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Type designers [Headline set in Pumpkin Soup (2013, David Kerkhoff)]

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Miloš Ćirić	Serbian book illustrator, graphic arts teacher and phototype, woodtype and linocut letter type designer, b. Despotovo, 1931, d. Belgrade, 1999. His sons Rastko and Vukan write about both aspects of his life. His CV: he graduated in 1954 from the Academy of Applied Arts, Belgrade and took his Masters Degree in 1959, under Professor Mihailo S. Petrov. He was professor at the Faculty of Applied Arts, University of Arts, Belgrade from 1964 until 1997. He was Head of the Graphic Department from 1974 to 1975. His publications include Graphic identification 1961-1981 (SKZ, Belgrade, 1982), Graphic communications 1954-1984 (Vajat, Belgrade, 1986), Heraldry 1 (University of Arts, Belgrade, 1983) and Coat-of-Arms of Belgrade, Heraldry 2 (Cicero, Belgrade, 1991). Most of Ćirić's types were for Cyrillic, while some have Latin alphabets as well. Many would be classified today as poster types, type to accompany illustrations. The list of his typefaces: Rastko, Latin, 1955: It is a versal typeface made in only one weight. Rastko himself thinks it was devised as light, almost linear and it was a part of his character. Vukan, Latin, 1960: Named after his second son, Vukan, this is a sharply cut orthogonal typeface. Galerija Grafiki kolektiv, Cyrillic, 1962 (Graphic Collective Gallery): A beautiful Cyrillic display face. This was the first of his typefaces transformed in a computer font. Triptihon, Cyrillic, 1962 (Triptych): Another cut face, but this time really taken from the sample made in linocut. The prototypical Cyrillic poster face. Akademija, Cyrillic, 1966 (Academy): This typeface was made for the University and Academy where he worked. It was designed so that it can be used equally well on the paper, metal plates, seals, plaques and everything else Academy needed. He used similar typefaces on book covers and charters, in solemn situations. Rastko: Although one may think it is an ordinary serif face, it contains Cira's specific typographic handwriting. The shapes are almost geometrically reduced thus providing a decorative effect, legibility and possibility to be transferred in all materials.. Bolsko, Latin, 1966/67/68: Bol is a small place on the island Brač. This simple condensed headline typeface was designed for pedagogical purposes made to be used for lectures at the Faculty of Applied Arts abd in its graphic identity. Devojačko, Cyrillic, Latin, 1969 (Maiden): A curly affectionate face. Ćirićica, Cyrillic, 1970/72: This typeface was designed as a result of the first research on transforming Serbian handwritten Cyrillic into constructive letterforms. The raw model was the manuscript of the Fourth Gospel (John's Gospel) written at time of Despot Djurdje Barnković (1428) created then by by a Inok from Dalša. The result was a letterform of optimal proportions. The study was made on the occasion of the opening of the new building of the National Library, Republic of Serbia. Vojničko, Cyrillic, 1975 (Soldiers): When designing this typeface Ćirić consulted the book Blue Line of Life (Plava linija života) by Branko V. Radičević, a book about monuments and tombstones posted along roads. It is a sentimental ornamental headline face. Face VMA, Latin, 1976/77: A big project for the Military Medical Academy (abbreviated VMA) in which the letters had to be constructed on grids using rulers and compass only. The result is a Bank Gothic look. Bogradsko, Cyrillic, Latin, 1982: This typeface was used for designing the covers and title of his second book of graphic communications. Duklja, Cyrillic, Latin, 1984: In this case the typeface makes basis of graphic identification. As a model for designing the typeface of Montenegrin Lexicographic Institute was a text from leader seal of Petar, Prince of Duklja. Ira wrote that he enlarged and systematize the letters from the drawing which was made in time when the seal was in good condition and that he wanted to preserve the freshness of irregularities and that there were several weights in each letter while their height is only optically the same. It seems that save for that irregularity which inspired and provocative vagueness this model could not offer many clear stylistic characteristics. But what ira could read from those forms is the language of their linocuts and cut symbols. Thus his personal style naturally added to all that was missing to finish the face. In compromise between typeface with serifs and sanserifs in combination of legibility and universal applicability he saw practical solution for many tasks. Iva's typeface, Cyrillic and Latin, 1986: Rastko: My brother's daughter, Iva, was the first child that joined our family of applied artists. Ćirić immediately awarded himself with the title of granddad, opened the door of his studio and showed her all those games and toys from the world of the applied and other arts. Apart from the crazy games, obligatory signum and many other things Iva got many picture books which her grandpa made from time to time. The picture books contained poems, drawings, pictures and of, course letters. On one of those picture books entitled Grandpa' Stories I have found, so far, the only place where the typeface was used. It is a type of typeface imitating relief forms. Vukov bukvar, Cyrillic, 1987 (Vuk's Abecedary): One of the rare typefaces with lower case letters, this typeface is dignified and named after Vuk Kardžić. Sava's face, Cyrillic, 1987: A gorgeous old slavonic style typeface with upper and lower case. Epitaf, Cyrillic (Epitaph, my name, unknown year): An unpublished typeface found by his sons in the files. Ćirić used it to write names of births and deaths of friends and family members in a notebook. It could be seen as a prototype for tombstones. [Google] [More] ⦿
3type	Shanghai, China-based type foundry, est. 2017, with a foreign office in Berlin. They specialize in multilingual and multiscriptual typography and type matching, in particular for Chinese, Latin, Cyrillic and Arabic. Their font catalog in 2020: Astronomer (2018). An attractive Latin / Hanzi text typeface that refers to the Ming Dynasty astronomer / mathematician / scholar Xu Guangqi (aka Paul Siu, 1562-1633). Dinkie Bitmap (2018-2020). A pixel typeface for Latin, Arabic, Hebrew, Cyrillic and Chinese by Willie Liu. Ellenda (2018). An art deco typeface by Zheng Chuyang. Faustina (2010-2018). A poster typeface by Zheng Chuyang, after an idea by Luise Schenker. It covers Latin, Cyrillic and Arabic, including the Persian, Urdu, Uyghur, Kazakh and Kirgiz versions. It also has a rich set of Emojis. Freundschafts-Antiqua Neue (2017), by Roman Wilhelm. Covering Latin, Vietnamese, and Hanyu Pinyin, this 6-style typeface family revives the award-winning text typeface Freundschafts-Antiqua made in 1959 by Yu Bingnan. Hong Kong Street Face (2015). A Hanzi font by Roman Wilhelm that reflects the character of Hong Kong. Xingkai Next (2017). A modern polygonal typeface for Hanzi, by Li Zhiqian. It was derived from cursive handwriting and Chinese calligraphy. Ryan Serif (2017). A Latin display typeface by Ryan Lau. Weaf Mono (2017-2018). A monospaced monolinear sans family by Zheng Chuyang and Li Zhiqian, covering Latin, Hanzi (Chinese), Arabic, Cyrillic and Devanagari. It also has some emoji characters. RVS Basic (2021). A brilliant and bold reverse-contrast typeface with an emphasis on Hanzi. Commercial letterings from the Republic of China and a calligraphic style named Qishu from the Qing Dynasty jointly inspired the typeface. Award winner at 25 TDC in 2022. [Google] [More] ⦿
Samo Ačko	Ljubljana, Slovenia-based creator of CE Star (2006, a highway font for Eastern Europe), and Grill Serif Extra Bold Wide Latin Lover Case during the design workshop TipoBrda in 2008. In 2011, he designed Morgana, a daring wedge-serif medieval fortress face, while participating at the tipoRenesansa 3rd international type design workshop in Ljubljana. In 2014, he created the great headline and poster font Bad News Sans Extreme. Codesigner, with Diana Ovezea, of the typefaces Passenger Display and Passenger (2017, Indian Type Foundry). Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. Passenger Serif (released in 2019) on the other hand is a Clarendon. In 2019, Diana Ovezea and Samo Acko added Passenger Sans, which is characterized by horizontal and vertical terminal strokes and small apertures, and delivers a relaxing read in long texts. Facebook link. [Google] [MyFonts] [More] ⦿
Aigeriwa Aaa	At Camberwell College of Arts, London, UK, Aigeriwa Aaa created a squarish bilined typeface in 2015. [Google] [More] ⦿
Espen Aaeng	Espen Aaeng has been a designer and art director in Oslo since 1973. At Behance, he showed the high-contrast ball terminal / teardrop typeface Drops (2010), which is said to be marketed by Foundr-E, but I could not find a link to that foundry. Another URL. Hellofont link. [Google] [More] ⦿
Johan Aakerlund	Danish designer (b. 1990) who lives in Copenhagen. He worked for five months to complete the good-looking geometric type family Comfortaa (2008), which is free at CTAN and Google Font Directory. In 2009, he made Trunkmill (2009) and the useful organic sans family Lastwaerk. In 2010, he added Montepetrum (a basic condensed family). Devian Tart link. Fontspace link. Font Squirrel link. Fontspace link. Catalog in 2010. Fontsy link. Kernest link. Klingspor link. Dafont link. Abstract Fonts link. Google Plus link. [Google] [More] ⦿
Da Only Aan	Surabaya, Indonesia-based designer, b. 1987, of these typefaces in 2017: Clone Line, Blitz, Genio Script, Rhythm Script, Luzhniki, Cendana, Wow, Single, Mantra, Lovable, Eruption, Finger Dance, Never Old, Bravo, Funday, Lexa Sans, Supernova, Ventura sans, Lol Signature, Frysca, Granite, Signsation, Addictive, Magic Wave, Vallent (sans), Signora, Magic Wave, Signature Talk, Alexis, Prologue, Bullet, Red Blood, Talkin Talk, Tsamina, Jealous Boy, Almost Soul Mate, Romantic Story, Alayhome Dirty, Angle Silence, Wave of Love, Sleeping Child, Move On, Hompimpa, Cheap Road, Cheerful, Stay Close, Wholess Script, Morning Painters, Slow Down Script, Empty Family, Jumping Pack, Signaspies (signature font), Private Emotion, Cubby Cheeks, Lonely, Cat Cute, Thin Man, Sheep Horn, Angelie, Aza (brush script), Wrong Way, Solid, Swirling, Slash, Child Write, Ink Scratches, Stalk, Being Lazy, Longitudinal End, Unchained, Curbside, Naura, Lay, Elastic, and Ladies Sky. Typefaces from 2018: Dilan Signature, Syndrom, Ground (rounded sans), Glass, Flowrish (floriated), Aline (multiline), Salting (script), Sellow, Marion, Melting, Move Closer, Reflection, Cavalry, Sway Script, Chenthini, Vero, Inner, City, Break, Bat Hill. Typefaces from 2019: Pring, Racheto (bilined), Alusans, Tooth (Tuscan), Apache, Analyst (stencil), Amblas (geometric monoline sans), Nona (oriental look), Pieces, Black Forest (textured caps), Drops. Typefaces from 2020: Barella, Bound, Fillet, Gigs, Greysia, Playon, Rindang, Squad, Tuman, Ampera, Asolola, Britania, Coobra, Focus, Force, Gopoh, Rumput, Black Boxes, Canthink, Garage, Ledre, Pashion, Vonari, Ambyar, Bendoyo, Bergomi, Buroq, Cydro, Gresix, Langgam, Laron, Risole, Super Fans, Trailer. [Google] [More] ⦿
Kristoffer Aarak	Norwegian designer of the detached all caps typeface Detached (2018). [Google] [More] ⦿
Andres Aarik	Andres Aarik is a graphic designer and a student in Media and Advertisement design in Tartu, Estonia. Designer of the fat and wide typeface Hustler (2010) and the chiseled typeface Tode Ja Oigus (2009). Behance link. [Google] [More] ⦿
Christine Aaron	Christine Aaron is a New York-based designer specializing in lettering and typography. She studied graphic design at the School of Visual Arts, with a focus in editorial design, branding, and motion graphics. She created Conjure (2013). [Google] [More] ⦿
Holley Aaron	Graphic designer in Pensacola, FL, who created Gill Sans Icons (2013). [Google] [More] ⦿
June Aarseth	As a student at KHIB in Bergen, Norway, June Aarseth designed the decorative caps typeface The Most Amazing Font (2016). [Google] [More] ⦿
Anna-Elina Aartola	Finnish designer of Electra-Normal. [Google] [More] ⦿
Anne Aarup	During her studies at the School of Visual Communication in Haderslev, Denmark, Anne Aarup created a brushy typeface with an asparagus (2014). [Google] [More] ⦿
Mehmet Abaci	Mehmet Abaci (b. 1978) is based in Istanbul. In 2014, he established Studio Typo, where one can buy his typefaces. Limited forms of the fonts can be downloaded fpr free from the Dafont site. Creator of the elegantly plump rounded sans typeface Vinyl Cuts (2013), Samatya (2013, a unicase piano key typeface), Boldie (2013), Laundry Day (2013, alphadings), and the wood log typeface Timbers (2013). Typefaces from 2014: Smush, Slim Fir (athletic lettering), Typonome, Typo Slab, Neons, E-Square (sci-fi typeface), Screamer, Typoline (piano key typeface), Omniblack (flared display face), Papillons (flared caps), Typoster (a great fat geometric slab serif typeface family accompanied by an equally great shaded outline style), Typo Comica (a family drawn to compete with Comic Sans), Tipo Press, Manyeto (calligraphic), Quatroline (prismatic typeface), Wardoom, Cabold Comic, Digiform, Akaju (oily fat typeface with lighting effects), Almira, Bonebastic, Comic White Rabbit, Sinema (a bit of retro movie art deco), Sober, Cali Brush, Tiny Plate, College Player, Smart Kid, Barbed, Wideroy, Angella (+outline: a poster family), Megi Sans. Typefaces from 2015: Bro 4D (outlined 3d capitals), Typo GeoSlab, H&B Sketch (a gorgeous sketched didone), Mixiva (a six-style athletic lettering slab serif family), Typo Sketch (sketched font), Malter Sans, Parole Script, Degaws (a great sketch font), Typo Comics, Gribal, Gribal Shadow, Early Times (a sans family), Quizma (an elegant sans family), Super Seven (shaded), Typo Slab Inline, Type Slab Irregular, Geoma (hairline geometric sans), Double Bubble (bubblegum typeface), Mona Bella, Typo Grotesk, Typo Grotesk Rounded, The Matic, Typografix (avant garde sans), Move X (techno family), Savaro Stencil (in the geometric style that is characteristic of Futura Black), MindBlue (sans), A Space. Typefaces from 2016: Wox Striped (multiline typeface), Wox Modelist (organic sans), Aprikas (sans), Meltix (techno sans family), Widolte (sans family), Mayeka, The Wireframe, Typo College (athletic lettering), Halftone Poster, Chocolate Bar (oily and gleaming), Type Round (circle-based sans typeface family). Typefaces from 2017: Zelta Six (octagnal), Wida Round (round sans), Prestij (geometric sans), Typo Style, Naughty Squirrel (fat poster typeface family that includes hatched and shadow styles), Typo Quik, Ageta (bubblegum style), Rock On (glaz krak typeface), Typo Square, Typo Angular Rounded, Planetium-X (monoline, techno), Big Pixel (octagonal), White Festive, Watchword Hairline. Typefaces from 2018: At the Midday, Typo Hoop (rounded circle-based sans family), Typo Longest (tall condensed sans), Maccos (a multilined font family), Asectica, Magettas (rounded monoline sans), Bluefish, Bluefish Eroded, Bluefish Scratched, Quesat (rounded sans), Quesat Striped. Typefaces from 2019: Manti Slab College, Pesta Stencil, Type Draft (a drafting font), Pages Grotesque (a caps only geometric sans), Typo Cut-Out, Swera, Minalis (futuristic). Typefaces from 2020: Typo Cut-Out Shaky, Typo Oval, Typo Formal (a tall monolinear sans), Typo Ring (circle-based, monolinear), Manti Slab, Manti Sans (+Fixed), Geco Strong (a fat sans), Tually, Slabten (an inline typeface), Minalis Double (an inline typeface). Home page. Fontspace link. [Google] [More] ⦿
Jenifer Abad	During her studies at UEMG (Universidade do Estado de Minas Gerais), Jenifer Abad (Belo Horizionte, Brazil) created an untitled connect-the-dots typeface (2014). [Google] [More] ⦿
Pablo Abad	Studio with offices in Madrid and Bilbao, first called Supperstudio and then PAAM (run by Pablo Abad and Vicente Garcia Morillo from Madrid). Pablo Abad created the free poker card typeface Dealer Type (2009). Pablo Abad's other typefaces: No Future (2009, sci-fi), Knife (2008, modular), Pinza (2008, clothespin-themed), Romantique (2008, ultra-fat modular art deco face), Modul01 (2008), and Mambo (2008, super-ultra-fat art deco), Slaba (2009, fat slab serif), Voyeur (2009), Nostalgia (2013, Hype For Type). Old URL. Behance link. [Google] [More] ⦿
Julie Abahouni	During her studies at ECV in Paris in 2016, Julie Abahouni designed a modular squarish typeface. [Google] [More] ⦿
Ramón Abajo	Free and commercial school fonts by Ramón Abajo, all made in 1999 or 2000: Ramon is a high school Spanish teacher in California. His fonts are floating around in cyberspace. His fonts were also for sale at Fonts 4 Teachers (or: Tiende Escolar). They are now available via New York City-based DownHill Publishing, which was founded in 1998 in Los Angeles, California. A list: AbcAlegria, AbcAmSignLang, AbcAmSignLangLetter, AbcBulletin, AbcClocks, AbcCursive, AbcCursiveArrow, AbcCursiveArrowDotted, AbcCursiveDotted, AbcCursiveDottedLined, AbcCursiveLined, AbcDNManus (AbcDNManusArrow, AbcDNManusArrowDotted, AbcDNManusDotted, AbcDNManusDottedLined, AbcDNManusLined, AbcDNManuscript), AbcDomino, AbcFaces, AbcHeadlines, AbcKids, AbcMath, AbcPhonicsOne, AbcPhonicsTwo, AbcPrint, AbcPrintArrow, AbcPrintArrowDotted, AbcPrintDotted, AbcPrintDottedLined, AbcPrintLined, AbcTeacher. The DownHill Publishing fonts are grouped into Print Writing, D'Nealian, Box Writing, Cursive Writing, Phonics, Sign Language, Seasonal, Decorative. [Google] [More] ⦿
Luis Abaladas	Graduate of ESAD Matosinhos, class of 2014, who is based in Porto, Portugal. During his studies, he created the soccer shirt font Chile (2013). [Google] [More] ⦿
Luis Abaladas	During his graphic design studies at ESAD Matosinhos, Porto-based Luis Abaladas created the soccer jersey typeface Chile (2013). [Google] [More] ⦿
Dani Abarca	Llo Lleo, Chile-based designer of the dada typeface Guagua Sans (2015). This typeface was inspired by Patrick Griffin's Fido. [Google] [More] ⦿
Anita Abarenkova	At Escola Superior de Artes e Design de Caldas da Rainha (ESAD.CR), Portugal, during an exchange program, Anita Abarenkova (Riga, Latvia) created the stencil typeface Anita PT Light (2013). [Google] [More] ⦿
Ruslan Abasov	Ruslan Abasov is a freelance graphic designer working on projects within the range of booklets, posters, type design, illustrations, animations and visual identities. In 2020 and 2021 he designed Tannhäuser, a decorative blackletter typeface with large contrast that was inspired by Richard Wagner's romantic opera of the same name. [Google] [More] ⦿
Frank Abasse-Chevalier	French graphic designer. Creator of the typefaces Robinson (decorative caps), Mondaine, Girofle, and Pixel. [Google] [More] ⦿
Qalib Abassov	Creator of the free font Dekas (2012, OFL). This looks like a copy of Geoffrey Lee's Impact (1965, Monotype), with multilingaul (Cyrillic, etc.) sets added in. I am not sure how kosher this all is. [Google] [More] ⦿
Nadia Abate	Nadia Abate (Turin) designed the paperclip font Clips in 2010 during a workshop led by Piero De Macchi. She graduated from ISIA in Urbino in 2010, and designed the outline typeface Naa there. Nadia created the flowing script typeface Female (2013). Behance link. [Google] [More] ⦿
Pedro Abatti	Designer (b. 1999) of the organic chemistry font Benzeno (2017-2022). [Google] [More] ⦿
Aydin Abbas	Graphic designer in Baku, Azerbaijan, who created the free octagonal Latin typeface Auroor in 2017. [Google] [More] ⦿
Faisal Abbas	Faisal Abbas "merged" (?) an Arabic font by Jamil ur Rahman and a Latin font by Astigmatic in his free typewriter fonts Profaisal Elite Riqa and Profaisal Elire Tahreer (2012, OFL). [Google] [More] ⦿
Fatima Abbas	Fatima Abbas is a Sudanese graphic design student at Virginia Commonwealth University School of Arts in Qatar. In 2021, she designed the display typeface Brier which is characterized by tiny broken strokes in the crossbars and elephant feet. [Google] [More] ⦿
Hasan Abbas	Designer of Temhoss (1993). [Google] [More] ⦿
Menna Abbas	While studying in Cairo, Egypt, Menna Abbas created the thin Latin display typeface Emerlad (2014). [Google] [More] ⦿
Muhammad Abbas	Founded in 2020, Abbas Type is a type design studio based in Aceh, Indonesia, Designer of the swashy formal calligraphic typeface Delayed Love (2020). [Google] [MyFonts] [More] ⦿
Soroush Abbassi	Designer of the Persian font soroush (2006), which can be found here. [Google] [More] ⦿
George Abbate	Type designer who published these fonts at Photo Lettering: Aqua Bold (signage font), Black Gothic Condensed, Gothic Bold, Nixon (a soft poster face), Stencil Condensed. [Google] [More] ⦿
Mauro Abbattista	Mauro's graduation thesis in Rome was about the development of the Sady typeface, wg=here Sady stands for Sabon Dyslexic. He took Tschichold's Sabon and broke the smooth Beziers up to increase the angular aspect of each glyph. In addition, attention was paid to the spacing and global word shapes (or Boumas). [Google] [More] ⦿
Michael Abbink	Mike Abbink (b. 1967) earned a BFA in Fine Arts, and another one in Graphic Design and Packaging from Art Center in Pasadena. Born in 1967, he was a graphic designer at Meta Design San Francisco doing corporate and web design. In March 1999 he co-founded Method, Inc., a San Francisco-based company specializing in communication strategy, interaction and graphic design. Mike Abbink is the Executive Creative Director of the Brand Experience and Design Team within IBM Studios. Before that, he worked as a Creative Director for the Museum of Modern Art, Wolff Olins (New York), Saffron Consultants, Method (also co-founder) and as a Design Director at Apple Computer. His typefaces: The sans serif family FF Kievit (2000). This font family is also in the FontBureau collection, and is by many seen as the long-term replacement of Helvetica and Frutiger. FF Kievit won the typeface award at the ISTD TypoGraphic Awards 2001. It was also used to make the house font CDU Kievit for the CDU party in Germany. With Paul van der Laan, he co-designed FF Kievit Slab in 2013 in nine styles. In 2019, Abbink and van der Laan released FF Kievit Serif, which has wide apertures and large counters that make it quite legible. At Agfa Monotype, he and others designed the large GE Inspira family (2003-2005), about which Michael writes: I actually spent over a year working on the design of Inspira. It was Patrick's [Patrick Giasson] early concept that GE was drawn to, but at that time, it was way too funky and more display like then they wanted. I then took patricks original thoughts and spent several months refining the roman and created an italic (which Patrick did not do) which was then handed to monotype to create more weights and refine a bit. What you see in Inspira now, is quit different from Patrick's original concept. However, the more unique forms from Inspira are indeed driven by patricks original drawings and are the interesting forms of the font (v, x, z, y). I was also involved with art directing and working with the Monotype team (for over a year) in developing all the other iterations of inspira. All told, there were many people involved in the refinement of the Inspira font family. but I must say I would have to take a large credit in the design of inspira along with Patrick. I believe Patrick's designs and my designs created a nice balance that has made Inspira what it is today and of course let's not forget the hard work of monotype in really taking the font to the next level with all the weights, the condensed version, and exotics (Greek, Cyrillic, Turkish, etc.). Michael now works at Wolff Olins in New York. GE Inspira Sans and Serif (Mike Abbink, Paul van der Laan and Pieter van Rosmalen, Bold Monday) won an award in the TDC 2015 Type Design competition. From 2000 until 2006, he created FF Milo, which was followed in 2009 by FF Milo Serif. These typefaces were developed for magazine and newspaper print and have therefore short ascenders and descenders. Paul van der Laan helped with the production. In 2014, the series was augmented with FF Milo Slab (by Mike Abbink and Jesse Vega). In 2014, Abbink finished Brando (Bold Monday), which won third prize in the TDC 2015 Type Design competition. It was followed in 2016 by Brando Sans (Bold Monday). IBM Plex (2017). A large free font family created by Mike Abbink and Bold Monday for IBM's new corporate identity. It includes IBM Plex Sans, IBM Plex Serif and IBM Plex Mono subfamilies. Direct download at Github. Aneliza (2018) is a fork that has a single storey g in the italics. Klingspor link. FontShop link. FontFont link. [Google] [MyFonts] [More] ⦿
Danielle Abbon	Florence, Italy-based designer of the Cymatics dingbat series (216) and the sans typeface Straya (2016), which is based on iconic Australian shapes. [Google] [More] ⦿
Jonathan Abbott	Julian Moncada, Jonathan Abbott and Jonathan Barnbrook jointly designed Doctrine Sans and Doctrine Stencil in 2013 at Virus. [Google] [MyFonts] [More] ⦿
Maxine Abbott	Maxine Abbott (Nottingham, UK) studies graphic design at Nottingham Trent University. He created the pixelish typeface Nokia Snake (2012). [Google] [More] ⦿
François Abboud	During his studies, Leipzig-based François Abboud created the blocky typeface Cubix (2015). [Google] [More] ⦿
Daniella Abdalla	Graduate of FAAP (Fundação Armando Alvares Penteado) in Brazil. Sao Paulo-based graphic designer who created the lava lamp typeface Damascus in 2015. [Google] [More] ⦿
Ibrahim Abdallah	During his studies in Beirut, Ibrahim Abdallah designed the Latin / Arabic typeface Wavy (2017). [Google] [More] ⦿
Mohamad Abdallah	Kuwait-based designer of the Latin typeface MHD (2014). [Google] [More] ⦿
Sarah Abdallah	Sharjah, UAE-based designer of a hand-drawn Latin / Arabic typeface in 2014. [Google] [More] ⦿
Khaled Abdelaziz	Khillo is Khaled Abdelaziz, a Sétif, Algeria-based illustrator and designer, b. 1986. He created Architek (2010) and Burger (a free avant-garde typeface). Behance link. Dafont link. Another URL. [Google] [More] ⦿
Ali Abdelghaffar	Mansoura, Egypt-based designer of the Arabic typeface Tagarob (2013). Behance link. [Google] [More] ⦿
Ghady Abdellatif	New Cairo, Egypt-based designer of the triangular typeface Map My Art (2017). Behance link. [Google] [More] ⦿
Omar Abdellatif	Designer at Full Sail University in Winter park, FL, of the multiline art deco typeface FS Radial(2018). [Google] [More] ⦿
Elias Abdelnor	Argentinian designer of the speed and car mechanics font Super Chevy (2018) and the art deco poster typeface Chalke (2018). [Google] [More] ⦿
Chantal Abdel-Nour	Sudbury, Ontario-based creator of the silent movie font Charlie Chaplin (2013). [Google] [More] ⦿
Maha Abdelrazek	Cairo-based graphic designer. Creator of Bird Man (2012, a simple sans) and some Arabic typefaces. [Google] [More] ⦿
Maged Abdelsalam	Kirkland, WA-based designer of the display typeface GuGu (2013). Behance link. Open Font Library link. [Google] [More] ⦿
Abdillah Abdi	Yogyakarta, Indonesia-based designer, b. 1992, of these script typefaces in 2019: Raquen, Sunset City (a monoline script). Typefaces from 2020: Coolesta (a signature font), Vertica Scripts. [Google] [MyFonts] [More] ⦿
Irsyad Abdilah	Kota Bogor, Indonesia-based designer of the free elliptical modular typeface Abdi (2016). [Google] [More] ⦿
Zain Abdillah	Wonosobo, Indonesia-based designer of the monoline script typefaces Rosallinda (2019) and Quattro (2018), the signage script typefaces Rallina (2019) and Billyon (2019), the fashion mag typeface Brandson (2019), and the handcrafted typeface Roller Dodlle (2019) and Sweet Donuts (2019). Typefaces from 2020: Hello Doctor (script), Berlin Monogram (decorative caps), Stayola (script), Unicorn Dancing, Garden Party (script), Bolder, Darllinge, Rosallinda, Power Sell, Adventures, Smiles Women (an upright script), Beauty Moon. [Google] [More] ⦿
Edin Abdiu	Linz, Austria-based designer of these handcrafted (mostly brush) typefaces in 2018: Berlin Lives (dry brush), Steyr, Reid, Lynn, Jorik, Jora (dry brush), Hayes, Ened, Danata, Aidana, Neilella, Hyllus, Dionisia, Davis, Correia, Momina, Ryder, Norene, Maxene, Leilani, Hailee, Dory, Calista, Genus, Correia, Davis. Aka Edin Ab. Typefaces from 2019: Simone, Ramina, Barbara, Andronika, Elisenda, Valentina, Saturnia, Hanna, Francisca, Dominik, Aubrielle, Samantha, Farrand, Castianiera. [Google] [More] ⦿
Deema Abdo	Amman, Jordan-based designer of a multiline Arabic typeface in 2018. [Google] [More] ⦿
Abdulrohman Abdolgony	Free Khmer fonts, aka Khmer Smart Writer Fonts designed in 1995-1997 by Abdulrohman Abdolgony (Cambodian Software Development): Battambang, Kaoh Kong, Kom Pong Toum, Kom Pot, Kompong Cham, Prey Veng, Pursat, Siem Reap, Stung Treng, Svay Rieng, TaKeo, KSW Battambang, KSW Kaoh Kong, KSW KeyBoard, KSW Kom Pot, KSW Kompong Cham, KSW Preh Vihia, KSW Prey Veng, KSW Pursat, KSW Siem Reap, KSW Stung Treng, KSW Svay Rieng, KSW TaKeo. Download here. [Google] [More] ⦿
Mahmoud Abdoun	Graphic designer in Algiers. He created the octagonal Latin typeface Liz erta (2009). [Google] [More] ⦿
Aizhan Abdrakhmanova	Graphic designer in London who created Mirror (2013). [Google] [More] ⦿
Abdul	Lebanese designer who created Beantown (2004, an athletic lettering font), Staubach (2004, an athletic lettering typeface based on the lettering of the Dallas Cowboys), Wagner Modern (2011), Kroftsmann (2004, on octagonal face), Kavelry (2004, based on the Kemper Insurance logo), 4th and inches (2008, rounded octagonal; based on the proprietary font used by Russell Athletic, makers of sports apparel as used by Georgia Tech BKB, Washington State, Alabama State, Tennessee State, Mississippi Valley State, and many others in college football), and PopWarner (2004, a Bank Gothic lookalike), Wagner Zip Change (grotesque), Richardson Fancy Block. Creator of some free soccer team lettering alphabets in 2010: Louisville, Puff Script, Red Raiders, Richardson Fancy Block, Wagner Zip-Change (based on grotesque signage letters), ACMilan2009, ASRoma, ChampionsLeague, England2007, MLSUniform, RealMadrid2009. About his GeauxXPDF typeface (2010), he writes: I had extracted a nearly complete set on this one a few years back, except for J and Z which I created on my own. As best I can tell, it only exists as an upper case font without most punctuation, so I created that too to make it more useable. I don't know how much LSU [Louisiana State University] paid for this design, but to me it always looked like something that Larabie or Iconian would have given away. He also extracted HDRadioAlphabet from a rounded Arial typeface he found on HD radio. His UScoreRGK (2012) is a blocky angular font used on-screen by Fox Sports. LCD Display (2012) is a 28-segment LED font. UA Terrafont (2012) was based upon the vector art in this PDF file. In 2013, he published the athletic lettering family High School USA and the octagonal typeface UA Cadet. See also here. Dafont link. Fontspace link. Another URL. [Google] [More] ⦿
Shaden Abdulaziz	Cairo, Egypt-based designer of the bold typeface Black Widow (2018). [Google] [More] ⦿
Ebaz Abdul	Jakarta, Indonesia-based designer of the Arjuna puppet font Wayang (2018). [Google] [More] ⦿
Jude Abdulhadi	During her studies in Würzburg, Germany, Jude Abdulhadi created an experimental Arabic typeface (2015). [Google] [More] ⦿
Eva Abdulina	Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Eva Abdulina is a designer from Riga in Latvia. Before studying at Type and Media she obtained a Bachelor of Arts in Visual Communication from Arts University Bournemouth. Her graduation typeface at KABK was Austra (2019), a robust and sturdy typeface with a nostalgic touch of Latvian heritage. [Google] [More] ⦿
Izrin Abdul	Birmingham, UK-based graphic designer who created the art-nouveau-meets-the-future typeface Cosmic. (2009). [Google] [More] ⦿
Aaram Abdulla	Creator of the children's hand font Aram Abdulla (2013). [Google] [More] ⦿
Basim Abdulla	Based in Male on The Maldives, digital artist Basim Abdulla created the hand-drawn typeface Black Widow in 2013. [Google] [More] ⦿
Rayan Abdullah	Type designer (b. 1957, Mosul, Iraq) who participated in the Linotype International Type design Contest in 2000 and lives in Germany, where he set up Markenbau in 2000. Author (with Roger Hübner) of Pictograms and Icons (2005, Herman Schmitz, Mainz) and Arabische Schriftkunst (1993, Hochschule der Künste Berlin). [Google] [More] ⦿
Rina Abdullah	During her studies in Bandar Seri Begawan, Brunei, Rina Abdullah designed Hexrunic (2017). [Google] [More] ⦿
Shakirah Abdullah	Nusajaya, Johor, Malaysia-based designer (b. 1995) of the hairline hand-printed typeface Sweet Life (2013). [Google] [More] ⦿
Symon Adam Abdullah	Aka Ay Terry, Ayi Teiry, Roy Yan, Jorse Creative, Symon Adam, Symon Adam Abdullah, Ront Beld, Groen Studio, Lage Jorse, Roiyani, Roiyani Teungku, Roy Yani, Ront Jorse, Groen Lagoe and Roy Jorse, b. 1979. Banda Aceh, Indonesia-based creator of the connected retro signage script typefaces Exoticus (2015), Random Ink (2015), Catfish Script (2015), Umbrella (2015), Wolf Bane (2015: an upright connected script; a Pro version appeared in 2018), Bettaria Script (2015), Matador (2015), Melani Script (2015), Aslang Barry (2015, connected calligraphic script), Fameliya (2014, a connected wedding script), Olivera (2014), Mutiara (2014), Routine Script (2014), Bunthok (2014), Fretaliya (2014), Fatimma (2014), Cuplex Script (2014) and Semadome Script (2014). Ront also designed the brush typefaces Rocket (2015) and Fronte (2015), the more formal connected script typeface Monalisa (2014, renamed later to Montala, probably under pressure from Monotype, owner of ITC Mona Lisa), the calligraphic Amtenar (2015), the brush script Fire Vector (2015), the connected brush script typeface Standly (2015), the script font Maphylla (2015), Freestyle (2015), and the fun connected script typeface Emillia Script (2015). Typefaces from 2016: the connected script typefaces Hermes, Beatrice, Bellati, Slowly and Elmaira, the sans typeface Asiach, the handcrafted typeface Country, and the brush script typefaces Astro, Getter, Metric, Brusher, Spontance, Fronte Script, Rocket, Arthands, Brokelly, Armant, Batagors (calligraphic dry brush style), and Almaida, the sans titling typeface Asiach, the connected script Spontance, the handcrafted Country Light, Twetter (swashy calligraphic style), Rantes, Lucue, Brusher (dry brush), Beetle (connected script), Freestyle, Notulen. Typefaces from 2017: Herawati (signature font), Shabira, Bintang, Hand Boys, Sambilan, Betania (brush), Blangku, Valentina, Mother Love, Mangifera (calligraphic script), Happy Berry, Expant (dry brush script), Boston (brush script), Rosenesya (calligraphic script), Bonita (fat brush), Shabira, Amster (an elegant high-contrast signage script), Just Beauty, Justin, Blangku, Mother Love, Bettol, Anitha (calligraphic script), Settiya, Hello Sweety, Expant (dry brush), Boston, Bonita, Astro (brush script), Metric, Getter (dry brush script), Hermes, Arthands, Brokelly, Bellati, Country Family, Batagors (a great dry brush calligraphic script), Armant, Slowly, My Heart, Love & Heart, Heartless, Justin (rough brush script), Muthya. Typefaces from 2018: Romantina, Solution (sans), Mellanie, Rocket, Fronte Script, Berlian. Typefaces from 2019: Muctar (a signage script by Ront Jorse), Taranum (a calligraphic script), Delegation (Script, Sans; by Symon Adam Abdullah), Quintrell, Vortices, Wolfsbane (by Sai Poel), Wamelo. Typefaces from 2020: Creative Signature. Typefaces from 2021: Chayton (script), Osmont (a Treefrog script), De Monte (a 20-style geometric sans). Behance link. Graphic River link. Yet another Creative Market link. Graphic River link. Newest Creative Market link. Fontspring link. Graphicriver link. [Google] [MyFonts] [More] ⦿
Symon Adam Abdullah	Pekanbaru, Riau, Indonesia-based designer of these script and calligraphic typefaces in 2019: Shabira Bloom, Adinda Script, Script Mothers, Ramadhan Kareem, Rosenesya, Mother Love, Bointang Cifoy, Sambilan, The Playing, Eisha Script, Sugartina Font Signature, Romantina Font Script, Herawati Signature Font, Bintang, Hand Boys, Betania, Blangku, Mangifera, Happy Berry, Beatrice, Almaida, Elmaira. [Google] [More] ⦿
Mohammad Esmat Abdullhalem	Egyptian designer in 1992-1994 of these Arabic fonts: ACS-Akeek-Bold, ACS-Akeek-Extra-Bold, ACS-Akeek, ACS-Almass-Bold, ACS-Almass-Extra-Bold, ACS-Almass, ACS-Bassmalah, ACS-Fayrouz-Bold, ACS-Fayrouz-Extra-Bold, ACS-Fayrouz, ACS-Hieroglyphic, ACS-Islamy, ACS-Koraan, ACS-Morgan-Bold, ACS-Morgan-Extra-Bold, ACS-Morgan, ACS-Symbols, ACS-Topazz-Bold, ACS-Topazz-Extra-Bold, ACS-Topazz, ACS-Yaqout-Bold, ACS-Yaqout-Extra-Bold, ACS-Yaqout, ACS-Zomorrod-Bold, ACS-Zomorrod-Extra-Bold, ACS-Zomorrod. They can be downloaded here, here and here. [Google] [More] ⦿
Julia Abdullina	Moscow-based designer of several experimental typefaces in 2014. [Google] [More] ⦿
Fatima Abdulrahman	Abu Dhabi, UAE-based designer of the Arabic typeface Hibr (2014). [Google] [More] ⦿
Shaden Abdulrahman	As a student at the University of Dammam in Saudi Arabia, Shaden Abdulrahman created the squarish Kufic typeface Diamond (2015). [Google] [More] ⦿
Rosyad Abdurahman	Bandung, Indonesia-based designer of the uppercase display typeface family Srivijaya (2017). [Google] [More] ⦿
Ismail Abdurrasyid	Bantul, Indonesia-based designer of several icon sets (Ecommerce, Football, Bathroom, Moslem Worship), and handcrafted typefaces sucxh as Kinley (2019: monoline script), Layla Script (2019), Star Medina (2019: an Arabic simulation typeface), Zamalek (2019: a script typeface), Seggo Jagung (2019: a minimalist monoline sans), Jaguar (2019: squarish), Sinau (2019: a script typeface) and Modaz (2019: an all caps brush typeface for horror applications). Typefaces from 2020: Sharifa (script), Emyrla (2020: a minimalist futuristic sans), Samosan (2020: titling sans), and Marrowish (titling serif). Creative Fabrica link. [Google] [More] ⦿
Aqamulhaq Abdurrazaq	Sulawesi, Indonesia-based designer (b. 2000) of the tall display typeface Aftur Seven (2021). [Google] [More] ⦿
Brian J. Abe	North-Carolina-based designer (b. 1989) of the dot matrix font Sam's Town (2006) and the graffiti typeface February (2007). Alternate URL. [Google] [More] ⦿
Amin Abedi	Tabriz, Iran-based designer (b. 1990) of these typefaces: The paperclip typeface First Shine (2016). The outline typeface AAR (2017). The programming font Cherry (2017). The calligraphic typeface Perfection (2017). The monoline Arabic/Latin typefaces Estedad (2017-2018) and Mikhak (2018). The monospaced sans typeface AzarMehr Monospaced (2018). For Arabic and Latin. It has a great arched background font. The fancy Persian font Fandogh (2017). Github link. [Google] [More] ⦿
Negin Abedi	Graduate of the Communication Design program at Emily Carr University of Art & Design in Vancouver, 2012. Creator of the high-contrast artsy headline typeface called Yaletown (2012). Cargo collective link. [Google] [More] ⦿
Hirofumi Abe	Japanese type designer. [Google] [More] ⦿
Adhi Abel	During his studies in Jakarta, Indonesia, Adhi Abel designed the sans typeface Belanusa (2014-2015). Behance link. Home page. Dafont link. Cargo Collective link. [Google] [More] ⦿
Bernie Abel	Designer of Abel Cursive (Compugraphic, 1974). For a digital revival, see Alan Jay Prescott's APT New Abel Cursive (1996). [Google] [More] ⦿
Nina Abele	Schwäbisch Gmünd, Germany-based designer of a custom typeface for Deutsches Verpackungsmuseum (2017). [Google] [More] ⦿
Clara Gutierrez Abellan	Granada, Spain-based designer of the cutesy typefaces Alice, Smiles, Alhambra and Ohlala in 2015. [Google] [More] ⦿
Joanne Abellar	Creator (b. 1991, The Philippines) of the outlined hand-drawn typeface Chickfactor (2013), as well as Ham And Eggs (2013), Bookends (2013), Bookends with Accents (2014), Font5 (2013) and Whiplash Girl Child (2013). Typefaces from 2014: Basic Space, Hypersober (textured shadow face), Hypersober Clean. In 2015, she designed the avant garde sans typeface Morning Crescent. In 2016, she published the handcrafted typeface Summer Fling. Dafont link. Fontspace link. Home page. [Google] [More] ⦿
Nava Abel	Israeli type designer at MasterFonts. Klingspor link. [Google] [MyFonts] [More] ⦿
Kelly Abeln	Graphic designer in Minneapolis, MN. Creator of the handcrafting all-caps face Knots&Loops (2011). Behance link. [Google] [More] ⦿
Elizabeth Abernethy	Graphic designer who created the art deco headline typeface Strain Theory (2011). [Google] [More] ⦿
Vincenzo Abet	Napoli, Italy-based designer of the geometruc sans typeface Ulio (2015). [Google] [More] ⦿
Puangroi Abhaiwongse	Thai type designer. His typefaces at Ziam Type include -ZT Khun Saibua (2018). [Google] [More] ⦿
Sarah Abichaker	Beirut, Lebanon-based designer of the Latin / Arabic multiline art deco typeface Str8 Tracks (2016). [Google] [More] ⦿
Rachel Abidov	Israeli type designer at MasterFonts who made the hand-printed Hebrew typeface Racheli MF (2009). [Google] [MyFonts] [More] ⦿
Soufiane Abid	Kenitra, Morocco-based designer (b. 1993) of Kenta (2020) and Semlor (2020), a Latin / Cyrillic typeface that plays with stress and is destined for posters. Earlier typefaces include the handcrafted Agenzada and the free formal sans typeface Jervinho (2019), which was inspired by Maven Pro and Titillium Web. [Google] [MyFonts] [More] ⦿
Huda Smitshuijzen AbiFarès	Huda Smitshuijzen AbiFarès, was born in Beirut in 1965. Author of Arabic Typography A Comprehensive Sourcebook (Saqi Books, London, 2001), Experimental Arabic Type (Saatchi&Saatchi, Dubai, 2002), Typographic Matchmaking (BIS Publishers, Amsterdam 2007), Arabic Type Specimen Book (2008), Typographic Matchmaking in the City (2010) and Arabic Type Design for Beginners (2013), and a number of articles on multilingual communication in the Middle East such as Arabic Type: a challenge for the 2nd millennium (1998). She holds degrees in graphic design from Yale University School of Art and Rhode Island School of Design, and specializes in bilingual typographic research and design. She has worked as a designer for a number of years, in the USA, Amsterdam, France and Beirut. She has taught typography and graphic design at the American University of Beirut. She was the Chair of the Visual Communication Department for three years at the American University in Dubai and founded the Khatt Foundation, Center for Arabic Typography in Amsterdam. She curates exhibitions, organizes collaborative design research projects between Europe and the Middle East, and is editor of the Khatt Foundation online network of Arab/Middle Eastern designers (www.khtt.net). She is currently pursuing a PhD at Leiden University while working between Europe and the Middle East as a typography and design consultant on projects of cultural relevance. She has art directed and collaborated on the design of several contemporary Arabic fonts for magazines like Aleph (London) and companies in the Gulf. Typefaces include Alef Caps (2008), done with Pascal Zoghbi. KHTT link. [Google] [More] ⦿
Christianne Abigael	During her studies at Nanyang Academy of Fine Arts in Singapore, Christianne Abigael created the wonderful pearl-studded (or floriated) decorative typeface Daisy (2015). [Google] [More] ⦿
Badeeh Abla	Designer of LX Sans (2016). Creative Market link. [Google] [More] ⦿
Lales Ab	Madrid, Spain-based designer of the art deco revival typeface Cine Rex (2016). This typeface is based on the sign for the Cine Rex movie theater. [Google] [More] ⦿
Adiljan Abliz	Designer of these Uyghur typefaces: Ukij 3D, Ukij Esliye (with Turghun), Ukij Imaret (with Turghun), Ukij Jelliy, Ukij Kawak, Ukij Merdane, Ukij Qolyazma, Ukij Qolyazma. With Turghun at Alpsoft Science and Technology Development Co., Ltd., Urumchi, he designed Ikij Esliye. With Alim Ahat, Memtimin (Alyar) and Abdureshit (Qarlighach), he designed Ukij Zilwa. Open Font Library link. [Google] [More] ⦿
Mert Abolar	Antalya, Turkey-based designer of a display typeface in 2017. [Google] [More] ⦿
Thomas Abold	At H. Berthold AG, Thomas Abold published the phototype typeface Abold (1972). [Google] [More] ⦿
Renz Jezrel Abong	During his studies in Montalban, The Philippines, Renz Abong created the free sans typeface Tale (2013, FontStruct), the free condensed typeface Versa (2013, FontStruct), and the free monoline geometric font Tribe (2013). Behance link. [Google] [More] ⦿
Ashique Aboobacker	Aka Minz Creations. Indian designer of the free Malayalam typefaces Ashique ML Minnu Semi Bold (2013) and Ashique ML Ashu Condensed Bold (2013). In 2014, he created Ashique ML Minnu Bold. Fontspace link. [Google] [More] ⦿
Mounira Shady Abouauf	During her graphic design studies in Cairo, Egypt, Mounira Abouauf designed the Latin typeface Simplicity Serif (2015), and the Arabic display typeface Mousool (2016) and Mamary (2016). [Google] [More] ⦿
Carine Abou	French designer of the human figure silhouette font C Comme Corps (2015). [Google] [More] ⦿
Adham Aboudoma	Cairo, Egypt-based designer of the Latin display typeface Rondo (2014). [Google] [More] ⦿
Sherine Abouelmagd	Inspired by the movie Edward Scissorhands (1990), and Fontdiner Swanky (1996, Stuart Sandler), Sherine Abouelmagd designed a Latin display typeface and the great Arabic typeface Sherif ElKordy in 2018 during her studies at German University in Cairo. [Google] [More] ⦿
Yasmine Aboul-Hosn	Beirut, Lebanon-based designer of the Latin / Arabic display typeface Skeletal (2016). [Google] [More] ⦿
Thibaut Abou Mrad	Based in Rennes, France, Thibaut Abou Mrad created the logotype typeface Dantek (2014) for Zit Dantes, a web service company. His layered rounded stencil typeface family Normograph (2014) is created for wayfinding applications. Trix (2014) is a triangulated typeface. Miron (2014), designed for the Miron Rivoli gallery, is a hybrid of Filosophia Grand and Gravur Condensed. Behance link. [Google] [More] ⦿
Carine Abraham	Designer at Union Type of Timura (deconstructivist face). [Google] [More] ⦿
Israel Abraham	Venezuelan creator of the experimental / alchemic typeface Carnada (2011). [Google] [More] ⦿
Jaeda Abraham	Graphic designer based in Gold Coast, Australia. In 2018, she created the rounded sans typeface Mochi. [Google] [More] ⦿
Bradley Abrahams	Cape Town, South Africa-based designer (b. 1979) of the art deco stencil typeface Daddy Dont Disco (2008). [Google] [More] ⦿
Federico Abrahams	Aka Bicho. Designer in San Jose, Costa Rica, b. 1974. He created the decorative typeface Malajeno (2011). [Google] [More] ⦿
Konor Abrahams	During his studies at RGD, Konor Abrahams (Toronto, Ontario) designed the piano key typeface Oppose Display (2019). [Google] [More] ⦿
Sophia-Rose Abraham	Australian student-designer of the organic typeface Pandanus (2019). [Google] [More] ⦿
Tanuj Thomas Abraham	At MIT Institute of Design in Pune, India, Tanuj Thomas Abraham created the monoline sans typeface family Burgeon (2017). [Google] [More] ⦿
Vytautas Abraitis	Lithuanian designer of these free display fonts in 1993: KABlokHead, KABlokHeadJam, KACobra, KACobraCreep, KADinoSlay, KADinoSob, KAHorrible, KAHorribleSquish, KAMarble, KAMarbleClear, KAMonster, KAMonsterSmirk, KAPasta, KAPastaAldente, KAPizza, KAPizzaMunch, KASnake, KASnakeNite, KAStorm, KAStormRain. [Google] [More] ⦿
Alyssa Abram	Vancouver-based designer of the pixel font Bitmap (2013). [Google] [More] ⦿
Heric Longe Abramo	Italian designer (b. Bologna, 1976) of some deconstructivist fonts such as Kill Your Neighborhood (2000, knife dingbats and scanbats of typefaces), and the broken stencil font Metal Meltdown (2001). In 2000, he co-founded the magazine Pressure, dedicated to graffiti art. [Google] [More] ⦿
Raisa Abramova	Vladivostok, Russia-based designer of Orange Mochi (2021: a great informal handwriting script for Latin and Cyrillic), Salty Cracker (2021: an angular typeface true to its name), Basely Bagel (2021: a children's book typeface), Small Baguette (a funky hand-printed typeface), Mooncake (a monolinear display sans) (2021). [Google] [MyFonts] [More] ⦿
Vit Abramov	Founder and creative director at Flëve in New York City. Mobispot Regular (2013) is a beautiful contemporary geometric grotesque for Latin and Cyrillic, designed by Olga Balina and Vit Abramov at Flëve for Mobispot Social Systems, a company that creates cool applications for life and business based on NFC technology. Behance link. Behance link for Flëve. [Google] [More] ⦿
Vsevolod Abramov	Moscow-based designer of the free Latin / Cyrillic typeface Lena (2017). He also cyrillicized Ben Dalrymple's Geared Slab here. [Google] [More] ⦿
Rob Abram	Graphic designer from Kansas who made several experimental fonts in 2011. [Google] [More] ⦿
George Abrams	George Abrams (b. 1919 or 1920, Brooklyn, d. 2001, Manhasset, NY) is the designer of the gorgeous font families Augereau, Abrams Caslon and Venetian, at Expert Alphabets in Great Neck, NY. Abrams taught lettering and typeface design at the Parsons School of Design, the New School for Social Research and at the Columbia University Teachers College. He had over 50 years of Madison Avenue experience designing ads, logos, typography and lettering for Fortune 500 companies and more. His early typefaces were photo types published by Headliners in New York City. He died on June 7, 2001 at age 81. About Augereau: This is the only digitized typeface by George Abrams [in fact, the digitization is due to Charles Nix, for George Abrams]. Its 28 weights include over 2,000 sorts including expert, OsF,&alts. Augereau is named for Antoine Augereau, who was a typographer who had a few claims to fame - one was that he was Claude Garamonds teacher, and two was that he was sentenced to death for heresy in 1544. Heresy for a typographer in 1544 meant that he printed something that the king or the Pope didn't like and died for it. I would like to thank Poul Steen Larsen for clarifying the history of Abrams' Venetian: The Abrams Venetian was donated to Mr. Poul Kristensen of Herning (in Jutland), then Printer to the Royal Court (which he has ceased to be in 1995). You are right about the font being today locked to Poul Kristensen' old Linotron, from which not even Linotype experts brought in to unlock it, could get it out for conversion into an up-to-date digital font. So the font will disappear from the type arena when Kristensens Linotron one day breaks down. You can trust me, for I was the one who established the contact between George and Mr. Kristensen back in 1986. The font was first used in 1989 in a book by Martin Lowry, British renaissance historian, with the title Venetian Printing. George Abrams' chalk drawings of the entire alphabet in regular and italic were scanned, more precisely vectorised on-screen and downloaded in Denmark by the Kristensens and therefore, in one sense, could be called the first Danish complete font. A sample of the first use of Abrams' Venetian. A second sample from "Venetian Printing". Abrams Venetian was digitized at some point by Jorgen Kristensen for Poul Kristensen Grafisk Virksomhed Printer. Apostrophe wrote this about Abrams Caslon: This was actually reviewed by Caflish and, if I remember correctly, Mark vonBronkhorst, so there are at least 3 or 4 copies of it out there, other than the Abrams' estate original data. Sumner Stone once said that this is the best Caslon he has ever seen. At least he has seen it; I haven't. The typefaces by Abrams (Abrams Venetian and Augereau) are preserved in the New York City-based Abrams Legacy Collection (see also here). Klingspor link. [Google] [MyFonts] [More] ⦿
Josh Abrams	Student in the Masters in Typography program at EINA in Barcelona. He is working on Filler Sans (2011) and Holden (2011, serif face). Behance link. [Google] [More] ⦿
Madelaine Abrams	During her studies at the University of Falmouth in the UK, Madelaine Abrams designed the fun display typeface ChatterBox (2016) and the circle-based Cirque (2016). [Google] [More] ⦿
Sara Abrantes	During her studies at ESAD.cr, Sara Abrantes (Lisbon, Portugal) designed the high contrast text typeface Eros (2019). [Google] [More] ⦿
Mani Sarao Abrawan	Auckland, New Zealand-based designer of a multilined typeface in 2014, possibly called Ponsonby. [Google] [More] ⦿
Jack Abrehart	Creator of simplistic hand-printed typefaces such as Pointy Fontawlious, Plain Sexy and Best Font Ever (2010). [Google] [More] ⦿
Demetrius Abreu	Fortaleza, Brazil-based creator of an electronic circuit-inspired blackletter typeface called Cyber Gothic or Cibergotica (2014). This typeface was developed during his studies at Universidade Federal do Ceará, together with Eduardo Novais (project leader), Deivith Silva, Onofre Paiva, and Rodrigo Almeida. [Google] [More] ⦿
Francisca Abreu	During her studies in Lisbon, Portugal, Francisca Abreu designed the modular display typeface Close (2016). [Google] [More] ⦿
Gilenny Abreu	Boston, MA-based designer of the school project font Azua Sans (2014). Behance link. [Google] [More] ⦿
Hanry Abreu	During his graphic design studies in Rio de Janeiro, Hanry Abreu designed the ethnic typeface Guarany Serif (2014), and the informal custom typeface Lorenzo Sans (2014). [Google] [More] ⦿
Joao Abreu	Joao Abreu (Quarteira, Portugal, b. 1985) designed the free font Horny Village (2013). Dafont link. Behance link. [Google] [More] ⦿
Miguel Abreu	Based in Matosinhos, Portugal, Miguel Abreu created the rounded bold printed typeface Untitled (2014). [Google] [More] ⦿
Robin Abreu	French designer of the geometric / mechanical (variable) font Tosh (2022, Black Foundry), which covers Arabic, Latin and Cyrillic. [Google] [More] ⦿
Rubinei Abreu	Sao Paulo-based designer of the liquid display typeface Abreus RD (2004). [Google] [More] ⦿
Rui Abreu	R-Type was founded by Rui Abreu in 2008. Rui graduated from FBAUP (Faculdade de Belas Artes da Universidade do Porto) in 2003. He has been working as an interactive media designer in different design agencies, and he has been designing typefaces. Based in Porto, he created Tirana (2006, sans family at T26), Catacumba (2007, a gorgeous bold didone titling face, T26; in 2009 at Fountain/PsyOps), Cifra (2006, a lovely ten weight sans family, T26), Nomada (2007, a monoline slab serif), Salto Alto (2006, avant garde sans family, with octagonal influences), Foral (2008, monoline slab serif; published by Fountain in 2010), and Forma (2006, stencil family, T26). In 2008, he published Orbe (Fountain), an exotic all-caps blackletter inspired by Portuguese and Lombardic calligraphy [it deservedly won an award at TDC2 2009; Orbe Pro at MyFonts], Gesta (2008, sans family), Gesta Condensed (2012), Gesta Semi Condensed (2012), Gira Sans (2012, a grotesque family), Foral Pro (2011, an elliptical slab serif), Catacumba (2011, a high-contrast ball terminal wedge serif family), Aria Pro (2011, a delicate high-contrast transitional serif family), Forma Solid (T26). In 2013, Rui published Aria Text (a rational (transitional) toned-down version of Aria that comes in three sets of optical sizes, G1, G2, and G3), the geometric sans family Azo Sans and Azo Sans Uber, a geometric sans with a humanist element. Grafolita Script (2013) is a connected typeface family that borrows ideas from signage scripts. Typefaces from 2014: Litania (medieval-style typeface with roman capitals, Lombardic capitals, and Carolingian minuscules; nice fists accompany the type), Signo (a dynamic sans serif with reverse contrast, designed for editorial and branding). Signo won an award in the TDC 2015 Type Design competition. Typefaces from 2015: Montblanc (a custom sans for the Montblanc company that won the IF Design award in 2015), Usual (a neutral sans with large x-height). In 2010, Peter Bruhn started a typeface but he died before it was finished. In 2015, Rui Abrey and Göran Söderström finished it as Bruhn Sans (Fountain Type). In 2010 Peter was commissioned to design a wordmark for the documentary Harbour of Hope. The type was to ellicit Malmö's harbor, and Peter found inspiration from the painted type of industrial tankers docked in his hometown. Typefaces from 2016: Grifo, Symbio and Symbio Arabic (at Typotheque; prize winner at Granshan 2016), Sul Sans (a geometriclly constructed sans with features frequently seen on signs and buildings in Portugal). Typefaces from 2017: Sul Mono (a typewriter style), Grifito, Grifinito (condensed versions of the sharp-edged display typeface Grifo), Aquino (by Rui Abreu and Ricardo Santos; a display calligraphic stencil typeface inspired by a liturgic book made by Portuguese friar Tomas Aquino in 1735). Typefaces from 2018: Gliko Modern (an award winner at the Type Directors Club's Type Design Competition 2019). Typefaces from 2019: Flecha (a sharp and streamlined old-style typeface made for editorial design that won an award at 23TDC in 2020), Staff (a neo-grotesk from X Wide to XXX Condensed). Typefaces from 2020: Flecha Bronzea (M, L: the condensed version of Flecha). Typefaces from 2021: Azo Super (a heavy display font), Staff Grotesk (a low key sans family derived from Abreu's 2019 font, Staff), Gineto (a grotesque developed from the brevier size of Gothic no. 4, a nineteen century design by the New York type foundry Farmer, Little & Co), Chassi (in three optical sizes, S, M and L: a revival of Garamond as a genre, slightly reinterpreted for our times; I duisagree though with the word "slightly"). MyFonts interview in August 2013. MyFonts page. T-26 page. Old home page. Klingspor link. Fountain Type link. View Rui Abreu's typefaces. [Google] [MyFonts] [More] ⦿
Clément Abrial	Graphic design student in Lyon. Creator of Antarctica (2012), and Miles Davis (2012, an inline art deco typeface). [Google] [More] ⦿
Jean-Charles Abrial	Parisian designer of the Bauhaus-inspired Ortaki (2012, with Cyril Barrier). In 2014, he designed the display typeface Norris and the calligraphic typeface Yonne. Behance link. [Google] [More] ⦿
Andrea Abril	Photographer and graphic designer in Sevilla, Spain, who created the italic didone stencil typeface Doñ in 2017. [Google] [More] ⦿
Rafael Abril	Bogota, Colombia-based designer of the paper fold typeface Fabric Type (2017). [Google] [More] ⦿
Anna Absolut	Designer who used FontStruct in 2009 to make HBK Friday, an LED simulation face. [Google] [More] ⦿
Hasan Abu Afash	Arabic typography web site and font foundry established in 2007 by Hasan Abu Afash, an Arab designer living in Gaza/Palestine. Typefaces: HS Dream (2019), HS Gold (2018), HS Almisk, HS Almisk Serif (2018: modern kufi style), HS Aleman (2018: a kufi /naskh hybrid), HS Alnasma (2017), HS Alhoson (2017), HS Alwajd (2016), HS Almajd (2016), HS Rahaf (2015, covering Pashtu, Persian, Urdu, Kurdish Sorani, Kurdish Kirmanji, and Arabic), HS Alnada (2015, kufi), HS Headline (a fat calligraphic didone display typeface by Gunnlaugur Briem (Latin) and Hasan Abu Afash (Arabic, based on the simple lines of Naskh calligraphy), HS Ali (2015; designed using equal amounts of anger and sorrow, Hasan writes: HS Ali was designed in memoriam of my brother---Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014), HS Alhuda (2014, Kufi font), HS Almaha (2014: this font combines the features of linear Naskh and modern Kufi), HS Almidad (2014), HS Ishraq (2013), HS Alkitab (2013), HS Albadr (2013), HS Almohandis (2007-2011, Arabic display face), HS Alhandasi (2007 and 2011), Hasan AlQuds family (2004, a display typeface done with Mamoun Sakkal), Hasan Hiba, Hasan Enas (Arabic text typeface), Hasan Elham (2006, a modern Kufi art deco face), Hasan Ghada (2007-2008, based on modern Kufi calligraphy--first known in 2002 as KactTitle), Hasan Manal (2008, Kufi style), Hasan Aya (2007, Kufi style famaily based on Corel's 1992 typeface Bedrock), Kouffi Fatemic, Safwat, HS Amal. In 2008, Hasan Hiba and Hasan Noor (a classic squarish Kufi face) were upgraded to the DecoType font format for use in WinSoft Tasmeem which is now bundled with InDesign CS4---thanks to a cooperation with Mirjam Somers. Still with Somers, he upgraded the Basim Marah display typeface (2008) for Tasmeem. Basim Marah was drawn by Basim Salem Al Mahdi from Iraq and then digitized by Hasan himself. The same year, Hasan developed an OpenType project for Alinma TheSans fonts which are based on TheMix Arabic (designed by Luc(as) de Groot and Mouneer ElShaarani for Al Inma Bank, Saudi Arabia). Later he developed the OpenType features for Jumeirah Arabic which was designed by Pascal Zoghbi (29letters) and Huda AbiFares (Khatt) for Jumeirah International, UAE. He developed the OpenType layout features needed for the Arabic script system in the Seria Arabic fonts family which was designed by Pascal Zoghbi for FontShop International, as well as the Chams fonts family which was designed by Al Mohtaraf Assaudi for the redesign of the Shams Newspaper in Saudi Arabia and the Arajhi fonts for Alrajhi Bank. Since 2002 Hasan has worked and collaborated with Mamoun Sakkal in several projects, such as the Burj Dubai Shilia project, Sakkal Baseet and the Microsoft project which included the updating of the OpenType instructions for fonts such as Tahoma, Microsoft Sans Serif (1997), Arial, Times New Roman, Segoe, Courier, Time New Roman, Ms Uighur and Majalla UI. In 2009-2010, he cooperated with Parachute to make DIN Text Arabic. Releases in 2012 include HS Future Sans (with Abdulsamie Rajab Salem), HS Amal, HS Alfaris, HS Al Basim A, and HS Almohandis. Typefaces from 2013: HS Alwafa, HS Masrawy (a display typeface done with Abdulsamiea Rajab Salem), HS Elham (Kufi). Behance link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
Martín Abud	Montevideo-based designer of the organic typeface Escrin. See also here. [Google] [More] ⦿
Jorgito Abuin	Jorgito Abuin (b. 1967, Spain) designed the brush font Cabanyal Z (2013). Fontspace link. [Google] [More] ⦿
Saad Dean Abulhab	Arabetics is run by the Iraqi-American New York-based type designer, librarian, and systems engineer Saad Dean Abulhab (b. 1958, Sacramento, CA, d. Brownstown, MI, 2021), who in 2000 patented the Mutamathil (unified and symmetric) type style for Arabic. He grew up in Karbala and Baghdad, Iraq, but was born in Sacramento, CA. He attended the University of Baghdad, and holds a Bachelors degree in electrical engineering from Polytechnic University and a masters degree in library and information science from Pratt Institute, both in New York. He resides in the USA since 1979. In 2004, he set up Arabetics. His type design work covers Arabic, Urdu, Persian, Kurdish, and Pashtu. Obituary. His typefaces include Zena (2009), Layal (2007), Mehdi (2005: follows the guidelines of the Mutamathil Taqlidi type style), Sabine (2008: it too follows the guidelines of the Mutamathil Taqlidi type style), Fallujah (2005), Mutamathil Falujah, Yasmine Mutamathil, Mutamathil Taqlidi, Arabic Mutamathil, Arabic Mutamathil Mutlaq (2004), Arabic Mutamathil Tibaah, Arabic Mutamathil Mutlaq Tibaah, Arabic Mutamathil Muttasil and Arabic Mutamathil Tibbaah Muttasil. Mutamathil and Mutamathil Taqlidi include optional Lam-Alif ligatures. See also Kufa Mutamathil (2011). Other font families: Nasrallah, Silsilah, Yasmani, Mutamathil, Yasmine Mutamathil, Amudi, Amudi Mutamathil, Anbar (2008), Handasi, Yasmine Mutlaq, Jazm (2010), Jalil (2011). In 2012, he added Nuqat, Nastarkib, Lahab, Ibrani, Hallock, Arabetics Latte (for Latin and Arabic), and Banan (Mutamathil Taqlidi type style). In 2005, he created Handasi, about which he writes: The idea behind Handasi, Arabic word for engineered, was to design a font without a single curve that would at the same time resembles traditional curves-rich Nask style. The font strictly uses straight lines. The design of Handasi is based on the Mutamathil Taqlidi design style where each letter is represented by one normal glyph assigned the basic Unicode number and an additional final shape glyph to letters capable of dual connection within traditional Arabic text. No initial, medial, or standalone shapes are provided. Arabetics Symphony (2012) is a sans serif Latin typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. In 2013, he published PF Nuyork Arabic at Parachute. His Arabetic fonts from 2013 include Nagham, Arabetics Harfi (for Latin and Arabic), Camille, Raqmi and Raqmi Monoshape. In 2015, he published Hazim (in Mutamathil Taqlidi style), Sada (for small devices, in Mutamathil Taqlidi type style), Khatt, which follows the Arabetics Mutamathil Taqlidi style. Typefaces from 2016 include Mashq, possibly the first typeface implementation ever of the early Quranic scripts of the Early Mashq, Mashq Kufi, and Mashq Ma'il. The font family design is primarily based on the scripts of the Quran manuscripts of the Topkapi Museum, the Bergstraesser Archive, and other scattered samples. Typefaces from 2018: Arabetics Detroit. Typefaces from 2020: Arabetics Aladdin. Hiba Studio link. [Google] [MyFonts] [More] ⦿
Fadwa Abulughod	Communication design student in Milwaukee, WI, who made Embodiment (2011), a typeface for genies. [Google] [More] ⦿
Aya Aburaida	Designer of Matmos, which won an award at ProtoType in 2016. [Google] [More] ⦿
Abdoaroof Aburzizh	Tripoli, Libya-based designer, with Abd-Elrahman Ammar (development), of the free Arabic font family Raoof. [Google] [More] ⦿
Hani Abusamra	London-based graphic designer and illustrator, who studied graphic design at London's Architecture and Visual Arts school. Behance link. Her typefaces include Valence (2011, blackletter/tattoo face). Also, starting in 2011, she decided to drawn one letter per day. Shapes (2011) is a geometric face. [Google] [More] ⦿
Nora Abushadi	Cairo-based designer of an Arabic Tetris-inspired typeface (2014). [Google] [More] ⦿
Nayera Abusteit	Based in Cairo, Nayera Ezzal Din Abesteit created an Arabic typeface using compass and ruler in 2013. In 2014, she published a condensed Latin/Arabic typeface called Tall. [Google] [More] ⦿
Ruby Abutaleb	American designer of the bicolored caps typeface Ketab (2018). [Google] [More] ⦿
Federico Abuyé	Argentinian designer in Buenos Aires of the pixel typeface Andina (2012). Home page [Google] [More] ⦿
Abyme	Abyme is a type foundry founded by Adrien Vasquez and John Morgan. Their typefaces: English Egyptian (2011-2017, by John Morgan and Adrien Vasquez). English Egyptian is an interpretation of William Caslon's Two Lines English Egyptian of 1816, considered by some to be the first sans serif printing type to be sold commercially. Nizioleti (2011-2017). An all caps stencil typeface designed by John Morgan and Adrien Vasquez, Nizioleti is named and modeled after the nizioleti, or Venetian street signs. Nizioleti is a typeface consisting of painted letters stencilled within white plaster panels directly onto the city walls, in use since the early 19th century. Berthe (2011-2018), designed by Charles Mazé. Berthe is designed after another typeface called Série no. 16, whose first cuts were produced at the end of the nineteenth century by the Parisian type foundry Deberny & Peignot. It was engraved by Constant and Auguste Aubert under the direction of Charles Tuleu, the adoptive son of Alexandre Deberny whose mother, Laure de Berny, had bought from her lover Honoré de Balzac the printing house he didn't manage to transform in a profitable company. Série no. 16 quickly became a popular choice among printers and found its way into many editions of classic and popular texts. Review by Hrant Papazian, who wrote that it presents a congenial evolution of the theatrical Didone style of type. Lower contrast, fluid structures, humane proportions. It is like a Didot or Bodoni taking leave of the catwalk and relaxing among friends.. Mercure (Charles Mazé, 2010-2021). Mercure is based in part on Beaudoire's Elzévir, and also goes back to the epigraphic origins of Perrin's Augustaux. [Google] [More] ⦿
Muhammd Aby	Muhammd Aby (Alqawoms, Aceh Besar, Indonesia) created the script typefaces Marabella (2016: brush script), Yolanda (2016: calligraphic), Bougainvillea (2016: calligraphic), Panthers (2015) and Breakout (2015, brushy). Typefaces from 2016: Annabelle (formal script), Beautification (connected script), Better (2016). [Google] [More] ⦿
Yussrri Ab	Designer of the 3d font Yashi (2020). [Google] [More] ⦿
Petar Acanski	Novi Sad, Serbia-based designer (b. 1985) of the fat hand-drawn typeface Oneer (2014). Typefaces made in 2016: School Stop (a wonderful variable width and interlocking poster typeface), the free oriental brush script font Bold Brush or Blow Brush (according to the designer it was influenced by the hip hop culture). Dafont link. Behance link. Old URL. Creative Market link. [Google] [More] ⦿
Angel Suazon Acar	Madrid-based designer of Always Typeface (2015) and Camera Icons (2015). [Google] [More] ⦿
Bengisu Acar	During her studies in Ankara, Turkey, Bengisu Acar created the modular computer emulation typeface Majesty (2015). [Google] [More] ⦿
Eylem Eylül Acarsoy	At Yasar University, Izmir, Turkey-based Eylem Eylül Acarsoy designed the squarish typeface MGMT (2018). [Google] [More] ⦿
Umut Acar	Izmir, Turkey-based designer of the foliate typeface Acar (2016). [Google] [More] ⦿
Halit Açıkgöz	Turkish designer of the bouncy squarish font Halit (2008). [Google] [More] ⦿
A. Accent	Designer at Mecanorma of AccessMN. [Google] [More] ⦿
Josefina Accini	Art director in Buenos Aires, Argentian, who designed a squarish all caps typeface called Thesame (2017). [Google] [More] ⦿
Alexei Accio	Or Aleksey Achyo. Omsk, Siberia-based designer of the free Pacman-inspired typeface Accio Beta (2016). Behance link. [Google] [More] ⦿
Beatriz Accioly	Brazilian graphic design student. Creator of Lovato Serif (2012). [Google] [More] ⦿
Nina Acciuolo	Buenos Aires-based designer of the tall thin typeface family Dunn (2016) as a project at Universidad de Palermo. [Google] [More] ⦿
Brian Acevedo	Cranbrook Academy of Art student who designed Thermal (2001). [Google] [More] ⦿
Daniela Acevedo	During her studies at Flagler College, and exactly obn the day hurricane Irma hit Florida in 2017, Orlando, FL-based Daniela Acevedo designed the decorative caps typeface Interlace. [Google] [More] ⦿
David Acevedo	Barcelona-based designer of the Escher-style outline typeface Barcelona (2014). Behance link. [Google] [More] ⦿
Lilibeth Acevedo	Merida, Venezuela-based designer of Joro Pop (2012). [Google] [More] ⦿
Anina Achermann	During her graphic design studies at Fachklasse Grafik in Luzern, Switzerland, Anina Achermann created a bold sans typeface (2014). Behance link. [Google] [More] ⦿
Clare Acheson	Creator of the hand-rendered typeface Rubbish (2012). [Google] [More] ⦿
Clare Acheson	Designer of the 3d shadow typeface Rubbish (2009, HypeForType). [Google] [More] ⦿
Connie Achilles	The Iching truetype font by Connie Achilles and Font Source, Inc. (1997). [Google] [More] ⦿
Lutfi Achmad	Indramayu, Indonesia-based designer of the modular sans typeface Daun (2018), the squarish techno typeface Troton (2018) and of Modern Ball Icons (2018). [Google] [More] ⦿
Vilja Achté	Finnish graphic designer and illustrator, who is finishing a BA in Graphic and Media Design, at London College of Communication in 2013. Creator of a collaborative typeface (with Sam Brogan) in 2013. [Google] [More] ⦿
Ian Acid	Rego Park, NY-based creator of the free techno typeface Acid Structure (2011). Behance link. [Google] [More] ⦿
Elif Acikgoz	Eskisehir, Turkey-based designer of Wave Script (2018). [Google] [More] ⦿
Gokalp Acikgoz	Istanbul, Turkey-based designer of the free sans typeface Nektarin (2015) and the free condensed titling typeface Wonderwall (2015). [Google] [More] ⦿
Memet Emre Acikgoz	Istanbul, Turkey-based creator of the circle-inspired typeface Retrospective (2014). Behance link. Dafont link. [Google] [More] ⦿
Nenad Acimovic	Designer of the first Serbina Cyrillic blackletter font, Gotica (2012). [Google] [More] ⦿
Anderson Acioli	Recife, Brazil-based designer of the display typeface Monsters (2014) and the pixel typeface Games (2014). [Google] [More] ⦿
Christian Acker	Christian Acker (b. 1979, Norwalk, CT) and Kyle Talbott, two graphic designers in New York City, set up Handselecta on Long Island in 2003 as a division of Adnauseum, Inc. They have pages on graffiti art, graffiti and calligraphy, and graffiti-based typefaces: Espo, Joker (done with Jerry Inscoe), Sabe, Mesk, Mesk AOK. Run by Brooklyn-based Christian Acker. They are selling the graffiti fonts. MyFonts link. MyFonts sells HSMene One NYThrowie (2006), 24 HRS, Joker Straight Letter, Mene One Mexicali, Mesh One AOK, Meskyle Laid Back, Sabe Ghetto Gothic, and Sailor Gothic. Behance link. Interview by Ping Mag in 2006. In 2008, he made a custom graffiti font called Lebron6 for the launch of Lebron James's Sixth Shoe. View Christian Acker's typefaces. [Google] [MyFonts] [More] ⦿
Christian Acker	Adnauseum is an experimental design studio in Brooklyn, NY, run by Christian Acker, an American type designer (b. 1979, Norwalk, CT) who graduated from the Parsons School of Design in New York City in 2002. Christian occasionally guest lectures typography classes at Parsons. He set up Adnauseam in 2002 and Handselecta in 2003. He designed Sailor Gothic (2003), the Spanish-looking font Sailor Jerry (2002), Joker Straight Letter (2006), Mene One NY Throwie (2006), Mesh One AOK (2006), Meskyle Laid Back (2006), Sabe Ghetto Gothic (2006), and 24Hrs (2002, Cubanica). Klingspor link. [Google] [MyFonts] [More] ⦿
Paul Ackerley	Fonts made by Paul Ackerley include Ackadia (1999, 3D simulation font). [Google] [More] ⦿
John Ackerman	Lansing, MI-based designer of Glyph Sans (2015), a free experimental sans typeface made with FontStruct. [Google] [More] ⦿
Kyla Ackerman	Cape Town, South Africa-based designer of the 3d shadow typeface Disclosed (2016). [Google] [More] ⦿
Phil Ackermann	Cape Town, South Africa-based designer of the blocky typeface Pajitnov (2015), which was inspired by the classic arcade game Tetris and named after its Soviet developer, Alexey Pajitnov. [Google] [More] ⦿
Thomas Ackermann	Thomas Ackermann studied Communication Design at Hochschule für Angewandte Wissenschaften Hamburg (Germany) and Shenkar School of Engineering and Design in Tel Aviv. He worked as freelance designer for Blotto Design in Berlin and teaches typography at the design department of HAW Hamburg. He specializes in corporate design, typography and type design favouring big letters in architectural spaces. In 2010, he founded PBLC---Büro für Visuelle Kommunikation---with three other partners in Hamburg. Codesigner of FF Bauer Grotesk (2014, Fontfont), with Felix Bonge. Fontfont writes: FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the Art Deco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval O is a good example of this approach, as are characteristic shapes like the capital M or the unconventional varying stroke endings on the c and s which give them a less constructed look. [Google] [MyFonts] [More] ⦿
Richard Acker	Designer at Cubanica Fonts of 24hrs. [Google] [More] ⦿
Karen Ackoff	Designer of the delicate font Russell at Alphabets Inc., and of Russell Oblique (1994, Adobe). Karen Ackoff has a BFA in Illustration from the Philadelphia College of Art and an MFA in Medical Illustration from the Rochester Institute of Technology. She has worked as Scientific Illustrator at the National Museum of Natural History, Smithsonian Institution in Washington, DC. She presently teaches and coordinates the Graphic Design program at Indiana University South Bend. She is available for freelance commercial artwork and fine arts commissions. Klingspor link. [Google] [MyFonts] [More] ⦿
Mezz Acmal	Mezz Acmal is the Brunei-based creator of the futuristic font Akmal [no downloads]. [Google] [More] ⦿
Omar Acoltzi	Graphic designer in Queretaro, Mexico, who created the stencil typeface Warnol (2015). [Google] [More] ⦿
Adolfo Gregorio Acosta	Graduate from FADU, University of Buenos Aires, who created the typeface Xixo Xixo (2008). [Google] [More] ⦿
Camila Acosta	Graphic designer in Montreal who created the italic didone typeface Vogue in 2017---her Vogue is not at all related to the well-known geometric sans Vogue. Behance link. [Google] [More] ⦿
Alejandra Acosta Chavez	Based in Mexico City, Alejandra Acosta Chavez created Gormley Bold (2013), which is a squiggly typeface created from Helvetica in the style of the English painter Anthony Gormley. [Google] [More] ⦿
Edna Isabel Acosta	Lagartija desino is the Puerto Rican foundry of Edna Acosta that produced Aliance (1998), Chupacabra (1998), the Diplomatica family (1998, with ornaments), Acosta Regular, Acosta Italic, Acosta Bold, Acosta Bold Italic, Acosta Black, Acosta Black Italic, Spirograf (1998, dingbats). All fonts by Edna Acosta. Edna graduated from the Parsons School of Design in New York in 1990 with a BFA. Klingspor link. [Google] [More] ⦿
Javier Acosta	Bogota, Colombia, and Montreal-based designer of the great poster series Puscifer (2016) and the handcrafted typeface Nuvoo (2018). [Google] [More] ⦿
Jeanette Acosta	Freelance designer in Buenos Aires, Argentina, who created the blackboard bold typeface Cinemanette in 2016. [Google] [More] ⦿
Jose Luis Acosta	Mexican designer of the delicate text typeface Enrico (2003). [Google] [More] ⦿
Manuel Acosta	Guarenas, Venezuela-based designer of the multiline typeface Typossibilia (2014). [Google] [More] ⦿
Patricia Acosta	Graphic designer in Mesquita, Brazil. A painting by Herbert Bayer inspired Patricia Acosta to create the art nouveau typeface Bayou (2014). [Google] [More] ⦿
Vinicius Acquesta	Sao Paulo, Brazil-based graphic designer (b. 1988) and art director. Creator of the ultra black typeface SubSquare (2009). Aka "subdoom". Dafont link. Devian Tart link. Behance link. [Google] [More] ⦿
Steven Acres	Graphic designer in Brooklyn, NY. He made the custom logortype Chimaera (2010) for a mediaeval-style cafe. Behance link. [Google] [More] ⦿
Attila Acs	Hungarian designer (b. 1982) of the grungy typewriter typeface AA Typewriter (2010), and the handwritten Budapest Markets (2010). Home page. He lives in Burley Heights and/or Gold Coast, Australia. Behance link. Dafont link. [Google] [More] ⦿
Thomas Acton	During his studies at University of South Wales (CCI/ATRiuM, Cardiff), Thomas Acton created the experimental typeface The Captain Is A Storyteller (2013). [Google] [More] ⦿
David Acuña	Caracas, Venezuela-based designer of the thematic typeface Headphone (2017). [Google] [More] ⦿
Valentina Acuña	Fray Luis Beltran, Argentina-based designer of the display typeface Linear Group (2019). [Google] [More] ⦿
Ximena Acuña	Creator of the free fonts Fontanera (2013) and XII (2013, a clean hand-printed caps typeface). [Google] [More] ⦿
Yuji Adachi	Free original fonts by Yuji Adachi: Nice Age, Arcade (pixel font family that includes a horizontally-striped style, 1998), Bop Gun, No Problem, Dymos, One Nation, Atari 80, Bad Matrix and Lavalite, Dimension (kids' orthographic font, 1999), UHF (baseball shirt lettering, 1999), LogoSystem (1998), Bangalore (Stephen Coles says that this is still the world's best small pixel script), Radio Dept, Ole Segments, Code3X (barcode font, 1999), Neo Dymos, Major Kong (handprinting, 1999), Ohio Player. Font Pavilion sells his Dymos (katakana), One Nation, Bop Gun, Logo System. In Digitalogue's DPI72 package, he published the screen pixel fonts CODE14X (1999), DryBones7 (1999), Tempo9 (1999). Promised fonts: Wax, Problems, Bad Matrix, Atari80, Neo Dymos, No Problem, Ole Segments. Fontspace link. Dafont link. [Google] [More] ⦿
Adadglgwut	Creator of Circuit Mage (2012). [Google] [More] ⦿
Jimmy Adair	The Scholars Press Fonts are public domain fonts that are designed to work on both Windows computers and Macs. Fonts for Hebrew, Greek, Syriac, Coptic, and Semitic-language transliteration. (Mac and Windows): SPEzra (fixed width Hebrew/Aramaic, 1998) and SPTiberian (Hebrew/Aramaic), SPIonic (Greek, see also here), SPEdessa (Syriac), SPDoric (1999, uncial Greek), SPAchmim (Coptic), SPDamascus (Hebrew, 1998), SPCaesarea (dingbats, 1998), and SPAtlantis (transliteration). All fonts by Jimmy Adair. He states: "Patrick Durusau, formerly my colleague in crime at Scholars Press and now with the Society of Biblical Literature, was instrumental in the design and disseminatation of the SP fonts." FTP access. Truetype archive. See also here. fontspace link. [Google] [More] ⦿
Matthew Adair	American designer (b. 1984) of Nefraka Print (2006, runes for an artificial language). Home page. [Google] [More] ⦿
Adais	Creator of the free typeface Adais (2010, OFL). Download dysfunctional. [Google] [More] ⦿
Carlos Adalid	During his studies in Barcelona, Carlos Adalid designed the wonderful free piano key typeface Judo (2016) and the curvy monoline typeface family Wilbo (2018). [Google] [More] ⦿
Abdi Adam	Creator of the free ink run typeface Symbiote (2012). [Google] [More] ⦿
Adam	London-based designer of Bootround (2006, a techno version of Amelia). [Google] [More] ⦿
A.K.M. Adam	Creator of the cross-themed dingbat typeface called Little Gidding. Alternate URL. [Google] [More] ⦿
Alex Adam	Software developer in Bucharest, Romania, who specializes in generative and algorithmic art and design. Github page. He has used Andreas Koller's Fontastic tool to create a family of generative experimental typefaces in 2015. [Google] [More] ⦿
Amelia Adam	American designer, b. 1984. Home page. Her free fonts include Selfish Bitch (2010, hairline, hand-printed), and the ornamental art deco caps typeface Sundays Are Boring (2010). [Google] [More] ⦿
C. Adam	Designer at Genzsch&Heyse, who made Rex (1924). [Google] [More] ⦿
Carl Adam	Carl Adam taught design at the Staatlichen Fachschule für das Buchgewerbe in Hamburg. He designed the openface font Rex (1924, Genzsch & Heyse). [Google] [More] ⦿
Blaise Adamczyk	Blaise Adamczyk (aka de Seingalt) is the Polish designer (b. 1986) of Rounded (2006), an all caps stencil face. [Google] [More] ⦿
Mateusz Adamczyk	Graphic designer in Poznan, Poland, who published the squarish typeface Quadrum (2019). [Google] [More] ⦿
Gabriela Adame	During her studies in Tijuana, Mexico, Gabriela Adame created the geometric display typeface Geogar (2013). [Google] [More] ⦿
Hubert Adamek	Polish designer of the hand-printed typeface Szarpany (2004). [Google] [More] ⦿
Ish Adames	Ish Adames, a graphic designer and photographer in Philadelphia, PA, designed the titling sans typeface Duma in 2013. Behance link. [Google] [More] ⦿
Ismael Adames	Philadelphia-based designer of the free geometric sans typeface Duma (2014) and the free Duma Bold (2014). Behance link. [Google] [More] ⦿
Gabriel Adam	Graduate of Masaryk University in Brno, Czechia, class of 2013. Brno-based graphic artist who created a blackletter typeface in 2011 at Masaryk University that is based on lettering in the Krems Bible (1333/1334, Austria). In 2015, he published the splendid handwriting font Linkingabo. Behance link. [Google] [More] ⦿
Michal Adamiec	Michal Adamiec (b. 1987) is studying at the Pedagogical University in Krakow, Poland. He made Murena (2012, a bouncy sans family), Cello Sans typeface (2010, organic), and the techno-inspired Penumbrum (2010). Behance link. [Google] [More] ⦿
Jiri Adamik-Novak	Stockholm-based graphic and type designer who cofounded Theygraphics with Stockholm-based Fredrik Forsberg and Prague-based Zdenek Patak. He obtained an MA in Graphic Design at the Konstfack College of Arts and Design, Stockholm, Sweden. [Google] [More] ⦿
Tiziano Adamini	Rome-based designer of Racing Font (2014). [Google] [More] ⦿
Julien Adam	Belgian designer (b. 1978) of Lazy Sunday (2007, octagonal, mechanical) and SNC Bishop (2007, grunge). Dafont link. Goes under the alias Magic Chicon. [Google] [More] ⦿
Betti Adamko	Hungarian designer of the shadow typeface Invisible (2015). [Google] [More] ⦿
Daniel Adamko	Hungarian designer of HUN-DIN 1451 (2012). [Google] [More] ⦿
Lizzie Adam	Redhill, UK-based designer of Rapide Sans (2015, a hexagonal typeface). [Google] [More] ⦿
Patrick Adamove	Patrick Adamove (Charter Design) is the Hamburg-based designer of Horoscopia (2000, dingbats) and CharterD-Normal (1999, grungy) at Garagefonts. At Charterdesign, he created Dementia 13 and Planquadrata. Klingspor link. FontShop link. Garagefonts link. [Google] [More] ⦿
Yana Adamovic	Illustrator, cartoonist and comic book author, who, during her studies in Belgrade, designed the calligraphic old church Slavonic / Latin typeface Sokolar (2013). This delicate and readable typeface was her Master's graduation project. [Google] [More] ⦿
Andrew Adams	Designer of the hand-printed typeface Uncensored (2013). I am not entirey sure, but this could be the same Andrew Adams in Orem, UT, who designed a Deseret typeface in 2016. The latter Andrew Adams graduated from Utah Valley University in 2014. [Google] [More] ⦿
Calum Adams	Freelance graphic designer from Chipping Norton in rural Oxfordshire, UK. In 2015, Calum designed the sans typeface Zyana. Dafont link. Behance link. [Google] [More] ⦿
Christopher Adams	Designer at the Open Font Library, who contributed Just Letters (2012, blackletter) to the project. This was based on Albrecht Duerer's Of the Just Shaping of Letters (1525). [Google] [More] ⦿
Dan Adams	Wellington, New Zealand-based designer of Dan Sans (2015). Behance link. [Google] [More] ⦿
Dwayne Adams	Winter-Garden, FL-based designer who studied at the Art Institute of Fort Lauderdale. Creator of the tall handcrafted typeface Procerus (2020). [Google] [More] ⦿
Evan Adams	Evan Adams graduated with a Computer Science degree from Oregon State University and has been with Google since 2005. He worked on Google Slides, ensuring consistent line-breaking in the face of different browsers, OSs, font files, font-rendering engines, zoom levels and kerning. Adams is currently part of the Google Fonts team, where he focused on discovering the best strategies for delivering Korean fonts. Speaker at ATypI 2018 in Antwerp. Graduate of the TDi program in 2018 at the University of Reading. [Google] [More] ⦿
Gregor Adams	German designer (b. 1981) of the techno font PBIO (2014). Dafont link. [Google] [More] ⦿
Heidi Adams	A graduate of NC State's College of Design, Heidi created a slabby monoline typeface there in 2009. Born in Columbus, OH, she lives in Raleigh, NC. Behance link. [Google] [More] ⦿
Hugh Adams	Melbourne, Australia-based designer of the opentype SVG color font Newport Tracks (2019) and the rough brush script Yiayia (2017). [Google] [More] ⦿
Ian Adams	During his studies at The Columbus College of Art and Design in Columbus, OH, Ian Adams designed the mini-serifed display typeface Aroma (2016). [Google] [More] ⦿
Londyn Adams	American designer of the piano key typeface Lure (2019). [Google] [More] ⦿
Matthew Adams	Fonts by Matt Adams, all made in 2001: Atari, AtariTheTempleofDoom, DaddysTools, Drafting (2001), HelBit, IUD, Naked, Paprika, PopularMechanics, StillPantless. Some of these fonts are derived from screen fonts, and have jagged looks. [Google] [More] ⦿
Michael D. Adams	Memphis, TN-based Michael Adams (Roadgeek Fonts) developed a series of (free) heavy sans US highway sign fonts in 2002: Roadgeek2000SeriesB, Roadgeek2000SeriesC, Roadgeek2000SeriesD, Roadgeek2000SeriesE, Roadgeek2000SeriesEModified, Roadgeek2000SeriesF, RoadgeekTransportHeavy, RoadgeekTransportMedium. In 2005, he extended his font collection to include UK, German and US highway signs: Roadgeek 2005 Series B/C/D/E/E(M)/F fonts are intended to closely approximate Highway Gothic fonts Roadgeek 2005 Series 1B/2B/3B/4B/5B/6B are intended to closely approximate the new fonts, and are inteded for dark-on-light background signs. Roadgeek 2005 Series 1W/2W/3W/4W/5W/5WR/6W are close kin to the -B fonts, but are intended for light-on-dark background signs. Roadgeek 2005 Transport Heavy and Transport Medium should approximate the fonts used on British highway signs. Roadgeek 2005 Engschrift and Mittelschirft should approximate the fonts used on German highway signs. Roadgeek 2005 Arrows 1&2, Icons, and SignBacks are intended to help you in approximating U.S. highway signs, and are based on sign specifications from the Nebraska online MUTCD/SHS manuals. Additional links: Fontspace link. Fontreactor link. Home page. Download the full Roadgeek 2005 collection. There was some controversy in 2022 when type xdesigners learned that the highway signs in Argentina used Roadgeek 2005, while the license obviously states that use on actual highway signs is not allowed. [Google] [More] ⦿
Michelle Liane Adams	Writer and editor. Graduate of Type West in San Francisco, class of 2020. Her graduation typeface was the calligraphic, nostalgic and retro-space age typeface Chronicle. [Google] [More] ⦿
Dave Adamson	Designer in 1996, with Tony Knight at T26, of Hybrid, Protoplazm and Shameless. [Google] [More] ⦿
Dave Adamson	One Way Out (or: Church Art Fonts) sells about 100 display fonts. Eleven collections of seven fonts at about 95 USD per collection. By Dave Adamson. Some font names: Beat Street, Blitzkrieg, Day Three, El Nino, Erratic, Espresso, Frazzle, JiveTalk, Knucklehead, Lost Tribe, Lunatic, Protoplazm, Ragamuffin, Slackhappy, Squidly, Thud, Twitch, Toxic, Toxic Waste, Astro Boy, HunkyDory, Hybrid, Jolly Roger, Shameless, Surf City, Swanky, Armageddon Medium, Mystery 2, Raw, Neo-Human Outline, Cattitudes (cats), Epidemic, Dimentia, Dimentia Wide, Damage Light, Thus Thin, chronicle, Hoopla, Wisecrack, Dimentia Thin, Yoo-Hoo, Why Kee Kee, AlterEgo, Damage, Havva Nice Day, reactor, Slade, Aspire, Scooter, Squidly Bold, Shogun (oriental simulation), NeroHuman, Euphoria (handwriting), Army Surplus (stencil), Armageddon Bold, Chop Top. Most fonts distributed by T-26 and copyright of "One Way Out". Please will someone explain to me who designed what for whom? Earlier, Adamson designed for FontHaus, see, e.g., Bristol Adornado Regular (1994). [Google] [More] ⦿
Rachel Adams	Rachel Adams (Savannah College Of Art & Design, Savannah, GA) created the stick typeface Touch (2013). [Google] [More] ⦿
Rachel Lauren Adams	Rachel Adams (R Lauren Designs, Pennsylvania) Savannah, GA) created the sketched typeface Lemonade (2013), the hand-printed typeface Kyoritsu Dengyo (2013), the art deco typeface Sunspots (2013), and the shadow typeface Without A Trace (2013). Vegan Pizza (2013) is a hand-drawn typeface. Fontspace link. Dafont link. [Google] [More] ⦿
S. Adams	FontStructor who made the textured typeface Amoeba (2012). [Google] [More] ⦿
Samantha Adams	At The Art Institute of Austin, Austin, TX-based Samantha Adams designed the handcrafted typeface Sam's Font Lie To Me (2016). Behance link. [Google] [More] ⦿
Scott Adams	Scott Adams, of Dilbert fame, created a font for his lettering, which is not generally distributed. However, the free font Filbert (2004) does a good job imitating the lettering in Dilbert. And so does Dilbert Font (2010, freefontfan). [Google] [More] ⦿
Shannah Adams	Student at ZIVA, a typography and graphic design school in Harare, Zimbabwe, led by Saki Mafundikwa. In 2001, she designed a font with letters made up of lizards. [Google] [More] ⦿
Toby Adams	Poole, UK-based designer of Urbane (2014). [Google] [More] ⦿
Vernon Adams	Vernon Adams (born England, 1967) was a furniture restorer, woodcarver and typeface designer. On August 24, 2016 Vernon Adams passed away from injuries sustained in a scooter accident in May of 2014. New Typography was his type design site. Vernon graduated in 2007 with an MA in type design from the University of Reading and lived in San Clemente, California. His wife Allison now holds the trademark and/or copyright to most of his fonts. He developed Mako (2007), a type family for text and image in magazines. Earlier, he created AutoPacHousehold. Nobile (2010) is part of the Google font directory. Through the Open Font Library, one can get the source Fontforge code for this open source sans family. About Mako, he writes that he submitted the font to Fontsmith, which sat on it for a while and rejected it, only to publish a few weeks later Lurpak, which according to Vernon is too similar to his rejected design. Free fonts at Google Code by Vernon, as of the end of 2010 include Coda (a heavy elliptical face), Nobile (mentioned above), Corben (a curvy bold typeface in the style of Cooper Black), and Gruppo (a thin sans). In 2011, he added Coustard (a slab serif family), Damion (connected signage script), Smythe (Victorian), Radley (display face), Oswald (a reworking of the Alternate Gothic style: see this dedicated page; Oswald was updated continually by Vernon Adams until 2014. Vernon added Light and Bold weights, support for more Latin languages, tightened the spacing and kerning and made many glyph refinements throughout the family based on hundreds of users' feedback. In 2016 the family was updated by Kalapi Gajjar and Alexei Vanyashin to complete the work started by Vernon, and support languages that use the Cyrillic script), Candal (sans), Pacifico (connected signage face), Bangers (comic book face), Anton (heavy sans), Bevan (a reworking of Beton, a traditional slab serif display typeface created by Heinrich Jost in the 1930s), Six Caps (a condensed headline face), Meddon (a display font created from the handwritten script of an Eighteenth century legal document), Rokkitt (an Egyptian), Paytone One (headline face), Holtwood One SC (wood block simulation face), Monofett (white on black), Carter One (casual face), Francois One (gothic sans), Sigmar One (think mid twentieth century pulp magazine advertising), Bigshot One, Metrophobic, Mako, Francois One, Nunito (rounded; CTAN link), Shanti, Sigmar, Muli (minimalist sans), Kameron (an Egyptian), Stardos Stencil, Bowlby One, Bowlby One SC (fat poster face), Tienne (serif), Monoton (a multiline face in the style of Koch's Prisma, 1931), Sancreek (emulating an ornamental wood font), Amatic SC (hand-printed poster family), Sancreek (a Tuscan face), Oswald (in the old Alternate Gothic tradition of sans typefaces---a free Google font; CTAN link), Rammetto (based on the Stephenson Blake uppercase display font Basuto, released in 1926), and Michroma (modeled after Microgramma). Typefaces made in 2012 include Bench Nine (Google Web Fonts: based on old Stephenson Blake typefaces), Oxygen (a sans typeface available from Google Web Fonts; forked in 2016 at Open Font Library as Comme and in 2017 as Oxygen Sans, with two new oblique styles), Oxygen Mono (Google Web Fonts), Norican (free script font at Google Web Fonts based in part on Stephenson Blake's Glenmoy from the 1920s), Cutive (free at Google Web Fonts, based on the IBM typewriter typefaces Executive and Smith-Premier), Pontano Sans (Google Web Fonts: a light basic sans), Trocchi (Google Web Fonts: derived from Nebiolo's Egiziano, and Caslon & Co's Antique No.4 and Ionic No.2), Seymour One (Google Web Fonts: derived from Sigma One), Anaheim (sans, Google Web Fonts), Cutive and Cutive Mono (Google Web Fonts: based on the typewriter typefaces of IBM's Executive and the older Smith-Premier). Typefaces from 2013: Mondo (sans), Anton (grotesque). In 2016, Jacques Le Bailly extended Nunito to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans. Another extension of Nunito is Iunito (2019, unknown designer). In 2020, Jacques Le Bailly, Cereal and Vernon Adams (posthumously) released the sans typeface family Mulish at Google Fonts. Mulish is a minimalist sans, designed for both display and text typography. It was initially drawn in 2011 by Vernon Adams under the name Muli and then refined until 2014. In 2017 the family was updated by Jacques Le Bailly to complete the work started by Vernon after he passed away, in collaboration with his wife Allison, an artist who holds the trademark on the typeface family name. In August 2019, it was updated with a variable font weight axis. Donations to Vernon's family. Memorial. Fontspace link. Dafont link. Google Plus link. Fontsquirrel link. Klingspor link. Github link. Fontsquirrel link. [Google] [More] ⦿
V.P. Adams	Designer in 1999 of Insect (grunge), Crew (clean sans), City (clean sans) and Gruppo (rounded, outlined). [Google] [More] ⦿
Will Adams	Two fonts being designed by Will Adams. [Google] [More] ⦿
Valentin Adam	French graphic designer who spent 2007-2009 at Ensaama Olivier de Serres in Paris. He does experimental type. His creations include Fake, Madone, Composite, Hommes Femmes (2008: geometric solid) Eleanor (hard sans), Marlene (octagonal), Magdalena, Versailles, Strates (multilined), Vanina-Vanina (artsy hairline sans), Quarante Cinq, TweenLady, Tatiana (hairline) and Lettuce. Old URL. [Google] [More] ⦿
Jeremia Adatte	Lausanne, Switzerland-based type designer. He created Swissa Piccola (2012, an old typewriter font). In 2014, he designed the multicolor layered typeface Bron and Bron Shadline. Bron is based on Zelek, designed in the early 1970s by Polish type designer Bronislaw Zelek at Mecanorma. This typeface was originally made for dry transfer lettering sheets. It is has been redrawn and refreshed by Adatte. Also in 2014, he created Day and Collins Logotype (2014, based on catchwords and fists fond in a 1910 wood type catalog by Day & Collins, London). In 2015, he designed Marcel, an angular upright script typeface that was inspired by Jacno (1948) by French type designer Marcel Jacno. In 2016, Jeremia designed Script Typewriter Rough, which is the very first complete cursive digital typewriter font ever made after the original 1960 Smith-Corona Electra 210 typewriter. Behance link. [Google] [MyFonts] [More] ⦿
Marie-Morgane Adatte	During her studies at Schule für Gestaltung Biel, Switzerland, Neuchatel-based Marie-Morgane Adatte created Brandhair (2014, watercolor script) and Garage (2014, a wayfinding minimalist sans). [Google] [More] ⦿
Navin Adchariyavanich	Creator of the grungy typeface Tomb Raider (2014). [Google] [More] ⦿
Laura Addari	Laura Addari (Venice) created Positive Negative (2013). [Google] [More] ⦿
Carlos Addiel Gaxiola Soto	Creator of the psychedekic typeface Addiel (2008). [Google] [More] ⦿
Hielman Nur Addin	Graduate of Indonesia University of Education, b. 1993. Ciamis, Indonesia-based designer of the Peignotian typeface Viola (2017) and the tall monolinear sans typeface Grosella (2020). [Google] [More] ⦿
Emlyn Addison	Designer of IDM Minimal (2011, organic). Abstract Fonts link. [Google] [More] ⦿
Randall Addison	Designer from Keller, TX, whose fonts at Garagefonts include the futuristic family Transpond (1999-2000). Home page. FontShop link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
Stefanie Addy	Canadian designer of Stefanie (2009, hand-printed using Fontcapture). Devian tart link. [Google] [More] ⦿
Frank Adebiaye	Velvetyne Type Foundry (or VTF) is the French foundry of Parisian Frank Adebiaye (b. 1982, Versailles). It used to be called Velvetyne TypeForgery because he uses FontForge to design all his free fonts, which come complete with FontForge sources. Originally, it had many free fonts by Frank Adebiaye himself. At some point, it became more of a coop, and started publishing experimental typefaces by several contributors and collaborators. These fonts are reported elsewhere on my pages under the names of their designers. Creator of some free (often experimental) fonts in 2010-2011. Cooperators include Sylvain Henri, Jérémy Landes-Nones, and Sébastien Hayez. Frank's typefaces: Ajonc. Babacar (2012). He calls it an African fractur. Babbage. Backout (2012). He writes about this flared poster all-caps typeface: BackOut is what an African Albertus could be. Barjavel and Barjavel Mono. Basteljau. Bi-lined typefaces: Eighteen, Bachibouzouk. Bluff, Bold, Boxer, Cardinal, Grotesk, Jimmy: geometric experiments. Chaumont: ransom note family. Chedid. Combat (2015). A wedge serif based on the title of an early 20th century anarchist newspaper published in Limoges, France, called Le combat social. Compute, Elektron: computer-inspired typefaces. Coqnegre Perspective: angular face. Coqnegre Turismo, Stencil: art deco stencil typefaces. Experimental typefaces: Blanka, Courrrier (sic), Faber, Firenze, Five, Georges, Ink, Jake, Lenny, Normant. Fabuliste: an experimental modern face. Fersen. Forward (2021). A commercial futuristic font at Future Fonts, co-designed with Studio Triple. Frank: monospaced techno blackletter face. Geek, Inky, Marcelle, Ping: playful typefaces. Gegenwart. Gorki and Gorki Block: a pixel typeface and a constructivist brother. VTF Grotesk (2010). Format 1452: a DIN style typeface. Hangul: A Korean simulation font. Konzern: a texture font. Kravitz. Leyde. Lineal: clean sans. Lment. Mandeville. Mainz: Ornaments based on sewer plate designs in Mayence. Manset: a geometric sans. Meginhart. Mercandieu: grotesk. Metropolis. Mono (2011). A monoline sans. Mont Chauve: experimental. Mourier. Based on a geometric alphabet created in 1973 by Danish graphic designer Eric Mourier. The font uses square of 7 x 7 units and consists of unclosed lines. The first and only use was in the booklet The Myth about Bird B by Knud Holten. Sébastien Hayez was the first to digitize the typeface (in 2002). Published by Velvetyne in 2011. Murat. Mutations. New Wave: avant-garde. Nkm. Pierrafeu. A brush face. Pompidou. Prospective, Robusto Mechanica, Grey Charles: more geometric experiments. Radikal. Resistance (2016). A geometric sans serif created using Glyphr Studio by the students of ENSAD Paris at La Gééale. Rhinox. Rnic. A runic simulation typeface. Sagittaire. Slang. Stencil typefaces: Free Jazz, Rogue Leader, Rogue Two, Stencil. Steps Mono Mono (2015). An octagonal monospaced typeface created for the magazine Étapes. Therow. Thiefaine. Vielfalt: dingbats. Waltenberg. Wozniak. Zukunft (+Oblique): a geometric sans family. Author of a book on the life and work of Fran+çois Boltana (2012, with Suzanne Cardinal). Behance link. Open Font Library link. Klingspor link. Home page. Future Fonts link. [Google] [More] ⦿
Adebowale Adegoke	Lagos, Nigeria-based designer in 2020 of Business Icons and Masegfo (a free squarish typeface). [Google] [More] ⦿
Beckii Adel	Montreal-based designer. During her studies at Concordia University, she created the free floriated caps typeface Floralism (2013), a font whose glyphs are shaped like in Novecento, one of the "in" typefaces of early 2013. Its decoration is inspired by art nouveau and psychedelia from he 1960s. Behance link. [Google] [More] ⦿
Christine Adel	Egyptian designer of Coxa Headline (2011), a geometric typeface in which the Arabic and Latin parts were created in harmony. [Google] [More] ⦿
Prissy Adelina	Jakarta, Indonesia-based designer of the display typeface Qurvene (2016). [Google] [More] ⦿
Barry Eshkol Adelman	A web page devoted to Hugh J. Schonfield's reformed Hebrew script. I quote: In his 1932 book The New Hebrew Typography (London: Denis Archer), Hugh J. Schonfield ranted about his dissatisfaction with the Hebrew writing system. His complaints included a limited selection of typefaces, the lack of a capital-lowercase distinction, and finding Hebrew type ugly. His solution was to revise how Hebrew was written. Schonfieldian script has capital and small letters; Hebrew script letters do not have this distinction. Five Hebrew letters have special forms for when they occur at the ends of words; Schonfieldian does not have any final forms. Hebrew letters forms usually are emphasized horizontally; Schonfieldian letters are emphasized vertically like Latin letters. Punctuation and numerals are horizontally flipped versions of the usual Western forms; in Hebrew script, they are not flipped. The pages include four truetype fonts made by Barry Eshkol Adelman, called Schonfield. Schonfield experiments: Cable Light Hebrew (1932), Caslon Old Face Heavy Hebrew (1932). [Google] [More] ⦿
Nate Adelman	Bozeman, MT-based designer of these mostly vintage typefaces: Eastport (2015), Aloha Friday (2015), Frigate (2015), Whydah (2015), Betty Bop (2015), Munster (2015). [Google] [More] ⦿
Dennis Adelmann	Mannheim, Germany-based creator of Surya Grotesque (2013, an alchemic typeface created during his studies at the University Of Applied Sciences in Mannheim). Behance link. [Google] [More] ⦿
Moira Adel	Cairo, Egypt-based designer of the black Arabic display typeface Mikha (2019). [Google] [More] ⦿
Veronia Adel	Cairo, Egypt-based designer of The Mask (2018), which is named after the 1994 movie. [Google] [More] ⦿
Yosra Adel	Graphic designer in Cairo who created the Mokabat typeface for Arabic in 2015. [Google] [More] ⦿
Marine Ade	During her studies at ESAIG (Ecole Estienne) in Paris, Marine Ade designed the graceful script typeface Bengale (2016) and the informal calligraphic typeface Aicha (2016). In 2017, she designed the calligraphic print typeface Zadig. [Google] [More] ⦿
Okeowo Adeniyi	Nigerian designer of 3d (2011). [Google] [More] ⦿
Iara Adeodato	Brazilian designer who looks like Woody Allen. His typefaces include Chora na Rampa (2012, signage family), Fonte Gorda (2011, pixelish) and Fonte Galhos (2010, dot matrix face). [Google] [More] ⦿
Hendra Adevio	Jakarta, Indonesia-based designer of the children's book or ecological studies font Bornywale (2021), which has a free set of aquatic dingbats. Typefaces from 2020: Gwynothe (an SVG brush font), Donald Dickies (a handcrafted casual text typeface family) and Silky Watery (handcrafted). [Google] [MyFonts] [More] ⦿
Glyn Adgie	Electronics engineer from Birmingham, UK, who created Clarissa (2005) in regular and bold weights as a sans body family. No downloads. Continued here. In 2005, he started the serif typeface Ledbury. [Google] [More] ⦿
Kaustubh Adhav	Graphic designer in Pune, India. Designer of the rounded marker typeface Bublont (2017), which comes with shaded, outlined and coloured substyles. Behance link. Creative Market link. [Google] [More] ⦿
Novanda Rizki Adhika	Indonesian illustrator who created Box Sliced (2011, counterless face). [Google] [More] ⦿
Andhika Randy Adhitia	Surabaya, Indonesia-based designer of the condensed didone typeface family Hollow (2017). In 2018, he designed Local (a sans serif) and Legacy (a geometric sans). His partially free squarish typeface family Dirty (2018) was influenced by Bebas Neue. [Google] [More] ⦿
Ezza Adhreza Brahma	Based in Bandung, Indonesia, Adhreza Brahma (b. 1987) is a typographer and illustrator. At Dafont, one can download Barbarossa (2013), Libre (2013, bilined typeface), Variol (2013), Attic (2009) and Vol (2009). The last two are (incomplete) techno fonts. Bite of Crab (2010) is a monoline octagonal shell. Angled (2013) is a futuristic typeface inspired by traditional letters from Makassar, Indonesia called Lontara. Bite of Crab (2013) is a modular octagonal typeface. Wallflower (2013, free) is a headline sans typeface. Nocte (2013) is a free gothic condensed sans typeface. Typefaces from 2014: December, Kandel (a great layered typeface in Regular, Bevel and Inline versions), Jingga, Expatriate (a compass-and-ruler typeface), Father (vintage signage face, with 3D and Distort styles). In 2015, he designed Puna (copperplate), Nawaitu (signage typeface), Tresno (a curly brush script), Mementomori (a modern blackletter), Gulana Slab Serif, the piano key typeface Zaun, and the 7-style vintage typeface family Sonten, which comes in 3D, Bevel, Contour, Deboss, Outline, and Shadow forms. Typefaces from 2016: Hujan (a fun calligraphic printed typeface), Canda, Canda Script, Ririwa (evil ghost: a wonderful scary ink splatter font). Typefaces from 2017: Oun (a vernacular blackletter typeface inspired by the Khmer alphabet). Aka Ezza Zebra. Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿
Didi Adianto	Surabaya, Indonesia-based designer, b. 1996, of the tall octagonal typeface The Hangover Decade (2019). [Google] [More] ⦿
Gumilar Pratama Adiatna	Serang, Indonesia-based designer (b. 1990) of the free handwriting fonts Rafiosa (2019) and Hasta La Vista (2019), and the script typefaces Gilani Sign, Galinah (a rabbit ear script), Patlystic, Raline, Gilar Saleh, Aminarthie, Charlotte Bellamy, Gallillea, Hellowish, Hokie, Holiday Script, Isabela, Jhon Wick, Pandora, Riverlands Tully, Rudolp, Samudera, Santuy, Sella Callista, Shalitta, Starlight, Sunday Rully, and Taman Signature. Typefaces from 2020: Fontana, Houston (inline caps), Goord (titling caps), El Fonte (all caps), Norland, Bonjour (condensed caps), Sigtia (calligraphic), Honney (calligraphic), Bigola, Axilia, Sunkisa, Santhin, Sulqata, Nagisha, Rithey, Rodelia, Betharia, Celya, Sonetha, Ruang Teduh, Reality, Jallu Salafi, Tagonda, Sigoda. Typefaces from 2021: Bunny Flowers (a scrapbook font), We Are Allstar (a playful font, perhaps even beatnik), African Paradise (a beatnik font), House Easter (a scrapbook font), Nona Manis (a beatnik font), Anak Sultan (a scrapbook font), Luar Galaxy, Lovely Unicorn (a scrapbook typeface), Ikan Salmon (a beatnik font), The Crafty (a scrapbook font), The Funy Times (a scrapbook font), Lovely Unicorn, Fontena (an all caps arts-and-crafts sans), Amoselia (a wild calligraphic script), Bontour (a skyline font), Goordy (a classical roman caps typeface with unbracketed serifs), Hatolie (display wedge serif caps), Marisa, Cameta Cuttes (wild calligraphy), Hello Crimsons (blackboard bold), Chris Master (wild and calligraphic), Carilos (an all caps decorative serif), Budyloves (a romantic script), Valentina (an upright Valentine's day script), Berylover (a wild calligraphic script), Love Birdy (a wild calligraphic script), Loving Hearty (a lovers' script), Night City (a forceful script), Beach Loves (wild and inky calligraphy), Kity love (wild calligraphy), Love Angel (wild calligraphy), Lovely Valentine, Helo Xmas (wild calligraphy), Karoline (wild calligraphy), Looqie (a display font), Mettalian (a wild calligraphic script), Royante (a signage script), Verali (a wild calligraphic script), Quality Times (a wild script). Typefaces from 2022: Collager (an 18-style display serif family). [Google] [MyFonts] [More] ⦿
Ahmad Adib	Indonesian designer, b. 1981, of the modular typeface Therover (2019) and the script typeface Elabor (2019). [Google] [More] ⦿
Maxim Adien	Creator of the free font Probolinggo (2010, monoline simple sans). [Google] [More] ⦿
Fajri Adi	Designer of these handcrafted typefaces: Biglittle Script (2019), Barossa Brush (2019), Exotic Queen (2019), Willona Script (2019), Hellokids (2019), Blondy (2019), Christopher Script (2019), Villaque script (2019), Daniella Script (2019), Villaque Script (2019), Tegofia (2019), Gallant (2019), Aleysia Script (2019) and Capital Script (2019). [Google] [More] ⦿
Erik Adigard	M-A-D is an interdisciplinary design agency with primary expertise in branding and visual communications. Located in Sausalito, CA, its main designer is Erik Adigard. In 2012, Erik Adigard and Joachim Müller-Lancé co-designed the rounded octogonal monospaced typeface family Oktal Mono (Delve Fonts). [Google] [More] ⦿
Erik Adigard	Cocreator of TX Signal Simplifier (2002, Typebox), a hilarious information design dingbat face. MyFonts writes: Eight designers present a set of icons that indicate the fun and fantastic world of signage. Each collaborator's solution represents a completely different interpretations on signage vernacular. The designers are Erik Adigard, Cynthia Jacquette, Akira Kobayashi, Michael Kohnke, Patricia McShane, Joachim Müller-Lancé, Jean-Benoît Lévy, Kevin Roberson, Diana Alisandra Stoen. [Google] [MyFonts] [More] ⦿
Laurensius Adi	Jakarta, Indonesia-based creator (b. 1995) of the free soft sans typeface Livewell (2015). In 2017, he designed Hagano Sans. Blogspot link. Behance link. Home page. [Google] [More] ⦿
Nurkhairina Adinda	Indonesian designer of the free organic sans typeface RixPinkRibbon M (2013). [Google] [More] ⦿
Bhahtiar Nugroho Adiputro	Or Adi Nugroho, b. 1987, Indonesia. Illustrator since 2008. In 2018, he published the script typeface Granotta, the handcrafted font Nafeeda, and the poster typeface Balbeer. [Google] [More] ⦿
Pria Adireddi	Pria Ravichandran (formerly Pria Adireddi, b. 1984, India) studied type design at the University of Reading, class of 2011, and is now pursuing a PhD at the University of Reading focussing on the developemnt of typographic forms for the Kannada and Telugu scripts. She intends to relocate to Hamburg, Germany on completion of her Ph.D. and dedicate her time wholly to URW++. Her MA graduation typeface at reading was Tranquebar, which covers Latin and Tamil. In some places, this typeface is called The Herald. Pria also designed the free monolinear Latin / Devanagari typefaces Palanquin Dark and Palanquin in 2014 at Google Web Fonts that also covers Tamil, Bengali, Kannada, Telugu, Malayalam, Burmese, Khmer, Gujarati, Gurumukhi, Sinhalese & Oriya. In addition, she designed an 11-script Indic companion in four weights for URW++'s Nimbus Sans (and thus Helvetica), that includes the following scripts: Tamil, Bengali, Kannada, Telugu, Malayalam, Myanmar, Devanagari, Gujarati, Gurumukhi, Sinhala & Oriya. Catamaran (2015) is a contemporay sans typeface family for Latin and Tamil. Github link for Catamaran. Neue Frutiger Tamil (2018) was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. In 2019, at URW, she published the humanist sans typeface family Olivine. In 2021, Kostas Bartsokas, Mohamad Dakak and Pria Ravichandran set up Foundry 5 Limited where they released Peridot Latin (2022: a 121-strong sans superfamily by Kostas Bartsokas and Pria Ravichandran) and Peridot PE (2022: a 121-style sans superfamily by Kostas Bartsokas and Pria Ravichandran designed for branding, display, corporate use, editorial and advertising; it covers Latin, Greek and Cyrillic). Github link for Palanquin. In 2020, Eben Sorkin, Pria Ravichandran, Inga Ploennigs and Dan Reynolds co-designed the sans family Karow at URW. [Google] [MyFonts] [More] ⦿
Habib Placencia Adissi	Habib is a graphic designer based in San Francisco specializing in typography and identity systems. Graduate of TypeWest, class of 2021. His typefaces: Monasterio (2021): his wedge serif graduation typeface at Type West. Monasterio is a display type family inspired by the sculptural works of Luiz Ortiz Monasterio and informed by Edward Catich's Origin of the Serif. Genoa (2022). Genoa is a digital revival of a roman type indicative of the French Renaissance, printed by Christophe Plantin during the 16th century. This revival was an excercise in form and an excursion into an interpretation of historic forms for a contemporary context. Genoa was created during the first term of the Letterform Archive's Type West program. Nayarit (2020). Nayarit is a condensed typeface inspired by analog typography seen throughout Mexico City's residential streets. Nayarit was designed with the vernacular in mind alongside a hint of nostalgia. [Google] [More] ⦿
Khairil Adithya	Banda Aceh, Indonesia-based designer of Takeshi (2018), Studio 18 (2018), the creamy script font Chocolate (2018), the squarish typeface Everest (2018), and Winda (2018: a signature font). [Google] [More] ⦿
Rama Aditia	Bandung, Indonesia-based designer, b. 1979, of the outlined typeface Difo (2019). Creative Fabrica link. [Google] [More] ⦿
Muhammad Zahran Aditiyawan	Indonesian designer of the outlined handcrafted typeface Rev (2018). [Google] [More] ⦿
Muhammad Aditya	Bandung, Indonesia-based designer of the semi-alchemic typeface Arcaditya (2019). [Google] [More] ⦿
Sai Aditya	Designer of the pixelish typeface Cedge 1 (2014, FontStruct), the organic typeface Syny (2014, FontStruct), and the rounded sans typeface Roung (2016). [Google] [More] ⦿
Bayu Adityawarman	Jakarta, Indonesia-based designer of the hand-drawn typeface Octopus (2013). [Google] [More] ⦿
Helpy Adiwinoto	Bandung, Indonesia-based designer of the organic typeface Fooner (2010). Home page. [Google] [More] ⦿
Yanuar Adi	Semarang, Indonesia-based type designer, b. 1992. His typefaces from 2020: the script typeface Moonlight Sonata, Happy Lucky, Mirabelle (script), Den Basuky (a dry brush script), Musashi (squarish and interlocking), Bratterly (a monoline script), Anastasya (a signature script), Signaline (a font duo), Camilla (a thick poster brush script), Ravenda (a unicase piano key font), Rosseville (a flowing script). Typefaces from 2021: Eksellena (a weathered blackletter), Etheryna (script), Anderlacht (a vintage all caps font with antiqued outlines), Puertofino (script), Rhinestone (an expressive hand-printed font), Alleyosha (a Treefrog style brush script), Hayabusha (a squarish typeface with interlocking letters), Sancho, Cornetta, Lucky Sunshine (calligraphic), Kintapani (a brush script), Sendang Mulyo (brush script), Manokwary (script). Typefaces from 2022: Mariska (emulating Japanese), Sophia Laluna (a display serif with an astrological vibe). [Google] [MyFonts] [More] ⦿
Ardelia Adjandra	Jakarta, Indonesia-based designer of the decorative typeface Kathakali (2015), which is patterned after an ornament on Kerala Island. This typeface was finished during her studies at Binus International University. [Google] [More] ⦿
Emmanuel Adjei	Graphic designer at Emanart in Scranton, PA, who created a decorative alphabet in 2014. [Google] [More] ⦿
Michael Gene Adkins	The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers. Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed ARB-187 Moderne Caps AUG-47 (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt. Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt. Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999), Jackport (2014, athletic lettering and Western typeface family). Adkins also designed the commercial font First Vision at GarageFonts in 1998. Review at &Type. List of the fonts on his CD. MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter typefaces Ironhorse and Ironrider (2007), revivals of classic wood type typefaces. FontShop link. Some fonts are inspired by sign painter Frank H. Atkinson. These include the Broken Poster series done in 2010, FHA Modernized Ideal Classic (2011), and FHA Nicholson French (1999-2014: art nouveau). In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline typefaces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010-2018) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge typefaces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (1999-2014, art nouveau) are based on Frank H. Atkinson's examples. Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family). Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling), FTY Varoge Saro Noest. Typefaces from 2015: FHA Sign DeVinne (after a popular sign painting design by Frank H. Atkinson named after DeVinne). Typefaces from 2016: FTY Delirium (+Neon), Delirium NCV. Typefaces from 2017: FTY Galactic VanGuardian. Typefaces from 2021: Fty Old Sport (a slab serif athletic lettering font family, one of the best in this genre). Typefaces made by Fontry West. Typefaces by Mike Adkins. Fontspace link. Klingspor link. Dafont link. Abstract Fonts link. Creative Market link. [Google] [MyFonts] [More] ⦿
Taylor Adkins	During her studies at Flagler College, Saint Augustine, FL, Taylor adkins (b. 1992) designed the angular bas de casse typeface Salt of the Earth (2013). [Google] [More] ⦿
Todd Adkins	Todd Adkins' fonts: Shatterfont, Chaotix, AortalHard, CaniptionFit (1996, alternative for Treefrog), LeprocyFace (1996), Mercurial and SuessFont (1996) are free. Mac and PC. They also sell font packages in all formats. [Google] [More] ⦿
Elmer Adler	American typographer, 1884-1961. [Google] [More] ⦿
Otmar F. Adler	German designer of the phototypeface Black Wings (1976, H. Berthold AG). [Google] [More] ⦿
Reuven Adler	Israeli type designer who created the Hebrew typeface Adler MF (2002) and Helena Gothy MF (2016) at Masterfont. [Google] [MyFonts] [More] ⦿
Sandra Adler	German graduate of the MATD program at the University of Reading in 2012. Her graduation typeface is Emelia (2012), a humanist design that covers Latin and Tibetan. [Google] [More] ⦿
Ursula Adler	Adler's Dings shut down. In an earlier life, we could find here, from Vienna, Ursula Adler's commercial dingbat fonts: "LaMorte" dingbat fonts (13 fonts in all, and counting), Kick-a-ding (3), Roll-a-ding (3), Ring-a-ding (3), Divide-o-rama (3). 25 USD per 3-font set (truetype for Mac and PC). Other fonts: Butterbees, Reboot1, Abracadabra, Hidden Ghosts, Trinsomnia, U-Mix-U, DaDoodle, Stars No Stripes, Daymares. TypOasis (the link on the left) has a back-up of her non-commercial fonts. Her collection is now here: it has LaMorte 1 to 9, 11, 12, Abracadabra 1, Butterbees, Da Doodle, Daymares, Hidden Ghosts, Insanity Stroke, Reboot 1, Stars no Stripes, Trinsomnia, and U-Mix-U. Alternate URL. [Google] [More] ⦿
Pria Admaja	Indonesian designer, b. 1991, of the upright script typeface Silvermain (2018), Monoline (2018), Koala Script (2018) and Tanpa Kata (2018), and the sans headline typeface Rave (2018). In 2019, he designed the script typeface Yosephine and the monoline script Jack & Jean. Typefaces from 2020: Port Harcourt, Siroep Mardjan, Baby's Dream. [Google] [More] ⦿
Christine ADM	German designer who is now located in Chicago, IL. For a club night in Frankfurt, she created the straight-edged techno typeface Sexpol (2014). For KISD Gala 2012, she designed an experimental geometric solid typeface. Behance link. [Google] [More] ⦿
Haslinda Adnan	Or Kak Alin. Kuala Lumpur, Malaysia-based designer of Anak Anak (2017), Kiddy (2017, a clean hand-printed typeface), Montel (2017, a soft plump typeface), Batik Alin (2017), Technolin (2017), Personality (2017: a scanbat typeface of famous people), Alin Speech Bubbles (2017), Mak Ngah Punya (2017), Senyum Sokmo Deh (2017, comic book font), Cute Animal (2017), Face Alin (2017, dingbats with smilies), Yop Pekabor (2017), Sayang MakAbah (2017), Sorry Sorry (2017), Sempoi (2017) and Alin Kid (2017). Dafont link. [Google] [More] ⦿
Nadia Adnan	During her studies in Kota Bharu, Malaysia, Nadia Adnan created a display typeface (2014). [Google] [More] ⦿
Nurul Hidayah Adnan	Sydney, Australia-based designer of the 3d typeface Cubic (2018). [Google] [More] ⦿
Vasile Alin Adnan	Timisoara, Romania-based student who is developing some typefaces. He is working on an artsy, 45-degree serifed, silent-film inspired type family called Stab (2007) that can be viewed here. [Google] [More] ⦿
Florencia Adobbato	Graphic designer in Buenos Aires who created the informal typeface Pinecone (2014). [Google] [More] ⦿
Danielle Adolfo	Recife, Brazil-based creator of the pixelish typeface Gordina (2015). [Google] [More] ⦿
Mattias Adolfsson	The initial caps alphabet created in 2010 by Mattias Adolfsson is quite stunning--it has an old carved stone look that is quite effective when forced onto a Clarendon. He drew another animal-themed 3d alphabet in 2010 as well. Not surprisingly, Mattias is an illustrator---Dachshund (2010) and Glasses (2010). He lives in Sigtuna, Sweden. Home page. [Google] [More] ⦿
Jürgen Adolph	Jürgen Adolph studied Communication Design with Werner Schneider at the Fachhochschule Stuttgart, and started his career in 1995 at Michael Conrad & Leo Burnett. He was responsible for trade marks such as Adidas, BMW, Germanwings and Merz. He has been honored as a member of the Art Directors Club (ADC) with more than 100 award. He participated in the Linotype International Type design Contest in 2000. In 2018, he published these well-balanced and integrated typeface families at Elsner & Flake: Vianova Slab Pro, Vianova Serif Pro, Vianova Sans Pro. [Google] [MyFonts] [More] ⦿
Juliane Adomat	German designer of the paperclip typeface Drahtika (2017). [Google] [More] ⦿
Emilia Adorno	Argentinian designer of Artifex Regina (2022: a tall hand-crafted font family with sketched textures), Neon Summer (2021: a condensed handcrafted monolinear font family), Cookie Time (2021: script), Arkhania (2020: a vampire script for Halloween), Aeonian (2020: a 12-style retro futuristic sans), Nature Boy (2018, a display type that is almost art nouveau). [Google] [MyFonts] [More] ⦿
Guru Adrian	Designer of some fonts at Chank's place, including The Naughties (1999). [Google] [More] ⦿
Juan Francisco Adriani	Graduate from FADU, University of Buenos Aires, who created the condensed blackletter typeface Wayne Bruce (2009). [Google] [More] ⦿
Rivo Adriansyah	Design studio in Bengkulu, Indonesia, established in 2018 by Rivo Adriansyah, a designer specializing in decorative serif typefaces. His catalog from 2021: Voguella (a luxury serif), Aveneur (a wavy reverse stress display typeface), Sableklish (a display serif), Waltrach (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), Belgietta (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), Rogie (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), The Quality Moment (a stylish all caps typeface by Abdul Malik Wisnu and Rivo Adriansyah), Bestagrach (a display serif by Abdul Malik Wisnu and Rivo Adriansyah), Orchidesta (a stylish formal serif), Elegante Classica (a decorative serif), Kavaloora (a roman caps typeface), Magicher (a ligature-laden serif), Black Delights (a display serif with hipster coathanger lower case f and t), Wonderlova (a spurred and star-studded display typeface), Stangith (co-designed with Abdul Malik Wisnu), Elegante Classica (+Stencil), The Quality, Kavaloora. Typefaces from 2020: Bestorika (a decorative serif by Abdul Malik Wisnu and Rivo Adriansyah), Magicher, Stinker. [Google] [MyFonts] [More] ⦿
Rivo Dwi Adriansyah	Bengkulu, Indonesia-based designer (b. 1996) of these typefaces in 2019: Ophelie (script), Piedmont Hill (modular sans), Romerio (a sharp-edged text typeface), Black Roasters (monoline script), Maryland, Golden Gate (a font duo), Braceline, Custer Sans & Serif, Rafflesian Poem. Typefaces from 2021: Phenorush (a dry brush script). [Google] [MyFonts] [More] ⦿
Santiago Adur	Graduate from FADU, University of Buenos Aires, who created the typeface Etile (2010). [Google] [More] ⦿
Doron Adut	Israeli type designer at MasterFont. He designed the Hebrew typeface Karnaf in 2008. [Google] [MyFonts] [More] ⦿
Shashi Advani	10USD shareware Hindi font by Shashi Advani. [Google] [More] ⦿
Ryan Advent	Westerville, OH-based designer of Reservation Sans (2015), a geometric handcrafted vintage display font custom designed for one of his friends. Behance link. [Google] [More] ⦿
Acitya Adyana	Designer of the script typeface Adyana (2019), which is advertised as a modern dancing font. Adyana also designed Vougoat (2019). [Google] [More] ⦿
Aqib Ady	Indonesia-based designer (b. 1996) of these display or logo typefaces in 2021: Agora, Albra, Aqila, Austin Smith (a signature script), Nyore, Qillot (sans), Rosok, Rucas, Satdam. Typefaces from 2020: Besan, Pazea, Volux. [Google] [More] ⦿
Alain Aebersold	Zurich-based creator of an experimental squarish 3d typeface (2013), tentatively called 360 Degrees. Behance link. [Google] [More] ⦿
Sylvain Aerni	Swiss type designer at Fontnest who designed these fonts: mtrxs (with Jérôme Rigaud: a dot matrix font), Troyd, Encoda MM (sans serif), Encoda Anfang (sans serif), Absinthia, Punebot, Alchemia, Basicrounded, Bacted_Flagada_Trigger (a dirty look font), Helveliga (with Jerome Rigaud and Fabian Monod). [Google] [More] ⦿
Anupriya Aeron	At the National Institute of Fashion Technology, Mumbai, India-based Anupriya Aeron designed the devanagari typeface Aeranya (2017). [Google] [More] ⦿
Alexander Aeschbach	Idealphabet was founded in 2008 by Alexander Aeschbach (Zurich, Switzerland), who studied at ECAL (Ecole cantonale d'art de Lausanne). It sells these typefaces: Arc (a minimalistic hairline sans), Encyclo (slab serif), Wurst, Equilibrium (serif face), Signalo (humanist sans family), Element (monospaced typewriter face), Eckig (experimental), Optional. [Google] [More] ⦿
Akhmad Afandhi	Magelang, Indonesia-based designer (b. 1990) of the octagonal all caps sports jersey typeface Basketball (2020) and the fat finger font Beloved Girl (2020). [Google] [More] ⦿
Ahmad Syarif Afandi	Yogyakarta, Indonesia-based designer (b. 1994) who started out as Peterdraw and in 2019 joined Delapan Studio, where his fonts are marketed. His studio was renamed Letterafa in 2020. Creator of the display typefaces Pistachio (2019), and Brewok (2019: a sans with hairy outlines), Glippy (2019: a glitch font), and Neon Desmon (2019), the fat finger fonts Granada (2019) and Macadamia (2019), the rounded handcrafted sans typefaces Maven (2019) and Dear Audrey (2019), and the script typefaces Attaya (2019), Sabrina (2019), La Petite (2019), Molita (2019), Geulis Stylish (2019), Gladyss (2019), Nina Ninut (2019), Lulla (2019), Dear Audrey Script (2019) and Camellia (2019). Typefaces from 2020: Sparkle (a connected script), Mischella (a signature script), Chia Seeds, Summer Pisces, Jerome (a condensed slab serif in three weights), Marylinda (script), New Interspeaker, Revnosa (a dry brush typeface), Chasy (script), Sherletta, Candela (a monoline script), Danyla, Grand Duke (a display serif), Sintya (a stylish script), Hey Monday, Chapillada, Butterfly, Good Vibes, Techno Space (futuristic), Oregano, Sabrina, Femme, Bilderberg (a display serif), Sagara (a vintage text typeface co-designed by Ahmad Syarif Afandi and Tri Kuncoro). Typefaces from 2021: Agathis, Allenisa (an open connected script), Beautiful Variella, Betteryou (a smooth script with contrast), Bitterlove (a curly script), Black Thunder (a fat finger font), Bunnyheart, Christhine (an elongated bean font), Christmas Craft (a blackboard bold font), Christmas Heart, Christmas Weather (script), Christmas Winter, Early Christmas (a scrapbook script), Easter Story, Evelyne, Febriella (a fine script), Firstlove (an upright script), Fishbone, Gabriella, Geollitta, Halloween Monoline, Hillarie, Holidate, Honey Love Bunny, Jaggielka, Kattsia, Lovebird, Nathilda (a calligraphic script), Phitaya (a hand-printed typeface with small x-height), Rabitta, Salminah (a monoline script), South Town (a monoline script), Spooky Hunter, Summer Beach (a playful font), Sweet Christmas, Thanks Mom (a scrapbook script), Violethe (a painter's font), Warilah, We Love Mom (a fat finger font), Wolfriend, Yattina (script). Old link for Peterdraw. Old link for Delapan. Typefaces from 2022: Angolla (a textured hand-crafted display font). [Google] [MyFonts] [More] ⦿
Hovig Afarian	During his studies in Beirut, Lebanon, Hovig Afarian created a modular Arabic typeface (2015). [Google] [More] ⦿
Laure Afchain	Graduate from KABK, The Hague, 2009, Type and Media MA program. Her typefaces: Malaussène (2009), a fun muscular display face, done as her graduation typeface at KABK. She says that her (large) family is designed for corporate identitities. It contains Malaussène Translation, Malaussène Expansion and Malaussène Sans as subfamilies, and is published by Die Gestalten in 2011. Examples: A \| B \| C \| D \| E \| F \| G \| H. At KABK, she worked on a revival of the calligraphic typeface Meidoorn, originally designed in 1928 by Sjoerd Hendrik de Roos for The Heuvelpers. She was also at the Fine Arts School in Toulouse. Together with Alejandro Lo Celso, François Chastanet and Géraud Soulhiol, she designed the official typeface for the city of Toulouse, Garonne (2009, 4 styles). A handwriting font. The display family Pixat. Peno (2009), done in a class of Peter Verheul. A stone chisel/biline/paper cut experimental family Va mp y r. [Google] [More] ⦿
Asnan Affandi	During his studies, Malang, Indonesia-based Muhamad Asnan Affandi designed Hoerop 45 (2017). [Google] [More] ⦿
Haziq Affandy	Bandar Seri Begawan, Brunei Darussalam-based designer of the free display typeface Forged (2017). Behance link. [Google] [More] ⦿
Anisia Affek	Art director, photographer and illustrator in Tel Aviv-Yafo, Israel. Creator of the Hebrew typeface Zelda (2015). [Google] [More] ⦿
Charles H. Affolter	Swiss designer of Affolter Grotesque (1945), aka Ouvrière. That typeface was digitally revived by Alex W. Dujet, Dylan Sauty and Hugo Marucco in 2011 (League, Genève). I have been unable to verify this information which was seen on an image shown by Hugo Marucco. [Google] [More] ⦿
Werner Affolter	Werner Affolter ran a phototype and printing company in Basel, Switzerland, called Affolter und Gschwind AG, Fotosatz&Reprotechnik. In 1981, Affolter published an extensive catalog entitled Letterama that showed over one thousand alphabets. Few of those were original, so I suspect he acted as a vendor of sorts, but at least a couple seemed original, or were claimed to be original or exclusive: Guigoz, Moby Dick. Moby Dick was revived in 2014 by Nick Curtis as Call Me Ishmael NF. Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic typeface also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau typefaces, some Victorian ornamental typefaces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter typefaces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental typefaces), Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More] ⦿
Fernando Affonso	During his studies in Pelotas, Brazil, Fernando affonso designed an unnamed curly typeface (2013). [Google] [More] ⦿
Choirul Afidah	Designer of the brush font Emerald Brush (2016). [Google] [More] ⦿
Burhan Afif	Yogyakarta, Indonesia-based designer (b. 1988) of the font duo Nesans and Nesans Signature (2019), the script fonts Sweet Love (2019: upright), Mondena (2019), The Bellinda (2019: calligraphic), Austin Capittal (sic) (2019: monoline script), Bread Store (2019) and Wrongler (2019), and the vintage (often, Victorian) display typefaces Blue Spirits (2019), Bandits (2019), Sonia (2019), Belgia (2019), Berlina (2019) and Berlin (2019). Typefaces from 2020: Blue Spiris, Grapine (Victorian), Ricasto (a signage script), Grizlie (an octagonal sports font), Madanira (a semi-formal script), Amellisa Ink, Anstec (a techno / sports font), Razen (a techno / sports font), Sourta (a speed emulation sports font), Abigile (an upright script), Off Side (all caps, brush), Bastina Sindey (a dry brush script), Bread Store, Feeling Blessed (an upright rabbit ear script), Meristmas, Mosteri (a fantasy font), Ateros (a sci-fi typeface), Aloner (a sci-fi font), Nucleo (a sci-fi font), Roline (prismatic), Tahu Bullats (a creamy signage script), Valentiqu (a curly upright script), Magic Funk (a psychedelic script), Letter Magic (a decorative serif), Craft Lovers, Magzo (a decorative serif), Belights, Cute Meow, Baking Pastry, Sweet Butter, Feeling Blessed, Baby Bunny Script, Misteri Caps, Carglos (blackletter), Traditian, Genta (a rounded bold all caps typeface), Beyond Stars, Off Side (brush), Santoriu, Hi Panda, Crows (a curly serif), Zeniq (a stencil font), Nucleo, Abigile, Blaster, Botania, Crunchy, Femina, Graphite, Holly Days, Hot Sauce, Just Swirls, La Fiesta, Lets Espresso, Little Baby, Magic Sparkle, Ricota, Secillia, Shinesy, Skid Rock, Stripline, The Englands, The Spectre, USA Nation, Magzo (a display serif indeed for food packaging and logos), Stabillo (a food logo brand typeface), Austina Capitton, Kora Kora, Mosherif (Regular, Tall, Short), Golden Stanbury (a signature script font duo), Risolla Calisto (a wild calligraphic typeface), Wild Wolf (brush), Balistone (a wild script), Glastia Monoline, Amorista (a rabbit ear script), Eastblue, Crimmy (a dry brush script), Buchery, Castel, The Begundals, Sambal Pedas (a dry brush script), Blastoic (a dry brush script), Queen Sea, Skid Rock, Platinum Signature, Sonita (a condensed decorative serif typeface). Typefaces from 2021: Bastro (a great obese short-necked retro display typeface), Romantic Serif, Pastel Orange (an elegant artsy ligature serif), Romantic Serif, Sunroll (fashion mag caps), Romla (a wide display serif), Magic Retro (a heavy magic mushroom typeface), Holingston (a dry brush script), Gopetter, Ballomont (handwriting), Astopher, Restoe Bumi (a handwriting font), Rotenfold (a script), Halima Sofira, Anastia Buttery (an inky signature script), Belighta (wild calligraphy), Bittle Birdy (an irregular typeface that will cause psychological damage), Magic Sparkle (a decorative all caps serif), Notted (an exaggerated fashion mag font loaded with smooth ligatures and featuring surprise gyhphs such as a lower case a that is a mirror of the lower case e). HansCo Studio. [Google] [MyFonts] [More] ⦿
Muhammad Afif Ersya	Padang, Indonesia-based studio and designer that changes its name almost monthly: Mevstory Studio, Mandeh Studio, Eleanor Studio, Mevricks Studio, Lettercorner Studio, Mhdafifersya, take your pick. Designer of these typefaces: Signage script: Retroshoes (2021), Pokechu (2021), Stanok Valley (2020: a retro signage script), Sunnylise (2020), Cansast (2020), The Bellerin Script (2020), Bealiva Vintage (2020), Retropus (2019), The Dreamstars (2019), Codename (2018). Script: Scripted (2021), Tropical Smoothie (2021), Adelynn Display (2020), Babyla (2020), La Rosaleda (2020: a creamy rhythmic script with some personality, accompanied by La Rosaleda Serif), Sunnylise (2019), Toulouse (2019) Kick Slide (2019), Speakup Script (2019), Hendys Playfull (2019), Pandal Sikek (2019), North Landon (2019), Natash Sena (2019). Brush style: Litch in Holland (2020), Bryana (2020), Little Linka (2020: kawaii style), Tormanted (2019), Future Enforcer (2019), Jorge (2019), Kafka (2019), Kick Slipe (2019), Royal Dutch (2019). Monoline script: Mocha Frappuccino (2020), Pergola (2020), Breachery (2019). Signature script: Danisya (2019). Eerie fonts: The Tormanted (2019). Vintage: Satisfice (2021: a chunky didone display serif), Akira Jimbo (2020: spurred), Revicil (2019: spurred), Tropper (2019: spurred). Stencil: The Time Machine (2020), Cosmos (2020: futuristic). Squarish, techno: Crizen (2021), Raceline (2021: a speed font), Time Machine (2020), Astroman (2019), Droping Sans (2019). Decorative serif: Devitos (2020: free)), Pulchella (2020), Vikendi (2020: a free chubby serif), Cholens (2020), Kiano (2020). Font duo: Nyctaghina (2021), Javelin (2021), Lachi (2020), Futusicia (2019). Arabic emulation: Al Risalah (2019). Sans: Lichfield (2021), Nomz (2020), Molina (2020), Gelael (a 16-style artistic sans loosely related to Peignot) (2020), Bechtlers (2020), Garuda Kencana (2020). Giagonic Regular (2019), Muvcix (2019), Fourty (2019), Hello World (2018: a display sans). Western: Stinky Pete (2020). Alphadings: Christmasland (2020). Speed emulation fonts: Super Drift (2021). Deco typefaces: Beatrick (2022). Miscellaneous: Fantasea (2021), Crafton (2021: an octagonal mechanical typeface), Varane (2021). Behance link for Lettercorner Studio. [Google] [MyFonts] [More] ⦿
Muhammad Afifersya	Aka Muhammad Afif. Indonesian designer of these typefaces in 2018: Kalimastha (script), Pariangan (a script), Kafka (a signage script), Hello World (free), Codename, Natash Sena (a script), Futusicia (font duo), Jorge (a brush font), Fourty (sans), Giagonic (a hipster sans), Muvcix (a display sans). Typefaces from 2019: North London (script), Astroman (sci-fi), Retropus (signage script), Sureface (a dry brush typeface), Kick Slipe (a free brush font), The Tormanted (sic) (a scary brush type), The Breachery Script, The Dreamstars (a creamy script), Starhawks (a font duo), Speakup Script, Droping (a techno sans). [Google] [More] ⦿
Denis Afonin	Art director in Moscow who created the multilayer font Cifricci (2013), the geometric solid typeface Modal Font (2013), and the decorative typeface Blitz Type (2013). [Google] [More] ⦿
Edgar Afonso	Edgar Afonso (b. Viana do Castelo, Portugal, 1976), is a graphic designer and illustrator who embarked in 2010 on some fontr projects. These include the modular typeface Nave (2010). Behance link. [Google] [More] ⦿
Gurgen Afrikian	Yerevan, Armenia-based designer of the squarish Latin typeface Riccardo (2019). [Google] [More] ⦿
Fred Afrikyan	Aka Fred Africkian. Yerevan, Armenia-based architect, letterer and type designer who wrote The Art of Letter-Type by Fred Africkian. 120 Tables of Armenian decorative types (1984). See also here. Taboo (Canada Type) is a Latin typeface inspired by lettering from Africkian's book. Patrick Griffin of Canada Type writes: Virtually unknown in the West, Africkian was one of the most talented eastern block artists. Though mainly a calligrapher working with traditional tools, he embraced geometry on multiple occasions for the sake of drawing simple modern Armenian and Cyrillic alphabets. Though he normally tried to maintain in his work a certain homage to Mesrop Mashtots (5th century Armenian monk who invented the Armenian alphabet), his late 1970s experiments made use of so many modern elements that the results were hailed as "real art mingled with science." [Google] [More] ⦿
Afronsu Afronsu	Aka afronsu Afronsu. Crazy Sao Paulo-based Brazilian designer (b. 1986) of the grunge typeface Antropofagia (2010). Born in 1986. He also made Urbana (2020), Futurista (2019: an experimental font), Afronsu (2011), Estaktu (2012, influenced by Sao Paulo's graffiti or pixacao), and Abstract Rua (2012). [Google] [More] ⦿
Petros Afshar	London-based creator of the super-experimental geometric and hipster typefaces Artificer (2011), Insomiak (2015, a hipster typeface), Illusive (2014, alchemic), Tuna (2014), Kim (2014), Solaris (2017), Sleipnir (2012) and Flatland (2011). Petros is also a talented typographic illustrator---see, e.g., his Blue Heron (2011). An example of his typography for information design: Table Tennis for the 2012 Olympics. At Studio SAP in London, he had a hand in many illustrations and illustrative typefaces such as Sleipnir (2012). In 2018, he designed the alchemic or hipster typeface family Geometrica, which comprises Arcane, Orion and Gravity. He also created the hipster font Bastion (2018, with Kimmy Lee and Matthew James) and the blackboard bold typeface Trindle Sans. As Swash Hub, he designed the hexagonal Elixia (2018), the hipster font Avion (2018, with Joshua Baron), and the rounded lowercase sans Kaige (2018). It is possible that SwashHub is Kimmy Lee (London). Still in 2018, Matthew James and Petros Afshar co-designed the Japanese emulation font Okami. Typefaces from 2019: Bael (sans, by Petros Afshar and Matthew James), Berman Bold (a blackletter font by Petros Afshar and Matthew James). Behance link. Home page. [Google] [More] ⦿
Sahar Afshar	Sahar Afshar is a type designer, printing historian and researcher from Iran. She studied at the University of Tehran and the University of Reading (where she obtained an MA in Typography & Graphic Communication). After graduating, she has been working on the design of Arabic typefaces and researching the printing of Arabic and Indic scripts. She is currently based in London, and obtained a PhD from Birmingham City University, where she researched Punjabi printing history and culture in post-war Britain. In 2017, she published Athelas Arabic at TypeTogether, to accompany Scaglione and Burian's Athelas (2008). In 2022, she designed Portada Arabic for TypeTogether. Speaker at ATypI 2017 Montreal. [Google] [MyFonts] [More] ⦿
Zachary Afshar	Manchester, NH-based designer of Vernacular Typeface (2015). This typeface was finished during his studies at New Hampshire Institute of Art, Behance link. [Google] [More] ⦿
Raj Afzal	London-based designer of the techno typeface Tokyo Type Font (2015). [Google] [More] ⦿
Saba Afzal	Creator of the free font Quater Circles (2013). [Google] [More] ⦿
Stefano Agabio	Italian designer of Mr. Whippy (2011), a fluffy typeface inspired by ice cream and whipped cream. He studied at Politecnico di Milano. [Google] [More] ⦿
Bedirhan Agac	Istanbuul-based designer of the angry modular typeface Pasif Agresif (2018). [Google] [More] ⦿
Oleg Agafonov	Tula, Russia-based design studio, whose owners (Oleg and Kate, or Oleg Agafonov and Katja Buzova) studied at British Higher School of Art and Design in Moscow (2012-2014) and Tula State University (2006-2010). In 2016, they created the handcrafted / crayon typeface I Am Berliner. They are now based in Berlin. Typefaces from 2017: YD Modernist (monospaced sans). Behence link for Oleg Agafonov. Behance link for Ekaterina Buzova. [Google] [More] ⦿
John Arne Van Nordby Agaid	Norwegian design student at Norges Kreative Fagskole in Oslo. Creator of a floriated caps alphabet in 2012, and the typeface Creativity in 2011. Devian tart link. Behance link. [Google] [More] ⦿
Haim Agami	Jerusalem-based creator of the Hebrew typeface Haimon (2005). Behance link. [Google] [More] ⦿
Yaacov Agam	Israeli type designer at Masterfont, where he published Agam MF. [Google] [MyFonts] [More] ⦿
Ronny Agan	Cipta Nuansa, Indonesia-based designer of the decorative Victorian typeface Bogalakon (2019) and the Victorian typeface D Warung (2019). [Google] [More] ⦿
Devin Agar	Santa Monica, CA-based designer of some experimental typefaces. [Google] [More] ⦿
B. Agaric	Designer of the Agave font between 2013 and 2019. He writes: Agave was an attempt at making a small, monospaced, outline font that would be geometrically regular and simple. The endeavor was motivated by a deep adoration of old-school console bitmap fonts, of Consolas, of Pragmata Pro, as well as a novice's curiosity for typographical design. When it came to establishing a "simple" design scheme, the natural inclination was to separate the glyph design concerns into that of "frame" and "trait". By frame, we refer to the naive geometric extent of a glyph and its parts. And by trait, we mean, for example, the "way" in which a stroke curves, or the relationship between one part of a glyph and another. Adhering to personal tastes, bone-deep laziness, and the quirky spirit of old computer terminal fonts, the delineations of frame and trait amounted to two mathematical patterns: the power of two and the golden ratio. That is of course an understatement. This wonderful font has almost 5000 glyphs, half of them useful icons. To be sure, many of these glyphs were added by Ryan McIntyre in his Nerd Fonts version of Agave in 2020. Earlier (pixel) fonts by Agaric include Autonoe [autonoe is a fixed-width, 7x14, bold-only, unicode, bitmap typeface] and Ino. Github link. [Google] [More] ⦿
Anusha Agarwal	During her studies at MSU Baroda (India), Anusha Agarwal designed the sci-fi typeface Chunk (2019) and the handcrafted Kooky (2019). [Google] [More] ⦿
Avi Agarwal	During her studies at the MIT Institute of Design in Pune, India, Avi Agarwal (New Delhi) created the condensed typeface Canister (2014), which is based on basic geometric shapes. [Google] [More] ⦿
Sanchitaa Agarwal	As a student in Bangalore, India, Sanchitaa Agarwal designed a curvy handcrafted Latin stencil typeface. [Google] [More] ⦿
Umang Agarwal	During her studies in Bangalore, India, Umang Agarwal designed the squarish typeface Brick & Block (2019). [Google] [More] ⦿
Vrinda Agarwal	As a student at NIFT in New Delhi, Gurgaon, India-based Vrinda Agarwal designed the fun figurine typeface Porangi (2018). [Google] [More] ⦿
Evgeniy Agasyanc	Izhevsk, Russia-based designer of a brush pen set of numerals in 2015. Behance link. [Google] [More] ⦿
Evgeniy Agasyants	Udmurtia, Izhevsk, Russia-based type foundry, est. 2018. Their typefaces are mostly in the comic book or cartoon genre. They include OT Puppy (2018: brush style) and Chekharda (2018). Home page. [Google] [MyFonts] [More] ⦿
Tallal Gul Aga	Graphic designer in Northampton, UK, who created a circle-based typeface called Aga (2013). [Google] [More] ⦿
Fredella Agatha	Bekasi, Indonesia-based graphic designer. In 2021, the octagonal typeface Avro Gadro and the techno typeface Nitro Flex. [Google] [More] ⦿
Ahya Agawiss	Yogyakarta, Indonesia-based designer of the script typefaces Blasty (2017), Sweet Saturday (2017) and Bianglala (2017), and the calligraphic typeface Dandelion Script (2017). Graphicriver link. [Google] [More] ⦿
Alexis Agbunag-Jones	Graphic designer in Nashville, TN, who created the decorative typeface Twisted in 2016. [Google] [More] ⦿
Gerardo Agbuya	Toronto-based designer of the display caps school project typeface Feather Font (2013). Behance link. [Google] [More] ⦿
Michael Ageev	Russian designer of BedrockCyr after an original by Corel. [Google] [More] ⦿
Mike Agency	On the day the FCC voted for net neutrality, Toronto-based Mike Agency published the display typeface Pirlo (2015). Behance link. [Google] [More] ⦿
Obys Agency	Kharkiv, Ukraine-based design agency that comprises Viacheslav Olianishyn, Olia Olianishyna, Konstantin Yakovlev, and Roman Salo. Together, they designed The Night Watch (2021). a free all caps display serif inspired by the paintings of Rembrandt van Rijn. OTF Glusp (2021). A free all caps avant garde font. [Google] [More] ⦿
Yudha Ageng	Or Yudha Rahmat Ageng. Yogyakarta and/or Jakarta, Indonesia-based designer (b. 1996) of the bold script typefaces Eusthalia Sans and Clean (2018: a free font duo), the signage script typeface Chillout (2018), the calligraphic typeface Anthasic (2018), Helsinki (2018), Manhattan (2018) and Matane (2018), the vintage typeface Boatman (2018), the signature font Better Signature (2018), the monoline script typeface Royaland (2018) and the modern script typefaces The Blendhes (2018: a baseball script), Bellasic (2018) and Pharosi (2018). Typefaces from 2019: Haydes (a signage script), Eusthalia Stamped, Boatman Stamped, Buryland ((monoline) Script, (Victorian) Sans, Serif), Rocka + Billy. Typefaces from 2020: Sunpalm Addict (script). Typefaces from 2021: Boatman (a vintage label font). Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Louise Agerlund	Art director in Aarhus, Denmark, who created the signage script typeface Freddy (2014). [Google] [More] ⦿
Kristofer Totte Agermark	Stockholm-based designer of So Low Sans (2014). [Google] [More] ⦿
Pranjali Aggarwal	New Delhi-based designer of a pixelish typeface in 2014. [Google] [More] ⦿
Andrea Zudip Aggasi	Madiun, Indonesia-based designer of these handcrafted typefaces in 2019: Gandhewa (a signature script), Odense, Kids, Agashi Signature, Best Signature, Davina, Baby Boss, Himeka, Kanzalea, Marion, Kirani, Lavana, Odense, Danilla. Typefaces from 2020: Natuna (a very wide script), Kidszania (a curly children's font). Typefaces from 2021: Doyotama (an eerie graffiti font). [Google] [MyFonts] [More] ⦿
Yannis Aggelakos	Tripoli, Greece-based designer of the free angular vampire font Vampyri (2015, FontStruct). Behance link. [Google] [More] ⦿
Salma Hisham Aggour	Salma Hisham Aggour (Cairo, Egypt) created the Latin typeface Punk Plan and Movie Genre Pictograms during her graphic design studies in 2013 under the supervision of Sabine Schwarz at the German University in Cairo. [Google] [More] ⦿
Virag Agg	Budapest-based designer of a set of decorative caps called Public Transport 2014. This was a school project. Behance link. [Google] [More] ⦿
Tatevik Aghababyan	Tatevik Aghababyan is an Armenian designer who lives and works in Frankfurt, where she is the main person at the studio Tatssachen. She designed these typefaces: Fedra Sans Armenian (with Peter Bilak; Third Prize at Granshan 2010 for Armenian text types), Elien (an experiental modular family), Glueziffer (2010; a Treefrog-style scratchy hand family), Arpi (2007; sans Armenian unicode face). Elien (2009, 26plus) is a monospace typeface inspired by bike chains and dot matrix ideas. [Google] [More] ⦿
Masoud Aghaie	Designer of the Ostovar typeface for Persian in 2011. He lives in Sari, Iran. [Google] [More] ⦿
Reand Aghara	Indonesian designer (b. 1975) of the techno typeface Aghara (2015) and the casual typeface Peyori (2016). Dafont link. [Google] [More] ⦿
Sabina Aghova	Prague, Czechia-based designer of the brush scripts Lemonfish (2016), Cupcakia (2016) and Karlita (2016), the handcrafted typeface Funisima (2016) and the calligraphic script typefaces Lavandia (2016) and Hanelka (2016). Typefaces from 2017: Cedrika (calligraphic script), Florisa (signature script). Typefaces from 2018: Magic Winter, Snowy Christmas Script, Bright Side, Elderflower. [Google] [More] ⦿
Chris Agiasotis	Australian designer of Cap Constructed (2005). Dafont link. [Google] [More] ⦿
Dilan Agic	Eskisehir, Turkey-based designer who created the uncomplicated sans typeface Simple (2014). [Google] [More] ⦿
Ece Agirtmis	London, UK-based designer of the children's lettering font Ecel (2017). [Google] [More] ⦿
Julia Agisheva	Based in London, UK, Yulia (or Julia) Agisheva designed Ribbon Type (2012) and Now Grotesk (2012) during her studies. Behance link. [Google] [More] ⦿
Luke John Agius	Agius is from Mosta, Malta, b. 1994. Creator of the children's handwriting font Children Once Where (2007), as well as Rough Graffiti and Space and Astronomy. Dafont link. Alternate URL. [Google] [More] ⦿
Omer Agiv	Omer Agiv (Fontomania) made freeware Latin, Hebrew and dingbat fonts such as Amraheb, Electroni, Jumang, Krashim-signs, LironAgiv, Moshe, Outline, Samurai, Samuraiheb, Sunnyday, Transport, Worms, arrow, boards, bw, dotty, goggles, krashim, leaves, nuni, nurit, wood-sticks, Dinorific, omerh. Some fonts are commercial. Personal handwriting font service for 55USD (Latin, Hebrew or Arabic). Personal signature for 10USD. Some commercial fonts at 8 to 12 dollars, such as Smily, Cookie (curly), Orenh (handwriting), Geometry, Tal, Jifa, Sun, Hairy, ABC, Chains, Liner, Chinese, Arak, Parkinson, Papio, Tropical Sickness and IceSticks. The free and commercial Hebrew fonts include the Tapuach package (8 fonts). Fontomania also sells the 13-font 44 USD-"Silver Collection" on CD. Free handwriting font download: Janet Luther. At Elifont, one can download Wood Sticks, Samurai, Liron, Ice Sticks, and Boards. Dafont link. Old URL. [Google] [More] ⦿
Margot AG	Tours, France-based designer of the experimental typeface Pli (2017). [Google] [More] ⦿
Alessio Agnello	London, based-designer of the stencil font Vacui (2020). [Google] [MyFonts] [More] ⦿
Vanessa Agnes	Jakarta, Indonesia-based designer of HelpetikA. [Google] [More] ⦿
Emiliano Agnetti	Graduate from FADU, University of Buenos Aires, who created the typeface Read Praz Std (2010), a typeface that evolved from Adobe Caslon Pro. [Google] [More] ⦿
Eric Agnew	Eric Agnew is the codesigner with Shaun Kardinal, Starseed and Brian Barbour at Themes of a scorched earth of TSP Dingbats. [Google] [More] ⦿
Prabudha Agnihotri	Bangalore, India-based creator of the alchemic typeface Tricul (2014), for which inspiration came from semaphore signals. [Google] [More] ⦿
Vedang Agnihotri	During his studies in Pune, India, Vedang Agnihotri created the modular squarish typeface Tirccha (2015). [Google] [More] ⦿
agnuaspflibko	Futuristic, experimental, grungy stuff not found elsewhere, by agnuaspflibko in Sweden. Check Pormask Ytterhud. Tarmsaft is no more, though. Some of its fonts may still be found on archives, so here is a list of font names: Äggstock, ArsleGothic, ArsleGothic, Bajoran-Ancient-STsemicanonbased, Bajsmaskintjocksprutande, Bajsmaskin, Bajsmaskintjocksprutande, Bajsporr, BantarbjrnHeavy, BilligHora, Bonushora, Brottardolme, Brunkål, Brunst, BrunstCaps, Brunöga, FetmaHeavy, Fisring, Fisring, Fittsvamp, Flottig, FlytningarSvulstiga, Flytningarsprutande, Flytningar, FlytningarSvulstiga, Flytningarsprutande, GallaBlack, GallaBold, Galla, GallaBlack, GallaBold, Gathora, Gubbrra, elvetet, InavelFrtvinad, InavelKromosomkalas, InavelKusin, InavelMutant, InavelStorebror, InavelTetkaCyr, InavelTjockaSlkten, Kewken, Kattakodd, Kisskorv, Knarkarsvin, Knulla, Lantfnask, Läderbög, LillSnase, Lingonvecka, Manslem, Multihora, Muttprutt, Ollon, Onani, Pormask2039, PormaskRemix, Pormask-Ytterhud, Pormask, PormaskInnebrännare, PormaskInnebrännare, PormaskKlämd, PormaskKlämd, PormaskRemix, Porrblaska, Psttning, Pungen, Psttning, Reningsverk, Rättpick, Rugguggla, Rumpnisse, Runkspad, RuttenSpya, Rvkrm, Rvple, RvpleTjock, Rännskita, Rvkrm, Skinnbanjo, Skäggbiff, Snderfistad, SneflabbNormal, Snetripp, Snuskpk, SpinkigJvel, SpinkigJvel, Spräckaren, Spritad, Sprutfest, Spräckaren, Spyhink, Stjrt, Stngkorv, Stngkorv, Snderfistad, TarmSystem, Taskekseminflamerat, Taskeksem, Taskekseminflamerat, Tidelag, Tidelagskoprofag, Tjackluder, Tjockebo, TrampaIntePMinKukSlyna, TrampaIntePMinKukSlyna, TrampaIntePMinKukSlyna, Våldtäkt, Våldtäkt, Våldtäkt, Aptango, Åderpåk, Nobrain, Tjockebo, Äggstock, ÄggstockGravid, Åderpåk. The full archive has been restored by CybaPee at TypeOasis. Italian tarmsaft site. typeOasis archive. URL at DaFont. [Google] [More] ⦿
Claire Agopian	Claire Agopian graduated in 2007 from Ecole Estienne in Paris with a thesis entitled Exotisme familier: une typographie de diaspora, in which she develops an elegant Armenian/Latin typeface, Le Loussiné (2007). She also wrote Edward Fella "I am the vernacular" (2007) at Estienne. She designed the playful display typeface Knock, the handwriting typeface Coquillette, and a font based on glyphs of an imaginary tribe, the Kanaks. [Google] [More] ⦿
Riccardo Agostinelli	Milan, Italy-based designer of the free classy sans display typeface Cyrene (2020). In 2021, he released the mon olinear sans typeface Xonda. [Google] [More] ⦿
Joao Agostinho	Caldas da Rainha, Portugal-based designer of the serif typeface Sbn (2011). [Google] [More] ⦿
Paolo Agostini	Designer of Phoinike, 1998. Downloadable here. [Google] [More] ⦿
Paulo Agostini	Joinville, Brazil-based designer of the graffiti font Vandalbier (2016). Behance link. [Google] [More] ⦿
Laura Agostino	During her studies at FAU / UBA, Laura Agostino created an untitled boudoir typeface (2013). [Google] [More] ⦿
Rahmad D. Ag	Banda Aceh, Indonesia-based student-designer of the brush script typeface Millenials (2017). Behance link. [Google] [More] ⦿
Rebecca Agra	Brazilian graphic designer who lives in Aracaju and studied communication at UFBA in Bahia. Studio. She created Egito (2009), an out-of-focus optical illusion font. The papyrus font Egypt Typography was done in 2003 during her studies. Aka Bebecca. [Google] [More] ⦿
Gregorius Prima A	Jakarta, Indonesia-based designer of the Moluccan tribal-themed font Maluku (2019). [Google] [More] ⦿
Serge Agronsky	Designer at Graphic bureau Az-Zet of the zodiac sign font LifeSigns (1995), the Cyrillic/Latin fonts AZGaramondExtraBoldC (1990-1995), ParagonNordC (1990-1995), and ELIZAZPS (1993). [Google] [More] ⦿
Greta Agst	During her studies in Vilnius, Lithuania, Greta Agst designed the display typefaces Viscera (2018) and Teutonik (2018). [Google] [More] ⦿
Rodrigo Aguadé	Madrid-based creator of the beveled and drop shadow typeface family Smoking Club (2013), which was inspired by titling in black and white movies. Buy the typeface at MATOI Design lab. Ogle it here. Typophile link. [Google] [More] ⦿
Pedro Águas	Student at the University of Algarve, Portugal. Creator of Escorregar do Moreno (2011), a typeface based on toilet paper rolls. [Google] [More] ⦿
Emary Aguayo	Houston, TX-based designer of the connect-the-dots constellation typeface Oblivion (2018). [Google] [More] ⦿
Marco Aguayo	Creator in Colima, Mexico, of Aprim (2011, hand-printed) and Secondo (2012, fat finger face). [Google] [More] ⦿
Paco (Francisco) Aguayo	Typoidea is an outfit in Guadalajara, Mexico, run by Paco Aguayo, the Jalisco-based designer at the Argentinian outfit SantoTipo of Sapucai Picada and Mofles. Aguayo also designed the bitmap font family SacrilegaPX (2001) and the pixel font family Escritura PX. At Tiypo, you can also find Artimania, Hija de Perra, and La Neta (simulating paint). [Google] [More] ⦿
Patricia Aguayo	Patricia graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the curly vine-inspired typeface Primavera. [Google] [More] ⦿
Josep Agüero	Barcelona-based designer of the blackletter font Gothic Proto (2019) and the circle-themed Round Proto (2019). [Google] [More] ⦿
Natalia Aguerre	During her studies in Buenos Aires, Natalia Aguerre created a fat poster typeface (2014). [Google] [More] ⦿
Ana Carolina Aguiar	During her design studies in Porto Alegre, Brazil, Ana Carolina Aguiar created the display typeface Schloss (2014). [Google] [More] ⦿
Elizabeth Aguiar	Recife, Brazil-based designer of the vintage script typeface Arcaico (2015). [Google] [More] ⦿
Murilo Aguiar	Recife, Brazil-based designer of the signage typeface Tipografia Vernacular (2015). [Google] [More] ⦿
Veronica Aguiar	Graphic designer in Sao Paulo who created the display typeface Crype in 2014. [Google] [More] ⦿
Maria Aguila	During her studies in Gaithersburg, MD, Maria Aguila designed Chain Mail (2013), a photographic alphabet. [Google] [More] ⦿
Aaron Aguilar	Overland, KS-based designer of the outlined typeface Nin-Nah (2016). [Google] [More] ⦿
Carlos Aguilar	Art director and graphic designer in San Luis Potosi, Mexico. Creator of the bold display typeface Pildora Pro (2014). [Google] [More] ⦿
Christian Aguilar	Arequipa, Peru-based designer of the display typeface Fabric (2015). [Google] [More] ⦿
Dulce Aguilar	During her studies in Leon, Mexico, Dulce Aguilar created Mctypo (2016), Craft Sticks (2014, a hand-drawn typeface), and Creatures (2014, hand-drawn monster dingbats). [Google] [More] ⦿
Ferchongo Aguilar	Monterrey, Mexico-based designer of an unnamed display typeface in 2013. [Google] [More] ⦿
Jo Aguilar	Quezon City, The Philippines-based designer of the experimental geometric typeface Geometreo (2014). Behance link. [Google] [More] ⦿
Jorge Aguilar	Jorge Aguilar (Reaktor Lab, Guadalajara, Mexico) is mainly into graphic design and illustration. His Solera family of typefaces (2011: Solera 2D, Solera 3D and Solera Canto) is designed for chrome jobs---smooth and flashy. Behance link. [Google] [More] ⦿
Marcell Aguilar	Sao Paulo-based designer of the ultra fat typeface Hong Kong (2010) and of this experimental face (2010). [Google] [More] ⦿
Arnau Aguilar Marcos	Barcelona-based designer of Kandu (2013), a thin typeface that was derived from Bell MT in 2013. Behance link. [Google] [More] ⦿
Miguel Aguilar	Mexico City-based designer of Tourist (2012, an inline typeface), Holy Type (2012, experimental typeface), Lemon (2012, display typeface) and Profane (2012, alchemic typeface). [Google] [More] ⦿
Ozcar Aguilar	Puebla de Los Angeles, Mexico-based designer of the bike gang tattoo typeface Boa (2014). [Google] [More] ⦿
Ricardo Aguilar	Freelance designer in Puebla, Mexico. Creator of Nina Sans (2014) and Puro Cuento (2014, a simple monoline font for children's books). [Google] [More] ⦿
Sebastian Aguila	Santiago, Chile-based design group. One of them, Sebastian Aguila, co-designed Amazonia Life (2018), a typeface that depicts 104 endangered animals, with Sofia Mohr. MyFonts link for Amazonia. [Google] [More] ⦿
Felipe Aguilera	Aka Felipe Felipe. Graphic designer from Santiago, Chile, who made the origami typeface MyTypo (2012). [Google] [More] ⦿
Gina Aguilera	Gina Aguilera (JMRBooks) created the hand-gridded free font Olde Wampum Belt (2009), classified by Fontspace under "Native American". JMR stands for Jennie's Music Room. [Google] [More] ⦿
Marcela Aguilera	Marcela Aguilera is a Chilean type designer and calligrapher. She graduated from the Santo Tomas professional institute in 2013, and has a post-graduate degree in Type Design from Universidad de Chile (2015) and a Masters in Advanced Type Design (2017) from EINA in Barcelona. She develops typefaces for Type-o-Tones with Laura Meseguer and Josema Uros, and for PeGGO Fonts with Pedro Gonzalez. In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats). [Google] [MyFonts] [More] ⦿
Pep Aguilo	Barcelona-based creator of the modular typeface Pagesa (2015). [Google] [More] ⦿
Roberto Aguiluz	San Salvador-based graphic designer (b. 1985) who created the 3d sketch font Elli Noise (2008) and the refreshing jungle font Adry of Hanabi (2009). Abstract Fonts link. Yet another URL. [Google] [More] ⦿
Ana Aguirre	Vitoria-Gasteiz, Spain-based designer of the Basque typeface Gasteiz (2015), which is a redesign of Bilbao. She also created the modular typeface Fontana (2015). Behance link. [Google] [More] ⦿
Arieh Aguirre	As a student at UPC (Universidad Peruana de las Ciencias), Lima-based Arieh Aguirre designed the shadow caps typeface Chola Pink (2018). [Google] [More] ⦿
Mar Aguirre	Cali, Colombia-based designer of the slightly squarish display typeface Presser (2016). [Google] [More] ⦿
Mariana Aguirre	Designer (b. 1991) of the free fashion mag typeface Modikasti (2016). [Google] [More] ⦿
Marko Aguirre	During his studies in Montreal, Marko Aguirre co-designed the experimental minimalist typeface Emmentype (2016) with Marie Chénier. [Google] [More] ⦿
Wasana Creative (or: Wasana Agung)	Illustrator and designer in Madiun, Indonesia, who created the calligraphic typefaces Helena and Caroline Script, the vintage typeface Clementine, and Prastika Script in 2017. Behance link. Creative Market link. [Google] [More] ⦿
Muhammad Ridha Agusni	Architect and designer in Banda Aceh, Indonesia, b. 1980, who set up Grayscale, then 38 Lineart, and finally Fontsources. In 2018, he released the hexagonally-patterned color font Space, the nervous monoline display typeface Barcelona, the monoline script Brandy, the tattoo and metal band blackletter font Amstha, Twinkle (hexagonal texture), Premium Quality, Hightide (signage script), Ashley Pages, Bold Grunge (a wood style Western font), Rabbit House, Strongbold (brush style), Onthel (a rhythmic signage script), Cafeine, Seulanga (calligraphic), Sweet Bubble, Downhill, Architecture (technical writing font), Wisethink (rough brush), Emerald, Ghotic, Oakland (signage script), Parthenon (signage script), Strawberry Night (script), the formal calligraphic font Beauty Athena, the inline font Epicentrum, and the signature font Attitude in 2018. Typefaces from 2019: Ghoust (a marker font done at Cititype), Diamant Handwriting (a signature font), Utrecht (with Siti Saribanon Nurjannah), Exhibitionist (a fine rhythmic script), Holimount, Prague Metronome (a thin signature script), Allegroost (a brush typeface), Anisha (script), Kyoto Northern, ChiQuel (a Victorian display typeface that can be layered), Hillstone (a dry brush script), Malique, Ginchiest (a retro signage script), Kid Knowledge, Haghia, Khatija Calligraphy, Bernound, Graffity, Brandy Script (monoline), Downhill, Concept (sketched, blueprint font), Konya (signature script), Blacksmith, Curve Calibration (condensed sans). Typefaces from 2020: The Pallace (a great natural inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Chipen (inline, all caps), Jakarta (a flowing inky script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Rhode White (a great signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Bailamore (a creamy signage script), Vogie (a sporty / techno sans family of 72 fonts, plus a variable font), Rollingtime (a brush script jointly designed by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Piedmont (a heavy connected handwriting script advertized as a masculine signature font), Whiplash (an all caps dry brush font), Aceh (a 36-style geometric sans), Youthink, Sacred Letter (a vintage weathered script), Serif Sketch (by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Corinthiago, Smart Chameleon (a handcrafted typewriter font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Hiroshima Gyoshi (a brush font inspired by Japanese calligraphy), Roughmarker (dry marker font), Brotherhood, Blugie (a fat finger font), Rome Ionic (an all caps roman typeface), Black Orchestra (a great horror or black metal font), Black Orchestra (a horror font). Typefaces from 2021: Magreb (an 8-style renaissance serif typeface), Toxide (calligraphic; Celtic; uncial), Redtone (a 14-style geometric sans), Moula (an 18-style geometric sans for Latin, Greek and Cyrillic), Zouk (blackletter), Zagreb (an inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Alsace (Victorian), Backbone (a black metal blackletter typeface), Roundkey (a 24-style condensed, but not round, sans), Wordwalker (a marker pen font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah for Cititype), Sweet Bubble (a bubblicious font), Souljah (an elegant inky calligraphic script). Creative Fabrica link. Another Fontbundles link. [Google] [MyFonts] [More] ⦿
Fadil Agustiansyah	Siak, Indonesia-based designer (b. 2000) of the handcrafted typeface Filatelis (2019) and the sans typeface Boomerang (2019). [Google] [More] ⦿
Asri Agusti	Jakarta, Indonesia-based designer of the dot matrix typeface Agata (2017). [Google] [More] ⦿
Agustina	Spanish designer of Agustina (2005, scratched handwriting). [Google] [More] ⦿
Ayu Agustina	Tangerang, Indonesia-based graphic designer and photographer who created the umbrella-inspired typeface Pyoong (2015). [Google] [More] ⦿
Edwin A. Ahaar	Designed (the ugly) Futura EF Script in 1954. [Google] [More] ⦿
C. Ahab	Designer of the freeware font OeBB-Plain. [Google] [More] ⦿
Bastian Ahad	Bekasi, Indonesia-based designer (b. 1997) of the graffiti font Dxdiag (2015). [Google] [More] ⦿
Tuvia Aharoni	Israeli type designer, b. Radomska, Poland, 1909, d. 1981. In 2020, Masterfont released an expanded version of Aharoni's famous typeface as Aharoni MF as well as Aharoni Polished MF (by Zvika Rosenberg). [Google] [MyFonts] [More] ⦿
Jessica Aharonov	Caracas, Venezuela-based creator of Kahue (2013), Dot Typeface (2012), Mechanoid (2012), Folded Typeface (2012) and Cubika (2012, a 3d face). Behance link. [Google] [More] ⦿
Alim Ahat	Designer of these Uyghur typefaces: Ukij Ruqi (with Xoten Chiwer Qol), Ukij Zilwa (with Memtimin (Alyar), Abdureshit (Qarlighach) and Adiljan Abliz (Uchqur)). Open Font Library link. [Google] [More] ⦿
Alex A'Hearn	Cedar Rapids, IA-based designer of the video game typeface Arcade (2016). [Google] [More] ⦿
Aheneah	Lisbon, Portugal-based designer of the embroidery font Means Sans in 2017. [Google] [More] ⦿
Dwi Ahidian	Bandung, Indonesia-based designer (b. 1995) of these script typefaces in 2020: Calton Elegance (a Peignotian sans), Janelotus (an inky script), Destoria, Estrada Signature, Befront, Simfony Sign, Kaishou (brush style), Malona, Hamiltone Signature, Anthurium, Mondeylla, Belligiant, Southernsky. In addition, he made these fonts in 2020: Sachi (font duo), Visual Hollow (font trio), Kreis 8 (prismatic and slinky), Rosvelit (a display serif). Typefaces from 2021: Highes Signature (script), Patternly (a stocky monolinear script), Bluegold (script), Primal Signature, The Songket (script), Katagiri (script), Luthon Southard (a font duo), Fife Gallery, Sign Rathi (an inky signature script), Penguin Blush (a scrapbook font), Bostroom (a dry brush script), Sagata Normal (sans and script), Monosign (a monolinear signature script), Dontheus (an inky script), Magis Authentic. Typefaces from 2022: Satchell (a scrapbook script), The Billion (an inky signature script, accompanied by a monoline version), Hayken Script (signage script), Resonant Chilliner (font duo). [Google] [MyFonts] [More] ⦿
Chirag Ahir	Designer in Denver, CO. Behance link. He was inspired by some Bollywood movies when he made Pyar Mohabbat (2010, Devanagari face). [Google] [More] ⦿
Pravin Ahir	Creative designer in Mumbai who designed the prismatic op-art Latin typeface Squoil (2014), the Buds typeface (2014, a modification of Cooper Black), and the decorative dot matrix typeface Bandhani (2014). [Google] [More] ⦿
Johan Ahlberg	Johan Ahlberg's site on pixel fonts that are very readable at extremely small point sizes, on screen, anno 2000. The web site disppeared so here is Ahlberg's original list: Pixel, Pixel4x4, PixelClassic. Plus an archive of techno/computer/dot/pixel fonts, including many Chinese and Japanese character fonts: 35base, 35basewide, 35lines, 35rounds, ArakawaPlane (katakana), BMUGAsianFont, Beatbox, BlobThin, DFFangSong1B_GB (simple Chinese characters), DotplLCD_KANA, Dotplain, Flytningar (Tarmsaft), Flytningarsprutande, Futalic_win (kana), BlockOut2097 by Matthew Sephton, CoilKtb, MM, Parade20, Pinponpan, Gachaponka__akana (the latter five fonts by Masayuki Sato at Maniackers Design), Jim_s_Kanji_A__PS, Kiloton_v1_0, ManiacKt, Olasfontirregular, Onakanormal, PKNB, PropellerFuel, Sevenet7, Thyristor, Ticker, VTMeiOrnaments (Susan Townsend's nice Chinese ornaments), VTMeiOrnamentsOnBlack, VTMeiOrnamentsOnCircle, WA50, Hirosh, InavelMutant, InavelStorebror, Jetplus, KEWKEN, Koshgarian_Light, Neuropol_Medium, Ollon, Reningsverk, Shamen_Remix. Abstract Fonts link. [Google] [More] ⦿
Lea Ahlers	Berlin-based designer of the handcrafted typeface Lefi (2016). Behance link. [Google] [More] ⦿
Helena Ahlstrom Jole	Designer of the free fonts Helena'sHand (handwriting), and Scrapbook-Chinese (Chinese characters). Helena grew up in Ohio and graduated from Brigham Young University. [Google] [More] ⦿
Dida Ahluddin	Tasikmalaya, Indonesia-based designer (b. 1997) of the upright script typeface Charganolton (2019) and the modular typeface Mitsuha (2019). In 2020, he released the script typefaces Raleigh Modesto, Sweenline, The Disnathos, and Dhelman. Typefaces from 2021: Mechaniclove (a stocky bold upright script), Anboug (a retro signage script), Angela Heart, Anghora, Backstone, Bloadrish, Boendalove, Bootterfly, Brush Curly, Cheerful Dynamite, Christmas Halcyon, Christmas Holland, Elizafat, Fallind, Hand of King, Hatimune, Higher Monday, Hittany (a monoline script), Holiday Sweet Lovely, Hypherin (a bold signage script), Kandel, Kashiwa, Kawula Moeda, Kidszonia, Kralken (a display serif), Rosemarine (a delicate flared serif), Signatype, Skyzone, Soulness, Sweenline, The Mainstay. Typefaces from 2022: Findastone (script), Balnuettes (a bold signage script). [Google] [MyFonts] [More] ⦿
Aamnah Ahmad	As a student at Indus Valley School of Art and Architecture, Karachi, Pakistan-based Aamnah Ahmad created the Urdu typeface Qatrah (2015). [Google] [More] ⦿
Akbar Ahmad	Paris-based designer of the great custom vintage typeface Illusions of Grandeur (2017). Behance link. [Google] [More] ⦿
Fiki Ahmadi	Malang, Indonesia-based designer (b. 1986) of Reaf Singer (a fat finger script) (2021), Regon (an unkerned 18-style sans) (2021), Happy Single (a comic book font) (2021), Brogllin (a monolinear script) (2021), Meigtan (a lava lamp font) (2021), Chiyaw (a fat finger font) (2021), Hellobye (2021), the square-shaped video game typeface Battlefly (2021) and the foliated sans typeface Qailbert (2021). Typefaces from 2022: Minthy Stones (a scrapbook script). [Google] [MyFonts] [More] ⦿
Julia Ahmad	Beirut, Lebanon-based designer of the constructivist typeface Lakov (2019). [Google] [More] ⦿
Liana Ahmad	During her studies at Raffles College of Higher Education in Kuala Lumpur, Malaysia, Liana Ahmad created the textured caps typeface Zentangle (2015). [Google] [More] ⦿
Taha Ahmad Makhdoomi	Lahore, Pakistan-based creator (b. 1989) of Gutsy (2012, a four-style techno typeface family). Dafont link. Behance link. [Google] [More] ⦿
Mohammad Alhaj Ahmad	Despite its name, Mohammad Alhaj Ahmad's type foundry is based in Turkey. In 2019, he designed the Arabic typeface Althawra Fikra. [Google] [MyFonts] [More] ⦿
Nazima Ahmad	Art director and educator in Dubai. Creator of the sans typeface Carioli (2014). [Google] [More] ⦿
Hemin Ahmad Rasool	Irbil, Iraq-based designer of the monoline Kurdish font Qshtoka (2014). Free download. Earlier he made a series of 32 Arabic / Kurdish typefaces called Kazhin 1 through Kazhin 32 (2014). Free download. See also here. Behance link. [Google] [More] ⦿
Rehan Ahmad	Graphic designer of New Delhi, India, who created a free geometric monospace typeface in EPS and AI formats in 2017. [Google] [More] ⦿
Rona Ahmad	Amman, Jordan-based designer of the scribbly Latin typeface Rozalinda (2017) and a handcrafted Arabic typeface (2017). [Google] [More] ⦿
Saqib Ahmad	Islamabad, Pakistan-based designer (b. 1991) of the skeletal geometric typeface Round Geometric (2017), the textured Bubble (2017), Pixel (2017), Monocle (2017), Pickles (2017), Scoop (2017), Spooky Smoke Events (2017), Good Day (2017), Serial Killer (2017), Barb Wire (2017), Satan (2017), Happy Easter (2017), Zoom (2017), Aqua Beach (2017), and the Hawaiian spirit typeface Luau Party (2017). Typefaces from 2018: Good Day. Typefaces from 2019: X Force (techno), Cherry Love. Behance link. [Google] [More] ⦿
Syafii Ahmad	Yogyakarta, Indonesia-based designer (b. 1988) of the monoline script Sarmilla (2019), the dry brush typeface Sandora (2019) and the fat finger font Gempita (2019). [Google] [More] ⦿
Syed Faraz Ahmad	Lucknow, India-based designer who started out as Symufa, and then as Creative Whoa. Designer of the handcrafted Rushda (2016), Papercutting (2016), Aiza Shine Serif (2016), Holiday Craft Girly (2016, by Aiza Fatima), Christmas Script (2016), Emily Gold Awesome (2016), Slim Taco (2016) and Ibrat (2016), the fat brush script font Usama (2016) and the brush typeface Symufa Flow (2016). Typefaces from 2017: Damean, Candace, Christmas Script, Ulyssa, Hanma, Carla, Abasalom, Amidala, Vanett, Kaayla, Habel, Cabales, Barden, Zayley, Ceica, Maleah Sans, Vannah, Ireene Serif, Jerrick, Perkin, Talissa, Stay Wanderer, Immani, Acacio serif, Charlton, Earwyn Serif, Catheryn, Ailish (free), Adney, Ackley, Lisandro, Janecia Serif (angular style), Hagito Serif, Abiah Sans, Hadwin Serif, Erynn Serif, Ethan (wedge serif), Alodie, Ainsley Sans, Adyson Sans, Jesusa Serif, Jerricca Serif, Chrys Sans, Cartland Serif, Brydon Serif, Orrick Slab Serif, Adenn Sans, Dayleen Sans, Cordaro Sans, Carra Serif, Adriell Sans, Diedra Serif, Cleantha Serif, Cordaro Serif, Carra Serif, Birtle Serif, Axell Serif, Ahijah, Aderes Serif, Achazia Serif, Brycen Serif, Jaavon (fashion mag serif typeface), Cheston Slab Serif, Treyton, Shaaron, Severn Sans, Darrion (slab serif), Naava (slab serif), Tabner, Garvin (slab serif), Jotham, Sumer, Sharis serif, Jerrad, Orrick (slab serif), Ethan (wedge serif), Zack Thin, Abril, Haytham Slab Serif (free), Khwaja, Jennet Brush, Asma (curly script), Jaraad Script, Yessica Sans, Rockley (sans), Cason, Carita (text typeface), Glennda, Starlyn, Hommer (mini-serifed), Adouliss Mag (a great angular design), Wrenn Sans, Medric Serif, Erica Script, Timm Serif (high contrast fashion didone), Veera Serif, Sondra Serif (lapidary, flared), Abira Sans, Montrell Serif, Spark Serif, Jassmine Hand Written, Berton Sans, Beacher (sans), Varina, Mercuric Fancy, Deron Sans, Edina Sans, Adley (sans), Aariel (sans), Hurst (sans), Azel, Aaliyah (fashion font), Barnes Serif, Zimra Serif, Zisel (sans), Bethan (sans), Abner, Abed Serif, Aludra (serif), Myron Serif, Aster Slab Serif, Anaan (sans), Aara Serif, Zack Serif, Alex Sans, Vengeance (sans), Aaron (sans), Aaron Serif, Adon, Alex, Maaz Serif, Thomas Mag (fashion mag family), Zahra, Zack, Aagaz, Barden, Erica, Asbah, Aiden, Anzil, Zahra, Alayna, Aaminah, Atifa Serif, Barkat, Adouliss, Amirah, New Year 2017, Dr. Usama, Yadon (a fashionable Peignotian), Tyra, Abell (an angular typeface family), Akiva. Typefaces from 2018: Saarah Fresh, Pierson, Moisses, Wensley (roman caps), Cammron Serif (roman caps), Enrique Sans, Zevida, Aimen Serif, Aarianna, Farhan, Nasya, Mahlon, Jadrien, Ahsan, Gayora Slab, Haana Slab, New Year 2018 Brush, Carolin, Galvin Slab Serif, Sharoon, Bellinor, Fonzy, Hacca, Abeetha. Typefaces from 2019: Adrina, Solomon, Qanaya, Yarelli, Edingu, Eadita, Daecca, Cansu, Madelin, Caelan, Banquo, Haddie, Aabel, Hyman, Maiah, Walcot, Hyogo, Fabyen, Gerard, Hadasa, Yafeu Sans, Benett, Yahir, Raanan, Geldwine, Karlton, Abrasha, Linnett (a geometric sans), Cador (a fashion mag font), Daaron (sans), Yessica, Ammar, Eadfrid, Boulia, Stay Writer, Soulmarker, Dusty Chalk, Xantheus, Adallyn, Badrick, Paulose, Labor Union Serif. Aka Symufa. Creative Market link. Dafont link. Home page. Aka Creativewhoa. Creative Fabrica link. [Google] [More] ⦿
Isabella Ahmadzadeh	During her visual communication studies at IED Firenze, Livorno (and/or irenze-)-based Isabella Ahmadzadeh created the Indic simulation typeface New Delhi (2013) and Aladdin (2014). In 2016, she designed the cat dingbats in the Kitten typeface family created by Cosimo Lorenzo Pancini at Zetafonts in Italy [Kitten at MyFonts]. In 2016, she published the fun Egyptian typeface family Napo (Zetafonts) which is partly free. Leon is the accompanying sans family. Both are named after Napoleon Bonaparte. Home page. [Google] [More] ⦿
Zarynn Ahmad	During her art design studies in Kuala Lumpur, Malaysia, Zarynn Ahmad created the cat-themed caps typeface Cat (2015). [Google] [More] ⦿
Majito Ah	Creator of small x-height typeface Majetto (2012). Her letters are in the lettering style of the painter Ana Maria Hernaiz. Dafont link. [Google] [More] ⦿
Almamoun Ahmed	Sudanese type designer who created the Arabic display typeface Isra (2005), which won the first prize for Arabic display type at Linotype's 1st Arabic Type Design Competition in April 2006. That typeface can be bought from Linotype. [Google] [MyFonts] [More] ⦿
Anindita Ahmed	Canadian creator of Leafy Font (2013). [Google] [More] ⦿
Bilal Ahmed	Lahore, Pakistan and/or London, UK-based designer of Contour (a titling sans), Chubby (2019), the free display sans Linicircle (2017), the free rounded sans typeface Roudge or Wasey E (2019), the modular typeface Bract (2019), the copperplate serif Billag (2019), the color font Taster (2019), Zonta (2019), the techno or architectural lettering font Italichno (2018), the geometric shape fonts Shape (2019) and Shape Out (2019), and the semi-stencil typeface CoolCut (2019). Behance link for Graphic Out. [Google] [More] ⦿
Casim Ahmed	UK-based designer of Bravo Sans (2017), a display typeface designed to accompany the cartoon character of Johnny Bravo. [Google] [More] ⦿
Fahad Ahmed	Graphic designer in London whose typeface Morse Code (2015) is based on the Morse code. [Google] [More] ⦿
Hazem Ahmed	Tanta, Egypt-based designer of a free experimental decorative Latin all-caps typeface called Polygonal (2015). [Google] [More] ⦿
Moataz Ahmed	Born in Egypt, Moataz Ahmed now lives in Stamford, CT. In 2018, he designed the free curly text typeface Teach. Aka Motizzy. [Google] [More] ⦿
Nabila Ahmed	During her studies in London, Nabila Ahmed created a blocky 3d typeface (2014). [Google] [More] ⦿
Sabbir Ahmed	Dhaka, Bangladesh-based designer of the geometric display typeface Cleek (2020). [Google] [More] ⦿
Salma Ahmed	At Badr University in Cairo, Moqattam, Egypt-based Salma Ahmed designed an experimental hexagonal Arabic typeface (2018). [Google] [More] ⦿
Sarah Ahmed	During her studies at German University in Cairo, Sarah Ahmed designed the curly hyper-Victorian typeface Spiral (2018) and the curly Arabic typeface Belle (2018). [Google] [More] ⦿
Sifat Ahmed	Designer of the free organic typeface Nillima (2018). [Google] [More] ⦿
Tanvir Ahmed	Dhaka, Bangladesh-based designer of the experimental painted look typeface Banjonborna (2013). [Google] [More] ⦿
Umer Ahmed	Oslo, Norway-based designer of the Urdu simulation typeface Alif (2015) and the high-contrast poster typeface Modest (2016). Behance link. [Google] [More] ⦿
Ahsan Ahmedzai	Pakistan-based designer of the (Latin) minimalist condensed sans typeface family Ozonos (2020), Karara Shadow (2020) and Karara (2020: a subdued slab serif family). Typefaces from 2021: Bant (hand-printed), Royalana (a stocky monolinear sans; eight styles), Nevaeh (an 8-style rounded sans), Nevaeh Scratch, Pen Wave (a wild script), Verlo (a 6-style geometric serif with 45-degree terminal slopes), Celestial Planet (eight styles: stylized and minimalist). Typefaces from 2022: Stigna (a condensed art deco typeface). [Google] [MyFonts] [More] ⦿
Zuhair Ahmed	Madura, Indonesia-based designer, b. 1991, of the brush typeface Mocker (2019), the monoline connected script typefaces Golden Slayer (2019) and Anderlecht (2019), and the fun children's book font BigBro (2019). [Google] [More] ⦿
Pik Chu Ahmetaj	Pik Chu Ahmetaj (b. Hong Kong) studied at Tompkins Cortand Community College Upstate NY, and at the Fashion Institute of Technology in NYC. Her decorative caps Garden typeface (2013) is based on Century Gothic. [Google] [More] ⦿
Erblin Ahmeti	Kosovar designer of the free geometric sans typeface Banderi (2020). [Google] [More] ⦿
Diana Ahn	Evanston, IL-based creator of Chicago Type Redesigned (2014). Behance link. [Google] [More] ⦿
Eric Åhnebrink	Swiss designer (b. 1987) who studied at ECAL in Lausanne. Creator of GT Lena (2009, Grilli Type), an elegant Peignotian geometric sans-serif with some stroke variation. [Google] [More] ⦿
Young Hyun Ahn	Digital artist in Seoul, who created the multilined geometric prismatic art deco Latin typeface Facetype (2012). [Google] [More] ⦿
Brian Ahola	Designer of the squarish Mustache Bandit (2009, FontStruct). [Google] [More] ⦿
Jussi Ahola	During his studies at Kookmin University in South Korea, Tampere, Finland-based Jussi Ahola created the full hangul typeface Jangul (2013). [Google] [More] ⦿
Loretta Aho	I am surprised that we had to wait until 2017 before someone made a dingbat font consisting only of behinds, but Loretta Aho obliged with her Alphabutt in 2017. Well, the font info says that Brandon Korvas was the designer, and that Loretta Aho holds the copyright. [Google] [More] ⦿
Anne-Mari Ahonen	As a student at ENSAD in Paris, she co-designed Métis (1998). [Google] [More] ⦿
Jenni Ahonen	Finnish student who graduated in 2007 from the University of Reading, where she designed Ilona, an informal rounded-serif face designed for children's books. [Google] [More] ⦿
Anniliese Ahrens	Chicago-based designer of a dingbat font called Hairstyles (2012). In 2019, she published a decorative caps typeface. [Google] [More] ⦿
Mette Ahrensbach	Aarhus, Denmark-based designer of an unnamed thin font with technical / architectural roots. Behance link. [Google] [More] ⦿
Tim Ahrens	Just Another Foundry (or: JAF34) was established in 2005 by Tim Ahrens (b. 1976, Heidelberg, Germany). He studied architecture at the University of Kasrlsruhe and type design at the University of Reading (2007). He now lives in Oxford, where he works as a type designer and architect. His typefaces: JAF Bernini Sans (2012). A winner at TDC 2013. A corporate humanist sans family consisting of tens of styles, from compressed to narrow and regular, and partitioned into a serious JAF Bernino Sans and a more playful JAF Bernina Sans. The ample choices, especially in degrees of compression, makes this a prime candidate for the 2012 Oscars. JAF Mashine (Just Another Foundry (2005). An octagonal / mechanical family. JAF Lapture (2004, Just Another Foundry), A redesign of Albert Kapr's (angular, calligraphic) Leipziger Antiqua of 1971. His MA project in Reading saw the development of Herb (2007), a hookish display face. Herb was extended in 2010 into a full family, which is still genetically linked to blackletters. Facit (2005, a sans family). Zalamander (2006). An angular comic book family. With Brian Jaramillo, he designed JAF Peacock from 2007-2010. It was inspired by the Flair typefaces of the 1970s and contains 1200 glyphs and alternates. JAF Domus Titling (2011). Designed with Shoko Mugikura, this is a rounded typeface with classical Roman proportions. In 2015, Shoko Mugikura and Tim Ahrens revived the squarish blackletter Johannes Type (Johannes Schulz at Genzsch & Heyse, 1933) as JAF Johannes. The sans serif family Linotype Aroma (1999), followed by Linotype Aroma No. 2 (2007). At ATypI 2008 in St. Petersburg, he spoke about Font Remix Tools and on Optical Sizes. In 2010, he started a web font service. In 2011, I found his name listed as an employee of the web font service Typekit. Author of Size-specific Adjustments to Type Designs: An Investigation of the Principles Guiding the Design of Optical Sizes (2008, Mark Batty Publisher). Technical image from that book. Abstract Fonts link. MyFonts page. FontShop link. Linotype page. Home page. Creative Market link. Klingspor link. View Tim Ahrens's typefaces. [Google] [MyFonts] [More] ⦿
Felix Ahr	During his studies in Hannover, Germany, Felix Ahr created FA Echelon (2015), an experiment on a new style of inverted serif. [Google] [More] ⦿
Ayoub Ahrrar	Artistic director in Paris who designed a geometric siolid and several other experimental typefaces in 2017. [Google] [More] ⦿
Anant Ahuja	Designer and typographer who created the art deco marquee typeface Nanas Glasses (2012). [Google] [More] ⦿
Bhavya Ahuja	Graphic designer in New Delhi, India. In 2016, she designed a modular typeface using FontStruct, as well as a Devanagari typeface called Kala Chashma. [Google] [More] ⦿
Agostina Ahumada	Creator of the school project typefaces BOOoomer (2012, sci-fi style) and Swinger (2012, piano key style), which were created during her studies at the University of Buenos Aires, Argentina. [Google] [More] ⦿
Raghda Ahyad	Jeddah, Saudi Arabia-based designer of the Arabic typeface Haykal (2014). [Google] [More] ⦿
Noah Aibel	Israeli type designer of the Hebrew typeface Napolitana at MasterFont. [Google] [MyFonts] [More] ⦿
Luz Aicardi	Graduate from FADU, University of Buenos Aires, who created the typeface Dam (2010). [Google] [More] ⦿
Otl Aicher	Ulm-born designer (1922-1991) who, in 1953, along with Inge Scholl and Max Bill, founded the influential Ulm School of Design. He became famous as the lead designer for the 1972 Olympics in Munich. His main contribution to type design was Rotis (1988, Agfa-Monotype). He also created the typeface Traffic for the München public transport. He adapted Univers for Bulthaupt. Aicher was a world expert on pictograms, having designed, e.g., the pic to gr ams for the 1972 Munich Olympics, and his visual language system of over 900 pictograms. Robin Kinross and Erik Spiekermann discuss the pros and cons of Rotis. Hrant Papazian sums up Rotis, a family disliked by many type designers, but that has some oomph: Rotis -the typeface- is admirable not for its typographic merit, but for its lion-hearted spirit, its golden intentions - things so totally lacking in almost every other font ever made. Norbert Florendo, who worked with him on and off, muses: If anything, Aicher was a formalist in turmoil. A philosopher in spirit who was shackled by his sense of order. He called for revolution in design and typography, but adhered to the grid (anti-nature) in distrust of chaos. He admired Adrian Frutiger immensely and one can undoubtably see how Univers influenced the Rotis matrix. If one reads deeper into Aichers Typographie, one will see Aichers concepts as being less typographic (relating to type design and type layout) and more involved with humans within a rapidly changing environment in need of new symbology and notation systems. [...] I am far more an admirer of Herr Aicher than Rotis the type family. Rotis was named after the village (Rotis über Leutkirch) in Allgäu where Aicher lived from 1972 and died in 1991. Typophile discussion. URW shows the Monotype WMF Rotis family (2007) which was exclusively used by WMF AG. The Rotis family consists of Rotis Serif (1988), Rotis Semi Serif (1988), Rotis Sans Serif (1989) and Rotis SemiSans (1989). Author of these books: Typographie (1989, reprinted in 2005; Verlag Hermann Schmidt, Mainz). World as Design (1994, Ernst und Sohn, Berlin). Analogous Digital (1994, Ernst und Sohn, Berlin). This biography reveals that Aicher was a German soldier in the second world war, both on the Russian and French fronts. In 1953, he founded the HfG (Hochschule für Gestaltung) in Ulm, and he helped with the graphic design for the Olympic Games in München in 1972. Discussion of his contributions by the typophiles. Markus Rathgeb wrote Otl Aicher (2006, Phaidon Press Limited, London), which is about Aicher's life as a graphic designer, and has little about his type design. Vendors of Rotis and typefaces like Rotis: Rotis Sans Serif (Linotype), Rotis Semi Serif (Monotype), Rotis SemiSans (Monotype), Rotis Serif (Monotype), Rotis SansSerif (Adobe), Cutoff Pro (URW++), Rotis Sans Serif (Monotype), Rotis SemiSans (Adobe), Rotis Semi Serif (Adobe), Rotis Serif (Adobe), Diphthong (Diphthong Type Foundry), Cutoff Pro Regular (URW++). Klingspor link. FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿
Mademoiselle Aida	During her graphic design studies in Barcelona, Mademoiselle Aida created the experimental modular display typeface Kiungo (2013) and the display typeface Mezzarondi (2013). [Google] [More] ⦿
Muhammad Aidil	Banda Aceh, Indonesia-based designer (b. 1995) in 2019 of the calligraphic typefaces Deliagha, Amettha, Whinter, Better, Legenda, Queenly, Bantaci, and Navitta. [Google] [More] ⦿
Muladha Aidil	Jakarta, Indonesia-based designer (b. 1980) of the script typefaces Rantca (2019: for signatures) and WirePop (2019). [Google] [More] ⦿
Evangelos Aidon	Designer of the fine free sketched font Nedele (2021). [Google] [More] ⦿
Gianluca Aiello	Italian creator in Milan of the free techno typeface Black Caps (2011). Dafont link. Devian Tart link. [Google] [More] ⦿
Luke Aiello	Student at the Fashion Institute of Technology in New York. Creator of the grungy ink splash typeface Phobia (2011). [Google] [More] ⦿
Otoko Aie	Otoko Aie offers three fonts in the comicbabies series, all made in 1997: Thinbaby, Noisebaby and Brokenbaby are noisy alterations of standard fonts. Alternate URL. Fontspace link. [Google] [More] ⦿
Virginie Aiguillon	As a student at ENSAD in Paris, she co-designed Poinçons (1999), a typeface based on a design of Fournier. [Google] [More] ⦿
Anastasia Aiguzina	During her studies at British Higher School of Art and Design in Moscow, Anastasia Aiguzina designed the straight-edged techno typeface Kurskaya (2016, for Latin). [Google] [More] ⦿
Richard Aihoshi	Designer of FatsoItalicCS. [Google] [More] ⦿
Conner Aiken	Designer of the pointy font Spearhead (2015). [Google] [More] ⦿
Paul Aimé	Graphic designer in Tours, France, who designed the hipster typeface Mandruva in 2014. Behance link. [Google] [More] ⦿
Kira Aimo	Graphic designer in Helsinki, who created the display typeface Airon (2013). [Google] [More] ⦿
Jen Aimon	Designer of the pixel typeface HacenPixer (2006, HacenType). [Google] [More] ⦿
Nurul Ain	Nurul Ain, a freelance graphic designer in Selangor, Malaysia, created the paper fold typeface Zaroux in 2013. [Google] [More] ⦿
Barry Ainsley	With Robert de Niet, [T-26] co-designer of 9 mm. [Google] [More] ⦿
Brent Airey	Brisbane, Australia-based designer of the futuristic 90s-retro militaristic typeface Tailgunnar (2018). Designer of the 10-style pure cyberpunk typeface family MuX1ne (2021). [Google] [MyFonts] [More] ⦿
Pablo Airth	Graphic design student at Western Washington University. Designer of the informal font Leonor (2000). [Google] [More] ⦿
Danel Aisemberg	During his studies in Buenos Aires, Danel Aisemberg designed Elessar (2015), starting from Carolingian letterforms and Caxton. [Google] [More] ⦿
Wataru Aiso	Japanese designer of Fray Deco (2018). Typefaces made at FontStruct by him include Detour (2019), Handsmooth (2019), Playful Deco (2019), Bullet Train (2018), Gothicized Art Deco (2018), Koffie Stencil (2019: piano key style), Rounder (2019), Border of Breath (2019), Two Stage Stencil (2019), and Horse Power Nick (2019). [Google] [More] ⦿
Jason Aitcheson	Jason Aitcheson (b. Glasgow) grew up in Glasgow. He graduated from Duncan of Jordanstone College of Art and Design. He started an apprenticeship at The Northern Block in 2013. In 2014, The Northern Block published his first typeface, Rein Grotesk (a grotesk with elliptical curvature). He also created Aina and Aina Mono (2014, advertized as free, but I could not find any way to download it). Behance link. [Google] [MyFonts] [More] ⦿
Yassine Ait-el-Mouden	During his studies in Marrakesh, Morocco, Yassine Ait-el-Mouden designed these Tifinagh fonts: Tifinagh Ayt Lmuddn Anfriwn, Tifinagh Ayt Lmuddn Dar Waman, Tifinagh Ayt Lmuddn Iziki, Tifinagh Ayt Lmuddn Ighsan, Tifinagh Ayt Lmuddn Jimmi, Tifinagh Ayt Lmuddn Mrym. [Google] [More] ⦿
Sushma Aithal	As a Student at Srishti School of Art, Design and Technology in Bangalore India, Sushma Aithal created the decorative caps typeface Commercial Street (2014). [Google] [More] ⦿
Alex Aitken	Perth, Australia-based designer of Tropical Party Icons (2018) and the grungy Halloween font Goosepimple (2018). [Google] [More] ⦿
Elara Aitken	During her studies in Cape Town, South Africa, Elara Aitken designed Basic Bites (2015, a fruit and vegetable-themed all caps alphabet). [Google] [More] ⦿
Rachid Aitouaissi	Art director in New York Mills, NY, and/or Rabat, Morocco, whose web site was called Hipster Font, and is now called Bowery Studio. Designer of Adasmine (2017), Denarrio Script (2017), Arminia Script (2017), Blanca Script (2016, brush script), Amazing (2016), Anatalia Brush (2016), Grace Elegant Script (2016), Daisy Script (2016), Miraluna (2016), Antype Script (2016), Antype Sans (2016), Saser Script (2016), Asmae (2015, brush script), Rinoshare (2014, a sketched font), the octagonal typeface Hipster Grunge One (2014), the poster font Ice Cube (2014), the spurred tattoo font Athena (2014), Bushcraft (2014, free old letterpress emulation typeface), Inside (2014: rounded sans), Handy Vintage Font (2014), So Brush (2014), Picaso Font (2014), Close Hand Made (2014), Stump Font (2014, old letterpress emulation font), and Bear&Loupe (2014). Creative Market link for Bowery Studio. Behance link. Yet another Creative Market link. [Google] [More] ⦿
Brahim Ait Talb	Aka vintsis, this Casablancan runs a caligraphy blog. Creator of Vintsis (2009, FontStruct). [Google] [More] ⦿
Rizal Aiyub	Banda Aceh, Indonesia-based designer (b. 1992) of Country (2017, a script typeface) and Nature Forest (2017). In 2018, Fontysia designed Coffeesia Script and the calligraphic Cantina Script. Script typefaces from 2019 include Heliconia, Shears (a great free signature font), Fantasy, Aperto, Akhlak, Brilliant, So Sweet and Jungle. Typefaces from 2020 (all scripts): Aldabela, Brewoke, Cornelia, Hamiliton, Heliconia Script, Joe Amer, My Darlia, Reinachely, Silversun. Typefaces from 2021: Gattermoon Handwritten Signature Font. [Google] [MyFonts] [More] ⦿
Amira Ajam	During her studies in Beirut, Amira Ajam created a Latin display typeface. [Google] [More] ⦿
Anie Ajamian	For a school project in Los Angeles, Anie Ajamian started from Gill Sans and created a trimmed version of it called Elie Sans (2013). Behance link. [Google] [More] ⦿
AJB	Creator of the free brush typeface Villa Sanjurjo (2013). [Google] [More] ⦿
Putri Ajeng	Jakarta, Indonesia-based designer of the school project font Groundy (2016). [Google] [More] ⦿
Agik Purnomo Aji	Bekasi, Indonesia-based Agik Purnomo Aji designed the free grid-based typeface Daul (2017). [Google] [More] ⦿
Galih Sulistya Aji	Yogyakarta, Indonesia-based designer of Stoneberg (2020: a script font), Dellima (2020), the marker pen font Brother Janu (2020), Localova (2020: a monoline script), Djavaloca (2020: a modular techno typeface family), Superstition (2020), Lockanantta (2020), PaintLova (2020), Steelystico (2020) and Aullocka (2020). [Google] [More] ⦿
Son Ajinur	Blitar, Indonesia-based designer of the tall monolinear sans typeface Skyline (2020). [Google] [More] ⦿
Shintaro Ajioka	Japanese type designer who published some Japanese typefaces at FONT1000. [Google] [More] ⦿
Prio Nurokhim Aji	Kebumen, Indonesia-based designer (b. 1997) of these typefaces in 2020: Arkaedos (a creamy script), Amtera (a fat finger font), Takidos (children's letters), Merilland, Tamword, Terasu Brush (a dry brush script), Chalk Perio (a chalk font), Diltoon (a cartoon font), , Savattera, Pecattes (a very dry brush script), Dhecalovia (a fat finger font), Launsela (a fat finger font), Super Love Christmas, Bevalonia, Butter Spoky, Super Love Christmas, Merilland, The Bonbon, Annila Script, Kagatsun, Frangstton, Sophomore, Reacter, Oliotton, Many Cheeks, Keyrannha (monoline script), Chatalisa, Dhecca House (a monoline script), Ligotra (all caps, Victoriana), Fagetone (a retro signage script), Gangsoka (an angry serif), the script font Meltinghones and the monoline script typefaces Caligendings and Frangstton. Typefaces from 2021: Flower Glory (a counterless kindergarten font), Delichan (a calligraphic script), Smile Darling (a decorative stencil), Fondest (a Peignotian sans with a hipster f), Mintage (a retro serif), Klender (a descendant of Cooper Black), Charming Smile (a plump painted font), Hey Tiny (a fat finger font that emulates a child's hand), Central Display, Street Ruins (a graffiti font), Bruskest (a bold dry brush script), Klemer Display (a flat top display typeface), Nectarine (a plump almost psychedelic font), The Burcey (a casual cutout typeface), Relation De Luxe (a rounded all caps sans characterized by many interlocking pairs), Qochy (a display font with elephant feet serifs), Urban Starblues (a graffiti font duo), Urban Java (a reverse stress Western font), Brugty (a bold display typeface in the Cooper Black / Windsor genre), Organic Peach (a fat finger font), Kosans (all caps), Magilio (in the trendy Windsor / Cooper Black style), Elkoga (an 8-style rounded wedge serif), Onedrips (a dripping paint font), Bilground (script), Dassie (an all caps display font), Sugar Smile, Roti Bakar (a sans with swirls), Dripping Drops (a dripping paint font), Apple Slices (a font duo), Dialog Anila, Goodwin Geraldine, Tropical Blooming (a scrapbook script), Bomb Da Gone (graffiti lettering), Fillings Urban (a plumpish graffiti font), Tratags (graffiti), Johny Palkons (letterpress emulation), Kickcore (a brush font), Lonely Girl (a fat finger font), Malistiona, Bittermoon (a fat finger script), Demilton (a heavy script). Typefaces from 2022: Amila Cuties, Cansetras (a tattoo blackletter), Codigra (a liquid serif), Distant Neighbors, Employed, Favorite Notification (a hipster serif), Getrok, Glemor (font duo), Niblick, Olasthy Script (a loopy script), Peach More, Pink Punk (a death metal font), Red Royale (blackletter), Shining Youth (ornamental caps with flowery texture), Sunday Bloom (a hand-drawn serif), Ditsa Calista (script), Brume Matinale (a sharp-edged display serif). [Google] [MyFonts] [More] ⦿
Seno Aji	Yogyakarta, Indonesia-based designer (b. 1987) of the script typefaces Dear Elisa (2018), Great Saturday (2018), Fighter (2018), Willgate (2018) and Austhin (2018). Typefaces from 2019: Gloriousity (One, Two), Tiger Walk (a brush font), Charlotte Sweet, Rain Brush, Bumble Blitz, Delissa Script, Shining Times. [Google] [More] ⦿
Augustine Ajith	Kochi, India-based designer of the free modular FontStruct font Shark Fin (2017). Behance link. [Google] [More] ⦿
Sara Ajlouni	During her studies at the German Jordanian University in Amman, Jordan, Sara Ajlouni designed the Latin display typeface Churny (2017) and a playful Arabic typeface (2017). [Google] [More] ⦿
Aleezay Ajmal	Creator of the free sharp-edged typeface Edges (2013). [Google] [More] ⦿
Ajusia	Indonesian is a graphic designer based in Bandung, Indonesia. Her type designs are published at her foundry, Panatype. Typefaces from 2017: Baysoir Script, Baysoir Sans , Saltery Brush. Typefaces from 2018: Harvels (a vintage font), Melastory, Casterio (signature script), Balig Script (a signature font), Thistails Font Duo. Typefaces from 2019: Alios Script, Fiest (font duo), Bulgis (a monoline script). Typefaces from 2020: Monzo (with Boyan Nurdiansyah), Roylands Font Duo. [Google] [MyFonts] [More] ⦿
Ataberk Akalin	During his studies in Izmir, Turkey, Ataberk Akalin created the logotype Pimapen (2016), the stencil typeface Sax (2016) and the striped typeface Gevrek (2016). [Google] [More] ⦿
Muhajir Akarim	Aceh, Indonesia-based designer of the script fonts Frelline Script (a brush script) (2020), Willgets Calligraphy (formal style) (2021), Everytime Script (2020: wild calligraphy) and Dagestan (2020). Typefaces from 2021: Sugar Garden (a calligraphic script), Gritalina Script (a wild calligraphic script), Western Brushes (a font duo). [Google] [MyFonts] [More] ⦿
Cleo Akaroa	During his studies at the Yoobee School of Design (Auckland, New Zealand), Cleo Akaroa created Viaduct Basin (2013, an angular typeface). [Google] [More] ⦿
Svetlana Akatyeva	Russian graphic designer. She made the soothing curly informal Cyrillic typeface Ackat in 2009. [Google] [More] ⦿
Zeynep Akay	Type designer based in London. She designed the free Google Font Rakkas in 2016: Rakkas is a single-weight display typeface that supports the Arabic and Latin scripts. The Arabic design is inspired by Ruq'ah lettering on Egyptian movie posters from the 50s and 60s, and makes use of contextual alternates to emulate calligraphy. The Latin design is angular and German expressionist. [Google] [More] ⦿
Jada Akbal	Jakarta, Indonesia-based designer, b. 1997, of the script and display typefaces Mahadetty (2019), East Djakarta (2019), West Djakarta (2019), North Djakarta (2019), South Djakarta (2019), Djakarta (2019), Taylilla (2019), Clausly (2019), Helleny (2019: a signature font), Sattiade (2019), Darling (2019), Hanie (2019: a wide signature font), Ryna (2019), Adipilia (2019), Loadtz (2019), and Beaudthy (2019). Typefaces from 2020: Zamilla. Typefaces from 2021: Lithunoa (a bold monolinear script), Lithunoa Dingbats, Eathoma Script, Hokaide, Santhony (a bold script), Eathoma Sans, Cynthian, Hembusan, Ophalaria, Themarie, Coby Daila, Galagar, Eraox, Famanthalio, NeoStone, Steelr, Achone (modular). [Google] [MyFonts] [More] ⦿
Aulia Akbar	Indonesian designer of these typefaces in 2017: Carita (round brush script with a glaz krak substyle), Borneo, Darker Time (stone chisel type), Mosqita, Segaris (curly). In 2018, he/she designed Merchants (a spurred vintage typeface), Ugly Jelly (textured), the poster typeface Barakuda, Bartholomew (Dutch deco), Raphaelum (a playful script), Tremore, Magnetum, Stabillum, Parisian (art nouveau), Chopio (a notebook font), Pristine (slab serif), Wilhelmina, Matheo Aans, and Grundschule (handcrafted). Creative Fabrica link. [Google] [More] ⦿
Hilmius Akbar	Bandung, Indonesia-based designer of these fonts in 2020: Antonie, Black House, Black Passion (a dry brush script), Brentley, Charmelya, Galguna, Hackbot (a pixel font), Hailey, Hello Madelyne, Hi Rolley, Hollowtown (graffiti), How Dare You, Life Of Apple, Monkey Geek, Punkiss, Randhu, Reviola, Sendha, Seymore, Silver Flower, Someday, Sounding, Speedkings, The Speciment, Thundra. Typefaces from 2021: How Dare You (grungy vintage caps), Mystic Forest (a chalk font), Hello Jones (a vintage shadow font), My Home (a fat finger font), Honey Jar (handprinted), My Fox (a scrapbook font), Beachfly (a decorative serif), Hardinge (a hand-drawn blackletter), Chalkboy (sketched). Their catalog in 2022 showed 250 fonts: Abilane, Abrock, Acetone, Aestetic, Allista, Amal Baik, Aquarex, Archking, Aslah, Authentique, Avena, Avoda (a fashion mag sans), Baker's Dozen, Bakery Home, Baleho, Baloba, Bancak, Bangke, Barnies, Bayleigh, Beach Hits, Beachfly, Big Heroes, Big Jelly, Big Tales, Black Passion, Blackold, Bloody Camp, Bluffton, Bodor, Bratton (spurred), Bricius, Brickrow, Brickson, Brutaly, Bunaken, Came Back, Candola, Candyful, Carisyn, Chalkboy, Charmelya, Cider Lime, Classy, Coconutz, Cold Army, Combust, Coming Sans, Cordion, Cosmogen, Crabug, Crow Bait, Cutenest, Cybersky, Daewon, Dandely, Dark Magic, Day n Nite, Daya Sans, Death World, Debug, Delta Force, Destro (stencil), Dirty Drags, Dutch Brigade, El Mayor, Elecstrom, Exton, Fall Season, Fall Story, Fire Ace, Fronzy, Fun Show, Galguna, Garden Bloom, Gludak, God Doll, Golday, Grane, Grateful Life, Gummies, Gunji (Japanese emulation), Hackbot, Hacklife, Hadest, Hadeya, Hailey, Hakan, Hakio, Hakubo (Japanese emulation), Haloha, Happy Gnome, Hara, Hardinge, Harvest Day, Harvest Time, Hastag, Hazeland, Hello Jones, Hello Madelyne (a calligraphic script), Hellow, Helsinky, Hey Jack, Hey Jane, Hiccup, Hollowtown, Home to Rome, Honey Belly, Horrific (a horror font), How Dare You, Howling Nightmare, Jackal Band, Javanica (a vintage label typeface), Jonks, Jungle Hope, Just For You, Just Ruth, Kahlil, Kana & Hana, Kanatala, Kastil, Kesal, Killing Me, King Castle, King Malik, Klassiek (a crayon font), Kohatu, Kulo, Kurayami (Japanese emulation), Last Mission, Legendary Runes, Life Rolling, Life of Apples, Lubang Hitam, Madsense, Madtune, Maluku, Marsea, Marsela, Marshed, Mauricio, Melon, Mexican City (a Western slab serif), Miami Beat (a multiline font), Mighty Star, Mika Story, Mister Hipster, Mistery, Mistis (spooky), Mocktail Blues, Modeon (a wonderful layered all caps sans), Moeloek, Monde, Monkey Geek, My Fox, My Home, Mystic Forest, Night Vibes, Nightscary, On My Way, Orchard Song, Ovalie, Panikos, Parylicious, Poked, Princess Star, Punkiss, Qabil, Quirky Bay, Rabiul, Racula, Randhu, Rebutan, Reclaim Glory, Rekan, Remily, Renji, Retro Sick, Reviola Bold Script, Risky Venture, Romeda (a vintage serif), Runboy, Salacia, Saluyu Script, Sandatory, Savilla, Savon Burg, School Kids, Scribery, Secret Mansion, Seledina, Semur, Sendha, Senja, Sensai, Serkan (a Celtic font), Seymore, Shade June, Shayan, She Dance, Shocked Up, Show Up!, Shufen, Shutter Speed, Sketchup (a sketched font), Skullbone, Sneak Peak, Snooby, Soda Land, Someday, Sorreal, Sounding, Space Corner, Speedkings, Spirit Freak, Steak House, Sticky Web, Stitch Boy, Story of Alundra, Summer Blaze, Summer Blues, Summer Creamy, Sundae Bite, Sunday Coffee, Sunkiss Bliss, Sweet Beans, Sweet Cherry, Tangisan, The End Story, The Millers, The Speciment, Thundra, Ugly Byte, Uncracked, Urbanded, Vintage Wheel (a retro signage script), Voltec, Wake Snake, Walers, Walk Away, Wavemax, Weloved, West Yard, Wicked, Wild Justice, Winola, Wonder Magic, Wonder Soul, Wrecked Works. Envato link. [Google] [MyFonts] [More] ⦿
Khairul Akbar	Aceh, Indonesia-based designer, b. 1993, of the connected script typefaces Salwomen Script (2018), Kristallian Script (2018), Delaney Script (2018), Mikayla Script (2018), Rieesflomeo (2018) and Gresthine (2018). Typefaces from 2019: Salwomen, Wafonak, Black Stud. Typefaces from 2020: Heartkything, Black Thise Script (wild calligraphy). [Google] [More] ⦿
Muhammad Akbar	Aka Akbarmeasalaro. Banda Aceh, Indonesia-based calligrapher and designer, b. 1981, of mostly calligraphic or connected script typefaces. He ran Tone Studio, Triotone and Sinfa, and most recently, he set up Stasy Font in 2020. On Dafont, his location is East Kalimantan, not Sumatra, though. In 2020, he released Aurum (a bold script). [Google] [MyFonts] [More] ⦿
