterform more easily if they have not built up the necessary tactile abilities needed to sense individual dots. In 2014, he made a multilingual display typeface for Latin, Devanagari and Hiragana called InterSans. Behance link. [Google] [More] ⦿ | |
During her studies, Loraine Blandin (Nantes, France) designed the children's book font L'Alphabet Des Petits (2018). [Google] [More] ⦿ | |
Univers Graphic Design (which was Interesting Productions) is a graphic design studio in Melbourne, Australia owned by Joe Bland. They design for identity, publication, screen and build environments with a very typographic approach. They are currently working on identity for various architects---here is an example for Neil Architecture. See also this logotype (2006). [Google] [More] ⦿ | |
UK-based FontStructor (student at Bristol UWE) who created Decay of TNR (2010), an interesting all caps face. [Google] [More] ⦿ | |
At Texas State University in San Marcos, TX, Bridget Blankenship designed the pixel typeface Grandma's Quilt (2015). [Google] [More] ⦿ | |
Chicago, IL-based designer of Vulturous (techno typeface), Vutura Line, TTD 209 (sans), Steadfast (Treefrog-style ink spill script), Dil (hand-drawn poster typeface), and Hellhound (spurred vintage typeface). These typefaces were made in or just before 2014. Behance link. [Google] [More] ⦿ | |
During his studies at The School of Visual Arts, West New York, NJ-based Jake Blankenship designed the art deco typeface Gabo (2016) and the monoline Waterglass (2016). [Google] [More] ⦿ | |
During her studies at Flagler College, Saint Augustine, FL, Rachel Blankenship created the free display typeface Blankenship (2014). Dafont link. [Google] [More] ⦿ | |
Bandung, Indonesia-based designer (b. 1994) of the angular straight-edged typeface Trianzulvex (2015). [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the connect-the-dots font Inklusiv (2018). [Google] [More] ⦿ | |
Amsterdam-based designer of the free handcrafted typeface Punta Banco (2015), which is based on the logo Onno designed for Punta Banco surf. Behance link. [Google] [More] ⦿ | |
Designer of the hand-printed typeface Rooster (2004, Agenturtschi, Switzerland), which can be had for free with any order over 59 dollars from Agenturtschi. [Google] [More] ⦿ | |
Illustrator and designer. Creator of Flair (2009). [Google] [More] ⦿ | |
Lucas Blat lage currently studies Graphic Design at Centro Universitário Belas Artes de São Paulo, and works as a Motion and Graphic Designer based in Sáo Paulo, Brazil. Designer of the typeface called Circumactio (2012, sold by Ten Dollar Fonts). In 2014, he designed the experimental typeface Cisa. Cargocollective link. HypeForType link. Behance link. [Google] [MyFonts] [More] ⦿ | |
UK-based type designer. The Latin / Arabic version of Dalton Maag's Effra was co-designed by Azza Alameddine and Alex Blattmann. It won an award at Granshan 2016. [Google] [More] ⦿ | |
Shawns font is an elementary dingbat font by North Dakota-based Shawn Blaufuss. [Google] [More] ⦿ | |
Valencia, Spain-based designer a modular geometric solid typeface in 2017. [Google] [More] ⦿ | |
Filip Blazek (alias Filip de Sign, b. 1974) writes about typography and ran Filip de Sign--Czech Graphic&Design Studio, founded in 1997 in Prague [in 2003, its name was changed to Designiq]. In 2000, he graduated from the Faculty of Arts at the Charles University in Prague. He regularly contributes to professional periodicals in the field of graphic design. His typefaces include Pozorius, Studnicka Antikva and Duboryt. In 2013, he designed Smalt, a typeface for the street signs in Prague. He explains: Until very recently, the typefaces used on enamel street signs were drawn by hand. Unfortunately the producers introduced computers to the process which resulted in brutal degradation of the typographic quality of street signs. Two years ago, I was invited to organize a typographic workshop at the Academy of Art, Architecture and Design, Prague, and I asked a group of students to create a typeface for Prague street signs based on the letterforms used between 1890s and 1990s. The result was very impressive, so I decided to undrego the process of countless negotiations with Prague municipality. The project has a happyend: Last year, Prague mayor accepted the proposal and all street signs in the capital of the Czech Republic are required to use the students' typeface system and follow certain guidelines. No more Helvetica Condensed Bold extended to 130 percent but a beautiful typeface Smalt (Czech for enamel). Alternate URL. Very useful pages for Central European typography, with plenty of links and practical information. Interview. Blazek's old site, still jam-packed with font information. Coauthor of Typography in practice (Praktická typografie), published by ComputerPress, 2000, 2004. Founder of Typo Magazine, which focuses on typography, graphic design and visual communication. Speaker at ATypI 2006 on diacritics (PDF of Filip's presentation). At ATypI 2009 in Mexico City, he spoke on posters from the 1989 Velvet Revolution. Speaker at ATypI 2011 in Reykjavik. Speaker at ATypI 2013 in Amsterdam: Typeface for Prague enamel street signs. [Google] [More] ⦿ | |
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During her graphic design studies at the ECV Nord Europe, Lille-based Amélie Bldx created a blackletter typeface in Illustrator (2013). [Google] [More] ⦿ | |
Alex Blechta (Blechmen) is a portrait photographer and graphic designer based in Toronto. Designer of the distorted typeface family Melancholy (2019). [Google] [MyFonts] [More] ⦿ | |
American designer of the graffiti / tattoo font Cobra Hand (2019), the display typeface Lazy Daisy (2021), the nostalgic poster font Thumper (2021) and the tiki fonts Tropic Sign (2021) and Maui Wowie (2021). [Google] [MyFonts] [More] ⦿ | |
Designer (b. 1984) who used Fontcapture to make fuchsiabuddha (2009, hand-printed). [Google] [More] ⦿ | |
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Portland, OR-based creator of the ornamental caps typeface Break Display (2012), which was inspired by bicycle parts. [Google] [More] ⦿ | |
Jeff Bleitz (Sarasota, FL) created the blacklewtter logotype Beauxnero in 2012. [Google] [More] ⦿ | |
Dave worked as an animator, illustrator, multimedia developer, UX designer and exhibition designer for film festivals, NGOs, and one of the largest museums in Australia. Based in Melbourne, he founded the game studio Volnaikra. For the Spryke video game, he made the alien script Sprykski (2015). Dafont link. [Google] [More] ⦿ | |
Designer with Lula Rocha at Sugiro Design in Brazil of Skova (1999). [Google] [More] ⦿ | |
Parisian art director who created the bespoke typeface Institut Laser Biotherm in 2016. [Google] [More] ⦿ | |
James Blevins (Florida) is a graphic designer who specializes in font creation and illustration. For his blackletter typeface Crumby, he drew upon old blackletter motifs and hand-drawn characters found in the work of Robert Crumb. [Google] [More] ⦿ | |
Artist and graphic designer. Creator of the original font Wound (1999), in which palm lines are combined with letters. Not available to the general public. He also made IX, IX Corroded (1999, both ransom note fonts), Syscraper 99 (1998), Too Damn Tall, Scratch Your Eyes Out (1998, oriental simulation face), and Digital Stabbing (1998). No downloads. [Google] [More] ⦿ | |
Israeli type designer at MasterFont. [Google] [MyFonts] [More] ⦿ | |
Aka Redshade Blue. Photographer and painter in Zurich, Switzerland, who studied at Moscow University of Printing Arts. In 2018, she published the script typeface Persian Garden. [Google] [More] ⦿ | |
FontStructor who made the ultra-fat typeface Hypercube (2012). [Google] [More] ⦿ | |
Birmingham, UK-based graphic designer, typographer, photographer, illustrator and art director. In 2017, he published Blick sans. Behance link. [Google] [MyFonts] [More] ⦿ | |
Creator of the geometric sans typeface Selvage (2012, in Raw (pure forms) and Worn (filled in ink trap form) styles), the architectural lettering font Resoluut (2012, +Cyrillic), the tattoo font Galera (2012), and the monoline typeface Monodrone (2012, Ultratypes). In 2013, he published Fat Boy (a grotesk display face), Optic (alchemic). [Google] [More] ⦿ | |
Designer in Pontarlier, France. Dafont link. He created the children's hand typeface Ultramat (2011). [Google] [More] ⦿ | |
Creator of the free hand-printed typeface Roy Bimp (2009, Fontcapture). [Google] [More] ⦿ | |
Creator of My First Font (2012, hand-printed). [Google] [More] ⦿ | |
UK-based designer of Blocky Font (2007) also called Test. [Google] [More] ⦿ | |
Israeli type designer. Creator of the Hebrew typefaces Martir MF (2010), Ninth Century MF (2010), Teiman MF (2010, Masterfont) and Sheva Brachot MF (2012, Masterfont). [Google] [MyFonts] [More] ⦿ | |
Creator of Purposefully Bad (2013), bare Minimum (2013) and handwritten (2013, fat finger typeface). Fontspace link. [Google] [More] ⦿ | |
During his studies at the University of Cincinnati, Andrew Block designed the curly typeface Swish And Flick (2016). [Google] [More] ⦿ | |
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Art director in Orange County, CA. Behance link. Designer of X-Acto Type (2011, techno face). [Google] [More] ⦿ | |
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Morgan Blodgett (Aliso Viejo, CA) created an untitled blackboard bold typeface in 2013. [Google] [More] ⦿ | |
Baseball capitals: free metafont "capbas" (Capital Baseball) by Phons Bloemen from the Eindhoven University of Technology. Now included in the package are also 7-segment, 14-segment, Simple, matrix fonts like Flyspec and Neckerspoel. Lots of interesting tools as well. Magnificent package, really. [Google] [More] ⦿ | |
Dutch type designer (b. Den Haag, 1958, d. Arnhem, 2005) who studied graphic design at the Arnhem School of Art (1981). He worked at his own office for a number of clients, taught type design at the art academies of Arnhem and Breda and wrote articles about typography and related topics. He created FF Balance (1993), FF Cocon (1998-2001: organic style), FF Avance (2000) and FF Legato 1 and 2 (2004, flared sans families discussed here). FF Balance was created at the Amsterdamse Steenweg in Arnhem, at almost the same address as Ontwerpbureau Quadraat. Editor of "Letters, een bloemlezing over typografie" (Eindhoven, 2001), a book about contemporary Dutch typography. Typophiles about his death. Jan Middendorp wrote: Of all the type designers I have known and have written about, Evert had the most complex personality, and possibly the most original mind and the weirdest sense of humour. He kept promising me, with his characteristic mixture of boyish enthusiasm, solemn dedication and self-mockery, that he would one day cover the entire distance between his home in Arnhem and mine in Ghent on his reclining bike. I was sure he'd make it, sooner or later he always carried out his plans, although some took him ten years to complete. It fills me with grief, wonder and anger that Evert, who was always advocating exercise and healthy food, has now been taken away from us because of a heart failure. As a type designer, Evert was unorthodox, a true original. Each of his four type families was the outcome of a highly personal investigation, a challenge to himself. To others, he could be as demanding as his was to himself; when criticizing his friends' typographic work, he was brutally honest and always to the point. Yet he remained amazingly modest, even insecure, about his own work, and deeply grateful to those who would comment on the early versions of his typefaces and/or test them in print. In spite of the single-mindedness with which he worked on his type designs during those months of total concentration, he was open to many other intellectual stimuli. He had worked as a photographer of architecture constructing his own hand-operated panoramic camera, interviewed the designers he admired (such as Wim Crouwel and Hans Reichel) about their design philosophy, and lately became fascinated by the work of Marshall McLuhan. His lectures and articles, too, were evidence of his original ideas on form and on reading. It is a great loss indeed. FontShop link. Klingspor link. View Evert Bloemsma's typefaces. [Google] [MyFonts] [More] ⦿ | |
Ankara, Turkey-based designer of the display typeface Pandora (2016). Behance link. [Google] [More] ⦿ | |
New York City-based designer of the free futuristic typeface 23XX (2016). [Google] [More] ⦿ | |
In 2016, Frank E. Blokland obtained a Ph.D. at the University of Leiden for On the Origin of Patterning in Movable Latin Type. His typefaces:
At ATypI 2008 in St. Petersburg, he gave a series of lectures: Type tools by DTL, Automating font production, Automating type design, Integration of FontMaster in Linux and Mac OSX, and History of Type. On that occasion, participants were presented with the booklet Comprehensive Notes on the Design of Cyrillic Letters by Finnish type designer Hanna Hakala and typeset in the preliminary version of DTL Valiance. Speaker at ATypI 2011 in Reykjavik on the topic of parametrized type design, and in particular on the development of the DTL LetterModeller (LeMo) application, which is an attempt to come to such parameterization of type design. Speaker at ATypI 2018 in Antwerp. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Dutch graphic design student in Breda, who made the neat (free) display font Bloktype (2002). She used East-European tickets to make Ticket Scraps Urban (2003). Alternate URL. [Google] [More] ⦿ | |
L5 is a Rotterdam-based design studio, where Maurice Blok created the rugged type family Luxor (2001) as the corporate identity for the Luxor Theatre in Rotterdam. [Google] [More] ⦿ | |
His second typeface family is Cigar (2010). He writes: Cigar is a revival of a 1970s and 1980s typeface called Cucumber or Nassel Black or Scanner. It has been carefully redrawn and expanded into a full-featured OpenType font. Cigar Octo and Cigar Quarto are new angular reinterpretations of Cigar. In Cigar Octo, most round shapes have been replaced by octagonal shapes. In Cigar Quarto, most round shapes have been replaced by rectangular shapes. Seconda (2010) is a humanist sans family. Seconda Soft (2011), Seconda Round (2012) and Seconda XtraSoft (2011) are rounded versions of Seconda. In 2011, he created the 16-style Simplo family, which was patterned after Alessandro Butti's Futura-like typeface Semplicità. This was followed in 2012 by Simplo Soft. Classic Xtra Round was created in 2011. Typefaces done in 2012: Flexo (a large x-height elliptical sans family), Flexo Contour. Typefaces from 2014: Aspira (a 112-font sans superfamily). In 2015, he designed the rounded sans typeface family Animo and the neutral sans typeface family Neutro (which was published in 2016). Typefaces published in 2017: Innova (a grotesque described by Blom as more open, more squarish, more legible). Typefaces from 2018: Flexo Soft. [Google] [MyFonts] [More] ⦿ | |
Den Haag, The Netherlands-based designer of the monospaced Psychedelica (2016). Behance link. [Google] [More] ⦿ | |
Senior designer and illustrator in St. Cloud, MN. She designed a custom high-contrast ball terminal typeface in 2013. [Google] [More] ⦿ | |
Parisian designer of a heavy octagonal deco typeface (2015). [Google] [More] ⦿ | |
Original truetype fonts by Philippe and François Blondel 9France): New Bernard (2013), CNC Vector (2012, hairline sans), Braille 1998, Braille 1998 3d version, Braille (2012), Accords (for guitar), Langage des signes (ASL), Signes, Phonetique. He also designed many handwriting fonts: Michelle, Ginette, Sophie, Amandine, Virginie, MissClaude, LalexBigBadaboum, Karine. All these fonts are free. For font services: 40 USD for a handwriting font, 70 for a connected handwriting font, 10 USD for a logo font, 8USD to add the Euro symbol to any font, 50 USD for any on-demand truetype font based on your drawings. Handwriting type designer Philippe Blondel offers some of his handwriting fonts (such as BrandysHand, PatriciasHand, JaninesHand, LisasHand, LaurensHand, FarrahsHand, CarolinesHand, RandysHand, BrooksHand, Philing (1998-2009), Jean-Claude'sHand and Jimmy-Hand) regularly for free. Send in your handwriting on the form he provides: each week, he'll make one of the samples into a TrueType font (for free). Additional fonts include 7LED (2010, LED face), Philippe, Bernard, Adelyne, Georges, Brigitte, Barguzin, Breeze, Fog, Lightning, Monsoon, Stream, Valerie, Jami, and Zephyr. Typefaces from 2014: Shade of Adelyne. Fontspace link. Dafont link. Abstract Fonts link. Alternate URL. Yet another URL. Another Fontspace link. [Google] [More] ⦿ | |
Kansas City, MO-based student, who created the display font Mineral Hall (2003). [Google] [More] ⦿ | |
During her studies in London, Holly Bloomfield created the alchemic caps typeface Final Type (2014). [Google] [More] ⦿ | |
Seattle, WA-based designer of STFU (2019: a modern blackletter typeface). [Google] [More] ⦿ | |
At some point before 2019, Joe Leadbeater and Mark Bloom founded CoType Foundry. Bloom released these typefaces at CoType:
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Van Allerlei, and before that, Illegal Industriez Design, is a commercial foundry in Rotterdam, est. 2010 by Patrick Bloom, who describes himself as a transdisciplinary rock artist. Another name is Illegalistic. Patrick made five of his fonts available for free under the Illegal Industriez Design label in 2005: Kriminalita (1999, grunge) was the nicest in my view. Other typefaces included Fontboyz, Agenda (1998, a halftone textured typeface), Bloom (1998), Rapture (1998) and Skwieker (1998). The first commercial font was Real Fat (1999-2010, pixelish). In 2010, he also created the squarish typeface Rotterdamz and the sci-fi typeface Spacy Round. Aka Patrick Tes Bloom and Patrick Tez Bloom. Klingspor link. Dafont link. Newest Dafont link. Liink for Illegalistic. Free font download site. [Google] [MyFonts] [More] ⦿ | |
John Bloor's free and commercial fonts (Mac type 1, PC truetype) at Smoking Drum (est. 1997) in Whitchurch, UK. The fonts include Fauxetry, Gruyere, Orange n Blue, H-Be, BubbleLife, Mnooba, Pyrobats, TragicBureau, BulkyPixels, DotShortofaMatrix, DoubleStrike, FatPixels, FGParma, HandHackedNoisy, HelveticaCondensedDestressed, HelveticaCondensedStressed, InfiltraceItalic, InlinesRough, LoopsofFuryWide, RefuseTrip, RoughSheetsOutline, ScratchyLarge, StrokeyBacon. MyFonts sold Mnooba and Infiltrace, but he is selling those now himself. Description of how he made StrokeyBacon from Helvetica. Alternate URL. Interview. | |
During his design studies in Manchester, UK, Sam Blower created the Bruce Gay typeface (2013). He explains: I created this typeface based on some artwork by Bruce Gray. I experimented by looking at various modern artists and creating letters based around the shapes in their artwork. I then created this typeface from scratch in Adobe Illustrator. [Google] [More] ⦿ | |
London, UK-based designer of the multilined typeface Disqo (2015), the geometric solid typeface No Name (2015), the smooth decorative caps typeface Salmonype (2015), and the rounded sans typeface Mars (2015). [Google] [More] ⦿ | |
From Edinburgh, Scotland, Typescape is Tony Blow's Glasgow-based outfit, where he sells his fonts: Poetic, Matter, Pinched Fat and Invasive. He also runs Pointsize Online, a design outfit in Glasgow, where you can find his logofonts and commercial work. At fontmonster, he created the free fonts Pinched Fat, Poetic, Jotter, Invasive. [Google] [More] ⦿ | |
Type designer, letterer and calligrapher located in Willoughby Hills, OH. Ex-student at the University of Reading (2003) who designed Owyhee (2003). In 2008, he created Cora, a 6-style corporate-look sans with a large x-height. In 2011, he did Katie's Font. MyFonts link. Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Salt Lake City, UT-based student-designer of Didotdotdot (2017). [Google] [More] ⦿ | |
Modern revivals of his scripts include
Credits: Several of the images below, as well as some biographical information, are courtesy of Charles's grandson, David Musgrave. [Google] [MyFonts] [More] ⦿ | |
Los Angeles-based designer of the bloated counterless typeface Pine (2021). [Google] [More] ⦿ | |
Designer of Early Days (2003), a display font with Basque features, and Jenkins (2004, a sans). Ashton lives in Wanganui, New Zealand. [Google] [More] ⦿ | |
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Designer in Edinburgh, Scotland, who created the pixelish display typeface Rixel in 2016. Behance link. [Google] [More] ⦿ | |
Designer of MnSymbols, a free math symbol font (in metafont format) designed to be used in conjunction with Adobe Minion. Since 2005 also available in type 1 format: MnSymbol-Bold10, MnSymbol-Bold12, MnSymbol-Bold5, MnSymbol-Bold6, MnSymbol-Bold7, MnSymbol-Bold8, MnSymbol-Bold9, MnSymbol10, MnSymbol12, MnSymbol5, MnSymbol6, MnSymbol7, MnSymbol8, MnSymbol9. [Google] [More] ⦿ | |
New York printer and book designer (1897-1990), who designed Emerson for his own Spiral Press. In 1931, he traveled to Germany to have Louis Hoell cut the punches, which were then cast by the Bauer foundry for hand composition. First known as Spiral and exclusive to the Press, the typeface was renamed Emerson when Monotype released it commercially, with a companion italic, for machine composition in 1935. Reynold Stone wrote that it avoided the rigidity of a modern face and preserved some of the virtues of the classic Renaissance types. Signature, cited its "open counters, absence of fine lines and sturdy, though not heavy serifs." Monotype deemed it among the twenty classic faces. Jerry Kelly writes about his contributions in David Pankow's edited book, American Proprietary Typefaces. Mac McGrew: Emerson and Emerson Italic---a completely different style, unrelated to the one above---were designed by Joseph Blumenthal, New York printer and book designer. The original version was hand-cut by Louis Hoell in Germany, and the typeface was cast by the Bauer Foundry in 1930. It was called Spiral for the press at which this distinguished typographer produced many notable books, and was renamed Emerson when the Monotype Corporation of London recut it in 1935. It is a modernized oldstyle letter, adapted for photogravure reproduction, but retaining a reasonably light face, fairly condensed. Wikipedia on Emerson: The typeface's first appearance was in a special, private-press edition of Ralph Waldo Emerson's essay Nature, and so the Monotype version became known as Emerson. Emerson can be recognised for its distinctive foot serifs on the lowercase a, d and u, and its wide capitals (especially the M). The typeface shares characteristics with the classic renaissance types, and its soft, blunt appearance was designed to suit photogravure reproduction. For a digital revival of Spiral / Emerson, see Spiral (2014) by AR Types / Ari Rafaeli, or Emerson by Nonpareil Type. [Google] [MyFonts] [More] ⦿ | |
Latvian graphic designer. For a university project, he designed Sanriff. [Google] [More] ⦿ | |
Hamburg, Germany-based designer of the free hipster font Stacked (2015) and the geometric solid typeface Gometric (2017). [Google] [More] ⦿ | |
Birmingham, UK-based designer of the 3d typeface Isometric (2016). [Google] [More] ⦿ | |
Creator of the rough hand-drawn typeface Crazy Cartoon (2013) and the angular comic book / video game font New Super Mario Font U (2013). Michael is based in München. [Google] [More] ⦿ | |
Designer at the Open Font Library of Buildermarker (2009), Archdiocese (2009) and Paperback (2009, a semi-didone text font). [Google] [More] ⦿ | |
Designer who is at the Universidad de los Andes in Bogota, Colombia. In 2013, he created an unfonted alphabet, Cicatriz Eterna, to remember the massacre of Salado committed by the Colombian army. Behance link. [Google] [More] ⦿ | |
Johannesburg, South Africa-based creator of the free sci-fi typeface Ayor Thin (2016). Behance link. [Google] [More] ⦿ | |
Born in South Africa, and based in Middlesbrough, UK, Matt Boak designed these typefaces: Hard Flip (2015, a squarish typeface inspired by old black and white horror films such as "The Phantom Of The Opera"), the pixel typeface Dea Pixels (2015), and the commissioned pixel typeface Geek Press (2015). Behance link. [Google] [More] ⦿ | |
Charlotte, NC-based designer of the custom skateboard font Grind (2014). Behance link. [Google] [More] ⦿ | |
Frans Font (or: Siren Fonts) is a foundry, est. in 2009 in Cheltenham, Gloucestershire, United Kingdom, by British designer Fran Board. Their fonts include Rounded Two (2009), Manic (2009, grunge), Rooky Hand (2009, irregular hand), and Mesh Stitch (2009, a stitching font). All are free for personal use and pay fonts for commercial use. In an earlier life at Dafont, one could download the hand-printed 3d font Decade 3d (2008), the stitching typeface Mesh Stitch (2009), the thin sans faceRound (2009), RoundNormal (2009, an avant garde face), Bloc Regular (2009, pixel face), Pixel Regular (2009), Zuben (2009, classy sans), Manic (2009, an angular face), Rounded Two (2009) and the squarish Blablabla (2009, FontStruct). Another URL. [Google] [MyFonts] [More] ⦿ | |