Muhammad Akbar	Banda Aceh, Indonesia-based calligrapher and designer, b. 1981, of mostly calligraphic or connected script typefaces. He ran Tone Studio, Triotone, Sinfa, and set up Stasy Font in 2020. In 2021, he designed Party Lover (a tall rabbit ear script), Wondrous (an inky script) and Wondrous (an inky script). In 2020, he released Stargild and Bettiya. In 2019, he designed Longtime, Friendship, Gesture (a great inky calligraphic script), Saylove (a hairline script), Madani Script, Santha Cruze (a signature font), Hasnita, the monoline script Stuttgart, the signature script Santhalia and the script typefaces Amelia Amanda, Zeinstore and Metic. In 2018, he designed Janetta, Marta Anthoni, Vineshia Johnson, Adelea, Edore, and Melitta&Jeffry. Earlier typefaces: Lagena (2017, formal calligraphy), Transformer (2017, bold script), Anton Script (2017), The Kastle (2017), Zeinstore (2017), Melitta&Jeffry (2017), Fisherman (2017), Maheishia (2017, an irregular script), Romantis Momen (2017, calligraphic), Zuraida (2017, calligraphic), Picture (2017), Mirantie (2017: calligraphic), Kayla (2017; connected inky calligraphic script), Blester (2017, outlined script), The Flashter (2017, script), Mother Love (2017, thin calligraphic script), Atlantic (2017, calligraphic), Gentle (2017, calligraphic), Buffalo (2017), Leather (2017, calligraphic script), Turkeye (2016, script), Fastter (2016, script), Andrea (2016, calligraphic script), Confident (2016), Carolina (2016, script font) and Anton (2016, bold brush script). [Google] [MyFonts] [More] ⦿
RifkyFadly Akbar	Jakarta, Indonesia-based designer of the angular typeface Isometric (2016). [Google] [More] ⦿
Yandi Anugrah Akbar	Jakarta, Indonesia-based designer of the free display typeface Decruiser (2016). Behance link. [Google] [More] ⦿
Sayeda Akbary	During her graphic design studies in Toronto, Sayeda Akbary designed a modular typeface (2013). [Google] [More] ⦿
Kutay Akbas	Istanbul-based designer of the display typeface Improvisation (2016). [Google] [More] ⦿
Furkan Akbayrak	Turkish creator of the hand-printed typeface Furro Script (2012). Dafont link. [Google] [More] ⦿
Agit Akbulut	Istanbul, Turkey-based designer of the monolinear sans typeface Minight (2020), the tape font Birik (2020), the all caps sans typeface Bosno (2020) and the display typeface Seconding (2020). [Google] [More] ⦿
Esra Akca	Graphic designer in Aksaray, Turkey. In 2015, she created the display typeface Riim. [Google] [More] ⦿
Melisa Akca	Graphic designer in Izmir, Turkey, who designed the cursive typeface Tasarim in 2016. [Google] [More] ⦿
Sinem Akca	Turkish-born designer in Brooklyn, NY, who created the display typeface Beykoz in 2016. In 2014, Sinem published the curly Light Gothic Godo. [Google] [More] ⦿
Ali Malik Akcay	Turkish designer of the display typeface Traptik (2016). [Google] [More] ⦿
Carolina Akel	Designer at tipografia.cl in Santiago de Chile, who designed TCatomica. [Google] [More] ⦿
Lee Aken	Chinese foundry, est. 2019. In 2019, Lee Aken published the leafy display typeface Lancet Aken. [Google] [MyFonts] [More] ⦿
Rachel Ake	Rachel Ake (New York, NY) created the informal and bouncy display typeface Jambo (2012). [Google] [More] ⦿
Ekaterina Akhmatgaraeva	Ufa, Russia-based designer of the Latin typeface Paper Town (2018). [Google] [More] ⦿
Valentyn Akhnovskyi	Vector artist in Kiev, Ukraine. In 2018, he designed these display typefaces: Round, Retro, Music, Fashion, Gold. [Google] [More] ⦿
Nafees Akhtar	London, UK-based designer of the modular squarish typeface Vertext (2015). [Google] [More] ⦿
Zawed Akhtar	Goregaon, India-based designer of an electrical circuit typeface in 2012. Behance link. [Google] [More] ⦿
Hideo Akiba	Designer of Sousui, the bronze prize in the 6th Morisawa Awards International Typeface Design Competition, 1999. A simple, light and elegant kanji font. [Google] [More] ⦿
Doruk Aki	Istancul-based designer of the liquid typeface Leak (2016). [Google] [More] ⦿
Maha Aki	Co-designer with Kristyan Sarkis of the Latin / Arabic typeface Kanun Stencil (2021), a playful typeface inspired by industrial signage and mechanical stencilling. Kanun Stencil is equipped with a collection of transportation and travel-related signs, symbols, icons, and various sets of arrows for signage and wayfinding systems. [Google] [More] ⦿
Suzushi Akimichi	Bandar Seri Begawan, Brunei-based student-designer of the free pencil-inspired typeface Multi Pop (2015). [Google] [More] ⦿
Busra Akinci	Turkish graphic designer who created a curly hand-drawn alphabet in 2010. [Google] [More] ⦿
Dmitry Akindinov	Bersearch is a distributor of Cyrillic typefaces. RussianH has four weights, and was made in Moscow by Russian typographers Dmitry Akindinov and Alex Romanov. Free demo fonts. [Google] [More] ⦿
Dilem Akiner	Graphic designer in Ankara, Turkey, b. 1989. She graduated from TED Ankara College in 2006, and obtained a BFA degree in Graphic Design from Bilkent University in 2010. Currently she works for Kraf & Co. In 2015, she designed the (commercial) rounded comic book sans typeface Sugar Yes Please. In 2014, she created the thin hand-printed poster font Dilem (free download), the bilined sketched Blaze & Radley, and the poster typeface Skip Leg Day. Dafont link. Behance link. [Google] [More] ⦿
Faruk Akin	Turkish type designer. His repertoire consists of a number of techno or modular typefaces, a contructivist typeface (Attack), some upright connected scripts (like the Arabic simulation typeface Alibaba), some geometric sans typefaces, a hexagonal face (Hexa). Scans: I, I, II, III, IV, V, VI, VII, VIII, IX, X, XI. [Google] [More] ⦿
Ivan Akinin	Ivan Akinin (Kiev, Ukraine) designed the monoline titling caps typeface Profihouse (2011). Klingspor link. [Google] [MyFonts] [More] ⦿
Metin Akin	Istanbul-based designer of the display typeface Emin Barin Anitkabir (2015). [Google] [More] ⦿
Oktar Akin	Creative director in Istanbul, who oversaw the development of the custom typeface Audio Book Sans in 2017. [Google] [More] ⦿
Charles Akins	Designer at T-26 of Sillysarus. [Google] [More] ⦿
Tarik Akin	Istanbul, Turkey-based designer of the colorful all caps typeface Font Block (2017). [Google] [More] ⦿
Felicia Akira	Creator of the free hand-printed typefaces Baby Disney 3 by Natsu (2012), Quirlycues (2013---copyright string points to Joanne Taylor, 2009), James Almacen (2013, copyright string points to James Fajardo, 2007), and Girly (2013). Fontspace link. [Google] [More] ⦿
Saburou Akita	American fantasy writer (b. 1994?) who created the hand-printed Verdok Foundation in 2008 for the manga called Verdok. [Google] [More] ⦿
Elvin Akkan	Art director in Istanbul, Turkey. In 2017, she designed the free ball terminal-themed typeface Globe. [Google] [More] ⦿
Kwanchai Akkaratammagul	Deltatype is a type foundry based in Bangkok, a subsidiary of Craftsmanship. Typefaces made by Kwanchai Akkaratammagul: Moldr and Moldr Thai (2017). Inspired by industrial machine molds. Maiden Sans (2017, humanist sans). Martian B (2016) and Martian B Thai. Martini Thai Neue Slab (2016) and MartiniThai Neue Slab V2 (2019). Moku Brush (2017, a structural brush script). Morton (2017). Mosse and Mosse Thai (2018). Malte and Malte Thai, 2018. By Kwanchai Akkaratammagul and Phatcharaphat Chatthawatthanathon. Mako (2019), a 36-style cyberfont inspired by blocky types, and blockbuster ads. By Kwanchai Akkaratammagul and Phatcharaphat Chatthawatthanathon. Mero Thai and Mero (2020). Mero is a 9-style sans family by Kwanchai Akkaratammagul and Phatcharaphat Chatthawatthanathon. YWFT link. [Google] [MyFonts] [More] ⦿
Kwanchai Akkaratammagul	Designer who published the slab serif typeface Martini (2014), the Latin / Thai slab serif typeface Midnight (2011) and the web icon typeface Web Pi (2012) at the Thai foundry Katatrad. In 2016, Kwanchai designed Martian B at Deltatype. [Google] [MyFonts] [More] ⦿
Feifei Akkarathammakul	Bangkok, Thailand-based designer of the monoline slab serif typeface Doublef (2016) for Latin and Thai. [Google] [More] ⦿
Yasir Burak Akkaya	During his studies, Yasir Burak Akkaya (Edirne, Turkey) designed Pipette (2019). [Google] [More] ⦿
Levent Ak	Izmir, Turkey-based designer of the display typeface Kemeralti (2019) and the wavy typeface Bipolar (2019). [Google] [More] ⦿
Maha Akl	Cairo, Egypt and/or Beirut, Lebanon-based designer of the Arabic student project typeface Hudhud (2017), a Maghribi / Andalusian script intended for children's books developed under the guidance of Kristyan Sarkis. Hudhud was published at TPTQ Arabic foundry and won an award at 23TDC. [Google] [More] ⦿
M. Akmal	Aceh, Indonesia-based type foundry specializing in calligraphic script typefaces. Typefaces from 2021: Calisga (a rounded glamour serif), Mostera (an intestinal font), Vintage Culture (a display serif), Histeria Dinamond (script), Hello Balgetia (script), Amontesa (a vintage label font), Baby Valentina. In 2020, Mega Type released Marvelan (a bold flared decorative titling font), Black Dragon (a dry brush script), Black Dragon (a dry brush script), Salenta (a flowing rabbit ear script), Megatype Script (a signage script), Hello Molydia, Greater Amberjack, Wastima (script), Yoshieka (with curly swashes) and Barlington (a monoline script). In 2019, Mega Type published Estebak (a dry brush script), Good Selection, Marliesta, Mobaster, Helostar Script, Randing, Belgiana Script, Freshline, Mareline Script, Yasmine Gardner (a feminine script) and Argentina Script. In 2018, they published Mareline, Young Girls Script, Calissha Script, Ramolina Script, Lady Angelina, Reading (a signature font), and Marchanda Script. In 2017, they designed Delaras, Retroyal (a condensed sans), Wacthout Script, Gebrina, Bethanya, Kamelia Script and Prestiquen Script. Typefaces from 2022: Chandler Mountain (a tightly set headline sans family). [Google] [MyFonts] [More] ⦿
Karo Akpokiere	Graphic designer from Lagos, Nigeria. He created the vector format alphabet BitSyringe (2012): BitSyringe is a collection of letters inspired by drill bits, medical syringes and geometry. Behance link. Hellofont link. [Google] [More] ⦿
Mohamed Akram	Creator of the free Thaana typeface My GroupX Avas (2000). Fontspace link. [Google] [More] ⦿
Rashid Akrim	Oslo-based designer who made the hand-printed Rev (2009) and Festival Jomfruer (2010, all caps). Aka huskmelk. Blog. Alternate URL. Fontspace link. Home page. [Google] [More] ⦿
Max Akrman	Designer of the pree pixel typeface 7Squared (2018). [Google] [More] ⦿
Hurup Aksara	Indonesian designer of the blackletter-inspired typeface Malocknow (2018) an the octagonal typeface Belltrain (2018). [Google] [More] ⦿
Rangkai Aksara	Semarang, Indonesia-based designer (b. 1998) of these script or handcrafted typefaces in 2020: Akagami, Aokiji, Baby Boy, Bad Boys, Be Natural, Black Moon, Black Tea, Brown Cake, Button Box, Coffee Break, Electric Kiss, Emptiness, Feel Calm, Fresh Tea, Green Lemonade, Halloween Day, Halloween Movie, Halloween Night, Hand Ball, Heavy Rain, Ice Cream Cake, Lafitte, Little Smile, Little Waves, Lucky One, Magic Leaf, Magnum Saber, Mermaid Baby, Monday Special, Morning Friday, New Divide, Nightmare Side, One Shot, Queen Bee, Rainbow Cake, Rainbow Flower, River Water, Roronoa, Second Date, Secret Number, Short Zippers, Sulung, Sunday Special, Sunrise Trip, Sweet Banana, Sweet Cherry, Sweet Coffee, Sweet Mango, Sweet Orange, Sweet Watermelon, Torao, Unicorn Toys, Vasco, Yagami Light, Yellow Moon, Yellow Star. [Google] [More] ⦿
Vadym Aksieiev	Krakow, Poland-based designer of the free-for-commercial-use Latin / Cyrillic all caps font Neutral Face (2021). [Google] [More] ⦿
Anna Aksionova	Vilnius, Lithuania-based designer of the prismatic op-art and art deco typeface Aks Font. [Google] [More] ⦿
Osman Aktas	Designer of the ornamental typeface Book Stamps Figure (2020), the wavy typeface Iplik Osm (2020), and the blocky typeface Dolgun (2020). [Google] [More] ⦿
Akufen	Montreal-based designer of the geometric typeface Les Enfants de la Bolduc (2012). Behance link. [Google] [More] ⦿
Mustafa Akülker	Istanbul, Turkey-based co-founfder of Monajans. In 2018, Fatih Hardal and Mustafa Akülker co-designed the hipster sans typeface Unshaped. [Google] [More] ⦿
akunp2	Creator of the free font Sundanese Unicode (2012). [Google] [More] ⦿
Enis Akyol	Graphic designer in Istanbul who created the organic sans typeface Aldoeni in 2012. [Google] [More] ⦿
Shayma Alaa	Cairo, Egypt-based designer of the minimalist Arabic typeface Bethra (2017). [Google] [More] ⦿
Yasmeen Alaa	Designer of a Latin display typeface as part of her requirements at the Cairo Ad School in 2017. [Google] [More] ⦿
Jadli Zein Alabedeen	Or Djadli Zine El Abidine. Algerian designer of some typefaces. In 2009, he created the Latin / Arabic stone cut typefaces Djadli Tachkili (or Djadli Maghribi Djadid), which were programmed by Zakariah Saleh (Palestine). Free download. [Google] [More] ⦿
Younes Alaboudi	Graphic designer at Hawyia Agency in Riyadh, Saudi Arabia. In 2018, Youns designed the wide Arabic typeface Yanson. [Google] [MyFonts] [More] ⦿
Izlem Alacam	At Halic University in Istanbul, Izlem Alacam designed Monster Alphabet (2016). [Google] [More] ⦿
Rebecca Alaccari	Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her typefaces can be bought via MyFonts: Storyville (2015, a curly script), Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco typeface loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster typeface that revives the Harem/Margit typeface by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic typeface based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting typeface Konzept), Puma (2004, brush typeface based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (a high ascender display typeface after the Morris Fuller Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie typeface based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation typeface originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s typeface Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 typeface of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, a flower child typeface after Spring, by Bernard Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine). Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script typeface based on J.J. Sierke's 1964 typeface Privat), Rhino (revival of Mobil, a 1960 typeface by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting typeface based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Swan Song (2006: a calligraphic typeface based on the hand of Alexander Nesbitt. A later document states that it is based on work by British artist Rachel Yallop from 1986), Evolver (2006, a 9-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955). In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years. VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 typeface for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno typeface Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall typeface in the mold of Bernhard Fashion and other era poster or film typefaces (they say that it is rooted in the film typefaces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF). Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011) were both co-designed with Patrick Griffin. In 2020, they released the variable informal sans typeface Bananas: Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners' Catalina and its very similar cousin, Letter Graphics' Carmel, served as initial study points. Catalog of its typefaces. Klingspor link. [Google] [MyFonts] [More] ⦿
Carles Andreu Alacreu	Valencia, Spain-based designer of the paper-fold typeface Concordia (2013), named to support the fight against AIDS. His studio is called Yonoh Estudio Creativo. In 2014, he designed the circle-based typeface Sophie. Behance link. [Google] [More] ⦿
Nawal Al-Adasani	During his studies at the University of Ballarat, Australia, Nawal Al-Adasani created the sharp-edged display typeface Aris (2013). Aris borrows ornamental details from Arabic. [Google] [More] ⦿
Dmitriy Aladkin	Nizhniy Novgorod, Russia-based illustrator and designer. Creator in 2012 of the Cyrillic typeface FEDR, and of MephodiyD (old slavonic). He also made Prut (2012) and Favor (2012). [Google] [More] ⦿
Duha Aladwan	Amman, Jordan-based designer of the Arabic typeface Damascus (2016). [Google] [More] ⦿
Pablo Alaejos Perez	Type designer in Madrid, Spain, b. Barcelona, 1982. In 2006, he moved to Buenos Aires. Pablo Alaejos's graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the angular and sturdy Landa, which has Venetian and German expressionist roots. Landa was published in 2017 by Sudtipos as a 12-style typeface family. After some work experience in Buenos Aires, he returned to Spain. Nowadays Pablo is living in Madrid, works as Creative Director at Picnic and teaches editorial design at the Istituto Europeo di Design. [Google] [MyFonts] [More] ⦿
Joel Alafi	Australian animator. Designer of Poo (2005, ugly handwriting). [Google] [More] ⦿
Mohammad Alagha	Mohammad Alagha is Almedia Interactive (or: MAK Alagha, or: Applied Graphic Arts), an Arabic font producer active since 1994. The (beautiful!) AGA Fonts for Arabic are exclusively sold by Almedia Interactive Limited, which is based in the UK. His fonts include AGA-AbasanRegular, AGA-AladdinRegular, AGA-BattoutaRegular, AGA-DimnahRegular, AGA-FuratRegular, AGA-GranadaRegular, AGA-JuhynaRegular, AGA-KayrawanRegular, AGA-MashqBold, AGA-MashqRegular, AGA-NadaRegular, AGA-PetraRegular, AGA-RasheeqBold, AGA-SindibadRegular. Free fonts in 2012: AGA Andalus, AGA Cordoba Reg, AGA Cordoba Bold, AGA Cordoba Reg, AGA Granada, AGA Sindibad Reg, AGA Sindibad Bold, AGA Mashq Reg, AGA Mashq Bold, AGA Rasheeq Reg, AGA Rasheeq Bold, AGA Kayrawan, AGA Balloon, AGA Juhyna, AGA Furat, AGA Aladdin. Dingbats, beautiful arabesques and ornaments: AGA Horoof, AGA Arab Cities, AGA Greeting Phases, AGA Islamic Phrases, AGA Kalemaat, AGA Names, AGA Arabesque (Regular, Bold and Outline), AGA Islamic regular, AGA Greetings 1 and 2, AGA Publishing regular. Commercial fonts in 2012: Alquds, Gaza, Abu Dhabi, Dubai, Beirut, Demashq, Amman, Baalbek, Baghdad, Doha, Kufa, Aden, Jeddah, Riyadh, Masqat, Benghazi, Onwan, Mishmish, Barqooq, Hassan, Hazem, Zokhrof. Another URL. Free font sublink. Fontspae link. Dafont link. Download here. The beautiful dingbat fonts AGA Arabesque and AGA Arabesque Desktop (1994-1996) are here and here. OFL link. [Google] [More] ⦿
Barbara Alaimo	As a student at Ecole d'art Maryse Eloy (Paris), Barbara Alaimo created the modular stencil typeface Split (2016). [Google] [More] ⦿
Heba Al-Akhras	Toronto-based creator of Remix Type (2012) and Bovine (2015). Behance link. Cargo Collective link. [Google] [More] ⦿
Soh Chad Alaksandus	Singapore-based designer (b. 1985) of 7x7 (2004, outline pixel face), which used to be downloadable from Devian Tart. [Google] [More] ⦿
Ruh Al-Alam	London-based designer of an Arabic Didot typeface in 2013. Behance link. [Google] [More] ⦿
Ruh al-Alam	London, UK-based visual designer, who made some fonts, including the ultra-thin Moda (2013). Home page. [Google] [More] ⦿
Genan Al-Alban	Graphic designer in Barcelona, who created the broken style font Dajaja (2014). [Google] [More] ⦿
Jawaher Alali	Type designer from Muharraq, Bahrain who graduated from the MATD program in Type Design at the University of Reading in 2016. Her graduation typeface is jayaan, a multiscript typeface for magazines and cultural publications that covers Latin, Arabic, and Greek. She explains: Layaan Arabic includes a regular and bold naskh, plus a ruqaah secondary style. The ruqaah was designed as a modern interpretation of the traditional style, and it can be used both as a display style and emphasis style in text. To work well with the naskh, the ruqaah incorporates connections for a horizontal baseline. [Google] [More] ⦿
Cami Alama	For her final project at EASD Valencia in Spain, Cami Alama created the Dutch Krulletter typeface Krullcoplate Script (2014). [Google] [More] ⦿
Azza Alameddine	Azza Alameddine has worked as a graphic designer in Lebanon, the Netherlands and London since 2009, and is now based in Barcelona. She holds a BA in visual communication from Créapole, Paris. A graduate of the Masters in Typeface Design program of the University of Reading, she specializes in Arabic script. Her talk at ATypI 2014 in Barcelona was entitled The art of typographic matchmaking. In 2016, Azza joined TypeTogether as a type engineer and type designer. The Latin / Arabic version of Dalton Maag's Effra was co-designed by Azza Alameddine and Alex Blattmann. It won an award at Granshan 2016. In 2017, she finished Adelle Sans Arabic at Type Together. In 2019, Type Together released Catalpa (Veronkia Burian, Jose Scaglione, Azza Alameddine) and wrote: Primed for headlines, Catalpa is designed to give words bulk and width and gravity itself. The Catalpa font family is José Scaglione and Veronika Burian's wood type inspired design for an overwhelming headline presence. Catalpa was followed in 2021 by Belarius, a three-axis variable family that shifts from sans to slab serif, from condensed to expanded widths, and includes every possibility in between. Published by Type Together in 2021, it was developed under the guidance of Veronika Burian and José Scaglione, with type design by Azza Alameddine and Pooja Saxena, and additional kerning and engineering help from Radek Sidun, Joancarles Casasin and Irene Vlachou. At the end of 2021, she finished Bree Arabic as part of Type Together enormous Bree multiscript typeface family. [Google] [More] ⦿
Jude Al-Amin	During her communication design studies in Amman, Jordan, Jude Al-Amin created an experimental Arabic typeface (2014). [Google] [More] ⦿
Azza Alammedine	Lebanese graduate of the MATD program at the University of Reading in 2012. Azza's graduation typeface is Sila (2012, for Latin and Arabic). [Google] [More] ⦿
Abbas Alamnehe	Thirteen free Unicode 3.0-compliant Ethiopian fonts by Abbas Alamnehe: EthiopiaJiret, EthiopiaJiretSlant, EthiopicFantuwua, EthiopicHiwua, EthiopicTint, EthiopicWashRaBold, EthiopicWashRaBoldSlant, EthiopicWashRaSemiBold, EthiopicWashRaSemiBoldSlant, EthiopicWookianos, EthiopicYebse, EthiopicYigezuBisratGoffer, Sabaean. There are subpages on Ethiopian typographic history. Fonts2U link. [Google] [More] ⦿
Kata Alamon	Or Kathleen Alamon, based in Las Piñas, The Philippines. Creator of the free hand-drawn typeface Cornleaves (2014) during her studies at DLS-CSB. Behance link. Dafont link. [Google] [More] ⦿
Al-Amri	Designer (?) in 2000 of the Arabic fonts AL-Aser-Outline, AL-Aser, AL-Battar-Outline, AL-Battar, AL-Bsher-Outline, AL-Bsher, AL-Hor-Outline, AL-Hor, AL-Hosam-Outline, AL-Hosam, AL-Hotham, AL-Manzomah, AL-Mateen-Outline, AL-Mateen, AL-Mohanad-Bold, AL-Mohanad, AL-Qairwan, AL-Sarem-Bold, AL-Sarem, AL-Sayf-Bold, AL-Sayf, Al-Hadith1, Al-Hadith2, Al-Homam, Al-Mothnna, Al-Samsam, Bader, Othmani, Pen-Kufi-Shadow, Pen-Kufi, Quran-1, Quran-2, Zokrofi. They can be downloaded here. [Google] [More] ⦿
Niko Alamsyach	Koripan, Matesih, Karanganyar, Indonesia-based designer (b. 1995) of the monoline script Araina (2020). [Google] [More] ⦿
Muhammad Nur Alamsyah	Designer in Wonogiri, Indonesia, b. 1987. In 2018, he published the free script typefaces Hailuna and Anthemie. His commercial typefaces include the excellent retro signage script Bohemian Melody (2018), the signage script Avangarde (2018) and the handcrafted Mentawai (2018). Typefaces from 2019: Vignettic (a heavy retro signage script), Basuki Script, Agradian (script), Adonessia (wild calligraphy), Black Hummer (brush script, identical to Bellarsky), Ethiopia, Starlight (script), Giorello (a signature script), Ducky Manly, Mohica (a license plate font), Realistica (a brushed signage font), Mondella (a ronde script), Bellarsky, Thunder, Thunder Rough. Typefaces from 2020: Pottery Crafting (a brush script), Manhattan (a dry brush script), Retrophilia, Castlefire (a circus font), Ebullience, Humanely, Resemhary. Typefaces from 2021: Vignettic (a wonderful creamy retro signage script), Mohan (a decorative serif). Typefaces from 2022: Rattani (a hyper-inktrapped display typeface). [Google] [MyFonts] [More] ⦿
Fahim Al-Amudi	Kuala Lumpur, Malaysia-based creator of the circuit board font ElectroKufi (2013). [Google] [More] ⦿
Lujain Al Anany	During her studies in Cairo, Egypt, Lujain Al Anany designed an Arabic and a Latin typeface (2018). [Google] [More] ⦿
Adrian Granados Alanís	Design student in Monterrey, Mexico, who created Reverend Type (2012). [Google] [More] ⦿
Francisco Jose Garcia Alanis	Sevilla, Spain-based designer of the geometric solid typeface Lichtenstein (2017). [Google] [More] ⦿
Juan Angel de Leon Alanis	Graphic design student at UANL in Monterrey, Mexico. In 2012, he created Angd. Behance link. [Google] [More] ⦿
Jana Alano	At De La Salle College of Saint Benilde, Jana Alano (Manila, The Philippines) designed an art deco typeface in 2016. Behance link. [Google] [More] ⦿
Kris Alans	Designer of the remarkable free display typeface Alanesiana (2017)C: Alanesiana is a font created in accordance with the idea to read the text in a slightly insecure form, and supports exactly 5650 characters. Each character has its own character, looks different from the rest, but all are made in a similar style and have a similar thickness, so the text still looks consistent, making it perfect for longer texts as opposed to many other decorative fonts that tire the reader. What is important Alanesiana supports not only Latin alphabet but also Cyrillic, Greek, Hebrew, Armenian, Georgian and phonetic and mathematical symbols as well as some emoticons and other symbols, alphabets such as Coptic. [Google] [More] ⦿
Lara Ala-Olla	At Lahti Institute of Design in 2018, Finnish illustrator Lara Ala-Olla (b. 1995) designed the rigid geometric sans typeface Nocturne. [Google] [More] ⦿
Flor Alapi	Buenos Aires-based creator of an untitled art deco typeface in 2012. [Google] [More] ⦿
Fay Alaqeel	Riyadh, Saudi Arabia-based designer of the Arabic typeface Lulu (2015). [Google] [More] ⦿
Joao Alarcao	Porto, Portugal-based designer of The Big Bang Font (2014). The shapes of the glyphs are inspired by the constellations. [Google] [More] ⦿
Alejandro M. Alarcón	Graduate from FADU, University of Buenos Aires, who created the ultra-condensed didone typeface Taipu (2010). [Google] [More] ⦿
Andi (Andrés) Alarcón	Chilean designer (b. 1990) of the destructionist typeface Vibrate Letters (2006). Home page. Another URL. [Google] [More] ⦿
Uli Alarcon	Graphic designer in Sao Paulo. She made a light sans mix between 20db and Gill Sans Light in 2009. [Google] [More] ⦿
Farah Alarifi	During her studies in Dammam, Saudi Arabia, Farah Alarifi designed the Arabic typeface Layla (2016). [Google] [More] ⦿
Shahad AlAsfour	Student in Kuweit. Pure geometry (circles and lines) and a rigorous design process led to Shahad AlAsfour's Turns of a Tensile Typeface (2012) for Latin and Arabic. [Google] [More] ⦿
Mira Al Assal	Tyre, Lebanon-based designer of the Arabic typeface Nota (2017). [Google] [More] ⦿
Triin Alas	During her studies in Tartu, Estonia, in 2014, Triin Alas created a paperclip / neon tube typeface. [Google] [More] ⦿
Andrea Alati	Aka Lhotse. Rome-based designer of various sets of icons (Adventure, Stupid, Sugar) and the monoline sans typeface Sweet Snow (2017). Behance link. [Google] [More] ⦿
Ali Alattas	Saudi Arabian graphic designer Ali Al-Attas began designing fonts at the end of 2020. In 2021, he published Alilato (a 9-style wayfinding sans for Latin and Arabic). [Google] [MyFonts] [More] ⦿
Balqis Alauddin	Kuala Lipis, Malaysia-based designer of Floret (2015), a school project modular typeface that was inspired by the bougainvillea flower. [Google] [More] ⦿
Foziya Al-aujan	As a student at Abdulrahman bin Faisal University, Foziya Al-aujan (Al Khobar, Saudi Arabia, Saudi Arabia) designed a 3d experimental Arabic typeface (2017) and a decorative Latin typeface called Dracos (2017). [Google] [More] ⦿
Alanoud Alawaji	Graphic designer in Riyadh, Saudi Arabia, who created the painted Arabic alphabet Holm (2015). [Google] [More] ⦿
Zahra Alawami	During her studies, Zahra Alawami (Dammam, Saudi Arabia) designed three art deco Latin typefaces that were inspired by stained glass. [Google] [More] ⦿
Mujahid Alawy	During his studies at Institut Kesenian Jakarta, Indonesia, Mujahid Alawy created the modular display typeface Mighty (2014). Dafont link. [Google] [More] ⦿
Reem Alay	Riyadh, Saudi Arabia-based designer of the Arabic typeface Munhana (2015). [Google] [More] ⦿
Gustavo Alayza	Based in Arequipa, Peru, art director Gus Alayza created Runasimi, or Real Quechua, in 2013. It is based on the Quechua (Inca) language. [Google] [More] ⦿
Hussein Alazaat	Arabic typeface designer located in Amman, Jordan. Behance link. In 2011, he created the children's typeface Tajheez. [Google] [More] ⦿
Alfonso Alba	Medical imaging researcher and specialist at Universidad Autonoma de San Luis Potosi, Mexico. He hooked up with Mexican type designer Manolo Guerrero and together, they co-designed the experimental typeface Sonotipo (2015) that emulates a cardiogram or other medical electronic signal. Sonotipo won an award at Tipos Latinos 2016. Home page. [Google] [More] ⦿
Usman Al Baehaqi	Wonosobo, Indonesia-based designer (b. 1999) of these handcrafted typefaces in 2020: Amoeba Square, Amsteroid Space, Angella (a formal script), Baby Queen, Belove, Berllina, Butter Food, Catty Magic, Hallo Bernad, Halloween Day's, Hanitha, Micky Dicky, Mighty Time, Pinky Unicorn, Rainy Snow (2020), Ranked Hockey, Rolling Love, Summer Sale, Sweet Dream. Typefaces from 2021, mostly display serifs: Levaus, Gingko, Wilkista, Larissa, Magistic, Minthe, Berllina, Marcost Toto (spurred Victorian), Foundation (script), Morvino Growing. [Google] [More] ⦿
Abbas Al-Baghdadi	Iraqi type designer who created the traditional Kufi Arabic typeface Firas (2005), which won the second prize for calligraphic Arabic type at Linotype's 1st Arabic Type Design Competition in April 2006. That typeface can be bought from Linotype. Klingspor link. [Google] [MyFonts] [More] ⦿
Ophand Albana	Jakarta, Indonesia-based designer of the modular display typeface Dramarupa (2015) and the batik-themed typeface Hanacaraka (2018). [Google] [More] ⦿
Kaitlynn Albani	KA Designs is Kaitlynn Albani's shop on the web. She created these handcrafted typefaces in 2018: Earthy, Beautiful Awakening, Gingerbread Cookies, Mink Beach (SVG font), Grateful, Chic, Jellyfish, Haunted House, Cozy, Harvest, Winter Wonderland, Literally, Jingle Bells, Iced Coffee, November, Animal Crackers, All the Thangs, Country Market, Scarecrow, Hayride, Superstitious, Sweet Dreams, Pinecone, Autumn Sky, Cake Batter, Birthday Cake, Sprinkled Donut, Handwritten Monogram, lackout, Mimosa, Safari, Frosting, Timeless, Creep it Real, Sloth Life, Halloween, Fragments, Sky, Starfish, Blueberry Lemonade, Snicker, Mademoiselle, Effortless, Seashore, Beach Shop, apple Cider, You Gon Learn, Apple Pie, Pumpkin Season, Winter Wishes, Little Bird, Sunshine, Oatmeal, Kandi, North Pole (a doodle font), Bamk (a cartoon font), Fall Fun, Sassy, Country Farmhouse, Skipjack, Sidewalk, Boardwalk (textured, almost tattoo style), Chalkboard, Maryland, Mishap, Kashing, Adventure (doodles), Pink Flamingos, Charming, Skeleton, Cloudy, Kiwi Smoothie, Whaley Fun, Lemondrop, Ghost Tales, Karrilee, Ladybug, Saturday, Honeydew, Floaties, Dream (floral caps), Cookie Monster, Nora, Sailboat, Bearly, Fall Breeze, Ocean, BlueberryShake, Calm, Wishful, Summertime, Fairytale, Dotty, Spring, The Park, Farm House, Going Camping, Bright Lights, Vanilla Cupcake, The Bakery, Cheesecake, Kate Johnson (signature script), Foxtrot, Dotty, Dairytale, Wishful, Bonfire, Calm, Cats+Dogs, Spring Sunshine, Mason, Water Park, Lumineuse (a nice art deco typeface), Raspberry, Forest Friends, Alpine Forest, Everlasting, One Teaspoon, Bonfire, Blushed, Farmhouse, Twigs, Summer Break, Fanactus (cacti), Sophisticated Outfit, Koalifications, Whimsy, Cookie Jar, Unicorn Wishes, Lots of Love, Believe, Tropical (dingbats), Alpaca My Lunch, Very Berry Smoothie, Valentine (dingbats), Tuesday, Spring Fling (doodle font), Gingerbread, Calm, Baked Goods, Park, Bearly Awake, Moonwake, Grateful, Blooming, Friday, Lakehouse, Beautiful Awakening, Sophisticated, SaltWater, Serendipity, All the Things (doodles), Monday Blues, Sunday Morning (fat finger font), Silence, Pink Lemonade, Lemonade, Hoptrot, Blueberry Shake, Lynchburg, Alpenglow, Darlington Park, The Lighthouse, Extraordinary, In Lust. Typefaces from 2019: Absolutely, Amsterdam, Arrows, Asteroid, Beautiful Disaster, Believe, Birthday Cake, Black Kitten, Bloomy, Builder, Bunny Ears, Butterflies, Cinnamon, Cloud Nine, Dandy Dandelions, Day Dreamer, Fairytales, Fancactus, Friendship (comic book font), Grapefruit, Guilty, Guilty, Handwritten Font Bundle Harvie, Hey Style, Hi Valentine, Island Tea, Joy & Hugs, La Vie (dry brush), La Vie, Little Bear, Little Kitty, Little Reindeer, Logan Ann, Lovebirds, Lucky Charm, Marvelous, Melon, Merry and Bright, Mintsy, Molly & Elroy, One Wish, Pink Polka, Pink, Sassy, Saturday, Sky, Snickerdoodle, Starburst, Sugar Cupcake, Sugar and Nutmeg, Sweet Dreamer, Sweetheart, The Scarlett, The Shaker, Things (dingbats), Ultimately, Unlikely Friends, Valencia Font, Valentine's Day Font, Walking on Mars, Washington, Wildflowers, Wink (cartoon font), Wonderful (cartoon font). Typefaces from 2020: Silverway. Typefaces from 2021: Harlots (a thin monoline script and sans font duo), Magic Charm. Typefaces from 2022: The California (decorative serif), Like Totally (psychedelic), Limited Edition (psychedelic), Moonstone Style (script), Alysar (calligraphic), Barley (a scrapbook script), Moonshire (a scrapbook script), Wild Mango (a modern display serif). [Google] [More] ⦿
Lilian Albani	During her graphic design studies at Ufes in Vitoria, Brazil, Lilian Albani (Vila Velha, Brazil) co-created the typewriter-style slab serif typeface Eureka Serif (2013) with Cassio Ferreira. [Google] [More] ⦿
Martina Ginevra Albano	Industrial designer in Lucca, Italy, who created the techno font Adic (2013) and the free experimental typeface Leliel (2013). [Google] [More] ⦿
Jill Albarado	Designer based at UW-Stout in Menomonie, WI, who created the caps font Kidsplay (2003). [Google] [More] ⦿
Roberto Albares	Art director in Madrid, Spain, who created the free connect-the-dots typeface family Anaglyphos in 2014. Behance link. [Google] [More] ⦿
Muhammad Zuhair Albazi	Arabic type foundry. Typefaces include Muhammad Musa Albazi Naskh and Zuhair Albazi Naskh. They specialize in true calligraphic Tatweel typefaces. Muhammad Zuhair Albazi is based in Lahore, Pakistan. He made the Naskh font Musa Albazi Naskh (2009). He also created Adobe Naskh. His main Arabic typeface to date is Zuhair Albazi Naskh, an advanced OpenType Arabic typeface, which is based on the Ottoman manuscript. He writes: This unique typeface contains an unmatched range of features known from the Arabic script. It is not merely a font but an ultimate typesetting and design tool for the Arabic script in classic Naskh style, with letters variants and calligraphic styles, specifically developed to take advantage of the extensive functionality for Naskh Arabic typography. The typeface allowd many controls such as shape alternates, space adjustments, mark placements, and swashes. Two very special features: Calligraphic Naskh kashida (Tatweel) upto three levels of elongations, so the Kashida distribution and frequence can be precisely controlled to create Arabic calligraphic documents without a calligrapher; thousands of kerning pairs for the fine adjustment of letters specially after Raa, Zaa, Waw and before Kaaf. In 2017, he published Omar Naskh and writes: Omar Naskh is an amazing Naskh font having full Unicode support for Arabic script till Unicode version 9.0. The font covers all the languages of Arabic Script like Arabic, Persian, Urdu, Pashto, Sindhi, Saraiki, Kazakh, Uyghur, Punjabi, Khowar (Chitrali), Malay (Jawi), Balochi, Brahui, Kurdi (Kurdish), Kashmiri (Koshur), Kirghiz, Ozbek, Turkmen and Gawri (Kalami). [Google] [More] ⦿
Kara Albe	During her studies in San Marcos, TX, Kara Albe created Pixel Typeface (2014). [Google] [More] ⦿
Alex Alberico	Avezzano, Italy-based creator of the poster headline typeface family Linestoorb (2015). Behance link. [Google] [More] ⦿
Ignasi Albero	Graphic designer from Barcelona, who created a clean marker pen typeface called Marker (2012). [Google] [More] ⦿
Stine Alberry	The type foundry Great Dane Designs was established in 2012 by Stine Aelberry in Derby, UK. Zygon Regular (2012, unicase) was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a multicultural event, would feature celebrations inclusive of all cultures. The typeface is based on the Panjabi syllabary alphabet (Gurmukhi script) combined with the Latin alphabet. [Google] [MyFonts] [More] ⦿
Adam Albers	Portland, OR-based creator of Old English Style Font (2011). [Google] [More] ⦿
Josef Albers	German-born designer (b. Bottrop, 1888, d. New Haven, CT, 1976) associated with the Bauhaus School that made artistic ripples from 1919-1933. He joined the faculty of Weimar Bauhaus in 1922 as a stained glass maker, and became professor there from 1925 until Bauhaus closed in 1933 under Nazi pressure. He emigrated immediately to the United States where he became head of a new art school, Black Mountain College, in North Carolina. In 1950, he left North Carolina to become head of the Department of Design at Yale University until his retirement in 1958. Albers is best remembered for his work as an abstract painter and theorist. The Josef Albers papers and documents (from 1929 until 1970) were donated by the artist to the Smithsonian Institution's Archives of American Art in 1969 and 1970. His typefaces: Display (1923). Schablonenschrift (1923-1926). This is one of a series of stencil typefaces Albers designed while teaching at the Dessau Bauhaus. Futura Black (1926, a great stencil face---Paul Renner and the Bauer design office made it into a typeface in 1929, and included it in the Futura series, even though Futura is quite different in concept). Kombinationsschrift auf Glas (1928-1931; combine a few elements). This was revived as P22 Albers by Richard Kegler from 1995 until 2004. See also here. Kombinationsschrift is inherently modular, the principle at the basis of FontStruct and other font creation tools. On my pages, I sometimes call the blatantly modular typefaces in the style of Kombinationsschrift piano key fonts. Digital descendants of Albers's work include ThM Architype Albers (2013, Thijs Mertens), Architype Albers (Freda Sack and David Quay of The Foundry, 1997), P22 Albers (P22), Futura Black (Bitstream), Alber New (2010, Chris Dickinson at Moretype), Concreta (Tony de Marco and Niko Fernandez, 2011, at Just in Type), Modernist Stencil (Keith Bates, 2009, at K-Type), Sessions (John Skelton, 2009, at Afrojet), Idiom (Mike Jarboe, 2010, at Reserves), Gridiot (2003-2011, Peter Bain), Plaster (Eben Sorkin, 2011), Slink (Gene Buban, 2009), Albers (Crissov, 2009), Albers Numerals (2015, Tomek Zastawny), Duo (Omer Chafai), Rigid (Marta Cerda Alimbau, 2010), Albers Moiré (Nick Shea), Little Tittle (Michael Blair, 2012), Tp Floral (Two Points, 2006), Decade (Robert Holmkvist, 2015), Bauhaus Typography Experiment (Jonathan Kevin William Holburn, 2014), and Modular Alphabet (Isa Lloret, 2015). References: Regarding the Economy of Typeface (an article explaining Albers' vision for typography), Josef Albers: Interaction of Color (1975, New Haven: Yale University Press), François Bucher: Josef Albers: Despite Straight Lines: An Analysis of His Graphic Constructions (1977, Cambridge, MA: MIT Press), Brenda Danilowitz and Fred Horowitz: Josef Albers: to Open Eyes: The Bauhaus, Black Mountain College, and Yale (2006, Phaidon Press), Eva Diaz: The Ethics of Perception: Josef Albers in the United States (2008, Volume XC Number 2 of The Art Bulletin), Nicholas Fox Weber and Fred Licht: Josef Albers: A Retrospective (1988, New York: Guggenheim Museum Publications), Nicholas Fox Weber, Fred Licht and Brenda Danilowitz: Josef Albers: Glass, Color, and Light (1994, New York: Guggenheim Museum Publications), The Josef & Anni Albers Foundation. [Google] [MyFonts] [More] ⦿
Michael Albers	German creator in 1997 of CRX, Z1 Alice Dee (art nouveau), Sign (dingbats and scanbats), and Bundesliga. Alternate URL. Fontspace link. [Google] [More] ⦿
Paul Albers	Ottawa-based Paul Albers is the designer of the Startrek font Tron. See also here. Fontspace link. [Google] [More] ⦿
Romain Albertini	Parisian art director and graphic designer. Creator of the experimental typeface Numberz (2009), in which all the capitals are made up of pieces of numbers. Other experimental fonts: Seven (only the 7 is used to make up letters), Binary (only 1 and 0 are used), and Suffer (letters made by removing chunks). Creator of CrisisFont (2010), a display typeface created to remmember the Greek finincial crisis of 2010. Its letters are quite geometric and seem lost in confusion. [Google] [More] ⦿
Albertino	Creator of the grunge typeface Green Energy (2011). [Google] [More] ⦿
Junius Alberto	Indonesian designer of the casual script typeface Coffee (2017). [Google] [MyFonts] [More] ⦿
Elena Albertoni	Elena Albertoni (Blackmoon Foundry, and before that, La Letteria, and before that, Anatole Type Foundry, est. 2005) is an Italian type designer (b. 1979, Bergamo) who studied at ESAD Amiens and the Ecole Estienne in Paris, before taking a position as type designer at FontFabrik in Berlin, where she still lives. She cofounded Anatole Type Foundry with Pascal Duez. La Letteria is located in Berlin. In 2011, Elena cofounded LetterinBerlin, a studio dedicated to handmade and digital design, with a special focus on lettering and type-design. At the Rencontres de Lure 2005, she spoke about OpenType and Latin characters. Her typefaces: The connected script typeface Dolce (2005), which won an award at the TDC2 2005 type competition. Dyna (2009). A connected feminine script. Review of Dolce & Dyna. Kigara. Scritta (connected calligraphic script). Followed by Scritta Nuova (2011): a rhythmic upright connected script, which evokes retro calligraphic styles taught in Italian schools around the 1950s. Helene (squarish face). Valora. Schneider. Gregoria. A Gregorian chant font that won an award at TDC2 2007. Deja Rip and Deja Web (2010). An eight-style sans family of great utility, co-designed with Fred Bordfeld; Cyrillic included. Acuta (2010). An all-purpose type family. Nouvelle Vague (2011). A connected display script along the lines of Mistral. Spinnaker (2011). A sans design based on French and UK lettering found on posters for travel by ship. The plump and curvy script typeface Molle (2012, Google Web Fonts). Kiez (2016, The Blackmoon Foundry). Vidal (2018). A wide sans with low contrast and medium-to-tall ascenders. Coast (2018). An almost monoline sans inspired by enamel signs from the 1920s. Alternate URL. MyFonts link. Behance link. Klingspor link. Google Plus link. [Google] [MyFonts] [More] ⦿
Todd Albertson	Washington, DC-based art director at AARP Media who has worked for The York Times Magazine. He created some retail and custom typefaces such as Rittenhouse (stencil face), Colosseum (fat octagonal), Barbarossa (modular typeface) and a thin octagonal typeface, co-designed with Tom Brown, for Architecture Magazine. Behance link. [Google] [More] ⦿
Stephanie Albert	During her studies at Algonguin College in Ottawa, Canada, Stephanie Albert designed a condensed modular typeface called Omega (2013). [Google] [More] ⦿
Steven Albert	American designer of Aquitaine Initials (1987), sold by ITC. See also here. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Tobias-David Albert	Tobias-David Albert (b. 1978) studied visual communication at the design faculty of Hochschule Wismar as well as type design at Hochschule für Grafik und Buchkunst Leipzig (with Fred Smeijers and Stephan Müller). His thesis work, an antiqua with an italic cut called Tilia, won the state prize for upcoming designers in 2011; a bold weight of Tilia is currently in development. From 2012, Tobias-David taught at Wismar, and since 2016 he has been at Burg Giebichenstein, Halle. Working at the intersections between calligraphy, sign-writing, lettering and type design, Tobias-David's work includes many customized letterforms for labels, posters, store signs, glassware, and tombstones. He applies a wide range of lettering techniques such as drawing, painting, etching, carving, and moulding. Swiss type foundry Lineto turned to Tobias-David for the brush script typeface LL Blankenhorn in 2014, named after lettering artist Fritz Blankenhorn. Among other designs that Albert produced digitally are a poster with a Gerrit Noordzij quote for Museum für Druckkunst, Leipzig (2013), and various brush letterings for commercial magazines such as Shape, Men's Fitness, and MusikExpress (2014-2017). [Google] [More] ⦿
Andrea Albiac	During her studoes at ESDA (Design School of Aragon), zaragoza, Spain-based Andrea Albiac designed the uppercase didone typeface Artemisa (2018). [Google] [More] ⦿
Will Albin-Clark	Wigan and/or Manchester, UK-based designer of the pixel typefaces Xilla (2019) and Xilla Pro (2019). Both were inspired by the Google open source font Zilla. In 2020, he released the commercial typeface Polli Sans, which includes Polli Sans Mono. The typeface is characterized by Renner's square jawed letters---in this case, they include g, j and y. Still in 2020, he designed AC Honey Bee. [Google] [MyFonts] [More] ⦿
Gabriel Albo	Porto Alegre, Brazil-based designer of the octagonal origami typeface Triangular (2017). Behance link. [Google] [More] ⦿
Brin Steven Alborniz	Palmira, Colombia-based designer of the horror movie font The Cramps (2015). [Google] [More] ⦿
Grey Albornoz	Chilean artist and type designer. In 2021, she released Sabana, a 14-style Comic Sans genre typeface for Latin and Cyrillic. Typefaces from 2022: Budare (a geometric display sans in 16 styles that marries Bauhaus with hipsterism; Albornoz: its design is based on the shape of the wrought iron plate used in Venezuela and other countries to make arepas and other food). [Google] [MyFonts] [More] ⦿
Miguel Albornoz	Creator (b. 1987) of the con language typeface Alien Gantz (2011). [Google] [More] ⦿
Lev Alborov	Born in Tskhinvali, South Ossetia, in 1965. In 1982 Alborov graduated from Tskhinvali National High School No.2. He entered the Department of Engineering of the Bauman State Technical University in Moscow (class of 1988). Until 1996 he worked at Tbilisi Aircraft-Building Corporation. Since 1996 Alborov works for the RSO-Alania State Research Center. He gave a license for his type Ger (1998, kaleidoscopic dingbats) to ParaType. This type is based on forms of national Ossetic ornament. Ger won an award at Kyrillitsa '99. FontShop link. [Google] [MyFonts] [More] ⦿
Manfred Albracht	Aachen-based font software developer who also made some fonts such as CommScriptTT (a calligraphic script) and the sans serif ecofont family. CommScript. [Google] [More] ⦿
Mara Albracht	Graphic designer in Dortmund, Germany. During her studies at FH Dortmund in 2014, she designed Scandrawn Script. [Google] [More] ⦿
Scott Albrecht	Graphic designer who created the stencil family Stencer in 2009. He also made the counterless fat 3d shadow typeface Fruit Basket (2009). [Google] [More] ⦿
Liv Banja Albrektsen	During her studies at Skolen for Visuel Kommunikation, Copenhagen, Denmark-based Liv Banja Albrektsen designed the squarish modular typeface Copenhagen High Line (2016). [Google] [More] ⦿
Patrick Albrent	During his studies in Mankato, MN, Patrick Albrent designed the custom display typeface Do Not Touch (2014). [Google] [More] ⦿
Christian Albriktsen	Oslo-based designer of the thin lachrymal sans typeface Velouet (2014). [Google] [More] ⦿
Ali Ahmed Al Buainain	Designer of the Arabic font Boahmed AlHarf Bold (2005). Download here. [Google] [More] ⦿
Fatima Albudoor	Art student in Boston. Designer of the hand-printed typeface Tima's Font (2011, iFontMaker) and of Blocks (2011, iFontMaker). [Google] [More] ⦿
Bruno Albuquerque	Graphic designer from Barcelos, Portugal. Together with Miguel de Sousa and Marcelo Santos, he made BetaDin (2010). [Google] [More] ⦿
Chyrllene Albuquerque	Aka Chyrllene K. Daughter of Iza W, who designed many typefaces at Intellecta Design starting in 2010. She studied applied mathematics and graphic design, and works as COO of Intellecta Design. In 2013, she wrote a thesis entitled Revival Tipografico at Faculdades Integradas Barros Melo, Brazil. Based in Recife, Brazil, she is credited with these typefaces: Naive Ornaments (2012, with Iza W). Calligraphic Birds (2012, with Iza W). ABC Hand (2011). A sign language face. Pencraft (2010): a penmanship typeface with uppercase based on Swagger Capitals (Carl Stephen Junge, at Barnhart Brothers&Spindler), and lowercase based on Sidney Gaunt's Pencraft Oldstyle series (1914), as displayed in the BBS catalog from 1922. Eingraviert Dutch Capitals (2009). An engraved typeface. Vintage Hands (2012). A set of fists and penman's hands. Bonsai Paufo (2010): a dingbat face. Floreart (2012). With Iza W. Jugendstil Flowers (2011). Libertee Ornaments (2011): an elegant art nouveau typeface done with Paulo W. MesoAmerican (+Two) (2011): native Indian dingbat typefaces. Tribalism (2011): three typefaces with ornaments and fleurons, done together with Iza W and Paulo W. Cripto (2011). With Paulo W. Soft Garden (2012). With Iza W. Bruce 1065 Soft Serifs (2011). Very Victorian. With Iza W. Victorian Advertizing (2011). Gothic Revival Layered (2012). One of the first layered blackletter typefaces anywhere. Forte (2013) is a fee brush font in the style of Forte MT (1962, Carl Reissberger). Tribalism (2011). Three fonts with penmanship-style flourishes. Enchiridion (2012). Azalleia Ornaments (2012). With Iza W. Behance link. [Google] [MyFonts] [More] ⦿
Gabriela Albuquerque	Creator (with Debora Aquino) of the computer game dingbat font Sentai 30 (2007). Based on the Super Sentai logos and characters by Toei Company. See also here. [Google] [More] ⦿
James Albuquerque	Illustrator and web designer in Parede, Portugal, who made Afrika (2010)---the ornamental caps alphabet, not the continent. Behance link. [Google] [More] ⦿
Maria Victoria Albuquerque	During her studies at PUC in Rio de Janeiro, Maria Victoria Albuquerque designed the modular sci-fi typeface Timer (2015). [Google] [More] ⦿
Nathali Albuquerque	During her studies, Sao Paulo, Brazil-based Nathali Albuquerque designed the multilined typeface Autoral Pop Art (2017). [Google] [More] ⦿
Roberta Albuquerque	Aracaju, Brazil-based creator of an untitled display typeface in 2013. [Google] [More] ⦿
Karmen Alcaide	During her studies in Valencia, Karmen Alcaide created the display typeface Rotville (2015). [Google] [More] ⦿
Lucas Alcaide	Or Lucas Alcaide De Wandeleer. Spanish archiect who studied at the University of Alcala in Madrid. Designer of the hand-printed typeface Aylan (2013, Eurotypo), the script typeface Idea (2014), and the signage script typeface Globie (2016, Eurotypo). Behance link. [Google] [MyFonts] [More] ⦿
Lucia Gomez Alcaide	Malaga, Spain-based designer of a decorative set of letters simply called Floral Alphabet (2016). Behance link. [Google] [More] ⦿
Olcar Alcaide	Institute in Benalmadena, Spain (was: Santa Severa), where one can take 4-week courses at 1450 Euros a shot on the Etruscan alphabet, Trajan, Cuadrata and Rustic Roman Capital letters, and related subjects. They also organize lettering tours in Italy and guided tours in various musea. The teachers are Alberto Di Santo (Professor of the visual communication, Tor Vergata University, Rome; Professor of Graphic Design, Istituto Europeo di design, Rome; Professor of editorial design, La Sapienza University, Rome; Professor of Typography, C.F.P. Sinalunga, Siena) and Olcar Alcaide (b. 1952, Argentina, Professor of Graphic and Typography Design, University of Buenos Aires; Professor of Typography, University of Lanús, and Professor of Graphic Design, Marbella Design School, Spain). Type link jump page. Eurotypo is also the foundry of Olcar Alcaide. Catalog of Olcar Alcaide's typefaces. In 2010, he published the text family Antium and the warm signage typefaces Mijas Ultra and Lila Pro Heavy. Typefaces from 2011 include Lila pro, Atenea (a humanist sans family), Agerola Script (a fat flowing signage face), Teja (signage face), Zalea (yet another signage face), and Nabu Pro (a connected signage script). Equalis (2011M, with Juan Lavalle) is a monoline slab typeface with a huge x-height and wide open counters. It was followed by Equalis Stencil (2011). Ravel (2011) is a fat signage script face. Atenea Egyptian (2011) is a solid slab serif family. Berta (2011) is a signage brush typeface with connected and unconnected versions. Optic Art (2011) is an ornamental typeface with building blocks that can be used for overlays. Creator of Eurotypo Bodoni Bold (2011). Typefaces from 2012: Cubus (dingbats), Saxo Deco (art deco), Moliere (2012, an elegant didone family with outspoken ball terminals), Melon Script (a fat curvy signage script family), Riky (comic book family), Chipa (a signage and package design script), Heket (an expressive curly script), Lenga (a slab serif typeface family), Mikal (brush script). Duktus is a 1940s style script in the style of Donatello (1935, Wagner & Schmidt), Troubadour (1927, Wagner & Schmidt), Liberty Script (1927, Willard T. Sniffin), Trafton Script (1933, Howard Allen Trafton), and Coronet (1937, R.H. Middleton). Picture. Typefaces from 2013: Dignus (influenced by Bank Gothic and Eurostile), Bague (old Dutch style with little contrast, in the style of Jan Van Krimpen), Lugo (a heavy signage or advertising script), Brittes (copperplate script), Talis (contrast-rich sans family), Fiesole (display family with an awkward back-curled lower case d), C Duflos (after a bâtarde coulée by Claude Duflos, a French engraver who was acitve around 1690). Typefaces from 2014: Talks (creamy signage script), Fiume (calligraphic script), Predy, Daevon (copperplate script), Beily (letterpress style), Ritts (a heavy script-like display family), Ritts Cursive (in the style of the brush signage scripts descending from Robert E. Smith's Brush Script for ATF in 1942). Typefaces from 2015: Valentia (a semi-copperplate calligraphic script followed by Valentia Condensed in 2016), Stabia, Digatte Quill (connected script), Digatte (connected monoline cursive script). Typefaces from 2016: Duero (signage script), Turia (calligraphic script), RRollie (a lapidary typeface based on the roman inscriptions), Valentia Nit (a copperplate typeface enriched with swashes and extensions). Typefaces from 2017: Citix (a great calligraphic / penmanship script), Citix Two Condensed, Alfabetica (humanist sans), Merick. Typefaces from 2018: Fortezza (a stiifened didone), Portoluce, Hotdogger (a cursive brush font family), Hotdogger Extras (dingbats), Favarotta, Vikive (a grotesque family), Aretino (a renaissance text typeface), Mirabella, Lectio. Typefaces from 2019: Palio (a condensed tall didone), Fractus (blackletter), Blackduck (blackletter), Sgraffio (copperplate script). Typefaces from 2020: Eolia A (a 12-style low contrast grotesque typeface), Breda (a 12-style geometric sans), Breda Two (six additional condensed styles), Marcus Traianus (in the Trajan style, with lowercase included as well), Eurotypo Sans, Eurotypo SII, Eurotypo BKL (a Baskerville-inspired family), Cannoli (a retro brush lettered signage script). Typefaces from 2021: Zornale (a 7-style text family inpsired by the Zornale, an original manuscript that contains a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488), Alacant (a 14-style slab serif with elliptical shoulders), Tre Giorni (a carefully designed script in solid and outline styles), Due Giorni (a rhythmic calligraphic script), Sagasti (a text typeface with straight serifs), Calcis (a 10-style sans), Rufolo (an 8-style lapidary typeface influenced by Robert Hunter Middleton's Stellar (1929), William A. Dwiggins' Albertus (1932) and Hermann Zapf's Optima (1952)). Typefaces from 2022: Zornale Title. Creative Market link. Klingspor link. [Google] [MyFonts] [More] ⦿
Aless Alcala	Art director in Guadalajara, Mexico, who created the spurred typeface San Andres (2013) for a Mexican brewery. [Google] [More] ⦿
Deysi Alcala	San Salvador, El Salvador-based designer of the free deco typeface Alcala (2018). [Google] [More] ⦿
Juan Carlos Alcala	Designer of the alphadings Cartown. [Google] [More] ⦿
Maria Cantarero Alcalde	Granada, Spain-based designer of the student project font Cantalde (2014), which is based on Jenson Old Style. [Google] [More] ⦿
Bianca Alcantara	During her studies in New York City, Bianca Alcantara designed the geometric solid caps style Box Alphabet (2015). Earlier, at UFMA (Federal University of Maranhao, Brazil), in 2014, she created the vernacular typeface Traço together with Ana Carolina Aquino. [Google] [More] ⦿
Oscar Alcantara	Photographer, designer, illustrator and typographer in Mexicali, Mexico.Oscar created the plump signage typeface Benveliu in 2013. Behance link. [Google] [More] ⦿
Rolando C. Alcantara	Graphic designer in Dallas, TX. In 2012, he was working on the display typeface Santeria. At he Type @ Cooper program in 2012, Rolando C. Alcantara designed Murnau. Behance link. [Google] [More] ⦿
Jessica Alcantar	San Diego, CA-based designer of Kryponita (2016), a typeface that is probably inspired by kryptonite bike locks. [Google] [More] ⦿
David Alcañiz Tejado	Madrid-based designer (b. 1982) of the free art deco typeface Lame (2014) and the experimental typeface Two Moons (2015). Aka DV82. Dafont link. Behance link. [Google] [More] ⦿
Javier Alcaraz	Argentinian graphic designer, aka El Cerezo. In 2004, he moved to Mexico, where he is a member of Circulo de Tipógrafos and participates in Fontstage, and art director in Mexico City. He teaches at CE Gestalt in Veracruz since 2011. He created Felipa (2011, a free cursive text typeface that can be downloaded from Fontstage) and Vulgata (2013), an angular text typeface influenced by Dwiggins and Menhart. [Google] [More] ⦿
Sabina Alcaraz	Graphic design student in Valencia, Spain. Together with Samantha Di Prospero, she created the alchemic display typeface Pintadera (2013). Behance link. [Google] [More] ⦿
D. Alcausin	Melbourne, Australia-based creator of the school project font BFI Golden Years Of Hollywood (2013), art deco typeface). [Google] [More] ⦿
MCarmen Ruiz Alcocer	Madrid, Spain-based designer of the deco typeface Laika (2016). [Google] [More] ⦿
Bruce Alcock	New Foundland-born type designer of the hand-printed typeface Soupbone (+dingbats), who directed commercials at Tricky Pictures, Chicago. He returned to Canada in 2000 to form Global Mechanic with filmmaker Ann Marie Fleming. Home page. FontShop link. Klingspor link. FontFont link. [Google] [MyFonts] [More] ⦿
Daisy Alcock	Phototype designer for Photo Lettering Inc in New York. Her typefaces there include the uncial / medieval style family Alcock, which includes Alcock Roman, (+Inline), Alcock Light Italic and Alcock Versal. [Google] [More] ⦿
Marc Alcock	British graphic designer who created a wonderful gridded typeface to illustrate the Pantone colors. He lives in San Francisco. [Google] [More] ⦿
Jared Alconcher	Oakland, CA-based motion graphic designer, who created the typeface Conch (2012). [Google] [More] ⦿
Inma Alcon	Jerez, Spain-based designer of the octagonal typeface Origami (2014). [Google] [More] ⦿
J. Anton Alcor	Spanish creator of Trian Alfarera (2010), a free Open Font Library typeface based on street tiling in Sevilla. [Google] [More] ⦿
Maria Alcover	Madrid, Spain-based designer of Geometric (2019). [Google] [More] ⦿
Zahar Al-Dabbagh	Zahar Al-Dabbagh (Jeddah, Saudi Arabia) created the Arabic typeface Syoola in 2013. [Google] [More] ⦿
Cesc Aldabó	Cesc (Francesc) Aldabó (Ceskus Disseny) is based in Sant Cugat des Valles and/or Terrassa, Spain. Studio Ceskus Disseny created Climb (2011, a decorative typeface), Dingbat Space Invaders (2013, FontStruct: a pixel font inspired by the 1978 video game by Taito Corporation), Letterplayground (a space and alphabets created by Nate Williams), and Grafftastics (2013, a graffiti font used for a festival in Sabadell). In 2014, they made the decorative typeface Climb. In 2014, Aldabó made Climb Font (based on climbing gear), Tipoencuentro (poster face), Typoasi (modular), 15M Typestencil, and I Love Climbing. Typefaces from 2017: Walls Talk. Behance link. FontStruct link. Creative Market link. Older Behance link. Newest Behance link. [Google] [More] ⦿
Amira Al Dakroury	Qatari graphic designer who created the hand-printed Arabic typeface Mazaza (2011). [Google] [More] ⦿
Priscila Gomez Aldas	Art director in Galapagos, Ecuador, who designed the animal-themed ornamental caps typeface Galapagos in 2016. [Google] [More] ⦿
Brian Aldave	Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Irontail Gothic (2009). [Google] [More] ⦿
Giovanni Aldave Corte	Puebla, Mexico-based designer of the angular semi-blackletter typeface Reaper (2014). [Google] [More] ⦿
Tawfiq Aldawi	Jordan-based designer of Zaatar Arabic (2002; with Abdo Mohamed). [Google] [MyFonts] [More] ⦿
Anne Alden	Bremerton, WA-based designer of the Indic simulation typeface Aniya (2013). [Google] [More] ⦿
Bronte Alder	Auckland, New Zealand-based creator of the decorative typeface Britomart (2013) which was inspired by the logo of Woolmark. This typeface was designed during her studies at Yoobee School of Design. Home page. [Google] [More] ⦿
Hillary Alderdice	Toronto, Ontario-based designer of the lachrymal and perhaps sligtly art nouveau-ish typeface Wanderlust (2017). Behance link. [Google] [More] ⦿
Jorge Alderete	B-Movie is a great dingbat font of creatures, created in 2002 for T26 by Jorge Alderete. CV. Jorge is an illustrator, who was born in Argentina in 1971. He studied at the National University at La Plata, Buenos Aires majoring in graphic design and visual communication. He now lives in Mexico City and works as an illustrator for numerous Mexican and Spanish magazines. Home page. At Union Fonts, he published Rubias Morenas Pelirojas (a dingbat font) and Unplugged in 2003 and Saratoga (a fifties face; see also at T-26) in 2004. At SinergiaLab in Argentina, he created the dingbat typeface SLChe, which was subsequently published at Sudtipos. At Tiypo, we find Che (a guerilla dingbat face), Platillo (condensed squarish), RMP (dings of female heads), Saratoga and Unplugged. [Google] [MyFonts] [More] ⦿
Kirsty Alderson	During her graphic design studies in Leeds, UK, Kirst Alderson created several decorative typefaces (2013). [Google] [More] ⦿
Bing Febby Aldiansyah	Bing F. Aldiansyah (Hey Bing Type Foundry or Heybing Supply Co, Bandung, Indonesia; b. 1988, Bandung) designed the sans titling typeface Confession (2015, +Serif), the retro brush script Anastasia (2015), the brush signage script Northshire Script (2015, with ink splatters), Glorious Sunday (2015, brush script), Hepburns Type (2015), the retro font Violina (2015), the blackletter typeface The Mariam Story (2015), the pure Victoriana fonts Burton Slab (2015, Tuscan) and Briliants (2015), Hours (2015), the poster typeface Brawls (2015), the Victorian typefaces Dacota (2015, a great layered vintage circus font, with dingbats) and Aseina (2015), the brush scripts Washington (2015) and Hazelnut (2015), the Victorian typefaces Hours (2015) and Warden (2015), the spurred Victorian typefaces Riotic (2015) and Harsh (2015), and the vampire type Furach (2015). Typefaces from 2016: Monolith, Ashtone (signage script), Black Vision (Victorian), The Minier, Bellarious, The Sectione Bright Script (heavy brush), Capricorn (decorative blackletter), Blings (signage type), Weinston (vintage signage typeface), Weinston Sans, Hours, Quinte, Monttier Script, Shine (signage script), Holywants (brush script), Choconut. Typefaces from 2017: Skylight Graffiti, The Wednesday (swashy blackletter), Java Heritages (a fine layered vintage signage typeface). Typefaces from 2018: Amstrong (tattoo or black metal blackletter), Typefaces from 2019: Hustle Times (a neon font), Giver (dry brush), Hunting Season (brush script), California (a swashy blackletter). Typefaces from 2021: Diamond History (a graffiti font). Typefaces from 2021: Northen (a horror font), Nightmare Gothic. On Behance, we find the name Rifqi Triana (b. 1989, Bandung). Creative Market link. Behance link. Alternate URL. Graphicriver link. [Google] [MyFonts] [More] ⦿
Tri Noviantika Aldilasari	Bontang, Indonesia-based designer of the colorful and flashy typeface Metro Neon (2017). Graphicriver link. [Google] [More] ⦿
David Aldinger	Dortmund, Germany-based designer of the headline display typeface Apathy (2013). Behance link. [Google] [More] ⦿
Maha Aldoubaie	Graphic designer at Coventry University (UK). Creator of the experimental Fingerprint Typeface (2012). [Google] [More] ⦿
Khaled Aldousari	Designer (b. 1990, Kuwait) of the free dingbat typefaces Camera Fotograami (2019), Fotograami Lamp Islamic (2018), Fotograami Shuruq (2018), Fotograami Hearts (2016) and Fotograami Flower (2016). [Google] [More] ⦿
Jonny Aldrich	Ashby de la Zouch, UK-based designer of the display typeface RES (2015). Behance link. [Google] [More] ⦿
Kendra Aldrich	Based in Bellingham, WA, Kendra Aldrich made the free handcrafted National Park signage style typeface Rainier (2015) and the free handcrafted Thick Grumpy (2015). She also made a few sets of icons, including one called MIDD (Mental Illness and Drug Dependency), which was created for King County's Mental Illness and Drug Dependency (MIDD) reporting. Behance link. [Google] [More] ⦿
Kent Aldrich	Book printer in St. Paul, Minnesota. Chank writes: Kent Aldrich of the Nomadic Press creates everything from invitations and stationery to hand-bound books and paper props, like origami or boxes. Though he works with metal type every day and has kept sketchbooks of letterforms for years, the is his first venture into the modern world of type. That first venture are sketches that were digitized by Chank in 2005 into two fonts, Nomadic Egyptian and Nomadic Sketchbook. [Google] [More] ⦿
D. Paul Alecsandri	D. Paul Alecsandri designed the runic fonts Futharc (2001), NewSymbolFont (2000) and Samaritan (2001). We also find the rather complete Unicode truetype font Roman-Unicode (2001), which cover all European, Arabic, Hebrew, Greek, Cyrillic, Thai and Indic languages, and provide kana as well (but not kanji). All parts of unicode covered. See also here. Samaritan (2001) deals with a pre-Samaritan or pre-Babylonian Hebrew. Originally designed for linguistics, the free typeface Chrysanthi Unicode (2001) contains all Unicode Latin characters (including Basic Latin, Latin 1 Supplement, Latin Extended A&B, IPA, and Latin Extended Additional) as well as Greek, Cyrillic, Hebrew, and everal others. Fontspace link. [Google] [More] ⦿
Eugene Alefragi	Greek designer of Guernica (2015), a typeface that consists of pieces of Pablo Picasso's famous painting. [Google] [More] ⦿
Joan A. Alegret	Joan A. Alegret (Tipomatica; formerly "La Tipomàtika") is a Barcelona-based Catalan designer (b. 1987) who studied graphic communication at Escola Massana in Barcelona. Creator of the free geometric sans families Candela (2009), Cicle (2007) and Newcicle (2007), and the absolutely rectangular sans family Simply Mono (2007). Joan's first commercial typeface is the didone fat typeface Bendita (2011), done for Bonart magazine. Muro (2013) is a heavy sans face. Chispa (2013) aand Verano (2013) are free hand-printed typefaces. Dafont link. Font Squirrel link. Fontsy link. Kernest link. Klingspor link. Creative Market link. Behance link. Old URL. Dafont link. [Google] [MyFonts] [More] ⦿
Habiba AleiElDeen	Cairo-based artist. Creator of Brink (2014), a Latin typeface that was designed for a water recycling campaign. In 2016, she designed the circle-based Arabic typeface Seen. Also a talented illustrator, she created, e.g., Daily Routine Pictogram (2016). [Google] [More] ⦿
Martin Aleith	Designer at Die Gestalten of Quanten (2014, a stencil typeface), Knochen (2009, a fat rounded modular typeface), Laminat (2007), Logosmen (2003, geometric display face), Braten Fat (2004), Haudegen (2002, severe bold octagonal face), Halunken Spezial (2004, rounded octagonal), Boxen (2003, a slashed zero font), Esposito (2002, a paperclip font), Galotta (2002), Feixen (2007, paperclip inspired), Nicola Kroita Script, Nicola Kroita Sans, Nicola Zucka Script. His fonts can also be found at Pfadfinderei. Aleith started PFA Typefaces out of Berlin. His catalog of typefaces there in 2021 included Gratis, Grinsen, Haben, Kyoto TW (emulating type on old computer screens), Laminar, Meilen (pixelish), Quartier, Quanten and Quoten. [Google] [More] ⦿
Jazmin Alejandra	Born in 1992 in Argentina, Jazmin Alejandra created the free hand-printed typeface Jale (2013). [Google] [More] ⦿
Sofia Alejandra	Mexican designer of the Greek emulation typeface Leppardy (2017). [Google] [More] ⦿
Angel Alejandro	Graphic designer in Trujillo, Peru, who made an arc-themed typeface called Circle (2012). [Google] [More] ⦿
Christina Alejandro	Christina Alejandro, or calej d'art, is located in Quezon City on the Philippines. Creator of Bimbam (2012), Conner (2008, a hand-printed blackboard bold typeface), Dotted Line (2012), Serifadow (2012, a shaded outlined sketched typeface), Scription (2012), Stripes Forever (2012), Square Hair (2012), Loverly (2012), Scripterina (2012), Sesaw (2012), Fair View (2012), Reach (2012), Bright Future (2012), Amidst (2012, children's handwriting), Jewels (2012), Christiana (2012), and Shaded Letters (2012). Typefaces from 2015: Doodlizing, Patterns (artsy dingbats). In 2016, she made the dingbat typeface Owlmazing, and in 2018 Outlyne. Dafont link. [Google] [More] ⦿
Matias Alejandro	Graphic designer in Santiago, Chile, who designed the curvy typeface Palita in 2014 and the super-techno typeface Terminateur Benelux in 2015. [Google] [More] ⦿
Raul Alejandro	New York City-based art director who drew an exquisite set of initials in 2013 called Love Letters. He graduated with a BFA in Graphic Design from the School of Visual Arts in New York City. Behance link. [Google] [More] ⦿
Liz Alejos	Liz Alejos (La Fabrika Studio 33, and Liluz Art, Caracas, Venezuea) designed several typefaces in 2015, including Stillita. Behance link. [Google] [More] ⦿
Gregory Alekel	Gregory Alekel (CommodoreServer Admin) designed the pixel typeface Commodore Server (2010). Home page. Fonts2u link. [Google] [More] ⦿
Anna Alekhina	Moscow-based designer of the artsy typeface Kandinskiy (2013), the octagonal Cyrillic typeface Type Bolt (2013), and the multilayered geometric font Structura (2013). [Google] [More] ⦿
Zemfira Alekperova	Baku, Azerbaijan and Florence, Italy-based designer of Carpet Font (2014) and Alchemical Font (2014). Behance link. [Google] [More] ⦿
Aleksandar Petkov Aleksandrov	Bulgarian type designer, b. 1983, who runs a foundry by the same name in Yambol. Bulgaria. Typograph Pro (2010) is a clean almost geometric sans family with two hairline weights. Zip (2010) is a squarish techno family. Another URL: Amateur Media. [Google] [MyFonts] [More] ⦿
Olga Aleksandrova	Olga Aleksandrova (Samara, Russia) designed the brush script typefaces Miss Agyness and Der Abend in 2016. Aka Holaholga. [Google] [More] ⦿
Olga Alekseenko	Graphic designer in Altay, Russia. She created Barbariska (2015, a curly script), Petroglif (2015) and Broad Brush Font in 2015. [Google] [More] ⦿
Dmitry Alekseev	Russian designer at Frog 1812 of Frog 1812 Sans (2021; with Vsevolod Syzdykov and Vladislav Zhuk). [Google] [MyFonts] [More] ⦿
Nikolai Aleksiev	Russian type designer. [Google] [More] ⦿
Pauerr Alekumsalaam	Barcelona-based designer of the free experimental multiline typeface Fusion (2012, Adobe Illustrator format), and of the connected script signage typeface Dolorosa (2012). [Google] [More] ⦿
Carloz Aleman	Based in Monterrey, Mexico, Carloz Aleman designed an experimental typeface based on X-ray experiments. The result is a good-looking poster typeface. He also made the exclamation-point inspired Exclamativa (2012) during his design studies in Monterrey. [Google] [More] ⦿
Cecia Aleman	Honduras-based designer (b. 1996) of the very curly free font Geordana (2017). [Google] [More] ⦿
Ardi Alemi	Auckland, New Zealand-based designer of the shadow font Alchemist Whiteboard (2020). [Google] [More] ⦿
Mariana Alen	Art director and lettering artist in Buenos Aires, Argentina. She graduated from University of Buenos Aires, where she also completed the postgraduate Career in Type Design and is currently completing a Master'�s Degree in Typography Designer of the didone display typeface Goût (2014) and the warm wood type-inspired semi-Tuscan typeface Dobro (2014), which was finished during her studies at FADU / UBA. She calls Dobro a bluegrass typeface. It was designed, according to her web site, for a special edition of Rolling Stone magazine. Dobro was produced and finished by Sudtipos in 2019. [Google] [MyFonts] [More] ⦿
Arev Aleqsanyan	Yerevan, Armenia-based designer of a tringular alphabet (2017). [Google] [More] ⦿
Katerina Aleshchyk	Grodno, Belarus-based designer of the deco typeface Razrabotka (2018). [Google] [More] ⦿
Violetta Aleshkevich	Vilnius, Lithuania-based designer of several display typefaces in 2018, including the architecural typeface Visaginas, the neon font Design, a watercolor font and Apricot. [Google] [More] ⦿
Elisabetta Alesi	Graphic designer in Rome. She created the condensed typeface Humoral (2012). [Google] [More] ⦿
Jean-Antoine Alessandrini	Type designer, graphic designer and illustrator, born in Marseille in 1942. Allessandrini (sometimes spelled Alessandrini in various publications) used to work at Paris Match, Lui and Elle. His typefaces: Akénaton 1969 (Hollenstein Phototypo) (1975, VGC??), Alias 1977 (Hollenstein Phototypo), Allessandrini 7 1972 (Hollenstein Phototypo), Anarchiste (Mécanorma), Andronique 1984 (Mécanorma), Astronef 1976 (Hollenstein Phototypo), Circus World, (Mécanorma), Cléopatre 1984 (Mécanorma), Combinat 1976 (Hollenstein Phototypo), Éclipso 1982 (Mécanorma), Electric-Type 1977 (Hollenstein Phototypo), Futuriste 1977 (Hollenstein Phototypo), Germain 1969 (Hollenstein Phototypo), Grand Dadais 1977 (Hollenstein Phototypo), Grand Large 1977 (Hollenstein Phototypo), Graphic Man 1973 (Hollenstein Phototypo), Grossium 1977 (Hollenstein Phototypo), Gyptis 1977 (Hollenstein Phototypo), Hypnos 1969 (Hollenstein Phototypo: a psychedelic face), Legitur, Mikado 1977 (Mécanorma: oriental simulation), Mirago 1970 (Hollenstein Phototypo), Priam 1976 (Hollenstein Phototypo), Showbiz 1969 (Hollenstein Phototypo), Sigle (Mécanorma), Technos 1984 (Mécanorma), Trombinoscope 1964, Vampire 1969 (Hollenstein Phototypo), Wotan, (Mécanorma). Inventor of the classification system Codex 1980 that provoked heated responses from luminaries such as Vox, baudin, Blanchard and Mendoza. Author of Typomanie / Jean Alessandrini; préface de Massin (Paris: La Noria, DL, 1977). In 2013, David Rault wrote the monograph Jean Alessandrini Le poète de la lettre. Klingspor link. [Google] [MyFonts] [More] ⦿
Daniel Alessandro	Designer, b. 1992, of the titling typeface Jupiter Ascending (2015). [Google] [More] ⦿
Alexandre Resende Aletribow	Oliveira de Azem&eacite;is, Portugal-based designer of the calligraphic typeface Platonic (2014) and of the curly typeface Orta (2014). [Google] [More] ⦿
Alex	American designer of Cutull (2004, a dirtied version of the Google font) and My silly handwriting (2005). [Google] [More] ⦿
Emily Alexander	Designer and illustrator in Chicago. She ceeated the wide and elegantly thin display sans typeface Tuba (2011). Behance link. [Google] [More] ⦿
Joshua Alexander	Graduate of the Art Institute of Pittsburgh. Southington, CT-based designer of the steampunk typeface Tick Tock (2016). [Google] [More] ⦿
Lance Alexander	Designer at the Lab of Futurex SCOSF (2001). [Google] [More] ⦿
Michael Alexander	Graphic designer in Bandung, Indonesia, b. 1990. He created the signage typeface Besi Tua (2011) and the heavy rounded sans typeface Dinasti (2013). Sanrok Studio link. [Google] [More] ⦿
Niko Alexander	Saint Cloud, MN-based designer of Amyst (2012). Behance link. [Google] [More] ⦿
Tobias Alexandersson	Stockholm, Sweden-based designer of the spurred typeface Empera (2017), the weathered octagonal / mechanical typeface family Areno (2017), the athletic lettering font Fanatix (2017), the spurred Godou Grande (2017), the octagonal Campione (2017: an octagonal typeface), Dahmer Slab (2017) and Bouldy (2017). In 2018, he designed Kensmark (athletic lettering in 45 styles), Jawbreak (Sans, Serif and Slab), Infield (an athletic lettering font), Hitch Route (a sports typeface family), and Backcheck. In 2019, he released North Block (an octagonal sports font), Campione Neue (an octagonal sports font, with two variable font styles), Le Bronn (a condensed movie credit sans), and Mavericks (an industrial strength octagonal typeface). Typefaces from 2020: Playmaker (a varsity font), Areno (an octagonal sports font), QB One (an octagonal sports font family with square counters; 28 styles), Kensmark (octagonal), Outlast (a sports shirt font). [Google] [MyFonts] [More] ⦿
Stirling H. Alexander	This outfit used to sell and give away fonts made by Stirling H. Alexander until it closed in 1996. Based in Orinda, California, they also were into custom handwriting and custom calligraphic fonts. Free typefaces included Lingbats and Ling Print Brush. Alexander made a dozen fonts in all. Acutetype morphed into a porn site and then another site since 1996, but Stirling H. Alexander has nothing to do with that. [Google] [More] ⦿
Alexandra	Designer of the pixel typeface Tokayz (2006). [Google] [More] ⦿
Daniela Alexandra	Daniela Alexandra graduated from Universidade Lusofona do Porto, Porto, Portugal (2017) and started a Masters at Faculdade de Belas Artes, Porto, Portugal, in 2017. She designed the minimalist sans typeface Botanic Sans in 2018. [Google] [More] ⦿
Carlos Alexandre	Designer in 1992 of AlexAntiquaBook and in 1991 of Alex Regular. [Google] [More] ⦿
Erick Alexandre	Belem, Brazil-based designer of a vernacular outlined typeface in 2018. [Google] [More] ⦿
Fernando Alexandre	Graphic designer in Natal, Brazil, who created the circle-based deco typeface Decode in 2016. [Google] [More] ⦿
Gérald Alexandre	Parisian type designer (b. 1974) who designed Manus (1997) and Altmodisch (1998) at Sogral. Brief CV. He also designed Linotype Zensur (1997, grunge). Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Jean Alexandre	French punchcutter who was the successor of Philippe Grandjean, the developer of the Romain du roi in 1702. The complete set of 21 sizes of roman and italic letters was finished by Grandjean's successor Jean Alexandre and completed by Louis Luce in 1745. [Google] [MyFonts] [More] ⦿
Andrew Alex	Graphic designer in Deva, Romania, who created the all caps art deco typeface Expresso Verage in 2016. Aka Graphicity. Creative Market link. [Google] [More] ⦿
Lida Alexandri	Graphic designer in Athens, Greece. Creator of the display typefaces Muchic (2019) and Straight Broken Line (2018, a project at Vakalo Art & Design College). [Google] [More] ⦿
Alex Alexandrou	Milton Keynes, UK-based creator of Greenlish (2012), a font that mixes Latin and Greek. Behance link. [Google] [More] ⦿
Alexandra Alexandrova	Type designer, b. 1989, Lviv, Ukraine. In 2014, with Lukyan Turetskyy at 2D Typo, she created Kalyna. This Latin and Ukrainian-Cyrillic font has asymmetrical serifs, characteristic for the Ukrainian style. It is based on Heorhiy Narbut's sketches, a well-known Ukrainian graphic artist from the early 20th century. Kalyna comes also with a set of ornaments. Still in 2014, she created the rune simulation typeface Norden (Latin and Cyrillic). Behance link. [Google] [MyFonts] [More] ⦿
Asya Alexandrova	Drawing artist and illustrator from St. Petersburg, Russia. Flickr page. She created some beautiful illustrated caps in 2009. Also of interest is her Logoman ink on paper drawing (2010). [Google] [More] ⦿
Elena Alexeeva	Russian designer of Sapiens, a handcrafted typeface that won an award at Modern Cyrillic 2014. [Google] [More] ⦿
Roman Alexeew	Saint Petersburg-based designer of a 3d Cyrillic alphabet (2013) called Schloss. [Google] [More] ⦿
Alexey	Russian graphic and type designer. His mostly experimental typefaces include Isopronto (2011, geometric), Vampire (2011), Blamed Neverland (2011, a connect-the-dots face), Lighter (techno), and Coffee (2011, ultra-condensed). [Google] [More] ⦿
Aimé Alexia	UK-based designer of Azu (2005, handwriting). [Google] [More] ⦿
Lydia Alexkartadjaja	At Nanyang Technological University in Singapore, Lydia Alexkartadjaja designed the pop art exhibition poster typeface Pop (2016). [Google] [More] ⦿
Raphaela Alexopoulos	Melbourbne, Australia-based student-designer of a folding tape font in 2018. [Google] [More] ⦿
Aulia Al Farabi	Banda Aceh, Indonesia-based designer, b. 1988. Creator of the handcrafted typefaces Archipelago (2015, a connected swashy script), Shintya (2015), Sambay (2015: a brush script), Silvia (2015), Matauro (2015, a watercolor brush), Almarhum (2015), Chocolava (2015, a fun creamy handcrafted typeface), Itaki (2015, a rough brush font), Egocentric (2014), and the curly connected script typeface Esmeralda (2015). He also designed the copperplate calligraphic script typeface Cimochi (2015). Typefaces from 2016: Jenny Simol (a signature typeface), Ipanema, Esse (brush script), Shaggie (script), Inkotsi (a rough sans serif). Typefaces from 2018: Vladiviqo, Apple Peach, Sanango (script), Bamboo, Original Sin, Manchuria (wavy prismatic caps). [Google] [More] ⦿
Faizal Alfarabi	Calang, Indonesia-based designer (b. 1996) of the calligraphic typefaces Shanella (2019), Undestand (2019: upright script), Quick Start (2019), Maillane (2019), Shanetha (2019), Holliday (2019), Claudia (2019), Chilldranety (2019: monoline), Changda (2019), Marsellina (2019), Calysta (2019), Khumaira Brush (2019), Thaanderley (2019), Brigadil (2019), Barbarella (2019), Labang Donya (2019), Bagadang (2019) and Culture (2019), and the script typeface Break Out (2019). Typefaces from 2020: Alfaraby, Amania, Billabang, Capacity, Cattaya Rusty, Chimahy, Chokellate, Coralina, Faradila Love, Girl Love, Holliday, Mandala, Realistica, Ronald, Rossalle. Typefaces from 2021: Sallenda (an upright monoline script), Girl Love (a swashy script), Karephia (a bold rhythmic script), Realistica (a scrapbook font), Draghile (formal calligraphic), Lenkina (a signage script), Chandiluna (formal calligraphic), Fathan (a brush script). Typefaces from 2022: Natalia Smitt (a scrapbook script), Calliagona (a swashy serif), Blustella (a scrapbook script). [Google] [MyFonts] [More] ⦿
Fachrijal Al Farisi	Surabaya, Indonesia-based designer, b. 1997, of Damar Kurung (2018). [Google] [More] ⦿
Sofia Alfaro	Madrid-based designer of a pixel typeface (2014). [Google] [More] ⦿
Ahmed Alfarsi	During his digital design studies, Soharm Oman-based Ahmed Alfarsi created the Latin typeface Moon (2013). [Google] [More] ⦿
Agung Alfata	Makassar, Sulawesi-based designer who added decorations to Monserrat when he created Benteng Rotterdam (2019). [Google] [More] ⦿
Jefri Dwi Alfatah	Sidoarjo, Indonesia-based designer (b. 2000) of Margareth Script (2019: monoline), Rotten Brothers (2019), Gatteway Signature (2019), Sabrina Pamella (2019), Wonderkids (2019: a children's font), Pevanytta (2019), Blackpool (2019), Southwill (2019: a monoline script), Ventina (2019), Kingstand (2019), Andalusia (2019), Nottingham (2019: a monoline script), Fatherland (2019: a monoline script), The Hanster (2019: a monoline script), Bandicat (2019: a children's book font), Brittney Signature (2019), The Suavity (2019), The Submit (2019), Salatama (2019), the handcrafted typefaces Kindness (2019), Kittenblue (2019), Jackblack (2019), Boldy (2019), Bambu (2019), and Bumper (2019), and the connected script typefaces Buttervill (2019), Angellita (2019), Hamellista (2019), Lambada (2019) and Tunggang (2019). Typefaces from 2020: Bellinda Christina, Sandblack, Denira Signature, Northampton, Angellia, Caroline Amanda, Magdallena (a signature script), Balada, Elliana Samantha, Hanglatter (a sign-painting font). Typefaces from 2022: Modern Royale (a vintage luxury serif). [Google] [MyFonts] [More] ⦿
Agus Alfian	Bogor, Indonesia-based designer, b. 1985. Creator of the Arabic emulation typeface Arab Emang (2019). Typefaces from 2020: Some Brush, The Buzz (grungy), Sportypo, The Secret Love, and the pixel typeface Play Me Games. [Google] [More] ⦿
Saidi Alfianor	Banjarmasin, Indonesia-based designer (b. 1992) of the techno monoline sans typeface Quantify (2016) and the handcrafted typefaces Retquizer (2019) and Skytark (2019). Aka Senhikari Design. [Google] [More] ⦿
Pablo Alfieri	Buenos Aires-based graphic designer and typographer, aka Alfieri. Flickr link. Behance link. He designed Playful (2010), a geometric font that was inspired by 3d toys for children. Odyssea 652 (2010) and Odyssea 632 (2011-2012, Thinkdust) are also geometric in nature. This poster showcases his lettering. With Mariano Farias, he formed Plenty. At HypeForType, Plenty published the arts and crafts typeface Odyssea (2011). [Google] [More] ⦿
Guno Alfikri	Creator of the free Startrek style typeface Angled (2010). [Google] [More] ⦿
Federico Alfonsetti	Federico Alfonsetti designed the highly legible font family Easy Reading in 2009. It is used on many web sites, including at the University of Turin, and is recommended by the designer for use by dyslexics. A comparative study was carried out by Dr. Christina Bachmann that showed the value of the font. [Google] [More] ⦿
Camila Alfonso	During her graphic design studies, probably at FADU/ UBA in Buenos Aires, Camila Alfonso created a typeface, possibly called Uncomic (2013). I may be totally off, but that is all the information I have. [Google] [More] ⦿
Carlos Alfonso	Designer at Stereo Typehaus of Loco and 2Bit. He seems to have disappeared from that foundry though. [Google] [More] ⦿
Isa Alfonso	Porto, Portugal-based designer of the elegant formal script typeface Stylist (2017). [Google] [More] ⦿
John Alfonso	Designer whose fonts can be bought at FontHaus: Inverse Recto (dingbats), Quantum, Quantumex. The latter two are extensive futuristic / octagonal families. [Google] [More] ⦿
Jose Alfonso	Buenos Aires, Argentina-based designer of the color font Enterline (2018, with Alejandro Paul at Sudtipos). [Google] [MyFonts] [More] ⦿
Luise Tonett Alfonso	During her design studies, Farroupilha, Brazil-based Luise Tonett Alfonso created a circuit of subway map-based typeface (2013). [Google] [More] ⦿
Paolo Migel Alfonso	Graduate of The University of Santo Tomas. Manila, The Philippines-based designer of the display sans typeface In Between (2016), which was influenced by Trade Gothic. [Google] [More] ⦿
Fahd Al Fraikh	Computer engineer in Riyadh, Saudi Arabia. Creator of the modern Kufi Arabic typeface Nawar (2013). Free download. For Bein Sports, he created Bein Arabic in 2014. Still in 2014, he designed Taqniya. Designer of the pixelish typeface Sakhr (2015), the handwriting font Yaseer (2015, Latin and Arabic), Circle Typeface (2015, Arabic), and the free paint brush Arabic typeface FF Bouya (2015). In 2016, he designed the warm woolly rounded Latin /Arabic typeface Hekaya, the monoline Latin / Arabic script typeface Sacramento Arabic (which extends Brian Bonislawsky's Sacramento to Arabic), the Latin / Arabic script typeface La Belle Aurore, the kufi Arabic typeface FF Khallab (free), and the Latin / Arabic handwriting font Hamish. In 2017, he designed the free Latin / Arabic grunge typeface FF Taweel. In 2018, he designed the comic book typeface Musally for Arabic, the free font FF Dusha Arabic (to accompany Ducha by DS Type Foundry designed for the FIFA World Cup 2018), Mshabbak, and the Latin and the Arabic super-family Shamel. Typefaces from 2019: Wahm (a scribbly Latin / Arabic script), Mufreh (a marker pen font). [Google] [More] ⦿
Layal Algain	In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿
Natacha Algani	Parisian graphic designer, who created the modular typefaces Structur (2013) and Sucré Salé (2013, a monoline circular arc-based typeface). Behance link. [Google] [More] ⦿
Yusuf Algan	Designer and illustrator in Berlin (was: Bonn), Germany. In 2012, he made a wonderful ornamental caps face, World Font, which illustrates 26 of the main scripts in the world today. [Google] [More] ⦿
Njood Algarawi	Al Khobar, Saudi Arabia-based designer of the Arabic typeface Jameel (2017). [Google] [More] ⦿
Christopher Algar	During his studies at the University Of Lincoln's School of Art and Design, Christopher Algar (London, UK) designed the display typeface Two-Faced (2013). Behance link. [Google] [More] ⦿
Jorge Algarin	Caracas, Venezuela-based designer of the techno typeface Caracas (2016). [Google] [More] ⦿
Asmaa Al-Ghalib	Graphic designer in Jeddah, Saudi Arabia, who created the Arabic typeface Al-Hzm in 2017. [Google] [More] ⦿
Fayzah Alghamdi	As a student at UOD in Dammam, Saudi Arabia, Fayzah Alghamdi designed the Arabic typeface Zukhrof (2016). Co-designer (with Sara A. Al Suwaiygh, Al Khobar, Saudi Arabia, and Alaa Zakary, Dammam, Saudi Arabia) of the Arabic typeface Fulad (2017). [Google] [More] ⦿
Fathi Al Ghazi	Or Youthlabs Studio, or Zrox Studio. Bandar Lampung, Indonesia-based graphic designer and lettering artist, b. 1997, whose name is either Muhammad Fathi Al Ghazi or Jafar Furgon. Creator of the strange typeface Sword Shit (2018), the handcrafted Kinderspiel (2018), the Victorian typeface Royale Kingdom (2018), the signage script typeface Thipe (2018) and the bloody brush font Mad Faith (2018: inside the font we find the name Jafar Furgon, so it is unclear who designed what). Other script typefaces include Mellati Script (2018), Grumpys (2018), Geralia (2018) and Washington Rough Script (2018). Typefaces from 2019: Black Widow, Halmahera Island, Hustle Hardcore, Kathlyn, Yuminika, Hamburg. Typefaces from 2020: Qaligo (a decorative serif), Milky White (a dry brush script), Supermove, Rose Brown, Piassey (a decorative serif), Basics Serif, Agrasia, Black Widow, Blues Coast, Schoolyst, Zephyrush. Typefaces from 2021: Baskvrl Club (a reverse stress typeface with art nouveau features), Keira (a display serif), Lucky Change (a ligatured serif), Allenia (a delicate fashion mag font), Kagnue (a stocky flared display serif). Typefaces from 2022: Kagnue (a display serif). [Google] [MyFonts] [More] ⦿
Christophe Alglave	French designer in Saint Rémy de Provence. Dafont link. He created the high-contrast organic typeface Botanic (2011). [Google] [More] ⦿
Omar Alguayyaid	Saudi Arabian designer of the free fashion serif typeface Branic (2021). [Google] [More] ⦿
Omar Alguqyyaid	Saudi Arabia-based designer of the free fashionable Latin typeface Branic (2021). [Google] [More] ⦿
Nurkhalidien Al-Haas	Aceh, Indonesia-based designer (b. 1988) of these calligraphic script typefaces in 2017: Orlando, Magnalia, Indiana, Amalyara. In 2018, he added the calligraphic typeface Jacqueline, the signature font Safarnama and the calligraphic scripts Umbrella and Ametta. Typefaces from 2019: Betty Laudia Script. [Google] [More] ⦿
Afif Hidayat Alhabsi	Indonesian designer of Aylea (2020) and the organic monolinear sans typeface Chevayo (2020). Typefaces from 2021: Summer Kali (a draftsman's font), Billa Summer (hand-printed caps), Summer Butterfly, Aulya Westeria, Billa Brush, Hyomenha (a fat finger font), Helynovia, Lanxi Rexas. [Google] [MyFonts] [More] ⦿
Esraa Alhaddab	Riyadh, Saudi Arabia-based designer of a connect-the-dots Arabic typeface in 2015. [Google] [More] ⦿
Lukman Arief Alhakim	Malang, Indonesia-based designer of The Hagen (2019). [Google] [More] ⦿
Fadiah Alharbi	Dhahran, Saudi Arabia-based designer of the plain form Arabic typeface WAKF (2017) at the University of Dammam. [Google] [More] ⦿
Fadiah Alharbi	Dhahran, Saudi Arabia-based designer of the Arabic techno typeface WAKF (in 2017, at the University of Dammam). [Google] [More] ⦿
Nour Al-Hariri	Graphic designer in Beirut, Lebanon, who created Zipped (2015), which was inspired by zippers. [Google] [More] ⦿
Dalal Alhartani	Jeddah, Saudi Arabia-based designer of Arabic Wire Font (2014). [Google] [More] ⦿
Hadeel Alharthi	Illustrator and designer in Jeddah, Saudi Arabia, who created the Latin display typeface Congrats (2017). Behance link. [Google] [More] ⦿
Dana Alhasan	During her graphic design studies in Dubai, UAE, Dana Alhasan created the steampunk-inspired Latin / Arabic typeface Tick Tock (2014). [Google] [More] ⦿
Mariam Al-Hassan	During her studies in Qortuba, Kuwait, Mariam Al-Hassan designed the squarish typeface Hantangular (2016). [Google] [More] ⦿
Samaa AlHazzaa	Jeddah, Saudi Arabia-based designer of an Arabic blackletter typeface in 2017 that matches the blackletter style of the heade of The New York Times. [Google] [More] ⦿
Asma Al-Helali	Dammam, Saudi Arabia-based student-designer (at the University of Dammam) of the Arabic typeface Sama (2015). [Google] [More] ⦿
Rahmat al-hidayat	Aceh, Indonesia-based designer (b. 1992) of Sellower (2019), AlhenyaScript (2019), MacrofhyllyaScript (2019), Westeros (2019) and Pichellya Script (2019). In 2020, he released the wild calligraphic typeface Revalisha. [Google] [More] ⦿
Ahmad Al Hindi	Doha, Qatar-based dype designer of the Arabic / Latin typeface Zamalka (2014), which won an award at The 2014 Horouf Type Design Competition. [Google] [More] ⦿
Maya Alhomsi	Located in Al Khobar and/or Jeddah, Saudi Arabia, Maya Alhomsi created the music-inspired Latin / Arabic typeface Tune (2014). Behance link. [Google] [More] ⦿
Maya Alhomsi	Located in Jeddah, Saudi arabia, Maya Alhomsi created the music-inspired Latin / Arabic typeface Tune (2014). Behance link. [Google] [More] ⦿
Falwah Alhouti	In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿
Rawan Alhussaini	During his studies at the American University of Kuwait, Rawan Alhussaini (Qortuba, Kuwait) designed several all caps Latin display typefaces (2016) and the skull-themed Skullets (2016, for Latin and Arabic). [Google] [More] ⦿
Shayma Al Huwaiji	Dharbin, Saudi Arabia-based designer of the Arabic display typeface Leef (2018) and a tribally patterned typeface in 2017. [Google] [More] ⦿
Ahmad Zulfikar Ali	Surabaya, Indonesia-based designer (b. 1988) of the brushed font Carocks (2019), the children's book font Kidplay (2019, at Zet Design), the 3d sketched font Doodletoon (2019), the futuristic typeface Allegias (2019, at Zet Design), the curly typeface Chattelyne (2019), the leafy font Green Nature (2019) and Arrowman (2019: gothic). Also, as there are perhaps two Zulfikar Ali's, the Aceh, Indonesia-based designer (b. 1990) of these script typefaces in 2017: Cumtbum (or Camtbum), Vathina Script (calligraphic), Alif Script. In 2018, he designed the signage script typefaces Dealova, Parent, Norty, Alongtime Script, and Alakita, as well as the decorative typeface Singel Parent Serif and the thin script Van Basten. In 2019, he designed the creamy brush scripts Insting, Camping and Wanita, the modular typeface Batavia Glamore, the wooden plank font Woodyssey, the horror brush script Realiztix, and the monoline scripts Daddy Doctor, Batavia Glamore Script and Dirgantara. Typefaces from 2020: Resolve, Khansa (an inky signature script), Hino Nagata, Roster, Estika (a brush script), Queen Mestalla (ornamental, Tuscan), Birthy (a decorative serif), Willgive (a display family), Alterous Display, Alterous Text (a bold, perhaps threatening, vintage typeface), Queenzy, The Brothers (exaggerated decorative), Funboo (a Halloween font), Restrick (a heavy decorative serif), Scratoon (a scratchy font), Pentoon, Doodletoon Pencil (3d, sketched), Aquaboy, Cartoonic (a bold monoline cartoonish font), Justheros (a bold display typeface), Quinlophe (a Valentine's Day font), Goodbees (a retro signage script), Radhistone (a florally decorated serif), Magnitudo (a signage script), Cute Frog, Kachong, Sakalangkong, Madina, Online. Typefaces from 2021: Wedef (a creamy signature script), Broost (a groovy script), Nugetto (a curly magic mushroom font), Quegos (a lava lamp font), Blastand (a techno typeface), Racesky (a speed font), Qoutiens (a signature script), Scratchman (a sketched font), Gerush (a fingerprint font), Grandix (a fat finger font). Typefaces from 2022: Stellafox (a stylish brush font). [Google] [MyFonts] [More] ⦿
Ahmed Ali	Designer of the Arabic typeface Ahmed (1980, Linotype). [Google] [More] ⦿
Palikseniya Aliakseyenka	Palikseniya Aliakseyenka studied architecture at Building College Belorussia in Mogilev in 2011 and design at European Humanitarian University Lithuania in Vilnius in 2015. Now in Ashalim, Israel, she created various Latin display typefaces, including Poliksenya (2012). [Google] [More] ⦿
Ali	UK-based art student (b. 1988) who created the handwriting font Ali (2006). [Google] [More] ⦿
Georgina Aliazi	During her studies in Athens, Greece, Georgina Aliazi designed the experimental typeface Line And Dot (2017). [Google] [More] ⦿
Basharat Ali	Designer of the free Urdu / Arabic fonts Jameel Khushkhat-LK (2018: for Arabic, Latin, Farsi, Kazakh, Pashto, Sindhi, Uighur, and Urdu), Qurran Arabic (2016), UrduKhushKhati (2016), KhushKhati (2016), KhushNuma (2016), and LFC Opensource (2016). In 2017, he designed the Nastaleeq typeface Jameel Khushkhat and the Urdu typefaces Noori Khush Khat and Dehalvi Khush Khat. [Google] [More] ⦿
Fatimah Alibraheem	Safwa, Saudi Arabia-based designer of the Arabic typeface Forty Five (2018). [Google] [More] ⦿
Cantara Ali	Cantara Ali (Texas State University, San Marcos, TX) designed the pixel typeface JBE Zorg in 2014. [Google] [More] ⦿
Francesca Alice	During her studies at the University of Reading in 2015, Francesca Alice combined the didone and Celtic styles in her typeface Wink. [Google] [More] ⦿
Alnel Vincent Alico	Filipino designer in Cebu City, b. 1997. Designer of the free font Recycled Bit (2013). Dafont link. [Google] [More] ⦿
Urska Alic	Creator of Gunabrez (2011) during TipoBrda 2011, a type design workshop held in Slovenia. [Google] [More] ⦿
Suzanne Alidina	Orlando, FL-based designer of the floriated caps typeface Fleurnacular (2014), which uses a Times New Roman outline. [Google] [More] ⦿
Pascale Alie-Crete	Graphic designer and illustrator in Montreal, who created the powerful display typeface Gauche in 2018. It was designed in Alessandro Colizzi's class at UQAM. [Google] [More] ⦿
Ottavia Alieri	During her graphic design studies in London, Ottavia Alieri (b. Italy) created several typefaces (2013). [Google] [More] ⦿
Ingga Alifa	At Limkokwing University, Cyberjaya, Malaysia-based Ingga Alifa designed the circular arc typeface Arc of Istanbul (2019). [Google] [More] ⦿
Alvin Alif	Bandung, Indonesia-based designer of an experimental typeface based on rectangles, triangles and circles (2015). [Google] [More] ⦿
Farhana Ali	New York City-based creator of the nicely tuned squarish typeface Sharp Turns (2011). [Google] [More] ⦿
Muhammad Alif	Madiun / Malang, Indonesia-based designer of the handcrafted typefaces Rockyboard (2016), Honebee (2016), Divine Razier (2016, brush style), Monorain (2016, monoline and vintage), Rockyboard (2016), Faerie Fire (2016, calligraphic), Deadaluss (2016) and Octomorf (2016), the thick retro signage typeface Fusioner (2016), the granite block typeface Hipstetic (2016), and the Victorian typeface Mishall (2016). Typefaces from 2017: Haynthams, Sabreena (Script, Signature Script, Vintage Bold), Botthanie Script, Velociraptype, Vandalord Grafiti. Creative Market link. Behance link. Dafont link. Graphicriver link. [Google] [More] ⦿
Zahid Hossain Alif	Dhaka, Bangladesh-based designer of Allusion (2018), the monoline sans typeface Archet (2018), the brush fonts Shrub (2018) and Archet Brushy (2018), the script typeface Figurat (2017), the display typeface Fashionista (2018), Lathie (2018: sans), Liquefist (2018), Rainbow (2018), the handcrafted Epistle (2018) and the display typeface Grandiose (2018). [Google] [More] ⦿
Ishtiaq Ali	Faisalabad, Pakistan-based creator of the clean sans typeface Techno LCD (2011) and the dot matrix typeface London (2013). Khat-e-Kamal Urdu was developed by Aslam Kamal and modified by Ishtiaq Ali in 2014. Behance link. [Google] [More] ⦿
Kerem Ali Kaynak	Creator (b. 1990, UK) of the fat finger fonts Wub Dub (2013) and Easy as ABC (2013). [Google] [More] ⦿
Lukhmie Ali	Kuala Terengganu, Malaysia-based graphic designer. Creator of an inky hand-drawn typeface in 2014. [Google] [More] ⦿
Malik Jabbar Ali	Bandung, Indonesia-based designer (b. 2000) of Sikotak (2019), Uchul (2021: a signage script) and Endjoyable (2019: a brush lettering font). [Google] [More] ⦿
Margoob Ali	At the Indian Institute of Technology, Hyderabad, India-based Margoob Ali designed the modular typeface Curvular (2017). [Google] [More] ⦿
Marta Cerdá Alimbau	Graphic designer in Barcelona who founded her own studio in 2008. In 2018, she joined the faculty in the Masters program in typographic design at Elisava. She has been working since 2008 on some gorgeous typefaces, such as Ophelie (2008), Rigid (2010, a piano key font that she proclaims to be a grandchild of Josef Albers), and Gallo Guapo, which mix high contrast and extreme quaint roundness. In 2011, she made the ornamental watch number typeface Nido. Debutart link. Klingspor link. Behance link. [Google] [More] ⦿
Salvador Alimbau	Salvador (or just Tori) Alimbau is a designer at type-o-tones in Barcelona who made Vulcano (1997, with José Manuel Urós). Tori Alimbau, Luis Mendo and José Manuel Urós co-designed DesignOrDie. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Mohd Zahoor Ali	Creator of the electronic circuit symbol font SofexIndia (2011). Fontspace link. [Google] [More] ⦿
Mostafa Mamdouh Ali	Graphic designer in Alexandria, Egypt, who created Characters Alphabet for Arabic (2015). [Google] [More] ⦿
Juliana Alimova	Ukrainian art director and graphic designer who lives in Kharkiv. She designed the lively hand-printed font Filonovs Mavka (2008). [Google] [More] ⦿
Zazi Alimo	Florence, Italy-based designer of the neuron network-inspired typeface Neuron (2016). She also created an ugaritic-style Persian font (2016) and a Bauhaus-inspired Latin sans typeface (2016). Behance link. [Google] [More] ⦿
Muhammad Masroor Ali	Muhammad Masroor Ali's Bengali metafont. [Google] [More] ⦿
Riz Ali	Riz Ali is at Noetic Brands, a Toronto based branding agency. He designed the deconstructed sans typeface Corporate Glitch in 2018. [Google] [More] ⦿
Julien Alirol	Created in December 2009, Murmure is a communication, design, web and art agency. It is composed of four members: Julien Alirol, Graphic Designer, Photographer&Web Designer; Simon Roche, CTO&Illustrator; Paul Ressencourt, Art Director; Cyrille Baekelandt, Programmer&SEO. Headquartered in Caen, its web site is based in Lille. They seem to have moved to Paris. Designers of the ink drip face Typollok (2010), named after Jackson Pollok, who initiated the dripping ink technique. In 2018, Jeremy Landes (Studio Triple), under the art direction of Julien Alirol and Paul Ressencourt, published the great display sans typeface Le Murmure, which won an award at the Type Directors Club's Type Design Competition 2019. [Google] [More] ⦿
Arama Alisa	Romanian designer. During her studies in 2013, she created an austere monospaced typeface. [Google] [More] ⦿
Sakina Shoaib Ali	Karachi, Pakistan-based student-designer of the Urdu typeface Simt (2014). [Google] [More] ⦿
Salma Ali	During her studies in Cairo, Egypt, Salma Ali designed the bubblegum Arabic typeface Boklz (2018). [Google] [More] ⦿
Salma Ali	Cairo, Egypt-based designer of the Arabic typeface Safroot (2015). In 2015, she created the multiline tuxedoed art deco typeface Steps for a course project. [Google] [More] ⦿
Samad Ali	Silver Spring, MD-based designer of Palm Line (2016). [Google] [More] ⦿
Rizki Alisaptamarza	Bogor, Indonesia-based designer (n. 1987) of LED1Segmnt (2015) and LED1Segmnt2 (2015). Dafont link. [Google] [More] ⦿
Shehzad Ali	Urdu Nastaliq Unicode is a Windows True-Type Urdu font which uses Unicode Arabic coding. It was developed by Shehzad Ali and unicoded by Tabish Qureshi (Department of Physics, Jamia Millia Islamia, New Delhi). Here we find more Urdu fonts: AlKatib1 (1998, Naseem Amjad Ali Khan), Umair I (1997, Umair Khan, Urdu Web, based on Neda Reyanah's Persian Font), Urdu Khat-e-Naqsh (1998, AHS), Urdu (1995, Tooraj Enayati and 1997, Adil Rehan, Karachi), Urdu Khat-e-Naqsh (Nastalique) (1999, Shehzad Ashiq Ali). [Google] [More] ⦿
Claudiney Alison	Graphic designer in Natal, Brazil. Creator of the art deco typeface Chan Art DC (2013). [Google] [More] ⦿
Alisovna	Designer of the scrapbook fonts Amelie (2018: floriated), Ginger, Hygge (2017: a textured Scandinavian party font for Latin and Cyrillic) and Chalk (2019: an SVG font). [Google] [More] ⦿
Darko Alispahic	Graphic designer in Belgrade, Serbia. Designer of the custom handcrafted sketched shadow typeface Happy Eggs (2015). [Google] [More] ⦿
Monica Alisse	Graphic designer in New York. Behance link. She created Three Kilometer Type (2012) by emptying her ballpoint pen (which apparently runs for three kilometers). [Google] [More] ⦿
Valentina Ali	During her design studies in Dublin, Ireland, Valentina Ali created the decorative caps typeface Silica (2015). [Google] [More] ⦿
Katerina Alivizatou	Graphic designer, illustrator and moving image designer in London, UK. Creator of an decorative Latin / Greek caps typeface in 2014. [Google] [More] ⦿
Sabina Aliyarova	Moldovan designer of the feature-laden copperplate calligraphic script typeface BP BlackWhite (2019, with Dmitrii Mikitenko). [Google] [MyFonts] [More] ⦿
Tural Aliyev	Baku, Azerbaijan-based designer (b. 1988) of these typefaces: In 2017: The Latin / Cyrillic sans typefaces Lokbatan, Khojasan and Balakhani. In 2018: Father Script. In 2019: Film Fiction Sans, La Route (a wide fashion mag typeface), Modern Times (for Latin, Greek, Cyrillic, and many other languages) and the semi-blackletter typeface Neo Paralletter. In 2020: Typefire (an 8-style display serif family), Tatype (a ten-style grotesk), Tappatarap (a display sans with flared stems; for Latin and Cyrillic), Film Fiction Semi Expanded. In 2021: TA Moderustic (a 6-style part geometric part grotesque typeface for Latin, Greek and Cyrillic), TA Father 60 (handwriting). In 2022: TA Bankslab Art Nouveau (a slab serif for Latin and Cyrillic), TA Bankslab Shadow, TA Bankslab (a 10-style slab serif based upon the signs on the art nouveau building of the Northern Bank of St. Petersburg's Baku branch, built in 1903-1905; for Latin and Cyrillic). TA Charged (2022). A display serif with wiggles, notches, the works. Facebook link. Home page. [Google] [MyFonts] [More] ⦿
Paria Alizadeh	At the University for the Creative Arts in London, Paria Alizadeh created an Arabic typeface in 2014. [Google] [More] ⦿
Reem Aljammaz	Graduate of the TDi program at the University of Reading, UK, 2017. He is based in Riyadh, Saudi Arabia. [Google] [More] ⦿
Mukhlis Aljauhari	Designer in 2019 of the calligraphic script typefaces Evelyne Script, Dreamer, Nicole Script, Patricia Script and Mahony Script. [Google] [More] ⦿
Maryam Ali Aljishi	Al Qatif, Saudi Arabia-based designer of a squarish Arabic typeface in 2016. [Google] [More] ⦿
Noor Aljishi	During her studies at Imam Abdulrahman Bin Faisal University, Al Qatif, Saudi Arabia-based Noor Aljishi designed the Arabic typeface Hadal (2018). [Google] [More] ⦿
Wala Aljishi	At the University of Dammam, Al Qatif, Saudi Arabia-based Wala Aljishi designed the Arabic typeface Retag in 2016. [Google] [More] ⦿
Yosra AlKaff	Graphic designer in Marl, Germany, who created the experimental Arabic typeface Yosr (2013). [Google] [More] ⦿
Muhammad Alkaf	Beureunuen, Indonesia-based designer of the calligraphic script typefaces Brigattin (2020), Ramozact Script (2019), Blueprint (2018), Angie's Dean (2018) and Anna Marie (2018). [Google] [MyFonts] [More] ⦿
Ahmad Alkandary	Syifidz was founded in 1995 to house a small collection of fonts created by Ahmad Alkandary. In 2021, they released Kota Mara (a diseased sans). [Google] [MyFonts] [More] ⦿
Irem Alkan	Istanbul, Turkey-based designer of Memories (2019), and the custom organic sans font Life (2019), which was created for The Wellness Center. [Google] [More] ⦿
Osman Nuri Alkan	Gumushane, Turkey, and Gothenburg, Sweden-based designer of fonts developed based on old European runic inscriptions, old Asian runic inscriptions, old Hungarian runic inscriptions, runic inscriptions found in Africa, and italic inscriptions such as Etruscan and Iberian. Typefaces from 2022: Ongunkan All Runic Unicode A (a major font that covers Latin, Old Hungarian, Old Turkic, Old Italic, runic, Tifinagh, Lycian, Lydian, Carian, Phoenician, Cypriot, Ogham, Old South Arabian, Old North Arabian, Old Persian, and Ugaritic), Ongunkan Phrygian, Ongunkan Armanen Runes (a series of 18 runes, closely based on the historical Younger Futhark, introduced by Austrian mysticist and Germanic revivalist Guido von List in his Das Geheimnis der Runen, published as a periodical article in 1906, and as a standalone publication in 1908), Ongunkan Danish Futhark (he explains: Prior to 500 AD the 24-rune Elder Futhark was used in Denmark. From 500 AD to 800 AD there were many transitional futharks, reflecting a change from the 24-rune Futhark to the 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed.), Ongunkan Gothenburg Futhark Swe (based on the 26-letter Bohuslän runes, which are used in the west coast area), Ongunkan Latin Space, Ongunkan Latin Techno, Ongunkan Norwegian Futhark (he explains: The oldest runes discovered in Norway date from 400 AD. They were based upon the 24-rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. About 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD), Ongunkan Anglo Saxon Spirit, Ongunkan Younger Futhark One, Ongunkan Younger Futhark (he explains: The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a transitional period during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same. The Younger Futhark is divided into long-branch (Danish) and short-twig (Swedish and Norwegian) runes; in the 10th century, it was further expanded by the "Hälsinge Runes" or staveless runes. The lifetime of the Younger Futhark corresponds roughly to the Viking Age. Their use declined after the Christianization of Scandinavia; most writing in Scandinavia from the 12th century was in the Latin alphabet, but the runic scripts survived in marginal use in the form of the medieval runes (in use ca. 1100-1500) and the Latinised Dalecarlian runes (ca. 1500-1910)), Ongunkan Fantastic Latin, Ongunkan Modern Latin, Ongunkan Sweden Futhark, Ongunkan Sweden Dalecarlian Run (a late version of the runic script that was in use in the Swedish province of Dalarna until the 20th century), Ongunkan Sweden Dalecarlian Run, Ongunkan Old Turkic Yenisei (based on the Yenisei inscriptions, which consist of a total of 158 Turkish inscriptions, kurgans (graves) and rock stones that have been found along the Yenisei river, which passes through the Khakasya, Tuva and Altai autonomous republics in Russia. The inscriptions were written with Turkish stamps, also known as the Orkhon Alphabet), Ongunkan Old Turkic Arrival (based on an alien language in the science fiction movie called Arrival), Ongunkan Old Turkic Predator (old Turksih runic; based on alien script from the Fantastic Predator movie), Ongunkan Runic Predator (runic; based on alien script from the Fantastic Predator movie), Ongunkan Runic, Ongunkan Greek Script, Ongunkan Karamanli Turkic Scrip (based on the Greek alphabet used by the Karamanli Turks (who are Orthodox Christians) and adapted to Turkish), Ongunkan Kensington Runestone (a rune-covered slab of brownstone that was claimed to have been discovered in central Minnesota in the United States in 1898; probably a hoax perpetrated by its discoverer, Olof Öhman), Ongunkan Old Hungarian Runic (used in parts of Transylvania until the 1850s; banned by Istvan, the first Christian king of the Hungarians (Szekel)), Ongunkan Rosetta Stone (ancient Greek as seen on Egypt's rosetta stone), Ongunkan Tifinagh Berber. [Google] [MyFonts] [More] ⦿
Omran Alkatiay	Al Minya, Egypt-based designer of the Arabic typefaces Ahmed (2015) and Ussef (2015). [Google] [More] ⦿
Ufuk Alkaya	Adana, Turkey-based designer of a bilined typeface in 2014. [Google] [More] ⦿
Niels Alkema	Den Haag, The Netherlands-based designer, who commissioned the new typeface for Jumbo in 2016, Sympatico, which replaces Jumbo The Sans. That typface was designed by Eyal Holtzman. [Google] [More] ⦿
Abdullah Al-Khafaji	American creator (b. 1986) of the letter permutation typeface New Kind of English (2009), of Accessories Urban (2010), Accessories Soft (2010), and of Fonts Bomb Skipper (2010, piano key face), Ghost Theory (2010), FontsBombIlovegrapes (2010), FontsBombJiGSAW (2010), Sniper Shot (2010), and Arabian Lamb (2010, Arabic simulation face). Rinosaur (2010) is a futuristic outline face. [Google] [More] ⦿
Hadeel Alkhamis	Dubai, UAE-based designer of the kufi Arabic typeface Ghada (2016). [Google] [More] ⦿
Saleh Al-Kharashi	Designers of the Arabic fonts Al-Kharashi 52 (1993, based on AF_Hijaz-Normal), Al-Kharashi 59 Naskh (1994: this design was stolen from Thomas Milo), Al-Kharashi 65 (1993, based on JaridahItalic; said to have been done by Hisham Diab and Hassan Loutfy), Al-Kharashi 66 Koufi (1993, maybe a copy of Monotype Koufi Bold) and Al-Kharashi 20 (1993), which could be found here. [Google] [More] ⦿
Dina Al Khatib	In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿
Noor Alkhodher	Graduate of Imam Abdulrahman Bin Faisal university at Khobar. Saudi Arabia-based designer of the straight-edged modular Arabic typeface Nooran (2019). [Google] [More] ⦿
Rami Al-Kilani	Graduate student of typography at the University of Reading, 2005. [Google] [More] ⦿
Tom Alkim	Creator of the iFontMaker font Tom (2010, hand-printed, fat-fingered). [Google] [More] ⦿
Aya Al-Kotob	During her studies in Beirut in 2014, Aya Al-Kotob created experimental Latin and Arabic typefaces. [Google] [More] ⦿
Mouhannad Alkousa	Riyadh, Saudi Arabia-based graphic designer and photographer. In 2021, he released the incised all caps headline typeface Ugaritica. [Google] [MyFonts] [More] ⦿
Buthainah Alkreedees	Dammam, Saudi Arabia-based designer of the rounded handcrafted Arabic typeface Maalam (2017) and the antiqued Arabic typeface Adghal (2017). [Google] [More] ⦿
Esraa Alkulaibi	Dammam, Saudi Arabia-based designer of the Arabic typeface Catalogue (2017). [Google] [More] ⦿
Lauri Alku	Finnish outfit owning the rights to the font Nokia by Lauri Alku, 1990. [Google] [More] ⦿
André Allaguy-Salachy	Commercial tattoo fonts. I can't figure this site out. At one point, access will cost you 1000 Euros, but wait, you'll get 50% off right now---that is only 500 Euros to access a site with useless fonts. The guy behind this is Tahiti-based Frenchman André Allaguy-Salachy. There appears to be one freeware font, China, but for that you need to register. At Fontspace, we find a number of their fonts for free, such as ATHREEDTOFFUGRADIENTASIAN (2010), ATHREEDTOFFUCUBIC (2010), ATHREEDTOFFUCUBICASIAN (2010), and ATHREEDTOFFUCUBICLOUPE (2010): these are interesting typefaces with a gray gradient. [Google] [More] ⦿
David Masson Allaire	Aka Malre and Malre Deszik. Melun Val de Seine, France-based designer (b. 1976) of the free handcrafted typeface Metrique (2014), which is based on China ink lettering done with a Rotring pen. In 2015, he created the grungy typeface Internet and the icon font Webs. In 2017, he published the rungy calligraphic typeface Gyiest Old. Typefaces from 2018, all free: Typochok, Louizede, Absortile, LodisZit, Guasmally, Feedjique, Matea 3, Valiere 4, Wattafont Gras, Smartryck (grunge), Destruck (grunge), Schuwmatik (a fun take on Excoffon's style from the 1950s), Surprise (grunge), Thao Sao (retro comic book script; with Hung Lan Nguyen). In 2020, he released Plastik (a handcrafted typeface), Plastik Deco, Umberto (a fat brush face), Vefirdix, and the grungy typeface Destruck V1. Home page. Open Font Library link. [Google] [More] ⦿
Martin Allais	Graphic designer in Barcelona who makes extraordinary typographical posters. [Google] [More] ⦿
Anastasia Allakhverdova	Prolific art director from Moscow who is now located in New York. Her work includes the fashion mag Latin/Cyrillic typeface Cadre (2014), the prismatic custom typeface Icon Face (2014, done for a make-up school) and a few other fashion industry fonts. Behance link. [Google] [More] ⦿
Cherie Allan	Brisbane, Australia-based designer of a decorative layered or chromatic typeface in 2014. Cherie writes: Inspired by Palais du Louvre, Pierre Fontaine was known for Empire and Directoire style design and was responsible for restoring the Louvre-Tuileries complex under Charles X and Louis-Philippe until 1848. This work was done while Cherie was studying at Design College Australia. [Google] [More] ⦿
Jay Allan	Australian designer of Future Palms (2018). [Google] [More] ⦿
Matt Allan	Brentwood, UK-based designer of an octagonal typeface and a gorgeous dry brush typeface in 2015. Behance link. [Google] [More] ⦿
Poul Allan	Graphic designer based in Kolding, Denmark, who studied at Design School Kolding (1968-1973). In 1988, he set up his own studio for identity systems, publications, exhibitions and printed matter, while teaching at Design School Kolding. His typefaces: Lizie Slab (2019, inspired by the De Stijl movement and Gerrit Rietveld). [Google] [MyFonts] [More] ⦿
Bruno Allard	Roubaix-based photographer. At Behance, one can admire his psychedelic font Kubold (2009). [Google] [More] ⦿
Guillaume Allard	French graphic designer whose graduation thesis in 2010 contains Alphabet Formel [Google] [More] ⦿
Marc-Antoine Allard	During his studies at ECV Nord Europe in Lille, France, Marc-Antoine Allard designed Hexhale (2015). In 2014, he designed the script typeface Pangolin. Numero (2016) is a monospaced font inspired by the early ages of computer programming. Magnus (2016) is an angular text typeface. Typefaces from 2017: Intra Muros, Paccbet (a free Latin / Cyrillic constructivist typeface that could pass for a unicase style). Behance link. [Google] [More] ⦿
Mike Allard	Mike Allard (DeNada Industries, Gainesville, FL) is the designer in 1992 of many early shareware fonts. The text provided by DeNada: Founded by a grumpy fellow when some software installation actually required a company name in the registration line. DeNada Industries has grown to include one employee (aka Mike Allard). A producer of typefaces in their early years, De Nada has slowly undeveloped over the years to include the odd Theatre Flyer design for out-rageous amounts of money. Their advertising budget is so severely limited as to preclude your being aware of their existence except by sheer accident. DeNada Industries is one of the slowest growing non-corporate entities in all of North America encompassing a wide variety of activities including: Typeface creation, flyer design, theatrical scenic and lighting design (in conjunction with The Shumway Brothers Moving Company) and a wide variety of other activities that defy specific categorization despite the heroic efforts of our staff. Dafont link. His typefaces: Script typefaces: Lauren Script, Heather (updated in 2000 by Mario Arturo), Kavaler Kursive, Machine Script, Juliet, Kelly Brown, E-Brant Script, Miss Brooks. Sumdumgoi: a famous oriental simulation face. The Celtic font Viking. Blackletter typefaces: MikeAllard-PerryGothic.png, Kelly Ann Gothic. Brush typefaces: Grauman, Striped-Brush, Idiosyncratic typefaces: Alfred Drake, Joe Perry, Kurt Russell, Will Robinson. Camelot De Nada (hairline serif). Calligraphic: Romeo DN. Scimitar2. Klingspor link. Fontspace link. [Google] [More] ⦿
Fatimah Allawaim	During her studies at the University of Dammam (Saudi Arabia), Fatimah Allawaim designed the decorative Latin typeface Carrom (2017), which took inspiration from the game of carrom. [Google] [More] ⦿
Sébastien Alleaume	Creator of Flabby Bums Handwriting (2009). Fontsy link. [Google] [More] ⦿
Geoff Alleger	Geoff Alleger lives near San Francisco, and was born in 1981. At Devian Tart, he designed a wonderful (but not downloadable) font, Imagination. [Google] [More] ⦿
Joseph Allegro	As a student at the Rhode Island School of Design, Joseph Allegro (Providence, RI) designed the 9x9 pixel grid typeface Linus (2016). Behance link. [Google] [More] ⦿
Charles Allen	Type designer of the photolettering era (1960s) who created the chiseled 3d typeface Sculpture. Nick Curtis's Haut Relief (2007) is based on this typeface. The African-themed Djibouti of Nick Curtis (2007) is based on West's African Queen, also a 1960s font. [Google] [More] ⦿
Chris Allen	Designer at FontStruct in 2008 of Global Tall, Inverted Block 9x9, and Old Skool Blocks. [Google] [More] ⦿
Regina Allende	Designer of the display slab typeface Merengue (2021). [Google] [More] ⦿
Earl Allen	Designer of Black Chancery (with Doug Miles, in 1993). See also here. [Google] [More] ⦿
Emory Allen	Illustrator in Minneapolis, MN, who designed a colorful splashing water decorative caps typeface in 2016. Behance link. [Google] [More] ⦿
Eric Allen	Creator of Amateur Comic (2012, fat finger face, done with iFontMaker) and Alligator Soap (2012, fat finger face). [Google] [More] ⦿
Jon Allen	Illustrator and graphic designer in Chicago, IL. In 2012, he designed Hodgepodge SemiSerif, a modular typeface designerd with compass and ruler. [Google] [More] ⦿
Justin Allen	Located in Oaxaca de Juarez, Mexico, Justin Allen (b. California) used FontStruct to create the tall skinny font Delgado (2013), which was inspired by public lettering in Oaxaca. Behance link. [Google] [More] ⦿
Kate Allen	During her studies, Uttoxeter, UK-based Kate Allen designed a decorative typeface (2018). [Google] [More] ⦿
Lewis Allen	During his design studies at the Arts University Bournemouth, Lewis Allen designed Ernesto (2013), an experimental typeface dedicated to Che Guevara. [Google] [More] ⦿
Mark Allen	California-based [T-26] designer of Aurelius (1994, a spindly typeface ideal for dungeon party announcements), and Riot. [Google] [MyFonts] [More] ⦿
Rachel Allen	Australian designer of All Day (2017, handcrafted), Spot Me (2017, handcrafted typeface) and Stalactites Script (2017). [Google] [More] ⦿
Rebecca Allen	Houston, TX-based designer of the flashy typeface Culture Display (2019) and Fashion Diaries Script (2019). Home Page. [Google] [More] ⦿
Rich Allen	Three Celtic knot fonts (truetype) by Rich Allen: Diagonal Knots, Vertical Knots, Horizontal Knots. [Google] [More] ⦿
Corentin Allerdet	Based in the space industry capital of France, Toulouse, Corentin Allerdet designed the hairline futuristic typeface First Step Typo (2013). [Google] [More] ⦿
Robert Allgeyer	Robert Allgeyer's MusiQwik series of music fonts (2001-2008) is now hosted by me. In 2009, Allgeyer wrote: Welcome to my now-obsolete home page. In early 2009, I removed my web site from the Internet. I have done enough of it, and reached the stage in my life where I want to spend time doing other things. I have left this page for a couple of extra months, so that occasional visitors can find it, before I finally remove everything. I now live in Ormond Beach, Florida USA. Formerly, I was in Aptos, California USA. My name is prominent on the Internet due to my music fonts, fiction, essays, and travel comments. However, do not confuse me with the Midwestern jazz musician, the artist, the dancer, or any number of others with my same name. His free fonts besides MusiQwik and MusiSync, include Bongos, FretQwik, and MusiTone, all made in 2001. NWC Scriptorium has further fonts by him: NWslur (2002), Romital (2002, text font). In 2005, he added NoteHedz. Fontspace link. [Google] [More] ⦿
Rachael Alling	During her studies, Rachael Alling (Ballston Lake, NY) created the marquee art deco typeface Empire (2015). [Google] [More] ⦿
Dave Allison	Creator of the original screen font Dala (no downloads). [Google] [More] ⦿
Jen Allison	Creator of Dotty Fold (2012, based on folded paper). [Google] [More] ⦿
Joe Allison	Joe Allison (Joseph Allison Graphic Design) is a London, UK-based graphic designer. As a FontStructor and student at Bristol UWE, he created Rebuild Metal, Newbuild Featherlight, Skylight, Newbuild, Picaresque, Newbuild Reflecto, Convention (a great experimental face), Newbuild Demi, Newbuild Bold, Newbuild Modular (octagonal), Familiar Face Inkjet, Familiar Face Grey (texture face) and The New Alphabet (a Wim Crouwel face) in 2008 and 2009. In 2010, he made Global Village (an organic grotesk). In 2017, he designed the tall display sans typeface Raceband. His blog. Behance link. Creative Market link. [Google] [More] ⦿
Steve Allison	London-based designer of Swirl (2011), a typeface based on strings. [Google] [More] ⦿
Zoe Allison	During her studies in Johannesburg, South Africa, Zoe Allison designed the lava lamp typeface Anthro Po (2018) and the compass-and-ruler font Shot (2019), which is inspired by the city of Johannesburg. [Google] [More] ⦿
Nicole Allman	During her studies at Farnham university, Fleet, UK-based Nicole Allman designed the triangulated crystallized typeface Divide (2017). [Google] [More] ⦿
Florent Allouard	Designer of Stop Dead (2001), which can be downloaded here. [Google] [More] ⦿
Brandon Allred	College Station, TX-based designer of the spurred bilined typeface Finetica (2015). [Google] [More] ⦿
Carly Allred	Pasco WA-based designer of Papaya Caps (2017), a technical writing font in the Tekton genre. Creative Market link. [Google] [More] ⦿
Mark Allred	Creator of the iFontMaker font Mark's Comic (2010, hand-printed). [Google] [More] ⦿
Jonathan Allsbrook	Photographer, designer, and musician in Spartanburg, SC. During his studies atAnderson University in Anderson, SC, he designed the octagonal typeface Keystone (2013). Behance link. [Google] [More] ⦿
Allsindar	Hjarta Smarta is a set of ornamental alphabets created in 2012 by Allsindar. [Google] [More] ⦿
Maha Alluhaib	Dammam, Saudi Arabia-based designer of an Arabic logotype face for Masmak fortress (2017). [Google] [More] ⦿
Bernard Allum	Type designer, b. 1946, based in Twickenham, United Kingdom. He made a career in the broadcast business and has for for Channel One Television, Swan Media and The Graphics Department. In the 1970s, he designed these art deco typeface designs for Panache Photosetting / Face Ronchetti: Allumette, Ruthie, Danny Boy. He also designed the Neon Condensed weight for the Pink Floyd album Koda, but Neon was conceived by someone else. Linkedin link. [Google] [More] ⦿
Arieh Allweil	Israeli type designer at MasterFonts. Klingspor link. [Google] [MyFonts] [More] ⦿
Ally	Australian designer who created the handwriting font Nifty (2007). [Google] [More] ⦿
Qamari Ally	Specialist of fashion mag typefaces. Qamari Ally (Ultrabrain, Paris, France) made the delicately thin display types Luxurious (2011) and Qult (2011), and the high-contrast serif script typeface Transition (2011). He also did the grotesk display typeface Pli (2011). Behance link. [Google] [More] ⦿
Bella Alma	Based in Quebec and born in 1994, Bella Alma created the pixel typeface What A Pity (2010, FontStruct). [Google] [More] ⦿
Rodrigo Almada de Souza	Graduate of Senac in Rio de Janeiro, Brazil. Rio-based designer of the handcrafted typeface Handed Painty (2016) and thmodular e techno typeface Cutted Future (2016). [Google] [More] ⦿
Zaher Almajed	Zaher Al Majed is an art director in Manama, Bahrain. In 2014, he designed the free lion claw-inspired compass-and-ruler typeface Zodiaclaw, and the free ITC Fenice modification Meticulous Ariel. During his computer and communication engineering studies at Ahlia University (Bahrain) in 2015, he created the free circle-based font Alien Glyph (2015). In 2016, he designed the free display typeface Averoster. In 2017, he published the fashion mag didone typefaces Quartz (free) and Ahpuch Apollyon (free). [Google] [More] ⦿
Kayona Alma	Jakarta, Indonesia-based designer of spectacular script and calligraphic typefaces. [Google] [More] ⦿
Khosivanch Al Makhosnki	Omani type designer. [Google] [More] ⦿
Sultan Almaktari	Located in Aden (Yemen), Sultan Almaktari (or Sultan Maqtari, or Sultan Maktari) created these Arabic fonts in 2003: Sultan-Medium, Sultan-bold, Sultan-koufi-Bold-2, Sultan-koufi-Bold, Sultan-koufi-circular, Sultan-koufi, Sultan-light, Sultan-light2, Sultan-musnad, Sultan-normal, Sultan-rectangle, Sultan Free. Download here. Sultan Maktari created the Arabic text typeface Sultan Free, which won the first prize for Arabic text type at Linotype's 1st Arabic Type Design Competition in April 2006. That typeface can be bought from Linotype. The web site was overhauled in 2009, and Sultan Fonts now offers both traditional and modern Arabic fonts. The list in 2009: Aden, Nada, Shamsan, Sultan, Sera, Balloon, Yemen, Noha, Maeen, Free, Mona, Nahia (2005, Linotype), Waddah, Sana'a, Hemear, Belqees, Mohammed, Hadramut, Mareb, Saba, Thuyazan, Zabeed, Mahra, Digital, Mobil, Ausan, Musnad, Ruqah. List of typefaces as of 2013: Pumice (Latin / Arabic typeface family for text and screen), Sultan Hussein (angular, contains Latin as well), Sultan Aden-black, Sultan Alweeam, Sultan Change, Sultan Free, Sultan Hemear-black, Sultan Hemear-bold, Sultan Hemear-light, Sultan Kufi, Sultan Kufi2, Sultan Mareb, Sultan Mohammed, Sultan Nahia, Sultan Naskh, Sultan Naskh2, Sultan Qatar-Spirit, SF Shabwa (a sans for Latin, Arabic, Farsi and Urdu), Sultan Shamsan, Sultan Tahrer, Sultan Thuyazan-Bold, Sultan Tihama, Sultan-naskh-Handwriting, Sultan Ruq'ah-Bold, Sultan Ruq'ah-Light, Sultan Ruq'ah-Regular. In 2018, he added SF Kitab and Sultan Free Bold (despite the name, this is far from free). Typefaces from 2019: Tarim (a text typeface for Latin and Cyrillic). Typefaces from 2020: SF Pastel (a simplified Arabic Ruqah font). Typefaces from 2021: SF Mayyun (an Arabic text typeface), Aden. Klingspor link. Behance link. Home page. [Google] [MyFonts] [More] ⦿
Gad Almaliach	Israeli type designer who created these Hebrew typefaces at Masterfont: Hagedi MF (2002). [Google] [MyFonts] [More] ⦿
Gad Alman	Israeli type designer at MasterFonts, who created the Hebrew typeface Gad Agada in 2007. Klingspor link. [Google] [MyFonts] [More] ⦿
Mario Almaraz	Born in Monterrey, Mexico, in 1989, Mario Almaraz designed the prismatic art deco poster typeface New York in 2012. Behance link. [Google] [More] ⦿
Marck Al	Studio in Goiania, Brazil. Designer of the free bold sans typeface Milico Sans (2020), which is inspired by lettering near a military base in Goiania---I think possibly to warn people of the dangers posed by Bolsonaro. In 2015, the studio designed the custom typeface Inquieta. [Google] [More] ⦿
Ildiko Almasi	Miskolc, Hungary-based designer of the handcrafted typefaces Szu Serif (2019) and Borsod (2019) and the comic book typeface Vampira (2019). [Google] [More] ⦿
Ali Almasri	Ali Almasri is the Zarqa and Amman, Jordan-based designer (b. 1986, Zarqa) of the experimental typefaces X-Fire (2006), Relaxic (2005) and Graphiro (2005). He set up the type foundry Abjad in 2014. His typefaces include a fun inline custom typeface for the Wisam barber shop in Zaqra (in 2013), Swissra (2014, a Swiss sans-styled Arabic typeface), Swissra Condensed (2015), Molsaq Pro (2015: a rounded poster font family that features a modern Arabic Naskh with very short descenders and ascenders, and an all-caps Latin counterpart), Allabbad (2017, inspired by the fun hand lettering of Arab graphic design icon Mohieddine Allabbad), Afeesh (2017), Nogoom (2017: inspired by the titles of Egyptian Magazine Alostudio, which used to be published during the 50s-60s), Molsaq Arabic (2015), Molsaq Latin (2015), and Gerlaneu (2006, a 6-style octagonal and geometric family). In 2020, he co-designed Palsam Pro (Abjad) with Alja Herlah. This rounded sans typeface covers Latin and Arabic. Regarding Palsam Arabic, they write: The main highlight for Palsam was the cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. The Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Typefaces from 2021: Manchette Fine (an Arabic typeface), Manchette (an Arabic headline typeface that was inspired by the hand-written Naskh newspaper headlines during the 1960s and 1970s). Behance link. Klingspor link. Behance link for Abjad. [Google] [MyFonts] [More] ⦿
Abul Almaududi	Graphic designer in Palu, Sulawesi, who designed Dark Kids (a roundish children's book font), Sportzan (an octagonal sports font), Baltidore (2021: a decorative serif), Halloween Secret (2021), Pumpkin Night (2021), Biscuit Kids (2021: a beatnik typeface), Qarlient (2021: a decorative serif), Danviska (a bold transitional typeface) (2021) and the chamfered technical speed font Speed Rush (2021). Typefaces from 2022: Marcel Merlina (a scrapbook script), Louries (display serif), Sweet Darling (script). [Google] [MyFonts] [More] ⦿
Abdullah Naser Al Mawash	Designer of the Arabic fonts Al-Rashed-Riyadh and Al Mawash Shatt Al-Arab. Download here. [Google] [More] ⦿
Elena Almazova-Dolzhenko	Type designer and lettering artist in Moscow. Her typefaces include Diamond Crystal (a script) and Roller Coaster (a brush font). In 2020, she released White Stork, Simple Monoline and the curly script typeface Sweet Tooth. [Google] [MyFonts] [More] ⦿
Lena Almazova	Moscow-based designer of the hand0-crafted typefaces White Stork, Sweet Tooth and Simple Monoline in 2019. [Google] [More] ⦿
Khalid Al-Mazrouei	Kuwaiti designer of the Latin display typeface Lino (2019) and the Latin stencil typeface Minimal (2019). [Google] [MyFonts] [More] ⦿
Ali Almeethali	Type designer based in Sanaa, Yemen who set up A Type in 2020 and Gheen Studio in 2021. In 2020, he designed the display typeface Sheba (5 styles), Alm Sanaa (for Arabic and Latin), and the sans family Atype Belqees Sans (9 styles, for Arabic, Latin and Persian) at AType. Typefaces from 2021: Suhail (an 18-style font for Arabic, Latin, Persian and Urdu), Sheba (for Latin and Arabic), Atype Belqees Rounded, Atype Belqees Sharp, Toleen Pro (a 7-style Arabic typeface family that covers Urdu and Farsi as well). Typefaces from 2022: Ghaith Sans (a Naskh-inspired font for for Latin and Arabic). [Google] [MyFonts] [More] ⦿
Ana Maria Almeida	Sao Paulo-based designer of Tamir Sans (2012), a display typeface that was created during her graphic design studies. [Google] [More] ⦿
Ana Rita Almeida	Porto, Portugal-based creator of the calligraphic typeface Violeta (2014). [Google] [More] ⦿
Anais Almeida	During her studies in Lisbon, Anais Almeida designed an art deco typeface (2017). [Google] [More] ⦿
Catarina Almeida	At the University of Aveiro, Portugal, Catarina Almeida created the experimental Everyday Typeface (2015). [Google] [More] ⦿
Claudia de Almeida	Claudia grew up in the south of Brazil and moved to the USA to attend college. She has BFA in Graphic Design from the School of Visual Arts in New York City where she has also taught. Claudia worked for nearly 10 years as a designer and Art Director in New York before moving to San Francisco in 2013 to serve as Design Director at WIRED. She has worked for The New York Times, T: The New York Times Style Magazine, Blender, More Magazine, New York Magazine, Domino Special Editions, Gourmet Special Editions and Men's Health. In 2012, Claudia redesigned Real Simple Magazine, marking the beginning of her design studio with WIRED pal Margaret Swart. She created some remarkable ornamental caps, such as Dessert Rose, and a dollar sign. At Type Paris in 2015, she designed Iño, a humanist typeface influenced by Garamond. Type Paris link. [Google] [More] ⦿
Elida Almeida	Fortaleza, Brazil-based student-designer of the thin monoline display sans typeface Ambar (2017). [Google] [More] ⦿
Evandro Almeida	Sao Paulo, Brazil-bsed designer of SkullSupplyCo (2014). [Google] [More] ⦿
Filipe Almeida	Graphic designer at BMT London. In 2014, Ricardo Martins, Filipe Almeida and Curtis White co-designed the ray-lit 3d Balloon typeface (2014), which must have been a technical tour de force. [Google] [More] ⦿
Gonçalo Almeida	Sintra, Portugal-based designer of the circle-based modular organic sans typeface Bugalho (2014). [Google] [More] ⦿
Lais Almeida	At UFRJ in Rio de Janeiro, Lais Almeida created the pearly display typeface Bolleans Type (2015). [Google] [More] ⦿
Leonor Almeida	During his studies in Caldas da Reinha, Portugal, Leonor Almeida created the typeface Ti Ilda (2014). Behance link. [Google] [More] ⦿
Lucas Almeida	Lucas Almeida is also known as Lucas Perdidaão. He is a Brazilian web developer and art director located in Londrina. Behance link. Creator of the free grid-based art deco typeface Bobber (2012, in ai format; developed with Dmitry Goloub). In 2014, he finished Alpine. [Google] [More] ⦿
Mariana Almeida	FontStructor who made the gridded tablecloth typeface Offshoot (2012). [Google] [More] ⦿
Marshall Almeida	Illustrator and animator who graduated from the Academy of Art University in San Francisco. Creator of the beautiful iFontMaker fonts De Pooches and De Pooches Lite (2010, sketched). [Google] [More] ⦿
Nuno Almeida	Viana do Castelo, Portugal-based designer of the tall modular typeface Sabores (2016). [Google] [More] ⦿
Simao Almeida	Lisbon-based designer (b. Brazil, 1977) of Digital Circuit (2013), a typeface inspired by pieces of a subway map. Behance link. [Google] [More] ⦿
Joaquin Alme	FontStructor who made Code (2011, stencil face). [Google] [More] ⦿
Ana Almela	Graphic designer in Valencia, Spain, who created Sibila in 2015. [Google] [More] ⦿
Nathan Almeras	Calligrapher, letterer, photographer and graphic designer in Tours, France, who created the display typeface family Helixo (2014) and the poster typeface family Smoby (2014). [Google] [More] ⦿
M. Almer	Designer in 1999 of the children's handwriting font Mellop. [Google] [More] ⦿
Dhay Almindeel	During her studies at the University of Dammam in Saudi Arabia, Al Jubayl Industrial City-based Dhay Almindeel designed a colorful decorative typeface (2018) that was inspired by the geometric patterns found in Turkish rugs and carpets. [Google] [More] ⦿
Adriel Almirol	Designer (b. 1979, San José, CA) who made the graffiti typeface Hypografic (2010) and the fingerpainted typeface Fingerlinger (2012). Fontspace link. Dafont link. [Google] [More] ⦿
Ali Almithaly	Graphic designer from Sanaa, Yemen, now loacted in Kuwait City. Creator of several Arabic typefaces in 2013: Rabi4a, Suhali, Aqeeq (Zakdesign, free), Alfarooq, Ara Alm Bon. In 2014, he created Sheba. In 2015, he added Sanaa, Balqees and Sheba Ye. In 2016, he designed Sanaa Ye. In 2017, he added the rough brush typeface Angry Bird. [Google] [More] ⦿
Bassam Al-Mohammadi	Riyadh-based designer of the Arabic font Bassam Ostorah (2000). Download here or here. [Google] [More] ⦿
Maryam Almohanna	Al Jubayl, Saudi Arabia-based designer of the techno style Arabic typeface Zawaya (2016). [Google] [More] ⦿
Meshari Al-Muhaini	Designer in Qurtoba, Kuwait, b. 1988. Flickr page. In 2010, he designed Dots and Lines. [Google] [More] ⦿
Lia Almuknisa	Indonesian designer of Arcane Land (hand-printed) (2021), Saint Abigail (a signature script) (2021), Sweet Azalea (a fat finger script) (2021), Sidney Bloom (a fat finger font) (2021), Daily Mood (a fat finger font) (2021), Poem Harmony (a fat finger script) (2021), Negentherophy (script) (2021), La Trains (a bold monolinear signature script) (2021) and the fantasy font Pillow Fort (2021). [Google] [MyFonts] [More] ⦿
Fatimah Al-mulla	Safwa, Saudi Arabia-based designer of the monoline Arabic typeface Fosool (2016). [Google] [More] ⦿
Sukjana Almunandar	Banda Aceh, Indonesia-based designer (b. 1993) who specializes and excels in formal calligraphic typefaces. Creator of the thin calligraphic typefaces Yesterday (2017: upright) and Jazzi Script (2017), and the swashy formal calligraphic typefaces Peaches (2017), and Sinday College (2017). Typefaces from 2018: Malikon, The Duality, Karmila Script (a signature font), William Duke (a great formal calligraphic script), Differenlight (Spencerian calligraphic), Stipa Willington (formal calligraphic), Gatlik Saphir (formal calligraphic), Lile Dahliya (formal penmanship calligraphy), Bulgattie (copperplate calligraphy). Typefaces from 2019: Laront Monoline, Claristy, Graceful (a thin Spencerian script), Beduga (a signature script), Desirable Calligraphy (Spencerian), Fantera (a baseball script). Typefaces from 2020: Colfige (a fashion mag typeface), Claristy, Dalgond Script (formal calligraphic), The Duality (a formal calligraphic script), Peaches (a penmanship script), Imagine (calligraphic), Willmaster Calligraphia (a Spencerian penmanship script), Quntas Script (a hairline calligraphic font), Kota Datoma (wild calligraphy). Typefaces from 2021: Betting Soker (a brush script), Tugafy (fashion mag font), Mole Display (a distorted font), Avole (a hipster fashion mag font), Qanthorely Castigra (a wild Tree Frog genre script), Bolgifam (a triptych of stylish typefaces including a formal copperplate calligraphic style), Matilost Wikly (script), Silta The Farming (a brush script), The Kaluge (a feminine display typeface), Silta The Farming (a brush script), Tylaco (an art nouveau typeface), Dofta (a high-contrast decorative typeface), Dofta (a high-contrast decorative typeface), Batick Rodist (a wild script in a font duo), Blosta (a fashion serif and a copperplate calligraphic script), Piguet Script, Migueto (a fashion mag typeface), AvOle Serif (a fashion mag typeface; identical to Migueto). Typefaces from 2022: Roti Brown (an elegant wild script). [Google] [MyFonts] [More] ⦿
Amry Al Mursalaat	Or A.M. Ryal. Or Docallisme HAS Feat Dusky. Jakarta, Indonesia-based designer, b. 1994, of the free typefaces Love You (2015, letters on blocks), Batavia Kota (2015, shadow typeface), Raditas Cartoon (2015), Soekarno Hatta (2015, octagonal), Bhineka Tunggal Ika (2015), Sweet as Revenge (2015, graffiti font), Pagi Jakarta (2015, comic book style), Desminore (2015), The Minion (2015), Indah Papuaka (2015, outlined shaded typeface), Merdeka (2015, a dripping blood font), Awan Nusantara (2015), Docallisme On Street (2015; shadow graffiti font), Cheerful Party (2015), Super Docallisme Has Pattern (23015, a patterned, textured typeface), Hero Do Call (2015: a shadow font), Party Chocolate and Soda (2015), Cheese Cake (2015), Crayon Social Art (2015), Bali Tolak Reklamasi (2015), Nusantara (2015, decorative caps), A Ryal Black Block (2015), The Super Ryal 2015 (2015), Doraemon Slalala (2015), Grateful Sound (2015), Dadapaw Friends (2015), Cartoon 1994 (2015), Valentine Radita (2015, dot matrix), Sally Ross (2015, dot matrix), Juni 2009 (2015), Dear Raditas (2015, a dada typeface), Docallisme HAS (2015) and Minirus (2015, constructivist). Typefaces from 2016: Ry-Tha (alphadings), Good Time, One Piece, Blangkon, Syrial Mursa (script), Chopperrr (cartoon font), Dilove, Ceria Cinta (handcrafted), Move On, Enjoy Boy, Melankolia, I Will Wait. Typefaces from 2017: Broken Home, Bogor, Rainbow, Going Merry (cartoon font), Bromo, Gatot Kaca, Sweet Revenge, Mars Mellow (cartoon font), Glory United (comic book font), A Voice of Liberty (scratchy brush font), Jak Arta (graffiti font), Home Sweet Home, Dragon Ball, Sweety Tea, Hero Killer, Fish&Bear, Baduy, Coffe&Milk, Bansky, Goblins (brush style), Hoobie. Typefaces from 2018: Queen Mataram, Browny Bear, Sea Salt, Bood Street, Lord of the Ring (brush), Sweety Cheese, Rocket to Mars (3d, sketched), Sweety Baez, Dutsky Time, Moqa Float, Banda Neira (shadow font), Zara Thustra (a fat finger font), The Jacatra (outlined cartoon typeface). Typefaces from 2019: Read and Read (grungy), Happy Little Soul, Hell Raiser (a brush font), Killing The Moon (a dry brush font), Avocado, Nias Bird, Jakarta Legal Aid Institute, Redhead Snake, Ubud Fest, Tigeryen. Typefaces from 2020: Joe Rabbit (a cartoon font), My Dutsky Art, Calm Down, Sugar Poof, Ciao Adios, Hooman (Love, Stitch, World), Dark Sky, Dafont link. Another home page. Yet another home page. [Google] [More] ⦿
Areej Alnahdi	Riyadh, Saudi Arabia-based designer of Eid Free (2014, an Arabic typeface). Behance link. [Google] [More] ⦿
Hasan Alnajdi	Graphic designer in Kuwait who created an Arabic typeface in 2014. [Google] [More] ⦿
Tiziana Alocci	Tiziana Alocci (Milan) created an interesting parametric font in 2012 called Trapezifont. She writes: Trapezifont is a parametric font created in FontLab through the programming language Python. The glyphs were not drawn in a traditional way, with the Bezier curves but writing the codes inside the edit macro of FontLab. Trapezifont works according to one variable included between 0 and 100 that can be set at will. Once set the script the font is re-drawn as to the variable given changing the value of the tapering of each glyph. She is pursuing a masters degree in Communication Design at the Politecnico of Milan. [Google] [More] ⦿
Geetika Alok	Graduate (UK and India) of the type design program at the University of Reading, class of 2017. Her graduation typeface there was Omala, a Latin / Devanagari text typeface with calligraphic roots. [Google] [More] ⦿
Geetika Alok	Geetika Alok is a graphic designer and works on projects in London and India. She graduated from the Royal College of Art with an MA in Communication, Art&Design and had previously completed her Bachelor's degree from the National Institute of Design with specialisation in Graphic Design. With Henrik Kubel, she designed the typeface India (2011). In 2014, she completed the TDi program at the University of Reading. In 2011, she created the absolutely fantastic ornamental caps typeface Saudade, which consists of overlapping circles. She writes: Poster for a talk of Marina Willer. Saudade is the most beautiful word in Brazilian Portuguese. It means something a bit like nostalgia. Typeface: In collaboration with Henrik Kubel. Maya (2011) and Sea Shells (2011) are typefaces that were inspired by Indian architecture. Behance link. [Google] [More] ⦿
Asmaa AlOmair	During her studies at the University of Dammam in Dhahran, Saudi Arabia, Asmaa AlOmair designed a creamy Arabic typeface (2016). [Google] [More] ⦿
Durra AlOmar	During his studies at German Jordanian University in Amman, Jordan, Durra AlOmar created the Latin typeface Religious Buddhism Font (2012-2013). [Google] [More] ⦿
Sultan Alonazi	Riyadh, Saudi Arabia-based designer of the free Latin / Arabic display typeface Motoirah (2016). Behance link. [Google] [More] ⦿
Kamile Alonderyte	Kaunas, Lithuania-based designer of Wood Runes (2017). [Google] [More] ⦿
Alonglongtime	Hong-Kong-based designer of Half Type (2012). Behance link. [Google] [More] ⦿
Alexandra Alonso	Designer at BA Graphics of Chicken Feet (2007). She was 11 years old whebn she drew this---the typeface was digitized by her grandfather Bob Alonso (1946-2007) who lived in the Bronx in New York. [Google] [MyFonts] [More] ⦿
Carlos Alonso	Graduate of the Escuela de Arte y Superior de Diseño de Ourense, 2012. At Fontsquirrel, one can download his free font Gaspar (2014). [Google] [More] ⦿
Cinthia Alonso	Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Blackwidow (2009). [Google] [More] ⦿
Ernesto Alonso	Mexican graphic designer who created the condensed monoline sans family Ipanema (2012, Ten Dollar Fonts), which has a multiline weight, Ipanema Sport. He also made the piano key typeface Nueva Letra (2012, Ten Dollar Fonts) and Roubaix (2013, a squarish family named after the movie music score composer François Roubaix). Behance link. [Google] [More] ⦿
Estefania Alonso	Buenos Aires-based designer of some poster typefaces in 2013. [Google] [More] ⦿
Luis Alonso	Luis studied Graphic Design at ESDI (Ramón Llull University) and earned his Masters degree in Advanced Typography at Escola Eina (Autonomous University of Barcelona). Since 2006 he has worked from Plam on various projects related to, above all, corporate identity and editorial design. He is working as a type designer, along with Ricardo Santos and Charlie Zinno, with whom he founded in 2011 the type design collective Tiponautas. With Santos, he designed the techno sans families Lab Slab Pro (2011) and Lab Sans Pro (2011). Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿
Octavio Alonso	Graphic designer in San Luis Potosi, Mexico. Creator of the display typeface Revolver (2014). [Google] [More] ⦿
Robert Alonso	Bob Alonso (b. Bronx, NY, 1946, d.2007), the founder of BA Graphics in 1994, was a prolific American type designer. With 33 years of experience at NewYork's Photo Lettering, he specialized in calligraphic script typefaces, but not exclusively so. BA Graphics was located in Chester, NY, and later in Toms River, NJ, and now sells its fonts through MyFonts. Many of its fonts published after Alonso's death in 2007 were completed by John Bomparte. John Bomparte wrote this obituary: Throughout his career at the legendary Photo-Lettering, Inc. (one that spanned four decades), Bob created original typefaces and tailored type by modifying, revising and filling out families, fashioning pieces of type for hand-lettered jobs, as well as being involved with the updating of a number of well-known logotypes. Bob was blessed with natural teaching abilities; and those in social and professional circles who had the good fortune to know him considered him not just a type designer but a mentor and a friend. As one such person close to him put it, he was a graphic technician [...] back when computers were not even in site for graphic arts, he would take on any intricate&complex graphic project that others would shy away from and come up with a solution that achieved a masterpiece. I'll always remember someone saying "this can't be done" and Bob saying let me see it and a short time later, there it was---done&perfect. I would like to think that attitude rubbed off on me. Along with this gift for teaching and explaining the complex, Bob exhibited a level of professionalism that was unsurpassed. A number of years ago when the need came to make the transition from the traditional to digital way of creating fonts, he rose to the challenge admirably. Towards the last few years of Photo-Lettering, Bob played a vital role in the conversion to digital, of many of the typefaces within the collection, notably those fonts that carry the prefix PL. More recently, Bob Alonso released several fonts through ITC, Adobe and his independent foundry, BA Graphics. Bob was on the cutting edge of his best work, and in the circumstance of his untimely passing, left a measure of unfinished designs. However, the spirit of his typographic talents and his fine sense of humor lives on through the many much-loved, and popular fonts he has left us: fonts such as Cookie Dough, Equate, Elephant Bells and Pink Mouse, to name a few. Alonso created these typefaces: Alex (1996). A child's hand script. Alexandra Script (1996). A beautiful formal wedding / calligraphic script. Allure. Alons Antique. Alons Classic. Alonso Flair (2008). A flared pants typeface fnished after his death by john Bomparte. Angular. Animated Gothic. Bad Boy. Barnboard. Beaches and Cream (1996). A sans turned into a connected scrip). Bedrock. Black Rising (2006). A black military style face. Blog (2007). A 1890's style display egyptian). Bodoni Roma (1993). Brawn. CEO Roman (2007). Cabernet Sauvignon (2007). Atake on Didot---I can't believe BA Graphics trademarked this name! Cafe Aroma. A formal script. Calafragalistic (1992). California Sans. Caslon Manuscript (1992). Cedar Key. Champ Ultra (1995). A Western billboard font. Chardonnay. Chicken Feet (2007). Chicken Soup (1993). Chunky Monkey. Clearmont. Coffee Black. Cookie Dough. Crackers. Crescent. Damage Control (1993). Grunge. Deco Inline. Deep Rising (2006). Constructivist. Dime Store. Down Under. Elegante. Elephant Bells. Ellington Manor. Equate (1993). Extreme (1996). A chalk writing font. Fashion Didot (1994). Felicity Script. Flix. Fools Gold. An inline typeface. Footloose (2015). A dynamic script typeface that was unfinished when Alonso died. John Bomparte finished it. Fraggle. Freaky Friday Extreme. French Vanilla. Galactic. Geo (2000). Grandeur. Granny Smith. Gusto Black (2003). Happy Trails. Hatari. Headline Gothic. Hey Dude (2016). Hand-crafted. High Intensity. ITC Aftershock (1996). A linocut font. ITC Outback (1997). ITC Serengetti (1996). ITC Ziggy (1997). Island Sans. Italian Didot. Jr High (1994). Sports lettering. Ka Boink. Ker Pow. Key West. Klingon. Kresson Black. Linear Gothic. Lorraine Script (2000). Originally named Gonzales Jeanette and designed by Francisco Gonzales for Photo-Lettering in the early 70s. Jeanette was based on Brandywine. Similar fonts are Italian Script (Bitstream), Gaston, Candice, Julia Script and Benguiat Charisma. Malibu Heights. Manchester. Mango Gothic (1991). Mardi Gras. Mega (1993). A fat mini-spurred didone. Metro Gothic. Milano (2004). A didone typeface. Mission Hills. National Gothic. Nightmare. Nine One One BA (2007). Grunge. Oh Sweet Pea. PC Gothic (2005). Paladium Gothic (2007). A sans typeface. Pecos. Pimento (1998). Pink Mouse (1992). Psychedelic. Queen Of Hearts (1991). a script typeface. Radiance Brush (1997). A casual brush script. Rancho Grande (1995). Range Gothic. Ravenwood. Red Dawg. Relaxed Fit. Richmond Hill. Road Gothic (1996). Robertson. Rust Bucket (1994). S+L Gothic. Sahara Bodoni (1996). One of his most popular typefaces. Senegal. Serendipity (2006). Shadow Gothic. Shangrala. Shazam. Shooby (1992). Shore Bodoni. Sign Gothic Bold Condensed. Slam Dunk. Sleepy Hollow. Sleezy. Snaggle. Snip Tuck (1994). A headline typeface. South Beach. Spice. Squat (2011). A stunted black wood style face. Steel Magnolias (1995). Blackletter. Steeplechase (1992). A Wild West saloon font.. Sugar Shack (1995). A curly script. Summer Nights (1993). Swank Gothic. Tequila (1992). A bouncy play on Didot. Thats Amore. Title Gothic Light. Torino Modern. Triple Condensed Gothic. Triumph Gothic. Vinchenso Regular (2003). Wackado. Waimea (1992). A poster font.. Wall Street Gothic. Wonka (1996). Named after Willy Wonka.. Yakety Yak (1994). Zany. Zipty Do. FontShop link. Klingspor link. View Bob Alonso's typefaces. View the BA Graphics typeface collection. An alphabetic listing of Alonso's typefaces. [Google] [MyFonts] [More] ⦿
Tania Alonso	Monterrey, Mexico-based designer of the hybrid display typeface Twinkle Twinkle Little Star (2014), which is based on a blend of Bureau Grotesque and Adamas Regular. [Google] [More] ⦿
Shah Alam Alo	Dhaka, Bangladesh-based designer of Bloop Alo Bangla (2017) for Bloop Ice-cream. He also created Bidrohi Alo (2017). Behance link. [Google] [More] ⦿
Hind Alotaibi	Riyadh, Saudi Arabia-based designer of an Arabic display typeface in 2015. [Google] [More] ⦿
Majid Al-Otaibi	Designer of the Arabic fonts AdvertisingBold, AdvertisingExtraBold, AdvertisingLight, AdvertisingMedium, M-Unicode-Abeer, M-Unicode-Dawlat, M-Unicode-Diala, M-Unicode-Hadeel, M-Unicode-Noora, M-Unicode-Sara, M-Unicode-Sima, M-Unicode-Susan, M-Unicode-Wafa, khalaad-AL-Dorrh, khalaad-Abeer, khalaad-Dawlat, khalaad-Diala, khalaad-Hadeel, khalaad-Noora, khalaad-Sara, khalaad-Sima, khalaad-Susan, khalaad-Wafa, khalaad-al-arabeh-2. They can be downloaded here and here. See also here. [Google] [More] ⦿
Bruno Aloy	Bruno Aloy is located in Versailles, Argentina. His creations include Typorama (2014, at FADU / UBA). [Google] [More] ⦿
Agustin Alozen	Photographer in Buenos Aires who designed the teardrop typeface Drop in 2016 during his studies at UBA. Behance link. [Google] [More] ⦿
Sinan Alpaslan	Istanbul-based graphic designer. Behance link. He created the organic typeface Sharp (2011). Poster entitled Kuresel is anma (2011). [Google] [More] ⦿
Ahmet Alper	Izmir, Turkey-based designer of Flora Sans (2013) and Slice Sans (2013). Behance link. [Google] [More] ⦿
Mercan Cebe Alper	Graphic designer in Ankara, Turkey, who studied at Gazi University. She created the free hand-drawn typeface family Meryjane (2014), the free Little Pink Shit Font (2015), and the slightly irregular Korra (2014). Behance link. Fontspace link. Dafont link. [Google] [More] ⦿
Noor AlQahtani	Riyadh, saudi-Arabia-based designer of the free brush script typeface Brushed (2015), the free handcrafted Latin typeface Uno (2014)and the free handcrafted typeface Editor (2015). Behance link. Dafont link. [Google] [More] ⦿
Alya AlQarni	Dammam, Saudi-Arabia-based designer of the Arabic poster typeface Nedhal (2017). [Google] [More] ⦿
Wais Alqarni	Indonesian type designer (b. 2001) specializing in script typefaces. Typefaces from 2021: Manda Rawles (a curly script), Gerakona (a calligraphic script), Baby Boy (a calligraphic script), Braly Latoya (a calligraphic script), Baby Boy (a calligraphic script), Cornelia (calligraphic), Holly Molly, Elora, Aqilla, Fussena, Breakfast, Girly Rose, Balyona. Typefaces from 2022: Magmola (wild calligraphic), The Benmoka, Hi Margaret (script), Beauty Cosneta (a swashy script), Koodgeta, Womly Queen. [Google] [MyFonts] [More] ⦿
Sawsan Al Qasimi	As a student in the United Arab Emirates, Sawsan Al Qasimi made a Latin / Arabic typeface, Rukn (2014), starting out from a simple circle. [Google] [More] ⦿
Amna Alqasmi	Muscat, Oman-based designer of Turnover (2015), a Latin typeface that was designed for a skateboard company. [Google] [More] ⦿
Salem Al-Qassimi	Type designer whose typeface Bilingual Perspectives won an award at ProtoType in 2016. [Google] [More] ⦿
Lina Alquraa	Jeddah, Saudi Arabia-based designer of a refined Latin / Arabic typeface in 2019. [Google] [More] ⦿
Sutrisno Al Rasyid	Sragen, Indonesia-based designer of these typefaces: the sports font typeface Trabash (2019), the blackletter font Makunu (2020), the minimalistic sans serif Sidiqie (2020), the signature fonts Insani (2020: monolinear) and Charles Bridge (2020), and the decorative serif typeface Luvenia (2020). Typefaces from 2021: Bendungan Signature. Elsewhere, we find the name Iqbal Hidayanto. [Google] [MyFonts] [More] ⦿
Mada Al Rawahi	Muscat, Oman-based designer of the techno (Latin) typeface Sklide (2014). [Google] [More] ⦿
Walid Al Rawi	Illustrator and calligrapher in Istanbul, who designed the J diwani (arabic) typeface in 2017. [Google] [More] ⦿
Muhammed Geffir Al-Ridha	Indonesian designer (b. 1992) of Trifont (2011), a purely geometric counterless experiment. Dafont link. Muhammed lives in Bandung. [Google] [More] ⦿
Ali Alrikabi	Arabic font designer with a penchant for logotype. Examples: i, ii, iii, iv, v. [Google] [More] ⦿
Adrien Alrivie	French type and graphic designer. His typefaces include Adrianistique, Ad Scriptum, Coffea and Ixoxi (logotype). [Google] [More] ⦿
Zainab Alrowai	At the University of Dammam in 2015-2016, Zainab Alrowai (Al Qatif, Saudi Arabia) designed the squarish Arabic typeface Zainab. [Google] [More] ⦿
AlJohara AlSaab	Jeddah, Saudi Arabia-based designer of Arabic Znikomit (2018). [Google] [More] ⦿
Hamid Al-Saadi	A calligraphic Arabic typeface with over 3000 glyphs, by Diwan Software. "Mishafi contains more than three thousand shapes, making it possible for the first time to compose proper Quranic calligraphy with all their shapes, markings and recitation symbols. It is also most suitable to compose traditional text of Hadith and commentary texts in respectable form. Both classic and modern Arabic poetry can be presented by it in clear and elegant formats." The typeface was designed by the acclaimed Iraqi calligrapher Hamid Al-Saadi (b. Baghdad, 1955), and won the Type Directors Club 2000 award. [Google] [More] ⦿
Ardwan AlSabti	Graphic designer in Nijmegen, The Netherlands. In 2011, he made the squarish typeface Mandaicana, about which he writes: Mandaicana is one of the few Mandaic type[faces] which exist in the world. Mandaic, the most Southeastern Aramaic dialect spoken in antiquity in Babylonia (Mesene, Characene, Khuzistan), reflects similarities to Jewish Babylonian Aramaic, both belonging to the Eastern Middle Aramaic branch. Although most scholars located the origin of the baptizing community in the East Jordan regions (Mark Lidzbarski, Rudolf Macuch, Kurt Rudolph) the Mandaeans are considered to spent a large part of their still controversial and mysterious history alongside the big rivers (Euphrates, Tigris, Karunriver) in the southern borderland between present-day Iraq and Iran. This was followed by Ardwan Malka and Englaiscana (2011). In 2018, he designed Ardwan Lidzbarski, which is based on the Mandaic handwriting of German scientist Mark Lidzbarski. Ardwan Manuscript (2019) is a cursive font based on Mandaic manuscripts. In 2021, he published Ardwan Drower, a mandaic font based on Ethel Stefana Drower's handwriting and philosophy. Lady Drower was a British cultural anthropologist who studied the Middle East and its cultures. She was regarded as the main specialist in Mandaeism and authored the book The Mandaeans of Iraq and Iran. [Google] [More] ⦿
Kholoud Al-Sada	Qatar-based designer of the Arabic typeface Indimaaj (2012), which combines the modernity of the contemporary Arabic typeface, and the originality of the geometric Kufic style. [Google] [More] ⦿
Ibrahim Alsafady	Gaza-based designer of the Arabic typeface Alaa (2013). [Google] [More] ⦿
Kelly-Laila Al-Saleh	London-based creator of a piano key custom typeface for Scout: The Trends Intelligence magazine in 2011. The typeface is called Scout. [Google] [More] ⦿
Eyad Al-Samman	Eyad Al-Samman is a graphic designer, typographer, photographer, translator, and a freelance literary journalist. He was born in Sana'a city, Yemen, in 1976. Eyad has a Bachelor's Degree in electrical engineering. He started working as a graphic designer in 1999. His first typeface is Concordia (2005, a squarish techno typeface that was named after the university in Montreal where he studied). Sherbrooke (2009), a free pair of sans serif fonts, is named after Sherbrooke Street in Montreal (Luc's home...). Creator of Samman (2011, Arabic), Castile (2011, kufic style), Nasser (2010), Zawiya (2008). In 2012, he made Eyadish (Latin and Cyrillic): Eyadish is specifically designed for commercial, educational, cultural, and social purposes related to infants, babies, kids, and children, Loyolliams (2012, squarish, a renamed version of Concordia) and Alfarooq (2013). Typefaces from 2014: Kindah (a modern Kufic font named after Kindah, an ancient Yemeni tribe), Nusaibah (a modern, geometric, and headline Arabic display typeface. Typefaces from 2015: Ghibli (a free Latin text typeface). Typefaces from 2016: Matwin (a children's script), Thwaites (named after his Canadian friend James Douglas Thwaites). Typefaces from 2018: Danah. Typefaces from 2019: Awwam (a wide headline Arabic typeface). Typefaces from 2020: Yusyad (a tall condensed display family). [Google] [MyFonts] [More] ⦿
Hana Alsamni	Egyptian designer of the terminal-laden typeface Amelie (2017), which was inspired by the movie. [Google] [More] ⦿
Ahlam Alsaqrah	Dammam, Saudi Arabia-based designer of the Arabic typeface Nadher (2017). In 2017, Ahlam Alsaqrah, Maryam Almohanna, Ashwag Madkhli, and Faten Almogeem co-designed the Book of Life font. [Google] [More] ⦿
Alaa Alsaraji	During her studies in London, Alaa Alsaraji created the hairline avant-garde typeface Vienna (2015). Behance link. [Google] [More] ⦿
Wahba Alsawaf	Jeddah, Saudi Arabia-based designer of the Arabic typeface Lughat Aldhad (2014). [Google] [More] ⦿
Tarek Samir Al-Sawwa	Or Tarek Alsawwa, founder of TS Fonts and of the type shop Fonttat which specializes in Arabic type. Istanbul, Turkey-based designer (b. Syria?) of the free plump children's book typeface TS Split Black (2020) for Latin and Arabic. Most of his typefaces cover both Latin and Arabic. A partial list: Anamil (2020: handcrafted), Arabic Bebas Neue Pro (2020: an Arabic family added to Ryoichi Tsunekawa's successful Bebas Neue), Ateq (2021: a modernization of the Fatimid Kufic letters and the old Quran Kufic that is taken from the book of Yusuf Zinun), Damas (2020: sans and slab), Deniz (2021), Fonttat (2021: a free Latin / Cyrillic ?arabic stencil typeface), GTA Al-Muarabis (2020: an Arabic kufi-style font to accompany the Latin font used in the GTA game Pricedown), Hakwaty (2021), Hiba (2020), Kaak Arabic (2020: an arabification of Philip Trautmann's scrapbook font Cookies & Milk, Kairouan (2021: a rounded Latin / Arabic typeface rooted in Moroccan calligraphy), TS Karagoz (2022: a fun Latin/Cyrillic/Arabic cartoon or children's book family), Kufidia (2020), Lineat (2020: blackboard bold), Morabaat, Nas (2021: an 8-style Naskh-based typeface family by Tarek Al-Sawwa and Haider Mami), Pixopedia (2020: a free Arabic video game pixel typeface), Qamus (2020: a geometric sans), Rotger-Arabic (2020: an Arabification of Central Type Company's Rodger by Tarek Al-Sawwa and Mohamed Gallah), Safaa (2020: monolinear, geometric), Shareb Pro Arabic, (2022; an improvement of the Latin / Arabic typeface Shareb; by Abdelrahman Farahat and Tarek Alsawwa), Tarek (2020: 18 styles and a variable font), Zinun (2021: a Fatimid Kufic font for Arabic and Latin whose letters are inspired by the book of Yusuf Zinun). Icon sets: Syrian & Turkish Sweets Icons (2020), Cafe Essentials (2020). Behance link for TS Fonts. [Google] [More] ⦿
Sara Alscher	American designer of the display typeface Houz (2018). [Google] [More] ⦿
Mouneer Al-Shaarani	Arab type designer who has embarked on a project with Lucas De Groot to design some Arabic fonts that fit de Groot's designs. [Google] [More] ⦿
Maryam AlShabrawi	Graphic designer in Cairo, Egypt, who created a squarish kufic Arabic typeface and American Typewriter Arabic in 2016. [Google] [More] ⦿
Mohammad Al Shalfan	Designer of these Arabic fonts: Mohammad-Dawlat (1996), Mohammad-Laha (1996), mohammad bold art 1 (2001). Download here. [Google] [More] ⦿
Ayesha AlSharid	During her studies in Dubai, Ayesha AlSharid designed the shar-edged Arabic typeface Bakkah (2018). [Google] [More] ⦿
Haneen Al Sharif	Doha, Qatar-based designer of the Arabic typeface Qatra (2012). [Google] [More] ⦿
Shaikha Alsharif	Sharjah, UAE-based designer of a few Latin typefaces in 2016 done for various school projects. [Google] [More] ⦿
Aisha Al Shibli	Oman-based designer of the Latin typeface Curvy (2014, modular). [Google] [More] ⦿
Abdallah Alsholi	Saida, Lebanon-based designer of Transmission Font (2013). [Google] [More] ⦿
Daniel Alshriky	Dubai-based designer of the crystallized typeface Low Poly (2015). [Google] [More] ⦿
Nada Al-Siyabi	Student in Muscat, Oman, in 2013. Creator of an Arabic typeface (2013) and of two Arabic simulation (Latin) typefaces, Islamic Font (2013) and Omani Khanjar Font (2013). [Google] [More] ⦿
Ghiath Alsory	Ghiath Alsory added the Arabic in 2016 to Dario Muhafara's award-winning rounded display typeface Overlock (2006). The new name is Sukar (Sugar). [Google] [More] ⦿
Ted Alspach	Designer of famous freeware/shareware fonts RansomNote and LeftyCasual. [Google] [More] ⦿
Sara A. Al Suwaiygh	Al Khobar, Saudi Arabia-based co-designer (with Alla Zakary, and Fayzah Alghamdi) of the Arabic typeface Fulad (2017) at Imam Abdulrahman bin Faisal University. [Google] [More] ⦿
Nauman Altaf	Lahore, Pakistan-based designer of the monoline sans typeface Thinoo (2019). [Google] [More] ⦿
Najd Al Taher	Kuwait City-based designer of a geometric kufi Arabic typeface in 2016. [Google] [More] ⦿
Claudia Altavilla	Italian graphic designer who is based in Fragagnano. In 2013, she designed the cursive typeface Female and the display typeface Oskar Kokoschka. Behance link. [Google] [More] ⦿
Robert Altemus	Altemus Creative Services sells dingbat fonts by Robert Altemus from New York, NY: Your premiere source for digital decorative fonts. Their commercial dingbats are sold by MyFonts. Partial list: AltemusBirds, AltemusBorders 1 through 4 (1992; Borders 4 containss pointing hands and flourishes), AltemusBursts 1 through 4, Altemus Bursts 1 through 4 (2002, contains snowflakes), AltemusChecks, AltemusChecksTwo, AltemusCorners, AltemusCrosses, AltemusCuts, AltemusCutsThree, AltemusCutsTwo, AltemusFlowers, AltemusHands, AltemusHolidaysOne, AltemusKitchen, AltemusPinwheels (1996), AltemusPointers, AltemusRays, AltemusRaysBold, AltemusRoughcuts, AltemusRounds, AltemusRules, AltemusSecurity, AltemusShields, AltemusSpirals, AltemusSpiralsBold, AltemusSpiralsBoldItalic, AltemusSpiralsItalic, AltemusSquares, AltemusStars 1 through 3, AltemusSuns, AltemusSunsBold, AltemusToolKit (2 fonts), Altemus Web Icons, EuropaArabesque, Games (cards, domino), Games 2 (mahjong, chess), Sports (balls), Sports 2, Leaves 1 and 2. Catalog, part I, part II. [Google] [MyFonts] [More] ⦿
Friedrich Althausen	Potsdam, Germany-based designer (b. 1981) who studied Media Systems (Informatics) and Visual Communication at the Bauhaus University Weimar and is working as a freelance designer since 2008. Creator of the free fonts Vollkorn-Brotschrift (2006, text face), Elise Meincke logotype (didone), and Halbstark (2006, a fancy display face). Vollkorn microsite for the most recent downloads. Vollkorn supports many scripts, including Latin and Cyrillic. In 2014, Vollkorn 3.0 was published. Open Font Library link. Site dedicated to Vollkorn. In 2014, he published the thin but striking fashion mag and all caps titling typeface Uberschrift at FDI. In 2020, he released the variable font CoronaFaceImpact, which has three axes, Effects from wearing a face mask, Change of look due to closed hairdressers, and Results of home schooling. Behance link. Kernest link. Old URL. Interview with Friedrich Althausen. Google Plus link. Github link. [Google] [MyFonts] [More] ⦿
Belen Altieri	Graphic designer in Pilar, Argentina, who created the quaint typeface Courbe in 2013. [Google] [More] ⦿
Allen Altinbas	Creator of the free ornamental typeface One Piece (2006). See also here. [Google] [More] ⦿
Yurdaer Altintas	Turkish graphic and type designer, b. 1935. He created many posters. [Google] [More] ⦿
Mark Altman	German designer of Ruzicka LH Freehand for Linotype Hell in 1993, together with Ann Chaisson. This typeface was based on an original by Rudolph Ruzicka from 1936. FontShop link. [Google] [MyFonts] [More] ⦿
Björn Altmann	Creator of the medium-weight slab serif ClarendoNeoPro (2009, URW++). URW++ writes: German designer Björn Altmann studied all existing versions of Clarendon and their sources and found that these Clarendons, originally designed for text sizes, do not satisfy today's typographic needs, such as banner ads, city light posters, blow-ups and etc. Hence, we do need a ClarendoNeo! FontShop link. [Google] [MyFonts] [More] ⦿
Carolina Altmann	During her studies at FADU / UBA, Buenos Aires-based Carolina Altmann designed Ruffina Serif (2015). [Google] [More] ⦿
Christian Altmann	Ateljé Altmann is Christian Altmann's Stockholm, Sweden-based creative studio with a background in art direction, typography and graphic design. In 2020, it released Altmann Grotesk, a 5-style almost monolinear sans by Christian Altmann and Janik Sandbothe that was initially planned as an internal studio typeface. [Google] [MyFonts] [More] ⦿
Lukas Manuel Altmann	During his design studies in München, Germany, Lukas Manuel Altmann created the Cross typeface (2014), which is based on the proporetions of a cross. [Google] [More] ⦿
Cathrin Altmeyer	Saarbrücken, Germany-based designer of the rounded sans typeface Glow (2014). [Google] [More] ⦿
Claire Altomari	Graphic designer in Brooklyn, NY. Behance link. Creator of the display poster typeface Stay True Chief (2011). [Google] [More] ⦿
Brett Alton	Brett Alton from Peterborough, ON, is a graduate in computer science from Trent University. He created the Open Font Library handwriting font Brett Font (2007). [Google] [More] ⦿
Ahmet Altun	Turkish type designer in Izmir (b. 1964) who sells through MyFonts. Ahmet graduated from Hacettepe University in 1989. He founded the commercial type foundry Aatype. In 2010, he created Dopamin (a high-contrast display sans), Square Comic, and Nilish (monoline geometric display sans). In 2011, Ahmet created the art deco chic family Turquoise, the techno sans family Altuna Sans, the semi-hand-printed Shirin, and the organic and elliptical monoline sans family Deria Sans. Sterk (2011) is a legible and open masculine sans family. Glode (2011) is a masculine geometric sans family. Calligra (2011) is an elegant almost calligraphic flared sans. Ephesus (+Shadow) is a caps-only titling sans family. Tillom (2011) is an elegant decorative face. Ondule (2011) is a horizontally-striped texture face. Brounde (2011) is a rounded monoline slab family. Eggy (2011) is a monoline sans display typeface with slightly shaky outlines. Uno (2011) is an organic display face. The display sans Veberk (2011) has contrast and style. Typefaces made in 2012: Halis Grotesque, Uneven (a bold poster typeface family), Ferforje (curly all caps face), Daphne (a hand-drawn all caps poster family), Mancho (a stylish caps only sans family), Cillop (elliptical sans), Typonil (elliptical sans), Omar (squarish poster font), Gulyesa Script (a beautiful informally hand-printed poster typeface), Smyrna (hand-printed poster face). Typefaces from 2013: Minik (a great hand-drawn typeface with tall ascenders and descenders), Festivo Letters (a popular hand-made layered font system with 19 fonts numbered No1 through No19; see also Festivo LC, 2014, which has new sketches, shadows and ornaments), Halis Rounded, Troia (a flexible sans family). Typefaces from 2014: Harman (a 7-style hand-drawn collection of retro poster fonts), Akon (hand-drawn poster family), Minimo (a geometric organic minimalist sans family in four weights). Typefaces from 2015: Racon (weathered type, perhaps letterpress emulation), Masif (heavy brush script renamed Pitos after 24 hours, most likely after a complaint from Monotype which markets a Steve Matteson font called Massif---Ahmet should have ignored that request as Monotype itself ignored Jean Joveneaux, who created another font called Massif in 1957, decades before Matteson's font), Deepika (swashy script), Tropen. Typefaces from 2017: Buket (an 18-font collection including Marquee, Roman Shiny, Fat Sketch, Script, Decorative Shiny, Basic Retro, and Prismatic). Typefaces from 2018: Narin. A geometric sans family with rounded corners. Typefaces from 2019: Revello (hand-painted and layered), Festivo Clean, Salve (a monoline script), Urfa (an 18-style sans family). Typefaces from 2020: Izmir (a 44-style geometric sans family), Grand Sword (a decorative all caps typeface). Typefaces from 2021: Urfa Rounded (an 18-style rounded elliptical sans). Typefaces from 2022: Sarmal (a great handlettered interlocking poster typeface), Punkto (an 18-style geometric sans). View Ahmed Altun's typefaces. [Google] [MyFonts] [More] ⦿
Amna Altunaji	Sharjah, UAE-based designer of a circle-based Latin display typeface in 2015. [Google] [More] ⦿
Elif Altun	During her studies in Ankara, Turkey, Elif Altun created the bold display typeface Lore (2015). [Google] [More] ⦿
Ozgur Serdar Altunoglu	Turkish web writer and philosophy student based in Ankara. He created the sturdy octagonal typeface Okula Hayir in 2012. He also made the fat finger font Elif Sans Herif (2012). In 2013, Okula Hayir Soft followed. In 2016, he designed Pek Komik Sans, a take on Comic Sans. Dafont link. Behance link. [Google] [More] ⦿
Cristian Aluas	Las Vegas-based designer (b. 1977) of the free handcrafted typeface Big Boss (2015). Dafont link. [Google] [More] ⦿
Harun Alukal	Indonesian designer of Salvalyn (2019). [Google] [More] ⦿
B.J. Alumbaugh	OSC Type Foundry, or Oscillating Type Foundry, located in Knoxville, TN, was started by B. J. Alumbaugh. In 2012, OSC published Italian Throwback 3D (shadow), Italian Throwback Outline, and Italian Throwback Fill, in the style of the Italian Western typefaces of the late 19th century. [Google] [MyFonts] [More] ⦿
Alexandra Alva	Graphic designer in Vienna, Austria, who created the minimalist sans typeface Älskling in 2017. [Google] [More] ⦿
Catalina Alva	During her design studies, Chorrillos, Peru-based Catalina Alva created the display typeface XOF (2015). Behance link. [Google] [More] ⦿
Marcos Alvaradado	Guaynabo, Puerto Rico-based student-designer of the backslanted display typeface Ansible (2018). [Google] [More] ⦿
Ana Alvarado	Monterrey, Mexico-based creator of the curly sea snail-inspired AI-format typeface Mood Board (2012). [Google] [More] ⦿
Brandon Alvarado	Iowa-based typographer and graphic design who was born in California. He created Brodovitch (2011), a fashion mag modern decorative typeface based on Alexey Brodovitch's 1951 typeface Al-Bro. Behance link. [Google] [More] ⦿
Carolina Alvarado	Carolina graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the slightly grungy outline typeface Bicifont. [Google] [More] ⦿
Javier Alvarado	Valencia, Venezuela-based designer of some squarish experimental school project typefaces in 2015. [Google] [More] ⦿
Maria Alvarado	During her studies at Texas Tech University, Maria Alvarado (Lubbock, TX) created a modular display typeface (2016). [Google] [More] ⦿
Noelia Alvarado	During her studies, Lynchburg, VA-based Noelia Alvarado designed the art deco typeface Charleston (2016). [Google] [More] ⦿
Jessica Alvarenga	American designer of the rounded typeface GROFLZ (2011). No downloads. [Google] [More] ⦿
Ariel Alvares	Designer in Goiania, Brazil, who created the free sans typeface family Polt (2014). Behance link. [Google] [More] ⦿
Adolfo Álvarez	Chilean designer who created the fat rounded typeface Rumbo (2009, Tipos de Cartagua) while studying type design at the University of Chile. [Google] [More] ⦿
Alberto Alvarez	Madrid-based designer of Fusion (2014, a 3d font), Black (2014, an alchemic typeface) and Magma (2014, an experimental geometric typeface). [Google] [More] ⦿
Alberto Alvarez	Medellin, Colombia-based designer of Mani (2018, prismatic caps) and Niyo (2018, a hyper-decorative typeface). [Google] [More] ⦿
Aldo Alvarez	Aldo Alvarez's outfit, part of the Chank Army. [Google] [More] ⦿
Alfredo Alvarez	Cadiz, Spain-based designer of the decorative blackletter typeface Nirvana (2015) and the angular text typeface Wild Roman (2015). [Google] [More] ⦿
Alizair Alvarez	During his studies in Ciudad Obregon, Mexico, Alizair Alvarez designed the left-leaning typeface Aliena (2017). [Google] [More] ⦿
Angel Alvarez	Graphic designer from Valencia, Spain. He has a site with Spanish and Catalan language type material, including an interview with Fred Smeijers and the history of typefounding in Valencia. He is working on the stone and garden inspired Lhorta (2007). [Google] [More] ⦿
Stephanie Alvarez Bertarioni	Alajuela, Costa Rica-based designer of the circus font Arlequin (2017). [Google] [More] ⦿
Cristina Alvarez	Graduate from FADU, University of Buenos Aires, who created the typeface Peperina (2008). [Google] [More] ⦿
Daniela Alvarez	Valencia, Venezuela-based designer of the pixelish typefaces Rockon (2015) and Hiplight (2015). [Google] [More] ⦿
Florencia Alvarez	Florencia Alvarez (Bling Studio, Buenos Aires, Argentina) is a graphic designer and illustrator. She created the powerful classical condensed didone-based headline typeface Fleurs du Mal in 2014. A free download is promised soon. [Google] [More] ⦿
Julieta Alvarez	Creator of the ornamental display typeface Moliere (2011) while she was studying at FADU UBA in Buenos Aires. [Google] [More] ⦿
Katya Alvarez	Katya graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the display typeface Rapa Nui which tries to revive the spirit of a mythical figure, Hombre Pájaro. [Google] [More] ⦿
Kylee Alvarez	During her graphic design studies at the University of Kansas in Lawrence, KS, Kylee Alvarez created the sci-fi typeface Orbit (2013). Behance link. [Google] [More] ⦿
Pablo J. Alvarez	Spanish designer of the display typeface Ovetus (2016). [Google] [More] ⦿
Renee Alvarez	Student at Columbia College in Chicago, class of 2015. Creator of Nu-Maya (2014), a typeface based on the dots-and-dashes Mayan numerical system. Behance link. [Google] [More] ⦿
Shara Alvarez	Pasto, Colombia-based designer of a dot matrix font in 2015. [Google] [More] ⦿
J.W. Alvarez Smith	Student of Graphic & Web Design at DMACC (Des Moines Area Community College). FontStructor who made Emma Witchson (2012, alchemic typeface). [Google] [More] ⦿
Steven Alvarez	Atlanta, GA-based designer of the prismatic caps typeface Rhizome Alphabet Song (2014). [Google] [More] ⦿
Vincent Alvarez	American designer of the techno font UpUp DownDown (2015) that takes inspiration from the video games of Electronic Entertainment Expo. [Google] [More] ⦿
Tania Alvarez Zaldivar	Talented Mexican graphic designer and digital artist (b. 1985) who was based in Montreal but is now back in Mexico City. She pushed the boundaries of experimental typography with creations like Fabric Type (2009), which was developed at Concordia University in Montreal, where she obtained a BFA in design in 2009. She continued her studies at EINA in Barcelona, graduating in 2010. Her early typefaces: 1 \| 2 \| 3 \| 4 \| 4 \| 5 \| 6 \| 7 \| 8 \| 9 \| 10 \| Sukkhos (Mr. Softie) \| Overseas Type (2010, done at Concordia University in Montreal) \| Moda Barcelona (2011). In 2010, she designed the map face Cartola, which grew out of a project at EINA in Barcelona and is based on Mrs Eaves. Mar 34 (2011) designed exclusively for the identity of Estruch, a restaurant located at the Plaza of the Cathedral in downtown Barcelona. The project was made in collaboration with Raquel Quevedo, who used the typeface for designing a graphic system for the identity. Both the face&the graphic design are based on postal service paraphernalia. Momo (2011) is a typeface that is developed based on the concepts of dada by El Lissitsky&Kurt Schwitters. In 2013, she graduated from the Type & Media program at KABK in Den Haag with a text typeface called Botanica that is geared towards scientific publications. In 2018, she published Tara at Indian Type Foundry. Designed for immersive reading, it has considerable contrast and wedge serifs. Behance link. Old URL. [Google] [MyFonts] [More] ⦿
Roberto Alvarez Zavala	Designer of a (partial) metafont for Nahuatl (2021). [Google] [More] ⦿
Cecilia Álvaro	Graduate from FADU, University of Buenos Aires, who created the typeface Noville (2008), which beams gothic cathedrals and purple cardinals. [Google] [More] ⦿
Manuel Alvaro	Italian type designer who grew up in Reggio Calabria and now lives and works in Florence, Tuscany. Associated with Italian type Foundry, he designed the compressed font Jonio (2021), which took inspiration from a typeface by Fonderia Tipografica Reggiani. Interview in 2021 by MyFonts. [Google] [More] ⦿
Ruddy Alva	During his studies in Lima, Peru, Ruddy Alva created the ornamental typeface Vertage (2014). [Google] [More] ⦿
Simoul P. Alva	During her studies in Mumbai, Simoul P. Alva designed the curvy Vixen Display (2017). [Google] [More] ⦿
Matthias Alvebring	Swedish photographer, b. 1976. Creator of the hand-printed typeface Alve (2013). Dafont link. [Google] [More] ⦿
Bárbara Alves	Graduate from Portugal who obtained a Masters degree from KABK, Den Haag. She designed the Dialogue type family for screen reading. [Google] [More] ⦿
André Themoteo Alves Correa	André Themoteo Alves Correa (b. 1986, Rio de Janeiro) is a Brazilian type designer who founded MMC Typodrome in 2013 in Rio de Janeiro. Aka Andréground-MMC, he is, in his own words, a sacred geometer, optical illusionist, enthusiast of Gestalt phenomena, artist, designer, typographer, calligrapher, graffiti writer, beginning engraver and aspiring sculptor. MMC was originally a clan of graffiti artists. In 2021, he replaced MMC Typodrome by MMC-TypEngine, and reminds us that MMC stands for Multimedia Mastering Creative-Types. Earlier acronyms included Macacos me Mordam and Many Meanings Challenge. His first typeface was the Escher-inspired Penrose Geometric (2013, extended to 22 styles in 2021). In 2015, he published Technical Signature (18 styles: labyrinthine) and Technical Scripture (18 styles). In the labyrinthine genre, this family is close to perfection. In 2020, he released the 22-style MMC Grafik and in 2021 the related MMC Insignia (32 styles). [Google] [MyFonts] [More] ⦿
Danilo Alves	Designer in Sao Paulo. In 2011, Danilo created an unnamed avant-garde sans face. [Google] [More] ⦿
Fabricio Alves	Fabricio Alves is Café Cult, but he also is Fcraft. In 2010, this Brazilian designer and culture hound created the free rounded typefaces Fcraft Borgo and Fcraft Borgo Dark, the latter being counterless. He also made Fcraft Smallpix (2009), Basica (2010, squarish) and Fcraft Sidarta (2010). Great web page, by the way. Dafont link. [Google] [More] ⦿
Flavio Souza Alves	Belo Horizonte, Brazil-based designer of a brush typeface in 2018. [Google] [More] ⦿
Gabrielli Alves	At Unesp in Bauru, Brazil, Gabrielli Alves designed the all caps sans typeface Lord Sans (2017). [Google] [More] ⦿
Haron Alves	Creator of the thorny typeface Erlantz (2014). [Google] [More] ⦿
Ivan Alves	Born in Porto, Portugal, Ivan Alves studied graphic design at ESEIG, Erasmus at Camberwell School of Arts in London and went to Barcelona to do an internship at Stanton Studio. Since 2011 he works at a studio in Porto called Nor267. In 2016, he designed the potato cut font Wild Potato. Its letterforms are based on the Jean-Luc font by Atelier Carvalho Bernau. Typefaces from 2017: Contra Headline (a stencil typeface for the revolution). Behance link. [Google] [More] ⦿
Jackson Alves	Jackson Fausto Alves (Type Curitiba foundry) is a Brazilian graphic and type designer, illustrator and teacher located in Curitiba. He also designs exclusive lettering for clients around the world. In 2012, he published the pointy calligraphic typeface Bispo---free at MyFonts and at Fontspring. Nova Bispo (2013) and Bispo Pro (2013) are available from MyFonts. In 2015, he designed a custom typeface for the Brazilian beer Kaiser. Behance link. [Google] [MyFonts] [More] ⦿
James Alves	Brazilian designer---I think---of the stencil typeface Columbina (2018) for a branding project. [Google] [More] ⦿
Joana Alves	Lisbon-based designer of the round neogrotesque slabbish typeface Missanga (2013), which was a school project. [Google] [More] ⦿
Joana Seabra Alves	Lisbon-based designer of an experimental compass-and-ruler typeface in 2015. [Google] [More] ⦿
Jordana Alves	Goiania, Brazil-based graphic design studentr at Universidade Federal de Goiás in 2015, when she created the italic typeface Hadnos in cooperation with Guilherme Marques and Thiago Augusto. [Google] [More] ⦿
Lilia Alves	Porto, Portugal-based designer of the school project fonts Vento (2015: an italic font) and Ornaments (2014). [Google] [More] ⦿
Margarida Alves	During her studies at the University of Aveiro, Margarida Alves (Porto, Portugal) created the sans typeface Clemente (2014). [Google] [More] ⦿
Maria Luiza Alves	Belo Horizonte, Brazil-based designer of a hipster school project font in 2013. [Google] [More] ⦿
Marta Alves	Or Marta Goncalves. Faro, Portugal-based designer of the stencil typeface Broken Tipo (2016, a student project at University of the Algarve). [Google] [More] ⦿
Marta Alves	Leiria, Portugal-based designer of the stencil display typeface Corvo (2019). [Google] [More] ⦿
Mauricio Alves	Designer in Sao Paulo. During his studies at SENAC in 2011, he created a hand-printed typeface called Messtype for subtitles of a children's magazine. [Google] [More] ⦿
Nuno Alves	Nuno Pedro Soares Alves (b. 1978, Lisbon) is the FontStructor who made Terramoto (2010), an earthquake font. In 2012, he went commercial as UFF Portugal, located in Tomar. His commercial typefaces include Branca Poster (2012: a high-contrast fat didone poster family), and Shearman STD (2012: a rounded octagonal typeface). [Google] [MyFonts] [More] ⦿
Peterson Evaristo Alves	Osasco, Brazil-based designer. For a course given by Priscila Farias, he designed Marvel Comics Dingbats (2016). [Google] [More] ⦿
Tatiana Alves	Designer in Lisbon, Portugal. Creator of the handcrafted typeface Broken Arrow (2015). [Google] [More] ⦿
Vinicius Alves	During his studies at Senac in Sao Paulo, Vinicius Alves created the foliate typeface Brocolis (2014). [Google] [More] ⦿
Vitoria Alves	During her studies in Sao Paulo, Brazil, Vitoria Alves designed the decorative multi-outline typeface Mockingjay (2018). [Google] [More] ⦿
Wagner Alves	Graphic designer in Criciuma and Florianopolis, Brazil, b. 1989. Creator of the monoline avant garde sans typeface Caos Light (2010), the handrprinted Mierda (2011), and the minimalist organic typeface Nawger Sans (2011). Home page. [Google] [More] ⦿
Amjad Hussain Alvi	Amjad Hussain Alvi (Alvi Technologies, Pakistan) makes available a free Urdu font, Alvi Nastaleeq (2008). [Google] [More] ⦿
Rayane Alvim	During her studies in Rio de Janeiro, Rayane Alvim designed a decorative set of caps (2017). Behance link. [Google] [More] ⦿
Luis Alvoeiro	At MAGA Atelier in Lisbon, Luis Alvoeiro designed the stencil typeface Alvo Eat (2016). Behance link. [Google] [More] ⦿
Wafaa Al	Beirut, Lebanon-based designer of the Arabic display typeface Iris (2018). [Google] [More] ⦿
Layal Al Wazzan	Graduate of Lebanese American University in Beirut, Lebanon. Graphic designer in Beirut who created the Bellow Straw typeface for Latin and Arabic in 2014. [Google] [More] ⦿
Shalmali Alwe	Mumbai, India-based designer of several experimental geometric typefaces in 2016. [Google] [More] ⦿
James Alworth	Torrance, CA-based designer, who, during his studies at OTIS College of Art and Design, created Newfangled Grotesk (2016). Behance link. [Google] [More] ⦿
Haya Alyafi	At University of Sharjah, Haya Alyafi (Sharjah, UAE) designed the multiline Latin typeface Video Tape Effect Font (2017). [Google] [More] ⦿
Asym Aly	Karachi, Pakistan-based designer of an untitled display typeface in 2014. [Google] [More] ⦿
Clare Alyce	Wisconsin-based designer (b. 1987) of Love You Long Time, BLINGladash, Clare's-Special-Sauce, Could-Be-Infected, Got-Ballz, Retro-Stylee, Scrapbooking-Special, Sooper-Cool and stellar-handwriting, all handwriting fonts made in 2007. She also made the western look font WANTED-Dead-Or-Alive! (2007) and the script font Love You Long Time (2007). [Google] [More] ⦿
Fardeen Aly	Designer of the handcrafted poster typeface Sandman (2018). [Google] [More] ⦿
Yomna Aly	During her studies at German University in Cairo, Egypt, Yomna Aly designed a font dedicated to Kevin McAllister (2018). [Google] [More] ⦿
Noor Alzaher	During her studies at University of Dammam, Al Qatif, Saudi Arabia-based Noor Alzaher designed the rounded stencil typeface Domino (2017). [Google] [More] ⦿
Anfal M. Alzarraj	At the University of Dammam, Al Khobar, Saudi Arabia-based Anfal M. Alzarraj designed the Arabic typeface Rhuda (2017). [Google] [More] ⦿
Camilo Alzate Duque	Camilo Alzate is from Medellin, Colombia. In 2012, he graduated from the type design program at FADU UBA (University of Buenos Aires), where his graduation work consisted of the informal typeface Sabrosa (2012). In 2013, he created the warm text typeface Colemica. Behance link. Another Behance link. [Google] [More] ⦿
Ophélie Alzieu	During her studies at Campus de la Fonderie de l'Image, Antony, France-based Ophélie Alzieu designed the polygonally stroked typeface Bilum (2017). Behance link. [Google] [More] ⦿
Yazeed Alzoubi	Jordanian designer of the Latin sans typeface Mool Boran (2013). He is located in Irbid. [Google] [More] ⦿
Emiliano Amadei	Ponta Grossa, Parana, Brasil-based inddustrial designer. Creator of the stencil typeface New Stencil (2006) and the graffiti typeface StreetBlok (2006). [Google] [More] ⦿
Bráulio Amado	Portuguese type designer who lives in Almada. He created the octagonal typeface No Manners (2010). His foundry at MyFonts. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
Filipa Amado	During her studies at IADE in Lisbon, Filipa Amado and Beatriz Fialho created the connect-the-dots typeface Metro (2014) and the free updated version Metro 2.0 (2015). In 2020, she released the free sans typeface Fitalia. [Google] [More] ⦿
Pedro Reis Amado	Started and maintained by Portugal-born Pedro Amado, who taught in the Faculty of Fine Arts at the University Porto, and is now professor at the University of Aveiro, the LiveType Project focuses on the development of complete Fonts using Fontforge. This project aims that everyone involved can and will learn more about typography and type developing in a collaborative method. It will provide the fonts and the font files regularly to users, developers and anyone with an interest in type. They are working on their first font. On Typophile, the question came up regarding the use of the (free) FontForge software rather than the commercial FontLab editor. Amado's reply and additional points: 1. No third party. One of the main directives of this project is to ALWAYS keep it on an Open [Source] Basis so we don't depend on third party, commercial solutions. 2. Open Source. I really believe in the future of Open Source Software. Bear with me for a moment - I work as a Design Tecnhician in a Fine-Arts Faculty in Portugal. As you might know, our public education system doesn't have that much money. The ones who do are usefull courses/faculties like engineering So this situation leaves us with obsolete growing, underdeveloped, non-market responsive solutions. All this because people who are running the system are spending money in vaious stupid ways. If you are familiar with Manuel Castells' opinions, you might agree that one way to promote a better future is through the use of Open Source solutions. In a very practical way, save some money to invest on more important things - enter Linux & Open Source Software, hence the use of Fontforge. Take the case of our neighbours, the spanish region of Estremadura. The public education system developed their own personalized, scaled to needs Linux Distro - Linex - that they implemented on the whole school system. It worked and the savings were huge! Brasil and some regions in Africa and India are also taking on similar initiatives I know these are difficult to implement solutions, and calculating the costs arent this simple. But this takes to me next point. 3. Training. Imlementing this cost saving solutions means taking on a higher maitenance cost and further system administration - hey! I work on an University arent Universities supposed to promote knowlegde? How about using these systems, develop them, teach students howto, and then coming full circle when students start to use them in their professional lives and saving money to companies etc Nevertheless students should be also trained on the tools that the market needs - so teaching commercial tools and practices is also necessary. So the perfect solution would be to train students how to do it independently of the tools. So as a member of a Faculty I feel its my obligation to start using this systems, and start promoting them (along with commercial and established solutions). The LiveType Project is exactly this - I want to show people that is possible to use the free, open source solutions to learn how to do it with professional quality. And talking about learning 4. Collaboration. The fact that they learn how to do it on a Linux platform, or on a Mac platform or on a Win platform doesn't affect what they learn. This is really it. I don't consider myself a type designer Im just an amateur typographer and type designer whanabe, so I also want to learn how to type design better, who knows if I grow to be good at it? I also want to learn no matter the platform. I also want to learn and knowlege should be acquired in a Free, Open Source Collaborative way! Things work out better if we collaborate with each other. In 2005, this project morphed into Typeforge. Speaker at ATypI 2010 in Dublin. Speaker at ATypI 2016 in Warsaw on The evolution of the type specimen book. [Google] [More] ⦿
Joana Amador	Brazilian type designer who works at Tipos do aCaso. Her fonts include the children's handwriting font Toinho, designed with Renata Faccenda. [Google] [More] ⦿
Jorge Amador	Designer at FontStruct in 2008 of wot-eva, Fatso Forgotso, and Origami (great!). In 2012, he created the script display typeface JdS. [Google] [More] ⦿
Rie Amaki	New York and Pasadena, CA-based designer of the display family Hierarchy, which won an award at the TDC2 2001 competition (Type Directors Club). Rie studied with Jens Gehlhaar at the Art Center College of Design. [Google] [More] ⦿
N. Amalin	Bandung, Indonesia-based designer of the textured typeface Hudoq (2015) for a school project. Hudoq is based on the Dayak traditional culture in Kalimantan, Borneo. [Google] [More] ⦿
Muhammad Khoirul Amal	Kudus, Indonesia-based designer, b. 2000, of the script typeface Dapka (2019), the condensed sans family Engula (2019), the thin upright script typeface Quesky (2019) and the sports stencil font Debrosee (2019). Typefaces from 2020: Gillebra (script), Rakeboom, Sahur Bosku (a monoline script), Sweety Meilita, Beskill, Hambu Radul, Febyetska, Arlista (script), Bordershine Script, Bordershine (a monoline script). Typefaces from 2021: South Roman (an upright and loopy signature script). [Google] [MyFonts] [More] ⦿
Rafael Amambahy	Brazilian designer of a pixel font in 2011. [Google] [More] ⦿
Daniel Amann	German designer at Fontkitchen Type Foundry of Cosicon (2003, dingbats) and Obivan (2004). [Google] [More] ⦿
Muneo Amano	Muneo Amano's fonts are sold through Font Pavilion: the Nohofont family (1998) includes Cat's White, Cat's Black (cats take the shape of letters), Crayon (alphabet, katakana, hiragana), Rakugaki (child's dingbats), Usamoji. [Google] [More] ⦿
Hafiz Amanudin	Magelang, Indonesia-based designer (b. 2001) of the glitchy display typeface Borobudur (2021). [Google] [More] ⦿
Ana Leticia Amaral	Using iFontMaker, Ana Leticia Amaral created Leca (2011, fat finger face). At the Universidade Federal de Santa Maria in Santa Maria, Brazil, she created the wonderful warm text typeface Nicole (2014). [Google] [More] ⦿
Erika Amaral	Belem, Brazil-based Fontstructor who made Geom Type (2014). [Google] [More] ⦿
Flavia Amaral	Graphic design student at UEMG in Belo Horizonte, Brazil. During her studies in 2012, she designed the hairline typeface Skinny Heels. [Google] [More] ⦿
Iris Amaral	Rio de Janeiro, Brazil-based designer of Modernidade (2017) and Bear Blade (2017). Behance link. [Google] [More] ⦿
Sanderson Amaral	Fortaleza, Brazil-based designer of the fantasmagoric font Coraline (2018). [Google] [More] ⦿
Jeruel Aaron Amar	Designer from Quezon City, The Philippines, b. 1993, who used FontStruct in 2009 to make Pointers and Pointersoft (pixel arrow fonts), Eleaves, AcidSpeed, Parallelofont (octagonal), Missing Block, Acid Square, The First Font, Danubee (organic), Thorns, ReilyBill Richkid, Tabloid, StillAliveForNow, StillAlive, and The Curve. In 2009, he added Unbranded, Nokia 6000, Quickening, Bump it up, Corte (3d shadow face), Unbranded, Piloton (techno; +Piloton G, 2012), Tahoma (pixel family), Raft, Paper Company (octagonal), Afro Style, Arko, 7th Service (stencil), Thorns, and Afro Superstar. In 2012, he created Afro Superstar, Malibata Neue, a modernized and simplified Baybayin/Alibata (ancient Filipino writing), Gumball. In 2014, he designed the free gravestone typeface Furgatorio and an ancient Filipino script font, Malibata (2014, FontStruct). In 2015, he added XOX, the futuristic Babayin typeface Maria Stellar, and the techno sans typefaces Dozer One and Dozer Two. In 2016, he designed the marker pen font Jeboy and the coffin font Furgatorio Sans. Typefaces from 2017: Alta (a fashion design sans). Typefaces from 2018: Matatas One (a free Baybayin typeface), Cubao (free; inspired by the signboards hanged on Jeepneys, SUVs, buses and other transport vehicles within and outside the Metro; in 2022, a variable font was added), Quiapo (handcrafted all caps sans), Alta Kratos (alchemic; with Jean Pierre Cruz). He explains the genesis of Quiapo which is based on signs hanging in jeepneys: Quiapo Free is a brush typeface dedicated to the Filipino sign makers, Jeepney drivers, and the daily commuters in the streets of Metro Manila and anywhere in the Philippines. Typefaces from 2019: Maria Stellar X (a futuristic font for Latin and Baybayin). Typefaces from 2020: Hayskul, Kawit (a brushed lava lamp font), Dangwa (brush script), HPB (a stylish all caps sans created for the Christian Fellowship Church founded in Plaridel, Bulacan, Philippines), and the Baybayin fonts Malibata Redux (prismatic), Titulo Tagalog, MKBYN Clara (cursive, pixelized), Malamaya. Typefaces from 2021: Goth Gothic (a free blackletter / tattoo font), Copula (a retro inline typeface). [Google] [More] ⦿
Moshe Amar	Israeli type designer. Creator of the paint drip Hebrew typeface Tipot (2010, Masterfont), Plateau MF (2010, Hebrew signage face), Amar MF (1986, Masterfont). Klingspor link. [Google] [MyFonts] [More] ⦿
Of Amar	Designer of the monoline sans typeface Doubt (2020). [Google] [More] ⦿
Kenny Amaro	Caracas, Venezuela-based designer of Impossible Font (2015). [Google] [More] ⦿
Belen Cornejo Amat	During her studies at the University of Buenos Aires, Belen Cornejo Amat designed an untitled modular Peignotian typeface (2018). [Google] [More] ⦿
Eric Amate	Born in 1988 in China, Eric Amate (Rhinophant Graphics) designed White Knight in 2015. [Google] [More] ⦿
Gabriella Amate	Tatui. Brazil-based designer of the script typeface Amate (2018). [Google] [More] ⦿
Andrea Amato	Andrea Amato graduated from the Politecnico di Milano with a thesis on the history of sanserifs, and went on to work with Matteo Thun & Partners and Massimo Pitis. He is art director of That's Contemporary, which keeps an eye on contemporary art in Milan. He founded and runs the Tipiblu Studio with Aurora Biancardi. He is a contract professor at Raffles Milano and teaches lettering at the Accademia Belle Arti Santa Giulia in Brescia. He has been a member of the cooperative Italian type foundry CAST and is its art director since 2018. His typefaces include Frusino (2015), the official font of the county of Frosinone, near Lazio. Together with Aurora Biancardi, he designed Sempione at Tipiblu Studio. [Google] [More] ⦿
Samara Amat	Design student at the City College of New York. She created the smooth modular display typeface Chynna Cali (2012). [Google] [More] ⦿
Julisa Amavizca	Mexican designer of the free avant-garde typeface Cosmoluna (2018). [Google] [More] ⦿
Diego Amaya	Bogota, Colombia-based designer of the rounded sans display typeface Radioactive (2017). [Google] [More] ⦿
Diego Pinilla Amaya	Graphic designer and art director at As If Magazine, Buenos Aires. For As If he created the prismatic op-art typeface Optic Alphabet (2015). He also designed a prismatic fantasy alphabet called Strings (2015) and the axonometric alphabet Axo (2016). Behance link. [Google] [More] ⦿
Marco Amaya	Designer in San Salvador, El Salvador. Creator of the geometric typeface Cubo (2012). [Google] [More] ⦿
Nestor Amaya	Bogota, Colombia-based creator of Shooter (2012). [Google] [More] ⦿
Santiago Amaya	Designer and illustrator in Barcelona and/or Bogota, Colombia, aka Xato. Creator of the spiky hexagonal typeface Uglymann (2012). The octagonal typeface Crwell (2014) was designed on a rhombic grid. Dafont link. Behance link. Cargo collective link. [Google] [More] ⦿
Manu Ambady	Mumbai, India-based designer of the free Peignotian typeface Suave (2018). [Google] [More] ⦿
Fritz L. Amberger	Artist and printer, 1899-1950, who was based in New York City. He designed Bam-Stencil in 1937 for Ruttle, Shaw and Wetherill. Mac McGrew: Bam-Stencil was designed by F. L. Amberger and reportedly cut by Ruttle, Shaw&Wetherill, a Philadelphia typographic firm, about 1937. It follows the general style of Corvin us (Glamour) Bold, but is heavier and has stencil-like breaks in the strokes. No lowercase was made. [Google] [More] ⦿
Elliott Amblard	Elliott graduated in graphic design at EPSAA (Ecole Professionnelle Supérieure d'Arts Graphiques et d'Architecture de la ville de Paris, France) in 2012. Together, Elliott Amblard (France) and Gia Tran created the bold signage / retro baseball script typeface Paname FY at FontYou in 2014. At Long Type, he created Oradour: Inspired by french vernacular lettering, it is also a very contemporary re-interpretation of Eurostile typeface (Aldo Novarese) by stripping it from this dated aesthetic. FontYou link. In the TypeMedia program at KABK in Den Haag, he designed Emil for his graduation in 2015. Emil is situated between a text typeface and a slab serif typeface. It is characterized by convex stems and low contrast and includes a Hairline weight. In 2016, he published Yuzu at Indian Type Foundry. It is a simple yet effective straight rounded sans typeface family. Guide (2016), also published by Indian Type Foundry, is a wayfinding and traffic sign sans typeface family. In 2017, Elliott Amblard and Théo Guillard designed Read Greek Condensed, which won an award at TDC Typeface Design 2018. In 2018, Elliott Amblard and Jérémie Hornus co-designed the information design humanist sans typeface family Drive. It is accompanied by the more typewriter-styles families Drive Mono and Drive Prop, and published by Black Foundry. Angus (2018) is a multiplexed rounded sans typeface family by Elliott Amblard that includes a variable font. [Google] [MyFonts] [More] ⦿
Catherine Ambrocio	Cavite, The Philippines-based designer of Pokemon Font (2016). Tumblr link. [Google] [More] ⦿
Marta Ambrosetti	During her studies at Politecnico di Milano, Marta Ambrosetti (Varese, Italy) designed the grid and compass-based art deco stencil typeface Geometric (2013). [Google] [More] ⦿
Cheryl Ambrosio	During her graphic design studies at The College of Saint Rose, Cheryl Ambrosio (Albany, NY) created a logotype (2014). [Google] [More] ⦿
Belinda Amelia	During her studies at Bandung Institute of Technology in Indonesia, Belinda Amelia designed the pearly caps typeface Embara (2018). [Google] [More] ⦿
Agostina Amelotti	For a school project at FADU / UBA (Buenos Aires), Agostina Amelotti (Lujan, Argentina) mixed Kabel and Dorchester when she created the elegant curly hybrid typeface Lemon Champ (2014). Also worthwhile is her cocktail lounge series of sample applications. [Google] [More] ⦿
Fernando Amengual	Argentinian artist / painter / illustrator, b. 1966. Creator of the experimental typefaces Borges (2005), Latita (2000, organic), Ñanduti (2000), Pacífica (2000, based on Arial, the typeface used for the Iraq war declaration), Huev (2004), and Misiones. In 1984, he become Profesor Nacional de Artes Plásticas in Buenos Aires. Currently, he is a professor of design at Universidad Católica de Asunción, Paraguay. [Google] [More] ⦿
Feven Amenu	Graphic designer in Virginia who runs Fevera Graphics. Creator of the techno barcode-simulation typeface Barcode (2012). [Google] [More] ⦿
Lindsay Amerault	American design studio run by Lindsay Amerault. Behance link. Creator of the marihuana smoke typeface Paisley (2011). [Google] [More] ⦿
Esraa Amer	Egyptian graphic designer. Typefaces from 2022: Foda Display (a display typeface for Latin and Arabic by Ahmed Eraqi, Nohamad Foda and Esraa Amer), Quta Rounded (by Ahmed Eraqi, Nohamad Foda and Esraa Amer), Quta (a 10-style sans with a preference for 90-degree junctions in unusual places; by Ahmed Eraqi, Nohamad Foda and Esraa Amer). [Google] [MyFonts] [More] ⦿
Casey Ames	Salt Lake City, UT-based designer of the tangram typeface Visual Alphabet (2015). [Google] [More] ⦿
Natasha Ametrano	During her studies in Caracas, Venezuela, Natasha Ametrano created the free modular typeface Acantilada (2014). [Google] [More] ⦿
Ameze	French designer of the graffiti typeface Ameze (2005). Web page. Yet another URL. [Google] [More] ⦿
Kus Yoyok Amg	Designer of the fat finger font Special Blackletter (2021). [Google] [More] ⦿
Raffaele Amici	Milan-based designer of the Bauhaus-style stencil font WRD Sans (2013). [Google] [More] ⦿
Hanisha Amin	While studying graphic design at the Academy of Art University in San Francisco, Hanisha Amin (b. UK), who was raised in Arkansas, created an unnamed techno typeface in 2013. Behance link. [Google] [More] ⦿
Jawahir Amin	American designer of the squarish typeface Jeli (2019). [Google] [More] ⦿
Mostafa Amin	Tabuk, Saudi Arabia-based designer of the Arabic typeface Amin (2015), which extends the Latin typeface Harabara (2009, André Harabara). [Google] [More] ⦿
Aminuddin Amir	Brunei-based student-designer of the free textured display typeface Tangled (2015). [Google] [More] ⦿
Syafieza Amira	Seremban, Malaysia-based designer of monoline sans typeface in 2017. [Google] [More] ⦿
A. Amirawan	Indonesia-based designer of the free display font Tipals (2020). [Google] [More] ⦿
Diyana Amir	During her studies in Kuala Lumpur, Diyana Amir designed Bunga (2013), an ornamental caps typeface based on Kebaya Nyonya embroidery designs in Melaka Malaysia. [Google] [More] ⦿
Achraf Amiri	Creative director and founder of Illustrashion Magazine, based in London. Known as Prince, Amiri used to live in Brussels, where he was art director and graphic designer. Home page. In 2010, he published a booklet, Didot Fashion Victim. His fashion-inspired lette ring is quite amazing, and so are his fashion illustrations. In 2011, he continues his amazing mixtures of typography and illustration in his design of a wall logo for Boutique no. 7 in Moscow. He also made the hairdo experimental caps typeface Touffe (2011). More fashion and vamp illustrations: Milano 2011, New York 2011, Paris 2011, Sophia Loren, Sofitel Brussels Le Louise (2011). [Google] [More] ⦿