The early typefaces by Dathan Boardman include Afternoon Tea (2010: inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring) and Portsmouth (2012, with Ryan Lyse: a squarish typeface family). In 2015, Dathan designed the handcrafted typeface Little Pigeon, Jacuzzi Room, and the signage script Lampoon Brush (not to be confused with Sam Wang's Lampoon Brush from 1992). Typefaces from 2016: Redshift (a rounded geometric full range sans), Aldin (a simple monoline sans family), Rifleman, College Dropout (handcrafted athletic lettering font), Portsmouth (a stackable sketched textured typeface), Afternoon Tea (after an alphabet published in 1938 in Letters and Lettering by Paul Carlyle and Guy Oring), Eisley, Material (brush font). Typefaces from 2018: Diablo (beatnik style), Bivona (a retro jazzy typeface), Cream Cheese (handcrafted), Echophonic, Piquant (curly and joyous), My Left Foot, Mr + Mrs Konky (beatnik style), 500 Guitars. In 2018, at Great Lakes Lettering, Dathan Boardman published Penny Pincher, Posie, and Sharp Shooter. At Font Seed, he published Discount, a typeface co-designed with Stuart Sandler in 2018. Typefaces from 2019: Delmonico (a vintage display typeface by Dathan Boardman and Ryan Lyse). [Google] [MyFonts] [More] ⦿ | |
Fontspace link. Klingspor link. Fontsquirrel link. Google Plus link. His typefaces:
Great Lakes Lettering in Eau Claire, WI, showcases the type designs of Dathan Boardman and Molly Jacques Erickson. They jointly designed the illustrative handwriting font Frosted in 2012. In 2013, they co-designed the hand-drawn typefaces Saint Agnes and Icing, and the script typeface Kailey (2013). View Dathan Boardman's typefaces. Dafont link. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Creator of African Queen (2011, FontStruct). [Google] [More] ⦿ | |
Belgian designer (b.1983) of the squarish techno typeface Boast (2016). [Google] [More] ⦿ | |
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Visual design student from Portugal. She created the script typeface Boavida (2011). [Google] [More] ⦿ | |
Typeface designer who russified some Latin fonts in 2003, such as KBBlackWolf, KBDanube, KBTranceform, KBVectroid, KBYear. Some may be found here. [Google] [More] ⦿ | |
Cape Town, South Africa-based designer of the display sans typeface Nizinga (2017). [Google] [More] ⦿ | |
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Serena Bobbo (Saïda, Lebanon) created an Arabic version of the hand-drawn typeface Cinnamon Cake (2011, Brittney Murphy) in 2014. [Google] [More] ⦿ | |
Aceh Utara, Indonesia-based designer (b. 1996) of the monoline scripts Zyamatyca (2020) and Huntsel Script (2020). In 2020, he also designed Black Callig (blackletter), Mrentha (script), Radinya Signature Script, Crowzer (a graffiti font), Dugtane Script, Bhellvast Script, Shoel Crack (a graffiti or marker font), Sweghand (a monoline script), Alverion, Grizelle Script, Jovanka, Dwallbypro, and Smile Abe. Typefaces from 2021: Vigeny (a ligature-rich typeface), Syln (brush), Trishafira (a signature script), Micky Funky (a comic book font), Rottand Oryne (a monolinear script), Vallie (script). [Google] [More] ⦿ | |
During her studies in Santa Fe, NM, Candice Bobchak created the heavy slab serif typeface Diamond (2015). [Google] [More] ⦿ | |
Alexandre Bobeda is a type and digital designer, writer, author and publisher from Rio de Janeiro, Brazil, whose studio is House Of X. His typefaces include the experimental dystopian typeface Tecmo (2020) and the display typeface Weyni (2020). [Google] [More] ⦿ | |
Designer at the Serbian studio TajFazon, located in Belgrade. He works with stunning colors and has made some display fonts, often in the fat counterless artsy style. These include AeroFrog (2010), Strawberry (2009), Letvica (2010), and DontGetCut (2009). Behance link. [Google] [More] ⦿ | |
Graphic design student at Flagler College in Saint Augustine Beach, FL. He made the experimental typeface Molecule (2011). [Google] [More] ⦿ | |
Typefaces from 2016: Historical Stencil Font USSR 1980 (2016), Geometric Sans Serif, Tanuki, Curly Cyrillic Sans, Historical Geometrical Art Nouveau Study, Indian Stylized Cyrillic, Historical USSR (constructivist), IBM Selectric Typewriter, 1966 Olympia SF DeLuxe Cursive (typewriter font), Moscow Metro, Cynzel (cyrillization). Typefaces from 2019: Funny Toons (a rounded cartoon family by Ekke Wolf and Alexander Bobrov), Selectric Century (a Scotch Modern / Schoolbook typeface modeled after the famous IBM Selectric golfball font), Aldo New Roman (a modern version of the typeface cut by Francesco Griffo for Venetian printer Aldus Manutius around 1490AD). Typefaces from 2020: Air Force 30 Stencil (the official US military fonts/lettering used in U.S. Air Force, U.S. Army, U.S. Navy, U.S. Marine Corps, based on their technical specifications), Oriental Kaishu (all caps, oriental simulation), Selectric Melt, Air Force (the official US military fonts/lettering used by US Air Force, US Army, US Navy and US Marine Corps, designed based on the Military Standards and Technical Manual; covers Latin, Cyrillic and Greek), Stone Age (a neolithic font), Selectric Pyramid (a typefwriter font based on Rudolf Wolf's Memphis from 1929), Selectric (a 1315-glyph (!) revival of IBM's famous golfball typeface, Selectric), Dymond (a dymo label font). Typefaces from 2021: Science Fiction (rounded, squarish), USSR (a squarish Russian cold war propaganda font; Latin and Cyrillic), Age (squarish and rounded; for Latin and Cyrillic). [Google] [MyFonts] [More] ⦿ | |
Typefaces from 2017: Medieval Inventor Sketches, Braille, Vintage Hippie Alphabet, Sign Language Interpreter Font, Blueprint Style. [Google] [More] ⦿ | |
Polish designer of the organic sans typeface Monika (2007). [Google] [More] ⦿ | |
During his studies in Haderslev, Denmark, Run Bob created the dungeon room typeface Okkultura (2013). [Google] [More] ⦿ | |
During his studies in Ljubljana, Slovenia, Nejc Bocaj designed Velviroba (2018). [Google] [More] ⦿ | |
Bucharest, Romania-based creator (b. 1982) of the straight-edged angular dadaist typeface Magario (2016). Dafont link. [Google] [More] ⦿ | |
Bordeaux-based designer of KNKTR, a severe modular typeface (2009). Behance link. [Google] [More] ⦿ | |
Italian designer of Vintage (2007). Fontsy link. [Google] [More] ⦿ | |
Designer of the Monte Carlo pixel fonts (2006), designed for on screen viewing of programs. [Google] [More] ⦿ | |
Argentinian web designer who made the free bitmap font Kovensky. [Google] [More] ⦿ | |
San Marcos, TX-based designer of Do Svidanya (2014, pixel typeface). [Google] [More] ⦿ | |
Kosice, Slovakia-based designer of the vector format alchemic display typeface Squeezer Typo (2013). Hellofont link. [Google] [More] ⦿ | |
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During her studies at MIT Institute of Design, Pune, India-based Rucha Bodas created the squarish typeface Hongusky (2018). [Google] [More] ⦿ | |
Gothenburg, Sweden-based graphic designer who is mainly preoccupied with logotypes and calligraphic book covers. He has also been working as a teacher in graphic design at HDK's School of Design and Crafts at Gothenburg University. Designer of the elegant neo-modern family Bodebeck (2004, Linotype). [Google] [More] ⦿ | |
Dresden, Germany-based designer of the decorative caps typeface Stitch by Stitch (2015). Behance link. [Google] [More] ⦿ | |
Aka arty Marty. Student at UWE in Bristol. During his studies at UWE, he used FontStruct to create the ornamental textured typeface Dores Comedia (2012). [Google] [More] ⦿ | |
Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip typeface Pipo (first published in 2011 by Die Gestalten, and in 2017 by bb-bureau). He created the commercial angular sans typeface S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano. Commercial typefaces include S-L Bold (2012, a hexagonal typeface based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family). In 2013, he published the stencil / fractured typeface Mineral. In 2014, he designed the experimental triangle-based Bauhaus-inspired Side A typeface. In 2016, Bodhuin designed the expressive Italian typeface family BB Book A and bb-book Contrasted. He added the wedge serif BB Book B, BB Book Mono and BB Book Text to that series in 2018. Typefaces from 2017: Brutal, Elastik. Typefaces from 2019: Grotesk Remix (extended to Grotesk Remix Monospace and Grotesk Remix Variable in 2020), Tme (experimental: an update of Sl drawn in 2006 for the University of Arts Saint-Luc de Tournai), Standard-bb, Pickle Standard (extravagant and thought-provoking). Typefaces from 2020: Gikit (in Text and Title version, for a perfect gridnik feel), Ballpill (designed for printing at very small sizes). Typefaces from 2021: Bilibot (an experiment with overlapping strokes), Pimpit (rounded, condensed and with reverse stress), Volcano Type link. View Bodhuin's commercial typefaces. [Google] [MyFonts] [More] ⦿ | |
Born in Lillehammer, Norway, in 1964, Halvor Bodin co-started Union Design, and made Amp (at Superlow), and BurieDog (at FUSE 17, FontShop). [Google] [More] ⦿ | |
Graphic and motion designer. Creator of the free heavy display sans typeface Resina (2020). Free has a new definition here: to get the free font, one must give a credit card number with date of expiry. [Google] [More] ⦿ | |
Type designer at the open source type foundry Velvetyne in Paris. His creations include Bizmeud (2014, a hipster typeface co-designed with Jil Daniel). [Google] [More] ⦿ | |
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The early modern attempts at recreating his type are due to ATF (ATF Bodoni by Morris Fuller Benton, 1907-1915), Mergenthales Linotype Bodoni (1914-1916), Haas Bodoni (1924-1939), Bauer Bodoni (by Louis Hoell, 1924), and Berthold Bodoni (1930). Today, Linotype lists 114 weights/versions/faces of Bodoni. Some find Bodoni too severe, but I like its proud upright strong and mathematically exact look. Links: The story of Bodoni Open. Bio by Nicholas Fabian. Another URL for that piece by Fabian. Another bio. FontShop link. MyFonts link. Wiki. Another wiki. Giambattista Bodoni, génie ou assassin? (2007, Jonathan Perez's thesis at Estienne). Linotype link. Klingspor link Pink poster below created by Michael Robinson (Raleigh, NC). [Google] [MyFonts] [More] ⦿ | |
Corfu, Greece-based designer of a (Latin) ribbon font in 2015. [Google] [More] ⦿ | |
Jugendstil artist. The Jugendstil movement originated in the late 19th century in Bavaria around München and had artists like Boecklin. The driving force of the Jugendstil movement was the magazine Münchner Jugend which showcased the designs of German art nouveau artists. Scriptorium has a number of fonts based on the Jugendstil movement: Munich is derived from the hand-lettered title of the magazine, Jugend and Campobello are decorative initials designed for the magazine, and Phaeton is based on lettering from the period. Otto Weisert, who ran the Schriftgiesserei Otto Weisert in Stuttgart, designed the Jugendstil-style font Arnold Boecklin in 1904 (available at URW, Linotype, Adobe, Mecanorma, and others, and copied and modified tens of times)---it is that design that most typographers probably associate most with Arnold Boecklin. View some digital implementations of Arnold Boecklin. [Google] [More] ⦿ | |
Gemert, The Netherlands-based designer of an untitled typeface (2014). [Google] [More] ⦿ | |
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Jenny Boehme (Piink Iink Studio, Columbus, OH) designed the wedge serif typeface Honor Display (2019), the great blocky typeface Brave New World Block (2019) and the wavy typeface Waggle (2019). [Google] [More] ⦿ | |
Designer (b. 1985) from South Bend, IN. Creator of Dot Curve (2009) and Space Odin (2009) at FontStruct. He also made the shadow font Spleen Machine (2010). Blog. [Google] [More] ⦿ | |
Morgan's free typeface Marauder (2012) conjures up images of crows and ravens and Hitchcok's The Birds. [Google] [More] ⦿ | |
OTC (Odyssey Type Company) was founded in 2020 by Dutch type designer Hein Boekhout and is based in The Hague, The Netherlands. Hein studied informatics at The Hague University and media technology at Leiden University, and has worked as a graphic designer and web developer before becoming a type designer. In 2020, he released the squarish typeface OTC Underground which covers Latin, Cyrillic and Greek. He writes: OTC Underground is a geometric condensed display font, presenting a compressed letterform structure with an even stroke contrast. The font is inspired by Gustav F. Schroeder's Othello from 1886 and the lettering on the 1967 album cover from The Velvet Underground & Nico. [Google] [MyFonts] [More] ⦿ | |
Berlin-based designer of the octagonal typeface Grafika (2013). [Google] [More] ⦿ | |
Studiostudio (The Netherlands) developed a commercial casual typeface called Dyslexie (2008) to minimize the errors perceived by dyslexics. Created by Christian Theo Boer (b. 1981; located in Zeist), the research was carried out at the University of Twente. In a research article about Dyslexie, Judith van de Vrugt writes: Dyslexia>... it is a word that many dyslexics find hard to pronounce. Christian Boer is one of them. Being a dyslexic student, he came upon the idea for his thesis to design a font that would make letters more distinguishable for someone with dyslexia. Due to the visible distinc- tion, it would be easier to read, and letters would dance less. The Dyslexie font is commercial, but a free trial version is available. [Google] [More] ⦿ | |
Art director in Berlin who made the rectangular paper cut-out typeface Super Sonic Geisha (2009). [Google] [More] ⦿ | |
Laure Boer was professor in the Masters program at ESAAT Roubaix, France, from 2010 until 2020. [Google]
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As a student at Anderson University South Carolina, Greenville, SC-based Ben Boerma designed the sober sans typeface Trailhead (2015). [Google] [More] ⦿ | |
Jay Boersma's shareware fonts Liftoff, Smellvetica and Tatter (1996). Truetype, Mac and PC. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
German type designer who created the rounded monoline stencil typeface Stencil Allround (2012, Letterwerk). [Google] [MyFonts] [More] ⦿ | |
Graphic designer in London who graduated from Camberwell College of Arts, University of the Arts London. She designed the experimental typeface Dana (2018), the stencil typeface Astrid (2018), the humanist sans typeface Henk (2016) and the stencil typeface New Shoes Theatre (2014). Behance link. [Google] [More] ⦿ | |
During his graphic design studies at North Carolina State, Jonathan Boffa (Raleigh, NC) created the sharp-edged compressed typeface Georotica (2014). [Google] [More] ⦿ | |
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Designer of Falena (2018, Typoforge), an 18-style geometric sans family that contains Falena Ornaments and Falena Icons. [Google] [MyFonts] [More] ⦿ | |
At You Work For Them, Magdalena Boffito published the sans typeface Aquilone (2015), and the handcrafted typefaces Favo (2014: grungy), Fungo (2014), Fungo Extras (2015), Grano (2014) and Nevica (2014, Christmas season dingbats). Other typefaces include De Bouffet (2015, handcrafted). | |
Kiev, Ukraine-based designer of the vernacular Cyrillic typeface Street (2014) and the Cyrillic display typeface Ermilov (2015). [Google] [More] ⦿ | |
Portuguese designer (b. 1998) of the blackletter font Soaring Pinnacles (2019), and the free display typefaces Evidence (2016) and Caligo (2015). In 2019, he published the squarish typeface Magnetar, the pixel typeface New Gen, which supports Latin, Greek, Cyrillic and Hebrew. [Google] [More] ⦿ | |
In 2012, he designed Lineo Serif (thin geometric face). In 2013, he created a fantastic set of graph-based experimental capitals called Regenerative. Georabic (2013) is a calligraphic Arabic simulation font completely based on the principles of Arabic font design, i.e., with beginning, medial and end forms for each letter. He writes: Georabic Typface is my diploma work at Hungarian University of Fine Arts / Graphic Design Department. During my Erasmus studies in Istanbul I had the chance to learn a bit of Arabic language and typography and I realized that the logic of Arabic writing could be used for a calligraphic Latin typeface too. I started with calligraphy to find the right way to create the glyphs and the connections. [Google] [More] ⦿ | |
Poznan, Poland-based designer of the paper fold typeface New Construction (2016). [Google] [More] ⦿ | |
Russian designer of Garnitura Hand, a readable hand-printed set of Latin and Cyrillic characters. [Google] [More] ⦿ | |
Macedonian designer of the free handcrafted Latin / Cyrillic typeface family Darbog (2016). We learn from the information provided inside the fonts that the development was supported by the Ministry of Culture of the Republic of Macedonia. [Google] [More] ⦿ | |
Russian designer who won an award at Bukvaraz 2001 for Cursiv Bogdesko. [Google] [More] ⦿ | |
Norwegian designer of Dripping Blood (2019). [Google] [More] ⦿ | |
After a fontmaking hiatus, he released these fonts in 2020:
FontShop link. Bestselling typefaces at MyFonts. Klingspor link. | |
Behance link. [Google] [More] ⦿ | |
Charlotte, NC-based designer of the decorative caps typeface Wonder Woman (2015). [Google] [More] ⦿ | |
Typefaces from 2022: Galgo Condensed (free), Fabio (+XM, +XF, _XS, +Brut). [Google] [More] ⦿ | |
Digital artist in London. In 2013, he created a sharp-edged staccato display typeface called Kadrin. He also designed the experimental typefaces Bebo Sans (2011) and X Code (2011). Behance link. Home page. [Google] [More] ⦿ | |
Foundry in Nehalem, OR, run by Aaron Bogle. His Fire Ladder (2011) imitates a vintage sign-writer style used for fire and rescue vehicle lettering. Dinzy Minzy (2011) is a fresh informal typeface in the Comic Sans genre. [Google] [MyFonts] [More] ⦿ | |
Enci Bognar (Budapest) is working on a hexagonal typeface called To Bee Cafe (sic) (2013). Steam Font (2013) is an experimental typeface. [Google] [More] ⦿ | |
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Originally from the greater Boston area, Nicole Bogochow graduated with a BFA in Graphic and Interactive Communications from Ringling College of Art and Design. She is currently a freelance graphic designer residing in Sarasota, FL. Nicole experimented with hybrid typefaces. Her Industrial Sans (2014) blends Industria Std LT and Cottonwood, while Haiku combines Fette Fraktur with Ex Ponto in the strangest of marriages. [Google] [More] ⦿ | |
In 2019, Luiz Felipe (Blumenau, Brazil), Pedro Bogo (Indaial, Brazil), Arthur Otaviano (Blumenau, Brazil), and Eduarda Cristina Towe (Jaragua do Sul, Brazil) designed the squarish typeface Monday. [Google] [More] ⦿ | |
Ian Bogost has finished nine fonts. I like the fat SmallCaps font Yakitori, and the grunge font Plorp best of all. Stale link! [Google] [More] ⦿ | |
Ljubljana, Slovenia-based graphic designer, who published Nukleta in 2019. [Google] [More] ⦿ | |
Bill Bogusky runs the design studio Bogusky 2 in Miami, together with his brother. He created Gonzo Bruno, Gonzo Monza and Gonzo Grosso (2007), Sundial (2006, Trajan lettering), Condo (2006, condensed), Ar Deco 1, 2, 3 and Deep (2006), Technia 1 and 2 (2006, athletic lettering or MICR applications), Sport (2006, dingbats), Macarena (2005: art deco), Zanzibar (2006: decorative), 42nd Street (2005: Broadway style lettering), Boffo (2005), Bronco Rose (2005, Wild West style), Decora (2005), Switchback (2005, a computerish face), Capzule (2005, a condensed black face), Tulip (2005, a decorated stencil face), Kondor (2005), Mah Jongg (2005, with many ornaments), Metro (2005, LCD face), Squircle (2005), Zeke (2005, artsy display font), Baby Blox (2005), Kurly (2005), Pipeline (2005), Dealer's Choice (2005), Stencille (2005), Terra, GogoBig and GogoSquat (were free at FontFreak site), Nouville (2006, art deco sans), Back Fence (2005, comic book face), Gogo Latin (2005, condensed), Zandakas (2006), Ameche Pisa (2005), Gogo Serif (2005), Bolo (2005), Hyline (2005), Compado (2005), Ameche Padua (2005), Tera (2005), Xtera (2005), Tudor New (2005), Boffo (2005), Byline (2005), Quazar (2005), Grafo Graffiti (2005), Acid Bath (2005), Benz (2005), Hulk (2005). These fonts are now commercial and can be obtained at MyFonts.com. A graduate of the School of Industrial Arts in New York City, he worked as an industrial designer in New York before moving to Miami, FL, where he opened Studio Bogusky 2. Dixie Bogusky designed Esquimaux Graphics (2006). [Google] [MyFonts] [More] ⦿ | |
Miami, FL-based designer of the dingbat fonts Papillon (2006, butterflies) and Esquimaux Graphics (2006). Bill and Dixie Bogusky together run Bogusky 2. [Google] [MyFonts] [More] ⦿ | |
Great handletterer (b. 1929 in Far Rockaway, Long Island of Russian parents) who grew up in New York City. He studied lettering with Paul Standard, Georg Salter and Leo Manso at The Cooper Union and graduated from The Cooper Union in 1951. He worked at the same studio as Milton Glaser for the next three years. Rahael become a designer and worked for some time for Lippincott and Margulies in New York. Raphael lived in Colorado for a long time, but is now based in Bellingham, WA. In 1969 he patented a squarish typeface for Tyco Laboratories in Waltham, MA. In 1972, he moved to Newport, RI and resumed his career in lettering, calligraphy and graphic design. His typeface Avia (VGC) was an expansion of a logofont he did for Abex Corporation, almost like a stencil. It is now at Font Bureau, where Jill Pichotta has added the Light and Bold in 2000. His typeface Visa (1966, VGC) won the Second Prize in the 1966 VGC National Type Face Design Competition. Others (thanks, Alexander Tochilovsky) confirm what I thought---that Visa and Avia are the same thing. Finally, Sloop Script Pro (1994, Richard Lipton, Font Bureau) is based on Boguslav's designs. FontShop link. MyFonts link. [Google] [MyFonts] [More] ⦿ | |
Freelance graphic designer living and working in Tel-Aviv and Berlin. In 2010 he graduated from Bezalel Academy of Art and Design in Jerusalem. He opened his own studio in 2011. [Google] [More] ⦿ | |
Designer from Hersbruck, Germany, who created Gapee (2003, a sans face). [Google] [More] ⦿ | |
During her graphic design studies at Universidade Positivo in Brazil, Nicole Böhler created Bohler (2012, display caps typeface) and Sapataria (2012, display face). [Google] [More] ⦿ | |
Berlin, Germany (was: Jamtland, Sweden)-based designer (b. 1988) of Rub My Soap (2015, a free animated font), Runkmuskel (2011, hand-printed), Woodwarrior (2013, a hipster typeface with runic influences), tweetware hipster typeface), Wasteland (2014, a tweetware brush typeface advertized as post-apocalyptic), and PXLPLZ (2012, pixel face). Dafont link. Behance link. Open Font Library link. [Google] [More] ⦿ | |
Swedish graphic designer who made the children's book typeface Bodyhand in 2018. [Google] [MyFonts] [More] ⦿ | |
EmDash is Marshall Bohlin's foundry in Northfield, IL. Fonts: ArchiText, Arrow Dynamic, BulletsNStuff, GendarmeHeavy, Perky, Story, Upstart, Briar, Konway, Palomar, Caspian. [Google] [More] ⦿ | |
Art director in Minneapolis, MN, who created the corporate techno typeface EPI Headline in 2016. [Google] [More] ⦿ | |
Holger Bohlmann's intonation truetype font. [Google] [More] ⦿ | |
Dundas Valley, Australia-based designer of Arabic typefaces. These include Shabaq (2022: a bold flashy typeface for Arabic and Farsi). [Google] [MyFonts] [More] ⦿ | |
Vancouver-based designer of a few experimental typefaces in 2014. Home page. [Google] [More] ⦿ | |
Commercial astrology package, which includes some astrological symbol fonts. Free truetype fonts: Peter Orban's symbol font, and the horoscope font Wingdings_Regular by Ingo Böhme. [Google] [More] ⦿ | |
Konstanz (and before that, Frankfurt), Germany-based designer of JB Berlin (2015), an experimental typeface that is based on Berlin's map. In 2018, he designed the sans typeface family Regina, which includes Regina Mono. [Google] [More] ⦿ | |
Graphic designer in Berlin. His SB Cabinet font (2012) is a 3d typeface that is based on simple sketches found in IKEA manuals. [Google] [More] ⦿ | |
London-based designer of two blocky typefaces in 2013. [Google] [More] ⦿ | |
Freelance designer in Zierikzee, The Netherlands, in the heart of the mussels region. Creator of the bilined caps typeface Body Movin (2014). [Google] [More] ⦿ | |
Lawrence, KS-based designer of the techno typeface Liftoff (2017). [Google] [More] ⦿ | |
Klingspor link. FontShop link. View Hans Bohn's typefaces. [Google] [MyFonts] [More] ⦿ | |
Quentin Bohn, a graffiti artist and student at ECV in Lille, France, designed an untitled hipster typeface in 2014. Behance link. [Google] [More] ⦿ | |
During her studies at California State University Long Beach, Ansherina Bohol designed the display typeface High Beam (2014). [Google] [More] ⦿ | |
In 2016, during his studies in Brno, Czechia, Jakub Bohos designed the bilined display typeface Unknown (2016). [Google] [More] ⦿ | |
Designer and illustrator from Curtea de Arges, Romania. In 2011, he created the experimental typeface Alfabeta. [Google] [More] ⦿ | |
Nantes, France-based designer of the tiki font Tiki Taka (2018). [Google] [More] ⦿ | |