Alireza Amiri	Falling Angel Studio in Partile, Gothenburg, Sweden, was established in 2009 by Alireza Amiri (b. 1986, Teheran). Their first fonts include Circ (pixelish), Ki Moa Triangle Park (2011, with Mohsen Khaki), Sandikza (scribbly hand), Smart (rounded hand-printed face), Smart Maximus, Entoferno, Kakeroon (2010), Scatterbrain, XMadness (dot matrix face), Smart Wix (2010), Mazigh (2010, hand-printed), Jebrill (2010), Khoft (2010, grungy stencil), Kanta Cube (2010, block letters), Smart Maximus (2010), and Smart Toxonic. The following alphading pages were published in 2012: Ghab Star David, Ghab Star Clipart, Ghab Star Bahai, Ghab Star, Ghab Leaf Plane, Ghab Leaf Lucky, Ghab Leaf, Ghab Heart Triple, Ghab Heart, Ghab Gravestone, Ghab Cloud, Ghab Bubble Speech Black, Ghab Bubble Speech 2, Ghab Bubble Speech, Ghab Bottle, Ghab Atom. They were created jointly by Alireza Amiri and Sevin Shiva. Kokab (2012, with Sevin Shiva) and Azad (2012, with Sevin Shiva) are elegant black extended display typefaces. Bisheh (2012, with Sevin Shiva) is a condensed sans display family. Klingspor link. Vierw Alireza Amiri's typefaces. [Google] [MyFonts] [More] ⦿
Samar Amir	Graphic designer in Cairo who created the elegant display typeface Melinda and the Arabic typeface Gawaher in 2018. [Google] [More] ⦿
Martin Amitrano	Buenos Aires, Argentina-based designer of the free font Automata (2017). It is interesting that this font is called Origami inside its guts. [Google] [More] ⦿
Naseem Amjad	Designer of Arabic fonts, such as AlKatib1 (2001). See also here. [Google] [More] ⦿
Naqiuddin Ihsan Amj	At Institut Teknologi Brunei, Kuala Belait, Brunei-based Naqiuddin Ihsan Amj created the free typeface Anchored (2015). Behance link. [Google] [More] ⦿
Ankita Amlathe	Jaipur, India-based designer of the hipster font Animotemezoo (2015). [Google] [More] ⦿
Abody Ammar	Aka Abody Ammar. Damanhar, Egypt-based designer. Co-designer with Yousuf Gamal of the fun fluid Arabic typeface Marshmallow (2017). Free download for personal use. In 2017, Abd Al Raoof (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Raoof. Still in 2017, Yousuf Gamal (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Caramel. In 2018, he designed the free Arabic / Urdu / Farsi font Oya together with Avd Al Raoof (Abdoaroof Aburzizh). [Google] [More] ⦿
Rizalul Ammar	Medan, Indonesia-based designer, b. 1993, of the lava lamp typeface Melbournistic (2018), the brushed Spiky (2018), the script typefaces Azzanya (2018) and Baluap (2018), and the cursive typeface Chorety (2018). He runs Zhalul Design Studio. [Google] [More] ⦿
Mirco Amme	Graphic designer in Florence, Italy. In 2017, he created the brushy display typeface Full Pac. [Google] [More] ⦿
Johannes Ammon	Designer with Hans Heitmann of the monospaced programming font Monoflow (2019). [Google] [More] ⦿
Susanna Ammon	Student in illustration in Cologne, who created a modular layered typeface in 2012 called Suva Fontart. [Google] [More] ⦿
Yesaya Amnestian	Founder of Nestype in 2018. Pemalang, Indonesia-based designer of Ruffin (2019: a tall script), Justicman (2019: a rounded sans), Sontiro (2019: a wild script), Battara (2019: script), Astro (2019: sci-fi), Hinata (2019, a signage typeface), Showdown (2018: octagonal), Aliyaa Script (2017, a yummy brush script) and Martin (2017). In 2020, he released Luffio (a brush script), Magazine (a text typeface), Harliy (a monolinear retro script), Affogato (wild calligraphy), and South (a script). In 2021, he designed Ginger Columbus (a decorative serif), Bugis (an all caps display typeface), and Vilaka (a decorative mini-wedge serif). Typefaces from 2022: Chicago (a display serif), Quiny (a display or poster sans). [Google] [MyFonts] [More] ⦿
Dennis Amoah	In 2017, during his studies in Cambridge, UK, Dennis Amoah designed the decorative typeface Afro, which uses patterns inspired by those seen in various forms of African folk art, from countries such as Morocco, Ghana, Zimbabwe and Tunisia. Behance link. [Google] [More] ⦿
Jeanlouis David Amodio	Taranto, Italy-based graphic designer (aka Jean Grphx) who made the free brush typeface Ciao (2010) and the grungy Anconventional (2012). Dafont link. Old URL. [Google] [More] ⦿
Daniel Amor	Stuttgart-based Danny Amor was active in the 1990s. His fonts include Jesse James (2000, Western), Future World (1999, LED simulation), New Kids (3D face), CascadeScript, the monospaced pixel typeface Topaz-8 (1994), and Sarah Bernhardt (1999). Fontspace link. He used the company name Brainstorm at some point. [Google] [More] ⦿
Arianne Amores	During her studies at IADE in Lisbon, Portugal, Arianne Amores created the slabbed typeface Manteigaria (2014), which was inspired by an old shop sign. [Google] [More] ⦿
Maria Sol Amores	Graphic designer in Buenos Aires, who created the display typeface Chini (2017). [Google] [More] ⦿
Pepe Amores	Graphic designer in Malaga, Spain, who created the great angular text typeface Norden (2017). Behance link. [Google] [More] ⦿
Kaique Amorim	Sao Paulo-based designer of the free font Estreita Condensed (2015). Behance link. [Google] [More] ⦿
Yan Amorim	Brazilian graphic designer, aka Caio Amorim. For a college project in 2018, he designed the brush typeface Pixim. [Google] [More] ⦿
Med Aziz Ben Hadj Amor	Tunis, Tunisia-based designer of the Latin all caps typeface Hachtacta (2018). [Google] [More] ⦿
Tanya Amos	UK-based designer of these script typefaces in 2019: Freezetide, Northern Petal, Rossioffe (script), Ailre Heleris, Hazel Shadow, Oriole Bird, Ametrine, Leisoll Reef (wild calligraphy), Carnelian Antique, Tiara (a calligraphic script), Morning Mood, Michael (a signature script), Violets (brush), Cookie Jar, Parapluie. She also designed the decorative sans typeface Peronel (2019). Typefaces from 2020: Tralee (a rounded handcrafted sans), Cookie Treat. Typefaces from 2021: Blicalon (a bold monolinear sans). [Google] [MyFonts] [More] ⦿
Shirin Amouei	Milpitas, CA-based student-designer of an untitled display typeface in 2015. [Google] [More] ⦿
Vespasiano Amphiareo	16th century Franciscan scribe and calligrapher (1501-1563), known for his 1554 writing manual Opera di Frate Vespasiano Amphiareo da Ferrara ... nella quale si insegna a scrivere varie sorti de lettere (Venice, 1554), the first place where one can find a Bastarda. Typefaces based on scans of his work include Gothic Majuscles (2003, Manfred Klein, based on Gothic Initials, 1554), and Amphiareo (2002, a Mac font made by Michael Schrauzer). Pictures of his capitals. [Google] [More] ⦿
Michael Amprimo	Montpellier, France-based designer of the free 400+ web icon font Jam Icons (2017). Behance link. [Google] [More] ⦿
Valery Ampuero	Graphic designer in Lima, Peru, who created the display typeface Bubble Gum in 2014. [Google] [More] ⦿
Miral Amr	At German University in Cairo, Miral Amr designed the display typeface Minara (2015). In 2016, he created the TV caption Arabic font LCD. [Google] [More] ⦿
Nadine Amr	During her design studies at German Jordanian University in Amman, Jordan, Nadine Amr designed a wavy display typeface called Latin (2017). [Google] [More] ⦿
Roba Amr	During her studies at the German University in Cairo, Egypt, Roba Amr designed the informal typeface Tinhard (2018). [Google] [More] ⦿
Mauricio Amster	Polish-Spanish designer, 1907-1980, who fled Spain in 1939 to Chile on board of the Winnipeg, and who revolutionized editorial design in Chile. He worked on the mag Zig-Zag. Examples of his sublime lettering: calligraphy, Cancellaresca, Gotica Bastarda, Romana Antigua, Romantica Humanistica, Rotunda. Photo. Joaquin Contreras wrote a thesis at the Faculty of Architecture of the University in Chile in 2007 entitled Diseño de fuentes tipográficas, basadas en los libros integramente caligrafiados por Mauricio Amster en Chile. I quote from a talk given by Contreras in 2021: Mauricio Amster Cats is a leading Polish editorial designer who worked for 40 years in Chile as a publisher, potter, lettering artist and teacher. He published two books on graphic standards to support his classes at the school of journalism and design hundreds of books. Son of Jewish parents persecuted by the Nazi regime, as a young man he studied graphic arts in Germany. Together with his friend Mariano Rawicz he travelled to Spain to take part in the civil war. In Madrid he designed newspapers, pamphlets, posters and books, the best known being the Cartilla Escolar Antifascista, a study book for militiamen. As a refugee he travelled to Chile on the Winnipeg, a ship prepared by Pablo Neruda (Chilean poet, diplomat, winner of the Nobel Prize) where he arrived with his wife Adina, a Spanish bookbinder with whom he shared his life. In Chile he started out as an anarchist, but as time went by he became part of Chilean culture until he became probably the most important designer of the last century. [Google] [More] ⦿
Ruth Amstutz	Co-founder in 2000 of the Zurich-based design studio Moiré. With Dominik Huber at Grilli Type, she designed GT Pressura (+Mono) in 2013. In 2008, she made the corporate typeface Regina for Regina Gallery in London and Moscow. [Google] [More] ⦿
Rocio Amura	In Diego Pérez Lozano's class at the Universidad de Palermo in Buenos Aires, Rocio Amura designed the lively curly calligraphic script typeface Ruperta (2013). [Google] [More] ⦿
Adesola Amusan	London, UK-based designer of the display typeface Comb (2017). [Google] [More] ⦿
Kwesi A. Amuti	Located in Powder Springs, GA, AKOFAType has published the following dingbats with symbology from Ghana: Adinkra Calabash, Adinkra FineFine, Adinkra WantaWanta (2007). The designer is Kwesi A. Amuti (b. East Lansing, MI, 1974). He is working on Steady Rockin (a display face) and Fat Head. In 2013, he published Ehmbeecee, a typeface with frames. In 2014, he made the elliptical sans typeface Cabeza Grossa and the snowflake typeface Flurry. Creative Market link. Typedia link. Klingspor link. [Google] [MyFonts] [More] ⦿
Michael Amzalag	M/M Paris is a studio in Paris run by Michael Amzalag (b. 1962, Paris) and Mathias Augustyniak (b. 1967, Cavaillon), est. 1992. They created the decorative caps typeface Pradalphabet in 2014. It was custom designed for Prada's collection of unique T-shirts. [Google] [More] ⦿
Ana	Panamanian designer who lives in Argentina, b. 1985. Creator of the artsy display typeface 4564 (2007). [Google] [More] ⦿
Dartiailh Anais	Parisian illustrator and designer. Creator of JPO (2012), a squarish typeface named after the event it was created for, les Journées Portes Ouvertes des Gobelins. He also made Irregular (2012, a paper cutout face), History (2012), an experimental typeface that uses various layers of overlays. Tribu (2012) is hand-drawn. [Google] [More] ⦿
Kiera Anais	MA-based designer of the pixel font 51291pix (2008). [Google] [More] ⦿
Firman Suci Ananda	Tanjung Morawa, Medan, Indonesia-based group consisting of Firman Suci Ananda and Fajar Wahyu Pribadi. Designers of Dalia (2015, brush face), Marjei Display (2015, rough brush), Arum Display (2015, signage script), Victoria Script (2015, connected and calligraphic), Merry Light (2015, sans titling face), Rebli (2015, signage script), Worship (2015, brush script) and Kremlin Script (2015). Typefaces from 2016: Lotte (script), Kely (sic) Rose, Anomaly Script, Adleit (signage script), Markinson (retro signage script), Colorado (retro sign painting style), Fresh From The Farm (a playful all caps sans), Le Paris (creamy lettering), The Airlines (script), Aventura, Maskoolin (a free bold all caps titling typeface), Amerizana (heavy signage script), Scribble Script. Typefaces from 2017: Winifred (signature font by Wahyu Pribadi), Litograph, Bosque (Regular, Press), TF Opicular (geometric sans), TF Hillmark (a script typeface by Firman Suci Ananda and Wahyu Pribadi), TF The Fest (a script typeface by Firman Suci Ananda and Wahyu Pribadi), Volkschaft TF (baseball script by Firman Suci Ananda and Wahyu Pribadi), Bender Script, Hurley 1967 (signage script), Marana, Goodwyn (spurred vintage font), the script font Cartel Deux (+Sharp, +Smooth), the titling font Cartel Deux Black, the brush script Ruthmike. Typefaces from 2018: Taneka (signature font), US Bill Sans (published by Unidaas; co-designed with Fajar Wahyu Pribadi and Irfan Ulya), US Blaak (a wedge serif by Firman Suci Ananda and Fajar Wahyu Pribadi), Rucyva (by Le Magh). Creative Market link. Newer Creative Market link. Behance link. Dribble link. Dafont link. Creative Market link for Koll Kolls. Creative Market link for Cartel Deux. Skolbord link. Creative Market link for Tyfo Mono. Creative Market link for Koll Kolls. Creative Market link for Le Magh, a venture of Wahyu Pribadi. Behance link for Wahyu Pribadi. [Google] [MyFonts] [More] ⦿
Firman Suci Ananda	Neuebel & Mark is a small graphic and type design studio in Medan, Indonesia. It is yet another venture of Firman Suci Ananda, and started in 2019. The first typeface at Neuebel & mark is the display typeface Elgoc (2019). [Google] [More] ⦿
Novi Ananda	Yogyakarta, Indonesia-based designer (b. 1989) of the copperplate calligraphic typeface NS Champtone (2019), the spurred Victorian Americana typeface NS Emhericans Vintage (2019). Typefaces from 2020: NS Bullsmith (a Victorian typeface), NS Mudolf (a script/sans/serif vintage type package). Typefaces from 2021: NS Gibswing (a spurred Victorian extravaganza, with a dingbat font that contains Victorian panels and flowers), NS Blackbooks Victorian, NS Lasttown (a penmanship script, and vintage capital and serif styles). Typefaces from 2022: NS Deckpress (a layerable Victorian label font). [Google] [MyFonts] [More] ⦿
Ditya Dewi Anandita	Yogyakarta, Indonesia-based designer (b. 1980) of these script typefaces in 2019: Serenity, Great Wishes, Bright Monday, Amelia Script. Typefaces from 2020: Sweety Palm, Popy Jelly, Sparks Fly, Swiss Bloom, Sweet Brownie, Fluffy Puddle, Sweet Kitten, Magicelf, Sweet Dawn, Limelly, Cloudy Wavy, Melly Dream (a heavy upright script), Puppy Baby, Queen Kyra, Night Candle, Pink Miracle (monoline script), Silky Daisy, Eloisse (a brush script), Milky Matcha, Honey Sky, Pheonies, Saphire, Pinktart, Sugar Story, Starling Bright, Rooling Candy (a dry brush script), Angelia, Pretty Spring, Lovely Dream, Marlyna, Barelyn, Mellisa Jonathan, Makayla, Sandreya, Margareth Gretal, Amelisa, Kathiya, Carlista, Meliya, Melyana, Great Wishes, Great Wishes, White Glory, Standing Miracle, King Lounpera, Snowing, Awesome Party (font duo), Sweet Winter. Typefaces from 2021: Angelin Heart (a scrapbook script), Intouch Sky (a monolinear upright script), Masculine (an upright high-contrast script). Typefaces from 2022: Begin Play (a font duo based on a fat finger script), Snack Bowl (an elephant foot display serif), Really Gold (font duo). Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Ruby Anand	Communication designer in Pune, India, who created the 3d display typeface Geo Lith in 2016. [Google] [More] ⦿
Varsha Anand	In 2014, Varsha Anand (Bangalore, India) created a modular typeface based on a grid design. [Google] [More] ⦿
Amine Anane	Amine Anane obtained his PhD in 2012 from the University of Montreal. In 2017, he developed a Metafont / Metapost font with variable widths for the justification of Arabic texts, and in particular the Quran. He started the Digital Khatt project amd wrote: DigitalKhatt is an advanced Arabic typesetter based on a Metafont-designed parametric font that can generate a glyph with a given width during layout and justification while respecting the curvilinear nature of Arabic letters. The typesetter extends the OpenType layout engine to support the varying width and shape of the glyphs. [Google] [More] ⦿
Nicole Ananikian	Montevideo, Uruguay-based designer of a squarish modular display typeface in 2017. [Google] [More] ⦿
Aleksandr Ananin	Saint Petersburg, Russia-based designer (b. 1994) of the free shadow typeface family Airment (2018). [Google] [More] ⦿
Liat Anan	New York City-based web and graphic designer (b. 1984, Los Angeles) who created the bilined headline typeface Doubletri (2011). She studied first at Tel Aviv University and then Instituto Europeo di Design i Barcelona. Home page. [Google] [More] ⦿
Aryoni Ananta	Born in 1987 in Indonesia, Aryoni Ananta created the culturally inspired typeface Fernanta (2013). [Google] [More] ⦿
Jackkrit Anantakul	Bangkok-based graphic designer (b. 1979) who founded Design Reform Council in 2005, and is senior designer at YWFT. He made Fetti (2009), a type experiment in 3d based on polyhedra. Spikes (2009) is a modern, wild and abstract handset. Buffer (2010) is a highly contrasted slab display face. YWFT Soaka (2010) is more grungy, but remains slabby. YWFT Gavin (2010) began as a hand-drawn exploration of George Bruce's Seven-Line Pica. YWFT Wonderland (2011) is a smorgasbord of various hand-drawn styles. Pello (2011) is an arts and crafts typeface with Mexican influences. Typefaces from 2013: YWFT Swell (a rounded vector EPS font), YWFT Riet (Bauhaus or architectural style letters in vector format, You Work For Them). Home page. You Work For Them link. Behance link. Klingspor link. [Google] [More] ⦿
Abinaya Ananthachary	Florence, Italy-based designer of the mini-serifed typeface Herm (2018). [Google] [More] ⦿
Andressa Anantharaju	Designer in San Francisco. In 2014, she created Ksztalt (2014). This contemporary sans typeface was inspired by the architecture of the Jewish Museum of San Francisco, and the shapes of modern Hebrew letters. She is motivated by this quote by Antoine de Saimt-Exupery: A designer knows he has arrived at perfection not when there is no longer anything to add, but when there is no longer anything to take away. Behance link. [Google] [More] ⦿
Mahalakshmi Anantharaman	Computer science engineer, b. 1993, who is based in Chennai, India. In 2016, she designed a geometric solid alphabet. Behance link. [Google] [More] ⦿
Irina Anashkevich	Minsk, Belarus-based designer of a geometric display typeface for Cyrillic in 2016-2017. She also designed a cool set of icons in 2016. [Google] [More] ⦿
Oksana Anashkina	Kharkiv, Ukraine-based designer of the multiline Latin / Cyrillic typeface Alain Le Quernec (2015), named after French poster artist Le Quernec (b. 1944). [Google] [More] ⦿
Qara Anass	Font vendor site. One of its fonts is called Magic Mushroom (2020). It was published a week after research went viral that shows that magic mushrooms are beneficial for many troubles, including anxiety and depression. [Google] [More] ⦿
Dimitris Anastasiadis	Art director in Athens, Greece. Creator of the hairline avant garde typeface Mythont (2013). [Google] [More] ⦿
Koletta Anastasia	Jakarta, Indonesia-based designer of the display typeface The Wonder (2015). Behance link. [Google] [More] ⦿
Laura Anastasio	Milan, Italy-based designer of Abecedario del Falso Libro (2019). [Google] [More] ⦿
Thalassinos Anastasiou	Athens-based designer of the circle-themed Latin/Greek typeface Cyberia (2012) and the (free) alchemic typeface The Quantum (2013). In 2016, he designed the Latin / Greek titling typeface Rode Sans, which was influenced by Gotham, Hurme and Neutraface. A second Behance link. [Google] [More] ⦿
Dimitris Anasto	Designer of the wavy Latin / Greek typeface Hyto (2020). [Google] [More] ⦿
Anatole	Russian fonts designed after historical examples. Free downloads. The list: Arkhive, Belukha1, BrokgauzItalic, Brokgauz, Edisson, Elzevir, Figured, Gloria, Heading (2004, by Anatole), Imperial, Italiano, Karmen, Medieval, Redinger, RomanaScr, Round-Italic, Saksonia, ScriptEnglishItalic, ScriptThinPen, Tcheconin41, Tchekhonin2, Venecia (2004, by Anatole), Washington (2004, by Anatole), Zecession, AAlbionicTitulNrSh, Flomast (handwriting), flomaster-Bold (handwriting), Flomaster (handwriting). [Google] [More] ⦿
Aled Anaya	Graphic designer from Escondido, CA. He created the fat counterless slab typeface Manzana (2010). [Google] [More] ⦿
Mr. Anbarasan	Designer of the Tamil font TAB-LFS-Kamban Normal (1999) which can be found here. [Google] [More] ⦿
Pierre-Louis Anceau	Frenchman living in Taipei, Taiwan. Designer of the modular typeface Banano (2016) and Asian Food Icons (2016). In 2018, he added Dumdum Sans. [Google] [More] ⦿
Aloïs Ancenay	Graphic design studio in Paris set up and run by Aloïs Ancenay. In 2017, he designed Ace Regular (2016) and Ace Bold (2017), which were published at Lift Type. [Google] [More] ⦿
Teresa Ancona	For a project for AANT, Rome-based Teresa Ancona created the display typeface Kandy (2015), which is inspired by and named after Kandinsky. [Google] [More] ⦿
Daniela Ancuta	UK-based designer of Emmental Font (2017) and Juliet Script (2017). [Google] [More] ⦿
Janine Andaya	At UNSW, Janine Andaya designer the tall informal typeface Graffe (2019). [Google] [More] ⦿
Christian Anders	Designer at RGB107,6 of Stikker99, a font that simulates lettering sewed on clothes. [Google] [More] ⦿
Aske Gramstrup Andersen	During his studies in Haderslev, Denmark, Aske Gramstrup Andersen created the curvy display typeface Farisaeer (2015), which is named after a drink in Southern Denmark with coffee, rum and whipped cream. [Google] [More] ⦿
Ben Andersen	During his studies at the Yoobee School of Design (Auckland, New Zealand), Ben Andersen created Silo Park (2013, based on the masts and rigging atop the boats that litter Aucklands Habour). [Google] [More] ⦿
Bill Andersen	Agency in Wichita Falls, TX, run by Bill Andersen. Their commercial Kindergarten family is sold through Font Factory. [Google] [More] ⦿
Camilla Drejer Andersen	At The School of Visual Communication in Haderslev, Denmark, Camilla Drejer Andersen designed the rune and Viking-inpspired techno typeface Njordwear (2015). Behance link. [Google] [More] ⦿
Jess Andersen	In 2013, Andreas Peitersen & Jess Andersen co-designed Faux at the danish type foundry Playtype. Faux is a three-dimensional, all caps display typeface inspired by old stone carving and engraving techniques. [Google] [More] ⦿
Lube Glien Andersen	For Kenn Munk's class at the School of Visuel Communication, located in Haderslev, Denmark, Lube Glien Andersen designed the Balloonaddict typeface (2013). [Google] [More] ⦿
Margaret Andersen	Los Angeles, CA-based designer of the hipster typeface Chimera (2016). Behance link. [Google] [More] ⦿
Martine Andersen	Norwegian graphic designer, who created New Typeface (2012, experimental), Marune Five (2012, runic simulation typeface), and Spacematter (2012). [Google] [More] ⦿
Niels Otto Andersen	Denmark-based designer of the free font Ant Serif (2018). [Google] [More] ⦿
Stine Holm Andersen	During her studies at the School of Visual Communication in Haderslev, Denmark, Stine Holm Andersen created the cassette tape-inspired typeface Caset (2015). [Google] [More] ⦿
Torsten Lindsø Andersen	Graduate of the The Danish Royal Academy of Fine Arts---School of Design, who works as a type designer at ABC Design, a type foundry he cofounded with Rasmus Michaelis in Copenhagen. His typefaces: In November 2011, he showed Academy Bold to the world---a virile sans typeface for texts. It morphed into the wonderful Juli Sans (2016), which he made in collaboration with Rasmus Michaelis at ABC Design. Together with Kontrapunkt, ABC Design created the new global brand typeface family for Nissan under direction from and in close collaboration with Bo Linnemann. He designed an organic display typeface for his mother. He created a custom typeface for the Strøm film festival in 2016. Typefaces from 2016: Barbu (octagonal), Razor (at Playtype). Behance link. [Google] [More] ⦿
Gunter Anders	Rheinfelden-based designer of free Luwian hieroglyphic fonts, LuwhittA (2006), LuwhittB (2006). These symbols were developed by M. Marazzi in Atti della Tavola Rotonda (1995) and D. Hawkins in Corpus of Hieroglyphic Luwian Inscriptions (Walter de Gruyter Verlag, 2000). See also E. Laroche's Les Hieroglyphes Hittites (Edition du Centre de la Recherche Scientifique, 1960) and Piero Meriggi's Hieroglyphenhethitisches Glossar (Harrassowitz Verlag, 1962). [Google] [More] ⦿
A. Anderson	Designer of Blocked (2011). [Google] [More] ⦿
A. Anderson	This South Carolinian cartoonist made the squarish typeface Pilgrimage BLT (2010, FontStruct). Aka Sabata. [Google] [More] ⦿
Adam Anderson	Based in North Dakota, Adam Anderson is the designer of Garden of Eden (2007, a casual display face). No downloads. Alternate URL. [Google] [More] ⦿
Alex Anderson	During his studies at the University of Kansas in Lawrence, KS, Alex Anderson designed the squarish all caps typeface Nomadic (2012) and the straight-edged heavy metal band typeface Robotz Death Metal (2012). In 2013, Alex published Sideshow Slab. [Google] [More] ⦿
Ali Anderson	During her studies at the University of Nebraska in Lincoln, NE, Ali Anderson created the rounded display typefaces BAE (2014) and Winslows (2014). Behance link. [Google] [More] ⦿
Anabel Anderson	During her studies at Flagler College, Saint Augustine, FL, Anabel Anderson created the ornamental caps typeface Empress (2014). [Google] [More] ⦿
Annica Anderson	Lawrence, KS-based designer of the University of Kansas school project font Hello (2014). [Google] [More] ⦿
Brent Anderson	Branding and advertising specialist Brent Anderson is based in Amsterdam, where he runs The Fabriek and Meet Brent. In 2019, he designed the perfect-circle-geometric sans typeface Pulp Display and the text typeface Maniac Display. In 2020, he released the wedge serif typeface Node Display. [Google] [MyFonts] [More] ⦿
Callie Anderson	At Type Paris 2018, Callie Anderson designed the text family Rougir. [Google] [More] ⦿
Carl Anderson	Type web log run by Carl Anderson in Portland, OR. Carl Anderson is the designer of Cyclist (2005), a font done as a project in Amy Conger's class at the City College of San Francisco. [Google] [More] ⦿
Carl Edlund Anderson	Carl Edlund Anderson from the Dept. of Anglo-Saxon, Norse,&Celtic at St. John's College, University of Cambridge, makes medieval fonts of the highest quality. Made an Icelandic font, Eidlundur (Mac Icelandic encoding), Edlund Insular, Edlund SmallCaps, Edlund (Italic). Work on these fonts was done by Darcy Burner, Carl Anderson and Gary Munch. [Google] [More] ⦿
Charles R. Anderson	Born in Edmonton in 1969, Chank works out of the north-east corner of Minneapolis. Chank Diesel is a famous and prolific designer, type designer, busy-body and mentor. His Chank Foundry in Minnesota was started in 1992. Free fonts sub-page. Chank Diesel is Charles Andermack in the NY Times and Charles R. Anderson, b. Edmonton, 1970, elsewhere. Chank Fonts was run with Heidi Olmack ("El Mack de los Toros"). Earlier notices in his typefaces refer to CAKE Publications (2401 University Ave. NE, Mpls, MN 55418), Chank Foo, Schmopyright, and Exploding (PO Box 90100, San Diego, CA 92169). Bio by Susan Froyd. See also here or here or here or here. Handwriting font service for 95USD. 95 USD Go font Yourself font service based on filling out a form. Piece on Chank in the MinnPost. Chank became a popular and colorful figure who said this about himself: I like to drink a lot, and would like to think I'm known for it. Several of my fonts were inspired by booze, and I like to encourage other people to drink more, too. My best font is called Liquorstore. A partial list of his typefaces: 200proofmoonshineremix. A: Adrianna (2004, a sans family), Anger-Prerelease, Asswipe, AsswipeDeluxxe, AztecPezRegular, Adrianna Extended (2005), Aguas Frescas, Ammonia. B: BabOonjaZzbaSsoOn, Ballers Delight (2007, free), Bell Martellus (2006, a Carolongian script family designed with Bill Moran of Blinc Publishing for the James Ford Bell Library at the University of Minnesota: Bell Martellus was derived from a book published in 1475 by Henricus Martellus entitled Liber Insularum), Bastard, Bawdy (T-26), Birthday Girl, Blinkers, Bonehead, Brainhead, Bric-A-Brac BV (2002), Bridie, Brieincarnation, ButtplugTaft, B Complex, Badoni, Boochie&Snoochie (T-26, by by Khai Pham&Chank Diesel), Billsville, Blazedale, BlincType Letterpress Fontpak (2004, commercial: Gideon, Golgotha, Gomorrah, Goshen, Hamilton Offset, Player Piano, Prospect Modern and Sodom), Braingelt (gothic), Brimley, Brubecks Cube (2004), Buckethead. C: Carima (2002), Cheesewiddler, Chicken, ChickenBonus, Chrysler Electric (2007, fifties style connected script), Chumley (2002, first grade handwriting), Cleptomania, CrotchlessTeddyRoosevelt, CurbDog (by Matthew Desmond), Cookie Dough (2002), Chaloops (2005, comic book face), Chankbats (2001, +Objects, +Critters, +Flowers, +Flakes), Chauncy (ChauncyDecaf, ChauncyFatty, ChauncyPerkins, ChauncySnowman; this popular series from 1996-1998 is the first font family Chank ever made based on his own handwriting), Chauncy Pro, Chippewa Falls (2005), Chub, Chunder (1996, T-26), Cocaine, Coffeedance, Collateral Damage, Corndog, Coronette (2006, slab serif), Cosmic (1996), Couchlover, Cowboy Rhumbahut (2000, Matt Frost), Crusti, Crusti Wac. D: DickwhippedLincoln, DongCasual, Duesenberg (T-26, by Jamie Nazaroff), Dutch-Oven, Dutch-Treat, Darling Nikki, Dekapot (2007), Destructive Decisions (2013, a foggy font), Drunk Cowboy, Dry Cowboy (2006, Tuscan). E: Easterbuns (2008, Ascender Corp: a signage face), EatpooChubby, EatpooSkinny, EatpooTall [note: the latter three fonts were renamed Eatwell], Evergreen, Eatwell, El Hombre, Evolve (2015: video game font co-designed with Turtle Rock Studios). F: Fatthinfog, Flutterby (2006, free), Fornicator, Fucker, Fastlab (by David Cushman), Fosho (2014), Fridayluck, FriskyFlakes (2004). G: The Gemini Type Fontpack (2015: GT-Adrianna DemiBold GT-Adrianna Bold, GT-Adrianna ExtraBold, GT-Fairbanks, GT-Forward Thinking, GT-Hydropower ExtraCondensed, GT-Kegger, GT-Shopaganda, GT-Shopaganda Condensed, GT-Timeless Geometric. These fonts aaare optimized for use as exterior cast-metal signage in bronze or aluminum in collaboration with Gemini, a family-owned industry leader in the wholesale manufacture of dimensional letters, logo and plaques based in Cannon Falls, MN), Girl77, Glovebox, Goshen, Groovies-Normal, GFY Handwriting Fontpak, GFY Handwriting Fontpak 2, Gobbler. The GFY Handwriting Fontpak (2002-2005) is a collection of 21 fresh handwriting fonts in OpenType format for Macintosh or Windows. Contains the following fonts: GFY AuntSusan, GFY Brutus, GFY HeySteve, GFY JacksBluePrint, GFY Jeanna, GFY Josie, GFY Kersti, GFY Kimberly, GFY Loopy, GFY Marcie, GFY Mancini, GFY Michael, GFY Palmer, GFY Peggy, GFY Pollak, GFY Shue, GFY Ralston, GFY Sidney, GFY Sonya, GFY Thornesmith, and GFY Woodward. His DFY Handwriting Fontpak 2 (2008) contains GFY Artie, GFY Bobby, GFY Bobbys Kid, GFY Bracco, GFY Butcher, GFY Carmela, GFY Christopha, GFY Clarice, GFY Erin B, GFY Father Mike, GFY Finn, GFY Furio, GFY Georgio, GFY Janice, GFY Junior, GFY Madre, GFY Meadow, GFY Paulie, GFY Syl, GFY Tina, GFY Tony, GFY Uncle Junior, GFY Vito. H: Halebopp, Harvester 3D (2008), HelveticaInaHamper, Hermenaut, HieronymousBoschian, HipstersDelight, HooskerDont, HooskerDoo, Hoover, Hystrix, HystrixHystrax, HystrixHystraxBordex, HystrixHystraxSleestax, HUGS (2005, comic book style), Hilde Sharp. I: Imastar, IndustrialSchizophrenic, Isotope, Instructor. J: Javatronic (retro), JawboxChanky, Jawbreaker, Jeffersonofabitch, Johnson, Jingles (with Mike Cina), Jawbox. K: Kat Walk (geometric sans), Keester Black (2002), Kaiser, KlippyDingbats, Kraftwerk, KraftwerkNarrow, Kroozr, Kwikfont, Kegger (2007, a collegiate lettering face), Kazootie, King George (2003, ransom note font). L: Lambretta, Lambrettista, Laundrette, LemonadeSpeedster (retro), Limonata (2016, a display family, co-designed with Nicollazzi Xiong), Liquor 3D, Liquorstore Bold and Bolder (2017: stackable, layerable), Luncheonette, Laundry, Lavaman, Liquorstore (1997, a squarish face; since 2005 also in OT as Liquorstore 3D). M: Mars (2007), Marcusia, Metolurgy2typeindexcom, Mikrokoszmo, MisterFrisky, MisterLincoln, Mister Twiggy (woodsy design), Monko-Blocky, MC Auto (2002), McKraken, Mantisboy, Mars (2007, a custom family for Mars Inc), Millesime, Mingler (MinglerNipsy, MinglerRitzy, MinglerTipsy), Miss AmyLynn (2008, based upon the handwriting of the former Miss Kentucky, Amy Lynn Brown), Mister Hand, Moonshine (Moonshine Murky). N: NailedToTheCross, NapkinTheModern, Nomadic Egyptian (2005), Nomadic Sketchbook (2005, like Nomadic Egyptian, based on drawings by Kent Aldrich of the Nomadic Press), Newcastle (2005, blackletter typeface designed with Kevin Hayes), Nube, Naughties, Newercastle, Nicotine (+Jazz). O: Omnivore, Oooopsie (this 1997 font is just Helvetica with some circles dropped on top of it. The Helvetica trademark and Adobe copyright notices are still in the font!), OooopsieReverse, Ooopsie, Ollivette (2008, old typewriter), Ollivette Elite (2008), Orbital, Orbus (OrbusBjorkus, OrbusMultiserif). P: Panefresco (2011, 16 styles---a free sans family), PHreAkKruSty, Panzer, Paregos, PhysicsAlpha, PhysicsBeta, PlasticLasso, Player Piano (old stencil), Poker Party (2003), Polaroid22, Portastat, Prickly, ProletarianBeta, Prospect-Modern, Puckfont, Parkway, Patching Compound, Porkshop (1997, based on immigrant Manhattan signage; +PorkshopGoodluck), Professor Minty (2006-2010: spindly and gothic). Q: Quimby Gubernatorial (2007), Quimby Mayoral (2002). R: Redherring, RhumbaHut, Ribjoint, Rubble, Ribjoint, Rosemary (2000-2001, T-26, a sign painters font). S: Spooooky (2011, a custom typeface design for the 2011 Target Halloween campaign), Saltwater, Schwinger (2003, script face), Schwing Shift (2003), Shadowboxer, Shakopee, SharpieStylie, SaucyMillionaire, SooperCosmic, SpaceKrafty, Spacesuit, StarryFHope, Sundayluck, Swister (2004), GFY Santa Script (2004), Skylab, Shatner, Sunshine (2000-2001, T-26, grunge), SandraOh, Shrub (2007, grunge), Sister Frisky, Skippy Sharp, Snipple, Soccerboy (2012, a hand-drawn multiline typeface), Space Toaster, Spunkflakes (2002), Sunflower (2006, distressed typewriter), Sunshine, Swingdancer (2002, a custom connected script font first made for P. Puff Company). T: Tabitha, Tacklebox, TackleboxFive, Transam, Transam03 (2003, commercial version), Thymesans, Trucker (2005), Turman Grotesk. U: Ultramagnetic (by Mike Cina), UncleStinky, Urban Circus. V: VenerealDisease, Venis Small Caps (2004, T-26), Venis (2000: big text family, T-26: reviewed by Hrant Papazian). W: Westsac (2003), Whorn, Wichita, Woodrow, Wordy Diva (1995, based on the handwriting of Lisa Bralts). W: Wolves Gothic (2020), Woodrow, Wordy Diva. Y: Yearling (2000), Yellabelly. Z: ZsaZsa Galore. At Ascender: the mostly hand-printed typefaces Birthday Girl, Bleacher, Bobby Zee, Chauncy Decaf, Churros, Collateral Damage, Couchlover, Easterbuns, Loopy Fiesta, Mister Marker, Mister Twiggy, Prickly, Snowballs, Space Toaster, Tipsy, Twigdancer, Younger Than Me (2009, grunge). Chank also has a bunch of free fonts such as Yellabelly (handwriting), Fridley, Airboy, SundayLuck, Shadowboxer, Portastat, Fridayluck, Twenty Six Snake Rumba, and Blinkers. Interview by MyFonts in 2011. Dafont link. I Love Typography link. Behance link. Klingspor link. View Chank Diesel's typefaces. [Google] [MyFonts] [More] ⦿
Chris Anderson	English artist (b. 1988) who created the Bifur-inspired Vuur (2008). Dafont link. [Google] [More] ⦿
Daniel Anderson	Daniel Anderson's outfit, part of the Chank Army. Fonts: Dr. Waagel (pixel font), Wicky Ways (pixel font), X-Raymond, El Assasin, Argus, FaxMachine, Block Buster, Sreenman. [Google] [More] ⦿
David Anderson	Toronto, Canada-based designer of Raleigh Regular (1977, Ingrama), a typeface that takes after Carl Dair's Cartier. That typeface was copied (without Anderson's knowledge) and expanded (without italics, though) to a full set of weights by Adrian Williams (ca. 1978), who licensed it to Linotype. Today, Raleigh is sold by Bitstream. Anderson was associated with Toronto's Typsettra, which in 1977 began the design of original typefaces for Berthold, Letraset and ITC. [Google] [MyFonts] [More] ⦿
Dennis Anderson	Designer of the dingbat font and scratchy lettering Bear Paw. Check also at Utopia. Alternate URL. [Google] [More] ⦿
Elena Anderson	Designer of a hand-printed typeface in 2012 during her studies at the Pratt Institute in New York City. [Google] [More] ⦿
Evan Anderson	Vancouver, Canada-based designer of the techno-military or athletic lettering font family Squadron (2019). [Google] [More] ⦿
Geoff Anderson	Sparklefonts (est. 2005, England) showcases the work of founder Geoff Anderson, who wants to maintain legibility without compromising style. Chocolate (2005) is a flexible, monoline comic book family. Also: Obsidian (2005, bubblegum or oil slick font), Festival (2005, art nouveau), Dialog (2005, liquid, with stencil versions), Groundhog (2005), Tungsten (2005, futuristic). Klingspor link. [Google] [More] ⦿
Greig Anderson	Effektive (Greig Anderson) practices graphic design and communication in the UK. Among its many creations are some experimental typefaces such as Circul8 (2009) and Pixel8 (2009). Behance link. Originally from Aberdeen, Scotland, Greig graduated with a BA (Hons) Graphic Design degree in 2004 and previously spent 4 years working withinn the Scottish/UK design industry at multi disciplinary agency Curious (Previously CuriousOranj) based in Glasgow. Greig spent the academic year 2008-2009 in Sydney. [Google] [More] ⦿
Iain Anderson	Creator of the outlined hand-printed typeface Futuristic Dream (2011, iFontMaker). [Google] [More] ⦿
Ian Anderson	Designer in the FUSE 6 collection of the pixel font Dr No B. [Google] [More] ⦿
Jacinda Anderson	Creator of Audrey (2013, typewriter typeface) and Boulder (2013, display typeface). [Google] [More] ⦿
Jardin Anderson	Jardin Anderson (Museum of Old and New Art (MONA), Melbourne, Australia) designed the free typeface Sans Sixteen Sans (2017). This typeface contains only 84% of the ink of a standard sans, to point out that the wage gap between men and women in Australia is sixteen percent. [Google] [More] ⦿
Jason Anderson	Art director, senior designer and illustrator in New York City. Creator of the following fonts, ca. 2013: Phys Ed Dept (grungy athletic lettering), Monogram, Wild Modern (spurred), Queendsbridge (bubblegum face), Motown USA, Wild Modern, Catholic Guilt (spurred). Behance link. [Google] [More] ⦿
Jeff Anderson	Free fonts, mostly for artificial languages, by Jeff Anderson (Akumu). These include Aram, Rhaelik, SexyScript, Sketchy-Tirin, Tengwar-Typewriter, Tirin-Hand, Tirin-Script, Tirin-Type. [Google] [More] ⦿
Jesse J. Anderson	Jesse J. Anderson (b. 1980) lives Puyallup, WA. At Devian Tart, he designed BoldnBugly (2002), and AlienBud (2002). He also made Fikle Skratch (2001), Boxer-Pants (2001), Inky-News (2001). [Google] [More] ⦿
Jocelyn Anderson	Minneapolis-based designer. At Type@Paris 2016, Jocelyn Anderson designed the calligraphic display typeface Camus, which is named after Albert Camus. She writes: The typeface is influenced by broad nib calligraphy, but adds a subtle twist in each letter's stem and points of high contrast. [Google] [More] ⦿
Kelly Anderson	During her studies, Ann Arbor, MI-based Kelly Anderson designed the display typeface Le Poivre (2017). [Google] [More] ⦿
Kimberly Anderson	In 2015, Idaho Falls, Idaho-based Kimberly Anderson created a visual alphabet that is based on the cup rings of cranberry juice. [Google] [More] ⦿
Klaus Anderson	Danish designer of Capitalis Purificalis (2000, a minimalist sans), Quinone Headline (1999, a sans), and City Talker (1998, a condensed sans). [Google] [More] ⦿
Lara Anderson	Cambridge, New Zealand-based designer of Ambriosia (2018) during her studies at Wintec, Hamilton. [Google] [More] ⦿
Lauren Anderson	During her studies at SCAD in Savannah, GA, Lauren Anderson designed the vintage typeface Lanister (2013). [Google] [More] ⦿
Mart Anderson	Art Director at Vatson & Vatson (now Vatson Wunderman) in Estonia. At ATypI 2005 in Helsinki, he spoke about Digitizing the "Estonian national" typefaces. In his own words: His fonts Pagana, Vaderi and others are based on a lettering of such Estonian mid-20th century typographers as Günther Reindorff, Paul Luhtein and Villu Toots. ATypiI reports: Mart Anderson is producing a range of revival typefaces based on the lettering on 20th century Estonian book designers. The character of their (mainly pen-drawn) work is rather like woodcut lettering, with gently curved slab sides. To make them suitable for typesetting, the characters have been slightly tidied up. Typefaces: Sula (2005, flowing and angular), Panin (2006, playful), EiBanner (2006, comic book face), AmaKaas (2005, again that soft angular theme), Isanda, Humala. Sample of his work on posters, 2005-2006. [Google] [More] ⦿
Martin Anderson	Designer of the SKYfont family (SKYfontbrands, SKYfontmovies, SKYfontnews, SKYfontone, SKYfontsport, SKYfonttravel, SKYfontThick) for the SKY TV station. Can be freely downloaded here. [Google] [More] ⦿
Matthew Anderson	Or Matthew Hinders-Anderson. Climate activist and lead designer for 350.org. His abridged CV in his own words: Born in Columbus, Ohio. Played with Legos. Loved to draw. Played drums in a high school band. Started messing around in Photoshop. Became a vegetarian. Studied green architecture at Western College (Oxford, OH). Discovered that making posters and websites was more fun than building models. Moved to Washington DC to intern at Free Range. Moved to San Francisco to work for 350. Made some good friends. Ate too many burritos. Moved to Brooklyn for the hell of it. In 2014, Matthew created the free sans typeface family Klima for the climate movement: Klima is my version of a more relaxed DIN: slightly wider, with a similar geometric foundation but more plainspoken. In three weights with obliques, free for non-commercial, non-climate denial use. It is exquisite and quite good, except perhaps that the italics are just obliques (slanted romans). In 2015, he made OCR-B, extending Adrian Frutiger's 1968 design towards more languages (by adding accents of all sorts) and making the weight lighter. The all caps sans typeface Graph was used in websites, signs and posters for the 2014 People's Climate March in New York City. It is designed to be a display-oriented companion to Klima. It was inspired by typefaces like DIN 1451 Engschrift, Tungsten and Trade Gothic Bold Condensed. In 2015, Graph was supplemented with Graph Paris in view of the major U.N. climate conference in Paris. It is characterized by the curvy elliptical A, V and W. Graph FF Condensed (2017). A flat-sided, condensed display face, good for headlines and titles. Originally created for the Fossil Free project identity. Includes icons from the Fossil Free icons set. Katwijk Mono (2018). Folsom (2018). Matthew writes: Wide, chunky, and super-double-extra-bold. Modern, but with a little bit of that old-time wood type flavor. Great for giant, unignorable headlines. Probably horrible for paragraphs or fine print. Originally created for the 'RISE' mass climate action happening around the Global Climate Action Summit in 2018. [Google] [More] ⦿
Michael Anderson	During his studies, brighton, UK-based Michael Anderson designed the sans typeface Anderson (2017) for legibility on small screens. Behance link. [Google] [More] ⦿
Mike Gumby Anderson	Designer of the grungy typeface FarCry (2004). [Google] [More] ⦿
Patricia Anderson	Designer of the free garffiti font Triffiti (2018). [Google] [More] ⦿
Redak Anderson	Lima, Peru-based designer of a monster font called Moco (2013) and of Cristal Font (2014). [Google] [More] ⦿
Ria Anderson	Oakland, CA-based graphic designer and typographer. She created RF Franklin Phonetic (2011), RF Shavian (2011), and RF Deseret (2011). These were all designed to be part of the RF Phonetic Suite, a group of typefaces designed to support historic phonetic English alphabet reform. She also completed the Tamil typefaces Jatiya (2007, Tamil complement to the open-source Latin/Greek/Cyrillic typeface Gentium, designed by Victor Gaultney) and Surai (2011). [Google] [More] ⦿
Robert D. Anderson	Old URL. Another old URL. This was of the greatest archives, loaded with medieval and fantasy fonts, including many dingbats. Robert D. Anderson (aka Lord Kyl MacKay) scanned in many alphabets from "Medieval and Renaissance Alphabets" and created tens of beautiful historical fonts, and made them available free of charge: Anglo-Saxon 8th c, Battel Abbey 8th C, British Block Flourish 10th c, British Museum 14th c, British Outline Majuscules 10th c., Celtic Knot, Curved Majuscules 17th c., Decorated Majuscules 14th c., English Gothic 17th c, Floral Majuscules 11th c, German Blackletters 15th c, Gothic Leaf, Gothic Straight-Faced 18th c., Italian Cursive 16th c (GREAT!), Library of Minerva 9th c., Spanish Round Bookhand 16th c., Traditional Gothic 17th c, Vatican Rough Letters 8th c, Celtic Knot (caps), Gothic Leaf (caps font), Medieval Dingbats. Alternate URL at TypOasis. Other archive categories: runic fonts, gothic, versals (initial caps), uncial, roman era, anglo-saxon. Old URL. Dafont link. Fontspace link. [Google] [More] ⦿
Steve Anderson	Alexandria, VA-based designer of the ornamental caps typefaces Uncle Paul (2015) and Tripel Six (2015), and the typeface Turnstyle (2015). Steve is associated with Yellow Wine Labs. Behance link. [Google] [More] ⦿
Van Anderson	AmeriCorps volunteer math tutor from Packwood, WA, who designed Oregon (2004), a serif face. [Google] [More] ⦿
Zack Anderson	Chicago-based graphic designer. He created the organic experimental face Moxie (2009). [Google] [More] ⦿
Astrid Linnéa Andersson	Goteborg, Sweden-based designer of an all caps sans typeface simply clalled Alfabet (2013). Behance link. [Google] [More] ⦿
Fredrik Andersson	Fredrik is associated with Nordling's design company, Pangea Design, in Stockholm. Fredrik designed Berling Nova (2003-2004, Linotype; with Örjan Nordling) and Berling Nova Sans (2007, Linotype; with Örjan Nordling). Both typefaces grew out of Forsberg's Berling (1953). Enighet, done for The Swedish Trade Union Confederation in 2008 together with Fredrik Andersson, won a merit award at the EDAwards in 2008. In 2011, he cofounded Letters from Sweden with Göran Söderström. Fredrik lectures on the history and design of typography at Södertörn and Berghs. Type designs include Berling Nova Sans&Serif (with Orjan Nordling), custom work for Nu-institutet and Botkyrka konsthall, and a release for Fountain is also in the works. He is the chairman of the Stockholm typographic guild. Klingspor link. [Google] [MyFonts] [More] ⦿
Göran Andersson	Göran Andersson lives in Östersund, Sweden. He made these free fonts in 1999: BocceGG, BrutalGG, EgyptienneGG, GraffeGG, GroteskGG. Click on Typsnitt. [Google] [More] ⦿
Johanna Andersson	Swedish illustrator and graphic designer. In 2010, she made Papercut Font. Behance link. [Google] [More] ⦿
Kark G. Andersson	Designer at Mecanorma of Rope. [Google] [More] ⦿
Maja Andersson	Based in Malmö, Sweden, Maja Andersson designed the display typeface Rootwork (2015). [Google] [More] ⦿
Petter Andersson	Petter Andersson is a Swedish graphic designer currently based in Amsterdam who specializes in identity, typography, web and print design. In 2011, he created the simple geometric display sans family Ekzakto. His blog. [Google] [More] ⦿
Rasmus Andersson	Swedish software expert who lives in San Francisco and who has worked for Dropbox, Facebook, Spotify, Lear Corporation and Spray. His own company is called Notion. His typefaces: The Open Source screen typeface family Interface (2017), which builds on Christian Robertson's Roboto. It covers Latin, Greek and Cyrillic. It seems that this family was renamed Inter UI in 2019. Inter is now downloadable at Google Fonts. Github link, where one can find a variable font version. CTAN link. Manix Sans (2019). A minor update of Inter UI. Linik Sans (2019), a further update of Inter and Manix Sans. Open Font Library link. Github link. Linkedin link. Aka rsms. [Google] [More] ⦿
Viktor Andersson	Art director in Stockholm, who created Fohrsmark (2014, a conndensed skyline typeface) during his studies at Södertörn University. [Google] [More] ⦿
Bob Anderton	British designer of these typefaces: ITC Blackadder (1996, ITC and now, Linotype). See also here. A very popular typeface in the late nineties, it is a fine example of the vampire script style. ITC Mithras (1994, ITC). Lino Cut (1990, Letraset, ITC). Buccaneer (1998, for Bayer, later Monotype). A pirate / swashbuckler font. Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Elisa Anderwert	Winterthur, Switzerland-based designer of the all caps Peignotian typeface Gloria in 2017. [Google] [More] ⦿
Bukhari Andes	Indonesian designer of the stencil typefaces Raba (2020) and Bace (2020), and the condensed all caps typeface Slim (2020). [Google] [More] ⦿
Ronald Andhrad	Ronald Andhrad (Rio de Janeiro, Brazil) was inspired by Kubrick's Clockwork Orange and a building in Rio in the design of his art deco / Futura-style stencil typeface Clockwork Orange (2011). [Google] [More] ⦿
Maarja Andia	Creator of the constructivist and socially critical font Tihemetsa (2014), which is named after her hometown in southern Estonia. [Google] [More] ⦿
Rizki Andika	Indonesian studio specializing in calligraphic typefaces. Designer in 2018 of the calligraphic typefaces Ballesia, Bunglone, Diamond, Fathinya, Girly Love (upright script), Ranger Script and Margaretha (2018). Typefaces from 2019: Rangen (a sign painting script), Fathoni (a signage script), Batavia Script, Diamond, Melly Script, Buttering, Authem, Stayhill (a retro signage script), Austine Script (for signage), Stayland. Typefaces from 2020: Beautiful Day Script Duo, Mogila Display (a decorative serif), Stay Glory Script (monolinear handwriting), Angelta Script, Beauty Queen Script, Sagita Script, Resnick (a fat headline or poster serif in the genre of Cooper Black or Windsor), Childa Script (a formal script), Amolina Boutique Script (a luxury script and accoapnyiong all caps sans), Budgeta Script (a signage script), Starline (monoline script), Ragilone Brush, Dustine Script (a remarkable high-contrast script characterized by samurai sword swashes and a military horizontal trim), Bufally Script (a vintage script). Typefaces from 2021: Morning Flower Serif (an inky script), Salisha Signature, Agustina Script (upright), Golding Signature (an inky signature script), Rosthila Script (a creamy upright script), Liontine Script, Molista Script (an upright calligraphic script), Galitha Script (upright and calligraphic), Hello Georgina Script (an upright rabbit ear script), The Humble Script (a creamy script), Beauty Night Script (an upright script), My Sweety Script, Sweet Child Script (a formal calligraphic script), Hello Baby (an upright script). [Google] [MyFonts] [More] ⦿
David Andino	Tegucigalpa, Honduras-based designer of the free modular typeface Round (2017). [Google] [More] ⦿
Sisca Andiny	At Pelita Harapan University in Jakarta, Indonesia, Sisca Andiny created the display typeface Metromini (2015). [Google] [More] ⦿
Mahendra Andisona	Mahendra Andisona (Salatiga, Indonesia) created the MSTCH ornamental caps typeface in 2012. [Google] [More] ⦿
Pablito Andorra	Designer of the modular typeface Emma (made with FontStruct). [Google] [More] ⦿
Bruno Andrade	Porto Alegre, Brazil-based designer of the new deco / avant garde typeface Avant Vita Gothic (2017). Behance link. [Google] [More] ⦿
Bruno Andrade	During his studies in Curitiba, Brazil, Bruno Andrade designed the sci-fi stencil typeface Starkiller (2015) and the vernacular handcrafted typeface Po de Guarana (2015). [Google] [More] ⦿
Christina Dias Andrade	During her studies at Middlesex University, London-based Christina Dias Andrade designed Missing Anatomy Typeface (2016). [Google] [More] ⦿
Ignacia Andrade	Santiago, Chile-based designer of the handcrafted pop art typeface Andy Warhol (2015). [Google] [More] ⦿
Jair Andrade	Mexican designer of the hand-printed script typeface Curve (2012). [Google] [More] ⦿
Jenifer Andrade	Graphic designer from Lawrenceville, GA, who made the experimental custom typeface Assemble (2009). [Google] [More] ⦿
Joao Andrade	Graphic designer in Cascais, Portugal, who created the free alchemic / hipster typeface Sequi (2013). Cargocollective link. [Google] [More] ⦿
Mariana Andrade	Porto, Portugal-based designer of the fun deco poster typeface 67 Primeira (2017), which as done with/at 67 Creative Agency (which is based in Matosinhos, Portugal). [Google] [More] ⦿
Matthew Andrade	San Francisco-based designer, developer, photographer, and musician. Behance link. He created the typeface Sender (2011). [Google] [More] ⦿
Neto Andrade	During his studies in Campinas, Brazil, Neto Andrade created the hand-drawn typeface Salamandra (2013). [Google] [More] ⦿
Nicole Andrade	Rio de Janeiro-based designer of the geometric sans typeface Soul Regular (2015). [Google] [More] ⦿
Paulo Andrade	Paulo Augusto Andrade (Curitiba, Brazil) created the eerie typeface Mentes Secretas in 2013. [Google] [More] ⦿
Phillip Andrade	Not to be confused with Phil's Fonts, Phil Fonts offers charityware fonts by Phillip Andrade who uses the nicknames Dry Bohnz, neatoguy and spamboy. Most fonts are grungy, and were designed roughly between 1999 and 2003. The list: BlownDroid, Neatified, HappyLarry, IShotTheSheriff, Alien Marksman, EvilCow, Corporate Suit, BadHairDay, Tiptonian, Philbats. Grouped as Scroll fonts from the dead Sea, we find: Habbakuk Scroll (Hebrew), Manual of Discipline (Hebrew), Parthenon (Greek), Ambrosius, Problem Secretary (old typewriter), DeadCircuit, MoldyPillow, Pastorswrit, RadiatedPancake, StolenLlama, Untitled, WetNapkin, Worn Manuscript (1999, grungy blackletter), DustyWombat, NasalDrip, Alphasnail, CarbonatedFont, RaptorAttack (2001), Warped Greased Monkey, Alphasnail (2001), Beth David (1999, Hebrew), Greased Monkey (2001), Lost City (1999, Hebrew), Missing man out (2001), No Brainer (2001), Raptor Kill (2001), Spazbats (2002, dingbats), Speed of Oatmeal (2001), Troglodyte (2001), Polyphemus (2000), Infestation (2000), Hand Drawn Wasabi (2002, katakana font), I Am A Font Designer (2003, scanbats), Neosight (2003), FirstTemple (2003, an old Phoenician lettering font), ScreamingGuitar (2002, guitar dingbats), DHUgaritic (2003), PeskyPhoenicians (2003). Devian tart link. Alternate URL. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Sarah Andrade	During her studies, Sao Luis, Brazil-based Sarah Andrade designed the vernacular typeface Aghora (2017). [Google] [More] ⦿
Andrea	Caracas-based digital artist (b. 1985) of drearetro (2007), a nice grungy sans. [Google] [More] ⦿
Andrea	Kiwi designer (b. 1983) of the handwriting typeface AndreWriting (2005). [Google] [More] ⦿
Felix Andrea	Los Teques, Venezuela-based designer of the curly display typeface Alice Torn (2016). [Google] [More] ⦿
Alex André	French type and graphic designer who joined Velvetyne. Graduate of Auguste Renoir in Paris. His typefaces: Vincent Sans. Based on the lettering of comic book artist Vincent Caut. Basteleur (2021, at Velvetyne). A free magical Cooper-Black-style-rounded medieval display typeface influenced by the Tarot de Marseille. [Google] [More] ⦿
Alfonsus André	Jakarta-based graphic designer. Creator of the display typeface Magic Worm (2013). [Google] [More] ⦿
Alicia André	Paris-based designer of Genesis Mono (2018), a display typeface that is influenced by nuclear disasters such as the one in Fukushima in 2011. [Google] [More] ⦿
Haralampos Andreanidis	Greek graphic designer. He created a number of minimalist/pizelish/squarish Latin/Greek fonts in 2009 under the name City Fonts. His Totem Font (2009) is experimental. Nomass Team Font (2009) is a squarish stencil. His typographic posters. Alternate URL. Another URL. Behance link. Devian tart link. Nomass site. [Google] [More] ⦿
Paula Andrea	Hicksville, NY-based creator of the display typeface Louder (2013). Behance link. [Google] [More] ⦿
Raissa Andreas	Jakarta, Indonesia-based designer of the rhombic / hexagonal typeface Navajo (2014). This was developed while she was studying at Limkokwing University of Creative Technology in Malaysia. [Google] [More] ⦿
Sebastian Andreas	Graphic designer in Bournemouth, UK, who designed the organic sans typeface Bankside (2016), which is proposed for wayfinging in the Tate Modern. Behance link. [Google] [More] ⦿
Ilham Andreawan	Tangerang, Indonesia-based designer (b. 1991) of the free squarish sans typeface Balkinsat (2022). [Google] [More] ⦿
Axel André	French calligrapher who designed some (mostly hand-drawn) typefaces in 2011-2014. These include Utah (2011), Les Caves Populaires, [Google] [More] ⦿
Giulia Andreazza	During her studies at Universidade de Caxias do Sul (UCS), Brazil, Giulia Andreazza created the hand-drawn typeface Youngtype (2015). [Google] [More] ⦿
Cristian Andre	Cristian and Andre (Bucaramanga, Colombia) co-designed the display typeface Vista (2013) with Carrillo Diaz. [Google] [More] ⦿
Denoel Andre	Denoel Andre, who runs Wanker Studio in Rennes, France, created the wavy typeface Fluide in 2013, and the experimental geometric typeface Fabrik Art in 2014. Behance link. [Google] [More] ⦿
Mihaiu Andreea	Art director in Bucharest, Romania. Creator of Industrial Font (2013, ornamental caps) and Poli (2013, a triangulated techno font). [Google] [More] ⦿
Joao Andree	Lima Peru-based designer of the display typeface Fractal (2017). [Google] [More] ⦿
Ana Andreeva	New York City-based designer of a typeface made up entirely of logos (2017). [Google] [More] ⦿
Aleksandr Andreev	As part of the Church Slavonic Initiative, we find a set of free church slavonic style typefaces at the CTAN site, with TeX support. Church Slavonic (also called Church Slavic, Old Church Slavonic or Old Slavonic; ISO 639-2 code cu) is a literary language used by the Slavic peoples; presently it is used as a liturgical language by the Russian Orthodox Church, other local Orthodox Churches, as well as various Byzantine-Rite Catholic and Old Ritualist communities. The fonts are designed to work with Unicode text encoded in UTF-8. The package is maintained (in 2016, at least) by Mike Kroutikov and Aleksandr Andreev. The main people of the Church Slavonic Initiative are Aleksandr Andreev, Yuri Shardt and Nikita Simmons. The fonts: Acathist (2013-2020, by Aleksandr Andreev and Nikita Simmons). Cathisma Unicode (2013-2020, by Aleksandr Andreev and Nikita Simmons). Cathisma Unicode is based on Kathisma UCS, designed by Vlad Dorosh. e typeface is used for titling in many 18th-20th century liturgical editions. Fedorovsk Unicode. Fedorovsk Unicode is based on the Fedorovsk font designed by Nikita Simmons. It has been re-encoded for Unicode, with added OpenType and Graphite features by Aleksandr Andreev (2013-2015). The Fedorovsk typeface is supposed to reproduce the typeface of the printed editions of Ivan Fedorov produced in Moscow, for example, the Apostol of 1564. The font is intended primarily for typesetting pre-Nikonian (Old Rite) liturgical texts or for working with such texts in an academic context. Indiction Unicode (1996-2017). By Vladislav V. Dorosh. e Indiction Unicode font reproduces the decorative style of drop caps used in Synodal Slavonic editions since the late 1800s. The original Indyction font was developed by Vladislav V. Dorosh and was distributed as Indyction UCS as part of CSLTeX, licensed under the LATEX Project Public License. It was reencoded for Unicode and edited by Aleksandr Andreev, and is now distributed as Indiction Unicode under the SIL Open Font License. It is intended for use with bukvitsi (drop caps) in modern Church Slavonic editions. Menaion Unicode. This typeface is supposed to be used for working with text of Ustav-era manuscripts. It contains the full repertoire of necessary Cyrillic and Glagolitic glyphs as well as glyphs of Byzantine Ecphonetic notation of the kind used in Cyrillic or Glagolitic manuscripts. Menaion was originally designed by Victor A. Baranov at the Manuscript Project. It was re-encoded for Unicode by Aleksandr Andreev in 2013-2015 with permission of the original author. Acathist (2013-2020, by Aleksandr Andreev and Nikita Simmons). Monomakh Unicode (2011-2017). By Alexey Kryukov and Aleksandr Andreev. Monomakh Unicode is based on the Monomachus font designed by Alexey Kryukov. It has been modi ed with permission. Monomakh Unicode is a Cyrillic font implemented in a mixed ustav/poluustav style and intended to cover needs of researches dealing with Slavic history and philology. It includes all historical Cyrillic characters currently de ned in Unicode font also includes a set of Latin le ers designed to be stylistically compatible with the Cyrillic part. Oglavie Unicode (2013-2020, by Aleksandr Andreev and Nikita Simmons). Oglavie Unicode is based on Oglavie UCS, designed by Vlad Dorosh. The typeface is used for titling in many 18th-20th century liturgical editions. Pochaevsk Unicode (2019-2020; by Aleksandr Andreev and Nikita Simmons). Pomorsky Unicode. The Pomorsky Unicode font is a close (idealized) reproduction of the decorative calligraphic style of book and chapter titles, which was most likely developed in the 1700s by the scribes of the Old Ritualist Vyg River Hermitage. It is seen extensively in the chant manuscripts, liturgical manuscripts, hagiographic and polemical works of the Pomortsy and Fedoseyevtsy communities, and is a traditional and organic style of lettering lacking any obvious influence from western European and Latin typography. The Pomorsky typeface was originally designed by Nikita Simmons in 1999-2000. It was edited and re-encoded for Unicode by Aleksandr Andreev in 2015. It is intended for use with bukvitsi (drop caps) and decorative titling. Ponomar Unicode. Ponomar Unicode is a font that reproduces the typeface of Synodal Church Slavonic editions from the beginning of the 20th Century. It is intended for working with modern Church Slavonic texts (Synodal Slavonic). Ponomar Unicode is based on the Hirmos UCS font designed by Vlad Dorosh. The current version is by Aleksandr Andreev, Yuri Shardt, and Nikita Simmons (2011-2015). Shafarik (2014-2020; by Aleksandr Andreev and Nikita Simmons). A specialized font intended for an academic presentation of Old Church Slavonic (OCS) texts wri en in both the Cyrillic or Glagolitic alphabets. Triodion Unicode (2013-2020, by Aleksandr Andreev and Nikita Simmons). Vertograd Unicode (2019-2020; by Aleksandr Andreev and Nikita Simmons). Based on Vertograd UCS by Vlad Dorosh, Vertigrad Unicode is a decorative drop caps and titling font. The typeface was commonly used in pre-revolution Russian liturgical editions. Home page. Github link. [Google] [More] ⦿
Andrey Andreev	Designer at ATRI, Graphic bureau Az-Zet of the Cyrillic/Latin font AZ NewsPaperC (1990-1995), which is similar to News Gothic by Morris Fuller Benton, ATF, 1908. [Google] [More] ⦿
Trifon Andreev	Bulgarian freelance type designer based in Potsdam, Germnany, where he studied at Fachhochschule Potsdam. [Google] [More] ⦿
Zdravko Andreev	Zdravko Andreev (Z-design, Bulgaria) created the free experimental typefaces Diffuse Away (2011), Broken Squares (2011) and Sliced Tech (2011). He also made Girl Characters (2012), Suns and Stars (2011, dingbat face), Pet Animals (2012), Boy Characters (2012), White Outlines (2011), Radiation (2011, radiation symbols), Sexy Love Hearts and Sexy Love Hearts 2 (2012), Christmas Shapes (2011) and Christmas Trees (2011). [Google] [More] ⦿
Felipe Andre	During his studies in Curitiba, Brazil, Felipe Andre designed the simple sans typeface Luther (2017). Behance link. [Google] [More] ⦿
Francisco André	As a student in Lisbon, Portugal, Francisco André designed a stick matrix typeface (2018). [Google] [More] ⦿
Gustavo André	Designer in Londrina, Brazil. In 2016, Henrique Mantovani Petrus and Gustavo André co-designed the squarish all caps typeface Maquinada for a school project at Universidade Estadual de Londrina, Brazil. [Google] [More] ⦿
Bocan Andrei	Designer at Clear Studio in Bordeaux, France. In 2009, he made the straight line experimental typeface KNKTR. Behance link. [Google] [More] ⦿
Gil Andrei	Graduate of Virginia Commonwealth University in Richmond, VA. He created a modular gridded grungy typeface called Trifecta (2010). [Google] [More] ⦿
Jacques André	French type professor (b. 1938) who designed some experimental fonts such as Delorme (1989). Jacques André has been working in the field of structured documents and digital typography since 1980. He was the leader of the European Didot Project concerned with the digitization of types. He is Research Director at INRIA (the French National Institute on Computer Science) in Rennes, and his work covers the digitization of ancient books and the encoding of their fonts and glyphes. Author of Histoire de l'écriture typographique: Le XIXe siècle français (2013, with Christian Laucou). From the blurb: Pour montrer toute la richesse de cette période, les auteurs ont choisi d'en raconter les aventures successives: les Anglais avec l'invention des caractères gras, des égyptiennes et des sans-sérifs; la fonderie Gill�é qui devient celle de Balzac puis de De Berny et qui rejoindra, à l'aube du XXe siècle, celle des Peignot; la saga des Didot, de la rigueur de Firmin à l'extravagance de Jules; l'Imprimerie royale, puis impériale ou nationale, ses caractères orientaux et ceux de labeur, qui perdureront tant qu'il y aura du plomb; Louis Perrin, qui réinvente les elzévirs; les grandes fonderies françaises, qui rivalisent d'invention et de copies, et, enfin, les évolutions techniques de tout le siècle. The book also contains chapters by Alan Marshall, Alice Savoie and Matthieu Cortat. Author of Caractères numériques: introduction, in: Cahiers GUTenberg, 1997, pp. 5-44. Author of Histoire de l'écriture typographique---Le XXe siècle, (Atelier Perrousseaux, Gap, France, 2016). [Google] [More] ⦿
Aleksandar Andrejic	During his studies in Belgrade, Serbia, Aleksandar Andrejic created Font Tech (2014, Latin and Cyrillic). [Google] [More] ⦿
Marcos André	Cascais, Portugal-based designer of the squarish typeface Mark (2013). [Google] [More] ⦿
Borja Andrés	Graduate of Escuela Superior de Diseño de la Rioja. Graphic designer in Logroño, Spain. Creator of the hand-drawn typeface Amanuense (2013) and of the pixelized typeface Pixelada (2013). [Google] [More] ⦿
Benjamin Andresen	Graphic designer from Frederiksberg, Copenhagen, Denmark, who created Ideo Stencil (2006, a slab serif stencil) and Paperwing Sans (2006). [Google] [More] ⦿
Mark Andresen	American designer of the interesting font NotCaslon (1995) at Emigre. [Google] [MyFonts] [More] ⦿
Dóri Andrésson	Icelandic graphic designer in Reykjavik. Asplund's Stockholm public library inspired him to create the geometric compass-and-ruler family Tornado (2010). The New Black (2009) is a very black threatening headline type. Behance link. [Google] [More] ⦿
Philippe Andrevon	French designer of the animal silhouette typeface Le monde de Victor (2010). His web site is dedicated to children. [Google] [More] ⦿
Ann Marie Andrews	San Jose, CA-based designer of the sturdy titling typeface Hansen (2014). [Google] [More] ⦿
Austin Andrews	Chicago, IL-based designer of Beer Glasses (2015) and Material Design Icons (2015: free). Creative Market link. [Google] [More] ⦿
Caleb Andrews	St. Louis, MO-based designer of William Deco (2019). [Google] [More] ⦿
James Andrews	London-based creator of the wavy font Wavey (2013) and the ornamental caps alphabet Pencil (2013). [Google] [More] ⦿
Kaare Andrews	Kaare Andrews is the designer of the comics font Gnatfont. Alternate URL. Dafont link. [Google] [More] ⦿
Marion Andrews	French calligrapher from Saint-Laurent-en-Grandvaux. Designer of a French school font, which was presented in March 2005 during a meeting held at the National Museum of Education in Rouen, France. The link given here refers to a PDF which contains the proceedings of that meeting. Marion Andrews's school font has a basic monoline sans caps style tilted at only 5 degrees, and a connected lower case whose rhythm was influenced by the Dryad Writing style of Alfred Fairbank (1932). Marion Andrews won an award for writing organized by the Ministère de l'Éducation nationale in France. Marion organized a workshop on Fraktur/Gothic fonts, from 21-26 July 2003, in the Jura region of France. See also here. Marion Andrews, Malou Verlomme and Laurence Bedoin collaborated on the school fonts Écriture A and Écriture B which are presented in Modèles d'écriture scolaire (2013), a document issued by the French Ministry of Education. These fonts are available from Eduscol. PDF with some of her work. [Google] [More] ⦿
Rachele Andrews	During her student days in Brisbane, Australia, Rachele Andrews designed the fashion mag typeface A La Paris (2018). [Google] [More] ⦿
Taylor Andrews	Newsletter created by Taylor Andrews, who made the font "Possibly". [Google] [More] ⦿
Tervel Andrews	Graphic designer in Hartford, CT. He created the free Helvetica-like typeface LüYlandika (2010). Behance link. [Google] [More] ⦿
Steven Andrew	Youngstown, OH-based designer of the rounded sans typeface Stem Cell (2019). [Google] [More] ⦿
Dina Andriani	Indonesia-based designer. Her typefaces from 2021 include Andria, Averil (a vintage caps typeface), Big Mike (a fat finger font), Bloody, Creayon, Cut out Paper, East Java, Horror 666, Kartoon Movie, MilkyWay, Ranting, Real Pen, Root of Life (emulating tree roots), and Walk N Roll. [Google] [More] ⦿
Melia Andriani	Student in Singapore in 2014 who created the hand-painted typeface Oiseau (2014). [Google] [More] ⦿
Lucky Andrian	Bandung, Indonesia-based designer of Rewind (2016, a script typeface), Heaven Type (2016, a modular poster typeface) and Lucky Script (2016). Creative Market link. [Google] [More] ⦿
Andry Andriansyah	Subang, Indonesia-based designer, b. 1994, of the curly textured typeface Batik Ganasan (2019). [Google] [More] ⦿
Tania Andriasian	Sydney, Australia-based designer of the deco typeface Hye Horizon (2015) that takes clues from Armenian. [Google] [More] ⦿
Viananda Andrias	Viananda Andrias (Bandung, Indonesia) designed the Garutan Adiwijaya typeface in 2012. This type was based on patterns found in traditional garments (batik) from Garut, Indonesia. He also made the floriated typeface Rivaurum (2012). [Google] [More] ⦿
Vladimir Andrich	Main type designer (b. 1915) at AlphaType in Niles, IL. Bitstream states: AlphaType Corporation, a family-owned company, was founded by Al and Beatrice Friedman in the mid-1960s to make high quality but inexpensive phototypesetters for advertising typographers. In 1981 Berthold acquired AlphaType. His typefaces: Allan (1978, Alphatype). American Gothic (Alphatype). A copperplate gothic based on Frederic Goudy's Copperplate Gothic from 1904. For a digital version, see URW's American Gothic. Andrich Minerva (1965, VGC). This typeface won Second Prize in the 1965 VGC National Type Face Design Competition. Beatrice Script (Alphatype). Claro (Alphatype). A Helvetica-style typeface. Contemp (Alphatype). Cremona in 1982 for Alphatype, now available at Berthold. A macho text typeface. Cremona is C820 in the Softmaker library. Magna Carta (1974, Alphatype). Vladimir Script (1966, Alphatype), a calligraphic script. Digital versions at URW++, Elsner & Flake and Linotype. Vladimir Script is called Violin Script in the Softmaker collection. MyFonts and Linotype refer to this designer as Vladimir Andrevich. Klingspor link. [Google] [MyFonts] [More] ⦿
Patrick Andries	Quebec-based computer scientist who has been involved in the multilingual and Unicode world. He was one of the authors of a proposal adding Tifinagh to Unicode. He is currently working with people in France and Niger on the development of OpenType fonts to support Tuareg. He is also involved in other African scripts such as Moroccan and Sahelian Arabic and a recent script from the Congo (Mandombe). [Google] [More] ⦿
Elena Andrijauskaite	Graphic designer in London, who created the modular high-contrast typeface Flare (2013). Elena graduated from Shillington College in London. Behance link. [Google] [More] ⦿
Sara Andrini	During her studies in Torino, Italy, Sara Andrini designed the modular octagonal typeface Edges (2017) and Weather Icons (2017). [Google] [More] ⦿
Eros Androulidakis	Athens, Greece-based designer of Liquid Golden (2018). [Google] [More] ⦿
Vlasis Androutsos	Athens, Greece-based designer of the Latin / Greek art deco typeface DAP (2014) and the Latin-Greek paperclip font Nevolution (2015). [Google] [More] ⦿
Viktoria Andrukovich	Vilnius, Lithuania-based designer of the sci-fi typeface Font Capsule (2015). [Google] [More] ⦿
N. Andrushchenko	N. Andrushchenko's beautiful free old Cyrillic fonts called Orthodox (1994 Soft Union, 2000 Andrushenko), OrthodoxDigits, OrthodoxDigitsLoose, OrthodoxLoose, OrthodoxOrnament. An earlier version of this font family is called EvangelieTT (1994, SoftUnion Ltd., created by A. Shishkin and N. Vsesvetskii). See also here for these fonts foinished in 2003, based on the same originals by A. Shishkin and N. Vsesvetskii: Orthodox.tt-Ucs8-Caps-SpacedOut, Orthodox.tt-Ucs8-Caps-tight, Orthodox.tt-Ucs8-Caps, Orthodox.tt-Ucs8-Drop-Caps, Orthodox.tt-Ucs8-SpacedOut, Orthodox.tt-Ucs8-tight, Orthodox.tt-Ucs8, Orthodox.tt-eRoos-SpacedOut, Orthodox.tt-eRoos, Orthodox.tt-ieERoos-SpacedOut, Orthodox.tt-ieERoos, Orthodox.tt-ieUcs8-Caps-SpacedOut, Orthodox.tt-ieUcs8-Caps, Orthodox.tt-ieUcs8-Drop-Caps, Orthodox.tt-ieUcs8-SpacedOut, Orthodox.tt-ieUcs8, Orthodox, OrthodoxDigits, OrthodoxDigitsLoose, OrthodoxLoose, OrthodoxOrnament. His new site offers these fonts: Elizabeth_TT-Italic, Elizabeth_TT, Elizabeth_tt-Roos-Italic, Elizabeth_tt-Roos, Orthodox.tt-Ucs8-Caps-SpacedOut, Orthodox.tt-Ucs8-Caps-tight, Orthodox.tt-Ucs8-Caps, Orthodox.tt-Ucs8-Drop-Caps, Orthodox.tt-Ucs8-SpacedOut, Orthodox.tt-Ucs8-tight, Orthodox.tt-Ucs8, Orthodox.tt-eRoos-SpacedOut, Orthodox.tt-eRoos. The Elizabeth_TT series is a gorgeous done family from 1993 (by "ATRI"Graphic Bureau "Az-Zet"), and renovated in 2003 by Andrushchenko. The Orthodox series is by SoftUnion, 1994, rejuvenated by Andrushchenko in 2003. Free Coda music fonts by Andrushchenko, dated 2000, at the same site: MaestroSquare, MaestroWideSquare, PetrucciSquare. [Google] [More] ⦿
Artem Andrushkin	Or Artem Andryushkin. Designer, with Ivan Gladkikh (Jovanny Lemonad) of the free typeface Flow (2010), published by Typetype in Russia. [Google] [More] ⦿
Joe Andrus	Bowmanville, Ontario-based art director, designer and illustrator. Creator of the squarish garage sign typeface Parts & Labor (2017). Creative Market link. [Google] [More] ⦿
Kajetan Andrzejak	Szczecin, Poland-based student-designer of the blackletter pixel typeface Pixel Gothic (2018). [Google] [More] ⦿
Christopher Andy	Designer of the plump handcrafted typeface Are You Kitten Me (2020). [Google] [More] ⦿
Mohammed Aneez	Jabalpur, India-based designer of Broken Bold (2016). Behance link. [Google] [More] ⦿
Taku Anekawa	Designer of Tanimachi 5 and PetSounds (2000), sold at Font Pavilion. Designer of the screen pixel fonts Dannybitman-7pt, DingBit-FreeSoul, DoshinFont in Digitalogue's DPI72 package. [Google] [More] ⦿
Scott Ford Aneloski	Born in 1986 in Grand Junction, CP and educated in art&graphic design at Western State College of Colorado, Scott now works as a freelance designer in Wichita, KS. Creator of the handwriting font Scotosaurus (2011) and the blackletter typeface Cartographer (2011). Ellephont (2011) is hand-printed. Dafont link. Klingspor link. [Google] [More] ⦿
Maryane Ane	During her studies, Bandung-based Maryane Ane designed the decorative caps typeface Bali Ornament (2016). [Google] [More] ⦿
Ekaterina Anenko	Designer of the Latin/Cyrillic text superfamily Fregata (2010) while she was a student at the British Higher School of Art and Design in Moscow. Pic. Promotional samples of Fregata (serif and sans, regular and bold, Latin and Cyrillic) while we are waiting for the awards to roll in: i, ii, iii, iv, v, vi, vii, viii, ix, x, xi, xii, xiii, xiv, xv, xvi, xvii, xviii. [Google] [More] ⦿
Sergei Anenko	Moscow-based designer of the comic book Latin typeface Mr. Bean (2013). Behance link. [Google] [More] ⦿
Mohamed Anes	Designer from Riyadh, Saudi Arabia. He created the oriental simulation typeface Saif (2011). [Google] [More] ⦿
Angela Aneta	Creator of the hand-printed NADC Heartbeat (2011). NADC stands for Nepean Arts&Design Centre (NADC) at Nepean College (Kingswood Campus) near Sydney, Australia. [Google] [More] ⦿
Nevi A	Creator of the free curly font Puppy Pooky (2012, an embroidery font), of Prestica (2012), and of the textured typeface Stoneflint (2012). Wilcom sells several font sets. They include curious offerings like Undergrad Tees, freshbase1, Babypop Outline, Babypop Distressed, Freshman Athletic ESA, LC Lucida Graphic, and Papy Rustica D. Dafont link. [Google] [More] ⦿
Yevgeniy Anfalov	Born in Kyiv, Ukraine, in 1986, Yevgeniy Anfalov moved to Germany in 2003. He studied Visual Communication at Hannover University of Applied Sciences and Arts, and he launched his own design practice in 2010, two years before graduation. From 2015 to 2017, he completed the MA Art Direction at ECAL/University of Art and Design Lausanne, with a major in Type Design. He obtained an award of excellence for his graduation book project on the history of electronic music, ROTARY. Geschichte des Studios für elektronische Musik WDR Köln 1951-1981. Yevgeniy is working primarily in the fields of editorial design, visual identities, bespoke typefaces and online projects. Founder of Kyiv Type Foundry, which aims to offer new perspectives on Cyrillic type design. His typefaces: LL Heymland (2018-2020, Lineto). An all caps flared typeface for Latin and Cyrillic that was influenced by a pen drawing of Koch's Koch Antiqua found in Solomon Telingater's estate. The cyrillization of Stephan Müller's Chernobyl, a graphic stencil font designed in the late 1990s. The custom typeface Malba Sans (2017) for Museo de Arte Latinoamericano de Buenos Aires (MALBA). He explains: Malba Sans is a corporate font of the museum, whose capital letters were drawn in-house (Aldus De Losa) and served the titling purposes. We were asked by the museum's graphic design team to analyse and update the capital letters, draw the lowercase letters, based upon the improved model and extend the character sets to cover more languages. The new version, named Malba Sans is characterised by a stronger vertical accent and more consistency due the reshape of all the letter forms. A new tighter spacing contributed to the better titling function. Malba Sans was fully kerned and is going to be implemented in the museum's upcoming identity in 2018. The font was exclusively drawn for the internal use and is not available for licensing. Lineto link. [Google] [More] ⦿
Sigurður Angantýsson	Creator in Reykjavik of the wavy hypnotic and futuristic typeface Pastura (2011). [Google] [More] ⦿
Charmaine Ang	Singapore-based graphic designer. She created Utopia (2010), a blackletter typeface, and Mononoke (2014, a display typeface). Behance link. [Google] [More] ⦿
Corinne Ang	Asddf is a typographic practice founded in 2021 by Corinne Ang, a Filipino graphic and type designer based in Brooklyn, NY and Providence, RI, where she studied at the Rhode Island School of Design. In 2020, she released Mononbloc Sans and Fluoral. During a workshop at Type Cooper 2021, she developed Trickle, which she explains as follows: Trickle is a bastardisation of the italic form. The simple aim of it was to create a vivacious, lively rhythmic display typeface that utilised the calligraphic italic ductus as a jumping point. [Google] [More] ⦿
Apolline Angebaud	Paris-based designer of Gambadi (2014), an organic sans typeface that was inspired by dance. This typeface was finished during her studies at ESAG Penninghen. [Google] [More] ⦿
Michael Angeles	Sacramento, CA-based designer of the free Google font Balsamiq Sans. Balsamiq Sans is a rounded sans typeface created for the Balsamiq Wireframes software and has been in use since version 2.1 in 2011. It contains 942 glyphs in two weights with italics/obliques, and includes the basic and extended Latin character set, Cyrillic, some symbols, dingbats, mathematical symbols and technical symbols. Github link. [Google] [More] ⦿
Ivan Angelic	Canadian lettering artist wh runs the design studio Hoffmann Angelic Design together with his wife, graphic designer Andrea Hoffmann. Ivan created the vernacular script typeface Sashay Script in 2018. [Google] [MyFonts] [More] ⦿
João Paulo Angelim	Sao Paulo-based Brazilian designer in 2007 of the hookish hand-printed typeface Original Olinda Style, and of Lego System (dingbats). FADU-UBA link. Dafont link. Klingspor link. [Google] [More] ⦿
Marcelo Angelim	Fortaleza, Brazil-based designer of the vernacular typeface Tipos de Muro (2014). [Google] [More] ⦿
Novia Angelin	Indonesian designer of the blackboard bold typeface Lightning Strike (2018). [Google] [More] ⦿
Kanaya Angeliq	Indonesia-based designer at John Petra University of the modular inline typeface Forctis (2021, FontStruct). [Google] [More] ⦿
Carl Fredrik Angell	Design student in Oslo, aka Frisso. Creator of a few all caps typefaces in 2012, including one called DNA Sans. [Google] [More] ⦿
Jordan Angell	Branding expert in Calgary, who has created some curly logotypes in 2009. In 2010, he made the geometric beveled face Architype, and the octagonal techno typeface Phreeker. [Google] [More] ⦿
Pedro Angelo	During his graphic design studies at INFNET in Rio de Janeiro, Pedro Angelo created the free art deco typeface Drini (2015), which was inspired by the headline of the monthly Albanian tourism bulletin, published in Tirana from 1941 to 1943 during the Italian occupation. Behance link. [Google] [More] ⦿
Eva Angelova	British creator of the curly hand-printed typeface Angelova (2012). [Google] [More] ⦿
Bård Oskar Angelskår	Norwegian creator of the free pixel typeface Baardfaant (2015) and the stitching font Cross Sew (2016). [Google] [More] ⦿
Cory Angen	Graphic designer in Minneapolis, MN, who started life in North Dakota. He created the (free) tall sans display typeface Insanability (2010). He also made a Didot specimen poster. Home page. [Google] [More] ⦿
Markus Angermeier	German designer of Permutation 9, 5x5, Asiatiq, Dotto Regular, Leuna Nord, Natty Skinny, Natty Natty, Natty Fatty, OC Rater, Penumbra Black, Tulipa Arabica, Scriboni, and Siegelring. Earlier, he created the pixel font DSP9RMX (2001) with Stefan Gandl at Designer Shock. On the Fontomas CD, we find his dot matrix family Dotto: Dottoacqua (1998), Dottocrema (1998), Dottomokka (1998), Dottozucchero (1998). Home page. [Google] [More] ⦿
Dedi Tri Anggara	Indonesian designer (b. 1989) of the signature font Fuzzybrand (2019), the sports font Football Attack (2019), the neon / paperclip font Neoncity (2019), the upright monoline script Angelia (2019), the script typeface Mysterio (2019), and the fat finger fonts Smile Day (2019) and Roar (2019). Typefaces from 2020: Smileday, Morning Star, Lovelica, Summer Vacation, Madagaskar. [Google] [MyFonts] [More] ⦿
Deni Anggara	Berlin, Germany and/or Medan, Indonesia and/or Bandung, Indonesia, and/or New Zealand-based designer who set uo first Degarism Studio and, in 2017, Formatype Foundry. At Formatype Foundry, he published these typefaces: The 11-style sans family Epillox (2020), which, by virtue of its sloped terminlas and hipster features is characterized by the designer as emotional. Epillox has a variable style as well. Biofolio Ultimate (2020). A 22-style geometric grotesk. Afical (2021). A 35-style sans with sub-families Afical Std, Afical Neue and Afical Stencil. Fixga (2021). A 17-style rounded monolinear geometric sans family. Satoshi (2017-2021). A free 10-style mostly grotesk sans typeface at Fontshare. [Google] [MyFonts] [More] ⦿
Deni Anggara	Berlin, Germany and/or Medan, Indonesia and/or Bandung, Indonesia-based designer who set uo first Degarism Studio and, in 2017, Formatype Foundry. His typefaces from 2016: Formatif Std (sans), Fortika Display (first published by Regario), Mono RGO (an octagonal typeface family first published by Vial Work, it has one free weight), and Metrisch (first designed with Gumpita Rahayu). I have no clue as to who is who in this Indonesian conundrum. I suspect that Deni Anggara only did the artwork and not the fonts, but it would be great if he could say that up front. He designed Fold No.21 Mono and Neutrif Pro. Typefaces from 2017: Neutrif Studio (a geometric sans), Neurial Grotesk (published in 2018 by Indian Type Foundry), Biotif (grotesque), Folty (a geometric sans), Mono RGO Pro. Typefaces from 2018: Monorama (a squarish octagoinal caps only typeface family published at Indian Type Foundry), Alliance (an 28-style grotesk sans), Rileno Sans (geometric sans). Typefaces from 2019: Regio Mono (a great monospaced choice, even as a programming font), Folito (a stylish modernist sans at Indian Type Foundry), Blimone and Blimone Inktrap, Aktifo (a geometric sans by Deni Anggara and Boyan Nurdiansyah). Aktifo, in 28 styles, covers Latin and Cyrillic. Typefaces from 2020: Bombay Mono (an octagonal typeface at Indian Type Foundry), Fracktif (geometric and grotesk at the same time). Behance link. Another Behance link. Cargo Collective link. Creative Market link. Old studio Formika link. [Google] [MyFonts] [More] ⦿
Dika Mulia Anggraita	Designer of the all caps fingerprint font Minutiae (2020). [Google] [More] ⦿
Afiq Anggriawan	Kediri, Indonesia-based designer (b. 1989) of the rounded squarish typeface Dixietal Basic (2018) and the straight-edged typeface Wkwkwk Land (2018). In 2019, Afiq published the children's handwriting fonts Jack No Fruit and My Scrawl. Typefaces from 2020: Skinny Buttom, Kediriku Bagus, Dagelan Malam (counterless), Pemburu Sinja (a children's hand), Al Faragh (Arabic emulation) and Al Ghazali (Arabic emulation). [Google] [More] ⦿
Satriya Anggun	Magelang, Indonesia-based designer (b. 1984) of the handcrafted typefaces Liberty (2020), Gerilyaz (2020), Askara (2020) and Coffee Shop (2020), and the display typefaces Noise (2020), Satriya (2020) and Modern Java (2020). [Google] [More] ⦿
Denis Angheben	During his studies in UNISO, Sorocaba, Brazil, Denis Angheben designed an alchemic typeface (2013). [Google] [More] ⦿
Angielyn	Original dingbats by Angielyn. Makambo used to sell Jewels One and Two, Menus, Scrollettes, Double Borders. Free: Tiles One, Tiles Two, Jewelled Tiles. [Google] [More] ⦿
Marianna Angouridaki	Athens, Greece-based designer of the rune-inspired Latin / Greek typeface Witchcraft (2018). [Google] [More] ⦿
Pierre Ang	Jakarta, Indonesia-based designer of Beluga (2018). [Google] [More] ⦿
Philippe Angrignon	Montreal-based designer of an informal sans face (2004). [Google] [More] ⦿
Sharilyn Ang	During her design studies in Singapore, Sharilyn Ang created the script typeface Repose (2013). [Google] [More] ⦿
Maddy Angstreich	During her studies at Washington University in St. Louis, MO, Maddy Angstreich designed the text typeface Galileo (2019: a didone with altered angular terminals) and the free variable typeface Jailbird (2019), in which the size of dominos changes.. She also designed the pixel typeface Dot Dot Dot (2019). [Google] [More] ⦿
Francisco Anguís	Spanish designer who created the free experimental typeface Legotype in 2008 for Neo2, a Spanish magazine. [Google] [More] ⦿
Alexis Angulo	Alexis Angulo (Pasay, The Philippines) created the angular display typeface Angulo in 2013. Behance link. Behance link. Dafont link. [Google] [More] ⦿
Diego Angulo	Bogota, Colombia-based designer of the black display typeface Floating (2016). [Google] [More] ⦿
Ricardo Diaz Angulo	In 2017, this Mexico City-based graphic designer created a number of individual glyph type posters. His typefaces, ca. 2017-2018 include Revolutia (a didone), Anima Serif (a Venetian), Anima Sans (a humanist sans). Home page. [Google] [More] ⦿
Joanna Angulska	Aka Asia Ang. During her graphic design studies at Poznan Fine Arts University in Poznan, Poland, Joanna Angulska created the free condensed sans display typeface Komoda (2013), which has interlocking ligatures. In 2016, as part of Warsaw Types, she designed the connected monoline marker script typeface Havana, which is inspired by Warsaw's neon signs from before 1989. This free typeface is named after a former cafe in Warsaw. In 2017, she designed the pointed brush font Jubiler Script. [Google] [More] ⦿
Madison Angus	Kirkland. WA-based designer of the free handcrafted typeface Kindle (2016) and the octopus-themed decorative typeface Sucker (2016). Behance link. [Google] [More] ⦿
Attila Ángyán	Hungarian designer (b. 1984) who made the free animal dingbat font Red List (2011). [Google] [More] ⦿
Attila Angyan	Designer of the free animal dingbat font Red List (2010). [Google] [More] ⦿
Quach Dong Duy Anh	During his studies in Hanoi, Vietnam, Quach Dong Duy Anh designed the textured all caps typeface Flowtrail (2016). [Google] [More] ⦿
Trinh Tuan Anh	During his design studies in Sydney, Australia, Trinh Tuan Anh created an untitled 3d typeface in 2014. [Google] [More] ⦿
Nadaa Aniis	During her studies at German University in Cairo, Nadaa Aniis designed the modular Latin typeface Bryan (2018). [Google] [More] ⦿
Dinda Anindita	Bandung, Indonesia-based designer of these typefaces in 2016: Bandung Jalak Harupat (based on Bandung's city icon), Rereng Priangan (based on Rereng style batik motives). [Google] [More] ⦿
Leif Frimann Anisdahl	Norwegian type designer. Some of his work: The house fonts for NKL, designed in 1967 together with Carl Tørris Christensen. NKL, the Norges kooperative landsfor, used their work for in-house fonts and logotypes. The fonts were produced by Dagfinn Sæther. Oslo Gothic, for Den norske Creditbank (DnC), 1973. The Norsk Hydro typeface (1970), which was later digitized. An all-caps typeface for Storebrand-Norden, 1970. With Reidar Holtskog, he designed in 1990 a Bodoni/Gill hybrid now known as Det norske alfabet (the Norwegian alphabet). This beautiful typeface was used in travel brochures and elsewhere by the Norwegian Information and Foreign Office. See here. [Google] [More] ⦿
Natasha Anisimova	Sochi and/or Moscow, Russia-based designer of Stuva (2018: futuristic), Geometric Pattern (2016), the fine poster typeface Tall Stripes (2016, for Latin) and the colored EPS format deco typeface Five Decor (2016). [Google] [More] ⦿
Muhammad Naufal Anis	Mas Anis or Naufal Anis is the Banda Aceh, Indonesia-based designer (b. 2000) of the brush script typefaces Peudada (2017) and Pallaraja (2017). In 2018, he designed the script typefaces Brittaney (2018), Samellya, Earcy Day, Earcy Night, Advocate Script (signage font), Claire Script, Karl Geoff (signature font), Autery, Callaghands, Richie Youthfield, Zelifa, Sweet Carissa, Allyca, Old Djakarta (signature font), Brian Strait, Daniesha and Shella (clean, rough). Typefaces from 2019: Boulders Beach, Cloudy Night, Creamy Love, Better Rolling (a dry brush font), Exposedly, The Fashionist, Madigel, Andrea Roft, Aedesty, Sail Royals (a dry brush script), Anjel Script, Getolyfe, Theandous (script), KoalaKumal Handwriting, Dellisya (script), Fredericy (script). Typefaces from 2020: Red Sky, Advisor, Bostya, Rollblast (a dry brush font), The Fashionist, Palmire (a light asymmetric serif), Raysat (script), Belle Millies (scipt), Summer Fruits, Rajawalite, The Broadband (a crayon script). Fontdaily link. [Google] [MyFonts] [More] ⦿
Anastasiya Anisovich	Borisov, Belarus-based designer of the Latin/Cyrillic typeface Motion (2014). [Google] [More] ⦿
Suci Anita	The names associated with Nih Studio are Nouval and Suci Anita. Designer(s) of these typefaces in 2020: Bagsman, Bitter Space, Bristteback, Buffalord (all caps, gothic), Buffalow, Climbup (by Fajar Saepul R & Sarah Suci P), Flatters (a tall and tight typerface by Widiyanti and Sarah Suci P), Fabulouscity (a font duo), Fairry Eastern Serif (a geometric sans), Fearcheer (+a multiline style; by Nouval and Suci Anita), Frighter, Gerth (a rounded sans family by Nouval and Suci Anita), Hamsterly, Hostiline (script), Hydrilla (a brush script typeface by Widiyanti and Sarah Suci P), Ofstrike (a script typeface by Widiyanti and Suci Anita), Paradisk (by Fajar Saepul R and Sarah Suci Pauziah), Pretty Real, Ruderup (brush), Stepped, Sweetish. Typefaces from 2021: Vienna Town (an interlocking font by Widiyanti & Sarah Suci Pauziah). Home page. [Google] [More] ⦿
Risca Anitawati	Designer in Magelang (was: Yogyakarta), Indonesia, b. 1989. In 2020, she created the script typefaces Grand Amoura (script), Black Colnes, Des Rosesa, Nathiya, Lazy Boy, Brocke Jackson, Summer Like (+Sans), Magic Glass, Sweet Janette, Ceriya, La Muselle, Las Antonio, Shine de Love and Marionite. Typefaces from 2021: Blinks High (a monoline script), Rhastelie (a sharp-edged reverse stress display serif), Christmas Melody (a calligraphic script), Billies Island (script), Bonjour Sydney (brush script), Mellaney Script, Bonjour Sydney (script), Le Vangeline (a calligraphic script), Soligant (an elegant typeface), Asillynne (an inky script), Paisleigh (a thin calligraphic script), Romantic Sunday (a graceful calligraphic script), The Julayna (a formal calligraphic script), Mon de Tresor (a condensed fashion mag serif), Medyson (a fattish vintage serif), Baby Rainbow, Magic Glass, Californian Beach, Caliner Script, The Bernardo, The Adelyne Script, La Vieste (a display serif with swashes), The Keandro (a signage script). Typefaces from 2022: Roxale Story (a fashion mag serif), Te Quirtez (a sharp-edged vampire serif with rhombic tittles), Des Morgan (a condensed fashion mag serif), Triple Lemon, Cupid Darling (a scrapbook font), Seventh August (a display serif). [Google] [MyFonts] [More] ⦿
Vannya Anjani	During her studies in Jakarta, Vannya Anjani created the modular typeface Contra (2014). [Google] [More] ⦿
Rifqi Anjas	Bandung, Indonesia-based designer of the free grunge font Robotype (2017). Behance link. [Google] [More] ⦿
Davi Anjos	Visual communication student at Universidade Federal do Rio de Janeiro (UFRJ). He designed the display typeface d.ball (2011). [Google] [More] ⦿
Liana Anjuli	During her graphic design studies att the University of Central Florida in Orlando, FL, Liana Anjuli created the watch-themed display typeface Big Ben (2013). [Google] [More] ⦿
Johannes Anker	Born in 1873 in Berlin, Johannes Anker died in 1950 in Hannover. He was a painter, a sculptor and a graphic designer and studied at Kunstgewerbeschule in Berlin, and at Akademie der Künste in Berlin. His typefaces include an Anker Ornament Series (1905) and a Plakette Ornament series (1913), bothe for H. Berthold AG. [Google] [More] ⦿
Alan Ankerstjerne	Graphic designer in Copenhagen. In 2012, he created the bold grotesk typeface Baltikum. He explains: Baltikum is a typeface inspired by the work of Danish designer/architect Knud V. Engelhardt. The type is based on an all capital letters alphabet by Knud. In collaboration with Christian Smed and Frederik Ibfelt 'Surplus Wonder' we create a modern version which includes the lowercase version of the alphabet. [Google] [More] ⦿
Jonathan Ankiewicz	Fremont, CA-based designer of the modular Ankiewicz Block typeface family (2015). Behance link. [Google] [More] ⦿
Kristen Ankiewicz	Kristen Ankiewicz offered lovely type 3 fonts and postscript examples of fancy things such as curlicue letters, and beads. She also has a lovely Celtic alphabet done in Adobe Illustrator. Fractal postscript demos as well. All free, of course. The fonts are here. Kirsten runs Ankiewicz Studios, an art studio in San Francisco. [Google] [More] ⦿
Carl Hermann Albert Anklam	German type designer, b. 1842, Berlin, d. 1931, Berlin. In 1870, he started working at Genzsch and Heyse in Hamburg as punchcutter and engraver. His Neue Schwabacher of 1876 became a very popular typeface. Anklam created Mönchs-Gotisch (or: Mediaeval-Gotisch) in 1877 (Schnelle says 1881) at Genzsch & Heyse. In 1876, he made Neue Schwabacher (normal and halbfett) at Genzsch & Heyse (and Klinkhardt). That same type can also be found at many other typefoundries, including J. John&Söhne, Shelter&Giesecke, Ludwig & Mayer, Gebr. Klingspor, AG Schriftguss, Barnhart Brothers Spindler, H. Berthold AG, etcetera. Author/editor of Kunstwerke der Schrift Bund für deutsche Sprache und Schrift (Großenkneten 1994). Digital revivals include Schwabacher Mager Gross and Möncgs-Gotisch, both by Gerhard Helzel, and Neue Schwabacher (2021) by Ralph Unger. [Google] [More] ⦿
La An	Industrial designer in Moscow who created the display typeface Electroclash (2016).and Olympic Games pictograms (2016). [Google] [More] ⦿
Anna	German designer (b. 1990) who created the handwriting typeface AnnasSchrift (2008). [Google] [More] ⦿
Laura Anna	At New Design University, Vienna, Austria-based Laura Anna designed the modular typeface Caelum (2017). [Google] [More] ⦿
Rasyid Annas	Sidoarjo, Indonesia-based designer (b. 1999) of the upright connected script typeface Sellebeew (2018), the vintage typeface Brave (2019), and the script fonts Valetha (2019), Goldbery (2019), Chooki Bold (2019) and Sagne (2019). [Google] [More] ⦿
Dira Anndhini	Designer in Bandung, Indonesia, who created the ornamental caps typeface Oculus (2012), a custom design for Sirkus Garut based on Georgia. Behance link. [Google] [More] ⦿
John Annear	John Annear is a Perth, Australia-based digital designer. Creator (b. 1995) of the pixel typefaces White On Box (2010, FontStruct), Sloth (2009, FontStruct), Lont (2012) and Sloth Rounded (2012). Dafont link. Devian Tart link. Aka Qwert-Acme. [Google] [More] ⦿
Bernard Anne	Bernard Anne (Bordeaux, France) created the experimental circle-based geometric typeface Circa (2012). [Google] [More] ⦿
Jessica Anne	Designer of the hand-printed typefaces Buttercup (2014) and Bella (2014). Creative Market link. [Google] [More] ⦿
Livi Bree Anne	Aka pixelated princess. Creator of the pixel typeface Pixelated Priness (2012). [Google] [More] ⦿
Marleen Annema	Groningen, The Netherlands-based amateur photographer and student at the Art Academy Minerva Groningen. She created a decorative alphabet in 2014. Behance link. [Google] [More] ⦿
Annemieke	Annemieke (Leiden, The Netherlands) created the school project fonts Ik Zie, Script Sans and Scruipt Serif in 2014. [Google] [More] ⦿
Dmitriy Annenkov	Perm, Russia-based designer of the retro signage fonts Beauford (2015) and California Dreaming (2015), the connected script typeface Jennifer's Flowers (2015) and the heavy calligraphic typeface Magnificent (2015). In 2016, he designed the retro signage script fonts Hollywood and Berry Juice. Behance link. [Google] [More] ⦿
Andrea Anner	Andrea Anner is a Berlin-based Swiss graphic designer. After a Masters in Art Direction and Type Design at ECAL, she founded the design practice AnnerPerrin together with Martina Perrin. With Thibault Brevet, she has founded a studio for digital development. Co-designer with Ian Party of Suisse International Condensed (2013). Designer of Rouillé (2010-2011 a revival of a French Renaissance typeface from 1581, possibly designed by Robert Granjon), Fokko, Euclid, and Finito (2012: a humanist sans done for a Masters thesis at ECAL in Lausanne). [Google] [More] ⦿
Pierfrancesco Annicchiarico	Freelance graphic designer in Grottaglie, Italy. Stones inspired Pierfrancesco Annicchiarico to design the experimental typeface Secco (2009). The Cà brùtta building by Giovanni Muzio in Milan got him to design the free font Monumentale (2009). The 2010 logo for Bar Marangi in his home town is also quite refreshing. He also made the free experimental geometric typeface Cutoff (2011) and Apulia Round (2010). In 2012, he created the free monoline octagonal typeface Segmentum, and the poster typeface Sportiva. Grottangeles (2014) is possibly named after the cholo graffiti style practiced in Los Angeles. He also designed a set of wayfinding icons in 2014. Other typefaces: Ballphabet (2015, an experimental circle-based typeface family), El Santo (2014, a hipster typeface). Pierfrancesco's logo and typography work includes beauties such as a fish called Aperitivo (2011), and a foot illustration called Walking (2011). Behance link. [Google] [More] ⦿
Rob Annoni	Buenos Aires-based designer of Elclip (2013), a basic monoline sans family. [Google] [More] ⦿
Mihkel Annus	Tallinn, Estonia-based designer of the sans typeface family Tropfen (2018). [Google] [More] ⦿
Ujang Anom	Yogyakarta, Indonesia-based designer of the script typefaces Candys (2017: monoline), Nightstory (2017) and Westdjava (2017). Graphicriver link. [Google] [More] ⦿
Anonta	Designer of the free Burmese font MON3 Anonta (2013). [Google] [More] ⦿
Coco Anouk	Aka Adamas Regular. Coco Anouk designed the free fonts Paranoid (2012, experimental triangular typeface) and Pasion (2012, balloonish typeface). [Google] [More] ⦿
Zaffar Ansari	Aka Zaffar Sabbir, b. 1995. At Auckland University in New Zealand, Zaffar Sabbir (Fox and Firefly, or White Smoke Design, b. 1995) designed the free brush typefaces Sunday Mornings (2015), Black Sand (2015), Gypsy Brush (2015), Elise No 7 (2015), White Wood (2015) and Baby Fox (2015). Other fonts from 2015 include Dear Annabelle, Dear Claudia, Nova Hearts, Bedouin, Midnight Cali (connected script), The Sarcastic Giraffe, and White Wood Hollow. Typefaces from 2016: Daylight, Desert Road, Compass, Youngblood Brush, Root Beer (handcrafted), Aroha (brush script). Typefaces from 2017: Surfer Bay, Summer Love, Five Foxes, Marmalade, Raisin Bread, Sunday Best. Typefaces from 2018: Gemini Brush, Wellington, Marbelous, Tiny Trees. Typefaces from 2020: Willow Wisp, Coral Reef, Sunday Morning, Lemon Cake. Typefaces from 2021: Honeybutter. Dafont link. Creative Market link. Fox and Firefly link. Another Dafont link. Another Creative Market link. [Google] [MyFonts] [More] ⦿
Julia Anscheringer	Neusiedl am See, Austria-based designer of the modular typeface Chiaro Regular (2017). [Google] [More] ⦿
Julia Anscheringer	Vienna-based designer of Chiaro (2012), a sturdy modular display typeface designed for her Bachelors thesis. [Google] [More] ⦿
Jamie Ansell	Graphic designer in London, UK, who created the ultra-fat octagonal typeface Solari (2015). Behance link. [Google] [More] ⦿
Alessandro Anselmi	Italian designer of the pay pixel typefaces iPix (2008) and Pixies (2009). [Google] [More] ⦿
Joao Pedro Anselmi	As a design student in Farroupilha, Brazil, Joao Pedro Anselmi created Ribbon Furled Typeface (2013). [Google] [More] ⦿
André Anselmo	Portalegre, Portugal-based designer of the geometric typeface No Reason (2013). [Google] [More] ⦿
Dave Ansett	Melbourne, Australia-based designer of the sturdy titling font Quinse (2016). He writes: Inspired by the style and character of French directional signage, Quinse is a confident and bold signature font for brandmark design, packaging design, headlines for publications, and print and digital campaigns. In 2017, he designed the spurred Trump Font: Inspired by The Greatest Donald of our time (with apologies to Sutherland & Duck). Trump Bold is designed in his image; Bold and Distinctive. Trump Bold works well alone and is kind of a big deal!! So choose Trump Bold for your next brand or advertising project and Make Typography Great Again!!! Other typefaces from 2017: Frate (stencil). [Google] [More] ⦿
Yanuar Antabua	Kota Sorong, West Papua, Indonesia-based designer (b. 1994) of the weathered typeface My Yanda (2019) and the script typeface Ayu Widya (2019). [Google] [More] ⦿
Ilham Antar	Marrakech-based creator of the octagonal Latin typeface Typographie Latin (2013). [Google] [More] ⦿
Mai Antar	Alexandria, Egypt-based designer of Koumi (2015), a squarish Arabic typeface. [Google] [More] ⦿
Julie Antczak	Graphic designer in Kolding, Denmark, who created the high-contrast display didone typeface Oh Boi (2015) and the monospaced sans typeface Kaxe (2018). [Google] [More] ⦿
Michel Antelme	Designer of these free Khmer fonts in 2003: Kampot Gras (2 styles), Kompong B, Lekh Hora B and Lekh Hora Mool. He also assisted Xavier Dupré with the creation of ChriengCKS. Download here. [Google] [More] ⦿
Diego Antelo	Madrid-based designer of a colorful geometric solid typeface (2016). [Google] [More] ⦿
Ersin Antep	Istanbul-based designer of the roundish logotype font Ideatick (2013). [Google] [More] ⦿
Martijn Anthonissen	Creator of Martijns Handschrift (2011, iFontMaker). [Google] [More] ⦿
Clavel Anthony	During his design studies in Annemasse, France, Clavel Anthony created the ornamental caps typeface Leopard Boy (2013). [Google] [More] ⦿
David Anthony	Washington, DC-based graphic designer. He created some experimental custom fonts such as Cuez (2010). [Google] [More] ⦿
Ryan Anthony	Ryan Anthony (Roasted Coffee Studios, Kolkata, India) designed the handcrafted Pine & Oak (2015), the rounded web serif beer label typeface Carlson (2015), the bribeware rounded sans typeface Camp (2015) and the free art deco sans typeface Madyson (2015). At some point, he used the alias Avik Mathew. Creative Market link. [Google] [More] ⦿
Flor Antico	Buenos Aires-based designer of the great unconnected art nouveau handwriting typeface Postina (2015). [Google] [More] ⦿
Adèle Antignac	Graphic designer, living in Paris, b. 1986. From 2007 until 2009, she studied type design at Ecole Estiene in Paris. In 2010, Budapest inspired her to create the open organic typeface Buda, which is characterized by large counters. Free download at Google Fonts. Home page. Klingspor link. Google Plus link. [Google] [More] ⦿
Marcela Antipan	Chilean designer who created the display typeface Paila Marina (2009, Tipos de Cartagua) while studying type design at the University of Chile. [Google] [More] ⦿
Slava Antipov	Voskresenk, Russia-based designer of Grafita (a hipster-gone-wild sans family for Latin and Cyrillic) (2022), Slivky (a 6-style monoline rounded sans) (2021), the free Latin / Cyrillic rounded sans typeface Aqum (2019) and the octagonal typeface family Woodsans (2019). Aqum Two (2021) is a commercial version of Aqum. The deco typeface Twentyone (2020) was co-designed by Gajana Aslanjan, Gumilang Anggara Ruslan, Slava Antipov, and Fidan Aslanova. In 2021, Slava released Quanty (a free geometric sans for Latin and Cyrillic), Mars Wars (octagonal and militaristic), and the headline sans typefaces Phonk and Phonk Sans (a wide branding sans in 20 styles) for Latin and Cyrillic. Typefaces gfrom 2022: Gella Display (40 styles; a headline or poster sans with considerable internal contrast). [Google] [MyFonts] [More] ⦿
AntoineCrama-Locutio-2014b.png	Vincennes, Paris-based designer of the sans typeface Locutio (2014). His web site also called Locutio. In 2020, he went public at MyFonts. His first font released on that platform was the nine-style humanist sans family AC Texto, which was meant to be used for sending text messages. [Google] [MyFonts] [More] ⦿
Marie Antoine	Marie Antoine (Krispy Krush) is an illustrator and art director in London, b. Gerardmer, France, 1979. Creator of the curvy free font A Taste of Heaven (2010). Home page. In 2011, she went commercial at MyFonts. Klingspor link. [Google] [MyFonts] [More] ⦿
Richard Antoine	FontStructor who made TWKcode (2012, blocky white on black face). [Google] [More] ⦿
Eva Antoinette	Ljubljana, Slovenia-based designer of the pixel typeface Lear (2015). [Google] [More] ⦿
Damian Antolak	Polish designer based in Szczecin. At Typeclinic 12th International Type Design Workshop, he created Toucan (2016), a text typeface characterized by teardrop terminals, large x-height and bracketed round serifs. [Google] [More] ⦿
Christian Antolin	Graphic designer from Guadalajara, Mexico, who made a Dia de Muertos font in 2010, as well as Kushtie Script (2010). [Google] [More] ⦿
Clara Antolin	Design student in Buenos Aires, class of 2013. Designer of a geometric experimental typeface called Times (2013) and of the hybrid serif typeface Nivo (2013). [Google] [More] ⦿
Anton	Designer of Haajja (2006). [Google] [More] ⦿
Dan Antonelli	Designer at SignDNA who created the 3-d fonts Banner Priz, Corinne, Lori Slant, Nicole, Tommy B, Rocinante, Zak, Prizmatic Numbers. His bio there states: Dan Antonelli owns and operates Graphic D-Signs, Inc. - a full service graphic design and advertising agency. He is focused on providing small to mid sized firms a one stop solution for all their marketing services, from logo and print advertising design to custom truck lettering and web design. His favorite type of work is logo design, and he recently published a book through SignCraft entitled Logo Design for Small Business which features over one hundred logo design. He has had his work featured numerous times in SignCraft. Sign DNA link. Klingspor link. [Google] [More] ⦿
Laura Antonelli	Whistler, BC-based designer of the decorative Victorian typeface Tango Type (2016). [Google] [More] ⦿
Julia Antonenko	Saint Petersburg, Russia-based designer of a great handcrafted Cyrillic typeface in 2017. [Google] [More] ⦿
Julien Antonescu	London-based graphic designer. In 2012, he experimented with various styles of typefaces. [Google] [More] ⦿
Liviu Antonescu	Bucharest, Romania-based designer of the handcrafted poster typeface Cafe Racer (2014), the vintage signage typeface Brooks Brothers (2016, in styles called Douglas, James and Matthew), the brush signage script The Hunter (2016), the marker script Sharpeye Type (2015), the thick cursive typefaces Sweetie (2016) and Geneve (2016), and the signage script Goldeye (2016). Typefaces from 2017: Flourish (swashy calligraphic script), Buoyage, Overheat (connected script). Typefaces from 2019: Replay (signage script), Tyler (script). [Google] [More] ⦿
Alberto Antoniazzi	Milan-based graphic designer and graphic artist. He created the 3d typeface Platform (2009) and Century Funky (2009, after Century Gothic; free). Behance link. Abstract Fonts link. [Google] [More] ⦿
Mathias Antonietti	Graphic designer and self-declared hyperartist based in La Chaux-de-Fonds in Switzerland. Creator of these typefaces in 2020: Hyper Brush, Hyper Flufy (sic), Mathias (a modular sans in regular and shadow versions) and Hyper Cool (a comic book typeface in Bold and 3D versions). Typefaces from 2021: Mathias (a squarish logo font), Hypercreepos (hand-crafted) (a creepy hyper-bold font inspired by the horror comic books of the 60s), Hyper Turfu (a bold mechanical titling font). Typefaces from 2022: Hyper Top (a supermarket typeface). [Google] [MyFonts] [More] ⦿
Aleksandar Antonijevic	Sydney-based designer, who created Livin Life (2012, an origami paper fold alphabet). [Google] [More] ⦿
Antonina	Polish designer (b. 1989) who created Balls (2006), Ross (2006, handwriting), MPL (2006, handwriting), Dominos (2006, handwriting), Qlfones (2006, handwriting), Melsy (2006, handwriting) and New Age (2007, handwriting). Home page. [Google] [More] ⦿
Breton Antonin	Art director in Lille, France. Designer of the blackletter typeface vengeresse (2017). [Google] [More] ⦿
Breton Antonin	Art director in Lille, France. Designer of the decorative typeface Enlarge (2015), the display typeface Organic (2015) and the blackletter typeface Vengeresse (2017). Behance link. [Google] [More] ⦿
Federico Antonini	Designer of the sans caps typeface Janvier (2015). [Google] [More] ⦿
Andrea Antonino	Designer of the modular typeface Geotype (2015). [Google] [More] ⦿
Antonio	Brazilian student at UFPE who makes type at Tipos do aCaso. [Google] [More] ⦿
Christophe Antonio	Graphic designer in Haarlem, The Netherlands, who works as We Art Free. He created an art deco custom typeface called Delapampa (2009). Behance link. [Google] [More] ⦿
Margarete Antonio	Designer of the free handwriting typeface Ma Sexy (2004). In 2003, she made the handwriting fonts MABrownietOO, MAFishy, MAFlirtyBLOCKED, MA-Flirty, MAKulot, MAQuaddie, MASexy, MASimplePleasure. They can be downloaded here. Bio. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Valentin Antonov	Aka Vallex. Designer of the fattish comic book typeface Obelix Pro (2011), which covers both Latin and Cyrillic, and seems to be based on the titling typeface of the Asterix and Obelix series. In 2012, he added Obelix Pro Cry and Obelix Pro Broken. [Google] [More] ⦿
Ernesto Antón Peña	Born in Havana, Cuba, in 1988, Ernesto Antón designed the free typefaces Cicero Serif (2014) and Cicero Sans (2015). In 2017, he added the sans typeface Eutelia. [Google] [More] ⦿
Priscilla Anton	Priscilla Anton (Berlin) created the typeface Hamburgefontiv (2014). [Google] [More] ⦿
Elmer H. Antonsen	Professor Elmer H. Antonsen, Head Department of Linguistics at the University of Illinois, has developed a runic font for the Mac called Vimose (this font is not on his site though). [Google] [More] ⦿
Sebastian Antonucci	Flores, Argentina-based designer of some untitled hand-drawn typefaces in 2014. [Google] [More] ⦿
W. Jamison Anton	During his studies at Philadelphia University, W. Jamison Anton designed the great straight-edged poster typeface Chlorine (2014). [Google] [More] ⦿
Licker Antony	Aka Lickermelody and Design Co. Bandung, Indonesia-based designer of these vintage typefaces in 2017: The Luiston, Aloevery Bold, Ebenezer, Dreaming. In addition, he created the script typeface Creatello, the brush typeface Attack, and the handcrafted typefaces Stay Humble and Hartbouke in 2017. Typefaces from 2018: Sihaloho (sigage script), Countdownville (spurred vintage style). Creative Market link. Creative Fabrica link. [Google] [More] ⦿
Anton Antonyuk	Moscow-based designer of a modular monoline typeface in 2012. In 2013, at the British Higher School of Art and Design in Moscow, he created the paperclip typeface Stepan, the shaky typeface Artquake, the display typeface Duchess, and Sketch Font (alphadings). [Google] [More] ⦿
Suhery Anto	Type designer in Java, Indonesia, who published his typefaces at the type coop Qwrtype Foundry. In 2021, Suhery Anto and Odies Dwi Yudhistira co-designed the calligraphic typeface Holdywood and the script typefaces Elmimore (a monoline script), Bumblemilk (a children's book font), Donnabold (monoline script), Spearmint, Pear Amigo, Earthroline, Mochaberry and Stalshine. [Google] [MyFonts] [More] ⦿
Rémi Antoun	Parisian art director who designed a geometric outlined display typeface in 2016. Behance link. [Google] [More] ⦿
Lucia Antruego	Valladolid, Spain-based designer of Risueña (2018: a friendly informal sans), Natura (2017: textured floral caps), and a children's book alphabet (2018). [Google] [More] ⦿
Esa Anttikoski	Esa Anttikoski's page with minority Russian language links. Has fonts for Altai/Mari, Kazakh, Tatar, Chechen, Chuvash (TimesEC), Udmurt, Ossetian, Karelian, Yakut. His font Abur (2000). Subpage on Russian minority language fonts. In particular, free fonts offered include Eurasian fonts for Bashkir, Buryat, Chuvash, Kalmyk and Tatar (Cyrillic): Bookman Eurasian, Chancery Eurasian, Gothic Eurasian, Mono Eurasian, Palladio Eurasian, Roman Eurasian, Sans Eurasian, Sans Condensed Eurasian, Schoolbook Eurasian. The original fonts were created by URW++, the Cyrillic part by Valek Filippov, and were modified by Esa Anttikoski. These fonts can be distributed and modified freely in accordance with the GNU General Public License. Kildin fonts for the Kildin Saami dialect: Bookman Kildin, Mono Kildin, Roman Kildin, Sans Kildin. Mansi fonts for the Mansi language: Schoolbook Mansi. Paleoasian fonts for Chukchi, Eskimo, Itelmen, Ket, Koryak and Nivkh: ER Bukinist Paleoasian, ER Univers Paleoasian. Sakha fonts for Dolgan and Yakut: Bookman Sakha, Chancery Sakha, Gothic Sakha, Mono Sakha, Palladio Sakha, Roman Sakha, Sans Sakha, Sans Condensed Sakha, Schoolbook Sakha. Sayan-Altai fonts for Altai, Khakas and Shor: Chancery Sayan-Altai, Roman Sayan-Altai, Schoolbook Sayan-Altai. Uralic fonts for Altai, Khanty, Komi, Mari, Nenets, Selkup and Udmurt: Bookman Uralic, Chancery Uralic, Gothic Uralic, Mono Uralic, Palladio Uralic, Roman Uralic, Sans Uralic, Sans Condensed Uralic, Schoolbook Uralic, Zagadka. [Google] [More] ⦿
Alexander Antunes	During his studies in Curitiba, Brazil, Alexander Antunes designed the rounded sans typeface Auchme (2016). [Google] [More] ⦿
Andreia Sofia Antunes	During her studies in Coimbra, Portugal, Andreia Sofia Antunes designed the display typeface Madalena (2014). [Google] [More] ⦿
Catarina Antunes	Lisbon-based creator of the oil slick display typeface Ville Nouvelle de Boughezoul (2011), probably as a commission for the Algerian city of Boughezoul. She is a graduate from IADE in Lisbon. [Google] [More] ⦿
Douglas Antunes	Goiania, Brazil-based designer of the display typeface D Holic (2016). [Google] [More] ⦿
Filipa Antunes	Portuguese designer of the thin slab serif typeface Olivia (2016). [Google] [More] ⦿
Francielly Antunes	During her multimedia studies in Sao Paulo, Brazil, Francielly Antunes created an attractive squarish typeface (2015). [Google] [More] ⦿
Frederico Antunes	Frederico Antunes (Chiba Chiba) is a designer From Porto Alegre, Brazil. At T-26, he published the runic display face Pixo (2007). In 2009, he created the boxy rave and drugs-inspired Fiasco (YouWorkForThem) and the experimental Cabulosa (YouWorkForThem). Other fonts include VoidJam and Cachorra (based on urban Brazilian street calligraphy called pixacao). MyFonts link. YouWorkForThem link. MyFonts foundry link. Personal home page. Klingspor link. [Google] [MyFonts] [More] ⦿
Joana Antunes	At Universidade de Aveiro, Joana Antunes and Joao Cardoso designed Galos (2019), an informal typeface inspired by Portugal, sardines, and all things Portuguese. [Google] [More] ⦿
Pedro Antunes	Lisbon, Portugal-based designer of the squarish typeface Britz (2016). [Google] [More] ⦿
Einbein Anubis	Belgian creator of the pixel typeface MsPain (2008). [Google] [More] ⦿
Lucky Anugerah	Jakarta, Indonesia-based designer of Bimaclare (2016), a decorative typeface that combines Clarendon with elements of Wayang Bima. [Google] [More] ⦿
Dexsar Harry Anugrah	Dexsar (b. 1991) lives in Makassar City, South Celebes, Indonesia. Starting in 2012, he designed free typefaces. In 2013, he went commercial as Majestype. Creator of the free logo font Dipanegara (2012), DHF Broffont Script (2012), the hand-printed DHF Semangat 2012 (2012), and the pretty hand-printed typefaces DHF Quinta's Diary (2012) and DHF Happy Birthday Ryan (2012). In 2013, he added DHF Story Brush, DHF Milestone Script (a tattoo script available from 123 Creative), DHF Dexgraffiti Return and DHF A Great Happiness (hand-printed), Roverd (signage script), Story Brush (brush face), Broffont Script (retro signage script). Typefaces from 2014: Bandung (a flowing connected brush script, done with Erwin Indrawan), Aceserif Regular, Doedel (signage script), Goodfy (brush script). Typefaces from 2016: Rephone, Antebras (handcrafted poster typeface), Zephan (calligraphic script), Hayne Script. Typefaces in 2017: Prayerd (dry brush script), Kayto (an oriental brush script: collaboration of Erwin Indrawan as the calligrapher and Dexsar Harry Anugrah of Majestype as the typeface designer). Typefaces from 2018: Rockyeah (script, sans and serif), Quente (script), Tamigos (all caps sans). Typefaces from 2020: Orjel Baru (a brush script), Misopen Script. Typefaces from 2021: Burgendry. Fontspace link. Facebook link. Dafont page. Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿
Sarawut Anurak	Bangkok, Thailand-based designer (b. 1986) of the Latin / Thai typeface CRU Sarawut 57 (2014). [Google] [More] ⦿
Tharindi Anuththara	Colombo, Sri Lanka-based student-designer of the (Latin) melting chocolate font Chocola (2018). [Google] [More] ⦿
Ayman Anwar	Art director in Cairo, Egypt, who designed the Arabic typeface Corpo Arabic (2016). [Google] [More] ⦿
Khairal Anwar	Johor Bahru, Malaysia-based designer of the foliate typeface Nastaleaf (2015). [Google] [More] ⦿
Saiful Anwar	Mojokerto, Indonesia-based designer (b. 1986) of these typefaces in 2020: Abimoty, Agoxes Game (octagonal), Amellya (wild calligraphic), Arahma, Asgore (a horror font), Assiaam, Aulidah, Battom Glory (a curly blackletter), Blapuhy (a dry brush script), Blondie, Bodihel, Brithny (a plumpish upright script), Busero (a speed emulating sports font), Christmas (a signage script), Deuglas (a wide monolinear sans), Domino, Duralit, Endellia (dry brush), Fastrace (a race car font), Gladish, Gondes, Hello Father (a heavy upright script), Kafenot, Kehraut, Killega (a decorative serif), Kris Kringle (Christmas-themed caps), Little Aliens, Love Money (an upright script), Merry Santa, Miss Mince, Moody, Queen, Rayhed, Sadish (a spurred decorative blackletter all caps typeface), Challiren (a Valentine's day script), Sakurata (oriental simulation), Santomyse Eridupes (a heavy rabbit ear script), Stiffeny Maritta (a rhythmic script), Tehisa, The Backro, Time Christmas (a retro signage script), Wuudy Cow, Yogurt Luber (a dripping paint font). Typefaces from 2021: Saevul (an elegant inline typeface), Maferic (a display serif and script), Liferdas (an 18-style transitional serif), Adeston (a fashion mag serif), Edhan Martine (luxury serif), Abygaer (a refined display serif), Asbigan (a ligature serif), Maguire (a display sans), Angela (a swashy display serif), Nergisha (a trendy fashionable serif typeface), Weatsyam (a stylish signature script), Weatsyam (a stylish signature script), Mansdefia (a formal calligraphic script), Romantic (a script with personality), Bandes (an upright supermarket script), Love Rysma (a scrapbook font), Adaniya (a calligraphic signage script), Alyesina (calligraphic), Hay Monster (a scrapbook font), Balloon Duwoor (a scrapbook font), Crazy Robot (a blocky all caps typeface), Belyna (an upright script), Lovelys (a textured script), Sanderyna (a signature script), Magemin (a decorative serif), Hello Bucin, Founder Christmas, Amania (a bold signature script). Typefaces from 2022: Sugela (a display serif), Ramadhan Amazing (Aarabic emulation), Algoria (a 36-style sans), Sageyl (a spider web serif). [Google] [MyFonts] [More] ⦿
Sajikin Anwar	Tangerang, Indonesia-based designer of the signature script typeface Zolland (2019). [Google] [More] ⦿
Salar S. Anwar	Kurdistan, Iraq-based designer of the rounded sans typeface family Twitter Kurdish Font (2015). [Google] [More] ⦿
Sarah Anwar	Cairo-based creator of an untitled Arabic typeface in 2013. [Google] [More] ⦿
Tom Bernard Anyz	Frankfurt-based photographer, b. 1973. Creator of the free font Toms Handwritten. In 2008, this font was commercialized as Toms Handwritten (URW++). MyFonts link. FontShop link. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿
Yusuke Anzai	Yusuke Anzai is the designer of the futuristic and LCD-type fonts Stargazer, RGB, Signboard, Match99, Calcium, Cocoa, Scratch, Escape, Speedstar, Psycho, Naturalist, Galapagos, and Prototype, mostly freeware. Mac only, type 1 and TT. The YG01 series seems to be commercial. [Google] [More] ⦿
Gisella Anzaldi	Coram, NY-based creator of the Soda Pop typeface in 2012. [Google] [More] ⦿
Tarra Anzalone	Tarra Anzalone (Tarra Design, Huntsville, AL) created the quite elegant condensed sans typeface Tarra Tall (2013). Behance link. [Google] [More] ⦿
K. Anzawa	Yabuchan (K. Anzawa) is the designer of the Fraktur font YABU-Gothic-Font. Alternate URL. [Google] [More] ⦿
Jure Anzicek	Ljubljana-based creator of Football Shirt Font (2015) and Mint (2014, a text font co-designed with Elizabeta Jevnikar). [Google] [More] ⦿
Andy Anzollitto	In 2017, Louise Fili, Nicholas Misani and Rachel Michaud co-designed the art nouveau typeface Montecatini, which is inspired by Italian travel posters from that era. In 2019, Louise Fili, Nicholas Misani and Andy Anzollitto expanded this typeface to the 24-style Montecatini Pro. Marseille (2017) is co-designed by Louise Fili, Nicholas Masani and Andy Anzollitto. It is an art deco-inspired letterform that is based on Louise Fili's cover design for the Marguerite Duras novel The Lover. [Google] [MyFonts] [More] ⦿
Akemi Aoki	Designer at MvB Design of these fonts: AcmeAnimals (1993), AcmeDinosaurs (1993), AcmeExpressions (1993), AcmeGreenGarden (1994), AcmeSportsGames (1993), AcmeWhatever (1995), Aunt Mildred (1995-2008), MVB Fantabular and MVB Fantabular Sans (2002, a monospaced typewriter family), the HotsyTotsy family (1995-1996, with Mark van Bronkhorst), MVB Pedestria Pict (2002, dingbats), MVB Pedestria (2002, sans family), MVB Grenadine One and Two (2003, sans families). View Akemi Aoki's typefaces. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Atsushi Aoki	Geometrically strong fonts by Atsushi Aoki: AddFatMan, Shade, Speedy, Round, Steel, Line, Rusty, Loops, Shark (not free), WASP (not free), Jazz, IronPoint7, StandardBitmapPoint9. Mac type 1 and Windows truetype. Font names: AddCityboyNormal, AddElectricCity, AddFatMan, AddJazz, AddLGBitmap09, AddLine, AddLoopsNormal, AddMBitmap06, AddRusty, AddShade, AddSniperNormal, AddSpeedy, AddStandardBitmap (2011), AddStarSugarNormal, AddStarSugarOblique, AddSteel, AddWBitmap09, Addround. Font Pavilion sells AddWasp (1999). He designed PointN (1999) at Digitalogue in their DPI72 series. Alternate URL. Dafont link. [Google] [More] ⦿
Hanae Aoki	Milan, Italy-based designer of the display typefaces Junktown (2016) and Lamp (2016). [Google] [More] ⦿
Junior Aoki	Japanese type designer who published some Japanese typefaces at FONT1000. His site is called Design Base Tokyo. Typefaces: Jaraku, Jaipo, Jaipo-Min, Jaroku, Jaipo-K. [Google] [More] ⦿
Katsunori Aoki	In 1996, Aoki won Silver Prize at the annual Tokyo Type Designers Club competition for a logotype he designed for Hiromichi Nakano Design Office. Born in Tokyo in 1965, and employed by San-Ad Co., Ltd. since 1989. [Google] [More] ⦿
Toshimichi Aoki	Toshimichi Aoki (Ghost Workshop) is the designer of the OpenType font AokiTegaki (2002, handwriting). This also exists in type 3 format. [Google] [More] ⦿
Chiho Aoshima	Chiho Aoshima's fonts are sold through Font Pavilion: Kodomo-Manju (Marshmallow) would make a nice Japanese comics book font. [Google] [More] ⦿
Mohamed Sayed Aouf	Graphic designer in Cairo, Egypt, who created Quadrilateral (2016), a free experimental Latin typeface obtained by superimposing parallelepids. He also designed the free font AX Curvature (2016). [Google] [More] ⦿
Shigeru Aoyama	Shigeru Aoyama's fonts are sold through Font Pavilion: Aru. [Google] [More] ⦿
Daniel A.P.Acuña	Daniel A.P.Acuña (Shiken Studio, Barcelona, Spain) designed the squarish modular typeface Underpick in 2016. Aka Daniel Pepe. [Google] [More] ⦿
Gizem Apak	Student at Sabanci University, Turkey, b. 1989. She created the upright script typeface Muffin (2011). [Google] [More] ⦿
Irem Apak	Istanbul-based designer of the triangulated typeface Less Is More (2016) and Grids (2016). [Google] [More] ⦿
Strahinja Aparac	Novi Sad, Serbia-based designer of the Latin / Cyrillic display typeface Judith (2014). [Google] [More] ⦿
Ernesto Aparicio	Creator of the slightly calligraphic script typefaces Apantasia (2008) and Apantasia 2 (2008). [Google] [More] ⦿
Raquel Aparicio	Raquel Aparicio, one of a group of illustrators called Purple rain Illustrators in Princeton, NJ, published an erotic all-caps alphabet in American Illustration 2013. [Google] [More] ⦿
Khajag Apelian	Freelance graphic designer from Lebanon. Born in Sharjah, UAE, an Armenian with a Lebanese nationality. Graduate of the Type and Media program at KABK, 2009. There, he designed Arek, an Armenian typeface specifically designed to replace the typefaces currently used in school books. It is a fresh interpretation of the ancient Armenian script used in the old manuscripts. My ambitious plan for this project is to include a serif and a sans serif version, containing upright and cursive forms, with multiple weights, display versions and initials. However, currently the project includes only the serif upright, regular and black weights, in addition to the cursive and the initials. This typeface was awarded First Prize in the Granshan 2010 competition for Armenian text types. Arek was finally published by Rosetta Type Foundry in 2012. After graduation, he started freelancing as a graphic and type designer in Amsterdam. Partner at The Place. Other typefaces include The Chattam (2009, a Clarendon revival), Boujour (2008, an ultra fat deco face), Moudwi (2007, an experimental Arabic detached typeface inspired by the Unified typeface created by Nasri Khattar). His typefaces: Arek, Hagatir, Boujour (2008, piano key typeface), Mulsaq (2008, Arabic), Moudwi, Nuqat (2010: a dot matrix typeface by René Knip, Khajag Apelian, Jeroen van Erp, and Reza Abedini). Graphic Arabic (Wael Morcos and Khajag Apelian) won an award at Granshan 2017. IBM Plex Sans Arabic (2019, by Mike Abbink, Paul van der Laan, Pieter van Rosmalen, Wael Morcos and Khajak Apelian) is a free typeface family at Google Fonts. Typecache link. Behance link. [Google] [More] ⦿
Philippe Apeloig	French type designer (b. Paris, 1962) who designed the experimental fonts Carré, Octobre (a stencil in the De Stijl genre), and Aleph in 1994. [The digital versions of these fonts are due to Franck Montfermé.] First prize at the Tokyo Type Directors Club in 1995, and a Judges' Special Prize at the same competition in 1999. Poster exhibition. Bio. Since 1992, he has been teaching typography at the Ecole Nationale Superieure des Arts Decoratifs. In 2012, the people at Nouvelle Noire in Zurich helped produce several of Apeloig's typefaces: In the De Stijl genre: Octobre (1994), Ndebele. The geometric typeface ABF. ABF Lineaire (2013). A stencil typeface with elements of LED letters. ABF Silhouette (2009). Based on ABF Petiit, this typeface was developed for the 2009 conference on the Space and Architecture of Libraries. ABF Petit. Custom designed as part of a new corporate identity for the Association des Bibliothécaires de France. Coupé (2013): The font Coupé is based on the streamlined elegance of vintage sports cars. Apeloig designed these letterforms for an exhibition of fashion designer Ralph Lauren's car collection. The exhibition made its European premiere at the Musée des Arts Décoratifs in Paris accompanied by a poster inspired by the clean engineering of the automobiles. Izocl (2013). At Nouvelle Noire. Poudre (2013). This font was created by Apeloig for a poster advertising an exhibition on the prolific inventor and industrialist Alfred Nobel. Apeloig's concept was inspired by Nobel's invention of dynamite and work with subatomic particles. Ali (2013). An origami stencil typeface. Aleph (1994). Based on a simple arc, and influenced by Excoffon's banco (1952). In 2016, he designed the numbers for the Slim d'Hermes watch. Alternate URL. Photograph. Winner in 2009 of the typographic design award of the International Society of Typographic Designers (ISTD). Nouvelle Noire Behance link. Klingspor link. [Google] [More] ⦿
Ulrich Apel	A free handwritten kanji font, dated 2006: KanjiStrokeOrders. Plus another free kanji font, Choumei (2008). Inside the KSO font, we learn that Ulrich Apel was the motor behind the font and the project. Tim Eyre turned the SVG data into a font. [Google] [More] ⦿
Marina Apevalina	Moscow-based designer of the Cyrillic potato font Potato Font Sunset (2015). [Google] [More] ⦿
Porapak Apichodilok	Aka Paula A and Porapak Picto. Bangkok, Thailand-based photographer and illustrator, b. 1978, whose outfit was called Nursery Art, and before that, Eikon Design. Porapak created these typefaces in 2017: Roche, Boekban, Henrietta, Madelyn, Yesmina, Sticky Script, Gilligan, Lepota, Just Tuesday, Rwanda, Adalicia, Pamela Script, The Eolian, Lesliecy, Bis Später, Halften, Unkempt (dry brush), Esperance, Super Black, Janes Smith (signature font), Trust Me, Stinker, Minnie Script, Jherry Jill, Bentley Script, Instyle, Fabiana (brush script), Atingle, Skylar Script, Skylar Sans, Huh Girls, Sentimental Script, Barbala, Silent Night (script and sans), Unbossy, Densfort, Absorbed, Gumdrop, Fixity, Cuassus (signature script), A Bientot, Enmity (script), Quincy (font duo), Mr. Proxy, Sentimental, MaxWell, Zabar, Deisy, Sandstorm, Koko Kruse, Mizz Zippy, Fabiana (script), Bravo, Paxton, Brushy, Instyle Brush, Ooh Lala (brush), Gypsy Script, Specialist (signature font), Jasper (brush font), 5 Seconds, Malina (connected script), Hi Sunshine, Bellahana Script, Good Morning, Line Cally, Laksamee Script, Beer, Lazy Monday, Travel Icons, Smoothies, Liam Smith (handcrafted), Emma Script, Have Faith Script (brush), Jelly Fish, Olive, Hand Rock, Hand Hardcore, With Love. Typefaces from 2018: Version Line, Lollipop, Himalayar, Chicago, Only You, Roadtrip, Day Dream, Hard Times (SVG brush), Twingle, North Remember, Still Mind, The Inner Peach, Simple Harmonic, Realistic, Playmate, Silver Mind, Malina, Let's Party, Halfdressed, Twenty Six, The Subject, Nonlineal, Wanderlust, Please Onself, Pommie, Cherish, Simple Harmonic, Memories, Valensia, Raymond, California, Stepbrother. Graphicriver link. [Google] [More] ⦿
Porapak Apichodilok	Thai designer of the brush script Oho Julie (2019) and the script typeface Slowly (2019). [Google] [MyFonts] [More] ⦿
Angel Apolinar	During his studies at the Escuela Nacional de Artes Plástica de la UNAM (Mexico City), Angel Apolinar designed the Tekia text typeface (2013). [Google] [More] ⦿
Anthony Aponte	Vargas, Venezuela-based designer of Rupees (2013), which is based on the lettering used in the Legend of Zelda game. [Google] [More] ⦿
Carlos Aponte	New York-based Puerto Rican artist, who designed the sports dingbat font DF Energetics (1995). Versions at Elsner&Flake, ITC and Esselte (original). This font was inspired by Picasso. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Sophia Apostolopoulou	Graphic designer in Athens, Greece, who created Tutfont, Circlefont and the experimental sans typeface Geometric in 2016. [Google] [More] ⦿
Adelina Apostolova	Adelina Apostolova is a graphic designer from Bulgaria, living and working in Germany. In 2020 she released the fat piano key stencil typeface Apura. [Google] [MyFonts] [More] ⦿
Ivan Apostolski	Designer of Cyrivendell (2011) about which he wriotes: Cyrivendell - a portmanteau of Cyrillic (which it does support entirely) and Rivendell, the fictious city from LOTR. This script does resemble a couple of existing and popular fonts; this one, however, focuses on Cyrillic and also contains all European international characters. Cyrillic support is for Serbian, Macedonian, Russian, Ukrainian, Bulgarian and Belarus. [Google] [More] ⦿
Joshua Appelbaum	Brooklyn-based graphic designer who created a squarish typeface called Joyce Dance Studio (2013). [Google] [More] ⦿
Luka Appelberg	Helsinki-based designer of the pixelish typeface Alfabeth (2014). [Google] [More] ⦿
Gina Apperson	Creator of the hand-printed caps typeface Elon Community (2012). [Google] [More] ⦿
Moritz Appich	Gruppo Due (Berlin, London, Karlsruhe and Bern) is a type design platform and foundry offering retail typefaces, alongside bespoke designs resulting from a close collaboration with our commissioners. Gruppo Due was founded in 2019 by Moritz Appich, Massimiliano Audretsch, Jonas Grünwald and Bruno Jacoby. He published these typefaces at Gruppo Due: G2 Kosmos. A monolinear rounded sans by Moritz Appich and Bruno Jacoby. They write: G2 Kosmos is a modernistic monoline typeface. Its simple shapes follow a geometric grid, but don't hesitate to break free to form better flowing and smoother letters. The grid is the same one artist and designer Wolfgang Schmidt used for his Lebenszeichen. This system of signs was developed to measure the entire cosmos of his emotions and experiences. The typeface's first incarnation was drawn as part of the 2019 diploma project by Maxim Weirich surrounding the Lebenszeichen. G2 Erika (Regular, Mono). [Google] [More] ⦿
Carolyn Applebaum	As a student at the University of Kansas in Lawrence, Carolyn Applebaum designed a lively display typeface family, Gherkin (2012). [Google] [More] ⦿
Oli Appleby	Sheffield, UK-based designer of the minimalist outline typeface Mist (2018). [Google] [More] ⦿
Madison Apple	After studying the illustrations, cartographies, and penmanship of Lord of the Rings author, J.R.R. Tolkien, Chicago-based Madison Apple (b. Whitefish, Montana) created a detailed script font based on his handwriting called Legendiarum (2015). It was developed during his studies at Columbia College Chicago. [Google] [More] ⦿
Good Apples	Good Apples is a design studio in Boulder, CO. Creators of the monoline display typeface Hello Denver (2012). 1001Fonts link. [Google] [More] ⦿
Galih Aprilia	Indonesian designer of the signage fonts Rolyta (2019) and Rainbay (2019), and the script typeface Berthany (2019). [Google] [More] ⦿
Apriliyanto	Jawa Tengah, Indonesia-based type designer. Typefaces from 2021: Gutheng (a horror font), Kurenai (emulating a Japanese brush), Sanstooy (a comic book font) (informal), Mandasari Script (monolinear), and Devitaria (a monoline script).. [Google] [MyFonts] [More] ⦿
Yofi Aprilla	Bandung, Indonesia-based designer (b. 1997) of the calligraphic typeface Oathkeeper (2020) and Piledrive Walts (2020). [Google] [More] ⦿
Eep Apringga	Indramayu, Indonesia-based designer of the elegant signature typefaces Cristhyna Signature (2020), Callihgra (2020), Thrainly Sellier (2020), Limbathude Script (2020), and Qhueeny Signature (2020) and the calligraphic or script typefaces Chinthya, Shorin Bestie, Laughs Qhuan (upright) (2020), Sketch Crafty (2020), Rexland (2020), and The Oxcello (2020). Other fonts include the dry brush typefaces Boldace Brush (2020) and Be Wild Brush (2020), the monolinear sans typefaces Rogueland (2020, +Slab), Hamburge (2020), Micolesther (2020: organic), Chuterolk (2020: caps only), Angelika Playfull (2020), Arinttika (a signature script) (2020), Authorized (2020), Chinthya (a romantic script) (2020), Marchellia Sans (2020), Race Sport (2020), The Coastal (2020), Trellacote (bilined) (2020), and the tall sans Marbellya (2020, by Toni Setiawan). Typefaces from 2021: Chelliond (an inky script), Fall in Love, Harland Roselyn, Revisthond, Qhitela Cruzh, Constaller (an inky script by Toni Setiawan and Eep Apringga), NCS Radhiumz (a wide sans in eight styles). Typefaces from 2022: Collingethon (a signature script by Toni Setiawan and Eep Apringga). Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Amit Apte	Pune, India-based designer of a handcrafted devanagari script typeface in 2017. [Google] [More] ⦿
Andrés Apud	Graduate from FADU, University of Buenos Aires, who created the typeface Verjilius Augusteus (2008), a display typeface that is in search of an identity. [Google] [More] ⦿
Fadhil Aqsa	Fadhil Aqsa (b. 1996) (DJ Studios in Lamno Jaya, Banda Aceh, Indonesia) designed the calligraphic script typefaces Cratti Script and Xandrella Script in 2016. Typefaces from 2017: Chatting, Rositha (curly script), Bonety Lady, Mantana (calligraphic script), Squadwife Script, Lovelyou Script. Typefaces from 2018: Mention (a signature font), Soul Amsterdams, Cratti, Vettorell, Lobsters Blush, Battal, Sallat, Autumn, Lovelyou, August Script, Clarity. Aka Meutuwah. Typefaces from 2020: Pisonest, Momday, Rosebondy, Orlando Smith (a signature font), Winterous (font duo), Valentine. Typefaces from 2021: Northell (a fat finger script), Pisonest (script), Mountty (brush script), Love Squall (script). [Google] [MyFonts] [More] ⦿
Ana Carolina Aquino	During her studies at UFMA (Federal University of Maranhão, Brazil), Ana Carolina Aquino (Sao Luis, Brazil; b. 1994) developed the vernacular typeface Traco (2014, with Bianca Alcantara) based on lettering by Caio Oliveira found in one of the university's buildings. Behance link. [Google] [More] ⦿
Dave Aquino	Designer of the art deco multiline typeface Beacon Hill (2009, FontStruct). The font is called "Beacon Hill" because it's inspired by the totem pole carvings at Beacon Hill park in Victoria, BC, Canada. If you turn the word on its side, it looks like a totem pole. Dave Aquino is located in Vancouver. [Google] [More] ⦿
Debora Aquino	Creator (with Gabriela Albuquerque) of the computer game dingbat font Sentai 30 (2007). Based on the Super Sentai logos and characters by Toei Company. See also here. [Google] [More] ⦿
Gabriel Moraes Aquino	Graphic designer, illustrator, painter and photographer in Rio de Janeiro. During his studies, he created the text typeface Gladius (2014). Behance link. [Google] [More] ⦿
Jacquie Aquino	Walled Lake, MI-based creator of Devine (2011). [Google] [More] ⦿
Mateus Aquino	Muriae, Brazil-based graphic and industrial designer. Creator of Vendi Si (2015), a vernacular market signage typeface. Behance link. [Google] [More] ⦿
Migo Aquino	Migo Aquino (Quezon City, The Philippines) created the animal-themed typeface Amigoville in 2013. [Google] [More] ⦿
Thales L. Aquino	Graphic designer from Rio de Janeiro (b. 1982) who created a mecano-style typeface called Articulada (2011) and the basic geometric shape typeface Patriota (2012, based on the Brazilian flag). Articulada won an award at Tipos Latinos 2012. In 2015, Thales designed the pixel typeface Nativa over at FontStruct. Dafont link. Cargo Collective link. [Google] [More] ⦿
Yanina Arabena	Yani Arabena (b. 1985, Buenos Aires) graduated from the University of Palermo in 2007 and then from FADU-UBA in Buenos Aires in 2012. Her graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the signage script typeface Abelina. Along with Guille Vizzari, she runs the studio Yani & Guille based in Buenos Aires. Still with Guille Vizzari, she created Volar Script (2014, a signage script custom created for Aerolineas Argentinas) and Cafecito (2014), and was involved in several lettering and calligraphic projects. In 2014, Yani Arabena and Guille Vizzari published Abelina Pro at Sudtipos. It is based on Yanina's thesis project in 2011-2012 at FADU/UBA simply called Abelina, which was mentored by Ale Paul and Ana Sanfelippo. Abelina won an award at Tipos Latinos 2016. For the 3rd edition of Masticar (2014), an Argentine Gourmet fair, an exclusive hand-drawn poster typeface was developed by Yani Arabena and Guille Vizzari for use in the identity of the fair. For the 2015 edition of the fair, Masticar Bold was added. In 2015, Alejandro Paul, Yani Arabena and Guille Vizzari combined forces in the signage script typeface Quotes (Script+Caps) (2015, Sudtipos). Envelove (2017) is a script typeface family consisting of Script, Icons, and Caps, designed at Sudtipos by Yani Arabena, Guille Vizzari, and Alejandro Paul. Winner at Tipos Latinos 2018 of a type design award for Envelove. In 2018, Yani Arabena and Guille Vizzari published the lively vernacular signage typeface family No Molestar, which won an award at the Type Directors Club's Type Design Competition 2019. Behance link, jointly with Guille Vizzari. Another Behance link. Facebook link. Joint web page with Guillermo Vizzari. [Google] [MyFonts] [More] ⦿
Ufuk Aracioglu	Turkish type designer in Sakaryu / Istanbul whose foundry was first called Type & Design, but became Horizon Type in 2016. As a student, he created the strong-willed sans typefaces Mental (2015, +Mental Rounded, 2016) and Serotonin (2015), the deco typeface Findel (2016), the 16-style rounded geometric sans family Acherus Grotesque (2016), the military stencil typeface Acherus Militant (2016), and the sans titling typeface Anarchy (2016). Typefaces from 2018: Crossten (a rounded geometric sans typeface family by Emre Güven). Typefaces from 2019: Marcher (a 10-weight sans family). Typefaces from 2021: Chesna Grotesk (a 20-style geometric sans), Acherus Feral (a 20-style geometric sans). Fontsquirrel link. [Google] [MyFonts] [More] ⦿
Boaz Arad	Boaz Arad (aka Funky Type) is the designer of Facelift (1997), a very grungy old typewriter font. See also here and here. Dafont link. [Google] [More] ⦿
Thomas Aradea	Yogyakarta, Indonesia-based psychology student, b. 1988. He designed these typefaces in 2022: Australia Handwritten (a brush script), Easter Risen (a bean font), World Peace (a great graffiti font), Bollifia (a monoline script), Bollifia (a monolinear scrapbook script), Bellanos (a bean font), Asutenan (a dry brush script), Valkids, Light Bearer (a dry brush font). Typefaces from 2021: Hello Easteria (a playfil scrapbook font), Blacker Valentine (an inky and wild calligraphic script), Allisabeth (a thick-and-thin script), Christmas Rockstar (a dry brush script), Dreamy Summer (script), Berries (a bold informal signage script), Miss Christine (a brush script), First Love FD (a font duo), Gardening, Chilli Peppers, Black Spartan (a dry brush script), Nijikon Japan (a plump supermarket or food packaging font), Summer Flower (a bold script), Mother Love (script), Earth Days (a textured typeface for ecologists), Good Friday (a heavy script), Natural Handwritten (script), Captain Kangaroo, Leaf Spring (a wild script), Merijola (script), Seruput Kopi (a fat finger font), Black Gladiator (a dry brush font), Baby Girl (a rabbit ear script), Heartberry (a scrapbook script), Princess Kimberli (an inky script), Wedding Dress (wild calligraphy), Harriella (an inky script), Pretty Butterfly (a wild playful script), Dear Darling (a wild script), Spring Sunshine, Still Valentine, Still Valentine. Typefaces from 2020: Bellissa, Declaration Of Love, Endless Love, Bobby Anderson (a dry brush script), Thunder Ragnarok, Our Valentine (an inky script), Shepherd, Snowbound, Romeo Juliet, Sheepfold, Christmas Wonderland (a brush script), Holi Christmas Eve (an upright wild script), Christmas Journey, Mabelle (wild calligraphy), Barbiel (a wild calligraphic script), Michaello (a brush script), Sabastian (a wild inky script), Christmas Lights (a wild script), Merlyn, Snowball Bush, Christmas Magic (a creamy script), Cheerful Day (a wild script), Snowland (an inky Treefrog style script), Rolling Beat (a dry brush script), Batik Worldwide (a great textured font), Creepy Witch (a Halloween font), Angelynn Monogram, Angelynn, Mattera, Sweet Husky, Father Christmas, Hadriel, Alleffra, Olliffia (a great wild calligraphic script), Aguellera (a wild script), Angellolga (a signature script), Higher Jump (a dry brush font), Love Lovely, American Bulldog, Heal The World, Alaskan Malamute, Fergitta, Millena, Love Miracle, Cleanliness Power (a bold script, with our without shadows), Rayya (script), Matthew Woolsen, Heaster, Honnitta, Bluettelli, Good Thinking, Fressia , Easter Sunday, Well Done (swashy), Kobryan, Mileadila, Rutter, Jacksonville, Rockybilly (a brush script), Angelin Love (wild calligraphy), Backstreet, Roberto, Honey Bear (a heavy cartoon font), Horror Metal. Typefaces from 2019: Anderson Silvai (a monoline display typeface), Maithe, The Army of God (a rough brush font), Puppy Love Brush, Beautiful Kisses, Black Note (a cartoon font), Kristabelle, Ramovia (wild calligraphy), Brenda Valentine, Margareta, Fabregas, Darkness of the Night (a brush font), Black Fighter (a dry brush script), Brother Tom (a dry brush script), Antika (a calligraphic script), Gamos, Airora (or Aurora), Keraton, Djoker State, Angel Maleficent, Harleyquin, Boomboyah (dry brush), Seronita, Untitled Artwork (in the "wild calligraphy" genre), Hertina, Reindeer, Right Now (a monoline script), Assinatura (a signature font), Snowby (snow-capped letters), Rosse, Snowky Brush (snowy letters), Black Area, Mariagata, Cubby Brush, Mariosa , Princess Berlianty, Gennie, Bestowens, Haruka, Kanaggawa, katherine, Halloween Story, Only One, Kutharock, Happy Halloween, Art Maria, Knighthood (dry brush script), California Street (script), After Zero (brush), Hong Kong (dry brush script), Alleluya (script), Handpick (a creamy brush script), Yolanda Love Script, Summer Cherry, Black Pink Summer, Johnson Rock, Hobenshaw (a free bold signage script), Eiffel in Love, Galgadot, Andora, Heanffe, Santeria Signature, Jason Statan (free), Brigitta, Peach Queen, Black Pink Signature, Garbera, Flaming Carrot, Seoul Script, Ferrero Rocker (marker pen font), Ferrero Rocher, Stefani, Adventure Dreamer, and Witherscollin. Typefaces from 2021: Amsterdam Kindom (a fat finger script), Ordillon Handwriting (a fat finger script), Vallenta, Bittersoni (an inky script), Christmas Worship, Brigitta Signature (a dry brush script), Limit Breaking (letterpress emulation), Bellarosa (a dynamic inky script), Monster Scratch (a dripping blood font), Spooky Grave (a dripping blood font), Hallo Skull (a skull-and-bones font), Halloween Island, Billys Rock, Zombie Mummy (a textured mummy emulation font), Queenlery (a display serif), Ultimate Battle (dry brush script), Fastest (a speed font), Asgardian (a bold stencil font), Brillianissa (a stylish script), Hello Beach (a heavy script), Summering (a scrapbook font), Aishiteru (oriental emulation), Chilli Peppers, Gardening, Thanks Summer, Clarissa. Fontdaily link. [Google] [MyFonts] [More] ⦿
Mohammad Arafin	Aka Duke. Dhaka or Narayanganj, Bangladesh-based designer (b. 1986) of the free squarish sans typefaces Cox's Bazar (2019) and Sundarbans (2018). In 2019, he published Humayun Ahmed (a bilined font named after a Bangladeshi writer, dramatist, screenwriter, filmmaker, songwriter, scholar, and lecturer), Rohingya (+Outline), George Harrison and Friends, and Saint Martin. Fonts2u link. [Google] [More] ⦿
Helen Aragao	Belo Horizonte, Brazil-based designer of the octagonal typeface Urbano (2018). [Google] [More] ⦿
Lina Aragon	Lina Aragon (Cali, Colombia) is a graphic design student. Her designs, including her typefaces and her moustache, are curly, lively and fun. The typefaces include Santonia (2011). [Google] [More] ⦿
Isaac AraGuim	Isaac AraGuim, a student at IESB in Brasilia, Brazil, created the hand-printed caps typeface Trilo (2012). [Google] [More] ⦿
Maulana Arahman	Indonesian designer of these typefaces in 2021: Nutch (display), Clutch (a geometric sans), Macmore (brush), Bluestick (script), Saintage (a monoline script), Anita lakent (script), Croom (a display font), Hello World (a signature script), Caslim (a display typeface). [Google] [More] ⦿
Nopi Arahman	Jambi, Indonesia-based graphic designer. Creator of these typefaces in 2015, all handcrafted: Moizture (water brush), Chewing Gum Script Font, Sangkuriang (curly script), Gabbarra. In addition, Nopi designed the circle-based typeface Onde Onde (2015, inspired by a traditional Indonesian rice cake). [Google] [More] ⦿
Yoshihide Arai	Yoshihide Arai's Japanese foundry which produced these free fonts from 2003 until 2007: Acidpunk, Aqutone Circle (only black circles), Blockbox3D, BlockboxHeavy, BlockboxLigh, BlockboxMaruheay, BoxboxboxHeavy, Bubble, CharacerAfro, ChildrenLigh (children's scribbles), Circle, Genjiko, Genshi, Gucle Bold, Handoo, Heainz, Hexagon (hexagonal letters), Hieroglico A, Korrekt (techno), Korrekt Oblique (techno), Majipane (kana face), Marudo (pixel face), Mimot Bold (curly), Mixertype (dings), MonolinRegular (upright script), Morphon, Newdo99 (pixel face), Nwnwn, Omocha No. 1 and No. 2 (dingbats), Rippen Regular and Bold (octagonal), Teks Bitmap, Ufons, Webicon1 (dingbats), Acidpunk. Old URL of its predecessor, YaFontWeb. Dafont link. [Google] [More] ⦿
Javier Araiza	San Luis Potosi, Mexico-based creator of the soft art nouveau typeface Crixus (2014). [Google] [More] ⦿
Jonathan Ara	Coburg, Germany-based designer of the Startrek style font Warpalpha (2018). [Google] [More] ⦿
Maria Laura Arakaki	During her studies at FADU / UBA in Buenos Aires, Maria Laura Arakaki designed a curvy typeface (2017). [Google] [More] ⦿
Raul Betelli Arakaki	During his studies at Anhembi Morumbi, Sao Paulo, Brazil-based Raul Betelli Arakaki created the thin display typeface Rome (2014). [Google] [More] ⦿
Satsuki Arakaki	Inari Type is an independent type foundry with Japanese roots, which specializes in both Latin and non-Latin typefaces. Based in Campinas, Brazil, it was established in 2020 by Caio Kondo and Satsuki Arakaki. Caio Kondo and Satsuki Arakaki co-designed Mori Gothic (2020), a seven-style geometric sans, and the connect-the-dots typeface Inari (2020). [Google] [MyFonts] [More] ⦿
Arlene Arakelian	As a student in Las Vegas, NV, who created the handcrafted typeface Chaos (2016). [Google] [More] ⦿
Dmitry Arakelov	Russian designer based in Turkey. Creator of these typefaces in 2017: Roadster Script, North Star, North Script, Phonema (a stylish display sans), Synopsis (a condensed fashion mag serif), Tropical Script (a gorgeous Treefrog style curly script), Okelani Script (another gorgeous Treefrog style curly script), Roadster (a decorative script), Follow Script (a wide connected calligraphic script), Construct (layered, beveled), Defocus. In 2017, at YWFT, he published YWFT Sugar. He also designed Constructor (a layered, beveled typeface), Presto Script, Synopsist and Paramaribo (a delicate upright hand-lettered typeface) that year. Typefaces from 2018: Cutcut (a party time paper cutout typeface), Bon Ami, Good Day (a delicate handcrafted coffeeshop typeface), Turkuaz (a comic book family), Episode (an ultra-condensed tall poster typeface), Skyscraper (a tallcondensed hexagonal typeface). Typefaces from 2019: QSansPro (a workhorse sans), Legatum (a classical roman font inspired by the old inscriptions in Rome). Typefaces from 2020: Avayo (a 9-style modern sans), Sansmatica (38 condensed techno fonts), Formatica, Ascent Pro (a geometric sans), Factum (a didone hybrid with high contrast styles culminating in some stencil types). Typefaces from 2021: Uplift (a 6-style font characterized by mechanical notches and a certain blue collar appeal), Hygge Sans (a 34-style simple sans). [Google] [MyFonts] [More] ⦿
Manuel Lopez Arambarri	Barcelona-based designer of the sans headline typeface Lick King (2017). Behance link. [Google] [More] ⦿
Alicia Garcia Arana	Zaragoza, Spain-based designer of the titling typeface Deep Blues (2018). [Google] [More] ⦿
Alex Aran	Spanish designer of the bold all caps sans typeface Aran (2019). [Google] [More] ⦿
Sandra Arana	Madrid, Spain-based designer of the modular rounded sans typeface Yummy (2016). [Google] [More] ⦿
Au Aranas	Manila-based creator of the very original multilined caps typeface Achille Castiglioni (2011), which was named after the industrial designer. She graduated from the Ateneo de Manila University in March 2013. [Google] [More] ⦿
Lucia Aranaz	Oviedo, Spain-based designer of the bilined all caps typeface Creta (2016). Behane link. [Google] [More] ⦿
Moisés Arancibia	SMOG (Santiago Motion Graphics) is a design studio in Santiago (Chile) founded in 2007 by Moisés Arancibia and Pablo González. Typefaces by the studio include the display typefaces Alpaca, Hola Mundo, Mokeka, Mafia, Matas, Central, Chacon and Bikini. Felipe Cáceres helped out with the final production of these typefaces designed by Moisés Arancibia: Alpaca (a slab face), Mafia (an experimental face), Mokeka (a display face), Matas (a display face), Central (a display face), Chacon (a black rounded face), and Bikini (a squarish face). In addition, Moisés Arancibia created Menu (not at SMOG) and Hola Mundo (alien dingbats, some of which were designed by Sebastian Platz and Sebastian Pagueguy). All fonts are free. [Google] [More] ⦿
Ahyrton Velasquez Aranda	Australian designer (b. 1998) of the Mexican party font Las Locuras del Emperador (2017). [Google] [More] ⦿
Javier Araneda Giovanetti	During his studies in Santiago, Chile, Javier Araneda designed Egenau Pro (2009). It was inspired by Chilean sculptor Juan Egenau Moore (1927-1987), who uses aluminum carapaces in his sculptures. [Google] [More] ⦿
Hugo Araneda	Santiago, Chile-based creator of the sans typeface Fetiche (2013). [Google] [More] ⦿
Catalina Mazo Arango	Graphic designer in Medellin, Colombia. Creator of the fat monoline all caps sans typeface Plus (2014). [Google] [More] ⦿
Maria Sofia Arango	Maria Sofia Arango used iFontMaker to create Sofia's (2011), a curly hand-printed face. [Google] [More] ⦿
Paola Arango	Guatemala City-based designer of a decorative caps typeface in 2017. [Google] [More] ⦿
Santiago Arango	Medellin, Colombia-based designer of these modern sans typefaces in 2019: Oddity (a black compressed sans), Olivia Sans, Ruta Sans, Platypus Wide. [Google] [More] ⦿
Reza Arani	CEO of Tahavolgaran Arse Ettelaat in Tehran. His old site offered two free fonts: Sin-Titr-Bold (1997, Sina Dadras), and Mellat (1999, Majlis Research Center by Reza Arani). He explains that he was one of the first people to solve the problem of Persian scripts on web pages, and that his fonts were designed for that purpose, mainly. With permission of Arani, we offer the truetype versions of these fonts for free download: Mellat, Sin Titr Bold. [Google] [More] ⦿
Egor Aranovich	San Francisco-based designer of the water splash font Splash (2017). [Google] [More] ⦿
Erica Arantowicz	During her studies in 2013 at York College of Pennsylvania in Collegeville, PA, Erica Arantowicz created the typeface T3ch over at FontStruct. [Google] [More] ⦿
Zsofia Arany	During her studies at Moholy-Nagy University of Art and Design in Budapest, Hungary, Zsofia Arany designed the sans display typeface Chopped (2016). Chopped is based on the lettering seen on a poster by Hungarian artist Gönczy-Gebhardt. [Google] [More] ⦿
Romina Araoz	Graphic designer in Buenos Aires, who created Mostra (as a student at FADU / UBA in 2013) and the very fat display typeface Botterista (2017). [Google] [More] ⦿
Kanella Arapoglou	Greek graphic designer. She studied Graphic Design at TEI, in Athens, and later received an MA in Communication Design from Central Saint Martins, in London. During her stay in London, Kanella worked as an Art Director for some design agencies. She designed PF Haus Square Pro for Parachute in 2001-2006. This squarish family has Greek and Cyrillic versions as well. [Google] [MyFonts] [More] ⦿
Magdalena Arasanz	Or Bana Arasanz, b. 1987. Santiago, Chile-based illustrator type designer who writes that she is inspired by pop-culture, randomness, folk art, colour, geometry, movement, music, gossip and typography. In 2015, she designed Carreton, a display typeface that won an award at Tipos Latinos 2016. Carreton was inspired by the traditional Chilean painting style of the Carretas de Feria (decorated horse-drawn wagons). In 2016, she designed Becky for W Foundry: this friendly display family has subtly bent strokes and lightly inflated, pumped up counters. Her motivation: geared towards the world of advertising and retail [...] well-suited for large headlines, branding, logos, publishing and short texts. In 2017, she designed the 40-style all caps Americana typeface family Cenzo Flare at W Foundry. Tumblr link. [Google] [MyFonts] [More] ⦿
Başak Aras	Istanbul-based student designer (at Sabanci University), with Selin Dönmez, of the 1980's style techno typeface Synth Break (2015). [Google] [More] ⦿
Kyrox Arashi	Canadian youngster (b. 1992) who is working on the pixel typeface Chmod (2007). Home page. Chmod 1.0 (2008) was made with FontStruct. Alternate URL. [Google] [More] ⦿
Rastasari Aras	Jakarta, Indonesia-based designer of the display typeface Bugis (2015), the torajan wood carving-inspired Rastoraja (2015), and the alchemic / hipster typeface Patotoe (2015). [Google] [More] ⦿
James Aratan	Creator of the free grungy typeface Random Access Memory (2013). [Google] [More] ⦿
Harry Araten	Designer (1936-2001) who studied at the School of Visual arts in New York. At Photolettering Inc, he made the phototype font Alef-Bet (Hebrew). [Google] [More] ⦿
Alice Araujo	During her studies in Manaus, Brazil, Alice Araujo designed the handcrafted typeface Tipatinhas (2019). [Google] [More] ⦿
Ana Araujo	London-based designer of the display typeface Floffy Foffi (2013). [Google] [More] ⦿
Ana Raquel Araujo	Editorial designer and illustrator in Guimaraes, Portugal. Creator of a brush all-caps alphabet in 2010 while studying at ESEIG. [Google] [More] ⦿
Carlos Araujo	Graphic design student from El Salvador currently living in Buenos Aires, Argentina. He created the children's book alphabet World of Goo (2011), which is based on goo, dirt, slimy monsters and worms. [Google] [More] ⦿
Daniel Goulart Araujo	Designer of these free fonts: Evil Dead, Evil Dead Army of Darkness, Evil Dead II UK, and Evil Deas by Dawn US. [Google] [More] ⦿
Diego Araujo	Creator at Unique Types of the free experimental typeface Pé da letra (2011) and of Diego (2011, FontStruct). [Google] [More] ⦿
Eduardo Araujo	Lisbon-based designer of the kitchen tile typeface Modular (2014), which was a school project at the University of Lisbon. Behance link. [Google] [More] ⦿
Fabio Yllen Blanes Araujo	Designer in Sao Paulo, Brazil. His typefaces from 2012: Artmarker, Belezera, Putana, Putana Negrita, Banga. [Google] [More] ⦿
Gabriel Araujo	Sao Paulo, Brazil-based designer of the Brodowski typeface (2017). [Google] [More] ⦿
Gabriela Araujo	Gabriela Araujo (Recife, Brazil) created Horror Type (2011, a pixel face). At FontStruct, she made Missing (2011, pixel face). [Google] [More] ⦿
Ines Araujo	Ines Araujo (Lisbon, Portugal) created the modular typeface Let's Jazz in 2012 in collaboration with Joana Couto. [Google] [More] ⦿
Lean Araujo	Lean Araujo (Buens Aires, Argentina) created an untitled monoline typeface in 2013. [Google] [More] ⦿
Lia Araujo	During her studies in Porto, Portugal, Lia Araujo designed a decorative typeface (2016). [Google] [More] ⦿
Luciano Araujo	Brazilian creator of the iFontMaker fonts Autalinha (outline, hand-printed), Garrancho, Setetres. [Google] [More] ⦿
Lucy Costa Araujo	Teresina, Brazil-based designer of the avant garde sans typefaces Amira (2017) and Enif (2017), and the minimalist sans typeface Good Lingua (2017). [Google] [More] ⦿
Luis Araujo	During his studies at the Universidade Federal de Goiás (UFG) in Brazil, Luis Araujo designed the display typeface Naomi (2013), which is based on Robert Slimbach's Minion (1990). [Google] [More] ⦿
Nasser Araujo	Santiago, Chile (was: Maracay, Venezuela)-based designer of the grungy slimy typeface Flavor (2017). In 2020, he released the free dry brush pen typeface Eighty Seven. [Google] [More] ⦿
Noe Araujo	Graphic designer in Monterrey, Mexico, b. 1990, whose company is called Handcrafted Types. Creator of the free thin chisel font New Theory (2012), of the stick font SixSixSix (2013), and of the hand-drawn Dollar Lemonade (2013, yours for two dollars), Anke Sans (2014: a free geometric sans), Beeeer (2014, tweetware poster font), Giant (2014), California (2014), My Hand (2014), Raw Font (2014), and Composition (2014). In 2015, he made the watercolor brush script typefaces Arrows, Hawaii, Cafune Script, Karla Script, Michelle (free), Love Letter, Matilda, Natalie, Palapa, Heather and Wendy. Other typefaces from 2015 include Beeeer (poster type), Compass, Rustic (consisting of Things, Paper, Margot, Monsters, and Welcome Home), Akuma (heavy brush), Composition (hand-printed), Saints (a stick, or rune emulation font), Lorem Serif, Helena (watercolor brush script), Dakota (script), Convoy (handcrafted), Tomahawk (hand-drawn), Holga Script, and Emily (hand-drawn). Typefaces from 2016: Rapture (rough brush), Mono (futuristic), Big Sur (thin sans), Piedra & Stone, Tigers, Tiburon, Colorado, Super Normal, Brown Fox Script, Reading This, Frank, Nudos (script), Penny Handmade, Lula (brush style), Jamaica Script (brush font). Typefaces from 2017: Wild (dadaist), OK Regular, Ugo. Typefaces from 2018: Weekend, Destroyer (brush). Creative Market link. Behance link. Dafont link. Open Font Library link. [Google] [More] ⦿
Rayssa Araujo	Rayssa Araujo (Brasilia, Brazil) used FontStruct to design the modular sci-fi typeface Kaizen (2015). Behance link. [Google] [More] ⦿
Samantha Araujo	During her studies in Sao Paulo in 2017, Samantha Araujo designed a display typeface. [Google] [More] ⦿
Samantha Araujo	During her studies in Brasilia, Brazil, Samantha Araujo designed the pixel typeface Quadradin (2016, FontStruct). [Google] [More] ⦿
Wladson Araujo	Fortaleza, Brazil-based designer of the free connect-the-dots typeface Conexao (2017). Behance link. [Google] [More] ⦿
Dani Rubio Arauna	Graphic designer in Barcelona since 2004. Creator of the wood type-inspired typeface Madera (2014) and of the ornamental caps typeface Metamorfosis (2014). Behance link. [Google] [More] ⦿
Alejandra Araus	Designer of the connected monoline Lovely Script (2013) which was developed during a course given by Daniel Hernandez and Paula Nazal in Santiago, Chile. [Google] [More] ⦿
Evelyn Arauz	Panama City-based student-designer of the decorative caps typeface Clawvy (2017). [Google] [More] ⦿
Diego Aravena Silo	Diego Aravena Silo set up Without Foundry with Felipe Sanzana 2012. In 2016, Diego Aravena joined forces with fellow type designers Patricio Truenos and Bana Arasanz. In 2022, he embarked on studies at the University of Reading. Diego's typefaces: The funky flared typeface family Pirata (2013). Pirata has some interlocking characters. D Sari (2014, Latinotype). This typeface won an award at Tipos Latinos 2014. Diego calls this 22-style rounded sans family neohumanist. Zennat Pro (2014, Latinotype). D Hanna (2014) is a 22-font neohumanist sans typeface family. Followed in 2015 by D Hanna soft. D Hanna is instantly recognizable by its amputated e. Huboost (2014): a tall titling face. Dsert (2014, Latinotype): a 39-weight display sans family that is inspired by the 1970s politically colored design movement, afichismo. Many glyphs are slightly flared. Barranco (2015). Barranco is a 3d layered font family with shadows and inline effect layers. Without Sans (2015, by Felipe Sanzana and Diego Aravena). This large sans family is characterized by a large x-height and rhombic dots. D Blues (2015). A neo-humanist typeface family in 20 styles. Bronto (2015). A rounded sans family with reversed contrast. Biblioteca (2015) by Roberto Osses, Cesar Araya, Patricio Gonzalez and Diego Aravena won an award at Tipos Latinos 2016. Gardenia (2016): a rounded sans typeface family by Salvador Rodriguez Lagos. In 2016, Salvador Rodriguez and Diego Aravena Silo co-designed the geometric sans typeface family Fuse and Fuse V.2, which are characterized by a large x-height and some humanist elements. Salvador Rodriguez and Julia Martines Diana added Fuse V.2 Printed in 2018. Eren and Eren Condensed (2016) is a 32-style slab serif family with a humanistic touch and rounded corners---it was designed by Salvador Rodriguez and programmed by Diego Aravena. Ulises (2017). Designed with Salvador Rodriguez: an eclectic slab serif with some grotesque features. Kappa (2017): A modern sans serif with humanistic and geometric features, co-designed by Salvador Rodriguez and Diego Aravena. Followed in 2017 by the slab version Kappa Vol2 (designed by Salvador Rodriguez). Salvatore (2018). A neogrotesque. Notorious (2018). A brush script. Hermann (2018). By Salvador Rodriguez and Diego Aravena. This wonderful readable garalde will be great for novels. Ryman Gothic (2019, by Diego Aravena Silo and Franco Jonas at W Foundry) is inspired by Edwin Allen's wood types and Morris Fuller Benton's gothics. Gallos (2020, by Diego Aravena Silo and Salvador Rodriguez). A 20-style mix of architype, geometric, gaelic, unicase and uncial. It contains variable styles as well. Supera Gothic (2020). An 18-style geometric sans by Diego Aravena Silo and Salvador Rodriguez. Plus variable fonts. Saes Grotesk (2021). An 18-style grotesk sans by Diego Aravena that comes with two variable fonts. It is based on early 19th century gothics. Creative Market link. Behance link. Another Creative Market link. Old foundry link at MyFonts. Behance link for Without Foundry. Yet another Creative Market link. [Google] [MyFonts] [More] ⦿
Cesar Araya	Chilean type designer in the Latinotype team. Corporative Sans, Corporative Sans Rounded and Corporative are large typeface familes created by the Latinotype Team in 2015. In particular, they were developed by Javier Quintana and Cesar Araya, under the supervision of Luciano Vergara, and Daniel Hernandez. Check out Biblioteca (2015) by Roberto Osses, Cesar Araya, Patricio Gonzalez and Diego Aravena: this typeface won an award at Tipos Latinos 2016. In 2017, Sergio Ramirez, Cesar Araya and the Latinotype Team developed the information design super-large typeface family Informative (+pictograms as a tribute to Gerd Arntz: Informative Alimentation, Informative City, Informative Energy, Informative People, Informative Politics, Informative Sports, Informative Work). In 2016, Cesar Araya and Daniel Hernandez co-designed the very Latin / curvy / warm slab serif typeface family Hernandez Niu. In addition, Bercz Design Studio, Latinotype Team, Rodrigo Fuenzalida, and Cesar Araya co-designed the expressive typeface family Snatch, which comes with Snatch Dingbats. In 2019, Cesara Araya and Fadhl Waliy Haqq published the didone variant Bunta. Together with Alfonso Garcia, Cesar Araya designed the spurless sans family Branding SF (2019, Latinotype). Typefaces from 2020: Organetto (at Latinotype: a 50-style all caps headline or poster typeface based on early 20th century examples), Spock (2020: a 48-style demi-sans demi-slab family by Luciano Vergara, Cesar Araya and Rodrigo Fuenzalida), Corporative Slab (developed together with the Latinotype team, it is characterized by asymmetric roof slabs on the lower case x and y). [Google] [MyFonts] [More] ⦿
Eduardo Araya	Eduardo Araya (Arica, Chile) created the free squarish sans typeface Manteka (2012). [Google] [More] ⦿
Rodrigo Araya	Valparaiso, Chile-based illustrator (b. 1991) who made the free hand-drawn hipster typeface Eleven (2014). [Google] [More] ⦿
Rodrigo Araya Salas	RAS Design is Rodrigo German or Rodrigo Araya Salas, a designer from Santiago, Chile, b. 1987. Rodrigo Typo link. RAS Design link. Dafont link. Dafont linkNewer Dafont link. Behance link. Fontspace link. Fontsy link. Abstract Fonts link. Old URL. Creator of many hand-drawn free fonts. His typefaces from 2008 and 2009: Super (2009, for signage), Snow (2009), Mari (2009), El Cubano (2009, dingbats of typefaces), Mental Freak (2009, outline), Freak Animals (2009), Brigada Ramona Parra (2009, dingbats), Happie (2009, dingbats), Santiago Icono (2009), Icono Skate Dingbat (2009), 78 Skate (2009), The Sorden (2009), Estilo Urbano (2009, stencil), Tetris (2009), Techno (2009), Kona (2009, childish hand), Parody Logoskate (2009, dingbats), Fat Love (2009), La Rata Bizarra (2008), Tabla (2008), A Mano Alza (2009), Maribel (2009, handwriting), Stencil (2009), Rayando (2008, chalky writing), Klam, Loco TV, Monos Frekis (2008, funny dingbats), Tabla (2008), Happie (2009, more funny dingbats), Funny Icons (2009), Kiltro (2008, dog dingbats), Pokemona (dingbats), Maniatico (scratchy outlined hand), Bizarro 1 (outline hand), Chile (dingbats), Freaky (2008, dingbats), Esquiso (outlined handwriting), Crazy Ras (outlined and hand-printed), Skatelove (2008, dingbats), Los de Abajo (2008, dingbats), Logoskate (2008), David (2008, flowing ultra fat face), Destruccion (2008, grungy), Skateboarding (2008, ransom note face), Mike Valley (2008, skateboard dingbats), Rodney Mullen King (2009, skateboard dingbats), El Chavo del 8 (2008, scanbats), Grande Maradona (2008, scanbats), Saintfont (2009, hand-printed), New Tetris (2009), September 11 Icon (2009, a powerful set of dingbats), Icono BMX (2009, bike dingbats). Typefaces from 2010: Commando X (2010, a pixel dingbat typeface for computer games), Raya Irregular, Mari+David, Depressive Icon, Esquiso, Ego (2010), El Cubano (dingbats with typefaces), Barras Bravas (almost graffiti face), Globe Face (award winner at Tipos Latinos 2010). Fonts done in 2011: Logo Font, Buen Dia (ransom note face), Drugstore (blackletter), Condorita (dingbats), KingKöng (a nice fat letter comic book face), Rolo (fat letter face), Logo, Comando X (a pixelized dingbat typeface based on video games), Catbox (2011, fat and rounded), Joia (a thin octagonal face), Plop (a "hip hop font"). Typefaces from 2012: Designio (rounded sans family), Nollie, Rocka (triangulated), Mosku (paint or blood drip face), Gigio Italia Bizarre (dingbats), Conny Rocket, Retro Hand Type (stitched), Wood (wood type simulation), Tritona, Nollie, Zdravo Maria (children's hand), Bordados (stitched typeface). Typefaces from 2013: Mexe, Polly, Pintanina (+Pro) (comic book caps face; the Pro version appeared in 2015), Giger Free (inspired by the paintings of H.R. Giger), Rango (fat hand-printed face), Smile (fat signage face), Pequena (a fat finger typeface for children's books; in Latin, Greek and Cyrillic), Children One, Lollapalooza, BRP (dingbats), Koni Black, Cusco, Rorschach, Children One (poster font), Varial Hellflip, Marty (hand-drawn poster font for Latin and Cyrillic), Barricada [not to be confused with the Barricada font by Sudtipos]. Typefaces from 2014: Marty Spring, Munky Negra (a creamy signage typeface by Rodrigo Araya Salas and Raphael Rodriguez), Tobogan (ultra-black poster face), Lilirun, Peral, Zurita (brush face), Ruba, Street Animals (dingbats), NegritaPro (funky), Ruda (brush face), Muro (thick brush type), Cucho (signage typeface), BRC (hand-printed), Konga (a chocolaty creamy signage script originally from 2012), Pony, Guakala, Alboroto, Loyola (a cartoon script started in 2013, which won an award at Tipos Latinos 2018), Froh (an informal fat stencil), Paihuen Pro (Mapuche-inspired letters), Helenita (perhaps useful for children's books; see also Helenita Dos in 2017), Macabro (a great hand-lettered and weathered typeface family), Box10, Ria, Bototo. Typefaces from 2015: Mari+David, Good Friend (a primitive script), Galpon (a great vernacular signage and/or comic book typeface for Latin, Greek and Cyrillic; extended in 2020, with Bruno Jara Ahumada, to Galpon Pro), Smile Pro (a fat multi-style handcrafted poster family of exceptional beauty; together with Andrey Kudryavtsev), Ardilla Small (a rounded organic sans by Rodrigo Araya and Andrey Kudryavtsev), Konga Pro (based on his own creamy script, Konga, from 2012), Mari & David (poster typeface), Forest Puyehue, Skatista (handcrafted script and skateboard dingbats), Ruba Style, Janmeid, Forma (experimental, robotic), Australia Skate (vernacular type), Tobi Black (for comic books and children's books, +Greek, +Cyrillic), Tobi Dirt, Basural (experimental). Typefaces from 2016: Bowl, Aliengo (a fun Martian font family done with Andrey Kudryavtsev), Marty Two (a lovely handcrafted typeface, ideal for children's books), Minnie Play (a children's book typeface by Rodrigo Araya and Andrey Kudryavtsev), Camo (a layered typeface family by Rodrigo Araya and Andrey Kudryavtsev), Camo Dirt, Clarence World (with Andrey Kudryavtsev: a rounded cartoon font inspired by the logo of the Cartoon Network series Clarence; followed in 2017 by Clarence Two), Pequena Pro (+Cyrillic) (with Andrey Kudryavtsev), La Mona Kids, Konga Rock, Movskate (a skateboarding culture font by Rodrigo Araya, Juan Sepulveda and Patricio Gonzalez), La Mona Pro (72 styles: A feast of textures!). Typefaces from 2017: Hatter Display (a Halloween font), Hatter Display Pro (+extensive dingbats), Hatter Cyrillic Display, Macabro Danger (wall paint style), Checkin Script (with four sets of travel dingbats), Caleuche (a bold weathered typeface, with Andrey Kudryavtsev; but that coauthorship was altered in 2021 to Franco Jonas Hernandez), Pequena Neo, Bike Park, Bike Park Two, Kawaii RT, Clarence Two, Portena, Mi Cocina (restaurant icons and dingbats), Big Foot Forest, Clarence Cyrillic (by Rodrigo Araya and Andrey Kudryavtsev), Galpon Spring, Spike Bot (by Rodrigo Araya and Andrey Kudryavtsev), Forest Two. In 2018, Rodrigo Typo published these typefaces: Ding (a great fattish cartoon font, co-designed with Andrey Kudryavtsev and Franco Jonas; see also its extensions, Ding Pro (2019) and Ding Extra (2019)), Squick (a comic book / children's font family by Franco Jonas, Andrey Kudryavtsev and Rodrigo Araya), La Pica Pro (by Rodrigo Araya and Andrey Kudryavtsev), Catshape (dingbats by Rodrigo Araya), Tobi Pro (by Franco Jonas, Rodrigo Araya Salas, and Andrey Kudryavtsev), Spiro (a retro almost psychedelic lettering font based on the series The Boatniks; by Rodrigo Araya Salas and Andrey Kudryavtsev), La KonyBlack (by Rodrigo Araya and Andrey Kudryavtsev), Ruda Two, Nuby (Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev), Garita, Alquitran (based on pixacao), Alquitran Stencil and Alquitran Rust (by Francisco Paez, Rodrigo Araya Salas and Andrey Kudryavtsev), Rague Pro (a stone-cut font by Rodrigo Araya Salas and Andrey Kudryavtsev, which won an award at Tipos Latinos 2018). Typefaces from 2019: Hatter Halloween, Clarence Alt (a an almost bubblegum children's book sans by Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev), Nacho Rough, Naguel, Lolapeluza Two, Nacho (a Mexican party font by Rodrigo Araya and Franco Jonas). Typefaces from 2020: Minado Rough, Toretto, Diablito One (a two-font and four dingbat-font package by Rodrigo Araya Salas and Bruno Jara Ahumada), Clarence Inline (a plump informal typeface family by Rodrigo Araya Salas and Franco Jonas Hernandez), La Pica Bonus (a vernacular or supermarket style font and dingbat family by Andrey Kudryavtsev and Rodrigo Araya Salas), Ancoa Slanted (an angular display family in 15 styles; by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez), Ruina One (rough, distressed), fj Trance (a reverse contrast Egyptian by Rodrigo Araya Salas, Franco Jonas, Valentina Faundes and Jorge Morales Salas), Tunning (an all caps speed font), Skippie (a comic book family by Andrey Kudryavtsev, Rodrigo Araya Salas, Bruno Jara Ahumada and Franco Jonas, and four sets of dingbats including Skippie Monster Lucha Libre and Skippie Monster Halloween), Ancoa (an angular 19-style layerable typeface by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez). Typefaces from 2021: Rinno (a rounded geometric display family by Rodrigo Araya Salas and Franco Jonas Hernandez), Ripster, Elah (a children's book or supermarket font; with Andrey Kudryavtsev), Loyola Next (a 14-style sans by Rodrigo Araya Salas and Bruno Jara Ahumada), Clarence Pro (a vernacular supermarket font by Rodrigo Araya Salas and Franco Jonas Hernandez), Meche Pro (a 12-style ligature-rich poster typeface), Rambi, Willner (a 5-style display sans by Rodrigo Araya and Franco Jonas), Picaflor (a titling or children's book typeface by Rodrigo Araya Salas and Bruno Jara Ahumada), Picaflor Hand (by Rodrigo Araya), Picaflor Soft (a fine national park or children's book family of organic sans fonts by Rodrigo Araya Salas and Bruno Jara Ahumada). Vectorlove won an award at Tipos Latinos 2012. Mona won an award at Tipos Latinos 2014. View Rodrigo Typo's typefaces. [Google] [MyFonts] [More] ⦿
Zohor Arazi	Based in Tel Aviv, Zohor Arazi designed a Hebrew typeface in 2013 that is based on Bodoni. [Google] [More] ⦿
Brandon Arballo	Mexicali, Mexico-based designer of Cutter (2018). [Google] [More] ⦿
Anna Arbatova	Graphic designer in Moscow. Creator of an unnamed artistic Latin script typeface in 2013. [Google] [More] ⦿
Ivan Arbatskiy	Creator of Franzisk (2001, with Dmitriy Ivanov). [Google] [More] ⦿
Pedro Javier Arbelaez	Medellin, Colombia-based designer of Vinnie Six Rounds (2013), a Western typeface based on the movie Pulp Fiction and co-designed with Daniel Hernandez and Jorge Arias Flores. [Google] [More] ⦿
Jason Arber	Pixelsurgeon has pixel and other fonts by Jason Arber, a typographer/designer based in London. Partially commercial. Free fonts: Teenage Delinquent, Pancake, Good Advice, Chinese Whisper (neat Chinese seals by Rina Cheung). Commercial: Waikiki, Tekno, Surgery, San Francisco, Rubbish, Protopixel, Pixelbitch, PhutureBelly, Octopuss, Offender, Los Mutantes, Eviltype, EqualRights, Buddha's Teeth, Boxy 35, Boxy 5, Bongo, 3Some, Area 51. old Phont Typographics page. Other fonts that were at Phont Typographics include Phont Threesome (like Mahovac's Kalendar), Poopy (by Funny Satan), Fantazija (by Jason Arber), Crunchy Fax Phont, Death Phont (Jason Arber) and Nobby Phont (by Jason Arber), as well as Iron Forge Phont (1999, free at Chank's). [Google] [More] ⦿
Scott Arbital	Marlboro, NJ-based graphic designer, who created Hand-painted Typeface and Simple Mechanics Font in 2017. Behance link. [Google] [More] ⦿
Claudia Arboleda	Buenos Aires-based designer of the colorful textured typeface Amazulojo (2015). [Google] [More] ⦿
Juan Manuel Arboleyda Valdovinos	Graphic and type designer, b. Tapachula Chis, Mexico, 1978. He obtained a Masters in type design in 2006 at the C. E. Gestalt in Veracruz. He is currently consultant on typography and design in the Veracruz area. Creator of Bique (with Pedro Santoyo), mentioned here. As a student at Gestalt, Juan Manuel Arboleyda designed the serif typeface Sonera in 2006. Since 2012, he is creative director at Arboretum Studium in Veracruz. [Google] [More] ⦿
Julien Arbona	Graphic designer in Tours, France, who created the multiline typeface simply called Grid (2012). In 2013, he added the experimental stick font Antica. [Google] [More] ⦿
Ann Megg Arbotante	Designer from the Gold Coast in Australia, who created an ornamental octopus-themed ornamental alphabet called Tentacle (2013). Behance link. [Google] [More] ⦿
Bhanu Arbuaratna	Bhanu Arbuaratna is a New York based Art Director, designer and illustrator. Behance link. Creator of the slab typeface Number & Symbols (2012). [Google] [More] ⦿
Kpricornium Arcanum	Mexican digital artist and typographer. He created the octagonal ultra-black typeface Qbo (2009). [Google] [More] ⦿
Eddie Arcaro	Designer of Man of War (2010), which can be found at Freehostia. It is admittedly an mateurish attempt at copying Horseface (Robert Wilson, 2010), a mini-slabbed typeface. [Google] [More] ⦿
David Palacin Arce	Graphic designer in Palencia, Spain, who created the typeface AntiType in 2017. [Google] [More] ⦿
Stefano Arcella	Type designer (b. New Jersey, 1967). He is involved in ornament design at the foundry of Charles Nix, New Fonts in New York, where he helped create Nani (2001, inspired by handpainted letterforms on the Sumatran island of Samosir, this typeface was awarded a TDC Certificate of Excellence in Typographic Design), NixRift (2001, based on W.A. Dwiggins's Eldorado), and Tuk Tuk (2001, based on lettering from the Tuk Tuk village in Sumatra). [Google] [MyFonts] [More] ⦿
Abby Archambault	Grand Rapids, MI-based designer of Glitched (2016). Behance link. [Google] [More] ⦿
Jacinthe Archambault	Montreal-based art director and designer. Creator of the creamy script typeface Silhouette (2015), whgich is based on the logo of Danone's Solhouette yoghurt. [Google] [More] ⦿
Jacinthe Archambault	Montreal-based designer of the counterless geometric typeface Hays & Co (2019). [Google] [More] ⦿
Agyei Archer	Graphic designer in Trinidad, who co-founded Unqueue, a mobile app designed to improve retail experiences in the Caribbean. Past clients include Google, RISD, the Government of Trinidad and Tobago, and the Caribbean Mental Health Foundation. He designed a few, mostly custom, typefaces. These include Crispy (2020: an angular design started in 2017 that has mushroomed into an 8-axis variable font, built based on David Berlow's proposal for parametric variations, combining axes such as X-Transparency, X-Opacity, and Y-Opacity to generate masters for styles such as widths, weights, grades, and optical sizes; it is planned as a Google Font), and Ephemeral (2018: a layered color font based on the lettering style of Bruce Cayonne). [Google] [More] ⦿
Martin Archer	Southern Californian who designed ITC Eastwood (1997, grunge), and Fear. The flared typeface Teen (2000) is due to Martin Archer and Ray Larabie. Home page. FontShop link. [Google] [MyFonts] [More] ⦿
Rande Archer	Brooklyn, NY-based designer of the stained glass font Stained (2013). [Google] [More] ⦿
Gabriele Archibugi	Italian designer of the free hand-printed font A Day in Autumn (2012) and of Trattopenlife (2012). [Google] [More] ⦿
Aleksei Archipov	Russian designer of the blurry Latin/Cyrillic font FD Median (2003). He calls himself the "Flying Dutchman". [Google] [More] ⦿
Ioana Archontaki	Aka Ioana J. Alfa. Athens, Greece-based codesigner with Claire Susie Jane and Iordanis Passas of the free brush typeface Abys (2015). Dafont link. [Google] [More] ⦿
Taner Ardali	Turkish art director and graphic designer in Istanbul. He was born in 1985 in Kircaali, Bulgaria. In 2009 Taner Ardali graduated from Anadolu University, Faculty of Fine Arts. Creator of the Embrio family of typefaces in 2009. In 2015, Taner designed the brush type Flow Handscript and the rounded elliptical organic sans typeface family Iogen, an outgrowth of Embrio. Typefaces from 2016: Santral (geometric sans), Antre (free handcrafted monoline connected script typeface). Typefaces from 2020: Antikor (a monoline sans for programming and play). Typefaces from 2021: Planc (a 20-style geometric sans). Alternate URL. Creative Market link. Home page. [Google] [MyFonts] [More] ⦿
Mega Ardelia	Indonesian font outfit, offering mostly script fonts designed by Mega Ardelia. Their typefaces as of 2020: Aglio Olio (a monoline script by Mega Ardelia), Aventurine (a signature script), Beezy Bee, Brownsville, Dinotopia, Emilio (an all caps poster typeface by Mega Ardelia), Evangeline, Fadorable, Feeling Groovy, Gedrik, Hamberger, Hanooman (a signature script), Hungry Charlie, Jamaika (by Mega Ardelia), Lockport (by Mega Ardelia), Maisonette, Monstarr, Nuthsell, Ozwald, Panthera, Pichola, Qumalu (a script typeface by Mega Ardelia), Reyhana, Rockstar, RushFord, Shafiya, Sienna, Soetta Laga, Sun Kissed, Sweet Delight, Sweetmango, Teemika, Toraja (patterned, by Mega Ardelia), Tropica, Woodland. [Google] [More] ⦿
Camille Ardeois	Bayonne, France-based designer of Cardinal (2019: a revival of a modern text typeface), Justine (2019: a typeface with injuries), and Ligatur (2019). [Google] [More] ⦿
Dimas Ardhi	Banyuwangi, Indonesia-based designer specializing in script typefaces. Creator of Serrem (2019: a melting wax font), Bridamount (2019), Brigham (2019: a signature script), Creata (2019: a brush script) and Hollen Amare (2019: a font duo). Typefaces from 2020: Trackers (a brush font), Vanessia (script), Allea Sweet (a scrapbook font), Holligate Signature, Rochester Monoline, Gellardo, Centhiny, Hello Freeday, Aullia, Creattion, Black Angel. Typefaces from 2021: Ashley + Mellisa (script), Oishigo (a wild script), Ashgabat (a pure signature script), Threva (a blackboard bold font), Gleamore (a creamy display typeface), Darlington Signature, Gothix (brush script), Mustine (script), Darlington Signature Script, Solastion (brush script), Holista (a calligraphic script), Justmine (a signature script), Mutine (script), Fostone (a signature script), Imoon, Eigha, Wishloved, Quetta Signature Script, Southam (an inky script), Mustica (a brush script), Lasthrue (a signature font), Signora (a signature font). Typefaces from 2022: Eastory (an inline display font), Onthel (a race car font), Qramesy (for display). Home page. [Google] [MyFonts] [More] ⦿
Hendra Ardianto	Semarang, Jawa Tengah, Indonesia-based designer, b. 1985, of Yocellina (2018). [Google] [More] ⦿
Bagas Ardiatma	Yogyakarta, Indonesia-based designer of Medinah (script), Wildwest (brush script) and Salikin Script (signage) in 2017. In 2018, he made the chalky (or dry brush) script Spoiled, the connected script typeface Scarlet Whaleys, and the brush pen typeface Bellaria Soonata. Typefaces from 2019: Brunches (all caps, vintage), Under Weak (a signage script), Better Friend, Breakdance (weathered, vintage), Arthur Hill (script), Rech Munchase (script), Nervous (script), The Wildeast (a sketched font), White Buttell (brush style). Typefaces from 2020: Bounches (a brush script), Quartiel (a dry brush script), Causten (an 18-style geometric sans), Braveold (a warm rounded text typeface), Willcather (a dry brush script), Black Hat, Brushine Collection, Breakdance Reborn. Typefaces from 2021: Crunold (all caps, hand-drawn), Caupako (a tribal font based on the form of an axe), Brodaers Expanded (a 6-style monumental all caps sans), Dynamic Schematic, Boneous (a plumpish all caps display serif), Brodaers (an all caps sans), Splashed (a brush font), Meutas (a 20-style humanist and geometric sans family), Undos Paintes (a painted wall poster typeface), Causten Round (an 18-style rounded geometric font family), Brumers (a plump poster font). Typefaces from 2022: Rawkner (a bold hipster sans with serious ink traps). Dribble link. [Google] [MyFonts] [More] ⦿
Sakti Ardika	Pondok Gede, Indonesia-based creator (b. 1991) of the modular sci-fi typeface Abandon (2014). Fontspace link. Dafont link. [Google] [More] ⦿
Bel Ardila	During her studies in Buenos Aires, Bel Ardila created the Western typeface Bullet Type (2013):At first the design was a reference to the Franco-Belgian comic Lucky Luke and then its own personality emerged. [Google] [More] ⦿
Daniela Hanna Ardiman	Chilean designer of the text typeface Mangai Regular, which won an award at Tipos Latinos 2014. [Google] [More] ⦿
Amanda Ardisson	Graphic designer in Vitoria, Brazil, who created the text typeface Prongs in 2016 with Jessica Serafim during her studies at UFES. [Google] [More] ⦿
Davide Ardissone	Creator of the minimal sans typeface Albertino (2008), and the monoline sans typeface Giorgino (2011). Fontspace link. [Google] [More] ⦿
Surfpunk Ardi	Indonesia-based designer (b. 1984) of the display typeface Tambora (2020). [Google] [More] ⦿
Muhammad Ardyan	Designer of the squarish typeface Rectand (2020). [Google] [More] ⦿
Gerado Arechiga	Whittier, CA-based designer of Jeep (2012, a blackboard bold face). [Google] [More] ⦿
Abdoullah Aref	Port Said, Egypt-based designer of the free Arabic typeface Air Strip Arabic (2012, together with Ibrahim Hamdi). For Zakariya Saleh (Palestine), he programmed the Ara Ahrar font in 2011. For Abdullah Naser Alharbi (Saudi Arabia), he programmed the Arabic typeface Ara Alharbi Alhanoof in 2012. For Ibrahim Hamdi and Zakariya Saleh, he programmed the extensive Kufyan Arabic typeface mfamily, also in 2012. In 2011, he designed Aref Menna and Aref Graffiti. In 2016, he designed the gorgeous Aref Kufi typeface, the free Aref Ruqaa (with the help of Khaled Hosny, Kalapi Gajjar and Nzar Design for Kurdish support), and the advertizing typeface Aref Albasel. [Google] [More] ⦿
Alberto Arellano	Alberto Arellano (Memela Studio, Guadalajara, Mexico) designed Cali (2010) and Marga (2010, a polygonal geometric display sans done with Peter Lorenz). [Google] [More] ⦿
Daniela Arellano	Tijuana, Mexico-based designer of the circle-based sans typeface Curvie (2015). [Google] [More] ⦿
Datu Arellano	Quezon City, The Philippines-based designer of the display typeface Tahigami (2013), which combines origami with triangular patterns. Tahi is Tagalog for stitch, and kami is Japanese for paper. Behance link. [Google] [More] ⦿
Enrique Arellano	Enrique Arellano (b. Colombia) runs Estudio Arellano Type Foundry in Mexico City. Behance link. Creator of Barata Display (2012, a free signage typeface). In 2013, Arellano went commercial. [Google] [MyFonts] [More] ⦿
Francisco Arellano	Foundry in Ixipcalli, Mexico, run by Mexico City-based Francisco Arellano (b. 1981). Creator of the free monoline sans typefaces Coamei (2011) and Copilme (2011), the informal monoline typeface InColhua (2011), and Huelic (2011). In 2012, they published the commercial typefaces Bolta (monoline organic sans), Caronta (a monoline humanist sans with a large x-height), Tecpana, Naolica (a monoline, elliptical sans family), Auloe (a rounded contrast-laden sans family), Olpan (monoline sans family), Kaodai (monoline sans), Ocelca (a tribal organic type family), Qatana (a Peignotian sans family), Metrica (an organic elliptical sans family in 12 styles), Minimalista (monoline sans family with a hairline weight), and the elegant wide sans family Ekon. Typefaces from 2013: Ancora (high-contrast fashionable titling face), Binaria. Typefaces from 2014: Ipnea (a logotype sans), Gillca. Typefaces made in 2015: Minum Sans. Typefaces from 2020: Cairus (a futurist circle-themed font). Typefaces from 2021: Nahualli (a script inspired by the Mexican codex called Codice Mendoza / Mendocino). Dafont link. Aka Jef Triforce. Fontspring link. FontVila link. [Google] [MyFonts] [More] ⦿
David Arena	Creator of the hand-printed typeface David Regular (2012, iFontMaker). [Google] [More] ⦿
Julieta Arena Di Giulio	During her studies in Buenos Aires, Julieta Arena Di Giulio created the beautiful black display typeface Nautica (2014). [Google] [More] ⦿
Nicolo Arena	Graphic designer in Milan who was born in 1990 in Ancona, Italy. In 2011, he made a grid and compass-based geometric typeface called Le Tour Eiffel. At Politecnico in Milan, Nicolo Arena and Claudia Consiglieri did research under Marta Bernstein on the use of typefaces in the music field. Nicolo Arena designed the compass and ruler-based typeface Tour Eiffel (2012). Behance link. [Google] [More] ⦿
Carolin Campos Arenas	Perivian designer of a needle-and-thread font in 2018. [Google] [More] ⦿
Enrique Arenas	Industrial designer in Wellington, FL. In 2015, he created the angular almost-blackletter typeface Catalina Gotic. Behance link. [Google] [More] ⦿
Lynda Areno-Aciro	Rotting vegetables inspired Lynda Aneno-Aciro (London, UK) when she developed the textured all caps typeface Decay in 2014 during her graphic design studies. [Google] [More] ⦿
Peet Aren	Plakatschrift type specialist from Estonia. Sample of his work from 1913 until 1927. Images: i, ii, iii, iv. [Google] [More] ⦿
Lene M. Arensdorff Kristiansen	Danish designer (b. 1989) of the grunge ink spill typeface Arensdorff Ink (2011), of the experimental monoline typeface Elephont (2011), and of Egyptian Hieroglyphs Silhouette (2011) and Ancient Egyptian Hieroglyphs (2011). In 2012, she created an unnamed black didone display typeface. Home page. Behance link. [Google] [More] ⦿
Lene Arensdorff	Lene Arensdorff is a graphic designer in Copenhagen, Denmark. For a project in Kenn Munk's class at The School of Visual Communication, she designed the didone-influenced display typeface Ten Moge (2015). In 2013, she created Haute Serif. Behance link. [Google] [More] ⦿
Kii Arens	Designer in 1997 of JuniorPopstar. [Google] [More] ⦿
Roman Georg Arens	Saarbrücken-based designer of the freeware font Suetterlin (1995). [Google] [More] ⦿
Colin Arenz	Designer of D'Ni, a strange script font (D'Ni is a trademark of Cyan Productions). [Google] [More] ⦿
Dominik Arenz	Berlin, Germany-based designer of Hyper Trax (2019), a monoline typeface that takes inspiration from music from the 1990s. His Rugged Bois memes are also noteworthy. [Google] [More] ⦿
Fabio Ares	Buenos Aires-based designer, b. 1971, Buenos Aires. Graduate of the Universidad Nacional de La Plata, class of 1993. Since 1993, he teaches at that same university. Author of Libro Expósitos. La tipografía en Buenos Aires 1780-1824. In 2013, he received the FADU Prize for his work Expósitos. Revalorización patrimonial tipográfica del Buenos Aires virreinal (1780-1810). In 2013, Fabio Ares and Octavio Osores created the vernacular railroad signage typefaces FC Sud, FC Norte, and FC Monte Chingolo, which is based on iron signage found in train stations in Argentina. In 2010, he designed the colonial typeface family Expositos (in redondo, cursiva and vinñetas styles). There is also a book called Expositos La tipografia en Buenos Aires 1780-1824. Further railroad typefaces include FC Nordeste (2013), FC Provincial (2013), FC Gambier (2013) and FC Quinquenal (2013). In 2014, he designed Garrigos Ornamental (a set of ornaments based on the period between 1780 and 1824 in Buenos Aires). The Ferrocarril series continues with FC Nefa (+Stencil). In 2016, he published Garrigos at TipoType and later at Underground. Garrigos is a set of ornaments based on the decorative motifs used by the first typographic workshop in Buenos Aires, Imprenta de Niños Expósitos, between 1780 and 1824. Behance link. Other link. [Google] [MyFonts] [More] ⦿
Damien Aresta	Pleaseletmedesign is a duo of Belgian graphic designers comprising Pierre Smeets (b. 1981) and Damien Aresta (b. 1979). They set up their own graphic design studio in 2004 after graduating from Saint-Luc Higher School of Arts in Liège (Belgium) and spending almost a full year in ERG (Graphic Research School) in Brussels (Belgium). The projects of pleaseletmedesign range from graphic design, books, posters, identities and stationnery to exhibition design, signage, titles sequences, and website in cultural sectors as diverse as music, architecture, cinema and advertising clients. Toyota Belgium used a car to design the outlines of an upright script called iQ (2009). Free download. The font was made by Pleaseletmedesign. [Google] [More] ⦿
Luis Aretuo	Montreal-based designer (b. Venezuela) of the octagonal typeface Collineo (2016), Behance link. [Google] [More] ⦿
Eleana Espana Arevalo	For a school project in Ecuador, Jose Camacho (Guayaquil), Naath Drouet (Guayaquil), Tata Marcillo (Guayaquil), Eleana Espana Arevalo, and Isaac Zhamir Bazan Urquizaco (Guayaquil) co-designed the chalky typeface Wolf (2019) and the electric poster font V-Zion (2019). [Google] [More] ⦿
Francisca Arevalo	Argentinian graphic designer who made the connected advertising script font Dulcita (2006). [Google] [More] ⦿
Geovani Arevalo	Graphic design student in Los Angles in 2015. While interning, also in 2015, he created a custom kitchen tile font for Playboy. [Google] [More] ⦿
JuanCharles Arevalo	San Salvador-based designer of the grungy typeface Splash Apple (2013). Behance link. [Google] [More] ⦿
Jenita Arevin	During her studies at Humber College in Toronto, Jenita Arevin created Modern Gaelic (2014) with a lower case t straight from a cemetery vampire movie. [Google] [More] ⦿
Arash Arfazadeh	Creator of M/M Paris Tribute (2008, FontStruct). [Google] [More] ⦿
Finta Arfinia	Depok, Indonesia-based designer of Binfont. [Google] [More] ⦿
Qoyyum Arfi	Indonesia-based designer of Rewe Rewe (2021), a curly serif that is inspired by the rewe-rewe or grasak dance in Magelang, Indonesia. [Google] [More] ⦿
Yasha Argal	Hong Kong-based designer of the Latin typefaces Paperclip (2019) and Tape (2019). [Google] [More] ⦿
Frederic Argazzi	Italian designer at FontStruct in 2008 of cialix. [Google] [More] ⦿
Billy Argel	Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy, retro signage, and grunge. Fonts from 2019: Talk Sing, New Garden Two (a circle-based sans), Hearts Garden, Garden Black, Adalgisa, Mellissa, Mattisse, Universal Sans, Universal Script, The Light, Campesina, Babeface, Soulstice, Movements, Love Empure, No Stress (grungy sans), Flowers (script), Magical Day, North Shore (a weathered slab serif), Theodora, Amandita, Brilhant, Alamoana, Palomita, Superworld, Black Rose, Mistical, Rocks (grungy), Marvelous, Dinasty, Magic Touch, Hot Jacket (brush script), Simplicity (beatnik face), Ibiza Crystal, Mystical Eyes, Allicia, Misterios del Amor, Sugar Kisses, Gonna Getha (weathered sans), Valentine Day, Secretss, Honey Lips, Got to be real, Afternoon in Stereo, Hotel Costes, Wall Paper, Fonts from 2018: Children's Party, Music Magic, Awesome Season, Lavelle, Wonderful Night, Chapter One, Atmospherica, Lost Sunset, Claudina, Run To The Hills, Placid Pool, New Balance, Euphoria, Claudia, Barbecue, Salsa Parrilla, Pilsen Extra, Morphine, Love is the Law, United Forces, Smell a Daisy, Allegratta, Hamburguer, Gingerale, Anette, Marshmallow, Bunch of Flowers, Cinderela, Antonine, Sepetiba, Anastasia Script, Alliance, Mustard, Superstar, Makeup, Flowers of Summer, Honeybe, Mirella, Fantastic (signage script), Inked Skin, Girls Got Rhythm, Dirty Queen, Ipanema, Antidote, Galaxie, Moving Star, Miraflor, Beredith, Allessa, Worldwide, Andorra, Single case, Carpenters, Monster Party (eerie font), Dontchastop, Love Strong, The Hills, Romantica, Attraction, Burning Heart (monoline script), Local Motion, Summer Daisy, Pumpkins, Space Jam, Sweet Movements, California Sun, Body & Soul, Choppers, Magical Waste, Over The Seas, Vegan Yummy, Glamour Girls, Flower Power, Quick Kiss, Star Light, Costa Rica, Nuclear Boots, Amore Mio, Lovely Summer, Roses Everywhere, Love Is The Antidote, Wisdom Words, Limousines, Mysteries of Passion, Moving Pictures, Blackberry Jam, Movie Poster, Beauty Mountains, Bunch Blossoms, Flora, Inked Angels (tattoo font), Loveland, Beautiful Lovers, Belle et Belle, Cherry Blossom, Let It Be, Casual Chance, Caranda, Aromabar, Capable of Loving, Miss Daisy, Mardi Gras, Last Frontier, Nouvelle Vague, Travel Light, Mind Rescue, Bella Fashion, Amarula, Sweet Easy, Indian Strength, Everlast, Megan, Hello Beauty, Vegan Style, Andaluzia, Ambar Pearl, New Era, Candice, Hometown, Sunrise Place, Lemon Jelly, Nature Beauty, Natural Beauty, Black Pearl, Tan Pumpkins, Acid Label II, Thrasher, Inked Babes, Ribbons in the wind, Calligraphy (inky), Amsterdam, Sweet Sixteen, Sunset Beach, Star King, Countryside, Crazy Love, Little Sister, Creature, House Queen, Dr Phibes (beatnik style), Moskitoes, Nirvana (script), Iceland, The Cure, Mr. Fink (beatnik style), Sea Balance, Hot Dog, Blow Up, Blow Me (crayon font), Sunrise, Joes Burguer, Splatted, Moonbeam, Tomatoes, Beautiful People, Hamsters, Vacations in Paradise, Lover Artefacts, School Days, Traffic, Campus (weathered athletics font), Universidad (weathered athletics font), Sundance, Siberian, Rich The Barber, Aurora, Dove of Peace, Clipper, The Quick Fox, Daisy Days, Dieselpower (grungy texture), Progress, Loud and Clear, Generator, Wannabees, Ripmonsters, Shity Chats, Death Before Chocolate, Karmacoma, Clever Couple, Astrovegan, Clarification, Breakfast on the beach, Graceland (signage script), Beauty Bright, Atlantida (letterpress grunge), Cassandra, Gene Loves Jezabel (brush), Great Cities, Crackerdown, Lost Ages, Bite Chocolate (script), Sunflowers (script), Mon Cherry (script), Lovely Day (heart font), Miracle Place, Ebony Eyes, Skywalker, Zabritzkyes, Black (grungy octagonal slab serif). Fonts from 2017: Waiting a Silver Moon, Master of Comics, Millenia, Fantastic Reason (signage script), Varukers (dry brush), Awakening (grunge), Majestic (signage script, Emotional Rescue, Misstral, Elements, Alouette, Cure of Pain (ink splash type), Farenheight (octagonal), Peacemaker (upright retro script), Altavista (creamy script), Ananda (script), Alexandra (script), Paper Rib (script with paper rib outlines), Honeymoon (script), Gotcha (heavy headline type), Christmas Day (signage script), Clarice, Orange (signage script), Indiana (baseball script), Magnificent (blackletter), Sketching Summer (signage), September Five, Cross Town (weathered), Saturday Nights (signage script), Blessed (baseball script), Blobbers (baseball script), Jam Sessions, Moon Walker (dry brush), Drawing Nature, Sketching Stars, Lone Wolf, Cubika Script, Bonneville Co, Walk (wide wood type), Rio Black (counterless), Secret Agent, Trouble (blackletter), Trouble II (blackletter), Living Colours, Crystal, Sepia (letterpress poster font), Rainbow Bridge, Black Diamonds (signage script), Candy Shop, Enthrall (sharp-edged retro signage script), Movie Makers (script), Sunshine Boulevard, Black Napkins (grungy), Brush Stroke, Carolina Mountains, South Gardens, Calling Angels, Cherry Kisses (candy script), Messenger Pigeons (script), Shine, Carolina Hills, Shave The Whales (tattoo script), Diamonde (baseball script), Yananeska, Black Ball, Miss Hanna (signage script). Fonts from 2016: Sweet Sensations, Breeze (brush script), Christmas Time (script), Propaganda Sight, Modern Stencil, Eyes Wide Open, Bella Donna, Safira Shine, Heaven Matters, Electricity (fifties script), Maccrap Asphalt (textured), Blockhead Dude (beatnik style), Weekend Flower Hunters, Sunset Clouds (tattoo script), Bikinis, Chedelparedon (scartchy font), Dattermatter (connected script), Granada-Blues (connected script), Mistery-Curse (connected script), Walking-Stones (calligraphic), Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font). Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script). Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, Popcorn (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face). Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT. Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil). Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed, Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont). Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Flora Argemí	Chilean designer of La Choly, a signage typeface that won an award at Tipos Latinos 2008 in the non-text typeface category. Her Rakatan Negra (2011) is a comic book typeface that can be had for free at Andez. At Tipos Latinos 2012, Flora Argemí won an award in the display type category for Perejil. [Google] [More] ⦿
Uber Argemiro	Envigado, Colombia-based designer of ABC Recto (2017) and ABC Loma (2017), two blackletter-inspired typefaces. [Google] [More] ⦿
Joe Argent	During his studies at the University of Alabama at Birmingham, AL, Joe Argent (Jasper, AL) created the display typeface family Argent (2013). Behance link. [Google] [More] ⦿
Alison Argento	Travel writer based in Cherry Hill, NJ. Designer (b. Augusta, ME, 1977) of the children's scribble font Urly Lurnin (2008), and of Smiley (2008, comic book face), and of the informal handwriting fonts Pickled Sans (2008), Slim Pickens (2008), Smokehouse (2008) and Gladly Mailed (2008). Bender Script (2008) is a brush script developed from an incomplete script drawn by Charles Chas Bluemlein. Barnstormer Script (2010) is a sign painter typeface. Gonte (2013) is a sketchbook script typeface. Saskya (2015) is a rough chancery script. Glade (2015) is a formal calligraphic copperplate script in five widths. In 2016, she designed the architectural lettering typeface Robard, the brush script typeface Beckford Script and the ballpoint pen script Generous Hospitality. Typefaces from 2020: Postale (a monoline gas pipe sans). [Google] [MyFonts] [More] ⦿
Mike Argles	Graphic designer Mike Argles (Milton Keynes, UK) created the experimental piano key typeface Cut Type (2012). [Google] [More] ⦿
Luis Arguedas	Luis Arguedas (Heredia, Costa Rica) designed the wavy Alfa display typeface in 2015 during his studies. [Google] [More] ⦿
Andrea Arguelles	Creator of Brainy (2013). The texture of the typeface is probably meant to depict a brain, but it could also be considered as a camouflage texture. [Google] [More] ⦿
Martin Argüello	Graphic design student in Cordoba, Argentina. Creator of the free paperclip typeface Clip (2012). Dafont link. [Google] [More] ⦿
Nestor Osvaldo Ortega Argueta	Aka Neo. Graphic designer in Azcapotzalco, Mexico, who designed the 3d typeface Your Selfont (2015). [Google] [More] ⦿
Federico Arguissein	Buenos Aires, Argentina-based designer of the display typeface Voyage (2013). [Google] [More] ⦿
Denis Heryanto Arham	Jakarta, Indonesia-based designer of the sans typeface Denhaus (2017). [Google] [More] ⦿
Sofía Arhancet	Graduate from FADU, University of Buenos Aires, who created the ultra-condensed didone typeface Joker (2010). FADU UBA link. [Google] [More] ⦿
Alexander Arhipov	Russian type designer. His Colmena (2009, ParaType) was designed for books for children. This font used to be called FD Harvey. Klingspor link. [Google] [MyFonts] [More] ⦿
Kevin Gusti Arian	Bandung, Indonesia-based designer (b. 1995) of the rounded sans typeface Delio (2018) [Google] [More] ⦿
Adriana Arias	During her studies in Tijuana, Mexico, Adriana Arias created a display typeface (2014) with calligraphic roots. [Google] [More] ⦿
Candy Yrupailla Arias	During her studies in Lima, Peru, Candy Yrupailla Arias created Sppoky Font (2015). [Google] [More] ⦿
David Arias	Type and culture blog by Vancouver-based designer David Arias. He created Isometrica (2008, a 3d pixel block face) and Toko (2009). Home page. [Google] [More] ⦿
Mariela S. Arias	Graphic designer in Buenos Aires, Argentina, who created the fat poster typeface Bungo (or Bitacora) in 2016 during her studies at FADU/UBA. Behance link. [Google] [More] ⦿
Mario Arias	Aka Mario Ernesto and Mario Ariaz. El Salvador-based designer (b. 1988) of the pixelish typeface Cube (2011) and the hand-printed typeface Stylo (2011). Dafont link. [Google] [More] ⦿
Gonzalo Arica	Art director in Barcelona who designed Trump Font in 2016. Behance link. [Google] [More] ⦿
Francisco Arico	Montreal-based designer of Punto (2017), a typeface obtained by subtracting from Futura Light. [Google] [More] ⦿
Behaaf Arid	Creator of Shapur (2012) for inscriptional Pahlavi. [Google] [More] ⦿
Idil Ar	For Youko Studio, Idil Ar (Istanbul, Turkey) designed the bird-themed decorative caps typeface Kus Alfabesi (2015). [Google] [More] ⦿
Marwan Aridi	Company based in Dallas, TX, that markets Marwan Aridi's great drawings. His borders, ornaments, initial caps, ribbons and banners are almost legendary. They are for now in EPS format, and truetype and type 1 versions are available for many. Alternate URL. He sells great sets of drawings for the following: Arabic Calligraphy Art, Arabic Caps&Fonts, Web Clips, Initial Caps I, Initial Caps II, Initial Caps III, Initial Caps IV, Historical Ornaments Patterns&Frames, Arabesque Ornaments, Arabesque Borders, Olde World Borders I, Olde World Borders II, Calligraphia, Olde World Ornaments, Ribbons, Banners&Frames, Ornamental Backgrounds, Crests, Ribbons&Frames, Typography&Printer's Ornaments, Aridi Fiesta, Business 1, Background Two, Arabesque Designs. Alternate URL. Arab Caps has many fonts. Package of 30 display fonts for 500USD. [Google] [More] ⦿
Teguh Arief	Makassar, Indonesia-based designer of Power Display (2022; an 18-style anthroposophical typeface family designed for cartoons and supermarket packaging), Power Grotesk (a wide hipster sans in 16 styles) (2021). [Google] [MyFonts] [More] ⦿
Roni Arieh	Israeli font designer who made the Hebrew typefaces Afifon MF (hand-printed), Krashim MF (2006). [Google] [MyFonts] [More] ⦿
Amanda Ariel	Amanda Ariel (Kaboom Kreaticve) is the Australian creator of the hand-printed typeface Peak (2012) and the comic book typeface Quickstyle (2012). [Google] [More] ⦿
Tariq Arien	Graphic design student in Schoonhoven, The Netherlands, who created the squarish typefaces Squareb45 (2013) and Squareb90 (2013), and the display typeface Leaf (2013). Behance link. [Google] [More] ⦿