From Georgia, Cody Boisclair's pixel fonts based on fonts found in Nintendo or Super Nintendo games, made in 2001: PCSeniorReg, PressStartReg, ReturnOfGanonReg, LunchtimeDoublySoReg, ManaspaceReg, PressStartK, DeluxeFont (pixel font), SenorSaturno. In 2003, these were added: Press Start 2P (free at Google Web Fonts and OFL: a bitmap font based on the font design from 1980s Namco arcade games), Yoster Island, Kong Text and DP Comic. Alternate URL. Devian Tart link. Dafont link. Open Font Library link. Fontspace link. [Google] [More] ⦿ | |
Parisian architect and designer. Creator of the multicolored geometric poster typeface Literacy Day (2015, with Gabrielle Millecam), which was created for UNESCO's Day of the Alphabet. Behance link. [Google] [More] ⦿ | |
Freelance designer in Montreal. Creator of the Felt Gothic family at [T-26] in 1996. [Google] [MyFonts] [More] ⦿ | |
Buenos Aires-based designer of an untitled blackletter typeface in 2014. [Google] [More] ⦿ | |
Graphic designer in Barcelona who created the circle-based typeface Bauma in 2015. [Google] [More] ⦿ | |
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During her studies at ECV Bordeaux, France, Lisa Bojko designed Air Max Type (2016, with Gabriel Fellous). Behance link. [Google] [More] ⦿ | |
Dead link. London-based company run by graphic designer and creative director Michael Bojkowski. They are involved in several interesting type projects such as Bubbleblock and RealTransport. For a brief period, Michael Bojkowski and Joe Bland (from Melbourne) ran a joint venture, The Type Testing Centre and Bland Fonts. [Google] [More] ⦿ | |
Tijuana, Mexico-based designer of the sans display typeface Jolyne (2015). [Google] [More] ⦿ | |
During her studies in Ciudad Obregon, Mexico, Daniela Bojorquez designed the display typeface Mebdo (2017). [Google] [More] ⦿ | |
Glendale, CA-based designer of an all caps 3d alphabet in 2018. [Google] [More] ⦿ | |
Samara, Russia-based designer of the minimalist circle-based (Latin) sans typeface Defoe (2017). [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Russian designer of TypeWriterNormal and EuroStyle. In 2010, he made the perforated plate font Performance (ParaType). FontShop link. [Google] [MyFonts] [More] ⦿ | |
Fashion illustrator in Saint Petersburg, Russia. Wishlist (2013) is an ornamental caps typeface that consists of fashion accessories. [Google] [More] ⦿ | |
Vasiliy V. Bokov is the designer of the 612Koshey family, 1997. [Google] [More] ⦿ | |
FontStructor (aka Four, or Font Studio Four) who made the dot matrix typeface Numbat (2012), the athletic lettering typefaces Atletica (2011) and Atletica Serif (2011), and the texture typeface Milky Way (2011). In 2011, he created Things That Go (car silhouette dingbat face). Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis. Creations in 2013: Solo, C Is For Cookie, Early Riser, Firelighter, Timberline (an angular script), Lupo, Polkastruct, Bridger, Six Quinces, Dompteuse, Scandalous, Lane Seven, Singel (cross stitching font), Shadowbox, Hide And Seek, Playroom, Realta 1, Glimpse, Sinistra, Crash Test Dummy, Flightpath, Close Shave, Popover, Switchboard (electrical circuit font), Black and Amber, Wavelength (prismatic), Sightline (multilined), Structurosa Outline, Sparky, Trasna (stencil), Hold Your Horses (Western), Lupo (a winner in the FontStruct Connected Script competition), Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shaded face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris, Glimpse. Typefaces from 2014: Thornbrush, Retro Pixel, Spacepixel, Level Rebel, Plutona, Blue Saloon, Seriosa, Bullwhacker, Spiegeltent, Stencilitis, Circumscript, Touchline Script, Brushland, Dordogna, Southbound, Things That Go (ar dingbats), Pacemaker Backslant, Hibernation (wood type emulation), Touchline Script, In Stitches, Stagefright, Process, Cabin Fever, Hamelin, Olingo, Black and Amber, Surftide, Move Over (stencil like Futura Black), Blackrock (rounded stencil), Windway (stencilish), Olingo (bubblegum face), a set of African-themed fonts (Bakelite, Amuletta, Spooner, Chevronel, Yellowhammer, Pinto), Rush Hour, Canario, Nova Zembla (sci-fi), Sleepless, Things That Go (vehicle dings), Cottage Industry (silhouettes of houses), Glimpse, Ticket to Ride (in the style of Tkachenko's Perfopunt), Oluna, Eyeliner, Linearo, Goldfinger, Permanent Black (fat rounded stencil), Solas (artsy dot matrix face). Typefaces from 2015: Structurosa Italic, Ketting, Panenka, Nook, Companero, Circularity (textured), Recap Stencil, Beach Street, Life Cycle, Waterway, Rock Paper Scissors, Microwave, The Pattern Exchange, Alphabetical Order, Bloem, Synopsis, Microwave, Marbello, Dustcloud, Timberline, Boxthorn. Typefaces from 2016: Proost, Blueback (a retro wood cut look). Typefaces from 2017: Appalachia, Chocomotion, CloseShave, CounterCulture (3d), Crocosmia (prismatic), FarewellOphelia, FromAToB, Hinterland, Madagascar (an art deco alphabet), Micrologue, PhoenixPark, PillowTalk, Roetsj, Shadowbox, Sinistra, Skatepark, Soulmates, Spacepixel, Stagefright, ThePatternExchange, Tulipano, UpsAndDowns, Velodrome. Typefaces from 2018: Hoek, Breach (paperclip style). Typefaces from 2019: Krabbel, Nollaig Shona (trilined), Night Swimming, Kwadrant, Soulpatch, Sylvestra. Typefaces from 2020: Bramble Pie (Western), Dialogue (prismatic), Greylock, Juggle, Tomorrow Never Comes (a great bubble font). Typefaces from 2021: Offstruct RGB (a color pixel font). Dafont link. Behance link. FontStruct link. Hellofont link. [Google] [More] ⦿ | |
Swedish-German Lis Bokt started Tysk Tysk in 2002. She made these free handwriting fonts in 2003: AdreaJolynNormal, Ajani, Artilleria, FlscherNormal, GwaHoThin, Huvudroll, Kikare, Kunstherz, KyldiskNormal, LiesandaScriptMedium, Mndalein, Schosszeit1, Solskriven, StridslystenMedium. In 2004, she added Kulterin Maskpan and Gfaalit. From 2005: more handwriting typefaces such as Miss Lolly, Skrivande, Schneller and Stryka. From 2006: Regellos. Dafont link. [Google] [More] ⦿ | |
Diana Yineri Vergara Bolaños (Bogota, Colombia) designed Waxfont (2013, a dripping blood typeface). [Google] [More] ⦿ | |
Ecuadorian type designer. Award winner at Tipos Latinos 2010 for his experimental typeface Chacana. At Pixilate, he published the hand-printed typeface Lu Px with Kemie Guiada in 2004. It is based on an architect's hand. [Google] [MyFonts] [More] ⦿ | |
Ecuadorian designer of the typeface Pájaros Andinos, which won an award at Tipos Latinos 2014. Kero (2015) won an award at Tipos Latinos 2016. [Google] [More] ⦿ | |
Lima, Peru-based designer of the pre-Colombian pattern typeface Moche (2016) during his studies at Universidad San Ignacio de Loyola. [Google] [More] ⦿ | |
Klingspor link. [Google] [More] ⦿ | |
Parisian designer of the art deco typeface W (2014). Her studio is called III Design. Behance link. [Google] [More] ⦿ | |
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South Carloinian (b. 1984) who created the hand-printed font DavidFont (2008). [Google] [More] ⦿ | |
Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿ | |
Moscow-based type and graphic designer who was born in 1991 in Ardatov. Creator of Alya Hand (2010, a curly typeface based on her handwriting, which was done with Konstantin Boldovskiy of the Russian foundry Konst.ru. [Google] [MyFonts] [More] ⦿ | |
Moscow-based Russian foundry of Konstantin Boldovskiy (b, 1966, Pereyaslavka, Russia). He graduated in 1988 as an architect from the Khabarovsk Polytechnic Institute. Typefaces:
Personal Behance link. Behance link. Home page. [Google] [MyFonts] [More] ⦿ | |
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American designer Michael Bosen or Michael Bolen (Bosil Unique Fonts) made these fonts in 2003: Mikie's Christmas List (hand-printed), Bosil Unique Regular (comic book face), Bosil Marker, BU DeBoned, BU Boned, Uniquely Sprayed (grunge), Slightly Dinged, Bu Handy Dings (hands, including fists), and "the finger"), Bu Marker SC. In 2012, he added BU Gothic Hybrid (a hybrid of grunge calligraphy and blackletter). Typefaces from 2013: BU Dingbats Sans Purpose (scanbats), BU Wicked, BU Richard The Second (textura), Bu 1757 Bordelish (frilly ball terminal caps), Bu Darn Cupids Again (Valentine Day's font), BU Penfield Deco (loosely based on a font by Edward Penfield at the turn of the 20th century), BU Bernhard Pen (loosely based on a style by Bernhard Pankok from the turn of the 20th century), BU Scarecrow (gothic font based on the hand of Walter Crane), BU Glenda, BU Oscar Diggs. [Google] [More] ⦿ | |
Indianapolis-based designer of the avant-garde typeface Ooops (2011). [Google] [More] ⦿ | |
Katowice, Poland-based designer, who created the octagonal typeface Electro (2012). [Google] [More] ⦿ | |
During their studies at Politecnico di Bari, Clarissa Bolettieri, Dora Riondino and Elena Maroccia designed the roman inscriptional typeface Helias (2016). This typeface is based on rubbings taken from inscriptions dating back to 1105 in Bari's Saint Nicholas Cathedral. [Google] [More] ⦿ | |
In 2016, he designed the free blackletter typeface Bajern. In 2017, he published the slab serif typeface Farsan and the free ink splash typeface Pissjar Sans (for which he peed over 300 times during a six-month period). Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Creator of the free techno typeface Tetra (2009). [Google] [More] ⦿ | |
Julian Bolivar Guti is a video game developer in Cali, Colombia. He designed the angular techno typeface Yamaha (2014), which is based on the Yamaha YZF R6 motorcycle and evokes speed. [Google] [More] ⦿ | |
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German-Swiss typographer. With Julien Saurin, she published the classic avant-gardist hand-drawn typeface Paris (2012, La Goupil). It comes with art nouveau ornaments called Paris Serif Ornaments. [Google] [More] ⦿ | |
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Free typefaces at Muccatypo include the useless grunge typefaces Fax Mucca, Geo Mucca, Pepina Mucca, Melt Mucca and Up Down Mucca. In 2014, Matteo Bologna served as President of Type Directors Club. He is an associate faculty member at the School of Visual Arts and Kean University. [Google] [MyFonts] [More] ⦿ | |
His typefaces include Food Mucca, Hair Updown, Littoria, Filo Mucca, Mirra Mucca (gorgeous lettering), Mongo Mucca, Rigid Mucca, Rubens Mucca, Vox Mucca, Egizio Mucca, Latina Mucca, Joung Mucca and Pravda (cyrillic simulation font). Free fonts: Geo Mucca, Fax Mucca, Melt Mucca, Updown Mucca, Pepina Mucca (curly lettering). Mucca Design custom-designed Balazs, Decora, Moranda Serif and Grotesque, One Atlantic (a slabbed Garamond done by Joshua Darden), Faux Cyrillic (done for Manhattan's Pravda restaurant), Victoria's Secret Logotype. At iFontMaker, he did ItalianoAMano, and ItalianoAManoPieno. In 2015, he created the industrial squarish vernacular typeface NoExit. Originally designed for the Chicago Athletic Association Hotel, its inspiration was an old sign that said STAIRWAY found the hotel's old building. In 2017, Mucca Design (via Schriftlabor) created the custom typeface Sephora (Sans, Serif). [Google] [More] ⦿ | |
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Italian calligrapher and programmer who splits his time between Spain and Italy. He writes that he is inspired by the classical Italic hand, as exemplified by Fairbanks and Lloyd Reynolds and that his fonts strike a balance between the freshness of the pen and the rigidity of the digital medium. Typefaces from 2021: Italiko (a calligraphic typeface family; see also his Github page on Italiko). [Google] [MyFonts] [More] ⦿ | |
Senior Italian designer who is based in London. Basik home page. His typefaces include Bass It Up (squarish), Privacy (modular), and Wellvetica (+Bold). [Google] [More] ⦿ | |
Graduate of the KABK in Den Haag in 2008. Originally from Italy, she was at Spiekermann Partners in Berlin for two years, working closely with Erik Spiekermann for clients such as Birkhauser, Bosch, Messe Frankfurt, and FontShop. After Den Haag, she moved to London where she works as a graphic and type designer, and worked for Dalton Maag. She created the heavily serifed Kina family as a student at KABK. That was followed by the quite original alphabet Python, the feminine transitional family Duchesse. The last typeface is a revival of this typeface from a French book dating from 1908. About this mysterious face, Hrant Papazian writes: That font looked familiar to me, and I immediately looked at my copies of Audin's books, since that's such a singular repository for funky old French stuff. The roman is shown in figure 125 of volume 3 as "Type Beaudoire" #2 (the #1 is actually even more fascinating). The italic is a few pages down in figure 141, shown as the font "XXe Siècle" by Mayeur. I remember from the time I translated Ponot's article about Perrin that there's a connection between Perrin, Beaudoire and Mayeur (and Marquet). IIRC one of them swiped a design from one other, with the help of another, or something. In 2011, she and Miles Newlyn created Frank, a 5-style humanist sans family. In 2017, Francesca Bolognini and Selma Losch co-designed the ribbon calligraphy font Volina at Dalton Maag. [Google] [MyFonts] [More] ⦿ | |
Designer of the foliate typeface Leaf Cut (2016) and Stencil-And-Grunge (2017). [Google] [More] ⦿ | |
Co-designer with Roland Huse of the free script typefaces Hawaii Beach (2017: curly script), Strawberry Cocktail (2017) and Snowman Dudes (2017). [Google] [More] ⦿ | |
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His fonts:
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Graphic designer in Lenexa, KS, who created these commercial hand-drawn typefaces in 2014: LBBrushy, LBSweetieBold, LBSweetie. In 2015, she designed Anne with an E (handcrafted), and LB Pie (curly script). In 2017, she created Bonjour Mon Ami (calligraphic brush font) and Little Princess. Creative Market link. Behance link. [Google] [More] ⦿ | |
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Colorado Springs, CO-based designer of the handcrafted typefaces Zee Zee (2016), Crash (2016, a comic book typeface) and Dark Blue Light (2016). His studio is called Lightly Illustrated. Creative Market link. Behance link. [Google] [More] ⦿ | |
Barcelona-based creator of the free modular techno (perhaps soccer shirt?) typeface Melbourne (2014) and the free handcrafted typeface Munich (2016). Behance link. [Google] [More] ⦿ | |
Graphic designer in London. At TypeParis 2017, she designed the Baskerville / Garamond hybrid Basgar. [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer (b. 1997) of a delightful painted alphabet in 2017. [Google] [More] ⦿ | |
Brisbane (Australia)-based freelance graphic designer. Creator of Couther Sans (2005, sans serif). [Google] [More] ⦿ | |
Wesley A. Bomar (yi3artist) is the American designer of the artificial language script typefaces PhonnishBrushed, PhonnishCourier, PhonnishThick (2003). This page explains the coding scheme of Phonnish. [Google] [More] ⦿ | |
Type designer in the 1970s who won a Letraset type competition in 1973 with her wire frame design, Bombere. Harold Lohner revived the font under the name Wireframe (2000). See also here. Postscriptum: Carla was born Carla Bombere, then was Carla Ward for some time, and is now Carla Bombere Nees. Klingspor link. [Google] [More] ⦿ | |
Italian designer (b. 1994) of the free hexagonal / rhombic typeface Romb (2014). [Google] [More] ⦿ | |
Designer of the free bubblegum font Chico (2017). [Google] [More] ⦿ | |
Catalog of some of his typefaces:
Exposition of his work in 2004 (site includes a bio). Linotype link. FontShop link. Klingspor link. View Hellmut Bomm's typefaces. [Google] [MyFonts] [More] ⦿ | |
John designed the art deco sans typeface Hamptons BF, and another art deco headline face, Take Two BF. In 2006, he published the 12-style family Blackletter Sans and the exquisite poster semi-Greek simulation art deco typeface Abstrak BF (modeled after a 1931 ATF font by Robert Foster called Abstract). In 2007, he surprises with the 1920s poster font Michelle BF, the hand-printed Brandy BF, its follow-up Johnny Script BF (2008), the quirky Freaky Frog BF, the dot matrix halftone effect font Subliminal BF, the frizzy Glow Gothic BF (2007), and the gorgeous swashy 3-style blackletter family Black Swan BF (2007). His 2008 typefaces: Jacky Sue BF (based on the hand of Jackie Geerlings), SoHo Nights BF, Hamburger Font BF (a rounded fat face), and the art deco sans serif typefaces Sidewalk Cafe BF (2008) and Hamptons BF (2 weights). Emerge BF (2009) is a flare serif inspired by Admiral, c.1900, from the Keystone Type Foundry. Freedom Writer BF (2009) is a connected handwriting script face. Danielle BF (2010) is hand-printed, based on the hand of Danielle Paradis. Factor BF (2010) is an electronic / futuristic / techno face. FingerSpeller BF (1994) is an American sign language typeface. Retroscript BF (2010) and Capistrano BF (2010) are beautiful connected scripts. In 2011, he added the fat felt tip pen typeface Sherbet BF and the funky rounded display typeface Dragonfly BF. In that same year, he published the stunted black wood type typeface Squat (BA Graphics, based on earlier work of or with Bob Alonso). Typefaces from 2012: Rockport BF (a gaspipe font inspired by 19th century wood types), Wilmington Script BF (an upright loopy connected script). In 2014, Seagrass BF, a connected script, and My Write Hand BF were published. Footloose (2015, BA Graphics) is a dynamic script typeface that was unfinished when Bob Alonso died. John Bomparte finished it. Typefaces from 2016: Shandy BF (a playful connected script). Typefaces from 2018: Petals BF. A flourished curvaceous ornamental didone. Typefaces from 2021: Between The Lines BF (a display typeface with some Super Veloz vibe). Klingspor link. Catalog of some of his commercial fonts. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Annapolis, MD, who created a Peignotian art deco sans typeface in 2014. Behance link. [Google] [More] ⦿ | |
Graphic designer in Nantes, France, who created the display typeface Variance (2015, with Victoria Dubois). [Google] [More] ⦿ | |
The typefaces are based on letterpress and/or vintage wood type, and have names that are prefixed by MPI. In 2013, Mpress Interactive published MPI Roman Condensed (based on a typeface from Showcard Machine Company), MPI Old Style, MPI Bodoni Ultra, MPI Sardis (after Warren Chappell's Lydian from 1938, ATF), MPI Republic Gothic, MPI No. 510 (based on a design by William H. Page, 1887), MPI No. 508 (based on William H. Page, 1890), MPI No. 507 (based on William H. Page, 1890), MPI Headline Modified (also called Modified Gothic by some type manufacturers, it is based on a typeface by Hamilton Manufacturing Company from 1897), MPI Gothic, MPI Aldine Extended (based on a 1872 wood type by William H. Page), MPI Antique (slab serif), MPI French Clarendon (based on wood type from 1865 by William H. Page), MPI French Antique (a typical far West saloon font based on wood type by William H. Page, 1869), MPI Egyptian Ornamented (a western typeface based on a 1870 wood type by William H. Page), MPI Arcadian (based on a 1870 design by William H. Page), MPI Tuscan Extra Condensed (based on William H. Page wood type from 1872), MPI Norwich Aldine Reversed (from a 1872 original), MPI Nouveau, MPI Delittle (based on a wood type by DeLittle), MPI Deco (art deco caps), MPI Atlas (slightly art nouveau typeface based on a font by Day & Collins), MPI Circle Sans (white on black letters). [Google] [MyFonts] [More] ⦿ | |
Roman graphic designer and landscape architect who created the fun display typeface Amaro (2014). [Google] [More] ⦿ | |
Montreal-based designer of the slab serif typeface Bonanno (2014). [Google] [More] ⦿ | |
He writes about the elegant ten-style sans typeface family MTT Milano (2013): MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance. In 2016, MTT published MTT Roma, a humanist sans inspired by the Trajan capitals, as is apparent from the razor sharp terminals. It is designed to re-create the atmosphere of the city of Rome of the 21st century. In 2014, he set up Type Firm in Milan, and republished his successful MTT Milano and MTT Roma there in 2016. [Google] [MyFonts] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the display sans typeface Xilo (2016) and a sign alphabet (2016). [Google] [More] ⦿ | |
Jonas Bonas / Jonas Kraus is the Wuerzburg, Germany-based designer of the sans typeface Bamberger (earlier called Proud) (2015). [Google] [More] ⦿ | |
Or Pietro Raheem. Florence, Italy-based designer of the condensed sans typeface The Block (2019). [Google] [More] ⦿ | |
Zürich-based creator of the dot matrix typeface called Bubbles (1996, Garcia Fonts) and of the curly typeface Loop (1996). [Google] [More] ⦿ | |
During her studies at FADU / UBA in Buenos Aires, Argentina, Josefina Bonavia created the display typeface Clax (2016). [Google] [More] ⦿ | |
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Rimini, Italy-based designer of the friendly roundish sans typeface Garbino (2019). [Google] [More] ⦿ | |
Russian designer of Polka Dot Font (2015) and Hilarious (2015, handcrafted). [Google] [More] ⦿ | |
Kiev-based creator of Industrial Font (2011), in which each glyph is created with the help of industrial machinery. [Google] [More] ⦿ | |
Fontspace link. Dafont link. [Google] [More] ⦿ | |
Cracow, Poland-based designer of the mosaic typeface Organic (2019), which was inspired by the leaves of the Physalis. [Google] [More] ⦿ | |
Vancouver, BC-based student who created the pixelish or video game typeface Arcus (2014). [Google] [More] ⦿ | |
His fonts are available from ITC, Bitstream and Elsner&Flake (such as Pioneer No2 EF). | |
Pensacola, FL-based creator of the hand-printed caps typefaces 003 Engineer's Hand (2012), 003 Mikey (2013, a fun script face), 003 Anna Caps (2012) and 003 Katie Caps (2012), and of Block Code (2012). [Google] [More] ⦿ | |
New York City-based graphic designer. He created a geometric rounded monoline typeface in 2012 called GRD. [Google] [More] ⦿ | |
Gig Harbor, WA-based designer, at Northwest College of Art and Design, of the condensed sans serif typeface Nikalas Type in 2017. [Google] [More] ⦿ | |
Designer from Woburn, MA, who made the font "US Presidents", which contains autographs by ALL US presidents in the order in which they served. Demo versions are in various places, but while Onna Bondoc is asking to send your money to her for a full version, the copyright notice in the demo font says "Oliver Wiess", go figure. [Google] [More] ⦿ | |
Graphic design student in the UK who created the modular typeface Week Project (2011). [Google] [More] ⦿ | |
London-based designer of the animated typeface Vita Cyclum (2015). [Google] [More] ⦿ | |
California-based designer of the fat finger font Scenders (2017). Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Montreal-based designer. Home page. He made Toolbox (2010). [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer of the display typeface Anchored (2015), which was completed during her studies at UADE. [Google] [More] ⦿ | |
Her typefaces include
Typecache link. [Google] [More] ⦿ | |
Bulgarian graphic and type designer who made Versus (2008, pixelish). Also check out his colorful type poster. [Google] [More] ⦿ | |
Type designer for the Cherokee language. He and Joseph Erb explained the Cherokee font design problems at ATypI 2011 in New Orleans. [Google] [More] ⦿ | |
Freelance designer in Dublin, Ireland. In 2016, he developed the typeface Athru for a journal on contemporary Ireland. He worked uncial elements into its design. Behance link. [Google] [More] ⦿ | |
Graphic designer in Oslo, Norway, who created the hipster typeface Phoenix in 2014. . [Google] [More] ⦿ | |
Tunis, Tunisia-based designer of the (vector format?) alphabet Ruban (2014). [Google] [More] ⦿ | |
Fontfont link. Behance link. [Google] [MyFonts] [More] ⦿ | |
Chicago-based designer of the ornamental typeface Downton (2013). She writes: typeface was inspired by BBC series Downton Abbey. The embellishments combine classic and modern elements. The aesthetic of this font reflects the feel of a 1920s brunch scene in Downton. Her Helvetica Reduced typeface strips down Helvetica to its bare minimum. [Google] [More] ⦿ | |
In 2012, David Boni created a display typeface. [Google] [More] ⦿ | |
In 2014, Vinicius Bonifacio (Santa Barbara d'Oeste, Brazil) proposed a typeface, Sens, for use by the blind. [Google] [More] ⦿ | |
During her graphic design studies at NWTC in Green Bay, WI, Clara Bonikowske (Waupaca, WI) created the poster typeface Take Note (2013). [Google] [More] ⦿ | |
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Cartago, Costa Rica-based creator of the neon sign font Neonia (2012), the calligraphic Sakura logo (2012), and Almendra Unicase (2013). Behance link. [Google] [More] ⦿ | |
New media designer in San Francisco, who created the inline typeface Ribbon Folds in 2014. [Google] [More] ⦿ | |
Graduate of the Faculty of Fine Arts of the Polytechnic University of Valencia. Madrid, Spain-based designer of the fat didone display typeface 1994 (2017). Its design is based, according to Bonillo, on Pistilli Roman (John Pistilli) and Paris Pro (Moshik Nadav). [Google] [More] ⦿ | |
Designer in Reggio nell'Emilia, Italy, who created the paint brush typeface From Scratch (2015, free download). Behance link. [Google] [More] ⦿ | |
Born in 1973 in Pittsburgh, PA, Brian Bonislawsky has been involved in many type design projects and created many foundries.
View the typefaces made by Brian Bonislawsky. [Google] [MyFonts] [More] ⦿ | |
MFC Hills Medieval (2010) was developed from an overly ornamental blackletter type specimen found in the 1882 Hills Manual of Social and Business Forms. The interesting Victorian outline family Sappho Monogram (2010) was inspired by an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg&Cie, first published in the 1890s. Typefaces from 2012: MFC Bruce Corners. Typefaces from 2013, all done with Jim Lyles: MFC Baelon Monogram (an 800-character monster font with outlined spurred letters from Dollfus Mieg's book, ca. 1890), MFC Bontebok Monogram, MFC Carnivale Monogram (known as Romantiques No. 3 and Ornate No. 2), MFC Thornwright Monogram (from the Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800s), MFC Zulu Monogram (an African-themed font inspired by Bibliothèque D.M.C: Alphabets et Monogrammes 2nd Series), MFC Jewelers Monogram (based on a decorative alphabet designed in 1901 by Marcus Goldsmith, an inventor of elegant accessories), MFC Verre Monogram, MFC Triangulus Monogram (based on a vintage publication called "Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series"), MFC Chaoxiang Monogram, MFC Fantasie Monogram, MFC Mastaba Monogram, MFC Voyeur Monogram (based on Broadway Monogram Initials in Book of American Types (1893, ATF)), MFC Haute Monde Monogram, based on Elite Monogram Initials in Book of American Types (1893, ATF)), MFC Budding Monogram, MFC Hardwood Monogram, MFC Almond Monogram, MFC Brass Rules Petit (based on filets from the Franklin Type Foundry), MFC Damask and MFC Damask Flourish (by Brian J. Bonislawsky and Jim Lyles, a Victorian capitals and floriated caps pair of typefaces based on Oxford No. 2 from the 1893 catalog of the Cleveland Type Foundry). Typefaces from 2014: MFC Medieval Monogram (a Lombradic caps typeface based on Book of American Types (1934, American Type Founders)), MFC Chaplet Monogram (from Dessins de Broderies---Album No. 486 (Sajou, late 1800s)), MFC Capulet Monogram (based on Monograms and Alphabets for Combination (Dollfus Mieg & Cie, 1890s)), MFC Klaver Monogram, MFC Billow Monogram (from Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800's), MFC Aldercott Monogram (by Brian J. Bonislawsky and Jim Lyles, after a 1901 alphabet by Marcus Goldsmith, an inventor of elegant accessories of personal nature). Typefaces from 2015: MFC Tattersaw Monogram, MFC Livermore Monogram (based on Victorian alphabets shown in Charles J. Strong's The Art of Show Card Writing, 1907), MFC Ringold Monogram (based on Strong's Book of Designs, 1917), MFC Petworth Monogram, MFC Piege Monogram, MFC Gilchrist Initials, MFC Gilchrist Monogram, MFC Arteaga Borders One, MFC Arteaga Borders Two, MFC Arteaga Borders Three, MFC Brass Rules Grand (based on Franklin Type Foundry's brass rules in Convenient Book of Specimens, 1889). Typefaces from 2016: MFC Diresworth Monogram (based on an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg & Cie, first published in the 1890's), MFC Spindler Borders, MFC Imperator Monogram (based on Monograms and Alphabets for Combination by Dollfus Mieg & Cie, 1890s), MFC Mercer (an initials set from the book Monograms and Alphabets for Combination by Dollfus, Mieg & Cie, first published in the 1880s), MFC Botanical Borders (based on a collection of border treatments from the 1886 Spécimens de caractères d'imprimerie by E. Houpied a Paris), MFC Diamondside Monogram, MFC Redding Monogram (a highly ornate lettering style from Letters and Lettering by Carlyle & Oring), MFC Rodizio (a layered chromatic typeface family inspired by wood types by William H. Page), MFC Falconer Monogram, MFC Glencullen Monogram, MFC Bruce's Corners Two (based on Metal Corners found in Specimens of Printed Types (1882, Bruce Type Foundry)), MFC Westport Monogram, MFC Arkena Monogram (art nouveau font based on Strong's Book of Designs (1917)). Typefaces from 2017: MFC Enschede Borders (based on floral borders in the 1904 Ornamenten Hoofdlijsten en Sluitstukken book by Joh. Enschedé & Zonen, Haarlem), MFC Keating Monogram (based on Monograms and Alphabets for Combination (1890s, Dollfus, Mieg & Cie)). Typefaces from 2018: MFC Stencil Borders Six, MFC Elmstead Monogram and MFC Endeavor Monogram (both based on Dollfus, Mieg & Cie, 1890s), MFC Blossom Monogram (a chromatic layering font), MFC Buttergin Monogram (based on Tuscan typeface shown in Letters and Lettering by Carlyle & Oring), MFC Stencil Borders Five, MFC Stencil Borders Four, MFC Stencil Borders Three, MFC Stencil Borders Two, MFC Stencil Borders One (all by Brian Bonislawsky), MFC Diamondstack Monogram, MFC Sansome Monogram (an art nouveau typeface based on John F. Irwin's Rustic Roman from 1906). Typefaces from 2019: MFC Joliet Monogram (2019: based on a vintage McCalls Kaumagraph Transfer), MFC French Roman (an all caps typeface based on French Roman Light in an 1899 lettering publication by International Correspondence Schools), MFC Diamerrick Monogram (diamond-shaped monograms), MFC Ambeau Monogram (2019, based on the decorative art nouveau alphabet called American Beauty in J.M. Bergling's Art Alphabets and Lettering, 1914), MFC Diamas Monogram (diamond-shaped monograms), MFC Nadall Medieval (an uncial/blackletter font based on Bernd Nadall's Faust from 1898). Typefaces from 2020: MFC Patisserie Monogram (from Letters and Lettering by Carlyle & Oring), MFC Decatur Monogram (after an alphabet seen in J.M. Bergling's book Monograms and Engraving Alphabets). Typefaces from 2021: MFC Deco Diamond Monogram. View the typefaces made by Brian Bonislawsky. Typefaces from 2022: MFC Heathcliff Monogram (2022: rhombic monograms). Creative Market link. [Google] [MyFonts] [More] ⦿ | |
Fontsquirrel link. Dafont link. Fontspace link. A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco typeface at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2010, a free old typewriter face), Aclonica (2011). Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline; + grungy version), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003: papercut sans), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script Pro (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE (described as a bacterial stencil typeface), PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie, BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth (an eerie brush script), Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper (Halloween font), Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier. At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream. In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm. In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum. From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong. In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif typeface Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012). In 2011, several other typefaces followed there, like Ultra (fat didone), Maiden Orange, Special Elite (2010, a free old typewriter face), Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display typeface at Google Web Fonts). Contributions in 2012: Marcellus (2012, Trajan, flared roman, at Google Fonts and CTAN), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation typeface inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script]. Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously). Stiggy & Sands is the American type foundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic). Typefaces from 2014: Franken Jr AOE Pro (inspired by the title screen from the 1966 Hanna Barbera cartoon Frankenstein Jr), Good Eatin Pro AOE (inspired by the title screen from the 1942 Warner Bros. cartoon Dog Tired), Ghostkid AOE Pro (comic letter style). Typefaces from 2015: Shanks Antique 5 AOE (after the newspaper typeface Memorial (1865, Stevens, Shanks & Sons)), Reliquaire AOE (a somber blackletter typeface inspired by Memorial (1881, Boston Type Foundry)). Typefaces from 2016: Mailuna Pro AOE (a gothic sans), Kentish AOE Pro (art deco). Reardon AOE (a digitization of a film typeface called Joyce Black by LetterGraphics), Berkmire AOE (1970s style robot-inspired techno font), Blackheath Pro AOE (this typeface started as a digitization of a film typeface called Roberts Square by LetterGraphics), Delaware Pro AOE (art deco), Rutland AOE (a futuristic font that is a digitization of a film typeface called Maccaro by LetterGraphics). In 2016, Brian J. Bonislawasky and Jim Lyles published the rugged octagonal mega typeface family Tradesman at Grype. In 2017, they added the art deco typeface Cowling Sans AOE (which is based on alphabet from "Lettering for Commercial Purposes" by Wm. Hugh Gordon). In 2018, they published the letterpress emulation typeface Prison Pro, Pink Sangria (50s style movie font), Manic Tambourine, Motenacity (a Martian cartoon font), the old typewriter font Office Memorandum Pro, and the Flintstone font Strongman. Typefaces from 2021: Klutz AOE Pro (a condensed all caps beatnik font), Data Error AOE Pro (based on early dot matrix printers), Customs Paperwork AOE Pro (based on the NuMode Type No. 61 vintage typewriter), Rinzler AOE Pro (a great stencil font that revives LetterGraphics' Caren), Restraining Order AOE Pro (an old typewriter font), Brazarri AOE Pro (an Aztec emulation font based on MacKeller, Smiths and Jordan's Bizarre from 1884). View Astigmatic's typeface library. View the typefaces made by Brian Bonislawsky. Fontsquirrel link. Dafont link. Fontspace link. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
FontStructor who made Decaying Thorns (2011). [Google] [More] ⦿ | |
Cabudare, Venezuela-based designer of the weathered stone script font Terra Fabula (2016). [Google] [More] ⦿ | |
Dragan Bonjak&Damir Bonjak designed Iron-Maiden, an octagonal font. [Google] [More] ⦿ | |
During her studies at Art Institute of Pittsburgh, Buzzards Bay, MA-based Amanda Bonnar designed the brush script typeface Roman Holiday (2016), which was inspired by the 1953 movie starring Audrey Hepburn and Gregory Peck. Behance link. [Google] [More] ⦿ | |
Graphic designer in Bordeaux, France, who created the hipster display typeface Tur in 2015. [Google] [More] ⦿ | |
In 2010 he published the angular flared Solveig family. Solveig Text and Solveig Display followed in 2013. The Looseleaf Foundry published the serifed typeface Walleye (2013), which covers Latin, Cyrillic and Greek. Klingspor link. Blogspot link. Github link. [Google] [MyFonts] [More] ⦿ | |
Creator of the grungy Special Product, the dot matrix typeface Ride The Fader (1998), and the futuristic Fader. The site was called earliest memory of cassettes in the late 1990s. [Google] [More] ⦿ | |
Designer of the tree branch-motif typeface Briarwood (2015). [Google] [More] ⦿ | |
In 2012, he created the stencil typeface Muirside, and published a modular compose-as-you-go blackletter type system called Granimator or Blackpack. Together with Gary Greenall (XLN Telecom), he created the headline sans typeface Langdon (2013). He has produced a few interesting type posters. Behance link. HypeForType link. [Google] [More] ⦿ | |
Born in Germany, Lissy Bonness moved to the UK in 2007 to study design. at the University of Northampton, where she graduated in 2012. Behance link. She used sound signal time plots in her experimental typeface Sonic Typography II (2012). [Google] [More] ⦿ | |
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Danish designer of amor, blogs, boring, dogma, elektra (Greek simulation), fatboy, kromozone (grunge), mainstreet, micro, mousecrap, oilhand, onakite, raw, rec, risk, roundabout, starbeam (grunge), strike, Improvised (a pixel font). Niels lives in Copenhagen. Dafont link. At FontStruct in 2008, he created Dub Chuck, Structor, Work In Progess, and Monkey Wok. [Google] [More] ⦿ | |
Aberdeen, Hong Kong-based designer of Book Type (2012). [Google] [More] ⦿ | |
During her studies at ENSAAMA in Paris, Lisa Bonnion designed the counterless typeface Verybold (2014), the artistic poster typeface Ivresse (2014), the extreme contrast fashion mag typeface Vulpine (2015), Wing Chun stick figure icons (2014), Scan Font (2015), and the fat finger font Dans Ta Face (2014) Behance link. [Google] [More] ⦿ | |
During her studies at Curtin University of Technology in Bentley, Western Australia, Belinda Bonomelli (Perth, Australia) created the handcrafted typeface Seaswirls (2014). [Google] [More] ⦿ | |
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Argentinian designer of the experimental typeface Vertical Control (1999). [Google] [More] ⦿ | |
Valenci, Spain-based designer of the thin art deco caps typeface Fair Font (2013). This work was done in collaboration with Dailos Perez Gonzalez (Valencia, Spain), Alicia Raya (Valencia, Spain), and Haizea Najera. Behance link. [Google] [More] ⦿ | |
As a design student in Germany, Daniel Bonrath created the free duct tape blackletter font Ruhrpott (2016, Citype), also called Gantzfeld Black. [Google] [More] ⦿ | |
Norwegian outfit in Valderøy. Emil Bonsaksen created the handwriting typeface Hi Emil (2009). Fontspace link. [Google] [More] ⦿ | |
Designer in Maila, The Philippines, of the free fonts Bonsol (2013) and Bonsol Comic (2013). Fontspace link. [Google] [More] ⦿ | |
As a student in Zwolle, The Netherlands, Alysia Bonte created a straight-edged papercut typeface (2015). [Google] [More] ⦿ | |
Graphic designer and illustrator in Trento, Italy, who created the floral caps typeface Sprout (2016). [Google] [More] ⦿ | |
Swiss boy scout and designer of MorseCode (1999), which can be downloaded here. [Google] [More] ⦿ | |
Creator of the dot matrix typeface Eldora (2012). [Google] [More] ⦿ | |
Creator of the hand-printed typeface JobBoof (2013) and of the brush typeface Job Boof Kwast (2013). [Google] [More] ⦿ | |
Aka Amber Caitlin. Designer of the curlified typeface Andalasia (2011). [Google] [More] ⦿ | |
Designer at 2Rebels of db8-digital (2003), a dot matrix font. FontShop link. [Google] [More] ⦿ | |
Creator of a poster typeface in 2012 called Hinged. Hinged is based on the handwriting of University of Kansas student Emily Grigone. [Google] [More] ⦿ | |
Designer at RGB107,6 of the dingbat font Stukkie. [Google] [More] ⦿ | |
UK-based FontStructor (student at Bristol UWE) who made the grungy typeface Ghost Signs (2010), which was based on decaying advertising signs in Bristol. [Google] [More] ⦿ | |
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During his studies at Milton Keynes, UK, in 2015, Alasdair Booth created the techno typeface G-Shock. [Google] [More] ⦿ | |
Four free medieval-style typefaces made by Andrew Booth in 1997: Court_Hand1590, Parish-Register-Virginia-1590, Parish_RegisterJamestown1615, Court Virginia 1552. [Google] [More] ⦿ | |
Manchester, UK-based designer of the chunky typeface Chunk (2018). [Google] [More] ⦿ | |
Montreal-based designer of Dot Typeface (2015), a hairline display typeface with embedded dots. [Google] [More] ⦿ | |
Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿ | |
Derby, UK-based creator of the multilne typeface Beeline (2013). [Google] [More] ⦿ | |
Designer and illustrator in Louisville, KY. Creator of Goon (2013), a hand-drawn typeface custom designed for an app called Goon. Lucent (2013) is a blackboard bold typeface. [Google] [More] ⦿ | |
Bau Type Foundry, or Typo Haus, was cofounded by John Booth and Jake Ivill in Manchester, UK. They created the blackboard bold typeface Bayer 13 (2014, FontStruct) and the paino key typeface Bayer 14 (2014, FontStruct). Before Bau, John Booth studied at Manchester's University of Salford. During his graphic design studies in Manchester, UK, John Booth did what I had been waiting for all year long---create a typeface to honor the 100th birthday of Alan Turing in the Alan Turing year. The typeface is grid-based and called Decoded (2013). | |
Nottingham, UK-based designer of Aarhus (2019), a typeface whose shapes are inspired by the Isbjerget building in Aarhus, Denmark. It was created for a school project at Nottingham Trent University. [Google] [More] ⦿ | |
During her studies, Woking, UK-based Daisy Boothman created the modular triangulated typeface Triad (2015) and priced it at 790 pounds. [Google] [More] ⦿ | |
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Graphic designer and lettering artist in England. He has a deal with FontShop to design a complete series of hand-drawn fonts, to be distributed exclusively by FontShop International. The series will include various hand-drawn styles of brush scripts and creative freestyle fonts. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Johannesburg, South Africa-based designer of the ancestral pattern font Max (2018) and the personal branding font ENE (2018). [Google] [More] ⦿ | |
Sao Paulo-based designer of the rounded organic sans typeface Delgado Black Sans (2014). [Google] [More] ⦿ | |
During his studies in Monza, Italy, Silvia Boracchi created a compass-and-ruler typeface (2015). [Google] [More] ⦿ | |
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Croatian designer of the hand-printed typeface Mihaela Borak (2011). [Google] [More] ⦿ | |
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New Delhi-based designer of Dipak Regular (2015), an Assamese display typeface designed keeping in mind and inspired by old Assamese manuscripts. [Google] [More] ⦿ | |
Designer of the modular display typefaces Varn (2016) and Scrape It (2015), which were finished during her studies in London. She also designed Hind Mala (2016) and many display typefaces. [Google] [More] ⦿ | |
Budapest-based designer of a fun take on Helvetica called Strip (2014). Behance link. [Google] [More] ⦿ | |
Eger, Hungary-based designer of the free backslanted school project font Bebas Tam (2014), the free poster font ABC Handwritten (2014), and the free texture font Helvetica-Black-SemiBold Pettern Bold (2014). [Google] [More] ⦿ | |
Graphic designer and illustrator in Waterloo, Canada. Creator of Dress My Hair (2012, an ornamental alphabet for hairdressers) and Block Cut (2012, a modular octagonal typeface). Behance link. [Google] [More] ⦿ | |
Designer of Dutrilin (2016), a mix of sci-fi and runes. [Google] [More] ⦿ | |
Student at Saginaw Valley State University (MI). Creator of the dymo label grunge typeface Jukebox (2011). [Google] [More] ⦿ | |
Offenbach-based German designer (b. 1979, Frankfurt). Co-founder of Magazin 212 in 2001. At typeoff.de, he created the symbol font Teppic (2003). [Google] [More] ⦿ | |
Klingspor link. Abstract Fonts link. Open Font Library link. [Google] [More] ⦿ | |
Surat, India-based designer of a triangle-themed typeface in 2016. [Google] [More] ⦿ | |
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Swiss type designer at Fontnest who designed these fonts: Neuro (2006), Lubmin (2008). He writes: The Lubmin typeface is a product of adaption of a standard character set (by VEB Typoart, Dresden) that was applied on roadname signs in the former Democratic Republic of Germany. It is, as far as documented, a production of early Prussian standard typefaces, which were also pattern for nowadays DIN font. The type went into action in many ways: Road signs, railway and military signals and also car plates; so almost anywhere a functional, easy reproduceable type was needed. The original letters were often different from road sign to road sign, because the signpainters had a variable elaborateness in painting the letters; some shapes are much more angular than others. So it had been a way of finding a compromise in this case. Also some points were interpreted in a new way, curves had been changed a little bit to accord readability aspects; but all in all, the Lubmin type is as original as in the time of the #Iron Curtain#. His future site. [Google] [More] ⦿ | |
In 2021, Cristi Bordeianu and Andrei Robu co-designed Champ, a starkly incised display typeface family ranging from fashionable ultra-heavy to a flared thin. It includes a variable font as well. [Google] [MyFonts] [More] ⦿ | |
Los Angeles-based designerLos Angeles-based designer. He designed Futata (2012). [Google] [More] ⦿ | |
At Nazareth College of Rochester, Emily Borden (Honeoye Falls, NY) designed the elegant display typeface Aurea Script (2017). [Google] [More] ⦿ | |
In 2021, he designed Fleshy (a blocky ultra-fat font inspired by graffiti writing) and Transylvania (an experimental display font inspired by old school gothic Fraktur). [Google] [More] ⦿ | |
German designer of GP.F La Muerte (2005, with Ollie Peters), GP.F Bitur 1.0 (2005, bitmap fraktur font), GP.F Mudam (2005, with Ollie Peters) and Jado (2005, FF DIN modified for Jadolabs GmbH). GP.F Bitur 1.0 is on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). MyFonts link. Creator of Deja Rip and Deja Web (2010, with Elena Albertoni; Cyrillic included), a family of eight sans typefaces sold via Anatoletype. [Google] [MyFonts] [More] ⦿ | |
Toulouse, France-based creator of the graffiti typeface Billybop Maj Tag (2011) and the tall hand-printed typeface Billybop Miniskuli (2011). Dafont link. [Google] [More] ⦿ | |
Born in 1992 in Siracusa, Sicily, Erika Bordonali first studied in Rimini (class of 2015) and then settled as a graphic designer in Osimo. Creator of Oxygen (2015), a monoline typeface whose glyps are absed on two circles. [Google] [More] ⦿ | |
Milan-based graphic designer who made the display typeface Amie Sans (2011), about which he says: Amie Sans is an obscene font. It's all about friendship, love, sex and casual relationships between glyphs. Behance link. [Google] [More] ⦿ | |
Graphic designer and illustrator in Asuncion (and before that, Fernando de la Mora), Paraguay. Creator of Timoca (2014: a pixel typeface) and Albanu (2014: a display sans). [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer of the angular typeface Bond Street (2015). [Google] [More] ⦿ | |
For a branding project for Abanca Bar Café, Iury Borel () designed the vernacular typeface Bem Vindis (2016). Behance link. [Google] [More] ⦿ | |
Swiss outfit now located in Amsterdam, est. 2003 by Jacques Borel and Harry Bloch, two Swiss graphic designers who graduated from ECAL, the University of Art and Design, Lausanne. At Fontnest, one can ogle their font creations: Pink (semi-stencil), Planp (Swiss sans), Franks (rounded sans headline), and Rudolf (rounded sans with fill-in bowls). [Google] [More] ⦿ | |