Muhammad Rizky Ariesto	Born in 2001 in Tuban, Jawa Timur, Indonesia, Muhammad Rizky Ariesto created the inky script typefaces Hanatasya Sans (2014), Omong Kosong (2014), Kunjara (2014, Javanese script), Arrogano (2014), Damai Pemilu (2014), English van Java (2014), Salto (2014), Kecil Cabe Rawit (2014), Sunyi Normal (2014), Tersesat (2014), Ozi's Handwrite (2014), 8 Octav (2014), Semangat 45 in 2014. Doraemon (2014) is a comic book character typeface. Robin (2014) is a curly typeface. Andromeda (2014) is a poster font. Mayangsari (2014, FontStruct), Zanki (2014), 1945 (2014) and Aufal (2014, FontStruct) are display typefaces. [Google] [More] ⦿
Fachrul Ariestyan	Jakarta, Indonesia-based designer (b. 2000) of the display typefaces Greisy (2020) and Chrulle (2019). [Google] [More] ⦿
Abdullah Arif	Designer of the monospaced Arabic typeface Kawkab Mono (2015), which is available from Open Font Library. It is paired with Source Code Pro for the non-Arabic glyphs. [Google] [More] ⦿
Amirul Ikram Ariffin	Bandar Seri Begawan, Brunei Darussalam-based designer of the free arrowed display typeface Montrilo (2014). [Google] [More] ⦿
Mariatul Ariffin	At Institut Teknologi Brunei, Bandar Seri Begawan, Brunei-based Mariatul Ariffin created the free display typeface Squarey Tail (2015). [Google] [More] ⦿
Burhanul Jauhar Arifin	Malang, Indonesia-based designer of display typefaces, b. 1990. The catalog in 2022 showed these fonts: Neonisans (a neon font), Rafaiza (a swashy calligraphic script), Oulina (a formal script), Ramphal (a rhythmic script), Adara (a curly typeface), Beauty Angelin (an upright script). [Google] [More] ⦿
Bustanul Arifin	Indonesia-based designer of the soft serif typeface Aligarh (2020: by Nur Syamsi and Bustanul Arifin), Aligarh Arabic (2020: by Nur Syamsi and Bustanul Arifin), the comic book typeface Tufuli Arabic (2020, by Nur Syamsi and Bustanul Arifin) and the fat finger font families Childos and Childos Arabic (2020, by Nur Syamsi and Bustanul Arifin). In 2021, Nur Syamsi and Bustanul Arifin designed Kidzhood Arabic (a children's book font), Mahameru (a 20-style display typeface), Mahameru Arabic, Meila (a plump almost-bubblegum font family in seven styles), Meila Arabic, Kidzhood (a children's book font family), Naveid (an 18-style mini-serif typeface; and two variable fonts), Naveid Arabic (a ten-style Arabic typeface), and Gestura (an upright connected typeface in 14 styles, and two variable fonts). [Google] [MyFonts] [More] ⦿
Hanif Arifinsyah	Indonesian designer (b. 1995) of Rosewind (2019: a script), the mini-serifed typeface family Brand Law (2019) and the free typeface Evalia (2019). [Google] [MyFonts] [More] ⦿
Tazul Arifin	Based on Paul Klee's Castle and Sun, Tazul Arifin (Bandung, Indonesia) created the hexagonal-grid typeface Trekant (2012). [Google] [More] ⦿
Zainul Arifin	Surabaya, Indonesia-based designer (b. 1987) of the tall script typefaces Arandelle (2021) and Drawpen (2021). [Google] [More] ⦿
Muhd Arif	Muhd Arif (Selangor, Malaysia) created the decorative displa typeface Effrice in 2012. [Google] [More] ⦿
Aytekin Arikan	Aka Semiotica. Istanbul-based designer of the ine Tech Inn Line Icon font (2016). Graphicriver link. [Google] [More] ⦿
Mehmet Oguz Arikan	During his studies in Istanbul, Mehmet Oguz Arikan designed the display typeface Agaga (2013). [Google] [More] ⦿
Vildan Arikan	Turkish designer of Pinball (2018). [Google] [More] ⦿
Pedro Arilla	Spanish type foundry, est. 2016 by Pedro Arilla (b. 1984, Ejea de los Caballeros), who runs Don Serifa, a beautiful and informative Spanish type blog, and is based in Zaragoza, Spain. Pedro studied graphic design at Escuela Superior de Diseño de Aragón. In 2018, he joined Fontsmith as type designer. His typefaces include the free didone typeface Valentina (2012). In 2016, he published the humanist sans typeface family Mestre, which, in his own words, is a German & Dutch-inspired geometric sans-serif. In 2017, Pedro graduated from the University of Reading with the multi-script typeface pair Rock (for Latin, Greek and Cyrillic) and Roll (for Latin, Arabic and Japanese). In 2018, Fontsmith published the mammoth sans family FS Industrie. Still in 2018, Arilla released FS Neruda at Fontsmith. This transitional storytelling text family is named after Chilean poet Pablo Neruda. The Lost & Foundry family of fonts was designed in 2018 by Fontsmith's designers Stuart de Rozario and Pedro Arilla together with M&C Saatchi London: FS Berwick FS Cattle, FS Century, FS Charity, FS Marlborough, FS Portland, FS St James. The campaign was developed by Fontsmith, M&C Saatchi London and Line Form Colour. The crumbling typefaces of Soho were recovered to be sold online as a collection of display fonts, to fund the House of St Barnabas's work with London's homeless. In 2020, Monotype released Bunbury, FS Rosa (a soft serif family influenced by Cooper Black and Windsor), FS Renaissance, a stencil serif typeface by Pedro Arilla and Craig Black. Behance link. Home page for Pedro Arilla. [Google] [MyFonts] [More] ⦿
Aldo Arillo	Born in northern Mexico, Aldo Arillo has a Bachelors from CEDIM in Monterrey, Mexico, and a Masters in typography from FADU, UBA in Buenos Aires, Argentina. In 2015, Aldo Arillo and Ariel di Lisio set up Nodo Type Foundry in Buenos Aires. Nodo's motto: Typography transcends time. The future is grotesk. [Google] [More] ⦿
Omer Ariman	As a student at Kadirhas University in Istanbul, Turkey, Omer Ariman created the display typeface Galata (2016), which is inspired by the Galata Tower. [Google] [More] ⦿
Toru Arima	Toru Arima's fonts are sold through Font Pavilion: KanaRS is a katakana font family. ATBeta-A (2000) is part of Font Pavilion 12. Klingspor link. [Google] [More] ⦿
Bernard Arin	Ex-director of Scriptorium de Toulouse, calligrapher, teacher and typographer. Michael Levy took these pictures of him in 2004: Arin drawing, sketching a Trajan typeface on a stone. [Google] [More] ⦿
Agung Aris	R. Agung Aries Triyanto is the Indonesian designer (b. 1975) of the brush script typeface Destain (2016), the Broadway style deco typeface Broad (2015: originally called Broadway, it as renamen Broad in 2016), and the Victorian typeface Brandals (2016). In 2017, he created the connected script typeface Molluca, the signage typeface Cheese Latte, the heavy brush typeface Breed and the avant garde sans typeface Moody Rock (+the shadow version called Moody Rock Extrude). In 2018, he designed the handcrafted typeface Cuties Caps. The mini-slabbed Bounaville was added in 2019. [Google] [More] ⦿
Yoichi Arisaka	Yoichi Arisaka (Arisaka Design, Tokyo, est. 2003) created the experimental typeface FONTA (2011), which just consists of dots and rectangles. Behance link. [Google] [More] ⦿
Gen Aris	Floridian designer of Ancient G written and Ancient G Modern. These runic style typefaces are based on Anquietas, Alteran, and Anc Hand. [Google] [More] ⦿
Thor Christopher Arisland	Oslo-based designer (b. 1986) of i8080 (2017: old computer screen emulation font), Manos (2017), Modum (2017), Monomod (2017), the tall serif typeface Roland (2017), the modular monoline monospace sans typeface Borgen (2017), Sullivan (2017), Inverted Stencil (2017), the high-contrast sans High Society (2017), and the slim slab serif typeface Klub Katz (2017). Typefaces from 2018: Hothead, Anderson, Nodes, Salome (art nouveau style), Dirdy Birdy (calligraphic and inky), Betong (stencil), Solid Sans, College Sans, Giovanni, Cardboard Cutout, ZX80. Typefaces from 2019: Brush Off (brush script). Creative Fabrica link. [Google] [More] ⦿
Suhaila Aris	During her studies at the School of Arts, Design & Media Nanyang Technological University, Singapore, Suhaila aris created the modular typeface Poised (2014), which has adapted patterns embedded in the font. [Google] [More] ⦿
Roberto Arista	Italian graduate of the Typemedia program at KABK, class of 2016. After his graduation, he became a lecturer at ISIA Urbino, Italy. His KABK graduation typeface is Brugola, which is crafted to be used with CNC technolgy. Github link. [Google] [More] ⦿
Maria Jose Aristegui	Creator of Buzzwaktype (2012). [Google] [More] ⦿
Arisugava	Russian creator of the (free) calligraphic script fonts Allegretto Script One and Two (2004). Designer of the Cyrillic font Champignon Script (2004), which can be found here. [Google] [More] ⦿
Janina Aritao	Manila, The Philippines-based designer of Papercut (2018). [Google] [More] ⦿
Heru Catur Ariyanto	Indonesia-based designer of the decorative serif Sindu Melati (2021), which is inspired by the Klaten batik pattern. [Google] [More] ⦿
Taufik Tri Ariyanto	Indonesian designer (b. 1993) of Aftershocks (2020), Shape Shift (2020) and Ainsley (2020: thin script). [Google] [More] ⦿
Gerson Ariza	Chalco, Mexico-based designer of the handcrafted poster typeface Angustia (2014). [Google] [More] ⦿
Gha Arizal	Jakarta, Indonesia-based designer of hand-drawn typefaces. In 2020, he created Coconut Island, Better Season, Creamy Wonder, Fruktosa, The Untold Story, Heavyrust (a brush font), Worthbites (all caps supermarket lettering), Kinethick. Typefaces from 2021: Briztle (grungy condensed caps), Crafty Bestie (hand-crafted), Howling Wolf (a brush font), Klop (a bold soft sans) Klorofeel (hand-crafted), Moreganic (for national park signage), Protagonice (a hand-drawn slab serif), Mogathe (a spurred Western font), Courage Union (a weathered athletic lettering font), Overgreed (a rounded blackletter), Hypercrack (type for crack addicts), Flashy (making fun of the loud 1990s), Machine Killer (blackletter), Enjoyable, Harmoneux (an all caps display font), Mighty Rooster (a weathered letterpress emulation typeface), Sacred Musk (a display typeface), Mighty Rooster (a weathered letterpress emulation typeface), Sacred Musk (a display typeface), Amateur Hunter (handdrawn caps), Quiet Backyard (a scrapbook font duo), Funky Gloom (a blackletter), Boredom. Typefaces from 2022: Blastvader (a reverse stress bean font), Hurtmore (a doodled brush script), Youthful Radiance (brush caps), Morphadore (a wide connected script), Foliage Exotica (a hand-crafted serif), Peaceful Island, Local Groceries (a vernacular typeface), Brughler (a vintage label font), Polka Collecta (a casual all caps sans), Constaline Script (a monolinear script), Sirkle (a troubled wedge serif with rhombic tittles). [Google] [MyFonts] [More] ⦿
Hendri Arizandy	Malang, Indonesia-based designer of the script typefaces Flower Grave (2018) and Djajady (2018), and the rounded sans typeface Alisca (2018). Creative Fabrica link. [Google] [More] ⦿
Farul Arjianto	Jepara, Indonesia-based designer (b. 1995) of the free fonts Sweet Rathulia (2018), Mylandia (2018), Prily (2018), Zaskiya (2018), Sweety Lovely (2018), Rosterica (2018), Karam (2018), Lily White (2018), Hillend (2018: brush script), Eliyana (2018), Metasha (2018), Monogram (2018), Avinda Script (2018), Sweet (2018), Palamia (2018), Merana (2018), Kalesun (2018), Chabitta (2018: a heavy brush font), Harligh Brush (2018), Monthey (2018), Royalia Signature (2018), Honest (2018: heavy script), Karam Italic (2018, brushed) and Kutoen (2018: an eerie font). Typefaces from 2019: Brada Riders, Winterfun, Patrice Stamp, Hellytail (a monoline script), Romedhal sans, Purple Grande, Arealand (a monoline script), Belynda (a heavy brush typeface), Romedhal Script (monoline, weathered), Belandia (signature script), Amanise, Moshinta, Sharkiness, Tualang, Stonehard Brush (a fine dry brush typeface), Strongwild, Mahira, Fianna, Fineberg (a heavy brush script), Amindinah, Wandertucker, Pasatona, Pindow, Rabites, Curtina, Partner in Crime (a marker font). Typefaces from 2020: Bhoco Letter, Cute Pinkies, Jupiter Love, Joyful Unicorn, Island Namina, Hello Crush (a horror font), Arealand (a monoline script), Bilanesa, Blindsay, Bholu, Brattalia (script). [Google] [MyFonts] [More] ⦿
Elvira Arkanov	Designer and illustrator based in Liverpool, UK. Creator of the hipster typeface Concept (2014). Behance link. [Google] [More] ⦿
Nina Arkhiptseva	Graphic designer in Moscow who created the wavy typeface Sea Sans (2016). [Google] [More] ⦿
Mina Arko	Slovenian designer (Ljubljana, b. 1983) of the futuristic monoline sans family Nouvelle during the design workshop TipoBrda in 2008. It was perfected and started selling at MyFonts in 2011. In 2009, she created Afrikana, an alphabet with a decidedly African theme. During TipoBrda 2010 in Ljubljana, she designed the didone numbering typeface Kampula. In 2014, she cooperated with Gaja Meznaric Osole on the commercial casual hand-printed script Jadran, which was created as an homage to a cult children's magazine named Ciciban. [Google] [MyFonts] [More] ⦿
Giannis Arkoudos	Athens, Greece-based designer (b. 1973) of Greek Bear Tiny E (2006, pixel). Blog (in Greek). [Google] [More] ⦿
Kevin Arleo	During his multimedia design studies at UADE in Buenos Aires, Kevin Arleo created the sharp-edged typeface Ragmul (2014) and the Peignotian display typeface Ritzways (2015). [Google] [More] ⦿
Gizem Arli	Art director in Istanbul, Turkey, who designed the interloicking square-shaped typeface Borderless in 2016. Behance link. [Google] [More] ⦿
Richard Årlin	Stamp & Press (Stamp och Press in Swedish) is a fifteenth-century type papermill, hand press printing office, hand stampcutting and hand-casting office, bookbinding and digital fonts foundry created and operated entierly by Swedish punchcutter and printmaker, Richard Årlin, b. 1945. He runs Stigbergets Stamp och Press using his own metal types, own paper and own engravings. MyFonts.com states: He cut the punches for his own typefaces, Ungut and Stanislaus. He has also made the a digital version of those designs called Moravus, which has been used for all advertising and posters for Ingmar Bergman's Maria Stuart at Stockholm's Royal Dramatic Theatre. Also called Stigbergets Stamp och Press. Fonts: Funkiswoodcut (1999), Moravus (1999). [Google] [MyFonts] [More] ⦿
Dhany Arliyanti	Located in Jakarta, Dhany Arliyanti (b. 1983) created the organic sans family Juice in 2008. Dafont link. [Google] [More] ⦿
Marco Arlotti	Soccer enthusiast and graphic designer in West Lancashire, UK, who created the display typeface MUFC in 2015. He writes: Typographical based project for Manchester United and Adidas to promote and market the new kit. [Google] [More] ⦿
Dhany Arlyanti	Creator of the free organic sans family Juice (2008). Her home page. [Google] [More] ⦿
Adrian Arman	Singapore-based designer of Picklock (2017). [Google] [More] ⦿
Tobias Armange	Brazilain designer of JunkKing (2018). [Google] [More] ⦿
Sigurður Ármannsson	Icelandic art director, designer and typographer Sigurður Ármannsson graduated from The School of Arts and Crafts [now Icelandic Academy of the Arts]. He teaches there part-time. He also studied at the Rijksakademie van Beeldende Kunsten in Amsterdam. Creator of the structured sans family Guinevere Pro (2011, Canada Type). His font anatomy wallpaper is a visual glossary of the parts of typefaces. Klingspor link. Home page at font.is. Blog. [Google] [MyFonts] [More] ⦿
Sammi Arman	Owing Mills, MD-based freelance graphic designer who created the geometric solid typeface Pizazz (2015) during her studies at SCAD (Savannah College of Art and Design). [Google] [More] ⦿
Agus Armanto	Yogyakarta, Indonesia-based designer (b. 1980) of script and handcrafted typeface. In 2020, he published The Street, Savira, Beach, Honey, Yume, Beauty Day, Hello World, Play Date, Black Cat, Tropical, Allure of the Sun, Sky Blue, Scenery, Lazy Monday, and The Moon. [Google] [More] ⦿
Nicholas Armbrust	Designer in Minnesota. Behance link. Creator of Desiann (2011). [Google] [More] ⦿
Daniela Armendariz	Quito, Ecuador-based designer of the scribbly Halloween typeface Branch (2017). [Google] [More] ⦿
Oriol Armengou	Oriol Armengou (Toormix) is a designer based in Barcelona specialised in branding projects, art direction, graphic design, and websites. Toormix sells these typefaces: Vermut (2014, based on Spanish toothpicks called palillos), Poligonal (2014, octagonal), Optilus (2014, beveled) and Marimuntanya (2014, alchemic). Behance link. HypeForType link. [Google] [More] ⦿
Lauren Armenta	Graphic designer in Orange, CA. Creator of the display typeface Flunk (2014). Behance link. [Google] [More] ⦿
Alfonso Armenteros Parras	During his studies in Madrid, Spain, Alfonso Armenteros designed the free De Stijl / Bauhaus / Kandinsky typeface Stijla (2016). Dafont link. [Google] [More] ⦿
Luis Armesilla	Madrid-based creator of the free font Morning Glory (2011) and the free font Plstk (2012, designed with Christian Baumgartner). Behance link. Home page. [Google] [More] ⦿
Juan Manuel Armesto	Graphic designer in Buenos Aires who created a cathedral-inspired typeface during his studies at FADU / UBA in 2013. [Google] [More] ⦿
Igor Armiach	Israeli designer (b. 1986) of Kitbiya Amerikaya (2006), an organic grunge jungle typeface created for the Sterna 2395 comic book series, and Chronicles of Arkmar (2008) and Hebrew Chronicles (2008). Alternate URL. In 2010, he made the Groovy Cursive Hebrew font. [Google] [More] ⦿
Igor Armiach	Las Cruces, NM and Israel-based designer (b. 1991) of Elite, a grunge version based on Adobe's Trajan. Creator of the Hebrew fonts Groovy Cursive (2014) and Shakked Pirate (2014). [Google] [More] ⦿
Mildret AR	Mexico City-based designer of typefaces influenced by Salvador Dali (2018) and Joan Miro (2018). [Google] [More] ⦿
Solange Armindo	Lisbon-based creator of the dot matrix typeface Diamond (2013). [Google] [More] ⦿
Olivia Armitage	During her studsies in San Diego, Olivia Armitage created a the pixelish Richard Meiere Custom Typeface (2014). [Google] [More] ⦿
Mindy Armour	Kilgore, Texas-based designer of these pen typefaces in 2017: Messdy Ink Pen, Humphrey, garden Gnome, Smarty Pants, Cheesy Enchilada, Maggie Mae, Stella, Jackson, Blue Mason Script (free), Lucille Hand, Simon, Matchstick, Marley, Marigold, Lumberjack, My Dear Watson, Betty Jane, Whiteboard, Oscar Bravo, Ella Harper, Curly Lou, Twiggy Pop, Gina Bina, Mimsy Whimsy. Creative Market link. Behance link. [Google] [More] ⦿
Allison Lea Armstrong	During her studies at the University of Central Arkansas in Conway, AR, Allison Lea Armstrong designed Architecture Anatomy Font (2016, decorative caps) and the related artchitect (2016). [Google] [More] ⦿
Bethany Armstrong	Designer, educator and artist who studied at the University of Wisconsin. She created Lady Killer (custom typeface and logo designed for Lilly Red Studio, Wedding Photography and Invitation Design, Chicago), Stylo Neuf (2009, a contrasted sans done in laser-cut letterpress), and Foundry Type (2008). [Google] [More] ⦿
Callum Armstrong	UK-based designer (b. 2000) of the condensed bold sans typeface Rainbow (2014). Aka Elizabeth Grant and as A Sky Ferreira. [Google] [More] ⦿
David Armstrong	Based in the north west of England, David Armstrong designed the dot matrix all caps typeface Fernando (2012). Behance link. [Google] [More] ⦿
Erin Armstrong	Erin Armstrong (Atlanta, GA) created the Sci-fi Fantasy Alphabet (2011, all caps). [Google] [More] ⦿
Hart Armstrong	Denver, CO-based designer of the display typeface Snitch (2014). Behance link. Behance link. [Google] [More] ⦿
Jon Armstrong	Grunge type, digital art. New York-based. Fonts created by Jon Armstrong. About 15 dollars per face. Fonts: BadNovel, Bizheads, HighSodium, Insecurity, Jiggy, MildHeadache, NoBleach, Rash, ToxicMarker. All formats except Windows PostScript. [Google] [More] ⦿
Jonathan Armstrong	American designer of Vacillation (2001, a display font), Cursory, a pixel font, Rotund, another pixel font, Being (2002, a tiny all caps screen font), Chronic (2002, unreadable pixel font), Quadrate (2002, a nice pixel font family), and Typical, yet another pixel font. [Google] [More] ⦿
Leah Armstrong	Leah Armstrong (Ballarat, Australia) designed the hand-lettered display typeface Happy Ending (2013). [Google] [More] ⦿
Shannon Armstrong	York, PA-based student-designer (at York College of Pennsylvania) of the display typeface Down Low (2014). [Google] [More] ⦿
Sophie Armstrong	During her studies in Gold Coast, Australia, Sophie Armstrong designed the all-but-imperfect handcrafted display typeface Imperfect (2018). [Google] [More] ⦿
Truck Armstrong	Original designs such as TRUCK Conky Choo Driver, a dingbat font by Chris Stone. Don Weber's grungy Truck Novembre Gruppe, Truck Rocketry by Truck Armstrong, and truck transmission by Steve Wilson can also be downloaded. Latest addition: Mandible Mama (by Truck Armstrong as well). The new page seems a dead end, so Truck Fonts was revived by CybaPee at typOasis. Alternate URL. [Google] [More] ⦿
Ernesto Arnáez	Basque designer from San Sebastian who created a Basque typeface for the Euskadi company in 2006. [Google] [More] ⦿
Atli Þor Árnason	Originally from Reykjavik, Atli Þor Árnason is studying at The School of Visual Communication in Haderslev, Denmark. He created the runic and/or Futhark simulation typeface Ristir (2011), a typeface that was heavily inspired by The Elder and The Newer Futhark alphabet. Behance link. [Google] [More] ⦿
Sarah Arnaudet	Bordeaux, France-based designer of the part hexagonal, part octagonal typeface Grenade (2016). Behance link. [Google] [More] ⦿
Emily Arnaut	Letterer and graphic designer based in Los Angeles. In 2016, Emily created a drop cap alphabet. In 2017, she designed Iva Sans and the dot matrix typeface Dotty (free at FontStruct). Behance link. [Google] [More] ⦿
Victor Arnaut Luiz	Coimbra, Portugal-based designer of a multiline pixel face, Fonte Bitmapped (2011). [Google] [More] ⦿
ArneF	Creator of the hand-printed typeface Occult Technique (2013). [Google] [More] ⦿
Mark Arnesen	Copenhagen-based graphic designer, who created God Mother High Nose (2012), a modular monoline sans family. [Google] [More] ⦿
Sean Arnett	The Sean Arnett Type Foundry used to be called "Corduroy". This Canadian foundry sells about 175 fonts at 55 dollars a piece. The list: ALCHEMEY, AMSTERDAM, ANALOG, APRICOT, ARISTOTLE, BADLY DRAWN BOY, BALI EYES, BARREL OF A GUN, BARREL OF A GUN 2, BI - POLAR BEAR, BLITZKRIEG BOP, BROKEN, BUDDY HOLLY, BULLET, BULLETPROOF, BUTTERFLY, CAKE, CATERPILLAR, CHEMISTRY, CLEOPATRA, CLOSE TO ME, CONTINENTAL, CONTINENTAL EXTENDED, CONTINENTAL EXTENDED WIDE, CONTINENTAL OUTLINE, CONTINENTAL OUTLINE CLEAR, DEVOTION, DIESEL, DR. NO, EGYPTIAN HIEROGLYPHICS, ELVIS, ELVIS PRESLEY, ELVIS PRESLEY BOLD, ELVIS PRESLEY OUTLINE, ELVIS PRESLEY OUTLINE ZEBRA, EMBRACE, ESCTASY, EUROPA, EVEL KENIEVEL, EVEL KENIEVEL BROKEN, FANTA, FLAMENCO, FLAVOUR FLAV, FRANK SINATRA, FREESTATE BOLD OUTLINE, FREESTATE CHROME, FREESTATE OUTLINE, FROSTY THE SNOWMAN, FUTURAMA, GASOLINE, GAS PANIC, GINGER, GIRAFFE, GIRAFFE OUTLINE, GIRAFFE OUTLINE BOLD, GIRAFFE SHADOW, GOLDFISH, GUS GUS, GYPSEY KINGS, HAPPINESS, HASH PIPE, HEPBURN, HEPBURN BOLD, HEPBURN BOLD OUTLINE, HEPBURN OUTLINE, HOWDY, INSIGHT, INSIGHT BOLD, INSIGHT HIGHLIGHT, INSIGHT OUTLINE, INSIGHT THIN, INSTRUCTIONS, IRONWORK, IRONWORK BORDER, JESUS SAVES, JO JO'S JACKET, JOHNNY CASH, KEE WEE, KEE WEE BOLD, KEE WEE OUTLINE, KEE WEE OUTLINE OUTLINED, KEE WEE SMOOTH, KEE WEE SMOOTH OUTLINED, KISS ME KISS ME KISS ME, KUBRICK, LED ZEPPELIN, LEONARDO DA VINCI, LEONARDO DA VINCI SYMBOLS, LICORICE, LOU REED, LUSH, MARLON BRANDO, MARTINI, MATADOR, MEGATRON, MEMENTO, MEMPHIS, METRO, METRO BLOCK, MOLECULE, MONET, MONET SYMBOLS, MOONLIGHT DRIVE, MUTATIONS, NEIL FINN, NERO, NICO, OASIS, ODELAY!, ONES AND ZEROS, ORBIT, PARIS, PEIGNOT, PENGUIN, PETROGLYPHS AFRICAN, PEZ, PIXEL BUBBLE BUBBLE, PIXEL CONDENSED HV, PIXEL CONDENSED, PIXEL CURVED EXTENDED, PIXEL CURVED HV, PIXEL SPACE INVADERS, PIXEL SQUARE, PIXEL SQUARE EXTENDED, PIXEL SQUARE HV, PIXEL SQUASHED, PIXEL TECHNO, POPSICKLE, POSTCRYPT, QUICKDRAW, RAMONES, RAYGUN, RAYGUN OUTLINE, RED HOT CHILI PEPPERS, REVOLVER, RUN LOLA RUN, SAUL BASS, SCRABBLE, SEAHORSE, SEAWEED, SIGNAL ONE, SIGNAL TWO, SPIDERWEB, SPUTNIK, STEPHEN MALKMUS, STEREOPHONICS, STYLOROUGE, STRAWBERRY FIELDS, SUPERGRASS, SUPERMAN, SWANSONG, SWEETHEART, TAHITIAN MOON, TELEVISION, TROPICALIA, TECHINCOLOR©, THE NIGHT BEFORE CHRISTMAS, THE OYSTER (DO NOT FEED), THE STROKES, TIGER THE LION, TURNTABLE, USELINK, VELOCITY, VENICE, VERTIGO, VESPA, VESPERTINE, VINCENT SYMBOLS, VINCENT VAN GOGH, VIOLATION, WATER AND A SEAT, WILLIE NELSON, WOODY, WOWEE ZOWEE. [Google] [More] ⦿
Chris Arney	Chris Arney (Hemphacker) is the Alabama-based designer (b. 1980) of the pixel font Digital 5x7 (2003). Fonts2u link. [Google] [More] ⦿
Christin Arnhold	Designer in Trier, Germany. She used the lettering on a shop in Mainz to develop the signage script typeface Lapina (2011). [Google] [More] ⦿
Ronald Arnholm	Professor of Art Graphic Design at Lamar Dodd School of Art, part of the University of Georgia, Athens. Born in 1939 in Barre, VT, Arnholm designed the lapidary typeface ITC Legacy Sans family (1992, a 51-font remake of the 1960s Arnholm Sans), and the ITC Legacy Serif family (1992, Venetian). In 2009, ITC Legacy Square Serif and ITC Legacy Serif Condensed were added. ITC Legacy Square Serif won an award at TDC2 2010. His early fonts were released at VGC, the Visual Graphics Corporation: VGC Aquarius (2, 4, 5, 6, 7, 8, Outline) (1967) (this was digitized in 2007 by Steve Jackaman as Aquarius), VGCArnholm Sans Bold (1965), VGC Fovea (1977). Arnholm also designed WTC Veritas for the World Typeface Center, New York, 1981-85. He created these headline typefaces for the Los Angeles Times, 1980: L.A. Times Regular, L.A. Times regular italic, L.A. Times Bold and L.A. Times Bold Italic. MyFonts page. Linotype bio. FontShop link. Klingspor link. View Ronald Arnholm's typefaces. [Google] [MyFonts] [More] ⦿
Gill Arnò	Righteous Fonts in Brooklyn was started by Theres Wegmann and Gill Arnò, the designer of SubTalk (scratchy letter font) and Rec. [Google] [More] ⦿
Anke Arnold	Wernau (was: Wendlingen), Germany-based Anke Arnold's free fonts: aa QWERTZ-Tasten (2012: German keyboard font), aa Halftone (2012: texture face), aa Tafelschrift (2012, school font), Car Go Frame (2011), Car-Go Plain (2011, modeled after German license plate lettering), Typo Garden (2010, alphadings), 80er Teenie Demo (2009), Acki Preschool (2009), Just Another Stamp (2009), Firlefanz (2009, curly letters), Pixelstitch (2006), AnkeHand (2003), Hole-Hearted (2003, Gill Sans with hearts), KRITZEL (scratchy pen), MilkyWay, FrightNight, Eminenz (2002), Scribble, Skribus, Why, TooLazyToPractice, XXX, CheapInkkilledmyPrinter, Storch (alphadings), Alexandras-Stempelkasten, Anatevka-Caps, BulletMix, Catwalk, Duke, Dukeplus (2000, blackletter), Riddleprint, Anke-Print, AnkeCalligraph, Titanic, Wasser, butterbrotpapier, distracted-musician, dyslexic, manko, quixotic, verrutscht, zladdi, barcoded, BulletMix2, CAR-GO-2, Fortunaschwein (nice curly script; no punctuation or numbers), Round, BigBrothers&Sisters, BoringLesson, CrimesceneAfterimage, Incognitype (old typewriter), Jenna'sPopsicles, Japanese Brush (1996), Knuffig (2000), MonkyBusiness, Olympia2000, Samba, Dandelion, Kritzel (2003, scratchy hand), Krystal (2000, snow simulation typeface based on Gill Sans), Nervous, ParryHotter (2001, a Harry Potter blackletter face), Pffft, Tschiroki, Heart2Heart (heart alphadings), Anke Sans. English page. For 10DM (5 USD), Anke will make your handwriting into a font! Alternate URL. Dafont link. Another link. Open Font Library link. [Google] [More] ⦿
Briana Arnold	During her Visual Communication Design studies at Northern Kentucky University, Briana Arnold (Ft. Mitchell, KY and Cincinnati, OH) created the rounded squarish sans typeface Aero (2012). She also created the sans typeface Sequent in 2012, which was designed for screens. Behance link. [Google] [More] ⦿
Elisabeth Arnold	Designer of Elxil (2015, pixelish), Floh (2012) and Percellian (2015, connected script). [Google] [More] ⦿
Evon Arnold	American designer of Only Dancing (2010, scanbat face). Home page. [Google] [More] ⦿
Felix Arnold	A Swiss designer and type designer (b. 1970, Basel), who studied at the Basel School of Design. He created Cisalpin [also called Cassini in its earlier grotesque life, 1999-2000], a typeface for cartography, which was published it with Linotype in 2004. Pic. Klingspor link. Linotype link. [Google] [MyFonts] [More] ⦿
Gabriel Arnold	Campo Bom, Brazil-based designer of the pixacao typeface Pixo (2016). [Google] [More] ⦿
Jake Arnold	Graphic designer in London, who created the hairline art deco typeface James Bond in 2016. [Google] [More] ⦿
Jan-Henrik Arnold	Jan-Henrik Arnold (JHA, Berlin, Germany), b. 1980, studied first in Konstanz and then in Berlin at the University of Applied Sciences in Potsdam where he was taught by Luc(as) de Groot. He works mainly as a type designer. His typefaces from 2013: JHA Zucker (a fat didone stencil), JHA Libre (elliptical sans, +Pro), JHA Yeni Zaman (geometric sans with roots in the 1930s). In 2014, he published Bodoni Ritalic, a backslanted Bodoni Italic. In 2015, Arnold created the transitional typeface family JHA Times Now and the chiseled typeface Tetraktys (inspired by Friz Quadrata). In 2016, he released the text typeface Praeneste. Typefaces from 2017: JHA My Happy 70s. [Google] [MyFonts] [More] ⦿
Luciano Arnold	Sao Paulo-based creator (b. 1977) of the upright connected monoline script typeface Lumem (2013). [Google] [More] ⦿
M. Arnold	Creator of the etched / engraved typeface Kartenschrift Parisienne (1905, C.F. Rühl, H. Berthold AG). [Google] [More] ⦿
Daniela Arnoldo	Milan-based designer of Double Chocolate Brownie (2012, hand-printed, available from Ten Dollar Fonts). Klingspor link. [Google] [More] ⦿
Diogo Arnosti	Rio Claro, Brazil-based designer of an untitled art deco typeface in 2014. [Google] [More] ⦿
Diego Arnoud	During his studies, Betim, Brazil-based Diego Arnoud designed the handcrafted typeface Luxella (2017). [Google] [More] ⦿
Guy Arnoux	Type designer at Deberny & Peignot who created Guy Arnoux capitales (1914: caps typeface). [Google] [More] ⦿
Robert Arnow	Illustrator and graphic designer who is Director of Creative Investigation at Incitement Design in New York City. His calligraphy was turned into calligraphic brush typefaces such as Mustang (2009) and Streetbrush (2009). In 2010, he created Graffiti Classic and Graffiti Classic Taglets (dingbats). In 2013, he published the brush script typeface French Kiss. [Google] [MyFonts] [More] ⦿
John Arnst	Jericho, VT-based designer of Pixie Talon (2004). [Google] [More] ⦿
Gerd Arntz	Between 1928 and 1965, Gerd Arntz (1900-1988) designed around 4000 signs and symbols depicting industry, demographics, politics and economy, for the visual language Isotype. Many of these can be viewed on this web site. Some quotes from that site: About Arntz himself, the persona: Born in a German family of traders and manufacturers, Gerd Arntz was a socially inspired and politically committed artist. In Düsseldorf, where he lived since his nineteenth, he joined a movement which wanted to turn Germany into a soviet- or council republic, a radically socialist state form based on direct popular democracy. As a revolutionary artist, Arntz was connected to the Cologne based progressive artists group (Gruppe progressiver Künstler Köln) and depicted the life of workers and the class struggle in abstracted figures on woodcuts. Published in leftist magazines, his work was noticed by Otto Neurath, a social scientist and founder of the Museum of Society and Economy (Gesellschafts- und Wirtschaftsmuseum) in Vienna, Austria. Neurath had developed a method to communicate complex information on society, economy and politics in simple images. For his Vienna method of visual statistics, he needed a designer who could make elementary signs, pictograms that could summarize a subject at a glance. Arntz's clear-cut style suited Neurath's goals perfectly, and so he invited the young artists to come to Vienna in 1928, and work on further developing his method, later known as ISOTYPE, International System Of TYpographic Picture Education. During his career, Arntz designed around 4000 different pictograms and abstracted illustrations for this system. At the same time, he was working with Neurath and his collaborators on designing exhibitions and publications for the Vienna museum. In this time, the 1930s, the city was under socialist government and an internationally acclaimed center of social housing and workers' emancipation. Neurath's visual statistics were adamantly meant as being an instrument of this emancipation, and Arntz' own socialist background fitted this context seamlessly. Produced under Arntz's creative guidance, a collection of 100 visual statistics, Gesellschaft und Wirtschaft, was published in 1930. The success of this collection lead among other things to an invitation to come to the young Soviet Union and set up an institute for visual statistics, Isostat, in Moscow. Neurath and Arntz regularly traveled to Moscow in the 1930s, until in 1934 the socialist government of Vienna fell. After the Nazi take over, both emigrated with their families to the Netherlands, where they continued working on Isotype in The Hague. When the second world war broke out, Neurath fled to England. Arntz stayed in The Hague, where he worked for the Dutch Foundation of Statistics. Arntz' artistic legacy is administered by the Municipal Museum of The Hague, and a generous selection of his work from this collection is now available on-line for the first time. About his gutsy political activism: In his early twenties, the young German artist Gerd Arntz said goodbye to his bourgeois background and committed himself to the struggle of the underprivileged workers. During an artistic career spanning 50 years, he has continually criticized social inequality, exploitation and war in clear-cut prints - activism with artistic means. In Düsseldorf, Arntz attended an art academy in the early 1920s to become a drawing teacher. There, he frequented revolutionary circles, rebel minds who wanted to turn Weimar Germany into a soviet republic, styled after early communist Russia. He also came into contact with the new movements in the arts at the time, such as expressionism and constructivism. For activist artists like Arntz, the wood-cut was the chosen medium, because of its primitive aspect and its clearblack-and-white contrast. In the 1930s, Arntz switched to linoleum-cuts. With his comrades, the Cologne artists Franz Seiwert and Heinrich Hoerle, he read Marxist and anarchist literature and developed his own style of portraying society as segregated in classes, struggling within the technological milieu of the modern city. His prints were exhibited, sold to sympathetic art lovers, and published in magazines of the activist left in Germany and abroad. When Arntz was asked by Otto Neurath to join his team at he Vienna Museum of Society and Economy, and develop Isotype, he took it as an opportunity to expand the reach of his political beliefs into the realm of actively informing the proletariat, albeit as a graphic designer. At he same time, this steady job provided him the means to continue his own artistic work, completely independent of the art market or political affiliations. His prints criticizing the capitalist system did, for instance, not prevent him from critically looking at the downside of the Soviet Union in other prints. After he emigrated to the Netherlands, in 1934, Arntz published a series of prints warning against the danger of Nazism. His concise and biting depiction of the build-up of the Third Reich, published in a Dutch communist magazine in 1936, was removed from an exhibition in Amsterdam after complaints by the German embassy that it insulted a friendly head of state. Arntz continued cutting his social and political critique into linoleum until he was seventy years old. About Isotype: The International System Of TYpographic Picture Education was developed by the Viennese social scientist and philosopher Otto Neurath (1882-1945) as a method for visual statistics. Gerd Arntz was the designer tasked with making Isotype's pictograms and visual signs. Eventually, Arntz designed around 4000 such signs, which symbolized keydata from industry, demographics, politics and economy. Otto Neurath saw that the proletariat, which until then had been virtually illiterate, were emancipating, stimulated by socialism. For their advancement, they needed knowledge of the world around them. This knowledge should not be shrined in opaque scientific language, but directly illustrated in straightforward images and a clear structure, also for people who could not, or hardly, read. Another outspoken goal of this method of visual statistics was to overcome barriers of language and culture, and to be universally understood. The pictograms designed by Arntz were systematically employed, in combination with stylized maps and diagrams. Neurath and Arntz made extensive collections of visual statistics in this manner, and their system became a world-wide emulated example of what we now term: infographics. Ed Annink and Max Bruinsma edited the book Gerd Arntz Graphic Designer (2010, Rotterdam). [Google] [More] ⦿
Jorge Aroca	Bogota, Colombia-based designer of the techno or video game font Phalax (2018). [Google] [More] ⦿
Nicole Arocha	Student at the Rocky Mountain College of Art + Design (RMCAD). Colorado-based creator of Dinotype (2011, letters inspired by dinosaurs). Devian tart link. [Google] [More] ⦿
Roberto Mitraud Aroeira	Belo Horizonte, Brazil-based designer of Candycane (2014, a rounded cursive typeface), and Autobahn (2014, a dashed typeface influenced by an album by Kraftwerk). [Google] [More] ⦿
Illes Aron	Budapest, Hungary-based designer of an art deco typeface in 2017. [Google] [More] ⦿
Maria Gabriella Aronne	Graphic designer in Crotone, Italy. Designer of the compass-and-ruler typeface Trado (2014). [Google] [More] ⦿
Rose Aron	Rose Aron, who works at cartier International in Paris as a graphic designer, created Lacroix (2013), an ornamental typeface that was inspired by couturier Christian Lacroix. Behance link. [Google] [More] ⦿
Michael Aronson	American type designer. His typeface Apogee won an award in the kanji category at the 22nd Morisawa Type Design competition in 2019. [Google] [More] ⦿
Anuj Arora	Indian graphic design student. Creator of the techno typeface Headstrong (2011). [Google] [More] ⦿
Esha Arora	During her studies in Singapore, Esha Arora created the typeface Diamante (2015). [Google] [More] ⦿
Naman Arora	Indonesia-based designer of the 20-style squarish typeface family Chiaroscuro (2021). [Google] [More] ⦿
Rishabh Arora	Bindu is a circle-based experimental display font designed during Rishabh Arora's UKIERI student exchange at Adam Smith College in Scotland. He lives in New Delhi. [Google] [More] ⦿
Shreya Arora	Graphic designer who graduated from National Institute of Design in Ahmedabad, India in 2019, and is based in Bagalore, India. At Type Paris 2019, she designed the high-contrast display typeface Extra (five styles including a stencil) which was used for the identity system of 46 & 2, a Mumbai-based design studio. [Google] [More] ⦿
Simone Arora	During his studies at the University of Southern California in Los Angeles, Simone Arora designed a super-tall sans typeface in 2016. [Google] [More] ⦿
Surbhi Arora	Gurgaon, India-based designer of the Latin display typeface Potli (2018). [Google] [More] ⦿
Elizabeth Arostegui	Interface designer based in La Paz, Bolivia. Winner at Tipos Latinos 2018 of a type design award for the wonderful free illustrated character font Cosmocollita. [Google] [More] ⦿
Fernando de Aróstegui	Argentinian designer of the nice blockish typeface Matryshka. [Google] [More] ⦿
Wedchayan Arpapornnopparat	North Hollywood, CA-based designer of the simple geometric typeface called Feeling Right (2012). [Google] [More] ⦿
Ayelen Arpini	Ayelen (b. 1989) lives in Buenos Aires. She created Bauserif (2009), a serifed version of ITC Bauhaus Medium, Geometric 752. [Google] [More] ⦿
Katie Arpin	Overland Park, KS-based student-designer (at KU) of the hairline sans typeface Kindred (2018). [Google] [More] ⦿
Otto Arpke	Otto Arpke (b. Braunschweig, 1886, d. Berlin, 1943) was a graphic artist, illustrator, painter, and teacher at the Kunst- und Gewerbeschule in Mainz, Germany. Arpke was famous for his designs for the movie Das Kabinet des Dr Caligari and posters for the North German Lloyd shipping line. He designed a fat copperplate display typeface, Arpke Antiqua (1928, Shriftguss), which is available in digital form as Taiko (2006, Andreas Seidel). Klingspor link. [Google] [MyFonts] [More] ⦿
Andrea Arques	During her graphic design studies in Barcelona, Andrea arques created the tattoo font Rocker Slab (2014) and Christmas Icons (2014). In 2015, she created the modular typeface Avelli, which was inspired by the calligraphy of Pedro de Madariaga, Joseph de Anduaga y Garimberti, and Torio de la Riva. [Google] [More] ⦿
Roko Arraez	Acarigua, Venezuela-based designer of Bombigot (2012), a very heavy typeface midway between graffiti and bubblegum. [Google] [More] ⦿
Rizkan Arrahman	Aka Nasrun. Payakumbuh or Jambi, Indonesia-based designer of the script typefaces Cleverlands (2019) and Readfaster (2019). [Google] [More] ⦿
Manu Arranz	Senior art director in Madrid. Designer of the free font Clothespin (2010), the experimental 3d font Tactile Cut (2013). In 2018, Manu added the decorative caps typeface Strong Women. [Google] [More] ⦿
Paula Arranz	Spanish creator of Galaxy Visitors (2013) and Mrs Chocolat (2013). Dafont link. [Google] [More] ⦿
Mayra Arredondo	Mexican designer of the mini-serifed typeface Gama (2018). [Google] [More] ⦿
Sebastian Arredondo	Chattanooga, TN-based designer of the display typeface Javel Sans (2018). [Google] [More] ⦿
Stefania Arredondo	Or Maya Arredondo. Graphic design student in Monterrey, Mexico. In 2012, she created the hairline avant-garde typeface Sencilla Light while studying at UANL. Home page. [Google] [More] ⦿
Alejandra V. Arregger	Graduate from FADU, University of Buenos Aires, who created the serif typeface Clonum (2008). [Google] [More] ⦿
Alvaro Arregui	London-based graphic designer. He created a custom Taiwanese display face. Behance link. [Google] [More] ⦿
Arlene Arreola	Designer of Lene Arl. [Google] [More] ⦿
Daniela Arriaga	Mexican designer of Tipos de Cuidado (2018), which was inspired by the 1953 movie Dos Tipos de Cuidado starring Jorge Negrete and Pedro Infante. It has some features of Lucian Bernhard's Bernhard Antiqua Fett. [Google] [More] ⦿
Ximena Arriaga	Guatemala City, Guatemala-based designer of the modular typeface Squatec (2018). [Google] [More] ⦿
Diego Parra Arribas	Graphic designer in Ciudad Real, Spain, who created several display typefaces in 2017. [Google] [More] ⦿
Daniela Arrieta	Valencia, Venezuela-based designer of a codex style roman alphabet in 2019. [Google] [More] ⦿
Gustavo Arrieta	Graphic designer in Caracas, Venezuela, who designed the stylish neon stencil typeface Neon (2016). [Google] [More] ⦿
Jesus Aleejandro Nieto Arrieta	Guanajuato, Mexico-based designer of the blackboard bold typeface Bucle (2018). [Google] [More] ⦿
Laura Arrieta	Creator of the free curly Victorian font Black Flowers Blossom (2012). [Google] [More] ⦿
Juan Arrillaga	Graphic and web designer in Montevideo. In 2012, he designed Figari Sans and Barreiro Serif. [Google] [More] ⦿
Ryan Arrindell	Norfolk, UK-based designer (b. 1983) of the handwriting typeface I have problems (2005), of the clipped Arial typeface CD Player (2005), of the tall-ascendered Doctor Fox Classic (2006) and of FishNChips (2005). Web page. [Google] [More] ⦿
April Arrington	Student at Flagler College in Tallahassee, FL. She created the futuristic rounded typeface Discoid (2011). [Google] [More] ⦿
George Arriola	With Joachim Müller-Lancé at Kame Design, Jorge Arriola designed the typeface family SoMA in 2009. [Google] [More] ⦿
Tomas Arriola	Mexico City-based designer of the free script typeface Abydos (2016). [Google] [More] ⦿
Yulen Iriarte Arriola	During his studies in Amiens, France, Yulen Iriarte Arriola designed the weathered typeface Walabok (2017). Behance link. [Google] [More] ⦿
Alessandro Arrojo	Argentinian type designer based in Pilar. He created the rounded sans typeface family Uyuni (2012). [Google] [MyFonts] [More] ⦿
Julio Arrontes	Spanish designer of the horizontally striped typeface Griffin (2017). [Google] [More] ⦿
Heber Xavier Arroyo	Costa Rican architectural designer, technical illustrator, and typographer.. Creator of Techni Sans (2010), the rounded sans typeface AR Techni (2010), Cipher Code (2011, a Masonic symbol typeface done at FontStruct), and the squarish typefaces Q-Module (2011, FontStruct) and Cynthe (2011). Dafont link. Behance link. [Google] [More] ⦿
Juan Arroyo	Quito, Ecuador-based designer of Circles Light (2016). [Google] [More] ⦿
Luis Angel Arroyo	Mexican designer of Brassia, mentioned here. [Google] [More] ⦿
Teresa Arroyo	Teresa Arroyo is a graphic designer in Valencia, Spain. She created Puzzle Font in 2013. Free PDF source. Behance link. [Google] [More] ⦿
André Arruda	Campinas, Brazil-based designer of the rough brush script Lets Punk (2017). [Google] [More] ⦿
Vale Arr	Illustrator and graphic designer in Monterrey, Mexico, who created the sans display typeface Wawa in 2016. Behance link. [Google] [More] ⦿
Kyla Birgitta Arsadjaja	During her studies at Lasalle College of the Arts in Singapore, Kyla Birgitta Arsadjaja created the decorative typeface Betawi (2014). [Google] [More] ⦿
Hreggvidur Arsaelsson	Icelandic designer of the futuristic typefaces Complete (2006) and Keystone (2006). [Google] [More] ⦿
Thierry Arsaut	Basque font company headed by Thierry Arsaut from Biarritz, France. Sells about 12 Basque typefaces. Has a history of Basque letters. Thierry Arsaut designed the commercial Basque typefaces Koldaka (2002), Sculpturas, Euskara Classic, Euskara Emakhor, Euskara Etxeak, Euskara Old, Euskara Ferrus, Euskara Gernika, Euskara Haritzaga, Euskara Irouleguia, Euskara Karako, Euskara Kaxko, Euskara Kutxas (farm dingbats), Euskara Moderna, Euskara Ostoa (with Ramuntxo Partarrieu), Euskara Eskultura. His typefaces can be bought here. Basque Classic is discussed here. [Google] [More] ⦿
Angie Arscott	Argentinian graphic designer, b. 1984. Dafont link. She used Baskerville Bold to derive a condensed and ancient-looking typeface Sir William (2009). [Google] [More] ⦿
Stephanie Arsenault	Codesigner with Jeremy Vessey of Genuine Sans and Script (2017). [Google] [More] ⦿
Miruna Arsene	Bucharest, Romania-based student-designer of the wavy font Zig Zag (2018). [Google] [More] ⦿
Stas Arsenyev	Saint Petersburg, Russia-based creator (aka Scilla) of the Latin / Cyrillic typeface Violet (2012). Behance link. [Google] [More] ⦿
Atif Arshad	Aka Ameer. Designer of these typefaces in 2016: Ikndo (a handcrafted party font), Fisher, Fisher2, Engin (super-techno), Curly, Cruise, Cookies, Chikle, Aeliron, Alphabet Stencils, Akbaal, Agreloy, Adventure, and Omisans. Typefaces from 2017: City Track (graffiti font), Midnight (script), Glitzy, Glitch, Glaze, Chunky (spurred), Davil (spooky), Champion (striped), Asphalt (heavy weathered slab serif), Acids (art deco), Splodge (dry brush), Brush, Mars. His icons are sold separately. [Google] [More] ⦿
Mane Arshduysyan	Or Mane Arsh. Yerevan, Armenia-based designer of an Armenian display typeface in 2016. [Google] [More] ⦿
Zivorad Arsic	Tetovo, Macedonia-based designer of the thin angular Cyrillic typeface Ostar (2018). [Google] [More] ⦿
Gülizar Arslan	Ankara, Turkey-based designer of the triangular typeface Trey (2017). [Google] [More] ⦿
Ismail Arslan	Graphic designer in Eskisehir, Turkey, who created the display typeface Wider (2015). Behance link. [Google] [More] ⦿
Joel Arss	Designer in Barcelona. His Oboe typeface (2012) has a negative axis and is remarkably sturdy and readable. [Google] [More] ⦿
Farhan Arsyadi	Eitiqad was founded by Indonesian designer Ahmad Farhan Taufiq Arsyadi in 2020. He created the racecar font Fuixg and the scrapbook typeface Pletty Book in 2021. [Google] [MyFonts] [More] ⦿
J. Artaloitia	J. Artaloitia ran a foundry in Sevilla, Spain, called Fundicion Tipografica de don J. Artaloitia. Scans of some of his types: headline types, Inglesa, Ronda, Normandas, Gotico Blanco, Ronda. [Google] [More] ⦿
Julia Artamanova	Graduate of BHSAD in Moscow, class of 2013. Aka Julia Artamanova, she presently is a graphic designer in Moscow. Julia created the flared (lapidary) Latin / Cyrillic text typeface Flandria in 2013 together with Sergey Pleshkov. This typeface has its dedicated site. Flandria comes in Regular, Italic, Display and Poster (stencil). [Google] [More] ⦿
Mehrdad Arta	Mehrdad Arta (Stockholm) created the 8-style sans typeface family Arta Crisp in 2012. Behance link. [Google] [More] ⦿
Dmytro Artamonov	Chernivtsi, Ukraine-based designer (b. 1992) of the squarish modular typeface Monolith (2020). [Google] [More] ⦿
Kadek Sindu Artayasa	Tabanan, Bali, Indonesia-based designer. In 2022, he created DST Helfita (a 9-style display sans). [Google] [MyFonts] [More] ⦿
Fatima Arteaga	Santa Tecla, El Salvador-based designer of the tall handcrafted typeface Filto (2017). [Google] [More] ⦿
art-e-fact	Mexican creator of Netz Demo (2010). [Google] [More] ⦿
Andryushkin Artem	Russian co-designer with Jovanny Lemonad of Flow (2010, a free pair of Latin hand-printed typefaces). [Google] [More] ⦿
Anferov Artem	Magnitogorsk, Russia-based graphic designer who created Simple Line Icons (2015) and the grid-based squarish typeface Mebius (2015). [Google] [More] ⦿
Tigran Artenyan	Yerevan, Armenia-based designer of a squarish outlined Armenian typeface in 2016. [Google] [More] ⦿
Jennifer Arterbury	Codesigner at T26 with Brad Brawley and Noel Childs of Finial Regular (1994). Klingspor link. [Google] [More] ⦿
Ave Artha	Indonesian designer (b. 1986) of Ovalium Starmind (2019). [Google] [More] ⦿
Yande Artha	Indonesian designer, b. 1999, of the rounded sans typeface Brantone (2019). [Google] [More] ⦿
Kristine Arth	Kristine Arth (San Francisco, CA) is the founder and principal designer behind Lobster Phone. During a workshop at Type Paris 2018, she designed Mademoiselle Didot, a curvaceous typeface that celebrates the human form with references to Firmin Didot and Eero Saarinen. [Google] [More] ⦿
Jason L. Arthur	[More] ⦿
Constanza Artigas Preller	Graphic designer in Santiago, Chile, who graduated from Universidade de Chile. She created the free Google Web Font Inika (2012) about which she writes: Inspired by Easter Island and its Rapa Nui language and culture, this typeface captures the essence of an island located in Chile, full of mystery, sacred places and stories of the past. Inika means ink in the Rapa Nui language, and it represents the tradition of the rongo-rongo writing, used by people on the island thousands of years ago. Klingspor link. Google Plus link. [Google] [More] ⦿
Happy Artisan	Creator of the curly hand-drawn typeface Curly Cuties (2014). [Google] [More] ⦿
ArtistMike.com	ArtistMike (real name unknown) designed Komica Halftone, Shaded Art Brush, Animal Letters, Gargoyle 11, YellowSub&Dings, Mickey Letters, Mickey Dings, Mickey Mouse Dings&Letters 3.0, Rooster Font, Scary Clowns, School Dings, PinUps, Scrolls Dings, MC Borders, MC Pinup, SandDaisy, ScaryClowns, Donald&Dings, ArtistMike.Orniments12, Sun Dingbats. Get the fonts by email. Logo to font and signature to font conversion service. [Google] [More] ⦿
Sergiu Artkeetekt	Chisinau, Moldova-based designer of the decorative blackletter typeface Neogothic (2015). [Google] [More] ⦿
Mhfooz Art	Mhfooz Art (Amman, Jordan) designed the round monoline typeface family Round Modern (2017), which is free in AI vector format. This typeface was renamed Aoox one day after its publication. [Google] [More] ⦿
The Miha Artnak	Slovenian graphic designer who graduated from the Academy of Fine Arts and Design in Ljubljana. He created some great icons in 2010. He also did some type design experiments such as Analphabet Y (2008). Behance link. [Google] [More] ⦿
Ziga Artnak	Žiga Artnak is the Slovenian designer of the semi-blackletter typeface Yellow Snow during the design workshop TipoBrda in 2007. Designer of Crack Whore (2006). [Google] [More] ⦿
Arman Artnex	Tehran, Iran-based designer of an expermental multiline Latin alphabet in 2015. [Google] [More] ⦿
Jorge Artola	Designer of the free rounded counterless typeface Oh Mai Mai (2010), which was inspired by the Mai Mai Monster. Behance link. Dafont link. Jorge lives in Madrid. Klingspor link. [Google] [More] ⦿
Johann Peter Artopaeus	German punchcutter active in the first two decades of the 18th century. He supplied matrices to B.C. Breitkopf in Leipzig, ca. 1717. Before that, he had worked as a punchcutter for Johann Heinrich Stubenvoll of Frankfurt. Examples: Doppel Mittel Antiqua (ca. 1700), Grobe Missal Antiqua (before 1716), Kleine Missal Antiqua (before 1716). [Google] [More] ⦿
Rassam Art	Jeddah, Saudi arabia-based designer of the free Arabic typeface Rami (2018). [Google] [More] ⦿
Mario Arturo	Barcelona-based graphic designer (b. 1963). Dafont carries his free fonts, which are often revivals, or fonts based on scans from Dover books. The list of his typefaces: Amarfil (2012). Traced from the Dubbelde Auguftyn Capitalen typeface by father and son Izakk and Johan Enschedé. Angelface (2014). Mario writes that it is loosely based on the Lariata typeface. It was traced from the 1993 edition of the Novum Press book Schreibschriften/Script Types, compiled by Michael Rau & Rosemarie Kloos-Rau. Better Heather (2000): a cleanup of De Nada's script font Heather. Bodoni Fragile Sharp (2018). A Bodoni stencil. Boizenburg (2013). An art nouveau caps typeface. Brennan (2012). A heavy slab serif typeface. Brook Flair (2012). Mario explains: This font is traced from the book Alphabete 2 by Erhardt D. Stiebner and Helmut Huber for Novum Press (1990). I added the missing swashy characters and punctuations. From what I understand, this is a variation of a typeface called Macbeth that was designed in the 1950's for Filmotype. Dean Martin and Dean Martin Swing (2012). A retro font and its curly cousin. Doris Day: an upright connected script. Echedo (2018). This typeface was traced from an unnamed ornamental Roman alphabet from the 1958 edition of 101 Alphabets by W. Ben Hunt and Ed.C. Hunt. Originally published as 60 Alphabets in 1935. Esplanade Script (2015). Published at Aring Typeface. Flamingo (2015). A revival of a condensed titling typeface (+Inline) family designed in 1929 by Louis Oppenheim at H. Berthold Schriftgiesserei A.G. Galeries (2001): based on a type that appeared on a receipt from a store called Galeries Sant Jordi in the 1960s in Pineda de Mar, Catalunya. Halo Handletter (1997): taken from Brushstroke and Free-Style Alphabets-100 Complete Fonts (Dover). Helvelow: based on Helvetica. Individual (or: Initial): calligraphic all caps face. Scanned from an alphabet book. Japan (1997): a brush stroke font based on a scan from Brushstroke and Free-Style Alphabets-100 Complete Fonts (Dover). Lisbon Script (2014). Based on a script shown in Schreibschriften/Script Types (1993, Michael Rau & Rosemarie Kloos-Rau, Novum Press). Lombard (2018). This typeface was traced from an unnamed orient alphabet from the 1943 edition of «New Letters and Lettering» by Paul Carlyle and Guy Oring. Masana (2011). An upright connected script family inspired by the handwriting of Catalan photographer Josep Masana from Barcelona who was also a publicist in the 1930's. Followed by Masana Grata, Masana Maxima and Masana Extras in 2011. Mister Sinatra and Mister Sinatra Slim (2012). Oz's Wizard (2012). Based on scans of L. Frank Baum's The Wonderful Wizard of Oz (1900), which used a typeface designed by Goudy. PetuniaBounce (1997): based on a Dan Solo typeface from Brushstroke and Free-Style Alphabets-100 Complete Fonts (Dover). Riddle (Riddle Upright and Riddle Script, 2010-2013): based on the typeface used on the Frank Sinatra&Nelson Riddle LP "Only the Lonely". With help from Harold Lohner. Continued in Riddle Upright (2013). Rom (2001): inspired by Barcelona's Rom Caffe logo. Rough Spring: based on Spring by Letterperfect. Sahara (2000): based on the font Arbot. South Pacific. Inspired by a phrase from The ABC of Lettering (1965, J.I. Biegeleisen, Harper & Row Publishers,NY. See also this OFL link. Thick Deco: art deco face. You're Invited (2014). An invitation script font that revives a script found in Lettering (1916, Thomas Wood Stevens). The typeface was designed by Lawrence Rosa and later refined by Mario Arturo. Klingspor link. Dafont link. Fontspace link. [Google] [MyFonts] [More] ⦿
Darek Artworks	During his studies in Barcelona, Darek Artworks designed Gothic Stencil (2019). [Google] [More] ⦿
Dre Artworks	Madrid-based designer of the free spurred squarish typeface Rude Rude (2014). [Google] [More] ⦿
Vokei Artz	Graphic designer in Newark, NJ, who made Arial Fuzion (2010). [Google] [More] ⦿
Kantaro Aruga	Sapporo, Japan-based designer of the dotted Latin typeface Tsubu (2015). [Google] [More] ⦿
Febryl Arully	Sidoarjo, Indonesia-based designer (b. 1990) of script or handcrafted typefaces. His typefaces from 2021: Arully, Ballmonte, Beauty Flower, Beauty Wall, Black Coffee, Black Wood, Dark Soul, Happy Time, Hello Toys, Hello World, Love, Paradise, Pride, Procreate Signature, Puzzle Food, Road Race, SouthWest, Startup, Story Life, Symphony, Things Love, Tuesday. [Google] [More] ⦿
Leonyka Arumantra	Kab Semarang, Indonesia-based designer, b. 1980, of Hot Chili (2019) and Deefont (2019). [Google] [More] ⦿
Natalie Ben Arush	Tel Aviv-based creator of a Hebrew font in 2014. [Google] [More] ⦿
Adela Aruxandei	Romanian designer of the techno typeface Neo Modern (2019). [Google] [More] ⦿
Dimitris Arvanitis	Dimitris Arvanitis (b. 1948, Chalkis, Greece) is a painter and graphic designer who has been or is art director EMI-Columbia and Minos and for magazines such as Periodiko, Difono, Tachidromos, Jazz&Tzazz, Kaleidoscopio and Adobe Magazine. He is a member of the Cannibal Fonts company, and founded Espresso Society Studio. He writes in magazines and newspapers, and designs fonts. His creations for Latin and Greek include CF2 Sophia, ConduitTC-Hel, Modula TallGreek and Senator TallGreek (a Greek version of Emigre's Senator). Cannibal Fonts by him include Bac CF, Bloco CF, Fat CF, Milk CF, Poster CF, Sophia CF, Type Polaroid CF, and Type Ray CF. MyFonts page. Klingspor link. Old home page. Cannibal Fonts link. [Google] [MyFonts] [More] ⦿
Maria Arvelos	During her studies at ESAD.CR, Maria Arvelos (Lisbon, Portugal) designed the modular typeface Guim (2018). [Google] [More] ⦿
Christophe Arvin-Bérod	French designer (b. 1972) of ZyxTof (2003), an artificial language font. Dafont link. [Google] [More] ⦿
Buminatha Arvin	Yogyakarta, Indonesia-based designer of these display typefaces in 2020: Black arcade (Tuscan), Crowded, Stradas (Victorian), Brainster (blackboard bold). [Google] [More] ⦿
Denny Aryadi	Graphic designer in Bandung, Indonesia. Creator of the fat counterless octagonal typeface Simpledenny Bold (2012). [Google] [More] ⦿
Geetika Arya	Indian graphic designer. Behance link. Creator in 2011 of a decorated caps face. [Google] [More] ⦿
Resna Aryan	Bandung, Indonesia-based designer of the elegant display sans typeface kalani & Hopkins (2016). [Google] [More] ⦿
Taufik Tri Aryanto	Indonesian designer, b. 1993, of Kids Zone (2018). In 2019, he designed the vintage label fonts Senator and Gacoure, the minimalist sans typeface Magnum (2019), and the script typefaces Lifogia and Shangrella. [Google] [More] ⦿
Vava Aryanto	Karanganyar, Indonesia-based designer of the upright script typefaces Lettering Script (2018), Rosalinda (2018), Roxxette (2018) and Allabama (2018), the handcrafted Minnesotta (sic) (2018), and the grungy typefaces Xsodux (2018), Stikers (2018) and Kaze (2018). Typefaces from 2019: Quitgan Script (signage script), The Spooky Time (a beatnik font), Sunday (bold sans), Bythemis Quertas (script), Elegant, Voques (all caps), Brongline Presiom, Summer Tropical, Alarate Script, Letterhear (calligraphic) Frayhord Monoline, Situgintu, Rubinetto (a signage script), Rottrydam Wargna, The Hartes, Mosgrade, Fashion Script, Charllie (upright script), Originality Script, Friday Worst Letters, Silhouette. Typefaces from 2020: Bogies Bird, Tilmans (a fine decorative serif), Goovy Modice (a psychedelic serif), Revitale (a Victorian display typeface), Former Broston, Choges (a creamy serif), Youth Cow, Boxes Dream, Follio Cooper (a creamy script), Cats Style, Minoila, Ameliya, Hummingbird, Loveline, Hisyam, Brightlast (a retro script), The Heglio (a formal script), Monthella, Motgan (weathered textured caps), Bronxi (a flared all caps sans), Revolage (a vintage sans serif and monolinear script pair), Quentes Fleur (spurred, Victorian), Midnight Story, Hella Mella, Daylight, Xiolien, Flawless, Tails Mermaid, Havana, California Sunrise, Range Orange, Mallaba, Banbos (a dry brush script), Anattalia (script), Bright Sunkiss (script), Rattaullie (a beatnik typeface), Imagine Dreams, Schuttezerg Script, Makgraf Script (for signage), Sweet Duck, Theyriad Script (signage script), Hilgreds Script (a nice fat signage script), The Matesih (a plump signage script), Othersight Script, Roquero (an octagonal athletics font). Typefaces from 2021: Kinderly (a signature script), Red Ribbory (a spurred Victorian typeface), Red Ribbory (a spurred Victorian typeface), Muriely (a warm if not mischievous display serif), Amigo (a script), Thinkers (a dry brush script). Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Imby Gaidia Aryati	Graphic designer in Batam City, Indonesia, who created the artsy display typeface Cabeza (2016) based on a painting by Paul Klee. [Google] [More] ⦿
Dandy Aryawan	Kendari, Indonesia-based designer of a retro font in 2018. [Google] [More] ⦿
Filipe Aryel	Brazilian designer (b. 1988) of Crash-a-Like (2010), SharkFormalFunnyness (2010), Shark Party (2010, comic book face), SharkMadeInJapan (2010, hand-printed), Shark Army (2010, stencil), SharkHandWrittenABC (2010), Shark Random Funnyness 2 (2009), Shark Claw Damage (2009), Shark Trouble (2009), Shark Claw Damage (2009, hand-printed), Super Mario Bros Alphabet (2009), Shark Got Your Hand (2009), Shark Soft Bites (2009), SharkCrash (2009, comic book style), FOP Title Style (2009, comic book face), Onomato Shark (2009, comic book style), FOP Title Style (2009, comic book face), Shark Super Hand (2009), FairlyOddFont (2008, comic book style), Shark Supah FX (2008, comic book style), Shark Heavy ABC (2008), Shark Hands (2008, comic book outline face), SharkRandomFunnyness (2008, comic book style) and the pixel typefaces SMWHudNameFont (2008) and SMWTextFont (2008), used in the Super Mario games. He also made Shark Scratching (2008). FairlyOddFont (2008) is based on a font shown in the cartoon Fairly Oddparents, by Butch Hartman. Dafont link. Fontsy link. [Google] [More] ⦿
Vindy Ary	Designer of the brush script or signage typefaces Batoshi (2018), Jacklyne (2018), Acknesia (2018), Rockwild (2018), Sapous (2018) and Diora (2018). Other typefaces include the monoline script typeface Khanela (2018), the vernacular font Think Action (2018) and the great connected signature script typeface Jamilah (2018). Typefaces from 2019: Camelia (script), Backabon, Baltimore, Americanism, Sapous, Fabiana. Typefaces from 2020: Kickrush (a bold brush script, or baseball signage script), Cwacker (script), Samantha (script). Typefaces from 2021: Abigale (script). [Google] [MyFonts] [More] ⦿
Hanna Arzigian	Graphic designer in Laramie, WY, who created Bersantai (2013), a curvy display typeface that was inspired by Indonesian symbolism. [Google] [More] ⦿
Muhammad Iqbal Arz	Bandung, Indonesia-based designer of the layered colorable cartoon font Colenak (2017), the sci-fi typeface Argenos, the layered font Tarno, the Halloween font Vorhell, the children's book font Blusby, the watercolor brush typeface Flarina (2017), the all caps militaristic sketched slab serif typeface Kubika (2017) and the spurred Western typeface Montrena (2017). In 2018, he designed the free vintage monoline script typeface Carimba [Google] [More] ⦿
Mike Arzoumanian	Mike Arzoumanian (Arzo Electronics) created the free Armenian font 1Arzo Ani (1996) and 1ArzoArarat (1996). [Google] [More] ⦿
Nicolle Arzua	As a design student in Curitiba, Brazil, Nicolle Arzua created the hand-printed typeface Arzua (2012). Today, she is a lettering artist in Curitiba. Behance link. [Google] [More] ⦿
Marieta Arzumanyan	Armenian type designer. She won awards at Granshan 2016 for MAA Mary (Armenian category) and MAA Sergo (display typeface category). [Google] [More] ⦿
Farah Asaad	At the American University of Kuwait in Kuwait City, Farah Asaad designed the decorative Latin / Arabic typeface Mixaur (2016). [Google] [More] ⦿
Katsumi Asaba	Born in 1940 in Kanagawa Prefecture, Japan, Katsumi Asaba founded the Katsumi Asaba Design Studio in 1975. He has designed many advertisements for Japanese companies. He produced the poster of the Nagano wintertime Olympics, for example. Asaba is the chairman of the Tokyo Type Directors Club (TDC) and of the Japan Graphic Designers Association (JAGDA). He is a committee member of the Tokyo Art Directors Club (ADC). His principal area of expertise lies in the pictographic Dongba script used in rituals by the Naxi tribe in China. He has been awarded the Tokyo ADC Grand Prix, and the Medal with purple ribbon. Keynote speaker at ATypI Hong Kong in 2012. Portrait by Frank Kawamata. [Google] [More] ⦿
Stefan Asafti	Cluj-Napoca, Romania-based designer of the hand-painted typefaces Katrina (2017) and Bluberry (2016). Behance link. Home page. [Google] [More] ⦿
Tiberiu Asafti	Tiberiu Asafti (28ink) designed the monoline rounded children's sans typeface Jiraf in 2016. Creative Market link. [Google] [More] ⦿
Andre Asai	Brazilian creator of the pixel fonts Asai Analogue (2014) and Asai Haxxor (2014, FontStruct). Aka Minoru Asai. Dafont link. [Google] [More] ⦿
Yumi Asai	Born in Japan. Designer who studied at the Parsons School of Design, New York City. Creator of this experimental typeface. Behance link. In 2010, she created New International. [Google] [More] ⦿
Atsushi Asakura	Japanese designer of the futuristic (Latin) typeface Utopia (2019). [Google] [More] ⦿
Keisuke Asami	Keisuke Asami's fonts at Designers HIGH include kana and Latin versions for each typeface. Commercial, sold through Font Pavilion: KSKD3 (2003), DAF (2003, liquid crystal font), Strange Days, Arc and Line (1999), Octagon (1999), Massive, Ecoda. Free: 4or5H, Bitween10A, Bitween10A2, Bumpy (pixel font), COMMUNICATIONA, COMMUNICATIONH, COMMUNICATIONK, EDIFICE, EDITION12A, Elephant A, Elephant K, EQUIPMENT10, EQUIPMENTMONO, EQUIPMENTMONOLight, EQUIPMENTMONORoundLight, EQUIPMENTMONORoundRegular, FONTDELIC, KEY14A, KSKDATA10 (2000, pixel face), MASSIVE10A, MASSIVE10K, MULTIPLIESH, NERIMA, QUIPMonoRegular. Almost all are geometric techno fonts with Roman and Japanese versions. In Font Pavilion 12 (2000), they published MASSIVE, a Latin/kana font family. At FRONTLINE 01, they published Elephant (2002) (Elephanta, 2003). [Google] [More] ⦿
Emmanuel Asare-Adu	Designer in Cambridge, UK, who created the minimalist poster typeface galaxy in 2018. [Google] [More] ⦿
Asasas Asasasabv	Lithuanian designer of the digital clock font Digital System (2012). [Google] [More] ⦿
Matthew Asay	American designer of the art deco typeface Geoffrey (2019). [Google] [More] ⦿
Mustapha Asbbar	Creator of the dingbat typeface Arab TV logos (2009). Dafont link. Fonts2u link. [Google] [More] ⦿
Julie Åsbo	Norwegian designer of the display typefaces Broadway (2018) and Sharp (2018). [Google] [More] ⦿
Jennifer Asbury	Delta, PA-based designer of Deco Funk (2016) and Equality (2017). [Google] [More] ⦿
Rafael Ascanio	Creator of the incomprehensible über-neurotic typeface Kamis (2016). [Google] [More] ⦿
Alfredo Ascari	Graphic designer in Berlin. In 2016, he designed the modular multiline typeface Bauhaus (2016) following the principles of architectural modernism. [Google] [More] ⦿
Andrea Ascari	Italian designer (b. 1990) of the pixel typeface Super Effective (2012). [Google] [More] ⦿
Jamie Ascher	Nashville, TN-based creator of the decorative typeface Radiant Tea (2013). [Google] [More] ⦿
Jordan Aschwege	St. Louis, MO-based designer of these typefaces in 2018: Lagarto (for athletic lettering), Stag, Home Plate, Titan Sans. [Google] [More] ⦿
ASCO	Illustrator, graphic designer and graffiti painter in Barcelona who created the pixacoo-inspired typeface Distilo (2014). [Google] [More] ⦿
Adam Ascroft	Wigan, UK-based designer of the monoline geometric sans typeface Castor (2014), a typeface finished during his studies at Salford University. [Google] [More] ⦿
Catharsis Asen	Torredonjimeno, Spain-based designer of the hipster typegace Mephisto (2017). Beghance link. [Google] [More] ⦿
Carlos Asencio	Palma de Mallorca, Spain-based designer of the text typeface Thoreau (2015) and the piano key Bauhaus stencil typeface Gehape (2015). In 2016, he designed the sans typeface Palo. Behance link. Home page. [Google] [More] ⦿
Ogoby Asencio	Type and graphic designer in New York City. In 2017, he created Grail Grotesque. Behance link. [Google] [More] ⦿
Ogoby Asencio	Type and graphic designer in New York City who created the sans typefaces Grail Grotesque and Stake Regular in 2016. Behance link. [Google] [More] ⦿
Dana Asfoura	Italy-based designer of an experimental set of fonts called Wired (2016). [Google] [More] ⦿
Amir Asgari	Iranian graphic designer who lived in Turkey and after a stint in Washington Park, WA, he is now based in Germany. He graduated from B.A Hacettepe University in Ankara in 2012, and from the Mirak Fine Art School in Tabriz, Iran, in 2005. His typefaces: The pixel typeface Overpixel (2012). Qewek (2021). A thin slab serif. [Google] [MyFonts] [More] ⦿
Chairul Ashar	Jakarta, Indonesia-based designer of these display and handcrafted typefaces in 2020: Up and Down, Roots (a signage script), Moonsilver, Eve Adam, Vembazax, Delissa Beauty (monoline script), Feels so Good (a scrapbook script), Love Conchetta (script), Alleysha, Conceptual Progressive, Echo Ethnic, Hardliners, Homogenic, Neuborn (octagonal, constructivist), New Ancient (script), New Florence, Silly Girls, Smille, Tendencies. Typefaces from 2021: The Deen (a reverse stress display font), Carrot and Strawberry (a scrapbook font), Echo Ethnic (a display typeface), Archapolago (a casual bold script), Rootsy (a signage font), Sunday Vibes (script), Relaxy, Rollerblack (script), Straight Edge (all caps, for signage), Michella Songs, Hello Tiffany (a swirly Valentine's Day script), Silly Girls (a thin script), Delissa Beauty (a thin script), Eve Adam (wild, calligraphic), Pro Smile, Vembazax Rm (an all caps display typeface with some stencil styles). Typefaces from 2022: Fortunella (a high-waisted vintage display serif), Aztec Club (a hilarious decorated typeface), Makio (a 6-style organic sans), Aztec Club (a hilarious decorated typeface), Quickly Brown (a bold all caps supermarket font). [Google] [MyFonts] [More] ⦿
Irma Asharini	Bandung, Indonesia-based designer of Holistic Duo (2017: Script and Sans), the monoline all caps sans typeface Aerioz (2017) and the tattoo script font Familia Script (2017). In 2018 she designed Colesberg Script (retro calligraphic) and Golden Signer, which was influenced by vintage and tattoo letters, and Versica (with Agung Gumilang Sugih). Typefaces from 2020: Breland (a titling typeface, and decorative borders and ornaments, by Agung Gumilang Sugih and Irma Asharini). Typefaces from 2021: Casler (a steampunk era caps typeface). Home page. [Google] [MyFonts] [More] ⦿
Charles Robert Ashbee	British type designer, b. Isleworth, 1863, d. Kent, 1942. He made Endeavour Type (1901) and Prayer Book Type (1903). Part of the Arts and Crafts movement, [quoting Wikipedia] he was the son of businessman and erotic bibliophile Henry Spencer Ashbee. His Jewish mother developed suffragette views, and his well-educated sisters were progressive as well. Ashbee went to Wellington College and read history at King's College, Cambridge from 1883 to 1886, and studied under the architect George Frederick Bodley. Ashbee was involved in book production and literary work. He set up the Essex House Press after Morris's Kelmscott Press closed in 1897. Between 1898 and 1910 the Essex House Press produced more than seventy books. Ashbee designed two typefaces for the Essex House Press, Endeavour (1901) and Prayer Book (1903), both of which are based on William Morris's Golden Type. Quoting wikipedia again: Despite his father's amateur career as an enthusiastically heterosexual pornographer, Ashbee was gay. He came of age in a time when homosexuality was illegal and "the love that dare not speak its name". He is thought to have been a member of the Order of Chaeronea, a secret society founded in 1897 by George Ives for the cultivation of a homosexual ethos. To cover his homosexuality, he married Janet Forbes, daughter of a wealthy London stockbroker. CRA, as he was known, had admitted his sexual orientation to his future wife shortly after he proposed. They wed in 1898 and, after 13 years of rocky marriage (including a serious affair on the part of Janet), had children: Mary, Helen, Prue and Felicity. Berry, Johnson and Jaspert write: A black face with heavy serifs, designed by C.R. Ashbee, the punches cut by E.P. Prince. This is perhaps the most exotic of the private press types. Few of the letters have a normal design. The bowls of the B are divided diagonally. H has a very high bar. The M has slab serifs and very short middle strokes. W has foot serifs and brief middle strokes. In the lower case e is a cursive form, g has no link and a contorted tail, in the h, m and n the last stroke is curved and descends below the line, w has the foot serifs of the capitals. Ascenders and descenders are short. The ampersand is curious. The name is derived from the title of the first book in which the type was used, An Endeavour towards the Teachings of Ruskin and Morris. The Prayer Book Type of 1903, is the same design in Great Primer. [Google] [MyFonts] [More] ⦿
Ed Ashby-Hayter	During his studies in Falmouth, UK, Ed Ashby-Hayter created the Latin / Cyrillic / Gree sans typeface EAH Rounded (2015). [Google] [More] ⦿
Rob Ashcroft	Creator of the free school fonts Kiwi School Handwriting (2013) and Kiwi School Handwriting with Guides (2013), both based on the style described in the New Zealand Ministry of Education 'Teaching Handwriting' manual. [Google] [More] ⦿
Alexandra Ashikhina	During her studies in Moscow, Alexandra Ashikhina designed an octagonal typeface for Latin and Cyrillic in 2019. [Google] [More] ⦿
Vera Ashkar	Beirut-based designer of an untitled Arabic typeface in 2013. [Google] [More] ⦿
Amir Ashkenazi	Israeli type designer who made Dakick (1999). [Google] [More] ⦿
Lihi Ashkenazi	Graphic designer based in Israel, who graduated from the Department of Visual Communications, Minshar for Art, in 2012. Creator of the Hebrew typeface Klinika (2012). Lihi also designed a font for use on a cover of a Hebrew book on Kurt Schwitters. [Google] [More] ⦿
Liron Ashkenazi	Based in New York City, Liron Ashkenazi designed the display typeface Homilia (2014). Behance link. [Google] [More] ⦿
Susan Ashley	Susan Ashley (Australia) offers commercial fonts for sign language: Auslan Susana 1 and 2, Auslan Comic (using Mickey Mouse hands), and BSL and NZSL versions of these fonts as well. [Google] [More] ⦿
Portia Ashmore-Langtry	Design student in Sydney. Creator of Stencil (2012, an octagonal typeface), Almost There (2012, experimental, minimal, and circle-based) and Emotionfree (2012). [Google] [More] ⦿
Ashoora	Aka Ashura. Tehran, Iran-based designer of the calligraphic Arab script dingbat typeface SHia (2007). Very original. Alternate URL. [Google] [More] ⦿
Ruaa Ashour	Amman, Jordan-based designer of the arabic typeface Zakhrafa (2017). [Google] [More] ⦿
Lauren Ashpole	Free fonts made by Brooklyn, NY-based (and before that, Huntington Beach, CA-based) Lauren Ashpole (b. 1982, Corpus Christi, TX): Kremlinology (2012, constructivist), Bikes (2011, bike dingbats), Forgotten Playbill (2011), Sewing Patterns (2010, silhouette dingbats), Sewing Patterns 2 (2012), OrigamiBats (2010), Thirty-Nine Smooth (1997), A T&Love (1998, curly hand), Publicité d'Epoque (dot matrix face), Candy Randy (1998, party font), Horseshoes&Lemonade (1998, 2009: white on black letters), Horseshoes, Paper Hearts (2001), Scooby Doo (1998), Hecubus (1997, hand-printed), Starry Night (1998, 2009), Boo Boo Kitty (1997-1999: textured, for comic books), Scooby Doo (hand-printed), and Southbats (1998, dingbats of heads). Her font 39smooth (1997) can be found here. In 2011, she went commercial at MyFonts as Lauren Ashpole Foundry, located in Brooklyn, NY. Her fonts there include Starry Night (1998), Sewing Patterns (2010, silhouettes of women), Sewing Patterns 2 (2012), Origami Bats (2010), Horseshoes And Lemonade (1998), Forgotten Playbill (2011), Bikes (2011, dingbats), Paper Hearts (2012, a Valentine's Day font), and Candy Randy (1998). Typefaces from 2014: Hellmuth (2014, based on the Tuscan writing on the Hellmuth Building) . Typefaces from 2015: Herbaceous Border (2015, floral caps). Typefaces from 2016: Bar Book (dingbats), Parallel Lines. Typefaces from 2017: Sewing Patterns 3. Typefaces from 2018: Roundabout (a display type with circus font textures), Mistletoe (a color SVG font). Typefaces from 2019: Thornback (sketched). Typefaces from 2020: Sacremende (a chunky, slightly messy display font inspired by the retro California aesthetic and, in particular, old surf rock posters). Typefaces from 2021: Space Time (a starry stackable shadow font). Abstract Fonts link. [Google] [MyFonts] [More] ⦿
Anas Ashraf	Mississauga, Ontario-based designer of the rounded sans typeface Jelly Bean (2015). [Google] [More] ⦿
Mostafa Ashraf	Krefeld, Germany-based designer, with Saif Zain, of the tangram typeface Anniway (2019), which is based on textile patterns designed by Bauhaus artist Anni Albers. [Google] [More] ⦿
Nada Ashraf	Nada Mohamed or Nada Ashraf is the Egyptian designer of the Arabic typeface Jane Lane (2019) and the Latin display typeface Black Swan (2019). [Google] [More] ⦿
Nathalie Ashraf	Cairo, Egypt-based designer of an experimental subtractive Latin typeface called Incomplete (2013). It was part of a project at the German University in Cairo. She also created the Arabic compass-and-ruler typefaces Al Dababa (2014) and Coco (2014). [Google] [More] ⦿
Randa Ashraf	During her studies, New Cairo, Egypt-based Randa Ashraf designed the Arabic typeface Samir Sbot (2018) and the blackboard bold Latin typeface Harvard (2018). [Google] [More] ⦿
Gargi Ashtekar	Designer of Elements (2017), a decorative typeface that consists of juxtaposed triangles and geometric solids. This typeface was published during her studies at Sophia Polytechnic, Art & Design, Mumbai. [Google] [More] ⦿
Andrew Ashton	Ashton is the Southend, Essex, UK-based foundry of Andrew Ashton, est. 2008. Born in 1971, Andrew Ashton is a book designer and illustrator. He won the British Book Industry Award for Design and Production (Nibbie) 2007 for The Dangerous Book for Boys. He created Bowen Script (2008), a font from the lettering of some Caribbean maps. In 2013, he published the handwriting typeface Maree. [Google] [MyFonts] [More] ⦿
Brandi Ashton	Inspired Vizions offers commercial dingbats by Brandi Ashton. I must say that her frames and partitions are refreshing and very original, a real find. Her fonts are are available through Fontitude.com. She made two free handwriting fonts at Kiss My Pixels: Bonnie (2003), Clyde (2003). [Google] [More] ⦿
Wayne Ashworth	Creator of Ninestein (2020), a digitization of the font used in the TV show Terrahawks. [Google] [More] ⦿
Denzel Asiedu	During his studies, Denzel Asiedu (Haymarket, VA) designed the poster typeface Samurai (2016). [Google] [More] ⦿
Sundus Asif	During her graphic design studies in Ottawa, Ontario, Sundus Asif created the typeface Gentleman's Club (2013). [Google] [More] ⦿
Christine Asimakopoulos	Athens, Greece-based designer of the Hangul emulation typeface Seoul (2016). [Google] [More] ⦿
Alireza Askarifar	Graphic designer in Isfahan, Iran, who created the Arabic / Persian typeface Toodeh in 2016. [Google] [More] ⦿
Fatma Askari	Dubai-based designer (b. 1992) of Tire Typeface (2015) for Latin and Arabic. [Google] [More] ⦿
Sebastian Askari Schmidt	During his Masters degree studies at the Kolding School of Design, Sebastian Askari Schmidt created the simple sans typeface Askari (2012). [Google] [More] ⦿
S. Bradley Askew	Young man (b. 1980) from Tampa, FL, who used to make type in a foundry called Betabetics. In 2001, he created BA Wet Paint, which can be downloaded at Dafont. [Google] [More] ⦿
Tyler Askew	Designer in Atlanta (b. 1976) who made the finger brush font Inkdup (2001), Ruffdup, Satellite, Screen VST, Sinestra, Singapore and Stereotype. In 2005, he added Moderna (a lightweight sans text face). He does custom type design. [Google] [More] ⦿
Noah Askienazy	As a student in Paris, Noah Askienazy designed Unusual Brush (2017). [Google] [More] ⦿
Noah Askienazy	Paris-based FontStructor who made Loop (2012) and Ring (2012). Behance link. FontStruct link. [Google] [More] ⦿
Elif Askin	During her studies in Izmir, Turkey, Elif Askin designed the display typefaces Pepita (2017) and Shisha (2017). Home page. [Google] [More] ⦿
Trond Aslak Øvrum	Norwegian designer in Trondheim. He created the sans typefaces Grot (2016), Eurostile Nova (2004) and Adressa (2005). [Google] [More] ⦿
Ilayda Aslan	At FMV Isik University, Istanbul-based Ilayda Aslan designed the ovctagonal typeface Less Is More (2019). [Google] [More] ⦿
Con Aslanis	Designer of Yarra (1974, Letraset). [Google] [More] ⦿
Gajana Aslanjan	Dutch designer of Arroyo (2019: a great rounded bold condensed typeface family) and Wu (2019), a wavy typeface that is based on the shape of an Ancistrus fish swimming through water. The deco typeface Twentyone (2020) was co-designed by Gajana Aslanjan, Gumilang Anggara Ruslan, Slava Antipov, and Fidan Aslanova. [Google] [MyFonts] [More] ⦿
Eldar Aslanov	Baku, Azerbaijan-based designer of the Cyrillic display typeface Alcohol (2014). [Google] [More] ⦿
Serdar Aslan	Creative artist in Den Haag, The Netherlands. Behance link. Creator of the octagonal Netherlands Typo (2009). [Google] [More] ⦿
Sine Asmussen	Danish designer of the rough brush typeface Tin Foil (2017). [Google] [More] ⦿
Fahrenno Asnawan	Vintage badge designer in Yogyakarta, Indonesia, who created the weathered vintage all caps typefaxe Suhanto in 2019. By 2020, his (mostly vintage) typefaces included: Caslar, Eastwood, Giyo, Jelaga, Kisna, Kisna Stamp, Mardie, Mondrogoeno, Narto, Salam97 Stencil, Soerip, Soul Wanders, Suhanto, Vacant. Typefaces from 2021: Wellmons (a rounded hand-drawn blackletter), Sigher, Grissed (free, vintage), Elthon (sketched), Sirie, Kranon (vintage metal sign emulation), Soerip, Tudjuh Dua (vernacular, all caps), Balero (+Stencil). [Google] [More] ⦿
Ryo Asoda	Designer at Maniackers Design of Wall Painting, Cosmic and Bellows (1998), all done in collaboration with Masayuki Sato. [Google] [More] ⦿
Nithya Asokan	Nithya Asokan (Gurgaon, India) created an untitled Tamil typeface in 2014. [Google] [More] ⦿
Hernan Asorey	Creator of the old typewriter typeface Olivetti Type 2 (2010). [Google] [More] ⦿
Pia Hed Aspell	Swedish creator of the nicely paced hand-printed typefaces FP Third Hand (2011) and FP Second Hand (2011). Home page. [Google] [More] ⦿
Nick Asphodel	Milan, Italy-based designer of the free brushy Hosp Script (2017) and the monoline script Calligro (2017). In 2020, he released the script typeface Lerof. [Google] [More] ⦿
Iosu Arriola Aspiazu	Creator of the Basque look typeface Euskal (2000). Old URL. Dafont link. [Google] [More] ⦿
Josh Aspril	A student in Salisbury, MD, Josh Aspril created the tennis-themed Racquetype (2012). [Google] [More] ⦿
Gustian Agung Asprilla	Indonesian designer of the handcrafted or script typefaces The Warlock (brush script) (2020), Pantaleone (2020), Stereography (a heavy all caps brush typeface) (2020), The Kindamana (a hand-printed typeface) (2020), Tahnia (2020), The Greyhound, Romain SVG, Hazel Clouds, Birdspring Signature (2020), Scarious (2020), Bandira Script (2020), Superbia (2020), Kaluna Script (2020), Payland (2020: monoline script), Darkwell (2020), Bromrose Sands Signature (2020) and Greyspark (2020). He also designed the 10-style sans / serif /stencil family Ravager (2020), the all caps sans typeface Reliva Sans and the decorative serif typeface Dayanara in 2020. Typefaces from 2021: Crimson Queen (an all caps display typeface), The Vaguer (a monoline script), Altaria Miguel (a stylish display sans), Taniesha (script), Dark Witches (script), Karline (a reverse contrast script), Materniva (a script), Athina (an all caps display serif), Ballistic (a bold brush script), Gilhampton (a vintage label font), Southville (a bold carpenter's font), Diamond Lake (a sturdy slab serif), Syarilla (a tall script), Moyshire, Gamata (script), Easthallow (an inky script), Farland (a bold psychedelic script). Typefaces from 2022: Gremio (stencil), Redmayne (a headline typeface), South Montana (a rough font midway between a Western and a national park font), Biomorph (ultra-condensed sans caps; 7 styles), Daymore (a font duo), Quentin Sonata (a font duo), Reliva Sans (an attractive national park sans), Saint Capital (script), Dirchave (Victorian caps, with copperplate serifs). Gustian Agung Asprilla also ran Papercrown. [Google] [MyFonts] [More] ⦿
Gustian Agung Asprilla	Known as Lucy Carter and Gustian Agung Asprilla. Indonesian designer of the script typefaces Birdspring Signature (2020), Hazel Cloud (2019), Greyhound Script (2019) and Lucy Carter (2019), and the sans typeface Greyhound Sans (2019). Typefaces from 2020: Greyspark, Bromrose Sands Signature. [Google] [MyFonts] [More] ⦿
Achilleas Aspris	Limassol, Cyprus-based designer of Double Lanes (2018). [Google] [More] ⦿
Priska Nur Asriani	Bandung and Jakarta-based artist. She created the beautiful nude female figure alphabet Fatal Femme (sic) in 2011. Each glyph has a different character taken from Indonesian mythology. Devian Tart link. [Google] [More] ⦿
Rifan Asri	Banda Aceh, Indonesia-based designer (b. 1990) of these typefaces: In 2017: the calligraphic typefaces Letty Script, Risalah (a signature font), Dullan Script, Alangkah Script, Yolanda Brush, Ferdreges (+Italic), Fulan, Sanjana, Yolanda, Kevila, Boper Script, Jandaku, Tiehaga, Juah That (brush font), Sekuntum, Shyta Script, Bara Api, Emiliya, Beha, Lestari, Adytia Script, Spirit, Noermala Script and Sthephanie Script, the handcrafted typeface Meugeutek and the brushy typeface Pilox. Typefaces from 2018: Rindaya, Millenial Script, Cantona Slant, Pentagon, Bellya Vaky, Julykeh, Alleka Script, Badeuk, Dakotta, Khasanah, the thin script font The Bellaria, the inky brush script Showety Brush, the fat finger font Balalak, and Glatang Script. Typefaces from 2019: Chillout (script), Jandle, Inthai, Jellyfish, Flashback, Mahligai, Wulan, Hellowen, Kallithea. In 2020: Shitta, Filsafat, Hista, Eagle. [Google] [More] ⦿
Hisham Assaad	Graphic designer in Dbayeh, Lebanon. In 2012, he created an Arabic typeface called Al Zakher: A typeface designed based on the typeset used in the 16th century in the first Arabic printing press in the Orient which is located at St. John monastery at Khenchara, Lebanon. The printing press was invented by Al Shammas Abdallah Al Zakher, thus the name. Behance link. [Google] [More] ⦿
Joel Z. Assad	FontStructor who made the slab typeface Nova Informe Serif (2012). [Google] [More] ⦿
Ranim Al Assad	Abu Dhabi-based student-designer of the squarish textured typeface Mosaic (2017). [Google] [More] ⦿
Assalwa	Surabaya, Indonesia-based designer, b. 1990, of the display typefaces Bitink (2018) and Force (2018). [Google] [More] ⦿
Ieda Yumi Assano	Sao Paulo-based designer of the dadaist vernacular typeface Mainha (2014), which emulates the technique of xilogravura. [Google] [More] ⦿
Leonardo Asseituno	Sorocaba, Brazil-based designer of the vernacular (school project) typeface OfFantasy (2016). [Google] [More] ⦿
R. Asselineau	Creator of typefaces at VGC, such as the bilined typeface Burgondy Right (1974). [Google] [More] ⦿
Valentine Asseman	Rouen, France-based designer of the high-contrast display typeface La boréale (2016). [Google] [More] ⦿
Osman Assem	Cairo, Egypt-based designer of Scribble Font (2011, a sketch typeface for Latin). Home page. Graphicriver link. [Google] [More] ⦿
Dimas Asshiddiq	South Celebes, Indonesia-based designer of these hand-crafted typefaces in 2021: Softeraphy, Masterina, Jumper Boost, Stamp Method, Fahreza (squarish). [Google] [More] ⦿
Abdurrahman Assidiq	Yogyakarta, Indonesia-based designer of the display sans typeface Gogila (2017). [Google] [More] ⦿
Andrei Assis	Salvador, Brazil-based designer of the free Japanese gate emulation typeface Torii (2018). [Google] [More] ⦿
Fabi Assis	Creator of Izabela (2012, hand-printed). [Google] [More] ⦿
Persio Assis	Art director in Sao Paulo, Brazil, who published the squarish / techno / futuristic typeface Unispace Sans in 2018. [Google] [More] ⦿
Thalita Assis	Curitiba, Brazil-based designer of the all caps art deco typeface Meia Lua (2016). [Google] [More] ⦿
SBA: Scheppe Boehm Associates	German company of Wolfgang Scheppe and Florian Böhm in München, with offices in Venice and New York. They are working on some type projects such as the minimalist typeface AmBig (2003), in which just seven glyphs suffice, by rotation, to cover all letters of the alphabet. The type project part is called Scarface. AmBig will be part of the FontShop library at the end of 2003. [Google] [More] ⦿
Uyghur Kompyutér Ilimi Jem'iyiti Fontliri (or: Uyghur Computer Science Association)	Free Uyghur Unicode fonts on a page by the Uyghur Computer Science Association. Free downloads in truetype, all copyright of the Uyghur Computer Science Association, and made ca. 2004: By Adiljan Abliz: Ukij 3D, Ukij Jelliy, Ukij Kawak, Ukij Merdane, Ukij Qolyazma, Ukij Qolyazma. By Waris Abdukerim Janbaz: Ukij Basma (2002). By Tursun Sultan: Ukij Bom, Ukij Chechek, Ukij CK, Ukij Diwani, Ukij DiwaniKawak, Ukij DiwaniTom, Ukij DiwaniYantu, Ukij Ekran, Ukij Elipbe, Ukij Kesme, Ukij Kufi, Ukij Kufi3D, Ukij KufiChiwer, Ukij KufiGul, Ukij KufiKawak, Ukij KufiTar, Ukij KufiUz, Ukij KufiYay-Bold, Ukij KufiYay, Ukij KufiYolluq, Ukij Orqun Basma, Ukij Qara, Ukij Teng, Ukij Tiken, Ukij Title, Ukij Tor, Ukij Tughra, Ukij Tuz-Bold, Ukij Tuz, Ukij TuzBasma-Bold, Ukij TuzBasma, Ukij TuzGezit-Bold, Ukij TuzGezit, Ukij TuzKitab-Bold, Ukij TuzKitab, Ukij TuzNeqish, Ukij TuzQara-Bold, Ukij TuzQara, Ukij TuzTom, Ukij TuzTor-Bold, Ukij TuzTor. By Xoten Chiwer Qol: Ukij ChiwerKesme. By Turghun (Bilge) and Adiljan Abliz (Uchqur) at Alpsoft Science and Technology Development Co., Ltd., Urumchi): Ukij Esliye, Ukij EsliyeChiwer, Ukij EsliyeNeqish, Ukij EsliyeQara, Ukij EsliyeTom, Ukij Imaret, By I.N. Elnuri: Ukij Junun, Ukij Mejnun, Ukij Mejnuntal, Ukij MoyQelem, Ukij Saet. By Geyret T. Kenji: Ukij Nasq, Ukij NasqZilwa, Ukij Sulus-Bold, Ukij Sulus, Ukij SulusTom. By Alim Ahat and Xoten Chiwer Qol: Ukij Ruqi. By Alim Ahat, Memtimin (Alyar), Abdureshit (Qarlighach) and Adiljan Abliz (Uchqur): Ukij Zilwa. Unattributed: Ukij Inchike-Bold, Ukij Inchike, Ukij Orxun-Yensey Fonts2u link. Open Font Library link. [Google] [More] ⦿
Lara Assouad-Khoury	Lara Assouad Khoury was born in Montreal, and graduated from the American University of Beirut with a Bachelor in Graphic Design degree (BGD) in 1998. She worked as a designer at LeoBurnett (Lebanon, 1998-2000). After one year in Cairo, she moved to Dubai (UAE) and worked as a Senior Designer for Landor Associates (2001-2005) where she was involved in the design of extensive corporate identity projects for large Middle Eastern companies and institutions, such as the visual branding for the country of Jordan. She has graduated with an MA from the Atelier National de Recherche Typographique in Nancy (France), where she studied under renowned type designers such Hans-Jürg Hunziker, André Baldinger, and others. She has researched and is in the process of developing her own extensive Arabic Naskh font. She taught graphic design and Arabic typography courses, at the American University in Dubai. She is an independent type and graphic designer since 2005. She embarked on a project in 2005 with Fred Smeijers to make an Arabic sister, Fresco Arabic, for Smeijers' Fresco family. For this, she takes inspiration from calligraphic samples of the Maghrebi script. Fresco Arabic won an award at TDC2 2008. Her geometric experimental Arabic typeface Tabati (2010) won an award at TDC2 2011. [Google] [More] ⦿
Renan Assumpção	Illustrator in Belo Horizonte, Brazil. In 2017, he designed a circle-enclosed vernacular typeface. [Google] [More] ⦿
Mariane Assunção	Recife, Brazil-based designer of a dot matrix typeface in 2015. [Google] [More] ⦿
Husain Assyahid	Was also operating as Alice Whales and Nendes Kombet. Malang, Indonesia-based designer (b. 1997) of these typefaces in 2018: Michelles, Brighton (calligraphic script), Australis (free), Mouley (free script font), Chickadee, Alice Whales (script), Passion (script), Daydream (script), Zallord (a free brush font), Eisley Claise (script). [Google] [More] ⦿
Muchson Astadziri	Designer of the clean notepad typeface Note Paper (2021). [Google] [More] ⦿
Eva Asta	Saint Petersburg, Russia-based designer of the text typeface Aurora (2019). [Google] [More] ⦿
Dmitry Astakhov	Penza, Russia-based designer of the free font Pepsi Cyr-Lat (2017), a Cyrillic adaptation By Dmitry Astakhov of 2000 typeface by Jakub Degorski. In 2018, he designed the free font Astakhov Brush Hooliganism, the free font Astakhov First Simple, the free font Astakhov Access Degree, Astakhov Dished, the free font Astakhov First One Stripe, and the free font Astakhov First Two Stripes. [Google] [More] ⦿
Shaun Astarabadi	Free Arabic font developed by Ahlul Bayt for the Digital Islamic Library Project (DILP). [Google] [More] ⦿
Anastasiya Astashova	Student at European Humanities University in Vilnius, Lithuania. Creator of Voyeurfont (2012). [Google] [More] ⦿
Dex Astawa	Bali, Indonesia-based photographer (b. 1984). Designer of the calligraphic typeface Alisya (2019). [Google] [More] ⦿
Grace Astin	During her studies at Manchester School of Art, Grace Astin (Manchester, UK) designed Semicircular (2017). [Google] [More] ⦿
Mark Astle	Type foundry in Birmingham, UK, est. 2011. Its type designer is Mark Astle, b. 1971, a graduate of Birmingham City University. Creator of the marker font Scamps (2011) and the distressed rubber stamp font Stampact (2012). Klingspor link. [Google] [MyFonts] [More] ⦿
Guillermina Astorga	Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Templetype (2009). [Google] [More] ⦿
Victor Hugo Astorga	Multimedia artist in in Buenos Aires, b. 1983. Designer of the hand-printed typefaces Vastorga Letter (2013) and Vastorga Bold Letter (2013). Dafont link. [Google] [More] ⦿
Celia Astori	French comic book illustrator who created various comic book or hand-drawn typefaces in 2010: Gribouille, Corbeau, RIFFC8310, Zinzozo. Prefelectique (2014) is a modular techno typeface. In 2016, she designed Cailloux. Dafont link. [Google] [More] ⦿
Melina Astrella	Graphic designer in Buenos Aires, who created the signage typeface Wife (2015), which is inspired by type styles popular in women's magazines in the fifties. [Google] [More] ⦿
J.C. Astro	Portuguese designer of the outline handwriting font Bigacho. [Google] [More] ⦿
Magnus Åström	Designer of the futuristic font Alpha Base Slanted, and of the fat-lettered Dinky. Also did Filur and Klopstock Normal. [Google] [More] ⦿
Hazral Aswad	Medan, Indonesia-based designer (b. 1993) of the liquid pixel typeface Clepto (2020). [Google] [More] ⦿
Aswangga	Designer of the free font Tactico (2021) and of Beliya (2021: a monolinear signature font), Kimburgery (2021), Jumbox (2021: an all caps headline sans), Ketsiyo (2021), New School (2021: a script), and Small Handy (2021). [Google] [More] ⦿
Vibish Aswanth	Coimbatore, India-based designer of an all caps Latin display typeface in 2016. Behance link. [Google] [More] ⦿
Muhammed Aswar	Malili and Makassar, Indonesia-based designer (b. 1984 or 1990) who also releases fonts a Colllab Studio. Designer of the monoline script typeface Southfilla (2018), Stylish Classy (2018), Guthen Bloots (2018) and Six Away (2018). Typefaces from 2019: Sister Times (script), Novah (all caps sans), Right Times, Ghost Brush (dry brush), Jungle Bloods, Hype Quarter, Ever Looser (brush style; free), Sillli Willinn, Dolato de Stato (dry brush), Minnie Queen, Awkward Alone, Aligantis (a great rythmic script), South Celebes, Wedding Ampersand, Hai Angellica, Lucy Black (dry brush), Oops Kidos, Right Gilligant, Jetta Kloots, Rwanda Tyler, Get Lost, Lost Rock, Sterling Heights, Authentic Handwritten (a signature font), Stay Young, Fibonacci Journey. Typefaces from 2020: Hello Mornin, Gilligan Coast, Summer Lovers (+Dingbat), Effingham (+Extra), Uncle House (+Extra), Father Farmhouse (Sans, Script), Botes Frica, Eiffal Merrias, Summer Coast (+Extra), South Dreamers, Sweet Home, Oh My Baby, Greatest Richmond (a dry brush script), Craftypreneur, Lovely Ampersand, Balonku Dalima, Love Quirky, The Sticky Longest, Authentic Photograph, Besteam (a dry brush script), Sitting Pretties, Piece of Cake, Babies Shower, Moms Crafter, Sunday Craft, Fresh Lemon, Easter Bunnies, Elifia Girly, Sweet Witch, Fresh Grass, Agile Sloth. Typefaces from 2021: Alingtone (script), Bones Stone (script), Blastone (a brush script), Journey Signature. Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Ahmad Aswin	Aka Debby Aristiya or Ahmad Aswin (Angin Studio) or David Novrian, b. 1996. Jakarta, Indonesia-based designer of the vintage rounded hand-lettered typeface Kirana (2016), the signage script Voltury (2018: MouseCrafted in Dublin, Ireland claim that they made this font though), Heller Sans (2018), the vintage signage scripts Harlend (2018) and Crawley (2018), the vintage fonts Crumble (2018) and Magnolia (2018), and the titling typeface Cascade (2018). Typefaces from 2019: Rebeque Deco, Larasati, Verveda 01, Northern, Cemoro (an all caps sans), Mullion (a wedge serif), The Bordellia (font duo), Verveda, Carily, Bellonion (monoline script), Boulder, Gillnord (a weathered monoline script), Castela (script). Typefaces from 2020: Benford (script). [Google] [MyFonts] [More] ⦿
Mohad Asy	Sadat City, Egypt-based designer of the free wavy Arabic typeface El Hamd (2014) and the El Moalli font (2013). [Google] [More] ⦿
Muhammad Asyrafi	Indonesian designer (aka Smprvl) of the techno typeface SMPRVL (2011). He studied graphic design at ADVY Yogyakarta, but lives in East Montreal. Behance link. Devian tart link. [Google] [More] ⦿
Alfadho Asy-Syauqi	Bekasi, Indonesia-based designer (b. 1997) of the free octagonal typeface Pixoct (2017) and the free modular typeface Golok (2017) during his studies at Jakarta Institute of Art. [Google] [More] ⦿
Adam Asztalos	For a project at Sopron Institute of Applied Arts in 2016, Adam Asztalos (Sopron, Hungary) designed the techno display typeface Wagr. [Google] [More] ⦿
Maysa Atabayeva	Ashgabat, Turkmenistan-based designer of Garagum (a modern bold display typeface) (2021). [Google] [MyFonts] [More] ⦿
Enes Atagan	Turkish graffiti artist. Designer of Coffee Beans (2021). [Google] [MyFonts] [More] ⦿
Ayca Atalay	Istanbul, Turkey-based type designer. She releassed her first typeface, Newcraft Serif in 2016, and published Benedicte Script and Rawbrush later that year. Typefaces from 2017: The handcrafted typefaces Aardwork, Jackrabbit, Goodwill Script, and the supermarket signage typeface Signface. Typefaces from 2018: Toote Sweet, Paperboy (a playful hand-drawn serif), Madfish. Typefaces from 2019: Message in a Bottle, Destined (a brushed font and a signature script), Diamonds & Pearls (a signature script), Cake & Cutie, Think Cosmic (script), Polytones, Qliché (a thick monoline script), Modern Society (a monolinear rounded display sans), Bisquit, Ever After, Bellissimi (script). Typefaces from 2020: Metaphysica (a futuristic typeface with purposeful glitches), Coquillette, Radian (an information design sans), Ink Tonic (an SVG brush font), Easy Notes (a fat finger font), The Twenties, Wildcard. Typefaces from 2021: Hydrella (a sans with sharp terminals; includes a variable font), Verstyle (a 6-style sans), Verstyle (a 6-style sans). Typefaces from 2022: Prose Sans (an 8-style wide display sans and variable font family), Gardo Grotesk (a grotesk display typeface with serious ink traps). [Google] [MyFonts] [More] ⦿
Juan Martin Atallah	Graphic designer in Buenos Aires who made Cruda (2013), a very condensed tall typeface. [Google] [More] ⦿
Plamen Atanasov	Bulgarian designer with Stefan Stoychev of the notched geometric typeface Plam (2020) for Latin and Cyrillic. [Google] [MyFonts] [More] ⦿
Svetoslav Atanasov	Bulgarian creator of the free pixel font Puke Force 8 (2013). [Google] [More] ⦿
Alexey Atapin	Web designer in Saint Petersburg, Russia. His typefaces are often experimental and include: Svyaz (2020). A modern take on Vyaz, the traditional Cyrillic ornate lettering. Practice (2020). A lovely Latin / Cyrillic hipster font in mono and proportional versions. Nesovremenny (2019). A free experimental display typeface. Dead King (2015). A rhombic font. Polonium (2021; so named to celebrate (?) the 2006 murder of Alexander Litvinenko by the KGB's favorite poison, Polonium 210). [Google] [More] ⦿
Alexey Atapin	Saint Petersburg, Russia-based designer of the free Latin / Cyrillic modular typeface Molodost (2018) and the free hipster typeface Nesovremenny (2019). [Google] [More] ⦿
Naoyuki Atari	Designer at Font Pavilion 12 of Fire (2000) and Check (2000). [Google] [More] ⦿
Viktorija Atarinova	Illustrator in Riga, Latvia, who designed the handcrafted typeface Baltic Holidays in 2017. [Google] [More] ⦿
Ali Kaan Atasever	Freelance illustrator and graphic designer in Eskisehir, Turkey, who designed a monoline hand-printed typeface in 2017. [Google] [More] ⦿
Felipe Kenzo Atatsuka	Graphic designer in Tatui, Brazil, who designed Satellis Type (2013), a hexagonal sci-fi typeface. [Google] [More] ⦿
Duygu Atay	Ankara, Turkey-based designer of the squarish typeface family Thinner (2015). [Google] [More] ⦿
Zeyid Ata	Istanbul-based designer of Baghdat v0.1 (2007). [Google] [More] ⦿
Viyan Ateaa	Art director in Umea, Sweden, who created a display typeface in 2014. [Google] [More] ⦿
Nour Atef	Egyptian designer of the condensed Latin typeface Comley (2017). [Google] [More] ⦿
Salma Atef	Egyptian designer of a display typeface called Harry Potter (2018). In 2018, she designed the rounded Arabic typeface Ibn Hamido. [Google] [More] ⦿
Playground Atelier	Lisbon-based studio. For an African project, it created the African symbol typeface Afroglyphics (2014). [Google] [More] ⦿
Panos Athanasiadis	Thessaloniki, Greece-based designer of Quake Display (2015). [Google] [More] ⦿
Spyros Athanassopoulos	Athens, Greece-based designer of a purely geometric alphabet or typeface in 2016. Behance link. [Google] [More] ⦿
John Athan	John Athan's free typeface Breaking B (2013) is based on the TV Show Breaking Bad. [Google] [More] ⦿
Prajakta Athavale	Mumbai-based designer of the circle and arc-based Devanagari typeface Vartul (2012). In 2013, she made Square Font. [Google] [More] ⦿
Daniel Athburton	Australian designer, b. Melbourne, 1976. Codesigner with Graham Meade of the 18-style sans family Nok (2006, Typotheticals). [Google] [MyFonts] [More] ⦿
Marcela Athens	Marcela graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the Indic atmosphere typeface Siddhartha, named after Siddhartha Gautama. [Google] [More] ⦿
Yusuf Athman	UK-based designer (b. 1994) of the counterless paper cutout typeface Decades (2017). Dafont link. [Google] [More] ⦿
Claire Athmer	Creator of the hand-printed typeface Any Average Day (2012, iFontMaker). [Google] [More] ⦿
Diana Atienza	Vancouver-based designer of the experimental photograph-based typeface Wreckage (2014). [Google] [More] ⦿
Inés Atienza	Designer in Madrid (since 2008) who has worked with Alberto Corazon in Madrid (2004-2005) and Massimo Vignelli in New York (2006-2007). She studied at the Sorbonne (1999), Universidad San Pablo CEU in Madrid (2004), Parsons in New York (2007) and Cooper Union (2011). With Juanjo López, she designed the multilayered and/or chromatic circus font family Show (2014). Influenced by chromatic letterpress types, it is based on a type family called Concave, a Victorian type launched in 1884 by the foundry Marder, Luse & Co. Klingspor link. [Google] [MyFonts] [More] ⦿
Esra Ati	Cairo-based designer of a blackletter and a squarish Arabic typeface in 2014. She also created some pictograms in 2014. [Google] [More] ⦿
Jumm Ati	Aceh, Indonesia-based designer of Moghel Display (2021: a bold decorative serif), Brigent Display (2021: a fattish display serif) and Magilon Display (a chunky retro display serif) (2021). Typefaces from 2022: Angina Display, Bugisha Display (a decorative serif). [Google] [MyFonts] [More] ⦿
Rash Atikah	Penang Island, Malaysia-based designer of the display typeface Javann (2019). [Google] [More] ⦿
Soros Atinarumit	Bangkok-based creator of Huntingbear (2013), a Latin display font. [Google] [More] ⦿
Chunnapa Atisuta	Udon Thani, Thailand-based designer of handcrafted typefaces. [Google] [More] ⦿
Aaron Atkins	American designer of the alien script Alien English (2010). [Google] [More] ⦿
Emily Atkins	During her studies, Emily Atkins (Troy, AL) designed the display typeface Spoons and Sprinkles (2018). [Google] [More] ⦿
Matt Atkins	British creator of the hand-printed typefaces Pickwick, Pickwick Bold, and Pickwick Light (2012, iFontMaker). [Google] [More] ⦿
Bill Atkinson	Designer of the script bitmap font Venice, used on the original Mac computers. [Google] [More] ⦿
Dan Atkinson	Sunderland, UK-based designer of the minimalist rounded sans typeface Modello (2010). [Google] [More] ⦿
Frank H. Atkinson	Sign painter from the art nouveau era, who lived in Chicago and worked mostly for Cadillac. His books Sign Painting (1908) and Artkinson's Sign Painting (1915) influenced hand lettering and signpainting for many years afterwards. The following digital fonts are based on his designs: FHA Sign DeVinne (2015, Michael Gene Adkins, James L Stirling). FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling). FHA Nicholson French (2012). An art nouveau typeface digitized by The Fontry. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) is based on Frank H. Atkinson's examples. FHA French Eccentric (2009), by Frank Smith and Michael Gene Adkins. FHA Eccentric French Normal (2008) is free at Dafont. FHA Modernized Ideal Classic (2011) by Michael Gene Adkins and James L. Stirling. Bulletin Stub (The Fontry). Book Poster (2010). A series of fonts at The Fontry. Beauvoir (1993, David Nalle). French Plug (2007, HiH). Payzant Pen NF (Nick Curtis) is based on an Atkinson design shown in A Show at Sho-Cards: Comprehensive, Complete, Concise (1918). Atkinson Eccenteric, Atkinson Boomtown and Atkinson Egyptian, all made by David Nalle at Scriptorium. Still by The Fontry: the Broken Poster family (2010). In 2013, Michael Gene Adkins and James Stirling followed this up with the layered system Broken Gothic, which is based on Book Poster as well. Dick Pape created these revival fonts in 2009: ArtNouveauSigns, FHA1908ClassicPlug, FHAAdvertisersThickThinPl, FHAAntiqueBlock, FHAAntiqueRoman, FHAArtNouveau, FHAArtNouveauSigns, FHABradley, FHABulletinPlug, FHABulletinRoman, FHAChicagoTuscan, FHAClassicBlock, FHACondensedFrench, FHAEccentricFrench, FHAEccentricRoman, FHAEngrossingText, FHAExtremeFrenchBold, FHAFrenchRoman, FHAFrenchRomanLight, FHAFullClassicRoman, FHAGunningSingleStroke, FHAHalfClassicRoman, FHAModernizedIdealClassic, FHAModifiedAntiqueTuscanRom, FHAModifiedPlug, FHANewYorkRoman, FHANicholsonFrench, FHAPosterBlock, FHARoundBlockThickThin, FHARoundFullBlock, FHAShowCardFrench, FHASignPaintersPlymouth, FHASingleStrokeBlock, FHASingleStrokeTuscan, FHASpikeSpurFrench, FHAStonehouseEgyptian, FHAWesternLightTuscan, FHAWesternRoman, FHAWesternSingleStroke. Download page. [Google] [MyFonts] [More] ⦿
Helen Atkinson	University student in High Wycombe, UK, who created the experimental typeface Tube (2011) based on parts of the London subway system map. [Google] [More] ⦿
Nicolette Atkinson	Designer in Melbourne. Creator of Belove (2012). Behance link. [Google] [More] ⦿
Ryan Atkinson	South African graphic designer who lives in Johannesburg. His typefaces include Atcurve (2008, avant-garde). [Google] [More] ⦿
T.J. Atkinson	Auckland, New Zealand-based designer of the hipster typeface Divergent (2017), described as an eclectic typeface designed to showcase Karangahape road, Auckland. [Google] [More] ⦿
Tony Jon Atkinson	During his design studies at Yoobee in Auckland, New Zealand, Tony Jon Atkinson created the hipster display typeface Divergent (2016). [Google] [More] ⦿
Ro Ella Atkins	During her studies at Falmouth, UK,Ro Ella Atkins designed the experimental typeface Robet (2013). [Google] [More] ⦿
Diki Pradipta Tri Atmojo	Bandung, Indonesia-based designer of Afteris Moghu (2021: a luxury font) and Leuthikline (a connected monoline script) (2021). [Google] [MyFonts] [More] ⦿
Qaes Al Atoom	Jordan-based designer of the free sci-fi typeface Pulsar (2020). [Google] [More] ⦿
Galia Atri	Designer of the Nahuatl (Aztec)-inspired free typeface Tlakah (2015). [Google] [More] ⦿
Tarek Atrissi	Arabic type site by Tarek Atrissi, a Beirut-born Lebanese professional designer, who is located in Hilversum, The Netherlands. He holds a BA in Graphic Design from the American University of Beirut, Masters of Arts in Interactive Multimedia from Utrecht School of Arts in Holland and an MFA in Design from the School of Visual Arts in NY. A Designer of the 6-weight Arabic family called AT, The Spirit of Doha (2004, for the Asian Games 2006), Al-Ghad (for the Jordanian newspaper Al-Ghad), the Ghad TV font (for the Jordanian station ATV), Etisalat (custom type for Etisalat Communications), Ayna (a squarish typeface done for Ayna.com), and Ambesque (2006, for the Amwaj Islands of Bahrain). He manages Arabtypography.com, a site dedicated solely to Arab typography. In 2008, he created Atrissi Sans. In 2007, he embarked on a project with Peter Bilak to develop Fedra Arabic to accompany Bilak's Fedra family. In 2010, he designed a custom Arabic font for the new BBC Arabic TV channel and custom Farsi face for the new BBC Farsi TV channel. [Google] [More] ⦿
Ale Atroz	Panamanian designer of the children's hand typeface Primera (2012). [Google] [More] ⦿
Megan Atsoff	During her studies in Shelby, MI, Megan Atsoff created the modular typeface family Machine (2013). [Google] [More] ⦿
Shu Atsumi	Designer of the kana/kanji calligraphic fonts rkgyou and rkten, both free. [Google] [More] ⦿
Hamano Atsushi	Selangor, Malaysia-based cartoonist (b. 1997). Designer of Sushibrush (2021). [Google] [More] ⦿
Mars Attacks	Creator of a free fat blackletter family called Grobe Hand (2012), which is identical to the famous Ganz Grobe Gotisch (1930, F.H.E. Schneidler), but also includes outline and stencil versions. [Google] [More] ⦿
Joseba Attard	Graphic designer in Elorrio, Basque country. Together with Gotzon Garaizabal, he made the brush typeface Zu Zarautz (2013). It was developed specifically for Debolex films for use in their film series that centres around the people of the coastal Basque town of Zarautz. Angel Brotxa (2013) is a free brush script typeface by them. Behance link. Dafont link. [Google] [More] ⦿
Caitlin Atteberry	Raleigh, NC-based designer of Hexel Sans (2011), which was inspired by the hexagonal patterns seen in beehives. [Google] [More] ⦿
Lorenzo Attenni	Rome-based designer of the free font Ozneo (2014), a geometric sans-serif that is inspired by neon signs. [Google] [More] ⦿
Sylvia Attie	Mexican designer of the basic sans typeface Isadora (2018). [Google] [More] ⦿
Györi Attila	Hungarian designer of the angular, mannered, retro geometric display typeface ITC Grapefruit (1997). [Google] [MyFonts] [More] ⦿
Giuseppe Attisani	Italian designer of the handwriting font Amyie (2000). [Google] [More] ⦿
Gareth Attrill	Designer in 2002 of UKNumberPlate. Fontspace link. Dafont link. [Google] [More] ⦿
Aurélie Attuil	Born in 1986 in Paris, Aurélie Attuil studied graphic design and typography at École Estienne, Paris, where she obtained a Masters in Type Design & Graphic Design (DSAA Création Typographique) in 2009. Her typefaces include Bricklane (2014) and Galim (for Hebrew). [Google] [More] ⦿
Cindy Attuil	French designer of the didone stencil typeface Modulo (2016). Behance link. [Google] [More] ⦿
Sophie Attwill	As a student at UWE, Bristol, UK-based Sophie Attwill designed the free bone-themed FontStruct font Finger Licking Good (2017). FontStruct link. [Google] [More] ⦿
Emily Atwood	Emily Atwood is an independent designer based in New York City. She has previously worked as a Senior Designer at Pentagram Design in New York City for Paula Scher, leading identity, editorial, campaign and web design projects. In 2014, she earned her Bachelor of Arts in Visual Art at Fordham University in the Bronx, New York, and obtained a BFA in Graphic Design + Digital Media at Laguna College of Art + Design in 2017. She is currently involved in the Type at Cooper Extended Program Certificate in Type Design at The Cooper Union in New York City. She is also an adjunct instructor in the design departments for Laguna College of Art and Design in Laguna Beach, California and The School of Visual Arts in New York City. Her typefaces: Uraniya. A book typeface inspired by a book printed in 1928---an almanac called Uraniya containing the literary works and life of Fyodor Tyutchev, who was an acclaimed Russian poet and diplomat. A typeface planned for release by Order Type Foundry in 2022. [Google] [More] ⦿
Alessio Atzeni	Web designer based in Rome. Creator of Pyconic (2012), an icon font in PNG format with 768 icons. He also has a free 40-icon EPS and truetype font for weather icons called Meteocons (2012). [Google] [More] ⦿
Potch Auacherdkul	Type and graphic designer based in Bangkok. Before obtaining an MFA in Graphic Design from Maryland Institute College of Art (MICA), he worked as a graphic designer in Thailand, and completed the Type@Cooper Extended Program. In 2020, he joined Positype Flourish. His typefaces: Spacehal (2017). A retro-futuristic typeface based on Stanley Kubrick's 1968 movie 2001 A Space Odyssey. Midtown Academy (2017). The 12-style informal supermarket sans families Huai and Huai Thai (2020, Positype Flourish). [Google] [MyFonts] [More] ⦿
Etienne Aubert-Bonn	Étienne is a graduate of the graphic and type design program at UQAM in Montreal. Cofounder in 2011 of Coppers & Brasses in Montreal, together with Alexandre Saumier Demers. He studied at Type@Cooper in New York and at KABK in Den Haag, The Netherlands (class of 2013). He also teaches type design at UQAM in Montreal. In 2012, he designed the signage typeface Sardine and the blackletter typeface Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012). His fonts at Coppers Brasses: Double (2015, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family from condensed to wide with wedge serifs, a copperplate feel, and slight flaring. Ideal for display work. Canal (2015). A fantastic retail sans typeface family: Canal is a typeface family inspired by the blue collar, hard working people that were the late 19th and early 20th centuries labor force of the new continent. It is a sturdy workhorse with a wink of humanism. Energir (2017). A corporate stencil typeface for Gaz Metro, now called Energir. Ilisarniq (2018). Designed for the Kativik School Board---the only school board of Nunavik. The education programs developed by the school board are offered in all schools of the 14 Nunavik communities, in Inuktitut as first language and in French and English as second languages. The school board operates 17 primary and secondary schools as well as 5 adult education centers all over Nunavik. The goal was to create a modern and clean looking typeface that incorporates both the Latin alphabet and the Inuktitut Syllabics characters. The typeface family has been developed with the help of the board and the community to make sure its readability was optimal. The design has also been optimized to make sure that the color of text was similar between the two scripts. The typeface is available for free at Coppers and Brasses. With My-Lan, Etienne co-designed Mammouth (2017). Mammouth is a gala on Tele Quebec where teenagers can vote for the people, events, and causes that influenced them the most during the year. This commissioned typeface family contains a heavy and an ultra-fat style. Codesigner, with My-Lan Thuong of Maple Leafs (2017), a fast and aggressive typeface commissioned for the Toronto Maple Leafs as a display face to use along with their existing typefaces. McGill Sans and McGill Serif (2019), custom designs for McGill University in Montreal. Martha (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family with curvy typewriter influences, some monospaced styles and a grotesque to boot. Klaus (2014). Developed for personal web and paper work. Théorie (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A techno stencil typeface commissioned by UQAM's Bureau de Design for the Bâtisseurs of the science faculty award. Nurraq (2013). In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. His graduation typeface is called Nurraq. He explains this Latin/ Inuktitut typeface: Nurraq is a multi-script typeface system that matches a Latin serif text typeface with a Canadian aboriginal syllabics character set for the Inuktitut language. The very different nature and origin of these two scripts creates an interesting context for both typefaces to share influences coming from each other's tradition, and, by doing so, bridging the gap that usually separates these two forms of writing. Nurraq won an award in the Morisawa 2014 type competition. Compass (2013). A revival based on the early drawings of Monotype Plantin series 110 by Frank Hinman Pierpont and Fritz Stelzer. MLS Soccer (2012). A handcrafted custom typeface by Alexandre Saumier Demers and Étienne Aubert Bonn, commissioned by Sid Lee. Triade (2016). A heavy titling or display typeface with tons of personality. Hochelaga (2012-2017). In cooperation with Feed Type. An all caps sans inspired by old street signs in Montreal. Bookmark (2020). A 2-style geometric sans made for the Canadian mobile company Fizz. In 2020, Etienne Aubert Bonn and My-Lan Thuong co-designed Baryton at Coppers and Brasses, a revival of Frank Bartuska's playful photo era didone typeface Century Bartuska. Agena and Agena Display (2021). A large display sans family with many hipster traits. [Google] [More] ⦿
Fabien Aubert	Fabien Aubert (aka Fabien Graphiste) is a graphic designer in Aix en Provence and Marseille, France. Dafont link. Creator of the fantastic font Aniikla (2010) and of Natural Writing (2012) and Elegance (2012). [Google] [More] ⦿
Nicolas Aubert	French graphic designer who has made some typefaces in 2013. Defective web page. Together with Romain Oudin, he set up Lift Type. Designer of a corporate typeface for Printemps de l'Art Contemporain Marseille (2017-2018). [Google] [More] ⦿
Luke Aubin	West Hartford, CT-based designer of the geometric solid typeface Primary (2016). [Google] [More] ⦿
Pascal Aubril	French designer, b. 1972, aka Joe Skull. Creator of Skull Type Wr00 (2003) and Skull Font 00 (2003). Home page. [Google] [More] ⦿
Arnaud Aubry	Graphic designer and illustrator in Nantes, France, who designed the reverse stress display typeface Louisette in 2019. [Google] [More] ⦿
Bastien Aubry	Zürich-based design firm of Bastien Aubry (a graduate of Schule für Gestaltung, Biel, Switzerland) and Dimitri Broquard, who designed interesting fonts (no sales or downloads though): Bundesrat (2006, octagonal), Macaroni (2006: letters from circles), Courier Fleurie (2006), Flop (2006), Fleurie (2009, by Aurele Sack, Bastien Aubry and Dimitri Broquard). Both graduated from HGK Zürich in 2002. Klingspor link. [Google] [More] ⦿
Dominique Aubry	Chilean designer of the lively typeface José (2011). [Google] [More] ⦿
Chris Au	Graphic designer in Manchester, UK, who studies graphic design at the University of Salford. He created the hand-printed typeface Remnant (2010). Dafont link. [Google] [More] ⦿
Tyson Auchter	Ty Auchter (b. 1983) lives in Pennsylvania. At Devian Tart, he designed the pixel font Stitches (2001). See also here. [Google] [More] ⦿
Pierre-Luc Auclair	Graphic designer and student in Quebec City. Creator of this cool casual hand-lettered face (2006). [Google] [More] ⦿
Josh Aucutt	During his studies in Melbourne, Australia, Josh Aucutt created Dimensional Typeface (2014) and Perspectives (2014). [Google] [More] ⦿
Ruthi Auda	Ruthi Auda is an artist, designer, and explorer in Long Beach, CA, who graduated from Biola University in 2008. Art Director and Owner of CAMP Design Group. Creator of the beveled all-caps typeface Camper (2013). [Google] [More] ⦿
Clément Audouin	Paris-based designer of Neo Cubika (2017). [Google] [More] ⦿
Raoul Audouin	Raoul Audouin is a Paris-based, Amsterdam-raised graphic designer. He regularly collaborates with writers, editors, curators and artists from the Netherlands, Middle East and the U.S. on digital and printed publications and publishing platforms. In 2017, he designed the free ultra-condensed sans typeface Outward at Velvetyne. [Google] [More] ⦿
Massimiliano Audretsch	Codesigner with Philipp Herrmann of the script typeface Blitz Script (2016, Fontseek). At Gruppo Due [founded in 2019 by Moritz Appich, Massimiliano Audretsch, Jonas Grünwald and Bruno Jacoby], he published G2 Ciao (an informal typeface; he writes: The letter shapes of G2 Ciao are derived from an historical sketch by the American typographer, book and puppet designer William Addison Dwiggins. The sketch labeled Modelled letter No1, shows the original four letters t, a, i, and e. They consist of individual elements, precisely drawn outlines, connectedonly by hairlines. No repetitive pattern is recognizable. Each letter follows a self-contained principle), and G2 TGR (a workhorse sans). [Google] [More] ⦿
Freissy Audrey	Founded in 2019, Coastal Type is an independent collaborative type foundry in Bandung, Indonesia that was started by Freissy Audrey. In 2020, Freissy Audrey designed the inverted stress typeface Geiny that is characterized by sharp flared serifs. Other typefaces include Atomicaboy (2020, a retro streamlined script). [Google] [MyFonts] [More] ⦿
Kiena Audri	Kiena Audri (Jatinangor, Sumedang, Indonesia) and Shabrina W, co-designed many handcrafted typefaces in 2016. Their collection includes Michigan Brush (with Gilang Purnama Jaya, at Imagi Type: a farmer's market signage font by Key Audri and Gilang Purnama), Lark Script, Harrison Sans, Krate, Simone, Jazzmine, Catchword, Signage Shape, Flourishes, Edmond, Grenson, and Herschel. [Google] [MyFonts] [More] ⦿
Usha Audrinisa	During her studies in Brisbane, Australia, Usha Audrinisa designed the pine needle-inspired typeface Forest (2016). [Google] [More] ⦿
Evelyne Audureau	With Olivier Nineuil at Bonté Divine, this French designer made P'tit François in 1997. [Google] [More] ⦿
Tauba Auerbach	Graphic designer and painter (b. San Francisco, 1981) who created the free hairline octagonal typeface Pomegranate in 2007 for Neo2, a Spanish magazine. She also has many nice typographic posters in her gallery. In 2008, Dick Pape captured some of her work in his scanbat typeface Tauba Auerbach. [Google] [More] ⦿
Dan Auer	Graphic designer and typographer from North Carolina, who studied graphic design at Savannah College of Art&Design. He created the geometric counterless typeface King Pong (2010). [Google] [MyFonts] [More] ⦿
Felix Auer	Felix Auer is an art director, graphic designer and illustrator from Vienna. He graduated from dieGraphische in 2008. Since then he worked together with g-b.at in Vienna, at Twopoints.net in Barcelona, and at gantnerundenzi, Ogilvy & Mather, Himmer, Buchheim & Partner. In 2012, Roland Hörmann and Felix Auer co-designed the refined didone fashion mag display typeface Aquus (+the outline version, Aquus Linearis), which was published by Phospho. [Google] [MyFonts] [More] ⦿
Alois Ritter Auer von Welsbach	Alois Ritter Auer von Welsbach (b. Wels, Austria, 1813, d. Vienna, 1869) was a typographer and printer for the state. He was famous for special techniques for "nature printing". Michael Everson Conjectures that he made the Gaelic typefaces Vienna A (also called Altirisch A, Altkeltisch) ca. 1845 and Vienna B (also called Altirisch B or Neukeltisch) ca. 1845. The former typeface is a manuscript face, while the latter is Gaelic uncial round. [Google] [More] ⦿
Azim Aufaq	Indonesian designer (b. 1994) of Space (2020: molecular), Epic (2020), Corret (2020: a sketched font) and Circle (2020). [Google] [More] ⦿
Hazmi Aufar	Graphic designer and illustrator in Bandung, Indonesia. In 2017, he created these typefaces: Echizen (brush style), Hairmusk (brush), Von Everect (display style),Oliemolly (connected brush script), Sigismund No 7 (a fun casual script), Baumkuchen (a severe-looking octagonal typeface). [Google] [More] ⦿
Christine Auf der Mauer	Chicago-based designer of Potato Print Font (2013) and of a geometric typeface done for KISD (Köln International School of Design) Gala 2012. Behance link. [Google] [More] ⦿
Valentina Aufiero	For a course at Politecnico in Milan, Valentina Aufiero, Leo Colalillo, Alejandra Sepulveda Hernandez and Francesca Sperti co-designed Gill Trump in 2013. [Google] [More] ⦿
Caroline Aufort	Paris-based creator of Tifinagh (2011), a modular Latin typeface based on letters from the Touareg alphabet. She co-runs Acmé-Paris, a design studio in Paris, with Élodie Mandray. Creators of the heavy monoline sans typeface Acmé (2013), the titling sans typeface Le Creux (2013), and the stitching font Canevas (2013). [Google] [More] ⦿
Bob Aufuldish	Bob Aufuldish is an Affiliate Associate Professor at the California College of Arts and Crafts. Currently, he is Design Director of Sputnik CCAC, a student-staffed design office producing work for the College. Bob has a BFA and MFA in graphic design from Kent State University, Ohio. Aufuldish set up Fontboy in 1995 in San Anselmo, CA, together with Kathy Warinner. FontBoy is now called Aufuldish&Warinner. His typefaces: Armature (1997, grungy), Armature Neue (1997-2010, fontBoy) and Armature Neue Sans (2014, fontBoy). New Clear Era (1999, fontBoy). ZeitGuys (1994, Emigre). Very funny dingbats done together with Eric Donelan. Big Cheese (1992, Emigre). Very funny dingbats done together with Eric Donelan. Aufuldish's typefaces at FontBoy not mentioned above: OldMoney (truetype), Baufy (1994), RoarShock (dingbats in the style of Zapf Dingbats), Punctual (a connect-the-dots typeface family), Viscosity (1996, with Kathy Warinner), Whiplash (1994), RoarType One (a "pixel" font where each pixel has been replaced by two alternating characters from the RoarShock dingbats), Panspermia (grunge). Bio at Emigre. MyFonts site. FontShop link. View Bob Aufuldish's typefaces. Klingspor link. [Google] [MyFonts] [More] ⦿
Alan Auger	During his graphic design studies at the New England School of Art and Design at Suffolk University near Boston, Alan Auger designed the circle-based typeface Abode (2013). Behance link. [Google] [More] ⦿
Antoine Augereau	French type designer and punchcutter, ca. 1490-1534, and teacher of Claude Garamond in Paris. He was one of the first French to engrave roman letters, when other French printers were mostly using blackletter. He began to work for Robert Estienne, one the first Parisian printers to use this type. Influential in creating a French typographical look, he was hanged for printing a poem without permission. George Abrams' rendering of Garamond, called Augereau [digitized by Charles Nix], is a wonderful text family! Klingspor link. [Google] [MyFonts] [More] ⦿
Stéphane Auger	Designer at Union Type of Electronica (letters made up of electrical circuits). [Google] [More] ⦿
Sandra Augstein	German designer who published Wald Ast (1996-2002, tree branch look face, Volcano Type) and Wald Blatt (1996-2002, a leaf-themed font, Volcano Type) together with Tanja Raststätter. Klingspor link. [Google] [MyFonts] [More] ⦿
Ruan Augus	During his studies at Universidade Estadual Paulista Julio de Mesquita Filho in Sao Pualo, Brazil, Ruan Augus (Bauru, Brazil) designed the modular condensed movie titling typeface Nostra (2016). [Google] [More] ⦿
Zhang Augustine	Chongqing, China-based designer of the Chinese typeface JStone Mincho (2018). [Google] [More] ⦿
Keneel Augustin	Keneel Augustin (b. 1992, USA) designed Keneel Messy in 2013. [Google] [More] ⦿
Bryan Augusto	Aka Gaia Runes, BryanGu and BryAlien. Brazilian creator (b. 1999) of Gate for Mars (2011), Neo Gate for Mars (2011), Neo-Sci-Fi (2011, FontStruct), Neo Sci-Fi v. 2 (2012) and of Gaia Runes (2011, white-on-black pixel face). In 2012, he made Araknas (a pixel script face), Pluto, Pluto 0, Pluto Zero and Pluto Androids. In 2013, he added Pluto Revolution. In 2018, he designed the tall ascender typeface Ex Vitrum. In 2019, he released the octagonal typeface Brutl. [Google] [More] ⦿
Fábio Augusto	Brazilian graphic designer from Sao Paulo. He made the 9x6 pixel fonts Pico Sans and Pico Serif (2003). In 2005, he co-custom-designed EstadoSerif with Eduilson Wessler Coan and Ericson Straub for the Jornal O Estado do Paraná. Other typefaces: Titane (2006, a surgically clean sans family), Temp (2005, a semi-organic display face), Favela (2005, an angry street signage type). Pixel typefaces by him include Ampla Screen (2005), Chemo Screen (2006), Dinheiro Screen (2006), Extended Screen (2006), Matrize Screen (2006), Nikola Screen (2006, Soviet look), Station Screen (2006), Xquadra Screen (2006), Xquadra Tiny Screen (2006). Old URL. Behance link. Klingspor link. [Google] [More] ⦿
José Augusto	Guayaquil, Ecuador-based designer of the experimental geometric typeface Geart (2015). [Google] [More] ⦿
Leonardo Augusto	For an academic project, Sao Paulo, Brazil-based Leonardo Augusto designed a rounded monoline sans typeface family (2016). [Google] [More] ⦿
Mateus Augusto	FontStructor who created the blackletter typeface Mt Gothic (2010). [Google] [More] ⦿
Otavio Augusto	Mandaguari, Brazil-based designer of the paperclip typeface Incomplete Letter (2017). [Google] [More] ⦿
Yomar Augusto	Bric Type is a typography consultant company based in Brazil and The Netherlands, run by Yomar Augusto, who holds a BA in graphic design (University of Rio de Janeiro, 2000) and MA in type design (Type & Media at the Royal Academy of Art in The Hague, 2005). Personal URL. As a Brazilian graphic artist, he has been involved in two Rojo ArtStorm projects. Yomar lives in Rotterdam. At ATypI 2008 in St. Petersburg, he ran an experimental calligraphy workshop called Kalligraphos. His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent typefaces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline typeface Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam. Klingspor link. [Google] [MyFonts] [More] ⦿
Jennifer Augustus	Jennifer Augustus (Chicago, IL) created the curlified Wedding Cake Font (2012). [Google] [More] ⦿
Adam Augustyn	Brooklyn, NY-based designer and illustrator. He created these typefaces in 2009: Dutch Serif (black counter face), Dutch Serif Stencil, Hand Sign. Behance link. [Google] [More] ⦿
Mathias Augustyniak	M/M Paris is a studio in Paris run by Michael Amzalag (b. 1962, Paris) and Mathias Augustyniak (b. 1967, Cavaillon), est. 1992. They created the decorative caps typeface Pradalphabet in 2014. It was custom designed for Prada's collection of unique T-shirts. [Google] [More] ⦿
Hirday Pal Aujla	Jalandhar, India-based designer of the neon typeface Virtue (2018). [Google] [More] ⦿
Jan Aulbach	Graphic designer from Darmstadt, Germany, who studied at KABK in Den Haag. He created Neuberger Grotesk and Ladywell in 2012. [Google] [More] ⦿
Nicholas Auler	In 2018, Ion Neto, Lara Benedet and Nicholas Auler, all students at Universidade Federal de Santa Catarina in Florianopolis, Brazil, co-designed the free brutalist typeface BoBardi. In 2019, he designed the free informal typeface family Spurce Sans. In 2021, Auler released Esquinera (a variable font for wayfinding applications). [Google] [More] ⦿
Egoitz Aulestia	Graphic designer in Donostia-San Sebastian, Spain. Behance link. In 2011, he created for his graduation a typeface called Aulestika Neue. [Google] [More] ⦿
Dzikrul Aulia	Lettering artist in Lombok, Indonesia. In 2022, together with Sarid Ezra, he published the handlettered mini-serif typeface Savoire and Paletone (handlettered caps) at Bale Type. [Google] [MyFonts] [More] ⦿
Muhammad Afif Aulia	Indonesian designer (b. 1995) of the foliate typeface Quartog (2019). [Google] [More] ⦿
Nadia Auliana	Indonesian accountant and graphic designer. In 2022, she released the 14-style large x-height display serif typeface family Sregs Serif Display. A hint of Souvenir? [Google] [MyFonts] [More] ⦿
Nisrina Aulia	Malang, Indonesia-based designer of Kalif Std (2018). It is inspired by the architecture of ziggurats. [Google] [More] ⦿
Rahmiati Aulia	Jakarta, Indonesia-based visula communication designer. His typeface Bornelo (2013) is an ethnic font that showcases Kalimantan (Bornean) patterns. [Google] [More] ⦿
Ezgi Aum	Istanbul-based designer of Maori (2013), a display typeface that builds on Maori ornaments. Behance link. [Google] [More] ⦿
Marie Aumont	Graduate of the type design program at the KABK. [Google] [More] ⦿
Justine Auque	During her graphic design studies in Bordeaux, Justine Auque created the display typeface Simple Font (2013). [Google] [More] ⦿
Alva Aur	Alva Aur (Valencia, Spain) designed the Witch Lab typeface (2012, alchemic). [Google] [More] ⦿
Bethany Aurand	Bethany Aurand, a graphic designer in Boise, ID, combined Palatino, Kepler, and Giovanni when she created her thesis typeface in 2012 in the BFA program at the University of Missouri-St. Louis. [Google] [More] ⦿
Marcos Aurelio	Marcos Aurelio Morais (Recife, Brazil), created the pixel typeface Uomo and the display typeface Popcorn in 2015 during his studies at UFPE. [Google] [More] ⦿
Robsom Aurelio	Aguas Lindas de Goias, Brazil-based designer of the pixacao graffiti font Rooftop (2016). [Google] [More] ⦿
Raffaele Auriemma	London, UK-based designer of the octagonal typeface Undone Type (2019). [Google] [More] ⦿
Marci Aurila	American designer of the handcrafted typeface Chunky Kitty (2017), which comes with three sets of dingbats. [Google] [More] ⦿
George Auriol	French lettering artist and type designer, b. Beauvais, 1863, d. Paris, 1938. His real name was Jean-Georges Huyot. He was an illustrator, and started his career at the famous Chat Noir as editorial secretary in 1885. He published his typefaces at Fonderie Gustave Peignot&fils: Auriol (1901-1904). The ultimate art nouveau face. Auriol was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. It is the signature typeface of the entire art nouveau movement. Auriol was re-released by Deberny&Peignot in 1979 with a new bold face, designed by Matthew Carter. It has been cloned tens of times, notably by Bitstream as Freeform 721, and by Linotype (Carter's family, which includes Auriol Flowers and Auriol Vignette Styles) and Monotype as Auriol. Free clones include Krondor. In 2014, Ivan Louette set out to improve Auriol to stay truer to the original, and created the beautiful free font Blobby Georg Gras. In 2015, that font was renamed George A Rebours. Auriol Champlevé (1904). Auriol Labeur (1904). Clair de Lune (1904-1911). Française Légère (1902; also called Française Légè, a precursor of Auriol). Robur (1904-1911). In Pâle, Tigré and Noir styles. Robur Noir was digitized and extended by Patrick Griffin and Kevin King at Canada Type in 2010. Castcraft versions include OPTI Cheers Five (Robur Fancy) and OPTI Dutch Oldstyle (Le Robur Noir). Many art nouveau style ornaments, lettrines, monograms, borders and vignettes such as the Vignettes Sylvie. Linotype page. Web site dedicated to Auriol by Jean-Christophe Loubet del Bayle. Pic. FontShop link. [Google] [MyFonts] [More] ⦿
Pamela Aurora	Graduate from FADU, University of Buenos Aires, who created the tall condensed typeface Erahood (2008). [Google] [More] ⦿
Caroline Aurore	Nantes, France-based designer of the Inuit / Inuktitut simulation Latin typeface Inuktitut (2015) and the modular typeface Panamacoco (2015). Behance link. [Google] [More] ⦿
José Ausejo Matute	Spanish type designer at the Richard Gans Foundry who died in 1998. [Google] [More] ⦿
Albert Christoph Auspurg	German type designer, b. Frankfurt am Main, 1868, d. Leipzig, 1943. His oeuvre: At C.E. Weber: Start (1934). At Ludwig&Mayer: Aristokrat (1912), Miracle (1931, a script face), Rasse (1924), Schöndeutsch (1934), Reklame-Fraktur (1914; revived in 2016 by Ralph M. Unger as Reklame Fraktur), the gorgeous long-legged Mona Lisa (1930; digital version by Pat Hickson, 1992), the blackletter typeface Deutsche Kraft (1915), Brigitte (1935), the display roman typeface Krimhilde (1933-1934; with Schwabacher-style capitals, though). At Schriftguss: Lido (1936, script face) and Miami (1934). Digital revivals of Krimhilde were done by Ralf Herrmann (as Krimhilde, 2018) and Klaus Burkhardt (also as Krimhilde). Rick Banks's F37 Attila was inspired by Krimhilde. Miami was revived in 2020 by Ralph M. Unger as Elbflorenz. At Benjamin and Krebs: Brentano Fraktur (1915-1916), Federzug Antiqua (1913), Nürnberger Kanzlei (1906), Schönbrunn (1928), Trajan Versalien (1928). At Genzsch&Heyse, he did Hans Sachs Gotisch (1911, revived in 2005 by Petra Heidorn; the typeface also appeared at Ludwig & Wagner, where some date the Initialen style at 1902---Hans Sachs Gotisch was named after Hans Sachs from Nürnberg, 1494-1576, who was a master singer and songwriter), Domina (1929), Souverän (1913). At Haas: Castor (1924), Pollux (1925). At Trennert: Trocadero Kursiv (1927, a script font with flourished capitals). In 2010, it was extended and revived by Ralph Unger as Trocadero Pro. At Berthold: the peculiar Messe Grotesk family (1921-1927) and the shaded titling typeface Vesta (1926, a Mexican simulation face; for a digitization, see Visillo Adornado (2006, Nick Curtis) or Venezuela RR (2000, Pat Hickson at Rabbit Reproductions Type foundry, aka Red Rooster)). The Messe Grotesk design was revived by Nick Curtis as Troglodyte NF (2006-2011) and by Paul Hickson as Messe Grotesk (1997, Red Rooster). At AG für Schriftgiesserei in Offenbach: the blackletter typefaces Apart (1911) and Fraktur-Kursiv (1923). At Schelter & Gisecke: Kolibri (1915; for a digital version of this multiline open typeface caps face, see Trochilida NF (2012, Nick Curtis)). At Berling: the italic open capitals typeface Berling Kortversaler. At Lettergieterij Amsterdam: Albert or Select (ca. 1936). Revived by Paul Hickson as Honduras RR at Red Rooster. [Google] [MyFonts] [More] ⦿
Jan-Christian Austad	Southampton, UK-based creator of the sans typeface Sjark (2014). [Google] [More] ⦿
Cornelia Aust	Student at the University of Wuppertal who made the experimental typefaces Split One and Split Two (2004). [Google] [More] ⦿
Jonatan Austigard	Designer in Frogner, Norway. For one of his school assignmints, he made the bitmap typeface Analog (2012). Behance link. [Google] [More] ⦿
Darrel Austin	Codesigner with Bill Moran at Blinc Publishing of Goshen, Gommorah (1999), and Prospect. These fonts were published at Chank's Place. [Google] [More] ⦿
Glen Loos Austin	Creator of the iFontMaker font Hipster (2010, hand-printed poster family, +Thin, +UltraThin). [Google] [More] ⦿
Missy Austin	Missy Austin is a designer based in Minneapolis. She graduated in December 2010 and currently works at Zeus Jones. At Lost Type Coop, she published the artsy caps typeface Nelma (2011) in EPS format. [Google] [More] ⦿
Mitchell Austin	Californian designer of the very black typeface Chub Rock (2002). [Google] [More] ⦿
Peter Austin	During his studies at Staffordshire University, Peter Austin (Stroke-on-Trent, UK) created a typeface based on woodblock letters (2014). [Google] [More] ⦿
P.W. Austin	American designer of the outlined typeface Feeling Loopy (2017). [Google] [More] ⦿
Richard T. Austin	London-based punchcutter (1768-1830) who had his own foundry, The Imperial Letter Foundry, in London. Before that, he had worked at John Bell's British Letter Foundry from 1788-1798 (when the foundry closed) as a punchcutter, and at William Miller's foundry in Edinburgh. His typefaces: Tooled Roman (1788). Bell (1788, British Letter Foundry). Originally cut for John Bell by Richard Austin in 1788. Monotype made a metal version in 1931. Available at Monotype in digital form as BellMT (see Monotype Bell 341). It is also available as B694 Roman and Baltimore on the SoftMaker MegaFont XXL CD (2002). Mac McGrew: Bell as cut by Lanston Monotype in 1940 is a copy of the typeface of the same name cut in 1930 by English Monotype at the instigation of Stanley Morison, and was originally cut by Richard Austin for the English printer John Bell in 1788. Lanston describes it as a delicate and refined rendering of Scotch Roman, but without the unduly heavy capitals and some other objectionable characteristics of that face. English Monotype says the letters are open and inclined to roundness; they possess a certain crispness reflecting a French copperplate engraved inspiration. The typeface has been referred to as the first English modern face, with its sharply contrasted shading, vertical stress, and the earliest consistently horizontal top serifs on the lowercase. Bruce Rogers found an unidentified typeface at Riverside Press in 1900; he called it Brimmer and used it to good effect in book work. The same typeface was called Mountjoye by D. B. Updike at the Merrymount Press. It was later identified as Bell, and this may have led to its resurrection by English Monotype. The French explain Bell as a British typeface halfway between transitionals (such as Baskerville) and modern typefaces (such as Bodoni or Didot, the "didones"). Fry's Ornamented (1796, British Letter Foundry). Also known as Ornamented No. 2 cut by Austin for Dr. Edmund Fry. Stephenson, Blake&Co. acquired the type in 1905, and in 1948 they issued fonts in 30-pt (the size of the original design), 36-, 48- and 60-pt sizes. A digital version by ARTypes in 2007 is also called Fry's Ornamented (2007). David Rakowski made a digital version called Beffle in 1991. Austin's Pica No. 1 (1819). One of the first modern typefaces in Britain. Porson (1806, Caslon Foundry). This Greek typeface is based on the handwriting of the English classicist Richard Porson's transcription of the Medea. Richard Austin was commissioned by the Cambridge University Press to cut it, from 1806 onwards. It was cast by Caslon foundry, but it never appeared in their specimens. It was completed and used only after Porson's death in 1808, in the editions of plays of Euripides produced by Cambridge scholars. Bringhurst notes that after its first appearance, it was soon copied by other founders, and was released by Monotype with some corrections in 1912. By the end of the 19th century, together with New Hellenic (by Victor Scholderer), it had become the main Greek type used in Britain. Scotch Roman (1813, William Miller / Miller&Richardson). This didone typeface was revived in 1907 by Monotype Corporation. It is considered as the first British modern typeface. Also known as Georgian or Brimmer [when Bruce Rogers found the typeface at the Riverside Press in 1900, he used it for books under the name Brimmer]. D.B. Updike used another font of this type at his Merrymount Press where it was called Mountjoye. Scotch Roman#2 (1920) is a revival by Linotype. Antique (ca. 1827). This was revived in 2007 by HiH as Austin Antique. One of the most remarkable digital revivals and extensions of his work is also called Austin. Originally designed by Paul Barnes as headline type for the British magazine of fashion Harper's & Queen, of Hearst Magazines UK, Austin is a loose revival of the typefaces cut by Richard Austin in the late 18th century. Referencing Austin's original creation, Paul Barnes turned up the contrast, tightened the spacing and came up with a fresh, new, bold and beautiful look for the constantly changing world of fashion. Barnes himself describes the face as "a British Modern with the styling and sheen of New York in the 1970s." The Cyrillic version was designed in 2009 and 2016 by Ilya Ruderman (CTSM Fonts). FontShop link. Klingspor link. Wikipedia link. View Richard T. Austin's typefaces. Alexa Stephenson's detailed image of Bell. View Richard Austin's typefaces. [Google] [MyFonts] [More] ⦿
Missa Autentico	Design student in Monterrey, Mexico, who created the squarish typeface Estructura (2012). [Google] [More] ⦿
Anita Autorino	At UBA, Buenos Aires-based Anita Autorino designed the display typeface Deco (2019). [Google] [More] ⦿
Autosugestija	Graphic designer from Belgrade. Typeface 206 (2011) is an ornamental caps typeface that pays homage to da Vinci's Vitruvian Man. [Google] [More] ⦿
Yann Autret	With Olivier Nineuil at Bonté Divine, this French designer made Bonté Divine 009 in 1996 and Fiston Divin in 1997. [Google] [More] ⦿
Viktar Autushka	Minsk-based Belarussian designer of the Cyrillic/Latin version of Friedrich Poppl's font Laudatio, of Zipper1Cyr (2000; after a font by FishDicks), and of Willamette SF (2001), after an original by ShyFonts in 1999. He also extended Faust Antiqua in 2005 to Cyrillic (he claims the artwork is by G. Klikushin, but the typeface itself is by Kapr, 1958). Creator of Asessor (2000). [Google] [More] ⦿
Rémi Auvray	During his graphic design studies, Rémi Auvray (Cergy, France) created the minimalist organic sans typeface Cosmos (2014) and the circle-based typeface Birman (2017). [Google] [More] ⦿
Sandrine Auvray	As a student at ENSAD in Paris, she co-designed Jannet (2001), a typeface based on Jannet's garalde revivals, ca. 1860. [Google] [More] ⦿
Haik Avanian	Haik Avanian is probably Armenian, but he lives in Toledo, OH, where he practices graphic design, digital photography and an occasional custom type design. Behance link. He created the condensed upright monoline sans typeface Autopilot (2009). [Google] [More] ⦿
Zara Avdalyan	Florence-based designer of the octagfonal typeface Zeta Squared (2013). She also created Fairytale Icons (2013). [Google] [More] ⦿
Maxim Avdeev	Maxim Avdeev (aka Amazingmax) is the Kazan, Russia-based creator (b. 1997) of some futuristic/game fonts in 2009: AmazXakep, AmazDooMLeft, AmazDooMLeft2, AmazDooMLeftOutline, AmazDooMRight, AmazDooMRight2, AmazDooMRightOutline, AmazS.T.A.L.K.E.R.Italic, AmazS.T.A.L.K.E.R.v.2.0. In 2010, he made the AmazGoda family of comic book typefaces. In 2011, he added AmazHand_First, AmazHand_First_Alt, AmazHand_First_Alt_X, AmazHand_First_Hard, AmazHand_First_Smooth. Fonts from 2012: Amaz Mega Grunge. [Google] [More] ⦿
Roman Avdiushkin	Uniontype is a Russian type foundry in Perm, est. 2016. Roman Avdiushkin is a Russian type designer, b. 1989. In 2016, he created the classic Americana signage typeface UT Triumph at Uniontype. In 2017, he published the monoline script typeface UT Laurelle. The monoline script typeface UT Sugar Cane and UT Marmalade, followed in 2018. Typefaces from 2019: UT Saturday (script). Typefaces from 2020: The Bystander Collection (eleven all caps fonts and a monoline script, inspired by the masters of art photography). You Work For Them link. [Google] [MyFonts] [More] ⦿
Henri Avecunk	Sollentuna, Sweden-based creator (b. 1973) of Parsley Path (2016), Ignoreland A (eroded style), Ombudsman Stencil (2016), Chateau de Garage (2016, a heavy slab serif), King of Rome (2016, heavy wedge serif), Backboard Outline (2016, athletic lettering), Jollysight Sans (2016), Horseback Slab (2016), Playoff (2016), Bellet (2016, Peignotian, caps only), Strejka (2016, grungy and handcrafted), Promenade de la Croisette (2016, a condensed all caps movie credit font), Fogle Hunter (2016, a tall-ascender antiqued treasure map typeface), Ground Control (2016, a techno typeface), Hello Euroboy (2016), I Am A Rock (2016), the condensed handcrafted typeface Tamales (2015), Discoteca Rounded (2016), Entschuldigung (2016, squarish sans), Discoteca (2016, rounded sans), Mouthpiece (2016), Jumping The Couch (extremely condensed film noir font), the Peignotian typeface Nizza (2016), the athletic lettering font Be True To Your School, and the narrow handcrafted Stem Panini (2016). Typefaces from 2017: Wermland Gothic, Fields of Cathay, Chrobot, Grenade Stencil (military stencil), Camargue Serif, Krechanstaud Gothic (grungy), Spettekaka Serif, Boulodrome (heavy rounded sans script). Typefaces from 2018: Les Champs, Backcountry, Manhandle Slab, Out of My League (sans). Typefaces from 2019: Budokan Rounded, Edsbacka Flare Serif, Bonard, Generalissimo, Airside Sans, Haute Corniche (art deco caps), Danderyd Gothic. Typefaces from 2020: Big Star (octagonal). [Google] [More] ⦿
Antonio Avelar	Designer in Lisbon who created the display typeface Nu Delhi (2012). [Google] [More] ⦿
Caue Graco Avelar	Sao Paulo, Brazil-based designer of the modular typeface Wire (2015) and the circle-based avant-garde typeface OxType (2015). [Google] [More] ⦿
Omar Avelar	Mexican designer (b. 1988) of the free pixel typefaces HaxrCorp S8 and S12 (2010). Disfunctional web site. [Google] [More] ⦿
Isabela Avellar	During her design studies at PUC (Rio de Janeiro), Isabela Avellar created the woody typeface Primavera (2015). [Google] [More] ⦿
Joshua Avenall	Graphic designer in Anderson, SC, who created Sans Imperius (2015), which is based on classic roman proportions. [Google] [More] ⦿
Nicole Avena	Designer in Jacksonville Beach, FL. Her work includes the decorative oblong typeface Petulia (2013). [Google] [More] ⦿
Anastasia Averina	Saint Petersburg, Russia-based designer of Sigillium (2022: a 4-style flared, beveled, embossed and carved serif typeface), New Comer Sans (imitating Comic Sans) (2022). [Google] [MyFonts] [More] ⦿
Thomas Averin	Portland, OR-based designer of the mini-stencil typeface Do It Again (2011, caps only---almost like architectural lettering), developed while he studied type design under Pete McCracken at the Pacific Northwest College of Art in Oregon. Home page with a free download. MyFonts has the commercial version sold by Thinkdust. HypeForType link. Behance link. [Google] [More] ⦿
Jose Avero	Creator of the free sans caps font Ruth Slab One (2013). [Google] [More] ⦿
Luce Avérous	Ex-student at Scriptorium de Toulouse (2001) who published some of her fonts at Typotek. She made the free handwriting font Trashhand (2001), Lucette-Normal (2001), Perle-Normal (2000), and Printemps-Normal (2001). In 2002, she founded a signage agency, Tous les anges. Trashhand became Naturehand in 2008 when it became the house font of The Body Shop. The Greek and Cyrillic extensions will be done jointly by Luce Avérous and Dalton Maag. Over at Dalton Maag, she designed the technical handwriting typefaces Verveine (2009) and Verveine Corp (2009), which covers Greek as well. I believe that Verveine and Trashhand are identical. Behance link. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿
Alyson Aversa	Graphic designer in New York City who created Binghamton Sans (2012). Behance link. [Google] [More] ⦿
Heitor Aversa	For a project at UNIMEP (Universidade Metodista de Piracicaba, Brazil), Heitor Aversa created the deco typeface Curab (2014). [Google] [More] ⦿
Matt Avery	Book designer since 2000. He is a senior designer at the University of Chicago Press where he has been working since May of 2003. Designer at FontStruct in 2009 of Oh Nine (dot matrix typeface for numerals only). [Google] [More] ⦿
Marianella Avetta	Creator of Santo (2012), a sans typeface that was submitted at FADU UBA (University of Buenos Aires) for her graduation work. [Google] [More] ⦿
Felix Avia	During his studies at URJC, Felix Avia (Madrid, Spain) designed the free modular typeface Kuban (2018). [Google] [More] ⦿
Rino Avidar	Graphic designer in Tel Aviv. In 2019, he created the Latin stone cut typeface Epilepsy, and the Hebrew ransom note font Kolboinic. [Google] [More] ⦿
Amed Avila	Amed Avila (Jalisco, Mexico) created jaeger Bold (2014, a bold design on a hexagonal skeleton), Bng Light (2014, an organic circle-based sans typeface) and Drago Serif (2014). Behance link. [Google] [More] ⦿
Andres Arturo Avila	Colombian graphic and type designer, b. Cali, 1976. He has an undergraduate degree from Instituto Departamental de Bellas Artes in Cali (1996-2001), and Masters degrees in corporate identity (from ELISAVA in Barcelona, 2006-2007) and in type design (from IED in Madrid, 2012). In 2012, he created the sans typeface Nerea (Comando Cran). This typeface was a school project at IED in Madrid. [Google] [More] ⦿
Jessica Avila	Designer in Porto Alegre, Brazil, who, during her studies at ESPM, created a clean sans typeface (2015) [Google] [More] ⦿
Marcela Avila	Chilean designer of the modular typeface Vitacura (2019, released by Rodrigo Typo). However, MyFonts claims that this font was designed by Rodrigo Araya Salas. [Google] [More] ⦿
Mariana Avila	Graphic designer in Balneario Camboru, Brazil, who created several display typefaces in 2016 such as Fileteada, Mond Min (inspired by Piet Mondrian) and Cosmic. [Google] [More] ⦿
Miguel Avila	Guadalajara, Mexico-based designer who created the bilined typefaces B Side of Courier (2012) and Ossom (2012). [Google] [More] ⦿
Vincent Avila	Or just Vince Avila. Designer of the rounded sans typeface Outdoor Code (2016) and the wide rounded all caps sans typeface Vindemia (2016). He also designed Western Exploits (2016, rounded sans), Outdoor Icon Set (2016) and Storm Riders (2016). Typefaces from 2017: Forest Dreams (hipster), Fairhope (sans titling), Cannes (sans titling), Alcester (rounded sans). [Google] [More] ⦿
Yasmin Avila	During her design studies in Rio de Janeiro, Yasmin Avila designed a modular typeface (20124). [Google] [More] ⦿
Kat Aviles	During her studies in Baltimore, MD, Kat Aviles designed a decorative caps typeface called Quote (2013). In 2015, she added Solid, Contour, Disconnect and Quad. [Google] [More] ⦿
Roberto Aviles	York, PA-based designer of the squarish typeface Fat Cap (2016). [Google] [More] ⦿
Vit A	Brand design consultants in New York City. In 2014, under the guidance of partner Holga Balina and founder and creative director Vit A, they designed Mobispot Regular (Latin & Cyrillic), a contemporary geometric grotesque, which was created for Mobispot Social Systems, a company that creates applications for life and business based on NFC technology. Bwehance link for Vit A. Behance link for lëve Partners. [Google] [More] ⦿
Tal Aviv	Israeli type designer. Creator of Haratza MF (2009, Masterfont; with Avital Fuks). Klingspor link. [Google] [MyFonts] [More] ⦿
Sanket Avlani	Art director in London. He created a forceful hipster display typeface for the identity of Aqua Dominatrix in 2015. [Google] [More] ⦿
Erem Avni	Graphic designer in London who created the squarish typeface Towering Blocks (2014). Behance link. [Google] [More] ⦿
Sandra Avoletta	Brazilian designer of the alphading font Medalhao (2000) under the label Sandra-Nat. [Google] [More] ⦿
Valentine Avondo-Bedone	Graphic designer in Lyon, France, who created the signage icon set Signalétique Bellecour (2015) and exquisite didone lettering for a milk bottle company called Maison Nacrée (2015). [Google] [More] ⦿
Michaela Avory	Graphic designer in the UK, who created a triangular modular typeface in 2011. [Google] [More] ⦿
Omri Avraham	Ramat Gan, Israel-based designer of the revival Hebrew typeface Halfon (2015). [Google] [More] ⦿
Arthur Avtuhov	Minsk, Belarus-based designer of the free thin display typeface 2159 (2019), the clean monoline sans typeface Centralny (2019) and the free typeface Technique Sans (2018). In 2020, he released the severe-looking wedge serif typeface Rassvet. [Google] [More] ⦿
Alessio Avventuroso	Milan, Italy-based graphic and type designer, who studied at Universidad Politecnica de Valencia (Spain) and Politecnico di Milano His ultra-black Cuadra (2009) is free. Sofia (2009, a clean sans) is available upon request. Coldi (2009) is a free modular typeface. Arroz (2009) is a modular typeface constructed with ruler and compass. [Google] [More] ⦿
Wassim Awadallah	BluGraphic (Wassim Awadallah, Beirut, Lebanon; but also claimed to be in Bern, Switzerland) specializes in free vector format graphics and typefaces. These include the modular sans typeface family Form (2014), and a collection of vector format icons (2013), weather symbols (2013) and arrows (2014). In 2017, he designed the tall sans typeface Giraffey, Viana Script, Valencia, Quenos (didone caps), Soigné (italic fashion mag typeface), Rhama Gothic (blackletter), Florence Script, Alvania, Prink Script, Virtuous Slab, Less Sans, Amigo Script and Holland Script. In 2018, he designed Strain and Tempo (a free modular typeface). Typefaces from 2019: Lemon&Fresh, Germany (script), Cremona (a free fashion sans), Designer (sans). Behance link. BluGraphic link. [Google] [More] ⦿
Assaad Georges Awad	Futuristic fashion accessory and costume designer in Madrid. Behance link. Creator of Asho (2011). [Google] [More] ⦿
Rizky Awaludin	Or Rizky Awal. Indonesian designer of the monoline script typefaces Gorinchem (2020, for signatures), Braindly (2020), Bielifild (sic) (2019) and Carlington (2019). He also made the script typeface Khalsa Billa (2019). Typefaces from 2020: Roast Chicken (hand-printed), Deary Darling (script), Almond Nougat, Madison Script, Chicken Quiche, Paper Flowers, Braindly, Hashed Browns, Marsheilla, Mayones, Chicken Pie, Creamy Chocolate, Banitha, Dianita, Luisha, Marleigh, Chariska, Belitha, Salvyna, Herliana. Typefaces from 2021: Marchila (a swashy calligraphic script), Galistan, Cherilyn, Blackmatte (a bold script font). Typefaces from 2022: Simply Blessed (a curly upright script). [Google] [MyFonts] [More] ⦿
Wates Awal	Bandung, Indonesia-based designer of Viva Persib (2014), Dandding (2014, dingbats), Antara (2014), Balaka (2014), Ananda (2014), Elnaya (2014), Bahana (2014), Buwana (2014), Waskita (2014), Tamada, Bunda, Coolin Cheer (2014, Victorian), Bobotoh (2014), Pasundan (2014), Bimasakti (2014), Masra (2014), which is inspired by the logo of Himasra. Most of these are traditional Sundanese script fonts. He also created the display typefaces Lagegg (2014), Gardawesi (2014), Masra (2014), Oplo Sans (2014), Sunantara (2014), Sheandy (2014), Gondrong (2014) and Parahyangan (2014). Aka Kasuki (Kawula Sunda Kiwari). [Google] [More] ⦿
Fatema Awami	Saudi Arabia-based designer of the grid-based Arabic typeface Durra (2017). [Google] [More] ⦿
Juli Awan	Aka Betmen. Magelang, Indonesia-based designer (b. 1990) of the constructivist typeface Fastron (2021) and the techno font Megafont (2021). [Google] [MyFonts] [More] ⦿
Pooja Awasthi	Aurora, IL-based designer of the display typeface Flora (2016). [Google] [More] ⦿
Sabrina Awdi	During her studies at Central Connecticut State University, Sabrina Awdi designed the hairline sans typeface Ponyo (2019). [Google] [More] ⦿
Frederick Awich	Born in Dayton, OH, in 1991, Frederick Awich founded the Deleterious Design foundry in North Brunswick, New Jersey, in 2010. His first fonts were Infringe (display sans) and UndercoverLovahh (hand-printed face). Old URL. Klingspor link. [Google] [MyFonts] [More] ⦿
Andi Aw Masry	Campotype is an Indonesian foundry run by Andi Aw Masry (b. 1970, Makassar), a civil engineer and type designer from Makassar (b. 1970) who lives in Jakarta. Masry made the connected script typeface FmiringCampotypeOne (2008), the Lontara Bugis script typeface OgieCappo Campotype (2008) and the angry typefaces Rambat Campotype (2008) and Creator Campotype Smcp (2008). In 2011, he went commercial at MyFonts. His first commercial font was the angular italic typeface Slantblaze Pro (2011). This was followed by the fat finger typeface Geegantic Black (2011) and the tattoo font Creator Campotype (2011). In 2012, he made Coomeec (advertised as a calligraphic comic book face) and Garuda (angular). In 2013, he designed Timesquare (based on Helvetica signage on a subway escalator in Time Square), Fruitygreen (Linotype) and Column Sans. Abstract Fonts link. Dafont link. Fontsy link. Klingspor link. [Google] [MyFonts] [More] ⦿
Elizabeth Awuah	Pickerington, OH-based designer of the set of dingbats called Global Footrints Ghana (2017) and of the Africa-themed typeface Tribal Warrior (2017). Behance link. [Google] [More] ⦿
Fadi Awwad	Born in Amman in 1985, Fadi holds a bachelor of Graphic Design and Fine Arts degree from Yarmouk University in Jordan. He created several Arabic typefaces in 2012. [Google] [More] ⦿
Stina Axelsson	During her studies in Malmö, Sweden, Stina Axelsson designed Brison (2018). [Google] [More] ⦿
Codama Aya	Japanese type designer. [Google] [More] ⦿
Ayako	Designer of the Latin/kana handwriting font ayaFONT01. Alternate URL. [Google] [More] ⦿
Jose Ayala	Graphic designer in Philadelphia, who created the fable-themed font Whimsical (2014). [Google] [More] ⦿
Juliana Ayala	Industrial designer in Bogota, Colombia, who created a modular typeface in 2014. [Google] [More] ⦿
Rocio Ayala	During her studies at the University of Buenos Aires, Rocio Ayala created the grungy typeface Broken Down (2014) and the learned logotype Breviario (2014). [Google] [More] ⦿
Victor Ayala	Graphic designer in San Vincente, El Salvador, who created the spurred medieval typeface Dungeon (2014). [Google] [More] ⦿
Gaby Ayalin	Aka Aweshii. Manila-based designer in 2021 of the free intestinal typeface Indayon (2019). [Google] [More] ⦿
Max Ayalla	Mission, KS-based designer of the spurred Victorian display typeface Legendary (2013). In 2016, now located in Kansas City, MO, he designed the rough stencil typeface Surplus Pro. Typefaces from 2017: Sumner (soft edge sans), Union Made (a vintage typeface family: It offers that bit of that masculine, whiskey drinking, machine using, denim wearing, ass-kicking touch to any design or logo), Argentine (a great roughened poster font), Kansas City, Pueblo Blackletter (tattoo font), Sylvester (headline sans), Soft Block (vintage octagonal typeface). Typefaces from 2018: Homestead, MDC Uptown, Vintage Athletic, Venice Gothic, Bevel Block. Behance link. Creative Market link. Old URL. [Google] [More] ⦿
Arman Ay	Aka Baville, Artman Ay is based in Gothenburg, Sweden, and studies dentistry at the Medical University of Lublin, Poland. Creator of the hand-printed typeface Irregularis (2013). Created with Font Creator, it is useful for casual text, or blackboard emulation. Wikipedia link. Fontspace link. [Google] [More] ⦿
Emre Aybicer	Eskisehir, Turkey-based graphic designer who created the blackletter typeface Hairbrush Black Letter (2017). [Google] [More] ⦿
Aydee	Aydee (b. 1989) designed the handwriting typefaces Cazzy (2004), Starz (2004) and Aydee (2004), as well as the dripping blood font Wannabe monsters (2004) and the scribbly Freetype (2004). [Google] [More] ⦿
Alexander Aydelott	During his studies at Texas State University in San Marcos, TX, Alexander Aydelott created a pixel typeface in 2015. [Google] [More] ⦿
Kubilay Aydemir	Istanbul, Turkey-based designer of the monoline sans typeface Cycle (2018). [Google] [More] ⦿
Deniz Aydin	Istanbul-based designer of the elegant artsy typeface Flebard (2015). [Google] [More] ⦿
Fatih Selim Aydin	Turkish designer of the squarish labyrinthine typeface Labirent (2019). [Google] [MyFonts] [More] ⦿
Sedef Aydogan	Kiel, Germany-based designer of Schleswiger Sans (2015). [Google] [More] ⦿
Kathrin Ayer	Based in Brooklyn, NY, Kathrin designed the synthetic Hindi typeface Sprue (2003). [Google] [More] ⦿
Danny Ayers	Designer of the somewhat contrasted free typeface Thrums Serif (2017, Open Font Library). [Google] [More] ⦿
Cagil Aygen	Milan, Italy-based design group that published these fonts, which unless mentioned otherwise, are all by Cagil Aygen, a Turkish graphic designer (who is also based in Milan): VVE Giallo (2018). A geometric sans with a large x-height. Neuf (2016). A hybrid of art deco and blueprint lettering font. Nora Grotesque (2017), Nora Art (2018; this contains Nora Art Glitch and many other derived styles) and Nora Slab (2018). Suidae (2017). A bubblegum font. The geometric layering typeface Vecmetry (2017). [Google] [MyFonts] [More] ⦿
Byuly Ayika	Designer in Banda Aceh, Indonesia, who created a few script typefaces in 2015, including Angelista, Free Your Mind, Victoria, Culinera, Shapely, Distro, Ulyana and Relaxing. Typefaces from 2016: Kimberlay (calligraphic script), Free Your Mind (handcrafted), Hysteria Sans, Hysteria (calligraphic script), Magenta, Ghisella (calligraphic script), Rosaline, Angelista, Axellaria, Smileheart (calligraphic script), Ambassador (formal connected script), Comely (flowing script), Fashionista (brush style), Prestige, Brightlight, Catherine (connected calligraphic script). Typefaces from 2017: Misgaretha (calligraphic), Magnificent (formal calligraphy), Synthesia (calligraphic), Angelique (calligraphic), Wellthington (calligraphic), Mainstream, Mystified (calligraphic), Exellentia (calligraphic), Kayleight (calligraphic script), Juliane (script), Carlington (calligraphic), Bellagio (connected script), Shinelight (calligraphic), Cornelia (calligraphic), Spotlight (script). Creative Market link. [Google] [More] ⦿
Hope Aylen	Graphic Communication student at UCA Farnham, UK. She designed the anti-smoking typeface Stub Out Your Addiction (2010). [Google] [More] ⦿
Merna Ayman	During her studies at the German University of Cairo, Merna Ayman created an untitled Arabic typeface, as well as the modular Latin typefaces Valiant (2014, FontStruct), Height (2014) and Elite (2014). [Google] [More] ⦿
Rehab Ayman	During his studies in Cairo, Rehab Ayman designed the display typeface The Red Queen (2018). [Google] [More] ⦿
Laia Perez Aymerich	Girona, Catalunya-based designer of the triangulated typeface Threetype (2016). She also made Citric Type (2016). [Google] [More] ⦿
Emile Lord Ayotte	During his studies in Montreal, Emile Lord Ayotte created the German expressionist typeface Badblood (2014), which can be bought here. [Google] [More] ⦿
Chloe Ayoub	During her studies in Savannah, GA, Chloe Ayoub created the dot matrix typeface Toutou (2015). Behance link. [Google] [More] ⦿
Sumayia Ayoub	During her studies in Sharjah, UAE, Sumayia Ayoub designed the bare bones sans / kufi typeface Monoglyceride (2015). [Google] [More] ⦿
Colin Ayres	Taunton, UK-based designer of Ayres Mono (2020), which includes some music and mathematical symbols. A guitarist and guitar teacher, he also created The Ayres Music Standard font for use in Sibelius and Finale. [Google] [MyFonts] [More] ⦿
Sinem Ay	Sakarya, Turkey-based designer of the display typeface Ay (2016). [Google] [More] ⦿
Vlad Ayuev	Moscow-based creator of the experimental Cyrillic typeface Velvet Moss (2014). [Google] [More] ⦿
Michiko Ayumi	During her studies in Singapore, Michiko Ayumi created the script typeface Ayatori (2014). [Google] [More] ⦿
Ayumu	Free Japanese and Latin fonts designed by Ayumu in 2006: biz-hiragana (Hiragana pixel font), Choco-oiwai (Latin, kana and kanji handwriting), biz_alp (Latin pixel font), biz_pencil (hiragana), Biz-Utatane (Latin and Cyrillic handwriting), biz-chocolat (curly lettering, Latin only). Alternate URL where we find the handwriting fonts Banana Chips (2008) and Burst Chocolate (2008). The designer is called Akira there, and another URL is given as well. [Google] [More] ⦿
Dyah Ayuningtyas	During her studies at ITENAS, this Bandung, Indonesia-based illustrator and graphic designer created the ornamental Rose Garden typeface (2013). [Google] [More] ⦿
Mona Ayyoub	Graphic designer in Mississauga, Canada, who created the sans typeface Dancers Creed (2014). [Google] [More] ⦿
Hussein Al Azaat	Designer of an Arabic Opentype font in 2007. [Google] [More] ⦿
Omi Azad	Free OpenType Bangla fonts created by Solaiman Karim, with the help of Omi Azad: Rupali (2002), SolaimanLipi (20030. Omi Azad has worked with Microsoft to help them develop Bengali OTF&Uniscribe Rendering engine for Bangla. He also tested the Microsoft Keyboard Layout Creator and currently testing the Microsoft Unicode Uniscribe Text Engine for Bangla&Microsoft Official OTF Bangla fonts. Other free fonts added in 2005: # Ekushey Sharifa, Ekushey Punarbhaba, Ekushey Sumit (see also here), Ekushey Durga, Ekushey Saraswatii, Ekushey Puja, Ekushey Azad, Ekushey Godhuli, Ekushey Mohua (see also here). Also available on this page is Likhan (Deepayan Sarkar ). [Google] [More] ⦿
Belen Azagra	Graphic designer in Zaragoza, Spain. In 2017, she created these typefaces: Volantis (a connect-the-dots font), Divex (hairline sans), Orion (slab serif). [Google] [More] ⦿
Sofi Azaïs	Graphic designer in London who created the deco typeface Alphabet in 2016. Behance link. [Google] [More] ⦿
Eesha Azam	Karachi, Pakistan-based designer of the avant-garde typeface Crescent (2014), which is a hybrid of ITC Avant Garde and ITC Anna (1991, Daniel Pelavin). [Google] [More] ⦿
Marta Azaña	Creator of the animated sans typeface Madrid (2017). [Google] [More] ⦿
Rita Azar	At the University of Kaslik, Zahle, Lebanon-based Rita Azar designed the modern display typeface Poset (2017). [Google] [More] ⦿
Naser Azarshab	Creator of the ultra-bold Arabic display typeface F Jadid (1996). [Google] [More] ⦿
Justine Azcarraga	Bordeaux, France-based designer of a modular grid-based typeface in 2014. [Google] [More] ⦿
Pedro Azedo	Graphic designer in Alcanena and/or Terres Novas, Portugal, who created the free bilined caps typeface Kanji (2015), which was inspired by kanji. He also made the free avant garde sans low-center-of-gravity display typeface family Azedo (2015). In 2016, he designed the free art deco typeface Tagus, the bilined and outlined Irene, the bilined titling typeface Kanji (which contains no kanji), and the free decorative Pole Numerals. In 2017, he designed the informal typeface Phan, the Escher-inspired typeface Aclo, the children's book typeface Phan, and the blackboard bold font Quira. In 2018, he published the Escher font Loophole and the soft poster typeface Gelato. [Google] [More] ⦿
Tharique Azeez	Niram Factory is run by Tharique Azeez, the London, UK and Sri Lanka-based designer of the commercial (originally, free) hand-drawn outline font Verumai (2014), the hand-drawn Solvanam (2014), the handcrafted Melampus (2014), the hand-drawn slab serif Amutham (2014), Aaram (2014, a monoline circle-based sans family), Rain & Neer (2014), the hand-drawn Ecstatic (2014), Nimiran (2014), Neythal (2014, free), Neythal Tamil (2014, free), Padagu (2014, a poster font), Besty (2014, a display typeface family), and the shaky hand font Rise Star Hand (2014). In 2011-2013, Kosala Senevirathne, Siva Puranthara, Lasantha Premarathna and Tharique Azeez co-designed the free stencil typeface family Post No Bills (Fontsquirrel link). Typefaces from 2015: Chaseera (a display sans with pizzazz), Neythal (free Comic Sans style Latin / Tamil typeface), Marziona (a gorgeous heavy brush font), Silgoumy (connected monoline script), Goldes, Tamil Didot. Typefaces from 2016: Icings (a free handcrafted typeface), Pavanam (a free Google Font for Latin (based on Vernon Adams's Pontano Sans) and Tamil; Github link), Kavinavar (a free Google Font for Latin and Tamil, whose slanted letterforms for Tamil are inspired by a manuscript by Kavivanar M. A. Azeez (1948-2002), a Tamil poet and educator who lived in Sri Lanka). Typefaces from 2017: Sofeeda (a free handcrafted typeface). Typefaces from 2021: Stick No Bills (a Latin / Sinhala font by Kosala Senevirathne, Siva Puranthara, Lasantha Premarathna and Tharique Azeez, Google Fonts, Mooniak). Dafont link. Fontspace link. Creative Market link [for buying his typefaces]. Behance link. Open Font Library link. Home page. Fontsquirrel link. [Google] [More] ⦿
Suhaila Azeman	Singapore-based designer of the experimental geometric typeface Geometrical (2015). [Google] [More] ⦿
Cristiane Vilela Azevedo	Passos, Brazil-based designer of the art deco typeface Majesty (2014). [Google] [More] ⦿
Drielly Azevedo	Campos dos Goitacazes, Brazil-based designer of the paper-fold typeface Tipos de Papel (2015). [Google] [More] ⦿
Pedro Azevedo Gonçalves	Alter Order is the web alias for Pedro Gonçalves, a Portuguese art director based in Barcelona. Creator of the ultra black slab typeface Gorda Slab (2010). [Google] [More] ⦿
Ines Azevedo	Graphic designer in Porto, Portugal, who created the modular typeface Choo (2016). [Google] [More] ⦿
Joana Azevedo	During her design studies in Caldas da Reinha, Portugal, Joana Azevedo designed the straight-edged typeface Rosace (2013). [Google] [More] ⦿
José Azevedo	Illustrator and graphic designer from Vitoria, Brazil, who is now located in Bremen, Germany. On his Behance page, we can find many great typographic posters. In 2014, he created a scratchy multiline typeface called Scratching Font. [Google] [More] ⦿
Juliana Azevedo	Florianopolis, Brazil-based designer of a curly typeface (2015). [Google] [More] ⦿
Lucas Azevedo	Rio de Janeiro-based designer. Behance link. Designer of these typefaces: Maquina Serif (2011), Soul Ninja (2011, free squarish face), Nu Times (2011), O Barateiro (2011, logotype). [Google] [More] ⦿
Pedro Azevedo	Art director in Lisbon, Portugal, who created the mechanical octagonal typeface Type Font in 2014. [Google] [More] ⦿
Rosa Azevedo	At Escola Superior de Educação de Coimbra, Portugal, Rosa Azevedo designed a squarish bilined typeface in 2015. [Google] [More] ⦿
Azmie Azhar	Sidoarjo, Indonesia-based designer of the grungy typeface Coralbro. Behance link. [Google] [More] ⦿
Azwar Azhar	Indonesian designer (b. 1993) of the angular display typeface Anak Muda (2015). [Google] [More] ⦿
H.J. Azhar	Kuala Belait, Brunei Darussalam-based designer of Remote Gaming Font (2015). [Google] [More] ⦿
Anneisa Azhoera	Jakarta, Indonesia-based designer of the display typeface Barong (2014), which is inspired by Barong Bali Indonesia. [Google] [More] ⦿
Bartosz Aziewicz	During his studies in Poznan, Poland, Bartosz Aziewicz designed an angular text typeface (2016). [Google] [More] ⦿
Abdul Azis	Bekasi, Indonesia-based designer of Aneh (2016, sans), Shelldon (2018: brush script) and Bianka Script (2018: upright). In 2019, he designed the script typefaces Isyana and Pattheda, and the arc-themed Auriga. Typefaces from 2020: Kiddie Monster, Aesthetikos, My Witcher (a vampire font), Deer Up Shoutttap, Rusty Frozee (a brush script), One Mith (Signature, Capitals), Sweethampton, Bikambone, Hand Note, Bear Butter. [Google] [MyFonts] [More] ⦿
Robbi Azis	Surabaya, Indonesia-based designer of Royal Quest (2019), Amandella (2019), Ganesha (2019), Ghost House (2019), Banabo (2018) and Free Food Icons (2018). Creative Fabrica link. [Google] [More] ⦿
Abdul Aziz	Jakarta Timur, Indonesia-based designer, b. 1993, of the script typefaces Chikonica (2019) and Lichalizta (2019), and the blackboard bold typeface Linegers (2019). Typefaces from 2020: Undergod (eerie), Hildane (spurred), Kavri (decorative caps), Xavier Eskimo (script), Super Dust (a speed emulation font), Hulalaby, Funies, Kavri Display, Breadly. Typefaces from 2021: Aligan, Keiltija Rathijan (script), Sancaka, Harebo (a Japanese emulation brush font), Thirttin (a spooky font), Sasat (a Halloween font), Suditha Signature, Lemonade, Toon, Komonesia (a signature script), Ride and Race (a speed font). [Google] [More] ⦿
Yehezkiel Azizal	Designer of the spindly calligraphic typeface Abeltar (2016), the brush script typeface Suicide Vilmashar (2016), the handcrafted Asgoth (2016, called a scum font), the spurred tattoo typeface Grecfels (2016), the ghoulish Goreinfection (2016), Gattelcog (2016), and the squarish typeface Quger (2016). Newer Creative Market link. [Google] [More] ⦿
Yehezkiel Azizal	Designer of the calligraphic typeface Bruke (2019), the script typeface Rostock (2019) and the fat signature font Pastcode (2019). He also designed the display typefaces Aurond (2019), Zoctopus (2018), Scream (2018), Grimsby (2018) and Eqiva (2017: a trilined logo font). [Google] [More] ⦿
Amni Aziz	Malaysian designer of the cat-themed display typeface Kuc Ink (2017). [Google] [More] ⦿
Ellie Aziz	Kuala Lumpur, Malaysia-based designer of Clipper (2014). [Google] [More] ⦿
Wahyu Azizi	Indonesian type designer who published Melatea (2021: a 54-style sans) and the adorable shiny chubby (children's book?) font Gemoy in 2021. [Google] [MyFonts] [More] ⦿
Abdul Azizul	Banda Aceh, Indonesia-based designer of Decimo Script (2016), the curly typeface Anohana (2016), the signage typefaces Tuha Script (2016) and Cantique (2016), the handcrafted Antique (2016) and Volutra (2016), and the display typeface Ethictical (2016). Typefaces from 2017: Belmout Script. Behance link. [Google] [More] ⦿
Aiman Azman	Designer of the geometric solid font Geomet (2020). [Google] [More] ⦿
Muhammad Syafiq Azman	Terengganu, Malaysia-based designer (b. 1995) of Syarpfiqr Sans (2017) and Gigigit (2017). [Google] [More] ⦿
Fauzul Azmi	Indonesia-born architect. Designer of Barranom (2020: rounded, octagonal), Cartoon Book (2020), Sketsa (2020: an architectural blueprint font), and the informal monolinear elliptical sans typeface Handhuel (2020). Typefaces from 2021: Blancos (a ligature-rich sans), Velove (a scrapbook script), Battafia (a calligraphic script), Bondtique (a heavy round monolinear sans), English1707 (bilined), Alfatih (a display typeface), Ceudah (futuristic, art deco). [Google] [MyFonts] [More] ⦿
Muhammad Jauhar Azmi	Muhammad Jauhar Azmi s an Indonesian designer (Kendal, b. 1991). He founded Jojonikitype in 2013. Creator of free typeface Acro Script (2013) during his visual communication design studies at Semarang State University. In 2019, he released Quartro and the octagonal typeface Ron. [Google] [More] ⦿
Rania Azmi	Graphic designer in Florence, Italy. Creator of the arabic version of Tarif (2019, Zetafonts). Tarif is a typeface family inspired by the multicultural utopia of convivencia---the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics. It is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the Latin letters find a natural connection with modern arabic letterforms. Other typefaces by Rania Azmi include the stencil typeface Genoa (2019) and the free display typeface Hela Ho Revolution (2019). [Google] [MyFonts] [More] ⦿
Ayman Azmy	Designer of BlackFlag (2003). [Google] [More] ⦿
Camille Aznar	Graduate of ESAD in Amiens, France. Her graduation typeface there is Hedda (2015). Substyles include Hedda Avec (Serif) and Hedda Sans. It is intended for typesetting theater scripts. [Google] [More] ⦿
Guille Aznar	Madrid, Spain-based designer of the free typeface Comic Serif (2019), which is clearly modeled after Vincent Connare's Comic Sans. [Google] [More] ⦿
Daniel Azopardo	Caracas, Venezuela-based designer of the rounded stone cut typeface Fantasy Abstract (2018). [Google] [More] ⦿
Aixa Aztarbe	Graduate from FADU, University of Buenos Aires, who created the condensed didone typeface Belta (2009). [Google] [More] ⦿
Chloe Azulay	During her studies at ESAG Penninghen, Parisian illustrator Chloe Azulay created the brush alphabet John Butler Trio (2013). [Google] [More] ⦿
Chloe Azuley	During her studies in Paris, Chloe Azuley created Outline Surf font (2014). She also made the sweeping brush typeface John Butler Trio (2014). [Google] [More] ⦿
Kiyohiko Azuma	Designer of the cute facial dingbat font Azudings (2005), digitized by Vic Fieger at Vic Fieger Fonts. [Google] [More] ⦿
Karla Mika Azumi Kon	Japanese-Brazilian designer, b. 1984, who created the pixel font Minami (2007). Dafont link. [Google] [More] ⦿
Azrul Azwan	Singapore-based designer of the techno typeface Trickster (2014). [Google] [More] ⦿
Adha Azzaki	Semarang, Indonesia-based designer of the free font Kendal (2017). In 2018, he designed the doodle font Esok Tiba. [Google] [More] ⦿
Tahar Azzaoui	Kaen Graphics is a French studio based in Lille and/or Brussels. He also opertates as Benelux Graphic Designer. They created the experimental typeface Paintedfonts (2012) and the outlined WeWork (2008). Trustin (2012) is a display typeface created for Advertising Brands Magazine. In 2014, Kaen Graphics published Wiggle Font (2014). Behance link. Cargocollective link. Run by Tahar Azzaoui (b. 1968). [Google] [More] ⦿
Sophie Azzheurova	As a student at Moscow State University, Sophie Azzheurova designed the tall Latin / Cyrillic display typeface Azzfont (2016). [Google] [More] ⦿
Lauren Azzis	Graphic designer in Lyon, France, who drew a decorative architectural alphabet called Konnexion (2016) and the Clarendon/ Capsuula hybrid The Pastemporary (2016, for the antique shop Lecomte Antiquités located near Nantes). Behance link. Another home page. [Google] [More] ⦿
Alessio Azzolini	Milan, Italy-based designer of the spurred modular typeface Kramer (2019) and the free spurred handcrafted typeface Pirate K (2019). [Google] [More] ⦿
Jessica Fleur Azzopardi	Hal Balzan, Malta-based designer of the display typeface Kinoko (2016). [Google] [More] ⦿
Alia Azzouz	Cairo, Egypt-based designer of the Arabic typeface Al-Motaereg (2016). For a design course, she created the Latin typeface Leafy (2016). [Google] [More] ⦿
B2Graphics	Art director in Miami, FL, who designed the squarish typeface Puneta (2018). [Google] [More] ⦿
J. Baacker	FontStructor who made the textured typeface Fencing (2013). [Google] [More] ⦿
Zeina Georges Baaklini	Born in Beirut, Lebanon in 1986, Zeina graduated in 2008 from NDU (Notre Dame University Lebanon). Presently she is a print and media designer in Florence, Italy. Creator of the Arabic simulation typeface Gibran (2012), which was created for Lebanese author Gibran Khalil. Behance link. [Google] [More] ⦿
Eric Baal	From Santa Maria, CA, Eric Baal's fonts. [Google] [More] ⦿
Angica Ba	Designer of the Halloween font Heavy Moon A (2015). [Google] [More] ⦿
Pieter Baan	Rotterdam-based designer of the De Stijl typeface Piet Mondrian (2015). Behance link. [Google] [More] ⦿
Lutz Baar	Lutz Baar (b. Berlin, 1946) ran Antropos. He is a calligrapher/type designer who runs a design studio called Miraculus Artwork in Gothenburg, Sweden. At the now defunct Antropos site, he used to offer Antropos (2002), a free prehistoric-lettering font. He is a contributor to the anthroposophic style of thinking and creating. Baar published these typefaces with Linotype: Atlantis, Linotype Kaliber, Linotype Balder (1994), Linotype Ordinar (2000), Linotype Pisa (1997), Feltpen, Nordica (chiseled typeface). Nice fonts at old Antropos site included: Aristoteles, Platonia, Andromeda, Zeitgeist, Artemis, Andromeda Engschrift, BaarAntropos, BaarAntroposAidfont, BaarAntroposBold, BaarAntroposBoldItalic, BaarAntroposCaps, BaarAntroposDisplay, BaarAntroposEngschrift, BaarAntroposItalic, BaarGoetheanis (2002), BaarLemuria (2002), BaarMetanoia (2002), BaarMetanoiaBold, BaarMetanoiaBoldItalic, BaarMetanoiaItalic, BaarPhilos, BaarPhilosBold, BaarPhilosBoldItalic, BaarPhilosItalic, BaarSophia (2002), BaarSophiaBold, BaarSophiaBoldItalic, BaarSophiaItalic, BaarZeitgeist. He founded Menschengeist and Aidfonts (2005), where one can download his Sophia, Metanoia and Philos families. Dafont link. Linotype link. FontShop link/ Klingspor link. Fontspace link. Catalog of Lutz Baar's commercial typefaces. See also here. [Google] [MyFonts] [More] ⦿
Erik Baars	Kiwi graphic designer based in Auckland. Behance link. His fonts include Cirone (2009, art deco), and Enever (2009, techno). He is working on the ornamental capitals typeface Mad Alphabet. [Google] [More] ⦿
Petr Babak	Czech designer (b. 1967) who studied at the Academy of Arts, Architecture and Design in Prague. He founded Studio Machek & Babak. Since 2003, he works as a graphic designer at his own studio, Laboratory. Head of the Graphic Design and New Media department at the Academy of Arts, Architecture and Design in Prague since 2005. Designer of the experimental typeface Prkno (1992-1993, wooden plank-shaped letters). At Briefcase Type in 2014, he published the grungy typefaces Prkno, Rezan, Sijan (a needle and thread font) and Trhan. Interview (in Czech). Graphic design and new media web page. [Google] [More] ⦿
Anastasia Babalyan	Russian designer at TypeMarket of AllegroScript (1995), Palladium (1994-1995), SonetSerif (1996, based on Stone Serif from 1987), Anastasia Script (1996: based on Shelley Script (Matthew Carter, 1972)), and Oliver New (1995, TypeMarket: based on Antique Olive by Roger Excoffon, Olive, 1962-1968). ParaType link. [Google] [More] ⦿
Mishu Baba	Lahore, Pakistan-based designer, b. 1995, of the spiky typeface Mishu (2019). [Google] [More] ⦿
Nikolay Babanakov	Russian designer of the handcrafted Latin typeface Kombucha (2016). [Google] [More] ⦿
Timothée Babaud	Poitiers, France-based designer of the alchemic typefaces Avlib (2013) and Okey (2013). Behance link. [Google] [More] ⦿
Anna Babayeva	During her studies at the Ringling College of Art & Design in Sarasota, FL, Anna Babayeva created the text typeface Vulgar (2013) by mixing elements from Eames Century Modern and Livory. Vulgar is a rounded medium-heavy low-contrast didone. [Google] [More] ⦿
Timothy Babayev	The Lego logo inspired Timothy Babayev (Moscow, Russia) to make the rounded Legotype font in 2015. [Google] [More] ⦿
Andrew Babb	Fonts by Brooklyn, NY-based art director Andrew Babb: Dog Eared (2012, a paper fold typeface), Lava Vision (a great rounded original font), Polygon (2009, octagonal, gridded structure), First Attempt, Tuskey-San (2000), Gear Crank (2013), Oh Balloney (2000), Lestat (2001), and QuietInfinity (2000). Old site. [Google] [MyFonts] [More] ⦿
Hannah Babb	Edmond, OK-based designer of the neo deco typeface Flare (2017). [Google] [More] ⦿
Nigel Babb	Creator of the handcrafted outline font The Nigel Font (2020). [Google] [More] ⦿
Nigel Babb	Nigel Babb at The Burning Duck Department (cartoon specialists) in South Africa. Together with Matt Tapson (?), he created Broken Stick (2005), a free paint brush font. [Google] [More] ⦿
Courtney Babchyck	American designer of Timeless Blocks (2015). [Google] [More] ⦿
Michael Babcock	Michael Babcock's hot metal type collection. He made Bradley Combo Ornaments (2001) by digitizing samples from the Nov. '74 Kingsley/ATF "Fonted Ornaments and Typographic Accessories" sheet. Free. [Google] [More] ⦿
Tabitha Babcock	Denver, CO-based designer of the experimental typeface Intent (2015). Behance link. [Google] [More] ⦿
Hans Babendreyer	Designer of the dingbat font Faces Female. [Google] [More] ⦿
Alexey Babenkov	Rostov-on-Don, Rissia-based designer of the artsy typeface Pozds (2016), and the ghastly Horror Font (2016). Behance link. [Google] [More] ⦿
Phil Baber	Amsterdam-based designer of the heavy almost monolinear sans typeface Maria (2010). [Google] [More] ⦿
Iva Babic	Novi Sad, Serbia-based designer of several untitled Latin and Cyrillic typefaces, ca. 2013. [Google] [More] ⦿
Ana Babii	Irkutsk, Siberia-based designer of Simple Ink (2016, brush script), Double Ink (2016), Grunge Dry Brush (2016), Sponge (2016, a high-contrast calligraphic script), Christmas Snowy (2016), Grunge Stamp (2016), Simple Handdrawn (2016), Grunge Display (2016: a dry brush font), Grunge Display Formal (2016), Rhubarb Pie (2016), Yndina (2016, script), Boriska (2016, watercolor grunge), 3D Sketch Font (2016), Blooming Sally (2016), Pride & Prejudice (2016), Ribbon Display (2016), Melted Font (2016), Leaves Display Font (2016, a floral decorative caps typeface), Concept Round Font (2016), Quick Handwritten Font (2016), Snabbyshoe (2016, grungy handcrafted typeface), the Latin typeface Old Typewriter (2016), Old Destroyed Typewriter (2016), Retro Typewriter (2016), and Heart Font (2016). Typefaces from 2017: Grunge Dry Brush (an extension of her 2016 typeface), Ink Brush, Bold Brush, Bold Grunge Display, Dry Brush, Bold Dry. [Google] [More] ⦿
Beata Babinska	Graphic artist in London. Designer of the face-themed typeface Graphic Face (2017). [Google] [More] ⦿
Aneta Babisova	Graduate of Tomas Bata University. Ostrava, Czechia-based designer of the organic sans typeface Jarmila (2016) which was inspired by Jan Tschichold and the Bauhaus movement. [Google] [More] ⦿
Inessa Babkovich	During her studies in Trier, Germany, Inessa Babkovich designed the stencil typeface Frosh (2017). [Google] [More] ⦿
Babuino	Based in Campinas, Brazil, Babuino created Gans Baai (2012), a modular squarish display typeface. Free download. Behance link. [Google] [More] ⦿
Pranay Ravi Chandra Babu	As a student at Nanyang Academy of Fine Arts in Singapore, Pranay Ravi Chandra Babu designed the display typeface Digital Dystopia (2015). [Google] [More] ⦿
Burak Babur	Istanbul-based designer of the custom modular typeface Honey Bunny (2013). [Google] [More] ⦿
Ivana Bacanek	Croatian designer of Pepper Sans (2020), a 5-style rounded low contrast neo-grotesk typeface family with large x-height. Pepper Sans covers Latin, Greek and Cyrillic. [Google] [MyFonts] [More] ⦿
Gaby Bacani	Graphic designer and illustrator based in Manila, The Philippines. In 2019, she created the free squarish display typeface Far Out using FontStruct. [Google] [More] ⦿
Marc Bacani	Carson, CA-based designer who studied at the Art Institute of Los Angeles. In 2016, he designed a modular rhombic typeface. [Google] [More] ⦿
Metka Bacar	Ljubljana-based designer of the display typeface Decklina (2015) and experimental typeface Poba (2015). [Google] [More] ⦿
Luciana Bacelar	Graphic designer in Recife, Brazil. Vitamina (2011) is a digital vernacular font developed while Luciana was studying at UFPE in Pernambuco, Brazil. It was inspired by the signage of Casa Amarela in Recife. In 2013, she created G Font (a pixel face) and Pirassununga (a modular typeface). [Google] [More] ⦿
Teresa Bacelar	Graphic designer in Bilbao, Spain. In 2017, Hamex Design (Bilbao, Spain), Teresa Bacelar, Laura Pajuelo, and Ainara Rodriguez co-designed a geometric solid typeface. [Google] [More] ⦿
Adrian Bach	Adrian Bach (Essen, Germany) created the calligraphic typeface Broken Hand Regular (2013). Behance link. [Google] [More] ⦿
Eran Bacharach	Eran Bacharach (Bee Creations) created Socialism Hebrew Typeface (2012): Inspired by typographic elements in Hebrew Socialist posters from the 1940s, the font was created as part of a branding campaign for a law office specializing in labor laws, social security and workers' rights. [Google] [More] ⦿
Bach	Creator of Subway Haze (2009, grunge). [Google] [More] ⦿
Vitoldas Bachenas	Lithuanian book and type designer. At Polygraphmash type design bureau, he created the unusual low-contrast serif family Bachenas (1963). The digital version was developed for ParaType in 2003 by Lyubov Kuznetsova. [Google] [MyFonts] [More] ⦿
Christin Bacher	Graz, Austria-based designer of Spoon (2013), a sans serif typeface developed during Typeclinic 6 in 2013 for use in small print or on web pages. Behance link. [Google] [More] ⦿
Eléonore Bacher	During their studies at ESAG Penninghen, Paris-based Eléonore Bacher and Léna Consigny co-designed the experimental unicase typeface Michael Bublé (2017). [Google] [More] ⦿
Hans Bacher	German animation artist who lives in Southern California where he works for Disney Feature Animation. He is a member of the Academy of Motion Picture Arts and Sciences. His typefaces were mostly made at Agfa-Monotype: Architec (2001). Architectural and lined. Blockade (2001). Grunge. New Gothic Light (2001). Spoleto (2001). A funky hand-drawn typeface. Tuscany (2001). A beautiful scribbly hand. West Of China (2001). A great oriental-looking calligraphic font. Woodcut Alpha (2001). Kafkaesque. Catalog. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Théophile Bachet	Toulouse-based designer and illustrator. Behance link. His first typeface, made in 2012, is in the collage / dada style. [Google] [More] ⦿
Helaine Bach	During her studies in Austin, TX, Helaine Bach designed the vintage typeface Chana Oro (2016). [Google] [More] ⦿
Gerhard A. Bachmaier	Oesterreichische Schulschrift: Austrian School Writing Letters developed in 1995 by Gerhard A. Bachmaier. In metafont format. [Google] [More] ⦿
Nicole Bachman	American designer of the 3d boxy typeface Arcade Boxes (2015, FontStruct). [Google] [More] ⦿
Yves Bachmann	Zurich-based illustrator and art director who made the octagonal typeface Qbik in 2010. Home page. [Google] [More] ⦿
Sarah Bachman	New York City-based designer. In 2021, she designed Z3non, a groovy retro-futuristic typeface that fits in square blocks. [Google] [MyFonts] [More] ⦿
Spike Bachman	Graphic designer in Blowing Rock, North Carolina. He created the experimental typefaces Fanetik (2011) and Unfolded (2011, 3d, origami style). Old URL. Behance link. [Google] [More] ⦿
Ondrej Bachor	Czech visual identity designer working mostly for the fashion industry, who has a Masters in type design at ECAL in Lausanne, Switzerland. Creator of the extended sans typeface Exil 71 (2014). In 2018, he designed the sans typeface Concern at ECAL Typefaces. Ondrej won the silver medal in the Latin category at the 22nd Morisawa Type Design competition in 2019 for Kolektiv. [Google] [More] ⦿
Eran Bachrach	Israeli type designer who created these typefaces at Masterfont: Blender MF (2003, with Ido Zemach), Amit MF, May One MF (2004, with Ido Zemach), Caveret MF (2003, octagonal Hebrew face, with Ido Zemach). [Google] [MyFonts] [More] ⦿
Marcel Bachran	Student at the Berliner Technische Kunsthochschule (BTK). He created the display typeface Procedura (2011). [Google] [More] ⦿
Mael Bächtold	As a student at HEAD Genève, Mael Bächtold (Neuchatel, Switzerland) designed the Byzo typeface (2017). [Google] [More] ⦿
Lukasz and Wojciech Bachur	Lukasz and Wojciech Bachur are the Szczecin, Poland-based designers of Mister Poster (2013, ornamental caps), Mrs. Doodle (2013), Up To Date (2013), Handyman (2013), Ship's painter (2014: brush), Herbarium (2014: plant dingbats), Rama (2013), Shaken (2014), Hooray (2014), Linesman (2014, a sketched typeface), Tile Tale (2014, a system for layering and coloring fonts), Mitty (2014, a poster font), Tinta Negro (2015), Unpoco Loco (2016, handcrafted), Ships Painter (2017, by Lukasz Bachur), sansevieria (2018). [Google] [More] ⦿
Ina Bachvarova	Studio located in Sofia, Bulgaria, run by graphic designers and illustrators Ina Bachvarova and Vladimir Vencharsky. In 2010, they created an ornamental caps alphabet with mythological creatures. [Google] [More] ⦿
Viktoria Bach	At Budapest Metropolitan University, Viktoria Bach designed Hexagon (2016). Behance link. [Google] [More] ⦿
Eduardo Bacigalupo	Uruguayan type designer (born in 1952 in Montevideo), one of the pioneers of Brazilian type, dabbling mainly in corporate type in Brazil, such as for Vasp (1985), Cia. Hering, Bardahl and Continental 2001. [Google] [More] ⦿
Guillermo Bacigalupo	Designer in Buenos Aires who created the heavy rounded sans typeface Allonge (2012) for a school project at FADU / UBA. [Google] [More] ⦿
Nicolas Bacile	Cordoba, Argentina-based designer of the free pixelish video game typeface family Kid A (2017). [Google] [More] ⦿
Peter Backes	In 2005, Peter Backes created a simple sans serif Metatype typeface called Oceania. In 1993, Phil Cordingly from ABC Network in Australia created some letters for the logo of the TV series Ocean Girl. Phil Watts (Jonathan M. Shiff Productions) then added some letters for Orca City and Ocean Odyssey. But the full font in Metatype was designed by Peter Backes in 2005, who made the source code freely available. [Google] [More] ⦿
Marcel Backscheider	Mainz, Germany-based designer of a squarish font (2018) that was programmed with Nodebox, and a monoline modular typeface called Module (2018). [Google] [More] ⦿
Billy Bacon	Nu-des is a Brazilian foundry located in Rio that is involved in visual identity. They are experimenting with type. Its main designer, Billy Bacon, created the scribbly font Pasmado (1996) and Marola (1996). In 1997, he created the foundry Subvertaipe. In 2006, he made the blood-drip grunge typeface Caracura (2006). Professor at PUC-Rio and at Kabum! Escola de Artes e Tecnologia. Alternate URL. Dafont link. [Google] [More] ⦿
Lizz Bacon	During her design studies at Chapman University in Orange, CA, Lizz Bacon created the hand-drawn typeface Split Ends (2014). [Google] [More] ⦿
Sophia Bacquet	Illustrator in Le Havre, France. In 2017, she designed the neo deco typeface Nova. [Google] [More] ⦿
Enmanual Badajoz	Designer of the display typeface Ferro (2015). [Google] [More] ⦿
Christophe Badani	Christophe Badani (b. 1969, Marseilles) is a French type designer. He resides in Boulogne-Billancourt, France. His typefaces: Ambre Script (1999). Based on Carolingian forms. Berto (2000, +Decoration). A digitization of a 1950s Cyrillic simulation typeface by Joseph Bertocchio (1907-1978), which has, in addition, nice ornaments. IndexLT (1998). Romaine. Linotype Rough (1998). Theo. Transilienne. Trevor. Custom fonts: Akerys, Alstom (2007, a sans typeface done with Stephane Gabrielli), BD Asterix (2003-2005), Ciboulette (2006, script done for Auchan), Darty Sans (for Darty; with Stephane Gabrielli), Eurodatacar (2007: a stencil typeface done with Stephane Gabrielli), Fédération Française de Basketball (or FFBB; read about it here), Graphèmes (2007, a sans typeface done with Stephane Gabrielli), Lacoste Sans (2002, for Lacoste; The typophiles find it too close to TheSans), Lancômes (2004, a hairline connected script), Lune de Miel (handwriting, 2002, for YSA; has many alternate double and triple letter combinations, and tries to simulate real handwriting), MAAF, Peugeot (done in 2009 with Stephane Gabrielli), Pimkie, Roland Garros (+Serif) (2015; the stunning family is also called just RG), Seenk (2005, with J.-B. Levée), Sogea, Ubisoft (2003, developed in collaboration with the Seenk agency (design&MixMedia studio) for the video game company Ubisoft: it won the "Trophée d'Or" award at the Intergraphic Congress in Paris in January 2004, and consists of Ubisoft Imagine, Ubisoft Petz, Ubisoft Text, Ubisoft Title One & Ubisoft Title Two), Vinci Sans and Vinci Serif (2007, with Stephane Gabrielli), Weber. Jo (2013). A swashy set of capitals. VTF Mister Pixel and VTF Mister Pixel Tools (2003-2011, at Velvetyne). Elior (2014). A corporate typeface. GACD (2016): custom type. Vinci Script (2016). A custom script for Vinci. The Arabic was designed by Mathieu Réguer. Trends Tag (2016). A custom sans. Eurodatacar (2016). A rounded stencil typeface. Cloche d'Or (2016). Custom all caps alphabets for Minale Design Strategy Brussels. Designed by Christophe Badani (lead), Maha Mouidine, and Léo Guibert. It includes Normal, Hatch, Inline Bright, Inline Dark, Stencil and Outline styles. DS (2017). A didone typeface family for DS Atomobiles. By Serge Cortési and Christophe Badani. Veuve Clicquot Ponsardin (2018). A commissioned typeface foor the champagne company--by Christophe Badani and Stéphane Gabrielli. Pllafont (2018). A bespoke typeface for Palladium. Christophe runs Typophage, a type activity center. Interview with Planete Typographie. Some of his fonts are also at Typotek. In 2004, he joined Ultra Pixel Fonts, where he made the pixel typeface Mr. Pixel. His historical pages explain about things such as Quadrata (first century roman lettering). Dafont link. Klingspor link. FontShop link. Linotype link. Badani's personal site. Behance link. Christophe Badani at Velvetyne. [Google] [MyFonts] [More] ⦿
Leslie Badani	Leslie Badani (Washington, DC) is a graphic designer and art director with a focus on publication design, branding, and typography. She is currently an Associate Creative Director at Weber Shandwick and studying typeface design in the Type@Cooper Extended Program at The Cooper Union. At Type Cooper 2020, Leslie Badani designed the angular display typeface Phyla. [Google] [More] ⦿
Laurent Badaouy	French designer (b. 1969) of the silhouette typeface Linea1 (2016). [Google] [More] ⦿
Tuaha Badar	Graphic designer in Karachi, Pakistan, who created Solid (2012), a heavy mechanical typeface with a 3d version. [Google] [More] ⦿
Dima Badawi	During her graphic design studies in Ottawa, Dima Badawi designed Old Touma (2013). [Google] [More] ⦿
Adina Gabriela Badea	Romanian designer of Papoa (2019). [Google] [More] ⦿
Komal Bade	Pune, India-based designer of the devanagari typeface Pumawati (2019), which is based on the Latin sports shoe font My Puma by Samuel Parks. [Google] [More] ⦿
Kebon Badeng	Designer of the free marker script typeface Aeland (2018). [Google] [More] ⦿
Hanin N. Bader	Doha, Qatar-based design student who created the Arabic typeface Rafeedia (2012). [Google] [More] ⦿
Najla M. Badran	Najla Badran is an independent typeface designer, researcher and instructor based in Egypt. She holds a BA in Graphic Design from the German University in Cairo, an MA in Typeface Design from the University of Reading, UK, class of 2015. She is currently pursuing her PhD on Diacritics in the Arabic script and typography at the University of Reading. Najla has been teaching type design and typography since 2015 and holds Arabic lettering and typography workshops. She is interested in Arabic revival typefaces and inspiring modern Arabic typefaces from calligraphy. Her typefaces include: Razeen (2015). Razeen is her graduation project at Reading. It covers Arabic, Cyrillic, Greek and Latin scripts, with the aim of providing balance across all four scripts. The Arabic typeface Mesh Phont (2017). Type Together link. [Google] [More] ⦿
Mosbah Badreddine	Beirut-based designer of the plump pop-art / bubblegum font MyFont (2014, Latin & Cyrillic). [Google] [More] ⦿
Doron Baduach	Tel Aviv-based designer of the sans serif Hebrew typeface Telescope (2014). [Google] [More] ⦿
Filip Badurina	Illustrator and graphic designer in Rijeka, Croatia, who created the free handcrafted typeface Not So Elegant (2015). [Google] [More] ⦿
Matthew Badyna	Grand Rapids, MI-based designer of the modular condensed sans typeface Eden (2014). [Google] [More] ⦿
April Bae	Sydney, Australia-based designer of the display typeface Marvel Gate (2016). [Google] [More] ⦿
Charles Bae	New York-based designer of the free truetype bitmap fonts: Civil01B, Civil01R, Civil02B, Civil02R, Dukie01B, Dukie01E, Dukie01R, Pookie01, Pookie02, Pookie03. [Google] [More] ⦿
Sabine Noe Baech	Copenhagen-based designer of the stylish bilined typeface Arkham (2015), which was developed during her studies at Skolen for Visuel Kommunikation in Haderslev, Denmark. [Google] [More] ⦿
Tobias Baeck	Designer in Oslo. At Fontspace, one can find his free fonts. These include the octagonal typeface True Blood (2010). [Google] [More] ⦿
Gaetan Baehr	French type designer. In 2016, Gaetan Baehr and Jeremie Hornus co-designed Hate at Indian Type Foundry. This is the best Halloween and horror movie font ever made, period. The font has 510 glyphs, and each letter has three variants. Letters have spooky-looking hairs or roots sprouting from their zombie outlines. In 2016-2017, Baehr designed the octagonal mechanical varsity typeface family Hoover (Fontstore / Fontshare). In 2017, the blackletter typeface Aktura was published by Fontstore. At Black Foundry, he designed the emoji font Bluumoji as part of Jean-Baptiste Morizot's brutalist Bluusuuperstar (2017). In 2018, he published Neptune (a 12-style geometric sans family with a dwarf "t") and the organic sans typeface Hongkong at Indian Type Foundry. Finder is a multiscript typeface developed in 2020 at Black Foundry by Jérémie Hornus, Gaëtan Baehr, Changchun Ye and Zhang Miao. This neutral sans is intended for interface design, and covers Arabic, Cyrillic, Greek, Hangul, Hebrew, Japanese, Latin, Simplified Chinese, Thai and Traditional Chinese. Zodiak (2021, Jérémie Hornus, Gaetan Baehr, Jean-Baptiste Morizot, Alisa Nowak, and Théo Guillard at Fontshare) is a free 24-style text family with Century-like newspaper roots and sturdy bracketed slab serifs. It was originally named Claire (2020). [Google] [MyFonts] [More] ⦿
Daniel Baek	Schwalbach am Taunus, Germany-based designer of the geometric solid typeface Onyu Leon (2016). Behance link. [Google] [More] ⦿
Duck Baek	Creative director in Seoul. In 2015, he created the Latin sans typeface DT321. Behance link. [Google] [More] ⦿
Kidon Bae	Kidon Bae is a multi-disciplinary designer from Los Angeles, California, currently residing in Seoul, South Korea. In 2017, Kidon created a custom modular typeface for Tive Inc's branding. Behance link. [Google] [More] ⦿
Danielle Baer	Graphic designer in Germantown, MD. Her typeface Baer (2013) was influenced by Bauhaus and Neutraface. [Google] [More] ⦿
Thomas Baert	Thomas Baert (Deluxe Graphique), is from Kortrijk, Belgium. At Graphic River, one can buy Deluxe Bold (2008, pixel face). [Google] [More] ⦿
Seunghan Bae	Korean designer (aka pear94210) who used FontStruct in 2009 to make Shadow (shadow font), Outside (bilined), Squaline (gridded), 5to5 (pixel), Shine, Heart Negative, Heartbreaker (octagonal), Octagon, Basic, Neos, Heaven, Remember (kitchen tile), Genie (bold, condensed), and Heaven. In 2010, these fonts were added: Chocolate, Piece (dotted font). [Google] [More] ⦿
Hugo Baeta	Hugo Baeta is a designer and front-end developer living in San Francisco. Originally from Lisbon, Portugal, Hugo studied web design and new media at the San Francisco Academy of Art University and, in 2019, type design at Type West, where ihis graduation typeface as Madrigal. He writes: Madrigal is a sans serif type family, inspired by Southern European, fascist-era type, with a transformed blackletter structure, and a cinched silhouette. Named after Mrs. Madrigal from Armisted Maupin's Tales of the City, this type family embodies a lot of the fictional character's traits. Madrigal has variable thickness. [Google] [More] ⦿
Luisa Baeta	Graduate of the University of Reading in 2011. Luisa is from Portugal and Brazil and lives in Rio de Janeiro. Her graduation typeface was the multifaceted family Arlecchino (2011), which contains a signage script, a slab serif, and an ordinary script. Both Latin and Greek are covered. Monuments and Museums (2012) was commissioned by the Greek design studio Bric-a-Brac for a visual identity for Greece's museums and monuments. Bligh is a 3-weight sans-serif type family designed from scratch during her time working at Dalton Maag, published in 2015. [Google] [More] ⦿
Young Tae Bae	Seoul, Korea-based designer of the decorative Latin typeface Old Menu (2017). Behance link. [Google] [More] ⦿
Javiera Baeza	Javiera Baeza (Santiago, Chile) designed the eroded serif typeface Rouillé in 2013. [Google] [More] ⦿
Analía Aspauzo Baez	Graduate from FADU, University of Buenos Aires, who created the typeface Antigona (2010). [Google] [More] ⦿
Alawi Hashim Bafageeh	Designer of the Arabic font family Shurooq 01 through 29 (1995, 2000). It can be found here. [Google] [More] ⦿
Alawi Hashim Bagafeeh	Designer a a number of free Arabic typefaces at Arabeyes, including Tholoth, Hor, Haramain, Electron. [Google] [More] ⦿
Dhimas Bagas	Yogyakarta, Indonesia-based designer (b. 1999) of the techno display typeface Reison (2020). [Google] [More] ⦿
Bhima Bagaskara	Aka Goldlake Graphic. Bhima Bagaskara (Malang, Indonesia) designed the spurred display typeface GL Firstblood and the EPS-format brush typeface Steak Brush in 2013. In 2018, he created the thin calligraphic typeface GL Roosy Script, and the brush typeface GL Steak Brush V2. [Google] [More] ⦿
Alexandra Bagão	Fontstructor who made the Tipografia series in 2011. [Google] [More] ⦿
Roberto Bagatti	Italian designer (b. 1971) who graduated from the Art Institute of Parma. He is currently the main designer for MTV Italia. He created the gothic font Grimoire, first as a logo for the group Barbie Car and later for some MTV titles. [Google] [More] ⦿
Roberto Bagatty	Creator of Grimoire at Psy/Ops. [Google] [More] ⦿
Saptarshi Bagchi	Aka softhunterdevil, Saptarshi Bagchi (b. 1985, India) lives in Kolkata. As FontStructor, he made Pixelian Nights (2015), Roboscript (2015), 3 Strokes (2010), a multiline face, SlamDunk (2010) and Diagonal Knife (2009, octagonal). At Graphic River, one can buy Pixel Knife (2009), also a FontStruction. Memories (2010) is a grunge face. In Her Memory (2011) is a semi script typeface with tall ascenders. [Google] [More] ⦿
Gayaneh Bagdasaryan	A graduate of Moscow State University of Printing Arts, Gayaneh has designed Cyrillic localizations for most major type libraries, including Linotype, Bitstream, The Font Bureau, ITC, Berthold, Typotheque, Emigre, and ParaType. She began her type design career at ParaType in 1996 and started Brownfox (her type foundry) in 2012. Brownfaox specializes in the design and production of Latin and Cyrillic fonts for print and for screen. They are the organizers of the first Russian international type conference Serebro Nabora. Their first typefaces in 2012, all posted at Google Web Fonts, include Simonetta (readable angular typeface: see here), Sevillana (curly upright script by Olga Umpeleva), Geometria (a geometric sans by Vyacheslav Kirilenko and Gayaneh Bagdasaryan), and Henny Penny (a playful decorative typeface, also by Olga Umpeleva). In 2013, we also find Super Disco (an art disco layered typeface family by Gayaneh Bagdasaryan). Institut (2013) is an industrial-strength sans typeface designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan. In 2013-2014, Gayaneh Bagdasaryan and Dmitry Rastvortsev created the Latin / Cyrillic sans typeface family Brutal Type (Brownfox) that is genetically linked to DIN. Typefaces from 2014: Gerbera (a sans face co-designed with Vyacheslav Kirilenko), Formular (by Vyacheslav Kirilenko and Gayaneh Bagdasaryan: a Swiss sans family for Latin and Cyrillic), Activist (a minimalist all caps typeface commissioned by the Anticorruption Foundation). Typefaces from 2015: Nolde (a Latin / Cyrillic titling typeface named after german-Danish printer Emil Nolde; by Vyacheslav Kirilenko and Gayaneh Bagdasaryan). Typefaces from 2016: Wermut (a dagger-serifed transitional Latin / Cyrillic text typeface family by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, published at Brownfox). Typefaces from 2017: Aeroport (by Gayaneh Bagdasaryan & Vyacheslav Kirilenko). Typefaces from 2022: Jet (the authors, Gayaneh Bagdasaryan and Vyacheslav Kirilenko, write: Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go). Behance link. Fontspace link. [Google] [MyFonts] [More] ⦿