As a student in Paris, Athenais Borg designed the display typeface Gemini (2017, based on FontStruct). Behance link. [Google] [More] ⦿ | |
Madliena, Malta-based creator of the fat geometric stencil typeface Logo (2014). [Google] [More] ⦿ | |
German researcher at Ruhr University Bochum. Creator of the font Minoan Linear A (2004), which has the glyphs for the still undeciphered Minoan language. [Google] [More] ⦿ | |
In 2013, he published The Libertines (old typewriter font) and Batman Evolution Logo (batman dings). [Google] [More] ⦿ | |
Kutztown, PA-based art director and illustrator. In 2010, he drew a blackletter alphabet called Kutztown Fraktur. [Google] [More] ⦿ | |
Belgian-born Paris-based designer and painter whose fonts may be bought from 2Rebels in Montreal. Some creations: LeScript, Manosk (1995, irregular hand), Marker, Maria's Font, Napoléon, Vintage Gothic. His work for Swatch. [Google] [MyFonts] [More] ⦿ | |
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London-based creator of an unnamed display typeface in 2013. [Google] [More] ⦿ | |
He also sells through Font Bros and Letterhead. Klingspor link. View the typeface library of Charles Borges. Fontspring link. Interview in 2013. View Charles Borges's typefaces. Adobe link. [Google] [MyFonts] [More] ⦿ | |
Brazilian codesigner with Anderson Kleber, Fábio Henrique and Carlos Santos of the calligraphic typeface Amor e Odio (2005, Tipos do aCASO). [Google] [More] ⦿ | |
For a course at UFRJ in Rio de Janeiro, Millena Borges developed the smooth script font Maestra (2013). [Google] [More] ⦿ | |
During her studies at Grand Valley State University, Grand Haven, MI-based Elizabeth Borgeson created a high-contrast typeface (2015). [Google] [More] ⦿ | |
Illustrator and cartoonist in Caxias do Sul, Brazil, who designed the modular techno font SciFont in 2016. [Google] [More] ⦿ | |
Behance link. Devian Tart link. [Google] [More] ⦿ | |
Ramsey, NJ-based graphic designer who made this type study in 2008. Behance link. [Google] [More] ⦿ | |
During her studies at Durban University of Technology in South Africa, Helen Borg designed the Umlungu typeface (2015), which depicts hand signals used by South African taxi drivers to communicate with white dummies. [Google] [More] ⦿ | |
Designer of the (free) decorative hairline typeface Kaptor (2014). [Google] [More] ⦿ | |
Designer of the rune font "Icelandic Runes" (1998). [Google] [More] ⦿ | |
Aka Cheeseborger. Born in the USA in 1986, Cheri designed the crayon / brush typeface Cheeseborger (2013). Dafont link. [Google] [More] ⦿ | |
Born in Sète, France, in 1983, Timm Borg is a graduate type design student at ENSAD, Paris. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Anthony Dathy, Perrine Saint Martin and Ok Kyung Yoon, he developed a complete family of fonts that extend blackletter and roman typefaces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿ | |
Lyon, France-based designer of the reverse stress display sans typeface Fadoli (2017). In 2018, he co-founded Pizza Typefaces with Adrien Midzic. [Google] [More] ⦿ | |
In 2018, she designed the free typeface Neuro and the electrical arc font Grigio, which was inspired by some Lady Gaga merchandise. Her Lobby Display (2018) is an ultra-black block font which was inspired by the writings of Jack Kerouac on jazz music. Typefaces from 2019: Pron (a revival of Souvenir), Dinguerie. In 2020, she joined Type Department, where she promptly released Alienor Display, which was co-designed by Lou Rainaldo and Anne-Dauphine Borione. Typefaces from 2021: Cxfein (a grungy typeface made with her eyes closed after drinking way too much coffee), Nautila, Ladio (a rounded blocky cyberpunk typeface). Typefaces from 2022: Untitled, Bulato, Guchi Culver Grotesk, Zeeth, Yandera, Zireael, Lithops (a free textured typeface at Velvetyne). Type Department link. [Google] [More] ⦿ | |
Moscow-based typographer and art director. Creator of the fat rounded outline typeface Bolshoi (2008). [Google] [More] ⦿ | |
Designer of the scratchy handwriting font Sickness (1999), and of Highguard and Highguard New (2002) based on the title art of Gene Roddenberry's syndicated television show Andromeda. [Google] [More] ⦿ | |
Graphic River link. Brandbusters link. Behance link. [Google]
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Designer of the Cyrillic font Choc Borissov (1996, after Choc), which can be found here. [Google] [More] ⦿ | |
Graduate of Escuela Superior Politénica de Chimborazo de la ciudad de Riobamba, Ecuador. Now an art director in Riobamba, she created the triangle-inspired Suky typeface in 2015 [Google] [More] ⦿ | |
Slovenian designer of Slap Slab (2013), a slab serif typeface developed during Typeclinic 6 and Typeclinic 7 in 2013. [Google] [More] ⦿ | |
American designer of a text typeface for butchers, Rashid (2016), and of Farfalla Display Text (2016, a decorative didone). [Google] [More] ⦿ | |
Swiss graphic designer. Creator of My First Font (2012, based on DIN). Behance link. [Google] [More] ⦿ | |
FontStructor of the dot matrix typeface 5 Cent Game (2010). Borne Programming. [Google] [More] ⦿ | |
Dan Bornstein (Fuzz Fonts) offers one font for now: ElseIf (2003). Elseif is a programmer's screen font, meant for legible display on high-resolution displays. [Google] [More] ⦿ | |
As a student at ENSAD in Paris, he co-designed Recréation (2000). [Google] [More] ⦿ | |
Tanit Boronat (Valencia, Spain), together with Albert Gómez and Ana Civera, created Versa (2013, a beveled typeface). [Google] [More] ⦿ | |
Jelka, Slovakia-based designer of the textured typeface Modular (2017). [Google] [More] ⦿ | |
During her studies, Jelka, Slovakia-based Viktoria Borosova designed a modular typeface (2017). [Google] [More] ⦿ | |
Senior graphic designer in London, who created the poster typefaces Chique and Alto in 2017. Behance link. [Google] [More] ⦿ | |
Saint Petersburg-based creator of the free Latin / Cyrillic display typeface Odin (2013). [Google] [More] ⦿ | |
In house type designer at Elsner&Flake in Hamburg. Designer of EF KaffeeSatz. [Google] [More] ⦿ | |
Katowice, Poland-based designer (b. 1982) of MediaWorks Drivec Font (2006), a smooth pixel face, and of Pebe Pixelblack (2006). As Enebene, he sells these fonts: Vayle (2014, rounded sans). Creative Market link. [Google] [More] ⦿ | |
During his studies in warsaw, Poland, Adam Borowski created the free display typeface Brekol (2014). Aka Adam Boro. [Google] [More] ⦿ | |
During her studies, Easley, SC-based Elizabeth Borowski designed the display typeface Promenade (2016). [Google] [More] ⦿ | |
Graphic design student at The Illinois Institute of Art Schaumburg, IL. Creator of the slab serif typeface Coris Catholic (2012). [Google] [More] ⦿ | |
Valencia, Spain-based designer of Norsk (2016), a typeface inspired by Viking Futhark writing. He also designed Airport Icon Set (2016). Behance link. [Google] [More] ⦿ | |
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Óscar Borrego is the Mexican designer of the high contrast sans typeface Almatica (2004). Designer at the Argentinian outfit SantoTipo of Tequila Heights Sobria&Borracha (2001). At Tiypo, we find Frankenhauss and the futuristic Freon 22. [Google] [More] ⦿ | |
Designer of the school project font Epa sans at FADU / UBA (Buenos Aires) in 2013. [Google] [More] ⦿ | |
Designer in Vilanova i la Geltru near Barcelona. Interior design student in the Graduate School of Design Elisava, which is part of Universitat Pompeu Fabra. Creator of the semi-stencil typeface Claim Claim (2012). [Google] [More] ⦿ | |
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Her graduation project at KABK was the Leda family (2012): Leda Broken Bold (blackletter), Leda Serif. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the typeface Onirik (2010), a unicase typeface made on the basis of Dante MT. [Google] [More] ⦿ | |
Bureau Borsche, a graphic design studio in München, Germany, was founded in 2007 by Mirko Borsche. They made almost exclusively bespoke typefaces. These include:
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Chief Operating Officer, Director of Licensing and Marketing, Hoefler & Frere-Jones, located in New York City. Carleen Borsella holds both a Master of Business Administration in Marketing and Management and a Bachelor of Science degree in Marketing and International Business from New York University's Stern School of Business. She joined H&FJ in 2002 with ten years of marketing and management experience in the financial services (JP Morgan Chase) and entertainment Industries (Time Warner, Bertelsmann AG). As Chief Operating Officer, Carleen supervises all aspects of the business, and is charged with continuing its growth and development. As Director of Licensing and Marketing, she oversees all of H&FJ's promotional activities, and directs H&FJ's Enterprise Licensing program which is responsible for providing customized licenses to corporate end-users. She is married to Jonathan Hoefler. In 2009, Carleen was credited with the design of Sentinel at H&FJ. Sentinel is a 12-weight slab serif family with italics. Some type designers think that Sentinel was not created by Borsella. In fact, both Sara Soskolne and Jesse Ragan claim that they did work on Sentinel. The motto at H&FJ has always been smoke and mirrors. They do not list any designers with their typefaces. [Google] [More] ⦿ | |
Florence, Italy-based designer of Universo (2015), a connect-the-dots typeface inspired by the Braille grid. [Google] [More] ⦿ | |
Hamburg, Germany-based designer of the humanist display sans typeface Niccolo (2018). [Google] [More] ⦿ | |
Martin Borst (b. 1981, Germany) is a graphic designer who studied in Karlsruhe graduating from Karlsruhe University of Arts and Design in 2011. He is partner in the independent publishing house »Hands on Papers« and currently lives and works in Berlin. Designer of the sans display typeface Hopfen (2008, Avoid Red Arrows). In 2012, he won the Tokyo TDC award for his brush typeface family Mondra. Klingspor link. [Google] [More] ⦿ | |
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American designer of Binary Code Font (2005, letters are in binary), Borthick's Braille Font (2006), Braille 2 (2006), Hiragana Bold (2005), Steve's Handwriting (2006). URL for his fonts. Alternate URL. Yet another URL. And another one. [Google] [More] ⦿ | |
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Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Designer in Buenos Aires. In Pablo Cosgaya's course at UBA, she created the high-contrast dodone-inspired fashion mag typeface Viphnori (2012). [Google] [More] ⦿ | |
Creator of Walking Around (2012, a Victorian typeface). [Google] [More] ⦿ | |
Illustrator in Pennsylvania. He created the strongly geometric typeface Elegance (2011) and the typeface Velocity (2011). Behance link. [Google] [More] ⦿ | |
New York City-based designer of the Escher style illusion typeface Prism (2016). Behance link. [Google] [More] ⦿ | |
Danish designer at Litewerx of the (free) pixel font City Lights (2000). [Google] [More] ⦿ | |
Based in Copenhagen for his studies at The Royal Danish Academy of Fine Arts, School of Design, Marton Borzak (b. Hungary) created the modular typeface Islands Brygge (2013). Behance link. [Google] [More] ⦿ | |
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Bert Bos studied Mathematics in Groningen (1982-1987), and wrote a thesis about Graphic User Interfaces (1987-1993). He worked on an Internet browser and the surrounding infrastructure for the Faculty of Arts in Groningen and is now working for The World Wide Web Consortium on style sheets and math. He lives in Sophia Antipolis near Nice in France. Author of Cascading Style Sheets---designing for the Web (3rd ed.) (2005, Hakon Wium Lie & Bert Bos). He also created a free transitional family in metafont and opentype for use with TeX, Gladiator and Gladiator Sans (1991). Klingspor link. [Google] [More] ⦿ | |
During her studies in Sao Paulo, Jessica Boscardin created the octagonal typeface Letras Geometricas (2014). [Google] [More] ⦿ | |
In 2020, he published the rounded display typeface Caspar Condensed at Future Fonts. Caspar Github link. Future Fonts link. [Google] [More] ⦿ | |
Barcelona-based designer of the Peignotian typeface Lonia (2016). [Google] [More] ⦿ | |
German designer of SPADORE (1998), a Novella lookalike. Another Novella lookalike is Bay Animation's Terra. [Google] [More] ⦿ | |
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Italian creator of the free font Brivido (2011, OFL). [Google] [More] ⦿ | |
Graphic designer in Barcelona who created an unnamed stencil typeface for a school project in 2013. [Google] [More] ⦿ | |
Dutch designer (b. 1991) of Curly (2008) and Lydeke Handwriting (2008). [Google] [More] ⦿ | |
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American 3d modeler, b. 1981. He created the bmp-format pixel font Zebesian. [Google] [More] ⦿ | |
Designer (b. 1901, Neapel) of the upright script Romany (ATF, 1934). Mac McGrew: Romany is a simple monotone script, designed by Alfred R. Bosco for ATF about 1934. It is vertical, rather wide, and characters don't quite connect. There is an alternate e as shown, also an alternate A which is similar to the lowercase form. The F has no crossbar and could be taken for a T except by context. Compare Keynote, Brody, Repro Script. Romany is available from Dan Solo as Romany Script. Also available in a major extension as Apricot (2005) by Rebecca Alaccari at Canada Type. And also done by Terrance Weinzierl (Ascender Type, 2009) as Romany. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
As a student at Elisava in Barcelona, Ambar Amill Bosco designed a lachrymal all caps typeface (2015). [Google] [More] ⦿ | |
Brazilian designer from Sao Paulo who created the typefaces Manguebat 3 and 4 (both with "Buggy") at Tipos do aCASO (2005). Educated at UFPE. [Google] [More] ⦿ | |
Chicago, IL-based designer of Papercut (2015). Behance link. [Google] [More] ⦿ | |
Bose designed the soccer hero scanbat typeface Soccerman (2010). [Google] [More] ⦿ | |
Born in Wittingen, Germany, in 1978, Raimo Böse is a freelance graphic designer in Berlin. He designed the fat rounded typeface Snoogle and Snoogle Dingbats together with Hannes von Döhren, which was released into the Linotype library in early 2009. [Google] [More] ⦿ | |
Wellington, New Zealand-based creator of Goaface (2012), the official language of Goafest in India. [Google] [More] ⦿ | |
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During her graphic design studies at the American University Of Madaba, Celine Bosheh, who is based in Amman, Jordan, created the stencil display typeface Ishtar (2014). [Google] [More] ⦿ | |
Graphic designer in Torino, Italy. In 2014, he created the grid-based sans typeface Slimfit. [Google] [More] ⦿ | |
German designer of the nice scratchy grungy all caps typeface Merlin LL (1994, Linotype). In 2003, she published Goodies LT Std A and B in the Linotype Taketype 5 collection. Bio at Linotype. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Rotterdam, The Netherlands, b. 1987. Behance link. For a project for the art academy in Rotterdam, he made the experimental typeface Blik Font (2010), which is based on crushed cans. [Google] [More] ⦿ | |
Belgrade, Serbia-based designer of Obsidian (2015). [Google] [More] ⦿ | |
Hungarian type designer who studied at MOME, Moholy-Nagy University of Art & Design, Budapest, Hungary, BA and MA, Communication Design, 1995-2000. Oszkár Boskovitz ran Nepfont Digital Foundry, and at some point, ca. 2009, changed its name to Fontbistro (dead link). He digitized the award-winning typeface family Pannon (2001) made by Edit Zigány in 1972. He is working on a book that will summarize Hungarian type in the 1970s and 1980s. His repertoire:
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Oszkár Boskovitz's Hungarian foundry. Before Fontbistro, he ran Nepfont Digital Foundry. He is a graduate of MOME, Moholy-Nagy University of Art & Design, Budapest, Hungary. His fonts sold at Fontbistro include Balek, Blabla, Ecsetirás (2001, a brush typeface based on a typeface of Zoltán Nagy, 1967), Konwektor (techno), Hardware, Monostar (2014, a monoline rounded sans), Pannon Antiqua (2001, based on a family by Edit Zigány (1972), Pluto (2006), Shrapnel (organic), Syrup (2005, stencil), Tilos (2002, rough stencil family), Troppauer (2005, unicase), Tubyfex (2005, experimental). [Google] [More] ⦿ | |
Aka Khrys Kreations. Kindergarten teacher (b. 1988) in Florida, who made many hand-printed typefaces that appeal to children. Her typeface list as of 2012: KBBlockParty, KBChubby, KBDabble, KBDinoMite, KBDottyDot, KBFancyMe, KBKinderWrite, KBNeat, KBPeppy, KBRoundUp, KBSketch, KBSpacingOut, KBStripedPajamas, KBSubtle, KBSunshine. Many of these fonts were made with FontMaker and/or MyScriptFont. Typefaces from 2013: KB Up In Smoke, KB True Believer, KB Sneaky Walrus, KB Radio Wizard, KB Jumping Jellybeans, KB Fun House, KB Brght and Merry, KB Tiny Red Whale, KB The End Is Broken, KB Pancake Party, KB Googley Eyes, KB Funky Glasses, KB Brainy Skeleton, KBanAvoxlost, KB Zipa Dee Doo Dah, KB Seriously Into Her, KB Miso Soup, KB Hear Me Play, KB Earthquake, KB Camera Shy, KB And It Slips My Mind, KB Witching Hour, KB Pay The Lady, KB Reindeer Games, KB Gobble Day, KB Stick, KB Lucky Clover, KB Dunk Tank, KB Dark Hour, KB Planet Earth, KB Lace Nightgown, KB The Silent Night, KB Nosy Neighbor, KB Bubblegum, KB Freezer Burn, KB Hold the Phone, KB Jellybean, KB Jukebox, KB Starlight, KB Broken Apart, KB Push Over, KB Sandy Shorts, KB Love It Down, KB Pink Lipgloss, KB When Pigs Fly, KB Crazy Town, KB Her Highness, KB Lola Loves Me, KB Scared Straight, KB Write It On A Post It, KB Wiggle Worm, KB Saucey Lady, KB RiceaRoni, KB Pasta For Two, KB Ninja Power, KB Moonlight Falls, KB Maker Factory, KB Hot Tamale, KB Fancy Footwork, KB Cheetah Rita, KB Stylographic, KB Snowballin, KB Shot In The Dark, KB All Aboard, KB Troubled Soul, KB Delicate Soul, KB ABC Doodles, KB Grandeur, KB Turning Gears, KB Queeny Me, KB A Stitchin Time, KB Pop The Bubbly, KB Quipster, KB Cloudy Day, KB Noodle Monster, KB Out Of Towner, KB Ribbons and Bows, KB Skittled, KB You've Been Spotted, KB You're Just My Type, KB Bonjour Sweetheart, KB Curious Soul, KB Framework, KB Push, KB Washi, KB Camp Out, KB Chatter Box, KB Lime Light, KB Kinder Write Bold, KB Ruffled Feathers, KB So Thinteresting (+Bold), KB Sunshine Bold, KB Swirl N Twirl. Typefaces from 2014: KBCallMe, KBNeiledIt, KBNowWalkItOut, KBRacecars, KBReallyDnealie, KBTheFlowerFarm, KBTwoLovers, KBHabitsCanBeBroken, KBInterestingZebra, KBLikePinkStars, KBOneBigScrape, KBQuietStories, KBRadioWatcher, KBSecretPassage, KBSourdoughBread, KBSquishyBlanket, KBStickToThePlan, KBTropicalVACATION, KBWalkingontheTable, KBWanderAround, KGSummerSunshineBlackout, KGSummerSunshineShadow, KGSummerSunshine. Typefaces from 2016: KB Balloon Animal, KB Bus Stop, KB Caterpillar, KB Darling MG, KB Expansive, KB Mommy Dearest, KB Mosaic, KB Play Date, KB Swifty, KB The Little Fella, KB Warm Her Up. Dafont link. [Google] [More] ⦿ | |
As a student in Regensburg, Germany, Markus Bosl created the display typeface Urbon (2015). [Google] [More] ⦿ | |
Jelle Bosma (b. Rijswijk, The Netherlands, 1959) studied at the Royal Academy of Art in The Hague and. like many of his contemporaries, was influenced by Gerrit Noordzij. He works from a studio near The Hadue, and designs type, programs font tools, hints, and produces type. His typefaces:
Klingspor link. Monotype link. [Google] [MyFonts] [More] ⦿ | |
UK-based designer of a colorful roman caps typeface in 2016. [Google] [More] ⦿ | |
San Jose, CA-based designer of the display typeface Frida (2016), which is named after Frida Kahlo. [Google] [More] ⦿ | |
French graphic designer, illustrator and type designer (b. 1982) who graduated from LISAA in 2006. His typefaces: Danoise (+Bold) (art nouveau influences, 2006), Station Debout (2006, sans), Krug (2006, irregular handwriting), Digitaline (2006), Forficula (2006, artsy). Bossard lives in Rennes, where LISAA is located. Dafont link where one can download Danoise. [Google] [More] ⦿ | |
Madrid, Spain-based designer of the blackboard bold typeface Thypography (2015). [Google] [More] ⦿ | |
During his graphic design studies in 2015, Daniel Boss (Portsmouth, UK) created the experimental typeface Negative and the straight-edged hipster typeface Crosswise (2015). [Google] [More] ⦿ | |
Ermelo, The Netherlands-based designer of a circle-themed typeeface in 2017. Behance link. [Google] [More] ⦿ | |
During her studies in France, Solange Bosseur designed the hairline dipaly typeface Delicate (2013). [Google] [More] ⦿ | |
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Emboss was founded in 1995 by Stephen Boss (b. 1969, Michigan), and is located in Beacon, NY, and Camillus, NY. Stephen Boss lived in Gloucester, MA, then in Brooklyn, NY, and finally near Syracuse, NY. His fonts are sold by Monotype Imaging / ITC and Myfonts. Typefaces include Babalon, Oo La La, Chubbét (2010: sans family, +Distended), Tobago, Phervasans (pixel face), DNA, Elefont, Eurydome (2010, like Eurostile?), Thai One One (a Thai simulation font), Jerusalem Syndrome, Dramaminex, Crossell (2010, a sans family), FaxFont97, Embossanova (2012), Chubbét Extended (2012), EmBauhaus (2012), and Zyncho. [Google] [MyFonts] [More] ⦿ | |
Justin Bost (Washington, DC) graduated from the Corcoran College of Art + Design in Washington, DC, with a degree in Graphic Design. He morphed DIN and Didot together, two genetically incompatible parents, and created the mutant typeface Balance (2011). [Google] [More] ⦿ | |
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Alexandria, VA-based creator of the 3d typeface Mondo Condo (2010). [Google] [More] ⦿ | |
Graphic designer in Campinas, Brazil. Creator of Inny Sans (2013). Behance link. [Google] [More] ⦿ | |
New York City-based graphic and print designer. In 2013, he created the techno typeface Rubikface. [Google] [More] ⦿ | |
During her studies at the University of Pretoria, South Africa, Lindie Botes created the Geometria typeface (2014). Behance link. [Google] [More] ⦿ | |
Illustrator and digital artist in Cluj-Napoca, Romania. He created a script face in 2010. [Google] [More] ⦿ | |
At AAA School of Advertising in Cape Town, South Africa, Elzé Botha designed the display typeface Stems & Sticks (2017). [Google] [More] ⦿ | |
Karen Botha (Cape Town, South Africa) created the organic display typeface Medea in 2013. [Google] [More] ⦿ | |
Designer of the hairline constructive typeface Linotype Clascon (1997, with Rachel Godfrey). Klingspor link. [Google] [More] ⦿ | |
FontStructor, aka Luis Castellon, who made the folded paper typeface Klaus (2013). [Google] [More] ⦿ | |
FontStructor who made the mechanical typeface Milogo (2010). [Google] [More] ⦿ | |
He is the designer of Berthold's Boton family (1986), FF Bastille Display package (2002, consists of FF Aircraft, FF Aircraft TF, FF District Bold, FF District Bold TF, FF Studio, FF Studio TF, FF Zan), FF Elegie (2002, art nouveau, a take on Auriol), Agora (1990, Berthold: a lapidary typeface), Chadking (1958), Roc (1959), Brasilia (1960), Primavera (1963), Rialto (1964), Black Boton (1970), PL Brazilia (PhotoLettering, a sans family), Zan (1970), Pharaon (1971, a great fat slab, eventually digitized by Monotype), Pampam (1974), Hillman (1972, an Egyptian family at Mecanorma), Tzigane (1973, a condensed family at Mecanorma), Chinon (1973, Mecanorma), Hudson (1973), Boton and Navy Cut (1986, for Mecanorma), the Scherzo family (at the Agfa Creative Alliance), Carré Noir (1996, also at Agfa), Bellini, Praxitel, Albotoni Book (made in 1974 originally), Kit, FF Page (2003, in PageSans and PageSerif families). Since 1998, he distributes his own fonts through BVS Albert Boton:
Citroen's logo font at Delpire. Klingspor link. Bio at FontFont. Pictures of an exposition in 2003. Linotype link. FontShop link. MyFonts link. Aude Degrassat wrote a thesis on Boton in 2008 at Estienne. View Albert Boton's typefaces. Announcement of his death. [Google] [MyFonts] [More] ⦿ | |
Graphic designer and photographer (b. 1978) in Lisbon. Behance link Patricia used circles, triangles and squares only in the construction of My Geometric Font (2012). [Google] [More] ⦿ | |
Amit Botre (Redfonts) is the Indian designer (b. 1978) of AB Dent (1999), AB Engraved (1999), AB Fatchic (1999), AB Fubu (1999, pixel), AB Ultrachic (1999, rounded sans), ABBarberian (1999, art nouveau meets gothic), ABExp (1999, striped letters), ABMindblock (1999, Franz Kafka's lettering?), AbFangs (2000), ABFuturun (1999, futuristic), AB Cave (1999, grunge), AB Majik (1999, slender letters) and AB Nirvana (1999, display lettering). Devian Tart link. [Google] [More] ⦿ | |
During her studies at Falmouth University, UK, Lizzie Botterill designed the swashy swppoing typeface Swooper (2016). [Google] [More] ⦿ | |
Graduate of the DSAA program at Ecole Estienne in Paris. In 2018, he co-designed Savon Italic with fellow Estienne student Leo Guibert. It was released at E162. Other typefaces at E162 include the brush script Strike (2016), and the text typeface Garamond Grotesk (2017). [Google] [More] ⦿ | |
Austrian graphic designer who studied Information Design and Communication Design at the University of Applied Sciences FH Joanneum in Graz. Graduate of the TypeMedia program at the Royal Academy of Art (KABK) in Den Haag, The Netherlands, class of 2020. Her graduation typeface was the macabre text family Ceres. [Google] [More] ⦿ | |
Digitizer of the newspaper typeface Zero One (2004), which was designed by Carl Fredrik Hultenheim. [Google] [More] ⦿ | |
Bordeaux, France-based studio set up in 2016 by Alice Bottigliero, a graduate of ENSAAMA, Olivier de Serres. In 2017, she published Memento, a typeface that includes compressed and stretched letters for special effects. Behance link. [Google] [More] ⦿ | |
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Graduate of Kansas City Art Institute, class of 2004. Designer of King Street (2017), and Fairfax Solid Fishtail (2017) and Fairfax Open Fishtail (2017), named after Fairfax, VA. Aka mkraft94. Creative Market link. [Google] [More] ⦿ | |
South European (Maltese) language fonts with the suffix SudEuro in the name include ArienaSudEuro-Bold, ArienaSudEuro-Italic, ArienaSudEuro-BoldItalic, ArienaSudEuro, BookmanSudEuro-Bold, BookmanSudEuro-Italic, BookmanSudEuro-BoldItalic, BookmanSudEuro, CourierSudEuro-Bold, CourierSudEuro-Italic, CourierSudEuro-BoldItalic, CourierSudEuro, GaramondSudEuro-Bold, GaramondSudEuro-Italic, GaramondSudEuro, TimesSudEuro-Bold, TimesSudEuro-Italic, TimesSudEuro-BoldItalic, TimesSudEuro, VerenaSudEuro-Bold, VerenaSudEuro-Italic, VerenaSudEuro-BoldItalic, VerenaSudEuro. These fonts are based on ISO/IEC 8859-3 (aka Latin-3). [Google] [More] ⦿ | |
Paris-based designer of the display typeface Combattant Africain (2012). [Google] [More] ⦿ | |
Hailing from Rosario, Argentina, this designer (b. 1992) created the free athletic lettering typefaces Bou Collegiate (2008) and Bou College (2008), the hand-printed Bou Handwriting (2009) and Handform (2009), the dot matrix typeface Score Board (2009), Squarefont (2011), Movie Letters (2011), and BOU Western (2011). [Google] [More] ⦿ | |
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Siem Reap, Cambodia-based designer of the piano key typeface Bou Figura (2017). He currently is the creative director at Anagata, a design studio specializing in brand identity and type design. Home page. [Google] [More] ⦿ | |
During his studies at Flagler College, Florida, Connor Bouchard (b. 1994) created the display typeface Aqueous (2015). Behance link. [Google] [More] ⦿ | |
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Typefaces from 2017: Adventure of the Old Giant, The Curious Incident, The Fabulous Orchestra, The Butcher factory, Dancing in the Moonlight. Typefaces from 2016: La Bataille du Sanctuaire, The Quest of Discoveries, Sentimental Beach, October Quotes, Hercule vs Goliath, Band of Reality, Street Gathering, Alicia on the Enchanted Highlands, Adventures on the Mountains, League of Giant, Richard True Crime, Dragons and Chickens, The Elves And The Secret Garden, Pokerface, Gentleman on the Rainbow, La Pantoufle en Or (tattoo font), Bulles de Chocolats, Atlantide Starlight, The Golden Flower, Mr Fisherman and the Shoemaker, Catherine de Beaumont. In 2015, Maelle made Gravity of Love (white on black letters), Incredible Angel (beatnik style), The Red Horse, The Spaghetti Movie (Western font), The Hundred King, The King of Lost Towel, les Soeurs Samurai, Mr. Jackson Rankenstein, Mathilde Castleland (calligraphic script), Question and Love (calligraphic script), Chateaux des Olives (calligraphic script), Le Cachalot du Grand Nord (a hilarious funky font), Le Grimoire du Bonheur, The Constellation of Heracles, The Citizens, Secret of the Octopus, Fabulous Vikings, King Arthur (ribbon font), Mademoiselle Catherine, Alfred La Moule, Jackie Talks to You, Les Carottes Sont Fraiches, Claudette aime le Chocolat (connected dessert script), LA-CHAMBRE-77, LACHAMBRE67, LE BAL DES COCHONNES, LE BAL DES COCHONS, LE CABARET DES FOUS, LE SILENCE DES CAFARDS, La Tortue, Le-Jardin-de-Calista (strong brush typeface), ONLY IN THIS CASE, Stink on the Death (signage script). Before 2015, Maelle designed Black December (2014), Une Grenouille Le Soir (2014), La Kame A Leon (2014, heavy brush), The Best Things In Life Are Free (2014), Caviar De Lapin Blanc (2014), La Truite à Papa (2014), Mougatine (2014, a needle thread script), Chicken Chorizo (2014), Ventilla Stone (2014), Mademoiselle Camille (2014, swashy), Authentic Hilton (2014), Olympic Branding (2014), Le Laboratoire du Docteur Steak (2014), The Chicken Love Story (2014), Les Sorcières de la Lune Noire (2014), La Compagnie des Ombres (2014), Les Sensations de Cerise (2014), La Chatte à Maman (2014, a creamy script), Aligot de Mirabelle (2014, a great delicate calligraphic script), L'Antre du Corniche (2014, thin script), Caviar de Diane (2014, thin script), Karine Aime Les Chocolats (2014: a connected script), Death in the Shadow (2014: brush script), Akhenaton (2014: brush script), Mayumi Gumi (2014), Font For Children Indo (2014: dingbats), Anabelle Script (2014, a heavy brush script), Mademoiselle K (2014, a cursive typeface), Anacondas (2014, an upright connected script), Walker on the Moon (2014, connected script), Angelique ma douce Colombe (2014), Pomerole (2014), Paper For Your Ass (2014), Paper Towel (2014), Wolf in the City (2014), Dragon is Coming (2014), J'aime bien le dimanche (2014), Camelia (2014, grungy signage script), Kosmo Cat (2014, a stone age script), Ophelia Script (2014), Monkey Snake (2014), Ventilla Script (2014), Slow Motion (2014), Ail et Fines Herbes (2014: hairline script), Mister Fish : upright curly script (2014), Elephant (2014), Nemo One (2014), Royal Chicken (2014, signage script), Nenuphar of Venus (2013), There Can Only Be One Breaver Im It (2013: flourishes), Ruskof (2013, grunbgy Cyrillic simulation face), Kawaii Food Font (2013, dingbats), Chouette Alors (2013, owls), Eglantine (2013, upright script), Zentai Itacha (2013), Magnolia (2013), God Bless America (2013), Jack And The Beanstalk (2013, upright connected script), Halloween Trick (2013, dingbats), Noyeux Joel (2013, Christmas dings), Angel of Blood (2013), Matriochkas (2013), My Princess Likes A Frog (2013), Skate or Die (2013, dingbats), Chouette Alors (2013, owls), Sleep on the moon (2013), Animox (2013, teddy bear dingbats), It Was A Good Day (2013, ornaments and filets), Ordre de Depart (dot matrix face), Diane de France (2013, calligraphic), Serval (2013, script), Chicago Eskimo (2013, fat outlined signage face), Quality Street (2013, vintage signage script), From The Moment (2013, frames), Arabia (2013, upright connected script), Hector Le Dragon (2013), Fantom Better (2013), Mont Royal, Coccinelle, Ponctuation, Miel & Abeille, La Petite Puce, Yo te amo pero en secreto, Conjecture (a sketch font), Coloscobik (2013, a marquee face), Ejaculator, This Is Not A Font, Tell Me A Secret (2013), Chocolate Cake (2013, plump outline face), Eglantine (2013), Ornamind (2013, floral dingbats), La Grosse Cochonne (2013), Toyzareux (2013, bubblegum font), Oliver Tue Les Fourmis (2013), Two Fingers King (2013, an ornamental blackletter), Piragniac (2013), Marguerite (upright connected script), Gulliver, Arakphobia (2013, a spiderweb font), Gelatina Elemente (connected script), Zenzai Itacha (oriental simulation), Atlas Eternal 78 (2013), Serial MKV 1 (2013), The Black Manba (2013), Gang Bang Crime (2013, a dripping paint font), La Grenouille Verte Qui Devient Toute Rouge (2013), Aracme Waround (2013), Zoa Elephantesque (2013), Estrela Fulguria 1748 (2013, calligraphic), Cirus Quantum Solace (2013), Paint All Time (2013), Jumbo Burn (2013), Allo t'as pas de shampoing, Helene Queen K (2013, script), Not Only The Quake (2013, script), One Day Before Rain (2013), Bullet Campus (2013), Eternal Call (2013, swashy calligraphic font), Kill The Panda (2013, a textured blackletter face), Trash Butterfly (2013, ornamental caps) and In Secret I Love You (2013, hand-printed), A Sweet Melody My Lady (a circular font), Lady Solarus Queen 1789. Fontspace link. Dafont link. [Google] [More] ⦿ | |
In 2012, he created Toy Cloud, Pictoserie 7, Kawai Medical (medical dingbats), Square Face, the rhombic typeface Iddi Head, and the dingbat typefaces Animal Kai, Kawaii Eyes, Kokeshi Kawaii, Mustache, Polynesian Etua (dingbats), Kawaii Food II, Pirats (sic) (pirate dingbats), LaLinea Sea (sea dingbats), Toy Kars, Galaxia, and Bow. Typefaces from 2013: Toy Stum, Dead Head, Nox One, Mix One. He also has icon sets. In 2013, Thomas set up a second identity, that of the Swiss woman Maelle Keita. Dafont link. Another Dafont link. And another link. Abstract Fonts link. Old URL. [Google] [More] ⦿ | |
Parisian designer of the decorative typeface Fox (2015). [Google] [More] ⦿ | |
Minneapolis, MN-based designer of the glitchy retro font Active Child (2016). [Google] [More] ⦿ | |
Overijse, Belgium-based designer of the free display typeface families Amalgame (2015, modular design) and Carpathe (2015). [Google] [More] ⦿ | |
During her studies at Iscom, French communication designer Noémie Boudet created a color art deco typeface (2020). [Google] [More] ⦿ | |
Graphic designer in Strasbourg, France, who created Meerschweinchen in 2014. Behance link. [Google] [More] ⦿ | |
Parisian graphic designer. Creator of Evolutive Typeface (2013, alchemic). [Google] [More] ⦿ | |
Leandro Boudouve (Buenos Aires) designed the art deco typeface Ego in 2014 during his studies at FADU / UBA. [Google] [More] ⦿ | |
French co-designer, with Malou Verlomme of Ionic No 5 (2021), a ten-style Clarendon that revives and refreshes a classic Linotype Clarendon-style serif for Monotype. Noteworthy is that the designers replaced Clarendon's ball terminals by 21st century serifs, even including the hipsterish coathanger f. The ball terminals are relegated to the "alternates". [Google] [MyFonts] [More] ⦿ | |
Beirut, Lebanon-based designer of an Arabic typeface simply called Arabic Shape (2016). [Google] [More] ⦿ | |
Founded by Youssef Boufelja and Issam Boufelja in January 2021, Issam Type is a type foundry based in Morocco. In 2021, Issam Boufelja designed Magide (a 6-style serif in the Windsor genre), Macing (an 8-style Peignotian sans), Diastema (a stylish display serif), Brisky (a very decorative serif), Bogosa (a high-contrast serif) and the display serif typeface Blue Village. Typefaces from 2022: Basgem (a fashion mag serif with many ligatures), Brigelo (a retro dispay serif), Dorige (a retro serif). [Google] [MyFonts] [More] ⦿ | |
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During his studies at École de design Nantes Atlantique, in Nantes, France, Guillaume Bougro created a sketched art deco typeface for the signage of Les Poulettes in Nantes. [Google] [More] ⦿ | |
Born in Rio, Thaira Bouhid (b. Rio de Janeiro) lives in Vancouver. She designed Orlo (2013), a techno display typeface that is inspired by the beaches of Ipanema and Leblon. [Google] [More] ⦿ | |
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During her studies in Grenoble, France, Zoe Bouillet designed the spurred blackboard bold typeface Whisky (2013). [Google] [More] ⦿ | |
During her studies in Lille, France, Ludivine Bouillot designed the circle-themed typeface DG2 (2018). [Google] [More] ⦿ | |
Rennes, France-based student-designer of the display typeface Straight Lines (2017). [Google] [More] ⦿ | |
Strasbourg-based designer of the techno typeface Carron (2012). [Google] [More] ⦿ | |
GGI stands for Grenoble Graphik It, a French outfit run by Benjamin Boukagne, who is the designer of the dingbat typeface Tha Boukagne's (2005). Dafont link. [Google] [More] ⦿ | |
Her typefaces include Aligre (a playful revival of Fleischman Antiqua by Dutch typographer and punchcutter Fleischman), Romane, Manuel, Faubourg (2021, at Positype: a glamorous display serif called Faubourg Display, and an accompanying Peignotian sans, Faubourg Aussi), and Scoop (a font family for use in online publications (with Margaux Chambon and Cécile Heidemann). [Google] [MyFonts] [More] ⦿ | |
London-based designer of Monster Alphabet (2016) and Bloodline (2016: a poster typeface). [Google] [More] ⦿ | |
During her studies at the University of Massachusetts Dartmouth, Milford, MA-based Alicia Boulos designed the outlined sans typeface Outline (2016), and the display sans typeface Next (2016), which is characterized by teardrop-shaped counters. Behance link. [Google] [More] ⦿ | |
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Parisian student-designer (at ECV) of the pixel typeface Game Over (2014). [Google] [More] ⦿ | |
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Parisian designer of an unnamed mini-slab serif typeface in 2013. [Google] [More] ⦿ | |
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Graduate of ECV Lille, France. Her brush typeface Brut (2017) is based on brutalist art art Dubuffet's signature. [Google] [More] ⦿ | |
Toulouse, France-based creator of the modular geometric typeface Loving (2013). [Google] [More] ⦿ | |
Parisian graphic designer. He created the dotted outline typeface Discommander (2010). [Google] [More] ⦿ | |
Parisian designer of a glitched version of Bodoni called Filoni (2020). [Google] [More] ⦿ | |
For Ludovine Loiseau's course at ERG in Brussels, Ingrid Bourgault (b. Quebec) created the free font Brush Lettering One (2014, OFL), which is based on Eben Sorkin's Merriwaether Bold Italic (2013). In 2015, she drew an experimental alphabet based on the grid system of the excellent Belgian newspaper Le Soir [on par with De Standaard], and created an experimental multicolor modular typeface. Behance link. [Google] [More] ⦿ | |
During his graphic design studies in Quito, Ecuador, Pablo Nicolas Gavilanes Bourgeat created the modular display typeface Nonchalant (2012). [Google] [More] ⦿ | |
During his studies, Bassano del Grappa, Italy-based Cesar Bourgeois created the ruler-and-compass typeface Process (2015). [Google] [More] ⦿ | |
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Based in Mexico City, Natalia bourges designed the modular typeface Contra Condensed (2013), which is based on Hoefler's Knockout. [Google] [More] ⦿ | |
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Lokeren, Belgium-based designer of the display sans typeface Lebou (2017). [Google] [More] ⦿ | |
According to Michael Everson, either Bourke or James Marr made the roman Gaelic font Bourke (or: Romano-Keltic), ca. 1877. [Google] [More] ⦿ | |
Or George Bourle. Thessaloniki, Greece-based lettering artist. Designer of Ellinikon (2019), The Knot (2019: a font duo meant for weddings), Left Hand Kids Font (2019), Boldera (2019: brush style), Coolscript (2019) and Brulee (2019: a monoline script). [Google] [More] ⦿ | |
As a student in Suresnes, France, Adrien Bourmault designed the artistic typeface Point Type in 2013. Behance link. [Google] [More] ⦿ | |
During his studies at ATRiuM USW, Cardiff, Wales, Craig Bourne designed the vampirish typeface Freaks of Fairytales (2013). [Google] [More] ⦿ | |
GeoBo Fonts is a San Diego-based foundry, established in 2004 by G.R. Bourne. Their typefaces can be bought at MyFonts: Daisy (2004, a bouncy display face), Gothika, Scimitar, Raven, Nifty, RomanSanSer (2004, designed to have features of both University and Times-Roman), BlackThorne. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Jamie Bourne (Richmond, VA) created the tiled film font Saviors (2013). [Google] [More] ⦿ | |
At Cegep de Sherbrooke in Quebec, Sabrina Bourque designed a deco typeface (2013). [Google] [More] ⦿ | |
Designer of Back to the Future (2002). [Google] [More] ⦿ | |
Fleury Bourriquant made a Civilité honneste, which was used in the region around Toul, Chatellerault and Troyes, in the early part of the 17th century. [Google] [More] ⦿ | |
At he Type @ Cooper program in 2012, Alison Bours designed Hamre. [Google] [More] ⦿ | |
During her studies in Paris, Nejma Boussaid designed the pixelish typeface FFatty (2016). Behance link. [Google] [More] ⦿ | |
Randy Bouse (PurOKC Creations, UK) is the designer of the extended display font Ponchovia, and of Madrid. He also calls his fonts OKCRandy fonts, but currently, there are no fonts on his site. They used to be free but won't be in the future. [Google] [More] ⦿ | |
Athens, Greece-based designer of the free brush typeface Katana's Edge (2016) and the powerful beer brandig font Cannibale (2016). [Google] [More] ⦿ | |
Sherbrooke, Quebec-based designer of the all caps typeface Division (2015). [Google] [More] ⦿ | |
Graphic and web designer in Auckland, New Zealand. He created the simple yet elegant headline family Blanco (2011). [Google] [More] ⦿ | |
Beirut, Lebanon-based designer of the experimental Arabic typeface Totem (2017). [Google] [More] ⦿ | |
Designer and illustrator in Minneapolis. She created the illustrative typeface Seashore Spectacular (2012). [Google] [More] ⦿ | |
During her studies, Toulouse, France-based Angelique Boutaud designed a deconstricted brushy version of DIN (2016). [Google] [More] ⦿ | |
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Cognac, France-based designer (b. 1979) of the dot matrix typefaces Led Panel Station On and Led Panel Station Off (2021), which were inspired by old station and airport panels. [Google] [More] ⦿ | |
Quebec City-based designer of the decorative typeface Flos (2016). [Google] [More] ⦿ | |
Their typefaces: International Symbols (2015, an icon font), Twooth (2015), Greek Diner Inline (2015, based on Carol Twombly's Lithos), BifurOverlay (2015, an overlay font based on Cassandre's Bifur (1929)), Bouton Kursiv (2008), Odissey (2008), Russel Write (2010), Elephants and Bears (dingbats), GreekDiner Inline, GeotypeTT (1997), WebKnobsTT (1997), Beacon (2008, a Schwabacher), BOUTON Nouveau Ornaments II (2009), BifurFoundation (2010), BifurOverlay (2010, after Cassandre's Bifur), Frankfurter Venetian (2008, fat rounded horizontally striped all caps face), Folks (medieval caps), Nouveau Rococo Deco Dings I (2008, art nouveau ornaments), Simulata (2006, geometric deco typeface with Bifur influences), Whimsy (comic book font), SymbolsTT (1998, charityware dingbat font). Exclamations link. Alternate URL. Dafont link. Creative Market link. [Google] [More] ⦿ | |
Big collection of 3d fonts (commercial). Three free 3d fonts, Balthazar, Dayton and GeoType (by Gary David Bouton). The fonts in their packages look like renamed examples of well-known fonts. The subpage with the fonts seems to have disappeared. [Google] [More] ⦿ | |