Gayaneh Bagdasaryan	Cyreal is a type foundry with expertise in both Latin and Cyrillic scripts. Its founders are lecturers at the British Higher School of Art and Design in Moscow. They are Gayaneh Bagdasaryan. Gayaneh began working as a type designer in ParaType in 1996. She has done cyrillization work at ParaType, Typotheque, Linotype, Bitstream, The Font Bureau, ITC, Berthold and Emigre. Her typeface Red Klin received a TDC2 2000 Award. Her New Letter Gothic won an Award for Excellence in Type Design at the Kyrillitsa 99 International Type Design competition in Moscow, 1999. Gayaneh graduated from the Print Design Department of Moscow State University of Printing Arts (2000), and Ryazan College of Art (1992). Designer in 1999 at Paratype of LetterGothic Baltic, LetterGothic Central European, LetterGothic Cyrillic Asian, LetterGothic Cyrillic International, LetterGothic Cyrillic Old Russian, LetterGothic Multi Lingual, LetterGothic Turkish, LetterGothic Western. She made the Cyrillic version of Licko's Base Nine and Base Twelve families (2003) and of Albert Boton's ITC Eras (called PT ITC Eras). Klin Black (2004, Paratype, decorative caps in the style of Russian fine art ca. 1900) is an original: Red Klin (2005) is inspired by Russian fine art from the beginning of the 20th century---lettering by Sergey Chekhonin (1878-1936), graphic design by El Lissitzky (1890-1941) and the Suprematism painting. Sketch design of the font (under the name Klin) was awarded a TDC2 2000 diploma. Finally, she designed ParaType New Letter Gothic (1999) and ParaType Original Garamond (2000). Alexei Vanyashin. Type designer with expertise in Cyrillics. Winner at the Granshan 2010 International Type Design competition with Florian (Second place in the Cyrillic Text Typeface category). He completed the Type&Typography Master Level course in 2010, and studied typography at the Stroganov University of Arts and Industry. Fonts: Cyrillizations: Akzidenz-Grotesk Condensed, AG Book, Apack (Pisa), Base Nine, Charlie, Fedra Sans, Fedra Serif, Filosofia, Greta, Griffith Gothic, Eras (ITC), Lobster (free, 2011, after Pablo Impallari's Lobster), Neuland, Original Garamond, Renault. Armenian: Newton Armenian, Pragmatica Armenian, Haykakan Kar. Custom: GEO Text, GEO Display. Retail: New Letter Gothic, Red Klin, Schmale, Florian. Free at Fontsquirrel: Artifika (2011), Brawler (2011), Rationale (done with Olexa Volochay and Vladimir Pavlikov). Free fonts at Google Font Directory: Jacques Francois and Jacques Francois Shadow (2012, co-designed with Manvel Shmavonyan, they are revivals of the Enschedé no. 811 type specimen (ca. 1760) by Jacques François Rosart (1714-1774), made for Enschedé Printing House), Artifika (2011, by Yulya Zhdanova and Ivan Petrov), Aubrey (2011, art nouveau by Gayaneh Bagdasaryan), Vidaloka (2011, a didone done by Alexei Vanyashin and Olga Karpushina), Lora (2011, a contemporary serif by Olga Karpushina), Federant (2011, by Olexa Volochay: this revives the Reklameschrift typeface Feder Antiqua by Otto Ludwig Nägele (1911)), Federo (2011, high-contrast sans by Olexa Volochay based on J. Erbar's 1909 font Feder Grotesk), Podkova (2011, slab serif), Wire One (2011, monoline sans by Alexei Vanyashin and Gayaneh Bagdasaryan). Fontspace link. FontShop link. Klingspor link. Bagdasaryan Gayaneh. [Google] [MyFonts] [More] ⦿
Dmitry Bag	Russian designer in Arzamas (b. 1987) of the free Latin / Cyrillic typeface Juste (2012). Other Latin / Cyrillic typefaces from 2012 include Doux, Font Pont, Firma, Polina, Even (elliptical), Provincial, Jazzy (sans), Frank (curly), Palaver (serifed), Firma, JWH (a didone family), Katomka, and Rustaud. In 2013, he published Pont (a slab serif typeface) and Woodburn (a Cyrillic constructivist typeface). Dafont link. Behance link. Fontspace link. Aka Dima Bag or Dmitry Bag. [Google] [MyFonts] [More] ⦿
Gilbert Bages	Photographer in Barcelona who created the modular art deco typeface DecoPop (2013). [Google] [More] ⦿
Brandice Baggarley	Graphic designer in Yakima, WA, who created Mosaics in 2015. [Google] [More] ⦿
Yassin Baggar	Yassin Baggar (b. 1985, Switzerland) studied graphic design at School of Applied Arts, La Chaux-de-Fonds and MA in type design from the TypeMedia, KABK, in The Hague. Since 2007, he worked freelance on identities, books and other printed matters for various studios in Switzerland and Berlin. Before joining TypeMedia KABK (where he obtained a Masters in 2011), he worked for different studios in Berlin. A collaboration with Anton Koovit on custom typefaces for GQ France led in 2012 to the founding of Fatype, a digital type foundry for retail and custom typefaces. Codesigner with Anton Koovit of the slab serif family Arvo (2010). His graduation work at KABK included the development of Bois (2011): Bois is a Roman Antiqua flirting with Gothic influences. The design, based on calligraphy and craftsmanship, was inspired by the works of Villu Toots, Rudolf Koch, Oldrich Menhart, and William Morris. The name Bois, French for wood, stands for the natural and solid aspect of the typeface. In 2012, he created the custom typeface family Derzeit for Derzeit, the Berlin Fashion Week Daily. It was designed in collaboration with art director Manuel Schibli. Yassin designed the high-contrast Peignotian sans family Beausite Fit and Beausite Grand in 2014 at Fatype. It comes with subfamilies called Grotesk, Grand and Slick, and has fashion mag appeal. Beausite Classic is a more standard sans. Between 2014 and 2018, with the help of Anton Koovit and Selina Bernet, it grew to 56 styles. Anton Koovit and Yassin Baggar offer a new take on Fatype's U8 (the typeface that ios based on lettering in Berlin's subway) in their UCity typeface family (2019). [Google] [More] ⦿
Tobias Baggemann	Tobias Baggemann (Breitenlauf) is a German graphic and type designer. He designed Construct (2011, contructivist). Klingspor link. [Google] [MyFonts] [More] ⦿
Megan Baggett	Californian designer of Ruban (2016) for a project at St. John's University in New York City. [Google] [More] ⦿
Ara Baghdasaryan	Armenian type designer at the State Academy of Art. At Granshan 2009, he won an award for his Armenian font Ara Rusa. [Google] [More] ⦿
Artavazd Baghdasaryan	Yerevan, Armenia-based designer who created a triangulated Armenian alphabet in 2014. [Google] [More] ⦿
Gayane Baghdasaryan	Armenian type designer. [Google] [More] ⦿
Beno Bagheri	Tehran-based designer of the Persian font Beno (2011). [Google] [More] ⦿
Kishore Baglodi	Creator of the free font Vadiraja (2012) for Sanskrit. [Google] [More] ⦿
Thomas Bagnall	During his studies at Canterbury College, UK, Thomas Bagnall (London, and before that, Ashford, UK) designed Paper Cut Typeface (2013), X-Code (2013, a circular typeface), and the modular typeface Quadratix (2013). In 2016, he designed the octagonal typeface family System. In 2017, he published Adept Sans. [Google] [More] ⦿
Charlotte Bagnara	During her studies, Charlotte Bagnara (Manchester, UK) created the connect-the-dots typeface Anger Tracks (2013). [Google] [More] ⦿
Michael Bagnardi	BurnType is a small studio specializing in creating bold fonts that balance function with expression. The studio is run by founder Michael Bagnardi in Brooklyn, New York. At The Designers Foundry, they relaesed BT Brik in 2018. [Google] [More] ⦿
Andrew Bagsit	Taguig, Philippines-based designer of the free soccer font PF UEFA Super Cup (2018). [Google] [More] ⦿
Victor Kudakwashe Bagu	Harare, Zimbabwe-based designer (b. 1982) of KonQa (2006), a grunge Cyrillic simulation face. [Google] [More] ⦿
Cameron Bagwell	Designer from Easley, SC. He created the perfectly square (and thus monospaced) typeface GridFit (2012), and of the squarish techno typeface Urban Cowboy (2012). Behance link. [Google] [More] ⦿
Wijdan Bahadi	At Dar Al Hekma University, Jeddah, Saudi-Arabia-based Wijdan Bahadi designed a rounded Arabic typeface in 2017. [Google] [More] ⦿
Jeff Baham	Designer of Terrorama Chiseled (2005, grunge). [Google] [More] ⦿
Ipek Bahar	During her studies in Istanbul, Ipek Bahar created the dripping blood font Korku (2013). [Google] [More] ⦿
Riki Bahari	Bandung, Indonesia-based designer of the monoline script typeface Monoright (2020). [Google] [More] ⦿
Mohammad Azmil Bahar	Or Azmill Bahar. Semarang / Kendal, Indonesia-based designer (b. 1996) of the handcrafted typefaces Holaholo (2019), Gembrik (2019: beatnik style), Hoam (2019: monoline), Chopyor (2019: beatnik style), Bencoleng (2019), Vakansy (2019), Mooncrato (2019: beatnik style) and Dollanan (2019), and the minimalist sans typeface Molor (2019, +Shadow, +Outline). [Google] [MyFonts] [More] ⦿
Begüm Bahcecik	Istanbul-based designer of the calligraphic Latin typeface Cavalllucci (2014). [Google] [More] ⦿
Francelia Bahena	Mexico City-based designer of the text typeface Arre (2017) during a lettering workshop at FAD UNAM led by Cristobal Henestrosa. [Google] [More] ⦿
Shahenda Bahgat	During his studies in Cairo, Egypt, Shahenda Bahgat designed the rounded sans (Latin) typeface Orbicular (2016). [Google] [More] ⦿
Nor Eddine Bahha	Nor Eddine Bahha (jazz pianist, composer, copyist, researcher and teacher at "The Karawen Music School" in Morocco) designed the NorMusic fonts in 2005. This is a set of jazz music fonts with a handwritten look designed to work with Finale, Sibelius, Overture, Mozart, NoteWorthy Composer and Encore/MusicTime Deluxe. He coauthored Jazzology. In 2007, he released the BopMusic font family for Sibelius and Finale. This is a third party set of music symbol fonts which can be used with Sibelius to produce handwritten music in a style similar to that of many jazz charts, including a complete script font for text, chord symbols, and hundreds of symbols for jazz and commercial music. The fonts set includes BopMusic, BopMusic Script, BopMusic Chords, BopMusic Text, BopMusic Special, BopMusic Metronome and BopMusic Time. All the fonts are commercial. BopMusic Script and NorText are two handwritten fonts that are sold separately. NorScript Fonts v2 (2009) contains seven new handwrittren text fonts similar to JazzText with different effects: NorScript Bold Font v2, NorScript Cased Oblique Font v2, NorScript Cased Font v2, NorScript Italic Font v2, NorScript Font v2, NorScript Shadow Font v2 and NorScript Title Font v2. In 2011, he designed RealScore Jazz Font Set for Sibelius and Finale. This is a third party music symbols font which can be used with Sibelius to produce handwritten music in a style similar to that of many jazz charts, including a complete script font for text, chord symbols, and hundreds of symbols for jazz and commercial music. The fonts set includes seven accompanying fonts to help transform the overall appearance of the music and titles. RealScore Sibelius includes these fonts: RealScore, RealScore Script, RealScore Extended, RealScore Oblique, RealScore Chords, RealScore Text, RealScore Special, RealScore Metronome, RealScore Time, RealScore Title. In 2020, he released the architectural lettering font family NorB Architect, NorB Architect CF, NorB Architect Pencil Condensed, NorB Architect Line and NorB Architect Pencil, Jazz Copyist (an informal comic book font), NorB Type Writer Roughen, NorB Croquis, Ricks Cafe, NorB Bop, NorB Cobalt, NorB TypeWriter, NorB Sans, NorB Sans Expanded, NorB Scribe, NorB Casual, NorB Chalk, NorB Pen, NorB Pen Cased, NorB Sketch, NorPen Script, NorB Comic (a comic book font), NorB Note, NorB Felt Tip, NorB Marker, NorB Felt Marker, and LeadSheet Pen. [Google] [MyFonts] [More] ⦿
Paramdeep Bahia	British graphic and type designer. His (commercial) fonts include LDN Digital (2008, a dot matrix face), Cono Blok (2008, a beautiful fat condensed display face), and D1 (heavy octagonal face). [Google] [More] ⦿
Priscila Bahiense	Designer from Recife, Brazil, b. 1983. Her typeface Srip Alic is based on the city street signs in Porto de Galinhas. Soldiers of Hell (2010, co-designed with Luciano Gonçalves) is a toy soldier silhouette dingbat font. Dafont link. [Google] [More] ⦿
Willi Bahner	Austrian art teacher who studied at the Akademie der bildenden Künste in Vienna. Born in 1806 in Neutitschein, he died in 1981 in Vienna. He was Professor at the Universität der bildenden Künste in Vienna. In 1943, he created the unpublished metal typeface Wega. Samples of Wega can be found in the Hessischen Landesmuseum. Klingspor link. [Google] [More] ⦿
Teuku Marjan Bahrainy	Aka Aponjohn and FLStudio and Fittingline Type Supply and Apon Bahrainy and Teuku Bahrainy, est. 2015. Aceh, Indonesia-based designer (b. 1994) of the fifties style connected calligraphic script typeface Guarddilla (2016), the calligraphic Ayunda (2016), Eye Catcher (2016) and Callpedia Script (2016), Callpedia Sans (2016), Elfa Brush (2016), and the handwriting fonts Malaga Diary (2016) and Feelter (2016). Typefaces from 2017: Story of Butterfly (rough brush script), Fabitha Script (elegant and upright), Jet Seat Script (hairline), Saythis Script (formal calligraphy), Nafigat Script (calligraphic), Staylish Script (upright calligraphic script). Typefaces from 2018: Milestone (a signature font). Typefaces from 2019: Anna Marseinta (calligraphic script), Aidercy (script). Typefaces from 2020: Ahsan Sinta (a wild calligraphic script), Notulen Serif Display [inside the font, we learn that the designer is in fact Sarwo Edi], Timphan Brush (a wonderful rough brush script), Mabista Script (a calligraphic script). Typefaces from 2021: Nurbaya Script (calligraphic), Kalimat Script (a painted script). Behance link for Teuku Bahraini. [Google] [MyFonts] [More] ⦿
Jens Bähring	FontStructor who made the tall typeface Second One (2012) and the pixelish First Time (2012). [Google] [More] ⦿
Saiful Bahri	Sleman (Yogyakarta), Indonesia-based designer (b. 1995) of Bellisya Signature (2020), the script typeface Tessla (2020) and the brush typeface Crafter (2020). Typefaces from 2021: Beth Harmone (a stylish typeface with art nouveau traits), Seriffity (a display serif), Hashira Mt (a decorative serif), Mariyam (a wild inky script). [Google] [MyFonts] [More] ⦿
Kawthar Bahsoun	Lebanese designer of the Latin display typeface Bicycle (2015). [Google] [More] ⦿
Neha Bahuguna	Neha is a graduate from the National Institute of Design (NID), Ahmedabad. Based in Mumbai, she co-designed Kunkun Devanagari in 2012 with Satya Rajpurohit at Indian Type Foundry. [Google] [More] ⦿
Mario Baia	Lisbon, Portugal-based designer of the octagonal typeface Subliminal Numbers (2017). [Google] [More] ⦿
Anna Bai	During her studies in Athens, Greece, Anna bai designed the symbolic typeface Mandala (2016). [Google] [More] ⦿
Elya Baibikova	As a student at British Higher School of Art & Design in Moscow, Elya Baibikova designed the Scream-style typeface Morkva (2015). [Google] [More] ⦿
Cristi Baic	Cristi Baic (Creative Art Fonts) is the creator in 2004 of the CA Europa pixel font series which can be found here. [Google] [More] ⦿
John Baichtal	John Baichtal (Famished.org) is the designer (b. 1971) of the art deco typeface Cronus (2002), Globe (a pixel font), Addled, Creamed Corn, 121, Boa Hamata, One Twenty One, November 14th, Peanut, Pinnacle (a deformed font), Plateau, Quigley, Skinny, Stogie, the kitchen tile typeface Abacus (2002), Equanimity Stencil (2002), Ripsaw (a Tuscan display font, 2002), Girder (2002), Equanimity Linked (2002), Faxt (2002, pixel font), Purvey Grecian (2002), Gold (2002, sans serif), Mullet (2002), Eidolon (2002), Sloth, Tourmaline (a great art deco typeface with many gorgeous ligatures), Transaction, Octuple, Mullet (2002, sans), Hellios (2002, a bitmap stencil font with spikes), Nairoby (2002, experimental), Tray (2002), and Dactylic (2003, octagonal). Some free Mac fonts are supposed to be here. [Google] [More] ⦿
Fadly Baidowy	Jakarta-based designer, b. 1985. He created the squarish Cross Screw (2010). [Google] [More] ⦿
Yugchhaya Baid	New Delhi-based designer of the monoline display sans typeface Shalet (2015). [Google] [More] ⦿
Crystal Baier	Aka Design Shark. Conroe, TX-based designer of these display typefaces in 2017: Roasted Chestnuts, Snowman Kisses, Milk for Santa, Christmas Wishes, Buffalo Plaid, Oh Deer, Candy Cane Cutie, f-Stop, Chunkster, Winter Holiday, Starry Sky, Snowball Fight (connect-the-dots), Sneaker Girl, Semi Charmed Life, I Love Books, Goal Line, Felty Dot, Fairytale Forest (curly, vampirish), Fairy Dust (hyper-curly), Dots A Lot (connect-the-dots script), Dream Days, Christmas Sweater (a stitching font), Be My Honeybee, Apple Pie, Outline Sketch, Dreams, Kids Kick, Dorm Days, Cookie Cutter, Morning Coffee, Holly days, Magical Unicorn, Maniac Monday, Hot Chocolate, Quirky Engraver. Typefaces from 2018: Pastry Shoppe, Tomcat, Kindergarten Teacher, Hollywood Gothic, Messy Life, Sleepy Puppy, Spooky Nights, Thin Man, Wine Not, Honeysuckle, Love Always. [Google] [More] ⦿
Florian Baier	German type designer. [Google] [MyFonts] [More] ⦿
Manfred Baierl	Manfred Baierl created the screen fonts Mini-5 and Mini-7 for 5pt and 7pt screen text in 2001. He also created the old typewriter font AltAdler, and the dot font Punkt. Free downloads. He sells Fishsoup, a type 1 font consisting of a smorgasbord of type styles. His pages have lots of useful discussions and links, not least of which is Bembo's Zoo. Check also on-line converter for typographic measurements, Top 10 typefaces, Information on the Euro. Download Ansicode (ANSI numbers replace characters). [Google] [More] ⦿
Yvonne Baier	German designer (b. 1983, Ulm) of the zebra-inspired rotor blade typeface Rotor (2009, Avoid Red Arrows). Klingspor link. [Google] [More] ⦿
Alnis Baig	Lahore, Pakistan-based designer of the fingerprint Latin typeface Finger Prints (2015). [Google] [More] ⦿
Saud Baig	Lahore, Pakistan-based designer of the wooden plank-themed typeface Wood (2017). [Google] [More] ⦿
Victoire Baigts	Paris-based graphic designer who created the modular pixelish typeface Hama in 2016 during her studies at ECV Paris. Behance link. [Google] [More] ⦿
Charley Bailey	During her studies at Chelsea School of Art, UAL, Charley Bailey (London, UK) created the hairline display typeface Fringe (2015). Behance link. [Google] [More] ⦿
Dan Bailey	Fontosaurus (est. 1996) has about 75 original giftware fonts by Dan Bailey (b. Minnesota, 1972) from Eagan, MN and now Coon Rapids, MN: Blowfish (2001), Negotiated (2006), GhettoBooty (2003), Laika (2003), Amerinese, Heptathalon, Riffic (2002), XMR (2002), Amerikatakana (2002), Experimenta (2002), Tapdance (2002, a great ultra-high contrast Broadway face), Casual Roman (2002, not free), Casual Roman Capitals (2002, not free), Heater (2001), Crank (2001), Halloweenies (2001), GaramOrbital (2001), Microbial (2001, pixelized), Inception (20USD), Fallen Thyme (a hacker font: letters are overlayed in Chank Diesel's Thymesans), Candycorn Overdose (2001), Statebats (2001), Whackbats (2001), 5by (bitmap font for the Mac), Deadwrong (2001), Alien Artifact (2001), Hoodoo Two (2001), Noonan (2001), YChrome (2001), Martini (2001), DresdenFirestorm (2001), Backlash, Brainwave, Whiplash, BlockheadInsecure, Blockhead, BlockheadSpeedy, CancunSiesta, CitizenDick (double writing), CSDAnorexic, CSDMegabold, CSDNormal, CSDPhattie, Danwriting, Eagan, Ebola Jones (2001), FallenDirty, Fallen, KaffeinePsychosisHeavy, KaffeinePsychosis, LucidityNormal, LuciditySlasher, MankatoHalfwit (outlines), MarsColony, MyFriendPoopa, OralExpulsive, Preternatural, Psychoactives (great!), RadiationBurn, Soviet2002, Starvetica, 989MaxProtect, Ablative (2001), Crackaddict, Harleysville, Juggernaut, LoveBot (a mashed Times Condensed), Packer, Sexypants (reworking of Calligraphic 421), Shadowboxer, Skylab (2000), Arduous, Bewbz, BungholioSurprise, Crotchrot, Numatrix, Oddziab, RonnieRaygun, Rusch (2006), Runningback, 1978NYC, Erg, Exclaim, Gigaton, Grackle, Kiloton, MashedPotatoes, Megaton, Moonbase, Mullet, Pornstar, PornStarAcademy, Scumbucket, SnowCrash (hacker face), Speeddealer, SpringBreak, Statebats. Gumbo (2001) and Tirade (2001) are commercial. Does also custom work. At some point, it was part of the Chank Army, where Fontosaurus had the commercial pixel font Noonan (2002). Interview. Creator of Jantze (2003), a comic book font based on the cartoon The Norm by Michael Jantze, and whose profits will go to the Lance Armstrong Foundation. Dafont link. MyFonts link. [Google] [MyFonts] [More] ⦿
David Bailey	Graduate of Drexel University, where he studied under John Langdon, and now a freelance letterer and logo designer based in Alameda, CA, and a type designer at Delve Fonts. His web site was originally called Bezier Wrangler. In 2016, he finished the post-graduate type design program at Type@Copper West. His typefaces: Modern Blackletter (2005) and this grotesk display font (2006). Overpass (2011, Delve Withrington and Dave Bailey). Sponsored by Red Hat, and inspired by Highway Gothic, a set of sans-serif typefaces developed by the United States Federal Highway Administration and used for road signage in the USA (but also used in many other countries), and freely available from Github and Open Font Library. See also Transpass (2011-2019). The layerable Western style display font Discourse (2012-2014, published by Delve Fonts). Prospectus (2018, Lost Type). An angular typeface family inspired by Oldrich Menhart. Summa Inline (2018). An exquisite typeface, it is unclear who did the digitization, Delve Withrington (Delve Fonts) or Dave Bailey (on whose web site the typeface is showcased). [Google] [More] ⦿
Frank E. Bailey	ZETAFonts, run by Frank E. Bailey, is located in Johannesburg, South Africa. His typefaces include Bloxxx Extra Bold (2010), Caligula Dodgy (2010: a Trajan caps face), Neil Normal, Shoom Vertical, Roller Bollocks, FreakE Beta, Reservoir Grunge (1999, a digital version of Aurora Grotesk), Rund Marker (2010: a felt tip font), Feena Casual, Shoom Vertical (2010: a monoline techno squarish sans). Dafont link. [Google] [More] ⦿
Jason Bailey	Designer in the FUSE 18 collection of Sclerosisscript. [Google] [More] ⦿
Jessica Bailey	Designer in Truro, UK, specializing in fashion graphics. Her typeface Fashion Studio (2014) was custom designed for Fashion Studio Magazine. Behance link. [Google] [More] ⦿
Kevin Bailey	Graphic designer in Dallas, TX. Creator of ITC Bailey Quad (1996), the ITC Bailey Sans Book family (1996), and the fat-lettered font ITC Liverpool in 1999. Linotype link. FontShop link. [Google] [MyFonts] [More] ⦿
Matt Bailey	Bay City, MI-based designer of Spartan MB (2017), a free seven-style font family that extends the single-weight League Spartan (2014, The League of Movable Type). An open-source typeface based on early 20th century American geometric sans serifs. Built out of necessity. Originally designed by Matt Bailey. In 2020, Mirko Velimirovic converted Spartan MB to a variable font. See Google Fonts and Github. In 2020, we find two derived fonts, Corey Sans, and Lucymar Sans (by Cristiano Sobral) on Open Font Library. In 2019, he released the rounded geometric sans typeface Pastrami. Typefaces from 2020: Latte (a vintage serif family in 16 styles and a variable font). Fontsquirrel link. Open Font Library link. [Google] [MyFonts] [More] ⦿
M.J. Bailey	M.J. Bailey (GD Fonts) is a student at Saginaw Valley State University (MI). In 2011, he created the grungy hand-printed typefaces Loose Ends and Sea Turtle. [Google] [More] ⦿
Rhett Bailey	Dallas, TX-based designer (b. 1990) of the handcrafted poster typeface Stuck (2015). [Google] [More] ⦿
Sean Bailey	Sean Bailey (aka FonTek, and aka theonesean) is the FontStructor who created the fonts Dominoes (2011), ASD font (2011), Raundi (2011) and Circles Etc (2011, a dot matrix face). [Google] [More] ⦿
Steve Bailey	Steve Bailey is the designer (b. UK, 1984) of DigitalDream (2003), an LED font. Alternate URL. [Google] [More] ⦿
Steve Bailgamis	Greek designer of the techno typefaces Project and Project Goodies (2010, FontStruct). [Google] [More] ⦿
Nicolas Baillargeon	Nicolas Baillargeon (Montreal) is a talented art director. His campaign for Tabasco (2011) is outstanding. In 2011, he made an unnamed 3d typeface and the curly family Shoelace. Reserva (2011) is a vintage stencil family made for a brand called Reserve 51 for the Bâton Rouge restaurant. [Google] [More] ⦿
Julien Bailleux	Auckland, New Zealand-based graphic designer who sells his creations as NrthPrk and North Park (located in Paris). designer of the signage-inspired retail typeface Bar Cap (2015), the slab serif Nixon Caps (2013), and Scrawler (2013, all caps sans serif). He also made Sustainable Resource Icons (2015) and Sport Icons (2013). Graphicriver link. Behance link for North Park. Behance link. [Google] [More] ⦿
Camille Baillot	Parisian designer of Wim Crouwel Type (2015, together with Sabine Condiescu and Julie Soudanne) and the experimental typeface Akot (2015). Behance link. [Google] [More] ⦿
Theresa Rezzyn Bail	Denver, CO-based creator (b. 1973) of these free dingbat fonts: ReZZyN'SHeartsDesire (2008), ReZZyN'S-KissNBuds (2008), ReZZyNSScrolls (2008), ReZZyN'SHeartsDesire (2008), ReZZyNTattoo1 (2008). Alternate URL. Before that, she was known as Theresa Mustaccio and Theresa Mustaccio-Bail and Theresa Bail, and had a web presence called Fontageous. She was (is?) a bridal consultant and seamstress from Northglenn, CO, who offered her own font designs: HotHotHot, Fiesta, Computer Calculator, TheresaDolphins, WeddingCelebrationsDings, Bail Celebrations, Theresa Cursive Hand (2001), Chicken Hatchlings (1998), BailPlayfulDolphins (1998), PotOfGold (alphadings, 1998), Wedding Script Bail (1999), Swyfp, Dawson's Creek (1998, see also here), Tamagotchi, FemaleBodyParts (demo), WedDing (1998), Heads. [Google] [More] ⦿
Todd Bainbridge	Todd Bainbridge at Frankenfonts is the designer of CultLove, CultFonts, CultLove Ornate (2000), FF Nosebleed (2001) and FF Cultbats (2001). Fontspace link [Google] [More] ⦿
Devon Bain	During his studies in New York City, Devon Bain designed the hexagonal typeface Hexagon (2017). [Google] [More] ⦿
John Baine	Scottish type founder from Edinburgh who was active during the second half of the 17th century. He started out in St. Andrews in 1742 in partnership with Alexander Wilson when thwey co-founded the Wilson Foundry there, but moved in 1744 to Glasgow and in 1749 to London (when his partnership with Wilson ended) and in 1768 to Edinburgh. In 1787, he published "A Specimen of Printing Types, By John Baine&Grandson in Co", and emigrated to Philadelphia, where he set up a foundry. The elder Baine died in 1790, and his grandson continued until 1799, when he sold the equipment to Binny&Ronaldson for $300. [Google] [More] ⦿
Jon Baines	Located in Portsmouth, UK, Jon Baines is a web designer and advertising person. He created a super-fat font called Square in 2009. [Google] [More] ⦿
Phil Baines	British graphic designer who was born in 1958 in Kendal, Westmorland, and died in 2024. Baines graduated from St Martin's School of Art in 1985 and the Royal College of Art in 1987. He worked as a freelance graphic designer, was Professor of Typography at Central Saint Martins College of Art&Design (now a university) in London (from 1991 until retiement), ran Phil Baines Studio, maintained Public Lettering (about type found in cities), and was Typographic Advisor to the Central Lettering Record CD-Rom project. He designed FUSE Classic 1, Can You (1989), Ushaw (FUSE 8, FontShop, 1993), Toulon (1994), Horncastle (1994), VereDignum LT Std in Alternate, Decorative and Regular weights (2003, Linotype Taketype 5 collection) and Can You Read Me (FUSE 1, 1991). His pages on public lettering in London. His books include Signs, lettering in the environment (with Catherine Dixon, 2003) and Type&Typography (2002, with Andrew Haslam). Author of Rookledge’s Classic International Typefinder (Christopher Perfect, Gordon Rookledge, Phil Baines). At ATypI 2007 in Brighton, he spoke on From the Motor Car Act to motorways. He has also a good reputation for taking people on typographic city tours, as he did in 2006 at ATypI in Lisbon, and at ATypI 2010 in Dublin. Linotype link. FontShop link. Speaker at ATypI 2010 in Dublin in which he explained how he and Catherine Dixon produced the lettering for the Pozza Palace in Dubrovnik on commission for the Serbian Orthodox Church. Obituary in The Guardian. [Google] [MyFonts] [More] ⦿
Angelica Baini	Angelica Baini was born in Castiglion Fiorentino, Italy in 1990. During her studies at the New World School of the Arts in Miami, FL, she designed the blackletter typeface Infinitüm (2013), which can be bought from Ten Dollar Fonts and The Designers Foundry. Creator of the alchemic typeface Marina (2012). In 2014, she designed the retro diner signage font Nighthawk Script. In 2017, Tatiana Gancedo and Angelica Baini co-designed the free modular typeface Renasci. Behance link. Cargo Collective link. You Work For Them link. [Google] [More] ⦿
Michael Bain	Designer in 1994 of BigFella and of the grunge font MK Ultra at Garagefonts. In 1993, he did TBickle and Tooth31, also at Garagefonts. [Google] [More] ⦿
Peter Bain	Incipit, or Peter Bain Design, was Peter Bain's type and graphic design studio in Brooklyn, New York. It closed down gradually between 2007 and 2010. Peter Bain received his M.F.A. in Design: Visual Communications from Virginia Commonwealth University. He was type director at Saatchi&Saatchi Advertising in New York, and taught at Parsons/The New School for Design and Pratt Institute in New York. After Saatchi, and before Incipit, he was freelancing. After Incipit, he relacted briefly to Virginia to attend VCU and then went on to Mississippi, where he was Assistant Professor of Art, Graphic Design at Mississippi State University. He lived then in nearby Starkville, MS. He is currently located in Birmingham, AL. He is best known for his wonderful book Blackletter: Type and National Identity (1998, with Paul Shaw). His photocomposition display typefaces were reedited and available in reproduction proofs (for a short time). The photocomposition display typefaces are in two-inch film format, as formerly used on machines such as the Typositor and Filmotype. They are being held in storage, and are no longer listed for that reason. PDF format list. Text format of Bain's file. Bain says he built this from the Typositor type libraries formerly offered by Techni-Process Lettering and Pastore DePamphilis Rampone, which he bought at an auction. Report on his talk in London on blackletter type (2003). MyFonts sells the 4-weight Josef Albers-inspired stencil family Gridiot (2003-2011). His thoughts about the art of Albers: Remember, any idiot can design a typeface on a grid: Gridiot. Speaker at ATypI 2006 in Lisbon. Speaker at ATypI 2013 in Amsterdam. MyFonts link. Behance link. Peter Bain Design. [Google] [MyFonts] [More] ⦿
Carola Baiotti	During her studies at IAAD (Istituto di Arte Applicata e Design), Turin-based Carola Baiotti designed the octagonal typeface Optagon (2016). [Google] [More] ⦿
Ken Baird	Creator of the circuit font Chiptype (2015). [Google] [More] ⦿
Ken Baird	Melbourne-based designer of the solid geometric figure typeface Azpac (2013) and of the kitchen tile typeface Geometric (2013). Behance link. [Google] [More] ⦿
Matt Baird	Glyphon (Greenville, SC) is the type foundry of American type designer Matt Baird. In 2012, Matt designed the nibbed typeface Yeti. [Google] [MyFonts] [More] ⦿
Alex Baisan	Alex Baisan (Valencia, Spain) designed Soul Trumpet (2013), a display typeface. Behance link. [Google] [More] ⦿
Alex Bait	Moscow-based designer of the Cyrillic typeface Gore (2015), which is a hybrid of Kekur and Paratype's Rodeo. In 2015, he designed the free vector format font Shadow Cross. [Google] [More] ⦿
Stephan Baitz	German designer of the freeware font Alphabet of the Magi, Alphabet of Daggers, and of Masonic-Rosicrucean (1997). [Google] [More] ⦿
Yihe Bai	Beijing, China-based designer (b. 1987) of the experimental Latin typeface Yarn (2012). Behance link. [Google] [More] ⦿
Dipali Bajaj	At the Savannah College of Art & Design in Savannah, GA, Dipali Bajaj created the thin symmetry-themed sans typeface Twins (2016). [Google] [More] ⦿
Martin Bajanik	Slovak designer of the experimental typeface Benka (2001) and of the pictogram typeface Via Dolorosa (2002). [Google] [More] ⦿
Luka Bajic	Luka Bajic (Johannesburg, South Africa) created the hand-printed poster typeface Luka (2013) during his studies. [Google] [More] ⦿
Raneem Bajnaid	Jeddah, Saudi Arabia-based designer of Two Lines (Latin and Arabic) (2015). [Google] [More] ⦿
Valentin Bajolle	Paris-based designer of the display typeface Marmo (2018). [Google] [More] ⦿
Valentin Bajolle	In 2018, together with Virgile Flores, Paris-based Valentin Bajolle designed the variable with typeface La Gomme, which was inspired by the Pirelli logotype. In 2015, he made the modular typeface Herbie Hancock. [Google] [More] ⦿
Anna Bajorek	Detroit, MI-based designer of the display typeface Regal (2018). [Google] [More] ⦿
Tomaso Baj	Gironico, Como, Italy-based designer of the retro sans all caps typeface Aero Club Como (2013-2014). In 2012, he created Archiquadro, a Bauhaus style piano key stencil face. Another URL. [Google] [More] ⦿
Liene Bakane	During her studies, Cesis, Latvia-based Liene Bakane designed a thin Latin display typeface (2015). [Google] [More] ⦿
Alexandr Bakanov	Artist and illustrator in Kazakhstan. Specializing in decorative caps typefaces, he created Isometric (2015, 3d caps), Funny Cartoon (2015), Mechanical (2015), Headline Serif (2015), Funny Summer (2015), Cartoon Robot (2015), Cartoon Colorful Robot (2015), and Headline Bold Serif (2015). In 2016, he designed the vector format typeface Aweseome Script. [Google] [More] ⦿
Wafiy Bakar	Bandar Seri Begawan, Brunei-based designer of the free display typeface Blek Hol (2018). [Google] [More] ⦿
Aggelos Bakas	Greek graphic and type designer, b. 1954. He studied typography at London College of Printing. Since 1997 he designs and publishes the magazine Akro. He was a professor at Graphic Design Department of University of Wales College Newport and Creative Director of Basis, an advertising company based in Thessaloniki. He collaborates with Cannibal since 1999, where he designed Darkroom CF (brush face) and Smooth CF Condensed. . Klingspor link. [Google] [More] ⦿
Daniel Bak	Artcity is a digital type foundry and lettering studio based in Legionowa, Poland. Artcity specializes in designing fonts for comic books and books for children. The principal, Daniel Bak, is the Warsaw, Poland-based designer of the free monoline signage typeface Sweet Melody (2012). In 2014, Sweet Melody became a commercial typeface. He also designed the comic book typefaces Wormtongue, Fatality, Uzurpator (2014) and Angry Ronin (2014), the hand-printed typeface Danny, the techno typeface Technikolor (2014), the poster typeface Jeffs Garage, the Latin/Cyrillic children's book font family Zira (2014), and the Latin / Cyrillic / Greek children's book typeface Cornelius (2014). In 2018, he published Baobab. Typefaces from 2022: Handcraft (a scrapbook script). Dafont link. Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿
Andrew R. Baker	Graphic designer from York, PA, who created Shard (2003). [Google] [More] ⦿
Arthur Baker	American calligrapher in Andover, MA, who worked for many foundries, and ran several studios. He ran Glyph Systems in Andover, MA, and before that, Alpha Omega and Maverick Designs. Baker grew up in Berkeley, CA, and attended school on the West Coast and New York City. After serving in the U.S. Army, he studied under calligrapher Oscar Ogg and had private lessons with George Salter and Tommy Thompson. Some of Baker's earliest designs were made available through Photo-Lettering Inc., and his first widely-available commercial typeface was published in 1965. Baker's first book was published in 1973. Arthur Baker died in 2016 at the age of 86. Tribute by Allan Haley. His typefaces were all calligraphic: Amigo (Adobe), Amigo (Linotype). Designed by Arthur Baker in 1989 for Agfa Compugraphic, Amigo is based on spontaneous pen lettering and an exaggerated calligraphic look. Arrows (Arthur Baker). Made in 1995. Baker Signet (Monotype), Baker Signet (Bitstream), Baker Signet (Adobe), Baker Signet (Linotype). Originally designed as a photo type in 1965 for VGC, it was Baker's first commercial design. Baker Signet features in the word Coke on the Coca Cola bottles. Halley writes: Tall ascenders and angled weight transfer show a subtle foundation in late 15th century typefaces. Baker Signet can also be found at VGC as Baker Argentina No 1 (1976) and Baker Danmark One (1976). Baker Signet, in its display text weights, was at the basis of Sigvar (Softmaker). Calligraphica (Arthur Baker), Calligraphica (IHOF). Created in 1995. Cold Mountain (Arthur Baker). Designed in 1995. Collier Script (Arthur Baker). Designed in 1995. Daybreak (Arthur Baker). Designed in 1995. Duckweed (Arthur Baker), Duckweed Sans (Arthur Baker). Designed in 1995. Feathers (Arthur Baker), Fishface (Arthur Baker), Florettes (Arthur Baker), Flowery (Arthur Baker), Hands (Arthur Baker). Designed in 1995. Hiroshige Sans (Arthur Baker), Hiroshige (Adobe). Hiroshige was designed in 1986 by Cynthia Hollandsworth of AlphaOmega Typography, Inc. The typeface was originally commissioned for a book of woodblock prints by nineteenth-century Japanese artist Ando Hiroshige, whose work influenced many impressionist artists. Hiroshige Sans (Arthur Baker) followed in 1995. ITC Tiepolo (ITC), ITC Tiepolo (Adobe). Tiepolo was designed at AlphaOmega Typography for the International Typeface Corporation in 1987. Kigali (Arthur Baker), Kigali (Adobe). Designed by Arthur Baker in 1994 for URW, Kigali is a wide-bodied display type with bold, uneven pen-drawn strokes that taper dramatically downward. There also is a textured version called Kigali ZigZag. Marigold (Monotype), Marigold (Adobe). Marigold was first released by Agfa Compugraphic in 1989. Mercator (Arthur Baker), Mercator (IHOF). Designed in 1995. Based on the lettering of Flemish map maker Gerardus Mercator (1512-1594). The Maverick Designs Collection (1994): New Amigo (Arthur Baker), New Marigold (Arthur Baker), New Oxford (Arthur Baker), New Pelican (Arthur Baker), New Visigoth (Arthur Baker). Oakgraphic (Arthur Baker). Designed in 1995. Oxford (Adobe). Designed for Agfa Compugraphic in 1989. It is a robust and lively non-connecting script with several bi-form characters. P22 Matador (IHOF). P22 Matador (2007) is a contemporary Roman font based on the manuscript tradition (digitized by Michael Clark). Pelican (Linotype), Pelican (Adobe). Released by Agfa Compugraphic in 1989. Plumes (Arthur Baker). Designed in 1995. Sassafras (Arthur Baker), Sassafras (Adobe). Designed for URW in 1995, Sassafras is based on the natural inline effect created when writing with a split-metal nibbed pen. Swirls (1994), Swooshes (1994). Ornaments. Visigoth (Adobe), Visigoth (Linotype). Visigoth was created in 1988 by Arthur Baker for AlphaOmega Typography. He designed it specifically for setting the text of A Dante Bestiary published in 1989 for Ombondi Editions in New York. Some explanations by Freddy Nader: The Baker Argentina and Danmark typefaces were variations on his Signet. Baker originally made Signet for Headliners International in the 1960s, where he worked full time. In 1972 he was approached by VGC and told that they would pay him royalties as well if he made the same typeface for them. Royalties were a relatively new thing back then - Tommy Thompson was the very first person to ever earn royalties in type (in 1944 for his Thompson Quill script for Photo Lettering Inc), and he wasn't a type designer per se, he was a calligrapher. Lured by the idea of royalties coming his way from two different directions for the same face, Baker did a Signet for VGC. When Bob Evans, owner of Headliners, found out, he threatened to sue VGC for trademark infringement (copyright for typefaces was unheard of at the time - every major photo type house had "similar" fonts, and whenever someone got exclusives made by outside designers under a royalty program, it was only a matter of weeks before they were knocked off and changed slightly by other type houses, big and small). So in order to avoid a trademark infringement lawsuit, VGC called their typeface Baker Signet, instead of just Signet, and went further by asking Arthur Baker to make a lighter version and a condensed version. The lighter version was called Baker Argentina, the condensed version was called Baker Danmark. The "Number One" prefix was added to both so that when the inevitable knockoffs happened, type buyers would know which type was made first. About Baker Sans, Freddy writes: The Baker Sans was a knockoff of Helvetica. It was a massive family of a lot of fonts, rendered very ugly by camera stretching and slanting. Eddie Bauer used it as their corporate typeface for a long time in order to avoid the expensive fees of licensing Helvetica. Tim Ryan ended up digitizing it for Arthur Baker in the mid 1990s for a lot of money. That digital version is now being sold by ITF under one of its many companies (either Arthur Baker Design, or Arthur Baker Designs, or maybe Maverick Designs). MyFonts link. Klingspor link. View Arthur Baker's typefaces. Linotype link. MyFonts page. Another MyFonts page. And still another MyFonts page. FontShop link. View Arthur Baker's typefaces. [Google] [MyFonts] [More] ⦿
Ashleigh Baker	Graphic designer in Brisbane, Australia. Creator of a variable baseline blackboard bold typeface in 2013. [Google] [More] ⦿
Brian Baker	Brian Baker (b. 1983) at ThisAlso is the designer of the pixel font Auditorium8 (2002). [Google] [More] ⦿
Cassey Baker	Cassey Baker (Philadelphia) went on an experimental tour, and created a beautiful multilined multihued geometric typeface called Arc Nemesis Rainbow Display Typeface (2012). [Google] [More] ⦿
Cindy Baker	Several free original truetype dingbat fonts by Cindy Baker. Each font has just a few intricate and beautiful drawings. There are Baby'sBreath2, Baby'sBreathnativeamerican, BabysBreathEaster, BabysBreathStPats, Kids, CindyBaker, and a few other fonts. [Google] [More] ⦿
Danii Baker	Toronto-based designer of the ornamental unicase typeface Flash (2013). [Google] [More] ⦿
Darrik Baker	Lake Forest-based designer (b. 1991) of the manipulated font Instant Message Freak (2006). Dafont link. [Google] [More] ⦿
Georgia Baker	During her studies, Hamilton, New Zealand-based Georgia Baker created the didone typeface Black Estate (2015). [Google] [More] ⦿
Hannah Baker	Sydney-based creator of Media Typeface (2012). [Google] [More] ⦿
Jerod Baker	Student at the University of Kansas in Lawrence, KS, in 2014. Creator of the constructivist typeface Tundra (2014). [Google] [More] ⦿
Joe Baker	Joe Baker graduated from University College Falmouth, Cornwall, in 2012, and is a freelance designer based in London. Creator of Part (2012). [Google] [More] ⦿
Joey Baker	Using iFontMaker, Joey Baker created Mobile's Font (2011). [Google] [More] ⦿
Joy Anne Baker	Joy Anne Baker designed "Stargate SG1 Address Glyphs" (2000). [Google] [More] ⦿
Kristen Baker	During her studies at Anderson University in Anderson, SC, Kristen Baker created Draper (2012), a typeface custom-designed for Modcloth, an online vintage, indie, retro clothing company. [Google] [More] ⦿
Leah Baker	Parkersburg, WV-based designer of New Alphabet (2014). [Google] [More] ⦿
Mary Kate Baker	Mary Kate Baker (Amherst, NY) works for Apple. In 2015, she created the squarish sci-fi typeface Qube. [Google] [More] ⦿
Norman Baker	Designer at FontStruct in 2008 of bauhouse, i_love_fontstruct (horizontal stencil). [Google] [More] ⦿
Paul Baker	Paul Baker's type-related book, right here on the web. He created Alphabet26 in 2001, an implementation of a unicase font proposal by Bradbury Thompson. Writings on "Evaluating typography and typesetting". He digitized Andromaque Uncial (1958, Victor Hammer) in 1995. [Google] [More] ⦿
Peter S. Baker	Peter S. Baker, an English professor at the University of Virginia, offers free TrueType and PostScript fonts. these include: Anglo-Saxon Caps. Beowulf-1 (1995, a pseudo-Gaelic face; BeowulfOT dates from 2018). Bury Caps (2014, free at OFL). This decorative typeface was inspired by the display capitals in the 12th-century Bury Bible. The elegant Carolingian typeface Eadui (2010), a reproduction of English Caroline Minuscule as written by Eadui Basan, a scribe at eleventh-century Christ Church, Canterbury. Elstob (2018-2019). A variable font for for medievalists. He writes: The Elstob font, named for Elizabeth Elstob (1683-1756), a celebrated early scholar of Old English language and literature, is based on the Double Pica commissioned by Bishop John Fell (1625-1686) for the use of the Oxford University Press. Wherever possible, it is modeled on a specimen book printed in 1925 with type cast in the 1890s from the seventeenth-century matrices; digital images from the 1693 and 1706 Fell specimen books served as backup, and also an early eighteenth-century folio in which a lengthy dedication was printed in Fell's Double Pica. The type doesn't have a great reputation: the typographer Stanley Morison thought it amateurish in comparison with the excellent Fell English. However, its angular character (especially its flat or flattish serifs with minimal or no brackets) makes it well suited to adaptation as a variable font. Interlace Set (2015). A dingbat font for making Hiberno-Saxon interlace patterns. The important and well-designed Junius family (1996, modern hybrid Gaelic). This led to Junicode, the working name of a Unicode font for medievalists. The fonts in the latter project are Junicode-Bold, JunicodeItalic, Junicode (2002), and are by Peter S. Baker and Briery Creek Software. André G. Isaak writes: Junicode isn't the only free font for mediaevalists out there, but it's certainly one of the two most well-designed ones (the other being Andron Scriptor). I used to teach courses on the history of English and I used Junius (the predecessor of Junicode) for many of my handouts because I preferred it to all of the commercial fonts which I had looked at. In 2020, Junicode was rebuilt into JuniusX or Junicode New. Alternate URL. Dafont link. Open Font Library link, where he is known as psb6m. Fontspace link. Link to his foundry, Thornbec Staefwyrhtan. Github link. [Google] [More] ⦿
Ray Baker	Designer who worked for VGC in the phototypesetting era. He created ITC Quorum in 1977, a font halfway between serif and sans, and the wide copperplate sansserif font ITC Newtext in 1974. Digital versions of the latter exist at Elsner&Flake and Softmaker [Q853 Flare and Quagga on the SoftMaker MegaFont XXL CD, 2002]. At Filmotype, he made the brush script typeface LaSalle (1950s), which was digitized in 2008 by Stuart Sandler at Font Bros in 2008 as Filmotype LaSalle. In 2010, MyFonts credits Patrick Griffin and Rebecca Alaccari with the digitization though. Other Filmotype typefaces digitized in 2011 include Filmotype Harmony (original from 1950), Filmotype Kentucky (a 1955 original), Filmotype Kingston (a 1953 original), Filmotype Hamlet (a 1955 original), all in the connected signage type category, and all done by Patrick Griffin and Rebecca Alaccari. The latter two also digitized Filmotype Lucky (2012), a signage typeface from 1953. Bio at Linotype. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Samantha Dion Baker	Graphic designer and illustrator in Brooklyn, NY. Alex Sheyn and Samantha Dion Baker co-designed the patterned typeface ATC Overlook Baker (Avondale Type Co) in 2014. She created several other patterned typefaces such as Lucky Peach Alphabet (for the magazine). [Google] [More] ⦿
Sarah Baker	During her studies in Sydney, Australia, sarah Baker created the cut up typeface Disassociate (2014). Behance link. [Google] [More] ⦿
Yousef Baker	Dubai, UAE-based designer of the triangulated typeface Abstract (2015) for Latin and Arabic. [Google] [More] ⦿
Luuk Bakfiets	FontStructor who made the halftone texture typeface Fox Talbot Print in 2013. [Google] [More] ⦿
John Bakhan	Seoul-based designer of Talking Font (2013, squarish and modular), Adel (2014, avant-garde sans) and an untitled connect-the-dots typeface (2014). Behance link. [Google] [More] ⦿
Marina Bakhireva	Russian type designer who created the dynamic hand-printed typeface Freaky (2009, Paratype). [Google] [MyFonts] [More] ⦿
Arya Bakhsheshi	Graduate from the College of Fine Arts, University of Tehran, 2012, b. 1988, Tehran. He created the Farsi typefaces Arya and Paakize in 2013. He currently works as a graphic designer in Salt Lake City, UT. [Google] [More] ⦿
Reza Bakhtiarifard	Graphic and type designer in Tehran, Iran, b. 1990, who has been showered with type design awards. Creator of the nine weight Arabic / Persian typeface Milad (2013), Novin Web (203, with Hirbod Lotfian), Ravi (2013, published by 29LT, Sheed (2014), Shafigh Bakh (2014), and Roya Bakh (2014). In 2015, he made Yekan Bakh, Chista UI and the handcrafted Leila. In 2017, together with Omid Emamiam, he designed the wonderful Farsi font Vazeh Quranic. Ray (by Reza Bakhtiarifard and Omid Emamiam) won an award at Granshan 2017. Both Ray and Vazeh won awards at TDC Typeface Design 2018. In 2017, he designed Nian for Arabic, Urdu, Kurdish and Jawi. Typefaces from 2018: Khameneir, MTN Irancell (with Omid Emamiam), Dabestan (a rounded monoline Arabic typeface by Reza Bakhtiarifard and Omid Emamiam). Typefaces from 2020: Ayendeh Bank Typeface (commissioned; with Mahdi Ershadi). Typefaces from 2021: Alibaba Travels Co Typeface (custom; with Mahdi Ershadi). Behance link. Newest Behance link. [Google] [More] ⦿
Cenk Bakir	In a time of turmoil for Turkey under the dictatorship of Erdogan, Istanbul-based Cenk Bakir designed Peace Type (2016). [Google] [More] ⦿
Sébastien Bakirci	Grenoble, France-based designer of the didone typeface Type Moderne in 2014, during a workshop given by Jean-Baptiste Levée and Yoann Minet. Behance link. [Google] [More] ⦿
Marcel Bakker	Dutch designer at FontStruct in 2008 of the nice art deco display typeface AlfaDeco. In 2009, he added Dicky and Dinny. [Google] [More] ⦿
Mivvho Bakkho	Japanese designer of the dripping blood font Bloodyslime (2007). [Google] [More] ⦿
Krzysiek Bak	Przysietnica, Poland-based designer of the free light sans typeface Kabe (2017). [Google] [More] ⦿
Darian Bakliza	Under the mentoship of Nikola Durek and Marko Hrastovec, Darian Bakliza (Zagreb, Croatia) designed the blackletter typeface Unholy (2017). [Google] [More] ⦿
Miesophie Bak	Copenhagen, Denmark-based designer of Gordita Sans (2015). [Google] [More] ⦿
Efrat Bakshitz	Israeli type designer at MasterFonts. He made Glukoz MF (2005). [Google] [MyFonts] [More] ⦿
Nelson Balaban	Brazilian graphic designer and well-known illustrator in Curitiba, Brazil, b. 1989. Creator of the high-contrast fashion mag typeface Accent (2011, free download in EPS format on his Behance site). Leigo (2011) is a custom magazine font with an art deco flair. In 2015, he designed the geometric display typeface Moncloa for the Moncloa Tea Boutique. In 2020, he designed Tuttan, a custom fashion mag typeface, for Brazilian rapper Rodrigo Nick. [Google] [More] ⦿
Iara Lopez Balagué	Buenos Aires-based designer of the Tuscan typeface Jolie (2012) and the display typerace Tiny Glow (2015), which were finished during her studies at FADU / UBA. [Google] [More] ⦿
Ahmet Burak Bal	Turkish designer at FontStruct of Q-Key (2008, rounded and fat), and Nano (2008, white on black, and squarish). [Google] [More] ⦿
Elena Balakhnova	Graphic designer in Shenzhen, China. ArtMy (2010) is an ornamental art nouveau typeface that was based on letters hand-drawn by herself. [Google] [More] ⦿
Claudia Balanean	Creator of the logo dingbat typeface EU Sym (2012). [Google] [More] ⦿
Nicu Balan	Bucharest-based designer of the experimental geometric typeface Linia (2013). [Google] [More] ⦿
Anthony Balanza	Graphic designer in San Diego, CA. Creator of the display sans Disconnected (2013): Disconnected is a typeface that was designed for Disconnected Salon in North Park, San Diego. The typeface was created to mimic the letters of Disconnected Salon's original logo. This typeface will also be used for a lot of Disconnected's upcoming marketing campaigns including Graphic Ts, billboards, and more. Behance link. [Google] [More] ⦿
Soledad Balarini	During her studies in Montevideo, Soledad Balarini designed the connected script typeface La Linea. [Google] [More] ⦿
Julia Borisovna Balasheva	Russian designer of the pictogram typeface Lubok typeface (2003, Linotype), which consists of cute fairy tale dingbats. The term lubok refers to a popular style of Russian folk art printing, which dates back to the 18th century. Lubok won an award at the Linotype International Type Design Contest 2003. [Google] [MyFonts] [More] ⦿
Nadezhda Balashova	Or Nadin Oldy. Perm, Russia-based designer of the handcrafted typefaces Winter Loves (2016, brush script), Mandarin Juicy (2016), Grumbler (2016), Careless (2016), Jovial (2016), Fabler (2016, hyper-curly, almost a vampire script) and Diletant (2016), and the script typeface Morning Regular (2016). Typefaces from 2019: Love Republic (script). [Google] [More] ⦿
Fedor Balashov	Designer (aka Opex) who used FontStruct in 2008 to create the typefaces font Wooster together with Alexei Vanyashin and Kate Semenova. He runs 110design in Moscow. [Google] [More] ⦿
Marios Balaskas	Freelance graphic designer in Athens, Greece, b. 1991, who created the rounded sans typeface Kiklo (2015, Latin and Greek) and the pixel typeface Pixi (2015) during his studies in Middlesex University. [Google] [More] ⦿
Ovidiu Balasoiu	Romanian designer of the sci-fi font Skynet Enterprise (2015) and Skynet.Enterprise - Regular Keyboard (2015, a revival of the Mac keyboard keys). Aka Skynet13 and Sjkynet Enterprise. Dafont link. [Google] [More] ⦿
Bogdan Balatchi	Graphic designer Bogdan Balatchi (DePlictis Type, and before that, ESS Fonts) graduated in 2004 from the Faculty of Arts of West University in Timisoara, Romania. Most of his work is inspired by old Slavic calligraphy. Bogdan created the display sans typeface Facebook Letter Faces (2011) and the medieval lettering typeface Kogaion ESS (2011), which are both free. Klauss (2011) and Pain in the sky (2011) are commercial soft techno typefaces. In 2012, Bogdan created the groovy typeface Best Party Of The Week-End. In 2020, he released BlinkHead (a modular typeface), Damasquine (an art deco-ish Greek enulation font), and Architype AD-2014. In 2021, he published Greuceanu (a decorative archaic typeface), Areon Flux (a modular typeface), Squadzone (an urban techno font) and the medieval font Monasterka (for Latin, Greek and Cyrillic). [Google] [MyFonts] [More] ⦿
balazs95	Hungarian creator (b. 1995) of the octagonal typeface Altera (2013), the hand-printed typeface Earth (2013), the pixel typeface Dots (2013), and the circle-based typeface Bublet (2013). In 2014, he designed the squarish typeface Mars and the display typeface NG. In 2016, he published the octagonal typeface Minimal. [Google] [More] ⦿
Maria Balbarrey	During her studies at FADU / UBA, Maria Balbarrey created the display typeface Ramona (2014) and the teardrop typeface Fresh Ness (2014). [Google] [More] ⦿
Marco Balbi	Creator of the iFontMaker fonts MabBig, MabCalligraphic, MabFantasy, MabHard, and MabSimplicitas (2010, hand-printed typefaces). [Google] [More] ⦿
Ignazio Balboa	Freelance designer in Lima, Peru, who created the bilined typeface Panibo (2012) and the circle-based monoline typeface Bahuaja (2013). Panibo is a free native symbol-inspired typeface. It was influenced by the culture of the Ucayali river communities. Free download. Codesigner (with Michael Prado) of the circle-based typeface Ena (Ena Kuei), which won an award at Tipos Latinos 2014. He writes: This project was born at the request of the Wildlife Conservation Society (WCS). The brief was to diffuse and protect the Bahuaja Sonene national park located in the rainforest of southern Peru. Behance link. [Google] [More] ⦿
Leonardo Cabrera Balboa	Graphic designer in Luque, Paraguay, who created the chromatic number typeface Circus Numeros in 2015. [Google] [More] ⦿
Cinthia Balbuena	Sydney, Australia-based designer of Clara (2018: a school font) and the free architecturally-inspired typeface Articular (2018). [Google] [More] ⦿
Marissa Balbuena	Student in the BFA program in Graphic Design and in the MS program in Management at the University of Florida. At Type Cooper 2021, she designed Kiko Display, a reverse contrast soft-edged typeface with curves that are influeb=nced by her favorite rooster. [Google] [More] ⦿
Pablo Balcells	Graviton is a small type foundry based in Buenos Aires, Argentina. It was founded by Argentinian type designer Pablo Balcells in 2013. Balcells created these typefaces in 2012, most of which cover both Latin and Cyrillic: Engranajes (bike gears), Eslava Inline, Eslava Double Line, Eslava Stencil, Eslava Solid, Eslava Outline, Solida (10-style sci-fi blocky sci-fi typeface), Pixelar, Armadura (a monoline octagonal typeface with a stencil style), Oboe (an ultra-fat blocky typeface), Cuantica (sci-fi) and Led. In 2013, he published Gubia (a condensed elliptical techno sans), Mensura (a gaspipe sans), Mensura Slab, Mensura Titling (all caps titling typeface family that includes outlined and stencil styles), Mensura Slab Titling, Herradura (an 8-style wide wood type slab serif), and LED. Typefaces from 2014: Necia (modular), Necia Stencil, Tecnica Stencil, Tecnica Slab Stencil, Aguda (modular geometric sans), Aguda Stencil, Cintra (gaspipe sans, +Stencil, +Inline, +Outline), Cintra Slab, Tecnica, Tecnica Slab. Typefaces from 2015: Violenta Slab (+Stencil, +Unicase, +Inline), Violenta (+Inline, +Unicase, +Stencil). Typefaces from 2016: Citadina (techno sans family). Still in 2016, Jeroen Krielaars and Pablo Balcells co-designed the animated pixel typeface Pixelar. Typefaces from 2017: Estricta (a slightly elliptical techno typeface), Ruda (+Ruda Unicase, +Ruda Stencil), Ruda Slab. Typefaces from 2018: Binaria (an octagonal family), Ordax (an industrial sans typeface by Pablo Balcells, Mariya Vasiljevna Pigoulevskaya and Donna Wearmouth). Typefaces from 2019: Electronica, Intensa, Masiva (a geometric sans). Typefaces from 2020: Holgada, Densa (an 8-style condensed sans), Nebulosa (a sci-fi typeface), Naftera (a squarish typeface). Typefaces from 2021: Tuerca (an 8-style octagonal typeface), Oxima (an 8-style technical sans). Fontsquirrel link. [Google] [MyFonts] [More] ⦿
Marta Balcer	During her studies in Poznan, Poland, Marta Balcer designed the old slavonic emulation typeface Baba Jaga (2017) for a board game. [Google] [More] ⦿
Tom Balchin	UK-based designer who graduated in graphic design from Central St. Martins in 2009. He made several typefaces, including Detain (2011, a high-contrast octagonal face), DDR 1967 (2011, an ultra-fat beauty). Behance link. [Google] [More] ⦿
Sophie Balch	UK-based FontStructor (student at Bristol UWE) who made the all caps chaos-themed font Pandemonium (2010). [Google] [More] ⦿
Sezen Balci	During her studies in Istanbul, Sezen Balci created the display typeface Pipot (2015). [Google] [More] ⦿
Giedre Balcytyte	Lithuanian-born Newcastle, UK-based designer (b. 1994) of a De Stijl genre typeface in 2016. [Google] [More] ⦿
Angie Baldelomar	Angie Baldelomar is a Lubbock, TX-based type designer at Fonted House, a type foundry she started in 2010 with Sara Snyder, with whom she co-designed the tall hand-printed caps typeface Canoe (2012). In 2013, she published the connected script typeface Matchmaker (Fonted House), the hand-printed Southern Belle, and the ampersand font Quirky Sands. Typefaces from 2014, now published under her own label, Angie Makes, include Graciela (hand-printed), Hollyhock (sribbly script), Milkmaid. In 2015, she made the script typefaces Flatland, Lovefern, Frolicky, Malarkey, Bellwethers, Snowberry (watercolor emulation) and Fetching. Typefaces from 2016: Halfback, Foxglow, Heathrow (a great connected script), Duckbite (a script). Still in 2016, she published the Font Bundle of Glory, which contains these handcrafted typefaces: Blacksheep, Claphands, Dahlia Darling, Fandangle, Fineday, Funfetti, Helsinki, Hola Bonita, Hoodwink, Ladyfinger, Okey Doke, Rockaby, Seafair, Shippey. Typefaces from 2017: Hartley (textured brush script). Dafont link. Creative Market link. Another Creative Market link. Aka Angie Makes. [Google] [MyFonts] [More] ⦿
Ferdie Balderas	Mexico City-based designer of the multilingual Le Hand hand-printed typeface, the sans display typeface Axima (2013, tweetware), the hand-printed typeface Engine, the hand-printed tweetware font L'Engineer, and the cartoonish futuristic font Neo Genesis in 2013. Typefaces from 2014: Silici (a tweetware marker pen font for Latn, Greek and Cyrillic). Behance link. Fontspring link. Devian Tart link. [Google] [More] ⦿
Mei Balderrama	Buenos Aires-based student-designer who created the signage typeface Hotter Type (2015). [Google] [More] ⦿
Yesica Balderrama	New York City-based designer of the minimalist fonts Nomnom (2014) and Square (2013). In 2014, she made the curly typeface Moon, and in 2015 the circle-based display family Milk. Behance link. Cargo collective link. [Google] [More] ⦿
Ron Baldesancho	Graphic and product designer in Vancouver, who made the quaint octagonal typeface Salvador (2012). [Google] [More] ⦿
Enrico Baldetti	Italian designer (b. Rome, 1973) who studied Industrial Design and Visual Communication at Rome University. He works sometimes in Paris. For the magazine 2A+P, he created the monospaced font 2A+P (2000) which evokes robots and synthesized voices. Mènil (1999) is a fluid informal sans family. He also made Jollymusic. Solid Script and Streetfont were made in 2004 for the French mag Worldsigns. [Google] [More] ⦿
André Baldinger	André Baldinger is the Swiss typographer and type designer (b. 1963) who made the Newut (1996, all letters of equal size, and thus a semi-unicase) and the B-Dot (pixel) families (1998). His outfit in Lausanne is called amb+. In 1994, he graduated from the Atélier National de Création Typographique (ANCT) in Paris. Since 1995, he teaches typography at the École supérieure d'arts visuels de Lausanne. He lives in Paris. Together with Philippe Millot, he heads the type design unit of the Creation and Innovation Research Centre (EnsadLab) at ENSAD Paris. He teaches typography and type design at the École Nationale Supérieure des Arts Décoratifs (ENSAD) and the Zurich University of the Arts (ZHdK). He was involved in projects such as the logotype for the Cité Universitaire and a custom type for the Eiffel tower. He also digitized the Frutiger-Hunziker typeface CGP (used in the Centre Georges Pompidou, originally designed in 1974) in 1997. The full list of his typefaces: AB BaldingerPro Font, AB BDot Font, AB BLine Font, AB CiteInter Font, AB Eiffel Font, AB Newut Font. Speaker at ATypI 2010 in Dublin where he introduced the Gering project. I cite: Based on a close analysis of typefaces created by Ulrich Gering at the Atelier de la Sorbonne and the Soleil d'Or workshop in the 1470s, the first typefaces produced in France, postgraduate students Timm Borg, Anthony Dathy, Perrine Saint Martin and Ok Kyung Yoon have been working on a versatile, modern font family for the last 2 years under the guidance and watchful eyes of André Baldinger and Philippe Millot. Focusing on two of Gering's designs --- a sturdy roman font that closely imitates the texture of blackletter and a roman with blackletter influences --- the EnsadLab team has developed a complete family, reviving the work of the father of the printed word in France and bringing together aesthetics rarely seen in such an ensemble. Working only a few hundred metres from the original site of Gering's workshop they have thoroughly reworked the letterforms found in the extant incunabula available in the Bibliothèque Nationale, complementing the original characters with italics, small caps, and supplementary weights, as well as all of the glyphs necessary in a 21st century font. Klingspor link. Home page. Old URL. [Google] [More] ⦿
Chico Baldini	Chico Baldini is a Brazilian designer. At ByType, a foundry in Sapiranga, Brazil, he published the Easter-themed dingbat typeface The World is a Bunny (2007, co-designed with Fabio Luiz Haag). [Google] [MyFonts] [More] ⦿
Florencia Baldini	Graduate from FADU, University of Buenos Aires, who created the italic script typeface Saint Firulet (2009). [Google] [More] ⦿
Giulia Jole Giuliana Baldini	Designer from Sydney. Creator of the angular magazine type Archi Sans (2011). [Google] [More] ⦿
Tommaso Baldi	Florence, Italy-based (co?)designer of Antipasto (2017), Cinematografica (2017), and Florentia (2017). Unclear what Tommaso's role was in these Zetafonts designs. [Google] [More] ⦿
Ramiro Baldivieso	Tarija, Bolivia-based graphic designer, b. 1986. Creator of the thin techno sans Typro (2012) and the counterless typeface Come Callado (2013, free). Other typefaces from 2013 include A Little Bit (pixel face), Hola Bitch, All Around (dot matrix font), Bolivia No Problem (FontStruct), All Round Free, The Enemy is Public (a FontStruct font), Mambo and White Lines. Typefaces from 2014: Mi Nombre Es Problema (brush face), Pan y Vino. In 2015, he made the graffiti font I Lost It In The Street, the dripping wax font Got Brain, and the script typeface Lazy Dog. Typefaces from 2015: Hell Yeah. Typefaces from 2019: Milky Letters. Dafont link. Behance link. Aka Stigma. [Google] [More] ⦿
Alexis Baldoma	Sao Paulo, Brazil-based designer of the display typeface Holograma (2014). [Google] [More] ⦿
Emmanuel Baldor	Rosario, Argentina-based codesigner of Fulbo (2019, with Alejo Bergmann). A free athletic lettering / soccer shirt font family published at Rostype. [Google] [More] ⦿
Jason Baldus	Designer of BubbleSheet (2009, Open Font Library), a sans typeface with letters inside circles. [Google] [More] ⦿
Amanda Baldwin	Amanda Baldwin (Mount Airy, MD, b. 1994) created the thin vintage typeface Peasant (2015). In 2015, she was a student at Liberty University in Lynchburg, VA. [Google] [More] ⦿
Darcy Baldwin	Darcy Baldwin (DJBFontography) is the Texas-based designer of these handwriting typefaces in 2007: DJBABITOFFLAIRE, DJBADEE1, DJBAMANDAG, DJBANGELA, DJBANNALISE, DJBANNETTEscript, DJBCHERE, DJBCHRISTINEC, DJBCINDA, DJBCINDAs, DJBDAWN, DJBDOODLEDOO, DJBELIZABETHK, DJBELKE1, DJBEMILYS, DJBEuroscript, DJBGINAE, DJBGISELLA, DJBJANELLE, DJBJANINE, DJBJENB2, DJBJENNA, DJBJENNIFER, DJBJENNIFERscript1, DJBJOAN, DJBJOYscript, DJBKATHERINE, DJBKATRINE, DJBKEELYB, DJBKEELYBscript, DJBKELLEY, DJBKENNAscript, DJBKIRA, DJBLINDSE1, DJBLINDY, DJBLIZ, DJBLORRAINE1, DJBMANDY, DJBMEGAN, DJBMETA2, DJBMISH, DJBMichael, DJBPOOKIEDOO, DJBRITA2, DJBSOFEE1, DJBTABITHAscript, DJBWENDY, DJBWENDYPscript, DJBWRITESALOT. In 2008, she made DJB Treasure Hunt, DJB Curlie Wurlie, DJB 2Cute4U, DJB Heart of Dixi. Fonts made in 2009: DJB For Annie, DJB Sloppy Joe. In 2011, she made DJB C Lyle Run, DJB Blueprint, DJB Crazy Goofy Cool, and DJB Cassandra. Typefaces designed in 2012: DJB Play Misty For Me (made in conjunction with Misty Cato), Bean Pole, DJB Liz, DJB Worn at the knees, DJB Cris Script, DJB Doodle Beans, DJB Squirly Q, DJB Jacked Up Kinda Luv, DJB Lena, DJB Pookiedoo, DJB Geeks Who Wear Glasses, DJB Brewhaus Special, DJB Emily's Garden (curly alphabet, co-designed with Lauren Grier), DJB Room Mother Script, Lucy Lu. In 2013, Darcy published the outline typeface Just an Outty (made together with Lauren Grier), the curly swirly DJB Swirl Me Around (made in conjunction with Shawna Clingerman), and the hand-printed DJB Boyfriend Jeans. In 2014, she made DJB Tweenybopper, DJB Holly Serif, DJB Chalk It Up, DJB Angel Baby, Upstairs at the Abbey (blackboard bold), Scruffy Angel, This Font Is Empty, All Cool Chicks, DJB Me and My Office, DJB Holly Serif, DJB Tweenybopper, DJB Angel Baby, DJB Holly Jolly, DJB All The Cool Chicks, DJB Doodle Beans, DJB Bad Stamp Job, DJB 2 Cute 4 U, DJB A Bit if Flaire, DJB I'm No Wizard, DJB Annalise The Bold, DJB This is my life, DJB This Font is Bold, DJB Holly Berry Wonderland, DJB Baby Bump, DJB Upstairs Downstairs, DJB Coffee Shoppe (Venti, Buzzed, Espresso), DJB Holly Enchanted, DJB Dear St. Nick, DJB Color Me Chic, DJB Coffee Shoppe Buzzed, DJB A Bit of Flaire, DJB Sarah Prints, DJB Monkey Scratches (scratched, sketched typeface), DJB This Font Is Worn, DJB Vintage Find Stamped (with Jennifer Barrette), DJB This Font Is Bold, DJB This Font Is Stressed, DJB This Font Is Empty, DJB Werecow of Danville, DJB Geordie Girl, DJB Fancy Nancy, DJB Fizza Wizza Wowza, DJB What A Babe, DJB Chubby Muffins, DJB Rubia's Tiny Print, DJB Chicken Scratchez, DJB High Zombie, DJB Holly Enchanted, DJB Coffeeshoppeespresso, DJBHeatherG, DJBZoraPrints, DJB Belly Button Outtie, DJB Skritch Skratch, DJB It's Full of Stars, DJB It's Full of Dots, DJB Doodle E Doo, DJB Mess in My Head, DJB Miss Liz, DJB About A Boy, DJB This Moment, DJB Danielle 2.0, DJB Merry, DJB BellyButton-Innie, DJB I Love A Ginger, Hand Stitched, Hand Penned, Baby Bump, Rubia Tuesday, DJB Bailey, DJB Emphatic, DJB You make Me Blush, DJB Doodled Bits, DJB Hunky Chunk, DJB Bad Stamp Job 1 (2), DJB In Such A Rush, DJB Sheldon's Girlfriend, DJB Uncertain Tense, DJB Holly Jolly B'Golly (a great poster typeface), DJB Lemon Head (hand-drawn), My Boyfriend's Handwriting, Sugar Shock. Typefaces from 2015: DJB On The Spot, DJB The Generic, DJB Nouveau (beatnik typeface), DJB Nouveau Straight, DJB Monogram Font, DJB Ransom Note Clipped, DJB-Another-Mandy, DJB-Dear-Mr-Claus, DJB-Eggsellent-Wobbly, DJB-Eggsellent, DJB-Got-No-Time-For-That, DJB-Lemon-Head-Dots, DJB-Speak-the-Truth-Bold, DJB-Speak-the-Truth-Boldly, DJB The Generic Kinda Funky All Caps, DJB It's Our Choices, DJB Mr. Claus, DJB Sunflowers for Vincent, DJB Standardized Test (+Oval), DJB Up on the Scoreboard (dot matrix font), DJB Friday Night Lights (dot matrix font), DJB My Last Amen, DJB The Cheerleader, DJB Drives Me Dotty, DJB This Font is Bold, DJB This Font is Empty, DJB On The Spot, DJB Don't Call Me Crazy, DJB Sticky Tape, DJB Messy Amanda Goes Bold, DJB Pokey Dots Font, DJB Friday Night Lights, DJB Up On The Scoreboard (dot matrix font), DJB Starry Starry, DJB Linus Pumpkin, DJB Number 2 Pencil, DJB In A Hurry, DJB Gonna Share My Story, DJB Stinky Marker, DJB Get Digital (LED font), DJB My Last Amen (sans), DJB Standardized Tests, DJB Number 2 Pencil (in the style of Comic Sans), DJB Sticky Tape Labels, DJB Speak Softly, DJB Ransom Note, DJB Meet Me At My Locker, DJB Ransom Note, DJB Lemon Head Dots, DJB Messy Amanda Goes bold (handwriting font), DJB Jenna, DJB Speak Up, DJB Sandra Dee, DJB Speak Out (outlined sans), DJB Pinky Swear, DJB Oh Suzannah, DJB Gimme Space, DJB My Mood Ring Says Blah, DJB Elliephont, DJB Fan Girl, DJB Sissy, JB I'm No Wizard, DJB Writes A Lot, DJB Letter Game Tiles (scrabble font), DJB Just An Outty, DJB Speak Up, DJB Poppyseed, DJB Lemon Head, DJB Miss Molly Brown, Holly Typed, Speak Out, DJB Writes A Lot, DJB On The Lighter Side, This Font Is Stressed, DJB Straight Up Now, DJB See Spot Run, DJB Jacked Up Kinda Luv, DJB I Love Me Some Brook, DJB This is me, DJB I Love Me Some Aly, DJB This Is Me, DJB Speak The Truth Boldly, DJB Me and My Shadow, DJB Rubia's Tiny Script, DJB Fresh Start, DJB Poppyseed, DJB Tootsie Wootsie, DJB Tootsie Wootsie Bold, DJB Downstairs at the Abbey, DJB Holly Typed Too Much, DJB Heart Attack, DJB That Font I Saw On TV, DJB Constance Beauregard (architectural lettering font), DJB I Love Me Some Aly, DJB Annalise, DJB Carly Sue Got Married, DJB Miss Molly Brown, DJB This Font is Worn, DJB Almost Perfect, DJB Holly Typed, DJB What A Babe, DJB How Cute Am I, DJB Brit's Thick Pen, DJB Brit's Thin Pen, DJB Scruffy Angel, DJB Sand Shoes and a Fez. Typefaces from 2016: DJB Hunky Chunk, DJB Ornamental (alphadings in Christmas balls), DJB Shape Up Stars (alphadings), DJB Candy Corn, DJB File Folder Labels, DJB File Folder Tabs, DJB About A Boy, DJB It's My Birthday, DJB Happily Ever After (curly font), DJB Journaling, DJB Yard Sale Marker, DJB Gonna Share My Story, DJB Smarty Pants, DJB This Font Is (Bold, Stressed, Worn, Empty), DJB Elliephont, DJB Nouveau, Cutouts, Drives Me Dotty, It's Our Choices. Typefaces from 2017: DJB Shape Up Hearts, DJB Another Mandy, DJB Almost Perfect. Typefaces from 2018: DJB Miss Jinkie Van Pelt, DJB Holly Jolly, Snarky Bess, Mia Script. Dafont link. Creative Market link. Fontspace link. Klingspor link. [Google] [More] ⦿
Joe Baldwin	Joe Baldwin (b. UK, 1973) runs RoastHorse Type Foundry. He is the designer of the pixel font Flash Script (2002, italic), the sarcastic RHBertholdRegularIndustryofTyrany RHBurroughs, RHCarrierStencil (2004, a free font created because of Berthold's "abuse of copyright"; it is an octagonal stencil font), Linx Pro (a MICR and dot matrix family), the pixel typeface RHBurroughs, the fat Western style typeface Hubbard Hand Lettered (2003, available at T-26), and the flash-optimized Kerouac (2002, T-26). His defunct home page. [Google] [MyFonts] [More] ⦿
Daniel Keith Bale	Located in Casino, NSW, Australia, DKB Fonts is Daniel Keith Bale's outfit. A graphic designer and illustrator, his first typeface is Aurélie (2005), a curly fashionable display face. [Google] [MyFonts] [More] ⦿
David Bale	David Bale (DASH Software) made some rune fonts such as Dethek (1994) and Common Tongue. See also here. See also here. [Google] [More] ⦿
Tamara Baleika	Minsk, Belarus-based designer of Monatik (2018) and Alphabetic Zoo (2018). [Google] [More] ⦿
Ainara Balen	Pamplona, Spain-based designer of the bilined typeface Ladoble (2018). [Google] [More] ⦿
Alex H B	Designer of Britannica Display (2005), a hairline geometric all caps face. [Google] [More] ⦿
Svetlin Balezdrov	Graphic designer in Sofia, Bulgaria. In 2016, Svetlin Balezdrov and Ventsislav Yordanov co-designed the free geometric Latin / Cyrillic inline typeface Socium. They explain: The font is a fresh look at the aesthetics of Bulgarian socialism that interprets in a memorable way the achievements of the Bauhaus. In 2015, Svetlin Balezdrov and Svetoslav Simov co-designed Simbal. In 2016, Svetlin Balezdrov & Ventsislav Yordanov co-designed Leks and the free font Balkara. In 2013, Svetlin Balezdrov designed Balezdrov11. In 2016, he designed the dot matrix typeface Knoway, and in 2017 Karano. Behance link. Npoekmu download site. [Google] [More] ⦿
Svetlin Balezdrov	Svetlin Balezdrov was born in 1981 in Sliven, Bulgaria. He graduated in Poster and Visual Communication from the National Academy of Art, Sofia. He is a doctor of History of Art and Fine Arts. At present he is a lecturer in Advertising Design at the National Academy of Art, Sofia. He works in the fields of typography, graphic design and animation. In 2018, Svetlin Balezdrov and Svetoslav Simov co-designed the humanist sans typeface family Squad at Fontfabric. [Google] [MyFonts] [More] ⦿
Dawn Balhorn	New York, NY-based designer of the vintage railroad car and/or Far West font Cash West (2019). [Google] [More] ⦿
Angelica Marie Balida	As a Fine Art student at TUP Manila (The Philippines), Angelica Marie Balida designed several decorative typefaces (2017). [Google] [More] ⦿
Olga Balina	New York City (ex-Moscow)-based art director and graphic designer Olga Balina was born in 1988. She is associated with Flëve, a design agency in New York that was founded by Vit Abramov. In 2008, she created Charlotte (Latin&Cyrillic). During her studies at British Higher School of Art & Design in Moscow, she created ALS Meringue (2009, a serif family for Art Lebedev Studio, done with Taisiya Lushenko). In 2009, she also created a dotted line pixel type for FLYmagazine. As a student project at the British Higher School of Art and Design in 2009, she made a Natural Alphabet using stone scratching. Mobispot Regular (2013) is a beautiful contemporary geometric grotesque for Latin and Cyrillic, designed by Olga Balina and Vit Abramov at Flëve for Mobispot Social Systems, a company that creates cool applications for life and business based on NFC technology. MyFonts link. Behance link. Behance link for Flëve. [Google] [MyFonts] [More] ⦿
Damian Balinski	Polish designer of the handcrafted typeface Erqif (2017). [Google] [MyFonts] [More] ⦿
Szonja Balint	München, Germany-based designer of the free avant garde typeface family Barrow (2017). [Google] [More] ⦿
Arthur Balitskiy	Saint Petersburg, Russia-based designer of the Latin / Cyrillic beveled display typeface Qui (2016) and the script font Old Motorcycle (2019). [Google] [More] ⦿
Andreu Balius Planelles	Born in Barcelona in 1962, Andreu Balius studied Sociology in the Universidad Autonoma de Barcelona (1980-1984), and graphic design at IDEP in Barcelona (1985-1989). He holds a PhD in Design from the University of Southampton (UK). He founded Garcia Fonts&Co in Barcelona in 1993 to show his experimental designs. He cofounded Typerware in 1996 with Joancarles P. Casasín. Typerware existed until 2001 and was based in Santa Maria de Martorelles, a village near Barcelona. He cofounded Type Republic (see also here), and ran Andreu Balius (tipo)graphic design. He is presently an associate professor at Pompeu Fabra University in Barcelona. Balius won a Bukvaraz 2001 award for Pradell. Pradell also won an award at the TDC2 Type Directors Club's Type Design Competition 2002. SuperVeloz (codesigned with Alex Trochut) won an award at the TDC2 2005 type competition. At ATypI 2005 in Helsinki, he spoke on Pradell and Super-Veloz. Speaker at ATypI 2006 in Lisbon. At ATypI 2009 in Mexico City, he spoke about the Imprenta Real. Coorganizer of ATypI 2014 in Barcelona. Author of Type at work. The use of Type in Editorial Design, published in English by BIS (Amsterdam, 2003). FontFont link. Linotype link. Behance link. His production: Garcia/Typerware offers about 50 fonts, including some very artsy typefaces, such as Fabrique (Andreu Balius), Futuda, Garcia Bodoni (Typerware), Alkimia (Estudi Xarop), Ariadna (pixel font, 1988-1989), Garcia Bitmap (1993), Playtext (Andreu Balius, 1995), Matilde Script (Andreu Balius, 1994: an embroidery face), Fabrique (1993, Andreu Balius) and Dinamo (1993, Balius and Casasin at Typerware), Helvetica Fondue (1993-1994), Futuda (1993), Ozo Type (1994), Tiparracus (1994, dingbats), Mi mama Me Soba Script (1994), Parkinson (1994), Garcia Bodoni (1995), Garcia snack's (1993-1995), Juan Castillo Script (1995, irregular handwriting), and Vizente Fuster (1995), all by Andreu Balius and Joancarles Casasin, 1993-1995; Water Knife (Laudelino L.Q., 1995); Alquimia (Estudi Xarop, 1995); Jam Jamie (Malcolm Webb, 1996); Network (Alex Gifreu, 1996); Panxo-Pinxo (David Molins, 1996); Euroface 80 mph (Peter Bilak, 1996); Inmaculatta (Roberto Saenz Maguregui, 1997); Proceso Sans (by Argentinan Pablo Cosgaya, 1996); Afligidos deudos (Adria Gual, 1996); Route 66 (Francesc Vidal, 1997); Popular (Sergi Ibanez, 1997); Visible (handwriting by Fabrice Trovato, 1997); SoundFile (Reto Brunner, 1998); Ninja type (kana-lookalike alphabet by Charly Brown, 1995); Vertigo (Charly Brown, 1996); Loop UltraNormal (Franco and Sven, 1996); Inercia (Inigo Jerez, 1996). Fontshop: FF Fontsoup. ITC: ITC Temble (1996, a great subdued ghoulish face). With Joancarles P. Casasin, he created ITC Belter (1996) and ITC Belter Mega Outline (1996). Typerware: Czeska was developed from Vojtech Preissig's woodtype typefaces. Andreu Balius completed the design and included an italic version and a large variety of ligatures (both for regular and italic). Type Republic: Pradell, Trochut, SuperVeloz, SV Marfil Caps (2004), SV Fauno Caps. Pradell was freely inspired from punches cut by catalan punchcutter Eudald Pradell (1721-1788), and is considered to be Balius' main work. Trochut is based on specimens from the 1940s by Joan Trochut. SuperVeloz is a collection of the type modules designed by Joan Trochut and produced at José Iranzo foundry in the beginning of the 40's, in Barcelona. Digitized and recovered by Andreu Balius and Alex Trochut in 2004. Example of such composition of modules include the great art nouveau typefaces SV Fauno Caps and SV Marfil Caps. In 2007, he added Taüll, a blackletter type. Still in 2007, he did the revival Elizabeth ND, which was based on an old type of Elizabeth Friedlander. In 2008, he created the Vogue mag like family Carmen (Display, Fiesta, Regular), which are rooted in the didone style. Carmen, and its flirtatious companion Carmen Fiesta, were both reviewed by Typographica. Barna (2011) and Barna Stencil (2011). In 2012, Trochut was published as a free font family at Google Web Fonts. It was based on Joan Trochut-Blanchard's Bisonte. Lladro (2012) is a custom sans typeface done for the Lladro company. Rioja (2013) is a grotesque typeface that was custom-designed for Universidad de La Rioja. [Google] [MyFonts] [More] ⦿
Anna Balizs	During her graphic design studies at the Moholy-Nagy University of Arts Budapest, Hungary, Anna Balizs created the experimental geometric typeface Triongl (2013). Behance link. [Google] [More] ⦿
Martina Balke	Designer of Stempel LT Std 1 and 2 (2002) in the Linotype Taketype 5 collection. Stempel Std2 (2002) is a white on black informally hand-printed caps set, perhaps emulating linocut. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
Adele Ball	In 2012, Adele Ball graduated from Central Saint Martins College of Art and Design and Scripps College. Creator of some the Ancestors typeface in 2013. [Google] [More] ⦿
Dora Balla	Many nice examples of creative typography, worked into a blog by Hungarian designer Dora Balla. In 2015, she made the experimental typeface HV Font. Home page. Behance link. [Google] [More] ⦿
Ludovic Balland	Swiss typographer and graphic designer, b. Geneva, who creates new typefaces out of old ones. He graduated from the Basel School of Design, and set up Ludovic Balland Typography Cabinet in Basel in 2006. Since 2003, he has been teaching at ECAL in Lausanne. Ludovic Balland created some retail typefaces as well as many corporate typeface families. His typefaces include: Zoo Basel (1998): a bespoke sans titling typeface to accompany Trade Gothic. Jury Monospace (2002). A typewriter font. Theater Basel (2012, with Yoann Minet). A wedge-serifed typeface with exaggerated ink traps. Stanley (2012, with Yoann Minet): Inspired by New Times Roman, this retail typeface with straight brackets can be licensed from Optimo. Fifth Berlin Biennal. A physical (3d, real) frivolous corporate typeface. Swiss Art awards (2012). A bespoke typeface done with Yoann Minet. Next (2017, Optimo). A great sans typeface family initiated in 2007 for the visual communication of the Museum of Modern Art in Warsaw, inspired by the traffic sign typeface Drogowska designed by Marek Sigmund in 1975 for the Ministry of Transportation in Poland. A sans family in 22 styles, including Text, Poster and Mono subfamilies. [Google] [More] ⦿
Adrien Ballanger	During his studies, Adrien Ballanger (Nantes, France) created Sorry Mom (2014), a typeface that was inspired by Quaver Serif (2011, Nick McCosker, Tipple Type). Behance link. [Google] [More] ⦿
Kristie Ballard	While studying at Kingston University, Kristie Ballard designed the grungy experimental typeface Lost Language (2013). [Google] [More] ⦿
Marco Ballaré	Italian designer in Torino (b. 1984) who studied at Universita del Piemonte Orientale (class of 2010) and Universita di Torino (with a Masters degree, in 2012). Co-founder in 2014 of Pop Com, he is based in Torino, Italy. Designer of the free handcrafted typeface Johnson Script (2014), the sans typeface Hasta Grotesk (2015), the rounded geometric sans typeface Menulis (2015), the hand-printed typeface Wicked Child (2014) and of Antraste (2015, a rounded geometric all caps sans), Vulpes (2015, a bold geometric sans), Easy Skyline (2015, dingbats), Danae (2015) and Bellerophon (2015, a rounded slab serif). In 2016, he designed the sketchy handcrafted typeface Houndville, the sans typefaces Voras and Gotu, and the free brush typeface Remisso. In 2017, he designed the free text typefaces Novar and Bludhaven, and the vernacular typeface Potatoes And Peas. In 2018, he added the fat finger font Johnson Script. Dafont link. Behance link. [Google] [More] ⦿
Fabrizio Ballarini	Creator of the grunge font used by the rock band Los Piojos, called Los Piojos (2008). [Google] [More] ⦿
Lorenzo Ballarini	In 2017, Stefano Torregrossa and Lorenzo Ballarini (Verona, Italy) co-designed the custom sans typeface Salvagnini for the sheet metal company by that name. [Google] [More] ⦿
Ja Ballarta	Based in Quezon City in The Philippines, Ja Ballarta created a tall hand-drawn display typeface called Marawi (2013). [Google] [More] ⦿
Chris Ballasiotes	Seattle, WA-based designer of the hand-drawn typeface Estadio (2015, vernacular style) and Ojos Sans Serif (2015). In 2017, he designed the soft-cornered wedge serif typeface Berbati. Creative Market link. Behance link. Home page. [Google] [More] ⦿
Maria Ballé	Designer at the Bauersche Giesserei of fonts such as Ballé initials, a series of light floral initials. In the meantime, Andreas Seidel made a great digital version of this and called it Alea (2005). Not to be outdone, ARTypes created its own version, Maria-Ballé-Initials (2007). [Google] [MyFonts] [More] ⦿
Silvia Ballerini	Communication design student at Politecnico di Milano, who lives in Modena. She designed Liquid Stencil (2010). [Google] [More] ⦿
Albert Ballesté	Barcelona-based designer of Filfont (2014: a modular display face). Behance link. [Google] [More] ⦿
Isaac Ballesté Martorell	Catalan graphic designer who lives in Olot and/or Montblanch. He created the sans family Alfa (2012), in which he attempts to offer total neutrality by taking common legible features from all famous sans typefaces. Black Flag (2013) is a poster typeface motivated by revolutions. Dans (2013) is a letterpress typeface. [Google] [More] ⦿
Micaela Ballew	Micaela Ballew is a graphic designer born and raised in the Napa Valley, California. In 2014, she was working towards her BFA at Pacific Union College. Designer of Typeaux (2014), a hybrid typeface based on Didot and American Typewriter. [Google] [More] ⦿
Friedrich Ballhorn	Leipzig-based creator of the early transitional Gaelic typeface Ballhorn (also called Leipzig, 1861), based on Watts. Author of Alphabete orientalischer und occidentalischer Sprachen (F.A. Brockhaus: Leipzig, 1859). Head of F.A. Brockhaus Printing in Leipzig, in 1856 he published "Grammatography. A Manual of Reference to the Alphabets of Ancient and Modern Languages". [Google] [More] ⦿
Maria Balli	During her studies at The College of Saint Rose, Albany, NY-based Maria Balli designed the outline typeface Totally (2015). [Google] [More] ⦿
Jonathan Ball	Welsh owner of Poked Studio, where he designed the headline typeface "450" in 2008 as part of a project at the University of Glamorgan. [Google] [More] ⦿
Jonathan Ball	Jonathan Ball is a lettering and typographic designer based in Seattle, WA. In 2015, he founded his own commercial type foundry. His typeface Basecoat (2016) is a wonderful handcrafted geometric sans serif inspired by sign painting and influenced by modern gothics. Also in 2016, he published the market signage typeface Thrifty Numerals and the geometric sans typeface family Acre. Typefaces from 2019: Musubi (a tiki-inspired cocktail lounge typeface). Typefaces from 2021: Alkaline (Jonathan Ball, Mattox Shuler and Brian Brubaker at Fort Foundry: This typeface family at an 18 degree slope was inspired by 1950s lettering and logos on kitchen appliances). [Google] [MyFonts] [More] ⦿
Juliana Ball	Designer at First Image (UK) of the 3d sans typeface Fiesta (2014). [Google] [More] ⦿
Auguste Théophile Ballmer	Or just Theo Ballmer. Swiss designer (b. Lausanne, 1902, d. 1955), who worked for Hoffmann-LaRoche before he went to work at the Bauhaus in Dessau in 1928. The URW font family Theo Ballmer (2000) is based on his ideas, and was digitized by Theo's grandson Thierry Ballmer. The family has many typical Bauhaus ingredients. Another digital revival of this is Architype Ballmer by The Foundry. [Google] [MyFonts] [More] ⦿
Thierry Ballmer	Swiss designer (b. 1965, Basel) who with the help of URW created the font family Theo Ballmer (2000), based on his grandfather Theo's ideas from the Bauhaus era. Thierry balmer teaches type design at Haute Ecole des Arts du Rhin in Mulhouse, France. [Google] [MyFonts] [More] ⦿
Thomas Ballmer	From Biel, Switzerland, Thomas Balmer's outfit, Guerilla Grafik, offers a few free fonts for download. The page is extremely dangerous (it will take over your screen!), with pop-ups and uncontrollable things happening left and right. Be prepared for a reboot. Anyway, if you risk it, you may find these mostly pixel fonts: GG-Motor, GG-Realpx, GG-Nintendo, GG-Digitalareal, GG-KGB. Working on the simple sans serif typeface GGrapidograph (2002). Non-free fonts: GG-Modul, GG-Formular, GG-Vektor, GG-Eckhardt, GG-Info, GG-Zike, GG-Balmer, GG-Sanchezclone. Mac fonts only. [Google] [More] ⦿
Walter Ballmer	Swiss graphic designer, b. 1923. iWe quote Answers.com: Well known for his advertising, graphics, and industrial design for the Italian office equipment manufacturer Olivetti, Swiss-born Ballmer studied graphic design at the Kunstgewebeschule in Basel from 1940 to 1944. He worked in publishing before moving to Italy in 1947 to join Studio Boggeri in Milan (established 1933). An established and successful graphic design office, Studio Boggeri executed a number of graphic design commissions for the office equipment manufacturer Olivetti and, from 1956, Ballmer went on to work as a graphic designer in Olivetti's advertising department where he remained until 1981. The visual clarity and deceptive simplicity of his graphic design work revealed something of his Swiss training and informed much of his publicity design for the company. Amongst his work for Olivetti was the coordination of a number of exhibitions shown in Italy and abroad, including Olivetti-Style (1961), Olivetti Innovates (1965), and Olivetti Image (1968). He was made a member of Alliance Graphique Internationale (AGI) in 1970 and, in 1975, received a Gold Medal for Olivetti-Image at the Ljublijana Bio 5. Toto's K22 Stile Ballmer (2011) is a free art deco typeface modeled after Walter Ballmer's typeface designed for Olivetti. The Olivetti logo from 1960 by Ballmer also led to Interno (2004), a type family created by Eli Carrico and Ian Lynam at Wordshape. The Olivetti logo was also extended by Serena Petraglia into a full font (in 2016). In 1963, together with Gret Mengelt-Mergenthaler, he created Texpo for the Schweizer Expo 1964. This custom typeface is not generally available. However, Mindofone made a free version of it, called Hadley Stencil, in 2013. [Google] [More] ⦿
Nicola Ball	Third year graphic design student at Salford University, who lives in Manchester, UK. Behance link. She used Fibonacci patterns in her creation of the Turing alphabet (2012), named in celebration of Alan Turing's 100th birthday. Dutch city bikes inspired her in the design of the spoke and wheel font Amsterdam (2012). Salford Type foundry link. [Google] [More] ⦿
P. Ball	Type designer. [Google] [More] ⦿
Sean Ball	Founded in 2008 by Oklahoma State graduates, Loftis&Ball is a design studio in Stillwater, OK. Behance link. Sean Ball designed the (partial?) custom Italian typeface Love More (2010) and the Western display typeface Elise Fancy (2011). [Google] [More] ⦿
Matt Balmer	American designer of the OpenType font MonoDisplay (2003). [Google] [More] ⦿
Mladen Balog	German designer of Molecular, Detector (2000, electrical circuit-themed letters) and Tsunami (2002) at T26. Not to be cofused with the 1998 Monotype font TsunamiMT. He also made the experimental font Weird (1996, Garcia Fonts). [Google] [MyFonts] [More] ⦿
Alex Balosie	Aka Doppelquer. Creator of the grungy typeface Dopplequer (2014). [Google] [More] ⦿
Sadegul Bal	Istanbul-based designer of the creamy script typeface Sade (2014) and the crayon typeface Kahve (2014). Behance link. [Google] [More] ⦿
Matthias Balsiger	Bern (was: Basel), Switzerland-based designer of the free geometric caps typeface Noir (2014) and the free sketched caps typeface Helvetica Children. [Google] [More] ⦿
Marcos Balsini Garcindo	Born in 1977, this Brazilian graphic and web designer in Florianopolis created an experimental geometric typeface, Duotonic (2009). Behance link. [Google] [More] ⦿
Gezegen Balta	Bursa, Turkey-based graphic designer who made the floriated typeface Herseydir (2013). [Google] [More] ⦿
Jorge Baltan	During his studies in Quito, Ecuador, Jore Baltan designed the textured and patterned typeface Sierra Ecuatoriana (2017). [Google] [More] ⦿
Ricardo Baltazar	As a student at San Francisco State University, Ricardo Baltazar designed an innovative techno display typeface inspired by window signs in San Francisco. He called it Windw St (2016). Behance link. [Google] [More] ⦿
Vladimir Balthasar	This typeface became famous for its use on traffic signs in Czechoslovakia. It was designed in 1951 by an unknown type designer at the Czech type foundry Grafotechna. Free download of two fonts made in 2010 and 2012 respectively, also by an unknown designer. One of these fonts claims in its metadata that the original is due to Vladimir Balthasar in 1934. In 2016, Peter Bilak reports that Indra Kupferschmid told him that Universal Grotesk is basically Kristall Grotesk (1937, Wagner & Schmidt in Leipzig). As Wagner & Schmidt morphed into the East-German type foundry TypoArt some time after 1945, Bilak conjectures that Grafotechna got its matrices from Wagner & Schmidt. Digital descendants: The free typefaces Universal Grotesk and Universal Grotesk Tucny (2010 and 2012). Unknown designer. These fonts have irregular stroke widths and awful spacing. Globe Grotesk Display (2014, Jan Charvat). Uni Grotesk (2016, Peter Bilak, Nikola Djurek and Hrvoje Zivcic) is another outgrowth. [Google] [More] ⦿
Paulius Baltusnikas	Vilnius, Lithuania-based designer of the texture typeface Tekstile (2013, FontStruct). [Google] [More] ⦿
Nora Baltus	Dutch designer (b. 1988) who made the hand-printed typefaces Nb Obese and Nb Strange in 2008. Home page at Skeedio. [Google] [More] ⦿
Ganesha Balunsat	Freelance designer in Berlin who graduated from the California College of the Arts in San Francisco. Creator of the didone typeface Evoque (2014). In 2012, she created Nightclub Wayfinding Icons. Behance link. [Google] [More] ⦿
Samuel Baluret	French designer of the hipster typeface Altfried (2016). [Google] [More] ⦿
Johanna Balusikova	Johanna Balusikova (b. 1974, Slovakia), now Johanna Bilak, studied typography at Atelier National de Création Typographique in Paris and at the Bratislava Art Academy in her native Slovakia, as well as at the Jan van Eyck Akademie in the Netherlands. She now works as a freelance graphic designer in The Hague, where she has lived since 1999. She designed Jigsaw (1999-2000) at Typotheque: this was originally intended as a Multiple Master font that varies from roman to stencil. At ATypI 2004 in Prague, she spoke about "Experiment and typography". Co-editor with Alan Zaruba of We Want You To Love Type (2004, e-a-t). Since 2003 she is a partner in Peter Bilak's Typotheque. [Google] [MyFonts] [More] ⦿
Ben Balvanz	Original fonts by Ben Balvanz from Cedar Rapids, Iowa (b. Cedar Rapids, 1975), who now lives in South California. His original Fontalicious domain ceased in 2005 but was repurchased in 2007 with the help of Font Bros. Some fonts can be downloaded here and here. The list: Topanga (2017), Coney Island (2002), Cheeseburger (2002), Tabletron (2002, LCD font), Senor Pooglins, Plush (2001), Slide, Discotech, Galaxy, Pacfont, Rusty, PinniePoker, Geeves (tall letters--great), Moonpie Cadet, Fidelle, FontTwelve, Mister Easy, Mister Dope, Frosty, Chankenstein, Discotech, VintageVacation, Dazzler, Joinks!, Cyberwhiz, Swinkydad, Sonic Superpowers, Mikey Jax, Klink-o-mite, Caveman, Gloo Gun, Skylab 600, Cyberpop, Cyberjimmy, Smartie Capos, Jenkins, Earwax, Pimpbot 5000, Dreamy, Quinkie, Milkfresh, DateRape (great), SpaceAce, GirlieLeslie, Groovalicious Tweak, Porky's, International Chunkfunk, SuperTrooper, Chachie, Zodiastic, Great Head (dingbats), Chick (sassy!), the Eight Track family, Speedfreek, the Odyssey family, AlphaStep, Alpha Clown, dopenakedfoul, Lounge Bait, SpaceBeach, Jubie, Bean Town, Funkotronic, UndieCrust, and Poppycock, Pornhut, Robokid, Kinkie (Valentine's Day font), BorderMon (dingbat), Technicolor, Tennis (stencil), Moloky, JabbieJunior, Rave Queen, Alpha Niner, Croobie, Wednesday, Populuxe, the nice BoozeBats, Geekbats, Garage Sale, Arcade, Glamocon Retrobats, Fontalicious Thingbats, Good Head, Baby Kruffy, Kruffy, Fine-O-Mite, Disco Inferno, Jokewood, Toggle, Swinger, SurfSafari, OmegaMax, Pogo, Elvis, Trendy University (stencil), Hoedown, Fat, Atomic, Rocket, 12 Good, Moonpie Cadet Good, Dynomite, Superstar DJ (dingbat), Kravitz, Kravitz Thermal, hungrumlaut, Sporto, Sabadoo, Snappy, Chickabiddies (geek dingbats), Mandingo (1999, buncy hand-printed style), Heartbreaker, Smilage, 52 Pickup, Return of the Retrobats (wow!), Wunderland, Omega, Great Head, Air, Blackjack, BlackjackRollin, Borneo, CharlesAtlas, Cheri, CheriLiney (2001, Valentine's Day theme), DeejaySupreme, DigitCube, DigitLoFiShift, DigitLoFi, Digit, DimitriSwank, Dimitri, DiscoInferno, DunebugAlternates45MPH, DunebugAlternates, Dunebug, Dunebug45MPH, Freestyle, Garanimals, Gas, GleeClub, Jenkinsv20, Jenkinsv20Thik, JenkinsKeepinitReal (1998), KravitzExtraThermal, Moderna, MoogSchmoog, Moog, PussycatSassy, PussycatSnickers, Queer, Redensek, Sanka, Schmotto, SchmottoPlotto, Squarodynamic01 through 10 (pixel fonts), Stretch, SupervixenHoneyedOut, Digit, Digit Cube, Supervixen, TheKids (1999), TrendyUniversity, UltraSupervixenHoneyedOut, UltraSupervixen, WeLoveCorey, Manchester (great), Weltron (stencil font), Weltron Power, Mullet, Rolloglide, Planet, Gravity, Alba, BilloDream (2001), Stretch, Pasteris (based on the handwriting of Matthew Pasteris), PornStarAcademy (sports shirt lettering), Mullet, SuperStars (stars), Krupke (2002), Fresh Bionik, Stoney Billy (2001, not free), Hustle (2001, not free), Rustler (2001, Western font, not free). At T-26: Marshmallow (2001, rounded monoline geometric face), Superfly (2002, a Western font), Thursdoo (2002), Pacfont Good (2002), Thug (2002), Dokyo (2002, a free competitor of Futura Extra Black and Folio Extra Bold), Supreme (2002), Fresh (2002, at Chank's place), Juice (2002), Pinball (2002, not free), RunTron1983 (2002), Pixel Pirate (2002), Odysseus (2002). Rascal Miniatures, Wonderkid, Smilage Regular, Milk with Peanut Butter and Barnaby Candy machine are 2009 comic book style creations. Other 2009 fonts include Gringo Enchilada, Brute Strength, Blonk and Sparkle, Cheri Liney, Metroflex, Weltron (techno family), Sanka, Rolloglide (multiline), Pussycat, Poppycock, Pasteris, Moog Schmoog, Moog Synthesizer, Magnum, Krupke, Joinks, Jabbie, Hustle, Hungrumlat, Gravity, Fresh, FineOMite, Dunebug 45mph, Coney Island, Blackjack, Atomic, Air Regular, Shatner, Pixel Pirate, Munkeyshine, Thursdoo, Swinkydad, Surf Safari, Supreme, Stoney Billy, Speed Freaks, Bike Riding Chopper (Tuscan), Popcorn Loaded (ultra fat), Malibu Oceanside, Snafurter (Sinaloa?), Der Weiner Stentzel (stencil), Wordworth Byte, Blingo Diamond and Tiger Roams Jungle (art deco chic). Fonts from 2014: Blonk, Kangaroo, Giant, Jingles, Rascal, Coopman, Sinafurter (Sinaloa meets Frankfurter), Supergum (bubblegum font), Tiger, Popcorn, Der Weiner Stentzel (rounded stencil), Milk, Plague (scary font), Wonder (popart), Globitron (art deco), Death Squad (brush face), Spring Break, Tigra (stencil),Tigra (stencil), Fantastic, Parker (signage script) and the vector sets Mid Century Patterns, Banners (01, 02, 03, 05), Campus (01, 02, 03, 04: athletic lettering), Chickabiddles, Holiday 03, Jewelry, Lip Service 03, Optical Illusions, Seals, On The Radio, Viva, Hipster, Geometric Patters (+02). Interview. Alternate URL. Dafont link. Yet another URL. And another one. Many fonts sold since 2007 by Font Bros (see here for the announcement). URL from 2005-2007. Behance link. [Google] [MyFonts] [More] ⦿
Nidhi Balwada	For the identity of Amais Mens wear, Nidhi Balwada (Ghaziabad, India) designed the multiline typeface Amais (2016). [Google] [More] ⦿
Mária G. Balza A.	Designer of Birds of Prey, and Unofficial BoP Font. [Google] [More] ⦿
Leonel Balza	Merida, Venezuela-based designer of Goldschmidt (2015). [Google] [More] ⦿
Mila Balzhieva	Moscow-based designer of Vaghintara (2016). She explains: Agvan Dorjiev is a reformer of Mongolian vertical writing adapted to Buryat language. Vaghintara alphabet which he has created was the exact reproduction of Russian words in Buryat language popular between 1905-1910. However, this particular font type was not properly used in Buryat language because of the Russian revolution. [Google] [More] ⦿
Florian Bambhout	Foundry that grew out of the now defunct and controversial Gasoligne in Brest, France, which was run by Yves Patinec (Roubaix) and his brother. The Bamboo Type fonts rescued from Gasoligne in 2008 are Neborg Sans (2008, organic and techno), Mignone (2011, fat organic face), Bambhout Connect Trial (2010), Bambhout (2009, experimental), Oxea (2008, organic), Magenta (2009, italic display type inspired by Inverserif from Infinitype, which in turn has roots in Speedway from FontBank, Concorde from Brendel Informatik, OptiIambic from Castcraft, and so forth), and Veeko, Veeko Wide (informal and organic). Bamboo Types says that the fonts were designed by freelance designer Florian Bambhout. I don't believe that for a second----that name was made up. Typefaces from 2014: Meditation. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Felix Bamforth	Berlin, Germany-based designer of Vaporetta (2020). [Google] [More] ⦿
Johann Bämler	German printer and type developer, who ca. 1472 created the type style called Alte Schwabacher in Augsburg. [Google] [More] ⦿
Marty Bampton	Australian designer (b. 1984) who is based in Sydney. He created the graffiti typeface Jo's Styles (2012), and Thick Bitch (2012). He also made the futuristic typefaces Grand Lethals (2012, for an album cover of this group) and Aliens Can Suck It (2012). [Google] [More] ⦿
Martin Banaag	Designer of the curly font Banaag (2013). [Google] [More] ⦿
Erik Banane	During his studies, Mannheim, Germany-based Erik Banane created the display typeface Arktiz (2015). [Google] [More] ⦿
Kate Bananik	Lviv, Ukraine-based designer of the handcrafted Cyrillic poster typeface Bjaka (2017). [Google] [More] ⦿
Annamari Ban	Nyiregyhaza, Hungary-based designer of hand drawn all-caps serif font Zetha (2016). [Google] [More] ⦿
Oleg Banar	Freelance graphic designer in Charlotte, NC, who created the pixel typeface Pixel It in 2016. [Google] [More] ⦿
Todsaporn Banatong	Student at Chandrakasem Rajabhat University (Faculty of Visual Communication Arts), Thailand, in 2012-2013. Creator of the free fonts CRU Todsaporn Sketch Book (2012) and CRU Todsaporn handwritten. Fontspace link. [Google] [More] ⦿
Wasawat Banchongthanakit	During his studies in Birmingham, UK, Wasawat Banchongthanakit designed a circle-based display typeface (2016). [Google] [More] ⦿
Tudor Banciu	Romanian designer of Tudy 1311 (handcrafted typeface) and Dacian Donarium in 2014. In 2015, he created CyberGothic (almost piano key style), Thi and Darkwoman (handcrafted). Other fonts include Ud and the prismatic / Memphis style typeface Hipstravaganza. [Google] [More] ⦿
Carla Torres Banda	During her graphic design studies in Lima, Peru, Carla Torres Banda created Huaca (2014), a display typeface that was inspired by the Huaca Mateo Salado site in Lima. [Google] [More] ⦿
Sofia Bandini	Florence, Italy-based typeface designer active at Zetafonts. Her typefaces: Amazing Slab (2021). A 20-style typeface family designed by Francesco Canovaro, Mario de Libero (who did the inline versions), Sofia Bandini and Andrea Tartarelli, developed from the Amazing Grotesk family designed by Cosimo Lorenzo Pancini. Characterized by outward-pointing top serifs, this typeface is designed for use in athletic lettering, logos and titling. Zetafonts writes: Mixing an Egyptian serif, low contrast approach with the curved endings and open shapes of humanist sans grotesques, it was developed to embody the energetic and friendly nature of the startup scene---a feeling of innovation, information and energy, with a desire for simplicity and straightforward communication. The basic design shapes for the font come from the strong personality of the extrabold letterforms drawn by Francesco Canovaro for his StartupItalia logo, that informed the display design of the four darkest weights (from medium to black). Crk (2019). A typeface designed for the rebranding of Cirk Fantastik. [Google] [More] ⦿
Luis Bandovas	Porto, Portugal-based type designer, who studied at ESAD Matosinhos. In 2019, Luis Bandovas briefly joined, and then left, Vitoria Neves's SevenType Foundry. Creator of these typefaces: The sharp-edged short-legged sans typeface family Liszt FY (2014, Fontyou). Booster FY (2013) and Booster Next FY (2013), both at FontYou, who credits Luis Gomes, who is perhaps the same as Luis Bandovas. The sans typeface families Monza, Local and Mutual, all done in 2016. Autor (2017, Latinotype). A clean sharp sans. Epura (2018, Novatype). A wonderful geometric sans. Majora (2019) and Majora Pro (2019). A slab serif with a nice stencil. Strange that they were allowed to use the name Majora despite Ferdinay Duman's 1989 typeface by the same name. In 2019, Luis Bandovas and Vitoria Neves co-designed the monoline script typeface family CoolKids. Cena (2019, SevenType). A humanist sans typeface family. Ahimsa (2019). A great humanist sans typeface family that feels just right to the eye. Scansky (2020). A 28-style sans. FF Mutual (2020). A 10-style geometric sans based on the credits of Space 1999. Mushin (2021). A 14-style grotesk. Behance link. Another Behance link. Linkedin link. [Google] [MyFonts] [More] ⦿
Lovish Bandwal	Udaipur, India-based designer of a Hindi origami typeface in 2019. [Google] [More] ⦿
Amy Louise Bandy	Perth, Australia-based designer, b. 1985, who created these free typefaces in 2012: Simply Chalky, Sunday Sunday, Pinwheel, Porcelain Paper Pie, Indifference, Geo, and Care To Dance. Her company is called Porcelain, Paper & Pie. Fontspace link. [Google] [More] ⦿
Irina Bandyk	Bendery, Moldova-based designer of Ink Brush Font (2016, for Latin), Thinletter (2016), Inks (2016), Liliafon (2016), Handliner (2016), and Blobletter (2016). [Google] [More] ⦿
Lady Dark Bane	Eoweniel (aka Lady Dark Bane, and aka Darklight Systems) is the British designer of the African theme font DreamWalker (2001) and of the handwriting font Stray Cat (2007). [Google] [More] ⦿
Aditya Banerjee	Creator (b. 1992, Singapore) of the all caps brush typeface The Calligraph (2011, cloned from Swifter Strokes by "badgerkin"). He also made the experimental typefaces Insanity (2011). The typefaces were made with the help of FontStruct. [Google] [More] ⦿
Adel Banfeel	Type and graphic designr based in Saudi Arabia, who specializes in Latin and Arabic typefaces. Typefaces from 2021: Balaleen (a layerable chunky font for Latin and Arabic, perhaps with applications in children's books). [Google] [MyFonts] [More] ⦿
Deeksha Banga	Jaipur, India-based designer of a straight-edged bilined Latin display typeface for a school project at Banasthali Institute of Design in 2015. [Google] [More] ⦿
Gurpreet Bangar	Illustrator and graphic designer in Birmingham, UK. He used road signs to construct his Motorway Madness alphabet in 2011. [Google] [More] ⦿
Vaishnavi Bangar	Pune, India-based designer of a hilarious funny-man-themed alphabet simply called Character (2014). [Google] [More] ⦿
Jihyun Bang	Designer from Seoul, who created a Latin typeface called Winter in Basel (2013). [Google] [More] ⦿
Jo Bangles	Melbourne, Australia-based graphic designer who created the artsy typeface Deco Dot in 2017. Behance link. [Google] [More] ⦿
Alexandra Bango	Budapest-based designer of Lightline (2013, a paperclip font) and Papercut (2014, octagonal), two typefaces that were created during her studies. [Google] [More] ⦿
Ana Bangueses	Graphic designer in Barcelona who made the floriated caps typeface Herbarium (2014). [Google] [More] ⦿
Stephen Banham	Australian foundry and design studio, est. 1991, located in Melbourne. Fonts by Stephen Banham, an Australian graphic designer and writer, who was born in Melbourne in 1968. Banham has written and produced fourteen publications on typography, notably the Qwerty series (1991-96), the Ampersand series, Fancy (2004), and the Oblique series (2008). Since 2005 he has run a very successful public forum series on graphic design and typography known as Character. Stephen teaches at RMIT in Melbourne. His typefaces: Bisque (2007, curly monoline connected script), Gingham (1996: a thin artsy sans), Kevlar (inspired by 60s style audiotape logotype), Terital (2003, monoline connected script), Berber (2002, Caps and Regular; Niels Oeltjen is associated with this typeface in 2007, perhaps in an update), Gaberdine (fat sans), Nylon (comic book style), Morice (2005, a collaboration between Morice Kastoun and Stephen Banham at Letterbox). E-store. Wiki. MyFonts link. [Google] [MyFonts] [More] ⦿
Stephen Banham	Sans Forgetica is a free stencil font that is scientifically designed to help students remember their study notes. It was created by a multidisciplinary team of designers and behavioural scientists from RMIT University based on the principles of cognitive psychology. The design of Sans Forgetica was led by RMIT lecturer of typography Stephen Banham, who is based in Melbourne, Australia, under the scienti c guidance of Janneke Blijlevens and Jo Peryman from RMIT's Behavioural Business Lab.. [Google] [More] ⦿
Dorothy Stephanie Baniak	Graphic designer and typographer in Toronto. In 2009, she created the experimental geometric typeface Kolo (This typeface design was inspired by tin can pull tabs. Thank you chicken of the sea.), the cool Newmar (Newmar was designed to compliment the symbol above. Influences: paperclips, Julie Newmar 1966&a gold belt. This typeface has two ascender lines&three descender lines.), and the curly display face Gallnut (gallnut---a round gall produced on the leaves and shoots of various species of the oak tree.). Home page. About Newmar, she writes: Newmar was designed to compliment the symbol above. Influences: paperclips, Julie Newmar 1966&a gold belt. This typeface has two ascender lines&three descender lines. In 2012, Dorothy published the fun alchemic family Gelato (2012). [Google] [More] ⦿
Lauren Banister	During her graphic design studies at Sheffield Hallam University, Lauren Banister (Derby, UK) created the experimental typeface Makeup (2013). Behance link. [Google] [More] ⦿
Anja Banjesevic	During her studies in Belgrade, Anja Banjesevic created the handcrafted Latin / Cyrillic typeface Mukva (2015). [Google] [More] ⦿
Mihir Bankapure	At the Department of Design of IIT, Guwahati, India-based Mihir Bankapure designed the devanagari typeface Ambadnya (2017). [Google] [More] ⦿
Alex Banks	Alex Banks (AB Design; b. 1983) is based in Warrington, UK. Creator of the free octagonal font Sliced AB (2006) and the chunky Chukny (2013). In 2015, he made the free rounded sans typeface Duster AB. In 2016, he designed the squarish Flat Four typeface family. In 2018, he published the speed-themed techno typeface Hachiroku86, the pixel / video game font Gridner AB, the industrial futuristic typeface Karbonis, and the modular monoline typeface Shampoo AB. Typefaces from 2019: Spectrum (wavy, techno). Typefaces from 2020: Auratium (a tall slab serif), Epyon Mech (a mechanical or futuristic typeface), Initium (a glitch font family), Exolus (futuristic), Bear Hunt (a national park font), Undertow (squarish), Luna Parc (rounded, techno), Classic Retro. Typefaces from 2021: Shampoo, Supply, Vecktor (futuristic and octagonal). Devian tart link. Behance link. Another Behance link. [Google] [More] ⦿
Colin Banks	Born in Ruislip, Middlesex, in 1932, Colin Banks has been involved in graphic design, corporate identity and typography since 1958 through the London-based partnership Banks&Miles (1958-1998), with John Miles. Author of London's handwriting (London Transport Museum, 1994) about the development of Edward Johnston's Underground Railway Block-Letter. CV. He died in March 2002 in Blackheath. Obituary by James Alexander. Banks&Miles had offices in London, Amsterdam, Hamburg and Bruxelles. Their clients included the British Council (it is unclear if he helped design British Council Sans at Agfa Monotype in 2002: a major controversy erupted in the UK when it was learned that the British Council had paid 50k pounds for British Council Sans), English National Opera, the European Parliament Election campaigns, producing corporate identities for the Post Office, Royal Mail, British Telecom, the Institute of Mechanical Engineers, Fondation Roi Baudouin, City and Guilds, Commission for Racial Equality, United Nations University, and major publications etc for UNHCR Geneva. He was consultant to London Transport for over thirty years, then Mott Macdonald engineers and Oxford University Press. The Royal Mail font is called Post Office Double Line, and was designed by Colin Banks in the 1970s. The British Council Sans family (2002, Agfa Monotype) is now available for free download here. Included is support for Arabic (Boutros British Council Arabic), Khazak, Greek, Cyrillic, and Azerbaijani. Other typefaces with Colin Banks's name on it include New Johnston (1979, after Edward Johnston's typeface for the London subway) and the sharp-serifed Gill Facia (1996, Monotype: based on letters drawn by Eric Gill in 1903-1907 for use by the stationers, W. H. Smith) [Google] [MyFonts] [More] ⦿
Digby Banks	Kyneton, Australia-based designer of a vintage custom logotype for The Argus Dining Room in Hepburn Springs (2014). [Google] [More] ⦿
Jasmine Banks	Graphic design student at University of North Carolina at Charlotte. Behance link. Creator of On The Vine (2012), a pixelish typeface. [Google] [More] ⦿
John David Bud Banks	Free handwriting fonts made in 1996 by John David Banks from Tucson, AZ (b. 1953) such as BudHand (Regular, Bold, Angular), BethHand (Angular, based on the hand of Beth E.LK. Banks), and fonts such as BudEasy, BudNull, and BudBird. Dafont link. Fontspace link. [Google] [More] ⦿
Kodhi Banks	Or Kodhi Bank. Banda Aceh, Indonesia-based creator of the elegant connected script typeface Wallows (2015) and the useful unconnected script typeface Sherly (2015). Typefaces from 2016 include the calligraphic typefaces Ramberos, Entihay and Markonah. Typefaces from 2017: After Midnite, Wasteros (calligraphic script). Typefaces from 2018: Suntruns (connected script), Rejoice (calligraphic), Dest, Delima (script). Typefaces from 2020: Beitris (script). [Google] [More] ⦿
Michael Banks	Michael Banks at Johnson Banks designed Phonetikana (2012), a typeface that helps Europeans read katakana. A great idea! [Google] [More] ⦿
Rick Banks	Rick Banks (b. 1985, Manchester, UK) established F37 (Face37) in 2010 in London, UK. His typefaces: F37 Xan (2010). A counterless geometric typeface based on a geometric solid typeface from 1925 by André Vlaanderen. F37 Form (2010). A mimimalist circular experimental (Bauhaus?) font. He writes about Form: After looking at Armin Hoffman's Die Gute Form poster and Herbert Bayer's universal typeface I constructed an alphabet based on their letterforms. Inspired by Wim Crouwel's Soft Alphabet, I constructed a grid to create the modular alphabet and programmed very tight letterspacing into the font lending itself to the style of Die Gute Form. F37 Bella (2011). An extremely contrasted didone display typeface. He says that he was influenced not only by Didot, but also by Pistilli and by Tschichold's Saskia. F37 Bella won an award at TDC Tokyo 2012. See also F37 Bella Pro (2020), in Text, Hairline, Stencil and Display substyles. F37 Ginger (2013). A Swiss geometric sans inspired by the work of Herb Lubalin, Jan Tschichold and Paul Renner. The customized version of F37 Ginger, Boots Sharp (2019), was commissioned by Coley Porter Bell and True Story as part of an extensive rebrand. F37 Ginger Pro was released in 2019. F37 Neue Grotesque (2013). F37 Stencil Bella (2013). F37 Glaser Stencil (2015). F37 Bolton (2016). A sans family influenced by the style of Berthold's G.G. Lange. F37 Jan (2016). Inspired by Jan Tschichold's geometric sans-serif and Matthew Carter's Bell Centennial font, F37 Jan features pronounced ink traps. F37 Jagger (2017). A sans inspired by Edward Johnston's London Underground font. F37 Bergman (2017). A Peignotian typeface family that revives a revival Hans Möhring's Florida typeface. The Swedish director Ingmar Bergman consistently used Florida in his films. BHF Beats (2018): Working alongside Wolff Olins we were comissioned to create the new font for the British Heart Foundation. The letterforms are based on their iconic logo featuring waves of a heart beat. F37 Bobby (2018). A warm text typeface. F37 Ping Pong (2018). A 1970s style dot matrix font that was inspired by the 1970s Letraset font Pinball created by Alan Dempsey. F37 Factory (2019). Named after Andy Warhol's The Factory in New York City, F37 Factory was inspired by stencil letters etched into marble in what was once a Hovis flour mill in Ramsgate. That building was designed by E. W. Pugin. F37 Factory was originally conceived for a commercial development project for Want Marketing and commissioned by London design studio Bold & Bold. F37 Judge (2019). Banks's take on DIN and old wood types. F37 Moon (2019). Influenced by Avant Garde and Futura, in 14 styles. F37 Flux (2019). Experimental and intestinal. F37 Neuro (2019). A Swiss sans family. F37 Beckett (2020). A sans based on British road signs from the 1930s. F37 Beckett pays homage to the British Ministry of Transport's 1933 alphabet. F37 Stout (2020). An octagonal family base on a letterpress font called Stoutheart. F37 Gruffy (2020). A grotesque. F37 Hooj (2020). A geometric sans family. F37 Wicklow (2020). A 24-style wedge serif inspired by the Gaelic letter carvings by Irish sculptor Michael Biggs in Dublin. It includes a set of stencil fonts as well. F37 Snake (2020). an octagonal industrial stencil typeface inspired by John Carpenter's film Escape From New York. F37 Caslon (2020). He explains why the world needs another Caslon: F37 Caslon is our personal take on a stone-cold classic. Originally designed by William Caslon in 1726, this old-style serif has fascinated typographers ever since. Over the years, the font has been tweaked, reworked, modernised, pulled, stretched, squashed and embellished, as successive generations have created their own versions of Caslon, particular to their times and tastes. We have taken the best of these seminal Caslon revisions to create our own super family in a huge range of weights and styles. Our cut features a tall x-height, old-style numerals, capital italic swashes, ligatures and discretionary ligatures. F37 Grotesc (2021). Inspired by Pica Sans. F37 Attila (2021). A sans serif is inspired by Albert Auspurg's Krimhilde (1933). F37 Drago (2021). A serif typeface based on Columbus (1892). F37 Wyman (2021). F37 Wyman is based on lettering work created by graphic designer Lance Wyman in 1976, which was commissioned as part of the graphic identity marking 200 years of American Independence. Corporate typefaces include Dunlop Sans, F37 Selfridges (=F37 Bella), F37 Avid (=F37 Ginger), Pamela (for Foilco), F37 Zip (for the hotel chain), Pizza Pilgrims, Dar Headline (octagonal), Lloyds Bank (icons). F37 Lineca (2021). A fifteen-weight geometric sans with a strong emphasis on the horizontal. Ocado (2021). A custom sans done for a grocery company. Stonewall (2021). A sans font for Stonewall, a cmpany that has championed a world where LGBTQ+ people everywhere are free to be themselves and enjoy life fully. F37 Incise (2021). A heavy, experimental display font, inspired by stone cutting. He also published Type Trumps, a set of playing cards that feature the main typefaces. Behance link. [Google] [MyFonts] [More] ⦿
Scott Banks	Scott Banks (Atlanta, GA) specializes in digital fonts with a printed letterpress or hand-lettered look and feel. In 2022, he released PM Doorbuster Casual, PM Doorbuster Plug (a supermarket font), PM Doorbuster Script, PM Eckmann Initials (a chromatic / layered version of Otto Eckmann's famous art nouveau font Eckmannschrift Initial Caps), PM Eckmannschrift (an art nouveau typeface; after Otto Eckmann's Eckmannschrift, 1900), PM Endora (a rough-edged curly vampire script), PM Showman (a layerable sans based on vintage hand-painted sign writing from the 1900s through the 1960s), PM Eckmore (psychedelic, art nouveau: after Otto Eckmann's Eckmann Schrift, 1900), PM Orchid (art nouveau), PM Alcorn (an all caps beatnik font) and PM Outpost (a national park font). [Google] [MyFonts] [More] ⦿
Scott Banks	Using iFontMaker, Scott Banks (Scott Banks Design, Atlanta, GA) created Pants (2011), a hand-printed shaded 3d face. Other typefaces by him include Scrubby (2011), Fatlanta (2011) and Mono (2011). [Google] [More] ⦿
James H. Banne	Designer of DTF Volume 3 (has runes and Hebrew). [Google] [More] ⦿
James Banner	Digital Type Foundry is James Banner's (extinct) Seattle-based foundry that produced typefaces such as Angelic, Bamberg-Initials, Bamberg, Burton, Caxton-Initials, Daggers, Enochian, FetteFraktur, Fraktur, Futhark-Gothic, Futhark, Hebrew, Hermetica, Titling-Ornaments-1 and Turkish, around 1991-1992. Some fonts can be downloaded for free at Fontspace. He wrote: I started making fonts in 1988 and still produce work, although as it became more difficult to upload my work or share it using the University of Michigan FTP server, I haven't released much. Most recently, I issued the Geoffroy Tory initial letters as a Type 1 font and separately as EPS files as Freeware. I've produced 20-30 fonts since the DTF Volume Three bundle package came out. The foundry disappeared. The licensing today is unclear. Fontspace link. Old URL. Defunct URL. [Google] [More] ⦿
Thomas Banner	Liverpool, UK-based designer of Glitch Font (2018). [Google] [More] ⦿
Galina Andreevna Bannikova	Russian type designer, 1901-1972 (d. Moscow). Her typefaces include Bannikovskaya (1946-1951, at Polygrafmash, which was inspired by the Russian Grazhdansky early and mid 18th century typefaces: the digital version is Paratype Bannikova (1999), revived by L. Kuznetsova), Baikonoer (1960-1969) and Kama (1967-1971). Lyubov Kuznetsova at Paratype created Bannikova (1999; Baltic, Central European, Cyrillic, Old Russian, Multilingual, Turkish, Western, Cyrillic Asian), a clean serif text family. See here for a picture, which shows without a shadow of a doubt that she was Donald Rumsfeld's real mother. Alternate URL. [Google] [MyFonts] [More] ⦿
Tobias Banning	German type designer. At the 13th Typeclinic in Slovenia in 2016, Tobias Banning designed Aurel (an angular lapidary typeface). [Google] [More] ⦿
Chris Bannister	UI designer at Fueled who is based in London. He is working on a sans typeface in 2015. [Google] [More] ⦿
Jasmin Bannister	During her studies in Manchester, UK, Jasmin Bannister designed the thin squarish outlined typeface Sqeleton (2017). [Google] [More] ⦿
Cody Bannon	Hazleton, PA-based designer of the outlined typeface Goober (2014). [Google] [More] ⦿
Aaron Banogon	Creator (b. Bacoor, Cavite Philippines, 1993) of the free spurred typeface Cliff Edge (2012). [Google] [More] ⦿
Henrike Bansemer	German designer of the Peignotian typeface Plus (2010, 26plus-zeichen). Free download. [Google] [More] ⦿
Jacqueline Bantad	Creator of the soft and elegant hand-printed typeface (lower-case-only) Zea Mays Everta (2013). [Google] [More] ⦿
Pedro Baños	Barcelona-based creator (b. 1987) of Hipot (2012) and Bloquer (2013, a monospaced and blocky face). During his studies in 2014, he made Edelweiss. Behance link. Dafont link. [Google] [More] ⦿
Everth Bañuelos	Design student in Monterrey, Mexico, who created the display typeface Coachella (2012). [Google] [More] ⦿
Belinda Bantjes	Graphic designer in Potchefstroom, South Africa. Creator of Teleline (2013), a hairline typeface that was inspired by telephone lines. [Google] [More] ⦿
Marian Bantjes	Bowen Island, BC-based very talented graphic artist, who specializes in custom type and ornaments. Her typographic work: With W. Ross Mills at Tiro, she designed Restraint (2007), an ornamental typeface, announced here and here (a bit of simulated Indic). Restraint won an award at TDC2 2008. She designed titling caps for Thirstype's Playground. Quoting designers from a TDC jury page, Stefan Sagmeister says she is one of the most innovative typographers working today, Noreen Morioka calls her the Doyald Young of her generation, and Sigrid Albert says [she creates] spiritual typography which goes beyond religion. Love Letters are calligraphic pieces drawn by Bantjes in 2008. HWT Bernice (2016, P22 and Hamilton Wood Type). P22 writes: HWT Bernice is an ornament font system designed by Marian Bantjes. The basic shapes were designed by Bantjes for the Hamilton Wood Type Museum's border stamping machine as a contemporary application for this 150 year old machine, which punches shapes into end grain wood to form continuous border patterns. She teaches typography through Emily Carr Institute in Vancouver, BC. Speaker at ATypI 2010 in Dublin. Klingspor link. [Google] [More] ⦿
Grégory Bantzé	As a student at ENSAD in Paris, he co-designed Bertrand (2003), a typeface based on work by the Fonderie Bertrand (end of 19th century). [Google] [More] ⦿
Hector Banuelos	During his studies in Chicago, Hector Banuelos created the hipster typeface Korse (2015). [Google] [More] ⦿
Angèle Banus	During her studies at ESAG Penninghen, Paris-based Angèle Banus designed the bilined display typeface Eso (2017). [Google] [More] ⦿
Angèle Banus	During her studies at ESAG Penninghen in Paris, Angèle Banus designed the bilined display typeface Esoteria (2017). In 2015, she designed two experimental typefaces as a tribute to Belgian singer Stromae. [Google] [More] ⦿
Nia Banwell	Artist from Manchester, UK. Behance link. Creator of a hand-drawn floral caps face in 2010. [Google] [More] ⦿
Zsofia Banyai	During her studies at the Visual Arts Institute in Eger, Hungary, Zsofia Banyai (Budapest, Hungary) designed the blackboard bold typeface Personopathia (2019) by altering Courier New. [Google] [More] ⦿
Laire Banyu	Or Laire Banyu Sandi Pawenang. Yogyakarta, Indonesian-based designer who founded The Ocean Studio in 2019. Designer of the script typefaces The Abrown Monte (2020), Lumierre Bear (a fat finger font) (2020), Finest (2020), South Rose (2020), Pretty Rose (2020), Ther Ottodidact (2020), Austina (2020), Qualified (2020), South East (2020), Loraqory (2020), Simple Happiness (2020), Brushy (2020), Wolussy Beauty (2020), Just Write (2020) and Smoothness (2020), the vintage typeface Catherine Wills (2020), and the font duos Loveolline (2020), Lovin Summer (2020) and La Lune (2020). Typefaces from 2021: Laire Sans (a 40-style sans with one variable font; +Cyrillic), JT Olifer (a 40-style hipster sans, complete with deep ink traps and a coathanger lower case f; by Laire Banyu and Dyaharum Pungki Revitasari), Gretha (a 14-style hipster serif accompanied by a variable font; by Laire Banyu and Dyaharum Pungki Revitasari), Louis Felligri (a 15-style display typeface, with variable font support, by Laire Banyu and Dyaharum Pungki Revitasari), Le Baffec (an 18-style decorative serif by Laire Banyu and Dyaharum Pungki Revitasari), Le Buffec (similar to Le Baffec), La Fausto (a wild script), Colibre Bristole Pro (a stylish serif typeface family in nine styles by Laire Banyu and Dyaharum Pungki Revitasari), Holy Type (a wild rabbit ear script), Little Brownie. [Google] [MyFonts] [More] ⦿
Lam Bao	Xanh Mono is a monospaced didone typeface for Latin and Vietnamese, designed in 2020 by Lam Bao and Duy Dao. It can be downloaded from Google Fonts. In 2021, Lam Bao, Tony Le and Vietanh Nguyen co-designed Be Vietnam Pro, a multi-style neogrotesque typeface family for Latin and Vietnamese. Github link. Google Fonts link. [Google] [More] ⦿
Gandhali Bapat	Graphic designer in Auckland, New Zealand, who created the display sans typeface Fireworks (2013) and the hand-printed typefaces Untitled (2013) and School Enrolments (2013), a chalky cursive typeface based on Snell Roundhand. Behance link. [Google] [More] ⦿
Anak Bapet	Indonesian creator of the free fat brush typeface Garter Max (2012). [Google] [More] ⦿
André Baptista	During his studies, Lisbon, Portugal-based designer of Olissipo Script (2015). [Google] [More] ⦿
Marcelo Baptista	During their studies at Universidade de Aveiro in Portugal, Sara Cardoso (Porto), Marcelo Baptista (Espinho) and Rute Baltazar Fernandes (Porto) co-designed the modular typeface Bricks (2014). In 2017, now based in Espinho, Portugal, he designed Marco Paulo, a typeface that alludes to the curly hair of the singer. Cargocollective link. [Google] [More] ⦿
Paula Baptista	Designer with Bruno Breda of the scary grungy typeface About Dead (2007). [Google] [More] ⦿
Ed Baptist	Happy graphic designer in Manchester, UK, who created a number of typefaces in 2012. Via Hellofont, he sells Slabfont, Sectional (kitchen tile font), Extraordinary (hipster font) and Modern Font (sans family). Hellofont link. [Google] [More] ⦿
Danielle Baptiste	Graduate of Queens Borough College. Rosedale, New York-based designer of the squarish typefaces Bold Brick (2014) and the dot matrix typeface Regular Spot (2014). [Google] [More] ⦿
Rebecca Baptiste	Haddonfield, NJ-based designer of Spoopy (2013, a spooky grungy typeface). [Google] [More] ⦿
Leticia Baptistiolli	During her studies at Universidade Nove de Julho, Sao Paulo, Brazil-based Leticia Baptistiolli designed Bugtype (2018). [Google] [More] ⦿
Jefferson Andres Baquero	As a student in Universidad Mayor de Chile, Bogota, Colombia-based Jefferson Baquero created the Victorian typeface Colonial (2016). [Google] [More] ⦿
Josep Baqués	Catalan painter, sculptor and graphic designer, b. 1931, Barcelona. He created Zurich (ca. 1968), a roman all caps face, that can be seen here, here and here. [Google] [More] ⦿
Jackie Barabash	Designer of the hand-printed typefaces Jackie K and Jackie K Cursive (2013). [Google] [More] ⦿
Guilherme Baracho	Curitiba, Brazil-based designer of the watercolor brush typeface Baracho (2016) during his studies at Universidade Positivo. [Google] [More] ⦿
Victor Barac	Bucharest, Romania-based creator of the rounded heavy display sans typeface König (2015), the Victorian typeface Aprille (2016), Sailors Treasure (2016), and the monoline script and sans typeface family The Wild Things (2016). Typefaces from 2017: Bright Moments (handcrafted). Typefaces from 2018: Blackout. Typefaces from 2019: Slake (a geometric grotesk). [Google] [More] ⦿
Hooman Baradaran	Designer of the Persian font Farhangsara (2000). [Google] [More] ⦿
Nasir Baradari	Writer, director, editor, and graphic designer based in India. In 2021, he released the blocky geometric typeface Vaelor, and the Greek emulation typeface Brush Of Zeuxis. Nasir writes that inspiration for his font came from the ancient painter Zeuxis. [Google] [MyFonts] [More] ⦿
Aajwanthi Baradwaj	Communication designer in Mumbai, India. In 2011, he made an experimental modular typeface. [Google] [More] ⦿
Juan S. Baraglia	Monolito (Juan S. Baraglia) is a mobile design studio from Buenos Aires, Argentina. They created the logotype typeface Holanda (2012). Behance link. [Google] [More] ⦿
Paula Barahona	Chilean designer of Señorita Book (2008), a winner in the Tipos Latinos 2008 competition for best text family. [Google] [More] ⦿
Ahmed Barakat	Cairo, Egypt-based creator of the free 16-style hand-drawn typeface family Noni (2014). [Google] [More] ⦿
Shahdan Barakat	In 2017, Zoghbi's students at The American University of Sharjah in the United Arab Emirates, Ahmed Geaissa (Sharjah), Sally Mallat (Dubai), Dina Al Khatib (Dubai), Falwah Alhouti (Sharjah), Layal Algain (Sharjah), and Shahdan Barakat (Sharjah) co-designed the geometric Arabic typeface 29LT Azal which is inspired by the old Eastern Kufic manuscripts. [Google] [More] ⦿
Ron Barak	Designer of the freeware fonts Kur2siv-Italic, Pni2na. [Google] [More] ⦿
Albi Baraku	During his studies in Toronto, Albi Baraku designed the constructivist typeface Baeier (2018). [Google] [More] ⦿
Asen Tiberiy Baramov	Asen Tiberiy Baramov (No Comment Group, Sofia, Bulgaria) is a Bulgarian type designer. His typefaces: Tichy Black (2012: an octagonal typeface for Latin and Cyrillic. The Cyrillic glyphs are influenced by the work of the great Bulgarian typographers Boris Angelushev, Vassil Yonchev and Alexander Poplilov, who developed Cyrillic further in the 1960s and 1970s). In 2012, Baramov designed the ten-style contrasted semi-serif typeface Mart, which was influenced, he says, by Rotis Semi Serif (Otl Aicher) and Apple Garamond. In 2021, he published the eight-style low contrast geometric sans family Zagore. [Google] [MyFonts] [More] ⦿
Aleksandra Baran	Polish design student who made a typeface while studying in Krakow from 2003 until 2005. [Google] [More] ⦿
Alexis Baran	Jersey City, NJ-based designer of the experimental typeface Geovetica (2015), created by deconstructing Helvetica. [Google] [More] ⦿
Claudio Barandun	Swiss type designer, b. 1979, Winterthur. He studied graphic design at the Hochschule für Gestaltung und Kunst Luzern. His typefaces: Dorfladen (2009): a DIN-like face. Frohheim (2008): monoline sans. Hellvetica (2007). I can't understand how Linotype let him get away with that one---I know they sued others for using exactly that name. XV Regular (2006). ZHdK Black (2007). Together with Megi Zumstein, he set up Hi. [Google] [More] ⦿
Vera Baranets	Graphic designer in Kuala Lumpur, Malaysia, who created Funky (2016), a circle-based deco typeface. [Google] [More] ⦿
Naty Barankova	Bratislava, Slovakia-based designer of the handcrafted Treefrog-style typeface Gumont (2016). Behance link. [Google] [More] ⦿
Iryna Baranova	Odessa, Ukraine-based creator of the Cyrillic font Nordika (2015) that was inspired by Scandinavian runes. [Google] [More] ⦿
Julia Baranova	Julia Baranova (Julia Dreams) is a graduate of the School Of Contemporary Art, class of 2013. Perm, Russia and Copenhagen, Denmark-based creator of the thin connected script typefaces Merry Christmas (2015) and Olesia (2015), Christopher (2015), Happy Newyear (2015), The Valley (2015, brush script), Confetti (2015), Cleaf (2015), the watercolor script typeface Crispy (2015), Ah Punch (2015), and the monoline sans typeface Woonder (2015). Typefaces from 2016: Cornish Pasty (outlined, textured and sketched), Fish and Chips, English Castles, Windsor Great Park (+Italic), Worcestershire Sauce (+Press), Smoothie Life, Caprese, Carbonara, Minestrone, Beathrice (connected script). Typefaces from 2017: The Fontytotty Collection [Cat and Dog (Display + Italic), Quinny (Display + Italic), Sunshine (Display + Italic), Cherry Pie (Display + Italic), Honey Jar (Display + Italic), Holidays (Display + Italic), Jellyfish (Display + Italic), Yellow Fruit (Display + Italic), Flower Tea (Display + Italic), Monday (Display + Italic), Koala (Display + Italic), Jellyfish Outline (Display + Italic), Elements Font]. Typefaces from 2018: Handwritten font collection (free). [Google] [More] ⦿
Dmitry Baranov	Vitebsk, Russia-based designer of the free molecular stencil font Cosmo (2019), renamed Galaxy, and the free squarish typeface Slender (2019). [Google] [More] ⦿
Eugeniy Baranov	Ukrainian designer of the dot matrix font (Latin/Cyrillic) Matricha (1999). [Google] [More] ⦿
Ilia Baranov	Moscow-based designer of several untitleddecorative Cyrillic alphabets (2013). He also created the experimental typeface Dotmaster (2013). [Google] [More] ⦿
Dmitry Baranovsky	Dmitry Baranovsky created a free javascript vector library called Raphaël for doing simple graphics in web pages. As an example, he created a set of 224 icons. There also is a free font called Raphael Icon Set (2012) created by Marek Ventur based on Baranovsky's designs. [Google] [More] ⦿
Victor Baranov	Designer of the old Bulgarian fonts Putiata (2004), Putyata (2004), Menaion Medieval (2004) and Menaion (2004). Alternate URL. Free downloads. [Google] [More] ⦿
Frank Baranowski	Obsolete German foundry, est. 2010 by Michel M and Frank Baranowski (b. Altenmedingen, 1960), and located in Neuenkirchen, where he runs the graphic design studio Cylex. Baranowski studied Graphic Design at the Hochschule fuer Bildende Kuenste in Braunschweig, Germany. His fonts: Alphabutts Initials (2004-2008). Letters to fit into circles. Clayborn (2004). A massive font. Concrete (2004-2010). Destroya (2005-2008). Dodgy Ultra (2009). A blocky font. Elemenz Initials (2004). Funtype (2008-2010). A handcrafted typeface. Journal74 (2012). A retro font family. Kaleido (2004). Karoline (2005). A backslanted script. Line44 Monumental (2009). MrsBeasley+ (1995-2010). Psychedelic. Musical (2004). NewTelegraph (2011, +Arrows). Patchwork (2005). A beatnik font family. Phoenikia (1998). Greek emulation. Silverblade (2010). A decorative, perhaps medieval, family. Sputnik (2010). An oriental simulation face. Superia (2006-2010). Tambourine (2004-2010). Art nouveau. Und4. Some of Baranowski' fonts are released under the label Transkrypt. Open Font Library link. [Google] [MyFonts] [More] ⦿
Frank Baranowski	Frank Baranowski (b. 1960, Altenmedingen), of Neuenkirchen in Northern Germany, runs the Transkrypt foundry and has been designing typefaces since 1990. He studied Graphic Design at the Hochschule fuer Bildende Kuenste in Braunschweig, Germany. In 2003 transkrypt was started as a website to show typographic experimental projects, exercises on types and also typefaces, which were designed by Frank Baranowski. He also set up Fontschmiede. His most extensive project, the Lyrix Projekt, is a kind of typographic anthology of pop lyrics. He describes transkrypt as "a space for unusual and unused type-design and typography". He designs mainly experimental typefaces, such as Kaleido (2004), Clayborn (2004, slightly grungy), Concrete, EF Mrs. Beasley (1995, nice fat round letters, Elsner&Flake), Sputnik (2004, URW++, an oriental look family), Phoenikia, Tambourine (2004, URW++), BB Mr. Beasley (1995, Linotype) and EF Musical (Elsner&Flake, serifed and playful). His experiments also include Lyrix (type motifs from pop songs), Quak (Quadrat-Kreis System, a grid system for constructing letters as parts of circles and lines), Patchwork (2005), Pardon (2005) and Kryptik-Zyklus (his own type posters and art). Latest creations: Karoline (2005), New Telegraph (2007, slab serif), Funtype (2009, hand-printed), Monumental (2009, a fat typeface made for stacking), Dodgy Ultra (2009, fat face). He has a page on "Typen mit Schwung". He also designed many elaborate initial caps typefaces, such as Tookatooth Initialen, Schnabel, Alien Initials, Siamesisches Alphabet (Thai simulation face), Banderol Initialen. In 2010, he started Fontschmiede with Michel M, where further fonts, commercial and free, can be found: Mrs Beasley, Sputnik, Superia, Tambourine, Destroya, Alphabutts and Elemenz are free. In 2011, he published New Telegraph Arrows at Fontschmiede. In 2012, he created Journal 74 (Fontschmiede), a retro font family. MyFonts site. Linotype page. View the transkrypt typeface library. [Google] [MyFonts] [More] ⦿
Maja Karolina Baranska	Wroclaw, Poland-based designer of the grungy typeface Typo Stempel (2015). [Google] [More] ⦿
Soner Baran	Izmir, Turkey-based designer of the politically critical---and, dare I say, anti nationalism---typeface Colombe Condensed (2018). [Google] [More] ⦿
Mafalda J. Barata	Designer in Coimbra, Portugal. In 2011, she created Sew Up Sans. [Google] [More] ⦿
Lionel Barat	Designer (b. Pau, France, 1970) of fonts at Garagefonts, including the pixel font family Kamaro (1999), Karazan, Klif (1999), Klock (1999), Kynzo, GF Mistic Art, Truth (2000-2001). He lives in Ares, near Bordeaux. [Google] [More] ⦿
Davide Baratta	Art director in Rome, Italy. Creator of the alchemic typeface Carma (2014). Behance link. [Google] [More] ⦿
Lucie Baratte	Lille, France-based designer of the pixel blackletter font Methazoa (2013). Crapotine (2013) is an experimental diamond- or rhomboid-inspired ornamental caps typeface. Behance link. [Google] [More] ⦿
Daniel Barba	Designer and illustrator in Mexico City. Creator of the fashion mag display typeface Isadora (2013) and the high-contrast display typeface Jericho (2013). [Google] [More] ⦿
Jacqueline Barba	Howard Beach, CA-based designer of Viola (2014), an ornamental caps typeface. [Google] [More] ⦿
Joseph Carmelo Barba	Joseph Carmelo Barba (b. 1994, The Philippines) created the fixed gear bike-themed font Barbalicious in 2013. Dafont link. [Google] [More] ⦿
Anna Barbal	Barcelona-based creator of some geometric typefaces in 2013. Behance link. [Google] [More] ⦿
Eloise Barbanera	Roman designer of the Trajan typeface Traiano (2014). [Google] [More] ⦿
Rob Barba	Rob Barba (b. 1971, Los Angeles) (Megami Studios, est. 2004) is the Washington, DC-based designer of these free fonts in 2008: Gauche Display (script), Orthotopes (fat, slightly rounded, and gorgeous), Vocaloid (geometric sans), Vocaloid Oblique, Voynich. In 2009, he made Reaver. At MyFonts, one can buy Voynich, Reaver, Orthotopes, Semiautonomous Subunit Clade (2009, sci-fi), Gauche Display (2010), American Sensation (2010, a techno family), Onigiri (2012), and Shibuya Dancefloor (2009, a techno family), Une Nuit Parisienne (2010, a techno family), Xero (2010, a sans family with irregular stroke widths). Some time in 2009, their fonts went commercial and their address changed to Ashburn, VA. In 2013, Megami Studios published the cartoonish family Pennywhistle, and in 2018 The Happiest Cruise In Anaheim (inspired by signage at Disney World) and Doki Doki Tokimeki (for mangas). Typefaces from 2019: Ferrocarbon (an industrial octagonal design), Shenandoah Clarendon. Benjor (a bold unicase headline font), Odaiba Soul (a minimalist monolinear rounded sans in their Cool Japan series). [Google] [MyFonts] [More] ⦿
Rocco Barbaro	Graphic designer in Torino, Italy. Creator of Regolo (2014 Ten Dollar Fonts), a fun display typeface inspired by Cuisenaire Rods. Behance link. [Google] [More] ⦿
Rafael Barbaroti	Brazilian designer of the display typefaces Antique Blue Beetle (2010) and Tchuli Gothic Std (2010). [Google] [More] ⦿
Marine Barbaud	Marine Barbaud (Paris) created the weathered poster typeface Farambulle (2013) during her studies. She also does digital illustrations. Behance link. [Google] [More] ⦿
Valerio Barba	Valerio Barba (Valerio Barba Design, Rome, Italy) created Dada Font in 2015. Behance link. [Google] [More] ⦿
Victor Navarro Barba	Tipofil is graphic designer Victor Navarro Barba in Barcelona. In 2015, he strated selling his fonts via Creative Market and MyFonts. His typefaces include: Eutopia (2015). This (originally free but now commercial) 400-glyph counterless art deco font is motivated as follows: I was inspired by the letters of the mythical Ideales tobacco package, designed in 1936 in Barcelona by Carlos Vives, director of the designers studio of the Rieusset graphical industry. We have also studied other geometrical models from the 1920s, to be highlighted among them the alphabet drawn by Cornelis André Vlaanderen at Amsterdam in 1928, which would have been very probably the inspiration for the famous tobacco package. The font family comes in Duotone, Yang, Yin, Outline and Solid styles. In a way, it can be considered as suprematism. Behance link. Home page. Creative Market link. [Google] [MyFonts] [More] ⦿
Clément Barbé	Paris-based graduate of ESAG Penninghen (where he took courses from, e.g., Muriel Paris) who made a custom typeface for the Housse de Racket band in 2012. Dinosaur (2012) can be bought at Ten Dollar Fonts. He also designed the thin display family Muerte (2012), the alchemic typeface Pharaon (2012, inspired by the Spielberg movie Indiana Jones : Raiders of the Lost Ark), the display typeface Tennis (2012), the volcano-shape-inspired Volcano (2012), and the wavy Sailor (2012). In 2013, he made the alhemic typeface Black. Hellofont link, where his fonts can be bought. In 2019, he set up Studio B and promptly released the icon set Tropical (2019) and the great art deco bold poster and display typeface Coquette (2020). In 2020, he designed the art deco typefaces Yangi, Helite and Richart, and the unicase display typeface Boala. Behance link for Clément Barbé. [Google] [MyFonts] [More] ⦿
Lorry Barbedette	Quimper, France-based designer of the heavy comic book or signage typeface Fatbuddy (2017). Behance link. [Google] [More] ⦿
Ingrid Barbedo	During her studies at UFRJ (Rio de Janeiro), Ingrid Barbedo created the art deco typeface Lunar (2013). [Google] [More] ⦿
Mavi Barbeito	Buenos Aires-based creator of Archdeco (2012, art deco typeface). [Google] [More] ⦿
Chris Barber	Chris Barber (aka An Creon and An Creon Systems) is the American designer of the futuristic typeface An Creon (2004). Alternate URL. Dafont link. Home page. Fontcubes listing. [Google] [More] ⦿
Ethan Barber	During his studies at Full Sail University, Winter Park, FL-based Ethan Barber created Regal Triumph Sans (2015, avant garde), Rubber Flex Sans (2015) and Cacti (2015, decorative caps). [Google] [More] ⦿
Galt Barber	Creator of the gaelic script font Rudhraigheacht (2000), available here. Rudhraigheacht Unicode (2003) has extra characters and was re-encoded in Unicode by Korvellou An Drouizig. [Google] [More] ⦿
Graciela Barberi	Buenos Aires-based designer of the pearled display typeface Cuboline (2014). [Google] [More] ⦿
Ken Barber	Letterer and type director at House Industries. He also teaches experimental typography at the Maryland Institute's College of Art. His interests include the inter-disciplinary relationship between hand-lettering and type design. His typefaces include Maddhouse (1994), Chalet (1996), Heads of the Household, Fink Bold (1996), Fink Brush (1996), Fink Casual (1996), Fink Condensed (1996), Fink Gothic (1996), Fink Heavy (1996), Fink Roman (1996), Fink Sans (1996). The Rat Fink series was made with Ed Roth. Part of the proceeds from each sale go to the estate of Ed "Big Daddy" Roth. At ATypI 2004 in Prague, he spoke about "Imre Reiner: the alphabet as art". Ken Barber and Tal Leming combined forces in 2008 on the signage script family Studio Lettering Swing (House). He digitized Ed Gothic and Ed Script, both originally designed by Ed Benguiat. These fonts won awards at the TDC2 2005 type competition. Smidgen (2011: winner of an award at TDC 2012). Studio Lettering Slant (2008) and Blaktur (2007) won awards at Letter2 in 2011. For many years, he digitized and designed fonts for House Industries. These include Sign Painter (a 9-style family), Plinc Italiano (2015: a digital revival by Steve Ross and Ken Barber at House Industries of Dave West's 1960s Photo Lettering Inc Bodoni-style italic called Italiano). He spoke at ATypI 2005 in Helsinki on Lettering, typography or somewhere in between. At ATypI 2008 in St. Petersburg, his talk (shared with Tal Leming) was entitled Pac-Man fever, quantum mechanics and the design of digital type. Typographic picture by TDC. Ken Barber interview by T. Wilkins. [Google] [MyFonts] [More] ⦿
Matt Barber	Codesigner with Max Infeld of Crankdeal (2012, a hand-printed poster face: free at Dafont). He also made the multiline typeface Third Leg (2012, Dafont, Late Nights, Gateway Drug (2013), and Mad Caps (2012, Dafont). [Google] [More] ⦿
Jessica Barbero	Aka Lady Frambuesa, this Spanish designer is one of the co-founders of the type foundry Comando Cran. At Comnado Cran, she published Flaminga (2012, an offbeat beauty in the style of the Pink Panther movie credits). She is no longer an active member of Comando Cran. [Google] [More] ⦿
Ray Barber	Ray Barber created the iconic logo for Saturday Night Fever. He taught typographic design at Pratt in New York for over 30 years. With Don Munson, former director at Ballentine Books, he created MGB Patrician (1980, Letraset). The letters MGB refer to Don Munson, Lynda Graham-Barber and Ray Barber (Lynda's husband). Digital revivals or remakes include Verve (Dieter Steffmann), Mazama Plain (Harris Type), Aegina (Brendel Informatik GmbH), and Protea (Castcraft/Opti), In the MyFonts forum of 2005, J-Louise Heron wrote: Don Munson, former Art Director of Ballantine Books, NYC---designed MGB Patrician. (The initials I believe were for him, his wife and partner, the Patrician for his daughter) At first it was a typositor exclusive at Haber. They would bill out 2 dollars a letter for each letter they set. Eventually, it was turned over to Letraset and made a rub-on transfer---with those great alternative "S"s... Mr. Munson left his job, Haber's shop moved into Image's shop, and old man Haber, left the office one night, took 4 steps outside the door, had a heart attack, and was found dead on the floor later that night. [Google] [More] ⦿
Marine Barbet	During her graphic design studies, Cambrai, France-based Marine Barbet created the Phoenician or Greek simulation typeface Fenicia (2014). [Google] [More] ⦿
Dominique Barbieri	During her studies in Firenze, Italy, Dominique Barbieri designed the vernacular typeface Rio de Janeiro (2013), which took inspiration from lettering found in Rio. Behance link. [Google] [More] ⦿
Maria Barbieri	Or Maria Smith. Or Maria B. Paints. New York-based designer of the outlined handcrafted typeface Pitter Patter (2015). Creative Market link. [Google] [More] ⦿
Mariana Barbieri	Graphic artist in Pelotas, Brazil, who designed the hipster or native symbolism font Espaco Amerindio in 2013. It is based on pre-Colombian graphic culture. [Google] [More] ⦿
Sebastiano Barbieri	Turin, Italy-based designer of the geometric sans typeface Flaud (2015). [Google] [More] ⦿
Adalberto Barbosa	Brazilian designer (b. 1997) based in Bairro Manoel Satiro. As an architecture student at Universidade de Fortaleza, he created the blueprint / architectural drawing font Adalbs (2021). [Google] [More] ⦿
Catarina Barbosa	Braga, Portugal-based designer of a stylish modular alphabet in 2016. [Google] [More] ⦿
Cris Barbosa	A resident of Lisbon, Cris Barbosa is a graphic and brand designer who has worked on a Hebrew font, Ivrit (2009). [Google] [More] ⦿
Dayana Barbosa	During her studies in Embu das Artes, Brazil, Dayana Barbosa designed the sci-fi typeface Moon Sides (2017). [Google] [More] ⦿
Emanuel Barbosa	Portuguese designer and teacher. Since 1998, he is professor at Escola Superior de Artes e Design (Matosinhos, Portugal). [Google] [More] ⦿
Gabbe Barbosa	Graphic designer in Recife, Brazil. In 2017, she created the display typeface Anabela. [Google] [More] ⦿
Iñes Barbosa	Student at Escola Superior de Arte e Design, Matosinhos, Portugal, in 2014. Creator of the text typeface Ophelia (2014). [Google] [More] ⦿
Lara Barbosa	Rio de Janeiro, Brazil-based designer of the nature-inspired typeface Virga (2015). [Google] [More] ⦿
Leo Barbosa	Leo Barbosa (aka Ceccatto) is the Brazilian creator of the ultra-fat counterless typeface Cubo (2010). Other FontStructions by him include the squarish typefaces Half D and Aqui (2010). [Google] [More] ⦿
Lucelia Barbosa	Designer of the free display typeface Cratense (2017), which is based on the architecture of the Portuguese city of Crato. [Google] [More] ⦿
Maiara Barbosa	Recife, Brazil-based designer of a paper cutout stencil typeface in 2018. [Google] [More] ⦿
Matheus Barbosa	Matheus Barbosa (Tipoforme) is a graphic designer Fortaleza, Brazil, who studied design at the Universidade Federal de Pernambuco. He is studying typography at Universidad de Buenos Aires in the Masters program of CDT-UBA. His Armoribat 2, co-designed with Buggy, won an award at Tipos Latinos 2008. He also does cal li gra phic work. . [Google] [More] ⦿
Matt Barbosa	Sao Paulo, Brazil-based designer of the cold war font Detente (2016). [Google] [More] ⦿
Michael Barbosa	Portuguese designer who during his employment at Wolff Olins (UK) started work on Metroplis (1995) for Metroplisboa, the Lisbon subway. This typeface was subsequently drawn by Freda Sack and David Quay at The Foundry, London. [Google] [More] ⦿
Rui Barbosa	FontStructor who made In Tacto (2010), an art deco-ish typeface which has Braille supermposed on the letters. [Google] [More] ⦿
Brian Barbour	Brian Barbour is the codesigner with Shaun Kardinal, Starseed and Eric Agnew at Themes of a scorched earth of TSP Dingbats. [Google] [More] ⦿
Jessica Barbour	Mississauga, Ontario-based designer of the art deco typeface Metria (2016). [Google] [More] ⦿
Joao Pedro Barboza	Campinas, Brazil-based designer of the vernacular outlined typeface Sagafé (2015). [Google] [More] ⦿
Sophia Barboza	Caracas, Venezuela-based designer of the pixel font Lucirnaga (2015). [Google] [More] ⦿
Adrian Barbu	Creator of the scanbat font Celeb Faces (2010). He seems to have something to do with the gossip page FamousWhy. [Google] [More] ⦿
Maks Barbulovic	Maks Barbulovic studied communication design at the Hochschule Düsseldorf (Germany), and participated in an internship program at Ecole Nationale Supérieure d'Art et de Design in Nancy (France). At Type Tomorrow, he published the dot matrix typeface Dusseldot (2020) together with Ilya Bazhanov. [Google] [More] ⦿
François Barbut	Designer of the ultra-condensed thin hand-printed typeface Paki (2014) and the fuzzy typeface Barber Shop (2014). [Google] [More] ⦿
Layla Barcala	Graphic designer and illustrator in Belo Horizonte, Brazil, who created the display typeface Breeze (2015). [Google] [More] ⦿
Daniel Barcelles III	Corona, CA-based designer of the custom font Ichii (2014), which was inspired by the Japanese splatter film Ichi the Killer. The letters are made up of many chopped up body parts. [Google] [More] ⦿
Luca Barcellona	Celebrated Milan-based calligrapher, letterer and illustrator. Examples of his lettering include this shoe (2010), this octopus (2010) and this tiger. Enhanced graffiti lettering. Lettering video on Vimeo. Logos and designs for Carhart in 2010. MySpace link. Flickr page. Another Flickr page. Another URL. He has shown some complete, mostly calligraphic, alphabets that I suspect have never been fonted. These include the calligraphic brush set ABC Narrow (2008), a blackletter demo, and Dry Brush Fraktur (2010). Pic. [Google] [More] ⦿
Luana Albrecht Barcellos	Novo Hamburgo, Brazil-based designer of Minimal Type (2015). [Google] [More] ⦿
Yuri Barcellos	Designer, illustrator and art director in Rio de Janeiro who created the display typefaces Paper Clips (2015) and Lowpoly (2015, a triangulated font). [Google] [More] ⦿
Emanuel Barcelo	Buenos Aires-based designer of the computer age display typeface Replicante (2017). [Google] [More] ⦿
Eva Barcelo	Illustrator and designer in Palma de Mallorca. She created some hand-drawn school fonts, both connected and non-connected, in 2013, in a learning to read project called Pipo. [Google] [More] ⦿
Xisco Barcelo	Palma de Mallorca, Spain-based designer of the hexagonal stencil typeface Dimetric (2016) and the octagonal typeface family Xfont (2016). Behance link. [Google] [More] ⦿
Gonzalo García Barcha	Mexican designer of the serif typeface Enrico, mentioned here. [Google] [More] ⦿
Pavel Barchanski	Graphic designer in Plzen, Czechia. Creator of the bilined typeface Retro (2014). [Google] [More] ⦿
Nan Jay Barchowsky	Educator Nan Jay Barchowsky from Aberdeen, MD, designed many fine handwriting fonts. She wrote BFH, a Manual for Fluent Handwriting (Aberdeen, MD, 1997) and runs Swansbury Inc. Her connected and didactical fonts are part of a commercial package, BFH. In 2002, John Butler made a connected OpenType version of Barchowsky Fluent Hand. MyFonts sells Barchowsky Dot and Barchowsky Fluent Hand. [Google] [MyFonts] [More] ⦿
Jenny Barck	Nice free fonts made by Jenny Barck, who sometimes uses the name Joakim Kihlström. The fonts include AsaRocks, BabyBazonga, BabeBamboo, BatBen (batman font), Beam, BrandNewHeavies, Ceasar, DayOfTheTentacle, Diodos (1997), Djellibejbi (hearts), ElasticWrath (curly), Eller, Flame, HailMary, HarryPotter, Holywood, Heffaklump, Jagular, Jamiro, Komhjlp, Korv, KabanossNormal, Magnumpi, ManaMana, Modinskan, Megafon, Merde, Monday, Rambo, RamboKiller, Reddordedd, Runar, Salamander, Serru, SugarRay, Swabba, Tigger, Walter (2001, a Disney font), XFiles, Zeppelin. Dafont link. Fontspace link. Abstract Fonts link. [Google] [More] ⦿
Missy Barclay	Missy Barclay (Long Beach, CA) created a stencil typeface called Stencil (2012) that uses some ball terminals. Behance link. [Google] [More] ⦿
Nathalie Barclay	Creator of the iFontMaker font Nathalie Cursive (2010, hand-printed). [Google] [More] ⦿
Camila Castaño Barco	Cali, Colombia-based designer, who, during her studies at Pontificia Universidad Javeriana, created the modular decorative caps typeface Camicb (2016). [Google] [More] ⦿
Gianfranco Barco	Marostica, Italy-based art director who created Juventus Font in 2015 for the jerseys of Juventus Torino. Behance link. [Google] [More] ⦿
Natalia Quintana Barco	Colombian designer of Juicy (2018). [Google] [More] ⦿
Masha Bardak	Moscow-based designer of Rbichigy Mashbin (2015), a squarish computer emulation typeface that was inspired by the music of the Russian punk-rock band. [Google] [More] ⦿
Daniel Bär	Daniel Bär (Pyroglyphix) is a talented Swiss designer in Lausanne. Type subpage. Creator of the monoline grotesk typeface GT Skeletor (2009, Grilli Type). This typeface can be stretched and compressed at will without losing its effectiveness. While studying at ECAL in Lausanne, he made the gorgeous fat didone display face Pyrose (2008), the all caps sans headline typeface Pyroplastic (+Fat). At ECAL in 2010, he made the Bauhaus-inspired PYROhbau (a scripted font system based on a skeleton). Behance link. [Google] [More] ⦿
Oscar Barda	Frenchman (b. 1986) located in Paris. He created I Shot The Serif (2008), an ultra-black blockish face. [Google] [More] ⦿
Mickey Bardava	Graduate of the National Institute of Design, India and a self-taught photographer, originally from Rajasthan, but now based in New Delhi. He made the experimental gridded typeface X1 Display (2010). Graphic designer in Kota, India, who graduated from the National Institute of Design, India, and a self-taught photographer. He created the Peignotian typefaces Macchiato (2011) and Retro Display (2010), the grungy Destructype (2011), the texture typeface GRID-X (2011), and the clean sans typeface Skeletal (2011). Behance link. [Google] [More] ⦿
Tom Barden	Tom Barden created the geometric but also playful typeface Evolution (2009). He also made Africa Type (2010) and the octagonal athletic lettering typeface There It Is (2009). Visually Interesting (2009) is a type experiment. Unity (2011) is a heavy octagonal poster face. He is also working on Airport Icons (2011). He is based in London and is a graphic designer and photographer. Home page. [Google] [More] ⦿
Camille Bardes	Parisian designer of Femina (2014) and Le Bretonne (2014, with Valeria Caro and Timothé Chiron), both strong masculine text typefaces, contradicting the nomenclature. [Google] [More] ⦿
Emilie Bardet	Graduate of the University of Toulouse, class of 2019. Toulouse, France-based designer of the art nouveau typeface Viaticus (2019). [Google] [More] ⦿
A. Bardi	Type designer who created various alphabets and showed them in Publicité Vignettes Lettres Chiffres Monogrammes et Rehauts Modernes (Les Editions Guérinet, Paris, 1931) [reprinted in 1986 by Dover (NY) as Authentic Art Deco Alphabets]. Examples include Decaration Big (1931): digitized by Nick Curtis as Labyrinth NF. Disque (1931): digitized by Nick Curtis as Nightcap NF. Elancé (1931): digitized by Nick Curtis as Tropicana NF. Obtuse (1931): digitized by Nick Curtis as Full Tilt Boogie NF. La Massive (1931). La Courante (1931). L'Ajourée (1931). La Boule (1931). La Monstre (sic) (1931). Paris-Rome (1931). Aviation Civile (1931). Publicité (1931). [Google] [More] ⦿
Alexandra Bardou	Alexandra Bardou, a graduate from the ELISAVA School of Design in Barcelona in 2013, created an unnamed connected script font in 2013. Behance link. [Google] [More] ⦿
Matthew Bardram	Matthew Bardram (b. New York City, 1965) is the Tucson, AZ-based [T-26] founder of Atomic Media, who specializes in bitmap fonts. He designed Atomic, Centrifuge, Bromide (at T-26), Crackle, Klaxon. At Nakedface (now gone), he made Arachnid, Bitpak, Bylinear, DhexInline, Genetica, Economy Large, Empiric, Hypersigna (2005, bitmap face), Montreal (the family) and two katakana fonts. His Bitpack includes the following pixel fonts: Bylinear (2000), Cellular (2000), Genetica (2000, free download), Genetrix, Macroscopic, Metodic, Microscopic, Noir, Scriptometer, Remote (2000), Monocule (2000), Joystik, Centrifuge, Quantaa (2000), Bionika, Megalon (2000), Wired, Badfish. Bardram's Digipak includes Atomic-Inline, Atomic-Outline, Bionika-Black, Bionika, Genetrix-Crossed, Genetrix-Square, Genetrix-SquareCore, Genetrix-SquareHollow, Joystik, Macroscopic-A, Macroscopic-B, Macroscopic-C, Macroscopic-D, Macroscopic-E, Methodic-Bold, Methodic, Microscopic, Noir, Scriptometer-SanScript, Scriptometer. Additional typefaces: a 3D pixel font called Boxer 3D (2002), Neuronic (2002-2004, nice outlined pixel font; see also here), Fusionaire (2002, a display font) and Wijdeveld, a squarish font based on the lettering of poster artist Wijdeveld from The Netherlands. In 2005, these fonts were added: Magnetica, Imperium, Ratio, Hypersigna, Sequence and Tempora, all by Matthew Bardram. Sausan Kare's pixel fonts at Atomic Media: Mini Food, Kare Dingbats, Biology, Everett, Harry, Ramona, Kare Five Dots, Kare Five Dots Serif, Kare Six Dots, Kare Six Dots Serif. Alternate URL. Interview. Klingspor link. [Google] [MyFonts] [More] ⦿
Olivier Bareau	Olivier Bareau used iFontMaker to create Lightpaint (2011, scratchy face), and Helentica. [Google] [More] ⦿
Andi Barefoot	Designer of Skinny Rae (2019). [Google] [More] ⦿
Tatiana Barela	Denver, CO-based designer of Baskerunity (2017). [Google] [More] ⦿
Alyssa Barella	During her studies at Flagler College in St. Augustine, FL, Alyssa Barella designed the dot matrix typeface Conbria (2018). [Google] [More] ⦿
Alissa Barendse	At San Francisco State University, Alissa Barendse designed the 3d outline typeface Surface (2016). [Google] [More] ⦿
Jeroen Barendse	Designer at the The Hague-based foundry LUST of LUSTPure, LUSTGrotesk, LUSTBlowout, LUStTGothic (1994). [Google] [More] ⦿
Cadrilla Bareno	Bogor, Indonesia-based designer of the free modular counterless typeface Xerox (2017). [Google] [More] ⦿
Charles Barest	Designer of the hand-printed typeface Chuckster (2011, iFontMaker). [Google] [More] ⦿
Hugues Bareteau	London-based designer of some futuristic typefaces in 2014. [Google] [More] ⦿
Eddie Baret	Eddie Baret was born in 1978 in Marseille. He studied graphic design and typography in Paris, Besançon and Brussels. In 2001, he founded, with Clément Lyonnet, the association Typo.gras.free. Eddie Baret designed the handwriting font FF Eddie (2001). He currently works in Paris as a free-lance graphic designer. The Typograsfree fonts are (were) mostly of the deconstructivist kind: By Eddie Baret: FFEddie, Damie, Snakescript, Lunette, Arelier, Banco, Badcasse, Lavomatic, Free.ioriture, 36, Wood, Round. By Keyman: Calculettre, Square, FontoG-geneva, Bugpopvchar-pro, Scripta-key, Timesfotdecran, Pron-non-cia, Ptitours-brun, Yes-soon, Flop, 3dfont. By Globul666: Autocollant. By zzzazzz: TheZapSans. By Ion Lazarescou: Helltime, Fuconexbo. By Gabriel Rebufello, aka Sir Gong: Trobo Sans, Zonga. By Samo: Samograsfree, Samografrite. By Pierre Corbucci, aka Piro: Meeting, Piro and Eloim. By Michel Welfringer: Robotnik. By Julien Pinet: Brique, Main Gauche, Rambobinette. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Pierrick Barfety	During his studies at UQAM in Montreal, Pierrick Barfety designed the serif typeface Vicomte (2019). [Google] [More] ⦿
Trent Barfield	Woodbridge, VA-based designer of the decorative caps typeface Element (2015). Behance link. [Google] [More] ⦿
Frederik Rafn Barfod	During his studioes at KADK in Copenhagen, Denmark, Frederik Rafn Barfod designed Myterano Stencil (2018). [Google] [More] ⦿
Jeff Barfoot	Comic strip artist who designed a character in the September 11 charity font done for FontAid II. [Google] [More] ⦿
Hannah Barganier	Located in Atlanta, GA, Hannah Barganier created the ornamental typeface Crop in 2013. Behance link. [Google] [More] ⦿
Dmitry Bargatin	Lipetsk, Russia-based creator of Cherty Rezy (2014), a Cyrillic typeface based on Slavic runes found when he was researching the pre-Christian Slavic literature. [Google] [More] ⦿
Silvia Bargelli	Silvia Bargelli is a graphic designer in Livorno, Italy. She created a set of line-based geometric typefaces called Linja (2013). [Google] [More] ⦿
Lee Barguss	Loughborough, United Kingdom-based creator of Pixel Pack (2012). [Google] [More] ⦿
Brad Barham	Freeware and commercial fonts by graphic designer Brad Barham. Clearlight disappeared in June 1999. Commercial typefaces: Anger, Borough, Cape, Customer, Destination, Everlast, Extrinsic, Item No.1, Media, Metropolic, Millenia, Numbed, Phonic, Savios, Shelle, Stall35, Stereophrenic, Timecode, Treason, Vegas, W2[3bw]. A free font list: Jungle, Asylum, FriedEggs, Influcts, Parasight, Clearwerkkraftremix, Cracko Deco, Five Finger Discount, Influcts (RMX), Intermission, Heliosphan, Spotlight Romat, Technine, Technine NA, Unsight, Too Much to Drink, JungleBold, JungleClean, JungleRuff, Embryonic inside, Cobb (1995), KrylonGothic (1997), Parasight (1997), and Pensmooth (1996, by Greg Meronek and Gavin Kalinthianalionalia). Dafont link. Catalog. [Google] [More] ⦿
Leonardo Barilari	Graduate from FADU, University of Buenos Aires, who created the high-contrast typeface Oriental Condensed (2010). [Google] [More] ⦿
Hilary Barilla	Graduate of the University of Nevada at Las Vegas. Las Vegas-based designer of the poster typeface Button (2016). [Google] [More] ⦿
Emin Barin	Turkish graphic and type designer, and calligrapher of both Latin and Arabic. He lived from 1913 until 1987. His calligraphy has led to some fine alphabets, including a blackletter and a flared Basque alphabet. Picture. Bio (in Turkish). [Google] [More] ⦿
Bernd Baringhorst	German designer who has his own graphic design studio in Dortmund. Behance link. Creator of a great minimalistic logo face for the Swiss company Swyx (2009). [Google] [More] ⦿
Giancarlo Barison	Italian artist. Designer of Linotype Graphena (1997), a very aesthetic architectural font. FontShop link. Linotype link. [Google] [More] ⦿
Joan Barjau	Born in Barcelona in 1950, Joan Barjau is a graphic and type designer, cartoonist, illustrator, painter, and animator who taught at Eina in Barcelona from 1984-1993. Designer at type-o-tones in Barcelona who made Analfabeta Regular (1999, with Flavio Morais), Analfabeta Pics (1999, with Flavio Morais), Analfabeto (+Pics, 2007, another vernacular typeface done with Flavio Morais), Ebu Script (1991-2013, a technical script done with José Manuel Urós), Iva (1993-2007), Jeune Adrian (1997), MeMimas (1991-2007, upright connected script done with José Manuel Urós; a Spanish school script commissioned in 1991 by publisher Barcanova), MeMimasAlternate, the great Sniff (1995, poster family), Talqual (1997, handwriting), Tschicholina (1997, unicase font inspired by Tschichold), Xiquets Primitives (1995, dingbats), Zubizarreta (1997, an award winner at Bukvaraz 2001; Zubizarreta Tosca is clearly Kafkaesque; the whole family is a mix between Neanderthal simplicity and Basque toughness). In 2013, Joan Barjau published the cartoonish typeface family Sniff, which he first created in 1995. He writes: Joan Barjau used the pseudonym Sniff while working as a cartoonist for the Spanish satirical magazine El Papus, and Sniff is also the typeface based on the style of lettering he used for the balloons. Interview by MyFonts. FontShop link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
Fanny Barjhoux	Paris-based designer of the experimental didone typeface Les Rita Mitsuoko (2016), custom-designed for the group. [Google] [More] ⦿
Jerod Barker	Boulder, CO-based designer of Tundra (2019). [Google] [More] ⦿
Michael Barker	FontStructor who made the squarish typefaces Doyle, Block Chop, Milx, Gonka and Lexilu in 2010. Aka Mikey Alcohol. [Google] [More] ⦿
Struan Barker	Glasgow, Scotland-based designer of the display typeface Solaris (2017). [Google] [More] ⦿
John Bark	John Bark founded the Bark Design Studio in Stockholm in 1988, after several jobs in New York at the School of Visual Arts, Milton Glaser Inc, and Esquire. With Örjan Nordling, he designed DN Bodoni for use as headlines in the Swedish newspaper "Dagens Nyheter". [Google] [More] ⦿
Jillian Barkley	Brooklyn, NY-based designer of the deconstructed didone typeface Lunera (2015). Behance link. [Google] [More] ⦿
Nadya Barkova	Designer of the children's book font Baby Smile (2016). [Google] [More] ⦿
Nicolas Barlier	During his graphic design studies in Paris, Nicolas Barlier created the display typeface Pop Eye Font (2013) with Maxime Roman. [Google] [More] ⦿
Georg Barlösius	Type designer (b. 1864, Magdeburg, d. 1908, Berlin) who studied at Kunstgewerbeschule Berlin and Akademie in München, and worked in Berlin. He designed the blackletter typefaces Barlösius-Schrift (1906, Bauersche Giesserei; +Fett, 1907), Barlösius-Gotisch (1907, Bauerische Giesserei), Fette Barlösius-Gotisch (1907, Bauerische Giesserei), and Barlösius-Buchschrift (1907, Bauerische Giesserei), as well as Barlösius Initialen, Barlösius Einfassungen and Barlösius Vignetten. Digital versions of some of these fonts by Peter Wiegel (Barloesius-Schrift, 2015), Manfred Klein (Barlosius Edged, 2007) and Klaus Burkhardt (Barlösius, 1999). [Google] [More] ⦿
Anna Barlow	During her studies at Appalachian State University, Boone, NC-based Anna Barlow designed the old typewriter font Bark (2018). [Google] [More] ⦿
Harry Barlow	During his studies, Aldershot, UK-based Harry Barlow created an experimental typeface (2014). [Google] [More] ⦿
John Barlow	Early transitional Gaelic typeface prepared by the Gaelic Society of Dublin in 1808-1821, which, just as the very early Queen Elizabeth type, used some roman characters, in part to draw in people to study the Irish language. Sample from a grammar book published by John Barlow in 1808. [Google] [More] ⦿
Neil Barlow	Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿
Rudolf Barmettler	Font designer and type historian. Professor at the Zurich University of the Arts (Zürcher Hochschule der Künste). In 2018, Nouvelle Noire and Barmettler joined forces in the design of Rektorat. They explain: In 2001, during a renovation of the Zurich School of Applied Arts and Crafts (today ZHdK), hand lettered signage was discovered hidden behind ancient wallpaper. The letters were individually painted and had been applied by hand in 1930 as signage for the modernist building. The letter designs are assumed to be the work of Ernst Keller. Between 2001 and 2004, Prof. Rudolf Barmettler, in collaboration with students, digitized the letters and combined them into fonts. In conjunction with the recent renovation of the Design Museum, Prof. Barmettler, in collaboration with the Zurich-based type foundry Nouvelle Noire, has drawn Rektorat, a type family based on this historical lettering. [Google] [More] ⦿
Billy Barnard	Billy Barnard designed Jurassic Park. The link is broken. The font may be viewed here. [Google] [More] ⦿
Charles H. Barnard	Early 20th century designer of letters, such as this Modern Roman typeface. He was an editor of Graphica (The Herald Press, Montreal and Toronto). [Google] [More] ⦿
D.C. Barnard	Designer of the music notation typeface Chords (2008, FontStruct). [Google] [More] ⦿
Ian Barnard	Crowborough, East Sussex, UK-based designer Ian Barnard (Vintage Design Co) created the curly hand-drawn typeface Warrior in 2014. With Sam Jones, he designed the school script font Path Type (2014). In 2015, Ian created the vernacular script Northern Soul, the brush script Enjoy The Ride, the free handcrafted typeface Foxhole, the brush font Sun Kissed, the connected monoline script typeface Smoothy and the letterpress emulation font Saltash. In 2016, he designed the poster typeface Sticky Lollipop, the American Oak series (Script, Serif, Slab, +scratchplate drawings by Emma Lindley), the vintage artisanal display typeface family Sugar Boats, the handcrafted Outbound and Money Penny Script, VTC Symbols, the sans titling typeface Fruitbox, Money Penny Sans, the handcrafted travel poster typeface Cool Britannia (2016), and the connected script font Bloomsbury, which is accompanied by Bloomsbury Sans and Bloomsbury Serif. In his Wood Type series (2016), he emulates old worn wood type and letterpress type---try out the free Condensed Slab Rough. Typefaces from 2017: Simple Things (old typewriter font), Dorchester Display (Victorian), Besties, Montebello (monoline script), Radiant Beauty (brush script), Adrenaline Brush, Foxtrail Script, Bookend (a super-condensed sans). Typefaces from 2018: Lemon Bird (free), Beautiful Grace (Serif, Script). Typefaces from 2019: Bloke (a revival Miller & Richard's classic metal typeface Egyptian Expanded). Typefaces from 2020: Andre's Diner (Peignotian). Creative Market link. Behance link. Home page. [Google] [MyFonts] [More] ⦿
James Barnard	London, United Kingdom-based brand designer, who has worked for some of the UK's biggest titles, including Grazia, FHM, Men's Health, Heat, Empire, Cosmopolitan, Kiss FM, The Daily Telegraph, and The Times. Creator of the free squarish display typeface Odibee Sans (2019). Google Fonts link. Github link. [Google] [More] ⦿
Kylee Barnard	Kylee studied at Savannah College of Arts and Design (SCAD), class of 2016. Savannah, GA-based designer of the free monoline sans display typeface Tessalate (2015, renamed Tessellate). [Google] [More] ⦿
James Barnardo	London, UK-based creator of the free oriental simulation typeface Reading From The East (2012), which is entirely based on hiragana for lowercase and on kanji for uppercase. He also made Roarin Twenties Counterfeit (2012, art deco), Halftone Nium (2014), Radium Corporation (2014), Uraenium (20143), Coradium (2014), Radiometry (2014), and Longhaul (2016, techno typeface). In 2019, he designedthe tall condensed sans typeface Brusio. [Google] [More] ⦿
Dror Bar-Natan	Designer of a mathematical symbol metafont called dbnsymb. Bar-Natan is Professor at the Department of Mathematics at the University of Toronto, and has included a Canadian flag symbol as well. He also has a free script that one can use to make xfig drawings into a metafont. [Google] [More] ⦿
Jonathan Barnbrook	Jonathan Barnbrook was born in 1966 in Luton, England. He is a type and graphic designer and filmmaker. Since 1990 he has worked with cultural institutions, activist groups and charities and produced a steady stream of posters. He is also known for his collaborations with Adbusters and Damien Hirst, his work for David Bowie, and his typefaces released by Emigre and Virus (his own foundry). He started Virus in 1997, and works out of the Barnbook Studio (now Studio 12) in London's Soho. Virus Foundry became just Barnbrook ca. 2017. He specializes in cult-type typefaces. MyFonts interview. Creative Pro interview. Bio at Emigre. In 2007, Mathieu Réguer wrote a thesis at Estienne on Barnbrook. Barnbrook designed these typefaces: Apocalypso Pictograms and Apocalypso Crosses (1997). Bastard (1990, blackletter) and Bastard Even Fatter. Bourgeois (2005). In 32 weights, this was originally done for the Mori Art Museum in Japan. Codesigner with Jonathan Barnbrook of Bourgeois Rounded (2019) and Bourgeois Slab (2019). Coma (2001). Delux (1997). Julian Moncada, Jonathan Abbott and Jonathan Barnbrook jointly designed Doctrine Sans and Doctrine Stencil in 2013 at Virus. Draylon (1997). Drone 666 (2010). and Drone (1997). Echelon (2001, connected upright script). Exocet (1991, Emigre). This is possibly his most recognizable face. Expletive Script (2001, upright connected and modular script). False Idol Script (1997). Infidel (2003). A crusaders type family praised by Claudio Piccinini. Mason (1992, +Serif, +Sans). Done at Emigre. Melancholia (2001). Moron (2001). Newspeak (1997). Nixon Script (1997, fifties style connected upright script). Nylon and Drylon (1996). Patriot (1994). Exocet, Patriot---these were the good old days of the missile attacks on Israel and the war in the Falklands. Strange that Barnbrook never designed a font called Wolf Blitzer. Olympukes (2004, with Marcus McCallion) was a free dingbat font at Fontshop. It can now be found at Undt Typefaces. Followed by Olympukes 2012 (2012), which acknowledges the complex contradictions of the modern Olympics. Priori Sans (2003, Emigre), Priori Serif (2003) and Priori Acute (2010, Emigre) are Escher-like trompe l'oeuil fonts. Prototype (1990). Prozac (1997). This font was created based on just four basic shapes. Regime (2009). A slab serif. Resolution and Resolution Blackletter (2015, by Jonathan Barnbrook, Ryuhei Nakadai and Julian Moncada): A family of display typefaces that were developed as part of a creative response to the political situation in Northern Ireland. Sarcastic (2007). A modular connected script. Shock&Awe (2004). Sora (2019). A free sans family at Google Fonts and Github. Co-designed with Julian Moncada. State Machine (Virus, 2004). Based on lettering on US and Russian military vehicles. Tourette (2005). Fontworks link. MyFonts link. FontShop link. Showcase of Jonathan Barnbrook's typefaces. [Google] [MyFonts] [More] ⦿
Alex Barnes	Designer of the fun display typeface Gaze (2014). [Google] [More] ⦿
Brad Barnes	Creator of the free hand-printed typeface Dashley (2013, OFL). [Google] [More] ⦿
Greg Barnes	Logan, UT-based designer of the techno typeface Syncopate (2014). [Google] [More] ⦿
Jack Barnes	Designer from Lebanon, OR (b. 1986), who created Funkified (2002) and Jack's Handwriting (2004). [Google] [More] ⦿
Jasmine Barnes	During her graphic design studies at Huddersfield, UK, Jasmine Barnes created the geometric figure typeface Sally Trace (2013), which is named after artist Sally Trace. [Google] [More] ⦿
Lydia Barnes	Type designer in the making, b. 2001, London. She created the 3d alphabet Picklepie (2008) and the hand-drawn Pigeonpie (2009). Her father Tim Barnes produced the fonts at his Chicken type foundry. [Google] [MyFonts] [More] ⦿
Matt Barnes	Art director in Louisville, KY, who designed the geometric solid typeface family Steak and Lemonade (2016). Behance link. [Google] [More] ⦿
Matt Barnes	Brooklyn, NY-based designer of these display typefaces: Cybergoth Chinese Food (2019), Dark Scripture (2019), Steak and Lemonade (2016: a geometric solid family). [Google] [More] ⦿
Paul Barnes	Modern Typography is a dot com web presence organized by the London-based type designer and graphic designer, Paul Barnes (b. 1970), typophile extraordinaire. It is promised to have plenty of material for the typophile. In the 1990s, Paul Barnes worked for Roger Black in New York where he was involved in redesigns of Newsweek, US and British Esquire and Foreign Affairs. During this time he art-directed Esquire Gentleman and U&lc. He later returned to America to be art director of the music magazine Spin. Since 1995 he has lived and worked in London. He has formed a long term collaboration with Peter Saville, which has resulted in such diverse work as identities for Givenchy and numerous music based projects, such as Gay Dad, New Order, Joy Division and Electronic. Barnes has also been an advisor and consultant on numerous publications, notably The Sunday Times Magazine, The Guardian and The Observer Newspapers, GQ, Wallpaper, Harper's Bazaar and Frieze. Following the redesign of The Guardian, as part of the team headed by Mark Porter, Barnes was awarded the Black Pencil from the D&AD. They were also nominated for the Design Museum Designer of the Year. In September 2006, with Schwartz he was named one of the 40 most influential designers under 40 in Wallpaper. He cofounded Commercial Type with Christian Schwartz. Author of Swiss Typography: The typography of Karl Gerstner and Rudolf Hostettler (Modern Typography, 2000). His typefaces: The (free) font Pagan Poetry (2001), done for one of the sleeves on Björk's albums. The font was made for Show Studio (see also here and here). Codesigner with Christian Schwartz in 2005 of the 200-font family Guardian Egyptian for The Guardian, about which he spoke at ATypI 2006 in Lisbon. In 2007, he worked with Peter Saville on the Kate Moss brand. As a font, he suggested a variation on Brodovitch Albro, a typeface by Alexey Brodovitch, the famous art director of Harper's Bazaar from 1934-58. The Creative Review reactions to this typeface are a bit negative though. In 2003, he created Austin, a high-contrast modern typeface. Now available at Schwartzco and at Commercial Type, Christian Schwartz writes: When hired to design a new headline typeface for Harper's&Queen, Britain's version of Harper's Bazaar, Paul thought to flick back through the pages of its 60's precursor, the über cool Queen. The high contrast serif headlines were lovely, but a little too expected in a contemporary fashion magazine. Some time poring through specimens in St Bride's Printing Library inspired the perfect twist: rather than taking our cues from Didot or Bodoni, we would start with [Richard] Austin's first creation, turn up the contrast, tighten the spacing and make a fresh new look that would look bold and beautiful in the constantly changing world of fashion. The end result is Richard Austin meets Tony Stan, British Modern as seen through the lens of late 1970s New York. iThe Cyrillic version was designed in 2009 and 2016 by Ilya Ruderman (CTSM Fonts). Dala Floda (1997-now) is based on gravestone inscriptions, and was turned in 2010 into a logotype stencil family at Commercial Type. As a stencil family, it is praised by the typophile community. Realted is the semi-stencil typeface family Dala Moa. Publico was designed from 2003-2006 with Christian Schwartz, Ross Milne and Kai Bernau. Originally called Stockholm and then Hacienda, and finally Publico for a Portuguese newspaper by that name. Publico Text Mono (Christian schwartz and Paul Barnes) was commissioned in 2012 for Bloomberg Businessweek. Greg Gadzowicz added the italics, which are optically corrected obliques, in keeping with the un-designed aesthetic, in 2014. Brunel (1995-now): an English modern, this is an anthology of the late eighteenth and nineteenth century English foundries. It was drawn from original source material, most notably the Caslon foundry and the work of John Isaac Drury). Marian (2012) is a type experiment based on Garamond, consisting of 19 hairline styles with names referring to dates between 1554 and 1812. Commercial Type writes: Marian is a series of faithful revivals of some of the classics from the typographic canon: Austin, Baskerville, Bodoni, Fournier, Fleischman, Garamont, Granjon, Kis and van den Keere. The twist is that they have all been rendered as a hairline of near uniform weight, revealing the basic structure at the heart of the letterforms. Together they represent a concept: to recreate the past both for and in the present. [...] Faithful to the originals, Marian comes with small capitals in all nine roman styles, with lining and non-lining figures, with swash capitals (1554, 1740, 1800&1820), alternate and terminal characters (1554&1571). And like the hidden track so beloved of the concept album, Marian is completed by a Blackletter based on the work of Henrik van den Keere. His classics series, mostly influenced by old Britsh type foundries, includes Figgins Sans (original 1832), Besley Grotesque, Caslon Antique, Fann Street Clarendon, Caslon Italian, Blanchard, Thorowgood Sans, Antique No. 6, Antique No. 3, and Ornamented (original c. 1850 at Caslon, Barnes use a Steven Shanks interpretation). VF Didot (2013) is a custom Didot by Paul Barnes and Christian Schwartz for Vanity Fair, as requested by its design director, Chris Dixon. Based on work of Molé Le Jeune, a punchcutter used by the Didot family in the early part of the 19th century, VFDidot has 7 optical sizes and up to 5 weights in each size, plus small caps and even a stencil style. Early in 2014, Christian Schwartz, Paul Barnes and Miguel Reyes joined forces to create the manly didone typeface family Caponi, which is based on the early work of Bodoni, who was at that time greatly influenced by the roccoco style of Pierre Simon Fournier. It is named after Amid Capeci, who commissioned it in 2010 for his twentieth anniversary revamp of Entertainment Weekly. Caponi comes in Display, Slab and Text subfamilies. In 2014, Dave Foster and Paul Barnes (Commercial Type) designed Marr Sans. They write: The influence of Scotland in typefounding belies the nation's small size. Marr Sans, a characterful grotesque design, was inspired by a typeface from the 1870s found in the work of James Marr & Co. in Edinburgh, successors to Alexander Wilson & Sons. From a few lines in three sizes, and only one weight, Paul Barnes and Dave Foster have expanded the family from Thin to Bold, plus an Ultra Black weight, a wider companion to the six lighter weights. While Graphik and Atlas represent the greater homogenity of twentieth century sans serifs, Marr, like Druk, revels in the individuality of the nineteenth century, and is like an eccentric British uncle to Morris Fuller Benton's Franklin and News Gothics. Le Jeune (2016, Greg Gazdowicz, Christian Schwartz and Paul Barnes): a crisp high-contrast fashion mag didone typeface family in Poster, Deck, Text and Hairline sub-styles, with stencils drawn by Gazdowicz. This large typeface family comes in four optical sizes, and was originally developed for Chris Dixon's refresh of Vanity Fair. Marian Text (2014-2016) is a grand collection of ultra thin typefaces designed at Commercial Type by Miguel Reyes, Sandra Carrera, and Paul Barnes. Marian Text 1554 depicts the old style of Garamond & Granjon; John Baskerville's transitional form becomes Marian Text 1757; the modern of Bodoni, with swash capitals and all, becomes Marian Text 1800, and the early Moderns of the Scottish foundries of Alexander Wilson & Son of Glasgow, and William Miller of Edinburgh, become Marian Text 1812. And like the original, a black letter: Marian Text Black, referencing the forms of Hendrik van den Keere. Gabriello (2015) is a soccer shirt font designed by Paul Barnes and Miguel Reyes: Inspired by brush lettering, Gabriello was commissioned by Puma. First used by their sponsored teams at the 2010 Africa Cup of Nations, it was later used at that year's World Cup, held in South Africa. It was used on the kits worn by Algeria, Cameroon, Cote d'Ivoire, and Ghana. Sanomat (2013-2017). This custom typeface by Paul Barnes was originally commissioned by Sami Valtere in 2013 for his acclaimed redesign of Helsinging Sanomat in Finland. Sanomat is now available for retail via Commercial Type in two subfamilies, Sanomat (serif) and Sanomat Sans. Chiswick (2017), a series of three typefaces families based on vernacular forms found in the British Isles from the eighteenth century. Darby Sans, Darby Sans Poster, Darby Serif, done together with Dan Milne, and published in 2014 and 2019 at Commercial Type, respectively. The Commercial Classics series from 2019: Brunel (Paul Barnes): Elegant and hardworking, Brunel is the Anglo variant of the high contrast Modern style. Based on designs that were cut first for Elizabeth Caslon at the end of the eighteenth century, we have expanded them to encompass a range of weights and sizes: from a roman to an emphatic black and from a text to a hairline for the largest sizes. Caslon Doric (Paul Barnes): The sans was the natural progression of nineteenth-century innovations. From the pioneering faces of Caslon and Figgins in the second and third decades, they quickly became a phenomenon across Europe and the United States, but it was only in the second half of the century that the British foundries would embrace lowercase forms and make faces that could be used in multiple sizes. Caslon Doric is the synthesis of these styles, from narrow to wide and from thin to heavy. Caslon Italian (Paul Barnes, Tim Ripper, Christian Schwartz): Perhaps the strangest and ultimate example of experimentation in letterforms during the early nineteenth century was the Italian. Introduced by Caslon in 1821, it reverses the fat face stress---thins becomes thicks and thicks become thins---turning typographic norms on their heads. This new version extends the forms into new territory: a lowercase, an italic, and another one of the more unusual ideas of the time, the reverse italic or Contra. Isambard (Paul Barnes and Miguel Reyes): The boldest moderns were given the name fat face and they pushed the serif letterform to its extremes. With exaggerated features of high contrast and inflated ball terminals, the fat face was the most radical example of putting as much ink on a page to make the greatest impact at the time. These over-the-top forms make the style not only emphatic, but also joyful with bulbous swash capitals and a wonderfully characterful italic. Caslon Antique (Paul Barnes and Tim Ripper): The slab serif or Egyptian form is one of the best letters for adding a drop shadow to. Its robust nature and heaviness support the additional weight of a prominent shading. First appearing in the 1820s, the style was pioneered and almost exclusively shown by the Caslon foundry, who introduced a wide range of sizes and, eventually, a lowercase. Caslon Sans Serif Shaded (Jesse Vega and Paul Barnes): The addition of graphic effects to typefaces was one of the most popular fashions of the nineteenth century, with the most common being the shaded form. Fashionable throughout this period, they largely disappeared from the typographic landscape, but their simple graphic qualities offer much potential today. Rapha (2018, Serif, Sans). A bespoke typeface at Commercial Type for the cycling clothing company. In 2019, Commercial Type released Caslon Ionic by Paul Barnes and Greg Gazdowicz. They write: Bolder and more robust than the modern, yet lighter and more refined than the Egyptian, the Ionic with its bracketed serif was another innovation of the nineteenth century. Lesser known than Thorowgood's Clarendon, Caslon's Ionic No. 2 is a superb example of the form and greatly influenced the newspaper fonts of the next century. With additional weights and a matching Egyptian companion, Antique No. 6, it is a masterpiece of type designed to be robust and legible. Antique No. 6 was designed by Paul Barnes in 2019. In 2019, Commercial Type released the Thorowgood Grotesque collection by Paul Barnes and Greg Gazdowicz. It is accompanied by the subfamilies Thorowgood Grotesque Dimensional (beveled) and Thorowgood Grotesque Open (based on Thorowgood's Seven-Line Grotesque Open), and the related condensed headline typeface Thorowgood Egyptian. The crew in 2012 includes Paul Barnes (Principal), Christian Schwartz (Principal), Vincent Chan (type designer), Berton Hasebe (type designer, who worked at Commercial type from 2008 until 2013) and Mark Record (font technician). Miguel Reyes joined in 2013. Hrvoje Zivcic helps with font production. View Christian Schwartz's typefaces. His St Bride Type Foundry. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿
Tim Barnes	British outfit located in London. MyFonts sells the double-stroked and African-themed comic book style family Picklepie (2008), the curly Galerie Simpson (2011), the playful Message of the Birds (2009), Lemon Flower (2010), No Liming (2009), Out Back (2009) and Pigeonpie (2009), made jointly by Tim Barnes (b. 1967, London) and his six-year old daughter Lydia Barnes (b. 2001, London). In 2013, Tim Barnes published the hand-printed caps family Pegasus, Lobo (an interlocking letter typeface), Barb (angular poster face), Ply, and the crazy mixed-glyph typeface Coo Coo I Coo Coo For You Too. [Google] [MyFonts] [More] ⦿
Wesley Barnes	Woking, UK-based designer of the signage script typeface Allora (2018). His decorative caps typeface Reverie (2018) is inspired by the bizarre and surreal work of Terry Gilliam. [Google] [More] ⦿
Woody Barnes	FontStructor who specializes in technical device fonts. In 2010, he made Texas Instruments TI-84 (+Pixellated) and Simplexica (in 5x5 and TI84 styles). He also made the white on black dot matrix typeface Scoreboard Generic. [Google] [More] ⦿
Alistair Barnett	Designer of the grunge font DiSToRTioN (1997). [Google] [More] ⦿
Anthony Barnett	Graphic designer in Melbourne, Australia, whose studio is called Could Not Sleep. He created the experimental loopy typeface called Boundary (2010). Behance link. [Google] [More] ⦿
Caleb Barnett	Wellington, New Zealand-based creator of the alchemic typeface Mercy (2013), which was designed during his studies at Yoobee School of Design (formely Natcoll Design Technology). [Google] [More] ⦿
David Barnett	Creator of the iFontMaker font Scribbled Swiss Caps (2010, sketched). [Google] [More] ⦿
Don Barnett	Grade Script, Plankton-B, Plankton Larvae, BugLight, Gracie Script, Larvae Symbold and Nekton Numbers are gorgeous grunge creations by Don Barnett. Truetype fonts at about 30 dollars per face. Beautiful web page as well. Klingspor link. [Google] [More] ⦿
Jade Barnett	As a student in Farnham, UK, Jade Barnett created the dotted typeface Evaporate (2015). [Google] [More] ⦿
Morgan Barnett	Germantown, MD-based designer of Shadow Box MB (2017). [Google] [More] ⦿
Gerry Barney	Co-designer with David Bristow, Terence Griffin, Ian Hay, and Kit Cooperof the famous VAG Rounded typeface family developed for Volkswagen in 1979. VAG Rounded is presently sold by Monotype, Adobe and Linotype. View digital implementations of VAG. FontShop link. [Google] [MyFonts] [More] ⦿
Arthur M. Barnhart	Type designer who co-founded Barnhart Brothers and Spindler in Chicago. Creator of a squarish typeface in 1887. [Google] [More] ⦿
Warren Barnhart	Type designer at Barnhart Brothers and Spindler in Chicago. Creator of a typeface in 1890. [Google] [More] ⦿
Mariana Barnola	Designer at iFontMaker of Outline Freehand (2011, hand-printed) and Get Well Soon. [Google] [More] ⦿
K. Barnoski	FontStructor who made the great fat Peignotian typeface Kalyn (2011), and Pixel (2011). [Google] [More] ⦿
Kent Barns	Beele Center, OH-based type designer Kent Barns created Dolsáb (2011) and Remedia (2013, an 18-weight sans). [Google] [MyFonts] [More] ⦿
Felipe Barocco	Porto Alegre, Brazil-based designer. In 2013, Felipe created Neptune's Garden Typeface. [Google] [More] ⦿
Katia Baro	French graphic designer based in London when Brexit happned. A few days later, she designed the circle-themed deco sans typeface Black Mamba (2016). Behance link. [Google] [More] ⦿
Laura Barone	Laura Barone (aka Foodonthewall) is the creator of the free hand-printed typefaces Cupcake (2013), Wine By The Glass (2013), You and me coffee (2013), Apothecary (2013), The queen is having fun (2013), The London (2013), The Francesca Font (2013), Skinny Vanilla Latte (2013), Paris by daylight (2013), Minty Fresh Gelato (2013), Figs in the summer (2013), Everyday typo (2013, typewriter typeface), Ciao ciao friends (2013), Squiggly Little Wiggly (2013) and A Simple Life (2013). She also made The Unknown Side (2013). Dafont link. [Google] [More] ⦿
Fabien Baron	Designer of the custom typeface on which Christian Schwartz based his design David Yurman (2001), commissioned by Lipman Advertising for David Yurman. [Google] [More] ⦿
L.F. Baroni	Designer who used FontStruct in 2008 to create a futuristic font called NearFuture Pixel. [Google] [More] ⦿
Carolina Baronio	During her studies in Curitiba, Brazil, Carolina Baronio created the curly script typeface Bouclé (2014). [Google] [More] ⦿
Joshua Baron	Saint Petersburg, FL-based designer, with Petros Afshar, of the hipster typeface Avion (2018). [Google] [More] ⦿
Lucia Verdejo Baron	Madrid and/or Dubai-based designer of the geometric solid typeface Cloudy (2014), which was created during a workshop led by Pablo Abad. She also created the beveled 3d typeface Arch (2014). [Google] [More] ⦿
Marco Baron	Mexico City-based designer of the pointillist dot matrix font Puntilica (2014) and the blocky font Chalupa Gordibuena (2014). Behance link. [Google] [More] ⦿
Pierre Baron	Art director in Paris who created a stitching typeface out of Garamond and called it Garaline (2013). [Google] [More] ⦿
Stephen P. Baron	STEDT is a free phonetic font that is being maintained and developed by a number of people. From the web site: "To accomodate the various orthographies of our source transcriptions, a special Macintosh Font was developed. The original bitmap font developed by Stephen P. Baron in the late 1980's evolved with advances in typographic technology into the STEDT Font for Macintosh a TrueType outline font, created early in 1993 by John Brandon Lowe. STEDT Font for Windows is currently available for beta testing. Currently being maintained by Richard Cook, the current (2001/02/22) release version of the STEDT Font is 5.1.5." STEDT stands for UC Berkeley's Sino-Tibetan Etymological Dictionary and Thesaurus (STEDT) Project. [Google] [More] ⦿
Yomn Baroudi	During his studies, Khobar, Saudi Arabia-based Yomn Baroudi designed the Arabic typeface Arabiski (2015). [Google] [More] ⦿
John Barounis	Creator (b. 1984, Greece) of the hand-drawn typeface Ancient Hellenic (2013). Home page. [Google] [More] ⦿
Klara Barova	Brno, Czechia-based designer of the handcrafted art nouveau typeface Alfontzo (2019). [Google] [More] ⦿
Frank Barowiak	Designer of the Kaffeesatz display family (1994, Linotype): great coffeehouse lettering. Smell the coffeebeans. [Google] [More] ⦿
Aya Barqawi	Palestinian designer based in Amman, Jordan. She created the Latin typeface Jerusalem in 2015, which is inspired by the architecture of the city. As a student at German Jordanian University, she also created the Arabic typeface Morocco (2015). [Google] [More] ⦿
Ivo Barquinha	Illustrator and graphic designer in Porto, Portugal, who created the display typeface Erro in 2016. [Google] [More] ⦿
Kevin Barrack	Kevin Barrack (aka waxyleaves) designed the lovely irregularly hand-printed typeface Illustria (2000). [Google] [More] ⦿
Aldo Barradas	Puebla, Mexico-based designer of the free (vector format) paperclip font Clip (2018). [Google] [More] ⦿
Rodrigo Barragan Amezcua	Leon, Mexico-based designer of the handcrafted typeface Baam (2015). [Google] [More] ⦿
Barrakuda	Barrakuda designed the grunge/graffiti font Coulon Liquor (1998). Barrakuda also designed the scratchy typeface Barrakuda'z-FontZamba. Fontspace link. [Google] [More] ⦿
Luigi Barra	Nürnberg, Germany-based designer (b. 1990) of the organic sans typeface barca (2020). [Google] [More] ⦿
Alexander Barranco	Bogota, Colombia-based designer of the art deco typeface family Bat Murcielago (2015), which is claimed to be free, but no download link is provided. [Google] [More] ⦿
Eduardo Barrasa	Creator of the techno font Eduardo Barrasa (2013, FontStruct). [Google] [More] ⦿
Hélène Barraud	Milano, Italy-based creator of the squarish typeface Chair (2013). [Google] [More] ⦿
Sebastián Barraud	Graduate from FADU, University of Buenos Aires, who created the semi-blackletter typeface Blackheart Inertia (2009). Dafont link. [Google] [More] ⦿
Julien Barrau	Julien Barrau made a gorgeous pixel font, IBSE (or: In Blue Special Edition) in 2001. [Google] [More] ⦿
Avel Barraza	Avel Barraza (Tijuana, Mexico) designed the Tuscan typeface Mariachi in 2013. [Google] [More] ⦿
Lesly Barraza	During her studies at UABC in 2014, Tjupil-Mexico-based Lesly Barraza created a display typeface. [Google] [More] ⦿
Christopher Barr	Orlando, FL-based designer of the organic sans typeface Keenton (2011). [Google] [More] ⦿
Catarina Barreira	Portuguese design student at the University of Aveiro in Portugal. In 2009, as part of a typography class project, Catarina and four co-students (Miriam Flores, Ana Carreira, José Bronze and Marco Costa) designed Zé Regular (FontStruct). While it looks like a thin angular type, she says that inspiration came from handmade type found on a statue of José Estevão Coelho de Magelhães (1809-1862), a remarkable revolutionary political figure in the city of Aveiro. [Google] [More] ⦿
Emanuel Barreira	Portuguese graphic and type designer from Setubal. He made the techno typeface Break (2008) and the 3d techno typeface Octopus (2008). Behance link. [Google] [More] ⦿
Simon Barrenechea	Paris-based designer of the modular all caps typeface Modul (2016). Behance link. [Google] [More] ⦿
Nicolas Barré	French graphic designer who created the free blackletter font Edelweiss in 2014 (FontStruct). Dafont link. Aka lakoni313. [Google] [More] ⦿
David Barrera	Santiago, Chile-based designer (b. 1982) of the plumbing dingbat typeface GasfiterbarreraNormal (2004). Home page. [Google] [More] ⦿
Leticia Barrera	Santo Domingo, Dominican Republic-based Leticia Barrera designed Persa Deco in 2016. [Google] [More] ⦿
Justin Barreras	Artist in San Francisco who designed the decorative caps typeface Fiend in 2016. [Google] [More] ⦿
Thelma Barrera	As an arts student in Monterrey, Mexico, Thelma Barrera designed the grungy typeface Mawa Fo (2016), which is based on Adobe Garamond. [Google] [More] ⦿
Domenico Barreto	Lima, Peru-based designer of the ultra-black piano key typeface Evangelion (2020). Domenico writes: Evangelion is a sans serif display typeface inspired by the works of Wim Crouwel and the anime Evangelion. In 2021, he published Longinus (a tall condensed all uppercase display typeface also inspired by the anime Neon Genesis Evangelion), Tenebras, a sans serif display uppercase typeface inspired by art nouveau and Heinrich Heinz Heune's Edda (1900) [free trial], as well as the techno typeface Substance. [Google] [More] ⦿
Rennan Barreto	Rio de Janeiro-based designer of the matchstick font Fosforo (2017). Behance link. [Google] [More] ⦿
Roxana Barreto	Buenos Aires-based designer of the modular typeface Nutfont (2016). [Google] [More] ⦿
Sara Barreto	Lisbon, Portugal-based designer of the angular Wonder Typeface (2014). [Google] [More] ⦿
Bonnie R. Barrett	Designer of the strong text typeface Arbor (1994) at Alphabets Inc. Klingspor link. [Google] [More] ⦿
Deborah Barrett	Wellington, New Zealand-based digital designer. in 2019, she made the textured all caps color font Naumai, which is based on the geometric patterns found in traditional Maori art forms, weaving and tukutuku patterns. [Google] [More] ⦿
Hannah Barrett	Creator of Stitch Script (2014). [Google] [More] ⦿
James Barrett	Atlanta, GA-based designer of the handcrafted typeface Tall American (2015). Creative Market link. [Google] [More] ⦿
Janna Barrett	During a summer course called Type@Paris (2015), Janna Barrett created the didone typeface family Bananova, a contraction of bananas and bossa nova. Wordpress link. [Google] [More] ⦿
Jennifer Barrett	Graduate of the College for Creative Studies in Detroit, MI. Still based in Detroit, she created the cross-stitch inspired typeface Betty (2012). [Google] [More] ⦿
Matthew Barrett	Norwich, UK-based designer of the vintage Belgian Beers (2016), the pixelish Simplified Typeface (2016) and the outlined signage typeface Mighty Tough (2016). [Google] [More] ⦿
Hannah Barr	Lobelville, TN-based designer of the display typeface Boketto (2017). [Google] [More] ⦿
Jesús Eladio Barrientos Mora	Talavera Type Workshop is Jesus Barrientos's type foundry in Puebla, Mexico. He has a Masters in Type Design from Estudio Gestalt in Veracruz, class of 2013. Presently he is a professor at Benemerita Universidad Autonoma de Puebla, Mexico. Barrientos designed Vecchia Romana (2008), a winner in the Tipos Latinos 2008 competition for best text family. At Tipos Latinos 2012, he won awards in the display type category for Agony, and Ecstasy. Speaker at ATypI 2014 in Barcelona. Speaker at ATypI 2016 in Warsaw. Graduate of the TDi program in 2018 at the University of Reading. In 2012, these commercial fonts were offered via MyFonts: Vecchia (Venetian), Ochenteros (counterless geometric face), Escuadra (squarish), Signorina, Ecstasy (blackletter), Agony (a script). Kyrenia TTW (2014) is a calligraphic script family. In 2014, after heaving studied Elzevir in depth, Jesus published his Leidener typeface family. The actual letters were developed from those found in Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), which were printed by Louis and John Elzevir in their workshop in Leiden. In 2017, he published the pixelish typeface Kader at Letter Inc. In 2018, he designed Malaguenya and the grungy Rapenburg. Typefaces from 2020: Nimbo TTW (kaleidoscopic mandalas). Typefaces from 2021: Keizer (a superb 5-style display serif with Titling, Inline, Openface, Initials and Outline options; Keizer has its roots in early XXth century cartography), Blacken (a blackletter inspired by the gothic-cholo style, Mexican sign painting and some delicious Belgian beer). IT FADU link. Fontown link. View Talavera's typefaces. [Google] [MyFonts] [More] ⦿
Cyril Barrier	French codesigner with Jean-Charles Abrial of the geometric Bauhaus-inspired typeface Ortaki (2012). [Google] [More] ⦿
Lindsey Nicole Barriga	American web and graphic designer in Derby, CT. Behance link. Creator of the funky bullet hole typeface Buboo (2009). [Google] [More] ⦿
Rafaela Barrileiro	Graduate of IADE, based in Lisbon, Portugal. In 2016, she designed the experimental typeface Double. [Google] [More] ⦿
Pablo Barrio	Creator of the constructivist typeface Russian (2010). [Google] [More] ⦿
Ruben Barrio	Type designer from Boston, who created Shatterboxx and Ocho8. [Google] [More] ⦿
Juan Guillermo Navarro Barrios	Juan Guillermo Navarro Barrios runs the design and illustration studio Zilap in Medellin, Colombia. In 2014, he created the hipster typeface Zilap Normal. In 2015, with the cooperation of LJ Design, he created the free futuristic typeface TRG Zilap and the alchemic occult typeface Zilap Geometrik. Zilap Tribu (2016) is an alchemic African tribal font, Zilap Oriental (2016) is an alchemic oriental simulation font, Zilap Corporative (2016) is designed for corporate indentities, Zilap Natural (2016) is a rounded sans typeface, Zilap Alien (2016) is an alien dingbat font, and Zilap Espacial (2016) is an alchemic space era font. Gabi Barnat designed the tribal font Zilap Barnat in 2016. Zilap Marine (2016) is a wavy display typeface. Zilap Urban (2016) is a funky hipster typeface. Typefaces from 2017: Zilap Sound (hipster style), Zilap Precolombino, Zilap Mystery, Zilap Combat, Zilap Africa, Zilap Monograma, Zilap Black Storm, Zilap Nitro (a racetrack font), Zilap Evolution, Zilap Deep Sleep. Typefaces from 2018: Zilap Sensitive, Zilap Russia (constructivist, Cyrillic simulation), Zilap Exclusive (pearled), Zilap Orion (futuristic). It is unclear if Juan Navarro is the same as Luis Jaramillo, because his fonts are published under Luis Jaramillo's label, LJ Design. Typefaces from 2019: Zilap Destiny. Typefaces from 2020: Zilap Romance. Fontspace link. Facebook link. Fontspace link. LJ Design Studios link. [Google] [More] ⦿
Leonel Barrios	Tijuana, Mexico-based designer of the sharp-edged sans typeface Sofrix (2016). [Google] [More] ⦿
Michelle Barrios	Barcelona-based designer of an arc and straight line typeface called Circles Groove (2012). Behance link. [Google] [More] ⦿
Luiza Barrocas	Brazilian graphic design student in Recife who made the pixel typeface Chunky (2011). [Google] [More] ⦿
Colt Barron	Designer of the display typeface Specere (2019). [Google] [More] ⦿
Jessica Barron	Meridian, ID-based designer of the upright rabbit ear ronde typeface Swirl (2019). [Google] [More] ⦿
Laura Barron	Mexico-based member of the Bedepecus team (Laura Barron Rivera, Pedro Elias Sosa Montoya, Ulises Ricardo Ortiz Cisneros, Miguel Angel Contreras Cruz, and Jorge Ivan Moreno Majul) that took part in Torneo tipografico in 2020 with the text typeface Animal designed for screen. [Google] [More] ⦿
Felipe Barros	Brazilian designer of the polygonal typeface Techno Poly (2017). [Google] [More] ⦿
Igor C. Barros	Sao-Paulo-based illustrator (b. 1976) who designed Coverface SE (2014, a great rounded sans typeface family), Mauryssel (2013, a comic book face), Caravel (2012), (2012-2013, a comic book typeface family), Arigatou-Kamisama (2000), Mottley-HorneyHiragana (2000), Morte e Vida Severina (1997). Fontspace link. Devian tart link. [Google] [More] ⦿