In 2017, Arlette Boutros designed Boutros Futura, or Futura Arabic, at URW to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. URW's Futura Arabic contains, of course, as a subset, the regular Latin Futura. Still in 2017, Boutros Fonts added URW Geometric Arabic to Joern Oelsner's URW Geometric. In 2019, Volker Schnebel (URW) and Arlette Boutros joined forces and published URW DIN Arabic. She also published the ten-style Latin/Arabic humanist sans typeface Boutros Angham in 2019. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Their fonts include Boutros Decorative Kufic, Boutros Display, Boutros Koufic, Boutros MB Naskh, Boutros Modern, Boutros New Koufic Modern, Boutros Simplified Naskh, Boutros Asifa, Boutros Farah, Boutros Farasha, Boutros Fares, Boutros Najm, Boutros Thuluth (2012, based on Arabic bamboo calligraphy), Boutros Advertisers Naskh, Boutros Advertising, Boutros BBC Arabic, Boutros GE Tasmeem, Boutros Latin (Serif, Sans Serif), Boutros Maghribi, Boutros Minaret. See also here. Mourad Boutros is an experienced Arabic creative director, calligrapher and typographer. From his bio: Since 1978, he has been Arabic typographical consultant to many international companies including Letraset. Mourad has designed more than 50 Arabic typefaces, some of which are available on IBM printers as core fonts. Typeface commissions have included corporate typefaces for Mercedes-Benz and for Al Anba, the leading Kuwaiti Arabic newspaper. The early ITC collection in the 1980s had six Arabic typefaces: ITC Latif, ITC Boutros Calligraphy, ITC Boutros Setting, ITC Boutros Kufic, ITC Boutros Modern Kufic, ITC Boutros Rokaa. At Ascender, Mourad published Boutros Maghribi (2009, co-designed with Rana Abou Rjeily), based on the Arabic calligraphy bamboo classical Maghribi style. In 2008, Boutros co-designed Tanseek Modern and Tanseek Traditional with Richard Dawson and Dave Farey. Here you can download these 2004 fonts by Boutros: GEBox-Bold, GECapMedium-Medium, GEContrastBold-Bold, GECurvesMedium-Medium, GEDinarOne-LightItalic, GEDinarOne-Medium, GEDinarOne-MediumItalic, GEDinarTwo-Light, GEDinarTwo-LightItalic, GEDinarTwo-Medium, GEDinarTwo-MediumItalic, GEEast-ExtraBold, GEEast-ExtraboldItalic, GEElegant-Italic, GEElegantMedium-Medium, GEFlow-Bold, GEFlow-BoldItalic, GEFlow-Italic, GEFlow, GEHili-Book, GEHili-Light, GEJarida-HeavyItalic, GEJaridaHeavy-Heavy, GEMBFarahBold-Bold, GEMBFarashaLight-Light, GEMBFaresMedium-Medium, GEMBMBBold-CondensedBold, GEMBNajmBold-Bold, GEModernBold-Bold, GEModernLight-Light, GEModernMedium-Medium, GENarrowLight-Light, GESSTVBold-Bold, GESSTextBold-Bold, GESSTextItalic-LightItalic, GESSTextLight-Light, GESSTextMedium-Medium, GESSTextUltraLight-UltraLight, GESSThree-Italic, GESSThree-Light, GESSTwoBold-Bold, GESSTwoLight-Light, GESSTwoMedium-Medium, GESSUniqueBold-Bold, GESSUniqueLight-Light, GESmooth-LightItalic, GESmoothLight-Light, GETasmeem-Medium, GEThameen-Book, GEThameen-BookItalic, GEThameen-DemiBold, GEThameen-DemiBoldItalic, GEThameen-Light, GEThameen-LightItalic, GETye, GEUnique-ExpandedBold, GEWideExtraBold-ExtraBold. Here one can find Boutros-Ads-Pro-Bold, Boutros-Ads-Pro-Bold-Condensed, Boutros-Ads-Pro-Light, Boutros-Ads-Pro-Medium, and Boutros-Ads-Pro-Medium-Italic. In 2017, Mourad Boutros and Soulaf Khalifeh published the free low contrast Tajawal sans typeface family for Latin and Arabic. Google Fonts link. Github link. In 2018, Boutros Fonts published URW Geometric Arabic. FontShiop link. [Google] [MyFonts] [More] ⦿ | |
French type designer (b. 1977) currently based in Paris, who created Cargoth (2001), a hybrid of Carolingian and Gothic. Other typefaces by her include Pelleport in 2004 and Trente-trois in 2006. She is involved now in type design and corporate identity projects at Porchez Typofonderie. As a student at ENSAD, she co-designed the Garamond typeface Recréation (2000). Typofonderie link. [Google] [MyFonts] [More] ⦿ | |
French designer, with Epok Design, of the compass-and-ruler typeface Ready in 2017. [Google] [More] ⦿ | |
In 2020, he designed Dédale at 205TF. Dédale is a hybrid (sans to slab serif) type family inspired by stone-carved inscriptions in the catacombs of Paris. It has a variable style as well. [Google] [More] ⦿ | |
Bas Bouwense (Social Animal) is the Dutch designer (b. 1974) of Social Animal (2007, grunge). Home page. Bas lives in Rotterdam. Behance link. [Google] [More] ⦿ | |
View Philip Bouwsma's typefaces. [Google] [MyFonts] [More] ⦿ | |
During his studies at Lisaa in Nantes, France, Pierre Bouyer designed a poster entitled L'Alphabet Sexuel (2016). He also designed the free vector format connect-the=dots typeface Stelar (sic) (2016), the free vector format dry brush typeface Azade (2016). In 2017, he published the free AI-format dry brush script Müburbs. Behance link. [Google] [More] ⦿ | |
As a member of the Italian open source font cooperative Collletttivo, Benedetta Bovani designed the polygonal typeface Ortica Bold (2019) and the thin display serif typeface Ortica Light (2019). Ortica Bold takes inspiration from the work of Czech designer Vojtech Preissig. [Google] [More] ⦿ | |
Fourier Gutenberg is derived from Adobe's Utopia font. [Google] [More] ⦿ | |
Lionel Bovet (Geneva, Switzerland) founded Helveticfonts ca. 2012. He created the Peignotian typeface family La Collongeoise (2012). The following typefaces are being planned: Geometria, Geofil, Geofil Slab, Elbé. Personal web site. Behance link. [Google] [More] ⦿ | |
Graphic designer and art director in Genève, Switzerland, who created the runic simulation typeface Runiska in 2016. Behance link. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
In 2017, Dan Bow (Sheffield, UK) designed the copperplate style roman alphabet Praetura (2017), which haselements of Futura. [Google] [More] ⦿ | |
Student at Lasalle, who created the textured typeface Lines (2012). [Google] [More] ⦿ | |
Designer in 1957 of a typeface used for Idaho State Historical Markers. Digitized by Ray Larabie as Goldburgs (2006). [Google] [More] ⦿ | |
In 2014, Anthony designed these typefaces: The Ambrosia Society, The American (stencil), Clockwork (rounded and octagonal), Basico 1983, Crash Test, Christmas Sweater (textured, knitted), Dysfunctinal, Winter Sans, Tazorblade, Origami, Kingsbury, Mike, Secret Stencil, Braillefont, Encrypted, Spacecraft, Retro Serif, Something Blue, Lakeside, Amelia Pond, Kindergarten, Superpowers, Homeboys, Dispensations, Neutron (sans), Chrome, Mandarin, Battlecry (stencil), Spacebar, Starlight, Square Deal, Timeline, Simpetico, Guardians (octagonal), Pixel Rocks, Snakeway, The Spaceman, Paint Brush, Series Slab, Simple Life, Warehouse, Flappy Birdy, Brushmark, Hammers and Strings, I Do Not Trust You, My Dad Drives Me Crazy, Scriptfont, Widehand, Bastille, Destruction, Remember, Handlebars, Marksman, Animated, Chubby Gothic, Highlight, Lighthead, Random Type, Readable, Archibald, Stenciles, Andersans, Gondola (monoline geometric sans), Sundance Neue, Jangotype, Limousine, Crayon Kids, Packing Tape, Cartoon Adventures, Telescope, Little Shrimp, Destiny (FontStruct), Al Dente, Copper Four (piano key font), Digit LCD, Dimension (horizontally striped), Highway Block Sans, Integration, Overload (LED font), Scoreboard LED, The Distance LCD, Ace Gaffigan, Grean, The Distance (FontStruct), Reason to Believe, Quincy Egbert, Oklahoma, Anonymous, Amaretto, Espionage (horizontally striped), Waffleboy, Angular, Equalizer, Spangled, Freewind, Ancient Grease, Black Pine Trees, Etra Preview, Fun Fragment, Multilingual hand, Red Velvet, The Fragile Wind, Lightweight Serif, Instant Access, Black Pixel, Rapid Mental Thursday, Blue Chucks, Hand Power, Royalty Waffles, Anger Management, Pocket, Effective, Florida, Pencil Sharp, Silence Will Fall (a prison say counter font), Chuck, Caged, Diamond, Uncle Salsa, Zebru, Sun, Stafona, Questions, Fancy, Sunwave, Doodle Digit, Einstein Grand, Lollipop, Lemon Rose, Gentleman, Jukebox, Fuzzy, Monster Taxi, Popsicle, Ripleys, Fragment, Crashy, Ravioli, Little Picnic, Strobelight, Cool, Cheddar (hand-printed) and Comic Fade (a dot matrix font done at FontStruct), Schnoodle, Ice Cubed (pixel face), GF Albert, Garfield, Black Friday, National Industry, Warlox, Moneto, Troublemaers, Sundrop, Magnitude, Break The Chain, Black Fire, Ralph, Hexoto, Flubber, Crazy Smile, Angel, Cheapskate, Flatboard, Stitcher, Black Shadow (20143, a dripping blood font), Probably Yes, True Love, Charlie, George, Alpine Script, Aztec Kingdom, Megafont, LCD Expanded, Generation, Arcadia, Cosmo, Jokerface, Deco Future (a blackboard bold typeface, +Inline). Many of the typefaces were made with FontStruct. Typefaces from 2016: Inklings (textured), Scorpion (squarish), Vincentio (text typeface), University (varsity font), Gameplay, Barbershop (squarish blackboard bold style), Elevation (sans), Revolution Script, New Chinese (oriental simulation), Underground, The Neverlanders. Typefaces from 2017: Snowball, War of 1930, Superguns, High School, Destructive (octagonal stencil font), American Grunge, French Fries (shaded). Typefaces from 2018: Oldies Cartoon, Showtunes, Topline (squarish sans), Grunge Band, The Friendly Indians. Typefaces from 2019: Land+Mine (spurred), Jersey Slim. Typefaces from 2020: Meatloaf (pixelish), Space Galaxy, Ouitfield Pro (heavy sans caps), Alkine (circled letters), Flower Girl (alphadings), Lightzone (a dot matrix font), Gameplay 1987 (a pixel font). [Google] [More] ⦿ | |
Auckland, New Zealand-based designer of the balloon font Space Head (2012). [Google] [More] ⦿ | |
Monson, MA-based designer of the decorative caps typeface Supernova (2017). Behance link. [Google] [More] ⦿ | |
Designer in Salt Lake City, UT. At the University of Utah, she created an unnamed grid-based typeface. [Google] [More] ⦿ | |
Gaslight (2014) is described by Jeremy as a sans-serif rich with humanist charm and lyrical curves. Creative Market link. [Google] [MyFonts] [More] ⦿ | |
American designer (b. 1991) of the graffiti font Delusion (2008) and of Bubble Wrap (2009, outline font). [Google] [More] ⦿ | |
Illustrator and designer in Lynchburg, VA, who created the alchemic Future Viking font in 2013 while studying at Liberty University. [Google] [More] ⦿ | |
Graphic designer in Ann Arbor, MI, who created the pixel typeface Tribbles in 2016 using FontStruct. Behance link. [Google] [More] ⦿ | |
Designer of Riven (1998). This font was singled out by the typophiles as a problematic pirate font---even the name of its parent, Perpetua, was left inside the font file. [Google] [More] ⦿ | |
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Commercial GD&T fonts by Harld Bowers for "geometric dimensioning and tolerancing". And Engineering/Technical fonts in truetype at 15 USD a shot. Architectural CAD drawing fonts. And Make-A-Screw truetype font for 99USD. [Google] [More] ⦿ | |
London-based designer of the caps typeface Ode to Eine (2011). [Google] [More] ⦿ | |
Creator of the iFontMaker font Blueprint (grunge, sketchy). [Google] [More] ⦿ | |
Illustrator and letterer in Portland, OR, who designed the signage typeface Bohammer Script in 2015. Behance link. [Google] [More] ⦿ | |
American artist and graphic and type designer. Her typefaces include Eudaemonia (2004, organic), Purgatory (2004), Artburn (2004), Pastiche (2004), and Hootenanny (2003, ornamental). [Google] [More] ⦿ | |
Colorado Springs, CO-based designer of the heavy poster typeface Laffy (2014), which is advertised as a children's book font. Behance link. [Google] [More] ⦿ | |
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Emma Bowey is the Manchester, UK-based designer (b. 1990, London) of Mancitecture (2015, an experimental font influenced by the architecture of Manchester), the spindly handwriting typeface Alphasplat (2012, Treefrog style) and of Mancitecture (2013), Chippy Handwriting (2012), Bond Me (2012, a piano key face), Sponge (2012, a fat poster font), and Tickle Me Elmo (2012). Aka Girl with the AWOL muse. University of Salford link, where she participates in Salford Type Foundry. Fontspace link. Dafont link. Behance link. Aka Chippy Bowey. [Google] [More] ⦿ | |
Designer of the compressed western font Townsend, and of Trajan. [Google] [More] ⦿ | |
Graphic designer in Massachusetts. Creator of the display typeface Panogram (2013) and Circuit (2013). [Google] [More] ⦿ | |
Thomas Bowler (Stealthcow) is the British designer of the sans font BubbleFont (2003) [no downloads]. Alternate URL. [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of the marker pen typefaces Sunday Morning (2016) and Angeles (2015) and of the copperplate gothic typeface Copper Bowles (2016). Typefaces from 2017: Hell Or Highwater. Creative Market link. [Google] [More] ⦿ | |
Type designer. With Jason Thorpe, he made Temple of the Dog (1991), a child's handwriting font. [Google] [More] ⦿ | |
Jeffrey Bowman (Hemsedal, Norway) created some very original typographic illustrations in 2013 including Skirt for a Virgin Media Shorts film. He created the experimental microbial typeface Hemsedal (2013), which was contributed in 2014 as a free font to Citype. Behance link. DE [Google] [More] ⦿ | |
Programme Director for Library and Information Studies at University College, London. At the meeting in Thessaloniki in June 2002, he spoke about The fine printing of Greek in Britain and its types. Author of Greek printing types in Britain, from the late eighteenth to the early twentieth century (Thessaloniki : Typophilia, 1998). That book is based on the author's thesis completed in 1988 for the Department of Typography and Graphic Communication at the University of Reading, England. [Google] [More] ⦿ | |
Designer of a modular stencil typeface in 2017. [Google] [More] ⦿ | |
Clovis, NM-based designer of a few typefaces in 2017, including an avant garde and a stencil style. [Google] [More] ⦿ | |
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Owner of the graphic design company Sieb Design, Dutchman Sieb Boxmeer created the hand-printed Bottenbreker TV (2008), named after a TV program in The Netherlands, Brute Bottenbreker. [Google] [More] ⦿ | |
Berlin, Germany-based designer of the free weathered blackletter typeface family Au (2018). [Google] [More] ⦿ | |
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Copenhagen, Denmark-based designer (b. Bulgaria) of the free vector format geometric solid typeface Metra (2019). [Google] [More] ⦿ | |
FontStructor who made the display typeface Digitollipop (2010). [Google] [More] ⦿ | |
Typefaces made after 2007: Simple Ronde (2011, upright connected script), JB Etude (2007), JB Script (2010), JB Haut>, JB Lames (2008), JB Elegant (2008), JB Cursive, JBStyle (2008), JB Fil Std (2009) and JB Calli (2008). Commercial typefaces: JB Davayé (2010, connected upright script), Belladone (2010, a graceful display family), Maceriam (2010, +Nova, +Putri, +Lapide: letters cemented into walls---a great idea). From 2011: Old French School Bold (upright connected script), Filature (a monoline connected upright script). Typefaces from 2012: Only One Dollar (a shaky script), JB Cursive 3, Purple Line, Purple Deco, Suilly La Tour, Typha Latifolia, Bouclettes (a curly upright typeface). Typefaces from 2013: Friandise (a decorative typeface reserved for chocolate enthusiasts), Capucine (a chocolate store pair of typefaces), Cuivrerie (a flared interlocking typeface based on lapidary inscriptions found in Bourgogne), Suilly La Tour (calligraphic script), Gaston (a large script family), Typha, Centaurea (a beautifully executed layered type system based on a didone with curved serifs), Toubib (hand-printed). Typefaces from 2014: Hirondelle (connected script), Lecteur Heureux (connected upright loopy script), Happy Reader (connected script), Hopeful Giraffe (a very tall and thin upright script). Typefaces from 2015: HopefulGrasshopper (a fun printed script), Henri Modeste (an experimental didone typeface), Gaston (upright connected ronde script), R+C (the ultimate explicit ruler-and-compass technical drawing typeface with filled, outlined and sketched substyles). Typefaces from 2016: Belle Allure (connected upright school script). Typefaces from 2017: Badinerie (flowery semi-connected connected script), Badinerie Love (with hearts added), badinerie Christmas. Fontsy link. Klingspor link. Dafont link. [Google] [MyFonts] [More] ⦿ | |
Designer at FontStruct in 2008 of Porkchops (heavy), TWO2, ONE1. [Google] [More] ⦿ | |
Lviv, Ukraine-based creator of the Cyrillic blackletter typeface Melanzh (2015). Behance link. [Google] [More] ⦿ | |
Designer (b. 1932) of Festival Titling or Festival of Britain (1950-1951, Monotype) at the London Press Exchange for festival advertising. This almost beveled typeface has caps and numerals only. Monotype carries digital versions. Klingspor link. Fontshop link. [Google] [MyFonts] [More] ⦿ | |
During his studies in in Suffolk, Ipswich, UK-based Charlie Boyden created an untitled avant garde typeface (2014). Also in 2014, he created the Bauhaus-inspired typeface Circles. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
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As a student at Algonquin College, Ottawa, Canada-based Shelby Boyd created the art deco typeface Colonnade (2015). [Google] [More] ⦿ | |
William Boyd made some semi-uncial fonts such as Carolingia (1991, based on Dorovar-Carolus FLF, made in 1988 by Casady & Greene, where "based on" is a euphemism). His designs were at the basis of the Celtic font Boyd Uncial Unicode (2003). He also did the Western font Laramie (1993), the monoline marker font Hopalong, and the octagonal athletics typeface Freshman (1993). [Google] [More] ⦿ | |
As a student at the School of Visual Communication in Haderslev, Denmark, Emil Boye designed the free font New Industry (2015). [Google] [More] ⦿ | |
Alba Boyer Margalef was born in 1990 in El Perello, and studied at ELISAVA. She is now a freelance designer in Barcelona. In 2013, she designed a serifless didone called Dorina. Behance link. [Google] [More] ⦿ | |
Freelance designer in Lexington, VA, who created a display typeface in 2017. [Google] [More] ⦿ | |
While studying at the University of Montana, Genna Boyer created the fat finger typeface Lemonade Stand (2013). [Google] [More] ⦿ | |
Jenn Boyer's free alphabet fonts with food themes (FoodFonts package): Cookie Dough, Accent Hotdog, Swiss Cheese, Accent Wet Noodle, Watermelon. There is also a free Spooky font. Commercial fonts at 1USD a shot: Accent Balloon, Accent Bubble, Accent Paper Clips, Accent Stringy, Accent Ziggy Zag. [Google] [More] ⦿ | |
Designer of the Hebrew font Grapholog MF (2013, Masterfont). [Google] [MyFonts] [More] ⦿ | |
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Designer of the conlang typeface Lashema (2017, Open Font Library). [Google] [More] ⦿ | |
Saginaw, MI-based creator (b. 1989) of the grungy dymo label typeface Sensitivity (2011). [Google] [More] ⦿ | |
During her studies at the Corcoran College of Art and Design, Washington, DC-based Grace Boyle created the display typeface Divetica (2015) be combining two weights of Helvetica. Her Progressive Synthesis experimental typeface (2015) is quite striking. [Google] [More] ⦿ | |
Creator of Anemone Mime (2009, brush script, Monotype). [Google] [More] ⦿ | |
Pictifont is the foundry (est. 2011) of Seattle, WA-based type designer Melinda Boyle, who grew up in Colorado. She created PictiFont (2011, + On The Beach), a 16-glyph set of symbols to personalize one's calendar containing a star, a snowflake, an apple, and so forth. This dingbat typeface accompanies a set of four monolined sans titling typefaces called PictiFont Thin (2011). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Leeds, UK-based designer of the display typeface Tacit (2011). [Google] [More] ⦿ | |
Designer of the Amtorian language script typeface AMTOR (1998), based on ERB's Venusian alphabet. This is Startrek stuff. [Google] [More] ⦿ | |
Sakarya, Turkey-based creator of the sans typeface family Tower (2015). [Google] [More] ⦿ | |
Izmir, Turkey-based designer of the logotype sans typeface Mappa (2018). [Google] [More] ⦿ | |
Graphic designer in Atlanta, who created a personal logotype in 2012, called Bozeman. [Google] [More] ⦿ | |
Graphic designer from Sofia, Bulgaria, now based in London. Creator of a circular arc experimental Cyrillic typeface in 2012. She also created the experimental typeface Former (2012). The Plant (2012) is a modular geometric font experiment. In 2016, she designed a grid-based modular typeface and a monoline wavy typeface. [Google] [More] ⦿ | |
Freelance designer in Ljubljana, Slovenia, who created the Metropolitana typeface in 2013 together with Metka Bacar. During her studies, she created Burja Sans (2014). Behance link. [Google] [More] ⦿ | |
Slovenian designer, at Apostrophic Laboratory, of the R-rated dingbat font Hard Talk. [Google] [More] ⦿ | |
Graduate from FADU, University of Buenos Aires, who created the modern typeface Aliro (2008). [Google] [More] ⦿ | |
Moonphases in metafont format, by Stanislav Brabec from Czechia. [Google] [More] ⦿ | |
Designer of Elite (1984, with Ian Bell), Frontier: Elite 2 (1993), and Frontier: First Encounters (1995, with Frontier Developments). These fonts were created to simulate the Elite games, and are of the pixel variety. See also here. [Google] [More] ⦿ | |
During her graphic design studies at Instituto Toulouse Lautrec in Lima, Peru, Grazzia Bracamonte designed the illustrated caps typeface Font Face Me (2013). [Google] [More] ⦿ | |
In 2014, Leftloft published the semi-techno wayfinding typeface family LFT Iro Sans at Type Together. It has a unicase set of styles. In 2020, he released the flared humanist sans typeface LFT Arnoldo at TypeTogether. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
In 2012, Bracco published Mister Rii PB. In 2013, Phil Bracco designed Screwby (offbeat retro style that started out as a digitization of the film typeface Surf by Lettergraphics) and Contraption (an octagonal typeface family that started out as a digitization of a film typeface called Intrigue by Lettergraphics). Typefaces from 2014: Wonderbear PB (a cartoon typeface based on the title screens and comic books of the Hair Bear Bunch), Sackem PB (Bracco explains: Sackem started as a digitization of a singular film typeface called Benman Jumbo by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of playful widths and obliques: from the condensed Slim style to the original Jumbo style). Typefaces from 2015: Beaucoup PB (Beaucoup started as a digitization of a film typeface called Bippie by Facsimile Fonts), Luckmeister PB (offbeat, retro and cartoonish, from the vintage record cover, Music from MR. Lucky, composed and conducted by Henry Mancini), Good Grief PB (which started out as a digitization of a film typeface called Carmel by Letter Graphics), MardiKrewe PB (funky psychedelic letters, described by Phil as delightfully insane; it started as a digitization of a film typeface called MardiGras by Lettergraphics). Typefaces from 2016: Cat Burglar PB (inspired by the titling of a 1961 Looney Tunes cartoon called "The Pied Piper of Guadalupe"), Birthday Wish PB (beatnik style), Flawless Flygirl PB (beatnik style), Jus Hangin PB (children's script inspired by the lettering on the cover of the 1999 Counting Crows album "This Desert Life"). Typefaces from 2017: Roadie PB. Typefaces from 2018: Roadie PB, Chilidog PB, Cattleprod PB, Varmint PB (an offbeat flared serif font inspired by the titling of the early 1970s Yosemite Sam & Bugs Bunny comics from Gold Key), Nudity PB (a revivo the film font Ad Shadow by LetterGraphics as a layerable font), Wintermint (a revival and extension of the flared almost psychedelic typeface Lori by LetterGraphics). Nudity PB, Wintermint, Patsy PB (beatnik style). Typefaces from 2019: Ridiculous PB (beatnik), Troubled PB, Blackhole PB (a digitization of a bullethole psycjedelic film typeface known as Circue Solid by LetterGraphics), Stacked Deck PB (a retro font), Mushmouth PB (based on Lettergraphics' cartoon font Albert), Rackem PB (a beatnik font that started as a digitization of a film typeface known as Eightball by LetterGraphics). Typefaces from 2020: Jughead PB (inspired by Cooper Black and Archie Comics). Typefaces from 2021: Uncanny Cat PB (a beatnik font), Goondocks PB (octagonal; a faithful recreation of the titling font from 1985 film, The Goonies), Friday Freak PB (a beatnik all caps typeface inspired by the 1976 Disney movie Freaky Friday), Soulfinger PB (a psychedelic and beatnik hybrid). | |
Californian designer of fonts at Garagefonts, including the texture dingbat font family GF Millennium (1997-1998). [Google] [More] ⦿ | |
Braczyk (aka esbe, sandman and moa) is the French designer of Jules (2002). [Google] [More] ⦿ | |
London, UK-based designer of Penny 200 (2015), a typeface made for a children's book. Behance link. [Google] [More] ⦿ | |
American designer of Hoyle Playing Cards Font (2004). Fontspace link. Aka Conexion. Dafont link [Google] [More] ⦿ | |
Lisa Bradbury (Adelaide, Australia) created the hand-printed typeface Slipghtly Loopy in 2014. [Google] [More] ⦿ | |
Richard Bradbury (UK) is a graphic design student. In 2011, he designed a modular typeface by intersecting circles---it is called Kaleidoscopic. [Google] [More] ⦿ | |
Stephen Bradbury (Fallen Designs, UK) is the Manchester-based student designer of the custom typefaces Gothon Pro (2013) and Paradox (2013). In 2016, he created the brush typeface Venture. In 2017, he designed Monoline Script. Creative Market link. [Google] [More] ⦿ | |
His free fonts at Floodfonts included Polaris (2011), Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002, a Bauhaus style corporate and headline font for the Cologne based design bureau Glashaus), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001: an angular constructivist typeface---free), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997). His commercial typefaces at Floodfonts include Kontiki (2018: a woodprint emulation typeface family; a grungy version of Clarendon), Capri Pro (2011-2015): an expressive constructed sans serif typeface in the tradition of Kabel and Avant Garde, partly constructivist, and partly hipster. Peter Hoffmann designed Alita (2001) and Lacuna (2001). Commercial fonts at Fountain: Grimoire (since 2015 at Floodfonts), Sadness (2001). In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face). At Ductype, Braden published Timetwisteight (2005, a pixel face). At URW++, he published the Supernormale family (part techno, part pixel) in 2006. At Volcano, he made the rounded display face Bikini (2010). At Fountain, he published the original version of Capri in 2011. After Fountain's demise, it reappeared as Capri Pro at Floodfonts in 2015. The Orchidee project started in 1999 led to a fantastic free font. Felix: Orchidee was created as a part of the business stationary of the restaurant Orchidee located in the luxory hotel Quellenhof in Aachen, Germany. After the founding of the restaurant the hotel manager realized that there earlier was a bordello in the city with the same name, so he wanted to change the name. At the time when our agency had to presentate the logotype the name was not appointed so I created the font. The restaurant was specialized on crosscultural european-asian cuisine. Because of that I wanted to mix up some elements of traditional asian typography with european typography. The letters are designed in freehand by the repetition of just a few basic elements. To create the rough outline I used xerox-copier because I wanted to have some chaotic elements to give the font a handmade touch. Other free fonts: Coraline (2012), Sonar Script (2013), Rollmops (2013). At FontShop, he published FF Scuba (2012), as an offline companion to Verdana. It was one of the winners of the Communication Arts Typography Annual 2013. In 2019, he published Pulpo, a ten-style family inspired by Century Schoolbook and Clarendon. In 2020, he released Turbine (at Fontwerk: a 14-style neo-grotesque family), and Arpona, an 18-style lapidary flared typeface with slight wedge serifs. Typefaces from 2021: Capitana (an 18-style geometric sans with large counters; not as severe as Futura), Arpona Sans (a 20-style humanist sans with rhombic tittles). FontShop link. Klingspor link. Fontspace link. Dafont link. Behance link. Fontsquirrel link. Personal page. Another Behance link. Fountain Type link. Home page of Felix Braden. [Google] [MyFonts] [More] ⦿ | |
British designer of Evil Green Plant (2009, grunge) and Castafiore (2009). Home page. GitHub link for his typefaces. Dafont link. [Google] [More] ⦿ | |
Creator of the curly scratchy Bipolar Braden (2009). Sarah lives in Wisconsin and runs SB creative llc. [Google] [More] ⦿ | |
Student at the Academy of Art University, San Francisco. He created the squarish typeface Proto (2011). [Google] [More] ⦿ | |
UK-based designer, b. 1999, of the modular typeface Loncazt (2019) and the squarish typeface family Gipfel (2019). [Google] [More] ⦿ | |
During her studies in Manchester, UK, Abygail Bradley created the rhombic typeface Diamond Heist (2014). [Google] [More] ⦿ | |
Amy Bradley (b. 1984) lives in Sudbury, Ontario. At Devian Tart, she designed the scribbly handwriting font Jagged Thoughts (2001). [Google] [More] ⦿ | |
During his studies at Type@Cooper in 2012, he designed Anacapa, and writes: Anacapa is an attempt to subtly express, in type, the identity of my home state: the cool, gray calm of beach volleyball courts in the early morning, the dispersed energy of Los Angeles, the warmth of the sunlight on the rocky Central Coast... It is an imagined piece of California's vernacular, designed to be as flexible and complex as the emotional range it seeks to capture. His typeface Madtown (2019, Future Fonts) is inspired by letters from the American West, in particular the styles that have a capital oh with wedge-shaped serifs. In 2019, he also released the arts and crafts-inspired Mara des Bois at Future Fonts. Other typefaces by Graham include Ogilvy Serif (2021, with Jeremy Mickel), and Bacterium (2014, a molecular typeface done for Alexander Issey Inc; it has multiple versions for each glyph). Graham also helps with type design at MCKL Type, Jeremy Mickel's type foundry in Los Angeles. Future Fonts link. Home page. [Google] [More] ⦿ | |
Graphic Designer based in Leeds, UK. She is scheduled to obatin a BA in Graphic Design from the Leeds College of Art in 2011. Behance link. Creator of the counterless typeface Squircle (2010) and the mini-serifed typeface Elegance (2013). Behance link. [Google] [More] ⦿ | |
Designer in 2007 of the bullethole font Trigun. [Google] [More] ⦿ | |
Codesigner with Carl Seal of Phobia at the Manchester, UK-based foundry Tealeaf. That font can be downloaded from Seal's new foundry, Little Red Circles. [Google] [More] ⦿ | |
FontShop link. Klingspor link. Linotype link. [Google] [MyFonts] [More] ⦿ | |
A Booklet of Designs (1915, New York) contains many of his interesting drawings for typefaces. [Google] [MyFonts] [More] ⦿ | |
St. Louis, MO-based designer of the display typeface Bawse (2014). [Google] [More] ⦿ | |
Designer of the free paperclip typeface Wireplay (2012). Dafont link. [Google] [More] ⦿ | |
During his studies at American University, Sam Bradway (Washington, DC) designed a decorative typeface (2016). [Google] [More] ⦿ | |
David Brady (The Creative Rebellion, London, UK) is an advertising designer. He created the experimental typeface Nokia (2010). [Google] [More] ⦿ | |
Designer at FontStruct in 2008 of Thin (ultra fat face). [Google] [More] ⦿ | |
Kate also made a partial typeface called Electric Forest (or Maya) in 2013. [Google] [More] ⦿ | |
Lawrence Robert Brady (b. International Falls, MN, 1936-d. Salida, CO, 2023) was an American calligrapher, type designer, graphic designer, and educator. He studied Fine Arts at Montana State College and then completed a Masters Degree in design from California State University Long Beach. He taught for some time at Cerritos College. Brady's type designs include the titling font he designed in the 1980s for the J. Paul Getty Trust and Museum in Los Angeles (he was commissioned by Saul Bass to work on the museum's identity). Obituary. [Google] [More] ⦿ | |
Copenhagen-based designer. Behance link. For Malmö Konsthall, Thomas developed Creo (2012). It was created to function well in two different scenarios---print typography and public signage. Typefaces for posters, catalogs and brochures need to be narrow enough to work in crowded environments, but still dynamic enough to encourage people to keep reading. Typefaces designed for wayfinding programs need to be open enough to be legible at a distance. Creo is designed to meet both scenarios. [Google] [More] ⦿ | |
During his studies in Porto, Portugal, Bernardo Braga created the display typeface Graph (2013). In 2015, uner the direction of Joana Correia at ESAD Matosinhos, Bernardo designed the angular text typeface Gaveto. [Google] [More] ⦿ | |
During his studies at Escola De Design UEMG in Belo Horizonte, Brazil, Cadu Braga designed the architectural typeface Alla Fontana (2016), which was inspired by the architecture of the La Fontana neighborhood of Milan. [Google] [More] ⦿ | |
North Arlington, NJ-based designer of the pixelish typeface Belle (2017). Behance link. [Google] [More] ⦿ | |
Brazilian type designer, who made fonts such as Nossa Senhora do Bom Sucesso. He studied at and is currently professor at the Universidade de Minas Gerais in the School of Graphic Design. Based in Sao Paulo. [Google] [More] ⦿ | |
Roman graphic designer. He created a condensed geometric typeface for Digital Art Magazine (2011) based on a carefully planned hexagonal grid. [Google] [More] ⦿ | |
Claude Fayette Bragdon (b. Oberlin, OH, 1866-1946) was an American architect, writer, and stage designer based in Rochester, New York, up to World War I, and in New York City after that. He was known for his creative geometric ornaments. At some point, he proposed this modern American italic for architectural plans. Check also his set of modern small letters. This page shows his art nouveau art. [Google] [More] ⦿ | |
Louisville, KY-based designer (b. 115) of the duct tape font Riley's Tape (2017). [Google] [More] ⦿ | |
Lawrence, KS-based designer of the dadaist typeface Scissor (2014). [Google] [More] ⦿ | |
Designer of the mental damage typeface Kurzwaren (2004). Dafont link. [Google] [More] ⦿ | |
Toronto-based graphic designer who created the fashion mag typeface Sibilant (2012): Sibilant is a display typeface designed primarily for fashion editorials. The initial basis of the concept was to eliminate parts of the letterforms while still having the typeface recognizable. The typeface is very light and airy, yet the combination of high stoke contrast and elegant curves gives this typeface a whispery, edgy, hissing quality reminiscing of snakes. Hence the name Sibilant. Behance link. [Google] [More] ⦿ | |
Based in London, Jaime Brahmbhatt created the iornamental caps typeface Random (2013). [Google] [More] ⦿ | |
Louis Braille (b. Coupvray, France, 1809, d. Paris, 1852) is the inventor of the six dot raised Braille reading system for the blind first proposed in his book Method of Writing Words, Music and Plain Songs by Means of Dots for Use by the Blind and Arranged for Them (1829). In fact, the Braille system was based on a method of communication originally developed by Charles Barbier in response to Napoleon's demand for a code that soldiers could use to communicate silently and without light at night, called night writing. Links: Hammill Institute on Disabilities, wikipedia. [Google] [MyFonts] [More] ⦿ | |
Italian designer of Yagiza (2001, techno face), which can be downloaded here. [Google] [More] ⦿ | |
Fortaleza, Brazil-based designer of Moscou (2014), a display typeface that is inspired by the city (and by snow flakes). [Google] [More] ⦿ | |
Sheffield, UK-based creator of Pixel Type (2014). Behance link. [Google] [More] ⦿ | |
New Delhi-based designer of the free vector format 3d tubular typeface Gudgoo Hindi (2017). Behance link. [Google] [More] ⦿ | |
Rovinjsko Selo, Croatia-based designer of the free sci-fi techno typeface Kontakt (2016). [Google] [More] ⦿ | |
Creator of the grungy typeface Format (1998). [Google] [More] ⦿ | |
Lettering artist and typeface designer, who worked for Hallmark Cards in Kansas City for 26 years, retiring in 2002. He lived from 1938-2004, and created many calligraphic script letterforms and typefaces. Jill Bell writes: Scarcely a soul outside of the Hallmark lettering and typography department is aware of the large body of lovely, skilled typographic work you have done because the fonts are proprietary. And Bud was a quiet sort of guy. Bud had hoped to produce fonts of his own when he retired but unfortunately the grim reaper quickly arrived. Quite unfortunate for the type world. I know the Hallmark lettering and type department really misses having Bud's talents and knowledge available to them because they truly understood what he contributed and appreciated it." And Calvert Guthrie wrote: "Bud was enormously generous with his understanding of font design and I know no one who had a better grip on making script ligatures work. Bud was doing it elegantly back in the days we were setting up linking ligatures for film fonts on Linotype VIP. We only had 18 increments for spacing refinement and this was made even tougher by script's particularly small x-height. His caps and his card captions were outstanding. Many of the short cuts we still use these days here at Hallmark were first developed by Bud Braman. Some of his work appeared in Michael Clark's Scripsit last year [2003]. Some of his typefaces at Hallmark include TwizotHmk (1999, with John Dawbarn), HogwartsWizard (2002, based on style by Connie Smiley, commissioned by Warner Brothers). Picture by Jill Bell. [Google] [More] ⦿ | |
Nimes, France-based designer of the display typeface Adrian (2017). Behance link. [Google] [More] ⦿ | |
Designer of the metal band typeface Nether Type (2018). [Google] [More] ⦿ | |
He is part of the team behind Berlin's Typostammtisch. Linkedin link. [Google] [More] ⦿ | |
At Elon University in Elon, NC, Lauren Brame designed the minimalist all caps typeface Ster (2016). [Google] [More] ⦿ | |
Chicago-based graphic designer who has a BA from DePaul University. She based her Bodoni Poster Script typeface (2012) on Bodoni Poster Italic. Cargocollective link. [Google] [More] ⦿ | |
Danish designer, with Lotte Reinert, of a font made for the Botanic Gardens in Copenhagen in 2000, a very dark almost-slab serif face. [Google] [More] ⦿ | |
Firenze, Italy-based designer of a pixel font in 2017. [Google] [More] ⦿ | |
Graphic designer in Rio de Janeiro, Brazil. She created a neon light typeface called New Retro Font (2009). [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the straight-edged City Font (2017). [Google] [More] ⦿ | |
During his studies at UFC in Fortaleza, Brazil, Fernando Castello Branco created Niemeyer (2013), a display typeface that was influenced by Oscar Niemeyer's architecture. [Google] [More] ⦿ | |
Cascais, Portugal-based designer who graduated from IADE. He created HexaFont (2011). [Google] [More] ⦿ | |
During her studies in Lisbon, Portugal, Ines Branco designed the monoline sans typeface Bago (2017). [Google] [More] ⦿ | |
As a student in Santiago, Chile, Pia Alvarez Brancoli designed a modular typeface (2016). [Google] [More] ⦿ | |
Nantes, France-based designer of the outlined display typeface Horizon (2016). [Google] [More] ⦿ | |
Portuguese creator of the art deco typeface Estação (2009, FontStruct), as part of a typography project of the design class at Aveiro's University. The thype was used for some of Aveiro's street names. [Google] [More] ⦿ | |
Born in 1985, this designer in Rio de Janeiro created the hand-printed typeface Rodrix (2011, iFontMaker), as well as Gothira (2011, iFontMaker), Sparatrap (2012), Harakiri (2012, oriental simulation face), Dotnation (2012), Blocknation (2012, iFontMaker), Typeotape (2012), Albion (2012) and the texture typeface Sublev (2011). Typefaces from 2013: Taping Your Hand (straight-edged face). [Google] [More] ⦿ | |
Born in Frankfurt, Germany in 1959, Alexander Branczyk is the main typographer at F2F (Face 2 Face), which is based in Berlin and Frankfurt. Other participants include Stefan Hausen, Alessio Leonardi, Torsti Maier-Bautor, Thomas Nagel, Haike Dehl and Sybille Schlaich. F2F specializes in what it calls anarchistic typography. Branczyk made F2F CzykagoTrans (1995) and a few other experimental fonts, as well as Bellczyk, CZYKago-Cameo, CZYKago-Quer, OCR-Alexczyk, OCR-Bczyk, SubberlogoMini, TheczykM, MadzineScript (curly vampire typeface), BurnoutChaos, Frontpage, MonakoStoned, Entebbe (a ransom note font), OCRFBeta and OCRHeike. Other designers: Thomas Nagel (ScreenScream, Shakkarakk, ElDeeCons, Madame Butterfly, Pixmix, Shpeetz, TyrellCorp), Heike Nehl (LoveGrid, Starter Kid, Lego Stoned, Twins), Alessio Leonardi (PrototipaMultipla, TagliatelleSugo, Mekanik Amente, Metamorfosi, provinciali, AlRetto, F2F TechLand, F2FAlLineato, F2FMekkasoTomanik, F2FSimbolico (1992, dingbats), Poison Flowers (1992)), Stefan Hauser (F2FBoneR, Haakonsen), Sybille Schlaich (Styletti Medium). Face2Face groups the designers of Moniteurs and xplicit ffm. Bitstream link. Alternate URL. In 2003, these designs by Alexander Branczyk appeared in the Linotype Taketype 5 collection: F2FBurnoutChaos LT Std, F2FCzykago LT Std Light, F2FCzykago LT Std Semiserif, F2FCzykago LT Std Trans, F2FEntebbe LT Std, F2FFrontpageFour LT Std, F2FMadZine LT Std Dirt, F2FMadZine LT Std Fear, F2FMadZine LT Std Script, F2FMadZine LT Std Wip (1992), F2FMonakoStoned LT Std, F2FOCRAlexczyk LT Std Regular, F2FOCRAlexczyk LT Std Shake, F2FOCRBczyk LT Std Bold, F2FOCRBczyk LT Std Regular, F2FTechLand LT Std. Alexander Branczyk studied visual communication at HfG Offenbach under Friedrich Friedl. From 1988 until 1994, he was project manager at Erik Spiekermann's MetaDesign. Since 1994, Alexander is partner and managing director of xplicit Gesellschaft für visuelle Kommunikation mbH (xplicit.de) based in Frankfurt/Main. Alexander Branczyk is co-publisher of Emotional Digital, and since 2003 a visiting professor for typography at the Bauhaus University Weimar. Codesigner of Czykago Rough (2019, with Manuel Viergutz), Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures), TWIGS 4 kids (2020: designed for a garden exhibition for children by Daniela Costa, Julia Stanossek, Alexander Branczyk and Manuel Viergutz). Showcase of Alexander Branczyk's typefaces. [Google] [MyFonts] [More] ⦿ | |
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Recife, Brazil-based designer at UFPE of the spurred typeface Paraiso (2016). [Google] [More] ⦿ | |
Sao Paulo-based creator of a logotype for a CD cover for Florence and the Machine (2012). Designer of the fat rounded monoline typeface Fredoka One (2011, Hafontia), which is free at Google Fonts, where it was published in 2012. See also here. Fredoka is accompanied by Fredoka Dingbats. A variable font with weight and width axes was added in 2022. Typefaces from 2017: Quitanda (brush script), Jazzling (script and sans), Zenith (monoline script), Fruit Salad (brush script). 1001 Fonts link. Behance link. Creative Market link. [Google] [More] ⦿ | |
Born in Utrecht in 1921, Chris Brand lived in Breda, and died in 1998. He studied calligraphy in 1940, and worked in Brussels from 1948-1953. He taught design at various academies until 1986. Known for book cover jackets, Brand created the clean serif typeface Albertina in 1964-1965 (Monotype). This typeface was first used for a retrospecive on Stanley Morison's work exhibited at the Albertina Library in Brussels in 1966. Dean Allen [Textism]: Working designers should have at least one text family to focus on; to test its idiosyncrasies and stretch its limits, to see how it responds to the unpredictable demands of day-to-day work. Albertina is the family with which I do the most tinkering. It's remarkably flexible, offering a full complement of text and titling figures, roman and italic small caps, as well as supplemental Greek and Cyrillic fonts. It has the sort of strength, or presence on the page absent from most digital type, owing to sturdy construction, and it lacks fussiness. The digital font DTL Albertina saw the light in 1987 at Dutch Type Library. Brand also created Veerle Uncialis (1991, named after his granddaughter Veerle Simons) but it is unclear whether this font is his or a reworking of a typeface by the Parisian typefounder Fournier. Finally, he made the coptic font Draguet (1968). FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Web site of Kent Hertzog. It resets the page size though to fill the screen. Designer of the free pixel fonts Haysom (2002), Hearst (2004), Hayes (2004) and Cafe 405 (2003). He also created the handwriting typeface Jack's Mannequi (2005) and the blackletter typeface Queen of Pain (2002). [Google] [More] ⦿ | |