Italo Barros	Designer in Sao Paulo, Brazil. Creator of the interesting nuts and bolts typeface Metrovia (2013). [Google] [More] ⦿
Nelio Barros	Nelio Barros is part of Kinobrand Design in Geneva (and now Lausanne). While they are mostly occupied with graphic and brand design in general, they found the time in December 2011 to design a geometric monoline fashion mag typeface family Nixin: A nixie tube is a technology from the 50s used to display numerals that are composed by metal filaments that light up much like a lamp bulb. Due to their beauty these little numerals (0-9) are a love case for any designer, and formally it's where the inspiration for the Nixin typeface came from. Typophile link. [Google] [MyFonts] [More] ⦿
Gustavo Barroso	Coimbra, Portugal-based designer of the display typeface Stark (2015). [Google] [More] ⦿
Hector Barroso	Santiago, Chile-based designer at Rodrigo Typo of the fifties funk typeface LolapeluzaLolapeluza (2015, Latin and Cyrillic) and Lolapeluza Sucia (2016). In 2003, he conceived the modulated sans typeface Quirihue, which was finished ten years later. Behance link. [Google] [MyFonts] [More] ⦿
Pedro Barroso	Graphic designer at Leo Burnett in Lisbon who created a display typeface called Rational (2013). He also created the sans typeface Massive (2013). [Google] [More] ⦿
Paulina Aliaga Barros	Graphic designer in Santiago, Chile. During her studies at Eina in Barcelona in 2008, she designed the calligraphic typeface Republica. [Google] [More] ⦿
Suzie Barros	Suzie Barros (Manchester, NH) created the pixel typeface Pistil Whipped (2013). [Google] [More] ⦿
Tamara Barros	Graphic designer in Buarcos, Figueira da Foz, Portugal, b. 1992. During her studies at Instituto Politécnico de Coimbra, Tamara Barros created Perola (2013, an angular hand-drawn typeface). [Google] [More] ⦿
Milagros Barros Tomé	Graduate from FADU, University of Buenos Aires, who created the typeface Junior (2010). [Google] [More] ⦿
Will Barros	Brazilian illustrator who made the straight-edged typeface Rochedo (2012). [Google] [More] ⦿
John K. Barrow	Designer of the Peanuts font, 1999, which is based on the friendly handwriting of Charles "Sparky" Schulz. Fontspace link. [Google] [More] ⦿
Finnan Barry	FontStructor who made the wire furniture typeface Unos (2011) and the bilined typeface Threepwood Thin (2011). [Google] [More] ⦿
Jeremie Barry	Parisian designer. Creator in 2012 of the curly geometric hairline typeface Ipsen for the pharmaceutical lab Ipsen. This is a tour de force, as the user can choose to use between one and seven oparallel lines to compose the glyphs. A beautiful blend from a monoline display typeface to a prismatic wonder. [Google] [More] ⦿
Nathan Barry	Designer in 2000 for Ignition Management of the (free) Oasis font for use by the music group Oasis. See also here. See also here and here. Dafont link. [Google] [More] ⦿
Nick Barry	American designer of the pixelish font NTF Tout (2020) and the squarish modular typeface NTF Fragma (2020). [Google] [MyFonts] [More] ⦿
Rebecca Barry	Zebbug, Malta-based creator of the video game font Geaky (2015, for a school project at MCAST Art and Design). [Google] [More] ⦿
Ryan Barry	Graphic designer and illustrator in Worcester, MA. Creator of the free rounded sans and slab typefaces Jekyll (2015) and Hyde (2015), both finished during his studies at Becker College. [Google] [More] ⦿
Zachary Barr	Graphic designer in Chicago, IL, who created the pixel typeface Snake (2015). [Google] [More] ⦿
Helge Barske	German foundry that had some free offerings by Berlin-based graphic designer, typographer and illustrator, Helge Barske. In 2001, he made Dirty Bitch, Kombuese, Badfag, Gogogogo, Kloezzler, Klozzbats, Krossklozz, Mahoney, Pixelplastique, Plastiquekingdom, Sinner (constructivist), Snowbats, Stanzefett, Suplex. Several dot matrix and pixel fonts. The fonts typically had no punctuation though. At some point, the free font pages disappeared. KingConvex (2009, hairline) was shown at Behance. Schneusel Sans (2010) is a soft octagonal face. Klingspor link. Fontspace link. Dafont link. [Google] [More] ⦿
Timothy Barson	Graphic designer in London who created the fat brush typeface Venom Script and the alchemic typeface Reactr Bold in 2013. [Google] [More] ⦿
Sara Barsotti	Web and graphic designer in Venice, Italy, who created the display typeface Triangle (2013). [Google] [More] ⦿
Elia Barsoum	From Beirut, Elia Barsoum developed Syriac TTF fonts for Windows (Latin and Arabic versions). Names of the fonts: EB SERTO, EB ESTRANGELO, EB MADENHAIA, EB MERABAH (old Assyrian/Hebrew). He also made some utilities and DLLs to assist the user to write from right to left on the Western edition of Windows which usually writes from left to right. Elia holds a masters degree in operations research from Twente Universiteit in the Netherlands. Currently, he works as a GIS expert and application developer in Beirut for Khatib&Alami, an engineering company. [Google] [More] ⦿
Amy Barstow	Amy Barstow (Leeds, UK) created a multiline typeface in 2013 for a school project at Huddersfield University. This typeface was inspired by the lines used by couture house Viktor & Rolf. Still in 2013, she created The Modern Roman (an art deco face) and The Perfect Woman. [Google] [More] ⦿
Masha Barsukova	During her studies in Moscow, Marsha Barsukova designed Monstro (2013, monster dingbats) and Makaka (2013, an African-themed typeface). [Google] [More] ⦿
Oxana Barsukova	Graphic designer in Pasadena, CA. Creator of the all caps display typeface wallclock (2015). Behance link. [Google] [More] ⦿
Dmitry N. Barsukov	Poltava, Ukraine-based designer (b. 1983) of the free Latin / Cyrillic font B20 Sans (2013), which is designed for short text blocks. In 2014, he made the free Latin / Cyrillic slab serif typeface Acca, the free Latin / Cyrillic text typefaces Ahellya and Fowviel, and the text typeface Kraskario. Dafont link. [Google] [More] ⦿
Balasz Barta	Eger, Hungary-based designer of the tweetware hexagonal vector font Decode (2015). Behance link. [Google] [More] ⦿
Eitan Bartal	Israeli type designer at MasterFonts. He is credited with the Hebrew typefaces Atid MF, BarTal MF, Beebee MF, Belet MF, Corona MF, Dinamo MF, Eser MF, Exodus MF, Humanist MF, Korinty MF, Or MF, Telad MF. [Google] [MyFonts] [More] ⦿
Michael Bartalos	San Francisco-based designer of the party animal dingbat font Bartalk (1996, T26). In 2015, he made a paperclip typeface. Klingspor link. Cargo Collective link. [Google] [MyFonts] [More] ⦿
David Bart	Graphic designer in Paris who designed the free rounded sans display typeface Super Soupe in 2016. Behance link. [Google] [More] ⦿
Abby Bartels	During her graphic design studies in 2013, Abby Bartels (New Ulm, MN) designed an experimental typeface called Tiny Bubbles. [Google] [More] ⦿
Ben Bartels	Ben Bartels (aka Benny Blunder, London, UK) is a graphic designer and illustrator. He created a number of typefaces in 2014 that are related to comic books and illustrations. These include Bones, Creepin (Halloween font), Bruiser, and Foundry (a spurred heavy octagonal typeface). [Google] [More] ⦿
Hubert Bartels	Hubert Bartels' Albedo fonts in truetype and type 1, 1996. "This is the font used in Steven Gallacci's Albedo Universe. Sean Malloy created a Postscript version in 1992; I based my font on that version, modifying many of the characters and adding punctuation." [Google] [More] ⦿
Klaus Bartels	German type expert, 1948-2005. At the Berlin-based Berthold AG, he was responsible for the digitizing of its library. After its demise in 1993, he worked for its successor, H. Berthold Systeme GmbH, and this company made the collection available since 1997 as The Berthold Type Collection. In 2000, he founded Babylon Schrift Kontor (or BSK) which also had on board Wolfgang Talke, Bernd Pillich, and the type experts René Kerfante and Frank Sax. [Google] [More] ⦿
Mackenzie Bartels	Student at Pacific Northwest College of Art in Portland, OR. Behance link. She created a bouncy alphabet in 2010. [Google] [More] ⦿
Monika Bartels	Fontwerk is (was) Monika Bartels's font technology company in Lindenberg, Germany. They specialize in font modification, OpenType programming, font analysis, and digitizations. Having started out in FontShop Germany's technical support and corporate font departments, she founded FontWerk in 2005. FontWerk offers a variety of technological services on fonts including OpenType feature programming for non-Latin scripts, Python programming, and font production. She specializes in TrueType hinting. In 2018, she jumped ship and was hired by Alphabet Type as a type hinter. Alphabet Type link. [Google] [More] ⦿
Rebeka Bartha	At the Visual Arts Institute in Eger, Hungary, Rebeka Bartha designed the lowercase for the sans typeface Fonseca (2019), and the curly script typeface Any (2020). [Google] [More] ⦿
Anais Barthélémy	During her studies, Paris-based Anais Barthélémy designed the futuristic circle-based typeface Astronaut (2015). [Google] [More] ⦿
Todd Barthelman	[T-26] designer of Bundy and Digital Decay (1996). [Google] [MyFonts] [More] ⦿
Philomène Barthe	Strasbourg, France-based codesigner with Helene Blanc and Adelaide Neveu of Androtype (2017), which is a mix between DIN Alternate and Bilbo INC. [Google] [More] ⦿
René Barth	René Barth (Kassel, Germany) designed the heavy display sans Cicciona (2013). Behance link. [Google] [More] ⦿
Viola Barth	Breda, The Netherlands-based designer of the modular display typeface Konzentrat (2016), which was designed for the illustration magazine Konzentrat. [Google] [More] ⦿
Victor Bartis	Bucharest, Romania-based designer of the branding and fashion mag typeface Glysa (2019). In 2020, he published the elegant decorative serif Kaftan Serif. Type Department link. [Google] [MyFonts] [More] ⦿
Alexander Bartlett	During his studies, Boston, MA-based Alexander Bartlett designed Caslon Remixed (2019) and created hilarious animated gifs in the process. [Google] [More] ⦿
Edward Everett Bartlett	Printer and typographic director at Linotype, 1863-1942. He refined many typefaces, and designed the Benedictine series, Elzevir No.3, Garamond (+Italic), Garamond Bold (+Italic). [Google] [More] ⦿
Ian Bartlett	Bloomington, IN-based designer of the straight-edged oriental simulation typeface Chinatown (2016). [Google] [More] ⦿
Jamie Bartlett	Denver, CO-based designer of the handcrafted Quipley (2017) and the poster sans typeface Milkbox (2017). Creative Market link. [Google] [More] ⦿
Justin Bartlett	Graphic and web designer from Cardiff. He created the kitchen tile face S, the wire frame typeface WireFrame, and the ultra black art deco typeface Black and White in 2009. [Google] [More] ⦿
Lola Bartlett	Self-proclaimed illustrator and gunslinger in Cape Town, South Africa, who created the beautiful art deco typeface Empire Deco in 2012-2013. Aka Her Name Was Lola. [Google] [More] ⦿
Matthew Bartlett	Chester, VA-based illustrator, aka Karbacca, b. 1985. He created the handwriting typeface Rusty's Handwriting (2009). Bartlett Photography and Design. [Google] [More] ⦿
Sean Bartlett	Houston, TX-based designer, b. 1983. Dafont link. Creator of the simple octagonal typeface family SB Modern (2012). [Google] [More] ⦿
Frederic Bartl	Media designer in Forchheim, Germany. In 2013, he created the condensed poster typeface Golden Rules. Behance link. [Google] [More] ⦿
Tristan Bartolini	During his studies at HEAD in Geneva, Tristan Bartoline designed a typeface, L'Inculsif-ve (2020) that through various ligatures allows printed French to become more inclusive and gender neutral. For that typeface, he was awrded the Prix de l'Art Humanité at that school. [Google] [More] ⦿
Joseph Anthony Bartolo	JAB is Joseph Anthony Bartolo's foundry, located in Tarxien, Malta. MyFonts sells the hieroglyph-inspired ransom note font Hieroglyphs Nefertiti Akhenaten (2006) as well as Hebrewish (2007), a faux Hebrew face. Megre (2010) is an exercise in unusual placements of serifs. [Google] [MyFonts] [More] ⦿
Ramiro Bartolome	General Pacheco, Argentina-based designer of the blackletter typeface Ramirus (2016), which was done for a project at FADU / UBA. He also designed Benighted (2018). [Google] [More] ⦿
Ariel Barton	Author of various TeX / metafnt / TeX font packages. These include knitting: a package written to make it possible to write cable and lace charts for knitting patterns using plain TeX or LaTeX. It provides type 1 and metafont fonts of appropriate symbols and macros for their use. The font family KnittingSymbols (2010) contains ten fonts by Ariel Barton. In 2013, she published sansmathfonts, motivated by Ariel as follows: The Computer Modern font family has a sans serif typeface. However, compared to the serif typeface, it is incomplete: there are no sans serif small caps or math fonts. Furthermore, the bold slanted font is not available as an outline font. This leads to highly unsatisfactory typography of documents that use sans serif for the body text. The sansmathfonts package provides these missing" fonts. Most of the usefulness of the package is in the fonts; sansmathfonts.sty is a small package providing LATEX support. [Google] [More] ⦿
Colette Barton	Connecticut-based designer of the monoline marker pen font Southern Mood (2019) and the kawaii font Slinky Bear (2019). [Google] [More] ⦿
Matyas Barton	Graduate of the Type Design and Typography program at UMPRUM, Prague, Czechia. Designer of the high-contrast tuxedoed sans typeface Ponzastura (2018). He explains: Ponzastura typeface was inspired by Aldo Novarese's Eurostile, but in this case, monolinear strokes took on contrast and stress. The classical appearance of Ponzastura, whose name is inspired by the Italian city Pontestura where Novarese was born, is more of a reaction and interplay. In 2019, he published the variable font BC Minim Variable at Brieface Type Foundry. It was designed for extreme small size print, and offers weight and ink trap axes. [Google] [MyFonts] [More] ⦿
Malgorzata Bartosik	Graphic designer in Warsaw, Poland, who created the cosmic family Solanum (2019) and deco typeface Bohemaz in 2019. Typefaces from 2020: Aligant (Peignotian), Kidcut (paper-cut glyphs), Prymityv (a blocky Latin / Cyrillic typeface inspired by East European brutalist architecture), Milky Bar. Typefaces from 2021: Kwadrat (a 5-style squarish display family). [Google] [MyFonts] [More] ⦿
Erika Bartosova	Prague, Czechia-based designer of the connect-the-dots typeface Astryc (2016). [Google] [More] ⦿
Radka Bartosova	Hradec Kralove, Czechia-based designer of the angular expressionist typeface Johana (2015) and of the signage typeface Flaga (2014), which is inspired by railroad warning signs. [Google] [More] ⦿
Doug Bartow	Designer of Ribbit (1994, Red Rooster). Graduate of Cranbrook Design Academy (1995). [Google] [MyFonts] [More] ⦿
Lluís Bartra	Catalan designer of Arepas y Queso (2006, irregular hand), Belisa Plumilla Regular (2006), Lughdailh Regular (2006) and Mariana Peluso (2006, great curly handwriting). Dafont link. Fontsy link. [Google] [More] ⦿
James Bartram	Dead link. Designer of DecoBlocks (2002). [Google] [More] ⦿
Andrea Bartsch	German designer, b. 1971. Dafont link. Creator of the free fonts B Kings (2009, funny figurines), Paul Pulpo (2011), Junglefood (2011), FC Podolski (2010, logos). [Google] [More] ⦿
Kostas Bartsokas	Kostas Barstokas is a designer and illustrator in Thessaloniki, Greece, and in Leeds, UK. He set up Intelligent Foundry and later Intelligent Design in Leeds. He graduated from the MATD program in Type Design at the University of Reading in 2016. He worked as a senior typeface designer at URW in Hamburg and offered consultation in Greek script design for other foundries too. In 2021, Kostas Bartsokas, Mohamad Dakak and Pria Ravichandran set up Foundry 5 Limited. In 2011, he used FontStruct to make the counterless typeface UglyKost. In 2012, he created Kafalan Serif, a square-serifed typeface, and the accompanying Kafalan Sans, which are both available from Ten Dollar Fonts. Typefaces from 2013: Zona Black (a Latin-Greek geometric sans-serif black display typeface that was inspired by posters from the late 1920s), Zona Black Slab. In 2014, still in the same style, we find Zona Pro in weights from Hairline to Black. Ridewell (2014) is a wood type inspired 1800-glyph typeface with many opentype features including foremost interlocking pairs of characters. It comes with Ridewell Print, which emulates the degradation of letterpress. In 2015, he designed the geometric sans typeface family Averta and Averta Standard. Averta CY won an award at Granshan 2017 in the Cyrillic category. He writes about his University of Reading graduation typeface, Eqil (2016): Eqil is a multiscript type family for extensive texts. It is conceived as a typographic system wise enough to respond to complex publishing challenges. It consists of a range of styles and its quiet personality transforms and gets louder as the intended sizes increase. Eqil identifies as an elegant contemporary take on transitional types. It does not intend to be a showstopper, instead it aspires to be the lever that silently elevates the content. The combination of straights and curves creates a dynamic yet fluid character and the relatively low contrast gives it a slightly dark and warm texture on the page. The four scripts, Latin, Arabic, Cyrillic, and Greek, were designed to work harmoniously together without compromising each scripts historical and individual characteristics. Eqil won an award at Granshan 2016 in the Latin / Cyrillic category. His super-fat free typeface Oi (2017) is described as a Clarendonesque on steroids. Commercial version of Oi!. Oi won an award at TDC Typeface Design 2018. In 2021, it became a free Google font. Github link. His big project in 2019 is the free 4-axis (weight, slant, flair, volume) variable font Commissioner. Google Fonts link. He writes: Commissioner is a low-contrast humanist sans-serif with almost classical proportions, conceived as a variable family. The family consists of three voices. The default style is a grotesque with straight stems. As the flair axis grows the straight grotesque terminals develop a swelling and become almost glyphic serifs and the joints become more idiosyncratic. The volume axis transforms the glyphic serifs to wedge-like ones. It supports Latin, Greek and Cyrillic. For an extension, see Heraclito (2020). Co-designer of Peridot Latin (2022: a 121-strong sans superfamily by Kostas Bartsokas and Pria Ravichandran) and Peridot PE (2022: a 121-style sans superfamily by Kostas Bartsokas and Pria Ravichandran designed for branding, display, corporate use, editorial and advertising; it covers Latin, Greek and Cyrillic). Buy at Ten Dollar Fonts, Hellofont, Creative Market, or MyFonts. Behance link. The Designers Foundry link. Github link. [Google] [MyFonts] [More] ⦿
Liz Bartucci	Tuccicursive is an American type foundry, est. 2016 by New York-based lettering artist, screenwriter, playwright and illustrator, Liz Bartucci. In 2016, she designed the handcrafted cursive typeface family Prosciutto. Typefaces from 2017: Malandrino (dry brush font). Typefaces from 2018: Whirly Birds (Great Lakes Lettering). [Google] [MyFonts] [More] ⦿
Frank Bartuska	American lettering artist, 1902-1975. Designer of Trophy Oblique (Agfa, 1950), Caslon No. 641, News Gothic Condensed Bold and other News Gothic weights (1958-1966) and many other photolettering typefaces such as Satanic and the playful didone, Century Bartuska. For digital revivals, see PL Trophy Oblique by Monotype, and Baryton (2020, of Century Bartuska) by Coppers and Brasses. [Google] [More] ⦿
Norbert Bartz	Talas is a free font by Norbert Bartz (NBgraphik) made in 2007. As he explains, Talas script, dated to the second half of the 8th-10th centuries, was spread in the Altai and Tuva area of Southern Siberia. In Southern Siberia during the Early Middle Age Talas script coexisted with other runiform alphabets. The Karluk Yabgu state developed in the Jeti-Su after 766, it replaced the Türgesh Kaganate and its Sogdian cursive script, and in the middle of the 9th century it became a Kaganate. In the 940 Karluk Kaganate was destroyed by the Karahanids. In the Karluk Kaganate, with territory from the western spurs of Altai to the Tarbagatai range, the Enisei alphabet transformed into Talas alphabet. Formation of the Talas alphabet was under obvious influence of the Enisei script and without notable connections with the Orhon alphabet. [Google] [More] ⦿
Franziska Baruch	Graphic designer, b. 1901, Hamburg, d. 1989, Jerusalem. She graduated from Staatlichen Kunstgewerbeschule Berlin and emigrated to Palestine in 1933. Designer of the Hebrew typefaces Rambam, Rahel, Staam Hasofer (1936, now at Masterfont), Schocken Baruch (a custom font), and Stam and Stam Mager (1930, H. Berthold AG). See Stam MF and Staam Hasofer MF at Masterfont. With Leo Ary Mayer, she designed Mayer Baruch (published by J.h. Enschedé). At MyFonts, her name is spelled Franceska Baruch. Reference: Specimen of Stam, Magere Stam, Rambam and Rahel (Berthold AG). Local download. [Google] [MyFonts] [More] ⦿
Eduardo Barves	As a graphic design student in Rio de Janeiro, Eduardo Barves created the FontStruct font Insecta Sans (2016). [Google] [More] ⦿
Shivangi Barwar	During her studies at National Institute of Fashion Technology, Shivangi Barwar designed an octagonal typeface (2019). [Google] [More] ⦿
Benan Barwick	British designer who created glyphs from icons in order to create the experimental Punk Rock Font (2010). [Google] [More] ⦿
Gennady Baryshnikov	Russian designer of Anons (a Cyrillic sans family), Arbat (1989, ParaType), Inform (ParaType, 1992, based on the brush script font Flash), Decor (ParaType, 1989, with Vladimir Yefimov, a formal script, based on a 1979 design by Pavel Kuzanyan), ITC Machine (1994, with Vladimir Yefimov; original by Tom Carnase and Ronne Bonder, 1970), Fat Face Cyrillic (1993, with Vladimir Yefimov; ParaGraph), and Zhikharev (1989, ParaType, with Vladimir Yefimov; based on an original design at Polygraphmash in 1953 by Igor Zhikharev). FontShop link. Paratype link. [Google] [MyFonts] [More] ⦿
Bildan Barzaly	Bildan Barzaly (BCo Design and Lettering, Gresik, Indonesia) designed the handcrafted poster typeface Grissee in 2016. [Google] [More] ⦿
Des Barzey	New York City-based graphic designer, who has worked in London. Behance link. In 2010, he created the Model T Ford Face (2010), a typeface based on bent frames of glasses. The Porsche sunglasses led to Porsche Carrera Rear Ended (2010). [Google] [More] ⦿
Alua Barzhaxynova	Alua designed the curly typeface Verdure (2013) while studying in Fairfax, VA. [Google] [More] ⦿
Manfred Barz	German graphic designer who worked for Stempel AG in the late 1960s. Designer of Quadriga Antiqua (1979, Berthold) [Q650 Roman on the SoftMaker MegaFont XXL CD, 2002]. [Google] [More] ⦿
Shaikhah Basahai	Graphic designer in Jeddah, Saudi Arabia, who created the Arabic display typeface Maawi in 2018. It was made using seven goat intestines. [Google] [More] ⦿
Cem Basak	Designer of the techno stencil typeface Buzpark (2005). [Google] [More] ⦿
Deniz Basar	Turkish designer, b. 1989. She created the dingbat typefaces Aman Neyse (2011), Neden Olmasin (2011) and Istanbul (2011, city outline dings), all made with FontStruct. Anadolu (2011) is an Anatolian culture dingbat face. [Google] [More] ⦿
Paola Bascón	German designer of the experimental typeface Nails and Strings (2010, Avoid Red Arrows). [Google] [More] ⦿
Paco Bascunan	Spanish designer of the display typeface Girasoules (1998). [Google] [More] ⦿
Nick Bascus	Midland, TX-based designer of the elegant high-contrast display typeface Oblige (2017). Creative Market link. [Google] [More] ⦿
Menekse Baser	Graphic designer in Istanbul. In 2019, she designed the Peignotian typeface Violet Grotesque. [Google] [More] ⦿
Denis Basevich	Moscow-based designer of the free Latin / Cyrillic vector format font Noize (2018), later renamed to Noise. [Google] [More] ⦿
Kaleb Basey	Designer of the gothic typeface Count Kinski (2011). [Google] [More] ⦿
Johanna Basford	Calling herself an ink evangelist, Johanna Basford (Aberdeen, UK) created exquisite ornamental capis typefaces called Alphabots (2012) and Alphabotanics (2012). She graduated in 2005 from Duncan of Jordanstone College of Art and Design in Dundee. Behance link. [Google] [More] ⦿
Lee Basford	Graphic designer, born in 1973 in Birmingham, UK. Lee Basford (Fluid +) is the [T-26] designer of FungFoo (1996, with James Glover, an oriental simulation font), Euphoric (1996, with James Glover, a paperclip style font). At Fountain, you can buy his techno font Nuephoric. At his Fluid + studio, you can find Euphoric, Fungfoo, Haircut Sir? (1999), Ultra and Death, mostly grunge fonts. FontShop link. Home page and blog. Klingspor link. Fountain Type link. [Google] [MyFonts] [More] ⦿
Liam Basford	Graphic designer from Birmingham who is studying typography and graphic design at the University of Reading in 2013. He used Baskerville as a model to create the transitional typeface Virgil (2013). Behance link. [Google] [More] ⦿
Mooni Basha	Aden, Yemen-based designer of the Latin display typefaces Origami (2015, more a foliate font, actually) and Phobia (2015, an angry angular typeface). [Google] [More] ⦿
Gil Bashan	Israeli type designer who made Riksha MF (2010). [Google] [MyFonts] [More] ⦿
Rahat Bashar	Graphic design student at the London College of Communication, who created a string-themed typeface called String (2012). [Google] [More] ⦿
Saleh Bashatah	Adiliya, Kuwait-based designer of the free font Circle Curve (2018), and the free font Clicky (2018). [Google] [More] ⦿
Norma Bashaw	This designer used iFontmaker in 2011 to create For The Birds, a hand-drawn ornamental face on the theme of birds. She also made For The Birds All Caps (2011) and Cupcake Squiggle, a great curly face. [Google] [More] ⦿
Konstantin Bashenko	Graphic designer, and student at Ural State Academy of Architect and Arts. Creator of the iFontMaker font BK Handy Cyr (2010, hand-printed). [Google] [More] ⦿
Denis Bashev	Russian designer of Reflex, a typeface that marries old ustav influences with modern scripts. His LineFont is a pixel experiment. [Google] [More] ⦿
Eva Bashford-Harrison	During her studies at Falmouth University in the UK, Eva Bashford-Harrison designed the handcrafted multiline typeface Lean (2016). [Google] [More] ⦿
Safia Bashir	Hamburg, Germany-based designer of the geometric display typeface Moko (2015). [Google] [More] ⦿
Noor Bashiti	Riyadh, Saudi Arabia-based designer of the pixelish typeface Bethlehem Moon (2015). [Google] [More] ⦿
Nikita Bashmakov	While working at Mario Eskenazi Studio in Barcelona, Nikita Bashmakov designed the sturdy Latin / Cyrillic text typeface Olga (2016). [Google] [More] ⦿
Ronen Bash	Israeli type designer. [Google] [MyFonts] [More] ⦿
Miran Basic	Designer in Zagreb, Croatiam who created Quentin (2016), a typeface revival, at the School of Design, Zagreb. It uses a combination of the old Badel comapany logo and custom lettering from old Yugoslavian books. [Google] [More] ⦿
Andrea Basile	Creative director of BasileADV who is based in Bonito, Italy. In 2021, Giuseppe Salerno and Andrea Basile co-designed a wayfinding typeface and icon set for Univerest. [Google] [More] ⦿
Elisa Basile	Florence, Italy-based designer of Joan Miro Font (2015). [Google] [More] ⦿
Florencia Basile	Graduate from FADU, University of Buenos Aires, who created the connected script typeface Zephora (2009). [Google] [More] ⦿
Marina Basile	During her studies at the University of Buenos Aires, Marina Basile designed the video game font Gamer (2015). [Google] [More] ⦿
Olivia Basile	During her studies, Oswego, NY-based Olivia Basile designed the geometric typeface Electric Hooker (2012). Behance link. [Google] [More] ⦿
Razan Basim	Dubai-based designer of a modular Arabic typeface (2015). [Google] [More] ⦿
Guenole Basire	Swiss designer of the free circle-themed font GB (2022). [Google] [More] ⦿
Abdul Basit	Mataram West Nusa Tenggara, Indonesia-based designer (b. 1987) of the brush font Examplle (sic) (2019), the script typefaces Samantha (2019: for signatures) and Amanda (2019), and the rounded informal sans typeface The Book (2019). [Google] [More] ⦿
Abdul Basith	Colombo, Sri Lanka-based designer of the alchemic typeface Geometric (2015), which according to the designer was influenced by De Stijl. Behance link. [Google] [More] ⦿
Sarah Basit	Faisalabad, Pakistan-based designer of the straigtedged Latin typeface Inclined (2016). [Google] [More] ⦿
Viktoriia Basiuk	During her studies in Kiev, Ukraine, Viktoriia Basiuk (Kiev, Ukraine) made the Cyrillic typeface Narbutivka (2016), which was inspired by Georgy Narbut's Abetka. [Google] [More] ⦿
John Baskerville	Birmingham-based British writing master, stonecutter, letter designer, typefounder and printer (1706-1775). Designer of transitional typefaces. In 1757, he created his famous serif typefaces, which were called transitional as they were somewhat between the old style typefaces of William Caslon and the modern types of Bodoni and Didot. He increased the thick-thin contrast over that found in Caslon's types, making the serifs sharper and more tapered, and shifted the axis of rounded letters to a more vertical position. The curved strokes are more circular in shape, and the characters became more regular. In 1757, Baskerville published his first work, a collection of Virgil, which was followed by some fifty other classics. In 1758, he was appointed printer to the Cambridge University Press. It was there in 1763 he published his master work, a folio Bible, which was printed using his own typeface, ink, and paper. The modern types became more popular than Baskerville, and people had to wait until 1917 when Bruce Rogers revived Baskerville's type for the Harvard University Press, followed by Stanley Morison's revival in 1924 for the British Monotype Company. Linotype introduced it in 1931. In modern times, we find the 1978 rendering of ITC New Baskerville by Matthew Carter and John Quaranda. Linotype offers 38 Baskerville typefaces. URW Baskerville has 51 styles. Publications include Essai d'épreuves des caractàres de la fonderie de Baskerville (Paris, ca. 1750). Local download. Biography by Nicholas Fabian. CV in Spanish. Wikipedia. In 2009, the Baskerville Project was conceived, an animated movie with David Osbaldestin as its Creative Director, and Caroline Archer and Ben Waddington as researchers. Linotype link. FontShop link. [Google] [MyFonts] [More] ⦿
K. Basler	Designer who used FontStruct in 2008 to create Structica Solid and True (octagonal). [Google] [More] ⦿
Jarrad Basnec	Creator of the iFontMaker font Basnec (2011). [Google] [More] ⦿
Ozkan Basol	Turkish designer of the geometric display typeface Geotik (2016). [Google] [More] ⦿
Saleh Basoodan	Creator of the Latin typeface Emagin (2012, techno). [Google] [More] ⦿
Iswadi Basri	Aceh, Indonesia-based designer of the Western font Mafia (2018). [Google] [More] ⦿
Aaron Bass	Illustrator and graphic designer in Farnham, UK, who created some experimental counterless typefaces in 2013. Behance link. [Google] [More] ⦿
Andrea Bassan	Milan-based creator of the handmade experimental typeface Tracce (2012). [Google] [More] ⦿
Greta Bassanese	At Politecnico di Milano, Greta Bassanese designed the text typeface Karmina (2014) and the experimental Alvin Lustig typeface (2014). [Google] [More] ⦿
Ana Bassanetto	Campinas, Brazil-based designer of the vernacular typeface Baiano (2013), which was a school project. [Google] [More] ⦿
Renan Bassan	During his studies at São Paulo State University (UNESP Bauru), Renan Bassan designed Caribantu (a ten-style geometric grotesque with curved terminals) (2021). [Google] [MyFonts] [More] ⦿
Matthew Bassett	Typographer in Melbourne, Australia, who created the black counterless typeface BLK.OPS (2011). [Google] [More] ⦿
Sage Bassett	Student in Cape Town, South Africa, who created an experimental geometric hand-drawn typeface in 2016. [Google] [More] ⦿
Shelley Bassett	Graphic designer in Melbourne, Australia, who created the tweetware fat brush font Hot Mess and the curly sketched font Tribal Life in 2015. In 2017, she designed the tall monoline sans typeface Saignee. Typefaces from 2018: Hedron Sharp, Hedron Round. Typefaces from 2019: Shell's Hand, Etta Errol (bilined, art deco), Clandelia (an organic monoline sans). [Google] [More] ⦿
Jany Bassey	Parisian graphic designer who created the multiline display typeface L'Intangible (2013). [Google] [More] ⦿
Alexandre Bassi	Alexandre Bassi is a type designer and researcher. He specializes in art direction, visual indentity and type design. During Type Paris 18, Alexandre Bassi designed Optika, a text typeface that was influenced by Dwiggins. At ANRT, he designed the free script font Chaumont Script (2021), which is based on the handwriting of Chantal Jacquet, a sign painter in Chaumont (Haute-Marne, France) in the 1980s. [Google] [More] ⦿
Jag Bassi	London-based designer of the stitching font AlphaX (2017). [Google] [More] ⦿
Hares Bassil	Beirut, Lebanon-based designer of the Arabic typeface Afreet (2016). From Hares's studies at ATDB in 2016-2017, we retain the Arabic typeface Mahrous (meaning "guarded"), which was inspired by decoration and Ruq'ah-like script seen on trucks in Lebanon. [Google] [More] ⦿
Ranvir Bassi	UK-based designer of the runic simulation typeface Towers of Babel (2012). [Google] [More] ⦿
Simon Bassler	Simon Baßler (Designconcepts, Furtwangen, Germany) designed the free typeface Iconconcepts Round (2017). [Google] [More] ⦿
Juca Basso	Designer of Epittazio (2009). [Google] [More] ⦿
Lucile Basso	During her studies in Toulouse, France, Lucile Basso designed an eroded version of DIN Condensed Bold (2016). [Google] [More] ⦿
Michael Basso	Graphic designer and illustrator in Brescia, Italy, who created the counterless typeface Sohri in 2013. In 2014, he added the sci-fi typeface Ski-Fi. Behance link. [Google] [More] ⦿
Erica Basson	During her studies in Cape Town, South Africa, for a reason only she knows, Erica Basson designed Shitface (2016). [Google] [More] ⦿
Rachel Greene Bass	Greenville, SC-based designer of the typeface Rockefeller New (2013-2015). Behance link. [Google] [More] ⦿
Rebecca Lynee Bass	Savannah, GA-based student who proposed Betwixt and Between (2006), a display typeface with swashes. [Google] [More] ⦿
Rudi Bass	The Graphic Arts Department of CBS News developed CBS News 36 [dead link], a TV font with ink traps. The project leader was Rudi Bass. Adam Twardoch compares the ink trapping with that of other fonts, such as Bell Centennial Bold (Matthew Carter, 1978). [Google] [More] ⦿
Saul Bass	American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos. Born in the Bronx, NY, in 1920, he died in Los Angeles in 1996. Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his best known title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock's North by Northwest, and the disjointed text that races together and apart in Psycho. Bass designed some of the most iconic corporate logos in North America, including the Bell System logo in 1969, as well as AT&T's globe logo in 1983 after the breakup of the Bell System. He also designed Continental Airlines' 1968 jet stream logo and United Airlines' 1974 tulip logo, which became some of the most recognized airline industry logos of the era. Type design came as a by-product of his famous logos or movie posters. He designed the artsy Rainbow Bass (1982), as well as a gaspipe-style logo typeface for Alcoa (1963) to accompany his logo for Alcoa. Revivals and descendants of Bass's work: Alumi (Michael Hernan). Based on the Alcoa typeface. Hitchcock (Matt Terich). A free font. This is strictly speaking not a Bass revival, because Dave Nagata did most of the drawings. The style, however, is one hundred percent vintage Bass. According to Keith Morris, the lettering artist who did the lettering for the Saul Bass titles was Art Goodman. Not soi according to Jill Bell: Art Goodman did not do the lettering for Saul Bass. Rather Saul utilized a number of different lettering artists through out his career. Harold Adler did most of the Hitchcock/Preminger titles, Maury Nemoy did some (St. Joan). Chank Diesel's Hitchcock (1997). Rainbow Bass, a vertically striped disco style design, was remade by Nick Curtis as Backstage Pass (2008), Kymmera Deco NF (2011), and High Five and High Five Jive. Harold Lohner's Alumino (2008) was inspired by Saul Bass's design for the aluminum company Alcoa. Saul (Laura French, 2011) is based on the cut-out letter movie titling style used by Bass in some movies. In 2015, Robin Lassalle created Saul Bass Font to honor Saul's genre. Zetafonts pays tribute to Bass in their Double Bass (2018, by Cosimo Lorenzo Pancini). Jennifer Bass (his daughter) and Pat Kirkham published Saul Bass: A Life in Film&Design (2011). The book's blurb: This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century. Wikipedia page. [Google] [MyFonts] [More] ⦿
Davide Bassu	Rome, Italy-based designer of the free dry brush script typeface Perfetto (2017). [Google] [More] ⦿
Darija Basta	Serbian designer who made the hand-drawn Latin and Cyrillic typeface family Mexico (2012). [Google] [More] ⦿
Alejandro Bastardo	Anaco, Venezuela-based designer of the Halloween font Longly Ghost (2021; or Lonely Ghost), the minimalist geometric sans Linarc (2021), and the octagonal typeface Quadrilateral (2021). Typefaces from 2022, mostly with free versions: Sweet Choco (retro slab serif), Wavystem (a display sans, perhaps with a childish charm), Round Love (plumpish, hand-drawn), [Google] [More] ⦿
Judy Bastaty	During her studies, Al Khobar, Saudi Arabia-based Judy Bastaty designed the Latin typeface Bitmap (2017). [Google] [More] ⦿
Zenab Bastawala	Type designer from Bangalore, India who graduated from the MATD program in Type Design at the University of Reading in 2016. Her graduation typeface is Rangeen, a multi-script palette of three scripts---Latin, Greek, and Gujarati---about which she writes: A personal and direct relationship with shapes and colours. These are letters, which are especially meant for fun, happy, and fearless thinkers. And there are letters you would only use to write colourful words. [Google] [More] ⦿
Louis Bastelica	During his studies at ESAG Penninghen, Paris-based Louis Bastelica (b. Toulouse) created a multiline typeface called The White Stripes (2013). [Google] [More] ⦿
Daniel Henry Bastian	Designer of the hand-printed families Frau Becker (2011) and Linda (2011), together with Volker Schnebel at Profonts. [Google] [MyFonts] [More] ⦿
Dave Bastian	Dave Bastian is from Utah and graduated from Brigham Young University. Dave Bastian's free fonts: Etruscan, Fancy Face, Frankie (Frankenstein font), Korohanza, Noodle Calligraphic, Noodle Script (upright script), Noodle Shaded, SixtySeven, Startling, Stone-Age, Weehah. Astound Dings and Bloopty (2002) were published at Garagefonts. FontShop link. Klingspor link. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Raphël Bastide	Raphaël Bastide, graphic designer, hacker, open source evangelist, was born in 1985 in Montpellier, France. He currently lives in Paris and works as a freelance graphic designer and artist. FontStructor who made the pixelized typeface Terminal Grotesque (2011, OFL) for which he was inspired by Radim Pesko and Paul Renner. He also made the pixel typeface LYPC (2009). He proposes Unified Typeface Design for the standardization of typeface design in an open source context. It also aims for the promotion of open source typography by introducing a transversal and flexible classification. Technically, UTD is a folder architecture to organize font sources, inspirations and references. It is also a JSON file containing useful meta informations about the typeface and its repository. Further font software by him includes Ofont, a tool to list and organize fonts online. At Velvetyne, he published the free pixelish typeface Terminal Grotesque (2014). Avara (2013) is a free polygonal typeface. Avara Two (2013) is a derived typeface by Raphaël Bastide, Wei Huang and Lucas Le Bihan. Whois Mono (2014) is a monospaced sans typeface (perhaps for programming applications) that can be downloaded from Open Font Library. Open Font Library link. Github link. Fontsquirrel link. Raphaël Bastide at Velvetyne. Fontsquirrel link. [Google] [More] ⦿
Annie Bastien	Designer whose fonts may be bought from 2Rebels in Montreal. Some creations: NuclearReactor, ScratchNsniff (1997), SemiSans, Sofa (at UQAM in 1995, as a student there). Annie grew up in Laval, near Montreal, and is a graphic designer in Montreal. See also here. FontShop link. [Google] [MyFonts] [More] ⦿
Gianni Bastien	Antibes, France-based creator of Ufo Runes (2012). [Google] [More] ⦿
Mikelis Bastiks	Outfit in San Francisco, London and Riga, Latvia, est. 2007. Most typefaces are designed by Mikelis Bastiks and Aigars Mamis. These include: Cirulis and Cirulis Display (2017). An art deco display sans family of two weights, named after Ansis Cirulis (1883-1942, Latvia), who was one of the first Eastern European designers. Cirulis's heritage is characterized by letters with asymmetric widths, sliced cuts and various intrinsic features. Dedicated site. Luzumpunkts (2009). A free script typeface by Mikelis Bastiks. Sniegs (2010). A free fat modular typeface by Mikelis Bastiks. Home page. Dedicated web site for the Cirulis font. You Work For Them link. [Google] [MyFonts] [More] ⦿
Greg Bastin	Australian graphic and type designer who is based in Melbourne. An artist interested in Australiana, he created Boomerang JY for Jack Yan and Associates. [Google] [MyFonts] [More] ⦿
Mariano Bastita	During his studies at FADU in Buenos Aires, Mariano Bastita created the religious graffiti typeface Ciudad de Dios (2012). Behance link. [Google] [More] ⦿
José Basto	During his studies in Coimbra, Portugal, José Basto created the angular typeface Frankenstein (2014). [Google] [More] ⦿
Margarida Basto	FontStructor who made the pixelish typefaces Light Condensed and Pixel Script in 2011.This was work done for her Masters Degree at the University of Porto, Portugal. Behance link. [Google] [More] ⦿
Joao Bastos	During his studies at ESAD Matosinhos, Joao Bastos (Oporto, Portugal) created the modular stencil typeface Asgard (2013). [Google] [More] ⦿
Joao Bastos	Graphic design student in Belo Horizonte, Brazil. Creator of the curvy display typefaces Modular (2012) and Lindha (2012) while studying at UEMG. [Google] [More] ⦿
Juma Bastos	During her studies in Esmoriz, Portugal, Juma Bastos designed an untitled display typeface (2016). [Google] [More] ⦿
Luiza Bastos	FontStructor who made the pixel typefaces Chunky, Piramides and Balao in 2011. [Google] [More] ⦿
Viviane Bastos	Graphic designer in Sao Caetano do Sul, Brazil. In 2016, she created the striking organic display eco magazine typeface Leafy (2016). [Google] [More] ⦿
Daniel Basualdo	Argentian designer, b. 1986. Creato the experimental slab typeface Improvisation (2008). Alternate URL. [Google] [More] ⦿
David Basulto	Designer in Santiago, Chile, who created the handcrafted pen brush typeface HandLetter (2015) and the handcrafted Flaka (2015). Download links: i, ii. Behance link. [Google] [More] ⦿
Inigo Basurko	Basque designer located in San Sebastian, Spain. Creator of Lineados (2013, a sans typeface with curly terminals), and Blackletter Typeface (2013, an octagonal font). [Google] [More] ⦿
Said Basurto	Illustrator in Tijuana, Mexico, who created Gordina (2014), a fat hand-drawn typeface, and My Double Line Font (2014, a bilined typeface). [Google] [More] ⦿
Choirul Basyri	Indonesian designer (b. 1986) who created the frilly typeface Kujang Ciung Basyri (2014). [Google] [More] ⦿
Pamela Batac	Creator of the painter's typeface Blocked (2014). [Google] [More] ⦿
Diana Bata	Hungarian designer of the 5x5 pixel typeface Pixel (2011). [Google] [More] ⦿
Paula Batalha Boeira	Porto Alegre, Brazil-based designer of the Peignotian sans typeface Batalha (2014), which was finished during her studies at ESPM-Sul. [Google] [More] ⦿
Gabriela Batarra	Web designer in Ribeirao Preto, Brazil, who created the poster typeface Che Guevara (2014). [Google] [More] ⦿
Busra Bat	During his studies in Izmir, Turkey, Busra Bat created the wavy outlined typeface Ince Bel Sans (2015). [Google] [More] ⦿
Jack Batchelor	Jack Albert Batchelor (b. 1994) is a graphic designer and photographer in Glasgow. During and after his studies at Glasgow School of Art, he designed these typefaces: Bobby Grotesque. Created in support of the Black Lives Matter movement of 2020-2021, as a reaction to the protests about the statue of Robert Peel in Glasgow's George Square. He writes about this dystopian typeface: Bobby Grotesque is a deliberately threatening, cumbersome and dangerous 18th century-styled British Grotesque. Flourish (2021), designed together with Cobolt Collective and fellow student Ellie Bainbridge to create a unique typeface celebrating the paperback launch of Shuggie Bain* (by Douglas Stuart), a brutal, visceral tale of poverty, addiction, and growing up queer in 1980's Glasgow*. [Google] [More] ⦿
Jay Batchelor	American designer, b. 1973, based in Cincinnati, OH. Between 2002 and 2010, he created Rebel Caps. Rebel Redux and Chemy Retro (art deco) followed in 2013. [Google] [More] ⦿
Kelly Batchelor	During her type design studies at the University of Reading, UK, in 2013, Kelly Batchelor created a revival of Elzevier. [Google] [More] ⦿
Lee Batchelor	Maine-based photo editor, designer, and web guy. Creator of the upright connected (school) script font Fifth Grade Cursive (2011), Smotth Papyrus (a smooth version of papyrus), the cleanly hand-printed Mathilde (2012) and Popcorn Mountain (2012). In 2013, he created Frosting For Breakfast (script face), Turkeyface, Mathilde (script face), Que Rompa (an extreme-contrast poster face: the full family is commercial), Pretty City Kitties, Mousedrawn, and the gorgeous technical handwriting typeface #1 Ichiro. Dafont link. [Google] [More] ⦿
Sara Batchelor	Creator (b. 1991, Missouri) of the free pixel font CaZOOM. Dafont link. [Google] [More] ⦿
Edward J. Bateman	Designer in 1995 of a Deseret alphabet font called Deseret. It can be found here. [Google] [More] ⦿
Lazly Bateman	Sopron, Hungary-based designer of the piano key typeface Monostein (2019). [Google] [More] ⦿
Ian Bates	Born in 1989, Ian Bates (iBates Designs) is a Graphic Design major at York College of Pennsylvania. He is from Fort Salonga, NY. FontStructor who made Blacktop (2010) as part of a typography project in school. Behance link. [Google] [More] ⦿
Keith Bates	K-Type is Keith Bates' (b. 1951, Liverpool) foundry in Manchester, UK, est. 2003. Keith works as an Art&Design teacher at a Salford High School. They custom design type, and sell some of their own creations. Commercial typefaces: Adequate (2012). A basic geometric monoline sans family. Adventuring (2010, comic book style) Alan Hand (2005, based on some blobby lettering, handwritten by printer and mail artist, Alan Brignall) Alex (2002-2004) Alright (2004, cursive script) Anna (2002-2007). Argot (2019). Characterized by square counters, this typeface family exhales brutalism and industrialism. See also Argot Machine (2019). Artist Hand (2019). Axis Bank of England (2012, blackletter): Bank of England is loosely based on blackletter lettering from the Series F English twenty pound banknote introduced in 2007. The font also takes inspiration from German Kanzlei (Chancery) typefaces and the 17th century London calligrapher, John Ayres. Banks & Miles (2018). Inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, which included Double Line and Single Line alphabets. The new digital typeface is a reworking and extension of both alphabets. Barbica (2015). A glyphic typeface. Bricola (2020). Brush Hand New (2013): Brush Hand New is a full font based on a copy of Flash Bold called Brush Hand marketed by WSI in the 1990s and more recently distributed through free font sites. Brush Hand was an anonymous redrawing of Flash which simplified, slightly lightened, smoothed out ragged edges, and improved the legibility of the original classic created by Edwin W. Shaar in 1939. Building&Loan (2007, engaved face) Bigfoot (2005, a Western font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters) Bolshy (2009) Bolton750 (2003, a mechanical typeface done with John Washington). Chancery Lane (2021). An italic text typeface that is based on chancery scripts. Charles Wright (2016). A set of fonts based on the UK license plate fonts. Chock (2009) Circa (geometric sans) Cloudbuster (2019). Inspired by Imre Reiner's Corvinus Skyline of 1934. Club. Coinage Caps (2017). Coinage Caps is a trilogy of small caps fonts based on the roman lettering used for the designs of British coinage. Coinage Caps Eric Gill is a regular weight, spur serif style drawn by Eric Gill for silver coin designs in the 1920s which were rejected by the Royal Mint. Coinage Caps Humphrey Paget is a medium weight serif based on the lettering of Thomas Humphrey Paget, designer of the Golden Hind Halfpenny first struck in 1937. This font simulates the soft, slightly rounded corners of the minted letterforms. Coinage Caps Kruger Gray is a glyphic, flare serif font typical of the bold style engraved by George Kruger Gray for numerous British and Commonwealth coins during the 1920s and 30s. This font also simulates the slightly rounded corners of the minted letterforms. Collegiate (2009) Component (2012). A font for lost civilizations and dungeon rituals. Context (experimental) Credit Card (2010, font for simulating bank cards) Curwen Sans (2018). A monoline sans from the early 1900s originally created for in-house use at the Curwen Press in London. Cyberscript (2006, connected squarish face) Deansgate (2015). Deansgate and Deansgate Condensed are based on the clearest and most distinctive of the sans-serif letterforms used on Manchester street nameplates, and easily identified by a pointy Z and pointed middle vertices on M and W. Designer Digitalis English Enamela (2013). Keith writes: Enamela (rhymes with Pamela) is based on condensed sans serif lettering found on vitreous enamel signage dating from the Victorian era and widely used in Britain for road signs, Post Office signs, the plates on James Ludlow wall postboxes, railway signs, direction signs and circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. The original model goes back to Victorian times, ca. 1880. Engravia (2018). Engravia is a didone display typeface supplied in three varieties of engraving---Inline, Shaded and Sawtooth---plus a plain basic font. Example (2017). A workhorse neo-grtesque typeface family. Excite Flip (2011), a western grotesk billboard face. Flyer (2009, techno) Frank Bellamy (2009, an all-capitals family based on the hand lettering of English artist Frank Bellamy, who is most famous for his comic art for Eagle and TV21, and his Dr Who illustrations for Radio Times) Future Imperfect Gill New Antique (2003) Greetings Helvetiquette Hapshash (2010): an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International Pop Festival in Rome. A dripping paint font. Irish Penny (2016). An uncial typeface based on the lettering from Percy Metcalfe's influential pre-decimal coinage of Ireland, the Barnyard Collection. Ivan Zemtsov (2009) Kato (2007, oriental simulation face) Keep Calm (2015). A geometric sans inspired by a British war poster from 1939. Keith's Hand Klee Print (2010, Klee Print is based on the handwriting of American artist Emma Klee) Latinate (2013). A vintage wedge serif wood style typeface, and a rough version. Lexie (an improved or "adult" version of Comic Sans) and Lexie Readable (2006, modified in 2015). Keith writes: Lexie Readable (formerly Lexia Readable) was designed with accessibility and legibility in mind, an attempt to capture the strength and clarity of Comic Sans without the comic book associations. Features like the non-symmetrical b and d, and the handwritten forms of a and g may help dyslexic readers. Licencia (2016). A blocky typeface inspired by the tall, soft-cornered lettering on vehicle licence and registration plates world-wide. Londinia (2016). Matchbox Max Ming Modernist Stencil (2009). Monterey Pop (2020). A psychedelic / popart typeface based on Tom Wilkes's poster lettering for the Monterey International Pop Festival in June 1967. Mythica (2012). A slightly condensed lapidary roman with copperplate serifs. Modulario (2010): a contemporary sans. New Old English (2010, blackletter) Norton (2006) Nowa (2004, a play on Futura) NYC (octagonal) Openline (2008, an art deco pair) Oriel Chambers Liverpool: A Lombardic small caps font based on the masonry lettering on Peter Ellis's 1864 building, Oriel Chambers, on Water Street in Liverpool. Pentangle (2008, based on album lettering from 1967) Pixel PixL (2002-2004) Plasterboard (2004-2005) Pop Cubism (2010) is a set of four texture fonts, combining elements of cubism and pop art. Poster Sans (2006). A wood type family based on Ludlow 6 EC. See also Poster Sans Outline. Rick Griffin (2006, more psychedelic fonts inspired by a 1960s Californian artist) Rima (2020). A stencil typeface with heavy slabs. Roundel (2009, white on black) Runestone (2010, runic). Sans Culottes (2008, grunge) Serifina Solid State (2008, art deco blocks) Solus (2004, a revival of Eric Gill's 1929 typeface Solus which has never been digitized; read about it here) Stockscript (2008, down-to-earth script based on the pen lettering of the writer, Christopher Stocks) Susanna (2004) Ticketing (2011): pixelish. Total and Total Eclipse (2004, squarish display typefaces based on the four characters of Jaroslav Supek's title lettering for his 1980s mailart magazine, Total) Transport New (2009: a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version has involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy.) Union Jack (octagonal) Victor Moscoso (2008, psychedelic) Wanda (2007, art nouveau) Waverly Wes Wilson (2007, psychedelic, inspired by 1960s psychedelic poster artist Wes Wilson). 3x5 Zabars (2001): a Western face. His free fonts: Blue Plaque (2006: a distressed font based on English heritage plaques) Blundell Sans (2009) Celtica (2007) has Celtic influences Dalek (2005, stone/chisel face: Dalek is a full font based on the lettering used in the Dalek Book of 1964 and in the Dalek's strip in the TV21 comic, spin-offs from the UK science fiction TV show, Doctor Who. The font has overtones of Phoenician, Greek and Runic alphabets). See also Dalek Pinpoint (2018). Designer Block (2006) Flat Pack (2006) Future Imperfect (2006, grunge) Gommogravure (2005) Greetings (2006), Greetings Bold (2006) Insecurity (2005, experimental) won an award at the 2005 FUSE type competition. International Times (2006, inspired by the masthead of the International Times underground newspaper of the 1960s and 1970s) Keep Calm (2011). Related to London Underground. Kindersley Sans (2017). A modernized version of David Kindersley's 1950s type used for many street name plates in Britain, about which Bates writes: Kindersley Sans is a humanist sans-serif that conserves the Gill-inspired character and some of the calligraphic qualities of Kindersley's lettering, it retains the Roman proportions and its Britishness, but traditional prettiness and intricacy are discarded in favour of a clean modernity. Klee Capscript (2005: based on the handwriting and capitals drawn by artist Emma Klee (USA) for her Color Museum Mail Art invitation. The upper case is based on Emma's capitals and the lower case is freely adapted from her script) Lexia and Lexia Bold (2004) MAGraphics (2004) Magical Mystery Tour (2005, outlined shadow face), Magical Mystery Tour Outline Shadow (2005), Magica (2015, a serifed titling typeface family). Mailart (2004), Mailart Rubberstamp (2004), Mailart Rubberstamp Sans (2018). Mandatory (2004, a UK number plate font based on the Charles Wright typeface used in UK vehicle registration plates). McKnight Kauffer (2021). A retro poster font in the style of poster artist Edward McKnight Kauffer. Motorway (2015), a companion typeface to Transport, the British road sign lettering. This is an extension of an original design by Jock Kinneir and Margaret Calvert: The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M. Penny Lane (2014). A a sans serif derived from twentieth-century cast-iron signs displaying Liverpool street names. Possible (2020). A 10-style mini-serif typeface. Provincial (2014). A Victorian set of outline fonts. Ray Johnson (2006-2008) Roadway (2005, based on New York roadside lettering). Romanica (2017). A humanist sans. Sam Suliman (2020). A condensed squarish typeface which was inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s. Savor (2011). An art nouveau family. Sgt Peppers Lonely Hearts Club (2014). Sinkin Sans (2014, free) and Sinkin Sans Narrow (2015, commercial). Open Font Library link. Soft Sans (2010) Subway Ticker (2005) Taxicab (2016). A squarish style. This Corrosion (2005). Toppler (2018). A modern and full range top-heavy cartoon font family that includes a Popdots style. Bates was striving to improe on 1990s clasics such as Baby Kruffy (Ben Balvanz), Comix Heavy (WSI) and Startling (Dave Bastian). Wildcat (2016). An athletics typeface family. Zinc (2018). A monoline sans with diagonal nubs. Colnage Caps Kruger Gray (2018). Coinage Caps is a trilogy of lapidary small caps fonts based on the Roman lettering used for the designs of British coinage. Dalek Pinpoint (2018). Based on Dalek comic book lettering from the 1960s. Icky Ticket Mono (2018). IckyTicket Mono is a monospaced font based on the coarsely printed numbering from 1960s bus tickets. Sexbomb (2018). A psychedelic typeface family. Mancunium (2019). A monoline sans family. Straight Line (2020). An outlined font with chamfered corners and straight edges, possibly useful as a blackboard bold type. We The People (a blackletter font based on the peamble of the American constitution). Bowdon (2021). A six-style warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman. Oxford Street (2021). A condensed grotesque with horizontal and vertical stem terminals; it is a street a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster, which in turn were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger's Univers 69 Bold Ultra Condensed. Custom / corporate typefaces: With Liverpool-based art director Liz Harry, Bates created a personalized font, loosely based on Coco Sumner's handwritten capitals, for the band I Blame Coco. Medium and Semibold weights of Gill New Antique were commissioned by LPK Design Agency. Stepping Hill Hospital and Bates created Dials, a pictorial font to help hospital managers input data about improvements. A custom font was designed for Bolton Strategic Economic Partnership. Abstract Fonts link. View Keith Bates's typefaces. Dafont link. Yet another URL. Fontspace link. Fontsy link. Behance link. [Google] [MyFonts] [More] ⦿
Kelley Bates	Designer in Toronto, who created Kelmo Sans (2018) and Warehouse (2018: a futuristic blackletter). [Google] [More] ⦿
Arve Båtevik	Norwegian type designer, b. 1991, who graduated from Westerdals School of Art in Oslo in 2015 and ECAL in 2017. At ECAL in Lausanne, he finished an MA in Art Direction and completed an exhaustive comparative study of the Geometric Sans genre. He joined Lineto in 2017 and returned to Norway in 2020, where he set up his own commercial type foundry, Store Norske Skriftkompani, in Volda. His typefaces: During his studies at Westerdals in Oslo, Arve Båtevik created the display typeface Toulouse (2014). Toulouse consists of a basic sans skeleton. Arve then added two weights, one in a 2 to 1 ratio, and one in a 1 to 2 ratio. This allows for some great designs for logos and posters. In 2015, from his then base in Zurich, he created Sagen Grotesk as an interpretation of Schelter Grotesk (after Schelter Breite Grotesk, 1886), and developed Passelig Sans from the bottom up. With Maura Paolozzi, he co-designed LL Prismaset A and B at Lineto (2003-2017). Both LL Prismaset A and LL Prismaset B are based on Rudolf Koch's Prisma (1930). LL Supreme (2020, Lineto). He writes: LL Supreme presents a new take on Paul Renner's Futura (1927). [...] Working against the current tendency of interpolating entire families, each cut of LL Supreme was drawn separately and, as a consequence, has its own identity. LL Ruder Plakatschrift. Done with Hans-Christian Pulver. Store Norske Jazz Book & Italic (2015-2020) and Store Norske Jazz (2021). A sans typeface inspired by Frutiger's Univers and Hoefer's Permanent. In the end it is closer to Univers and a bit more playful (which is not hard---Frutiger's fonts are hardly playful). He writes: Store Norske Jazz is a typeface well within the aesthetically dodgy territory of the contrasted sans serif. Store Norske Tyggis (2016-2020). A prismatic typeface that extends the phototype Or (1967, Andy Song for Studio Hollenstein). Store Norske Trafikk Medium & Italic (2014-2020). A constructed sans serif, based on the Norwegian road sign typeface Trafikkalfabetet (Karl Petter Sandbaek, 1965, for the Norwegian Public Roads Administration). Trafikkalfabetet is modeled after the German road sign typeface DIN 1451, and the British road sign typeface Transport. Store Norske Brus (2017-2020). Mecano-inspired letters. Store Norske Foto Book & Italic (2015-2020). A sans that pays homage to phototype. Store Norske Mekaniske (2020). A constructivist typeface based on the lettering on Akers Mekaniske Verksted's shipyard workshop in Oslo. Store Norske Maleri (2020): Store Norske Maleri is a remix of Ehmcke's Mediaeval (Designed in 1917, published by Schriftgiesserei D. Stempel AG in 1920). I find the original intriguing in many ways, especially how he managed to sneak so many circles, triangles and squares---while still maintaining a rough arts and crafts aesthetic. In my version the capitals are quite true to the original, although I did put some more circles, triangles and squares in there. The lowercase, numbers and the remaining characters deviate quite a bit from the original. Store Norske Stilig (2021). A colour remix and elaboration of a display phototype named Indigo by Andy Song (1936-1995), which was designed in 1972 for Studios Hollenstein Phototypo in Paris. In addition to the colour font, Stilig exists in Dark, Light, Solid and Open styles. Store Norske Funksjon (2021). A display colour geometric solid font, based on a lettering alphabet by Erich Mollowitz that was featured in Moderne Vindusreklame [Modern Window Advertisement] (1933, Knut Schjefstad in 1933), an instructional book on shop front decoration. Knut Schjefstad (1905-1943) is best known for playing the long neck banjo in Norway's first jazz orchestra Sixpence. Store Norske Ja (2021). A sans typeface that started out as a revival of Akzidenz Grotesk. Store Norske Samvirke (2020) is an all-caps typeface based on the lettering found on the Oslo Samvirkelag store in the Kampen city district. Store Norske Neon (2020-2021) is a remix of the Metall Standardbokstaver alphabet used by the sign makers at Neon Electric Limited AS, which was operational in the 1950s. Neon Electric was one of the main neon sign suppliers in Norway. They created signage for big events and important buildings, like the signs for the Oslo 1952 Winter Olympics and the Deichmanske Bibliotek [Oslo's Main Public Library]. Store Norske Bygg (2020-2021) is a monospaced typeface based on a lettering found on the offices of Frimann Bye & Winsvold A, a mortar and construction supplier in Oslo, in the 1920s and 1930s. Store Norske Tango (2016-2021). A geometric typeface that sprung out of Arve Båtevik's MA diploma at ECAL in Lausanne. The project was based on Intertype Vogue (1930), the American response to the geometric wave in Europe in the 1920s. Store Norske Tango builds on Vogue's naiveté, according to Arve. It is more rude and playful, as it focuses on pure geometric shapes, with almost no optical correction. Most letters are nearly monolinear. The typeface has old school hyper slanted italics, often found in early sans serifs, offering two options for the degrees of tilt. Store Norske Magi (2021). A sans family. Store Norske Graut (2021). A wonderful rounded sans family that includes a Mono style. Store Norske Skandia (2021). Arve explains its roots: Store Norske Skandia is a remix of "Skiltskrift", a typeface made for the redesign of Norwegian National Railway (NSB) in 1977. In 1973, Knut Skuland became the director of NSB. The company's communication was eclectic, and he wanted to unify their visual identity. They first bought the rights to use the British Rail identity. Skuland spoke with the director of the Danish National Railways who had bought the same identity some years before. The Danish director convinced Skuland of the impact the identity would have on Norway's visual culture. Skuland then decided to put together a team to reshape the British Rail identity, to fit the Norwegian environment and frame of mind. He commissioned industrial designer Odd Thorsen, art historian and Alf 130e, and designers John Engen, Knut Harlem, Paul Brand, Ruedi a Porta and Arild Eugen Johansen. They redesigned everything from the trains and uniforms to the type and colours. Paul Brand collaborated with a paint factory in Nittedal, to produce a colour blue that would be dark enough to contrast the white type, but still bright enough to be perceived as blue in dark Norwegian lighting conditions. The typeface is similar to the British Rail Alphabet in weight, but is a lot softer and more geometric. Unfortunately, many of the people involved in the project have passed away. I have spoken with John Engen, Halvor Thorsen (son of Odd), Paul Brand, Ruedi a Porta and Arild Eugen Johansen and none of them have any clear answers to who actually designed the typeface. But if there ever was a Norwegian grotesk from the modernist era, this is it. The original typeface was a single bold cut made for signage, and for the rest of the identity they used Helvetica. I have extrapolated on the "Skiltskrift" design, and made it into a small family of three weights, with matching italics. Store Norske Baguette (2022). A primitive all caps sans based on several old French signage typefaces. Store Norske Stempel (2022). After an alphabet used for certain texts on old Norwegian license plates (See also Store Norske Jernskrift.) Store Norske Jernskrift (2022). Store Norske Jernskrift is a typeface based on the numbers found on old Norwegian number plates. He explains: On the 17th of january 1929, new regulations for car number plates took effect in Norway. They were referred to as Vertikal Jernskrift [vertical iron letters]. The design is similar to local hand painted roadsigns of the era. Most, if not all, were produced at Christiania Chablon & Stempelfabrikk (G. Enderle, 1904-1933) and Mignon Chablon & Stempelfabrikk (Jallik Johnsen, Wilh Olsen, 1931-1958). Personal site. [Google] [More] ⦿
Thea Bathan	Creator of Bonnie (2014), a free typeface with Victorian curls. [Google] [More] ⦿
Lily Bather	During her studies at Universidad Iberoamericana, Lily Bather (Dallas, TX) created the didone display italic typeface Florence Italic (2013). Behance link. [Google] [More] ⦿
Ghassan Bathish	Graphic designer in Beirut, Lebanon. Designer of the great display typeface Konstruct (2017), which conjures up jewelry applications. This typeface, however, is based on patterns in Dr. Woo's tattoos. [Google] [More] ⦿
Dennis Bathory-Kitsz	Musician Dennis Bathory-Kitsz (Malted Media) created the free unsmooth typeface called Opera-Lyrics Smooth (2007). [Google] [More] ⦿
Uzi Batish	Israeli type designer at MasterFonts who created these Hebrew fonts: Batish MF, Blind Date MF, Degol MF, Kayzi MF (2012), Liti MF, Mabsut MF, Pashkevil MF, Shishki MF. [Google] [MyFonts] [More] ⦿
Adhemas Batista	Brazilian art director, graphic designer and illustrator based in Los Angeles. Born in 1981 in Sao Paulo. Behance link. He designed various display typefaces for his projects: Mariana (2005) is an experimental typeface for the Havaianas web site. Cristiane (2005) is a Bank Gothic-inspired sans. Mathews (2005) and Ana Rayssa (2005, upright connected script) are experimental types. Antonio (2005) is a fat rounded sans. Josefa (2005) is a grunge typeface created for Brahma Bier. Adilson (2005) is a super-fat display face. Rose (2005) and Douglas (2005, also a super-fat display face) were created for Sensorama ID. Other typefaces include Mark, Mike and Cris. [Google] [More] ⦿
Daniel Batista de Oliveira	At the Universidade de Brasilia, Daniel Batista de Oliveira designed the video game typeface Blockade (2016). Behance link. [Google] [More] ⦿
Diana Batista	Coimbra, Portugal-based designer of the Tuscan typeface Velharias (2016). [Google] [More] ⦿
Fagnia Batista	Designer of the free fat finger typeface Franjinha (2013). [Google] [More] ⦿
Josué Batista	Santa Cruz de Tenerife, Spain-based student-designer of the oriental style typeface Hook (2017). [Google] [More] ⦿
Miguel Batista	In 2011, London-based Miguel Batista obtained a Masters Degree in Editorial Design from the Instituto Politécnico de Tomar, Portugal. He designed Schnellfetter Grotesk (2013), Gama (2015), Bota (2014, started at Dalton Maag), and W Stencil (2014, stencil numbers). [Google] [More] ⦿
Michael Batiste	FontStructor in Kansas City, MO, who made the spurred typeface Turret in 2015. Blogspot link. Behance link. [Google] [More] ⦿
Eduardo Batiston	Brazilian creator at Unique Types of the free semi-stencil typeface Horizontes (2011, with Karen Sampaio). [Google] [More] ⦿
Irina Batkova	Moscow-based illustrator and digital artist. In 2010, with the help of Dick Pape, she created an ornamental caps alphabet called H R G that was inspired by the sexy surrealist drawings of Swiss Oscar-winning artist H.R. Giger [wiki]. Behance link. Scans: Logo, illustration, more illustrations, HRG's letter F, HRG's letter E. The full HRG alphabet: A, B, C, D, E, F, G, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. In 2012, she published Lettercats, an all caps alphabet of cats. Behance link. Another Behance link. [Google] [More] ⦿
Luis Batlle	American codesigner of these typefaces at American Type Founders Collection: ATF Poster Gothic (2015, Mark van Bronkhorst, Luis Batlle, Igino Marini, & Ben Kiel). Based on a design by Morris Fuller Benton, 1934. Thirty fonts in all! ATF Wedding Gothic (2015, Mark van Bronkhorst, Luis Batlle, Igino Marini, & Ben Kiel). An 18-font engravers gothic based on an original from ca. 1901. ATF Railroad Gothic (2016, Mark van Bronkhorst, Luis Batlle, Igino Marini, & Ben Kiel). The designers write: First introduced by the American Type Founders Company in 1906, Railroad Gothic was the quintessential typographic expression of turn-of-the-century industrial spirit---bold and brash in tone, and a little rough around the edges. A favorite for the plain speak of big headlines, Railroad Gothic quickly gained popularity among printers. Its condensed but robust forms were likely a source of inspiration for later families of industrial sans serifs. The ATF original was extended with four new weights. [Google] [MyFonts] [More] ⦿
Anna Batog	Odense, Denmark-based creator of the free ai format font Paper (2013), which consists entirely of superimposed triangles. [Google] [More] ⦿
Paolo Batori	Small archive by Paolo Batori, who is the Italian designer (b. 1976) of the artsy octagonal typeface Batho (2007). Dafont link. Another URL. [Google] [More] ⦿
Fabrice Bats	5ive is the design studio of Fabrice Bats, a Parisian who has moved to Oslo. His lettering includes a couple of alphabets called Kinky (2010). Dafont link. Devian Tart link. [Google] [More] ⦿
Marco Battaglia	Florence, Italy-based graphic designer who released the 16-style creamy decorative large x-height serif typeface Queens Pro in 2020. In 2022, he designed the 112-style Swiss style sans family Enotria (for Latin, Cyrillic and Greek), that is characterized by Calbrian quirks such as an overreaching r and a perky ear on the g. [Google] [MyFonts] [More] ⦿
Thomas Battams	Creator of the hairline arc-and-circle-based typeface Umbra (2013). [Google] [More] ⦿
Kristy Battani	Student in Armin Vit's typography class at the Portfolio Center in 2002. She designed "Go Lightly". [Google] [More] ⦿
Dalton Batt	During his studies at Skolen at Design College Australia in Brisbane, Dalton Batt created the modular display typeface Dune (2016). [Google] [More] ⦿
George Battee	Engraving department head at Baltimore Type, who designed Athena and Trylon Shaded. Mac McGrew: Athena is a very narrow, light roman typeface with unusually tapered vertical strokes, designed and cut by George Battee of Baltimore Type about 1955. It is a distinctive novelty, useful for a limited amount of delicate display. Athena was digitally revived and expanded by Miranda Roth as LTC Athena (2013, P22/Lanston). [Google] [More] ⦿
Giulio Battelli	Graduate of Quasar Design University who is based in Rome, Italy. Giulio Battelli's Kenya (2014) is a light all caps typeface created during his studies as a hybrid situated between Avenir Next Ultra Condensed (Adrian Frutiger) and Adobe Caslon Pro. [Google] [More] ⦿
Tobias Battenberg	Designer from Köln, Germany. Creator of the super-heavy Bildhauer Kant (2008). Link at Dafont. [Google] [More] ⦿
Clara Battestini	During her studies, Clara Battestini (Cabrils, Spain) designed the roundish text typeface Battestini (2019). [Google] [More] ⦿
Bruno Battistel	Based in Caballito, Argentina, Bruno Battistel created the Haiga Serif typeface and the calligraphic Ministry Script in 2014. Behance link. [Google] [More] ⦿
Giovanni Battistini	Bologna, Italy-based creator (b. Como) of the typewriter font Lettera-G (2009), which was designed while he was studying at the Politecnico in Milan. It was based on a 60's typewriter typeface by Olivetti. Behance link. [Google] [More] ⦿
Mary Battlebury	Visual communication student at IADT in Dublin, who created many highly experimental geometric typefaces in 2014, including Molecule Type, Destruct, D-Struct, Con-Nect, and Constellation Type. Behance link. [Google] [More] ⦿
Michelle Batton	Illinois-based "designer" of English Gothic (2007, blackletter), which she is actually selling. She also made Johnny B (2007, handwriting), Think Pink Alphabet (2007) and Damaged Alphabet (2007). Alternate URL. Yet another URL. [Google] [More] ⦿
Cynthia Batty	Cynthia Batty (formerly, Cynthia Hollandsworth) was born in Washington, DC in 1955 (MyFonts) or 1956. She studied at the California College of Arts and Crafts in Oakland, CA, and managed the department of type design and development at Agfa Compugraphic in Massachusetts. She was President of AlphaOmega, a design studio dedicated to typeface development. She was also the Director of Typeface Development at High Technology Solutions, in Poughkeepsie, New York. Currently (?), she is the vice-presdident of Simon&Schuster in New York. For a few years, she was Executive Director of ATypI, involved, in particular in the ATypI meetings in Vancouver and Prague. Her typefaces show calligraphic influences: Hiroshige (1986). Versions sold by Linotype and Adobe. Hiroshige was designed in 1986 by Cynthia Hollandsworth at AlphaOmega Typography, Inc. The typeface was originally commissioned for a book of woodblock prints by nineteenth-century Japanese artist Ando Hiroshige, whose work influenced many impressionist artists. Pompeii Capitals (1995). Designed by Philip Bouwsma for ITC. It is unclear what Cynthia Hollandsworth's role was in the design. Synthetica (1996). With Philip Bouwsma at Agfa. ITC Tiepolo (1987). By Cynthia Hollandsworth and Arthur Baker at AlphaOmega. Vermeer (1986). Agfa Wile Roman (1990). Marketed by Monotype as Agfa Wile Roman and simply Wile. Bio at ATypI. Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Kenny Batu	Graduate of Central Saint Martins College of Art and Design, who works in London. In 2013, he created the modular Tuscan typeface Hebrew Type. Behance link. [Google] [More] ⦿
Alan Bauchop	Alan Bauchop (Sophtecks, Wellington, New Zealand) made these typefaces in 1998: Trix, ScreenyJubs, Earth People, Brickle, Cain, Chunk, Miniskip, Miniskap, Miniskup (techno), and the experimental Silo. Some pixel fonts. Fontspace link. Dafont link. [Google] [More] ⦿
Amanda Baucke	Wellington, New Zealand-based designer. Creator of the display typeface The Bay (2014), which is named after Titahi Bay. [Google] [More] ⦿
Astrid Bauckhage	Graduate from FADU, University of Buenos Aires, who created the text typeface Jokimo (2008). [Google] [More] ⦿
Adrien Baudet	Graphic designer and photographer in Montreal, who created Module Sans in 2015. Behance link. [Google] [More] ⦿
Fernand Baudin	Belgian typographic expert and writer (b. Bachte-Maria-Leerne, 1918, d. Grez-Doiceau, July 16, 2005), and author of "How Typography Works (and why it is important)" (New York: Design Press). This is a translation of La Typographie au Tableau Noir (Retz, Paris, 1984), a book entirely written by hand! Uitgeverij de Buitenkant published "Fernand Baudin, typograaf, typographiste, book designer". Baudin wrote "L'Effet Gutenberg" (1974, Editions du Cercle de la Librairie). He was active in the Rencontres de Lure, the ATypI, and was instrumental in the creation of the curriculum of the Plantin Genootschap in Antwerp. Another reference. Exposition Fernand Baudin from April 14 until May 27, 2000 at the Royal Library of Belgium. In 2004, he received the Laureate Honoris Causa award from the Plantin Society's Institute of Printing and Graphic Arts. CV (doc file in French). CV (txt file in French). Elly Cockx-Indestege et Georges Colin wrote Fernand Baudin ou La typographie au service du lecteur (2000, Bibliothèque royale de Belgique, Brussels). [Google] [MyFonts] [More] ⦿
P. Baudin	Between 2017 and 2021, P. Baudin developed the free Advanced Cross Stitch Fonts. Some of the fonts are based on alphbaets seen in volume 1 of the book Cross Stitch Letters Bible des lettres au point de croix (2009, Valérie Lejeune). [Google] [More] ⦿
Paulo Vinhas Baudouin	Lisbon-based designed of the ornamental caps typeface Afroglyphics (2013), which was custom-made for the visual identity of a DJ duo from Lisbon. Afroglyphics used in Celeste Mariposa. Neue Neon was created in 2013. [Google] [More] ⦿
Antony Bauer	Auckland, New Zealand-based designer of the compass-and-ruler typeface Parti (2014). This great typeface was developed during his studies at AUT. It was influenced by architectuiral lettering. [Google] [More] ⦿
Brooke Bauer	During her studies at Flagler College in Saint Augustine, FL, Brooke Bauer designed the free diamond-themed display typeface Diams (2015). Dafont link. [Google] [More] ⦿
Caspar Bauer	During his studies in Trier, Germany, Caspar Bauer designed the modular techno typeface Bistro (2013). Behance link. [Google] [More] ⦿
Catherine Bauer	FontStructor from York, PA, who made The Drew Effect (2012). [Google] [More] ⦿
Christian Bauer	From Mönchengladbach, Germany, Christian Bauer's commercial fonts: Buddy (childish leters), Grandma, Lineal, Missal, Salatino (free), World (dingbats), Linotype Compendio (1997, grungy), Oneworld. You may request a free copy by email of Salatino, a reworked Garamond. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿
Debi Bauer	Designer of a handcrafted architectural typeface (2015). [Google] [More] ⦿
Erwin K. Bauer	Erwin Bauer is an Austrian type designer, and Buero Bauer is one of Austria's main design studios. At Volcano Type, Erwin Bauer published the art deco era stencil typeface Reklame Stencil (2010, developed jointly with Zaneta Drgová). In 2021, Erwin Bauer, Mischa Herzog and Daniel Schaffer co-designed Mono To Go, a monospaced typeface with a constructed, grid-based body and a playful spirit. It is entirely based on modular pieces such as circles and other simple geometric shapes. Erwin Bauer's home page. [Google] [MyFonts] [More] ⦿
Friedrich Bauer	German type designer (b. Dorste, 1863, d. Schönberg, 1943). In 1882, he becomes the type director at the foundry of Schelter&Giesecke in Leipzig, until 1890, and again from 1896-1898. From 1898 until 1911, he is the head of printing at Genzsch&Heyse, first in München and then in Hamburg. From 1911 until 1924, he taught at the Staatlichen Gewerbeschule Hamburg. At Genzsch&Heyse, he designed Albingia (1906), Bürgerschafts Fraktur (1907; Schnelle claims 1913), Genzsch Antiqua (1906), Genzsch Kursiv (1906), Genzsch Antiqua halbfett (1908), Genzsch Kursiv halbfett (1908), Genzsch Antiqua fett (1910), Genzsch Antiqua schmallfett (1910), Genzsch Fraktur (1931), Genzsch Fraktur halbfett (1932), Heyse Antiqua (1921), Heyse Antiqua halbfett (1924), Heyse Kursiv (1921), Senats Fraktur (1907), Senats Fraktur halbfett (1908), Germanische Antiqua (1911), Germanische Antiqua halbfett (1912), Germanische Kursiv (1911), Hamburger Druckschrift (1904; halbfett and fett in 1908). The first appearance of Nordisk Antiqua (or Genzsch-Antiqua) was in 1906 with a single weight under the name of "Nordisk Antiqua". In 1912 a family of seven weights was announced under the name "Genzsch-Antiqua" honoring the foundry in Hamburg where Bauer had been the manager of composing and printing since 1900. As the foundry Genzsch&Heyse had a lot of customers in Scandinavia, their Nordisk Antiqua became widely spread over the north of Europe. All his other typefaces appeared at J.D. Trennert&Sohn: Fortuna (1930), Friedrich-Bauer-Grotesk (1933), Friedrich-Bauer-Grot. kräftig (1934), Friedrich-Bauer-Grot. halbfett (1934), Friedrich-Bauer-Grotesk fett (1934), F.-Bauer-Grot. schmalhalbfett (1934), Friedrich-Bauer-Grotesk licht (1934), Trennert Antiqua (1926), Trennert Kursiv (1927), Trennert Antiqua halbfett (1927), Trennert Antiqua fett (1929), Trennert Kursiv fett (1930), Trennert Antiqua schmalhalbfett (1929), Trennert Latein (1932). For a digital revival of Friedrich Bauer Grotesk, see FF Bauer Grotesk (2014, Thomas Ackermann and Felix Bonge for Fontfont). Digital revival of Senats Fraktur: Senatsfraktur (2020, Raph M. Unger). Digital revivals of Genzsch Antiqua: Genzsch Antiqua by Gerhard Helzel. In mager, halbfett and kursiv. Nordische Antiqua (2000) by Gisela Will. Nordik (1992) by Bo Berndal, released by Monotype. LD Genzsch Antiqua (2017-2020) by Michael Wörgötter at Lazydogs Type Foundry. Author of Chronik der Schriftgiessereien in Deutschland und den deutschsprachigen Nachbarländen (1928, Offenbach am Main). A PDF file exists that was made and expanded by Hans Reichardt in 2011. [Google] [MyFonts] [More] ⦿
Friedrich Wilhelm Bauer	Typefounder, b. 1834, Frankfurt am Main, d. 1923, Stuttgart. Designer of Bauersche Fraktur (1905, Bauersche Giesserei) and Gutenberg-Gotisch (1880, Bauersche Giesserei, with Gottfried Wilhelm Theodor Friebel). Bernhard Schnelle gives the date 1912 for Bauersche Fraktur schmalfett and eng halbfett, and 1919 for Bauersche Fraktur as a whole. Enge halbfette Bauersche Fraktur was revived in 2013 by Christoph Schwedhelm. [Google] [More] ⦿
Johann Christian Bauer	German punchcutter and typefounder, b. 1802 Hanau, d. 1867, who founded Bauersche Giesserei (Bauer) in 1837 in Frankfurt. Designer of Roman (Bauersche Giesserei, 1850), Fette Fraktur (1850, Bauersche Giesserei) and Verdi (1851, a shaded slab serif titling face). He was influential and successful. In 1839 he went to Scotland and worked as a punchcutter for the Edinburgh branch of the Wilson Foundry. He returned in 1847, running his company under the name Englische Schriftschneiderei und Gravieranstalt. Upon his death, his brother Konrad and son Alexander continued his business. Linotype link. [Google] [MyFonts] [More] ⦿
Jonathan Bauer	During his graphic design studies in Cardiff, Jonathan Bauer designed the art deco marquee typeface Vegas Vault (2012). [Google] [More] ⦿
Justin Bauer	Designer at the Pseudoroom of the pixel font Pro Bulbous (2001). [Google] [More] ⦿
Konrad Friedrich Bauer	German punchcutter and typefounder, b. Hamburg, 1903, d. Schönberg, 1970, who ran the Bauersche Giesserei for a while [he started work there in 1928 and became art director in 1948]. From 1947 onwards he taught book and type design at the University of Mainz. He designed the following Bauer typefaces with Walter Baum: Alpha (1954), Beta (1954), the sans serif family Folio (1957-1965), Caravelle (1957, the Fonderie Typographique Française name for Folio), Imprimatur (1952-1955: a narrow roman, also called Horizon; for a digital revival, see I772 Roman (by SoftMaker) or Gmuender Antiqua Pro (2015) by Ralph M. Unger), Impressum (1963, a wide text face), Verdi (1957), Volta (1956; +Mager). View various digital versions of Folio. Klingspor link. [Google] [MyFonts] [More] ⦿
Lauren Bauer	During her studies in 2013 at York College of Pennsylvania in Collegeville, PA, Lauren Bauer created a font over at FontStruct. [Google] [More] ⦿
Lewis Bauer	American designer of Beefd (2016, pixel font), Green Flame (2016, pixel font), 6 Script (2016), Obti Sans (2016, an elliptical sans), Pixel Signboard (2016). Dafont link. [Google] [More] ⦿
Martin Bauermeister	Designer at Brass Fonts in Cologne of Saw (1997). Cofounder of Brass Fonts in 1996. MyFonts link. [Google] [MyFonts] [More] ⦿
Miriam Bauer	German designer of the Swiss techno style typeface Letrix (2008, Avoid Red Arrows). [Google] [More] ⦿
Oscar Bauer	Type designer closely associated with So Type and Söderhavet, a Stockholm-based type foundry and design studio, respectively. His typefaces there: So Ray (2017-2018). By the Söderhavet design team: Stefan Hattenbach, Tobias Eriksson, Jesper Robinell, Oscar Bauer. This grotesque family includes a variable type. Elroy. By Oscar Bauer. Leroy is based on a technical drawing found in a 60s model car magazine. The type was drawn with a lettering set, a system used around that time to letter maps and other precision drawings. It was presumably similar to Keuffel & Esser's Leroy set, hence the name. So Ray (2017-2018). By the Söderhavet design team: Stefan Hattenbach, Tobias Eriksson, Jesper Robinell, Oscar Bauer. This grotesque family includes a variable type. [Google] [More] ⦿
R. Bauer	Type designer who designed fonts at Klingspor such as Magnet (1906). [Google] [More] ⦿
Reinhold Bauer	Type designer, 1861-1936. His typefaces include Rübezahl (1904, Klingspor), an art nouveau typeface, and Magnet (1906, Klingspor), a condensed display typeface. [Google] [More] ⦿
Flor Baumann	During her graphic design studies in Utica, NY, Flor Baumann created the display typeface Ents (2013). [Google] [More] ⦿
Sander Baumann	Defunct type design and typography blog and news site (part of a much larger graphic design blog) run by Dutchman Sander Baumann. Alternate URL, where one can find his SymbolSigns-Basisset font made in 2009. [Google] [More] ⦿
Eyal Baumert	Designer in Israel, b. 1981, Haifa. Eyal studied at Shenkar College in 2009 and runs the Eyal Baumert Graphic Design Studio. Creator of the Latin / Hebrew typefaces Amitay (2012), Baba (2011, rounded sans), Esther (2011), and Q Block (2011). These typefaces can be bought at T26. In addition, Eyal designed several Hebrew fonts that can be bought on his web site. Klingspor link. Cargo Collective link. [Google] [More] ⦿
Gabriel Baum	Londrina, Brazil-based designer of the distinguished sans typeface Farth (2018). [Google] [More] ⦿
Christian Baumgart	Concord, NC-based creator of a steampunk caps typeface in 2012. [Google] [More] ⦿
H. Baumgart	Designer at Haas of Quirinale (1970). [Google] [More] ⦿
Christian Baumgartner	Madrid, Spain-based codesigner, with Luis Armesilla, of the free display typeface Plstk (2016). Behance link. [Google] [More] ⦿
Joanna Baumgartner	Polish graphic designer in Krakow, b. 1979. Creator of the great Koch Antiqua style typeface Baumgartner (2007). [Google] [More] ⦿
Sigi Baumhauer	Graphic designer in London, UK, who created the free sans typeface family Dressler (2015). [Google] [More] ⦿
Isabel Baum	Creator of the free hand-drawn typeface Esperanza (2012). [Google] [More] ⦿
Joseph Baum	Creator of the modular typeface Phresh (2013). [Google] [More] ⦿
Stephan Baum	German creator of the sans family Jaune d'oeuf (2010), and of Acid (2010, a free simple monoline sans family). Stephan studied at the Fachhochschule Trier. His blog is called Stivolio. See also 26plus, where Acid can be found. Klingspor link. Google Plus link. [Google] [More] ⦿
Trevor Baum	Brooklyn, NY-based type and graphic designer. He created the spurred typeface Haymaker (2012, free at Lost Type Co-op) and the bold display typeface Laika (2012). With James T. Edmondson, he co-designed the wood type-inspired sans typeface Mission Gothic (2013). Home page. Dribble link. [Google] [More] ⦿
Walter Baum	German type designer, born in 1921 in Gummersbach. Head of the Bauer graphics studio from 1949-1972. From 1972 until 1986, he led the Kunstschule Westend in Frankfurt. He died in 2007 in Bad Soden. Together with Konrad F. Bauer, he designed the Akzidenz Grotesk-like sans serif typeface Folio (1957-1965; see digital revivals Folio EF by Elsner & Flake (condensed styles only), Folio by URW++ (the largest of the sets of revivals), Folio by Adobe, Folio by Linotype, Folio by Tilde, Folio SB by Scangraphic, Folio B EF by Elsner & Flake, and Folio by Bitstream), as well as Caravelle (1957), Alpha (1954, a comic book style face), Beta (1954, another comic book style face; both Alpha and Beta designed with K.F. Bauer), Imprimatur (1952-1955, a narrow roman done with K.F. Bauer at Bauersche; also called Horizon; for digital revivals, see I772 Roman by SoftMaker, and Gmuender Antiqua Pro (2015) by Ralph M. Unger), Impressum (1963), Volta (1956), and Verdi (1957, a shadow caps face) for the Bauersche Giesserei in Frankfurt am Main. Klingspor link. Linotype link. FontShop link. View digital typefaces that can be traced back to Baum. View digital typefaces based on Walter Baum's work. Digital versions of Folio. [Google] [MyFonts] [More] ⦿
Elodie Baunard	Parisian graphic designer. Creator of the modular organic typeface Hello Mother Nature (2015). She also created a beautiful set of pictograms in 2015 for the film Les Grandes Tueuses, which was commissioned by Médecins Sans Frontières. [Google] [More] ⦿
Ruedi baur	Studio in Paris, Zürich and Berlin. In 2008, they were commissioned to make a special identity typeface for Les Beaux-Arts de Paris. Clearly a near-copy of Verdana, the French typophiles react with astonishment and surprise. In 2029, Ruedi Baur released Archives, a heavy octagonal typeface for the visual identity of Archives Nationales. [Google] [More] ⦿
Julia Bausenhardt	Type designer from Hamburg, Germany, who is based in Goslar. In 2010, she made Kafka, a font based on the handwriting of Franz Kafka. Edvard (2012) is based on the handwriting of Norwegian painter Edvard Munch. In 2014, she designed the hand-printed poster typeface Walpurga. In 2015, she designed the expressive poster typeface Bassanova and the connected script typeface Luba Luft. Klingspor link. Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿
Elsa Baussier	Graphic and type designer based in Paris. Her typefaces: Dixit (2020). A text typeface based on a font by Johannes Enschedé. Dixit covers Latin, Greek and Cyrillic. Salford Sans (2020). An 8-weight headline sans family developed in collaboration Lewis Guffie (Latin, Greek, Cyrillic) and Dave Williams (Latin and Arabic). Elsa did the symbols, [Google] [More] ⦿
Stephen Bau	Abbotsford, BC-based designer of Bauhouse Universal (2017), a typeface family that is based on Herbert Bayer's Universal (1925). [Google] [More] ⦿
Austin B	Creator of Pipes Type (2010), an all caps typeface with letters in the shape of tools and pipes---inspiration came from an 18th century typeface. [Google] [More] ⦿
Alessandra Bautista	Student at the Rhode Island School of Design, class of 2013. New York City-based creator of Luc (2013), a geometric sans serif typeface inspired by Jean-Luc Godard's film titles. Behance link. [Google] [More] ⦿
Gabriel Bautista	Illustrator described byJohn Roshell as follows: Comix Gorilla Gabriel Bautista is the artist of John J.G. Roshell's Charley Loves Robots series. His incredible watercolors graced the pages of Elephantmen #50. In some circles he is known as Galvo or Gabo and he has brought his brofu color skills to the pages of The Spirit, All Star Western and also illustrated Jesus Christ, In the Name of the Gun. He is also the creator of comic battling site entervoid.com and indy press pulpopress.com. He loves his girl, his dog Lulu and his font. The font Roshell is referring to is (co?)designed by Roshell himself and Bautista and is called Gabriel Bautista Lito (2013, comic book lettering font family). [Google] [MyFonts] [More] ⦿
Yvonne Bautista Pineda	Morelia, Mexico-based designer (b. 1993) of the elephant-themed display typeface Olifant (2016). [Google] [More] ⦿
Els Bauwelinck	Designer at Typolis in Antwerpen, Belgium, where she designed the experimental pixel font Metric, and the font Metround. She lives in Temse. [Google] [More] ⦿
Sven Bauweraerts	FontStructor who made the monoline, squarish and wide typeface Panorama (2015). [Google] [More] ⦿
Elisa Bavieri	Born in Modena, graphic designer Elisa Bavieri now lives in Rome. She created the display typeface Chance in 2012. [Google] [More] ⦿
Palash Bawankar	During his studies at IIT Bombay, Palash Bawankar designed a calligraphic devanagari typeface (2017). [Google] [More] ⦿
Reem Bawazeer	Jeddah, Saudi Arabia-based designer of Arabic typeface (2013). [Google] [More] ⦿
Haneen Bawazir	Dammam, Saudi Arabia-based designer of the bit-textured squarish typeface Cipher (2017). [Google] [More] ⦿
Andrea Bax	Graphic designer in Milan, b. 1990, Thiene, Vicenza, who graduated from IED in Milan. Creator of Bax 01 (2012) and the geometric typeface Tracce (2012). [Google] [More] ⦿
Laura Baxter	As a student at Middlesex University, London-based Laura baxter designed the architectural typeface Dawson Construct (2018). [Google] [More] ⦿
Melissa Baxter	Commercial fonts by Melissa Baxter (2002): Blocks (Baseball, Canada, Circles, Creativity, Little Words, Road Trip, Spring, Actions, Birthday, Cooking, Happy, Music, NYC, Ocean, Pets, Pretty, Zoo, Americana, Basketball, College, Hockey, Home, Love, Picnic, Thanksgiving, Valentine, Calendar, Cards1, Cards2, Character1, Character2, ChristmasCards, Colors, Fishing, Football, Golf, Halloween, Memories, Baby, Boys, Christmas, Emotions, Fall, Family, Girly, Heartfelt, School, Summer, SweetBaby, Travel), Cookie Dough, Gas Station, Haunted House, Rocky Road, Sophisticated, Sunflowers, Vegetable Soup, Wonderful, Wrought Iron, Beautiful, Cherub, Fairy Princess, Falling Leaves, Fudge Brownies, Nevermind, Rock Star, Spread Sunshine, Artsy, Beach Balls, Block Party, Distorted, Distressed, Just Plain Little, Proud Papa, Ribbons, Rustic, Stonewashed, Sunshine, Angel, Bleached Blonde, Dreams, PackedInASuitcase, IceCubes, Picnic Basket, FlipFlops, Pancakes, Jilted Bride, Little Ladybug, Moonbeams, Piano Recital, Tuxedo, Unforgettable, Wedding Day, Chestnuts, Evergreen, Hot Chocolate, Jack Frost, Sleigh Ride, Sugarplums, Composition, White Sale, Crate, Aloha, BadAttitude, Cindy, Rain, Morgan, Short Blonde Hair, Slide, Katherine Ann, Samantha, 2Peas-Amazing, 2Peas-Bad-Hair-Day, 2Peas-Commercial-Break, 2Peas-Couch-Potato, 2Peas-Dainty, 2Peas-Downtown, 2Peas-Drama-Queen, 2Peas-Drip, 2Peas-Giggle, 2Peas-Grandpa, 2Peas-Little-Buddy, 2Peas-Megablock, 2Peas-Melissa, 2Peas-Miss-Priss, 2Peas-Paintbrush, 2Peas-Plain-Jane, 2Peas-Remote-Control, 2Peas-Ringlet, 2Peas-Silly-Fill-In, 2Peas-Silly, 2Peas-Sitcom, 2Peas-Spotty-Dotty, 2Peas-Stand-Tall, 2Peas-Talk-Show, 2Peas-Think-Small, 2Peas-Vintage, 2Peas-Wide-Load. All these fonts represent handwriting or hand printing. 2USD per font. In 2005-2007, she made MB-Candy-Corn, MB-Caramel-Apples, MB-Domino, MB-Dot-Com, MB-Hobgoblins, MB-Jack-O'Lantern, MB-Pigment, MB-Salsa, MB-Scream, MB-Sunflower, MB-Taffy, MB-Wicked, MB-Wildflower, MB-Yeah. [Google] [More] ⦿
Stanley Baxter	Designer at Monotype of the sans serif typeface Jocunda (1933), in which horizontal strokes are wavy. He also created Basuto (1927, Stephenson Blake), a fattish headline face. Nick Curtis revived the latter typeface as Bazoo Tow NF (2011) and calls the style bold, brassy and a little sassy. A free digital revival of Basuto is provided by Vernon Adams in his Rammetto One (2011, Google Font Directory). [Google] [More] ⦿
Lorraine Bayard	During her graphic design studies in Lille, France, Lorraine Bayard created a typographic poster in 2013, for which she custom-designed a modular typeface. [Google] [More] ⦿
Mihail Bayaryn	Minsk, Belarus-based designer in 2005 of the Hindi fonts Chandas and Uttara. Latin and Cyrillic glyphs were added from DejaVu font and modified according to GPL by Dharmo Raksati Raksitah. I quote: The font contains 4347 glyphs: 325 half-forms, 960 half-forms context-variations, 2743 ligature-signs. It is designed especially for Vedic and Classical Sanskrit but can also be used for Hindi, Nepali and other modern Indian languages. The font includes Vedic accents and many additional signs and provides maximal support for Devanagari script. In version 1.1 were added Latin and Cyrillic characters and corresponding Open Type tables for Sanskrit transliteration. Chandas font represents Southern (most commonly used today) style of Devanagari script. And Uttara font represents Northern style of Devanagari Script. These styles are sometimes also called Bombay (Southern, contemporary) and Calcutta (Northern, old) pen families accordingly. Uttara is today the only Devanagari OTF font which supports Northern variations in simple glyphs and in ligatures. He also created the free Devanagari Unicode opentype font Siddhanta. Siddhanta font home page. The font can be used for Sanskrit, Vedic, Hindi, Nepali and other languages which use the Devanagari script. Siddhanta supports many ligature variations and script variations---Calcutta, Bombay and Nepali styles. Google Plus link. [Google] [More] ⦿
Té Baybute	Designer in New York City. Behance link. Creator of the free typefaces Manhattan Hand, The Missus Hand and The Missus Hand Oblique (2011). [Google] [More] ⦿
Clément Baychelier	Parisian art director who designed the modular semi-blackletter display typeface Piano (2017). [Google] [More] ⦿
Gülce Baycik	Gülce Baycik (b. 1990, Istanbul) studied visual communication at Sabanci University in Turkey. Today, she designs type from her base in Kodikoy, Istanbul. In 2012, she created the high-contrast decorative typeface Mr. Victoria. [Google] [MyFonts] [More] ⦿
Alexis Baydoun	Designer of the grungy typefaces Angeli2, Oliver, Choirboy, Virginia Two and Myscriptfont (2011). [Google] [More] ⦿
Mostafa Baydoun	Graphic designer and illustrator in Beirut, Lebanon. In 2015, he created an Arabic typeface that was inspired by a leaf. [Google] [More] ⦿
Nata Bayduzha	Moscow-based graphic designer. She created a useful informally hand-printed family of typefaces called Owl (2011). [Google] [More] ⦿
Brandon Bayer	New York City-based designer, who created a blackletter typeface called Black Bayer (2013). He also made the über-frilly All Frills (2013). [Google] [More] ⦿
Herbert Bayer	Austrian type designer and artist, 1900-1985. A very inflential artist, Bayer joined the Bauhaus in Weimar as a student in 1921, and was a professor ("young master" they called those ex-students who became professors) there from 1925-1928. Bayer was head of the workshop of Graphic Design and Printing at the Bauhaus school of architecture and art in Dessau. He fled Nazi Germany in 1938, and worked in New York until 1946 for such clients as Dorland International, Thompson, Wanamaker's, and developing exhibitions and general graphic design for large corporations. In 1946 he moved to Aspen, Colorado and continued as consultant to firms such as Container Corporation of America. He died in Montecito, near Santa Barbara, CA, in 1985. His typefaces include Universalschrift or Universal Alphabet (1925-1930) and Bayer-Type (for Berthold, 1930-1936). See also this image. He is best known for his unicase proposal (as in Universalschrift). Dedicated web site. FontShop link. Picture. Klingspor link. Revivals of his work: At P22: P22 Bayer Fonetik (1997, Michael Want), P22 Bayer Shadow, P22 Bayer Universal. By Jonathan Hill: WerkHaus (2008) is a 5-style revival. Victory Type published Bayer Modern in 2009, and Bayer Sans a decade earlier. Nick Curtis: Debonair Inline NF (2008) expands Herbert Bayer's 1931 experimental, all-lowercase "universal modern face," Architype Bayer-Type, by adding an uppercase and adding an architectural inline treatment. Architype Bayer by The Foundry. Arthaus (2015, Johgn Moore). Paulo Heitlinger did Sturmblund (2008) and Bayer Condensed (2008). Bauhouse Universal (2017, Stephen Bau. Universal Regular (2016, Luca Taddeo). Bayer Next (2014, Sascha Lobe). Struktur (2012, Shiva Nallaperumal). New Universal Tall (2011, Henry La Voo). Bauhaus 93 (URW++). K-haus 105, K-haus 205 (2019). Two typeface families by Adrian Talbot of Talbot Type to celebrate 100 years of Bauhaus. The style is influenced by Herbert Bayer's universal alphabet. A list of commercial typefaces based on Herbert Bayer's work. [Google] [MyFonts] [More] ⦿
Denise Bayers	American designer at Letterhead Fonts who specializes in vintage typefaces. Her designs: LHF Durango (2014). A rustic Western typeface, inspired by the opening credits and title of the 1957 version of 3:10 to Yuma. LHF Spencer (2014). In the Victorian style. The 19th century (Victorian) display typeface LHF Royal Crimson (2014), which can be used for layering. Euphoria (2004). A Victorian extravaganza. Followed by LHF Euphoria2 in 2015. The Peignot-inspired Charlotte (2004). LHF Dark Horse (2014). A blackletter tattoo font. Boot Camp. A letterpress emulation. Cavalero. A Victorian typeface. Fat Daddy. A fat art deco poster typeface, done with Chuck Davis, based on an original by Alf Becker from the 1940s. Big Daddy. Like Fat Daddy. LHF Shogun (2013). A spurred Victorian typeface. The retro dingbat typeface LHF Retro Ricky Doohickies (2015). LHF Mercantile (2015). The gorgeous compressed art deco typeface LHF Speakeasy (2016). [Google] [MyFonts] [More] ⦿
Matthew Bayly	Cape Town, South Africa-based designer of the handcrafted typeface Cubek Touch (2017). [Google] [More] ⦿
Warrick Bayman	Graphic designer in Johannesburg, South Africa. Creator of the sci-fi typeface Trains in Space (2013). Behance link. [Google] [More] ⦿
Gabriel Coelho Bayne-Jardine	During his studies at London College of Communication, Gabriel Coelho Bayne-Jardin designed the circle-based typeface Round (2017). [Google] [More] ⦿
Kevin Baynham	During his studies at KU in Kansas City, KS, Kevin Baynham designed the soft-edged poster typeface Ouija (2017) and the rounded set of numbers Loaded (2017). [Google] [More] ⦿
Putu Aditya Anggi Bayoga	Yogyakarta, Indonesia-based designer of these vector fonts in 2016: Colorful Box, Stars Block, Batik. Creative Market link. [Google] [More] ⦿
Leslie Bayona	Designer in Manila, The Philippines, who created the typeface Basso & Brooke (2012), which was inspired by the curly and colorful fashion collection of Basso & Brooke. [Google] [More] ⦿
Anthony Bayoneto	Brooklyn, NY-based designer. Created of the floriated caps typeface Flourish (2013). Behance link. [Google] [More] ⦿
Ozge Demiroglu Bayrakdar	Turkish designer based in Lisbon, Portugal. In 2016, she designed the textured display typeface Tatavla. [Google] [More] ⦿
Rümeysa Bayraktar	Istanbul-based student-designer of Axis (2017). [Google] [More] ⦿
Mustafa Bayrali	At T.C. Halic University in Istanbul, Mustafa Bayrali designed the decorative Candy Alphabet (2016). [Google] [More] ⦿
Sed Bayram	Istanbul, Turkey-based designer of the thin display typeface Mam (2016). [Google] [More] ⦿
Sergen Temel Bayram	Art director in Istanbul, Turkey. In 2018, he published the sports and soccer shirt typeface Besiktas. [Google] [More] ⦿
Cyril Bays	Cyril Bays (Zekiko) is a graphic designer in the Vevey-Lausanne-Genève area of Switzerland. He designed a vector format decorative caps typeface in 2016 that mimics the caps used in the new Larousse Illustré. The letters were designed by A. Bosson. Creative Market link. [Google] [More] ⦿
Vanessa Bays	Aka The Butterfly, Vanessa Bays specializes in very clean hand-printed typefaces. Texan creator (b. 1982) in 2014 of Sweet and Sassy Serif, Alexis Marie (a very clean hand-drawn sans), Clean Up Your Mess, Our Lil Secret Forever, My Silly Willy Girl, Amber Shaie, Expressions of the Soul, A Little Sunshine, Celia Garcia, and Sorry We're Closed. Typefaces from 2013: Running For A Cause, Give It Your Heart, Please write me a song, Where the lonely ones roam, Chunkster Jamz, Just Gotta Smile, Bubble Bath, Grandma's Garden, Sealed With A Kiss, Macilynn Marie, Love and Laughter, Baby Lexi, Papa Bear, All Things Pink, Sophmore Year, Diamond Girl, Always In My Heart, Georgia Belle, Chocolate Covered Raindrops, Miss Smarty Pants, Flower Power, Just for Giggles, Isabelle Layne, Cutie Patootie, Life's A Beach, VB Dings, Eternal Promise (upright connected script), The Urban Way (comic book font), Anjelika Rose, Jessica Elaine, My First Crush, A Gentle Touch, Penelope Loves Anne, You Make Me Smile, Simple Kind of Girl, Passing Notes, VB Dings, Wednesday, Bubble Letters, Panic Stricken, Yummy Cupcakes, Ribbon of Hope, Vanessa's Valentine, Eternal Script, Scrapoholic, Curly Shirley. Typefaces from 2012 include the free hand-printed typefaces Dazzling Divas, Smell The Roses, Urban Class (coic book style), Spring Rolls, Puppy Bellies, Too Tight, Daddy's Girl, Simplicity, Sloppy Hollow, Vanessa Loves You, Forget Me Not, Scrap It Up, Lilian, Caffeine, Sixteen, Kelli Lynn, By The Butterfly, Live Laugh Love, Little Miss Priss, LoveNess Three, Whisper a dream, Kenzie, Seriously, Hyperness, My Skinny Jeans, Love Me Forever, Sweetness, Workaholic, Connected (connect-the-dots face), Vannessa Marie, Christmas Eve, Lazy Day, Angel Toes, Fat Marker, Amanda Rae, Slopness, So Posh, I Lovers You, Wassup, DashNess, Chunkyness, Thinnyness, Bigness, Christmas Lightness, Lil Guy, Ness, LoveNess Two, Girl Next Door, Skinnyness, This Sux, VaNess, DotNess, LoveNess, Just Playin, Squishy, Cuteness. Dafont link. Fontspace link. [Google] [More] ⦿
Mochamad Bayu	Malang, Indonesia-based designer of the spurred display typeface Grova (2019). and the tattoo font Flasher (2020). [Google] [MyFonts] [More] ⦿
Aditya Bayu Perdana	Bandung and Jakarta, Indonesia-based designer of these local language fonts in 2014-2015: Prayara (for Kawi), Godhong (for Javanese), Kamo (for Javanese), Ngrawit, Palataran (for Balinese), Liwet (for Sundanese), Lontara and Lontaraq (for Buginese), Wijaya (for Kawi), Mulawarman (for Pallava), Pustaha (for Batak), Lilitan (for Balinese), Aturra (for Javanese), Wulang (for Javanese; based on the 19th century calligraphic handwriting of Serat Jayalengkara Wulang), Tantular (a humanist sans for Latin, Balinese, Batak, Bugis, and Kawi). Designer of the multiscript Bodoni typeface Kasira (2015), which covers Latin, Cyrillic, Greek, and Balinese, and the Javanese fonts Nawatura (2016), Bangil (2016) and Makara (2016). Typefaces from 2017, designed during his studies at Parahyangan University in Bandung: Nakea (Javanese), Pustaka (Javanese). Typefaces from 2018: Batangan (Javanese), Kavali (Sundanese), Jogjakartaip (Javenese), Salapa (for Lontara script), Pustaka Bali (Balinese), Nawatura, Istaka, Dioharudin (Cirebonese script). Typefaces from 2019: Merpat (for Balinese), Kataruman (for Sundanese). [Google] [More] ⦿
Lera Bazankova	Graphic designer in Moscow, who created the multilined Latin typeface Guitar (2014), which uses Avant Garde Gothic's skeleton. Behance link. [Google] [More] ⦿
Kris Bazen	Sportsfonts was founded in 2014 or 2015 by Kristopher Bazen (b. Canton, OH) who studied at the Art Institute of Pittsburgh. He worked in the world of sports marketing, lived in Columbus, OH, and is now in Charlotte, NC. He writes that Sportsfonts was built with the sports designer in mind. We are a rare breed that is enamored with the aesthetic of athletics, so it was only appropriate to create a site focused on such a crucial element of sport: typography. From jerseys to end zones, it is impossible to downplay the effect of type in our industry/passion of choice, so instead, we choose to embrace it wholeheartedly. Please join me in creating the one and only mecca of all sports font foundries! Typefaces: Forge, Robison, Playoff, Nameplate, Champions, Recon, Edge, Junction, Special Forces / Ops, Capone, Rush, Union, Full Speed Ahead, Armor, Sports Machine, Flint, Okie, Razor, Roundtree. Creative Market link. [Google] [More] ⦿
Dmitry Bazhanov	Russian type and book designer, 1902-1945 or 1946. His characters were made into alphabets in 1961 by Mihail Grigorevich Rovenskiy, who called the type family Bazhanov. [Google] [More] ⦿
Ilya Bazhanov	Artist and type and graphic designer. His fascination with street art has led him to typography and visual arts. Ilya received a diploma in graphic design from the Russian-British Institute of Management (Chelyabinsk, Russia). He graduated from the Faculty of Arts and Design at UJEP (Usti nad Labem, Czechia). He also studied at the HSD University of Applied Sciences in Düsseldorf, Germany, and at the Graduate School of Applied Arts in Prague, UMPRUM. His typefaces cover Latin and Cyrillic: Thaw. Awarded by Modern Cyrillic 2019. At Type Tomorrow, he published the variable dot matrix typeface Dusseldot (2020) together with Maks Barbulovic. FUD Grotesk (2020, Type Tomorrow). Described as Closed (sometimes completely closed) narrow brutalist sans serif with wild ligatures. [Google] [More] ⦿
Ekaterina Bazhenova	Moloko88 is Ekaterina Bazhenova, the designer of Rufus (2017, brush typeface) and Gertrude or Gertruda (2017, a connected monoline script typeface). [Google] [More] ⦿
Janja Baznik	Talented illustrator and occasional type designer based in Kostanjevica na Krki, Slovenia. Her illustrations include zodiac sets and collections of animals. Her typefaces: Logogriph (2021). A 44-style all caps family that has some stencil styles, various bilined forms, a papercliop style, and other fonts useful for logos. Manca (2019). A display sans. Nektarina (2020). A casual display sans. Nonfiction (2019). An old typewriter font. [Google] [More] ⦿
Tea Bazon	Tea Bazon studied in Ljubljana, Slovenia, and works in Koper / Capodistria, Slovenia. Designer of the display typeface Morning Rain (2017). [Google] [More] ⦿
Tea Bazon	Slovenian designer of Morning Rain Dot (2018). [Google] [MyFonts] [More] ⦿
Silvia Baz	Silvia baz (London) played around with glyph outlines at various sizes and angles and created a beautiful set of decorative caps in this manner. Behance link. [Google] [More] ⦿
Lama Bazzoun	Tyre, Lebanon-based designer of the Arabic typeface Yam (2017). [Google] [More] ⦿
Barnard B	French type designer. [Google] [MyFonts] [More] ⦿
Booka B	Booka B is a painter, dj, musician, poster artist, type designer and teacher who lives and works in St. Paul, MN. In 2012, he designed Blazedale (Chank). [Google] [MyFonts] [More] ⦿
Esra Gülmen Bda	Illustrator in Frankfurt, Germany. In 2012, she created the ultra-fat rounded typeface Smoothie. [Google] [More] ⦿
Levi Beach	Creator of the iFontMaker fonts Flagship Script (2011), Filler, FAQuix and Grafibly (2010, hand-printed). [Google] [More] ⦿
Levi Beach	Grand Rapids, MI-based interaction designer and photographer. Behance link. He created Stringbean (2009, FontStruct), a hairline condensed sans. As iFontMaker, he created the hairline hand-printed typeface Outy Thin (2011). [Google] [More] ⦿
John Beader	Graphic designer in Paris who created the decorative erotic caps typeface The Sexy Font (2015) and The Fight Font (2015, modular construction). [Google] [More] ⦿
Victoria Beade	During her studies in Buenos Aires, Victoria Beade created the sci-fi typeface Typorama (2014). [Google] [More] ⦿
Eamonn Beahan	Designer of the techno typeface Quadratum (2015). [Google] [More] ⦿
Jaimi-Lee Beale	Graphic designer in Brisbane, Australia. Behance link. She made the geometric counterless typeface Empire (2011). [Google] [More] ⦿
James Beall	Creative studio in San Francisco run by James Beall. Creator of the pixelish typeface family Bitblox (2013) which includes styles such as Regular, Embiggened, Stackable, Outline, Dimensional, Monospaced, Blocked and Dingbats. Bitblox was created for Glyfyx, Inc. by James Beall and PSY/OPS Type Foundry. PSY OPS link. Bitblox link. [Google] [MyFonts] [More] ⦿
Michael Leighton Beaman	Here is what Beta Field is, in their own words: Beta-field is an interdisciplinary design/research office with a multimodal approach to practice. Our work includes buildings, landscapes, environments, installations, exhibitions, texts, design workshops and research projects. With backgrounds in architecture, industrial design, landscape architecture, and exhibition design, along with experience working as researchers, designers, and educators, we developed a view of design practice that operates through various modes of inquiry, development, and production. We focus not only on the built environment, but also on the effects of design on knowledge, technology and culture. The principals are Michael Leighton Beaman and Zaneta Hong. Michael holds a Bachelor's degree in Architecture from North Carolina State University and a Master's degree in Architecture from the Harvard University. He teaches at the University of Virginia and is associated with the Rhode Island School of Design. His research covers speculative future of technology in architecture. Zaneta is a professor in landscape archirecture at the University of Virginia, where she teaches courses in information-based digital practices and materials systems and technology. One of Beta Field's projects is the decorative didone typeface Pistilli Mutatio (2017). It is a parametric digitization of John Pistilli's 1964 phototype typeface Pistilli Roman. [Google] [More] ⦿
Sarah Beam	FontStructor who made Kricket (2014) during her studies at The University of Tulsa, OK. FontStruct link. [Google] [More] ⦿
James Beams	Creator at Ohio State University of the handwriting font Sribble Normal (sic). [Google] [More] ⦿
Amanda Bean	Wellington, New Zealand-based designer of the free alchemic typeface Transmission (2013). [Google] [More] ⦿
Alexandre Beanes	Brazilian designer of the free stone age typeface Beanesdrock (2015) and the counterless typeface Lola (2019). [Google] [More] ⦿
Paty Bean	Paty Bean lives on a south Chilean farm. She drew a children's alphabet, Handy Cut (2013), that was published by Los Andes. She also made Handy Cut Dingbats (2013). [Google] [MyFonts] [More] ⦿
Russell Bean	Russell Bean (Type Associates of Pyrmont, Australia, est. 1993) is an Australian type designer (b. Parkes, NSW, 1947). He worked in many ad agencies and later in the studios of the local photolettering houses, redrawing typefaces for filmfont setting as well as hand-composing headlines using photo-mechanical devices. In the early seventies, he designed a five-weight Avant-gardish family named Virginia (now also digitized). He then worked for the Los Angeles studio of Lettergraphics International in charge of lettering, logo design and converting type designs to film fonts. It was at this time (1973) that the Washington Family was completed. Upon his return to Australia that year, he teamed up with a long time colleague to form a design and art group in Sydney. Russell has been responsible for the creation of many Australian icons, including the Qantas logo. Russell Bean has served on the executive committees of The Australian Type Directors' Club and Australian Graphic Design Association. Typefaces available from MyFonts include Bougainville (1994-2005, a condensed sans family), Bougainville Neo (2021: 16 styles), Fremantle (1994), Beanwood Script (1997, a calligraphic script co-designed with David Wood), Craigie Halpen, Eumundi Sans [also available in the Agfa Creative Alliance], Eumundi Serif, Linear, Melissa, Rhodamine Blue, Sanguine (2004, handwriting), Semaphone (brush writing), Washington (1973, art deco family--really nice geometric letterforms with at least one hairline weight), and Xaltier. He designed ITC Christoph's Quill (2004), Billabong (2006, 1950s handlettering), Charleston Caps (2007, art deco) and the comic book lettering typeface Rhapsodie (2006). In 2007, he added the Threepoints East, North and West sans typefaces. About the Avant-Garde-style geometric sans family Virginia (2008), Bean writes: she was the most popular headline typeface around, at least in my home town in the year of her release circa 1970. That was the year my five-weight design won the inaugural (and only) Lettergraphics International Alphabet design competition and shut out 5000 competitors. Alas, Lettergraphics ceased to trade from its LA studios after the mid-80s and Virginia's two-inch film fonts were left to collect dust on the cutting room floor. The Koomerang family and Karmel (flare-legged retro display) were added in 2008. In 2009, Bean created Comp Sans 226, Argyle Rough, Empirical (12-style DIN-like sans family), Dotmap (pixel family) and Macquarie Heavy. In 2010, he made the poster signage typeface Hangtime. In 2013, he published the hand-printed typeface famiy Progeny. He is associated with Keith Morris in the type foundry Bean & Morris. In 2015, Russell created Macaroni Sans. In 2017, he added the calligraphic script typeface My Pimp. Typefaces from 2019: Aodaliya (an ultra-condensed typeface family). FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Brittney Beard	Jacksonville, FL-based designer of Oops (2014), a typeface designed for all the klutzes. Brittney is a graphic design assistant at Jacksonville State University. Behance link. [Google] [More] ⦿
Brock Bearden	Creator of the rough counterless hand-printed Hello Brock (2009). Wild Arrows (2009, Fontcapture) is experimental. [Google] [More] ⦿
Mariah Leah Beard	Mariah Leah Beard grew up in Beverly, Massachusetts and currently resides in Boston, as a student at the Massachusetts College of Art and Design, she created the clean handcrafted monoline sans typeface Mariah Papaya (2016). Behance link. [Google] [More] ⦿
James Beardmore	Freelance artist and designer. Dafont link, where one can download Daub (2007), Pointy (2007), Pointy Solid (2009), and Stiff Neck (2007), all sketchy typefaces. He also made Iron Mathbook (2007) and Clink (2008). Check his scratchy typeface Spectre Scratch. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Max Bear	Parisian motion graphics designer who created DNA Font (2013). [Google] [More] ⦿
Mindy Bear	Designer of the graffiti typeface Brass Monkey, which can be found here. [Google] [More] ⦿
Montague M. Bear	Chicago-based designer at BBS of a Victorian face that was patented in 1890. [Google] [More] ⦿
Dane Beasley	Illustrator and designer at Deletion Design in Sittingbourne, UK. Creator of a few techno typefaces like Techno Funk and Roun Da Funk. At Behance, one can find his fat counterless typeface Humain (2010). [Google] [More] ⦿
André Beato	André Beato (Media one) is a Portuguese graphic designer and illustrator, born and based in Lisbon. He took a BA Graphic Design and a MA Design Visual Culture -Visual Production at IADE (Instituto de Artes Visuais e Marketing) in Lisbon. Behance link. Designer of Artilharia Sans (2010). [Google] [More] ⦿
Sergey Beatoff	Designer of the old typewriter font Truetypewriter Ployglott (2012). [Google] [More] ⦿
Lisa Beaton	Ottawa-based creator of the slab serif typeface Popsicle (2014), which was designed during her graphic design studies. [Google] [More] ⦿
Esther Keyte Beattie	As a student at AUT University in Auckland, New Zealand, Esther Keyte Beattie designed the display typeface Core Alphabet (2015). [Google] [More] ⦿
Matthew Beattie	Matthew Beattie (Q3 Designs, Spain) created the handwriting typeface Matt Serif (2006) and the hand-drawn fat display typeface Beluga Script (2007). Alternate URL. [Google] [More] ⦿
Gabriel Beatty	Indiana-based designer (b. 1987) of the font called Wolf's Rain (2005-2007). Devian tart link. Dafont link. [Google] [More] ⦿
Richard Beatty	Richard Beatty (Colorado) died on May 14, 2018. He made beautiful fonts, often revivals and interpretations of old typefaces and calligraphic designs, and was influenced by Frederic Goudy. In the 1990s, he operated as Richard Beatty Designs, making over 500 typefaces. Most were only for private or corporate use. Richard's typefaces: Baxter New Style (1988), Baxter Old Style (1988) Beatty Victoriana (1991): a set of five Victorian era fonts---Wanted, Spiral, Recherché, Hermosa and Childs (1985). Hermosa and Childs are nearly art nouveau. Childs is a revival of an 1892 typeface by Hermann Ihlenburg. Puzzling note: the Linotype catalogue says that Kismet was designed in 1879 by John F. Cumming. When you look at Spiral by Richard Beatty, you find a close copy of Kismet; Beatty says it's an "edited version of Kismet", but he holds the copyright. Is this another case of legal cloning? Finally, Wanted is based on an ATF typeface, Fantail, that was already shown in 1889 by the Franklin Type Foundry. Benjamin (2002, BeattyType): from sketches by Ed Benguiat. BernardsHand (beautiful medieval hand) Borders (1990, some designed by R. Mitchell and R. Beatty) Calligraph Initials (1997): a Lombardic face. Childs. After a design from 1893 by Hermann Ihlenburg. Civilite Cooper Desdemona (1994, +Black): art nouveau Doric Doves Type (2006). After the famous Venetian typeface designed by Emery Walker and T.J. Cobden-Sanderson, 1900. Duchy Blackletter, Duchy Initials (2002): A blackletter typeface based on a sketch by Ed Benguiat of Benton's Dutch Initials. Elizabeth RB. After Frederic Goudy, 1900. Elizabeth (1994, BeattyType): An all caps almost uncial face. Fanny Mitchell, Fanny Mitchell Initials (2005). GeneralMenou Goodhue (2005). Goudy Claremont (1993: based on Scripps College Old Style, 1941). Goudy Italian Old Style (1992). Goudy Mediaeval (1992). Goudy Saks (1990: based on a typeface designed in 1934 by Goudy for Saks Fifth Avenue in New York). Hermosa (1991). a Victorian typeface. Kennerley Old Style (1986, after Goudy's 1911 design) Jensen Eusebius, Jensen Eusebius New Style (1989). A Venetian typeface. 11LivingstonJCL Lucianard Mediaeval Calligraphy Ornaments (based on 1928 figures drawn by E. Adler) Overdressed (2002): based on a sketch by Edward Benguiat for his Phototype Company. Prairie Poster (Plain, Fancy): arts and crafts face. Quillsong (calligraphic) Recherché (1991). A curly Victorian typeface. Rene Louis (1992) Rolls Royce. Spiral (1991). Revival of John F. Cumming's Victorian typeface. Troyer University Old Style. After Frederic Goudy, 1938. Velda (2005, connected hand): the handwriting of Velda Burgess Will, classmate of the designer. Wanted RB (1991). A western font. White Tie, White Tie Relaxed (2005): roman lettering. [Google] [More] ⦿
Scott Beaty	Scott Beaty is a Toronto-based writer and graphic designer. Creator of Wolfkitten Grotesk (2013), which was inspired by the roughhewn letterforms found on constructivist poster art of the early 20th century.. [Google] [More] ⦿
Matt Beaudoin	Lasalle, Ontario-based designer (b. 1988) of Matt's Handwriting (2004, handwriting). Home page. [Google] [More] ⦿
Charles Beaudoire	Nineteenth century typefounder based in Paris. Examples of their work include Batardes and Lettres Angulaires. Specimen books include Beaudoire & Cie., fonderie générale de caractères français et étrangers (18xx, by Théophile Beaudoire). In 2012, Parisian graphic designers Thomas Bizzarri and Alain Rodriguez co-designed Thermidor, a revival based on the work of Baudoire---it was a custom design for the Feu Sacré books. [Google] [More] ⦿
Théophile Beaudoire	Nineteenth century French punchcutter (1833-1903) who designed the transitional text typeface Romana with Gustave F. Schroeder (Kingsley ATF, 1860; now available at Bitstream). Beaudoire was sous-directeur odf the Fonderie Générale in Paris. He also ran his own type foundry, Beaudoire et cie. As director of that foundry, he published Beaudoire & Cie., fonderie générale de caractères français et étrangers (18xx). Local download. typefaces attributed to him, besides Romana, include Old Roman Stephenson Blake (1878) and Elzevir (1858). Elzevir was also known as French Old Style. Berry, Johnson and Jaspert write in 1953: The upper case is derived from Louis Perrin's Lyons Capitals. Note the splayed M and the tail of the R. The type is somewhat condensed and has short ascenders and descenders. In the c and e the thickest parts of the curves are very low; the g has a steeply inclined tail and there is a tall t. The italic has a slight inclination. Linotype (London) Old Style No. 33 is similar. The scans below include Romain Elzevir (1858) and Elzevir (corps) 14 (1863, Fonderie Generale), which is a copy of Perrin's Marquet 14. As for partial revivals or descendants, we refer to Mercure (Charles Mazé at Abyme, 2010-2021). Mercure is based in part on Beaudoire's Elzévir, but also on Perrin's Augustaux. [Google] [MyFonts] [More] ⦿
Grant Beaudry	Los Angeles-based designer of the monoline script Silverlake (2015) and of the free handcrafted typeface Refuge (2015). In 2021, he released Vintage Varsity, (a handcrafted rounded chamfered varsity font). [Google] [MyFonts] [More] ⦿
Charlotte Beaufils	France-based designer of the Bauhaus-inspired stencil typeface Baufils (2020) and the frilly hand-drawn typeface Henna (2020). [Google] [More] ⦿
Paul Beaujon	Paul Beaujon was the pen name of Beatrice L. Warde. Born in New York in 1900, she died in London in 1969. A typographer, writer, and art historian, she worked for the British Monotype Corporation for most of her life, and was known for her energy, enthusiasm and speeches. Collaborator of Stanley Morison. She created a typeface called Arrighi. She is famous for The Crystal Goblet or Printing Should be Invisible (The Crystal Goblet, Sixteen Essays on Typography, Cleveland, 1956, and Sylvan Press, London, 1955), which is also reproduced here and here. The text was originally printed in London in 1932, under the pseudonym Paul Beaujon. Here are two passages: Imagine that you have before you a flagon of wine. You may choose your own favorite vintage for this imaginary demonstration, so that it be a deep shimmering crimson in colour. You have two goblets before you. One is of solid gold, wrought in the most exquisite patterns. The other is of crystal-clear glass, thin as a bubble, and as transparent. Pour and drink; and according to your choice of goblet, I shall know whether or not you are a connoisseur of wine. For if you have no feelings about wine one way or the other, you will want the sensation of drinking the stuff out of a vessel that may have cost thousands of pounds; but if you are a member of that vanishing tribe, the amateurs of fine vintages, you will choose the crystal, because everything about it is calculated to reveal rather than to hide the beautiful thing which it was meant to contain. Bear with me in this long-winded and fragrant metaphor; for you will find that almost all the virtues of the perfect wine-glass have a parallel in typography. There is the long, thin stem that obviates fingerprints on the bowl. Why? Because no cloud must come between your eyes and the fiery heart of the liquid. Are not the margins on book pages similarly meant to obviate the necessity of fingering the type-page? Again: the glass is colourless or at the most only faintly tinged in the bowl, because the connoisseur judges wine partly by its colour and is impatient of anything that alters it. There are a thousand mannerisms in typography that are as impudent and arbitrary as putting port in tumblers of red or green glass! When a goblet has a base that looks too small for security, it does not matter how cleverly it is weighted; you feel nervous lest it should tip over. There are ways of setting lines of type which may work well enough, and yet keep the reader subconsciously worried by the fear of 'doubling' lines, reading three words as one, and so forth. Drawing of her by Eric Gill. Life story. Beatrice Warde was educated at Barnard College, Columbia, where she studied calligraphy and letterforms. From 1921 until 1925, she was the assistant librarian at American Type Founders. In 1925, she married the book and type designer Frederic Warde, who was Director of Printing at the Princeton University Press. Together, they moved to Europe, where Beatrice worked on The Fleuron: A Journal of Typography (Cambridge, England: At the University Press, and New York: Doubleday Doran, 1923-1930), which was at that time edited by Stanley Morison. As explained above, she is best known for an article she published in the 1926 issue of The Fleuron, written under the pseudonym Paul Beaujon, which traced types mistakenly attributed to Garamond back to Jean Jannon. In 1927, she became editor of The Monotype Recorder in London. Rebecca Davidson of the Princeton University Library wrote in 2004: Beatrice Warde was a believer in the power of the printed word to defend freedom, and she designed and printed her famous manifesto, This Is A Printing Office, in 1932, using Eric Gill's Perpetua typeface. She rejected the avant-garde in typography, believing that classical forms provided a "clearly polished window" through which ideas could be communicated. The Crystal Goblet: Sixteen Essays on Typography (1955) is an anthology of her writings. Wood engraved portrait of Warde by Bernard Brussel-Smith (1950). [Google] [MyFonts] [More] ⦿
Camille Beaulieu-Brunet	Originally from Montreal, Camille studies graphic design at Anderson University in South Carolina. During her studies, she created the quaint mini-serifed typeface Ado (2012). Behance link. [Google] [More] ⦿
Luce Beaulieu	Designer in Montreal who is working on an art deco font, Lychee. [Google] [More] ⦿
Nick Beaulieu	Gothic font designer in Littleton, NH. Creations include the free font DBYD (2011), and the commercial typefaces Dynasty Belt (2011), Steel Heart (2011), Killer Saints Hymn (2011), Red Bill Farts, and an unnamed gothic face (2011). Snake Dick and Witch Eyes are free. Typefaces from 2013: Data Trolls, Burned Wormwood (Western, ornamental wood type), Venomous Leviathan, The Sins of Nomad's Bones, Brotherhood of Thieves, Black Queen Sex Machine, Avalon's Teeth. Typefaces from 2014: Ninja Scorpion Penis, Appalachian Force, Future Sperm, Bulgarian Mustache, Blunderbuss, King Slayer. Behance link. [Google] [More] ⦿
Christophe Beaumale	Christophe Beaumale designed the free upright script educational handwriting fonts, Cursif and Cursif&Lignes (without and with lines). Dafont link. [Google] [More] ⦿
Andrew & Emily Beauman	Kalamazoo and/or East Lansing, MI-based designers of the tattoo typeface Mancer (2016), the space age / futuristic typeface Wilhelm (2017), and the 1980s-inspired sans headline typeface Barkleigh (2017). Creative Market link. [Google] [More] ⦿
Alex C. Beaumont	Alex C. Beaumont (ACB Graphics) is a student at London College of Communication. He creates experimental designs, and this includes a typeface called Fracture (2013). [Google] [More] ⦿
Jenna Beaupre	Menomonie, WI-based designer of a stencil font (2015). [Google] [More] ⦿
Floriane Beautru	Graphic designer in Paris, France. Creator of the typefaces Ponctype (2016), Dreieck (2015: a triangulated style) and Crumple (2015: a crumpled Helevetica). Behance link. [Google] [More] ⦿
L. Beaven	FontStructor who made the texture typeface Skyline (2010) and the tattoo typeface Angular Gothic 2 (2010). [Google] [More] ⦿
Ryan Beaver	FontStructor who made the pixelish typeface Coolio (2013) and the pixel typeface 8 Bit Party (2013). [Google] [More] ⦿
Alice Beavon	During her graphic design studies, Alice Beavon (Birmingham, UK) created an unnamed modular geometric typeface (2012). In 2013, she published a modular bilined typeface possibly called Sense Of Memory. [Google] [More] ⦿
Marcin Beben	Wroclaw, Poland-based designer of the construction-themed stencil typeface Configure (2022). [Google] [More] ⦿
Beca	Creator of the iFontMaker font Beca Font (2010, hand-printed fat finger font). [Google] [More] ⦿
Alessandro Becagli	Viareggio, Italy-based designer who has a degree in graphic arts from Accademia delle belle Arti Carrera, class of 2020, and attended IED Florence as well. In 2022, he released Tritone, an art nouveau font which was inspired by the facade of a bathing establishment. [Google] [MyFonts] [More] ⦿
Facundo Beccaglia	During his studies in Buenos Aires, Facundo Beccaglia created two typefaces---an unnamed experimental blackletter typeface (2013), and Filo 74, an uncial-style display typeface (2013). [Google] [More] ⦿
Claudio Beccari	From 1997 until 1999, Turin-based Claudio Beccari created his cb fonts (metafont) for Greek by adapting Silvio Levy's Greek fonts. The cb-fonts are now the official fonts for the Greek option of the BABEL package. They are very complete and highly recommended. Type 1 versions here. In 2004, he added the CB Coptic family (metafont), which was based on files created in 1995 by Serge Rosmorduc. The type 1 fonts were made by using TeXtrace and pfaedit by Apostolos Syropoulos. The fonts: glic0700, glic0800, glic1000, glic1200, glic1382, glic1659, glic1991, glic2389, glic2866, glic3440, glic4128, glii0700, glii0800, glii1000, glii1200, glii1382, glii1659, glii1991, glii2389, glii2866, glii3440, glii4128, glin0700, glin0800, glin1000, glin1200, glin1382, glin1659, glin1991, glin2389, glin2866, glin3440, glin4128, glio0700, glio0800, glio1000, glio1200, glio1382, glio1659, glio1991, glio2389, glio2866, glio3440, glio4128, gliu0700, gliu0800, gliu1000, gliu1200, gliu1382, gliu1659, gliu1991, gliu2389, gliu2866, gliu3440, gliu4128, gljc0700, gljc0800, gljc1000, gljc1200, gljc1382, gljc1659, gljc1991, gljc2389, gljc2866, gljc3440, gljc4128, gljn0700, gljn0800, gljn1000, gljn1200, gljn1382, gljn1659, gljn1991, gljn2389, gljn2866, gljn3440, gljn4128, gljo0700, gljo0800, gljo1000, gljo1200, gljo1382, gljo1659, gljo1991, gljo2389, gljo2866, gljo3440, gljo4128, glmc0700, glmc0800, glmc1000, glmc1200, glmc1382, glmc1659, glmc1991, glmc2389, glmc2866, glmc3440, glmc4128, glmi0700, glmi0800, glmi1000, glmi1200, glmi1382, glmi1659, glmi1991, glmi2389, glmi2866, glmi3440, glmi4128, glmn0700, glmn0800, glmn1000, glmn1200, glmn1382, glmn1659, glmn1991, glmn2389, glmn2866, glmn3440, glmn4128, glmo0700, glmo0800, glmo1000, glmo1200, glmo1382, glmo1659, glmo1991, glmo2389, glmo2866, glmo3440, glmo4128, glmu0700, glmu0800, glmu1000, glmu1200, glmu1382, glmu1659, glmu1991, glmu2389, glmu2866, glmu3440, glmu4128, gltc0700, gltc0800, gltc1000, gltc1200, gltc1382, gltc1659, gltc1991, gltc2389, gltc2866, gltc3440, gltc4128, gltn0700, gltn0800, gltn1000, gltn1200, gltn1382, gltn1659, gltn1991, gltn2389, gltn2866, gltn3440, gltn4128, glto0700, glto0800, glto1000, glto1200, glto1382, glto1659, glto1991, glto2389, glto2866, glto3440, glto4128, glwc0700, glwc0800, glwc1000, glwc1200, glwc1382, glwc1659, glwc1991, glwc2389, glwc2866, glwc3440, glwc4128, glwi0700, glwi0800, glwi1000, glwi1200, glwi1382, glwi1659, glwi1991, glwi2389, glwi2866, glwi3440, glwi4128, glwn0700, glwn0800, glwn1000, glwn1200, glwn1382, glwn1659, glwn1991, glwn2389, glwn2866, glwn3440, glwn4128, glwo0700, glwo0800, glwo1000, glwo1200, glwo1382, glwo1659, glwo1991, glwo2389, glwo2866, glwo3440, glwo4128, glwu0700, glwu0800, glwu1000, glwu1200, glwu1382, glwu1659, glwu1991, glwu2389, glwu2866, glwu3440, glwu4128, glxc0700, glxc0800, glxc1000, glxc1200, glxc1382, glxc1659, glxc1991, glxc2389, glxc2866, glxc3440, glxc4128, glxi0700, glxi0800, glxi1000, glxi1200, glxi1382, glxi1659, glxi1991, glxi2389, glxi2866, glxi3440, glxi4128, glxn0700, glxn0800, glxn1000, glxn1200, glxn1382, glxn1659, glxn1991, glxn2389, glxn2866, glxn3440, glxn4128, glxo0700, glxo0800, glxo1000, glxo1200, glxo1382, glxo1659, glxo1991, glxo2389, glxo2866, glxo3440, glxo4128, glxu0700, glxu0800, glxu1000, glxu1200, glxu1382, glxu1659, glxu1991, glxu2389, glxu2866, glxu3440, glxu4128, gmmn0500, gmmn0600, gmmn0700, gmmn0800, gmmn0900, gmmn1000, gmmn1095, gmmn1200, gmmn1440, gmmn1728, gmmn2074, gmmn2488, gmmn2986, gmmn3583, gmmo0500, gmmo0600, gmmo0700, gmmo0800, gmmo0900, gmmo1000, gmmo1095, gmmo1200, gmmo1440, gmmo1728, gmmo2074, gmmo2488, gmmo2986, gmmo3583, gmtr0500, gmtr0600, gmtr0700, gmtr0800, gmtr0900, gmtr1000, gmtr1095, gmtr1200, gmtr1440, gmtr1728, gmtr2074, gmtr2488, gmtr2986, gmtr3583, gmxn0500, gmxn0600, gmxn0700, gmxn0800, gmxn0900, gmxn1000, gmxn1095, gmxn1200, gmxn1440, gmxn1728, gmxn2074, gmxn2488, gmxn2986, gmxn3583, gmxo0500, gmxo0600, gmxo0700, gmxo0800, gmxo0900, gmxo1000, gmxo1095, gmxo1200, gmxo1440, gmxo1728, gmxo2074, gmxo2488, gmxo2986, gmxo3583, gomc0500, gomc0600, gomc0700, gomc0800, gomc0900, gomc1000, gomc1095, gomc1200, gomc1440, gomc1728, gomc2074, gomc2488, gomc2986, gomc3583, gomi0500, gomi0600, gomi0700, gomi0800, gomi0900, gomi1000, gomi1095, gomi1200, gomi1440, gomi1728, gomi2074, gomi2488, gomi2986, gomi3583, gomn0500, gomn0600, gomn0700, gomn0800, gomn0900, gomn1000, gomn1095, gomn1200, gomn1440, gomn1728, gomn2074, gomn2488, gomn2986, gomn3583, gomo0500, gomo0600, gomo0700, gomo0800, gomo0900, gomo1000, gomo1095, gomo1200, gomo1440, gomo1728, gomo2074, gomo2488, gomo2986, gomo3583, gomu0500, gomu0600, gomu0700, gomu0800, gomu0900, gomu1000, gomu1095, gomu1200, gomu1440, gomu1728, gomu2074, gomu2488, gomu2986, gomu3583, goxc0500, goxc0600, goxc0700, goxc0800, goxc0900, goxc1000, goxc1095, goxc1200, goxc1440, goxc1728, goxc2074, goxc2488, goxc2986, goxc3583, goxi0500, goxi0600, goxi0700, goxi0800, goxi0900, goxi1000, goxi1095, goxi1200, goxi1440, goxi1728, goxi2074, goxi2488, goxi2986, goxi3583, goxn0500, goxn0600, goxn0700, goxn0800, goxn0900, goxn1000, goxn1095, goxn1200, goxn1440, goxn1728, goxn2074, goxn2488, goxn2986, goxn3583, goxo0500, goxo0600, goxo0700, goxo0800, goxo0900, goxo1000, goxo1095, goxo1200, goxo1440, goxo1728, goxo2074, goxo2488, goxo2986, goxo3583, goxu0500, goxu0600, goxu0700, goxu0800, goxu0900, goxu1000, goxu1095, goxu1200, goxu1440, goxu1728, goxu2074, goxu2488, goxu2986, goxu3583, grbl0500, grbl0600, grbl0700, grbl0800, grbl0900, grbl1000, grbl1095, grbl1200, grbl1440, grbl1728, grbl2074, grbl2488, grbl2986, grbl3583, grmc0500, grmc0600, grmc0700, grmc0800, grmc0900, grmc1000, grmc1095, grmc1200, grmc1440, grmc1728, grmc2074, grmc2488, grmc2986, grmc3583, grmi0500, grmi0600, grmi0700, grmi0800, grmi0900, grmi1000, grmi1095, grmi1200, grmi1440, grmi1728, grmi2074, grmi2488, grmi2986, grmi3583, grml0500, grml0600, grml0700, grml0800, grml0900, grml1000, grml1095, grml1200, grml1440, grml1728, grml2074, grml2488, grml2986, grml3583, grmn0500, grmn0600, grmn0700, grmn0800, grmn0900, grmn1000, grmn1095, grmn1200, grmn1440, grmn1728, grmn2074, grmn2488, grmn2986, grmn3583, grmo0500, grmo0600, grmo0700, grmo0800, grmo0900, grmo1000, grmo1095, grmo1200, grmo1440, grmo1728, grmo2074, grmo2488, grmo2986, grmo3583, grmu0500, grmu0600, grmu0700, grmu0800, grmu0900, grmu1000, grmu1095, grmu1200, grmu1440, grmu1728, grmu2074, grmu2488, grmu2986, grmu3583, grxc0500, grxc0600, grxc0700, grxc0800, grxc0900, grxc1000, grxc1095, grxc1200, grxc1440, grxc1728, grxc2074, grxc2488, grxc2986, grxc3583, grxi0500, grxi0600, grxi0700, grxi0800, grxi0900, grxi1000, grxi1095, grxi1200, grxi1440, grxi1728, grxi2074, grxi2488, grxi2986, grxi3583, grxl0500, grxl0600, grxl0700, grxl0800, grxl0900, grxl1000, grxl1095, grxl1200, grxl1440, grxl1728, grxl2074, grxl2488, grxl2986, grxl3583, grxn0500, grxn0600, grxn0700, grxn0800, grxn0900, grxn1000, grxn1095, grxn1200, grxn1440, grxn1728, grxn2074, grxn2488, grxn2986, grxn3583, grxo0500, grxo0600, grxo0700, grxo0800, grxo0900, grxo1000, grxo1095, grxo1200, grxo1440, grxo1728, grxo2074, grxo2488, grxo2986, grxo3583, grxu0500, grxu0600, grxu0700, grxu0800, grxu0900, grxu1000, grxu1095, grxu1200, grxu1440, grxu1728, grxu2074, grxu2488, grxu2986, grxu3583, gsma0500, gsma0600, gsma0700, gsma0800, gsma0900, gsma1000, gsma1095, gsma1200, gsma1440, gsma1728, gsma2074, gsma2488, gsma2986, gsma3583, gsmc0500, gsmc0600, gsmc0700, gsmc0800, gsmc0900, gsmc1000, gsmc1095, gsmc1200, gsmc1440, gsmc1728, gsmc2074, gsmc2488, gsmc2986, gsmc3583, gsme0500, gsme0600, gsme0700, gsme0800, gsme0900, gsme1000, gsme1095, gsme1200, gsme1440, gsme1728, gsme2074, gsme2488, gsme2986, gsme3583, gsmi0500, gsmi0600, gsmi0700, gsmi0800, gsmi0900, gsmi1000, gsmi1095, gsmi1200, gsmi1440, gsmi1728, gsmi2074, gsmi2488, gsmi2986, gsmi3583, gsmn0500, gsmn0600, gsmn0700, gsmn0800, gsmn0900, gsmn1000, gsmn1095, gsmn1200, gsmn1440, gsmn1728, gsmn2074, gsmn2488, gsmn2986, gsmn3583, gsmo0500, gsmo0600, gsmo0700, gsmo0800, gsmo0900, gsmo1000, gsmo1095, gsmo1200, gsmo1440, gsmo1728, gsmo2074, gsmo2488, gsmo2986, gsmo3583, gsmu0500, gsmu0600, gsmu0700, gsmu0800, gsmu0900, gsmu1000, gsmu1095, gsmu1200, gsmu1440, gsmu1728, gsmu2074, gsmu2488, gsmu2986, gsmu3583, gsxa0500, gsxa0600, gsxa0700, gsxa0800, gsxa0900, gsxa1000, gsxa1095, gsxa1200, gsxa1440, gsxa1728, gsxa2074, gsxa2488, gsxa2986, gsxa3583, gsxc0500, gsxc0600, gsxc0700, gsxc0800, gsxc0900, gsxc1000, gsxc1095, gsxc1200, gsxc1440, gsxc1728, gsxc2074, gsxc2488, gsxc2986, gsxc3583, gsxe0500, gsxe0600, gsxe0700, gsxe0800, gsxe0900, gsxe1000, gsxe1095, gsxe1200, gsxe1440, gsxe1728, gsxe2074, gsxe2488, gsxe2986, gsxe3583, gsxi0500, gsxi0600, gsxi0700, gsxi0800, gsxi0900, gsxi1000, gsxi1095, gsxi1200, gsxi1440, gsxi1728, gsxi2074, gsxi2488, gsxi2986, gsxi3583, gsxn0500, gsxn0600, gsxn0700, gsxn0800, gsxn0900, gsxn1000, gsxn1095, gsxn1200, gsxn1440, gsxn1728, gsxn2074, gsxn2488, gsxn2986, gsxn3583, gsxo0500, gsxo0600, gsxo0700, gsxo0800, gsxo0900, gsxo1000, gsxo1095, gsxo1200, gsxo1440, gsxo1728, gsxo2074, gsxo2488, gsxo2986, gsxo3583, gsxu0500, gsxu0600, gsxu0700, gsxu0800, gsxu0900, gsxu1000, gsxu1095, gsxu1200, gsxu1440, gsxu1728, gsxu2074, gsxu2488, gsxu2986, gsxu3583, gttc0500, gttc0600, gttc0700, gttc0800, gttc0900, gttc1000, gttc1095, gttc1200, gttc1440, gttc1728, gttc2074, gttc2488, gttc2986, gttc3583, gtti0500, gtti0600, gtti0700, gtti0800, gtti0900, gtti1000, gtti1095, gtti1200, gtti1440, gtti1728, gtti2074, gtti2488, gtti2986, gtti3583, gttn0500, gttn0600, gttn0700, gttn0800, gttn0900, gttn1000, gttn1095, gttn1200, gttn1440, gttn1728, gttn2074, gttn2488, gttn2986, gttn3583, gtto0500, gtto0600, gtto0700, gtto0800, gtto0900, gtto1000, gtto1095, gtto1200, gtto1440, gtto1728, gtto2074, gtto2488, gtto2986, gtto3583, gttu0500, gttu0600, gttu0700, gttu0800, gttu0900, gttu1000, gttu1095, gttu1200, gttu1440, gttu1728, gttu2074, gttu2488, gttu2986, gttu3583. [Google] [More] ⦿
María Teresa Beccar	Graduate from FADU, University of Buenos Aires, who created the curvaceous Fraktur typeface Dei Verbum (2009). [Google] [More] ⦿
Brittany A. Becerra	Waddell, AZ-based designer at The Art Institute of Phoenix of the octagonal typeface Stellar (2016), which she describes as a geometric mandala hipster font. [Google] [More] ⦿
Eliana Becerra	Temperley, Argentina-based designer of the Halloween typeface Bewitching Style (2012). She studied at the University of Buenos Aires. [Google] [More] ⦿
Thomas Bechberger	Designer of the handcrafted typeface Fresszettel (2016). [Google] [More] ⦿
Daniel Bech	Haderslev, Denmark-based designer of the bilined textured typeface Saxo (2016) for a school project at the School of Visual Communication. [Google] [More] ⦿
Eddy Bechu	French designer of L'Autre Plain (Letraset), Anamorphosee (1999), Logos Mylène Farmer (2001), Sans Logique (2000, with Brian Powers), and Innamoramento (1999). Alternate URL. Dafont link. [Google] [More] ⦿
Aaron Beck	Aaron Beck started making fonts in the 1990s under the labels Recordkeeper Software, Audio Electric Systems, and Aaron W. Beck Co. These include Beckett (textura, 1994), Cupertino (sci-fi face), Graveyard, Headstone, Pirate Bones, StoneCutter, Tombstone and Warlock. Fontspace link for RecordKeeper Software. Fontspace link for Aaron W. Beck Co. Dafont link. [Google] [More] ⦿
Alexander Beck	Mainz, Germany-based creator of Fadista (2013) during his studies at the University of Applied Sciences Mainz. Calling Fadista another fucking hip and trendy experimental grotesque---which we call hipster typefaces in my pages---, he explains: The main references were letterings from sheet music to the traditional Portuguese fado created by the artist Stuart Carvalhais (1887-1961). Behance link. [Google] [MyFonts] [More] ⦿
Barry Beck	Designer of the 150-dollar 4-font family Cyberotica (futuristic writing; LCD). [Google] [More] ⦿
Beck	Australian designer who created Becksfirstfont (2007, hand-printed). [Google] [More] ⦿
Chad Beck	Art director in Dallas, TX. He created the art deco typeface Dirty House (2009). [Google] [More] ⦿
Connor Beck	London, UK-based designer of Wim (2017), a typeface dedicated to Wim rouwel. [Google] [More] ⦿
Ekkehard Beck	Ulm, Germany-based designer (b. 1969) at Fontkitchen Type Foundry of the dingbat typefaces Damgram (2004), Urban Dedication (2004) and DesignersSkulls (2005, skull dingbats). These typefaces are free. He also designed Mandalay (2006), a font with Burmese influences. Dafont link. Designers Skulls. Another Dafont link [Google] [More] ⦿
Alf R. Becker	Alf Becker (b. St. Louis, IL, d. 1959, St. Petersburg, FL) was a sign artist in the 1930's and 40's. Beginning in January 1932, at the request of editor E. Thomas Kelly, Becker supplied the Signs of the Times (The National Journal of Display Advertising) magazine's new Art and Design section with an alphabet a month, a project initially predicted to last only two years. Misjudging the popularity of the series, it instead ran for 27 years, ending finally two months before Becker's death in 1959, for a total of 320 alphabets. In late 1941, just ten years after the first alphabet was published, 100 of those alphabets were compiled and published in book form under the title 100 Alphabets, by Alf R. Becker. The American Sign Museum shows the following death notice, taken from the April 1959 issue of Signs of the Times: A chapter of almost 27 years of extensive influence upon the development of sign and outdoor advertising lettering came to a close March 10 in the passing of Alf R. Becker, whose alphabets had been presented consistently in Signs of the Times since January, 1932. Death came in St. Petersburg, FL, where he had been hospitalized since last November. The funeral services were in St. Louis, March 16. Mr. Becker had operated a commercial sign business in East St. Louis, IL., and was widely known for his lettering ability when requested 27 years ago by the late E. Thomas Kelley, then editor of Signs of the Times, to do a series of alphabets for the magazine. They had estimated that 24 alphabets which would be presented in a period of two years would serve the purpose. The series was so enthusiastically received and so many readers urged continuation that it was projected indefinitely to eventually each a total of 320 before failing health of Mr. Becker forced him to give up that creative work. His last alphabet for ST appeared in the January issue this year. Countless are the signmen and women who broadened the horizons of their lettering ability by thorough study of Mr. Becker's alphabet. In 1941, his book, "100 Alphabets" was published by Signs of the Times, and all 3,000 copies that were printed were sold out long ago. Numerous requests have been received for a reprinting, but in view of the changes of time in lettering styles, it has not been considered advisable. Mr. Becker's failing health in 1957 influenced him and Mrs. Becker moving to St. Petersburg, where they bought a home, and where he went into semi-retirement. His love of the sign business was such that he continued his alphabets in spite of the problems of his illness. Many of his typefaces have art deco influences. LHF Monogram at Letterhead is a digital version of one of his fonts. Other digitizations include Whomp (2006) and Buffet Script (2006) by Alejandro Paul (Sudtipos) and Daffadowndilly (2007) and Stony Island NF (after Becker's art deco typeface Chicago Modern), Quaint Notions (2003), and Shaq Attack NF (2011, a wood plank font) by Nick Curtis. The Fontry (James Stirling and/or Adkins) is undertaking a grand digitization project, and releases free and pay fonts with names that start with ARB, followed by the font number, the font name, and the month and year of issue. In The Fontry's ARB series, we find ARB-187 Moderne Caps AUG-47 (2013, didone), ARB-85 Poster Script (2011, after a 1939 typeface by Becker), ARB 70 Modern Poster, ARB 93 Steel Moderne, ARB 44 Chicago Modern, ARB 66 Neon (2010, after a 1937 font, +Block, +Line), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), and ARB 67 Modern Roman, and ARB08ExtremeRomanAUG-32CASNormal (2009; the original is from 1932). Jeff Levine created a number of typefaces based on Becker's work as well: Show Card Casual JNL (2018: based on a single stroke brush alphabet by Alf Becker), Casual Signage JNL (2018), Modern English JNL (2018), Kanona JNL (2010), Karaoke JNL (2010), Mocombo JNL (2010). John Davis created LHF Pipeline (2012) based on Becker's designs. Kaitlin Sims designed LHF Becker No. 45 (2015). FontShop link. Catalog of some of his digitized typefaces. View the digital typefaces that are based on Becker's work. Showcase of Alf R. Becker's fonts. [Google] [MyFonts] [More] ⦿
Carsten Becker	German digital photographer who lives near Kassel, Germany. Creator of Corbach (2006, hand-printed style). Alternate URL. [Google] [More] ⦿
Charles Herman Becker	ATF matrix and pattern maker. Born in Germany, he died in 1948. He was involved in the design of Cloister Cursive Handtooled (Cloister Handtooled Italic, 1923), Goudy Handtooled (1923; see Goudy Handtooled BT) and Novel Gothic (1928-1929, a heavy art deco face), all in cooperation with Morris Fuller Benton. He created Quick-Set Roman&Italic in 1918, also at ATF. Stephen Coles writes: Novel Gothic was frequently used for record covers in the 1960s-1970s particularly John Berg's designs at Columbia Records, such as Miles Davis: Bitches Brew. There are many digital typefaces in this 1920s showcard style (such as Kobalt), and many poor digitizations of Novel Gothic, but no faithful revival currently exists. Telenovela NF is a digital interpretation with an additional highlight effect, while Napoli and Naked Power are attempts to tame Novel Gothic's comical personality into large, straightforward sans families. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Don Becker	Prof. Don Becker of the German Department at the University of Wisconsin-Madison has made his Sütterlin font (1995) available to the public. [Google] [More] ⦿
Fritz Becker	Designer of the rune font Becker-Fraktur (1999). [Google] [More] ⦿
George J. Becker	Philadelphia, PA-based author of The American system of penmanship ... In ... ten numbers (1842, Uriah Hunt and Son, Philadelphia), Becker's System of Penmanship, Comprising Manual and Elementary Excercises, Business and Epistolary Writing, and Ornamental Penmanship. In Twelve Numbers. No. 10 (1856, Uriah Hunt and Son, Philadelphia), Becker's Ornamental Penmanship (1854), and Ornamental Penmanship Analytical and Finished Alphabets (1854, Uriah Hunt and Son), a lettering manual. In 2013, James Puckett (Dunwich Type Founders) revived five typefaces from this manual as digital typefaces in his Becker Gothics collection. They include Egyptian, Egyptian Rounded, Stencil, Tuscan and Concave. All have Western and wood type influences. In 2009, Becker's 1854 book was used by Monogram Fonts Co in the creation of Noir Monogram (2009), which was based on Becker's Pearl type. Downloads of his 1854 book: University of Michigan scan. For a Facsimile, see Becker's ornamental penmanship. A series of analytical and finished alphabets [FACSIMILE]. Free PDF file of the latter book. In 1993, Dover reprinted 23 complete alphabets in Ornamental Calligraphy [With 50 Plates] (Dover Books on Lettering, Graphic Arts & Printing). Local download of his 1854 book. [Google] [MyFonts] [More] ⦿
Henry Becker	As a student at MICA, Baltimore, MD-based Henry Becker designed the moiré-pattern typeface Chromogenic in 2015. Behance link. [Google] [More] ⦿
H.P. Becker	German codesigner, with Lars Cellini at New Cat Orange, of NCO Potatoe, a prototypical potato carving font. [Google] [MyFonts] [More] ⦿
Hyo-Song Becker	During his studies in Pforzheim, Germany, Hyo-Song Becker created the blackletter typeface Fraktaeder (2013). [Google] [More] ⦿
Jonas Becker	For his thesis project in Hamburg, Jonas Becker developed a (virtual) corporate typeface, Magellan (2015), for wayfinding and identity in the port of Hamburg. This typeface is magnificent. [Google] [More] ⦿
Marie Becker	Hannover, Germany-based designer of the display typeface Nynxia Sign (2019). [Google] [More] ⦿
Matthieu Becker	Graphic designer in London. Creator of The Whole Racket (2013), a typeface and a logo for a music video and short film production company based in Brooklyn, NYC. Behance link. [Google] [More] ⦿
Meg Becker	During her studies at Appalachian State University, Meg Becker (Boone, NC) designed the very original multiline typeface Paradox (2014). [Google] [More] ⦿
Peter Becker	German designer (now based in Paris) who started out specializing in logotypes, and then spent a few years at URW in Hamburg in the type production department, before moving to Paris as a freelance designer. In 2018, he set up PB Types. His (mostly script) typefaces: The beautiful calligraphic brush script typeface Meroe Pro (2012, Linotype). The free Jensonian typeface Vinta (2014). Rena. An old style typeface. Treveris. A Trajan font. Manus Scripts. Whiskas. [Google] [MyFonts] [More] ⦿
Simon Becker	Berlin-based designer Simon Becker (aka B2302) created Legere (2012, HypeForType). It has Light, Regular and Deco styles. In 2013, with Federico Neeva Orrù, he created a versatile octagonal multiline display family, Vasarely, named after optical artist Victor Vasarely. In 2014, Simon designed the manicured sans typeface family Helado together with Sabrina Ekecik and Benjamin Campana. Vagtur (a tweetware hybrid of VAG Rounded and Fette Fraktur) was co-designed with Sabrina Ekecik. In 2016, he designed the deco typeface Twokes. Behance link. [Google] [MyFonts] [More] ⦿
Tal Becker	Israeli designer of the Hebrew tape font Akum (2019). [Google] [More] ⦿
Simon Becke	German type designer. [Google] [MyFonts] [More] ⦿
Pascu Beckett	Creator of Pascu 1 (2008). Born in 1992, she is from Santiago, Chile. [Google] [More] ⦿
Hannah Beck	Brisbane, Australia-based designer of Saber (2014, a stencil typeface with maori symbolism) and of the alchemic Symbols Typeface (2014). [Google] [More] ⦿
Heinz Beck	German type designer. His typefaces: Brahms-Gotisch (1937, Genzsch&Heyse) and Brahms-Gotisch Werkschrift (1937, Genzsch&Heyse). This blackletter was digitally remastered by Manfred Klein and Petra Heidorn in 2005 under the same name. Nordland (1935, blackletter at Trennert&Sohn and Genzsch&Heyse). Nordland was revived by Petra Heidorn in 2005. Möwe (1929, Genzsch&Heyse). This blackboard bold typeface was revived in 2017 by Coen Hofmann as Moewe. [Google] [More] ⦿
Felix Beckheuer	Felix Beckheuer set up his own type foundry in Germany in 2013. His typefaces include the geometric headline typeface Pavo (2013), which was inspired by Lubalin's Avant Garde. [Google] [MyFonts] [More] ⦿
Lily Beck	Aka L'Invisible. Creator of the free cuneiform-inspired typeface Nineveh (2015). [Google] [More] ⦿
M. Beck	Designer of Elfen-Fraktur (1919, Hoffmeister, Leipzig). For a digital revival, see Ralf Herrmann's Elfen Fraktur (2015, +Elfen Schmuck). [Google] [MyFonts] [More] ⦿
Matthias Beck	Matthias Beck is a German graphic and type designer based in Santa Cruz de Tenerife, Spain. He worked in advertizing agencies and design studios in Berlin, Barcelona, and the Canary Islands. He obtained a Bronze Award for the Letter Island typographic project (Graciosa) in the 2015 Canary Islands Design Awards, and several Gold Awards in the 2013 and 2019 editions of these awards. In 2015, he started work on Graciosa, a revival of a typeface by Carlos Winkow, subsidized by the Spanish Ministry of Education, Culture and Sport. Graciosa, which has a gorgeous engraved style as well as four other styles, was published in 2021 by P22 as P22 Graciosa. [Google] [More] ⦿
Robert Beck	Canadian graphic designer and creative director Bob Beck has been living in the Montreal area since 1995. In 1999, he set up Dialekt Design. His typographic oeuvre is extensive: Learned Behaviour (1996-1997), Manipulator, LaPlaya, 1996, all experimental/exploratory typefaces available from 2Rebels. Table Manners, 1997, PsyOps, 2Rebels, Prototype Experimental Foundry (defunct). Beck: Table Manners was born out of the desire for a highly readable text typeface with a subtle graphic edge that would amplify with size. This otherwise simple and geometric type shows its mischief through devilishly spiked-serifs and unexpected curves. Loop. 1998. The loop typeface is a pure research project designed by Dialekt in order to investigate the development of simple letterforms through rigid, bold geometric structures and rigorous grid systems. RagingBoner, 1999. Custom typeface designed for Burton Snowboards for product packaging and communications materials. Hermetique (2001), designed initially for Cascades Paper's exclusive use on paper sample swatchbooks, soon to be released in modified form as a full family. Private Press, 2001. This typeface was letterpress printed from an original 1858 10-Line woodtype specimen from the Wells, NY type foundry, and then digitzed in ultra high resolution to retain all the character and wear of this aged alphabet. It is available for purchase as a bitmap TIFF image collection only. Asylum, 2005. Asylum is a hand-lettered typeface designed specifically for a snowboard project application for Performance Boardshop in Quebec. It contains 1,313 unique individual glyphs and comes in OpenType format. Blaikie, 2006. Blaikie is a custom commission for Canadian Law Office Heenan Blaikie, a national copyright and patent law office. It was developed for proprietary use in all communications materials, as well as signage and wayfinding needs internally for all offices Canada-wide. Klingspor link. [Google] [MyFonts] [More] ⦿
Simon Beck	Designer at AlphaBeck in the UK of the free font Bayou (2006), which can dbe downloaded here. [Google] [More] ⦿
William Beck	Designer of Billy Beck System 1, 2, 3 and 4 (VGC). [Google] [More] ⦿
Josh Beckwith	American designer (b. 1986) of the funky junkyard display typeface Elefunkt (2007). Home page. [Google] [More] ⦿
Lee Beckwith	San Francisco-based designer of the artsy typeface Tanah (2013). Behance link. [Google] [More] ⦿
Eka Becoñado	Creator of the free fonts Eka's Handwriting (2013) and Eka's Android Handwriting (2013). In 2014, he made the sketched typeface Striped Edges, which was created using Google Play Store's app, InstaFont Maker. [Google] [More] ⦿
Salomé Becquard	French designer of the modular color font Morphe (2019). [Google] [More] ⦿
Vaclav Becvar	Prague-based creator of Angus (2014), a squarish typeface. [Google] [More] ⦿
Blake Bedard	Riverside, CA-based designer of the poster typeface OC Life (2019). [Google] [More] ⦿
Oriol Bèdia	Berlin-based designer who seems to have made some typefaces according to his Behance face, but I could find no confirmation that he has actually created complete alphabets. Before his Berlin stint, he studied communication in Barcelona. [Google] [More] ⦿
Brian Bednarski	Bolton, MA-based designer of a counterless experimental typeface in 2013. [Google] [More] ⦿
Konrad Bednarski	Graduate of the London College of Communication who works in Paris, where he set up No More Faith Fonts. He is presently based in Dubai. His list of typefaces: The free fat geometric counterless typeface Warsaw Bold (2011). The paperclip typeface Mars Regular (2011). Free download. See also Mars Regular Second Edition (2012). Neo Gotik (2011). Sleepy Bubbles (2011). A free vector custom typeface inspired by graffiti bubble letters. The fun free display face Odyssey. This font became commercial a bit later via Ten Dollar Fonts. Sherif 3000 (2012). This athletic lettering typeface is a serif, bold, display typeface inspired by Teddy jackets we can see in old American movies or TV. Brainwash (2012) is a free dripping soap typeface in EPS format. Aequitas (2012) is a constructivist family. Fatalism (2012) is a free alchemic typeface. Pixa (2012) is based on Brazilian graffiti. Memories (2012) is a pixel font inspired by video games. The free comic book typeface DHD Cool (2012). The alchemic typeface Believe (2012) is free. The free art deco typeface Rispa (2013). This was followed in 2014 by the free family Rispa X DHD. Mazed (2013) is a free straight-edged AI format font. Scratched (2013) is a free typeface inspired by urban metal scratching. NMF Dare (2015). A thin sans designed for a young design agency based in Brussels. NMF Display (2016). A free dot matrix typeface. NMF Burner (2017). A great Hellofont link. Behance link. [Google] [More] ⦿
Laurence Bedoin	Marion Andrews, Malou Verlomme and Laurence Bedoin collaborated on the school fonts Écriture A and Écriture B which are presented in Modèles d'écriture scolaire (2013), a document issued by the French Ministry of Education. These fonts are available from Eduscol. [Google] [More] ⦿
Emma Bedos	Parisian designer of the outlined typeface Bonobo (2013). [Google] [More] ⦿
Laurence Bedouin	Professor of Applied Arts who graduated from Ecole Estienne. Designer (with H&eacut;loïse Tissot) of a French school font, which he presented in March 2005 during a meeting held at the National Museum of Edication in Rouen, France. The link given here refers to a PDF which contains the proceedings of that meeting. [Google] [More] ⦿
Jorge Bedoy	Chihuahua-based Mexican designer (b. 1984) of Yodeb (2011) and Bedoy (2013). [Google] [More] ⦿
Sharayu Bedre	Mumbai, India-based designer of Meitei Script (2018). Meitei Mayek was used for the Metei language (aka manipuri) spoken in the south-eastern Himalayan state of Manipur. It was replaced in the 18th century by Bengali. She also designed the Marathi font Tamasha (2018). [Google] [More] ⦿
Charline Bedroom	Parisian art director who created the lachrymal typeface Gouttype in 2014. Behance link. [Google] [More] ⦿
Haig Bedrossian	Graphic design and brand identity specialist who created Subway, a sans face. At DsgnHaus in the 1990s, he made Azenormal. [Google] [More] ⦿
Claire Béduneau	As a student at Ecole de Design de Nantes Atlantique in Nantes, France, Claire Béduneau designed the sharp-edged display typeface Kenaz (2016). [Google] [More] ⦿
Andrew Beebe	Burlington, VT-based designer of Dextra (2017). [Google] [More] ⦿
Christina Maria Bee	Christina Bee ("Krizbi") is a type designer from Darmstadt who studied in Den Haag at the KABK in 2006, where she designed the Renaissance Antiqua typeface Olga while doing a Masters. Olga won an award at TDC2 2007. Christina lives in Hamburg. She participates in Type Destroyers with Frederik Berlaen. Other typefaces by Bee: Pony (2007, stencil). [Google] [More] ⦿
Hery Bee	Indonesian designer of the bold script typeface Moonlight (2019). [Google] [More] ⦿
Sudheer Beejady	Bangalore City, India-based designer of Monopod (2012), a geometric organic sans, and Absolute (2012), a display sans. [Google] [More] ⦿
Anniksha Beejan	Anniksha Beejan, a graphic designer and illustrator in Port Louis, Mauritius, created a fresh and colorful floriated ornamental caps typeface (2012). [Google] [More] ⦿
Marc Beekhuis	Freelance Swiss designer (b. Bern, 1978) who graduated in 2004 in visual communication from the Hochschule de Künste in Bern. Creator of the typefaces 3x3-block, 3x3-flat, 3x3-italic, 3x3-outline, 3x3 (2001) and Rotor (2003, sans). He also made Radion (2006), a minimalist futuristic typeface. Dafont link. [Google] [More] ⦿
Donald Beekman	Dutch foundry, est. 1997 by Donald Beekman. We find commercial fonts by several designers: VLNL Jelly Donuts (2021). Donald Beekman and Erik van Blokland: Bint (inspired by potatoes). Donald Beekman: VLNL Bonen (2020), VLNL Mais (2020: an exaggerated wedge serif), VLNL Kouseband (2019), DBXLNightfever (2019; original design in 2001 for the disco-techno-house record label Nightfever), VLNL Cleaver (2017), VLNL Vondelpark (2014), VLNL Bleek (2014), Brak (octagonal), Breakz (octagonal), Brokken (rounded octagonal), DBXLZX (2012, inspired by the ZX Spectrum home computer), Decks, VLNL Duct (2014, emulating duct tape, this typeface was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT), Gaufre, Hollandsche Nieuwe, Irish Stew (2012), Kadetje (based on wood type), Knoffel, VLNL Melk (based on wall adverts for the milk factory De Sierkan in Den Haag), Spaghetti (upright connected script), Wasabi, Woodburger. TwoPoints: Tp Rawkost (2019), Tp Marte (2019), Tp Luna (2019), VLNL TpLlum (2012, really fat slabby letters). Jacques Le Bailly: Sardines (2008), VLNL Neue Sardines (2010). Donald Roos: VLNL Bint (2009), VLNL Brak, VLNL Spaghetti Bolognese. [Google] [MyFonts] [More] ⦿
Donald Beekman	Donald Beekman (DBXL, est. 1999) is a graphic and audiovisual designer (b. Amsterdam, 1961), who studied at the Rietveld Art Academy from 1979 to 1984 and then started his own graphic and music studio in Amsterdam. He designed many typefaces, most of them emanating from logos or artwork designed for his clients, often from the music and entertainment industry. Since 2004 he has been co-hosting Typeradio, the radio- and podcast-station on design and typography. He set up Vette Letters. Dafont link. Alternate URL. His fonts: At FontFont: Automatic, FF Atomium (2007), FF Beekman (1999), Backbone, Imperial, Droids, FF Massive (2010: a logo family consisting of ultra-fat octagonal designs), Overdose, Stargate (1999), Totem, Tsunami, FF Flava (2003: Beekman calls this a hip-hop font), FF Manga Steel, FF Manga Stone, FF Webfonts, FF Backbone 2 (2003, a futuristic face) and FF Noni (2000). At the DBXL web site: DBXL Softsoul, DBXL Monodon, Brak Bold, DBXL Hardsoul, DBXL Atonium, DBXL Nightfever (free). At Die Gestalten: Breeze, Beatbox (2007, tilted stencil). At Vette Letters: VLNL Cleaver (2017), VLNL Bon Bon (2013), VLNL Brokken (2009, fat octagonal face), VLNL Brak, VLNL Decks, VLNL Donuts (2015: originally designed in 2005 by DBXL as a logo for a Dutch funky house music outfit), VLNL Breakz. Berlage (2013). A Dutch art deco typeface family based on lettering found in the Amsterdam Beurs (stock exchange) building, designed by architect H.P. Berlage, and other lettering found all over Amsterdam. It was published by FontShop in 2016 as FF Berlage Burcht and FF Berlage Beurs. The granite carving on the Berlagebrug in Amsterdam from 1932 inspired Beekman to design VLNL Berlagebrug (2019). VLNL Kouseband (2019). A striking 5-style monolinear decorative sans with tall ascenders and an architectural lettering feel, perhaps Beekman's best typeface to date. Speaker at ATypI 2013 in Amsterdam. Dafont link. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿
Ruben Beekman	The font Stripes was made by 15-year old Ruben Beekman in the Netherlands. [Google] [More] ⦿
Laura Bee	Washington, DC-based designer of the handcrafted typeface Akemi (2016). Creative Market link. [Google] [More] ⦿
Charles Henry Beeler	Type designer, b. 1855 Philadelphia, d. 1934. He made a condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887, and digitally revived as Roundhead by Dan Solo (Solotype). In fact, this type already appears in an 1883 specimen book by Mackellar, Smiths & Jordan. For a second revival of Roundhead, see LevellerNF (2014, Nick Curtis). Still at Mackellar, he created a fist-based alphading typeface in 1891. Hansard (1887) and Telegraph (1895), Victorian designs, were also revived by Dan Solo. Manifesto Bold (2003, Dan Solo) is a further revival. Google patent link. MyFonts catalog. Klingspor link. Patent office link. [Google] [MyFonts] [More] ⦿
Marty Bee	Marty Bee is a designer and medical illustrator in Sulphur, LA. He has designed both free and commercial typefaces. His commercial fonts are available from Plazm and T-26: Slumgullion (1993, a party headline font), Flowerchild, CropCircles, Gargantua, SonofStarmanA, StarmanPict. At Plazm, he did Cibola (1995, nice dingbats), Wet and Wilde (1994) and Three Rivers (1994), for example. Some more fonts: Wildside (1994, angular and gothic), Cheap Motel, Halloweenies, Flowerchild, Sangreal (1994, gothic), Scaredycat, SidTheSpider, Slasher (2000), Slumgullion (1993, ornamental caps), Space Cowboy, Stiletto (2000), Saguaro (2000, angular), Cactus Pete, MyShoes, Tropicana (1994, chiseled look), Trapping, Galleon, Goblin Moon (scary), Ghost Bayou (blood drip face), Big Bubba, Lafitte (2000, a didone display face), Daytripper, Contraband (grungy), Fat (1994, oriental simulation face), Fat Sushi, Beatnik, Kerouac (1994, a Kafkaesque face), PostModern Oblique (2000), PricklyPear (2000, angular and angry), AtomicSushi. The font WheresMarty by an unknown designer is named after the world-wide search for Marty. Where are you, Marty? Free fonts at Fontspace: Freakout, Frankenstein, Atomic Sushi (1999, oriental simulation face), Manzanita (1990), Hill William (2011, brush face), Kris Kris (2000, gothic; an even sharper and more condensed version of Stiletto), Porpoise (1994, pixelish). FontShop link. Moorstation link, where one can also find Calypso (1997, after Excoffon's Calypso, 1958), which Marty claims as not done by him. The Calypso typeface at that site was made by Martin Pfeiffer, in fact. Klingspor link. [Google] [MyFonts] [More] ⦿
Mat Bee	Operating as Here Be Monsters and as Big Minion. UK-based designer (b. 1988) of the techno-experimental typeface Mixit (2014) and the squarish typeface family Bureau (2014: the shadow font is called Bureau Trend). Typefaces from 2017: Wonky Ron, HBM Penultimate (hipster style), HBM Forista (+Sketchy, +Woody), Flexure, HBM Ridge (techno), Infektion (gory font), Happy Times, Razed, HBM Serenity, HBM Serenity Symbolism (dingbats), Old Time Villain, Zool Lives (handcrafted), Dirtee Box (grungy). Dafont link. Home page. [Google] [More] ⦿
Tom Beemsterboer	Graphic designer in Amsterdam. Creator of the architecturally inspired sans typeface Haus (2012). Behance link. [Google] [More] ⦿
Tommy Beemsterboer	Amsterdam and/or Alkmaar-based creator of the simple sans caps typeface Haus (2013), available from Ten Dollar Fonts. Other typefaces by him include Oami (2013, geometric outline face, at Regular Bold Italic), and Dine (2013, quaint serif face). Behance link. Cargo Collective link. [Google] [More] ⦿
Michael Beens	Mike Beens is a graphic designer specializing in hand lettering and identity design. Michael D. Beens graduated from the College for Creative Studies in Detroit. He was mentored by Lothar Hoffman, Jerry Campbell and Dick Isbell, and worked in Belleville, MI, for 25 years under the name Case Studio, Inc., and taught lettering and typography for fourteen years. He did custom jobs for General Motors and redesigned the Little Caesars logotype. While based in Southfield, MI, Mike won in the Chartpak Designer Velvet Touch Transfer Lettering Typeface Competition in 1988 for Muirfield Book. Designer of the sturdy text and large omnibus text family P22 Mackinac (2011). Images: i, ii, iii, iv. P22 link. [Google] [MyFonts] [More] ⦿
Tim Beeren	Eindhoven, The Netherlands-based designer of Scratch Font (2015). [Google] [More] ⦿
Gisela Beer	Graphic designer, illustrator and occasional type designer from Melbourne, Australia. She created Andorra (2012). [Google] [More] ⦿
Hannes Beer	Graphic designer and illustrator in Stuttgart, Germany. Creator of the free vintage poster typeface Motorista (2016) and the sans typeface Balmat (2014), a retro / art deco sans poster typeface with small x-height. [Google] [More] ⦿
Mario Beernaert	Belgian designer at FontShop in 1993 of the FUSE font TV27. Born in 1971, he studied at St Lukas in Gent, and works as a freelance designer. [Google] [More] ⦿
Ine Beerten	Graphic design student in Antwerpen, Belgium, who made this gorgeous faux Hebrew and faux Arabic typeface in 2004. Hrant Papazian raves about it, and calls its competitor, FF Falafel (Per Jorgensen, 2002), unsatisfying. [Google] [More] ⦿
Nick Beese	Designer who works for the BBC in London. He created BSLphabet in 2012, which works the British Sign Language into a sans typeface. Behance link. [Google] [More] ⦿
Tasha Beesley	FontStructor who made the dot matrix typeface Digi Digi (2010). [Google] [More] ⦿
Emmanuel Beffara	Located at the University of Paris, Emmanuel Beffara designed the French Cursive font (2004), a cursive hand-writing font family in the style of the French academic running-hand. It comes in Metafont format. Experimental type 1 versions are available too: TeX-fcbx10, TeX-fcc10, TeX-fcf10, TeX-fcr10. See also here (last updated in 2004). He also created CMLL (2006, type 1), a set of symbols used in Linear Logic, designed for use with standard Computer Modern fonts. University link. [Google] [More] ⦿
Olga Begak	Graz, Austria-based designer of Mur (2020). [Google] [More] ⦿
Olga Begak	Graz, Austria-based illustrator and graphic designer who created the display typeface Mur (2018). [Google] [More] ⦿
Rosalie Begalla	During her visual communication studies at ECV Provence, France, 2008-2012, Rosalie Begalla and Clara Lapprand designed the display typeface Medley. In 2015, now based in Miami Beach, FL, Roslaie created Incisive, which serves as a revival of the font used in the opening sequence of Erich Maria Remarque's movie All Quiet on the Western Front. Behance link. Cargo Collective link. [Google] [More] ⦿
Julia Begher	Munich, Germany-based designer of Vienna Classica (2014, a stencil didone) and Noham (2014, a playful redesign of Gotham). [Google] [More] ⦿
Dilara Begisi	At Yasar University, Dilara Begisi (Izmir, Turkey) designed the gridded typeface Bao Bao (2018). [Google] [More] ⦿
Antoine Begon	French designer who has made some typefaces. [Google] [More] ⦿
Tarkan Begzadi	Animator and designer in Prague. He created the squarish script typeface Dyktaat (2009). [Google] [More] ⦿
Declan Behan	During his studies in Dublin, Ireland, Declan Behan designed Brathair (2017). Behance link. [Google] [More] ⦿
Declan Behan	During his studies in Dublin, Ireland, Declan Behan designed the multiline display typeface Lockup (2015) and the display typeface Brathair (2017). He explains: Brathair is a typeface that combines the characteristics of An Clo Gaelach (Gaelic type) with Slovak typography used on street signs, billboards and shopfronts during the Socialist period, particularly during the period of normalisation between 1960 and 1990. The typeface was created during my Erasmus semester at the Academy of Fine Arts and Design in Bratislava.Behance link. [Google] [More] ⦿
Joanna Behar	Student at Parsons the New School for Design majoring in Communication Design. Behance link. Creator of the ultra fat blocky typeface Little Blocks (2011). You 've got to love her Whalee illustration. [Google] [More] ⦿
Majid Behboudi	Creative director in Toronto. Designer of the geometric typeface LAB 195 (2013). Behance link. [Google] [More] ⦿
E.A. Behl	E A Behl Technologies in Clearwater, FL, (old defunct website) made (still makes?) fonts for the production of high-quality technical manuals and documentation. I guess, but am not very sure, that the designer's name is E.A. Behl. Typically, 5 to 10 USD per font: Video Screen family, Video Enhanced, Alphanumeric, Seven Segment, Dialtone, Plasma 16. See also here or here, here or here. [Google] [More] ⦿
Marcus Behmer	Marcus Michael Douglas Behmer (b. 1879, Weimar, Germany, d. 1958, Berlin) began painting at an early age under the direction of his father who was also a painter. He worked primarily as an illustrator and graphic artist. His early work was heavily influenced by the work of Aubrey Beardsley. He achieved his first success in 1903 when he illustrated Oscar Wilde's Salome. He illustrated for the journals Die Insel, Simplicissimus and continued to do book illustrations until his death. He designed Stefan George-Schrift (1904, Otto von Holten), Behmer Antiqua or Behmer Schrift (1920, Otto von Holten), and Soncino Hebräisch (1927, cut by Georg Pfendt, Genzsch & Heyse, it influenced Friedlaender's Hadassah). Klingspor link. [Google] [More] ⦿
Pascal Behning	Communication designer in Dortmund, Germany, who designed the information design icon font PB Info in 2019. [Google] [More] ⦿
Bob Behounek	Designer at SignDNA who made the comic and signpainting typefaces ChicagoStyle, NewCity, SantaFe, KedzieLite, Heading Script, Pravda Casual, Pulaski Script, Archer, Harlem. Behounek's bio states: Bob Behounek is a journeyman sign artist from Chicago, Illinois, plying his trade for 35 years. He has been a contributing editor for SignCraft Magazine since 1982. "I created these alphabets basically as a foundation to intermix, stretch, enlarge or do just about anything a signpainter would use to handletter the most fun-action words with readability as a priority! Do not limit yourself to what you see... but what you can create." Sign DNA link. Klingspor link. [Google] [More] ⦿
Florian E. Behrenbeck	Bochum, Germany-based typographer who created, I think, a typeface called Manifest (2014). [Google] [More] ⦿
Benjamin Behrendt	Graphic designer and illustrator from Hannover, Germany. During his studies at the University of Appliedc Sciences and Arts in Hannover, he created a rounded bold sans typeface called Manchester (2012). [Google] [More] ⦿
Brigitte Behrens	Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿
Peter Behrens	Hamburg-born type designer, painter and architect, 1868-1940 (Berlin). From 1900 until 1903, he was part of the Darmstädter Künstlerkolonie, at the apex of the art nouveau era. From 1903 until 1907, he was director of the Duesseldorfer Kunstgewerbeschule. From 1903 until 1914, he was artistic director at AEG and designed their corporate identity. He was the cofounder of the Deutsche Werkbund in 1913, became a professor at the Wiener Akademie in 1922, and the head of the Prussian Academy of Art in Berlin in 1936. CV. MyFonts page. Typefaces: Behrens Roman (1900, a rather useless and ugly pen-drawn roman; Klingspor) Behrens Schrift (1901-1902, Jugendstil font at the Rudhardsche foundry in Offenbach. This typeface served, for example, as the official German type for the world expositions in 1904 and 1910. Digital revivals or interpretations: Behrensschrift iF Plus (2021, Ingo Zimmermann). This revival has for styles: Dekor, Normal, Licht, Schmuck (ornaments). An earlier revival by Ingo Zimmermann was simply called Behrens Schrift (2008). By Ralph Unger as Behrensschrift D (2007, at URW++). By Dan X. Solo (as Behrens Schrift). By Intecsas (as Sprecher Gothic). By Dieter Steffmann as Behrens-Schrift (2002). By Klaus Burkhardt). By Elisa Rastello (2018). Behrens-Kursiv (1906, Klingspor), aka Behrensschrift Kursiv (1907). For a digital version, see Behrens Kursiv (2013, Ralph M. Unger). Behrens Antiqua (1907; digitized by Dan X. Solo). The halbfett is from 1909. Behrens Antiqua Initialen was revived in 2015 by Typograf in a free font. Behrens Mediäval (1914) Behrens Initialen. Digitally revived as Sprecher Initials at Intecsas, and as Ar Tarumian Behrens Initialen (by Ruben Tarumian). Behrens Schmuck (ornaments). Faithfully revived based on a 1914 catalog by Andreas Stötzner in 2014 as Behrens Ornaments. AEG logotype Complink. MyFonts page. Klingspor link. View typefaces. [Google] [MyFonts] [More] ⦿
Wu Behrens	Designer in Taichang, Taiwan, who created the monoline sans typeface Tunnel in 2016. [Google] [More] ⦿
Adolf Behrmann	Born in Tockum (near Riga, Latvia) in 1876, he died in Bialystok in 1942. German type designer who designed the classical display typeface Rundfunk at Berthold in 1928. This typeface was digitized by Nick Curtis as Radio Ranch NF. He also designed Radio and Radio Versal in 1928 at H. Berthold AG. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Tannon Behunin	American creator (b. 1993) of the techno typeface Sprawl (2012). [Google] [More] ⦿
Henrique Beier	Henrique Beier (Harbor Type, Porto Alegre, Brazil) is the designer of the excellent angular semi-calligraphic text typeface Garibaldi Regular, which won an award at Tipos Latinos 2014. In 2015 it was extended to a great 7-style typeface family. He writes: Garibaldi is a text typeface based on humanist calligraphy. It started with a desire to learn more about the origin of the strokes on humanist typefaces. It features a 20 degree axis, medium contrast based on translation and expansion, asymmetric serifs, and terminals related to the broad nib stroke. In 2014, he created the free font Densia Sans, which is condensed and has a tall x-height and some contrast. Graviola (2014) is a soft sans family, with possible applications in information design and wayfinding. It won an award at Tipos Latinos 2016. In 2016, he published Graviola Soft, an even softer version. He also published the fresh corporate sans typeface family Malva, which can be recognized by the typically Latin American curvy tail on the lower case a and l. Malva was a winner at Tipos Latinos 2018. A variable font option was added in 2019. In 2017, Henrique Beier published Rocher, a wonderful layered stone emulation font, Flintstone style. It won an award at Tipos Latinos 2018. He has a free variable color version with bevel and shadow axes, Rocher Color (2018). In 2019, Henrique Beier and Ana Leydner, assisted by Luisa Leitenperger, co-designed Kiperman at Harbor Type. This sturdy 4-style text typeface family pays homage to Brazil's publishing icon Henrique Leao Kiperman (d. 2017). Harbor Type also released the branding and packaging sans typeface family Dona in 2019. In 2020, Henrique Beier joined Fabio Haag Type, where he promptly published the circular sans family Igual. In 2021, he assisted with the engineering and design of Salva (Fabio Haag Type), a versatile workhorse sans family: Eduilson Coan was the lead designer. He was supported by the Fabio Haag Type team of Henrique Beier, Ana Laydner and Fabio Haag himself. Seiva (2021). Designed by Henrique Beier, Eduilson Coan and Fabio Haag, this distant relative of Didot is an exotic sans family. Partitioned into Text, Display and Poster subfamilies, it also welcomes variable font technology. [Google] [MyFonts] [More] ⦿
Soffi Beier	Sofie "Soffi" Beier graduated from Danmarks Designskole (The Danish School of Design) in 2000, and has since been working as a graphic designer, designing several Danish magazines, websites, books and CD covers along with a number of typefaces. She has a PhD from the Royal College of Art in the UK, with a thesis entitled Legibility and Visual Compensation of Typefaces. Sofie works in London and Copenhagen. She teaches at Danmarks Designskole. Author of Reading Letters: Designing for Legibility (2012) and Type Tricks (2017). Designer of these typefaces: The 8-style sans family Engel (2005). Followed by Engel New Sans (2010, at Die Gestalten), Engel New Serif, and eventually, Engel New (2017, The Northern Block). Pemba Script (2005, Die Gestalten). A connected 1950s era script. The rounded sans typeface family Ovink (2011). Published in 2017 by The Northern Block. It was loosely inspired by Knud V. Engelhardt's work for the street signage, designed around the years 1926-27 for Gentofte in Denmark. Named after legibility expert Gerrit Willem Ovink, the family was designed for legibility at great distances based on research published by Beier in Beier, S.&Larson, K. (2010): "Design Improvements for Frequently Misrecognized Letters", Information Design Journal, 18(2), 118-137. That same research was used in the calligraphic text typeface Spencer (2011, The Northern Block), which was named after legibility expert Herbert Spencer. Pyke (2011, released by The Northern Block in 2021). A 12-style Bodoni-inspired variation (with optical scaling: Display, Text, Micro) on the didones, named after legibility researcher Richard Lionel Pyke. Spencer and Pyke are two phenomenal contributions to the field, sure to garner her a closetful of awards. The sans / serif / open typeface family Karlo (2015, at Die Gestalten). Karlo is inspired by Edward Johnston's letter forms and calligraphy and has the characteristic Gill Sansian ear of the lower case g. In 2018, it was republished by The Northern Block. She writes: In Denmark, a guy named Karlo would typically be an old fellow with a slick hairstyle that makes an effort with his appearance. He is a handyman who can do a bit of this and that when needed. He is a happy go lucky kind of guy that takes one day at a time. To me, the typeface family has some of the same qualities. Speaker at ATypI 2011 in Reykjavik. Speaker at ATypI 2013 in Amsterdam on the subject of typeface legibility. Her talk at ATypI 2014 in Barcelona was entitled The voice of a typeface. Speaker at ATypI 2014 in Barcelona. Speaker at ATypI 2016 in Warsaw on The legibility of letters and words and at ATypI 2017 in Montreal on The legibility of numerals. Speaker at ATypI 2018 in Antwerp on the topic of stroke weight and letter width. Speaker at ATypI 2019 in Tokyo on the topic of Age-Related Deficits and Their Effects on Reading. [Google] [MyFonts] [More] ⦿
Alexander Beigel	Graphic designer in Baltimore, MD, who created the display typeface Dagger (2012). [Google] [More] ⦿
Kourosh Beigpour	Type foundry in Los Angeles, CA, run by Kourosh Beigpour. Its typefaces: K-B-Cuneiform (2012), a cuneiform typeface used in Order of Darius the Great (by R.M. Ghiasabadi, Shoor Afarin Pub). Jomhuria (2015). A free Google Font for Persian/Arabic and Latin, suitable for headline and other display usage. The Arabic script was designed by Kourosh Beigpour, and the Latin was designed by Eben Sorkin. The font is engineered by Lasse Fister, and the technicalities build upon those developed by Khaled Hosny for his Amiri font. Github link. Katibeh (2015-2016). A free Google web font for Arabic and Latin. Katibeh is a headline font based on the Naskh script, infused with some qualities of the Thuluth script. Arabic design by Kourosh Beigpour, Latin design by Eduardo Tunni, engineering by Lasse Fister. Github link. They write: Jomhuria is a dark Persian/Arabic and Latin display typeface, suitable for headline and other display usage. The name means republic, and the spark of inspiration for the design was a stencil of Shablon showing just a limited character set just for the Persian language without any marks, vowels or Latin glyphs. Shablon was designed 30 years ago in Iran, and is reinterpreted by Kourosh to incorporate contemporary techniques, aesthetics and of course some personal taste. While inspired by the spirit of Shablon, Jomhuria is a new typeface that stands on its own. Kourosh created an additional original Latin design that is tailored to harmonize with the aesthetics of the Persian/Arabic design. Open Font Library link. Mirza (2015-2016). A free Google Font for Arabic based on the Naskh script. Github link. Kanun and Kanun Chromatic (2015-2016). Arabic typefaces that won an award at Granshan 2017. Anaqa (2021, Canada Type). An Arabic typeface originally intended as a companion for Canada Type's Semplicita Pro. Qasida (2021, Canada Type). A lively curly Arabic plaything. Risala (2022, Canada Type). A modern calligraphic Arabic typeface in the Naskh / Muhaqqaq tradition. Behance link. Google Plus link. [Google] [More] ⦿
Petra Beisse	Renowned German calligrapher who has a studio in Wiesbaden. At Elsner&Flake in Hamburg she published EF Petras Script (1995) and EF Casanova Script (2006-2007, based on the hand of the real Casanova; with Günther Flake). The latter font was remastered in 2015 by Jessica Franke and Günther Flake for release as EF Casanova Script Pro. FontShop link. MyFonts link. [Google] [MyFonts] [More] ⦿
Barbara Beit	Austrian designer of the sticky tape typeface Indu (2016). [Google] [More] ⦿
Iñes Beja	Santarem, Portugal-based designer of Radical (2018). [Google] [More] ⦿
Joana Beja	For a school project, Joana Beja (Aveiro, Portugal) designed the new deco typeface Throwback (2017). [Google] [More] ⦿
Pascal Béjean	French designer Pascal Béjean has designed Son in 1996 for Bulldozer. Available at Typotek. Bulldozer (Labomatic) was created in 1995 in Paris by 4 designers interested in a wide variety of graphical expressions. Gaël Etienne designed Labomatic (1999). [Google] [More] ⦿
Johnny Bekaert	Freelance graphic artist in Gent, Belgium, who won many awards for his design of posters and poster typefaces. He specializes in book cover, poster and cartoon types, and excels in all. Many of his fonts have a Kafkaesque slightly threatening look, while others are satirical and delightfully funny. His magnificent posters showcase the Belgian humor that is undoubtedly inherited from growing up during the golden era of Belgian cartoon and comic strip design that included Tintin / Kuifje, Lucky Luke and Robbedoes / Spirou. Author of Font Design (2018, Huis van het Beeld, Brussels). Johnny Bekaert designed these fonts: Oneline (1971), Urbas (1976), Scrittostyle (1985), Fridabrush (1986), Plowboys (1988), Hibblesibble (1990, deco style), Xorkaz (1991), Thingydingy (1992), Bruxell (1996, a redesign of a font by Jacques Richez, 1957), Zuzulma (1997, angular and expressionist), Razor Dina (1998, dada style), Cakewalk (1999), Theo & Phil (2000), Gasbangers (2002), Blind Liddy (2003), Archie Teck (2003), Fridadida (2005), Bettsie-X (2008), Tweedledum (2010), Roswellian (2013, a UFO font), Struktura (2013-2014), Blacknoir (2014), Blackblanc (2014), Enozeno (2015, a compass-and-ruler typeface), Kublar (2015), Zapristie (2014-2015), Delphis (1993), Quodic (2015), Oscura (2016). [Google] [More] ⦿
Dorina Bekefi	Hungarian designer of the SVG font Zorka (2019). [Google] [More] ⦿
Nora Bekes	Born in Hungary, Nora Bekes obtained a BA and MA in psychology from Szeged University in 2007 and 2010 respectively. In 2014, she started graphic design studies at the KABK in Den Haag, The Netherlands, and graduated in 2018. She works as an independent designer based in Rotterdam. Her practice focuses on the intersection of type design, typography and visual story telling. Her main interest lies at the research of archives and their contemporary interpretations. Her first typeface is the plump Havanna Display (2016). Other typefaces from 2016 include the angular Dutch Winter. In 2019, Nora Bekes and Celine Hurka published Reviving Type. The book as described by them: One study tells the story of the Renaissance letters of Garamont and Granjon. The other is about the Baroque types of Nicholas Kis. Reviving Type guides the reader from finding original sources in archives, through historical investigation and the design process, to a finished typeface. The first, theoretically grounded part of the book provides insight into historical changes in type design through visual examples of printed matter. The second part offers a thorough explanation of the production process of the revival typefaces. Here, two different approaches are placed side by side, creating a dialogue about different working methods in type design. Technical details, design decisions, and difficulties arising during the design process are thoroughly discussed. Rich imagery of original archival material and technical illustrations visually buttress the texts. Taken as a whole, the publication becomes a cookbook for anyone wanting to dive into revival type design. Speaker at ATypI 2019 in Tokyo. [Google] [More] ⦿
Hermann Bek-Gran	Type designer, b. 1869, Mainz, d. 1909, Nürnberg: Hermann Bek-Gran-Schrift (1905-1906, blackletter typeface at D. Stempel). [Google] [More] ⦿
Alp Bekisoglu	Rotarian Alp Bekisoglu from Rotary Club of Damansara, Kuala Lumpur, Malaysia, created the RotaryInternational dingbat font (2000). [Google] [More] ⦿
Neesh Bekker	As a student at Design College Australia in Brisbane, Neesh Bekker created the ball terminal laden typeface Elysees (2015). [Google] [More] ⦿
Morten Bek	Morton Bek (Denmark) used to run The Tolkien Homepage. He designed the free fonts Futharken (1995; old Swedish/Norwegian from 700AC), Moon Runes (1995; Anglosaxon runes, supposed to resemble the writings on the maps from The Hobbit, by J.R.R.Tolkien) and Angerthas-Moria (1997; a Cirth font). Alternate page. Yet another URL. [Google] [More] ⦿
Haris Bekrakis	During his studies in Athens, Greece, Haris Bekrakis created the hexagonal alchemic typeface Inguz (2013) for Latin and Greek. [Google] [More] ⦿
François Belair	François Belair, an ex-graduate student from McGill University in Montreal, has written a driver for a SumaTech Pad that allows one to write on a pad with a magnetic pen, capture the important points of the strokes and make Bézier curves for a PostScript type 3 font (based upon the algorithms of Knuth and Hobby explained in Knuth's The Metafont Book (Addison-Wesley, 1986)). [Google] [More] ⦿
Christian Bélanger	Calligrapher who started out as a graffiti artist in Montreal. Presently he teaches at Cegep Marie-Victorin. In the early part of his career, he created the pixel / dot matrix typeface family Knitmap in 2004 at 2Rebels in Montreal. After the sale of 2Rebels to Fonthaus, one can obtain the typeface via FontHaus. [Google] [MyFonts] [More] ⦿
Stephanie Belanger	During her studies in Montreal, Stephanie Belanger created a curly descendant of Ellington MT and called it Vaudou (2014). [Google] [More] ⦿
Max Belankov	Designer of the funny dingbat font Mice. [Google] [More] ⦿
Danilo Belardinelli	Argentinian designer (b. 1988) of Bleach Font (2005). Fontspace link. [Google] [More] ⦿
Noémie Belasic	Paris-based designer of New Wave Font (2015, thin avant-garde sans). Behance link. [Google] [More] ⦿
Erik Belbis	Designer of the free sans all-caps typeface Eret (2012, FontStruct). FontStruct link. [Google] [More] ⦿
Medamine Belcaid	Aka Mohamed Amine Belcaid. Casablanca, Morocco-based designer of the animated display caps typeface Meed's (2015). Free download. Behance link. Home page. [Google] [More] ⦿
Mohamed Amine Belcaid	Casablanca, Morocco-based designer of Untitled (2017, a dusty alphabet) and Bitcount (2017, a pixel font). [Google] [More] ⦿
Giulia Belcastro	During her studies in Rome, Giulia Belcastro created the modular typeface Negative Circle (2014). [Google] [More] ⦿
Ignacio Belderrain	During his studies at FADU / UBA in Buenos Aires in 2012, Ignacio Belderrain created the dingbat typeface Super Stewies, which was inspired by Stewart Griffin, known as Stewie Griffin of The Family Guy. [Google] [More] ⦿
Polina Belenchuk	During her studies at the British High School of Art and Design in Moscow, Polina Belenchuk designed the outlined display typeface Kapusta (2014). [Google] [More] ⦿
Julide Belen	Professional lettering artist in Chicago, who created the display typeface JJBLN (+Outline) in 2016. Behance link. Creative Market link. [Google] [More] ⦿
Anastasia Belevskaya	Saint Petersburg, Russia-based designer of the colorful Cyrillic initial caps alphabet Razrabotka (2017). [Google] [More] ⦿
Lucas Belfiore	Buenos Aires-based creator of the graffiti-inspired typeface Maribel (2014). [Google] [More] ⦿
Philip Belger	Designer in Greenville, SC. He created the Peignotian typeface Contempo (2011). [Google] [More] ⦿
Alyssa Mae Belgum	American creator of a grungy face in 2011. No downloads. [Google] [More] ⦿
Claude Belhumeur	Designer from Lasalle, Quebec who created a Chinese zodiacal sign typeface in 1979. Google patent link. [Google] [More] ⦿
Josée Belhumeur	Designer at Atomic Media of Schmoutz, an interesting cartoonish dingbat font. [Google] [More] ⦿
Constantine Belias	Designer of the free five-style techno font family Nultien (2021). [Google] [More] ⦿
Anastasia Belic	Aka Herveine. Designer of the tall condensed handcrafted typefaces Frontier (2016) and Dionimo (2016). She also designed Summer Time Icons (2016). Creative Market link. [Google] [More] ⦿
Auguste Belickaite	Vilnius, Lithuania-based designer of the dreamy display typeface Fata Morgana (2020). [Google] [More] ⦿
Dmitrii Belicov	Russian designer of the handcrafted typeface Gabriell (2015) and the fat finger font Dmilid (2015). Creative Market link. [Google] [More] ⦿
Robert Beliczki	Hungarian designer. He created these typrefaces in 2012: Kilimanjaro GT, Open Mind Sans. [Google] [More] ⦿
Dolores Beliera	Designer in Buenos Aires who created the art nouveau typeface Cliché's (2013). [Google] [More] ⦿
Elijah B	Creator of the stitching font Zigie Zag (2009). [Google] [More] ⦿
Nina Belikova	Taiwan-based designer of the free rune emulation typeface Runa (2019) and the handcrafted typeface Karton (2014). [Google] [MyFonts] [More] ⦿
Zoya Belikova	Podolsk, Russia-based designer of the hipster Cyrillic typeface Trifont (2015) and the deco Cyrillic font Kit (2015). [Google] [More] ⦿
Ylja Levv Belinsckih	Odessa, Ukraine-based designer of the display typeface Heimdall (2017). Behance link. [Google] [More] ⦿
Octavian Belintan	Octavan Belintan (Colorblind Studio, Arad, Romania) created the free triangulated caps typeface Adamas (2012). Free download. Behance link. Fontspace link. [Google] [More] ⦿
Laila Belkaziz	Based in Marrakech, Morocco, Laila Belkaziz created the experimental typefaces Mon Empreinte (2014)(and Virgule (2014), which is entirely composed of capital J's. [Google] [More] ⦿
Jens Anwar Belkhaoui	FN Font was set up in 2018. Designer of FN Dagon Deco (2019). Future fonts include FN Coco Sans and FN Quorum Sans. [Google] [More] ⦿
Nikolai Belkov	Russian graphic designer, who was selected to design the pictograms for the 1976 Olympic Games in Moscow. He did go about it in a systematic and geometric way. A bit of the history: On the OCOG-80’s request, graduates from several art colleges took up the design of the pictographs of the insignia as the theme of their dissertations. With the help of the research institute of industrial aesthetics, the Organizing Committee chose the work submitted by Nikolai Belkov, a Mukhina Art School graduate from Leningrad. [Google] [More] ⦿
Anna Bella	Buenos Aires-based graphic designer, b. 1994. She created the pixel typeface Uhlala (2010). [Google] [More] ⦿
Aaron Bell	Aaron earned a Bachelor's degree in Asian Studies, with a minor in Japanese, at Whitman College in Walla Walla, WA. Aaron is a graduate of the University of Reading in 2011, where he earned an MA in typeface design. His graduation typeface was Saja (2011), which covered Latin and Korean. In the Fall of 2011, he joined the Microsoft Typography team. In 2015, at Microsoft, he designed the free sans typeface Selawik, which is metrically compatible with the infamous Segoe UI. Selawik now also exists as a variable font. In 2016, het up his own type foundry in Seattle, Saja TypeWorks. At Saja TypeWorks, he published the sans-serif typeface Salish, which is inspired by the art of the Salishan tribes in the Northwest Americas: It draws heavily on the concept of the ovoid, a wide ovular shape that is flat on the bottom and top heavy, that is central to the art style known as Formline. Language support includes some 200 Latin-based languages as well as the necessary orthographies for all Salishan languages, including: Comox, Sliammon, Klahoose, Pentlach, Sechelt, Squamish, Halkomelem, Nooksack, Straights Salish (Saanich), Lushootseed, S'Klallam, Quinault, Upper Chehalis, Lower Chehalis, Cowlitz, Bella Coola, Ditidaht, Tseshaht, Nuu-chah-nulth, Ehattesaht-Nuchatlaht, Kwak'wala, Shuswap, Lillooet, Thompson River Salish, Coeur d'Alene, Columbia-Moses, Colville, Okanagan, and Montana Salish. Haida (a non-Salishan language) is also supported. At FontStruct, he designed Syzygy. In 2017, he published HWT Aetna at P22. Aetna is a sturdy roman wood type first see in William H. Page's 1870 specimens. Aaron Bell digitized the free logo font Air America in 2018. He writes: This font was produced for William G. Sherman who recreated this alphabet from samples of the logo and other sources from the airline company Air America. In 2018, he published the free DIN-based sans typeface Bahnschrift for Microsoft at Open Type Library. The font posted at Open Font Library is flawed (look at the capital A), so I wonder if that post was done by an impostor. Bahnschrift was the basis of his 2021 typeface, Grandview, which could be tipped by Microsoft to replace Calibri---in use since 2007--in its Microsoft 365 apps and Office products. Typefaces from 2019: Industrial Spill (with Dave Savage), Tipsy Waitress (beatnik, cartoonish; with Dave Savage), Super Chill MC (with Dave Savage). For Microsoft's Windows 10, he designed the open source monospaced font Cascadia Code. The plan is to add support for Greek, Cyrillic, Vietnamese, Arabic and Hebrew during 2020. TeX support for Cascadia Code. Speaker at ATypI 2012 in Hong Kong: Seeking the Korean true italic. Speaker at ATypI 2013 in Amsterdam: Directionality in Korean type design. Fontsquirrel link. [Google] [MyFonts] [More] ⦿
Cara Bella	Designer in 2016 of the free handcrafted typeface Mariah Openface at iFontMaker. [Google] [More] ⦿
Jonathan Bellacetin	Mexico City-based designer of these typefaces in 2014: Sudero, Curiosidad. Behance link. [Google] [More] ⦿
Adam Bell	Foundry in München, Germany, run by Adam Bell (b. 1972, Landsberg), who despite his name is a native German. After learning to be a silkscreen printer he studied graphic design in Würzburg. Together with Tanja Kischel and Georg Behringer, he runs a small design agency and shop called Umwerk in München since 2004. Creator of the octagonal family called Longhorn (2012), which includes a 3d style as well as a stencil style. [Google] [MyFonts] [More] ⦿
Belladonna	A few archived fonts at this gothic font site. Includes some original fonts by "Belladonna": Flatley, Gothic Love Letters (semi-blackletter), Aelfa (calligraphic). Dafont link. Fontspace link. [Google] [More] ⦿
Jeffrey Bellaert	Graphic designer in Gent, Belgium, who created an untitled counterless typeface in 2014. [Google] [More] ⦿
Mark Bellaire	Designer of Morphine Jack (2003) and the nice but gory blood splatter typeface Dark Theater (2003). Dafont link. [Google] [More] ⦿
Andrew Bellamy	British born designer Andrew Bellamy worked for agencies in London, Oslo, and Miami, and is currently developing various global brands as Design Director at JKR in New York City. He started Ilott Type and then Otherwhere Collective. Andrew Bellamy designed 64-SRC (2017), a rare condensed monospace font inspired by IBM's Selectric type from the 1960s. His 57 Nao (2016) is a revival of a Japanese typewriter font from the 1950s called Messenjaa. They explain: Designed in 1950s Japan by Okanao & Kushiro, the perfect partnership until artistic temperaments drove them apart. The duo spent years crafting the font with the working title Messenjaa, Okanao bringing technical expertise to craft letterforms, while Kushiro made it his life, obsessively working late into the night to check pages for errors. For him the project was never about making money, it was an artistic endeavor to reprint the great Western works of literature. When he found out Okanao had secretly sold the rights of the font for use as a logo for a major Japanese manufacturer, Kushiro burned all evidence of the designs in a fit of passionate fury. The two reportedly never spoke again. Messenjaa was thought lost forever until a type specimen was discovered in a vintage typewriter box bought on eBay. Now redrawn and available as 57-nao, a faithful and beautifully crafted monospace characterized by what is considered Okanao's defining moment, the angular loop on the lowercase a. 52-Kfx (2017) is an extra tall sans typeface. 35-FTR (2017) was custom drawn specifically for the book Analogue Photography which required the timeless elegance of Futura and the compact utilitarian typesetting of Helvetica. In 2018, he designed the fashion mag typefaces 19Pra and Coutura Sans. In 2019, Bellamy published OC Bartok (a wedge serif), OC Pajaro (a sans family between Futura and Akzidenz Grotesk), OC Format Sans (a geometric grotesk sans serif that fuses the style of Futura with the rhythm and proportions of Akzidenz), OC Rey. Typefaces from 2020: OC Format Stencil (a variable font design inspired by the work of Bruno Munari, Paul Rand, and Max Huber), OC Format Collage, OC Format Shards. A special mention for the masking tape font OC Revolt, a variable display font made for the protest graphics of the NYC-based Trump Brexit era Non-Complicit project who initially made guerrilla type with masking tape applied directly in situ or to silk screens. Typefaces frm 2021: OC Highway Var (a free variable font based on Highway Gothic). It builds on Ash Pikachu's free Highway Gothic font. [Google] [MyFonts] [More] ⦿
Gabriele Bellanca	Rumors Foundry was set up in 2020 by Palermo, Sicily-based graphic designer Gabriele Bellanca. In 2020, he released the 5-style sans family Gerucht. Typefaces from 2021: Adverb Mono (influenced by OCR-A (1966, American Type Founders) and Frutiger's OCR-B; developed for a masterclass at IED Florence in 2020), Gerucht 2.0 (a 6-style grotesk originally designed in 2019). Typefaces from 2022: Jungler (a comic book font). [Google] [MyFonts] [More] ⦿
Marie Bellando-Mitjans	Parisian illustrator who created an untitled experimental typeface in 2013. Behance link. [Google] [More] ⦿
Clément Bellanger	Graphic designer in Angers, France, who proposed a grid for creating circle-based outline typeface s in 2015. [Google] [More] ⦿
Pete Bella	Assistant Professor of visual communications and a professional designer based in West Henrietta, NY. Creator of the fat typeface Belladoni (2014). Twitter page. [Google] [More] ⦿
Emmanuel Bellard	Rio de Janeiro, Brazil-based designer of Fonte Display No 4 (2019). [Google] [More] ⦿
Gino Bellasen	Los Angeles-based graphic and type designer (b. 1994, Scottsdale, AZ) who studied at Chapman University. He designed the children's script typeface Mathieu (2016). Behance link. [Google] [MyFonts] [More] ⦿
Adriano Bellaver	Farroupilha, Brazil-based designer of the experimental typeface Planetarium (2015). [Google] [More] ⦿
Victoria Bellavia	Victoria Bellavia is a letter designer based in New York City. Her portfolio is outstanding. She created the curly typeface Mochina (2012), the letterpress style sans Astor (2013), and the quaint wedge slab serif typeface Marzipan (2013). Behance link. Hand Letter Design link. [Google] [More] ⦿
Corbin Bell	Orlando, FL-based graphic designer who made the ultra fat typeface Blockhead (2008, FontStruct). [Google] [More] ⦿
Daniel Bell	Brisbane-based designer of the minimalist monoline geomnetric sans typeface Loft Sans (2012). [Google] [More] ⦿
Bettie Belle	Manchester, UK-based student-designer of an experimental geometric typeface (2015). [Google] [More] ⦿
Armel Bellec	London, UK-based designer of the free pixelish blackletter typeface Frakture (2017), the ribbon typeface Neo Rotunda (2017), and the brutalist Beton Brut (2017). Behance link. [Google] [More] ⦿
Sandy Bellec	During her studies at LISAA Rennes (France) in 2016, Sandy Bellec designed a paperclip typeface. [Google] [More] ⦿
Cristian Bellei	Brazilian designer (b. 1988) of the geometric sans Crop Types (2008). Alternate URL. At FontStruct, he made Mary Jane (2008) and Utitled Yet (2009, dot matrix face). [Google] [More] ⦿
Gus Bellekens	Industrial designer in Brisbane, Australia. In 2015, during heir studies at Queensland University of Technology, Gus Bellekens and Sean Davidson co-designed the art deco typeface Wilhelm, which was inspired by Cabin In The Woods by Tommie Wilhelmsen. [Google] [More] ⦿
Henri Jules Ferdinand Bellery-Desfontaines	French art nouveau era painter and illustrator, b. 1867 Paris, d. 1909 Les Petites Dalles. He designed a typeface and ornaments at the end of his life, which appeared posthumously in 1910 at Deberny&Peignot and was called Le Bellery-Desfontaines. Wikipedia link. More on his typeface. Another wikipedia link. [Google] [More] ⦿
Doriane Bellet	Grenoble, France-based designer of the circle-based typeface Omahas (2016). Behance link. [Google] [More] ⦿
Ian Bell	Designer of Elite (1984, with David Braben). [Google] [More] ⦿
Carla Bellido	Washington, DC-based designer of Kaleidoscope (2014), a typeface based on Univers. [Google] [More] ⦿
Cristina Bellido	Barcelona-based designer of Icarus (2015). [Google] [More] ⦿
Guilherme Belligoli	Piracicaba, Brazil-based designer of these typefaces in 2014: Mermaid Hooker, Scheibe (Greek simulation font), Heavy Fancy. [Google] [More] ⦿
Savio Bellini	Savio Bellini (Bellini Studio, Capua, Italy) designed the free monoline sans typeface Inprimis (2016) and the informal typeface Sgriffo (2016). In 2018, he designed the semi-stencil typeface Omologo and the ampersand typeface Etaday. In 2019, he designed the handcrafted typeface Impreciso. [Google] [More] ⦿
Felipe Bellintani	Brazilian creator at Unique Types of the free fat counterless octagonal typeface No Access (2011). [Google] [More] ⦿
Camille Belliot	Marseille, France-based designer of the experimental monolinear sans typeface family Bebel (2021). [Google] [More] ⦿
Bellistrami	Terni, Italy-based creator the monospaced alchemic typeface Chroma (2013). Behance link. [Google] [More] ⦿
Salaheddine Bellizi	Salaheddine Bellizi is a typographer and 3D designer at Babelfont Studio. He studied at the ESAV (School of Visual Arts) in Marrakech, Morocco, and specializes in Arabic calligraphy and typography. He also works intermittently as an assistant at ESAV Marrakech. [Google] [More] ⦿
Jared Bell	Designer of the LeWitt typeface family (2013, Angular, Wave, Regular). Student at the Pratt Institute (New York) in 2013. [Google] [More] ⦿
Jeff Bell	American multimedia artist. Designer of the cartoonish dingbat font Decanter (1999), the spindly gothic typeface Fiddums Family, the fat typeface Casper, and of Godfather (2001, after the film). In 2010, he created TR2N, a futuristic typeface based upon the poster text for the TRON LEGACY movie. Dafont link. Klingspor link. Home page. Devian tart link. [Google] [More] ⦿
Jermaine Bell	Graphic designer in Gambrills, MD, who created the stencil font Celabracion (2013). [Google] [More] ⦿
Jessica Bell	Graduated of the Art Institute of California in Santa Ana. Jessica Bell (Jessica Bell Designs, Honolulu, HI) created the modular display typeface Crux (2013). Behance link. [Google] [More] ⦿
Jill Bell	A graduate of UCLA and Otis/Parsons, Los Angeles-based Jill Bell has worked as a graphic artist, primarily creating letter forms, logotypes, signage, calligraphic elements, icons, and handwriting pieces, starting ca. 1980. At one point, she worked as sign painter in a shop and as a production artist for Saul Bass. Original fonts and artwork by Jill Bell include It's A Breeze, ITC Clover (1997), ITC Gigi (1995), ITC Hollyweird (1995), ITC Carumba (1995), ITC Caribbean (1996), ITC Smack (1995, ink-stain typeface), ITC Stranger (1997), Jill's Miro, Bruno (handwriting font), Swank (2000, Agfa: a fuzzy-edged calligraphic font). At TypeCon 2016 in Seattle, she had a timely talk: The Best of Clients at the Craziest Time: Hand-lettering & Font Design for the Trump Hotels. The abstract: It began with creating a logotype for The Spa by Ivanka Trump. The lettering was so well received by Ivanka, their ad agency and others running the Trump hotel empire that Bell's lettering quickly became the de facto style for their current advertising and branding: from hand-lettered headlines to a font to be used throughout the Trump hotels. Autobiography. FontShop link. [Google] [MyFonts] [More] ⦿
John Bell	John Bell (1746-1831) was a London-based publisher of several periodicals and newspapers. He founded the British Letter Foundry in 1788, with Richard Austin as punchcutter. The foundry closed in 1798. John Tranter tells the story: John Bell, an English publisher and bookseller, advertised a book called The Way to Keep Him in The World newspaper in London in June 1787, saying: 'J. Bell flatters himself that he will be able to render this the most perfect and in every respect the most beautiful book, that was ever printed in any country.' That was a tall order. In his quest for perfection he set up a type foundry, and hired a young punchcutter named Richard Austin to cut a new typeface for him. The face, named after Bell, was based on a typeface designed some thirty years before by John Baskerville, another perfectionist. Baskerville had said 'Having been an early admirer of the beauty of Letters, I became insensibly desirous of contributing to the perfection of them.' Though Baskerville went broke eventually, his typeface was indeed very close to perfection, and went on to become one of the most popular typefaces of all time. John Bell's type foundry didn't do well. He closed down his shop within two years and went on to other things, and his typeface sank almost without trace in England. Newer trends in typefaces (Didot in France, and Bodoni in Italy) eclipsed the modest elegance of Richard Austin's design. The Americans, though, took a shine to it. It was copied as early as 1792, and always remained popular there. A complete set of type cast from Bell's original matrices was purchased by the American Henry Houghton in 1864 and installed at his Riverside Press. He thoughtlessly labelled it 'English Copperplate'. Later, the distinguished American book designer Bruce Rogers used the typeface frequently, naming it 'Brimmer', after the author of a book he'd seen the typeface used for when he worked as a young man at the Riverside Press. The designer Daniel Updike also worked at Riverside, and also used the 'English Copperplate' type extensively in later years, naming his version of it 'Mountjoye'. Bell's type would have remained obscured by these disguises perhaps forever, but for the alert eye of Stanley Morison. He was doing research at the Bibliothèque Nationale in Paris in 1926 when he came across a copy of the first specimen sheet of type samples issued from John Bell's foundry in 1788. No copy of it existed in England at that time, and Morison recognised the typeface immediately as the original of the 'Brimmer' and 'Mountjoye' fonts used in America. He researched the matter and in 1931 published an important monograph which, as the type scholar Alexander Lawson says, 'returned the name of John Bell to its proper place in the pantheon of English printers'. The typeface was unique in another way. Until Richard Austin cut the typeface in 1788, all numerals were traditionally written like lower-case letters -- small, with some numerals hanging below the line. Bell is the first typeface to break with that tradition cleanly: Austin's numerals are larger than lower-case letters (at two-thirds the height of the capitals) and sit evenly along the line. The trend was taken up. These days the numerals in most printed matter are (unfortunately) the full size of the capital letter, and are called titling figures, ranging figures, or lining figures. See also here. FontShop link. [Google] [MyFonts] [More] ⦿
Jonathan Bell	During his studies, Aberdeen, Scotland-based Jonathan Bell designed Stoneywood (2018). [Google] [More] ⦿
Jordan Bell	Graduate of the Masters of Type Design program of the University of Reading, UK. Jordan Bell (Waco, TX) writes about his graduation typeface Odelay (2014): Odelay is a contemporary interpretation of the transitional American Scotch Roman, or Century types, that were designed in the U.S.A. near the end of the 19th century by DeVinne and the Bentons. Inspired by these designs and hand-painted sign lettering, Odelay has a warm, friendly aesthetic that invites the designer to put it to use on a variety of different jobs. With very delicate thin weights, ultra-heavy fat weights, and everything in-between, Odelay is readily available for complex typography at any size. Odelay covers Latin, Greek, Arabic and Cyrillic, with emphasis on the Latin. Jordan's description requires a correction, however--Theodore DeVinne did not design any typefaces---some were named after him, but that is a different story. [Google] [More] ⦿
Jordan Timothy Bell	Graphic designer from Waco, TX, working in Santa Fe, NM. He started making some typefaces during his studies in 2012, but these remain unnamed and unpublished. [Google] [More] ⦿
Justin Bell	Justin Bell is a graphic design student at the University of Kansas, 2008-2012. Behance link. In 2010, he created a modified version of Helvetica by using horizontal stripes and filling in the counters. [Google] [More] ⦿
Karli Bell	American creator (b. 1992) of Death Note Font (2009), modeled after the font used on Light/Ryuk's Death Note. [Google] [More] ⦿
Laura Bell	Based in London, Laura Bell experimented with type in 2015. Her creations include Black and the modular typeface Barbican that was influenced by the work of Jonathan Barnbrook. [Google] [More] ⦿
Lee-Jeff Bell	In Chelsea, Québec, Lee-Jeff Bell designed many type families that are patterned after major historical type families, mimicking what Bitstream did in the late eighties. He also developed Thames and Helv Condensed, and Unifont. Rubicon claims that their fonts are optimally hinted for even very small screen resolutions. The fonts: Realist Fonts: Hilbert Neue (a sans typeface in the style Helvetica Neue), Uranus (like Univers). Humanist Fonts: Opulent (like Optima), Frobisher (like Frutiger), Guilford (like Gill Sans). Book Fonts: SGaramond (a 4-weight Stempel Garamond clone), Bentley (like Bembo), Burnett (like ITC Berkeley Oldstyle). Legacy Fonts: Hilbert (like Helvetica), Tribune (like Times), Hilbert Condensed (like Helvetica Condensed), Tribune Condensed (like Times Condensed). Condensed Fonts: Hilbert Neue Condensed (like Helvetica Neue Condensed), Frobisher Condensed (like Frutiger Condensed), Uranus Condensed (like Univers Condensed). Packaging Fonts: Karat (like ITC Kabel), IGaramond (like ITC Garamond). Newspaper Fonts: Essex (like Excelsior), Gisborne (like Gazette). Other: Hilbert Compressed (like Helvetica Compressed), Sharpe Classified (like Spartan Classified). Yet another URL. This site offers free demo fonts by Rubicon: Bentley (Bembo-like), BurnettDemo-Normal, FrobisherCondDemo-Normal, FrobisherCondDemo, FrobisherDemo-Normal, FrobisherDemo, GisborneDemo, GuilfordDemo-Normal, GuilfordDemo, HilbertNeue, HilbertNeueCondDemo-Normal, HilbertNeueCondDemo, HilbertNeueDemo-Normal, HudsonCondDemo, HudsonDemo, IGaramondDemo-Normal, IGaramondDemo, Karat, KaratDemo-Normal, OpulentDemo-Normal (humanist sans), OpulentDemo, SGaramondDemo-Roman, SGaramondDemo, TribuneCondDemo, TribuneDemo, UranusCondDemo-Normal, UranusCondensedDemo, UranusDemo-Normal, UranusDemo. [Google] [More] ⦿
Glen & Jessa Bellman	Glen and Jessa Bellman (Fabled Graphics, Geelong, Australia) designed Studio Hand and the handcrafted Spiderling and Happy Glen in 2016. Creative Market link. [Google] [More] ⦿
Andres Silva Bello	During his graphic design studies at FADU UBA in Buenos Aires, Andres Silva Bello created the art deco typeface Love Trucha (2013). [Google] [More] ⦿
Elis Bello	Athens, Greece-based designer of the labyrinth-based typeface The Maze (2016). He designed The Maze (2016), which was inspired by the movie The Maze Runner. [Google] [More] ⦿
Juan Pablo Bello	Art director in Santiago, Chile. Designer of the dry brush fonts Zeyk Brush (2016) and Bruship (2015), the avant-garde font Decad (2016), and the signage typeface Great Man (2016). In 2017, he designed the dynamic hand-printed Boluda. Behance link. Behance link for JNP Design. Creative Market link for JNP Studio. [Google] [More] ⦿
Thiago Bellotti	Brazilian type foundry, est. 2016 by Thiago Bellotti. The first typeface by Bellotti at Gestu is the calligraphic pointed brush script Acerola (2016). In 2020, he released Closeby (ultra-condensed, rounded, italic) and Tocco (which is based on chunks of wood type; it includes a variable style) at Papanapa. Thiago also created the custom typeface Bib Sans (2021) at Papanapa. [Google] [MyFonts] [More] ⦿
Thiago Bellotti	Mushroom Type is a Sao Paulo-based foundry established in 2013 by Brazilian graphic designer Thiago Bellotti. Typefaces: The custom font for Rio Quente Resorts in Brazil in 2012. This organic typeface brings up visions of water and sun. In 2013, he published the virtually identical slab serif typefaces Kelvin Slab and Lumberjack. Avid Sans (2013: elliptical sans family). Accura (2014). A sans typeface created at dooType together with Eduilson Wessler Coan. Mushroom Type home page. Behance link. Behance link for Mushroom Type. [Google] [MyFonts] [More] ⦿
P. J. Bell	P.J. Bell (MIXFIT) lives in Los Angeles. A digital artist, he made the counterless experimental typeface No Retnuoc in 2010. [Google] [More] ⦿
Peter Bell	Designer of Echo (1956-1957, Stephenson Blake), a fuzzy outline font, Consort Italic (1958, Stephenson Blake), and Wide Sans (1956, Stephenson Blake). [Google] [More] ⦿
Evelyn Bellreng	During her studies, Evelyn Bellreng (Niagara Falls, NY) used pieces of a can opener to design the experimental typeface Obscura (2017). [Google] [More] ⦿
Ric Bell	British creator of the experimental hexagonal typeface Triso (2008). [Google] [More] ⦿
Robert Bell	Sculptor and graphic designer Robert Bell runs Typerbole, and is located in Wollongong, Australia. At Garagefonts, he designed Ecliptica Sans, Serif and Round (2002), which became Bitstream fonts in 2004, sold as Ecliptica BT. At T-26, he created the techno font Kono (2002), Trez (2004), the 4-weight flared lettering family Boler (2003), Boler Round (2004), Almonda Condensed (2004) and Almonda (2003). At Union Fonts, he designed Zeon (2004). Other typefaces include Chromage (2016), Architect's Blocks (a 3d typeface), Alluvia and Pagenta Surf Gothic. FontShop link. Klingspor link. Behance link. [Google] [MyFonts] [More] ⦿
Stefano Bellucci Sessa	London-based graphic designer. His fonts Effesse Regular and Effesse Bold (2012) were designed for the contest for the Corporate Identity of Federazione Scout d'Europa. [Google] [More] ⦿
Pedro Belluomini	Motion designer in Sao Paulo, Brazil. Creator of the neurotic squarish typeface Fragmento (2014). Home page. [Google] [More] ⦿
Jany Belluz	French creator of the Latin / Greek programming font Comic Sans Neue Mono (2013, free at OFL). Predictably, within one week, Jany was forced to rename that typeface Cosmic Sans Neue Mono, and then a third time to Fantasque Sans Mono (2014). Github link. Jany explains: Inspirational sources include Inconsolata and Monaco. I have also been using Consolas a lot in my programming life, so it may have some points in common. [Google] [More] ⦿
Whitney Bell	Creator of the hand-printed typefaces Friendly Note (2012, iFontMaker) and Calligraphish (2012, iFontMaker). [Google] [More] ⦿
Raphaël Belly	Home page of this French graphic designer. He created the bewitched angular typeface RqF (2008). [Google] [More] ⦿
Affenprinz Belmondo	Sankt Gallen, Switzerland-based studio with seven participants: Anna Furrer, Andrea Nolli, Moni Rimensberger, Joa Schmied, Sascha Tittmann, Jürg Waidelich, Amanda Züst. Designers of these free typefaces: Lietz Block (2008, heavy poster sans), Hedge Flow (2008, floriated), Nordstern (2004, a simple organic sans family in Hell, Normal and Dunkel, designed by Rolf Benjamin Fleischmann), Marsmonster (2005, rounded techno style by Affenprinz Belmondo). In 2008, they published the hairy multiline typeface Mink and the linocut emulation typeface Linostate. They also designed the blackletter typeface Heinrich. [Google] [More] ⦿
Camilo C. Belmonte	Mataro, Spain-based creator of the modular typeface Ox (2013). [Google] [More] ⦿
Ksenia Belobrova	Type designer, calligrapher and lettering artist in Moscow. Initially, she was working for Artem Gorbunov Design Bureau. Her typefaces there: Bureauserif (2015-2016). A text typeface family. The Greek part was done by Anna Danilova. Galochki (or: Checkmarks). Done in 2013. Voltaire (2015). A script typeface based on illustrations in one of Voltaire's books from 1734. Voltaire covers Latin and Cyrillic. In 2015, she designed Di Mare, a layered script inspired by Italian restaurant and cafe signs. In 2016, she designed MT Brush, Allister Rough, the brush signage typefaces Mixed Tape and Mixed Tape Rough, and the heavy monoline script typeface Jonesy. Typefaces from 2017: Eldwin (The Northern Block: a connected script), New Jonesy Latin, Luna Brush (brush script). Typefaces from 2018: Frederik (a great Latin / Cyrillic humanist sans family published by The Northern Block in 2019), Garnet (Capitals and Script, with a great Inline). [Google] [MyFonts] [More] ⦿
Mikhail Beloglazov	Moscow-based designer of the blackletter typeface Why Tiger Gothic (2017). [Google] [More] ⦿
Andrey Belogonov	Russian type designer. His typefaces: Nerpa (2014, with Yana Kutyina). Kalimantan (2012-2013: an award-winning calligraphic typeface designed together with Yana Kutyina)> It is unclear if this was a joint project or if Yana did this by herself. Powerview (2010, with Yana Kutyina), a scanbat font with portraits of Bush, Castro, Gorbachev, Osama Bin-Laden, Reagan, Martin Luther King and other leaders. Brusque (2008, Paratype: a brutalist face). Brusque was originally named Rouble and under this name it was awarded a first degree diploma of the Typefaces nomination at the Graphite Graphic Design Festival, 1999, and a diploma at the ATypI International Type Design Contest Bukva:raz!, 2001. Astera, Cliche, FastFingers, Vataga (2008, Paratype, with Yana Kutyina). A really funny dingbat face. In 2016, Yana Kutyina and Andrey Belogonov cooperated with Valery Golyzhenkov on the great vintage typeface system Triplet in Erste, Zweite and Dritte styles. Triplet won an award at Granshan 2017. Behance link. [Google] [MyFonts] [More] ⦿
Nikita Belokhonov	Thailand-based designer of Cracked Stone Alphabet (2015). Home page. [Google] [More] ⦿
Alena Belokonova	Florence, Italy-based designer of Albe Font (2014, imitating calligraphy), and a few experimental typefaces. [Google] [More] ⦿
Vladimir Belokon	Graphic designer in Moscow, who created the Latin / Cyrillic typeface Russian Dolls (2012, free) and the sci-fi typeface Axis Modul (2012). [Google] [More] ⦿
Jonathas Beloni	During his studies, Itu, Brazil-based Jonathas Beloni designed the display sans typeface Beloni Unclosed Sans (2015). [Google] [More] ⦿
Andrey Belonogov	Russian designer (b. 1975, Moscow) who won an award at Bukvaraz 2001 for Handmade (hand sign font), and for Rouble, a minimalist Latin/Cyrillic font made in 1999-2001. He received a TypeArt 05 award for the dingbat family Astra. Other typefaces include Lenta, Moloko and Svoboda. He graduated from Moscow State University of Art (named after S. Stroganov in 2001). The astronomical signs font Astera was published by Paratype in 2008. Other Paratype fonts by him include Brusque (2008, renamed Rouble), Cliche (2008, stencil face), FastFingers (2008, remake of Handmade), Powerview (2010, with Yana Kutyina), Chetwerg (2014, which won an award at Modern Cyrillic 2014), and Vataga (2008, a human typefaces dingbat font co-designed with Yana Kutyina). [Google] [MyFonts] [More] ⦿
Lucille Belot	Parisian designer of the custom display typeface JPO (2014). [Google] [More] ⦿
Marina Belotserkovskaja	Type designer. With Viktor Kharyk, she designed the mediaevally looking faces EF Gloin and EF Gimli from 2004 until 2010 at Elsner&Flake. [Google] [MyFonts] [More] ⦿
Romain Belotti	Graphic designer in Lyon, France, who created Robotto (2016, with Sandro Salomone), a font designed for Aldebaran's identity. It is based on the original Aldebaran Futura-style logo. [Google] [More] ⦿
Natalia Belousova	Designer in Berdyansk, Ukraine, who created Lombard (2013, a blackletter typeface for Latin and Cyrillic). [Google] [More] ⦿
Andrew Belousov	Russian creator of a nail-themed all caps Cyrillic typeface in 2012. [Google] [More] ⦿
Olga Belousova	Athens, Greece-based designer of the squarish typeface Parallel Thoughts (2015). Behance link. [Google] [More] ⦿
Mirela Belova	Type designer in Sofia, Bulgaria, who first studied mathematics and then graphic design (at New Bulgarian University). During her studies, Mirela Belova created the Latin / Cyrillic blackboard bold typeface Cheque (2017), which is free at Fontfabric. She was part of the Fontfabric team that designed the 521-font family Zing Rust, Zing Sans Rust and Zing Script Rust in 2017. In 2018, Mirela Belova and Svetoslav Simov co-designed the 20-style geometric sans typeface family Mont. Codesigner of Mozer (2019, by Svetoslav Simov, Ani Petrova, Mirela Belova and Nikolay Petrousenko: a condensed headline sans family that covers Latin, Greek and Cyrillic; Mozer SemiBold is free). In 2020, Stan Partalev and Mirela Belova set up Spacetype. In 2020, Mirela Belova and Stan Partalev co-designed the 22-style (+variable) geometric sans family Gogh at Spacetype. Typefaces from 2021: Steam (a 13-style layerable Western family that emulates wood type; with Stan Partalev), Code Next (a 20-style geometric sans by Svetoslav Simov, Mirela Belova and Stan Partalev; it includes two variable fonts). Garet (2021) is a 22-style (+variable) geometric sans family by Mirela Belova and Stan Partalev. Dedicated page. [Google] [MyFonts] [More] ⦿
Anastasia Belozerova	Russian graphic designer. She made the neon-sign based Cyrillic typeface Provoloka (2009). [Google] [More] ⦿
Rocio Alvarez Bel	During her studies in Buenos Aires, Rocio Alvarez Bel designed a deco typeface (2017). [Google] [More] ⦿
Rollo Belshave	Scandinavian designer of the handcrafted Halloween typeface Mischano (2018)a, the textured typeface Atribalize (2018), the blackletter tattoo font Skandinav (2018), and the old typewriter font duo Versaint (2018). His typefaces often come with great sets of icons or extras. [Google] [More] ⦿
Nick Belshaw	Designer of Frankfurter (1978-1981, with Alan Meeks and Bob Newman, who did the original Letraset design in 1970), Victorian Inline Shaded (1980, Linotype) and the curly Belshaw EF (1980, Linotype). FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿
Molotow Belton	This American company is called 33 Third, MTN, Molotow Belton, Graffiti & Arts Supplies, and Montana Paint. I assume (wrongly?) that Molotow Belton is the name of the designer (b. 1977). Dafont link. Creator of Sprayvetica (2012). [Google] [More] ⦿
Abraham Beltran	Mexican graphic designer, b. 1986, who lives in Hermosillo. He created a number of typefaces, some of which are free. Also known as Fractal Eye. The list of fonts, all made between 2006 and 2008: Tulip, Fragments of Eter (2007, upright connected paperclip script), Next Level (display sans), Ironbeauty, Esquizofrenia (grunge), Nü, Yellow Move (a great art deco sans), The King and Queen (2007, grunge medieval calligraphy), Foelia (dot matrix), Ank (2007, grungy sketch face), Nü Creactivo 2008 (spurred Western face), Further, One and Four, Quiñók (2007, experimental), Defekto (2007, gothic), Mondula (more calligraphic grunge). Alternate URL. [Google] [More] ⦿
Alexandre Beltran	Typographer and designer at TV Globo, Brazil. He designed the squarish typefaces Retour (2012) and Sauer (2011). Cargo collective link. [Google] [More] ⦿
Ana Beltran	During her studies in Madrid, Ana Beltran designed a Mondrian-inspired typeface in 2015. Behance link. [Google] [More] ⦿
Dennis Benitez Beltran	Santa Tecla, El Salvador-based student-designer of the Chinese ink font Pagis (2016). [Google] [More] ⦿
Diego Alejandro Hoyos Beltrán	Graphic designer in Medellin, Colombia. Together with Catalina Bustamante and Maria Luisa Arias, he created a stencil typeface called Fortune (2013). Behance link. [Google] [More] ⦿
Francis Beltran	Talcahuano, Chile-based designer of the native symbolism font Mapuche (2013). [Google] [More] ⦿
Francisco Beltran	Digital artist in Baja California, who created the pixel typefaces Squarebit, 1980, Newsgeek, Toy, VGA Typewriter, That Boy, and Heartbit in 2016. In 2017, he designed the pixel font Awkward. Creative Market link. [Google] [More] ⦿
J.D. Beltran	Students at the San Francisco Art Institute got together to create the hand-printed typeface Kuchar (2012). These include Cory Bates, Tyler Cross, Michael Figge, Erin Hall, Elise Inferrera, Antonia Kimatian, Roman Koval, Joey Kuo, Riho Kurematsu, Noell Nelson, Kelly Nettles, Kegan Snyder, Dayna Rochelle Stanley, and San Francisco Art Institute professor J.D. Beltran. Kuchar is based on the handwriting of filmmaker George Kuchar, as found on the labels of his VHS and mini-DV tapes. Dafont link. [Google] [More] ⦿
John Beltran	Designer of Yorkie (2021, at Fontpeople), a flared terminal typeface family. [Google] [More] ⦿
Nelson Beltran	Creator of the free typeface X Horror X (2014). [Google] [More] ⦿
Veronica Beltran	Tijuana, Mexico-based designer of Doble Line (2018). [Google] [More] ⦿
Eduardo Beluco	Sao Paulo-based designer, b. 1985. Creator of the experimental typeface Jesus Chorou (2010), the alchemic typeface Shuv (2013), the art deco typeface Terecodeco (2012) and the poster face Grossa (2010). In 2013, he designed Cities in Construction. Home page. Dafont link. Behance link. Hellofont link (for buying his fonts). [Google] [More] ⦿
Evgeniy Beluha	Russian type designer. This scan of a Duerer-style alphabet with compass and ruler was found on a slide prepared by Victor Kharyk for a talk Victor was going to give at ATypI 2009 in Mexico City (but didn't because he could not pass through transit in the USA due to the office of Homeland Insecurity). [Google] [More] ⦿
Georg Belwe	Belwe is best known for his Belwe text family (1907, a somewhat unsuccessful art nouveau font). Based in Berlin, Georg Belwe lived from 1878 (b. Berlin) until 1954 (d. Ronneburg), and was for a long type head of the typography department at the Leipzig Academy for Art. After studies in Berlin, he set up the Steglitzer Werkstatt in 1900 with F.H. Ehmcke and F.W. Kleukens. He taught at the Kunstgewerbschule in Berlin. His typefaces: Belwe Antiqua (1913), Wieland (1926, a handwriting typeface done at J.G. Schelter&Giesecke), Schönschrift Mozart (1927), Belwe (1907, a somewhat unsuccessful art nouveau font that saw several additions in the period up to 1914 such as Belwe Kursiv (1914)). He designed the blackletter font Belwe Gotisch in 1912 at J.G. Schelter&Giesecke. Digitizations of his work include Nick Curtis's 2009 typeface Bellwether Antique NF and in the Scangraphic collection, Belwe SB and Belwe SH. Dieter Steffmann designed Belwe Gotisch and Belwe Vignetten in 2002. [Google] [MyFonts] [More] ⦿
Krzysztof Belzowski	Polish designer of the faux Hebrew typeface Izrael (2004). [Google] [More] ⦿
Karl Bembridge	Freelancer in London, who created several experimental typefaces in 2013. [Google] [More] ⦿
Ron Benabu	Designer with Amit Fuchs of Ron's Thi (Hebrew) and Ron's Handwriting (Hebrew). [Google] [More] ⦿
Majo Benalcazar	For a school project in Guayaquil, Ecuador, Daneida Cueva Coronel, Majo Benalcazar, MaBelen Montes, Andy Abraham Zuniga Carranza, and Tito Moreno co-designed the genie font Sao (2019) and the casual typeface Rounike (2019). [Google] [More] ⦿
Rami Ben-Ami	Israeli type designer. At Masterfont, he published Tziporen MF, Laguna MF, Harmonya MF, Dolfine MF, Concord MF, and Caspit MF. [Google] [MyFonts] [More] ⦿
Yara Benancio	During her studies in Lima, Peru, Yara Benancio designed a couple of decorative typefaces. [Google] [More] ⦿
Romain Benard	Bordeaux, France-based creator of the high-contrast typeface Virgule (2011). Vekst (2013, with Lucile Cazanave) is in the hacker type and/or alchemic type categories. [Google] [More] ⦿
Eva Benarrous	During her graphic design studies in Toulouse, Eva Benarrous created the modular typeface Spades (2013). [Google] [More] ⦿
Martina Benassi	Boston, MA-based student-designer of a decorative blackletter typeface in 2015. [Google] [More] ⦿
Gustavo Benato	Curitiba, Brazil-based designer of the display sans typeface Movement G (2018) and Galaxyy (2018). [Google] [More] ⦿
Maria Corina Benatuil	Miami, FL-based designer of Vela (2014, a display typeface inspired by sailboats). [Google] [More] ⦿
Gabriela Benavides	Designer in Monterrey, Mexico, who created Boulder (2013, a geometric sans with an alchemic alternate version), Healthy Icon Set (2013), Eterna (2011) and Stellar (2011, art deco). [Google] [More] ⦿
Karen Herrera Benavides	At the Universidad Nacional de Costa Rica, Karen Herrera Benavides (Heredia, Costa Rica) created the rounded handcrafted typeface ika (2015, also called iMac (2015). Behance link. [Google] [More] ⦿
Lucia Benavides	Monterrey, Mexico-based designer of the pixel typeface Ultramar (2017). [Google] [More] ⦿
María José Benavides	María graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the swashy blackletter typeface Gothic Lolita. Blackletter meets Victorian style. [Google] [More] ⦿
Tarcisio Benavides	Graphic designer in Sao Paulo, Brazil. He created the tribal typeface Kasibue in 2014. [Google] [More] ⦿
Naïma Ben Ayed	Naïma Ben Ayed (b. 1984, Provence, France) graduated from Ecole Estienne in Paris in 2009. She also studied at KABK in Den Haag. She designed Arabic and Latin fonts at Dalton Maag London from 2012 to 2018, where she is still based. She took part in the 3rd edition of the Typographic Matchmaking project curated by the Khaat Foundation from 2015 to 2017. She also did a video documentary project about Comic Sans. Her typefaces: Intel Clear Arabic (released by Dalton Maag). This typeface won the first prize in the Non-Latin Category at the Granshan Awards 2014. That award was shared with Damien Collot. Interface Arabic (released by Dalton Maag). Drawn in the Maghrebi style, it was released in 2016 by Dalton Maag. Mokoko, a wonderful slab serif released in 2018 by Dalton Maag. See also Mokoko at MyFonts. Tulpen One (2011, Google Fonts). This typeface was inspired by the architecture of Den Haag. Toul (2008). A Koufi-inspired Arabic typeface to accompany the Latin Univers. La Contraste (2022), for Latin, Tifinagh and Arabic display applications. Future Fonts link. [Google] [More] ⦿
Nadav Benayun	Graphic designer in Tel Aviv, Israel, who designed a Hebrew display typeface in 2016. [Google] [More] ⦿
Irina Bencheci	During her studies, Augsburg, Germany-based Irina Bencheci created the transitional wedge serif typeface Bena (2015). Bena was a project at ESAD.cr. [Google] [More] ⦿
Kristin Bencomo	During her studies in Orlando, FL, Kristin Bencomo designed Torch (2013), a hand-drawn typeface. [Google] [More] ⦿
Jaroslav Benda	Czech painter, graphic artist, author, designer of postage stamps and posters, b. 1882, d. 1970, Prague. From 1920 onwards he was Professor of Applied Arts at the School of Applied Arts. Petra Docekalova, an expert on Benda, writes: Czech typography has been long influenced and deeply shaped by an incredibly hard-working figure---Jaroslav Benda. He was an important pillar who stood at the beginnings of contemporary Czech typography. He was an influencer who greatly inspired generations of type designers. Creator of a rather clumsy typeface in 1923 that exhibits quite a few irregularities (image below from Veronika Burian's thesis). Veronika writes in 2017: In the 1930s, Benda attempted to develop his first, typically Czech, typeface. He sent his drawings to the Monotype Corporation for casting, but the design never made it into production. As Benda believed the drawings had been destroyed, he continued revising his own version until the 1960s. In 1962, at the age of 80, he and his daughter Jarka Tupa published Betu (Benda-Tupa), an evolutionary conclusion of the designs supplied to Monotype. Donald Partyka believes that Betu was designed in 1952, but, as mentioned above, it has its roots in that original typeface from 1923. Revivals and reinterpretations of his work: In 2012, at Type@Cooper in New York, Donald Partyka revived Betu as Benda. In 2017, Tomas Brousil designed a retro script typeface in Benda's honor, simply called Jaroslav. Brousil followed that up in 2020 with Benda. In 2017, Slavka Jevcinova published Avory Latin at Rosetta Type Foundry. References: In 2014, Petra Docekalova wrote a thesis about Jaroslav Benda. This led to the book Jaroslav Benda 1882-1970 by Lucie Urbankova and Petra Docekalova (2017, in Czech). Kickstarter project in 2020 to extend and translate the text in English. [Google] [More] ⦿
Aneta Bendakova	Usti nad Labem, Czechia-based designer of the text typeface Neposeda (2016). This typeface was developed during the 29 th Tipo Brda workshop in Ljubljana. Behance link. [Google] [More] ⦿
Marie Bendeck	Designer in Honduras who created a beautiful experimental geometric typeface called SQRZ (2013). Cargo collective link. [Google] [More] ⦿
Batke Bendegüz	During his type and graphic design studies, Batke Bendegüz (Kamut, Hungary) created the inline triangulated and octagonal typeface family Erida (2013-2014). [Google] [More] ⦿
Jonas Bender	Waldbrunn, Germany-based student-designer of the hand0crafted all caps typeface Rustic (2017). [Google] [More] ⦿
J.P. Bender	For a project at the University of the Arts in Philadelphia, J.P. Bender designed the all caps art nouveau typeface Navetteur (2017) and the Trajan caps typeface Voyager (2017). [Google] [More] ⦿
Mathias Olin Bender	During his studies at the School of Visual Communication in Haderslev, Denmark, Mathias Olin Bender designed the spurred didone typeface El Paso (2016). [Google] [More] ⦿
Fanny Fernandez Bendezu	Brisbane, Australia-based designer of the custom typeface Blacker (2015), which is inspired by a 1950s lacquer ad found in a homemaker woman's magazine. Behance link. [Google] [More] ⦿
Stefanie Bendfeldt	Stefanie Bendfeldt (Bootie, Berlin, Germany) created the beveled and triangulated typeface Onska (2015), the vector format 3d ribbon font Knut (2015), and the art deco typeface Doblin (2016). Creative Market link. [Google] [More] ⦿
Celya Bendjenad	Graphic designer in Paris who created a custom typeface for GQ France in 2015. [Google] [More] ⦿
Ori Ben-Dor	Israeli type designer (b. 1980) who lives in Tel-Aviv. His old typefaces include Eccentric (1997). At Masterfont, he designed 1984 MF, Afifonim MF, Avtala MF, Capriza MF, Cinamon MF, Cubist One MF, Cubist Two MF, Flyntstones MF, Goolish MF, Inflazia MF, Milizia MF, Monumental One, Monumental Two, Musa Decor MF, Populist MF, Technocratia MF and Temperament MF. These typefaces were later withdrawn from the Masterfont collection. In 2005, he made Hagalil, which is discussed here. He also created this unnamed pixel typeface (2005). Graduate of the postgraduate type design program at ESAD Amiens, France, class of 2021. His graduation typeface there was the legible slab serif text typeface Ginegar (2021), which is named after a kibbutz. There are also three styles for use at larger sizes: display, head and subhead. These have novel triangular serifs and terminals. [Google] [MyFonts] [More] ⦿
Dror Ben Dov	Israeli type designer who created the Hebrew typeface Dror MF (Masterfont). [Google] [MyFonts] [More] ⦿
Andy Benedek	Andy Benedek's (b. Manchester, UK, 1945) Cotswolds-based outfit for "custom fonts and lettering of distinction", founded by him in 1988. Andy (András) made corporate typefaces for Umbro, QZERO, Bowater, Lloyds Bank, Royal Free Hospital, Liptons teas, Gordons gin, Marlboro cigarettes, as well as typefaces for magazines (Royal Academy of Arts, Elle, Blueprint) and for newspapers (The Scotsman). All this was done under the label of The Font Factory. With Michael Johnson and Mike Pratley, he created a font for BT Cellnet. A braille typeface has been developed to aid the production of signage for the blind. In 2001, he co-founded Fine Fonts with Michael Harvey. CV. Typefaces: Aesop (2000, with Michael Harvey): developed from book jacket lettering drawn by Michael Harvey for an edition of Aesops Fables. Balthasar (2002, with Michael Harvey): a serifed stencil font. Braff (2002, with Michael Harvey, for Monotype Imaging): an outline face. Fine Gothic (2002, a blackletter typeface co-designed with Michael Harvey): a blackletter family with a Basque A. Friezea (Andy Benedek and Michael Harvey, Fine Fonts). The original font dates from ca. 1990. They explain: The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and guild them. Instead, they were cut in perspex and guilded. Some twenty years later, the missing upper-case letters were drawn together with the lower-case letters and Frieze, the font, was born. Marceta (2003, with Michael Harvey): an eighth-century uncial. Mentor (2004, with Michael Harvey, for Monotype Imaging): a Times-Roman style family. Mentor Sans (2004, with Michael Harvey, for Monotype Imaging): a sans family. Quirky (2010). Ruskin (2008, Andy Benedek and Michael Harvey, Fine Fonts). This display serif typeface was originally created as a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh. Scorpio (2015). Based on he condensed lettering Michael Harvey drew for the card The Sign of The Nudge which was designed in collaboration with poet Ian Hamilton Finlay. It was digitized after Harvey's death by Benedek. Songlines (2001, with Michael Harvey): based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman. Tisdall Script (2002, with Michael Harvey): based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s. Victoriana (2002, a Victorian font by Andy Benedek and Michael Harvey, Fine Fonts). Named after cyclist Victoria Pendleton. FontShop link. View Andy Benedek's typefaces. [Google] [MyFonts] [More] ⦿
Amanda Benedete	Sao Jose do Rio Preto, Brazil-based designer of the fun children's font Squarepants (2016). [Google] [More] ⦿
Lara Benedet	In 2018, Ion Neto, Lara Benedet and Nicholas Auler, all students at Universidade Federal de Santa Catarina in Florianopolis, Brazil, co-designed the free brutalist typeface BoBardi. [Google] [More] ⦿
Mary Ann Benedetto	Designer of the pixel typeface Vade (2000, FontStruct), a font used in game development. Mary Ann teaches at Brooklyn Poly. [Google] [More] ⦿
Jimi Benedict	American designer (b. 1977) of Pho Tai (2012), which has hints of an oriental simulation typeface. [Google] [More] ⦿
B. Benedicto	Designer based in Fortaleza, Brazil. At Type Cooper 2020, Benedicto developed the text typeface Oniresii with diacritics for the Yoruba language wh=hich is spoken in Nigeria. [Google] [More] ⦿
Jeffree Benet	Jeffree Benet (Inky Brain, Prague, Czechia) created the free arrowed font Arrowrifficly (2011). Prague Post link. Behance link. [Google] [More] ⦿
Tarcisio Benevides	Sao Paulo, Brazil-based designer of the Greek simulation typeface Kasibue (2015). He explains that it is actually influenced by the simplicity of Amazon tribes. Behance link. [Google] [More] ⦿
Kobi Benezri	Kobi Benezri was born in Jerusalem, Israel, in 1976. He studied graphic design at the Bezalel Academy of Arts and Design in Jerusalem and completed his studies at the Cooper Union School of Art in New York. In 2003 he started working at I.D., the International Design Magazine in New York, and in 2004 he became the Art Director of the magazine. During his work at I.D. he has redesigned the magazine together with Nico Schweizer. In 2008 he opened his own studio, focusing on books, editorial, type, identities, and web design. LL Lettera (2008, Lineto) and Lettera Text (2012, Lineto) are sans serif typefaces designed by Kobi Benezri. They are based on Candia, a typewriter type created in the 1950s for Olivetti typewriters by Josef-Müller Brockmann and cover many languages. He added LL Lettera Mono (2019) and a new version of LL Lettera (2019). Typecache link. Lineto link. [Google] [More] ⦿
Ronlee Ben-Gal	Graphic design student in Greensboro, NC. She created a hairline avant garde custom face in 2011. [Google] [More] ⦿
Geo Ben	Los Angeles-based creator of the very cleverly and beautifully executed futuristic uncial typeface (if you can picture such a beast!) Saoirse Smalls (2006). [Google] [More] ⦿
Martin Bengtsson	Martin Bengtsson (Alpha Quantum) is a Swedish graphic designer who lives in The Netherlands. He studied at University of Liljeholmen, Sweden. Creator of the sci-fi typeface Alpha Quantum (2012). Dafont link. [Google] [More] ⦿
Mats Bengtsson	Lilypond is a Swedish site with Mats Bengtsson's fonts which are useful for music composition and mathematics (different sets of braces and numbers). Mats created the type 1 versions from Metafont bitmaps using pktrace. The fonts in the Feta font series: TeX-feta-braces0, TeX-feta-braces1, TeX-feta-braces2, TeX-feta-braces3, TeX-feta-braces4, TeX-feta-braces5, TeX-feta-braces6, TeX-feta-braces7, TeX-feta-braces8, TeX-feta-din10, TeX-feta-din11, TeX-feta-din12, TeX-feta-din13, TeX-feta-din14, TeX-feta-din17, TeX-feta-din19, TeX-feta-din4, TeX-feta-din5, TeX-feta-din6, TeX-feta-din7, TeX-feta-din8, TeX-feta-din9, TeX-feta-nummer10, TeX-feta-nummer11, TeX-feta-nummer12, TeX-feta-nummer13, TeX-feta-nummer4, TeX-feta-nummer5, TeX-feta-nummer6, TeX-feta-nummer7, TeX-feta-nummer8, TeX-feta11, TeX-feta13, TeX-feta16, TeX-feta19, TeX-feta20, TeX-feta23, TeX-feta26, TeX-parmesan11, TeX-parmesan13, TeX-parmesan16, TeX-parmesan19, TeX-parmesan20, TeX-parmesan23, TeX-parmesan26. See also here. [Google] [More] ⦿
Edward Benguiat	Born in New York in 1927, Ed grew up in Brooklyn. He died in 2020. Ed was once a very prominent jazz percussionist playing in several big bands with Stan Kenton and Woody Herman, among others. He has created a large number of typefaces between 1970 and 1995. About his career, he once said: I'm really a musician, a jazz percussionist. One day I went to the musician's union to pay dues and I saw all these old people who were playing bar mitzvahs and Greek weddings. It occurred to me that one day that's going to be me, so I decided to become an illustrator. He designed more than 400 typefaces for PhotoLettering. He played a critical role in establishing The International Typeface Corporation (or ITC) in the late '60s and early '70s. Founded in 1971 by designers Herb Lubalin, Aaron Burns, and Ed Ronthaler, ITC was formed to market type to the industry. Lubalin and Burns contacted Benguiat, whose first ITC project was working on Souvenir. Ed became a partner with Lubalin in the development of U&lc, ITC's famous magazine, and the creation of new typefaces such as Tiffany, Benguiat, Benguiat Gothic, Korinna, Panache, Modern No. 216, Bookman, Caslon No. 225, Barcelona, Avant Garde Condensed, and many more. With Herb Lubalin, Ed eventually became vice-president of ITC until its sale to Esselte Ltd. Ed Benguiat taught at SVA in New York for more than fifty years. Ed is a popular keynote speaker at major type meetings, including, e.g., at TypeCon 2011, where he entertained the crowd with quotes such as I do not think of type as something that should be readable. It should be beautiful. Screw readable. His typefaces---those from PhotoLettering excepted: ITC Avant Garde Gothic (1971-1977, with Andre Gurtler, Tom Carnase, Christian Mengelt, and Erich Gschwind). ITC Modern No. 216 (1982: a didone text family). The Softmaker versions are called M791 Modern and Montpellier. Ed writes: It's a revival of the classic British Modern design. I tried to capture the dignity and grace of the original designs, but not make it look stuffy. Moderns were often numbered to distinguish different versions. 216 East 45th street was where I worked when I drew the ITC Modern No. 216 font. Modern No. 20, after the Stephenson Blake original from 1905. [Image by Kristen Cleghorn] ITC Barcelona (1981). Ed writes: I was one of the design consultants for the 1992 Olympics in Barcelona, Spain. What could be more appropriate then to design a typeface for the event? The design of the ITC Barcelona font family, with its soft triangular serifs set the mood for the soft-spoken Catalan people. ITC Bauhaus (1974-1975). ITC Bauhaus was co-designed with Victor Caruso. The Softmaker versions are called R790 Sans and Dessau. The Infinitype version is Dessau. The Bitstream version is Geometric 752. ITC Benguiat (1977) and ITC Benguiat Gothic (1977-1979). This eponymous comic book (or art nouveau style) typeface family appeared in the 1980s on the covers of Stephen King novels and Choose Your Own Adventure books, in the copyright notice at the beginning of all Paramount Pictures' VHS tapes and in title sequences for Quentin Tarantino's films, the Next Generation series of Star Trek films in the mid-to-late '90s, and the recent Netflix series Stranger Things. It was revived as Benjamin and Benjamin Gothic on the SoftMaker MegaFont XXL CD (2002). Softmaker also has fonts called B693 Roman and B691 Sans that are identical. Benguiat Pro ITC was published in 2008. Benguiat Roman (1960s). PL Bernhardt (Photo-Lettering, 1970), modeled after a 1930-1931 design by Lucian Bernhard. ITC Bookman (1975). See B791 Roman on the SoftMaker MegaFont XXL CD (2002). Calendar (1960s). ITC Caslon 224 (1983). In 1960, he added Benguiat Caslon Swash, and in 1970, Caslon 223 followed. See C790 Roman on the SoftMaker MegaFont XXL CD (2002), and Caslon CP (2012, Claude Pelletier). Christian Schwartz and Bas Smidt at House Industries digitized Benguiat Caslon. ITC Century Handtooled (1993). ITC Cheltenham Handtooled (1993). ITC Edwardian Script (1994). ITC Garamond Handtooled. ITC Korinna (1974): after a 1904 typeface called Korinna by Berthold. Michael Brady thinks it is very close to the Berthold original. Laurent (1960s). Lubalin Graph (1974, ITC). By Herb Lubalin, Ed Benguiat, Joe Sundwall, and Tony DiSpigna. ITC Panache (1987-1988). Ed writes: I put my heart, soul, sweat and tears into the design of the ITC Panache font family. I was striving to create an easy to read, legible typeface. I know in my heart that I accomplished what I set out to do. Not only is it easy to read, it's also sophisticated. Scorpio (1960s). ITC Souvenir. Kent Lew: Benguiat revived Benton's Souvenir for ITC in the '70s and that was well-received for a while. On the other hand, look what happened after that. Souvenir in the ATF 1923 catalog looks really nice, IMO. Souvenir in the '70s seems cliché now. Souvenir these days would be downright dorky. Souvenir was done by Benguiat in 1967 at PhotoLettering. Morris Fuller Benton's original model was from 1914. It was described by Simon Loxley as follows: Souvenir is a typeface that is intractably rooted in style to a particular era, although one a half-century after its creation. It is a quintessential late 1960s and 1970s typeface, informal, with full rounded character shapes and rounded serifs, a laid-back Cheltenham. The Bitstream version of ITC Souvenir was called Sovran. ITC Tiffany (1974), a fashion mag typeface family. Adobe says that it is a blend of Ronaldson, released in 1884 by the MacKellar Smiths&Jordan foundry, and Caxton, released in 1904 by American Type Founders. PL Torino (1960, Photo-Lettering), a blackboard bold didone-inspired typeface. In 2004, House Industries released five typefaces based on the lettering of Ed Benguiat: Ed Interlock (1400 ligatures---based on Ed's Interlock, Photolettering, 1960s), Ed Roman (animated bounce), Ed Script, Ed Gothic and Bengbats. He did logotypes for many companies, including Esquire, New York Times, Playboy, Reader's Digesn, Sports Illustrated, Look, Estée Lauder, AT&T, A&E, Planet of the Apes, Super Fly. Lesser known Photolettering typefaces include Benguiat Bounce, Benguiat Boutique, Benguiat Bravado, Benguiat Brush, Benguiat Buffalo (+Ornaments: a western wood type font), Benguiat Century, Benguiat Cinema, Benguiat Congressional, Benguiat Cooper Black, Benguiat Cracle, Benguiat Crisp, Benguiat Debbie, (Benguiat) Montage (a fat face didone revived in 2018 at House Industries by Jess Collins and Mitja Miklavic), Benguiat Roman. Scorpio, Laurent and Charisma, all done in the 1960s, are psychedelic types. In 2021, Donald Roos digitized Plinc Buffalo for House Industries. Links: Linotype, CV by Elisa Halperin. Daylight Fonts link (in Japanese). Catalog by Daylight, part I, part II. Pics harvested from the web: Portrait With Ilene Strivzer at ATypI 1999. One more with Strivzer. With Jill Bell at ATypI 1999. In action. At TypeCon 2011 with Matthew Carter and Alejandro Paul. At the same meeting with Carole Wahler and with Roger Black. FontShop link. Klingspor link. View Ed Benguiat's typefaces. Ed Benguiat's fonts. [Google] [MyFonts] [More] ⦿
David Ben-Gurion	Israeli type designer at MasterFonts. [Google] [MyFonts] [More] ⦿
Guillaume Benhamou	Guillaume Benhamou (aka Zmo) was born in Marseille, France, and studies Graphic design and Typography at E.R.G. in Brussels. In 2010, he created a monoline typeface in which each letter was made with one stroke, called D'un trait. [Google] [More] ⦿
Ich Bin Ben	Bristol, UK-based designer of the all caps typeface Hot Rod (2018). [Google] [More] ⦿
Gladys Benichou	French designer of the organic display typeface Typographie (2019). [Google] [More] ⦿
Imane Ben	Antwerp, Belgium-based designer of Arabista (2016), an Arabic typeface influenced by Islamic architecture. [Google] [More] ⦿
Piero Beninato	For a school project at EINA in Barcelona in 2017, Piero Beninato designed the humanist semi-serif typeface Otilia. [Google] [More] ⦿
Rosi Benini	Brazilian design student, and designer of the soft sans typeface Rosie (2010). Home page. [Google] [More] ⦿
Andreu Benitez	Designer of the free inky pen font K66 (2018). [Google] [More] ⦿
Carina Benitez	Sao Paulo-based designer of the 2-style organic sans typeface family Interessante (2014), which was created during her studies. [Google] [More] ⦿
Daniela Benitez	Daniela Benitez (Bogota, Colombia) created a set of numbers useing a compass and ruler in 2014. Behance link. [Google] [More] ⦿
Lucas Benitez	Argentinian designer (b. 1989) of the hybrid display typeface Yedra Purpurea (2014). Dafont link. [Google] [More] ⦿
Maria Alejandra Benitez	Monterrey, Mexico-based designer of Story Telling Font (2016). [Google] [More] ⦿
Eduardo Garcia Benito	Painter and illustrator of the art deco era, b. Valladolid, Spain, 1881, d. Valladolid, 1981. He became famous for his fashionable covers and illustrations for Vogue and Vanity Fair, and maintained offices in Paris and New York. During 1917-1920, he designed some typefaces for special use by Vogue. These were dug up by Dominique Zalewski (Buenos Aires) in 2013, and provided inspiration for Dominique's Cover Type. [Google] [More] ⦿
Eric Benjamin	Based in San Francisco, CA, Eric Benjamin created the lively thin handcrafted typeface Perset Display (2014). Fontspace link. [Google] [More] ⦿
Jaamal Benjamin	Jaamal Benjamin is founder and designer at Studio Grand. Formerly a dancer/choreographer in Hip-Hop dance theatre, Jaamal's interests as a designer, artist and educator lie mostly in crafting parallels between the black experience, mark-making, social change, movement, and music. Jaamal holds a bachelors degree in Graphic Design and graduated in 2021 from the Type Design at Cooper Union's Extended program. At the Cooper Program in a Principle of Display Type workshop at Cooper in 2020, he developed Harlemecc: Inspired by the Harlem Renaissance in New York City, Harlemecc is a contemporary display typeface which aims to interpret the commercial lettering of black fine artist and painter, Aaron Douglas. His 2021 Type@Cooper project was called Garvey after black liberator, Marcus Mosiah Garvey. [Google] [More] ⦿
Oliver Benjamin	Designer of the free Thai simulation typeface Fontok (2005, Chank's place). [Google] [More] ⦿
Robert W. Benjamin	Designer of the rune font Robert's_Runes (2001), free at the Technische Universitat Wien site. Ten more complete fonts here for 8USD. [Google] [More] ⦿
Andres Benjumea	Spanish designer of the hand-printed typefaces Charanga (2013) and Inocua (2013). [Google] [More] ⦿
Benjumin	Bangladeshi-American designer of the scribbly typeface ben (2003). [Google] [More] ⦿
Frankie Benka	Lynnwood, WA-based designer of a truetype font, Morrissey (1997), based on Morrissey's handwriting. Alternate URL. See also here and here. [Google] [More] ⦿
Martin Benka	Slovak painter and illustrator, b. 1888, Kostoliste, d. 1971, Malacky. He is regarded as the founder of Modernist 20th century Slovak painting. His typefaces include a hexagonal typeface from 1956, and a stone-chiseled typeface from the 1940s. Lubomir Longauer wrote Martin Benka, the first designer of the Slovak National Myth. [Google] [More] ⦿
Leon Benkovic	Croatian designer of the sci-fi typeface Aerospace (2019). [Google] [More] ⦿
Kelcey Benne	Subway maps were the inspiration for the layered typeface system Subterranean (2013) by Kelcey Benne. Kelcey lives in Adamstown, PA. [Google] [More] ⦿
Laurent Benner	Designer at Lineto of fonts such as Pez, a block letter font (1999). Pez was renamed LL Tablettenschrift after a complaint was received by the Pez candy company, on whose logo the typeface is based. He lives and works in London, after graduating from the Royal College of Art in London in 2000. Benner is part of Reala. [Google] [More] ⦿
Hanno Bennert	Designer from Düsseldorf, who made Seriph (at fontgrube) and Tram or Tramway (2004, a sans). In 2014, the humanist sans family Tram was published at Village, but quickly renamed Proof. Bennert: The design of Proof has its origins in many tram rides in Düsseldorf, Germany, and is directly influenced by the powerful, industrial charm of these vehicles. Many of the early sketches were drawn on these rides. (For the first several years of its life, the typeface was called Tram; alas, our friend and colleague Henrik Kubel at A2-Type had already published his CPH Tram, and we did not wish to create any confusion in the marketplace between these two vastly different designs.). The Subtil logotype was developed for the corporate design of DSW21/public services of Dortmund. The font style is derived from their logo, a stylised uppercase D. The conglomerate DSW21 consists of twelve individual enterprises, such as Dortmund Airport, the harbour and the city's public transport. In 2007 Subtil was awarded the Certificate of Excellence in Type Design by the Type Directors Club, and in 2009 it was awarded the Certificate of Excellence by the International Society Of Typographic Designers. This rounded sans was designed together with Alexander Gialouris and Victor Malsy. Other typefaces include BKH (corporate), NKO 1957, and Bruna Grotesk. In 2010, he added Rota (a squarish sans: since 2010, Rekord is the corporate typeface of the Rotterdam Philharmonic), and Cafe Rekord (done with Lisa Eppinger, this is a squarish logotype). Rheinlogik is a horizontally striped logotype for the software company Rheinlogik. MI Grotesk was custom-designed for Museum Insel Berlin. Cargo Collective link. [Google] [More] ⦿
Alyssa Bennett	Aka My Thoughts Exactly Stamps. American creator of the free blackboard biold font ALLined (2013, copyright to Alyssa Leanne). [Google] [More] ⦿
Ashlee Bennett	Starkville, MS-based designer of the hipster typeface Edge (2016). Behance link. [Google] [More] ⦿
Ashley Bennett	Designer at ScrapNFonts/Creating Keepsakes of CK Ashley Alpha (child's handwriting). [Google] [More] ⦿
Calum Bennett	Graphic design student at the University of Salford, Manchester, UK who made the futuristic typeface Apastron (2011). Salford Type Foundry link. [Google] [More] ⦿
Daniel Bennett	UK-based designer of the free advertizing font Ammonite (2019). [Google] [More] ⦿
Ethan Bennett	During his studies at Oaklands College in St Albans, UK, Ethan Bennett (London) designed the techno typeface Xenon (2013). [Google] [More] ⦿
Gabriel Bennett	Designer of the rounded poster typeface Dandy Warhols, which was created while Gabriel was in the design program at Portfolio Center, Atlanta. Gabriel lives in Decatur, GA. Behance link. [Google] [More] ⦿
Jackie Bennett	Australian designer of the curly mosaic art typeface Gaudia (2018), which is inspired by Gaudi's work. [Google] [More] ⦿
Joanna Bennett	Doncaster, UK-based designer of Blok Type (2015). [Google] [More] ⦿
Jonathan Bennett	Foundry, est. 2007 by Jonathan Bennett, who is located in Caerphilly, Wales. Bennett designed these typefaces: The unicase typewriter (Courier-like) typeface shown here. MyFonts sells Lazar (2007, an ultra fat art deco typeface inspired by work of El Lissitzky), Kubrickle (2008, in block, swash and kitchen tile shapes), Rody (2007, a counterless slab serif related to Russian deco), Diglossia (2007, a fat geomeric slab serif). DaFont has a free copy of Diglossia. Dialogue (2007) is an artistic sans typeface for short texts (see also here). He is working on this blackletter. At FontStruct, they made parallel (2008). Alternate URL. Dafont link. [Google] [MyFonts] [More] ⦿
Katie Bennett	Northamptonshire, United Kingdom-based designer of Beast (2013, hand-drawn caps) and Engin (2013). [Google] [More] ⦿
Kyle Christopher Bennett	Graphic communication design student at the University of Cincinnati. During his studies, he created a high-contrast display typeface (2012). [Google] [More] ⦿
Laura Bennett	Los Angeles-based designer. During her studies at Lipscomb University in Nashville, TN, Laura Bennett designed a constructivist typeface (2012). In 2014, she designed Egidio. In 2020, she designed the dry brush font Mattina Sera with the help of New Tropical Design. [Google] [More] ⦿
Parker Bennett	Parker Bennett works at Mogulsoft in LA. He is the designer of a character in the September 11 charity font done for FontAid II. In 2014, he published Stack Icons (Branding, Social, and Social Minimal). Github link. [Google] [More] ⦿
Peter Bennett	Designer of Gadget Lined at Zipatone, a fat art deco typeface. For a digital remake, see Toto's K22 Gadget Lined (2012) and K22 Gadget (2014). [Google] [More] ⦿
Ross Bennett	British designer in London. Creator of commercial typefaces at The Type Foundry, such as Milk (2012, LED face). [Google] [More] ⦿
Sam Bennett	During his studies, Rotherham, UK-based Sam Bennett created the techno / sci-fi typeface Speed Rail (2015) for the proposed HS2 (High Speed Rail 2) trains. [Google] [More] ⦿
Sheridan Bennett	Campbelltown, Australia-based designer of a font in 2018 that was inspired by witchcraft. [Google] [More] ⦿
T. Bennett	Designer at FontStruct in 2009 of Look Sharp and Looking Sharp, art deco style typefaces. The grungy versions is called Look Scarpered. He also made the sharp-edged geometric Scorio family in 2009. [Google] [More] ⦿
David Bennewith	David Bennewith runs Colophon in Auckland, New Zealand. He created a few experimental typefaces in 2003-2004: Concorde (a diamond shape pattern font), Mobile Carrion (Courier-style face) and Pukeko. In 2016, he produced Lincoln Mitre, a free font with a military history. He writes: In the early 1950s the US NAVY and Air Force commissioned MIT Lincoln Laboratory (Massachusetts Institute of Technology, Lexington) to begin Research & Development for what was to eventually become SAGE (Semi Automatic Ground Environment)---a computer network designed for strategic, early warning air defence---in retort to a new technology-enabled reality of long range attack from the sky [and weapons of mass destruction], and new forms of Super Power paranoia that would lead to the Cold War. The SAGE network---capable of real-time mass data processing---worked with large computers, networking equipment and radar sites to produce an image of the protected airspace over the U.S. continent. One element of the computer network was the AN/FSQ-7 Combat Direction Central, a computerised command and control system, produced by IBM military Products Division. The AN/FSQ-7 was equipped with command post digital display desks operated by a soldier, using a light gun, push buttons and voice communication to identify and track targets, and if necessary plot an intercept course to them. Work on computer display systems began almost simultaneously with the computers operational design, leading to the design of a new typography for the console's displays, designed to mitigate human error in reading and reporting of data displayed on the screen. Taking into account that the type system would be used in situations of pressure and stress, the MIT Lincoln Laboratory and Mitre Corporation commissioned large studies into type legibility, as well as undertaking their own legibility tests. The goal being to create a type design that would work both technically, over various display systems [Cathode Ray Tube and Dot-Matrix displays], and visually (as a whole) while creating maximum visible differentiation between individual glyphs within its alphanumeric and graphic system, therefore reducing mistakes in recognition between signs that are commonly mistaken for one another: for example I, L and 1, or 0 and O. The outcome of the L/M type system is a programme for creating a typeface that doesn't necessarily aid legibility---which is arguably a context based phenomenon---but presents a solution to the problem of producing maximum letter differentiation in a given type design system – which aids character recognition and acquisition. The L/M types were never developed to render continuous text but call signs (the designation of the aircraft followed by an identification number), more visual signals, or data, than lexical semantics. Yet, these call signs find their way back into civil society via air disasters reported through media, like the disappearance of MH370 or the shooting down of MH17. The resources dedicated to the research and development of the L/M typefaces alone are remarkable, for example, declassified reports reference what appears to be all published studies in legibility available up to the time. We can see what is possible, and also what is impossible, with seemingly infinite resources. For example, it is impossible to define any particular author of the font, or ascertain how many people worked on its development. its design being part of a contingent and iterative process, over what appears to take place over many years. Curiously, to this day, the original drawings of the type system remain classified in The MITRE Corporation archives. These fonts are digitisations of the alphanumerics I found in many military and research reports connected to the L/M type system. Each font is connected to a particular visual display on which the letters, digits and symbols would be rendered. Punctuation and accents have been added for convenience in use. Library Stack link. [Google] [More] ⦿
Corien Bennink	Corien Bennink (Corien's Handwritingfonts) is a Dutch portrait photographer and pencil artist, b. 1980. She lives in Diever. Corien has been making custom handwriting fonts since 2005. Creator of the comic book / chalk board font Whiteboard (2007). She is the designer of Heroes Font (2006, hand-printed, made based on screenshots of the Heroes TV series; see also here) and House Whiteboard Font (2006). Commercial fonts include Spidery Elegance (2008), Dausby (2012, based on a secretary's hand from the 1850s), Ashby (2015, a Spencerian script), Concinnitas (2015, a neat upright handcrafted typeface), Deveren (2017, based on goosefeather writings from the late 1600s), Notetaker (2019) and Yarker (2019, a business hand of the late 19th century). She also offers a commercial handwriting font service (40 USD), and has some free handwriting demo fonts from 2005 and 2006: Angela, Bob-H., Escribiente, Heroes-font, Kendall-j, Krusoe, Nongtung, R.-Bruce, Whiteboard, richie. Alternate URL. Yet another URL. [Google] [MyFonts] [More] ⦿
Luke Bennis	Luke Bennis is an Australian designer living in Newcastle, NSW. Currently working as a Graphic Designer in the Marketing department for McDonald Jones Homes&also working as a freelance designer. Designer of an experimental typeface in 2010. He also made Varsity (2010), a typeface for the Zoloft crowd. Behance link. [Google] [More] ⦿
Guy Ben-noon	Affula, Israel-based designer of the Hebrew typeface Afula (2016). [Google] [More] ⦿
Jobin Bennykutty	During his studies, Biringham, UK-based Jobin Bennykutty created the geometric display typefaces Boxhead (2015) and Arrowhead (2015). Behance link. [Google] [More] ⦿
Jobin Bennykutty	During his studies in Birmingham, UK, Jobin Bennykutty created an untitled stick-based typeface (2015). Behance link. [Google] [More] ⦿
Fabienne Benoit	French type designer at the ADT (Atelier de decoupage typographique) who designed La Fabienne and La Fafabienne. [Google] [More] ⦿
Jean Benoit-Levy	Codesigner at Typebox with seven others of dingbats in the traffic signal font TxSignal Signifier (2002). [Google] [More] ⦿
Lian Benoit	Art director in Montreal who designed the free duck tape typeface Ducktype (2016). [Google] [More] ⦿
David Benque	Rotterdam-based designer. He is working on a nice set of stitching fonts in 2007. [Google] [More] ⦿
Nim Ben-Reuven	Graphic designer in Brooklyn, NY. He made the fat typeface Folded Stone (2010). Behance link. [Google] [More] ⦿
Saad Benryane	Designer based in Montreal, New York and Bern. Devian Tart link. He created the roundish high-contrast art deco typeface Artificial Timepiece (2011). [Google] [More] ⦿
Jeff Bensch	Ex-student from the University of Toledo, b. 1971. Creator of the flamed dingbat and alphading fonts J-Flames (2011), Up In Flames (2008), Up In Flames Too (2008), Up No Flames (2008), Flames VI (2007), Flames V (2007), Gothic Flames (2007), Roman Flames (2009), Flames IV (2007), Flamesiii (2006, blackletter), Flames 2 (2006), Flames (2005), Bensch Gothic (2008), Bensch Gothic Flames (2008). PHuture (2008) breaks with his style and is a high-contrast rounded LED simulation typeface made in 2008. Typefaces from 2010-2011: What UP (2011, gridded), Headshot (2011), PHUTUREphlamesPHAST (2011), PHUTUREphlames (2011), Gothferatu (2010, a spiky tattoo parlour blackletter face), Skyline (2010), Hexcellent (2011). Typefaces from 2012: Fontmageddon. Typefaces from 2014: Bus Stop, Blockt, Skylinesketch, Fast Block Flames, Hot Librarian, Hot Secretary, UpTop, Synced, Small Tall, Bus Stop Worn. Typefaces from 2015: Namo, Jinkeez (dripping ink font), BeWicked (script), Stout Deco (art deco geometric sans), Middle Management (thick calligraphic script), A15Bit, Tentacles, Dsplaid, 1313 Mockingbird Lane (dripping blood font), Red Velvetica Shadows Bold (Helvetica with an outline and a shadow), Rough Draught, Prosciutto Sansish. Typefaces from 2016: Brown Bag (script). Typefaces from 2017: Zombie Tai, Gooey Drippy Sticky, Fingerspelling, Super Skyline, Picksuhl (pixel), Stop Slant Sans. Typefaces from 2018: Flip Clock, Spoopy, Bologna Sansish, Flip Clock Black, Flip Clock White, Runden, Time For Salad (fat rounded italic), Grabage (grunge), Sole Survivor, Capicola Sansish. Typefaces from 2019: Shocktober (a dripping blood Halloween font), Puck Man (Pacman font). [Google] [More] ⦿
Leila Bensghaiyar	For a school project in Santander, Spain, Leila Bensghaiyar and Javier Amigo co-designed the geometric typeface Three Angles (2016). [Google] [More] ⦿
Cameron Bensimon	Product, graphic and fashion designer in London, UK, b. 1999. Creator of the free hand-printed typeface Last Line (2013) and the squarish typeface FuturBlock (2018). [Google] [More] ⦿
Helena Benskaya	Moscow-based designer of the deco typeface Wave (2016) and the grungy modular typeface Splash (2016). [Google] [More] ⦿
Alex Benson	British creator of the hand-printed typeface Amelia Lily KT (2013). [Google] [More] ⦿
Jared Benson	Executive Creative Director and Punchcut Founder. Typophile.com is run by Jared Benson, who is Jonathan Hoefler's webmaster since 1999, from San Francisco. Incredible web pages! Jared designed Review Beta, Yakuza (Japanese letters), Benson Caps (pixel font), Benson Linear (pixel font), Pixeltrap (2003), Bitmuni (2003, based on San Francisco MUNI train windows: a fantastic creation!), Trinary (2003, a crazy bar-coding typeface invention), Benson Nonlinear (another font for small point sizes), Freiburger (2003, based on a scan from from D.B. Updike's Printing Types, Vol 1, pg. 87. This was the type used for the first Bible printed in France: Freiburger, Gering and Kranz, Paris 1476) and Academic. At FontStruct, he created the Singularity family in 2009. Typophile.com is a general information site on type with essays, discussions, tutorials, examples, beautifully organized. On April 8, 2002, Jared spilled hs coffee on one of the most interesting places in the type world with this message: While we encourage healthy debate and meaningful discussion, posts containing inflammatory remarks and/or personal attacks will be deleted in their entirety by the board moderator. [Google] [MyFonts] [More] ⦿
John Everett Benson	Lettering artist, stonecutter, calligrapher and sculptor, b. 1939, Newport, RI. Son of John Howard Benson (1902-1956), stonecutter and calligrapher, who was also born in Newport. He has created inscriptions for monuments including the John F. Kennedy memorial at Arlington National Cemetery, the National Gallery of Art, and the Vietnam Memorial in Washington, DC. Trained in sculpture at the Rhode Island School of Design, John was owner and operator of the historic John Stevens stonecarving shop for more than thirty years. He trained his son Nicholas, who now runs the John Stevens Shop (since 1993), and has lately returned to the full-time practice of making sculptures at his studio in Newport. His typefaces include the understated calligraphic scripts Alexa (1995-2002, Adobe), Balzano (1994, Adobe) and Caliban (1995, Adobe), the titling typeface Aardvark for Font Bureau (1991, with Jill Pichotta), and several phototypefaces for architectural applications. Sample of his work from 1973 now at the MoMA in New York. Wikipedia link. Font Bureau link. . Fontshop link. Linotype link. View the typefaces that were made by Benson. [Google] [MyFonts] [More] ⦿
Kyle Wayne Benson	Kyle Wayne Benson (b. 1988, Texas) describes himself as an affable graphic and type designer. He has his own commercial foundry, also called Kyle Wayne Benson, which specializes in signage type. Very Cool Studio was located in Orem, UT, and more recently in Oakland, CA. Future Fonts link. Creator in 2013 of Benson Script (with three contrast levels, from didone to monoline), the octagonal angular typefaces Millie and Truth, and of Clayton, Red Benny, Tide's In, Tide Sans (the surf-inspired humanist with a humorous selection of weight names ranging from Lil Bunny, to Dudette, Bunny, Mondo, Kahuna and Dude), Tide Sans Condensed, and Farmer's Co-Op (a vernacular sans with wood type influences). Typefaces from 2014: Jeames (a high-contrast decorative typeface with vintage serifs), Maritime Champion, Maritime Champion Stencil, Good News Sans (a set of 18 display sans typefaces, mostly for titling or short pieces), Kansas Casual (a sign painting font), Maritime Champion (inline typeface), National Champion (octagonal athletic lettering family). Typefaces from 2015: Qualtrics. Typefaces from 2018: Gooper (a take on Cooper Black; at Future Fonts). Typefaces from 2019: Bruphy (a variable font modeled after hand-painted brush lettering and released at Future Fonts). Typefaces from 2020: Gooper Text, Bruphy Text. Typefaces from 2021: Nudge (a condensed gothic sans based on a dog defecation sign composed of letters hand cut out of vinyl at Silver Lake Reservoir in LA), Gooper Deck. Typefaces from 2022: Henrietta (a revival of a 1980s font that ripped off Souvenir; I would like to have a good definition of the difference between revival and ripoff). [Google] [MyFonts] [More] ⦿
Lee Benson	Portland, OR-based designer (City Limit Design) who created the paper fold ribbon font Galactic (2013). Behance link. [Google] [More] ⦿
Salma Bens	At the Académie royale des beaux arts de Bruxelles, Salma Bens designed a constructivist typeface (2012). [Google] [More] ⦿
Daniel Bent	Charleston, SC-based creator (b. 1990) of Spooky Drips (2011, a dripping blood Halloween face). Dafont link. [Google] [More] ⦿
Sascha Bente	At ECAL (Lausanne, Switzerland), Sascha Bente designed the transitional text typeface Augustyn Display (2020). [Google] [More] ⦿
Sascha Bente	Type designer associated with the Swiss foundry Lineto. In 2019, he extended LL Jumping Jack with approval by Dieter Zembsch and Charles Grant. Dieter Zembsch had designed Jumping Jack at Mecanorma in 1975, and Lineto had started work on a digital revival in 2011. LL Jumping Jack Jack was published in 2020. [Google] [More] ⦿
Chris Bentham	Leeds, UK-based graphic designer who created the display typefaces Bones (2012) and Cuckoo (2012). Cargo collective link. Behance link. [Google] [More] ⦿
Sebastian Bentler	Sebastian Bentler at Dezyner Records is the German designer (b. 1981) of mostly techno/futuristic fonts. Partial list: Neue Saat (2002, futuristic), Mayagen-r (2001), Tesh (2001), Smart AI Expansion (2001, pixel font), Cyborg 45 (2001), Quadspeed (2001, pixel font), FutureFlash (2001). Alternate URL. Alternate URL. Dafont link. [Google] [More] ⦿
Alanna Bentley	London, UK-based designer of Zadar (2016), a font designed to accompany the packaging of an album celebrating the Sea Organ of Zadar. She also designed Toothed (2016), a display font inspired by a carved wooden mask from Bamana in Mali, that can be found in the permanent collection of the British Museum, London. [Google] [More] ⦿
Lee Bentley Jr.	The Empire of the Claw is run by Lee "the Claw" Bentley, Jr. His fonts could be called mysterious, weird, spooky, odd, and scary. Many are scanbats. There is also a considerable archive! Original fonts by "The Claw" include Bloodsuckers, Devo, Devo Dingbats, Emperor's Scrawl, Horror Dingbats, Horror Dingbats Eerie Edition, B Movie Dingbats, Grossout Shadow, Hey Kids, Monsters Attack, and Elvira Dingbats. Newest fonts in the horror / futuristic / game font archive: Showboat, Sins of Rhonda, Spookshow, TerraFirma, TexasLED, Wonton (oriental simulation), Yawnovision, YonderRecoil, Zabdiel, Zapped, Zero Degrees, Zoom, Bloodgutter 99, Corpse, Dignity of Labour, Crackman, Space Gimboid, and Neo Geo. At TypOasis. Dafont link. [Google] [More] ⦿
Oli Bentley	Leeds, U.K.-based designer of Graft (2019), a condensed typeface intended first as a display face for the giant People Powered Press (for letterpress printing). They explain: The letterforms take inspiration from the north's rich industrial heritage, using the shape of the cross section of a steel I-beam as their starting point. [Google] [MyFonts] [More] ⦿
Catia Bento	During her studies, Catia Bento (Coimbra, Portugal) designed the display typeface Royals (2015). [Google] [More] ⦿
Rodrigo Bento d'Almeida	Graphic designer from Mompiche, Ecuador. He created an octagonal display typeface called Mompiche (2009). [Google] [More] ⦿
Evil Bento	The great geometric and textured art deco typeface Metropolika (2010, FontStruct) was inspired by Metropolis. It is the only font made by Evil Bento thus far. [Google] [More] ⦿
Linn Boyd Benton	Type designer (b. Little Falls, NJ, 1844, d. Plainfield, NJ, 1932) who lived in New Jersey. Father of Morris Fuller Benton. He cut Century Expanded (1894) based on a design of Th. L. De Vinne. This Scotch roman typeface was later redrawn by Morris Fuller Benton in 1900. Linn Boyd Benton managed manufacturing at ATF from 1892 until his death in 1932. Article by Patricia Cost for Printing History: Linn Boyd Benton, Morris Fuller Benton,&Typemaking at ATF. Cynthia Jacquette writes about Linn Boyd and his son. FontShop link. [Google] [MyFonts] [More] ⦿
Morris Fuller Benton	Prolific American type designer (b. 1872, Milwaukee, d. 1948, Morristown, NJ), who published over 200 alphabets at ATF. He managed the ATF type design program from 1892 until 1937. Son of Linn Boyd Benton. MyFonts page on him. Nicholas Fabian's page. Linotype's page. Klingspor page. Unos tipos duros page. His fonts include: 1897: Cloister Old Style (ATF). [Stephenson Blake purchased this from ATF and called it Kensington Old Style, 1919] [Cloister (2005, P22/Lanston) is based on Jim Rimmer's digitization of Benton's Cloister.] 1898: Roycroft. Mac McGrew on Roycroft: Roycroft was one of the most popular of a number of rugged typefaces used around the turn of the century, when printing with an antique appearance was in vogue. It was inspired by lettering used by the Saturday Evening Post. then a popular weekly magazine, and has been credited to Lewis Buddy, a former Post artist and letterer, but ATF says it was designed "partly" by Morris Benton, about 1898. Gerry Powell, director of typographic design for ATF in the 1940s, says, "Roycroft was first known as Buddy, changed when it was adopted by Elbert Hubbard for the Roycroft Press." Henry L. Bullen, ATF librarian and historian, says, "The first font of type to be made from matrices directly engraved on the Benton machine was 24-point Roycroft. October 4, 1900." While the machine was originally designed in 1884 to cut punches rather than matrices, it is doubtful that no fonts of mats were cut before 1900. Roycroft is also said to be the first typeface for which the large size of 120-point was engraved in type metal, with matrices made by electrotyping. Many typefaces of the day had a number of alternate characters. For this face. ATF gave specific instructions for their intended use: "M with the short vertex, in words the letters of which are open; R with the long tail, as a final letter in all-cap words; the wide h, m, and n, as a final letter only; t with the swash tail, as a final letter but not too frequently; u with the descending stroke, in words having no descending letters; ct ligature, wherever possible; the long s and its combinations, in antique work." Roycroft Open was cut in 1902, probably from the same patterns as the parent face. Roycroft Tinted is a very unusual face, in which the typeface is engraved with the equivalent of a halftone screen of about 25 percent tone value, with a black shadow on the right side; this typeface was cut by the Dickinson Type Foundry branch of ATF in Boston, and includes the same special characters as Roycroft. Compare Post Oldstyle. 1900: Century Expanded (1900: poster by Heather Leonhardt). This was a complete redraw of Century Roman which was designed in 1894 by his father, Linn Boyd Benton, for Theodore Low DeVinne, the publisher of Century Magazine. Digitizations by Elsner&Flake, Bitstream and URW. 1901: Linotext (aka WedddingText). 1901-1910: Engravers. 1901: Wedding Text (some put this in 1907), Old English Text, Engravers' Old English (a blackletter font remade by Bitstream). Wedding Text has been copied so often it is sickening: Wedding Regular and Headline (HiH, 2007), Dan X. Solo's version, Comtesse, Elite Kanzlei (1905, Stempel), Meta, Lipsia, QHS Nadejda (QHS Soft), Blackletter 681, Marriage (Softmaker), Wedding Text TL (by Tomas Liubinas). 1902: Typoscript. 1902-1912: Franklin Gothic. Digital versions exist by Bitstream, Elsner&Flake (in a version called ATF Franklin Gothic), Red Rooster (called Franklin Gothic Pro, 2011), Linotype, and ITC (ITC Franklin Gothic). Discussion by Harvey Spears. Mac McGrew: Franklin Gothic might well be called the patriarch of modern American gothics. Designed in 1902 by Morris Fuller Benton, it was one of the first important modernizations of traditional nineteenth-century typefaces by that designer, after he was assigned the task of unifying and improving the varied assortment of designs inherited by ATF from its twenty-three predecessor companies. Franklin Gothic (named for Benjamin Franklin) not only became a family in its own right, but also lent its characteristics to Lightline Gothic. Monotone Gothic, and News Gothic (q.v.). All of these typefaces bear more resem- blance to each other than do the typefaces within some other single families. Franklin Gothic is characterized by a slight degree of thick-and-thin contrast; by the double-loop g which has become a typically American design in gothic typefaces; by the diagonal ends of curved strokes (except in Extra Condensed); and by the oddity of the upper end of C and c being heavier than the lower end. The principal specimen here is Monotype, but the basic font is virtually an exact copy of the ATF typeface in display sizes, except that Monotype has added f- ligatures and diphthongs. Franklin Gothic Condensed and Extra Condensed were also designed by Benton, in 1906; Italic by the same designer in 1910; and Condensed Shaded in 1912 as part of the "gray typography" series. Although Benton started a wide version along with the others, it was abandoned; the present Franklin Gothic Wide was drawn by Bud (John L.) Renshaw about 1952. Franklin Gothic Condensed Italic was added by Whedon Davis in 1967. Monotype composition sizes of Franklin Gothic have been greatly modi- fied to fit a standard arrangement; 12-point is shown in the specimen-notice the narrow figures and certain other poorly reproportioned characters. The 4- and 5-point sizes have a single-loop g. Gothic No. 16 on Linotype and Inter- type is essentially the same as Franklin Gothic up to 14-point; in larger sizes it is modified and more nearly like Franklin Gothic Condensed. However. some fonts of this typeface on Lino have Gagtu redrawn similar to Spartan Black. with the usual characters available as alternates; 14-point is shown. Western Type Foundry and later BB&S used the name Gothic No.1 for their copy of Franklin Gothic, while Laclede had another similar Gothic No. 1 (q.v.). On Ludlow, this design was originally known as Square Gothic Heavy with a distinctive R and t as shown separately after the Monotype diphthongs; when the name was changed to Franklin Gothic in 1928, it was redrawn, closer to Franklin Gothic but still a bit top-heavy; the unique R was retained in standard fonts but an alternate version like that of ATF was made available separately; also a U with equal arms, a single-loop g, and a figure 1 without foot serifs. Ludlow Franklin Gothic Italic, partially shown on the third line of the specimen, is slanted much more than other versions, to fit the standard 17 -degree italic matrices of that machine. Modern Gothic Condensed and Italic (q.v.) are often though not properly called Franklin Gothic Condensed and Italic, especially by Monotype users. Also see Streamline Block. 1903: Alternate Gothic (ATF). See Alternate Gothic Pro Antique (Elsner&Flake), Alternate Gothic No2 (Bitstream), Alpin Gothic (by Team77), League Gothic (2009-2011, The League of Movable Type), and Alternate Gothic No1, No2 and No3 (see the URW version). Mac McGrew: Alternate Gothic was designed in 1903 by Morris F. Benton for ATF with the thought of providing several alternate widths of one design to fit various layout problems. Otherwise it is a plain, basic American gothic with no unusual features, but represents a more careful drawing of its nineteenth-century predecessors. The Monotype copies in display sizes are essentially the same as the foundry originals, with the addition of f-ligatures. The thirteen alternate round capitals shown in the first line of Alternate Gothic No.1 were designed by Sol Hess in 1927 for Monotype, hence the "Modernized" name; with these letters the design is sometimes referred to as Excelsior Gothic. Monotype keyboard sizes, as adapted by Hess about 1911, are considera- bly modified to fit a standard arrangement; caps are not as condensed as in the original foundry design. In 6-point, series 51 and 77 are both the same width, character for character, but some letters differ a bit in design. Note that these two narrower widths are simply called Alternate Gothic on Monotype, while the wider version is Alternate Gothic Condensed! Alternate Gothic Italic, drawn about 1946 by Sol Hess for Monotype matches No.2, but may be used with other widths as well. Condensed Gothic on Ludlow, is essentially a match for Alternate Gothic No.1, but has a somewhat different set of variant characters, as shown in the third line. There is also Condensed Gothic Outline on Ludlow, introduced about 1953, essentially an outline version of Alternate Gothic No.2. On Linotype and Intertype there is Gothic Condensed No.2 which is very similar to Alternate Gothic No. 1 in the largest sizes only, but with even narrower lowercase and figures. Also compare Trade Gothic Bold and Trade Gothic Bold Condensed. For a free version of Alternate Gothic No. 1, see League Gothic (2009-2011, The League of Movable Type). 1904: Bold Antique, Whitin Black [see OPTI Bold Antique for a modern digitization], Cheltenham (digitizations by Bitstream and Font Bureau, 1992), Cloister Black (blackletter font, see the Bitstream version: it is possible that the typeface as designed by Joseph W. Phinney). 1905: Linoscript (1905). Originally at ATF it was named "Typo Upright". Clearface, about which McGrew writes: Clearface was designed by Morris Benton with his father, Linn Boyd Benton, as advisor. The bold was designed first, in 1905, and cut the following year. The other weights and italics were produced through 1911. As the name implies, the series was intended to show unusual legibility, which it certainly achieved. The precision of cutting and casting for which ATF is noted produced a very neat and handsome series, which had considerable popularity. Clearface Heavy Italic has less inclination than the lighter weights, and is non-kerning, a detail which helped make it popular for newspaper use; the specimen shown here is from a very worn font. Some of the typefaces have been copied by the matrix makers. But the typeface Monotype calls Clearface and Italic is the weight called Bold by other sources. Monotype also includes Clearface Italic No. 289, a copy of the lighter weight. Revival and expansion by Victor Caruso for ITC called ITC Clearface, 1978. Also, American Extra Condensed, an octagonal mechanical typeface revived in 2011 by Nick Curtis as Uncle Sam Slim NF. 1906: Commercial Script (versions exist at Linotype, URW, Bitstream (called English 144), SoftMaker (2012), and Elsner&Flake), Miele Gothic, Norwood Roman. 1907: Lincoln Gotisch, named after Abraham Lincoln. This found found its way from ATF to Schriftguss, Trennert und Sohn, and Ludwig Wagner. Digital revivals include Delbanco's DS Lincoln-Gotisch. Compare with Comtesses, Lipsia, Elite Kanzlei, Lithographia and Wedding Text. 1908: News Gothic, Century Oldstyle (digital versions by Bitstream, Elsner&Flake, and URW), Clearface Gothic (1907-1910: digital revivals include Clear Gothic Serial (ca. 1994, SoftMaker) and Cleargothic Pro (2012, SoftMaker). McGrew: Clearface Gothic was designed by Morris Benton for ATF in 1908, and cut in 1910. It is a neat, clean gothic, somewhat thick and thin, which incorporates some of the mannerisms of the Clearface (roman) series. However, it can hardly be considered a part of that family. There is only one weight, and fonts contain only the minimum number of characters. 1909-1911: Rugged Roman. McGrew: Rugged Roman was designed for ATF by Morris F. Benton in 1909-11. It was patented in 1915, but the earliest showing seems to have appeared in 1917. It is a rugged face, as the name says, of the sort that was popular early in the century, but appears to have no relation to other typefaces having the name "Rugged." It somewhat resembles Roycroft, but is lighter. But to add to the uncertainty, fonts contained a number of ligatures of the kind which were more common in the early 1900s, in addition to the usual f-ligatures. 1910: Cloister Open Face, Hobo (1910, strongly influenced by the Art Nouveau movement; Hobo Light followed in 1915), ATF Bodoni (Bitstream's version is just called Bodoni, and Adobe's version is called Bodoni Book or Bodoni Poster or Bodoni Bold Condensed, while Elsner&Flake call theirs Bodoni No Two EF Ultra; Font Bureau's version has just two weights called BodoniFB-Bold Condensed and Compressed). McGrew writes about Hobo: Hobo is unusual in two respects---it is drawn with virtually no straight lines, and it has no descenders and thus is very large for the point size. It was designed by Morris F. Benton and issued by ATF in 1910. One story says that it was drawn in the early 1900s and sent to the foundry without a name, which was not unusual, but that further work on it was continually pushed aside, until it became known as "that old hobo" because it hung around so long without results. More time elapsed before it was patented in 1915. The working name was Adface. Hobo was also cut by Intertype in three sizes. Light Hobo was also drawn by Benton, and released by ATF in 1915. It is included in one list of Monotype typefaces, but its series number is shown elsewhere for another Monotype face, and no other evidence has been found that Monotype actually issued it. 1911-1913: Venetian, Cromwell. Mac McGrew: Cromwell is a rather playful typeface, designed by Morris Benton in 1913 but not released by ATF until three years later. It uses the same capitals as Cloister (q.v.) and has the same small x-height with long ascenders and descenders, but otherwise is quite different, with much less formality. Notice the alternate characters and the double letters including overhanging f's.. Cromwell was digitized by Nick Curtis in 2010 as Cromwell NF. Mac McGrew on Venetian: Venetian and Italic were designed by Morris F. Benton for ATF about 1911, with Venetian Bold following about two years later. They are rather reserved transitional typefaces, almost modern, instead of classic designs of Venetian origin as the name implies. The result is closer to Bodoni than to Cloister. The working title was Cheltenham No.2, but the relationship to that family is not apparent. It is carefully and neatly done, but never achieved widespread use. Compare Benton, a later typeface by the same designer, which has similar characteristics but more grace and charm. 1914: Adscript, Souvenir, Garamond (with T.M. Cleveland). 1916: Announcement, Light Old Style, Goudy Bold. Mac McGrew writes: Announcement Roman and Announcement Italic were designed by Morris F. Benton in 1916, adapted from steel or copperplate engravings, but not completed and released until 1918. These delicate typefaces have had some popularity for announcements, social stationery, and a limited amount of advertising work, but are a little too fancy for extensive use. Oddly, some of the plain caps shown in the specimens, both roman and italic, do not seem to appear in any ATF specimens. Foundry records show that a 48-point size of the roman was cut in 1927, but no other listing or showing of it has been found. In fact, sizes over 24-point were discontinued after a few years, and all sizes were discontinued in 1954.. Digitizations: Announcement Roman was revived by Nick Curtis in 2009 and called Society Page NF. Rebecca Alaccari at Canada Type revived it as Odette in 2004. See also Castcraft's OPTI Announcement Roman. 1916-1917: Invitation. For a digital revival, see Sil Vous Plait (2009, Nick Curtis). 1917: Freehand. 1917-1919: Sterling. Digitizations include Howard (2006, Paul D. Hunt), Argentina NF (2009, Nick Curtis), and Argentina Cursive NF. 1918: Century Schoolbook (1918-1921). (See ITC Century (Tony Stan, 1975-1979), or the Century FB-Bold Condensed weight by Greg Thompson at Font Bureau, 1992. For Century Schoolbook specifically, there are versions by Elsner&Flake, Bitstream and URW. Bitstream has a monospaced version.) URW Century Schoolbook L is free, and its major extension, TeXGyre Schola (2007) is also free. 1920: Canterbury. Mac McGrew: Canterbury is a novelty typeface designed by Morris F. Benton for ATF in 1920, when trials were cut, but not completed for production until 1926. It features a very small x-height, with long ascenders and descenders; monotone weight with minute serifs; and a number of swash capitals. It is primarily suitable for personal stationery and announcements. Compare Camelot Oldstyle. Digital versions were done by Nick Curtis in his Londonderry Air NF (2002-2004), and Red Rooster in the series Canterbury, Canterbury OldStyle, and Canterbury Sans. 1922: Civilité. Mac McGrew on the ATF Civilité: Civilite in its modern adaptation was designed by Morris Benton in 1922 and cut by ATF in 1923-24. The original version was cut by Robert Granjon in 1557 to imitate the semi-formal writing then in vogue, and is believed to be the first cursive design cut in type. It became popular for the printing of poetry and for books of instruction for children, where the type itself could serve as a perfect model of handwriting. The first of these books was titled La Civilite puerile, printed at Antwerp in 1559. The books were so popular that the design came to be known as "civility" type. Other interpretations of the letter have been made, including Cursive Script, cut in the nineteenth century in 18-point only from French sources by ATF predecessors and by Hansen, but Benton's seems more attractive and legible to modern eyes. The French pronunciation of ci-vil'i-tay is indicated by the accented e, which was used only in ATF's earliest showings. The many alternate characters were included in fonts as originally sold; later they were sold separately and finally discontinued, although the basic font was still listed in recent ATF literature. Also see ZapfCivilite. Compare Freehand, Motto, Verona. 1924: Schoolbook Oldstyle. 1926-1927: Typo Roman. 1927: Chic (American Typefounders; doubly shaded capitals and figures), Gravure, Greeting Monotone, Goudy Extra Bold. The art deco typeface Chic was revived by Nick Curtis as Odalisque NF (2008) and Odalisque Stencil NF (2010). 1928: Parisian, Bulmer (revival of William Martin's typeface from 1792 for the printer William Bulmer; digital forms by Monotype, Adobe, Linotype, and Bitstream), Broadway (1928-1929, see two styles offered by Elsner&Flake, Linotype, Bitstream, and 11 weights by URW), Goudy Catalogue, Modernique, Novel Gothic (ATF, designed with Charles H. Becker), Dynamic. Novel Gothic has seen many digital revivals, most notably Telenovela NF (2011, Nick Curtis), Naked Power (Chikako Larabie) and Novel Gothic SG (Jim Spiece). Images of Bulmer: i, ii, iii, iv, v, vi, vii, viii, ix, x, xi, xii. 1929: Louvaine. McGrew: Louvaine series was designed by Morris F. Benton for ATF in 1928. It is an adaptation of Bodoni (the working title was Modern Bodoni), and many of the characters are identical. Only g and y are basically different; otherwise the distinction is in the more abrupt transition from thick to thin strokes in this series. In this respect, Ultra Bodoni has more affinity to Louvaine than to the other Bodoni weights. The three weights of Louvaine correspond to Bodoni Book, Regular, and Bold. This series did not last long enough to appear in the 1934 ATF specimen book, the next complete one after its introduction. Compare Tippecanoe. 1930: Benton, Engravers Text, Bank Gothic (see Bitstream's version), Garamond-3 (with Thomas Maitland Cleland), Paramount (some have this as being from 1928: see Eva Paramount SG by Jim Spiece). McGrew: Paramount was designed by Morris Benton in 1930 for ATF. It is basically a heavier companion to Rivoli (q. v.), which in turn is based on Eve, an importation from Germany, but is heavier than Eve Bold. It is an informal typeface with a crisp, pen-drawn appearance. Lowercase is small, with long ascenders and short descenders. Vertical strokes taper, being wider at the top. It was popular for a time as an advertising and announcement type. 1931: Thermotype, Stymie (with Sol Hess and Gerry Powell). Stymie Obelisk is a condensed Egyptian headline face---the latter was revived by Nick Curtis as Kenotaph NF (2011). 1932: Raleigh Gothic Condensed (the digital version by Nick Curtis is Highpoint Gothic NF (2011)), American Text (blackletter). Mac McGrew: Raleigh Gothic Condensed was designed by Morris F. Benton for ATF in 1932. It is a prim, narrow, medium weight gothic face, with normally round characters being squared except for short arcs on the outside of corners. The alternate characters AKMNS give an even greater vertical appearance than usual. At first, this typeface was promoted with Raleigh Cursive as a stylish companion face, although there is no apparent relationship other than the name. Compare Phenix, Alternate Gothic, Agency Gothic. 1933: American Backslant, Ultra Bodoni (a great Bodoni headline face; see Bodoni FB (1992, Font Bureau's Richard Lipton). About Agency Gothic, McGrath writes: Agency Gothic is a squarish, narrow, monotone gothic without lower- case, designed by Morris F. Benton in 1932. It has an alternate A and M which further emphasize the vertical lines. Sizes under 36-point were added in 1935. Agency Gothic Open was drawn by Benton in 1932 and introduced in 1934; it follows the same style in outline with shadow, and probably has been more popular than its solid companion. Triangle Type Foundry, a Chicago concern that manufactured matrices, copied this typeface as Slim Open, adding some smaller sizes. ATF's working titles for these typefaces, before release, were Tempo, later Utility Gothic and Utility Open. Compare Raleigh Gothic Condensed, Poster Gothic, Bank Gothic. Digital versions include Warp Three NF (2008, Nick Curtis), which borrows its lowercase from Square Gothic (1888, James Conner's Sons), FB Agency (1995, David Berlow at FontBureau), Agency Gothic (by Dan Solo) and OPTI Agency Gothic (by Castcraft). 1934: Shadow, Tower (heavy geometric slab serif), Whitehall. Font Bureau's Elizabeth Cory Holzman made the Constructa family in 1994 based on Tower. Digital versions include Warp Three NF (2008, Nick Curtis), which borrows its lowercase from Square Gothic (1888, James Conner's Sons), FB Agency Gothic (1995, David Berlow at FontBureau) and Agency Gothic by Castle Type. Eagle Bold followed in 1934. McGrew: Eagle Bold is a by-product of the depression of the 1930s. The National Recovery Administration of 1933 had as its emblem a blue eagle with the prominent initials NRA, lettered in a distinctive gothic style. Morris Benton took these letters as the basis for a font of type, released later that year by ATF, to tie in with the emblem, which businesses throughout the country displayed prominently in advertising, stationery, and signs; naturally it was named for the eagle. Compare Novel Gothic. USA Resolute NF (2009, Nick Curtis) is based on Eagle Bold. 1935: Phenix. This condensed artsy sans was revived in 2011 at Red Rooster by Steve Jackaman and Ashley Muir as Phoenix Pro. 1936: Headline Gothic. For a digital version, see ATF Headline Gothic (2015, Mark van Bronkhorst, Igino Marini, & Ben Kiel at American Type Founders Collection). 1937: Empire. This ultra-condensed all caps skyline typeface was digitally remade and modernized by Santiago Orozco as Dorsa (2011). Jeff Levine reinterpreted it in 2017 as Front Row JNL. Bitstream also has a digital revival. Linotype link. FontShop link. Picture. Typefaces alphabetic order: Adscript Agency Gothic (+Open Alternate Gothic No.1 (+No.2, +No.3) American Backslant American Caslon&Italic American Text Announcement Roman&Italic (1916). For digital revivals or influences, see Friendly (2012, Neil Summerour), Odette (2004, Canada Type) and Society Page NF (2009, Nick Curtis). Antique Shaded Bank Gothic Light (+Medium, +Bold, +Light Condensed, +Medium Condensed, +Bold Condensed). For digital versions, see Bank Gothic AS Regular and Condensed (2008, Michael Doret). Baskerville Italic Benton (Whitehall)&Italic Bodoni&Italic (+Book&Italic, +Bold&Italic, +Bold Shaded, +Bold Open) Bold Antique (+Condensed) Broadway (+Condensed). The prototyical art deco typeface (1928-1929). Bulfinch Oldstyle (1903). Bulmer&Italic Canterbury Card Bodoni (+Bold). 1912-1916. Card Litho (+Light Litho) Card Mercantile Card Roman Century Expanded&Italic Century Bold&Italic (+Bold Condensed, +Bold Extended) Century Oldstyle&Italic (+Bold&Italic, +Bold Condensed) Century Catalogue&Italic Century Schoolbook&Italic (+Bold) Cheltenham Oldstyle&Italic (+Condensed, +Wide) Cheltenham Medium&Italic (+Medium Condensed, +Medium Expanded, +Bold&Italic, +Bold Condensed&Italic, +Bold Extra Condensed&Title, +Bold Extended, +Extrabold, +Bold Outline, +Bold Shaded&Italic, +Extrabold Shaded, +Inline, +Inline Extra Condensed, +Inline Extended) Chic Civilite Clearface&Italic (1907, +Bold&Italic, +Heavy&Italic) Clearface Gothic: a flared version of Clearface. Cloister Black Cloister Oldstyle&Italic (+Lightface&Italic, +Bold&Italic, +Bold Condensed, +Cursive, +Cursive Handtooled, +Title&Bold Title) Commercial Script Copperplate Gothic Shaded Cromwell. Cushing Antique (1902). Della Robbia Light Dynamic Medium Eagle Bold Empire (1937). A skyline typeface. Engravers Bodoni Engravers Old English (+Bold) Engravers Bold Engravers Shaded Engravers Text Franklin Gothic&Italic (+Condensed, +Extra Condensed, +Condensed Shaded) Freehand (1917). Mac McGrew: Freehand, a typeface based on pen-lettering, was designed for ATF by Morris Benton in 1917. The working title before release was Quill. Derived from Old English, it is an interesting novelty, and has had quite a bit of use. Compare Civilite, Motto, Verona. Garamond&Italic (+Bold&Italic, +Open) Globe Gothic (+Condensed, +Extra Condensed, +Extended, +Bold&Italic) Goudy Bold&Italic (+Catalogue&Italic, +Extrabold&Italic, +Handtooled&Italic, +Title) Gravure Greeting Monotone Headline Gothic Hobo&Light Hobo (1910). For digital versions, see Informal 707 (Bitstream), Hobbit (SF), Homeward Bound (Corel), Hobo No2 (2012, SoftMaker), Bogo (2016, Harold Lohner), and Hobo (Bitstream). Invitation (+Shaded) Light Oldstyle Lightline Gothic&Title (1908). For a revival, see Benton Gothic Thin NF (2014, Nick Curtis). Lithograph Shaded (1914, with W.F. Capitain). Louvaine Light&Italic (+Medium&Italic, +Bold&Italic) Miehle Extra Condensed&Title Modernique Monotone Gothic&Title Motto (1915). Mac McGrew: Motto is a calligraphic typeface designed by Morris F. Benton for ATF in 1915. It is similar to the same designer's Freehand, drawn a couple of years later, but has plainer capitals, heavier thin strokes, and shorter descenders. But letters combine into legible words with a pleasant, hand-lettered appearance. Also compare Humanistic, Verona. For a digital version, see Motto by Juan Kafka. News Gothic (+Condensed, +Extra Condensed&Title) Norwood Roman Novel Gothic Othello Packard (+Bold) Paramount Parisian Pen Print Open Phenix Piranesi Italic (+Italic Plain Caps, +Bold&Italic, +Bold Italic Plain Caps) Poster Gothic (1934). Raleigh Gothic Condensed (1934). Rockwell Antique Roycroft Rugged Roman Schoolbook Oldstyle Shadow Souvenir (1914). Revived in 1977 by Ed Benguiat as ITC Souvenir, but a total failure as a type design. Simon Garfield: Souvenir was the Comic Sans of its era, which was the 1970s before punk. It was the typeface of friendly advertising, and it did indeed appear on Bee Gees albums, not to mention the pages of Farrah Fawcett-era Playboy. Mark Batty from International Typeface Corporation (ITC) on one of his best-selling fonts: A terrible typeface. A sort of Saturday Night Fever typeface wearing tight white flared pants. Garfield also retrieved this quote by type scholar Frank Romano in the early 1990s: Real men don't set Souvenir. Digital revivals also include Sunset Serial by Softmaker, and ITC Souvenir Mono by Ned Bunnel. Sterling&Cursive Stymie Light&Italic (+Medium&Italic, +Bold&Italic, +Black&Italic) Thermotypes Tower Condensed (1934). Revived by Photo-Lettering Inc as PL Tower. Typo Roman&Shaded Typo Script and Typo Script&Extended (1902) Typo Shaded Typo Slope Typo Upright&Bold Ultra Bodoni&Italic (+Condensed, +Extra Condensed) Venetian&Italic (+Bold) Wedding Text&Shaded View Morris Fuller Benton's typefaces. A longer list. A listing of various digital versions of News Gothic. More News Gothic-like typefaces. Even more News Gothic-like typefaces. [Google] [MyFonts] [More] ⦿
Ricardo Bento	Santarem, Portugal-based designer of Clarendon Stencil (2014). [Google] [More] ⦿
Bastian Bentra	Aka Glym Forest. Yogyakarta, Indonesia-based designer of the monoline connected script typeface Wonderline Script (2017). Behance link. Creative Market link. [Google] [More] ⦿
Simon Bent	Simon Bent from Melbourne (Metis Foundry, or: Studio Io; was: Volume2a) designed these typefaces in 2007-2008: Epsilon, Annual (modular, architectural), Tangerine, Deccade (experimental), Hoax [more scans: i, ii, iii, iv], Babylon (another modular experiment). In 2012, he created the geometric sans typeface Acumen, and the sans family Silence. He is working on Fragile, Terminal, Link, Recurrence (very experimental), Autonomy, Motor, Velcro, and Elevator. In 2013, he designed the sans typeface Figure. In 2016, he published the ultra-condensed blackletter typeface Optimum Compress in Textura style. In 2018, he published the great condensed brutalist octagonal typeface Texel, the experimental geometric typeface Pyxis (published by The Designers Foundry), and the geometric solid typeface Geometer. In 2019, he added the ultra-fat Dot19, the monoline experiment LXII, the modular Alexandro, the geometric sans typefaces Software and Gertrudes, and the sans font Mizzen. Typefaces from 2020: Geometer. Typefaces from 2021: LXII Display (a prismatic typeface). [Google] [More] ⦿
Denise Lara Kamille K. Bentulan	Digital artist from Quezon City, The Philippines, b. 1991. Aka Douxiegirl. Creator of the mostly handcrafted fonts Laser Metal (2015), Honeytone (2015), Aloha Sunshine (2015, curly script), Moon Flower (2013), Denne Shuffle Euro Hollow (2013), Killed Vespertine (2013, decorative caps), Esto Bueno (2013), Luna Kronik (2013), Alright Scrapbooky (2013), Bacon Kingdom (2012), Brain Flower (2012), Autumn (2012), Springtime (2012), Soymilk (2012), Wintermelon (2012), Matryoshka (2011, 3d face), Monovirus (2011, caps only), Baby Doll (2011, hand-printed), Denne Freakshow (2011, 3d hand-printed), Chemistry (2010), Dominique (2010), All Hail Julia (2010), Denne Etude (2010), Denne Gnossienne (2010), Denne Shuffle (2010, 3d and hand-printed), DenneAtTheTeaParty (2010), DenneMilkTea (2010, all caps, hand-printed), Denne Kitten Heels (2010), Denne Angel (2010), Denne Fuchoor (2009), Denne Sketchy (2009), Denne's aliens (2009), Denne Schoolgirl (2009), Denne's Chokipi (2009), Pretty Shit (2009, dingbats), Denne's Summer (2009), Denne's Pen (2009), Crown Doodle (2009), DENNECURSIVE (2009), DENNELEFT-HAND (2009), Denne-Delica (2009), DenneMarker (2009), DennePuffy-Hearts (2008, marker pen), DenneThreedee (2008, marker pen), Denne's Aliens (2009), and Denne'sOldHandwriting (2009), 2006 (based on the Welcome font by Whitestone which was used in the Fifa World Cup in 2006). Home page. Dafont link. Fontsy link. Klingspor link. Abstract Fonts link. Devian tart link. Behance link. Tumblr link. [Google] [More] ⦿
Celinn Bentzen	Norwegian-born graphic designer in London, UK, who designed the eperimental typeface Tissi (2016) which is named after designer Rosmarie Tissi. [Google] [More] ⦿
Eric Bentzen	Eric Bentzen has links to chess diagram software, and to about twenty chess fonts. THE site for chess fonts! Download his Chess Alpha, his Chess Berlin, and many more TrueType chess fonts. See also here. [Google] [More] ⦿
Niklas Bentzen	Virum, Denmark-based student-designer of the all caps sans typeface Joule (2018). [Google] [More] ⦿
Rachael Bentz	Graphic designer and illustrator in Portland, OR. Creator of the decorative typeface Rot (2014). [Google] [More] ⦿
Bang Benu	Creator of the script typefaces Marisha Script (2016) and Andelya (2016), and the signage typeface Pumpkino (2016). [Google] [More] ⦿
Vanessa Benvenuto	Graphic design student in Zurich. Creator of the hand-printed typeface Rennie (2012). [Google] [More] ⦿
Taylor Benvenutti	During her studies at SCAD, Taylor Benvenutti (Boca Raton, FL) created the unicase display typeface Dailey (2013). Behance link. [Google] [More] ⦿
Houda Benzakour	Marrakesh, Morocco-based designer of Bolight (2015), a decorative typeface that combines light and bold weights into one. [Google] [More] ⦿
Thomas Benz	Wichita, KS-based designer of the 1920s movie poster font Broadway Figura (2015). [Google] [More] ⦿
Benoit Beracassat	Art director in Paris who designed the art deco typeface Veloztica (2016) and the display typeface Anguline (2016). [Google] [More] ⦿
Juan Beracaza	During his studies in Bogota, Colombia, Juan Beracaza designed the rounded Cizaña Stencil typeface (2016). [Google] [More] ⦿
Diego Berakha	Diego Berakha is a Buenos Aires-based graphic designer. Born in Zaragoza, Spain, he lives in Buenos Aires since 1966 and works on editorial pieces, movie posters, type design and illustration. He also works as an advertising film director and is co-founder and designer of the art & culture magazine Labor. His Diego Berakha Studio in Buenos Aires. His lettering style is flashy and colorful and nicely interwoven with the graphic elements. In 2016, he designed the monoline connected script typeface Melodi. [Google] [MyFonts] [More] ⦿
Murillo Beraldo	During his studies at Technology Senac University in Sao Paulo, Murillo Beraldo designed the techno typeface Straight Jam (2016). [Google] [More] ⦿
Paolo Beraldo	Paolo Beraldo (b. 1984) of zero8production in Italy designed a battery of pixel typefaces, all called Pixel Berry. I cannot find download buttons, but one of the fonts, Pixel Berry 08/84 (2003) is free at Dafont where he is known as zero8. [Google] [More] ⦿
Lisa Beranek	German designer of the stencil typeface Richy (2017). [Google] [More] ⦿
Maxence Béranger	French creator of the free octagonal typeface Anxiolytic (2013). [Google] [More] ⦿
Paola Berardelli	In 2010, Paola Berardelli finished her Bachelors Degree in Communication Design at Politecnico di Milano. In 2011, she created the organic typeface Kihon. [Google] [More] ⦿
Bibiani Berardi	Miami, FL-based designer of the exprimental school project font Interlaced Alphabet (2015). Behance link. [Google] [More] ⦿
Yves Bérard	Montrealer who designed the free display font Bold Display 19412K at Chank (2002). [Google] [More] ⦿
Juliette Beraud	In 2016, Juliette Beraud and Lena Douani co-designed the legible sans typeface family Cinétique as students at ECV Paris. [Google] [More] ⦿
Matheus Berbel	Marila, Brazil-based designer of the circle-and-arc themed typeface Orb (2012, with Vanessa Koga). [Google] [More] ⦿
Victor Berbel	Brazilian art director in Campinas. Initially his fonts were free via Dafont, but in 2012, he set up shop at MyFonts. Creator of the nice art deco typeface Berbel Serif (2011), and of the free hairline swashy typeface Boros Rounded (2012). Dafont link. Behance link. Old URL. [Google] [MyFonts] [More] ⦿
Nicole Berbers	During her art and design studies, Nicole Berbers (Rosmalen, The Netherlands) created an untitled typeface (2014). [Google] [More] ⦿
Jacob Berchem	Madison, WI-based creator of the pixelized typeface Metropolis (2014), which was finished during his studies at the University of Wisconsin. He also designed the distressed typeface family Underwood (2014-2015), which is not related to the typewriter. [Google] [More] ⦿
Igor Berck Rodrigues	Brazilian designer, b. 1993, who lives in Sao Paulo. Creator of Lignum Melle (sans face, 2012). Dafont link. [Google] [More] ⦿
Lu Bercovici	Paris-based designer of Fish Skeleton Alphabet (2014). [Google] [More] ⦿
Daniel Berczeller	Chilean codesigner (with Leonidas Loyola) of the display typefaces LD Info and LD Picto, which won an award at Tipos Latinos 2014. [Google] [More] ⦿
Fryda Berd	Fryda Berd is Fred Brady. Type designer who worked at Adobe, and who created Autologic Kis-Janson. Fred Brady (helped by Jim Wasco) designed Adobe Sans and Adobe Serif, which were originally introduced with Acrobat, to stand in as fall-back fonts for missing typefaces. They came with Adobe Acrobat version 2 (1994). In 1992, Adobe released Myriad, a neutral humanist sans family. The design team consisted of Robert Slimbach, Carol Twombly, Fred Brady, and Christopher Slye. Designer of Quake, a quite useless font showing wiggly characters. See also here. Linotype link. [Google] [MyFonts] [More] ⦿
Stephanie Berduo	Buenos Aires-based designer of the experimental typeface Robber (2014), which interpolates between Bodoni and Futura. [Google] [More] ⦿
András Berecz	Design student at the University of Fine Arts in Budapest. In 2012, he created the sans typeface families Flare and Flare 2. For a Hungarian library supplier, he designed the beautiful custom Egyptian typeface Kello (2012). [Google] [More] ⦿
Zhanar Bereketova	Russian designer of the experimental geometric typeface Krok (2018). [Google] [MyFonts] [More] ⦿
Endre Berentzen	Norwegian designer who is working on this tilted sans (2007). He works at the design firm Orangeriet. [Google] [More] ⦿
Laura Beretti	Paris-based designer of the squarish Lapita typeface in 2012. [Google] [More] ⦿
Oles Berezhetskiy	Saint Petersburg, Russia-based designer of the display typefaces Stone Bridge (2016), Vintage Script (2016) and Hieroglyphic Alphabet (2016). [Google] [More] ⦿
Yana Bereziner	Kiev, Ukraine-based creator of the free hipster typeface Nordic (2014), which was inspired by Norwegian runes. In 2015, while at the Kyiv National University of Construction and Architecture, she created the free techno sans typeface Build. In 2016, she finished the free futuristic typeface Quantum, and the free connected calligraphic typeface Luciano (2016). [Google] [More] ⦿
Daria Berezneva	London-based designer of the constructivist typeface MI6 (2014). Behance link. [Google] [More] ⦿
Romain Bergaentzlé	Romain Bergaentzlé is a graphic designer running his studio OOII since 2007 in Berlin. He created the octagonal stencil typeface Ossature (2013, Ten Dollar Fonts and The Designers Foundry). Behance link. [Google] [More] ⦿
Terence Bergagna	Designer at the Australian foundry Prototype Font Design (which he founded in 1992) of Academy, Baseline, Bodoni Anorexia, Bodoni Catwalk, Fat Neon Inline, Flanger, Funky Reverb, FuzzBox, Galley Family, Gimp, Gimp's Brother, Gimp's Sister, Hardwear Nth, Hardwear Sth, Mezzo Family, National Guard, Next century, Next Times, Pseudo Deco, Spy Force, Tank Gothic, Uni code, X-Kommunicate. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿
Maria Berga	Graphic designer in Barcelona, who co-designed the liquidy Cool Shit font in 2017 with Dani Vidal. Behance link. [Google] [More] ⦿
Andrea Bergamini	Masters degree student (b. 1983) at the Politecnico di Milano, who specializes in signage, wayfinding and information design. He researches traffic system fonts and typography. His Flickr page has scans of the Italy's Codice della Strada which dictates street type in Italy, and features his world map which shows the origin and the different "routes" taken by the two main typefaces used in world signs: the American Highway Gothic, published by the traffic engineer Ted Forbes in 1945 and the British Transport type by Jock Kinneir and Margaret Calvert, published in 1963. He also has photographs of traffic signs. Creator of the free family Flaminia (The League of Movable Type, 2009; see also here). He writes: Flaminia is a 2008 opensource project started as a Master Degree Thesis by Andrea Bergamini, an Italian graphic designer annoyed by the chaotic and poorly designed road signage system in his country. The leading idea was that tests taken in real-life conditions are the only way to validate the design of a font to be used for signage and that the final solution should always come from all of the modifications derived by those experiments. These considerations led to the design of Flaminia, a typographical system that allows its users and its future designers to quickly morph (through the use of Multiple Master axes) different variants of the glyphs. By allowing minimal changes of only one variable in the letter shapes, Flaminia also provides a tool to study which are the most relevant factors in the process of reading signs, and can be used free of charge for further researches in this field. [Google] [More] ⦿
Marco Bergamini Pzeros	Italian designer of the refined display typeface Jent (2011), which is fit for a gentleman's fashion mag. Home page. [Google] [More] ⦿
André Berg	Computer and software specialist. He made the Meslo LG font in 2010. As he says, Meslo LG is a customized version of Apple's Menlo-Regular font (which is a customized Bitstream Vera Sans Mono). He did not like certain spacing decisions in Menlo, and so decided to make Meslo LG, where LG stands for Line Gap. The free family, made in 2009-2010, consists of these styles: MesloLGL-Bold, MesloLGL-BoldItalic, MesloLGL-Italic, MesloLGL, MesloLGM-Bold, MesloLGM-BoldItalic, MesloLGM-Italic, MesloLGM, MesloLGS-Bold, MesloLGS-BoldItalic, MesloLGS-Italic, MesloLGS. [Google] [More] ⦿
Andrew Berg	Designer of the pixel font family Bit Meda. [Google] [More] ⦿
Jennifer Bergaño	Publicist in Envigado, Colombia, who created Pixel Type in 2012. [Google] [More] ⦿
Sendoa Bergasa	Graphic designer. Home page. Born in 1984, he designed Beneath the Surface (2008, emulating the font used in the TV show SeaQuest DSV/2032, + Dingbats based upon the logos seen in that show). [Google] [More] ⦿
René Bergenroth	During his studies in Hannover, Germany, René Bergenroth designed the plump round sans typeface Valken (2013). [Google] [More] ⦿
Johannes Bergerhausen	Johannes Bergerhausen (b. 1965, Bonn, Germany), studied Visual Communication at the University of Applied Sciences in Düsseldorf. From 1993 to 2000, he lived and worked in Paris. First he collaborated with the Founders of Grapus, Gérard Paris-Clavel and Pierre Bernard, then he founded his own office. He returned to Germany in 2000, where he is Professor of Typography at the University of Applied Sciences in Mainz (since 2002). In 2003, together with Paris-Clavel, he published the font "LeBuro" at ACME Fonts, London. At ATypI 2004 in Prague, he spoke about Decoding Unicode. He describes his Unicode character collection project at Typotechnica 2005. In 2012, he was awarded with the Designpreis in Gold of the Federal Republic of Germany. He is currently working on a digital cuneiform font. Author, with Siri Poarangan, of decodeunicode: Die Schriftzeichen der Welt (2011, Verlag Hermann Schmidt Mainz). This text shows all 109.242 typographic symbols in the Unicode standard at the time of its publication. Speaker at ATypI 2018 in Antwerp, during which (jointly with Morgane Pierson) he published a silkscreen poster with 292 glyphs, representing all 292 known writing systems of the world, together with their names, regions, and timeframes. [Google] [More] ⦿
Carl Bergeron-Gagnon	During his studies in Montreal, Carl Bergeron-Gagnon designed the text typeface Ernest (2016). [Google] [More] ⦿
Jared Bergeron	Graphic design student at the University of Kansas in Lawrence, KS. Creator of the display typeface Carneval (2011). [Google] [More] ⦿
Xavier Cédric Gareau Bergeron	Montreal-based designer at Spotful. His typefaces: At TypeParis 2017, he created the angular text typeface Jourdain. At Bonjour La Police type foundry, he intends to publish the clean sharp screen-ready typeface Azerty some time in 2018. [Google] [More] ⦿
Roland Berger	Designer in 1994 of EverydayFont. With Matt Chisholm, he designed Flow, also in 1994. [Google] [More] ⦿
Stian Berger	Norwegian co-designer with Magnus Rakeng at Millimeter Design of Telenor (2001, sans) for the new corporate identity for Telenor. Still with Rakeng, but now at Melkeveien designkontor, he cocreated Always (2005, a connected 1950's style face, based on Rakeng's very popular earlier typeface Radio) and the Jugendstil style typeface Ålesund jugendstilsenter (2004, based on architect H. Schytte Berg's architectural lettering). [Google] [More] ⦿
Susann Berger	Hamburg, Germany-based designer of the display sans typeface Jardin (2020) at HAV Hamburg. [Google] [More] ⦿
Lars Berggren	Designer of the free font Wallpoet (2011), a stencil typeface that can be downloaded at Google Font Directory. [Google] [More] ⦿
Alex Bergin	Graphic designer in Detroit, MI. Designer at FontStruct in 2009 of the extra condensed typeface Vertigo. In 2012, he made Bar Sans, a free headline sans that was inspired by all of the old hand made signage found along Eight Mile Boulevard in Detroit. Good Enough (2012) is a free monospaced programming font. [Google] [More] ⦿
Andreas Bergius	Creator of the iFontMaker font Bergius (2010, hand-printed). [Google] [More] ⦿
Jerry Berg	Jerry Berg (Art and Sign Unlimited) created these signage typefaces in 2014: Zipper, Quick Script (calligraphic), Maverick, Poster Script, Longhorn, Empire (spurred, Victorian), Backfire, Cascadia, Casino (Victorian), Casino Fancy. In 2015, he created Shop Casual, Hamilton Grand (flowing formal script), Muy Bueno (a regular monoline script font), Rough Draw, Gambit and Tradition. In 2015, he designed Ale House (a slab serif done with Lavonne West). Typefaces from 2016: ASU Stingray Regular (a casual rhythmic hand), Dragonfly (Victorian octagonal style), California Script. Typefaces from 2017: Tramp (signage script). Creative Market link. Klingspor link. [Google] [More] ⦿
Jon Arne Berg	Norwegian graphic designer and illustrator who lives in Oslo where he started studying at the Oslo Academy of the Arts in 2009. Behance link. Creator of the beveled alphabet Metalface (2010) and the blackletter typeface Entartete Fraktur (2010). In 2014, he created the free font Helsinkifjes (Citype). Helsinki is inspired by leters on the memorial monument for fallen German soldiers of the Finnish civil war in 1918 in Vanha Kirkkopuisto in Helsinki. Hellofont link. [Google] [More] ⦿
Katrine Berg	During her studies in Copenhagen, Katrine Berg designed two handcrafted typefaces. Behance link. [Google] [More] ⦿
Christoph Bergleiter	Graphic designer in Ulm. Behance link. He created the horizontally striped typeface DIN Cut (2010). [Google] [More] ⦿
John M. Bergling	Great American calligrapher and engraver. He wrote several books, including Engraving Designing Etching (1914), Heraldic Designs & Engravings (1913), Heraldic Designs for Artists and Craftspeople, Ornamental Designs and Illustrations">, Art Monograms and Lettering (1912, 1916) and Art Alphabets and Lettering (1914, 1918, 1923). He was Master Engraver with the renowned C.D. Peacock jewelers in Chicago around 1900. Creator of many art alphabets, Bergling is also noted for state seals of the United States and many seal crests of foreign countries. His great-grandchildren set up Bergling Publishing and are selling directly or through Amazon most of his oeuvre. Digital fonts based on Bergling's work: One Good Urn NF (2005, Nick Curtis) is based on his art nouveau lettering from 1914. Morocco (1914) provided the caps of Funky Tut NF (2005, Nick Curtis), and Keramic Text (1914) provided the lower cases characters of the latter font. Chantilly Lace NF (2005, Nick Curtis) uses uppercase letters by Bergling and lowercase letters by Roland W. Paul. His Nibs NF is a digital font by Nick Curtis (2007) based on the calligraphy of Bergling, ca. 1914. Carson Monogram (2009, Brian J. Bonislawsky) is based on Bergling's New Antique 53 from the book Art Monogram and Lettering. Bergling (2010, Scriptorium) is a floriate script based on Bergling's work. Other (art nouveau style) Scriptorium fonts based on Bergling include Boetia, Belgravia, Bosphoros and Beaumains (2011). LHF Bergling Panels (2012, John Davis) is based on Bergling's work. Initials Bergling (2012, Alter Littera) is a comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the French variety, adapted from Bergling's book Art Alphabets and Lettering (Second Edition) (1918, Chicago: Blakely-Oswald Printing Company). In 2011, J.M. Bergling's work inspired John Studden's monogram fonts LHF Monogram Circle, LHF Monogram Diamond, and LHF Monogram Oval. MFC Ambeau Monogram (2019, Monogram Fonts Co). Based on the decorative art nouveau alphabet called American Beauty in Art Alphabets and Lettering). MFC Decatur Monogram (2020, Monogram Fonts Co). Based on an alphabet seen in J.M. Bergling's book Monograms and Engraving Alphabets (1914). Bergling Nouveau Display (2020, Steve Harrison). Skaliwag Display (2020, Steve Harrison). Allotropic (2022, The Flying Type). An art nouveau font that loosely draws inspiration from an untitled alphabet drawn in 1914 by J.M. Bergling. [Google] [MyFonts] [More] ⦿
Ludvig Berg	FontStructor who likes pixelish typefaces. He started out in 2010 with the Two Three font family, and has a white-on-black pixel typeface called False BIT. Home page. [Google] [More] ⦿
Björn Berglund	Letterer and graphic and type designer from Sweden, who set up Björn Berglund Creative Studio in 2015. In 2021, he released the elliptical sci-fi sans typeface Fuglesans. Typefaces from 2022: Vivo Sans (a squarish sans). [Google] [MyFonts] [More] ⦿
Martin Bergman	Martin Bergman (Täby, Sweden) created the truetype dingbat font DancingMen in 1994 for his father, Ted Bergman, a well-known Sherlockian. The font is based upon the secret alphabet developed by a gang of American criminals in the Sherlock Holmes adventure "The Dancing Men", first published in 1903. The font notice states that Poul Steen Larsen (Denmark) may have helped with the font in 1995. [Google] [More] ⦿
Alejo Bergmann	Graduate of Universidad Nacional de Rosario, and co-founder of Designals who is associated with the free font foundry Rostype, which is also located in Rosario. He is the cofounder of Rosario Design, an event aimed at students and design professionals whose objective is the exchange of experiences in order to promote academic ties with the professional field of design. He designed these typefaces: Sauce Type (2014: experimental). The free modular sans typeface Cunia (2018) The free bilined typeface Potra (2018). Facon (2018). A free speed emulation font designed by modifying Christian Roberston's Roboto. Bondi (2018). A free art deco poster type. Fulbo (2019, with Emmanuel Baldor). A free athletic lettering / soccer shirt font family published at Rostype. See also Fulbo Tano. Fontsquirrel link. [Google] [More] ⦿
Anna Bergmann	Berlin-based designer of the semi-blackletter typeface Frago (2014). [Google] [More] ⦿
Clemens Bergmann	Based in Stuttgart, Germany, Clemens Bergmann designed the broken grotesk typeface Daimonion (2013). [Google] [More] ⦿
Sine Bergmann	German designer of the artsy dingbats typeface GiacomettiLL Pi (1994), depicting active stick figures, and for which an award was won in the Bukvaraz 2001 competition. It is a symbol font containing 62 stick figure illustrations inspired by Swiss artist Alberto Giacometti. Together with Lenore Poth, Sine expanded her font family in 2008 with the handwriting typeface Giacometti Letter. She also designed Jump (2008, handwriting face, Linotype) and Linotype Festtagsfont (1999), a festive stick figure typeface in the style of Giacometti Pi. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Paul Bergman	Graphic designer in Amsterdam who made the grid-based typeface Lovelo (2014). [Google] [More] ⦿
Sérgio Bergocce	Sao Paulo-based designer of the ultra-fat hookish Blockface (2007), the serif typeface Tortoise Roman (2006), the paperclip font Elefan (2006), and the sublime human typeface dingbat font Los Caras. In 2016, he designed the free 28-style octagonal (or athletic lettering) ink-trapped typeface family Bedel and the free pixacao graffiti font Essipe. Behance link. [Google] [More] ⦿
Lars Bergquist	Lars Bergquist is the Swedish type designer (b. 1936) who runs Timberwolf Type in Sollentuna, just outside Stockholm. Bergquist designed numerous successful text families and display typefaces, including the free Beryll typeface. In 2016, the collection moved over to (was bought by?) 3IP. Some offerings: Old Style romans: Sarabande (1998; based on Jean Jannon's famous "Garamond" of 1621), Pavane (1998, based on a text typeface by Rudolf Koch), Philomela (2000, also at PsyOps), Montrachet (2002, Fountain: a garalde family), Monteverdi (Fountain: with Granjon's Plantin Ascendonica italic). Baroque/transitional: Leyden, Leyden News (PsyOps, 2000), Baskerville 1757 and Baskerville Caps (1998; winner of a Bukvaraz award in 2001, available at Type Quarry). New Style Romans: Millennium, Eleonora (1999), Prospero (1998, a didone family), Waldstein (2003, Fountain: a Scotch typeface). Sans typefaces: Millennium, Millennium Sans, Millennium Linear, New Millennium, New Millennium Sans and New Millennium Linear (2000). Display typefaces: Diorite (2005, a calligraphic angular family), Corsiva Italica (2003), Paracelsus (2003, Fountain: a modern version of Schwabach), Foliant Blackletter (German 15th C Textur), Zeppelin Bauhaus Gothic, Berserk Scandinavian runes, Escorial (at PsyOps), Paestum (2001, a Greek simulation family), Sekhmet (2000), Praetorian, Pressroom (2003), Proconsular, Palaestra (the latter three are inspired by informal, painted Roman wall writing), Triumphalis Caps (also inspired by Roman imperial inscriptions), Bucintoro (1999, a modern version of the rotunda blackletter), Midnight (2000; a neon light/ blackboard bold family), Karolin Fraktur (at Psy/Ops: Fraktur modeled after the Bible of King Charles XII, printed in Stockholm in 1703), Rococo Titling (2001, ornate titling caps based on work done by Jacques-François Rosart (1714-1777) and Pierre Simon Fournier (1712-1768), and the Renaissance family Ronsard (at PsyOps, 2000). Some fonts are available at Fountain, Psy/Ops and Type Quarry. Bukvaraz gave him an award for Absolut Type, a classic Renaissance family, so I wonder if that is not the same as Baskerville 1757. Lars says that Absolute Vodka complained, so the type is sold by Psy/Ops as Aalborg (2002). He published Whitenights at Linotype in 2003. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
David Bergsland	In 2009, Hackberry Font Foundry grew out of NuevoDeco Typography, which in turn was a commercial foundry that formed part of Bergsland Design located in Mankato, MN, and before that, Las Lunas, NM, and run by David Bergsland (b. 1944, Buffalo, NY), a 1971 graduate of the University of Minnesota. Author of Practical Font Design: 2nd Edition: Rewritten for FontLab 5. Klingspor link. Creative Market link, as Radiqx Press. His fonts: Aargh!- Light and Heavy. Abiquiu Black. Ablati (2009) Out of Nuevo Litho (1993) appeared Abrect (2009). Abwyn. Academi (2010). Adieu (1998). Adieu Two (2006, an almost blackletter script). The high-ascendered and bouncy sans typeface Aerle (2009). Aero Script (2001, and its extension, JargonPro, 2004) Aggressian (2012). An angular and angry typeface. Akme Pro (2002). Akme (2002, an industrial sans family). Albe Sans (2000). Allektra (2002). AllSpeed. Altra (2006). AmeriDistort (old typewriter, Seamus Mills). Amico (2008, a sans family). Amitale (2008). Amitale (2008) has eight styles in each of AmitaleBook and AmitaleWide. Araldo (2021). A comic book sans. Aramus (2008). Aramus is an old style text face. Archaic Penpoint Pro (2004, stylish blackletter). Ardone Book (2007, garalde, a close relative of his own Diaconia Old Style, which in turn was influenced by the 19th century Dutch bible font, Minister (Linotype)). Ardone Book (+ Italic) is accompanyied by a sans called Arinar, and a slab serif called Alexandrya. Artichoke (2007). A calligraphic printed script typeface with rough outlines, which according to the typophiles is a shameful clone of Chris Costello's Papyrus. Out of Aramus grew Artimas (2009), a "book" family with tall ascenders. Arturo (2008). A flared sans serif based on an alphabet found in Dan Solo book. Artz (2002). Astaire Pro (2004). He writes: This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meeks' Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable. Attend. Auntie Pat (2008). A decorative script face. Avenue (2002) Beatz (by or with Seamus Mills). Biblia, Biblia Serif (2017-2021) and Biblia Display (2022). Biblia is a lapidary outgrowth of Carl Albert Fahrenwaldt's typeface Minister from 1929. Bergsland Engravers Pro (2005). Bergsland Display (2005). In 2005, he created Bergsland Fashion and Bergsland Round Bergsland Pro. Bilbo Black. Bilbo Pro Fiesta. Bjorgi Pro (2004). Bling (2009). Boxy (2018). Brinar (2006). A Koch-inspired slightly playful humanist sans text family. Briskly (2016).Handwriting style. Buddy (2010). Buddy Slender (2011) is an informal display sans family. Bulkr (2017). Bergsland's replacement of heavy titling faces like Impact. Bushing (2010). An interpretation of Cushing No. 2 by ATF. Caesar. Chivalry. Chunkie (2010). Contenu (2010). A text book family. Followed by Contenu EBook (2012). Cushing Two (2011). Cutlass (2010). Uncial, created in a swashbuckling style. Diaconia Old Style (1994-2001). Draetha (2017). A monoline sans. In 2006, he added Fiscal, a squarish sans typeface For his book Practical Font Design With FontLab 5, David Bergsland designed a set of text typefaces in 2016, Librum, Librum Sans, Librum E, Bookish, and Bream (the display version of Librum). Nordstrom. NuevoLitho (1993). Poniard (2011). A medieval script. Sturdy (2006, heavy sans). View David Bergsland's typefaces. Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿
Henric Eugén Bergström	Graphic designer and illustrator from Stockholm. Creator of Suprematic (2008), an ultra-constructivist typeface inspired by the Russian artist Kazimir Malevich and his art form of suprematism. Home page. [Google] [More] ⦿
Nuria Bringué Bergua	Barcelona-based graphic designer who created some ornamental caps for the Festa Xica Pont de Suert (2012). Behance link. [Google] [More] ⦿
Heitor Berguerand	Valinhos, Brazil-based designer of the fine pair of typefaces called Berguerand (2017), a calligraphic serif font and an accompanying sans. In 2018, he published the monoline Holy Sans, and the Cyrillic simulation / constructivist / supermacist font Kabarovsk. It was developed for the board game Kabarovsk. [Google] [More] ⦿
Heitor Berguerand	Valinhos, Sao Paulo, Brazil-based designer (b. 1985) in 2020 of Kabarovsk (Cyrillic emulation), Holy Sans, LAL Proto, and Berguerand. [Google] [More] ⦿
Wilhelm Berg	Berlin-based designer at Schriftguss AG of the script fonts Splendor (1930; Georg Kraus shows this brush script as well) and Divina (1930). Splendor was digitized in 2009 by Ralph M. Unger at Profonts / URW++ under the same name. In 2014, Ralph Unger published Splendor Pro. Andreas Seidel's Adana (2005) is based on Wilhel Berg's 1930 script, which according to Seidel was an answer to Lucian Bernhard's Schönschrift. . [Google] [MyFonts] [More] ⦿
Elyas Beria	American illustrator, typographer, painter and potter. In 2020, he designed the display typefaces Varet Gothic (in copperplate gothic style), Monde Libre and Lilette, the rounded monoline sans typeface Luwest Rounded and the nautical-themed condensed typeface Oceantide Display. [Google] [MyFonts] [More] ⦿
Daniel Bericua	Argentinian designer of a revival of Resolut (2006), a font due to Brünnel (Nebiolo, 1937). [Google] [More] ⦿
Steven Berkas	Bozeman, MT-based designer of the monoline circular sans typeface Otter (2014). Behance link. [Google] [More] ⦿
Sergio Berkenbrock	Graphic design student in Brazil. Designer at FontStruct of these fonts in 2009: Dead or Alive (Western font), Gold Mine (Tuscan), Safehouse Sessions (piano key stencil), Rose, and Nu Jazz (counterless, experimental), Black Rounded Stencil, Sessions Cover. In 2010, he added Burgos, a gothic script. Aka El Huesudo II. [Google] [More] ⦿
Sabina Berkova	Jicin, Czechia-based codesigner with Veronika Hanzlikova of Butterick (2017), an angular typeface that revives a 1928 design by Vojtech Preissig. Earlier in 2017, she designed the rounded sans typeface Kavalir. [Google] [More] ⦿
Allan Berkovitz	Designer of Stealthy Bat (2008, FontStruct). [Google] [More] ⦿
Daniel Berkovitz	Israeli codesigner with Peter Bilak of Greta Sans Hebrew (2015), which won an award at TDC 2016. His Hebrew typeface Susim won an award at Granshan 2016. [Google] [More] ⦿
William Berkson	Philosopher, typophile and type designer, who obtained a PhD in the history and philosophy of science from the London School of Economics in 1970. He lives in Reston, VA. Berkson designed Williams Caslon Text (2010) for Font Bureau in 2010, to better capture the readability, friendliness, and authority of Caslon for modern presses and readers. This font was used as a basis for William Caslon Small in September 2013 as a bespoke text typeface for The New Yorker, to replace Sabon. Author of Fields of Force (Routledge), Learning from Error (Open Court) and the Becoming a Mentsh workshops (Mentsh.com) and the forthcoming Avot: Ancient Wisdom for Modern Life. Berkson led a panel at Typecon '05 (NYC) on subway type, and gave a talk about his work reviving Caslon at Typecon '06 (Boston). He was also a speaker at TypeCon 2009 in Atlanta. Home page. [Google] [MyFonts] [More] ⦿
Frederik Berlaen	Frederik Berlaen (TypeMyType) is a Flemish type designer, b. 1981, Ghent, Belgium. He studied graphic design at Sint-Lucas in Gent, Belgium. Then he worked for one year as freelance type designer before moving to The Hague to study TypeMedia at the KABK, where he graduated with a Masters in type design in 2006. Currently, he freelances as a type designer and teaches type design at Sint-Lucas in Ghent, Belgium, and at ECAL in Lausanne. His projects include KalliCulator: a pen and nib simulator for drawing strokes around a skeleton glyph. He also wrote the simple font editor and manipulator Font Constructor (2007). RoundingUFO is a 100 Euro Mac-only application that converts the corners of the glyphs in fonts according to user-defined parameters; it requires a conversion between UFO and SFD formats, which is achievable in FontForge. His typefaces thus far: Comb (2010, OurType: a monospaced sans family designed for filling in forms; Comb Text has text typefaces and Comb Forms has dingbats), Theneut (rounded sans), Nana Broadnib and Nana Pointed. With Christina Bee, he is part of Type Destroyers. Speaker at ATypI 2011 in Reykjavik: The missing UFO editor. [Google] [More] ⦿
Krystian Berlak	Krystian Berlak (Akkurat Studio, Lodz, Poland) designed the free experimental geometric 122 IOC font in 2016. Behance link. [Google] [More] ⦿
Fernando Berlanda	Art director in Florianopolis, Brazil, who created the deco Sleek Numbers in 2015. Behance link. [Google] [More] ⦿
Victor Berland	Vormedal, Norway-based designer of the free squarish typeface Geometrix (2015). [Google] [More] ⦿
Volodymyr Berla	Ukrainian designer of the creamy brush script Bushy (2019), the geometric poster sans typeface family Beginner (2019), the Peignotian sans family Novia (2019) and the techno sans typeface Litto (2019). Typefaces from 2020: Yaro (a minimalist geometric sans with 16 styles for Latin and Cyrillic). Typefaces from 2021: Incus (a 6-style squarish ink-trapped techno typeface), Urbancat (an 8-style monolinear geometric sans in which all curves are arcs of circles), Parus (a compressed geometric sans), Lokko (an 8-style techno typeface for Latin and Cyrillic). [Google] [MyFonts] [More] ⦿
Gisela Berlesi	During her studies at Universidade Federal de Santa Maria (Brazil), Gisela Berlesi designed the cursive typeface Alteza (2019). [Google] [More] ⦿
Hodja Berlev	During his graphic design studies at the Danish School of Media and Journalism in Copenhagen, Hodja Berlev created the rounded fat poster typeface Turtle (2013, with Kamho Yung). [Google] [More] ⦿
Eduardo Berliner	Brazilian ex-student at the University of Reading who designed Pollen (2003). Pollen was published at TypeTogether in 2011. [Google] [More] ⦿
Harold Berliner	Printer, and one of the last (metal) typefounders in the USA. Located at P.O. Box 6, Nevada City, CA 95959. Some of his typefaces are listed here. [Google] [More] ⦿
Howard M. Berlin	20-font archive with the Howard M. Berlin Hebrew fonts AinYiddisheFontCursiv, AinYiddisheFontModern, AinYiddisheFontTraditional (1997) (see also here), and TorahSofer. Also Boomerang (Harold Lohner), DIVCHEM, Dahrlin (WSI), Fifties (WSI), GothicHijinx and GothicHijinxRough from Omega, Hirosh (AARRGGHH), MendelSiddurBold, ParishMedium (LMNo Designs, Steven Shepard), SymbolMW-Normal (MWSoft), and WarnSymbols5. [Google] [More] ⦿
Elwin Berlips	FontMeister is the commercial foundry of Elwin Berlips in Almere, The Netherlands. In his first life, he ran a free font site called 11th Floor, where he made these free typefaces in 1999: Civilization (octagonal), Plastik-Film (grungy semi-stencil), Raw (grunge), Rocket-Fuel, Timeline, Greenlight (dot matrix), Interstatic (futuristic), Handsolo, Optimum, Roswell (handwritten), Jean-Pierre (handwriting), 11th Floor (gridded). At FontMeister, he published FM Eva (2011). A hand-printed chalkboard or poster face. FM Bebel (2011). A monoline organic rounded sans family. FM Secessionist (2011). Inspired by the Vienna secessionist Joseph Maria Olbrich, as seen on his architectural drawings from the 1920s. FM Rossija (2011). A modular CD label face. FM Julie (2011). An architectural hand. FM Aloysius (2011). Also inspired by the Viennese secessionists. FM Monomo (2011) is a simple, all caps, monospaced font. FM Kaantaa (2011) is a bold typeface that draws inspiration from stencil and technical typefaces. FM Ted (2012) is a simple geometric sans typeface. FM Pointifax (2012) is a dot matrix typeface. In a third life, now as Elmigo at Dafont, he published the circle-based font Modern Ringflash (2012). View Font Meister Elwin Berlips's typefaces. [Google] [MyFonts] [More] ⦿
David Berlow	David Berlow (b. Boston, 1955) entered the type industry in 1978 as a letter designer for the Mergenthaler, Linotype, Stempel, and Haas typefoundries. He joined the newly formed digital type supplier, Bitstream, Inc. in 1982. After Berlow left Bitstream in 1989, he founded The Font Bureau, Inc. with Roger Black. Font Bureau has developed more than 300 new and revised type designs for The Chicago Tribune, The Wall Street Journal, Entertainment Weekly, Newsweek, Esquire, Rolling Stone, Hewlett Packard and others, with OEM work for Apple Computer Inc. and Microsoft Corporation. The Font Bureau Retail Library consists mostly of original designs and now includes over 1,000 typefaces. In a video made for Mike Parker's TDC medal in 2011, Mike Parker says that David Berlow is the most talented type designer he ever met. David lives in Martha's Vineyard. At ATypI 2004 in Prague, David spoke about Daily types. At ATypI 2009 in Mexico City, he spoke on The heart of my letter, (and the online version). Since that time he has been very active and vocal on the issue of high quality web fonts. Speaker at ATypI 2011 in Reykjavik and at ATypI 2014 in Barcelona. David Berlow Type Specimens (free pdf). Another type specimen booklet. Interview by A List Apart in 2009. Speaker at ATypI 2010 in Dublin. FontShop link. www.typovideo.de/david-berlow. David Berlow on web fonts. Interview by The Boston Globe. His typefaces: Agency FB (1995). After Morris Fuller Benton's squarish typeface from 1932-1933 for American Typefounders. Amstelvar (2017). A variable (or parametric) font at Font Bureau. Contributors include David Berlow, Santiago Orozco, Alexandre Saumier Demers, and David Jonathan Ross. Open Font Library link, where one can download the font. Github link. Apres (2008, a sans with 40 styles). David Berlow and staff drew Apres as part of a series designed originally for the Palm Pre smart phone, for use both on the device and in print marketing. Simple, open letterforms and generous proportions provide a clear, comfortable, and inviting experience for navigation and readability. Belizio (1987-1988), a beautiful Clarendon-style slab serif modeled after the 1958 original slab serif by Aldo Novarese called Egizio Corsiva Nero. Claudio Piccinini would have liked Font Bureau to acknowledge Aldo Novarese's Egizio as the source of this family. Belucian (1990, by David Berlow and Kelly Ehrgott Milligan. Several weights exist, including Demi and Ultra. Berlin Sans (1997). Bureau Grotesque (1989). This 27-style family is now called Bureau Grot. Font Bureau's blurb: The current family was first developed by David Berlow in 1989 from original specimens of the grotesques released by Stephenson Blake in Sheffield. These met with immediate success at the Tribune Companies and Newsweek, who had commissioned custom versions at the behest of Roger Black. Further weights were designed by Berlow for the launches of Entertainment Weekly and the Madrid daily El Sol, bringing the total to twelve styles by 1993. Jill Pichotta, Christian Schwartz, and Richard Lipton expanded the styles further, at which point the family name was shortened to Bureau Grot.. Note: there is a custom version called M&C Saatchi Grotesque with truetype data created by dtpTypes in 1998. CalifornianFB. CheltenhamFB. Custer RE (2014), a typeface for small on screen use. The Font Bureau blurb: In 2009, a book from 1897 in the library of the University of Wisconsin caught David Berlow’s attention. It was set in a clear text face---a predecessor of Bookman---cast by the Western Type Foundry who called it Custer. Upon noting how well the typeface worked in point sizes of 6 and 7 points, Berlow developed it into a member of the Reading Edge series specifically designed for small text onscreen. Custer RE is a broad and approachable typeface drawn large on the body with a tall x-height to maximize its apparent size when set very small. The minimal stroke contrast and the hefty serifs let it stay exceptionally clear down to a font-size of 9px. Font Bureau. Decovar (2017). A variable font. Github link, where one can freely download the font family. See also Open Font Library. Desdemona (1992). An art nouveau face. Eagle (1889-1994). This art deco typeface Font Bureau Eagle was started in 1989 for Publish. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series. Eldorado. Empire. Esperanto (1995). ITC Franklin Gothic (1991). In 2008, David Berlow added Condensed, Compressed and Extra Compressed widths to Vic Caruso's 1979 ITC Franklin interpretation (which had Light, Medium, Bold and Black), and Font Bureau sells a complete ITC Franklin now. In 2010, Berlow completed his definitive revision of ITC Franklin, a single new series of six weights in four widths for a total of 48 styles. Typeface review at Typographica. Giza (an Egyptian family. Hitech (1995). Juliana Text (2009), a rebirth of Sem Hartz's Juliana (1958, Linotype), a popular narrow legible paperback text face. Kis FB (2007): a revival of old style types by Nicholas Kis from ca. 1700. Letras Oldtsyle (1998). Letras Oldstyle was commissioned by Letras Libres, the reigning literary magazine published by Enrique Krauze in Mexico City. This garalde series was inspired by the earliest typefaces cut in the Americas in the early 1600s by printer Henrico Martinez. Proofs survive in the Biblioteca Nacional. Letras Oldstyle stands as the first typeface ever cut in the Americas, the root of American type design. Meyer Two (1994). Based on a 1926 type by L.B. Meyer. Millenium BT Bold Extended (1989, Bitstream). Also known by insiders as Starfleet Bold Extended, this font was used on federation starship hull markings until episode ten. MyFonts link. Moderno FB (1995): an exhibitionist didone in 32 styles, for Esquire Gentleman. In 1996 Berlow cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. It grew further when the Baltimore Sun, with FB Ionic as text, was redesigned. The whole series was then revised for Louise Vincent, Montreal Gazette, with further styles added in 2005 for La Stampa. [It is my favorite type family at Font Bureau.] Momentum (2018). An in house variable font family for use on the Type Network web site. Nature (1995). Numskill (1990). Old Modern. Online Gothic (1995). Ornaments. Phaistos (1990-1991). A flared angular design done with Just van Rossum, and inspired by Rudolf Koch's Locarno. Poynter Agate. Reforma: Based on Giza. Rhode (1997). Roboto Flex (2017). A large free variable typeface family by David Berlow on commission for Google; based on Christian Robertson's original Roboto. Google Fonts link. Github link. Google redits Font Bureau, David Berlow, Santiago Orozco, Irene Vlachou, Ilya Ruderman, Yury Ostromentsky and Mikhail Strukov. Romeo. Scotch Roman (1993). Skia (1993, Apple). A Greek simulation sans, in the style of Twombly's Lithos, co-designed with Matthew Carter for Apple's QuickDraw GX project. Skyline. Titling Gothic FB (2005): Berlow spent 10 years developing FB Titling Gothic in seven weights of seven widths each for use as display and headline romans. It was inspired by the popular ATF Railroad Gothic and grew out of Berlow's own Rhode. Throhand: a classic family based on metal type found at the Plantin Moretus Museum in Antwerp. Truth FB (1995). Village. Vonness (2007): a newspaper sans family. Font Bureau: Vonness was designed by David Berlow working closely with Neville Brody on corporate redesign for Jim Von Ehre at Macromedia. Core weights are loosely based on Bauersche Giesserei's Venus, 1907-1910. Berlow expanded the ideas behind the series to 56 fonts. Yurnacular (1992, part of FUSE 4). Zenobia (1995). View David Berlow's typefaces. Another catalog of David Berlow's fonts. Speaker at ATypI 2018 in Antwerp. [Google] [MyFonts] [More] ⦿
Elysia Berman	Art director living in Williamsburg, VA, who studied at the Pratt Institute and the School of Visual Arts in New York. Creator of the experimental typeface Incognita (2012). [Google] [More] ⦿
Roman S. Berman	Designer of Phaeton (2003). [Google] [More] ⦿
Carmen Bermell Mira	Industrial and graphic designer in Valencia, Spain, who created the marquee art deco typeface Abbey Road (2013) and the piano key typeface Runden (2013). [Google] [More] ⦿
Carlos Bermúdez	Graphic designer in Barcelona who created Fucktype (sic) (2011), a fat rounded typeface that is based on the logotype of Yoigo. Home page. [Google] [More] ⦿
Daniela Bermudez	Cali, Colombia-based designer of the dystopian typeface Darkrise (2019). [Google] [More] ⦿
Marisol Bermudez	Graphic designer in San Antonio, TX, who designed Messy Monster Font (2016, handcrafted) and Thomas (2016, a wide sans). Behance link. [Google] [More] ⦿
Cris Bernabe-Sanchez	Typographer, illustrator and web designer in Westwood Village, CA. Graduate from UCLA's Design\|Media Arts program. . Designer of the octagonal techno typeface Digital Circuit (2010). [Google] [More] ⦿
Stefan Bernacinski	Polish film poster artist. Occasional type designer who created Sawa (Latin, Cyrillic), a text face. Other typefaces include Grotesk (sans), and Wanda (serifed). [Google] [More] ⦿
Marga Bernadich	Barcelona-based designer of the runic straight-edged typeface Focka (2015). Behance link. [Google] [More] ⦿
Dennis Bernaers	Graphic designer in Antwerp, who created a straight-edged caps typeface called MyHandwriting (2012). [Google] [More] ⦿
Fiona Bernaerts	During their studies at Ecole Design Nantes Atlantique, Emma Brossaud and Fiona Bernaerts designed the decorative monoline sans typeface Phranakhon (2017), which is inspired by the spires of Bangkok. [Google] [More] ⦿
Jaime Bernaldez	Born in Sevilla, Spain, in 1989, Jaime Bernaldez designed Futuro Sans Serif in 2012, a year after his graduation from the Escuela de Arte de Jerez. Behance link. [Google] [More] ⦿
Michael Bernal	Graphic designer in Medford, NY. He created the soccer shirt number typeface Tuzografia for the Mexican soccer team Club Pacheco (2015-2018). [Google] [More] ⦿
Aymeric Bernard	Tarbes, France-based designer who made Idea (2011). Behance link. [Google] [More] ⦿
Bruno Bernard	French type and graphic designer (b. 1974) who lives in Asnières-sur-Seine and works in Paris. Educated at Ecole Estienne, Paris, and ANRT, Nancy, he designs custom-made typefaces and has released several commercial fonts including Adso and Mihaly. He co-founded BAT foundry in 2009 and set up Alfab in 2019. His typefaces: Acheminé: for the French railway, the SNCF. Adso: a hookish family done at the ANRT, and published at BAT Foundry in 2010. Anima (2013). Chanson: a serif revival from the 19th century. Departure: a dot matrix face. Dinette: commissioned by the graphic design studio Malte Martin. Mazette (2013). A high-contrast stencil typeface. Mgetine: for the corporate identity of MGET. Mihaly Display (2019) and Mihaly (2013). A fine geometric sans family originally created for the Mihaly exhibition. Montille: a formal calligraphic typeface for the Domaine de Montille. Piccolo (1998): for the Figaro newspaper. Posthume: a set of nice symbols for the Side One Posthume Theatre. LFDJ (2010): a corporate organic all caps sans typeface for La Française des Jeux, art directed by Anja Krohne. Quadrile (2013). A semi-stencil typeface for the visual identity of Quadrant. At ATypI Montreal 2017 Bruno Bernard spoke on Excoffon Book, the last typeface by Roger Excoffon? [Google] [MyFonts] [More] ⦿
Andreza Bernardes	Together, Andreza Bernardes, Felipe Galante and Luan Bernardes of the Centro Universitário Belas Artes in Sao Paulo created a typeface-on-a-diet for a vegetarian restaurant in 2010. [Google] [More] ⦿
Davide Bernardi	Graphic designer in Varese, Italy, who created the stackable artsy typeface family Fork (2015). [Google] [More] ⦿
Miguel Bernardino	Lisbon, Portugal-based designer of the roman capitalis cmpass-and-ruler font Manoel Display (2016), which covers Latin and Greek. Manoel is named after Manoel de Andrade de Figueiredo (1670-1735), a royal penman and calligrapher who wrote Nova escola para aprender a ler, escrever, e contar (Lisboa Ocidental, 1722). [Google] [More] ⦿
Tassyana Bernardino	Florianopolis, Brazil-based designer of the curly typeface Wendy (2014). [Google] [More] ⦿
Pamela Bernardi	[More] ⦿
Jason Bernard	Wolverhampton, UK-based designer of the polygonal typeface Metatron (2015). Behance link. [Google] [More] ⦿
Lea Bernard	Artistic director in Paris who created the decorative typeface Miro (2017). [Google] [More] ⦿
Lucas Bernard	At ESAG Estienne in Paris, Lucas Bernard designed the calligraphic LGB Antiqua (2016), whih has influences from many medieval styles (Carolingian, blackletter, etc). Behance link. [Google] [More] ⦿
Rita Bernardo	Graduate of Escola Superior de Artes e Design (ESAD.CR), Caldas da Rainha, Portugal. Designer of the reverse contrast typeface Opposition (2021). [Google] [MyFonts] [More] ⦿
R. Bernard	R. Bernard designed the free fonts Hiragana and Katakana (1996) as well as Dragon Ball (1999, kanji dingbats). [Google] [More] ⦿
Kai Bernau	Kai Bernau (Letterlabor) is a German type designer (b. 1978) who studied graphic design at the University of Applied Sciences Schwäbisch Gmünd. He created "The neutral typeface" (2005), a sans family, as his thesis project at the KABK in Den Haag. The typeface was born as a mathematical average of ten sans typefaces: AG Buch, Neue Helvetica, Univers, Grotesque, Franklin Gothic, Frutiger, Trade Gothic, Documenta Sans, The Sans and Syntax. He graduated there in 2006 with a masters degree. Together with his wife Susana Carvalho, they formed Atelier Carvalho Bernau, a practice that designs printed matter (mainly books), bespoke and retail typefaces, and identity programs. At Commercial Type, he published Lyon Text and Lyon Display in 2009, described by Commercial Type as follows: Begun as Kai Bernau's degree project on the Type + Media course at the Royal Academy of Art (KABK) in The Hague, Bernau extensively revised the typeface in time for its debut in the New York Times Magazine in 2009. Like many of the great seriffed typefaces it draws intelligently from the work of Robert Granjon, the master of the Renaissance, while having a contemporary feel. Its elegant looks, are matched with an intelligent, anonymous nature, making it excellent for magazines, book and newspapers. The Atelier also has other typefaces on its site, all done between 2007 and 2010, such as Neutraface Slab (for House Industries), Atlas Grotesk (2012, by Kai Bernau, Susan Carvalho and Christian Schwartz, Commercial Type: a revival of Dick Dooijes's Mercator), Neutral (an outgrowth of Kai's thesis work), PDU (a French stencil revival project), and some custom typefaces such as Proprio. Neutral (2005-2009). The Neutral typeface was Kai's graduation project from the KABK undergrad course. It is what one could call a basic sans. It first appeared as Neutral BP in the now defunct B&P Foundry. In 2014, Typotheque published Neutral. Kai writes: Neutral was inspired by typefaces that seem ageless, remaining fresh and relevant even decades after they were designed. It was constructed based on a set of parameters derived by measuring and averaging a number of popular 20th-century Sans Serif fonts. Custom typefaces include Munich Re (2008-2009, for the Munich Re Reinsurance group. MunichRe Sans takes roots in the grotesque types of the 1950s (among others, Dick Dooijes' Mercator for the Lettergieterij Amsterdam)) and Harvard Museum Neutral (2008). Write-up at Fontshop. Critique by Experimenta. [Google] [More] ⦿
Jimbo Bernaus	Zagreb, Croatia-based designer of Flor (2019: a layerable floral font), Valent (2019, vintage logo style) and Fog Type (2017). Shoutbam link. Link for art diirectpor Tea Sokac. [Google] [More] ⦿
Chris Bernay	Art director in Buenos Aires who created a curvy display typeface called Flock (2013). [Google] [More] ⦿
Baptiste Bernazeau	During his studies in Paris, Baptiste Bernazeau designed the display typefaces Dragon (2017), Agrafe (2016), Chimera (2016) and Brique (2016). Behance link. [Google] [More] ⦿
Bo Berndal	Swedish designer born in 1924 in Stockholm. He says of himself: Compositor, Linotype operator, teacher of typography. Type designer in a small matrix factory 1950-51. Calligrapher, book designer, author, lecturer and trade mark specialist. Now retired, but does type design as a hobby and to special orders for museums, ad agencies, companies and even to private persons. His typefaces: Art Gallery (Monotype). Batory (T4). Batoswash (T4). Belltrap (1995, ITC). Benedict (uncial). Beowulf (uncial). Berndal (2003, Linotype). Boberia (1994, Linotype). A formidable didone text family with an antique bouquet. Boscribe (2005, Monotype). Bosis (1991, Monotype). A sans. Botobe (2011, T4). An informal script. Brigida (Monotype). Buccardi (1998, Monotype). Byngve (2004, Linotype). In the style of 15th century Italy. Caballero Script (2011, T4). Inspired by Spanish handwriting from the 15th and 16th centuries. Carl Beck Script (1992 Monotype). Cartesius (2006, T4). A beautiful 5-style family done at T4 in a mix of garalde and Venetian fashions. Linotype Dala (2002, Linotype). A Fraktur, accompanied by Linotype Dala Pics and Linotype Dala Borders. Eknaton (T4). Esseltube (Monotype). Euclides. Exlibris (1998, ITC). Frisans (2005, Monotype). Geometra (2011, T4). Gertrud (2006, T4). Based on 16th century calligraphy). Gianpoggio (1992). Golota (1998, Agfa). Grafilone (1994, Linotype). An avant-garde family that is almost illegible. Grantofte (1995, Monotype). Hagalind (2011, T4). A calligraphic connected script. Linotype Hieroglyphes One and Two (2002). Jerrywi (1994). Johabu (Monotype). A blackletter typeface. Lacko (Monotype) Lebensjoy (1994, Monotype). Logoform (Monotype). Magellan (1993, Monotype). Maricava (Monotype). Mixtra Roman (T4). Mixtra Sansserif (T4). Mixtra Slabserif (T4). Moorbacka (Monotype). Naniara (1998). Nordik (1992, Monotype). A revival of Genzsch Antiqua or Nordische Antiqua (1906, Genzsch & Heyse). Olaus Bandus and Olaus Magnus. Medieval scripts. Ornabo dingbats. Palekin (1994, Monotype). Pelegotic (2006, T4). An art deco inspired but minimalist sans. Picadyll (2011, T4). Art deco. PocketType (1994). Promemoria. Ringlingje. Sabellicus (1997, Monotype). Sergel (T4). Siseriff (2003, Linotype). SpaceKid (Monotype). Runes. Swing Bill (Monotype). Trotzkopf (1998). Tyma Garamont (T4). Unotype (1997, Monotype). Monospaced. Vadstenakursive (1989, Monotype). a blackletter typeface with almost Lombardic-looking capitals. Viger Spa (runes). Linotype Zurpreis (Linotype). Pelle Anderson interviews Bo Berndal. Bitstream write-up. Agfa/Monotype write-up. Author of Typiskt typografiskt (Fisher and co, 1990). MyFonts page. Linotype page. MyFonts interview. FontShop link. Klingspor link. View Bo Berndal's typefaces. [Google] [MyFonts] [More] ⦿
Conrad Berner	Type founder who succeeded Jacques Sabon in 1580. He was the son-in-law of Christian Egenolff and his successor at the Egenolff print office. His catalog of type specimens is dated 1592. The "Berner specimen" of 1592 formed the basis of the free Google Web Font family EB Garamond (or: Egelnoff-Berner Garamond) developed by Georg Duffner. In 1626, his foundry passed into the hands of Johann Luther. At the time, he was the main type supplier for Germany, the Scandinavian countries and the Netherlands. [Google] [More] ⦿
David Berner	Designer of Cue Card (1993, alphadings). Fontspace link. Aka Sarcosmic Fonts. [Google] [More] ⦿
Selina Bernet	Type designer in Sankt Gallen, Switzerland. Graduate of HBK in Bern, and the Typemedia program at KABK, class of 2016. Her KABK thesis typeface, Junior, is lapidary and flared. Yassin Baggar (Fatype) designed the high-contrast Peignotian sans family Beausite Fit and Beausite Grand in 2014 at Fatype. It comes with subfamilies called Grotesk, Grand and Slick, and has fashion mag appeal. Beausite Classic is a more standard sans. Between 2014 and 2018, with the help of Anton Koovit and Selina Bernet, it grew to 56 styles. She also did Nana Mouskourim Greek (2016), a Greek addition to the lapidary typeface Albertus. [Google] [More] ⦿
Fran Berney	Graphic designer who creates custom fonts. Located in Seattle, WA. Behance link. [Google] [More] ⦿
Lucian Bernhard	Vienna-born type designer who lived from 1883-1972, and whose real name was Emil Kahn. He died in New York, where he lived most of his life. He studied at the Munich Academy, which became a center of poster design. In 1910 he co-founded the magazine Das Plakat. During WWI he designed posters for the German War effort. In 1920 he was appointed as the first professor of poster design at The Akedemie der Kunst, Berlin. He moved to New York in 1923 and continued his poster work. He also continued his teaching at the Art Students League and at New York University. Short biography of Lucian Bernhard. Biography. MyFonts link. His typefaces: Bernhard and especially Bernhard Modern (1937) are gorgeous high-legged typefaces. Bernhard Modern is used in classy magazines for ads, and adds a touch of style to many documents or presentations. Aigrette (1939). Lucian (1925, Bauersche Giesserei). I have also seen the date 1932. See also the digital version by Tilde, 1990. Lucian is very close in spirit to Bernhard Modern. As far as digital versions go, one can check out the Font Bureau contribution from 1990 by Kelly Ehrgott Milligan and David Berlow called Belucian, which comes in several weights, including Demi and Ultra. There are many other ones as well, such as Bernhard Modern FS (2011, Sean Cavanaugh). Lilith [or Lilli] (1930, Bauersche Giesserei). Bernhard Antiqua (1912, Flinsch). This is the titling typeface on my own web site! For a handcrafted revival in 2016 by Pintassilgo Prints, see Botanique. Bernhard Brush Script (Bauersche Giesserei, 1926). Madonna Ronde (1925: this is the Stephenson Blake name, after it acquired this typeface from Bauersche Giesserei). Bernhard Cursive (Bauersche Giesserei, 1925). Didgeree Doodle NF (2006, Nick Curtis) is a curly cursive originally released as Bernhard Heavy Antique Cursive by the Bauersche Giesserei. Bernhard Fraktur (+Extrafette; +Initialen) (1912, Flinsch; 1922, Bauersche Giesserei). The sublist of typefaces and dates: Bernhard Fraktur schmalfett, Bernhard Fraktur fett, Bernhard Fraktur extrafett (1921), Bernhard Kursiv extrafett (1927), Bernhard Antiqua extrafett (1924), Bernhard Antiqua zart (1925), Bernhard Antiqua Kursiv zart, Bernhard Handschrift (1928), Bernhard Schönschrift (1925), Bernhard Schönschrift kräftig (1928). Extrafette Bernhard Fraktur was revived in 2013 by Christoph Schwedhelm and in 2016 by Ralph M. Unger as Bernhard Blackletter. Bernhard Privat (also called Flinsch-Privat, 1919; Flinsch, Bauersche Giesserei). The Reklameschrift Bernhard Block. Bernhard Schönschrift (1925; see EF Bernhard Schonschrift). A free interpretation is Reliant (2010, Iza W and Dmitrij Greshnev). Bernhard Fashion (1929). This has been digitized by many, including SoftMaker (as Bernhard Fashion, in 2010), Peter Wiegel (as the free font family Bernardo Moda (2014)), by Infinitype, and by Bitstream (as Bernhard Fashion BT in 1990). It has been extended and played with, like for example, in Nick Curtis's Quoi Chou NF (2006) and in Peter Wiegel's Bernardo Moda Contrast (2014). Poster by Merle Perle. Bernhard Gothic (1929, ATF; see Bernhard Gothic SG by Spiece Graphics, Bernhard Gothic Medium (2017, Jordan Davies), or Samosata NF by Nick Curtis in 2009). Mac McGrew writes: Bernhard Gothic was one of the first contemporary American sans-serifs, designed in 1929-30 by Lucian Bernhard for ATF to counter the importation of the new European designs such as Futura and Kabel. It features long ascenders and a number of unusual design details, which perhaps prevented it from achieving the popularity of other such typefaces. Capitals are low-waisted, with the crossbars or arms of E, F, and H being below center. M is widely splayed in some weights. Lowercase a is roman in design, and the cross-stroke of t is wide and below the mean line. All but the Title versions have a number of alternate characters, later discontinued. The comma, semicolon and apostrophe, usually comparable, have three different forms. Bernhard Gothic was made only by ATF, but some weights could be simulated with special characters of Monotype Sans-Serif and Ludlow Tempo. The Title versions, several sizes of caps on each body in the manner of Copperplate Gothics, were added in 1936, and copied by Intertype as Greeting Gothic. Around 1938 Bernhard Gothic Medium Condensed was added. Bernhard Tango (1933, ATF). Bernhard Tango was imitated by Corel (Ballroom Tango), SSi (Petticoat), Greenstreet (Felicita) and Agfa (Carmine Tango). He also did a Magnetype font series that has been left untouched. Jonahfonts is the first to start reviving this series. In 2010, Bernhard's Community Low and Community Condensed started their digital life as Harpsichord (Jonah Fonts). According to Font Bureau, Bernhard also did an art deco display sans series in the 1930s, which David Berlow and Jonathan Corum at Font Bureau revived as Eagle from 1989-1994. Lucian lettered a concert program in the 1920, which was used by Jim Spiece in 2002 to create the elegant rounded sans display typeface Concerto Rounded. Lucian Bernhard's award-winning poster, Priester (1906), had angular lettering. Jonahfonts did LB Priester in 2009 based on it. In 2018, Ivan Moreno published anotherr extension, Presta. In the Bitstream collection, we find Bernhard Bold, with unknown origins. However, I have this rare 2002 public statement by John Warnock, Adobe's founder, in reaction to a question by M. Johansson (What happened to the Lo-Type font in Adobe Font Folio? It was included with Font Folio 8 but it's not in Font Folio 9. In Font Folio 9 there's Bernhard Bold Condensed, which is a reasonable replacement. I'm just wondering if anyone knows why Lo-Type was dropped; I prefer it myself.): Cuz LoType is a Berthold Type font and Adobe and Berthold had a lovers quarrel. A ton of Bertie's in FF8, no Bertie typefaces at all on FF9. Bye-bye Bertie. Love, J. Warnock. Lucian's small two-tiered logo with the letters BERN HARD led John Nahmias to extend it to Bernhard Signature (2019). Posters by Bernhard: An advertising exhibition in 1929 (with Fritz Rosen), Manoli Cigarettes (1912). Linotype link. FontShop link. Klingspor link. View Lucian Bernhard's typefaces. Showcasing the digital legacy of Lucian Bernhard. [Google] [MyFonts] [More] ⦿
Balint Bernhardt	Creative director in Budapest, who used FontStruct to create the modular straight-edge typeface Henry (2011). [Google] [More] ⦿
Jon Bernhardt	From the author, Jon Bernhardt: Springbats Deluxe combines Springbats with Mugshots along with my own Binky, Akbar&Jeffs. His Akbar font is a 1996-2000 adaptation of the 1991 font by Cowan Design Associates, which in turn was based on the famous handwriting of Matt Groening, the creator of The Simpsons and the comic Life in Hell. In 1996, he created SimpsonFont (from The Simpsons). Dafont link. Abstract Fonts link. [Google] [More] ⦿
Sol Bernhardt	During his studies in Buenos Aires, Sol Bernhardt designed a display typeface (2015). [Google] [More] ⦿
Jessica Bernhart	Austrian designer of the display sans typeface family Rika (2019). [Google] [More] ⦿
Sara Bernier	Environmentally responsible designer in New York. Behance link. She created an animal alphabet for Wolf Awareness Week (2010). [Google] [More] ⦿
Federica Bernile	Roman designer of the squarish typeface Lyoko (2014). [Google] [More] ⦿
Bianca Berning	Graduate of the MA Typeface Design program at the University of Reading in 2011 who was born in Germany. Her graduation typeface was Clint (2011), a text family for Latin, Greek and Cyrillic. Clint is characterized by multiple personalities, with asymmetric serifs, a daring axis, some timid ball terminals, and other exogenetic details. Bianca specializes in the technical aspects of type design. As a font engineer with a background in civil engineering, communication and typeface design, she joined the Brixton, UK-based Dalton Maag type foundry in 2011. Until 2018 she headed their Skills & Process team, responsible for training and development, knowledge management, and for the implementation of font development processes. In 2018, she was appointed Creative Director and became responsible for ensuring that Dalton Maag remains at the forefront of type innovation. She directed the design of brand typefaces and complex type systems for international clients such as the Amazon, AT+T, BBC, Bodyform, Goldman Sachs [Goldman Sans], and Jacobs Engineering Group [Jacobs Chronos], and oversaw the design and refinement of wordmarks and font modifications. Speaker at ATypI 2018 in Antwerp, at ATypI 2017 in Montreal and at ATypI 2016 in Warsaw. [Google] [More] ⦿
Rachel Berninger	FontStructor from Wilmington, DE, who made Peephole (2011). She studies graphic design at York College of Pennsylvania. [Google] [More] ⦿
Ryan Bernis	Designer in New York City. He created several typefaces such as Wilber (2012-2013, an inline typeface that won an award in 2014 at the Communication Arts 4th Typography Competition: 2014; digitized as part of Type@Cooper), French Ionic Revival Typeface (a revival typeface based on a metal type from the late 1800s; digitized as part of Type@Cooper in 2012-2013). Behance link. [Google] [More] ⦿
Gerard E. Bernor	Designer of freeware/shareware fonts, some of which refere to TQF, or "Typset Quality Font): 3-DHotDog, AardvarkBold, AbbotDemi, Andros, Architech, Aristocrat, Ashford, BambiBold (a black didone face), Bankrupt, Blackwoods, BoltedBold, BrushArt, CloisterBlack, DoubleTrouble, GalacticFuss72-Condensed, GalacticFuss72-Ext, GalacticFuss72-SPBold, GalacticFuss72, GalacticFuss72Stch, GalacticFuss72SupCon, Galla, Gallery, HotDog, TQFAllisonScript, TQFAnimals, TQFElectronics, TQFFlorentine, TQF Freight Train, TQFFruitfulBlack, TQFMachine, TQFPCMedium, TQFPlants, TQFWordTrain. Dafont link. [Google] [More] ⦿
Sebastian Berns	FontStructor in 2009 of Boredoni. Trial typefaces by him include Fancy, Stubborn Straight, Foostruct v1.1, and Negative Creep. [Google] [More] ⦿
Kelsey Bernstein	Designer who created the modular typeface Spacebound (2013). Student at York College in York, PA, class of 2014. [Google] [More] ⦿
Lauren Bernstein	Lauren Bernstein (Atlanta, GA) designed the script typeface Goldenwood in 2016 and writes: Goldenwood is a typeface inspired by a whimsical woodland wedding. [Google] [More] ⦿
Marta Erica Bernstein	Originally from Milan, she is currently Associate Creative Director at Studio Matthews (Seattle, WA), developing EGD and wayfinding systems. Graduate of the Type and Media program at KABK, 2009. There, she designed the serif family Alice, specifically for magazines. She is working on Bolano in 2010 about which she writes: It is based on my brush calligraphy, tamed down to a book typeface. Marta Bernstein is a partner at TM (Tiemme Studio), an architecture and design studio based in Seattle. She has a decade long experience in developing identities across various media, and designing wayfinding and signage systems. Marta is an adjunct professor in Typography at Milan's Polytechnic, visiting professor in Architecture and Design at University of Navarra and regular lecturer for the Interior Design master at Tongji University, Shanghai. In 2014, Marta Bernstein was a founding partner in the new CAST type foundry. She was associated with LS Design in Milan. She wrote A Hundred Years of Type 1813-1908 Typefounders and Printers in Italy from Bodoni's death to the foundation of Augusta company in Turin (Master degree dissertation developed with Emanuela Conidi. Supervisor: Prof. James Clough at Politecnico di Milano, July 2006; in Italian: Cento Anni di Caratteri 1813-1908). Cargo Collective link. Speaker at ATypI 2018 in Antwerp. [Google] [More] ⦿
David Bérod	Monthey, Switzerland-based designer of some typefaces during his studies at ECAV in 2016. [Google] [More] ⦿
Kevin Beronilla	Designer based in Chicago. In 2016, he released the free monolinear geometric sans family Seiden Sans. Github link. [Google] [More] ⦿
Nina Bero	Graphic designer in Barcelona, who created an unnamed modular geometric typeface in 2012. Murmur (2012) is a dark magic connect-the-dots typeface. Free download at Fontspace. In 2018, she published the playful typeface Kumma, and the reversed stress typeface Doppel. [Google] [More] ⦿
Yanis Berrewaerts	Antwerp, Belgium-based designer of the all caps display typeface Gravity (2018) during his studies at the Royal Academy of Fine Arts. [Google] [More] ⦿
Pablo Berrezueta	Cuenca, Ecuador-based designer of the multiline typeface Kandinsky Bauhaus (2019). [Google] [More] ⦿
Hayley Berridge	During her studies at Liverpool John Moores University, Liverpool, UK-based Hayley Berridge created the painter's typeface Typy (2015), which was inspired by Kate Moross. [Google] [More] ⦿
Vyktor Berriel	Brazilian designer of the grunge typeface Black Nouveau (2011). Behance link. [Google] [More] ⦿
Grace Berrios	Miami, FL-based designer of the condensed typeface Abraham Lincoln (2015) and the handcrafted Atomica (2015), which was inspired by the atomic age. [Google] [More] ⦿
Viviane Berruecos Flores	Creator of the curly ball terminal typeface Retro Loops (2012). [Google] [More] ⦿
Andrew Berry	Melbourne-based graphic designer. Creator of Fat Face (2007), a fat serifed headline face. He also made AB Uncial (2007). Graduate with an MA in typeface design, University of Reading, 2008. His graduation project was a versatile serif typeface created for use in magazines and books, Hyde Serif. [Google] [More] ⦿
Lean Berrybellebee	Canadian designer of the hand-printed typefaces Georgina's Hand and Celine's Hand (2011). Dafont link. [Google] [More] ⦿
Craig Berry	During his studies, Leeds, UK-based Craig Berry created Cheeky Vimto (2015). [Google] [More] ⦿
Dan Berry	Designer at iFontMaker of Silky (2011). [Google] [More] ⦿
Guillaume Berry	Marmite de Fontes (and before that, E753) is Guillaume Berry's typography site. Guillaume is a graphic designer in Lyon. His typefaces include Chupple (stencil), Sin84, Gelinda, Winslow. [Google] [More] ⦿
Kim Berry	Designer in Perth, Australia, b. 1983. Creator the primitive handwriting typeface The World's Worst Font (2010). [Google] [More] ⦿
Laurence Berry	Communication designer based in Norwich, UK with an interest in science, sustainability and society. Creator of the Café Vélotypeface (2012), which was designed as part of a rebranding of the Cambridge-based French café, Café Vélo. [Google] [More] ⦿
Lev Berry	Sydney, Australia-based art director who created the free 3d stackable shaded typeface Monstre Display (2015, based on Monstre, a painted alphabet by N. Glaise, 1882) and the free stackable Tuscan typeface Fantaisie Display (2015, aklso based on a painted alphabet by N. Glaise, 1882). Behance link. [Google] [More] ⦿
Sheri Berry	Sheri Berry created a Sheriberry DingFont, and a few Netbaby fonts (for dressing dolls). She specializes in fun fonts for children. The fonts were created ca. 1998. In 2007, SheriBerry Graphics became CastleBeary Graphics. The fonts: jagedge, just_willys, sbding2, sbelephant, sbfence, sbhading (Halloween font), SB Halloding (Halloween font), sbnetbaby, sbunny, sherberi, silly_willys. Dafont link. [Google] [More] ⦿
Theda Berry	Madison, WI-based designer of the paperclip typeface Tubing (2018), which was developed during her studies at the University of Wisconsin-Madison. [Google] [More] ⦿
Tom Berry	Creator of Sevastopol Interface (2015, FontStruct), a pixel typeface that is inspired by the font in the game Alien: Isolation. [Google] [More] ⦿
Andreia Bersot	Graphic designer based in Rio de Janeiro. Creator of the experimental typeface Bossa (2011). [Google] [More] ⦿
Sunyi Bersuara	Jakarta, Indonesia-based designer of the Indonesian Sign Language font Bk Bisindo (2021), which was done for Burger King Indonesia's Campaign called Sunyi Bersuara (voice of the silent). [Google] [More] ⦿
Sasha Bersym	During his studies at the School of Type design in Saint Petersburg, Russia, Sasha Bersym designed the monolinear sans typeface Parazit (2016-2017), which covers Latin and Cyrillic. [Google] [More] ⦿
Andrés Bertachini	Based in Sao Paulo, Andrés Bertachini Deranian created the art deco typeface Slayer (2013). Behance link. [Google] [More] ⦿
Katie Bertagnolli	Mobile, AL-based designer of the hand-drawn typeface Katydid (2014). [Google] [More] ⦿
Renato Bertao	Brazilian co-designer, with Jean Wojciechowski, of Linsingen (2017). Linsingen comes in Vintage, Moderna and Stencil styles, and was inspired by Brazilian lithographic tea barrel labels from the early 1900s. [Google] [MyFonts] [More] ⦿
Maria Luisa Bertazzoni	Communication design student at Politecnico di Milano, who is from Mantova. She created Pasticcio Storico (2011). [Google] [More] ⦿
Verónica Bertazzo	Graduate from FADU, University of Buenos Aires, who created the Victorian era typeface Arnol (2009). [Google] [More] ⦿
Emil Karl Bertell	Fenotype, a Finnish type foundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link. Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip typefaces). In private email, he calls himself Carl. The foundry evolved from 2theleft. Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it. Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture typefaces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL. In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium. In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats). MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima. Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (ultra-condensed), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display typeface with mustache dings thrown in), FT Master of Poster (bi-level display typeface with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display typeface with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna). Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals). In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments. Typefaces from 2013: No. Seven (a successful brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script). Typefaces from 2014: Larry (sturdy connected script), Silver (upright connected script), Powder Script, Peaches And Cream (creamy signage or baseball script), In and Out (a connected retro signage script), The Carpenter (a script family in the style of Mercury Script). Typefaces from 2015: HMS Gilbert (a collection of 14 hand-crfated vintage types), Lager (a signage script family with adaptable swashes and other opentype goodies), Vanilla Shot, Journey (a smooth and elegant vintage script family of four weights and a matching ornament set, packed with alternate characters, and, in Bertell's style, perfect connections between glyphs), Tea Biscuit (signage script), Skipper, Skipper (connected script), Frost (a signage typeface that is just right, a sure award winner), Monday (sign apinting typeface). Typefaces from 2016: Jazz Script, Fragola (sign painting font), Syrup (sign painting font), Cosmopolitan (monoline connected script), Bluebell (copperplate calligraphic script), Inkston (vernacular brush script together with the standard handcrafted sans and text styles), Beaujolais (brush script), Black Script (a heavy signage script), Beaujolais (an organic brush script), Cold Brew (signage script), Inkheart (tattoo style). Typefaces from 2017: Camper (monoline script, accompanied by Camper Print), Aether Rain (thin script), Thang, Big Fish, Bolton (Bolton Script and Bolton Script, and the degraded Bolton Print pack), Vodka (Slab, Sans, Pen and Brush), Poster Brush, Fresh Press (signage style), Praktika (grotesk), Praktika Rounded, Blossoms, Kitchen (sign painting brush), Letterpress Studio, Takeaway, Aether Rain, Pitcher (baseball script), Karu (a workhorse sans), Bluebell (calligraphic), Roster (signage script), Dog Days, Catsy, Alfons (in Script, Display, Sans, Serif, Tiki, Extras and Ornaments subfamilies), Cosmopolitan (monoline script and sans pair), Snooker (retro signage script), Salty (a creamy brushed signage typeface). Typefaces from 2018: Aster Script, Audrey (a monoline script and sans duo), Galatea (a 48-style sans family by Erik and Emil Bertell), Double Porter (an 18-style font collection with scripts, sans, and grunge faces thrown in the mix), Matchstick, Fruitos, Corner Deli (a layerable set of fonts in script and sans styles), Bayamo (a brush script done for Monotype), Sidecar (a connected monoline neon sign script, and a matching sans), Ginger John, Brush Marker, Shirataki (monoline soft pen script), Ash (a crayon font), Breakfast Script, Dallas Print Shop (a display family by Teo Tuominen and Emil Karl Bertell), Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell). Elixir, Maestri (a classical connected scrupt by Teo Tuominen and Emil Karl Bertell), Popcorn (brush script), Cherry (signage script), Goodwater, Signature Script, Kingfisher (a beer botle signage script), Sonder (brush script). Typefaces from 2019: Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Ex Libris (a high contrast flared serif titling font), Riley (a retro sign painting script), Allison Script, Milky (a sign-painting brush script), Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Boardwalk Avenue Rough (a monoline script and a weathered all caps sans), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Yes Script, Gainsborough (script), Florian (a roman typeface with crisp edges and some contrast), Vogue Sans (a haute couture all caps contrast sans), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Chai (an expressive sans / serif hybrid), Rainmaker Script (monoline), Aequitas (a stylish sharp-edged roman typeface family), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Lawrence (a stylish roman typeface), Kallio Brush (a signage brush script), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Felicity Serif (a juicy bold high-contrast serif), Las Palmas (Brush, Pen, Slab, Condensed), Honey Drops, Explorer, Boardwalk Avenue (a sans/script font duo), Skye (a heavy decorative didone), Leftfield (a retro baseball script), Steak And Cheese, Agile Sans (a humanist sans by Emil Karl Bertell, Erik Jarl Bertell, and Teo Tuominen), Punk Rocker, Silverline, Perfume (Pen, Brush and Sans), Hops And Barley, Allison. Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Omnipop (Sans, Brush, Script), Paper Tiger (a Victorian Script accompanied by a condensed flared serif in two weights and a chunky sans serif), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Gambler (a 14-style display type collection), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Slacker (a brush script), Grand Atlantic (a vintage display package), Magnolia (Brush, Serif), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen), Rose Garden Deluxe (a font duo), Felicity (a heavyweight display sans). Typefaces from 2021: Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Briston (a bold creamy serif in the Windsor genre), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Skillet (a chubby Cooper Black-genre typeface full of hedonism and joie de vivre), Kings Valley (a decorative serif), Shaker Script (monolinear), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Ellie Script (a signature script), Dirty Sundae (a casual font), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen), Kiosk (a 4-style vintage headline typeface family in Script and Sans versions). Typefaces from 2022: Blood Orange (in the Cooper Black / Windsor / Souvenir genre), Tomato Ketchup (supermarket kitsch in the fat rounded Windsor genre). Dafont link. Behance link. Creative Market link. MyFonts interview. View the Fenotype typeface library. View Emil Bertell's typefaces. [Google] [MyFonts] [More] ⦿
Erik Jarl Bertell	Helsinki, Finland-based Erik Bertell graduated from Lahti Institute of Design. His fonts include Neon, Mama and Mama Round. Born in Helsinki in 1980, Erik was at first a type designer for Fenotype, which was founded by his brother Emil Bertell. He holds an MA in graphic design from aalto University in Helsinki. Around 2012, he set up his own foundry, simply called Erik Bertell. Erik's fonts EB Base Mono (2009, monospaced), EB Futuretro (2002, bilined art deco techno face), EB Neon (2002), EB Boogie Monster (2002, multiline prismatic op art family), EB Vintage Future and EB Humboldt (2002, ultra fat). EB Martin (2010) is, in his own words, a post modern take on several traditional blackletter types. EB Bellissimo Display (2010) is a rounded monoline geometric sans typeface family. EB Jessica (2011) is part typewriter, part cemetery. Typefaces from 2013: Steamer (which he calls a grimy grotesque), EB Vintage Future, EB Martin (blackletter), EB Jessica Condensed Book. Moomin (2015) is a custom typeface designed for the Moomin brand. It is based the type used in the early comic strips by Tove Jansson, the author and creator of the Moomins. Cavalier (2016) is an avant-garde sans in the style of the 1970s. Typefaces from 2018: Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell). Typeface from 2019: Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Galatea (a 48-style sans family by Erik and Emil Bertell), Well (Erik Bertell and Toni Hurme: a wavy custom display typeface for Well Coffee), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Frank Sans (grungy). Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen). Typefaces from 2021: Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen). Link to Bond Creative Agency. Behance link. [Google] [MyFonts] [More] ⦿
Kea Bertell	Kea Bertell studied Spatial and Furniture Design at University of Art&Industrial design Helsinki. After being injured she started working as an illustrator with her husband Emil Bertell at Fenotype in Turku, Finland. Her first typeface, done in 2010, is the brushy Biscuits and Gravy. [Google] [MyFonts] [More] ⦿
Kenyon Bertelsen	During his studies Ringling College of Art and Design in Sarasota, FL, Kenyon Bertelsen designed the squarish display typeface Lumber (2017). [Google] [More] ⦿
Chris Berthe	Designer of the paper fold typeface Paper&Love (2010). Chris was born in and lives in Montreal. [Google] [More] ⦿
Jéröme Berthemet	Graphic and web designer in Paris, b. 1983. He made the art deco blackened out geometric typeface Caligari (2008, German expressionism), the sans typeface Tir-bouchon (2015), the mirror typeface Rivulet (2011) and the martini glass-inspired art deco beauty called Sophia (2008). Home page with incorrect HTML code. Behance link. Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Clément Berthet-Bondet	Graphic design student in Lyon, who created an art deco prismatic typeface called Striped (2012). [Google] [More] ⦿
Patrick Berthiaume	Quebec-based designer of the experimental typeface Hamlet at UQAM (2003). [Google] [More] ⦿
Beatrice Berthon-Perrot	Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿
Athal Bertht	Madrid, Spain-based designer of the sans display typefaces Culonite (2018: rounded and circular; lowercase only), Natural (2018: handcrafted), and Acatisia (2018). [Google] [More] ⦿
Raffaello Bertieri	Type designer from Florence, 1875-1941. Bertieri held the position of artistic consultant of the Nebiolo Foundry for most of his life. He made or supervised the production of these typefaces: Inkunabula (1911, Società Augusta). This Venetian typeface is based on the roman of Erhard Ratdolt (1476). Sinibaldi (1926, Nebiolo). Based on the calligraphic letters of late 15th century florentine writer Antonio Sinibaldi. This typeface was digitized in 2021 by maria Chiara Fantini as a triplet, Antonio, Sinibaldi, and Magnifico. Paganini (1928). Done with Alessandro Butti. Jessica Svendsen digitized this in 2010 under the same name, and so did Patrick Griffin and Kevin Allan King at Canada Type in 2011: Paganini. Iliade (1930). Ruano (1926). Chancery font named after Vatican calligrapher Ferdinando Ruano who drew Lettera Cancellaresca Formata. For a digital version, see Flanker Ruano (2013, Leonardo Di Lena). [Google] [MyFonts] [More] ⦿
Massimo Berti	During his studies in Hasselt, Belgium, Massimo Berti designed Two For All (2013). [Google] [More] ⦿
Alice Bertin	Bordeaux, France-based student-designer at ECV of the display typeface Typoney (2017). [Google] [More] ⦿
Vivien Bertin	Vivien Bertin (Caribara, Paris) designed the sans typeface family Egg (2013). Behance link. [Google] [More] ⦿
Joseph Bertocchio	Born in Marseille (1907-1978), under the pseudonym of Berto, Bertocchio designed Berto in the 50s as a lithographer. In 2000, Christophe Badani made a modern day font based on it, called Berto. [Google] [More] ⦿
Eric Berto	Alicante, Spain-based designer of the condensed Victorian typeface Regencia (2018) and the free sans typeface Kymera (2018). [Google] [More] ⦿
Giulio Bertolotti	During his graphic design studies in Milan, Giulio Bertolotti created the display sans typeface Hill House (2013). [Google] [More] ⦿
Mario&Mary Bertoluzzi	The font creators at MB Music Engraving In Greely, CO, write: "MBPercussion is a 116 character symbol or pictogram font created for the engraver, copyist, and composer who work with contemporary percussion notation. Advantages of percussion symbol use include clarity, efficiency of space, and the elimination of translation problems." 30 USD, Windows and Mac. Notational symbols for wind chimes, ratchets, vibes, slide whistle. [Google] [More] ⦿
Nicolo Bertoncin	Graphic designer who was born and grew up in Milan. In 2011, he created The Fresh Sans. Behance link. [Google] [More] ⦿
Camilla Bertoni	As a student, Camilla Bertoni (Cuneo, Italy, b. 1995) created the free black counter typeface Linestones (2016), the free script typeface Honey Llama (2016), the free the handcrafted typeface Moody Spaghetty (2016) and the cursive typeface Yellow Llama (2016). Dafont link. Home page. [Google] [More] ⦿
Matteo Berton	Italian artist who, with the help of Cosimo Lorenzo Pancini at Zetafonts, designed the chalky typeface Berton(2017). [Google] [MyFonts] [More] ⦿
Agnes Bertothy	Hungarian designer of the multiline display typeface Finity (2014). Dafont link. [Google] [More] ⦿
Julie Bertrais	During their studies at ECV in Nantes, France, in 2018, Julie Bertrais, Solenne Pagès, Clara Tourneux, Carla Salaun and Constance Reygrobellet codesigned the super-heavy typeface family Mauer, to commemorate the Berlin Wall that came down in 1989. Also in 2018, Julie Bertrais and Solenne Pagès co-designed Jauria. [Google] [More] ⦿
Andrew Bertram	Australian designer of the free fonts Vertigon (2012, poster face) and Wolfsburg (2012, techno). [Google] [More] ⦿
Andy Bertram	Designer at the Australian foundry Prototype Font Design of Bodoni Java, City Central, City Estate, Code, Empyre, Interface, Krush, Nippon, Ruby, Special Deluxe, Speedster, Vertigo, Bats Noir, Beds, Bats&Tables, Numb Bats, Sports Bats. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿
Axel Bertram	Axel Bertram was born in Dresden in 1936. He studied at the Berlin Weissensee Academy of Fine and Applied Arts. From 1972 to 1986 and from 1989 to 1992 he worked as a university lecturer in typeface and graphic design at the Berlin-Weissensee Academy of Fine and Applied Arts. He was made professor in 1977. He has been active in graphic design, publicity work, and most importantly, digital typeface design. Designer of delicately quaint Lucinde family in 16 styles (2011, Linotype), in collaboration with calligrapher and type designer Andreas Frohloff. Lucinde was later renamed Rabenau. Images: i, ii, iii. Linotype writes: In March 1999, Axel Bertram carried out the first test prints of a typeface which he had originally developed for his own use. He had been searching for an appropriate script to evoke both a significant period in the history of printing and the literary historical milieu of Berlin around 1900. His attention was drawn to Friedrich Schlegel's novel Lucinde which appeared to great acclaim in 1799 and whose ideas found great sympathy in Axel Bertram. (The novel deals with the major re-ordering of the roles between men and women, in particular arising from the lifestyle of a young Romantic. Sensibility and intellectual attraction, earthly and heavenly love were no longer to be seen as irreconcilable opposites and certainly not to be seen as being divinely pre-ordained for one sex only. This was a small historical step on the path towards equality of rights for the sexes. The novel remained an incomplete fragment and the ideas contained did not catch on in the author's lifetime. These new demands had, however, found a voice and continued to resonate.) In 1999 the new typeface was therefore dedicated to the ideals of this young Romantic with all its sublime insolence. In 2012, he published FF Videtur, together with Andreas Frohloff: The concept for FF Videtur is based on bitmap fonts Axel Bertram created for the state television broadcaster in East Germany (GDR Television) during the 1980s. Thorough research and testing led to the creation of an open, functional serif typeface with alternating contrast. Freed from yesteryear's technical restrictions, the new FF Videtur was entirely redrawn while keeping the best characteristics of the earlier forms. Despite its workmanlike appearance at first glance, its warm character is undeniable. The reasons for this are its modest stroke contrast; the open, clearly differentiated letterforms; the relatively short and rounded wedge-shaped serifs; and the consistent rhythm it sets in lines of text. Klingspor link. [Google] [MyFonts] [More] ⦿
Joel Bertram	Graduate of University Of Applied Sciences Mannheim. Mannheim, Germany-based designer of Berthaus Grotesque (2017), a geometric typeface that fuses Futura, Bauhaus and Avant Garde. [Google] [More] ⦿
Will Bertram	Jersey-based designer (b. 1991) of the ghostly typeface Spook (2016). Dafont link. [Google] [More] ⦿
Ariadna Marques Bertran	Graduate of ESDAP, Barcelona, who works as a graphic designer in Barcellona. In 2020, she released the decorative display typeface Orquidia. [Google] [More] ⦿
Anne-Lise Bertrand	During her studies at the École de Communication Visuelle ECV Aquitaine, Bordeaux-based Anne-Lise Bertrand designed the origami-style typeface White Shape (2012). [Google] [More] ⦿
Jacques Bertrand	Jacques Bertrand works in the Department of Psychology at the University of Trois-Rivières, Québec, Canada. He designed the Mac fonts Amour Tendre, Bertrand, Jean Camil, Nancy Blue, Petit Bonheur (see also here), Provence, Puccini and Steinbeck (Mac only). [Google] [More] ⦿
Theophile Bertrand	Parisian designer of the video game typeface Massive Attack (2014). [Google] [More] ⦿
Stefi Bert	Stefi Bert (UK) designed the puffy cloud font Nubles in 2013. In 2016, he designed the connect-the-dots font family Not Only Braille. Dafont link. Another URL. Home page. Behance link. [Google] [More] ⦿
Inacio Berutti	During his studies at Univali, Florianopolis, Brazil-based Inacio Berutti designed the free display typeface Funky Break (2017, FontStruct). [Google] [More] ⦿
Michela Berzano	Graphic and web designer from Barcelona who created the fat squarish typeface Dora (2011). [Google] [More] ⦿
Chebo Besa	As a student in Salford, UK, Chebo Besa created Diamond Typeface (2015). [Google] [More] ⦿
Esby D.J. Besada	Designer in 2016 of the FontStruct fonts Drosé KXK Plus, Drosé KXK Zero, Mannaffe Yunis, and Manaffe-Zero Yunis. [Google] [More] ⦿
Madison Besch	Madison Besch (b. Omaha, NE) designed the slab serif typeface Madislab in 2016 during her studies at the University of Nebraska at Omaha. [Google] [More] ⦿
Valeriya Besedina	Moscow-based designer of the Latin / Cyrillic arts-and-crafts typeface American Horror Story (2016). Behance link. [Google] [More] ⦿
Oleg Besedin	Dnipropetrovsk, Ukraine-based designer of the squarish typeface Magic Moments (2015) and a monoline display typeface. [Google] [More] ⦿
Burak Besen	Winner of an award in Alessandro Segalini's type design class at Izmir University of Economics in June 2007 with the grunge stencil typeface Cig Kofte. [Google] [More] ⦿
Reno Beserra	In a course in Fortaleza, Brazil, Reno Beserra created the free semi-stencil deco typeface R Judas Sans (2014) which was inspired by British urban art and Bauhaus. [Google] [More] ⦿
Enes Besinci	Istanbul, Turkey-based designer of the rhombic and hexagonal typeface Prayer (2019). [Google] [More] ⦿
Abdulah Besirevic	Graphic designer in Red Deer, Alberta, who created the vintage typeface Mount Pleasant in 2013. Behance link. [Google] [More] ⦿
Robert Besley	British typefounder and punchcutter, active from about 1840-1860. He succeeded William Thorowgood at the Fann Street Foundry in 1849. Credited with cutting the first Clarendon (1845), a fat typeface with thick slabs. This was also the first registered typeface, ever. See also here. Stephenson Blake acquired Clarendon when it bought the Sir Charles Reed type foundry, and issued the typeface as Consort. Typophile discussion on Besley's Clarendon from which I quote a few passages. About the first instance of piracy, James Mosley explains: The Clarendon type of the Besley foundry is the first type actually designed as a related bold that is, made to harmonize in design and align with the roman types it was set with. It was registered in Britain in 1845 under the new Ornamental Designs Act of 1842. But when protection ran out after only three years, the other founders also thought a related bold was a good idea. This is how Besley reacted. About Consort, another tpyeface of Fann Street from the same era, Mosley writes: The light weight of Consort, an excellent type I think, was another Fann Street type of the 1840s or 1850s, and was presumably cut by Benjamin Fox. It doesn't match the Clarendons closely, though, having unbracketed serifs. The story of the bold and the italic is a rather sad one. They were made by H. Karl Görner, who was born in Germany in 1883, was taken on in 1907 as assistant punchcutter with Stephenson, Blake&Co., Sheffield and stayed with them for the rest of his life. He died in 1964. Görner was probably trained to cut steel punches, but the work I know about was cut in typemetal, and electrotypes were grown to make matrices for casting. This was quite a usual practice, in the UK and the US at least, from the later 19th century onwards. I was told that, years before, Görner had made the type that was thought up by Robert Harling and marketed by Stephenson Blake under the name of Chisel. He cast type from matrices for Bold Latin Condensed and incised lines into the face. When SB wanted a bold and an italic to complete the Consort series, Görner cast a bold slab-serif from some quite early matrices and pared it down to make Consort Bold. I dont know if he had a model for the italic. Probably not. I think they are awful types travesties of the original cuttings of Clarendon. [Google] [MyFonts] [More] ⦿
Michel Besnard	The French type designers Michel (b. 1942) and Rosalyne Besnard (b. 1946) live in Rouen. Under the brand Les Besnardtypo, they jointly designed Micmac (Agfa Creative Alliance, 1997), ITC Odyssee (1996), ITC Typados (1997), Rom (Creative Alliance, 1998), Bouchon (Letraset, 2000), Huit (Visual Graphics Corporation, 1972), Sargon (Visual Graphics Corporation, 1974: bilined and futuristic), Migraph (Agfa Monotype, 1999), PistolShot LT Std Normal and Light (Linotype, 2003), Nazca (Monotype Imaging, 2005), Sargon (Monotype Imaging, 2006), First One (Monotype Imaging, 2006: a family for teaching the alphabet to children), Mickros (Monotype Imaging, 2007), Pantin (Monotype Imaging, 2007), De Gama (Monotype Imaging, 2008), Pasta (Monotype Imaging, 2008). As of 2015, Monotype sells De Gama, Filao, First One, Gamira, Huit, Makina, Mickros, Modern B42, Nazca, Pantin, Pasta, Robotool, Sargon, Season. Linotype page. FontShop link. Another FontShop link. View Michel Besnard's typefaces. [Google] [MyFonts] [More] ⦿
Roselyne Besnard	The French type designers Michel (b. 1942) and Rosalyne Besnard (b. 1946) live in Rouen, France. Under the brand Les Besnardtypo, they jointly designed Micmac (Creative Alliance, 1997), ITC Odyssee (1996), ITC Typados (1997, art nouveau), Rom (Creative Alliance, 1998), Bouchon (Letraset, 2000), Huit (Visual Graphics Corporation, 1972), Sargon (Visual Graphics Corporation, 1974: bilined and futuristic), Migraph (Agfa Monotype, 1999), PistolShot LT Std Normal and Light (Linotype, 2003), Nazca (Monotype Imaging, 2005), Sargon (Monotype Imaging, 2006), First One (Monotype Imaging, 2006: a family for teaching the alphabet to children), Mickros (Monotype Imaging, 2007), Pantin (Monotype Imaging, 2007), De Gama (Monotype Imaging, 2008), Pasta (Monotype Imaging, 2008), Gilde (2014: a monoline script), Didosystem (2017: a connect-the-dots font). Linotype page. FontShop link. Another FontShop link. Klingspor link. View Roselyne Besnard's typefaces. [Google] [MyFonts] [More] ⦿
Constanza Besnier	Constanza graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the organic typeface Pomaire, which was named after a picturesque and rustic village. [Google] [More] ⦿
Pakoma Bessa	Sao Paulo-based graphic designer who created the decorative textured typeface Futura Ornamentada (2014). [Google] [More] ⦿
Rodrigo Bessa	Brazilian creator in 2008 of an Avant Garde style font RavenGarde for TIM Festival 2008. He works at Tátil Design. [Google] [More] ⦿
Emmanuel Besse	Emmanuel Besse holds a degree in typographic design from the Ecole Estienne in Paris. He works on projects ranging from web design and publishing, to typeface design. He co-founded Large with Leo Carbonnet, a design group based in Brussels and Paris. Emmanuel is in charge of Production Type's graphic design. In 2018, his road signage typeface Signal PK was published by Production Type. The pictograms in the font were drawn by Donald Choque. Art direction by Julien Lelièvre. Production Type explains: Signal is a typeface that leans on a significant part of the French typographic landscape, the "Caractès" for road signage. These alphabets made by norm, with obscure origins, are present all across the French road network since the 1970s, and are emblematic of its typographic identity. Signal fulfils the broken promise that these alphabets used to make: until now, Caractères existed only in their normative shape (4 incomplete styles named L1, L2, L3, and L4: two of uppercase-only, two of italics only). The few digital fonts available are equally incomplete and mediocre digitization attempts, with poor execution. Specifically designed with urban signage, interface and exhibition design, in mind, this new series (Signal) completes and extends the existing typefaces. The current palette consists in previously unseen romans in two weights and their matching italics, a complete set of accents for multilingual typesetting, numerous arrows and pictograms, and characters for mathematical typesetting. An extra style, Condensed, deformed and excessive, wittily tops the typeface family. As a new ensemble, its demultiplies the potential uses of Caractères, beyond their original purpose, making them notably suited for interface design. In 2020, Production Type launched Signal Mono, and advertized it as a straightforward bureaucratic typeface. It was made by Emmanuel Besse, who was assisted by Julien Lelièvre (art direction), Hugues Gentile (Cyrillic) and Laurane Perrot. Together with the Production Type team of Quentin Schmerber and Hugues Gentile, he designed the severe-looking mechanical typeface family Kreuz, which is also a sign of the times---the rise of threatening right-wing dictators in Europe and America. Designer of Enduro (2020, Production Type), a sturdy 44-style no-nonsense sans having a Cyrillic that was designed by Marion Sendral. Typefaces at Large Projects include Principal (sans) and Norman (condensed sans). [Google] [More] ⦿
Ann Bessemans	Ann Bessemans (b. 1983) obtained her Ph.D. in 2012 from Leiden University (under Gerard Unger) and Hasselt University. She grew up in Sint-Truiden, Belgium. In 2011, she finished the Expert Type Design Class with Frank Blokland at the Plantin Genootschap in Antwerp, and created the typeface Matilda. Matilda was specially designed to help make kids make the transition from reading simple type forms to more complex ones. Her PhD in 2012 entitled Type Design for Children with Low Vision was jointly supervised by Gerard Unger at Leiden University, and Bert Willems at Hasselt University. Her research interests include the interrelations between image & word, typography, font design, legibility, reading graphic design, book design and modular systems. She speaks regularly about legibility. Speaker at ATypI 2013 in Amsterdam and at ATypI 2014 in Barcelona. In 2014, Ann Bessemans designed a Belgian postage stamp that set a Guinness record of 606 words on one stamp. Speaker at ATypI 2016 in Warsaw on READSEARCH---A Platform for Reading Research (together with Kevin Bormans and Maarten Renckens). READSEARCH, launched in 2015, is Bessemans's research group that studies reading from a multidisciplinary and scientific perspective, covering both impaired and normal readers. Speaker at ATypI 2017 Montreal. [Google] [More] ⦿
Valentin Besset	Valentin Besset (Atelier About, Lyon, France) designed Giant Brick (2016: a 3d typeface), Die Geometrische (2016), Fraternity (2016, hipster style) and Point à Point (2016, connect-the-dots typeface). Behance link. [Google] [More] ⦿
Guillaume Besson	During his studies in Lausanne, Switzerland, graphic designer Guillaume Besson created the frivolous Strawberry Thief Grotesk (2015). Behance link. [Google] [More] ⦿
Callum Best	Callum Best (Bournemouth, UK) created the art deco typeface Ark Deco (2012). Behance link. [Google] [More] ⦿
Doug Best	Cincinnati, OH-based designer of these typefaces in 2011: Frakked (blackletter), Spartan, Octagon, Modern Wood, Wasabi (a free Asian calligraphic simulation face; +Shogun, +Samurai, +Ninja). Behance link. [Google] [More] ⦿
Katrin Beste	Purkersdorf, Austria-based designer of the modular monoline sans typeface family Tauy (2017, FontStruct). [Google] [More] ⦿
Ali Bester	Cape Town, South Africa-based designer of a deco typeface in 2017. Behance link. [Google] [More] ⦿
Tom Besters	Designer at Typolis in Antwerpen, Belgium, where he designed the grunge font Dyslexic. Tom lives in Borsbeek. [Google] [More] ⦿
Kati Best	During her studies in Batavia, OH, Kati Best created the typeface Hello Mr. Fox (2013), which is characterized by its tall ascenders and vintage look. [Google] [More] ⦿
Michael Best	Many free Sanskrit-diacritic typefaces here, all designed by Murari Dasa (was Madhava Dasa), aka Michael Best, who is the oldest son of Pratyatosa Dasa. The fonts: Tamal (1993, based on Times Ten), Bhaskar (NewBaskerville), Devanagari (well, this is a true Devanagari font done in 1995), Drona (Dutch), Garuda (FuturaCondensed), Gaudiya (Goudy), Hladini (Helvetica), Karuna (Courier), Shanti (Sabon), Avatar (Avenir), Bhimasena (Benguiat), Gauranga (FormalScript), Kunti (KuenstlerScript), Kurma (Cooper), Uttama (University Roman), Yama (TempHeavyCondensed). In 1996-1997, Best designed the Tamil font Indevr20, with copyright to The Bhaktivedanta Book Trust. All his fonts on one zip file. [Google] [More] ⦿
Valeria Sanchez Betancourt	During her studies in Tampico, Mexico, Valeria Betancourt (b. 1992) created Vale Hand (2012) and Rounded Vale (2015). Dafont link. [Google] [More] ⦿
Jose Betancur	Creator of the modular typeface Jomibe (2013). [Google] [More] ⦿
Amy Beth	Student at UWE Bristol in the UK. FontStructor who made the grunge typeface Tooth Decay (2010). [Google] [More] ⦿
Bethan	Welsh youngster (b. 1993) who created Dwarvish (2008, runes). [Google] [More] ⦿
Cecelia Bethuy	Graphic designer in Ferndale, MI, who created the sci-fi font Funky Space Robot (2014, FontStruct) during her studies. [Google] [More] ⦿
Paul Betowski	FontStructor whose fonts include Gridsix (2010, a unicase kitchen tile face), Blockhead (2008, the ultimate fat face), and Quadrants (2008, modular). [Google] [More] ⦿
Laurène Bettcher	Strasbourg, France-based designer of the architectural decorative typeface Indus (2017) that is based on the work of Hilla and bernd Becher. [Google] [More] ⦿
Carolina Bettencourt	Portuguese designer (b. 1986) who is based in Macau. Creator of the free script typeface Bettencourt (2012). Her display typeface Radius (2013) is also free. Behance link. Dafont link. [Google] [More] ⦿
Rebecca Bettencourt	Relay Fonts (Rebecca Bettencourt, aka Beckie RGB, and also known as Kreative Korporation and Kreative Software) offers a number of free fonts. Their main list of fonts, 2003-2010: Alisha, CosmicSpamMS, DotCom, Eighteen, Felicia, FluorineLite, FluorineLiteMikiana, Glass, GlathenGirl, Infinity, Kaileen, Kawakimi, LongIsland, LongIslandIcedTea, Madgecrack, MikaPro, Miranda25, Miranda27, OpenDocRocks (hairline sans), SixthKristenSquirt, Sorority, Tenbitesch, ThiMegaTampon. Designers in 2008 of the large free typeface Constructium seen at the Open Font Library. They write: Constructium is a free font for supporting constructed scripts, as encoded in the Unofficial ConScript Unicode Registry. It is based on SIL Gentium and thus released under the SIL Open Font License. Constructium is ideal for mixed Latin/Greek/Cyrillic, IPA, and conlang text, thus well suited for conlangers' web sites. In addition to most Latin and Greek, basic Cyrillic, and IPA extensions, Constructium supports the following conscripts: Tengwar, Cirth, Amman-Nar, Olaetyan, Seussian Latin Extensions, Sylabica (isolated forms only, no syllables), Unifon, Solresol, Glaitha-A, Glaitha-B, Deini, Kamakawi (encoded at U+F000), and Klingon. They made the pixel fonts Chixa, Epilepsy Sans (2011), Fairfax (+Bold, +Italic, +Serif), FluorineMicro, Goethe (+Bold), Hippauf, KKFixed4x5, KKFixed4x7, KKPx4, Magdalena (+Bold), McMillen (+Bold), Mischke (+Bold), Monterey (+Bold), SeaChelUnicode, SixteenSegments, dwtMicro, dwtMicroMask. Fontstructor who made SF Subway (2011), a kitchen tile typeface based on tiled lettering seen in the San Francisco MUNI system, Underclocked (2012), Great Rounded Matrix (2012, a dot matrix face), Fonteriana (2014), Thin Martin (2014). Discontinued fonts: Berkelium Bitmap, Endcurled, Lauren, Sunflower's Illegible Writing, Berkelium Type, Fluorine, Mikkav, Unmodified Fax, C Colon Backslash, Hydrogenfluoride, Modern Grease, Copyright Renewed, Infinite, Signatures. Conlang fonts: Constructium, Nuvenon (Tehano Venon for Ayeri). The Urban Renewal series revives the old Apple typefaces with new names: Liverpool (aka London), Sanfrisco (aka San Francisco), Los Altos (aka Los Angeles), Torrance (aka Toronto), Athene (aka Athens), Parc Place (aka Cream, aka Palo Alto), Valencia (aka Venice). Faithful recreations in 2011 of pixel fonts of old computers, notably Apple II [BerkeliumIIDHR, BerkeliumIIHGR, PRNumber3, PrintChar21, Shaston320, Shaston640, ShastonHi320, ShastonHi640], Commodore 64 [Berkelium1541, Berkelium64, Giana, PetMe, PetMe128, PetMe1282Y, PetMe2X, PetMe2Y, PetMe64, PetMe642Y], Apple Lisa [EmptyFolders2X3Y, EmptyFoldersRaw, Engelbart2X3Y, EngelbartRaw, LisaCalcPaper2X3Y, LisaCalcPaperRaw, LisaGraphPaper2X3Y, LisaGraphPaperRaw, LisaGuidePaper2X3Y, LisaGuidePaperRaw, LisaProjectPaper2X3Y, LisaProjectPaperRaw, LisaSketchPaper2X3Y, LisaSketchPaperRaw, LisaTerminalPaper2X3Y, LisaTerminalPaperRaw, LisaTerminalPaperSmall2X3Y, LisaTerminalPaperSmallRaw, PriamWhamos2X3Y, PriamWhamosRaw, SomeAcronym2X3Y, SomeAcronymRaw, StartupFrom2X3Y, StartupFromRaw, Twiggy2X3Y, TwiggyRaw], and others [Antiquarius, CandyAntics, ColleenAntics, DosStartDefaultFont, ItalianPlumber, Speccy]. Custom fonts: Jewel Hill, Miss Diode n Friends, This is Beckie's Font. Under the alias of Jon Relay, Rebecca made mostly handwriting fonts: Eighteen, Nineteen, Felicia (2002), Ditch The Logical, Endcurled, Alisha (2003), AdministratorPassword, BerkeliumBitmap, BerkeliumType, CopyrightRenewed, Cosmic Spam, DotCom, DWT, Eighteen, Fluorine (+Lite), Fonteri, Glass (3d face), Glathen Girl (2004), Hydrogenfluoride, Infinity, Jewel Hill, Kaileen (2004), Kawakimi, Make Lots of Graphs, Jon'sNewRoman, Jon'sSupercondensed, Kelly, Lauren, Matal, Miranda 27, Mikkav, Modern Grease (Greek simulation), OpenDocRocks, Plastic, ReturnofRelayScript, SCSIPort, Sexy Sara (2002), Sixth Kristen Squirt, Sorority, Teen Dreem Magazeen, Tenbitesch, UnmodifiedFax, Jewel Hill (2002, based on artwork by Amy Taramasso). Typefaces from 2012: Hippauf (pixel face), Fairfax (pixel family), Thi Mega Tampon, Tenbitesch (curly face), Sorority, Miranda 25, Mika Pro, Madgecrack, Long Island, Long Island Ice Tea. Typefaces from 2013: Constructium (a text typeface adapted from J. Victor Gaultney's Gentium (2003)). Typefaces from 2017-2019: Kreative Square (a wide monospaced sans), Fairfax HD. Dafont link. Fontspace link. Abstract Fonts link. Klingspor link. Open Font Library link. [Google] [More] ⦿
Ivan Bettger	Aka as theterrible. Designer in 2008 of this font, based on FontStruct: Struktur (2008, blackletter), more_than_meets_the_eye (2009, based on The Transformers) and New Traface (2009, sans). [Google] [More] ⦿
Laura Betti	Hopewell Junction, NY-based graphic designer who has created some custom typefaces such as Birds (2009). The alphabet. [Google] [More] ⦿
Giada Bettio	Italian creator (from Jesolo) of the ink trap techno face Lumina (2009), which was designed while he was studying at the Politecnico in Milan. It was intended for applications such as illuminated dashboards of cars and planes. [Google] [More] ⦿
Jeffrey Betts	Designer in Elmont, NY. In 2012, he used Futura as a basis for Arcade, a typeface used for wayfinding on a campus. [Google] [More] ⦿
Limor Betzalel	Jersulaem, Israel-based designer of the Hebrew typeface Renée Sans (2015) and of the Hebrew marker font Kumzitz (2014). [Google] [More] ⦿
Chelsea Beuch	Graduate of Mankato State University, class of 2015. New Prague, MN-based designer of the octagonal typeface New Prague (2015). Behance link. [Google] [More] ⦿
Maxwell L. Beucler	During his studies at The School of Visual Arts in New York, Maxwell Beucler created the all caps typeface Bones (2013) and the scary typeface Slime Sans (2013). In 2014, he published Nautikal Nonsense. [Google] [More] ⦿
Leo Beukeboom	Leo Beukeboom was the in-house sign painter for Heineken brewery for more than 30 years. An accomplished and skillful lettering artist, he was heavily influenced by Dutch writing masters such as Cornelis Boissens and Jan van de Velde. He created a unique script style that became one of the distinctive characteristics of traditional brown café's in Amsterdam. Leo is now working on Beukeboom Script (Re-Type, 2009). [Google] [More] ⦿
Jean Paul Beumer	Omashuisje (lit. grandmother's house) is the foundry of Jean Paul Beumer, a Dutch graphic and type designer from Biervleet, Zeeland, The Netherlands, who was born in Breda in 1968. He is working on this slab serif typeface (2007). Eastburgh (2011) is a slightly slabbed humanist sans face. In 2012, he published the nearly monoline sans typeface family Aubaine. [Google] [MyFonts] [More] ⦿
Shaun Bevan	During his studies in Salford, UK, Shaun Bevan created a triangulated typeface (2016). [Google] [More] ⦿
Ajda Bevc	Creator of Leprechaun (2011) during TipoBrda 2011, a type design workshop held in Slovenia. [Google] [More] ⦿
Eleni Beveratou	Graduate of the University of Reading in 2011. Originally from Greece, Eleni's graduation typeface was Intone (2011), which was specially created for Latin and Greek texts. During TipoBrda 2010, she created the contrast-rich display sans typeface Untitled. At Fontsmith, she published FS Olivia (2012), an angular text family for Latin Greek and Cyrillic. [Google] [MyFonts] [More] ⦿
Enrico Bevere	San Benedetto del Tronto, Italy-based graphic designer. Behance link. Creator of an experimental typefaces Jellymorph (2012) and No IS (2011), which use the Perlin random number generator and trigonometric functions to create glyph outlines. [Google] [More] ⦿
Steve Bevis	Designer (Steve Bevis?) of "In the Zone Dingbats". Elswhere you can download Britney Jean Spears Dingbats (2005, Jennifer Paige). [Google] [More] ⦿
Lyam Bewry	Lyam Bewry is a graphic designer living and working in San Francisco (in 2020). Before 2020, he worked in London for studios including Magpie, Pentagram, Paul Belford Ltd and GTF. At Type Cooper 2020, he designed Slabra, a bold slab-serif typeface that takes a fresh look at the idiosyncratic contrast found in early type design. [Google] [More] ⦿
Arton Bey	Designer who used FontStruct in 2008 to create GRRRILLA (Western billboard face) and Bombs (ultra-condensed fat face). [Google] [More] ⦿
Anthony Beyer	French creator of Gagaille Premiere (2005) and Gagaille Seconde (2005). Dafont link. [Google] [More] ⦿
Megan Beyerlein	West Bradenton, FL-based designer of Dinosaurus Text (2018), which includes a set of dinsaur doodles for children. She also created an icon set called Under The Sea (2018). [Google] [More] ⦿
Laurel Beyers	Brooklyn, NY-based illustrator and graphic designer who created the floriated typeface Merci Beaucoup (2015). Behance link. [Google] [More] ⦿
Mohssen Beygzadeh	Tehran-based designer (b. 1987) of a futuristic caps set in 2012, called Future Type. [Google] [More] ⦿
Julia Beynon	Graphic designer and fashion model Julia Beynon (Daphne Designs, Los Angeles) created the handwriting all caps outline typeface Bully Boys (2003), downloadable from DaFONT. [Google] [More] ⦿
Hugo Beyts	UK-based creator (b. 1975) of the poster typeface Ice Station Awesome (2011), Bright Young Things (2011), and the scratchy hand Yellow Back Radio (2011). John Wayne Ford (2014) is a poster typeface based on the ads for The Train Robbers. Cinder (2014) is a poster typeface. Dafont link. [Google] [More] ⦿
Fillipe Bezerra	Olinda, Brazil-based designer of the free crop circle typeface ET Crop (2017). [Google] [More] ⦿
Anna Bezhan	During her studies at KSADA in Kharkiv, Ukraine, Anna Bezhan designed the handcrafted Cyrillic typeface Postanova (2017). [Google] [More] ⦿
Romain Bézier	It is difficult to believe, but there is a type designer called Bézier. He lives in Nantes, France, and created his first typeface, an inline deco face, in 2014. [Google] [More] ⦿
Francesca G. B.	During her studies in Arequipa, Peru, Francesca G. B. designed the Eiffel Tower-inspired typeface Paris (2015). [Google] [More] ⦿
Markela Bgiala	Markela Bgiala, an interior designer in Berlin, created the ornamental typeface Twirkle (2012) and the thin poster headline typeface Hair Line (2012, Latin and Greek). In 2013, Markela designed the display sans family Mismark, which comes with a hairline weight. In 2014, she created Copy Paste Futura, which can be bought here. Behance link. [Google] [More] ⦿
Giorgia B	Roman creator of BBB (2012), a typeface created with compass and ruler. [Google] [More] ⦿
Nasruddin Bhadal	Banda Aceh, Indonesia-based designer, b. 1990, of the signage script typefaces Hancock Script (2019), Maestro Script (2019) and Hector Barbossa (2019). Typefaces from 2020: Parmela, Bradley, Aotria, Remington. [Google] [More] ⦿
Andri Bhae	South Sumatera, Indonesia-based designer (b. 1981) of the minimalist monolinear sans typeface Verno (2020). [Google] [More] ⦿
Prachi Bhagwat	Pune, India-based designer of the foliate typeface Edge (2018). [Google] [More] ⦿
Kajol Bhalerao	At Racahna Sansad College of Applied Arts and Craft, Mumbai-based Kajol Bhalerao designed the textured caps typeface Katti Batti (2018) and the Rajasthani dance-inspired color typeface Ghoomar (2018). [Google] [More] ⦿
Ayushi Bhandari	During her studies, Jaipur, India-based Ayushi Bhandari created a geometric solid typeface (2015). [Google] [More] ⦿
Riya Bhandarri	Mumbai, India-based designer of the high-contrast sans typeface Touché (2016). Behance link. [Google] [More] ⦿
Suman Bhandary	India-based principal designer of the free Google font Mina, a contemporary geometric Bangla (Bengali) and Latin family. The family comes in two weights, Regular and Bold. It started by extending the Latin font Exo, initially designed by Natanael Gama. Contributors to Mina include Mooniak (a group of designers based in Sri Lanka), Pathum Egudawatta, Ayantha Randika, and Kosala Senevirathne. Github link for Mina. Graduate of the MATD program at the University of Reading, class of 2019. Suman's graduation typeface, Aahir, covers Arabic (Nasq & Nastaliq), Bengali and Latin and is intended for use as a workhorse text typeface. [Google] [More] ⦿
Devika Bhansali	Mumbai, India-based designer of the free Urdu-Arabic typeface Baloo Bhaijaan (2017). Github link for EK Type's Baloo family of fonts. [Google] [More] ⦿
Yash Bharani	During his architecture studies at Indian Institute of Technology Roorkee (India), Yash H. Bharani designed the free architectural drawing font family DAP IIT Roorkee (2019). [Google] [More] ⦿
Addy Sukma Bharata	Yogyakarta, Indonesia-based designer of the watercolor brush typeface Brushylicious (2016), the Victorian typeface Grandeven (2016), and the free Victorian signage typeface The Bravery (2016). Typefaces from 2018: Budaphest. Typefaces from 2020: Hassengard (nodular), Rochard Benoitt (script), Believe Dreams (a monoline script), Luxuriougenics (script), Almada (a wild calligraphic script), Bobaniac (creamy, hand-printed), Warrington, Bruan Letter, Liefont Mooncrat (a fat finger font), Harlem Boston [Google] [More] ⦿
Chintal Bharat	Graphic designer in Milan, Italy, who ceated the geometric sans typeface Spatial in 2018. [Google] [More] ⦿
Niranjan Bharati	Guwahati, India-based designer of the comic book font Archi Sans (2018). Behance link. [Google] [More] ⦿
Samiksha Bhardwaj	New Delhi-based designer of the tangram-style Geometric (2014; a set of numerals). [Google] [More] ⦿
Antara Bhargava	Helsinki, Finland-based designer of the free heavy handcrafted font Icecany Fontantara (or Tropical Ice) (2016, during her studies at Srishti Institute of Art, Design and Technology). Behance link. [Google] [More] ⦿
Shriya Bhattacharya	During her studies in New Delhi, Shriya Bhattacharya designed the arrowed Tuscan typeface Pisces Zodiac (2016). [Google] [More] ⦿
Hetasvi Bhatt	Baroda, India-based designer of the condensed monospaced typeface Monophis (2019). [Google] [More] ⦿
Maria Bhatti	During her graphic design studies in Milwaukee, WI, Maria Bhatti created the delicate script typeface Peacock (2013). [Google] [More] ⦿
Ranjit Bhatti	Montreal-based designer of the modular typeface family Bousculade (2018). [Google] [More] ⦿
Vijay Bhat	Based in Buffalo, NY, Vijay Bhat created the display typeface Kayak (2014). [Google] [More] ⦿
B. Manojkumar Bhawsar	Located in Indore, India, this foundry sells fonts by B. Manojkumar Bhawsar (b. 1970, Kukshi) such as the Cut Sans Serif family (LED family, 2006). [Google] [MyFonts] [More] ⦿
Neha Bhise	Designer and illustrator in Mumbai. In 2016, she created the sketched typeface Mario. [Google] [More] ⦿
Nicko Bhisma	Indonesian designer of Beltskerville (2011) and Earfont (2011). [Google] [More] ⦿
Morgane Bhm	Parisian designer of fantastic futuristic lettering pieces, including one for Sophie Taeuber (2014) and one for an exhibition called Retrospective Albert Hollenstein (2014). [Google] [More] ⦿
Omkar Bhoir	Designer of Anek Telugu as part of Ek Type's award-winning family Anek (2022). [Google] [More] ⦿
Ripul Bhopal	Designer of the decorative caps typeface Britomart in 2015 during his studies at Yoobee School of Design in Auckland, New Zealand. Behance link. [Google] [More] ⦿
Mohammed Shohail Bhuian	Names associated with Seemly Designs and Comely Designs and Fancy Fonts and Seemly Fonts include Jamel E. Robin and Mohammed Shohail Bhuian. Bangladesh-based creator (b. 1984 or 1985) of Merry Christmas Go (2014, Christmas dingbats), Delphinium (2014, modular typeface), Calla (2014, ornamental letters; called Brush Moon inside the font), Christmas Go (2014, Christmas icons), Artindo (2014, rounded hand-printed sans) and Gerbera (2014, an experimental outline typeface). Typefaces from 2016: Crocus, Formiane (handcrafted), Xiovus (a rough brush face), Brown Foxy (a brush typeface), Burly Stain, Brown Crow, Funtos, Borsta (thick brush), Handwritten Artem, Burly, Goajubia, the handcrafted typefaces handwritten Artem and Vimofee, the grungy Grungoe, the outlined typeface Yarrow, the brush face Renbion, the sans typeface Carefaq. Typefaces from 2017: Shurjota, Admixes, Darkling, Daichi, Deadway (gothic), Dorathy, Funbox, Getrox, Kadence, Quinni, Radburn, Red Runner, Rishima Tint, Rishima (monoline hand-printed), Brave Rocker, Mantre, Marlys Wilson, Bixens, Anxious, Plucky, Terbium, Fraxinus, Leilani (sans), Gresan (signage), Isrety, Sinewy (rounded sans), Foglia, Josen, Meriana (hand-printed), Landis (dry brush), Radburn, Deadway, Bince Triex (rounded sans), Celibe (sans), Rodless, Axile, Bexirow, Jacsony (dry brush), Rantox, Dream Booker, Saburio, Nioxra, Waking Dreamer, Faegan (sans), Quenby, Jugsar (fat brush), Priopa, Tenure (grungy), Hardy Street, Noisette, Disjunct (grungy), Nigella, Xioxca (grungy), Goajubia Next, Rocky Here, Grand Dreamer (sans), Speedwell (text typeface), Scabiosa, Celosia, Gaillardia, Matthiola, Clarkia (dry brush), Jaxcos (prismatic), Jacsony (drybrush), Nelumbo. Typefaces from 2019: Sebqor, Sombir, Cherish Today, Rosbed, Bookish, Bonrin, Dokrak, Moorish Nonary, Notice Things, Single Step, Musicality, Axile, Funbox, Spring Season, Journey Planner, Rockwork, Notice Things, Finder, Caroos, Our Goal, Single Step, Rekobip, Mobstex, Bogwood. Typefaces from 2020: Leman, Valentine Dream, Thrive Xmas, Christmas Respite, Good Mood, Our Santa, Christmas Love, Supposition, Stay Happy, Christmas Tree, Nest, Mother Wonder, Autumn Arbor, Keep Smiling, Be Honest, Spread Beauty, Spread Joy, Happy Dreamer, Delighted Panda, Christmas Eve, Derivation, Be Kind, Dream Arranger, Enjoy Summer, Fallen Dreamer, Father, Follow Through, Hello Brilliant, Hello Christmas, Hello Halloween, Mermaid, My Father, Natural, Obsessed Halloween, Shadowy, Spooky Haunt, Spooky Regime, Summer Garden, Syncopator, Target (textured caps), Travel, Vacation Planner, Veritas Christmas, Welcome Everyday, Sweet Summer, Halloween Occurrence, Bomka, Floweret, Keqima, Mando, Qiko, Runner, Demure Dogma, Epoch (Bold/Light/Regular), Floret, Goodenia, Grand, Hello Brilliant, Jacsony, Plight (Bold/Light/Regular), Queenship, Scabiosa, Sombir, Mamma, Mammy, Momcare, Mother, Mother Special, Mother Wonder, Valentine Things, Autumn Happiness and Valentine Monster. Typefaces from 2021: Strong Passion (a scrapbook font), Striking Rainbow, Food Zone (a round vernacular caps font), Remind Him (hand-crafted), Monteya (a bold display serif), Our Happy Holiday, Sweet Daydream (hand-printed), Eerie House (a Halloween brush font), Scary Hours, Big Dreamer, Christmas Preference (hand-printed), Wake Up Now (a scrapbook font), Connect Christmas, Merry With Dream, Dark Misery, Spooky Sphere, Creepy Night (a brushed horror font), Happy Moment (all caps, handcrafted), Summer Motion, Inquisitive (handdrawn caps), Aim High, Hold On (an all caps brush font), Aim High, Positive Attitude, Take Chances, Hardy Mind, Pretty Magnolia, Summer Ink, Tidy Mom (a chalk font), Think Big, Precious Way, Just Believe (a marker pen font), Generous Monarch (a tall condensed dry brush typeface), Our Goodwill (hand-printed), Keep Me, Intense Emotion, Majestic Valentine (hand-drawn), Wow Darling (handcrafted), Love Taking, Love Radiate. Typefaces from 2022: Easter Discover (condensed, hand-printed), Instinct Question (a condensed all caps brush font), Summer Fable (handprinted), Cute Rabbit (a fat finger children's book font), How Lovely (hand-printed), Summer Splendor (casual, hand-crafted), Individual Thinking, See You Again (handprinted caps), Juicy Fruit. Some fonts are free at Dafont. Creative Market link for Jamel E. Robin. Fontspace link. Sellfy link. [Google] [MyFonts] [More] ⦿
Andrea Biagi	Chef Studio is located in Pietrasanta, Lucca, Italy. Its founders are Igor Biagi and Andrea Biagi (b. 1988, Pietrasanta). Andrea graduated from LABA University (Libera Accademia di Belle Arti) in Firenze, Italy, class of 2012. Designer of the counterless modular typeface True Oasi (2013) and of the beautiful multiline connect-the-dots typeface Ego (2013, free). Behance link. Andrea Biagi's home page. Igor Biagi's home page. [Google] [More] ⦿
Federico Biagioli	Rosario, Argentina-based graphic and type designer, lettering artist and photographer. Creator of Beauty Script (2017). Member of the Sic Typus Creatus Est team (Dafne Martinez, Jorge George, Leonardo Delgado, Iordan Evair and Federico Biagioli) that designed Calmadita in 2020 for the Torneo tipografico competition. Calmadita is an angular slab serif meant for Ipads and Kindles. [Google] [More] ⦿
Marcos Bialet	During his studies in Cordoba, Argentina, Marcos Bialet designed the display typeface Spiderblack (2014). [Google] [More] ⦿
Yauheni Bialiuha	Yauheni Bialiuha (Re:Vision, Saint Petersburg, Russia) made an experimental counterless Latin font in 2010. Behance link. [Google] [More] ⦿
Paulina Bialkowska	Student in Poznan, Poland. Designer of the curly typeface Rooko (2012) and the cool display typeface Pear (2012). In 2013, she created the grotesque typeface Roma. In 2014, she made the informal children's book font Linda. [Google] [More] ⦿
Karine Bialobroda	Parisian designer who made a techno alphabet in 2011. Behance link. [Google] [More] ⦿
Mikaele Biana	Graphic designer based in Sao Paulo, Brazil. Designer in 2021 of Niju (a 3d or shadow font). [Google] [MyFonts] [More] ⦿
Flores Bianca	Tijuana, Mexico-based designer of the thin display typeface Athisuuwhite (2014). [Google] [More] ⦿
Aurora Biancardi	Italian designer at the graphic design studio Tipiblu in Milan. Her typefaces include: Artypodia (2014). A decorative modular typeface family by Aurora Biancardi. Orti (2014). A decorative caps typeface by Aurora Biancardi. Behance link. [Google] [More] ⦿
Stefano Bianca	He used Fontifier to design the handwriting typeface whitesteve (2004). See also here. [Google] [More] ⦿
Svet Bianca	With iFontmaker, Svet Bianca designed the handcrafted typeface American Typewriter By SvetB (2015). [Google] [More] ⦿
Svetlana Bianca	Brazilian graphic design student. Creator of the iFontMaker font American Typewriter By SvetB (2010, a hand-printed face). [Google] [More] ⦿
Simone Bianchetti	Graphic designer in Brescia, Italy, who created the pearly caps typeface Capilettera (2013). [Google] [More] ⦿
Andrea Bianchi	Graduate of the European Institute of Design (IED) in Milan. Visual designer in New York and Milan, Italy, who revived the bullet hole typeface Lucky (André Pless, Mecanorma, 1973) in 2019. His version, also called Lucky, is free. [Google] [More] ⦿
Lucas Bianchi	Chicago, IL-based designer of the modular display typeface Fiends (2013). [Google] [More] ⦿
María Mercedes Bianco	Graphic designer in Buenos Aires, who created a playful display face in 2011. She is a student at FADU UBA. [Google] [More] ⦿
Sarah-Fiona Bibay	Graphic designer and photographer who graduated from ESDA in Zaragoza, Spain. Creator of the circle-based Round Around Font (2014). [Google] [More] ⦿
David Bibb	Designer of Sumo Joe (2022), a Japanese emulation typeface inspired by an animated series on Cartoon Network called Samurai Jack. [Google] [More] ⦿
Adam Bibilo	Media Production student at the University of Lincoln, UK. As iFontMaker, he created the scratchy hand Shotgun Shak (2011). [Google] [More] ⦿
Amanda Bicalho	Belo Horizonte, Brazil-based designer of Patricinhas (2014, a school project typeface at Universidade Estadual de Minas Gerais). [Google] [More] ⦿
Fabián Bicco	Fabián Bicco (Montevideo, Uruguay) is a designer and illustrator. He created the octagonal CBO (Central J. Batlle y Ordoñez) font in 2012. Behance link. [Google] [More] ⦿
Kevin Bichaud	Shanghai-based designed of the spurred typeface Bourgeon (2013). [Google] [More] ⦿
Martin Bicheron	Aix-en-Provence, France-based designer of Bino Slimo (2015). Behance link. [Google] [More] ⦿
Phil Bicker	Designer in the FUSE 7 collection of the lunatic scribbly font Illiterate. [Google] [More] ⦿
Harbor Bickmore	Graduate of SVA in New York who works as a graphic designer in New York. He made these commercial typefaces at his foundry, That That Creative (est. 2020, based in Utah): Drama Queen Display (2020). A fatface. Agharti (2021). Super-condensed. Comba (2021). An all caps monolinear sans with mental disabilities. Vows (2020). A condensed display typeface. Tickerbit (2021). A pixel font. Airif (2020). A garalde. Mostest Mono Bold (2021). Ye (2021). A decorative serif. Kish (2021). A reverse stress display typeface. Baou (2021). A wide monolinear sans with elliptical contours ideally suited to adorn sleek modern machines such as the Tesla Model S, Porsche Panamera, Volvo Polestar Precept, Audi GT ETron or Mercedes AMG CLS 53. Cesso (2021). A ligature-rich flat-serifed display typeface with gothic star alternates. Gunter (2021). A hipsterish display font. Fayte (2021). A blackletter. Tumb (2021). A wonderful inktrapped display typeface. Wetris Liquid (2021). An intestinal typeface. Hanno (2021). A 1950s style sans. Neuething Sans (2021). A 6-style geometric sans. Hideaki (2021). A sturdy serif. Okie Doko (2022). A reverse stress typeface with a Western vibe. Type Department link. [Google] [MyFonts] [More] ⦿
Guilherme Bidarra	Rio de Janeiro-based designer of the free renaissance typeface Patrizia (2021). [Google] [More] ⦿
Justin Biddle	Born in 1973, Auckland, New Zealand-based Justin Biddle created the children's script typefaces M9 (2019) and Jesse 5 (2013), the handcrafted The Best of My Love (2015), and the modular Bigdog (2015). Dafont link. [Google] [More] ⦿
Terry Biddle	Graphic designer and illustrator, type designer, writer and humorist, who studied TV and film at Howard University in Washington, DC, and communications design at the Pratt Institute in New York. He creates comic book style typefaces for his work. These include the layered chiseled 3d typeface family Bizzle Chizzle (2006-2015). [Google] [MyFonts] [More] ⦿
Erik Biebinger	Trier, Germany-based designer of these typefaces: Arktiz (2015), Tullius (2017: a weathered all caps didone). [Google] [More] ⦿
René Bieder	Berliner (b. 1982) who made the ultrafat counterless typeface RB Titrage Number One (2010). RB No3.1 (2012) is an elliptical sans family that has 18 styles. RB No2 (2011) is a free geometric, gothic display font inspired by the German industry in the late 19th century. RBNo2.1 (2012) is a condensed sans serif typeface with a technical and geometric appearance. In 2012, he started his own commercial foundry. Quadon (2013) is a slab serif that seems ideally suited for information design. Gentona (2013) is a neutral neo-grotesque sans that has 18 styles/weights. His last typeface family of 2013 is Canaro, a spurless simple information design sans with very large counters---some weights are free. Still in the early 20-th century tradition of neutral sans typefaces, but with influences from breakaway designs such as Futura and Avant Garde, René Bieder created Campton in 2014. The excellent slab serif version of Campton is Choplin (2014). Just before the end of 2014, he surprised with yet another powerful sans typeface family, Galano Grotesque, the punchier Galano Grotesque Alt, which shows geometric roots that go back to Futura, Avant Garde and Avenir, and the display version Galano Classic, which has smaller x-height. Typefaces from 2015: Mirador (a high contrast wedge serif typeface family with many angular details). Typefaces from 2016: Sagona (a Clarendon style slab serif family), Rational (a Swiss style sans family), Rational TW (the typewriter version of Rational). Typefaces from 2017: Quarion (neo-humanist sans), Milliard (part geometric, part humanist sans family consisting of 22 weights. Typefaces from 2018: Faktum (an exploration of the geometric genre with modulated joints), Mackay (a transitional serif inspired by Alexander Kay's Ronaldson from 1884), Franca (a neo-grotesk with large x-height named after the typefaces it inherits shapes from Franklin and Helvetica). Typefaces from 2019: Total Sans (monolinear and widely spaced), Magnat (a high contrast fashion mag sans family in Poster, Head and Text subfamilies). Typefaces from 2020: Freigeist (a typeface family based on the early British grotesks from the 19th century), Novera (a 40-style geometric sans divided into Novera Modern and Novera Classic subfamilies, characterized by vertical terminals, circular shapes and angular apexes). Behance link. Klingspor link. Interview in 2014 by MyFonts. [Google] [MyFonts] [More] ⦿
Hanna Bie	Malaysian or Indonesian designer, b. 1996, of the tall condensed all-caps typeface Sans Francisco (sic) (2019), Unicorn Pop (2020), Thankies (2019), KidsZone (2019), Funkie Bunny (2029), Camellia (2019: a curly script), and Deliciously (2019: a font duo). [Google] [More] ⦿
Ashley Bielecki	During her studies at Flagler College, Saint Augustine, FL, Ashley Bielecki created Ecliptica (2015). [Google] [More] ⦿
Eddy Biel	Designer Eddy Biel (Stourbridge, UK and before that, Birmingham, UK) created the hand-drawn poster typeface Madeline, the hand-drawn Breezy and the display typeface Pointbreak Sans in 2014. In 2016, he designed the brush script typefaces Honey Bun, Coast 2 Coast, La Brava, Buffalo, Tamaluna (crayon style), Meet Manny and Mcallister Script, and the letterpress typeface Range Sans. Typefaces from 2017: Peachy+Pure, Savo Bawdy (monoline script), Sonophone (signage script), Slowbird (brush script). Creative Market link. Graphicriver link. [Google] [More] ⦿
Gina Biel	Gina Biel (Trier, Germany) designed the organic script font Amoebe (2012) and the retro script typeface Madison (2013) that was inspired by the city of San Francisco. [Google] [More] ⦿
Stassi Bielko	Hungarian designer of the plumpish typeface Skopje (2017). [Google] [MyFonts] [More] ⦿
Rachel Biello	San Francisco-based graphic designer who created an untitled circle-based experimental alphabet in 2013. [Google] [More] ⦿
Victoria-Adelaide Bielmann	During her studies, Lyon, France-based Victoria-Adelaide Bielmann designed the experimental decorative typeface Inception (2017). [Google] [More] ⦿
Peter Bielous	Presov, Slovakia-based creator of the tattoo font Bad Boys (2010). Specializing in vintage and Victorian lettering, he published Sign Shop (an ornamental Victorian typeface with many spurs and frills; together with Neuron Type) and Tobie in 2020. [Google] [More] ⦿
Alexander Bielovich	Graphic designer at Gorilla Creative Media in sunny Durban, South Africa. Creator of the decorative typefaces Obelisk MXVV (2015, stone carving emulation) and Cleopatra (2013). Behance link. Dafont link. [Google] [More] ⦿
Mart Biemans	Art director in Groningen, The Netherlands, who created the heavu brush typeface Mot Massive in 2017. Behance link. [Google] [More] ⦿
Marco Bienek	Berlin-based art director. Designer of Fruboni (2018), a hybrid of Frutiger Extra Black and Bodoni Bold (2018). [Google] [More] ⦿
Maria Bieniek	Warsaw, Poland-based designer of the organic typeface Boa (2016) for a school project. [Google] [More] ⦿
Bas Bierbooms	Designer of the alphading font Smiley Faces. [Google] [More] ⦿
Tad Biernot	Canadian designer of Linotype Rory (1997) and Linotype Dummy (1997). FontShop link. Linotype Dummy is an Escheresque optical illusion face. [Google] [MyFonts] [More] ⦿
Scott Biersack	Type foundry established in 2017 by Winston Scully & Scott Biersack, aka Scinston & Wott. Both graduated from the Type@Cooper program. Scott Biersack is a designer and illustrator, while Winston Scully is a lettering artist and type designer. Their typefaces: In 2017, Scott Biersack published Gatefold, a typeface he started in 2015 during his studies at Type@Cooper. He is currently based in Phoenix, AZ. It was released by The Designers Foundry. Highground (Bold, Stencil). Winston Scully's typeface started during his studies in 2016 at Type@Cooper West. He writes: The early stages of Highground were inspired by Nicholas Jenson's Rotunda. [...] Highground is a fun typeface for your punk band to make shitty posters to hang on electrical poles around town. Home page of Scott Biersack. Link to You Bring Fire, Scott's studio that offers custom lettering. At You Bring Fire, he released Malice Stencil (2018), a calligraphic blackletter-inspired typeface with a modern approach. At Type Paris 2019, he designed Sweet Jesus (an 8 style display family with the beginnings of an 8 style italic companion; with large open counters, sharp angular terminals and serifs). [Google] [MyFonts] [More] ⦿
Thomas Bierschenk	Young Berlin-based type designer who made the Chemo family, Bionic Dynamic, Localizer, Localizer Clones and FF Magda Clean (1997, together with Henning Krause), a monospaced typewriter font related to Cornel Windlin's Magda, all at FontFont. His company is called Critzler Font Investigation. He created the fun Linotype typefaces Linotype Down Town, Linotype Go Tekk and Linotype Mindline in 1997. Before 1990, he was an East-German sign painter. He recently founded Pfadfinderei, an "all-round" agency for visual communication, where he designed the futuristic techno display type family FF TradeMarker (2007), Flomaster (1998, graffiti, done with Jayone), Vinataba Solid (2002), Nicola Zucka (2002, connected cursive script), Franz Jäger (2000, ultra fat, mini-slabbed), and Neo (2002, geometric as in the logo of the Neo car). [Google] [MyFonts] [More] ⦿
Michael Bierut	A design site where one sometimes finds discussions on type. The founding writers are Michael Bierut, William Drenttel (an ex-typographer practicing law), Jessica Helfand and Rick Poynor. From Bierut's CV: Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning. Prior to joining Pentagram in 1990 as a partner in the firm's New York office, he worked for ten years at Vignelli Associates, ultimately as vice president of graphic design. His clients at Pentagram have included The Council of Fashion Designers of America, Harley-Davidson, The Minnesota Children's Museum, The Walt Disney Company, Mohawk Paper Mills, Motorola, Princeton University, the Brooklyn Academy of Music, and the New York Jets. Bierut's work is represented in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Musee des Arts Decoratifs, Montreal. He has served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. Michael was elected to the Alliance Graphique Internationale in 1989, and was elected to the Art Directors Club Hall of Fame in 2003. Michael is a Senior Critic in Graphic Design at the Yale School of Art. He writes frequently about design and is the co-editor of the four-volume series Looking Closer: Critical Writings on Graphic published by Allworth Press. In 1998 he co-edited and designed the monograph Tibor Kalman: Perverse Optimist. His commentaries about graphic design in everyday life can be heard nationally on the Public Radio International program "Studio 360." He received the AIGA Medal in 2006, and was a winner in the Design Mind category at the 2008 Cooper-Hewitt National Design Awards. He is a cofounder of the website Design Observer. Michael's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. His collection of new essays, Now You See It, was published in the fall of 2017. In 2018, Michael Bierut and Village type director Chester Jenkins talk collaborated on the Sherman typeface designed as the linchpin of the new identity for Syracuse University. The typeface revives a design created by Frederic Goudy in 1912 which ended up in the possession of the University. Additional material and links on Bierut: The Atlantic Talks Typography: interview with M. Bierut, Pentagram link, Reasons to Choose a Particular Typeface For a Project. In 2013, Bierut redesigned the New York City parking signs. [Google] [More] ⦿
Allison Biesboer	Wisconsin-based graphic designer, who obtained a BFA from University of Wisconsin-Madison. She created the futuristic typeface Moonboots (2011). [Google] [More] ⦿
Fabio Biesel	Ravensburg (was: Konstanz), Germany-based designer of the experimental sans typeface families Increase (2018) and Güggeli (2018). In 2019, he released the sans typeface Pedalo. In 2020, he designed the custom hipster typeface Knoblauch Jubilee. [Google] [More] ⦿
Alyssia Bifano	Marlton, NJ-based creator of the decorative typeface Hopefully Yours (2014). [Google] [More] ⦿
Agung Mr Big	Semarang, Indonesia-based designer (b. 1980) of the rounded monolinear techno typeface Typoline (2020). [Google] [More] ⦿
Charles Bigelow	Bigelow&Holmes was founded by Charles Bigelow and Kris Holmes. Charles Bigelow (b. 1945, Detroit) is a type designer and teacher, who runs his own studio, Bigelow&Holmes. Bigelow was a colleague of Donald Knuth at Stanford University when Knuth developed his Computer Modern typeface family for TeX. In mid-2006, Bigelow accepted the Melbert B. Cary Distinguished Professorship at Rochester Institute of Technology's School of Print Media. Before that, he taught at Stanford University, Rhode Island School of Design, and other institutions. Typefaces designed by Bigelow: The Lucida family (1985). Lucida is used in several scientific publications such as Scientific American. Its origins go back to Computer Modern. I find it more appropriate for screens than paper, but that is just a personal view. The Lucida family contains LucidaConsole (1993), LucidaSansTypewriter (1991), LucidaFax, LucidaCalligraphy, LucidaBright, Lucida Blackletter (1991, a bastarda) and Lucida Handwriting. It has been recently expanded to comply with the Unicode Standard, and includes non-Latin scripts such as Cyrillic, Greek, Arabic and Hebrew. Charles Bigelow created the font families Lucida Math (with Kris Holmes, 1993), Lucida Sans (with Kris Holmes, 1985), Lucida Typewriter Sans (with Kris Holmes, 1985) and Lucida Serif (with Kris Holmes, 1993). The paper by Charles Bigelow and Kris Holmes, The design of a Unicode font (Electronic Publishing, 1993, pp.289-305), explains the design issues such as letter heights, readability studies, and typeface designs for readers versus non-readers of the various scripts. Syntax Phonetic. Leviathan (1979). Apple Chicago (1991), Apple Geneva (1991). Microsoft Wingdings (1992). For the Go Project, Kris Holmes and Charles Bigelow designed the free typeface families Go Sans and Go Mono in 2016. The font family, called Go (naturally), includes proportional- and fixed-width faces in normal, bold, and italic renderings. The fonts have been tested for technical uses, particularly programming. These fonts are humanist in nature (grotesques being slightly less legible according to recent research) and have an x-height a few percentage points above that of Helvetica or Arial, again to enhance legibility. The name Go refers to the Go Programming Language. CTAN link. Ascender link. Wikipedia link. FontShop link. Klingspor link. Font Squirrel link. Ascender link. Lucida Fonts is a dedicated commercial site. [Google] [MyFonts] [More] ⦿
Stan Biggenden	American letter designer who created Orbit-B (1972, VGC), an LED font, now digitized by Bitstream as Orbit-B BT. Zach Whalen on Orbit-B: Orbit-B is less common than either Moore Computer or Data 70, possibly because its MICR influence is more subtle and less arbitrarily intrusive, but it still appears frequently in and around videogames and in contexts where some intimacy is suggested between humans and computers. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿
Ariel Biggerstaff	During her studies in Saint Louis, MO, Ariel Biggerstaff created the brush typeface Espresso (2013). [Google] [More] ⦿
Megan Biggin	During her studies at Manchester Met University in manchester, UK, Megan biggin created three experimental typefaces---Nature's Numbers (a honeycomb typeface), Chaos (2015) and The Pleasure Of Finding Things Out (a circle-based font). [Google] [More] ⦿
Andrea Biggio	Designer originally from Rome. Creator of the 18-style high-contrast typeface family Tomato Grotesk (2020, The Designers Foundry). In 2021, he designed the text typeface family Romek, which was influenced by typefaces such as Genzsch-Antiqua (1906), Orlando (1920) and Paganini (1928). [Google] [More] ⦿
Jason Biggs	Jason Biggs (Kurai Studios, Florida) is the designer (b. 1985) of 3Dot (2004) and Anchrish Runes (2004). [Google] [More] ⦿
Jonny Biggs	British creator of the connect-the-dots typeface Constellation (2013). [Google] [More] ⦿
Michael Biggs	Dublin-based creator of the modern Gaelic Uncial typeface Biggs (1953). A draft of a digitization, called Doolish (Michael Everson), is in the works. [Google] [More] ⦿
Andrea B-Ja Bigiarini	Turin-based creator of the hand-printed typeface Irreality Mark 01 (2012, iFontMaker). [Google] [More] ⦿
Pier Paolo Bigioni	Latina, Italy-based designer of an unnamed modular display typeface in 2013. Behance link. [Google] [More] ⦿
Edward Bignar	FontStructor who made the modular typeface Jacko Mongo (2013). Jerome Newton (2013) is a condensed squarish sans typeface named after David Bowie's character in The Man Who Fell to Earth. [Google] [More] ⦿
Barbara Bigosinska	Barbara Bigosinska received her master degree in Graphic Design at the Academy of Fine Arts in Katowice, Poland. In 2013, she graduated from the Type & Media program at the KABK in Den Haag. At KABK, Barbara Bigosinska designed the angular text typefaces Barbear and Sambukka in 2013. Since 2014, she runs her own studio in The Hague, offering type design and typography services to international clients. For her type revival project at KABK, she picked Lutetia (2013) and writes: Lutetia was designed as a commission from Enschedé by Jan van Krimpen. The drawings of the typeface were ready in the middle of 1924 and first cut and cast in 16 point size in the Enschedé Type Foundry. For the first time the typeface was used in the book dedicated to the exhibition that took place in Paris in 1925. Therefore the name Lutetia reffers to the Roman name of Paris. Her KABK graduation typeface family was Mala (2013). Loaded with opentype features and choices of widths, Mala was created for cartographic purposes. It was published by Bold Monday in 2016. In 2016 she published Abelard at Indian Type Foundry and wrote: Abelard is a modern (or neoclassical) family with 10 font styles. It is a contemporary take on classic types like Baskerville, Bulmer, and Scotch Roman that has been optimised for text embedding on eReaders. The design features elements ensuring even text color, including case-sensitive forms, prominent punctuation marks, ligatures, and four sets of figures. Each font also contains ornaments resembling pen nibs, bullet points, and arrows. In 2017, she published the didone fashion mag typeface family Rion and the text typeface Neco at Fontstore. Rion was republished in 2018 at Indian Type Foundry. Typefaces from 2018: Bonny (a decorative serif font family published by Indian Type Foundry; see also Bonny at Fontshare). In 2019, Noopur Choksi and Barbara Bigosinska published the sturdy wedge serif text typeface family Sapien at Indian Type Foundry. Still in 2019, Manushi Parikh and Barbara Bigosinska released the octagonal athletics font Fielder at Indian Type Foundry. Somehow this octagonal typeface seems to have been evolved into the 5-style free typeface Nippo at Fontshare. In 2021, Barbara Bigosinska released the 12-style didone family (+two variable fonts) Boska at Fontshare. Boska has quite extreme contrast and some calligraphic hooks in the c, f, k, r, s, x and z glyphs that make it perhaps less suitable for text but more in line with fashionable displays. Bevellier (2019-2021; by Arya Purohit and Barbara Bigosinska) is a 16-style (+variable) rounded condensed organic sans family. In 2021, Barbara Bigosinska, Rafa Buchner and Diana Ovezea set up Blast Foundry. At Blast Foundry, she designed the wonderfully expressive sharp-edged display typeface Sharf. Boska was published as a free font at Fontshare. Behance link. Bold Monday link. [Google] [MyFonts] [More] ⦿
Kaya Bigos	St Louis, MO-based designer who was born in Poland and has an MFA from Lindenwold University, St. Charles, MO. Creator of KY Deco (2015). [Google] [More] ⦿
Robert Bigos	Krakow, Poland-based created of a hand-drawn alphabet, Usterka (2013), which was done for a TV program. Behance link. [Google] [More] ⦿
Jules Bigot	Designer of the techno typeface Veltor (2021). [Google] [More] ⦿
John Bigsby	Vernon, BC-based creator of Sandy (2012, hand-printed), Simply Delicious (2012, hand-printed) and Viande Funée (2012, hand-drawn). Dafont link. Aka Tuna Fish. [Google] [More] ⦿
Sebastian Big	Romanian designer of the free experimental typeface Tartarium (2016), which takes inspiration from the Tartaria tablets. Wikipedia writes: The Tartaria tablets are three tablets, discovered in 1961 by archaeologist Nicolae Vlassa at a Neolithic site in the village of Tartaria, about 30 km from Alba Iulia in Romania. The tablets, dated to around 5300 BC, bear incised symbols---the Vinca symbols--and have been the subject of considerable controversy among archaeologists, some of whom claim that the symbols represent the earliest known form of writing in the world. [Google] [More] ⦿
Elisa Bihan	During her studies at AGR l'Ecole de l'Image in Nantes, France, Elisa Bihan designed a deconstructed Celtic ornamental caps alphabet called Couture Haut de Casse (2016), and City Futuriste (2016). Behance link. [Google] [More] ⦿
Justin Bihan	Lagny sur Marne, France-based designer at Velvetyne of the pixel font VG5000 (2020). He writes: The VG5000 takes its name from the homonymous computer manufactured by Phillips, released in 1984. Its video processor displays bitmap characters built in a common matrix of 8x10 dots. Github link. Open Font Library link. Justin Bihan at Velvetyne. [Google] [More] ⦿
Anett Bihar	Hungarian designer of Anton Intone (2019) as a school project at Visual Arts Institute in Eger, Hungary. [Google] [More] ⦿
A. Bihari	American creator of typefaces at VGC, such as Aase (1977, art deco), Round Black (1977), DoublePipe (1975), and Corvina Black (1973). Aase exists in digital form at Image Club Graphics (1992). Corvina Black was revived and modified by Patrick Griffin in 2005 as Gaslon (Canada Type). Klingspor link. [Google] [MyFonts] [More] ⦿
Gunnar Biilmann Petersen	Danish architect (1897-1968), who taught design at Danmarks Designskole, from 1951-1967. At some point, he designed some lettertypes. Steen Ejlers is writing a book on his work. A revival of a skeletal slab serif from 1939 bu Biilmann Petersen was done in 2018 by Henrik Kubel in his Foundation Serif Didot. Paul Shaw surmises that this typeface by Biilmann Petersen was part of a mapmaking project. Another revival is New Plantin (2012, Mikkel Breck). This typeface was originally sketched by Biilmann Petersen based on an original Plantin typeface. [Google] [More] ⦿
John Bikaz	Designer of the free font Planet 7 Casino (2019). [Google] [More] ⦿
Sabin Bik	Sabin Bik (b. 1998) is based in Rome. He created the angular outline typeface Looking Like Diamonds (2016). [Google] [More] ⦿
Peter Bilak	Slovakian type designer (b. 1973), who lives in The Netherlands. Bio at FontFont. Designed: FF Atlanta, FF Craft (Kafkaesque), Champollion, Collapse, Didot Sans (unpublished), Decoratica (great display font, unpublished), Desthetica (grunge, but nice!), FF Eureka, FF Eureka Sans (2000), FF Eureka Mono (2001, FontFont), FF Eureka SansCond, FF Eureka Symbols (2002), FF Eureka CE, FF Eureka Sans CE, FF Eureka Sans Office (2011), FF Eureka Mono Office (2011), Fountain Pen (free fountain pen nib dingbat font), FF Masterpiece (wacky), FF Orbital, Fedra Sans (2001, a de-protestantised version of Univers, originally a corporate font for Bayerische Rück, a German insurance company), Fedra Bitmap (2002), Euroface (1996, Typerware, a scribbly font allegedly more legible than Helvetica at 80km/h), HolyCow and The Case. Essays on typography and design. Editor of dot dot dot. He also made AccentKernMaker, a font utility. Peter Bilak now lives in The Hague, The Netherlands, at the same address as Paul van der Laan. Free dingbat font FountainPen (Mac). At ATypI 2004 in Prague, he spoke about white spaces in typography. Speaker at ATypI 2005 in Helsinki. [Google] [More] ⦿
Tomasz Bilak	Graphic designer in Sheffield, UK, who created the monospaced typeface Sometype in 2016. Behance link. [Google] [More] ⦿
Rais Bilal	Tebessa, Algeria-based designer of school fonts for Arabic. In 2021, he released Arabic Dotted. [Google] [MyFonts] [More] ⦿
Adrianna Bilas	Graphic and type designer in London, UK. In 2019, she released Cinque, a vintage slab serif with arts and crafts elements that was inspired by the movie The Grand Budapest Hotel. [Google] [MyFonts] [More] ⦿
Antonio Bilbao	Spanish type designer who created Escorial (ca. 1960, Richard Gans Foundry), a display typeface with Koch Antiqua influences. [Google] [More] ⦿
Jake Bilbrey	ZicklePop Productions is a web design and development company ran by American Jake Bilbrey. In 2010, he used iFontMaker to draw Whipping Cream. Devian Tart link. [Google] [More] ⦿
Simone Bilé de Matos	Lisbon-based designer of the high-contrast typeface plié (2018). [Google] [More] ⦿
Elif Bilgin	Istanbul-based designer of the hexagonal typeface Nordic (2017). [Google] [More] ⦿
Chris Bilheimer	Chris Bilheimer (R.E.M. Athens) attended the fine arts program at the University of Georgia and began working as art director for the band R.E.M. in 1994. While still working for R.E.M., he continues with other work in the music industry, art directing bands including Green Day, Beck, and Weezer. Bilheimer has garnered three Grammy nominations for art direction, and, with Michael Stipe, co-designed several fonts for use on the band's artwork: REM Accelerate, REM Orange, REM Tourfont. With the help of type foundry TypeTrust, these fonts have recently been released commercially by Neil Summerour at Positype. Speaker at TypeCon 2009 in Atlanta. [Google] [MyFonts] [More] ⦿
Murathan Biliktu	Murathan Biliktu obtained a Masters degree in masters in Inclusive Design at OCAD University. Toronto-based designer of these typefaces in 2020: Seoul Rave (Korean techno), Erkin (futuristic), Costes (futuristic). Personal home page. [Google] [More] ⦿
Courtney Billadeau	Creator at FontStruct in 2009 of Mother May I, Arlen Rage, Hunger, Burnt Out (fat stencil), Yes You May, Crave. [Google] [More] ⦿
Muhamad Yusron Billah	Purwakarta, Indonesia-based designer (b. 1996). Typefaces from 2021: Walkout (script), Just Overthink (a scrapbook script), Always Lovely (hand-printed), Tropical Country (an inky script), Daniela Charming (script_, Magical Spring (script), Spring Plum (bold and hand-printed), Romland (a brush script), Gasthony Signature, Hastery Signature, Magista Brush (a dry brush script), Rustling Sound (an inky script), Maghony (Peignotian caps), Romantic Lovely (a wild calligraphic script), Magical Snow (a fat finger font), Mistery Heart (calligraphic), Merciful Heart, The Snowday (a fat finger font). Typefaces from 2020: Wintersing, Delight Coffee, Cold Outside (script), Snow Bright, Winterhome, Winter Song, Sunday Snow, Secret Winter (a wild script), October Story, Raffaello (a wild inky script), Pumpkin Story, Sunday Smoothie, Koe Benson, Barlista (an inky wide calligraphic script), Lovely Sister, Sandy House, Magistone, Delight Cookies, Baby Pumpkin, Warmesty (a creamy high contrast script), Nice Dream, Margenta (a wild calligraphic font), Pashmina (a wild inky script), Almond Whisp (a rabbit ear script), Milkhouse, Pretty Animal, Pretty Smile, Scary Vampire, September Twilight (a rabbit ear script), Fresh Cocktails, White Bowling, Homeday, Krispy Panda, East Watch, Hippotamia, Light In Brush, Kabut Hitam, Paris Tonight, Gilmour. Typefaces from 2019: the handcrafted typefaces Winter Festival, Big Points, Handsnow, Light Brighter (dry brush script), Hasting, Singletone, Walkout, The Plumber, Signeritta, Scatter Ink, Sheridan, The Sopher, Darmogo, Aisha Blush, Vista La Diva, Shelma&Hugie (Sans, Script), Synthia, Month Glade, Anastacy, Ragland, Capappa, (a Treefrog style script), Tantinotes (a scrapbook script), Amourist, Handita, Ramland, Hugos (a dry brush typeface), Displatter, Kaileigh, Handsel, Oliver Notes, Sunday Vibes, Saturday Vibes, Friday Vibes, Monday Vibes (brush script), Tuesday Vibes, Wednesday Vibes, Thursday Vibes, Bombinate, Gallatone (a great inky script), Aliquest, Watercoral, The Brittany. Typefaces from 2018: The Brittany (a script with irregular stress, accompanied by sans and serif styles), Better Caramel (a font trio), Appocalypse (a great signature font), Millano, Lilypaly, Baltimore (a signature font), Dalmatins (for signatures), Martinesse, Blesson (a signature font), Bluebell (calligraphic), The Grateful, a monoline script), Black Butter, The Consultant, Violette, Hiroshima (a monoline handwriting font), Bellatrix, Rahayu (a signature font), Chiko, Kingsley (formal calligraphy), and Lillylucky. Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Si Billam	Si Billam designed the neon signage font Doppler (2008) at the Archetypal Foundry. [Google] [More] ⦿
Jeanne Billand	Parisian graphic designer. She created the experimental counterless typeface Tritype (2013). [Google] [More] ⦿
Dorothé Billard	As a student at ENSAD in Paris, she co-designed Métis (1998). [Google] [More] ⦿
Robin Billaudel	During his studies in Amiens, France, Robin Billaudel designed the geometric poster typeface Cisco (2017) and the broad nib emulation typeface Brave (2017). Behance link. [Google] [More] ⦿
N. N. Billawala	Pandora metafont family written by N. N. Billawala. [Google] [More] ⦿
Matteo Billia	Matteo Billia (Utilitype) is the Italian designer of the free heart-textured Valentine's Day font Moltissimo Hearted Borders (2013). [Google] [More] ⦿
Iris Billiauw	At Luca School of Arts in Antwerp, Belgium, Iris Billiauw designed the tall techno typeface Nervo Lit together with Laura Gieseke, Monica Kopka and Rodrigo Fraga. [Google] [More] ⦿
Cassidy Billie	Seattle, WA-based designer of the children's script font Cassidy Loves You (2013). [Google] [More] ⦿
Max Bill	Influential Swiss graphic designer, sculptor, painter and architect, b. 1908, Winterthur, d. 1994. He studied at the Bauhaus from 1927 until 1929 under Josef Albers, Paul Klee and Oskar Schlemmer, and moved to Zurich after that. In 1944, Bill became a professor at the school of arts in Zurich. In 1953, along with Inge Scholl and Otl Aicher, he founded the influential Ulm School of Design, which closed in 1968. Bill was a professor at the Hochschule für bildende Künste Hamburg and chair of Environmental Design from 1967 to 1974. He lived in Zurich in the later years of his life and died at the Berlin Tegel airport of a heart attack. Max Bill created the typeface Bill (1949-1950) which is characterized by straight-edged glyphs (the o excepted). Digital typefaces based on his work include the geometric Max Bill (2014, Jack Harley Szukalski), Architype Bill (The Foundry), Bill Corporate Narrow (2015, Oliver Jeschke), Bill Corporate (2015, OGJ Type Design), Bill Display (2015, Oliver Jeschke: Greek simulation style) and Sequel Sans (Oliver Jeschke), Sequel Geo (2022, Oliver Jeschke). Swiss Type Design link. [Google] [MyFonts] [More] ⦿
Cecilia Billoch	Graduate from FADU, University of Buenos Aires, who created the curly script typeface Filografía (2009), in the style of the Sudtipos scripts by Koziupa and Paul. [Google] [More] ⦿
Axelle Billon	For a type design class in Nantes, France, Axelle Billon created Roundness (2014), a typeface that is based on Clarendon. [Google] [More] ⦿
Denis Billou	During his studies in Lyon, France, Denis Billou created the display typeface Prozac (2016). [Google] [More] ⦿
Valeria Bilousova	Kherson, Ukraine-based designer of the decorative Bad Habs Alphabet (2015, for Cyrillic). Behance link. [Google] [More] ⦿
Madelyn Bilsborough	Designer of the heavy watercolor brush typeface Rubi (2016) and the brush font Little Fox (2016). [Google] [More] ⦿
Jess Bilski	Sydney, Australia-based designer of Black Drop (2017). Behance link. [Google] [More] ⦿
Karol Bilski	Wroclaw, Poland-based designer of a hairline display typeface in 2018. [Google] [More] ⦿
Silja Bilz	Linotype designer of the big Compatil family (1999-2001), with Olaf Leu and Reinhard Haus. As the name suggests, this typeface was intended for use in reporting computations, tables, and in information design in general. The 16-font family from Linotype comprises Compatil Fact, Compatil Letter, Compatil Text, and Compatil Exquisit. View the Compatil typefaces. [Google] [More] ⦿
Wilhelm Bilz	Type designer who worked with Ludwig&Mayer and with Francesco Simoncini in the 1950s and 1960s. With Francesco Simoncini, he created Simoncini Garamond from 1958-1961. Not the best version of Garamond in my view. Bitstream's Italian Garamond (by Bilz and Simoncini) is in the same style. The transitional typeface Life (1965) was designed by W. Bilz, and jointly developed by Ludwig&Mayer and Francesco Simoncini. Digital revivals of it incude Dutch 806 (Bitstream), Lyon (Softmaker) and L830 Roman (Softmaker). FontShop link. [Google] [MyFonts] [More] ⦿
Eko Bimantara	Jakarta, Indonesia-based designer of the free typeface Kalem Light (2016) and the free headline sans typeface Saff (2016). In 2017 he published the calligraphic typeface Anther, the clean legible sans typeface family Syabil, which features a free weight, Syabil Book. Kecap (2017) is a creamy upright script. Musk (a modulated sans) and Musk Script (a signature font) followed at the end of 2017. Typefaces from 2018: Urbax (a signage script), Anakoala (serif), Mulka (sans), Fexa (rounded hexagonal). Typefaces from 2019: Hornbill (a supermarket serif family), Rossanova (a 36-style semi-serif family with some flared strokes), Clab (a slab serif family), Mollen (an information design sans with 48 styles), Anko (text or newspaper type), Malvie (free demo), the free font Remove, Dear Pony (a great text typeface which Eko describes as sweet, warm, kinky, classy), Ageo (a 16-style geometric sans family). Typefaces from 2020: Blogh (a heavy inktrapped display typeface), Dunley (a creamy script), Amio (a mix between script and sans; in six styles), EB Mensch (a 32-style family consisting of sturdy legible humanist sans and slab serif sets; features include large x height, low caps, spacious counters and apertures, and diagonal and sunken stroke ends), Florania (a decorative serif), Stannum, Bovino (an 18-style display serif), Modeco (a fashion-friendly 18-style geometric art deco sans characterized by an earring lower case g), EB Corp (a simple 18-style corporate sans family), Slippery (an oldstyle text typeface family), Hando (neo-grotesk). Typefaces from 2021: Manju (a soft supermarket typeface in ten styles with two additional variable fonts), Shallot (a well-balanced 10-style serif with pointy terminals), Kutai (an ethnic typeface family), Capuche (a gorgeous eccentric bloated display font), Kimaus (a reverse contrast music note emulation font), Sandor (a striking blackletter / medieval typeface), Bizmo (an 18-style headline sans family; includes two variable fonts), Homade (a 12-style display sans), Svelte (a condensed serif), Altone (an 18-style geometric sans), Highman (a tall bold condensed all caps titling sans), Vanio (a 12-style wedge serif family). [Google] [MyFonts] [More] ⦿
Salamah Bin Akwa	Pakistan-based designer of the computer/futuristic typeface Tameeraati (2005). [Google] [More] ⦿
Catatan Binar	Indonesian designer (b. 2002) of the hand-printed typeface Mikrokosmos (2021). [Google] [More] ⦿
Matteo Binci	Italian designer of the condensed typeface Opt (2013). [Google] [More] ⦿
Joseph Friedrich Gustav Binder	After studies in Berlin, Binder (b. 1898, Lindenberg, d. 1991) taught at the National Art School in Saarbrücken. From 1924 on, he worked as an independent commercial artist. Designer at D. Stempel of Binder Style (1959). This squarish elbow-room only typeface appeared on the movie poster for Silence of the Lambs. It was revived by these type designers: Nick Curtis: Bindlestiff NF (2011). Castcraft: OPTI-Binder-Style. Uwe Borchert: the free font BStyle (2013). Jim Lyles and Brian Bonislawsky (Grype): Binder (2020). [Google] [MyFonts] [More] ⦿
Martin Binder	German type designer who wrote a typographic handbook in 1995 (unpublished). [Google] [MyFonts] [More] ⦿
Sian Binder	Creator of the script typeface Robin (2012) at The Cooper Union. [Google] [More] ⦿
Thorvald Bindesbøll	Influential Danish type designer. [Google] [More] ⦿
Gabriela Bindis	Sosnowiec, Poland-based graphic designer who created the experimental geometric typeface Openspace (2013). [Google] [More] ⦿
Alex Binenstock	Alex Binenstock (Bloomington, MN) created the display typeface Hairline in 2013. Now, this is not a hairline font in the sense used on my web pages. [Google] [More] ⦿
David J. Binette	Designer of YahELite (2001), which can be downloaded here. [Google] [More] ⦿
Karolis Bingelis	Karolis is freelance graphic and fashion designer, currently based in Herning, Denmark. His work includes the techno typeface Pegasus (2013). [Google] [More] ⦿
Lukas Binggeli	Bern, Switzerland-based designer of the triangular typeface Diagonal (2014). Behance link. [Google] [More] ⦿
Josh Bingham	Josh Bingham (b. 1982) lives in California. At Devian Tart, he designed Point Blank and Featherweight in 1999. I am confused, because what is in the font does not correspond to the web page, which says that he is Arthur Shotwell. Other fonts by him: Rollover (2007), 20th Century Woodcut (2004), the postal series (2004, consists of Parcel Post, Media Mail, First Class, and Air Mail), Halftone (2004), Unprofessional, Tron, Scrawl, Platform Shoe, Maps, Kaboom, Federal Reserve, Faces, Curvature, Bitmap, Bellbottom, Ballpoint, Quill, No Smoking, Perfectly Cromulent, Chronicle (2004, modeled after the lettering in the San Francisco Chronicle), 20th Century Woodcut (2004). Dafont link. [Google] [More] ⦿
Marcel Bingham	Sydney, Australia-based designer of the bike parts font Cyclography (2014). [Google] [More] ⦿
Talia Bingham	During her studies in Farnham, UK, Talia Bingham designed the circle-based geometric sans typeface called Curvum (2013) and the 3d typeface Perspective (2014). [Google] [More] ⦿
Weston Bingham	Creative director, graphic designer with a BFA from the Pratt Institute and an MFA from the California Institute of the Arts. Typography and design teacher at the School of Visual Arts and the Pratt Institute. Also working for Wolff Olins, NY. Designer of Baudrillard in the early 1990s at the California Institute of the Arts. Quoting Claudio Piccinini: Baudrillard is very methodic and sports even a set of connected numerals (!). [Google] [More] ⦿
Liu Bingke	Chinese type expert. Lead concept designer of the free Google Font ZCool Kuaile (2018), which was created by a team of font design trainees under Bingko's supervision. First, Liu created the character shape framework and design standards; then, a group of over 100 typography apprentices fleshed out the character set. Finally, Liu and other designers from his workshop, including Yang Kang and Wu Shaojie, edited and adjusted the characters to unify the design. [Google] [More] ⦿
Yü Bing-nan	In 1956, as a young graduate of the Lu Xun Academy of Fine Arts, calligrapher and type designer Yu Bingnan (also Lin Yü-Bingnan or Yü Bing-nan) was sent to East Germany to work on a Latin typeface. There, he studied at the Hochschule für Grafik und Buchkunst in Leipzig (Academy of Fine Arts Leipzig, thereafter HGB), one of the best and oldest art institutes in the world at that time. One of his teachers there was Albert Kapr. From early 1959, Yu Bingnan started conceiving a Latin typeface. He improvized a unique writing instrument---a bamboo pen that was chopped off from a traditional ink brush commonly used in Chinese calligraphy. Yu named his Latin typeface Freundschafts-Antiqua, a symbol of solidarity and friendship between China and Germany. Yu Bingnan graduated in 1962. That same year, Freundschafts-Antiqua was published by Typoart. These typefaces can be found in Jaspert's book and in Hildegard Korger's Handbook of Type and Lettering. It is a very readable old style serif, with many calligraphic elements, and original curvy characteristics. As the first Latin typeface ever created by a Chinese designer, Freundschafts-Antiqua has won the Gutenberg Prize (the first Asian winner), the Best Contemporary Typeface award, the German Minister of Culture Award, the Tokyo Type Director's Club Award and many other awards. Yu Bingnan became professor at the Academy of Fine Arts of Tsinghua University. A first digital revival was done in 2010 by AR Types, which writes about Freundschafts-Antiqua AR: Freundschafts-Antiqua AR is based on a 20th-century German type design. Freundschafts-Antiqua (which was also called Chinesische Antiqua) was designed by the Chinese calligrapher Yü Bing-nan when he was a student at the Hochschule für Grafik und Buchkunst at Leipzig in 1960. It was cast in 1964 by VEB Typoart, Dresden, in 9-pt and 28-pt (Didot). The design combines the best German traditions with the Chinese bamboo pen. It is a unique, wholly modern, yet quiet and dignified typeface which is well suited for text-setting in many sizes. In 2017, Roman Wilhelm and 3type, a Shanghai-based type foundry, released a six-style extension called Freundschafts Antiqua Neue. 3type has also fashioned a sans-serif member of the Freundschafts-Antiqua Neue family. [Google] [MyFonts] [More] ⦿
Sinan Bingöl	Ankara, Turkey-based designer of the outlined display typeface The Sea (2015). [Google] [More] ⦿
Guo Bingquan	Guo Bingquan, a native of Nanhai county (Guangdong province, China), is a specialist in type design. He has been working on Chinese font design since 1973. He used to serve as the chief artist at Luck Advertising Group (Australia) for years and taught Chinese font design at Design First Institute of Hong Kong for five years. He was commissioned to do the internal design for the Far East branch of Philip Morris in 1975, to design Chinese and Japanese fonts for Sha-Ken in Japan from 1980 to 2000, to design Chinese, English and Japanese fonts for Monotype in the United States from 2001 until 2014, and to design multiple Chinese fonts for Founder Type (between 2000 and 2015). Guo Bingquan has published over 80 Chinese fonts. [Google] [More] ⦿
Lisanne Binhammer	Communicatoion designer in Toronto. For a course at OCADU, she created the Kusaidia typeface in 2013. This organic sans was designed to promote maternal health in Tanzania---Kusiadia means Help. [Google] [More] ⦿
Colin Binion	Creator of the iFontMaker font Fasthand (2010, hand-printed). [Google] [More] ⦿
Nikhil Biniwale	Graphic designer in Pune, India, who created Elder Forest in 2016. [Google] [More] ⦿
Herbert Binneweg	Belgian graphic designer, typographer and type designer, and a professor at the Koninklijke Academie voor Schone Kunsten Antwerpen (Royal Academy of Fine Arts Antwerp) and at the Institute for Graphic Arts of the Plantin-Genootschap, also in Antwerp. He designed three experimental fonts and many book covers and posters. [Google] [More] ⦿
Paul Binns	PBinns Design (est. 2012) is located in Toronto, Canada. Creator of Electrical Tape (2012). [Google] [MyFonts] [More] ⦿
Christo Bino	Thessaloniki, Greece and Korce, Albania-based designer of the fine free (Latin) display typeface Geometrico (2016). His main thing, though, is the design of sets of icons, such as the large varied sets Slimicons (2016) and Sharpicons (2016). His company is called Dreamstale. Behance link. Creative Market link. [Google] [More] ⦿
Ari Bintara	Klaten, Indonesia-based designer of the rhythmic brush script typeface Yurafima (2016). [Google] [More] ⦿
Bruno Biolchini	During his studies in Rio de Janeiro in 2015, Bruno Biolchini created a condensed deco font. [Google] [More] ⦿
Sandra Biondi	Chilean designer of the connected girlish and gestural calligraphic font Tita Script (2015, with Daniel Hernandez at Latinotype) which was created in honor of Sandra's grandmother, Hebe Arrabalera. [Google] [MyFonts] [More] ⦿
Amanda Biondo	Flores da Cunha, Brazil-based student-designer of Tie Exclusive (2015). [Google] [More] ⦿
Javier Biondo	Buenos Aires, Argentina-based designer of Biggie (2016). [Google] [More] ⦿
Mayara Bione	Brazilian student and artist who made the pixelish typeface Synth (2011). [Google] [More] ⦿
Marco Biraghi	During his studies in Milan, Italy, Marco Biraghi designed the poster typeface Rocoe (2015). [Google] [More] ⦿
Yossi Biran	Israeli type designer. At Masterfont, he published the Hebrew typefaces Beeran MF, Beeranit MF, Birana MF, Birana plus MF (2010), Biran Ktav MF (2012), Efrat MF (1999), Kookies MF, Noale MF, Noalle Dak MF (2010), Nookik MF (2000), Talmon MF (2013, Masterfont), MF Talmon (2020, Masterfont: an update), Yotamy MF (2014, Masterfont), MF Yotamy (2020: an update). [Google] [MyFonts] [More] ⦿
Alan Birch	British designer of LCD (1981, Letraset, ITC, and then Linotype), Crystal (1981, cyrillicized in 1993 by A. Kustov), Letraset Bitmax (1990), Rubber Stamp (1983, a grungy military stencil), and Synchro (1984). Digital versions of LCD include LCD SH (2004, Scangraphic) and Quartz (2019, SoftMaker). MyFonts write-up. Linotype link. FontShop link. [Google] [MyFonts] [More] ⦿
Federico Birchal	Belo Horizonte, Brazil-based creator of Sans Wings (2013, a modular typeface) and Folding (2013, an origami font). Behance link. [Google] [More] ⦿
Daniel Birch	Brooklyn, NY-based FontStructor who made Skinny (2011) and a few other experimental typefaces. In 2013, he made Monster Face. Behance link. [Google] [More] ⦿
Ch. Bircher	Swiss type designer who created Hydrargyrum, Bold&Round, Hopp, Ditter, Dreissiger, Effeu, Halifax1, Kissinger, Manhattan, Moood, Neunziger, Robbery, Rough G, Swirth. [Google] [More] ⦿
Elizabeth Birchfield	Graphic designer in Magnolia, AR. Creator of the warm, rounded and very readable typeface Groovella (2013). [Google] [More] ⦿
James Birch	Codesigner, with Alfredo Marco Pradil, of Sauce Grotesk (2019), a sans serif typeface developed for Creative Sauce's internal type system. [Google] [More] ⦿
Shelsey Birch	Graphic designer in Brisbane, Australia, who completed a Bachelor of Design with a major in Visual Communication Design at the Griffith University Queensland College of Art. She made the Hairy Beast (2010). At MyFonts she published the constructivist typeface Gustov in 2011. Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿
Wayne Birch	Wayne Birch ("Aanguish") is the British designer of Major Minus (2011), a fat counterless face. [Google] [More] ⦿
David Bird	London-based creator of the free fonts Modo (2012, logotype) and Oomix (2012, monoline sans). Home page. Devian tart link. [Google] [More] ⦿
Gavin Bird	Wilmslow, UK-based designer of Periphery (2015, a squarish typeface), and Rank Icons (2014). Behance link. [Google] [More] ⦿
Hannah Bird	Shrewsbury, UK-based creator of the circle-based font Circles Are Round (2012) and of the hairline alchemic typeface Trifont (2012). She is associated with Burnt Button Design. Behance link. [Google] [More] ⦿
Joanna Louise Bird	London-based designer of Mechanic Type (2011, based on nuts and bolts). [Google] [More] ⦿
Fred Birdsall	Imprint Foundry in London is run by Fred Birdsall, who is a typographer and book designer, who occasionally designs and/or digitizes typefaces and fonts. He created Default Mono (2010, a pixel face). [Google] [MyFonts] [More] ⦿
Stephen Bird	Experimental fonts developed by Steve (Stephen) Bird (aka Stehvelo), a Brit who has lived over 30 years near Helsinki. Direct download. The fonts: Spyroclassic (2007): geometric text font. Its partner is Spyrogeometric (2007, avant-garde style). Pixel typefaces: S64. Display typefaces: Newsiren (2007), Spike (2007), Sfilth (2007), Santiako (2007, ultra-geometric sans), siren4 (2000), Splekta (2012, grotesk). Scanbats: Stampere Unicase: Bayer (2002, aka Sbayer), Chic (2002, aka Sheek). Paperclip typefaces: Kaapeli (2002), Scable (2008-2017). Stencil typefaces: Sblock Disturbing the *** fonts: Stratford (2007, an angular typeface designed on the basis the 2012 Olympics logo typeface by Gareth Hague), Snevil (2007, a sans based on Neville Brody's work for FACE: upper case and lower case letters of the same size). Nice text typefaces: Snidane (2007). Rubber stamp fonts: Stamp Experimental: Shardikka (2018), Strzeminski (2007, a decorative futuristic font with two baselines, after a 1932 original by Jan Strzeminski). Other: Smerkan (2007-2018), Slimbits (2014), Schalk (2012, chalky), Splekta (2012, grotesk sans), Pyoro (2002, a geometrical sans), Pyoroblur-Bold (2007), SBHandRegular (2007), Shrbitov (2012, based on letters seen on a memorial in Prague). [Google] [More] ⦿
Line Birgitte Borgersen	Danish creator (b. 1987) of the experimental font Soft Triangles (2009). [Google] [More] ⦿
Ceyhun Birinci	Type designer in Antalya (or Istanbul), Turkey, who studied graphic design at Marmara University. Creator of the rounded organic sans typeface family Primus (2012-2015) and of the basic geometric sans typeface family Genius (2013-2015). In 2017, he designed the 162-style geometric sans typeface family Artegra Sans, which covers Latin, Greek and Cyrillic. He added the 54-font family Artegra Slab later in 2017. Near the end of 2017, he designed the squarish Latin typeface Kufica, which is based on the Arabic kufic style. Typefaces from 2018: Millard (a transitional typeface family), Caldina (a rounded sans family), Suprema (geometric sans in 14 styles; it features horizontal and vertical terminal cuts). Typefaces from 2020: Dexa Pro (a 72-style workhorse sans), Artegra Soft, Habanera (a semi-geometric sans family with Outline and Rounded subfamilies). Typefaces from 2021: Dexa Round (an 18-style rounded sans family), Anatolian (a 12-style octagonal slab serif), Procerus (an 18-style ultra-compressed movie credit font family). Fontspring link. Behance link. . Home page of Ceyhun Birinci. Fontspring link. Fontsquirrel link. Behance link for Artegra Type. [Google] [MyFonts] [More] ⦿
Tamás Birinyi	Graphic designer in Budapest. He created Hand BT (2011). Behance link. He also created the extreme contrast fashion mag typeface Duett (2010). [Google] [More] ⦿
Mariia Biriukova	Ukrainian designer of Alive (2021: a monolinear all caps script font). [Google] [MyFonts] [More] ⦿
Caroline Birkel	During her studies at Hochschule Trier Kommunikationsdesign, Caroline Birkel created the modular typeface Kalinka (2014) [Google] [More] ⦿
Johannes Birkenbach	Johannes Birkenbach (b. 1956, Ludwigshafen) began his career with D. Stempel AG in 1983 drawing typefaces and moved to digital typeface design and development while working at Linotype in Germany and then Monotype in the UK. Since 1994 Johannes has operated his own design studio, ABC Design, and has worked with Ascender since 2004 on many font projects. In 2008, he joined Ascender Corp and is associated with its German branch. Based in Pirmasens, Germany, his fonts include the Bijoux, Palazzo Caps (1997), Palazzo Text (2004), Jeunesse (1993), Jeunesse Slab (1993), Jeunesse Sans (1993), Cicero Caps (1996), Ambiente (2004), Jocelyn, Jonas, Ulissa, and Perrywood (Monotype, 1993). Klingspor link. Fontshop link. [Google] [MyFonts] [More] ⦿
Jesper Birk	Jesper Birk's FunkDaFont series. His cool shareware fonts include Funky Deco (Arnold Boecklin grungified), Bandit, Barmos, BlueRoom, ConnectionBad, Clockwork, DanzinLikeCrazy (a very curly pen-drawn face), See Your Point, and StageDive. Other URL. Fontspace link. Dafont link. [Google] [More] ⦿
Natalie Birkle	Designer of BD Fimo (2007, Burodestruct) in regular and outline versions. Free fonts. [Google] [More] ⦿
C. Birkmeier	Creator of the multipatterned texture typefaces Amor Infiniti (2011) and Youniek (2011). [Google] [More] ⦿
James Birks	A graduate from Shillington College in London. Behance link. In 2010, Birks created the free octagonal typeface Aura. [Google] [More] ⦿
Henrik Birkvig	Danish type designer. Head of Department, Danish School of Media&Journalism [Den Grafiske Højskole], Copenhagen, Denmark. Founder of the Cooper Black Klubben. He designed DGH Sans for the Graphic Arts Institute of Denmark in 1996. In 2008, he art directed the typeface Aller at Dalton Maag, London, which was designed by Bruno Maag, Marc Weyman and Ron Carpenter. This humanist sans typeface is free, and was sponsored by Danish publishing company Aller (hence the name) and designed as part of the Danish School of Media and Journalism's new corporate identity. In 2015, Morten Rostgaard Olsen (Fontapartners), Ole Søndergaard and Henrik Birkvig co-designed the free typefaces KBH and KBH Pictos for the visual identity of the city of Copenhagen. At the retail level, one can buy FP Kobenhavn at MyFonts and FontShop. Co-organizer of ATypI in Copenhagen in 2001. His talk at ATypI 2014 in Barcelona was entitled Type said to Illustration: You wanna team up? [Google] [More] ⦿
Olöf Birnagardarsdottir	Designer in the FUSE 12 collection of F X Fuse. [Google] [More] ⦿
Emily Birsa	During her studies at York College of Pennsylvania in 2017, emily Birsa designed the fun silhouette alphabet Oxter. [Google] [More] ⦿
Konstantin Birukov	Saint Petersburg, Russia-based designer of the high-contrast display typeface Admiral (2012) and the Peignotian Cyrillic typeface Herold (2012). In 2013, he designed the Cyrillic sans typeface Ledokol and the Cyrillic ornamental caps typeface Kirillica Hersonese. In 2016, he designed the handcrafted Cyrillic typeface Dlja Goroda Tihvin. [Google] [More] ⦿
Vasily Biryukov	Vasily Biryukov graduated from Stroganov University of Industrial and Applied Arts in Moscow as graphic designer specializing mostly in periodicals. Russian designer of Chift, a typeface that won an award at Paratype K2009. Chift (2009) was published by Alexandra Korolkova's foundry. In 2012, Biryukov and Korolkova co-designed the Christmas dingbat font Gingerbread House, together with a plump display face, Gingerbread. In 2013, he published the Peignotian typeface Romanovsky at Paratype: Romanovsky is a font developed on the base of samples from the catalogue of Osip Lehman foundry in Sankt Petersburg. Original Latin design that was used for Romanovsky can be found in Feder Grotesk by Jacob Erbar. The current digital font is not a scanned version of Lehman's samples but a newly drawn typeface that differ from the original in many details. In 2013, Vasily Biryukov and Alexandra Korolkova co-designed the soft roundish sans typeface Kiddy Kitty (link). In 2015, he designed the 18-style industrial sans serif DIN 2014 (Paratype), which was followed in 2017 by DIN 2014 Stencil. In 2021, Paratype designers Isabella Chaeva, Vasily Biryukov and Alexander Lubovenko added DIN 2014 Rounded, a six-style typeface that supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh and Kyrgyz) and has a variable version. [Google] [MyFonts] [More] ⦿
Heather Bisaillion	During her studies at Algonquin College in Ottawa, Heather Bisaillion designed the tattoo typeface tattooer (2016). [Google] [More] ⦿
Fulvio Bisca	Italian illustrator and designer from Torino (b. 1970) who made Antitled, a sans serif family at T-26 (2001, completed in 2004). Ex-graduate of Institute G.B. Bodoni in Torino in 1989. In 2010, he made Cutoff Pro (URW++, +Bold), a serif family with serifs cut off in odd ways, and which covers all European scripts, including Cyrillic and Greek. One could say that it is a hyper-organic typeface. Typefaces from 2014 include Vertebrata. Behance link. Logo. Klingspor link. [Google] [MyFonts] [More] ⦿
Vincenzo Bisceglia	Milan, Italy-based designer of the free circle-based sans typeface Biscia sans (2015). [Google] [More] ⦿
Hannah Bischoff	Hannah Bischoff (Hannah Marie Design, Rexburg, ID) created Inked Alphabet (2013), an experimental typeface with the texture and look of lipstick. [Google] [More] ⦿
Libbie Bischoff	TDN (Type du Nord) is a San Francisco (was: Minneapolis)-based foundry that produces funky fonts for designers who like to keep it friggity fresh. Typefaces designed by Libbie Bischoff, who finished the Type West program in San Francisco in 2020: Designer Dingbats (2020). Doris (2017): Doris is a typeface that combines classic serif forms with those found in Celtic manuscripts which is characterized by sharp angles and open counters. The typeface is inspired by and dedicated to Doris Bischoff, a classic American woman, the daughter of Irish immigrants, and a world traveler. Guster (2018). A chunky serif. Mort (2017), described as a chunky personality-filled display font. Mercredi (2020). A text typeface. In 2021, Libbie started a font-a-week program for 52 consecutive weeks, in the spirit of The Pyte Foundry: Frostie, Fan Gurl, Mercredi (a text typeface), Buds (an alphading font), Stockinette (a knitting magazine script), Spook City, Drench, Drench II, Cruz Control, Squiggees (doodles), Backflip (a slab serif), Backflip2, Backflip Mono, Byffy (blackletter), Rogier (an italic caps font with vampire serifs), Pattern Dingbats (including kitchen tile numbers), Shellphone (a Tuscan Western typeface with mermaid curves), Stilt House (numbers only), Stilt House II, Mort (Dutch deco), Mort Variable (with a rotation axis), Trimmies (borders), Rhub, Roundy Road, Yolker (inspired by egg yolks), Knotical, Knotical II, Mr. Rightside, Piecees (a dingbat font), Scraps2, Dazzle Razzle, Dazzle Razzle II, Mrs. Barb, Alexander The Babe, Scraps. Continuing that list in 2022: BudsII, Designer Dingbats (Sunbursts and Squiggles; Shapes), 414 (beveled numbers), Pulp, Socko, Ms Sherwood (a monospaced script), Clay Class, Lavandula (her graduation typeface at Type West in 2020), Backflip3, Backflip4, Pointees (an arrow font), Maede. Home page of Libbie Bischoff. [Google] [More] ⦿
Lukas Bischoff	Artill is Lukas Bischoff's foundry in Aachen (and before that, Trier), Germany, est. 2009. Lukas is a stylist and designer based in Trier. He created Sketch Rockwell (2008), one of the nicest sketched style fonts anywhere. Commercial typefaces include Luco Sans (2009), Sketch Block (2009) and the octagonal family Wombat (2009). Yaa (2010) is a hand-sketched headline font. Dock 11 (2011) is a (free) heavy art deco headline face. Sketch Gothic (2011) is a sketched Franklin Gothic. Typefaces from 2012: Zwodrei, Kurt (a hand-printed typeface), Artill Weather Icons (free). In 2014, together with Sascha Timplan at Stereotypes, he created the athletic lettering typeface family Atletico. See also here. In 2016, Sascha Timplan and Lukas Bischoff published the handsome sans typeface family Golden Sans. In 2016, Fargus Meiser and Lukas Bischoff co-designed Paul Grotesk and Paul Soft. In 2018, they added Paul Slab and Paul Slab Soft. In 2021, they released Paul Grotesk Stencil. Behance link. Blog. Old URL. Klingspor link. Abstract Fonts link. Dafont link. Behance link. [Google] [MyFonts] [More] ⦿
Jeanik Bischof	Jeanik Bischof (Valencia, Spain) created the unicase typeface Fathika in 2006. [Google] [More] ⦿
Earl Biscoe	Quoting MyFonts: Earl Biscoe was a Bitstream font designer who retired in the mid-1980s because of illness. Earl lost his battle with mesothelioma cancer in October of 2001 after surviving 16 years beyond all expectations due to alternative therapy. Earl inspired people with his determination for beating the odds with an unfaltering wit. His positive attitude for the gift of life gave him strength to endure and help others in similar situations. [Google] [MyFonts] [More] ⦿
Tatiana Fasenda Biserova	Codesigner with Jovanny Lemonad of the free squarish typeface Kazmann Sans (2016). [Google] [More] ⦿
Heidi Bunk Bisgaard	At Skolen for Visuel Kommunikation in Haderslev, Denmark, Heidi Bunk Bisgaard designed the display typeface Bare in 2018. [Google] [More] ⦿
Sandra Bisgaard	Haderslev, Denmark-based designer of the display typeface Curves (2016). [Google] [More] ⦿
Carrie Ann Bishop	The starry fonts Sabrina and SabrinaStar (1998) are designed by Carrie Ann Bishop at Fey Productions. Dafont link. [Google] [More] ⦿
Courtney A. Bishop	Designer of the free truetype dingbat font "halloween2001" (2001). She calls her company Bishop Computer Corporation. She also made Summer Dings (2001) and School Days (2001). Dafont link. [Google] [More] ⦿
Kimberley Anne Bishop	During her studies at Birmingham City University, Kimberley Anne Bishop designed a hand-drawn comic book style typeface (2016). [Google] [More] ⦿
Matthew Bishop	Brisbane, Australia-based designer of the free rounded monoline sans typeface Forma (2018). [Google] [More] ⦿
Mel Bishop	During his studies at Minnesota State University in Mankato, MN, Mel Bishop created the kitchen tile display typeface Blocking (2013). [Google] [More] ⦿
Peggy Bishop	Peggy Bishop (Bishop Computer Corporation) designed the free handwriting font "Print" (2001). We also find Summerdings (2001, Courtney A. Bishop). [Google] [More] ⦿
Ryland Bishop	Raleigh, NC-based designer of Cornered Typeface (2014). Behance link. [Google] [More] ⦿
Anton Bisiajew	Designer at Graphic bureau Az-Zet of the Cyrillic/Latin font AZGaramondC (1990-1995). Anton published Dikovina and DikovinaBildchen at Type Market in Moscow in 1995. [Google] [More] ⦿
Geoff Biskupek	Designer of the sans typeface Defused (2004, T-26). [Google] [More] ⦿
Karolina Biskup	At the Academy of Fine Aets in Krakow, Poland, Karolina Biskup designed the piano key typeface Bryka (2019). [Google] [More] ⦿
Paulina Biskup	During her studies at DIT, Dublin-based Paulina Biskup created the curly display typeface Pala (2015). [Google] [More] ⦿
Vanessa Bisky	For Martina Flor's type design class at Fachbereich Design Dessau's Department of Design (in Dessau, Germany), Vanessa Bisky created the ball terminla-laden didone display typeface Minna Drop (2014). [Google] [More] ⦿
Sugiharto Bisnis	Indonesia-based designer of the spurred all caps typeface Amelia (2020). [Google] [More] ⦿
Angie Biso	German designer of Colonia Deco (2020). Home page. [Google] [MyFonts] [More] ⦿
Hosoda Bisou	Designer of 12 Saru Yellow Fog, a futuristic techno font. [Google] [More] ⦿
Murilo Santos Bispo	Murilo S. Bispo (Murilo Design, Sao Paulo, Brazil, b. Jaguaquara) created the lined typeface 7 Linhas in 2013. Behance link. [Google] [More] ⦿
Valter Bispo	Based in Rio de Janeiro, Valter Bispo (b. 1988) studied at PUC-Rio. Dafont link. He created the octagonal typeface VLOBJ (2010). [Google] [More] ⦿
Ato Yigezu Bisrat	Born and died in Addis Ababa, 1926-1979. Educator (at Addis Ababa University), author, and calligrapher, who was frequently called upon by Emperor Haile Selassie for calligraphy and lettering. His Gothic Goffer (blackletter-style) characters were extended into a font by Abbas Alamnehe (2006). [Google] [More] ⦿
Yafet Bisrat	UK-based creator of Typeface DNA (2012), a series of funny heads based on particular fonts. Matilda (2012) is a sans typeface designed together with Max Gregory and Joe Warburton. The same trio set up Form and Writing in 2012. [Google] [More] ⦿
Elaine Biss	Lancaster, PA-based designer of Kiddie Sampler (2011) and Elaine (2006, curly hand-printed face). In 2012, she went commercial via Creative Market. Her fonts there include Kiddie Things Dingbats and Victoriana Caps (2012). Fontspace link. [Google] [More] ⦿
Dominik Bissem	German designer at the University of Applied Sciences Düsseldorf of the neutral sans typeface Format Grotesk. [Google] [More] ⦿
Marion Bisserier	London-based graphic and type designer who graduated from the London College of Communication, but is French and grew up in Amsterdam. In 2020, she released the Good Girl typeface. She writes: Good Girl addresses the issue of female visibility within the field by exploring the occupation of space both in typographic form and political expression. Her presentation is unapologetic and uses demeaning phrases such as darlin, bimbo, gold digger, damsel in distress, and sugar babe. In 2020, she designed the branding typeface Type 01 Regular for the Type 01 web site. Type Department link. [Google] [More] ⦿
A. Jay Bisset	Graphic designer in Berkhampstead, UK, who created an experimental typeface in 2012. [Google] [More] ⦿
Paul Bissex	Designer of Pscruf (1995) and Rufnu (1994) at Plazm. [Google] [More] ⦿
Sebastian Bissinger	BANK is a French/German design agency based in Berlin, led by Laure Boer and Sebastian Bissinger. It marketed its fonts through T-26, starting in 2009, but later switched to Colophon. In 2009, Sebastian Bissinger and Matthieu David made the display typefaces Sintra and Yummy. Sintra is a 3d typeface that simulates letters made from folded material---Sebastian Bissinger was inspired by the sign of a shoe shop in Sintra, Portugal. Yummy was inspired by cookie cutters. Laure Boer and Sebastian Bissinger published their all caps license plate font Guida at Colophon Type Foundry. Guida is based on an Italian license plate that was in use some time between 1980 and 1990. [Google] [More] ⦿
Camille Bissuel	Camille Bissuel, aka Nylnook, is a free spirit, an open source advocate, and French illustrator based in La Roche-des-Arnauds. He introduces himself in this manner: I'm Camille Bissuel and I'm creating free (as in freedom) graphic novels and illustrations about climate change. Sign-up to become one of my readers and receive a free (as in free beer) short comic! His comic strips are free, and even the font he uses, Comili Book (2016), designed by himself, is free. It is also refreshing to see his entire web site bathed in that wonderful nonchalant script. He defines free software in this manner: You can use without restrictions. You can copy and distribute freely (as in freedom), and therefore often for free (gratis). You can study by reading its source code, its recipe. You can change to improve. In addition to the philosophical choice, there are three reasons behind my choice of free software, despite my initial training on the Adobe suite and 3ds Max. (1) Software and updates at no cost, even if I donate to projects. (2) Sustainability of my data, thanks to open formats. In 20 years, I will have access to my files, so my creations, without having to seek permission from Adobe! (3)Technical stability of Linux and theses softwares in general, which is a real working comfort. Open Font Library link. Dafont link. [Google] [More] ⦿
Mikael Biström	Freelance illustrator in Gothenburg, Sweden. Creator of a nice set of vintage ornamental numbers (2013). Behance link. [Google] [More] ⦿
Bidisha Biswas	Mumbai, India-based designer in 2018 of Anya Latin, Anya Bengali and Anya Maithili (Maithilki is a scrpt on the verge of extinction). [Google] [More] ⦿
Nirmal Biswas	Indian graphic designer. FontStructor who made Charlie (2011), Charlie Dotted (2011, dot matrix face), Meek (2011, a super-heavy squarish beauty), Abstract (+Slab, 2011), TypeOne (2011, unicase square display typeface), TypeTwo (2011, octagonal) and TypeThree (2011). In 2013, he published Abstrakt Slab (the slab serif version of Type Two) and Aero (techno font). In 2015, he designed the sans typeface family Huntkey. Behance link. He is at Picatype Design Studio in Mumbai. Dafont link. [Google] [More] ⦿
Elias Bitencourt	Designer, type designer and professor in Salvador, Brazil. He made Benedicta (2006), a blackletter-inspired sans. See also here. He also made the geometric blackletter typeface Tex (2006). [Google] [More] ⦿
Han Bit	Seoul-based graphic designer. In 2008, he designed Plamodel (LED font), Layer (experimental font), and Piece (octagonal and minimalist). His type designs in 2009 include Glasses (letters using frames of glasses). Behance link. [Google] [More] ⦿
Rajendra Bitling	Mumbai, India-based calligrapher, b. 1968. Designer of many Indic simulation typefaces in 2016: Bitling-lipika-Bold-Italic, Bitling-lipika-Bold, Bitling-lipika-Italic, Bitling-lipika-Regular, Bitling-moksh-Italic, Bitling-niks-musical-Bold-Italic, Bitling-niks-musical-Bold, Bitling-niks-musical-Italic, Bitling-niks-musical-Normal, Bitling-shivom-Italic, Bitling-shivom-Regular, Bitling-sujatra-Bold-Italic, Bitling-sujatra-Bold, Bitling-sujatra-Italic, Bitling-sujatra-Regular, Bitling-sulochi-calligra-Italic, Bitling-sulochi-calligra-Regular, Bitling-vedas-Bold-Italic, Bitling-vedas-Bold, Bitling-vedas-Italic, Bitling-vedas-Regular, Bitlingmoksh-Regular. Dafont link. [Google] [More] ⦿
Sonny Bitsch	For a school project in Kenn Munk's class at the School of Visual Communication in Haderslev, Denmark, Sonny Bitsch designed the free hexagonal typeface Hexonny (2017). [Google] [More] ⦿
Luanna Bittencourt	During her studies, Luanna Bittencourt (Indaiatuba, Brazil) created the vernacular typeface cachaca (2014). [Google] [More] ⦿
Marcelo Bittencourt	Designer of Metalbitt Manetrix (2003), a white on black face. Marcelo (b. 1982) lives in Curitiba, Brasil. [Google] [More] ⦿
Kieran Bitten	For school projects, Kieran Bitten (Cambridge, UK) designed Thinifers (2016: a vintage typeface) and Burleigh Sans (2016: vernacular style). [Google] [More] ⦿
Julian Bittiner	Swiss-American designer who won an award at Bukvaraz 2001 for the slab serif typeface Tourist. In 2020, he designed the experimental typeface Zigzag. He works at MetaDesign in San Francisco. [Google] [More] ⦿
Guido Bittner	German designer of the VS Expectation (or simply, Expectation) family of brush script typefaces (2003, Linotype), which won an award at the Linotype International Type Design Contest 2003. Guido runs a design studio in Wiesbaden. Linotype link. Klingspor link. [Google] [MyFonts] [More] ⦿
Max Bittrof	German type designer (1890, Frankfurt/Oder-1972, Frankfurt/Main), who made Element Fraktur (1933-1934, Bauerische Giesserei). Ben Archer writes: Element was Max Bittroff's rational attempt to solve a dispute raging within German typography of the middle 20th century; the rivalry of two competing orthographies - blackletter or gotisch versus roman or antiqua. While Rudolf Koch's Peter Jessen Schrift was also an attempt to provide a synthesis between blackletter and roman styles, it was intended as a private press face. Element was released as a fully commercial typeface in four weights by a larger foundry, Bauer, which had a programme of modernized blackletter typefaces, such as Tannenberg, National and Gotenberg. [Google] [More] ⦿
Thomas Biwer	Creator of the grunge typefaces Schwabstrasse (2008) and We are Potatoes (2007, potato printing). Dafont link. [Google] [More] ⦿
Michael Bixler	The Letterfoundry of Michael & Winifred Bixler in Skaneateles, NY has been devoted to the book arts, particularly the craft of fine letterpress printing, metal type founding, and traditional book typography, since 1965. Michael Bixler studiede at Rochester Institute of Technology. The Bixlers are known for their quality and ongoing preservation of the craft of typecasting. Some of its types are listed here. Their catalog of metal typefaces as of 2007: Albertus (+Titling), Baskerville, Bell, Bembo (+Bold, +Titling), Blado, Castellar, Centaur & Arrighi, Dante (+Titling), Ehrhardt, Fairbank Bembo Italic Condensed, Fournier, Garamond, Gill Sans, Joanna, Lombardic Capitals, Lutetia, Octavian, Old English, Perpetua (+Titling), Plantin, Poliphilus (+Titling), Spectrum, Sachsenwald, Univers, Van Dijck, Walbaum. Michael Bixler designed the metal typeface Bixler Roman in 1968. Matrices were cut in Japan and the typeface was cast privately. Bixler issued the blackletter metal typeface family Sachsenwald which is modeled after Berthold Wolpe's Sachsenwald (1936-1937; formerly known as Bismarck Script). In 2020, the Bixlers and P22 jointly published the ornamental typeface LTC Bixler Ornaments, and in 2021, they added LTC Bixler Ornaments Two. The digital versions are due to Terry Wüdenbachs. [Google] [More] ⦿
Afra Beyza Biyik	Istanbul, Turkey-based designer of the display sans typeface Afrantik (2019). [Google] [More] ⦿
Jim Bizbee	Herschey fonts by Jim Bizbee. [Google] [More] ⦿
Andreea Bizic	Bucharest, Romania-based designer of the squarish modular typeface Bizinia (2018). [Google] [More] ⦿
Lizi Bizi	Vienna-based student-designer of the constructivist typeface Fundamental Right Living Font (2015). [Google] [More] ⦿
Axel Bizon	Art director in Nantes, France, who created the free display sans typeface Bizon in 2014. Behance link. [Google] [More] ⦿
Thomas Bizzarri	In 2012, Parisian graphic designers Thomas Bizzarri and Alain Rodriguez co-designed Feu (a sans face) and Thermidor (a revival based on the work of French type designer Charles Beaudoire (end of the nineteenth century), custom designed for the Feu Sacré books). Feu is an original typeface designed for the visual identity and the books of the publishing house Le Feu Sacré. [Google] [More] ⦿
Zachary Bizzarro	American designer of Growth (2018: a curly font inspired by the Parkmerced neighborhood in San Francisco), Quandary (2018). [Google] [More] ⦿
Laura Bizzey	Cadiz, Spain-based designer of the free pixelish typeface Hueca (2019). [Google] [More] ⦿
Stella Björg	Graphic designer and illustrator in Reykjavik, Iceland. Creator of the decorative caps typeface There Be Monsters (2013), which is based upon the illustrations found on a 1598 map of Iceland drawn by Abraham Ortelius. [Google] [More] ⦿
Björgvin	Icelandic graphic design student who lives in Reykjavik. He designed the pearly typeface Typhoon in 2008 during the course Holy Geometry at the Iceland Academy of the Arts. [Google] [More] ⦿
Carl Bjorklund	A free grunge font by Carl Bjorklund called Lemonheads (1996). Fontspace link. [Google] [More] ⦿
Brian Bjorkman	Graphic designer Brian Bjorkman (Richmond, VA) created Conectatype (2010), a connected typeface that was influenced by pixels, mazes, Islamic calligraphy and cuneiform. Behance link. [Google] [More] ⦿
Måns Björkman	Tengwar calligraphic page by Måns Björkman from Sweden. Free fonts made by him include Sarati Eldamar (2005), Valmaric Eldamar (2006), Tengwar Scribe, Tirion Sarati (2002), Tengwar Parmaite. Plus many calligraphic notes. He explains: This page is dedicated to the beautiful writing systems that in Tolkien's works derived from the continent of Aman. They are often collectively called Tengwar, although strictly speaking this is wrong, Tengwar being the name of Feanor's writing system (Feanors Tengwar) but not of the Sarati, Rúmils script (the Tengwar of Rúmil). Alternate URL. [Google] [More] ⦿
Peter Björknäs	Swedish designer (b. 1965) of the comic book font Steelhand, and the handwriting font Peba. [Google] [More] ⦿
Thomas Björkstrand	Swede Thomas Björkstrand designed two architectural drawing fonts, Truetrans1 and Truetrans2 (1998). [Google] [More] ⦿
Ola Björling	Ola Björling (Beyond Design) is the designer of Advent (dot font), HybridBold (1999), HybridOutline (1998), JuliaEngstrmBold (based on the handwriting of Julia Engström), Muttprutt, Omicron (a beautiful futuristic face), Randi (1998), Slidfis, Slidfiskittlande (1997, athletic lettering), Slidfissaftig, Starlightseedcitysightseeing, Technoidone. Some of his fonts are under the (Swedish) TarmSaft label, and some under Beyond Design. All were made around 1997. He also made Agaro to Sagaru and Serial Killer, both techno fonts as well. Dafont link. Abstract Fonts link. [Google] [More] ⦿
Mikael Spicey Björnlycke	Designer of the old typewriter font DeadOnArrival. Also did Yardie. [Google] [More] ⦿
Magnus Holder Bjørk	Norwegian designer of the avant garde sans family Daco (2004) sold by Luth. He was also commissioned to make Aenigma, a techno face. Identifont says: Magnus Holder Bjørk is a freshly educated designer now working in Trondheim, Norway. While at a design school in Australia he started developing an Art Deco font family, and with the helping hand of FontShop Norway his Daco font family was prepared for sale. [Google] [More] ⦿
Rune Bjørnerås	Norwegian designer of the free monolinear monospaced typeface Victor Mono (2019). It comes in seven weights and Roman, Italic and Oblique styles, and covers Latin, Greek and Cyrillic. Font Squirrel link. [Google] [More] ⦿
Sbstn Bkrc	Grenoble, France-based designer of Moderne (2015), a tall didone revival created in a workshop in 2014 led by Jean-Baptiste Levée and Yoann Minet. Behance link. [Google] [More] ⦿
Krissy B	Canadian designer who created Pixified (2007) and Pixeltastic (2008). [Google] [More] ⦿
Krzysztof Blachnicki	Polish designer of the free comic book font Addex (2017). Open Font Library link. [Google] [More] ⦿
Michelle Blackard	Michelle Blackard (Elle Marie Calligraphy, Grapevine, TX) designed the connected script typeface Getaway (2017). Creative Market link. [Google] [More] ⦿
Rob Blackard	Illustrator in New York City who runs Rob Blackard Studio. In 2016, Rob designed Children's Alphabet Art Print, and the octagonal typeface Rooftop. Behance link. [Google] [More] ⦿
Craig Black	Craig Black is a Scottish-born graphic designer, lettering artist and typographer, who graduated from University West of Scotland in 2013. Having spent the first few years of his career in leading design agencies in London, he currently runs his own design studio in Gourock, Scotland. In 2020, Monotype released FS Renaissance, a stencil serif typeface by Pedro Arilla and Craig Black. [Google] [MyFonts] [More] ⦿
Daniel Black	Dann Black (Indonesia) created the ornamental typeface Woody (2011). [Google] [More] ⦿
Eggy Black	Rangoon, Burma-based designer of a Burmese typeface (2015). [Google] [More] ⦿
Mike Blacker	Designer of the dingbats family Leiure Tourism Icons DT (2008, DTP Types). These icons were developed over many years by Mike Blacker of Blacker Design, the icons cover a comprehensive range of leisure, tourism and access themes. [Google] [MyFonts] [More] ⦿
Joanna Blackford	American designer of the circle-and-rectangle-based typeface Potamus (2017). [Google] [More] ⦿
Lucy Blackhall-Cain	Brisbane, Australia-based student-designer (at Griffith University) of the handcrafted typeface Everbody (2019) that plays on the fashionable wide-versus-narrow theme. [Google] [More] ⦿
Roxxie Blackham	Leeds College of Art-based student designer of Dissect (2013), a typeface in which texture is applied to a Gill sans all caps background. [Google] [More] ⦿
Raven Blackhardt	West Virginia-based designer, b. 1968. Designer of the scratchy graffiti scripts My Chemical Romance (2007) and The Chemical Parade (2007). Her home page. Fontspace link. [Google] [More] ⦿
Jason Black	Kiwi creator of DaRKnesS (2009), a handwriting face. [Google] [More] ⦿
Alan Blackman	Alan Blackman has a BA in anthropolgy and sociology from Queens Collede, NY (1950) and a BLitt in social anthropology from Oxford University, England (1957). He graduated from the California College of Arts and Crafts in Oakland in the late 1950s. He was a letterform instructor at the Academy of Art College in San Francisco. His first typeface, Galahad (Adobe, 1995), is calligraphic, elegant and rough-edged. In 2012, he published the smilie alphading typeface Say Cheese at Linotype. Linotype page. Adobe page. [Google] [MyFonts] [More] ⦿
Ariel Blackman	During her studies, Ariel Blackman (Gilbert, AZ) designed the thin impressionist art nouveau script typeface Keats Imperfect (2015). [Google] [More] ⦿
Nicole Blackman	Codesigner with Chank of the handwriting font Darling Nikki (2006). Nicole Blackman is a New York City-born performance artist, poet, author, vocalist, teacher, and former music industry publicist. She is also a top voice-over artist for television and radio. [Google] [MyFonts] [More] ⦿
Marco Black	San Jose, Costa Rica-based designer of the decorative Black Font (2016). [Google] [More] ⦿
Mitch Black	Nottingham, UK-based illustrator and filmmaker who created Bastard Sans in 2015. Behance link. [Google] [More] ⦿
Markie Flint Blackmon	Free original dingbats by Markie Blackmon: BR Turkles Revenge (delicate and detailed ornaments), BR Odd Assortment, BR Nouveau Ramblings 1 and 2, BR 4 My Dad, BR Trivets, BR Doodles (this one is fantastic!!!), Markie Ding 1, 2 and 3 (all equally wonderful), BR KnockKnock, BR HeyFlinty, BRFrames, BRPrimitives, BRReflections, BRThorns, BRForMembersOnly (1999). Dafont link. [Google] [More] ⦿
Keith Blackshear	Darby, PA-based designer of the octagonal typeface Bitmap (2015). [Google] [More] ⦿
Camika Blackwell	During her graphic design studies at Columbus College of Art and Design, Camika Blackwell (Cleveland, OH) created the connect-the-dots typeface Spacial (sic) Constellation (2014). [Google] [More] ⦿
Tanya Blaeser	Tanya Blaeser (Johannesburg, South Africa) created Urban Typeface in 2013. [Google] [More] ⦿
Benjamin Blaess	Benjamin Blaess (Blah, Strasbourg, France) is a graphic designer and letterer. During a summer course called Type@Paris (2015), under the guidance of Jean Fran&ccdil;ois Porchez, Malou Verlomme and Mathieu Réguer, Benjamin Blaess created Brambly, a text typeface with calligraphic tension. In 2019, Ilya Naumoff and Benjamin Blaess co-designed the variable font Grtsk at Black Foundry. Its three axes, weight, width and slant, combine for 126 styles, that are all captured in one variable font. Mini-site. [Google] [More] ⦿
Lydia Blagden	London-based designer of these display typefaces in 2014: Helios (hipster font), Metazoa (animal-themed caps), Krystall. [Google] [More] ⦿
Matija Blagojevic	Aka Ungrund, based in Paris, b. 1988. Designer of the free rounded liquid look typeface Soft Core (2012), Reappeat (2017), and the sans typeface Core (2017). [Google] [More] ⦿
Benjamin Blåholtz	Designer of Hexadecimal (2019), Calculate 16 (2019: an LED font), the modular blackletter typeface Isometretos (2019), Templars Cipher Plus (2019), the heavy slab serif typeface Grundsten (2019) and the traffic sign sans typeface Storgata (2019), which is influenced by the traditional Swedish traffic signage font Tratex. [Google] [More] ⦿
Petra Blahova	Petra Blahova (Carlisle, UK) created the octagonal experimental typeface Architecture (2013) and the decorative caps typeface Wonderland (2013). Behance link. [Google] [More] ⦿
Brian Blaine	Spring, Texas-based Brian Blaine (b. 1960) who created the free arrowed devilish typeface Midevil in 2014. His Dafont site disappeared, and he now operates as the commercial studio Dymond Speers. His commercial typefaces include the spurred Dymond Speers Solid and Outline (2014), which look very much alike his original Midevil font. Hellofont link. Fonts2u link. [Google] [More] ⦿
Johanne Blain	As a student at ENSAD in Paris, she co-designed Poinçons (1999), a typeface based on a design of Fournier. [Google] [More] ⦿
Louis Blain	During his studies at ECV Atlantique, France, in a workshop led by Christophe Badani, Louis Blain (Nantes, France) created the compass-and-ruler display typeface Helium (2014). Behance link. [Google] [More] ⦿
Courtney Blair	Lettering artist in Salt Lake City, UT, who designed Killer Deco in 2017. Behance link for Blair Design. [Google] [More] ⦿
Dawn Blair	Creator of the pixel font The Tiniest Font (2013). [Google] [More] ⦿
Joshua Blair	Savannah, GA-based designer of the notched Latin / Cyrillic typeface Wyssheé (2018). [Google] [More] ⦿
Megan Blair	Creator of an unnamed Tuscan caps typeface in 2013. [Google] [More] ⦿
Michael Blair	Student of Graphic & Web Design at DMACC (Des Moines Area Community College). FontStructor who made a few nice typefaces in 2012. These include Little Tittle (a stencil typeface influenced by Josef Albers' Kombinationschrift), and the tall-legged condensed Skinny & Sweet. Aka ciotog. [Google] [More] ⦿
Matt Blaisdell	Edinboro, PA-based creator of the free EPS format all caps sans titling family Nova (2014: Regular, Inline, Thin). [Google] [More] ⦿
Marie Blaise	Designer in Nantes, France, of an experimental typeface (2015) that was inspired by the architecture of Ieoh Ming Pei. This typeface was created for a school project at L'Ecole de Design Nantes Atlantique. Behance link. [Google] [More] ⦿
Desiree Blake	High Wycombe, UK-based student-designer of a dot matrix typeface in 2015. [Google] [More] ⦿
Edward Blake	Edward Blake's foundry located in Chicago. Blake was born in 1978 in Chicago. He created the hand-printed typeface Ten Till (2011). [Google] [MyFonts] [More] ⦿
Bill Blakefield	William Stremic may also be known as Bill Blakefield. Designer of Airport Black. The reason for that uncertainty about the name is this paragraph written by mac McGrew: Most of this series [Airport Gothic] is the first American copy of Futura, which originated in Germany in 1927, designed by Paul Renner for Bauer. One source says it was cut from original Futura drawings, smuggled out of that country, but it seems more likely that matrices were made by electrotyping the imported type. An extrabold weight, Airport Black, was cut by Baltimore about 1943; information on this cutting is scarce and contradictory- one account says it was designed by Bill Stremic or Bill Blakefield, another that it was designed by Carl Hupie (or Hooper), and cut by Herman Schnoor. There is also Airport Black Condensed Title and Airport Broad. The latter is a modification of Airport Black, cut 50 percent wider on the pantagraph by Herman Schnoor. Baltimore later cast some of its Airport series from Monotype Twentieth Century matrices, and in a few cases listed both series. Airport Relief, Baltimore 299, is English Monotype Gill Sans Cameo Ruled, while Airport Tourist, Baltimore 602, is Futura Display, cast from electrotype mats of the German foundry type. [Google] [More] ⦿
Justin Blake	Oceaside, CA-based designer of several typefaces in 2014, such as Pixel Rif. [Google] [More] ⦿
Kelsie Blake	During her studies in Cape Town, South Africa, Kelsie Blake created How to English (2015). [Google] [More] ⦿
Landon Blake	Fontstructor who made My Orchard (2012, a fattish modular typeface). Aka Sunburned Surveyor. Home page. Landon is a land surveyor in California and Nevada and lives in Stockton, CA, after graduating from the Flathead Valley Community College in Montana. [Google] [More] ⦿
Graham David Blakelock	Ilkley, UK-based foundry of Graham David Blakelock (b. 1947, York, England). MyFonts sells his fonts. These include typefaces used in role playing games, often with a medieval look, all published in 2005: Fifteen36 (Venetian with rough edges), Fourteen64 (Venetian with rough edges), High German (blackletter), ItalicHand (inspired by 11th or 12th century Carolingian hand-drawn cursive), Old Russian (fake Cyrillic), Ye-As-Ta (rotated brush style caps), Good Taste (2006), Hieroglyph Informal (2006), Kanjur (2006, Indic simulation face), Mayan (2006, dingbats and Mayan-looking letters), Pepper (2006), Salt (2006). View Graham David Blakelock's typefaces. [Google] [MyFonts] [More] ⦿
Harry G. Blakeman	Portland, OR-based designer of the hand-printed typeface Granite Letter (2013), the experimental typeface Moonblock (2015), the pixel typeface Protovision (2015), the techno typeface Anchorage (2015), the crayon typeface Autumn Pixels (2015), Barcode Decol (2015), and the hairline squarish typeface Granite Mode (2015). Typefaces from 2016 include Granite Postmodern and the squarish Turntable Aux (2016). Typefaces from 2017: Fuzzface, Graytype, Ventures. Typefaces from 2018: Microchip (an LED or MICR font), Aroundabout (circle-themed), Blakeman Hand, June 5. Dafont link. Old personal URL. [Google] [More] ⦿
Marty Blake	Designer of the display font Parmigiano. [Google] [More] ⦿
Pete Blake	The neon signs of Seoul, Korea, inspired Pete Blake (Liverpool, UK) in his design of Downtown Font (2013). He also created a set of 3d hexagonal numerals in 2013. Behance link. [Google] [More] ⦿
Charlotte Blancart	Lille, France-based designer of a typeface in 2018 that was inpired by the art of Swiss dada era painter / sculptor Jean Tinguely (1925-1991). [Google] [More] ⦿
Chloe Blanchard	During her design studies in Windsor, Canada, Chloe Blanchard designed the industrial typeface Defiance (2013). [Google] [More] ⦿
Constance Blanchard	Born in 1954 in Athol, MA. Studied at the University of Vermont and the Mass. College of Art. Type designer and type design manager at Compugraphic at some point. The eight weight-Garth Graphic family was jointly designed by Renée LeWinter, John Matt and Constance Blanchard (1979, Agfa / Monotype). Fonshp link. [Google] [MyFonts] [More] ⦿
Patrick Blanchard	For a school project at the University of Kansas, Patrick Blanchard (Lawrence, KS) created a pixelized typeface in 2013. [Google] [More] ⦿
Pierre Blanchard	Student in Bordeaux who created an ornamental caps face, Type Addikt (2012). [Google] [More] ⦿
Caroline Blanchet	Nantes, France-based designer of the tennis-themed display typeface Wimbledon (2017). Behance link. [Google] [More] ⦿
Quentin Blanchet	Brisbane-based creator of The Mouldy Lovers (2012, a geometric stencil font created from arcs and straight line segments). Behance link. [Google] [More] ⦿
Yanick Blancho	Yanick Blancho ("My name is Yanick", Brussels, Belgium) created the commercial typefaces Biarritz Light (2013), Ruff Draft (2013, hand-printed poster font), Archive (2013, hand-printed), Charlie's Bold (2013), Riot Gothic Condensed (2014), Sarifa (2014), and Charlie's Font (2014). In 2015, he made the rounded cursive typeface Koëlh, based on Pittoresques penchées (1924, La Fonderie Typographique Française). In 2016, he published Futuros. In 2018, he added Analogis (a rounded sans), and in 2019 the roughened text font Chapitre. [Google] [More] ⦿
Julie Blanc	FontStructor from Toulouse, France, who made the modular typeface Disparity (2013). [Google] [More] ⦿
Simon Blanckensee	Sydney, Australia-based designer of the hairline display typeface Gatwick (2015), which was developed during his studies at University of Technology Sydney. [Google] [More] ⦿
Harry W.R. Blanck	Baltimore, MD-based designer in 1905 of a decorative outlined typeface. [Google] [More] ⦿
Louis-Emmanuel Blanc	French codesigner (b. 1986), with Julien Saurin, of the free graffiti font Vandalism (2007). Dafont link. In 2009, Emmanuel Blanc and Julien Saurin set out to sell their fonts under the name La Goupil (based in Paris). At La Goupil, they co-designed the scratchy hand-printed typeface Carving (2010). MyFonts link. Alternate MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
Alexis Blanco	Bratislava, Slovakia-based designer of Genetika (2014) and Rhum Negrita (2014, a shaded caps typeface family). Behance link. [Google] [More] ⦿
Barbara Blanco	Buenos Aires-based designer of the school project typeface Typorama (2014, FAD/UBA). [Google] [More] ⦿
Luis Blanco Choncén	Luis Blanco Choncén (b. 1987) is an art director in Buenos Aires. He graduated from the University of Buenos Aires. His type designs include the free art deco typeface L'Egoist Corbeau (2014). Behance link. [Google] [More] ⦿
David Utrilla Blanco	Creator of the modular monolinear typeface DesiGn Dnub (2020) for DesiGn Dnub Company. [Google] [More] ⦿
Francisco Blanco	Jerez de la Frontera, Spain-based designer of the art deco typeface Largarian (2016). [Google] [More] ⦿
Francisco J. Millan Blanco	Andaluz, Spain-based illustrator who made the typefaces Gothic Stencil (2012, blackletter) and Getto Style (2012). Behance link. [Google] [More] ⦿
German Blanco	Based in Miami, FL, German Blanco created the fun figurines typeface Soccer Player Font (2012). Behance link. [Google] [More] ⦿
Joanne Blanco	Manila-based designer of the handcrafted or fat finger fonts Mistress (2015), Joanne's Freehand (2015), Joanne Candy (2014), Matcha (2014), Orbicularis (2014), Mikee (2014), Joanne's Handwriting (2013), Joanne Papercut (2013), Joanne Marker Serif (2013), Joanne Deoxyribose (2013) and Joanne Enzyme Kinetics (2013). She also made the hand-drawn 3d typeface Joanne Tic Tac (2013). Dafont link. [Google] [More] ⦿
Jorge Blanco	Graphic designer in Miño, Spain, who created the sans typeface Neo Galaica in 2016 for his graduation project at the Faculty of Fine Arts in Pontevedra. [Google] [More] ⦿
Juan Luis Blanco	Juan Luis Blanco is a graphic designer, type designer and calligrapher based in Zumaia in the heart of the Basque country. Since 1993, he works as a freelancer graphic designer. In 2013, he obtained an MA in Typeface Design from the University of Reading. Currently he combines calligraphy classes and graphic design with typographic projects that focus on Basque lettering as well as multi script typefaces involving the Latin, Arabic and Tifinagh alphabets. For his graduation work in the Masters of Type Design program of the University of Reading, Juan Luis Blanco (Spain) created the Latin, Greek, Cyrillic, Tifinagh, Arabic typeface family Amaikha (2014). Amaikha is characterized by Latin warmth and roundness. A list of his typefaces: Akaya Telivigala/Kanadaka. Blanco writes: Akaya is a single weight experimental display typeface in Kannada, Telugu and Latin scripts designed in collaboration with Vaishnavi Murthy (Bangalore, India). Akaya Telivigala and Akaya Kanadaka are made as two separate font files which share a common Latin. Github link. i Google Fonts link for Kanadaka. Google fonts link for Telivigala. Amaikha (2014). His graduation typeface from the University of Reading. Harri (2016, Type-o-Tones). A display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. The letterforms can be traced back to romanesque inscriptions. Harri (stone, in Basque) is an all-caps typeface, and must be ranked as one of the greatest digital typefaces that capture the Basque soul. In 2020, it was republished at Blancoletters. Later in 2020, Harri Text was added. See also Harri text at Type Network. Ingeo (2021). A 9-style geometric sans that oozes confidence and style, and has a senate seat thanks to its pharaonic lower case g. Karela (2017). A humanist slab serif. Qandus (2017), a multiscript typeface co-designed with Kristyan Sarkis and Laura Meseguer. It won a TDC Certificate of Typographic Excellence in 2017. Qandus covers Arabic, Latin and Tifinagh. Tuqbal Pro (2015-2019, by Andreu Balius and Juan Luis Blanco). Tubqal Pro is a tri-script type family based on its previous Tubqal typeface commissioned by the Khatt Foundation as part of the Typographic Matchmaking in the Maghrib 3.0, the 3rd edition of the multi-script typographic research project of the Khatt Foundation. It includes Latin, Arabic (+Farsi) and Tifinagh (for the Tifinagh based languages: Tamazight (Central Atlas), Kabyle, Tamazight (Standard Moroccan), Tachawit, Tachelhit, Tagdal, Tamahaq, Tahaggart, Tamasheq, Tarifit, Tamajaq, Tawallammat, Tamajeq, Tayart, Tumzabt, Zenaga). Speaker at ATypI 2016 in Warsaw on A Typographic Maghribi Trialogue. In this talk, he explains, together with Laura Meseguer and Krystian Sarkis, the Typographic Matchmaking in the Maghrib project of the Khatt Foundation, which tries to facilitate a cultural trialogue as well as shed a typographic spotlight on the largely ignored region of the Maghreb in terms of writing and design traditions. The specific goal of the collaboration is the research and development of tri-script font families (for Latin, Arabic and Tifinagh) that can communicate harmoniously. [Google] [MyFonts] [More] ⦿
Larissa Blanco	During her design studies in Bauru, Brazil, Larissa Blanco designed The Awesome Fox typeface (2013). [Google] [More] ⦿
Olivier Blanc	Toulouse, France-based designer (b. 1994) of Arta (a tall deco typeface family). [Google] [MyFonts] [More] ⦿
Melanie Blanco	Aka ArtisMelB. Was Melby's Magic, and also Melanie's Creations. Guatemalan designer (b. 1990) of Lion King (2007), Mulan (2008, a slightly grungy all caps face), and Nederland Fantasy (2012, a hand-drawn outline face). Dafont link. [Google] [More] ⦿
Noe Blanco	Originally from Barcelona, Noe is a graphic designer who holds a BA in Graphic Design from BAU, School of Design and a MA in Advanced Typography at Eina, Escola de Disseny i Art, where her interest in type design began and where she created her first typeface. Since 2008, she has been working as a graphic designer for different studios in Barcelona. She is a graduate of the Type Media program at KABK, Den Haag, class of 2012. Since then she has been working for Underware and independent foundries such as Emtype Foundry, and Klim Type Foundry, among others. In 2018, she joined the faculty in the Masters program in typographic design at Elisava. Her graduation typeface at KABK was Minima (2012), a text typeface families woth sans and serif components. The sans is roundish and flared, and both read very well at small point sizes. In 2013, together with Jordi Embodas, she designed the commercial rounded grotesk typeface Bulo Rounded (2013, Tipografies). Codesigner with Jordi Embodas of Trola Text (2014). Co-designer of Epicene Text & Display (2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. These are baroque typeface families inspired by the work of 18th century masters J-F. Rosart and J.M. Fleischmann. AIGA describes the result as a baroque typeface celebrating ornamental idiosyncracy. Co-designer of Manuka (2019-2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. Compressed typefaces for large sizes. Described by Klim Type: With deviant details pilfered from Teutonic timber type, Manuka grafts a contemporary antipodean aesthetic onto 19th century German root-stock. Tight spacing, closed apertures and sharp joins make a compelling texture, like sunlight sparkling through a forest canopy. Her talk at ATypI 2014 in Barcelona was entitled Fonts out of ink. [Google] [MyFonts] [More] ⦿
Sergio Blanco	Costa Rican designer (b. 1974) of the modular geometric typeface Noviembre 29 (2011). [Google] [More] ⦿
Thierry Blancpain	Zürich-based graphic designer (b. 1985) associated with Grilli Type in Zürich. He designed the geometric sans typeface Loop (2005), the octagonal sans typeface Panzer Bold (2006) and Casual (2005, no downloads). Between 2017 and 2021, inspired by Japanese pop culture, he developed the rounded sans family GT Maru (maru means round in Japanese). It is accompanied by a bubblegum-like typeface family, GT Maru Mega (which was produced by Huw Williams), and a monospaced family, GT Maru Mono. All three families have variable fonts as well. Grilli Type and Anya Danilova added GT Maru Emoji (in black and white, and color). [Google] [More] ⦿
Daniel Bland	Illustrator and designer in Shipley, UK, who created a few decorative caps typefaces in 2016. Behance link. [Google] [More] ⦿
Matteo Blandford	Como, Italy-based designer of the free ransom note font Not In Use (2016). This font has multiple glyph choices per character. For his MA Thesis in 2015, he created the Anatoma typeface family (Anatoma Uncial, Anatoma Sans, Anatoma Runes, Anatoma Humanist, Anatoma Gothic, Anatoma Gothic Book, Anatoma Book, Anatoma Grotesk), and wrote: Anatoma, or the Anatomy of the British Character: A study of British type design through the creation of a sans-serif typeface which aims to unveil the letterforms that shape the national typographic identity. Designer of the free sans typeface Rabbit Fount (2015), Maria (2016, free: a typeface for stoners), and the blobby Ink (2016; a free typeface done for La Rivoluzione delle Seppie). Behance link. [Google] [More] ⦿
Greg Bland	Horsham and Cambridge, UK-based designer who proposed the Kobi Serif typeface in 2014: I found the idea of Kobigraphs whilst researching methods of communication for the blind. The website dotlessbraille.org was the sole proprietor of the Kobigraph idea and it was virtually unknown outside of that website. Researching the website further I became curious about the idea of this typographic bridge between embossed braille for the blind and visual letterforms for sighted persons to read braille more easily. Braille is becoming something of a dying form even though it is extremely important for blind people to know some form of written communication. Fewer than 1% of the two million visually impaired people in the UK are users of Braille. Yet 66% of blind or partially sighted people of working age are unemployed as a result of a lack of some form of literacy. It seemed to me that helping to make braille as accessible as possible to everyone through using the Kobigraph would help raise awareness of the issues of blind literacy and encourage everyone to try learning braille. The Kobigraphs visual form can be read by sighted persons at a glance as opposed to braille - which is usually colourless dots printed on a page. And as the Kobigraph uses the same cell structure as braille, the dots could be raised to allow blind users to read too. The links between cell dots could also be raised to help users further guide their way around a letterform more easily if they have not built up the necessary tactile abilities needed to sense individual dots. In 2014, he made a multilingual display typeface for Latin, Devanagari and Hiragana called InterSans. Behance link. [Google] [More] ⦿
Loraine Blandin	During her studies, Loraine Blandin (Nantes, France) designed the children's book font L'Alphabet Des Petits (2018). [Google] [More] ⦿
Joe Bland	Univers Graphic Design (which was Interesting Productions) is a graphic design studio in Melbourne, Australia owned by Joe Bland. They design for identity, publication, screen and build environments with a very typographic approach. They are currently working on identity for various architects---here is an example for Neil Architecture. See also this logotype (2006). [Google] [More] ⦿
Sebastian Bland	UK-based FontStructor (student at Bristol UWE) who created Decay of TNR (2010), an interesting all caps face. [Google] [More] ⦿
Bridget Blankenship	At Texas State University in San Marcos, TX, Bridget Blankenship designed the pixel typeface Grandma's Quilt (2015). [Google] [More] ⦿
Edward Blankenship	Chicago, IL-based designer of Vulturous (techno typeface), Vutura Line, TTD 209 (sans), Steadfast (Treefrog-style ink spill script), Dil (hand-drawn poster typeface), and Hellhound (spurred vintage typeface). These typefaces were made in or just before 2014. Behance link. [Google] [More] ⦿
Jake Blankenship	During his studies at The School of Visual Arts, West New York, NJ-based Jake Blankenship designed the art deco typeface Gabo (2016) and the monoline Waterglass (2016). [Google] [More] ⦿
Rachel Blankenship	During her studies at Flagler College, Saint Augustine, FL, Rachel Blankenship created the free display typeface Blankenship (2014). Dafont link. [Google] [More] ⦿
Zulvex Blank	Bandung, Indonesia-based designer (b. 1994) of the angular straight-edged typeface Trianzulvex (2015). [Google] [More] ⦿
Andres Acosta Blaschitz	Caracas, Venezuela-based designer of the connect-the-dots font Inklusiv (2018). [Google] [More] ⦿
Onno Blase	Amsterdam-based designer of the free handcrafted typeface Punta Banco (2015), which is based on the logo Onno designed for Punta Banco surf. Behance link. [Google] [More] ⦿
Annatina Blaser	Designer of the hand-printed typeface Rooster (2004, Agenturtschi, Switzerland), which can be had for free with any order over 59 dollars from Agenturtschi. [Google] [More] ⦿
Stephanie Blaszak	Illustrator and designer. Creator of Flair (2009). [Google] [More] ⦿
Lucas Blat Lage	Lucas Blat lage currently studies Graphic Design at Centro Universitário Belas Artes de São Paulo, and works as a Motion and Graphic Designer based in Sáo Paulo, Brazil. Designer of the typeface called Circumactio (2012, sold by Ten Dollar Fonts). In 2014, he designed the experimental typeface Cisa. Cargocollective link. HypeForType link. Behance link. [Google] [MyFonts] [More] ⦿
Alex Blattmann	UK-based type designer. The Latin / Arabic version of Dalton Maag's Effra was co-designed by Azza Alameddine and Alex Blattmann. It won an award at Granshan 2016. [Google] [More] ⦿
Shawn Blaufuss	Shawns font is an elementary dingbat font by North Dakota-based Shawn Blaufuss. [Google] [More] ⦿
Ramona Blau	Valencia, Spain-based designer a modular geometric solid typeface in 2017. [Google] [More] ⦿
Filip Blazek	Filip Blazek (alias Filip de Sign, b. 1974) writes about typography and ran Filip de Sign--Czech Graphic&Design Studio, founded in 1997 in Prague [in 2003, its name was changed to Designiq]. In 2000, he graduated from the Faculty of Arts at the Charles University in Prague. He regularly contributes to professional periodicals in the field of graphic design. His typefaces include Pozorius, Studnicka Antikva and Duboryt. In 2013, he designed Smalt, a typeface for the street signs in Prague. He explains: Until very recently, the typefaces used on enamel street signs were drawn by hand. Unfortunately the producers introduced computers to the process which resulted in brutal degradation of the typographic quality of street signs. Two years ago, I was invited to organize a typographic workshop at the Academy of Art, Architecture and Design, Prague, and I asked a group of students to create a typeface for Prague street signs based on the letterforms used between 1890s and 1990s. The result was very impressive, so I decided to undrego the process of countless negotiations with Prague municipality. The project has a happyend: Last year, Prague mayor accepted the proposal and all street signs in the capital of the Czech Republic are required to use the students' typeface system and follow certain guidelines. No more Helvetica Condensed Bold extended to 130 percent but a beautiful typeface Smalt (Czech for enamel). Alternate URL. Very useful pages for Central European typography, with plenty of links and practical information. Interview. Blazek's old site, still jam-packed with font information. Coauthor of Typography in practice (Praktická typografie), published by ComputerPress, 2000, 2004. Founder of Typo Magazine, which focuses on typography, graphic design and visual communication. Speaker at ATypI 2006 on diacritics (PDF of Filip's presentation). At ATypI 2009 in Mexico City, he spoke on posters from the 1989 Velvet Revolution. Speaker at ATypI 2011 in Reykjavik. Speaker at ATypI 2013 in Amsterdam: Typeface for Prague enamel street signs. [Google] [More] ⦿
Maciek Blazniak	Maciej Blazniak (Studio Ladne Halo, Lodz, Poland) is a graphic designer and illustrator. In 2015, he designed the fat art deco typeface Miasto. Behance link. Creative Market link. [Google] [More] ⦿
Amelie Bldx	During her graphic design studies at the ECV Nord Europe, Lille-based Amélie Bldx created a blackletter typeface in Illustrator (2013). [Google] [More] ⦿
Alex Blechta	Alex Blechta (Blechmen) is a portrait photographer and graphic designer based in Toronto. Designer of the distorted typeface family Melancholy (2019). [Google] [MyFonts] [More] ⦿
Sam Bledsoe	American designer of the graffiti / tattoo font Cobra Hand (2019), the display typeface Lazy Daisy (2021), the nostalgic poster font Thumper (2021) and the tiki fonts Tropic Sign (2021) and Maui Wowie (2021). [Google] [MyFonts] [More] ⦿
Tracey Bleeden	Designer (b. 1984) who used Fontcapture to make fuchsiabuddha (2009, hand-printed). [Google] [More] ⦿
Galina Bleikh	Partner with Lilia Chak of Gala Studio (Israel). In 2017, Galina Bleikh and Lilia Chak co-designed GS Candy Melt, GS Slim One (a great font for in-store advertizing) and GS Slim One Bestiary (perhaps for children's books). [Google] [MyFonts] [More] ⦿
Taq Bleiler	Portland, OR-based creator of the ornamental caps typeface Break Display (2012), which was inspired by bicycle parts. [Google] [More] ⦿
Jeff Bleitz	Jeff Bleitz (Sarasota, FL) created the blacklewtter logotype Beauxnero in 2012. [Google] [More] ⦿
Dave Bleja	Dave worked as an animator, illustrator, multimedia developer, UX designer and exhibition designer for film festivals, NGOs, and one of the largest museums in Australia. Based in Melbourne, he founded the game studio Volnaikra. For the Spryke video game, he made the alien script Sprykski (2015). Dafont link. [Google] [More] ⦿
Rodrigo Bleque	Designer with Lula Rocha at Sugiro Design in Brazil of Skova (1999). [Google] [More] ⦿
B. Bleu	Parisian art director who created the bespoke typeface Institut Laser Biotherm in 2016. [Google] [More] ⦿
James Blevins	James Blevins (Florida) is a graphic designer who specializes in font creation and illustration. For his blackletter typeface Crumby, he drew upon old blackletter motifs and hand-drawn characters found in the work of Robert Crumb. [Google] [More] ⦿
Neil Blevins	Artist and graphic designer. Creator of the original font Wound (1999), in which palm lines are combined with letters. Not available to the general public. He also made IX, IX Corroded (1999, both ransom note fonts), Syscraper 99 (1998), Too Damn Tall, Scratch Your Eyes Out (1998, oriental simulation face), and Digital Stabbing (1998). No downloads. [Google] [More] ⦿
Ronnie Blhsn	Israeli type designer at MasterFont. [Google] [MyFonts] [More] ⦿
Birkin Blick	Aka Redshade Blue. Photographer and painter in Zurich, Switzerland, who studied at Moscow University of Printing Arts. In 2018, she published the script typeface Persian Garden. [Google] [More] ⦿
Faith Blickensderfer	FontStructor who made the ultra-fat typeface Hypercube (2012). [Google] [More] ⦿
Matthew Blick	Birmingham, UK-based graphic designer, typographer, photographer, illustrator and art director. In 2017, he published Blick sans. Behance link. [Google] [MyFonts] [More] ⦿
Marcel Blijleven	Design student in Hoofddorp, The Netherlands, whose first font is the high-contrast art deco typeface Ecoutez (2012). Creator of the geometric sans typeface Selvage (2012, in Raw (pure forms) and Worn (filled in ink trap form) styles), the architectural lettering font Resoluut (2012, +Cyrillic), the tattoo font Galera (2012), and the monoline typeface Monodrone (2012, Ultratypes). In 2013, he published Fat Boy (a grotesk display face), Optic (alchemic). [Google] [More] ⦿
Léon Bli	Designer in Pontarlier, France. Dafont link. He created the children's hand typeface Ultramat (2011). [Google] [More] ⦿
Roy Blinston	Creator of the free hand-printed typeface Roy Bimp (2009, Fontcapture). [Google] [More] ⦿
Hunter Bliss	Creator of My First Font (2012, hand-printed). [Google] [More] ⦿
Jack Bliss	UK-based designer of Blocky Font (2007) also called Test. [Google] [More] ⦿
H. Bloch	Israeli type designer. Creator of the Hebrew typefaces Martir MF (2010), Ninth Century MF (2010), Teiman MF (2010, Masterfont) and Sheva Brachot MF (2012, Masterfont). [Google] [MyFonts] [More] ⦿
Aaron Block	Creator of Purposefully Bad (2013), bare Minimum (2013) and handwritten (2013, fat finger typeface). Fontspace link. [Google] [More] ⦿
Andrew Block	During his studies at the University of Cincinnati, Andrew Block designed the curly typeface Swish And Flick (2016). [Google] [More] ⦿
Eli Block	Graduate of the Brown University and Rhode Island School of Design Dual Degree Program, where he studied biology and industrial design. Eli has worked at Google Creative Lab and as a Kleiner Perkins Caufield & Byers Design Fellow. His typefaces: Notable (2018, Google Fonts). Co-designed by Eli Block, Hana Tanimura and Noemie Le Coz, the art deco typeface Notable is an uppercase sans serif display font; its letterforms are based on those found on U.S. currency. Notable was designed for Notable Women, an initiative by former Treasurer of the United States Rosie Rios. Notable Women is an augmented reality experiment that lets anyone see 100 historic American women where they have historically been left out: U.S. currency. Gene (2018). A small, round text typeface for print and web. In 2019, Niki Polyocan and Eli Block co-designed the free Google web font Lacquer. Github link. Lacquer is an expressive display font featuring heavy drips and dozens of alternate glyphs. Lacquer was hand drawn using a paint pen by Niki Polyocan and was extrapolated and finished by Eli Block at Google Creative Lab. [Google] [More] ⦿
Simon Blockley	Art director in Orange County, CA. Behance link. Designer of X-Acto Type (2011, techno face). [Google] [More] ⦿
Niklas Block	During his studies, Stuttgart and/or Heidelberg, Germany-based Niklas Block created some experimental typefaces. He shattered Arial and recombined its pieces in his Verspiegelt (2017). Broken Millionaires combines the hacker style with monetary glyphs for optimal effect. See also Währungsfont (2017). Behance link. [Google] [More] ⦿
Phillip Block	London-based graphic, book cover and type designer. Specializing in unconventional typefaces, he released Gideon (2020: cyberpunk, dystopian), Apologue (2020: a stunning free decorative art nouveau typeface) and PB Cubeseat (2018: a rounded blocky typeface). Instagram link. Type department link. [Google] [More] ⦿
Morgan Blodgett	Morgan Blodgett (Aliso Viejo, CA) created an untitled blackboard bold typeface in 2013. [Google] [More] ⦿
Phons Bloemen	Baseball capitals: free metafont "capbas" (Capital Baseball) by Phons Bloemen from the Eindhoven University of Technology. Now included in the package are also 7-segment, 14-segment, Simple, matrix fonts like Flyspec and Neckerspoel. Lots of interesting tools as well. Magnificent package, really. [Google] [More] ⦿
Evert Bloemsma	Dutch type designer (b. Den Haag, 1958, d. Arnhem, 2005) who studied graphic design at the Arnhem School of Art (1981). He worked at his own office for a number of clients, taught type design at the art academies of Arnhem and Breda and wrote articles about typography and related topics. He created FF Balance (1993), FF Cocon (1998-2001: organic style), FF Avance (2000) and FF Legato 1 and 2 (2004, flared sans families discussed here). FF Balance was created at the Amsterdamse Steenweg in Arnhem, at almost the same address as Ontwerpbureau Quadraat. Editor of "Letters, een bloemlezing over typografie" (Eindhoven, 2001), a book about contemporary Dutch typography. Typophiles about his death. Jan Middendorp wrote: Of all the type designers I have known and have written about, Evert had the most complex personality, and possibly the most original mind and the weirdest sense of humour. He kept promising me, with his characteristic mixture of boyish enthusiasm, solemn dedication and self-mockery, that he would one day cover the entire distance between his home in Arnhem and mine in Ghent on his reclining bike. I was sure he'd make it, sooner or later he always carried out his plans, although some took him ten years to complete. It fills me with grief, wonder and anger that Evert, who was always advocating exercise and healthy food, has now been taken away from us because of a heart failure. As a type designer, Evert was unorthodox, a true original. Each of his four type families was the outcome of a highly personal investigation, a challenge to himself. To others, he could be as demanding as his was to himself; when criticizing his friends' typographic work, he was brutally honest and always to the point. Yet he remained amazingly modest, even insecure, about his own work, and deeply grateful to those who would comment on the early versions of his typefaces and/or test them in print. In spite of the single-mindedness with which he worked on his type designs during those months of total concentration, he was open to many other intellectual stimuli. He had worked as a photographer of architecture constructing his own hand-operated panoramic camera, interviewed the designers he admired (such as Wim Crouwel and Hans Reichel) about their design philosophy, and lately became fascinated by the work of Marshall McLuhan. His lectures and articles, too, were evidence of his original ideas on form and on reading. It is a great loss indeed. FontShop link. Klingspor link. View Evert Bloemsma's typefaces. [Google] [MyFonts] [More] ⦿
Tasarimci Blogu	Ankara, Turkey-based designer of the display typeface Pandora (2016). Behance link. [Google] [More] ⦿
Tevin Bloise	New York City-based designer of the free futuristic typeface 23XX (2016). [Google] [More] ⦿
Frank E. Blokland	Frank E. Blokland (b. 1959, Leiden) studied Graphic and Typographic design at the Royal Academy of Arts in The Hague. In 1985 Blokland won Chartpak's type design contest with his typeface Bernadette. In 1990 Blokland wrote a bestseller with his course book for Teleac's television course: Calligraphy, the art of hand writing, of which 16.000 copies were sold. In the same year Blokland founded the Dutch Type Library in 's Hertogenbosch, The Netherlands. Since the 1980s he has published over 150 articles in professional journals like Compres, Page, PrintBuyer, and the Hamburger Satzspiegel. When Gerrit Noordzij retired in 1987 from the Royal Academy of Arts in The Hague, Blokland was the first of the younger generation to succeed him. Blokland now lectures in letter drawing and type design/production to first- and post-graduate courses at this institute. In 1995 he was asked to become a lecturer at the Plantijn Gennootschap in Antwerp. A few years later he initiated and supervised the development of DTL FontMaster, a set of utilities for professional font production [in cooperation with URW++]. He is working towards a Ph.D. at the University of Leiden entitled Leiden University titled Harmonics, Patterns, and Dynamics in Formal Typographic Representations of the Latin Script. The regularization, standardization, systematization, and unitization of roman type since its Renaissance origin until the Romain du Roi. In 2016, Frank E. Blokland obtained a Ph.D. at the University of Leiden for On the Origin of Patterning in Movable Latin Type. His typefaces: DTL Documenta and Documenta Sans (1986). He writes: The idea was to develop a typeface that on the one hand would present a recognizable, contemporary, and powerful image, and on the other hand would work well in small text sizes, irrespective the applied resolution. The development of the first range of weights/styles of DTL Documenta took seven years. In 1993 the typeface became available in the PostScript Type1 and TrueType formats. Around 1997 a small range of sans-serf versions were added on request of the municipal museum in The Hague, especially for accompanying texts on the walls of the rooms of museum. Almost immediately after releasing dtl Documenta its quality was recognized. In the second edition of his international bestseller The Elements of Typographic Style, Robert Bringhurst calls DTL Documenta "a sturdy open text face with an equally unpretentious and well-made sanserif companion." DTL Haarlemmer and DTL Haarlemmer Sans (1994-1996, an adaptation of Jan van Krimpen's Haarlemmer of 1940, and addition of a sans version, which was commissioned by the Boijmans Van Beuningen Museum in Rotterdam). He writes: The basis for the digital Haarlemmer was the set of Jan van Krimpen's original drawings of 1938. However, the quality of the original Haarlemmer was too poor for the purpose. Moreover, there was no reason to take the restrictions of the unit arrangement system on board. The original drawings were not directly digitized. First, they were interpreted, so that a typeface emerged that corresponded as much as possible with Jan van Krimpen's original concept. In fact, this procedure is comparable to the way in which Van Krimpen's foundry types were produced. Jan van Krimpen worked as a typographer and advisor with the Joh. Enschedé en Zonen at Haarlem from 1925 until his death in 1958. Most of his types were cut in steel by the Enschedé punch cutter P.H. ädisch (1891-1976). Under the auspices of Van Krimpen, Rädisch interpreted his drawings and made the required modifications for the different point-sizes. Van Krimpen's ink design obtained its definitive shape in Rädisch;s punches. Later, these punches served as the basis for Monotype. The original Haarlemmer drawings were similarly interpreted to cut digital punches. Alas, Van Krimpen's hand was no longer on the tiller, although a thorough study of his work by Frank E. Blokland made up for his absence. DTL Fell. A Fell type revival. The Fell types are Dutch types from the late 17th century that were given to the University of Oxford by John Fell (1625-1686), bishop of Oxford from 1675-1686. In The Roman, Italic&Black Letter bequethed to the University of Oxford by Dr. John Fell (Oxford, 1951), Stanley Morrison states that the Roman may have been cut by Christoffel van Dijck. Specimen exist from 1693, 1695 and 1706. At ATypI 2008 in St. Petersburg, he gave a series of lectures: Type tools by DTL, Automating font production, Automating type design, Integration of FontMaster in Linux and Mac OSX, and History of Type. On that occasion, participants were presented with the booklet Comprehensive Notes on the Design of Cyrillic Letters by Finnish type designer Hanna Hakala and typeset in the preliminary version of DTL Valiance. Speaker at ATypI 2011 in Reykjavik on the topic of parametrized type design, and in particular on the development of the DTL LetterModeller (LeMo) application, which is an attempt to come to such parameterization of type design. Speaker at ATypI 2018 in Antwerp. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Marieke Blokland	Dutch graphic design student in Breda, who made the neat (free) display font Bloktype (2002). She used East-European tickets to make Ticket Scraps Urban (2003). Alternate URL. [Google] [More] ⦿
Maurice Blok	L5 is a Rotterdam-based design studio, where Maurice Blok created the rugged type family Luxor (2001) as the corporate identity for the Luxor Theatre in Rotterdam. [Google] [More] ⦿
Ben Blom	Durotype is the foundry of Dutch type designer Ben Blom, who is based in Best, The Netherlands. Ben created the rounded serif family Classic Round (2010, +Classic XtraRound, 2011). His second typeface family is Cigar (2010). He writes: Cigar is a revival of a 1970s and 1980s typeface called Cucumber or Nassel Black or Scanner. It has been carefully redrawn and expanded into a full-featured OpenType font. Cigar Octo and Cigar Quarto are new angular reinterpretations of Cigar. In Cigar Octo, most round shapes have been replaced by octagonal shapes. In Cigar Quarto, most round shapes have been replaced by rectangular shapes. Seconda (2010) is a humanist sans family. Seconda Soft (2011), Seconda Round (2012) and Seconda XtraSoft (2011) are rounded versions of Seconda. In 2011, he created the 16-style Simplo family, which was patterned after Alessandro Butti's Futura-like typeface Semplicità. This was followed in 2012 by Simplo Soft. Classic Xtra Round was created in 2011. Typefaces done in 2012: Flexo (a large x-height elliptical sans family), Flexo Contour. Typefaces from 2014: Aspira (a 112-font sans superfamily). In 2015, he designed the rounded sans typeface family Animo and the neutral sans typeface family Neutro (which was published in 2016). Typefaces published in 2017: Innova (a grotesque described by Blom as more open, more squarish, more legible). Typefaces from 2018: Flexo Soft. [Google] [MyFonts] [More] ⦿
Remco Blom	Den Haag, The Netherlands-based designer of the monospaced Psychedelica (2016). Behance link. [Google] [More] ⦿
Megan Blondeau	Senior designer and illustrator in St. Cloud, MN. She designed a custom high-contrast ball terminal typeface in 2013. [Google] [More] ⦿
Merlin Blondel	Parisian designer of a heavy octagonal deco typeface (2015). [Google] [More] ⦿
Philippe et François Blondel	Original truetype fonts by Philippe and François Blondel 9France): New Bernard (2013), CNC Vector (2012, hairline sans), Braille 1998, Braille 1998 3d version, Braille (2012), Accords (for guitar), Langage des signes (ASL), Signes, Phonetique. He also designed many handwriting fonts: Michelle, Ginette, Sophie, Amandine, Virginie, MissClaude, LalexBigBadaboum, Karine. All these fonts are free. For font services: 40 USD for a handwriting font, 70 for a connected handwriting font, 10 USD for a logo font, 8USD to add the Euro symbol to any font, 50 USD for any on-demand truetype font based on your drawings. Handwriting type designer Philippe Blondel offers some of his handwriting fonts (such as BrandysHand, PatriciasHand, JaninesHand, LisasHand, LaurensHand, FarrahsHand, CarolinesHand, RandysHand, BrooksHand, Philing (1998-2009), Jean-Claude'sHand and Jimmy-Hand) regularly for free. Send in your handwriting on the form he provides: each week, he'll make one of the samples into a TrueType font (for free). Additional fonts include 7LED (2010, LED face), Philippe, Bernard, Adelyne, Georges, Brigitte, Barguzin, Breeze, Fog, Lightning, Monsoon, Stream, Valerie, Jami, and Zephyr. Typefaces from 2014: Shade of Adelyne. Fontspace link. Dafont link. Abstract Fonts link. Alternate URL. Yet another URL. Another Fontspace link. [Google] [More] ⦿
Charles Bloom	Kansas City, MO-based student, who created the display font Mineral Hall (2003). [Google] [More] ⦿
Holly Bloomfield	During her studies in London, Holly Bloomfield created the alchemic caps typeface Final Type (2014). [Google] [More] ⦿
Jack Bloom	Seattle, WA-based designer of STFU (2019: a modern blackletter typeface). [Google] [More] ⦿
Mark Bloom	Mash Creative is the East London / Exxex-based design studio of Mark Bloom, who graduated from Middlesex University in 1998. Its first typeface is the basic sans RM Regular (2011). RM Regular was updated in 2016 to RM Pro (which can be bought at The Designers Foundry). At some point before 2019, Joe Leadbeater and Mark Bloom founded CoType Foundry. Bloom released these typefaces at CoType: Aeonik and Aeonik Pro (2018). A 14-weight sans typeface family by Joe Leadbeater and Mark Bloom. Aeonik supports Latin, Greek and Cyrillic, and is accompanied by a variable font. Followed in 2022 by Aeonik Mono. Altform (2021). A low contrast sans family by Mark Bloom. Designed by mixing geometric and grotesque elements, it has many weights and is accompanied by a two-axis (weight, italic tilt) variable font. Ambit (2019). A sans by Mark Bloom: Ambit is an eccentric and unique sans serif font inspired by early grotesques, but adapted for the 21st century. It is characterized by the misbehaving curly lower case f and r glyphs. Coanda (2019). A techno typeface by Mark Bloom, who writes: Coanda: an ideology of the future, crafted from the past. Coanda honours the ambitious outlook of 20th century designers Wim Crouwel and Mimmo Castellano, and pays respect to the meticulous detail crafted by The Designers Republic. Orbikular (2020). A 5-weight modern typeface by Mark Bloom. RM Neue (2019). A sans by Mark Bloom. The first iteration of RM was released in 2011, followed by RM Pro in 2016. RM Neue is a completely redrawn and redesigned adaptation of RM Pro, previously available in only three weights. Bloom writes: Inspired by utilitarian neo-grotesques, RM Neue aims to be a timeless addition to each designer's font repertoire and has been designed to be clean and legible at all sizes. [Google] [More] ⦿
Patrick Bloom	Van Allerlei, and before that, Illegal Industriez Design, is a commercial foundry in Rotterdam, est. 2010 by Patrick Bloom, who describes himself as a transdisciplinary rock artist. Another name is Illegalistic. Patrick made five of his fonts available for free under the Illegal Industriez Design label in 2005: Kriminalita (1999, grunge) was the nicest in my view. Other typefaces included Fontboyz, Agenda (1998, a halftone textured typeface), Bloom (1998), Rapture (1998) and Skwieker (1998). The first commercial font was Real Fat (1999-2010, pixelish). In 2010, he also created the squarish typeface Rotterdamz and the sci-fi typeface Spacy Round. Aka Patrick Tes Bloom and Patrick Tez Bloom. Klingspor link. Dafont link. Newest Dafont link. Liink for Illegalistic. Free font download site. [Google] [MyFonts] [More] ⦿
John Bloor	John Bloor's free and commercial fonts (Mac type 1, PC truetype) at Smoking Drum (est. 1997) in Whitchurch, UK. The fonts include Fauxetry, Gruyere, Orange n Blue, H-Be, BubbleLife, Mnooba, Pyrobats, TragicBureau, BulkyPixels, DotShortofaMatrix, DoubleStrike, FatPixels, FGParma, HandHackedNoisy, HelveticaCondensedDestressed, HelveticaCondensedStressed, InfiltraceItalic, InlinesRough, LoopsofFuryWide, RefuseTrip, RoughSheetsOutline, ScratchyLarge, StrokeyBacon. MyFonts sold Mnooba and Infiltrace, but he is selling those now himself. Description of how he made StrokeyBacon from Helvetica. Alternate URL. Interview. Dafont link. Catalog. [Google] [MyFonts] [More] ⦿
Sam Blower	During his design studies in Manchester, UK, Sam Blower created the Bruce Gay typeface (2013). He explains: I created this typeface based on some artwork by Bruce Gray. I experimented by looking at various modern artists and creating letters based around the shapes in their artwork. I then created this typeface from scratch in Adobe Illustrator. [Google] [More] ⦿
Laura Blow	London, UK-based designer of the multilined typeface Disqo (2015), the geometric solid typeface No Name (2015), the smooth decorative caps typeface Salmonype (2015), and the rounded sans typeface Mars (2015). [Google] [More] ⦿
Tony Blow	From Edinburgh, Scotland, Typescape is Tony Blow's Glasgow-based outfit, where he sells his fonts: Poetic, Matter, Pinched Fat and Invasive. He also runs Pointsize Online, a design outfit in Glasgow, where you can find his logofonts and commercial work. At fontmonster, he created the free fonts Pinched Fat, Poetic, Jotter, Invasive. [Google] [More] ⦿
Bart Blubaugh	Type designer, letterer and calligrapher located in Willoughby Hills, OH. Ex-student at the University of Reading (2003) who designed Owyhee (2003). In 2008, he created Cora, a 6-style corporate-look sans with a large x-height. In 2011, he did Katie's Font. MyFonts link. Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿
Dillon Blue	Salt Lake City, UT-based student-designer of Didotdotdot (2017). [Google] [More] ⦿
Charles Percival Bluemlein	Charles Percival (or just Percy) Bluemlein (b. 1891) served in the 346th Infantry in World War I. In 1920, he married Mildred Vanderbilt and settled in Brooklyn, NY. He died in 1944 and is buried in the Long Island National Cemetery in Farmingdale, NY. Famous for his scripts and penmanship, his best known book is Script and Manuscript Lettering (1947, Higgins Ink Co, Brooklyn). Earlier editions are from 1943 and 1944 and have Bertram Cholet and Dorothy Sara (1943 edition only) as co-authors. Modern revivals of his scripts include KolinskySable SG (Jim Spiece, 2004), based on a 1944 brush design called Mr. Ronald G. Sheppards. Bender Script (2008) by Alison Argento. She writes: Would you hire one of the top hand lettering artists that worked for companies like Max Factor for your designs? Of course you would! Chas Bluemlien passed away many years back, and you couldn't have afforded his services anyway, but his lettering prowess which graced many advertisements, primarily cosmetic ads, has been pulled together from numerous samples to make this font. Alejandro Paul's Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on Bluemlein's alphabets from the book cited above: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde (and later, Mr. Leopolde Pro), Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. In 2011, that series was made available at Google Web Fonts. Al;ejandro writes: From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Paul's Lady Dawn and Mr Lackboughs. In 2012, Intellecta Design got into the act and promised to digitize the entire series under the name Bluelmin instead of Bluemlein. They created Bluelmin Kisaburo, Bluelmin Ralph (2012), Bluelmin Ronald (2012), Bluelmin Sandsfort (2012) and Bluelmin Benedict (2012). Credits: Several of the images below, as well as some biographical information, are courtesy of Charles's grandson, David Musgrave. [Google] [MyFonts] [More] ⦿
Nicole Blue	Los Angeles-based designer of the bloated counterless typeface Pine (2021). [Google] [More] ⦿
Ashton Bluett	Designer of Early Days (2003), a display font with Basque features, and Jenkins (2004, a sans). Ashton lives in Wanganui, New Zealand. [Google] [More] ⦿
Gail Blumberg	American (ex) art director at Adobe, who created the human gymnastics figure font Cutout. [Google] [MyFonts] [More] ⦿
Emil Blüm	Designer in Edinburgh, Scotland, who created the pixelish display typeface Rixel in 2016. Behance link. [Google] [More] ⦿
Achim Blumensath	Designer of MnSymbols, a free math symbol font (in metafont format) designed to be used in conjunction with Adobe Minion. Since 2005 also available in type 1 format: MnSymbol-Bold10, MnSymbol-Bold12, MnSymbol-Bold5, MnSymbol-Bold6, MnSymbol-Bold7, MnSymbol-Bold8, MnSymbol-Bold9, MnSymbol10, MnSymbol12, MnSymbol5, MnSymbol6, MnSymbol7, MnSymbol8, MnSymbol9. [Google] [More] ⦿
Joseph Blumenthal	New York printer and book designer (1897-1990), who designed Emerson for his own Spiral Press. In 1931, he traveled to Germany to have Louis Hoell cut the punches, which were then cast by the Bauer foundry for hand composition. First known as Spiral and exclusive to the Press, the typeface was renamed Emerson when Monotype released it commercially, with a companion italic, for machine composition in 1935. Reynold Stone wrote that it avoided the rigidity of a modern face and preserved some of the virtues of the classic Renaissance types. Signature, cited its "open counters, absence of fine lines and sturdy, though not heavy serifs." Monotype deemed it among the twenty classic faces. Jerry Kelly writes about his contributions in David Pankow's edited book, American Proprietary Typefaces. Mac McGrew: Emerson and Emerson Italic---a completely different style, unrelated to the one above---were designed by Joseph Blumenthal, New York printer and book designer. The original version was hand-cut by Louis Hoell in Germany, and the typeface was cast by the Bauer Foundry in 1930. It was called Spiral for the press at which this distinguished typographer produced many notable books, and was renamed Emerson when the Monotype Corporation of London recut it in 1935. It is a modernized oldstyle letter, adapted for photogravure reproduction, but retaining a reasonably light face, fairly condensed. Wikipedia on Emerson: The typeface's first appearance was in a special, private-press edition of Ralph Waldo Emerson's essay Nature, and so the Monotype version became known as Emerson. Emerson can be recognised for its distinctive foot serifs on the lowercase a, d and u, and its wide capitals (especially the M). The typeface shares characteristics with the classic renaissance types, and its soft, blunt appearance was designed to suit photogravure reproduction. For a digital revival of Spiral / Emerson, see Spiral (2014) by AR Types / Ari Rafaeli, or Emerson by Nonpareil Type. [Google] [MyFonts] [More] ⦿
Karlis Blums	Latvian graphic designer. For a university project, he designed Sanriff. [Google] [More] ⦿
Tim Blunck	Hamburg, Germany-based designer of the free hipster font Stacked (2015) and the geometric solid typeface Gometric (2017). [Google] [More] ⦿
Liam Blunden	Birmingham, UK-based designer of the 3d typeface Isometric (2016). [Google] [More] ⦿
Michael B	Creator of the rough hand-drawn typeface Crazy Cartoon (2013) and the angular comic book / video game font New Super Mario Font U (2013). Michael is based in München. [Google] [More] ⦿
bnagle	Designer at the Open Font Library of Buildermarker (2009), Archdiocese (2009) and Paperback (2009, a semi-didone text font). [Google] [More] ⦿
Juanda Contreras Boada	Designer who is at the Universidad de los Andes in Bogota, Colombia. In 2013, he created an unfonted alphabet, Cicatriz Eterna, to remember the massacre of Salado committed by the Colombian army. Behance link. [Google] [More] ⦿
Duah Francis Boafo	Johannesburg, South Africa-based creator of the free sci-fi typeface Ayor Thin (2016). Behance link. [Google] [More] ⦿
Matt Boak	Born in South Africa, and based in Middlesbrough, UK, Matt Boak designed these typefaces: Hard Flip (2015, a squarish typeface inspired by old black and white horror films such as "The Phantom Of The Opera"), the pixel typeface Dea Pixels (2015), and the commissioned pixel typeface Geek Press (2015). Behance link. [Google] [More] ⦿
Clay Boan	Charlotte, NC-based designer of the custom skateboard font Grind (2014). Behance link. [Google] [More] ⦿
Fran Board	Frans Font (or: Siren Fonts) is a foundry, est. in 2009 in Cheltenham, Gloucestershire, United Kingdom, by British designer Fran Board. Their fonts include Rounded Two (2009), Manic (2009, grunge), Rooky Hand (2009, irregular hand), and Mesh Stitch (2009, a stitching font). All are free for personal use and pay fonts for commercial use. In an earlier life at Dafont, one could download the hand-printed 3d font Decade 3d (2008), the stitching typeface Mesh Stitch (2009), the thin sans faceRound (2009), RoundNormal (2009, an avant garde face), Bloc Regular (2009, pixel face), Pixel Regular (2009), Zuben (2009, classy sans), Manic (2009, an angular face), Rounded Two (2009) and the squarish Blablabla (2009, FontStruct). Another URL. [Google] [MyFonts] [More] ⦿
Dathan Boardman	Rocket Type, Squid & Steve, Dandylion Brushworks and Dandylion Typeworks are all names of foundry set up in 2014 by Dathan Boardman. Dandylion Typeworks link. The early typefaces by Dathan Boardman include Afternoon Tea (2010: inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring) and Portsmouth (2012, with Ryan Lyse: a squarish typeface family). In 2015, Dathan designed the handcrafted typeface Little Pigeon, Jacuzzi Room, and the signage script Lampoon Brush (not to be confused with Sam Wang's Lampoon Brush from 1992). Typefaces from 2016: Redshift (a rounded geometric full range sans), Aldin (a simple monoline sans family), Rifleman, College Dropout (handcrafted athletic lettering font), Portsmouth (a stackable sketched textured typeface), Afternoon Tea (after an alphabet published in 1938 in Letters and Lettering by Paul Carlyle and Guy Oring), Eisley, Material (brush font). Typefaces from 2018: Diablo (beatnik style), Bivona (a retro jazzy typeface), Cream Cheese (handcrafted), Echophonic, Piquant (curly and joyous), My Left Foot, Mr + Mrs Konky (beatnik style), 500 Guitars. In 2018, at Great Lakes Lettering, Dathan Boardman published Penny Pincher, Posie, and Sharp Shooter. At Font Seed, he published Discount, a typeface co-designed with Stuart Sandler in 2018. Typefaces from 2019: Delmonico (a vintage display typeface by Dathan Boardman and Ryan Lyse). [Google] [MyFonts] [More] ⦿
Dathan Boardman	Dathan Boardman (Open Window) is an American type designer who lives in Eau Claire, WI, and was born in 1979. He went to UW Stout to get his BFA in Graphic Design. Fontspace link. Klingspor link. Fontsquirrel link. Google Plus link. His typefaces: Afternoon Tea (2010), an art deco typeface that is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938. Art Club (2013) and Art Club Roman (2014). Backlash (2015, Molly Jacques Erickson and Dathan Boardman). The next step in gonzo splatter lettering scripts. Baseline Script (2013). A thin-lined upright script. Caesar Dressing Pro (2011). A Greek simulation / stone chisel face. Calla Script (2017). By Molly Jacques and Dathan Boardman. Calligraffitti (2010). Free at Google Fonts. Clarendon Paint (2010). College Dropout (2010): a sketch typeface based on athletic lettering glyphs. Coming Soon and Calligraffiti (2010): free fonts at the Google Font Directory. The Pro versions are commercial. Cowboy Stories (2013). Deco and Deco Hatched (2010): art deco headline typefaces. Distinction (2020). A script released by Great Lakes Lettering. Doriss Girls (2013). A marquee typeface family. Farm Girl (2011). A hand-printed face. Gold Diggin (2011) hearkens back to posters from the Gold Rush Era. Grannys Greenhouse (2019). A beatnik font by David Cohen and Dathan Boardman). Hand of Joy (2011) is a thin connected script face. Headbanger (2012). A heavy metal album cover font. Jacky Hand. Based on the handwriting of a 6-year old child. Liquor Store (2019). Metal Mania (2012). A spurred heavy metal band font, free at Google Web Fonts. Miniver Pro (2011) and Miniver Air Raid Pro (2012) are based on the titling for the 1942 movie Mrs. Miniver. Pen Swan (2016). Raindrop (2017). A flirty handcrafted typeface family for editorial illustration. Rifleman (2012) is a painted wide-slabbed typeface. Shag Script (2011). Was this renamed Shrag Script? Sketchura (2011) is a sketch face. Skyline Hotel (2014). Some Assembly (2012). A rounded organic sans family. Spur Rust (2011) is a disheveled take on the spicy classic Hellenic Wide. Undercoat (2011). A painted version of Helvetica. Velvet Hammer (2014). A calligraphic script co-designed with Jen Maton. Wide Noise (2010) is grungy. Great Lakes Lettering in Eau Claire, WI, showcases the type designs of Dathan Boardman and Molly Jacques Erickson. They jointly designed the illustrative handwriting font Frosted in 2012. In 2013, they co-designed the hand-drawn typefaces Saint Agnes and Icing, and the script typeface Kailey (2013). View Dathan Boardman's typefaces. Dafont link. Creative Market link. [Google] [MyFonts] [More] ⦿
Emery Boardman	Creator of African Queen (2011, FontStruct). [Google] [More] ⦿
Robin Boast	Belgian designer (b.1983) of the squarish techno typeface Boast (2016). [Google] [More] ⦿
Vinicius Boaventura	Graphic designer in Sao Paulo. Creator of these typefaces in 2014: Fungeo (a geometric experiment), Hashi (named and patterned after Japanese chopsticks). Behance link. [Google] [More] ⦿
Ines Boavida	Visual design student from Portugal. She created the script typeface Boavida (2011). [Google] [More] ⦿
Konstantin V. Boayrko	Typeface designer who russified some Latin fonts in 2003, such as KBBlackWolf, KBDanube, KBTranceform, KBVectroid, KBYear. Some may be found here. [Google] [More] ⦿
Sipesihle Bobani	Cape Town, South Africa-based designer of the display sans typeface Nizinga (2017). [Google] [More] ⦿
Raymond Bobar	Raymond Bobar holds a BA degree from the University of Arts in Bucharest (Romania) and an MA degree in type design from the University of Reading, UK (2014). His graduation typeface at the University of Reading was the casual handcrafted display typeface Ivera (2014), which covers Latin, Greek, Cyrillic and Georgian. [Google] [More] ⦿
Serena Bobbo	Serena Bobbo (Saïda, Lebanon) created an Arabic version of the hand-drawn typeface Cinnamon Cake (2011, Brittney Murphy) in 2014. [Google] [More] ⦿
Muhammad Ahwal Bobby	Aceh Utara, Indonesia-based designer (b. 1996) of the monoline scripts Zyamatyca (2020) and Huntsel Script (2020). In 2020, he also designed Black Callig (blackletter), Mrentha (script), Radinya Signature Script, Crowzer (a graffiti font), Dugtane Script, Bhellvast Script, Shoel Crack (a graffiti or marker font), Sweghand (a monoline script), Alverion, Grizelle Script, Jovanka, Dwallbypro, and Smile Abe. Typefaces from 2021: Vigeny (a ligature-rich typeface), Syln (brush), Trishafira (a signature script), Micky Funky (a comic book font), Rottand Oryne (a monolinear script), Vallie (script). [Google] [More] ⦿
Candice Bobchak	During her studies in Santa Fe, NM, Candice Bobchak created the heavy slab serif typeface Diamond (2015). [Google] [More] ⦿
Alexandre Bobeda	Alexandre Bobeda is a type and digital designer, writer, author and publisher from Rio de Janeiro, Brazil, whose studio is House Of X. His typefaces include the experimental dystopian typeface Tecmo (2020) and the display typeface Weyni (2020). [Google] [More] ⦿
Branko Bobic	Designer at the Serbian studio TajFazon, located in Belgrade. He works with stunning colors and has made some display fonts, often in the fat counterless artsy style. These include AeroFrog (2010), Strawberry (2009), Letvica (2010), and DontGetCut (2009). Behance link. [Google] [More] ⦿
Opey Bobo	Graphic design student at Flagler College in Saint Augustine Beach, FL. He made the experimental typeface Molecule (2011). [Google] [More] ⦿
Alexander Bobrov	Alexander Bobrov (Indian Summer Studio, or simply Indians, Moscow) designed the vintage didone typeface family Dodo (Latin and Cyrillic) from 2008-2012. This beautiful typeface is in a style similar to Nick Shinn's scotch Modern and Alexey Kryukov'sOld Standard but was developed independently based on old books from 1930s (printed with 1860s to 1910s metal type). His web site shows lots of calligraphic work, but also a few typefaces such as Oriental Font (2015), Photon Display (2014) and Trafareta (2015, stencil). Typefaces from 2016: Historical Stencil Font USSR 1980 (2016), Geometric Sans Serif, Tanuki, Curly Cyrillic Sans, Historical Geometrical Art Nouveau Study, Indian Stylized Cyrillic, Historical USSR (constructivist), IBM Selectric Typewriter, 1966 Olympia SF DeLuxe Cursive (typewriter font), Moscow Metro, Cynzel (cyrillization). Typefaces from 2019: Funny Toons (a rounded cartoon family by Ekke Wolf and Alexander Bobrov), Selectric Century (a Scotch Modern / Schoolbook typeface modeled after the famous IBM Selectric golfball font), Aldo New Roman (a modern version of the typeface cut by Francesco Griffo for Venetian printer Aldus Manutius around 1490AD). Typefaces from 2020: Air Force 30 Stencil (the official US military fonts/lettering used in U.S. Air Force, U.S. Army, U.S. Navy, U.S. Marine Corps, based on their technical specifications), Oriental Kaishu (all caps, oriental simulation), Selectric Melt, Air Force (the official US military fonts/lettering used by US Air Force, US Army, US Navy and US Marine Corps, designed based on the Military Standards and Technical Manual; covers Latin, Cyrillic and Greek), Stone Age (a neolithic font), Selectric Pyramid (a typefwriter font based on Rudolf Wolf's Memphis from 1929), Selectric (a 1315-glyph (!) revival of IBM's famous golfball typeface, Selectric), Dymond (a dymo label font). Typefaces from 2021: Science Fiction (rounded, squarish), USSR (a squarish Russian cold war propaganda font; Latin and Cyrillic), Age (squarish and rounded; for Latin and Cyrillic). [Google] [MyFonts] [More] ⦿
Evgeniy Bobrov	Designer of HandDrawn Cute Funky (2016), Glitch (2016), Glossy Golden Metal (2016), Black Newspaper Letters (2016), Colorful Newspaper Letters (2016, ransom note font), Isometry (2016), Hand-Drawn Dirty Ink Font (2015), Lighting Bulb Pixel (2015) and Retro Type Grunge Font (2015). In 2016, he published Bright Red Neon Letters, Bright Realistic Neon Letters (vector format), Decorative Red Font (EPS format) and Transparent Letters With Long Shadow (vector format). Typefaces from 2017: Medieval Inventor Sketches, Braille, Vintage Hippie Alphabet, Sign Language Interpreter Font, Blueprint Style. [Google] [More] ⦿
Miroslaw Bobrowski	Polish designer of the organic sans typeface Monika (2007). [Google] [More] ⦿
Run Bob	During his studies in Haderslev, Denmark, Run Bob created the dungeon room typeface Okkultura (2013). [Google] [More] ⦿
Nejc Bocaj	During his studies in Ljubljana, Slovenia, Nejc Bocaj designed Velviroba (2018). [Google] [More] ⦿
Manuel Boca	Bucharest, Romania-based creator (b. 1982) of the straight-edged angular dadaist typeface Magario (2016). Dafont link. [Google] [More] ⦿
Andrei Bocan	Bordeaux-based designer of KNKTR, a severe modular typeface (2009). Behance link. [Google] [More] ⦿
Flavia Bocco	Italian designer of Vintage (2007). Fontsy link. [Google] [More] ⦿
Gilles Boccon-Gibod	Designer of the Monte Carlo pixel fonts (2006), designed for on screen viewing of programs. [Google] [More] ⦿
Esteban Boccuzzi	Argentinian web designer who made the free bitmap font Kovensky. [Google] [More] ⦿
Kat Bochat	San Marcos, TX-based designer of Do Svidanya (2014, pixel typeface). [Google] [More] ⦿
Zsolt Bocsarszky	Kosice, Slovakia-based designer of the vector format alchemic display typeface Squeezer Typo (2013). Hellofont link. [Google] [More] ⦿
Nino Bodac	Daggertypo is a small type foundry based in Split, Croatia, founded by Nino Bodac in 2019. Typefaces: Mode (2020). A 72-style iexperimental geometric typeface family that plays on reverse contrast. [Google] [MyFonts] [More] ⦿
Rucha Bodas	During her studies at MIT Institute of Design, Pune, India-based Rucha Bodas created the squarish typeface Hongusky (2018). [Google] [More] ⦿
Anders Bodebeck	Gothenburg, Sweden-based graphic designer who is mainly preoccupied with logotypes and calligraphic book covers. He has also been working as a teacher in graphic design at HDK's School of Design and Crafts at Gothenburg University. Designer of the elegant neo-modern family Bodebeck (2004, Linotype). [Google] [More] ⦿
Julia Boden	Dresden, Germany-based designer of the decorative caps typeface Stitch by Stitch (2015). Behance link. [Google] [More] ⦿
Martin Bodger	Aka arty Marty. Student at UWE in Bristol. During his studies at UWE, he used FontStruct to create the ornamental textured typeface Dores Comedia (2012). [Google] [More] ⦿
Benoît Bodhuin	Benoît Bodhuin (aka Ben Ben) lived in Tournai, Belgium, and after a brief spell in "chti" country, i.e., in Villeneuve d'Ascq, France, he relocated to Nantes in France. He studied mathematics and graphic design. Freelance graphic designer since 2004. In 2011, he set up Benben World at MyFonts. Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip typeface Pipo (first published in 2011 by Die Gestalten, and in 2017 by bb-bureau). He created the commercial angular sans typeface S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano. Commercial typefaces include S-L Bold (2012, a hexagonal typeface based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family). In 2013, he published the stencil / fractured typeface Mineral. In 2014, he designed the experimental triangle-based Bauhaus-inspired Side A typeface. In 2016, Bodhuin designed the expressive Italian typeface family BB Book A and bb-book Contrasted. He added the wedge serif BB Book B, BB Book Mono and BB Book Text to that series in 2018. Typefaces from 2017: Brutal, Elastik. Typefaces from 2019: Grotesk Remix (extended to Grotesk Remix Monospace and Grotesk Remix Variable in 2020), Tme (experimental: an update of Sl drawn in 2006 for the University of Arts Saint-Luc de Tournai), Standard-bb, Pickle Standard (extravagant and thought-provoking). Typefaces from 2020: Gikit (in Text and Title version, for a perfect gridnik feel), Ballpill (designed for printing at very small sizes). Typefaces from 2021: Bilibot (an experiment with overlapping strokes), Pimpit (rounded, condensed and with reverse stress), Volcano Type link. View Bodhuin's commercial typefaces. [Google] [MyFonts] [More] ⦿
Halvor Bodin	Born in Lillehammer, Norway, in 1964, Halvor Bodin co-started Union Design, and made Amp (at Superlow), and BurieDog (at FUSE 17, FontShop). [Google] [More] ⦿
Simon Bodin-Joyeux	Graphic and motion designer. Creator of the free heavy display sans typeface Resina (2020). Free has a new definition here: to get the free font, one must give a credit card number with date of expiry. [Google] [More] ⦿
Quentin Bodin	Type designer at the open source type foundry Velvetyne in Paris. His creations include Bizmeud (2014, a hipster typeface co-designed with Jil Daniel). [Google] [More] ⦿
Hans Bodlaender	Hans Bodlaender's chess font archive: very useful! It includes many fonts by Armando Hernandez Marroquin (Figurine Symbol fonts, Chess-Alfonso-X, ChessAdventurer, Chess-Condal, Chess-Harlequin, Chess-Kingdom, Chess-Leipzig, Chess-Line, ChessLucena, Chess-Magnetic, Chess-Mark, Chess-Marroquin, Chess-Maya, Chess-Merida, Chess-Millennia-D, Chess-Millennia-L, Chess-Miscel, Chess-Motif, Chess-Mediaeval), Chess Utrecht (by Hans Bodlaender), Chess Cases (by Matthieu Leschemelle), Chess Montreal, the Checkers or Draughts font by Hans Bodlaender (b. 1960, Bennekom, the Netherlands). Many links to chess board generating filters. [Google] [More] ⦿
Antonio Bodoni	[More] ⦿
Giambattista Bodoni	Italian typographer and type designer, b. Saluzzo (1740), d. Parma (1813). Bodoni began his career as a typesetter at the Vatican's Propaganda Fide printing press in Rome before setting up a Royal Press (Stamperia Reale) for the Duke of Parma. In 1782, he was appointed court typographer for Charles III of Spain and opened his own printing press, Tipi Bodoni. Bodoni designed hundreds of fonts in his lifetime. In 1788, he published his masterpiece, the Manuale Tipografico (look at it here), which contained 291 alphabets, and was full of ornaments and borders. In 1818, 5 years after his death, his wife Margherita Dall'Aglio published a second edition, which contained 373 alphabets. He was influenced by Fournier and Firmin Didot. Today, most of his work resides in the Museo Bodoni of Parma. The early modern attempts at recreating his type are due to ATF (ATF Bodoni by Morris Fuller Benton, 1907-1915), Mergenthales Linotype Bodoni (1914-1916), Haas Bodoni (1924-1939), Bauer Bodoni (by Louis Hoell, 1924), and Berthold Bodoni (1930). Today, Linotype lists 114 weights/versions/faces of Bodoni. Some find Bodoni too severe, but I like its proud upright strong and mathematically exact look. Links: The story of Bodoni Open. Bio by Nicholas Fabian. Another URL for that piece by Fabian. Another bio. FontShop link. MyFonts link. Wiki. Another wiki. Giambattista Bodoni, génie ou assassin? (2007, Jonathan Perez's thesis at Estienne). Linotype link. Klingspor link Pink poster below created by Michael Robinson (Raleigh, NC). [Google] [MyFonts] [More] ⦿
Yiorgos Bodrelis	Corfu, Greece-based designer of a (Latin) ribbon font in 2015. [Google] [More] ⦿
Arnold Boecklin	Jugendstil artist. The Jugendstil movement originated in the late 19th century in Bavaria around München and had artists like Boecklin. The driving force of the Jugendstil movement was the magazine Münchner Jugend which showcased the designs of German art nouveau artists. Scriptorium has a number of fonts based on the Jugendstil movement: Munich is derived from the hand-lettered title of the magazine, Jugend and Campobello are decorative initials designed for the magazine, and Phaeton is based on lettering from the period. Otto Weisert, who ran the Schriftgiesserei Otto Weisert in Stuttgart, designed the Jugendstil-style font Arnold Boecklin in 1904 (available at URW, Linotype, Adobe, Mecanorma, and others, and copied and modified tens of times)---it is that design that most typographers probably associate most with Arnold Boecklin. View some digital implementations of Arnold Boecklin. [Google] [More] ⦿
Mayke Boef	Gemert, The Netherlands-based designer of an untitled typeface (2014). [Google] [More] ⦿
Johannes Boehland	Painter and graphic designer, b. Berlin, 1903, d. Berlin, 1964. He ataught at several schools in Berlin and Wiesbaden. He created the script typeface Balzac in 1951 at D. Stempel AG. Balzac shows the hand of a painter in each glyph. Books and articles about Johannes Boehland include Heinz Bartkowiak: Johannes Boehland. Eine Würdigung des Schriftschreibers und Graphikers (1971, Berlin). Fritz Genzmer: Aus dem Schaffen zeitgenössischer Schriftkünstler Johannes Boehland, in: Archiv für Druck und Papier, Heft 2, 1956, pp. 119-148. Fritz Hellwag: Johannes Boehland. Eine Monographie (Monographien künstlerischer Schrift, 4. Band, Berlin-Leipzig, 1938). There are many modern revivals of this typeface: A good modern execution is B650-Deco-Regular from SoftMaker (original date unclear). This is the one I recommend. Softmaker later renamed it Balzac (1996). FontBank's Balthazar (ca. 1990). FontBank no longer exists and never gave credit to Boehland. FontSite's Boehland (2012). Same story---no credit given. Can be bought at FontSpring. Werewolf (1999). A free font by Deke Martin. [Google] [MyFonts] [More] ⦿
Jenny Boehme	Jenny Boehme (Piink Iink Studio, Columbus, OH) designed the wedge serif typeface Honor Display (2019), the great blocky typeface Brave New World Block (2019) and the wavy typeface Waggle (2019). [Google] [More] ⦿
Scott Boehner	Designer (b. 1985) from South Bend, IN. Creator of Dot Curve (2009) and Space Odin (2009) at FontStruct. He also made the shadow font Spleen Machine (2010). Blog. [Google] [More] ⦿
Morgan Boehringer	Morgan's free typeface Marauder (2012) conjures up images of crows and ravens and Hitchcok's The Birds. [Google] [More] ⦿
Hein Boekhout	OTC (Odyssey Type Company) was founded in 2020 by Dutch type designer Hein Boekhout and is based in The Hague, The Netherlands. Hein studied informatics at The Hague University and media technology at Leiden University, and has worked as a graphic designer and web developer before becoming a type designer. In 2020, he released the squarish typeface OTC Underground which covers Latin, Cyrillic and Greek. He writes: OTC Underground is a geometric condensed display font, presenting a compressed letterform structure with an even stroke contrast. The font is inspired by Gustav F. Schroeder's Othello from 1886 and the lettering on the 1967 album cover from The Velvet Underground & Nico. [Google] [MyFonts] [More] ⦿
Lennard Boekstegers	Berlin-based designer of the octagonal typeface Grafika (2013). [Google] [More] ⦿
Christiaan Theo Boer	Studiostudio (The Netherlands) developed a commercial casual typeface called Dyslexie (2008) to minimize the errors perceived by dyslexics. Created by Christian Theo Boer (b. 1981; located in Zeist), the research was carried out at the University of Twente. In a research article about Dyslexie, Judith van de Vrugt writes: Dyslexia>... it is a word that many dyslexics find hard to pronounce. Christian Boer is one of them. Being a dyslexic student, he came upon the idea for his thesis to design a font that would make letters more distinguishable for someone with dyslexia. Due to the visible distinc- tion, it would be easier to read, and letters would dance less. The Dyslexie font is commercial, but a free trial version is available. [Google] [More] ⦿
Christiane Boerdner	Art director in Berlin who made the rectangular paper cut-out typeface Super Sonic Geisha (2009). [Google] [More] ⦿
Laure Boer	Co-director, with Sebastian Bissinger, of BANK, a French/German design agency based in Berlin. It marketed its fonts through T-26, starting in 2009, but later switched to Colophon. Laure Boer and Sebastian Bissinger published their all caps license plate font Guida at Colophon Type Foundry. Guida is based on an Italian license plate used for some time between 1980 and 1990. Laure Boer was professor in the Masters program at ESAAT Roubaix, France, from 2010 until 2020. [Google] [More] ⦿
Ben Boerma	As a student at Anderson University South Carolina, Greenville, SC-based Ben Boerma designed the sober sans typeface Trailhead (2015). [Google] [More] ⦿
Jay Boersma	Jay Boersma's shareware fonts Liftoff, Smellvetica and Tatter (1996). Truetype, Mac and PC. [Google] [More] ⦿
Rasmus Boesen	Aarhus, Denmark-based creator of the rounded curly tattoo font Sailor (2012). Behance link. [Google] [More] ⦿
Dominique Boessner	German type designer who created the rounded monoline stencil typeface Stencil Allround (2012, Letterwerk). [Google] [MyFonts] [More] ⦿
Elise Boevenbrink	Graphic designer in London who graduated from Camberwell College of Arts, University of the Arts London. She designed the experimental typeface Dana (2018), the stencil typeface Astrid (2018), the humanist sans typeface Henk (2016) and the stencil typeface New Shoes Theatre (2014). Behance link. [Google] [More] ⦿
Jonathan Boffa	During his graphic design studies at North Carolina State, Jonathan Boffa (Raleigh, NC) created the sharp-edged compressed typeface Georotica (2014). [Google] [More] ⦿
Emily Boffeli	Ames, IA-based designer of the art deco typeface Interval (2015). Behance link. [Google] [More] ⦿
Felipe Boff	Passo Fundo, Brazil-based designer of the monoline sans typeface family Titex (2017). [Google] [More] ⦿
Gianluca Boffito	Designer of Falena (2018, Typoforge), an 18-style geometric sans family that contains Falena Ornaments and Falena Icons. [Google] [MyFonts] [More] ⦿
Magdalena Boffito	Magdalena Boffito (Mezzo Mezzo) studied at the Graphic Arts Department at the Warsaw Academy of Fine Arts, class of 2003. In 2006 she studied at the Turin Academy of Fine Arts. At You Work For Them, Magdalena Boffito published the sans typeface Aquilone (2015), and the handcrafted typefaces Favo (2014: grungy), Fungo (2014), Fungo Extras (2015), Grano (2014) and Nevica (2014, Christmas season dingbats). Other typefaces include De Bouffet (2015, handcrafted). Creative Market link. Additional link. [Google] [More] ⦿
Dasha Bogachevska	Kiev, Ukraine-based designer of the vernacular Cyrillic typeface Street (2014) and the Cyrillic display typeface Ermilov (2015). [Google] [More] ⦿
Mateus Boga	Portuguese designer (b. 1998) of the blackletter font Soaring Pinnacles (2019), and the free display typefaces Evidence (2016) and Caligo (2015). In 2019, he published the squarish typeface Magnetar, the pixel typeface New Gen, which supports Latin, Greek, Cyrillic and Hebrew. [Google] [More] ⦿
Gergely Bogányi	Graphic designer in Budakeszi, Budapest, Hungary, who cofounded Typogravity Studio with Tamas Ilsinszki. Creator of the extreme contrast display typeface Slash Pro (2011), and the multiline prismatic typeface Grand Avant Garde (2011). In 2012, he designed Lineo Serif (thin geometric face). In 2013, he created a fantastic set of graph-based experimental capitals called Regenerative. Georabic (2013) is a calligraphic Arabic simulation font completely based on the principles of Arabic font design, i.e., with beginning, medial and end forms for each letter. He writes: Georabic Typface is my diploma work at Hungarian University of Fine Arts / Graphic Design Department. During my Erasmus studies in Istanbul I had the chance to learn a bit of Arabic language and typography and I realized that the logic of Arabic writing could be used for a calligraphic Latin typeface too. I started with calligraphy to find the right way to create the glyphs and the connections. [Google] [More] ⦿
Bogusz Bogatko	Poznan, Poland-based designer of the paper fold typeface New Construction (2016). [Google] [More] ⦿
Maks Bogatyrev	Russian designer of Garnitura Hand, a readable hand-printed set of Latin and Cyrillic characters. [Google] [More] ⦿
Darko Bogdanov	Macedonian designer of the free handcrafted Latin / Cyrillic typeface family Darbog (2016). We learn from the information provided inside the fonts that the development was supported by the Ministry of Culture of the Republic of Macedonia. [Google] [More] ⦿
Ilya Trofimovich Bogdesko	Russian designer who won an award at Bukvaraz 2001 for Cursiv Bogdesko. [Google] [More] ⦿
Caroline Louise Boge-Fredriksen	Norwegian designer of Dripping Blood (2019). [Google] [More] ⦿
Garrett Boge	Seattle-based type designer (b. 1951, Spokane, WA) who founded LetterPerfect Fonts in 1986. He designed many wonderful typefaces, and specializes in particular in classical roman (renaissance, Trajan) typefaces. Creator of a revival of Free Roman, designed by Ross George, or the fun handwriting font Bermuda LP (1996), the wonderful wonderful wonderful Spumoni (1990, possibly based on a Speedball example; similar to Art Department JNL made in 2011 by Jeff Levine), the original jungle family Kolo (with Paul Shaw, 1996; an Adobe face), the OldClaude family (with Paul Shaw, 1993, 1997, also at Adobe; named after Claude Garamond), ChevalierLP (great caps!), DidotLP (1995, now at Adobe), Longhand (handwriting, 1998), Spring (clean script, 1990), DeStijl (1990), Hardwood (1990), Hadrian Bold (1990), Koch (1990), Longhand (1998), Roslyn (1990), Silhouette (1990), Tomboy (1990), Visage (1990), Wendy (1990, 1997, also at Adobe), Uppsala (with Paul Shaw, 1998), Manito (1990), Florens, Pontif (a Trajan font done with Paul Shaw, 1996), Cresci (with Paul Shaw, 1996), Catacomb, Philocalus, Sabina, Stockholm (1998, with Paul Shaw), Göteborg, Kryptic, Binney, Pietra (with Paul Shaw, 1996), Donatello (with Paul Shaw, 1997), Ghiberti (with Paul Shaw, 1997), Beata (with Paul Shaw, 1997). All of these fonts are available at LetterPerfect. He has made others too, such as Creme (1990), InkjetNine, InkjetSeven (1992, for ReadersDigestInkjetFonts). Unclear if he also made NYCaslon in 1990 for Monotype. At Letterperfect, Kathy Schinhofen, Garrett Boge and Myron McVay together designed the whimsical curly connected script family Jackalope LP (2011). After a fontmaking hiatus, he released these fonts in 2020: Boge Text. Bramante LP. An original all caps Trajan-style display font modeled after a fifteenth-century inscription in the church of Santa Cecilia in Trastevere, Rome. The name is a tribute to the pre-eminent Renaissance architect Donato Bramante, whose Tempietto (1502, San Pietro in Montorio) marked the beginning of the High Renaissance in Rome. FontShop link. Bestselling typefaces at MyFonts. Klingspor link. View Garrett Boge's typefaces. [Google] [MyFonts] [More] ⦿
Jim Bogenrief	Jim Bogenrief (Pasadena, CA) modified ITC Tiffany when he created the fancy didone fashion mag typeface AM Debbie (2012). Behance link. [Google] [More] ⦿
Tiffany Boger	Charlotte, NC-based designer of the decorative caps typeface Wonder Woman (2015). [Google] [More] ⦿
Giulia Boggio	Italian web designer based in London who sells her fonts via Type Department. Creator of Bastardo Groteskish, a sans serif typeface designed and developed from a university project into a fully working typeface (started in Milan in 2017 and finished in London in 2020). In 2021, she designed the free monolinear script typeface Boris, Rigatoni (an extended grotesk), Fabio Grotesk, Margo+Beuys Black (a hipster display typeface), and Milkman (a free experimental typeface, Blending caps from Fabio Grotesk and Blocus, designed by Martin Desinde). Typefaces from 2022: Galgo Condensed (free), Fabio (+XM, +XF, _XS, +Brut). [Google] [More] ⦿
Billy Bogiatzoglou	Digital artist in London. In 2013, he created a sharp-edged staccato display typeface called Kadrin. He also designed the experimental typefaces Bebo Sans (2011) and X Code (2011). Behance link. Home page. [Google] [More] ⦿
Aaron Bogle	Foundry in Nehalem, OR, run by Aaron Bogle. His Fire Ladder (2011) imitates a vintage sign-writer style used for fire and rescue vehicle lettering. Dinzy Minzy (2011) is a fresh informal typeface in the Comic Sans genre. [Google] [MyFonts] [More] ⦿
Enci Bognar	Enci Bognar (Budapest) is working on a hexagonal typeface called To Bee Cafe (sic) (2013). Steam Font (2013) is an experimental typeface. [Google] [More] ⦿
Elizabeth Bogner	During her studies in Detroit, MI, Elizabeth Bogner created Braniff (2015), a typeface influenced by vintage travel posters. [Google] [More] ⦿
Nicole Bogochow	Originally from the greater Boston area, Nicole Bogochow graduated with a BFA in Graphic and Interactive Communications from Ringling College of Art and Design. She is currently a freelance graphic designer residing in Sarasota, FL. Nicole experimented with hybrid typefaces. Her Industrial Sans (2014) blends Industria Std LT and Cottonwood, while Haiku combines Fette Fraktur with Ex Ponto in the strangest of marriages. [Google] [More] ⦿
Pedro Bogo	In 2019, Luiz Felipe (Blumenau, Brazil), Pedro Bogo (Indaial, Brazil), Arthur Otaviano (Blumenau, Brazil), and Eduarda Cristina Towe (Jaragua do Sul, Brazil) designed the squarish typeface Monday. [Google] [More] ⦿
Ian Bogost	Ian Bogost has finished nine fonts. I like the fat SmallCaps font Yakitori, and the grunge font Plorp best of all. Stale link! [Google] [More] ⦿
Laura Bogovic	Ljubljana, Slovenia-based graphic designer, who published Nukleta in 2019. [Google] [More] ⦿
Bill Bogusky	Bill Bogusky runs the design studio Bogusky 2 in Miami, together with his brother. He created Gonzo Bruno, Gonzo Monza and Gonzo Grosso (2007), Sundial (2006, Trajan lettering), Condo (2006, condensed), Ar Deco 1, 2, 3 and Deep (2006), Technia 1 and 2 (2006, athletic lettering or MICR applications), Sport (2006, dingbats), Macarena (2005: art deco), Zanzibar (2006: decorative), 42nd Street (2005: Broadway style lettering), Boffo (2005), Bronco Rose (2005, Wild West style), Decora (2005), Switchback (2005, a computerish face), Capzule (2005, a condensed black face), Tulip (2005, a decorated stencil face), Kondor (2005), Mah Jongg (2005, with many ornaments), Metro (2005, LCD face), Squircle (2005), Zeke (2005, artsy display font), Baby Blox (2005), Kurly (2005), Pipeline (2005), Dealer's Choice (2005), Stencille (2005), Terra, GogoBig and GogoSquat (were free at FontFreak site), Nouville (2006, art deco sans), Back Fence (2005, comic book face), Gogo Latin (2005, condensed), Zandakas (2006), Ameche Pisa (2005), Gogo Serif (2005), Bolo (2005), Hyline (2005), Compado (2005), Ameche Padua (2005), Tera (2005), Xtera (2005), Tudor New (2005), Boffo (2005), Byline (2005), Quazar (2005), Grafo Graffiti (2005), Acid Bath (2005), Benz (2005), Hulk (2005). These fonts are now commercial and can be obtained at MyFonts.com. A graduate of the School of Industrial Arts in New York City, he worked as an industrial designer in New York before moving to Miami, FL, where he opened Studio Bogusky 2. Dixie Bogusky designed Esquimaux Graphics (2006). [Google] [MyFonts] [More] ⦿
Dixie Bogusky	Miami, FL-based designer of the dingbat fonts Papillon (2006, butterflies) and Esquimaux Graphics (2006). Bill and Dixie Bogusky together run Bogusky 2. [Google] [MyFonts] [More] ⦿
Raphael Boguslav	Great handletterer (b. 1929 in Far Rockaway, Long Island of Russian parents) who grew up in New York City. He studied lettering with Paul Standard, Georg Salter and Leo Manso at The Cooper Union and graduated from The Cooper Union in 1951. He worked at the same studio as Milton Glaser for the next three years. Rahael become a designer and worked for some time for Lippincott and Margulies in New York. Raphael lived in Colorado for a long time, but is now based in Bellingham, WA. In 1969 he patented a squarish typeface for Tyco Laboratories in Waltham, MA. In 1972, he moved to Newport, RI and resumed his career in lettering, calligraphy and graphic design. His typeface Avia (VGC) was an expansion of a logofont he did for Abex Corporation, almost like a stencil. It is now at Font Bureau, where Jill Pichotta has added the Light and Bold in 2000. His typeface Visa (1966, VGC) won the Second Prize in the 1966 VGC National Type Face Design Competition. Others (thanks, Alexander Tochilovsky) confirm what I thought---that Visa and Avia are the same thing. Finally, Sloop Script Pro (1994, Richard Lipton, Font Bureau) is based on Boguslav's designs. FontShop link. MyFonts link. [Google] [MyFonts] [More] ⦿
Avi Bohbot	Freelance graphic designer living and working in Tel-Aviv and Berlin. In 2010 he graduated from Bezalel Academy of Art and Design in Jerusalem. He opened his own studio in 2011. [Google] [More] ⦿
Dominik Böhler	Designer from Hersbruck, Germany, who created Gapee (2003, a sans face). [Google] [More] ⦿
Nicole Böhler Monteiro	During her graphic design studies at Universidade Positivo in Brazil, Nicole Böhler created Bohler (2012, display caps typeface) and Sapataria (2012, display face). [Google] [More] ⦿
Anton Bohlin	Berlin, Germany (was: Jamtland, Sweden)-based designer (b. 1988) of Rub My Soap (2015, a free animated font), Runkmuskel (2011, hand-printed), Woodwarrior (2013, a hipster typeface with runic influences), tweetware hipster typeface), Wasteland (2014, a tweetware brush typeface advertized as post-apocalyptic), and PXLPLZ (2012, pixel face). Dafont link. Behance link. Open Font Library link. [Google] [More] ⦿
Jonas Bohlin	Swedish graphic designer who made the children's book typeface Bodyhand in 2018. [Google] [MyFonts] [More] ⦿
Marshall Bohlin	EmDash is Marshall Bohlin's foundry in Northfield, IL. Fonts: ArchiText, Arrow Dynamic, BulletsNStuff, GendarmeHeavy, Perky, Story, Upstart, Briar, Konway, Palomar, Caspian. [Google] [More] ⦿
Seth Bohlken	Art director in Minneapolis, MN, who created the corporate techno typeface EPI Headline in 2016. [Google] [More] ⦿
Holger Bohlmann	Holger Bohlmann's intonation truetype font. [Google] [More] ⦿
Reza Bohloul	Dundas Valley, Australia-based designer of Arabic typefaces. These include Shabaq (2022: a bold flashy typeface for Arabic and Farsi). [Google] [MyFonts] [More] ⦿
Benoit Bohly	Vancouver-based designer of a few experimental typefaces in 2014. Home page. [Google] [More] ⦿
Ingo Böhme	Commercial astrology package, which includes some astrological symbol fonts. Free truetype fonts: Peter Orban's symbol font, and the horoscope font Wingdings_Regular by Ingo Böhme. [Google] [More] ⦿
Jean Böhm	Konstanz (and before that, Frankfurt), Germany-based designer of JB Berlin (2015), an experimental typeface that is based on Berlin's map. In 2018, he designed the sans typeface family Regina, which includes Regina Mono. [Google] [More] ⦿
Sebastian Bohm	Graphic designer in Berlin. His SB Cabinet font (2012) is a 3d typeface that is based on simple sketches found in IKEA manuals. [Google] [More] ⦿
David Bohn	London-based designer of two blocky typefaces in 2013. [Google] [More] ⦿
Joeline Bohnen	Freelance designer in Zierikzee, The Netherlands, in the heart of the mussels region. Creator of the bilined caps typeface Body Movin (2014). [Google] [More] ⦿
Courtney Bohnert	Lawrence, KS-based designer of the techno typeface Liftoff (2017). [Google] [More] ⦿
Hans Bohn	German type designer, b. Oberlahnstein, 1891, d. Frankfurt am Main, 1980. He worked mostly for Ludwig&Mayer. Creator of these typefaces: Orplid (Klingspor, 1929). An all caps shadow face influenced by the Bauhaus movement, this was digitized as Fernburner NF (2011, Nick Curtis) and even extended to layerable font by Ralph M. Unger as Orplid Pro (2019). Mondial (1936, D. Stempel). This is a didone family, of which Mondial Bold is the most successful member. It was digitally revived by Lukas Schneider in 2017 as Mondial Text and Mondial Display. The fat semi-stencil typeface Allegro (1936-1937, Ludwig&Mayer). Revived by Bitstream as Allegro. See also Alligator by Softmaker. Kuenstler Script (1957 or 1959, Linotype). It is based on Künstlerschreibschrift (Stempel, 1902-1903), which in turn is based on the English copperplate script styles from the late 1800s. See Kuenstler Script (Adobe) or Kuenstler Script (Linotype). Klingspor link. FontShop link. View Hans Bohn's typefaces. [Google] [MyFonts] [More] ⦿
Quentin Bohn	Quentin Bohn, a graffiti artist and student at ECV in Lille, France, designed an untitled hipster typeface in 2014. Behance link. [Google] [More] ⦿
Ansherina Bohol	During her studies at California State University Long Beach, Ansherina Bohol designed the display typeface High Beam (2014). [Google] [More] ⦿
Jakub Bohos	In 2016, during his studies in Brno, Czechia, Jakub Bohos designed the bilined display typeface Unknown (2016). [Google] [More] ⦿
Cristian Boian	Designer and illustrator from Curtea de Arges, Romania. In 2011, he created the experimental typeface Alfabeta. [Google] [More] ⦿
Gwenola Boileau	Nantes, France-based designer of the tiki font Tiki Taka (2018). [Google] [More] ⦿
Cody Boisclair	From Georgia, Cody Boisclair's pixel fonts based on fonts found in Nintendo or Super Nintendo games, made in 2001: PCSeniorReg, PressStartReg, ReturnOfGanonReg, LunchtimeDoublySoReg, ManaspaceReg, PressStartK, DeluxeFont (pixel font), SenorSaturno. In 2003, these were added: Press Start 2P (free at Google Web Fonts and OFL: a bitmap font based on the font design from 1980s Namco arcade games), Yoster Island, Kong Text and DP Comic. Alternate URL. Devian Tart link. Dafont link. Open Font Library link. Fontspace link. [Google] [More] ⦿
Marion Boissières	Parisian architect and designer. Creator of the multicolored geometric poster typeface Literacy Day (2015, with Gabrielle Millecam), which was created for UNESCO's Day of the Alphabet. Behance link. [Google] [More] ⦿
François Boisvert	Freelance designer in Montreal. Creator of the Felt Gothic family at [T-26] in 1996. [Google] [MyFonts] [More] ⦿
Santiago Boixader	Buenos Aires-based designer of an untitled blackletter typeface in 2014. [Google] [More] ⦿
Olivia Boix	Graphic designer in Barcelona who created the circle-based typeface Bauma in 2015. [Google] [More] ⦿
Bartek Bojarczuk	Founder of illcatDZN.com in Lodz, Poland, in 2004. Creator of the free geometric sans typeface Paneuropa Neue (2014). Behance link. [Google] [More] ⦿
Lisa Bojko	During her studies at ECV Bordeaux, France, Lisa Bojko designed Air Max Type (2016, with Gabriel Fellous). Behance link. [Google] [More] ⦿
Michael Bojkowski	Dead link. London-based company run by graphic designer and creative director Michael Bojkowski. They are involved in several interesting type projects such as Bubbleblock and RealTransport. For a brief period, Michael Bojkowski and Joe Bland (from Melbourne) ran a joint venture, The Type Testing Centre and Bland Fonts. [Google] [More] ⦿
Clauyenc Bojorquez-Carrillo	Tijuana, Mexico-based designer of the sans display typeface Jolyne (2015). [Google] [More] ⦿
Daniela Bojorquez	During her studies in Ciudad Obregon, Mexico, Daniela Bojorquez designed the display typeface Mebdo (2017). [Google] [More] ⦿
Rolando Bojorquez	Glendale, CA-based designer of an all caps 3d alphabet in 2018. [Google] [More] ⦿
Elena Bokhan	Samara, Russia-based designer of the minimalist circle-based (Latin) sans typeface Defoe (2017). [Google] [More] ⦿
Botond Bokor	Artery Design is located in Gothenburg, Sweden, and is run by Botond Bokor (b. 1978). In 2012, Botond published a few free fonts at Dafont: Elsö (a very beautiful brush face), Cutout (dadaist), Kabbe (hand-printed), Mafla (wall writing face). Dafont link. [Google] [More] ⦿
Alexey Bokov	Russian designer of TypeWriterNormal and EuroStyle. In 2010, he made the perforated plate font Performance (ParaType). FontShop link. [Google] [MyFonts] [More] ⦿
Sasha Bokova	Fashion illustrator in Saint Petersburg, Russia. Wishlist (2013) is an ornamental caps typeface that consists of fashion accessories. [Google] [More] ⦿
Vasiliy V. Bokov	Vasiliy V. Bokov is the designer of the 612Koshey family, 1997. [Google] [More] ⦿
Paul Bokslag	Paul Bokslag is a Kilkenny, Ireland-based type designer. FontStructor (aka Four, or Font Studio Four) who made the dot matrix typeface Numbat (2012), the athletic lettering typefaces Atletica (2011) and Atletica Serif (2011), and the texture typeface Milky Way (2011). In 2011, he created Things That Go (car silhouette dingbat face). Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis. Creations in 2013: Solo, C Is For Cookie, Early Riser, Firelighter, Timberline (an angular script), Lupo, Polkastruct, Bridger, Six Quinces, Dompteuse, Scandalous, Lane Seven, Singel (cross stitching font), Shadowbox, Hide And Seek, Playroom, Realta 1, Glimpse, Sinistra, Crash Test Dummy, Flightpath, Close Shave, Popover, Switchboard (electrical circuit font), Black and Amber, Wavelength (prismatic), Sightline (multilined), Structurosa Outline, Sparky, Trasna (stencil), Hold Your Horses (Western), Lupo (a winner in the FontStruct Connected Script competition), Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shaded face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris, Glimpse. Typefaces from 2014: Thornbrush, Retro Pixel, Spacepixel, Level Rebel, Plutona, Blue Saloon, Seriosa, Bullwhacker, Spiegeltent, Stencilitis, Circumscript, Touchline Script, Brushland, Dordogna, Southbound, Things That Go (ar dingbats), Pacemaker Backslant, Hibernation (wood type emulation), Touchline Script, In Stitches, Stagefright, Process, Cabin Fever, Hamelin, Olingo, Black and Amber, Surftide, Move Over (stencil like Futura Black), Blackrock (rounded stencil), Windway (stencilish), Olingo (bubblegum face), a set of African-themed fonts (Bakelite, Amuletta, Spooner, Chevronel, Yellowhammer, Pinto), Rush Hour, Canario, Nova Zembla (sci-fi), Sleepless, Things That Go (vehicle dings), Cottage Industry (silhouettes of houses), Glimpse, Ticket to Ride (in the style of Tkachenko's Perfopunt), Oluna, Eyeliner, Linearo, Goldfinger, Permanent Black (fat rounded stencil), Solas (artsy dot matrix face). Typefaces from 2015: Structurosa Italic, Ketting, Panenka, Nook, Companero, Circularity (textured), Recap Stencil, Beach Street, Life Cycle, Waterway, Rock Paper Scissors, Microwave, The Pattern Exchange, Alphabetical Order, Bloem, Synopsis, Microwave, Marbello, Dustcloud, Timberline, Boxthorn. Typefaces from 2016: Proost, Blueback (a retro wood cut look). Typefaces from 2017: Appalachia, Chocomotion, CloseShave, CounterCulture (3d), Crocosmia (prismatic), FarewellOphelia, FromAToB, Hinterland, Madagascar (an art deco alphabet), Micrologue, PhoenixPark, PillowTalk, Roetsj, Shadowbox, Sinistra, Skatepark, Soulmates, Spacepixel, Stagefright, ThePatternExchange, Tulipano, UpsAndDowns, Velodrome. Typefaces from 2018: Hoek, Breach (paperclip style). Typefaces from 2019: Krabbel, Nollaig Shona (trilined), Night Swimming, Kwadrant, Soulpatch, Sylvestra. Typefaces from 2020: Bramble Pie (Western), Dialogue (prismatic), Greylock, Juggle, Tomorrow Never Comes (a great bubble font). Typefaces from 2021: Offstruct RGB (a color pixel font). Dafont link. Behance link. FontStruct link. Hellofont link. [Google] [More] ⦿
Lis Bokt	Swedish-German Lis Bokt started Tysk Tysk in 2002. She made these free handwriting fonts in 2003: AdreaJolynNormal, Ajani, Artilleria, FlscherNormal, GwaHoThin, Huvudroll, Kikare, Kunstherz, KyldiskNormal, LiesandaScriptMedium, Mndalein, Schosszeit1, Solskriven, StridslystenMedium. In 2004, she added Kulterin Maskpan and Gfaalit. From 2005: more handwriting typefaces such as Miss Lolly, Skrivande, Schneller and Stryka. From 2006: Regellos. Dafont link. [Google] [More] ⦿
Diana Yineri Vergara Bolaños	Diana Yineri Vergara Bolaños (Bogota, Colombia) designed Waxfont (2013, a dripping blood typeface). [Google] [More] ⦿
Luis Bolaños	Ecuadorian type designer. Award winner at Tipos Latinos 2010 for his experimental typeface Chacana. At Pixilate, he published the hand-printed typeface Lu Px with Kemie Guiada in 2004. It is based on an architect's hand. [Google] [MyFonts] [More] ⦿
Luis C. Bolaños	Ecuadorian designer of the typeface Pájaros Andinos, which won an award at Tipos Latinos 2014. Kero (2015) won an award at Tipos Latinos 2016. [Google] [More] ⦿
Paulo Bolaños	Lima, Peru-based designer of the pre-Colombian pattern typeface Moche (2016) during his studies at Universidad San Ignacio de Loyola. [Google] [More] ⦿
Sibilla Bolay	[t-26] designer of Suspension. [Google] [MyFonts] [More] ⦿
Eugen Bolch	Creative Alliance designer of the great dingbat typeface Circus Regular. Klingspor link. [Google] [More] ⦿
Clemence Bol	Parisian designer of the art deco typeface W (2014). Her studio is called III Design. Behance link. [Google] [More] ⦿
Ben Bold	Lake Konstanz, Germany-based designer of these typefaces: The pixel typeface BB Bitmap (2008, for a rock band). The BB Roller Mono Pro typeface family (2013-2017, +Text, +TextSoft +Headline, +HeadlineSoft). The octagonal typeface system BB Strata (2015-2018). See also BB Strata Pro (2019). BBT Series 2011-2014: Various contributions, including numerals, for clock typography. BB Studio Pro (2013-2017). A sans family, with Greek, Cyrillic, Mono and Stencil substyles. See also BB Studio Round Pro (2013-2017). BB Torsos Pro (2019). Based on the shape and proportion of the human body. Interpolations between styles are mathematically precise and innovative. Noname Pro (2019). BB Manual Mono Pro (2020). At 60 fonts, probably the largest monospaced typeface in the world in 2020. The glyphs are organic, monowidth and simple. BB Anonym Pro (2020). A rounded version of Noname (2019). BB Casual Pro (2020). A 34-style sans. [Google] [MyFonts] [More] ⦿
David Paul Bolding	South Carloinian (b. 1984) who created the hand-printed font DavidFont (2008). [Google] [More] ⦿
Michele Bold	Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿
Alya Boldovskaya	Moscow-based type and graphic designer who was born in 1991 in Ardatov. Creator of Alya Hand (2010, a curly typeface based on her handwriting, which was done with Konstantin Boldovskiy of the Russian foundry Konst.ru. [Google] [MyFonts] [More] ⦿
Konstantin Boldovskiy	Moscow-based Russian foundry of Konstantin Boldovskiy (b, 1966, Pereyaslavka, Russia). He graduated in 1988 as an architect from the Khabarovsk Polytechnic Institute. Typefaces: From 2010: BK Monolith, InSign Hand (an octagonal typeface with a sketched style), BK Bird, Alya Hand (a curly typeface based on the handwriting of Alya Boldovskaya), Type Tile (experimental), Hexial (a dot matrix face). From 2011: Hexadot, Hexadot Thin and Hexadot Light (a textured family). From 2013: Olymp80 (a techno typeface dedicated to the 1980 Olympic Games in Moscow, inspired by Nikolai Belkov's icons for these games). Personal Behance link. Behance link. Home page. [Google] [MyFonts] [More] ⦿
Lilla Bölecz	Graphic designer and illustrator in Budapest. During her studies there at the KREA Contemporary art Institute, she took a very original modern view of blackletter in her design of the Aladdin Prince Ali typeface family (2013). She created funky typefaces for several projects, including Lance Armstrong Identity (2012). [Google] [More] ⦿
Michael Bolen	American designer Michael Bosen or Michael Bolen (Bosil Unique Fonts) made these fonts in 2003: Mikie's Christmas List (hand-printed), Bosil Unique Regular (comic book face), Bosil Marker, BU DeBoned, BU Boned, Uniquely Sprayed (grunge), Slightly Dinged, Bu Handy Dings (hands, including fists), and "the finger"), Bu Marker SC. In 2012, he added BU Gothic Hybrid (a hybrid of grunge calligraphy and blackletter). Typefaces from 2013: BU Dingbats Sans Purpose (scanbats), BU Wicked, BU Richard The Second (textura), Bu 1757 Bordelish (frilly ball terminal caps), Bu Darn Cupids Again (Valentine Day's font), BU Penfield Deco (loosely based on a font by Edward Penfield at the turn of the 20th century), BU Bernhard Pen (loosely based on a style by Bernhard Pankok from the turn of the 20th century), BU Scarecrow (gothic font based on the hand of Walter Crane), BU Glenda, BU Oscar Diggs. [Google] [More] ⦿
Cassandra Marie Boler	Indianapolis-based designer of the avant-garde typeface Ooops (2011). [Google] [More] ⦿
Magdalena Boleslawska	Katowice, Poland-based designer, who created the octagonal typeface Electro (2012). [Google] [More] ⦿
Clarissa Bolettieri	During their studies at Politecnico di Bari, Clarissa Bolettieri, Dora Riondino and Elena Maroccia designed the roman inscriptional typeface Helias (2016). This typeface is based on rubbings taken from inscriptions dating back to 1105 in Bari's Saint Nicholas Cathedral. [Google] [More] ⦿
Anton Bolin	Anton Bolin (Hökarängens Bokstavsfabrik) is a Swedish type designer located in Hökarängen, just outside Stockholm. Creator of the rounded children's book or poster font Glupsk (2015). In 2016, he designed the free blackletter typeface Bajern. In 2017, he published the slab serif typeface Farsan and the free ink splash typeface Pissjar Sans (for which he peed over 300 times during a six-month period). Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿
Jose Antonio Bolio	Creator of the free techno typeface Tetra (2009). [Google] [More] ⦿
Julian Bolivar	Julian Bolivar Guti is a video game developer in Cali, Colombia. He designed the angular techno typeface Yamaha (2014), which is based on the Yamaha YZF R6 motorcycle and evokes speed. [Google] [More] ⦿
Brian Bolland	Comic book artist born in Butterwick. At Comicraft, John Roshell and Brian Bolland co-designed comic book and script typefaces like Brian Bolland (2009), Brian Bolland Journal (2009) and Mr. Mamoulian (2008, with John Roshell at Comicraft). [Google] [MyFonts] [More] ⦿
Angela Bolliger	German-Swiss typographer. With Julien Saurin, she published the classic avant-gardist hand-drawn typeface Paris (2012, La Goupil). It comes with art nouveau ornaments called Paris Serif Ornaments. [Google] [More] ⦿
Anders Bollman	Designer from Nybro, Sweden, who made the ultra-fat mechanical typeface Volta (2010). [Google] [More] ⦿
Matteo Bologna	Established in 2005, Muccatypo's is a group of three type designers that form a subgroup of Mucca Design in New York: Matteo Bologna, the principal of Muccatype, made Liminal (2011: a beautiful Venetian text typeface family inspired by Centaur), NoExit (2014, a variable width industrial vernacular signage sans typeface family, originally designed for the Chicago Athletic Association Hotel), Grotto Ironic (2010), Decoro (Victorian Tuscan ornamental face), Sportivo (a sports font family), and Infidelity Pro. Will Staehle designed Warren and Valhalla. Roberto de Vicq created Bastardo, Wet and Genealogy. Matteo Bologna and Jesse Ragan created Athenian Extended in 2011. This "playfully peculiar face" (their words) was custom-designed for Typography 32, the annual of the Type Directors Club. A revival of the 19th century classic Athenian. Free typefaces at Muccatypo include the useless grunge typefaces Fax Mucca, Geo Mucca, Pepina Mucca, Melt Mucca and Up Down Mucca. In 2014, Matteo Bologna served as President of Type Directors Club. He is an associate faculty member at the School of Visual Arts and Kean University. [Google] [MyFonts] [More] ⦿
Matteo Federico Bologna	Born in Milan in 1965, Matteo Federico Bologna emigrated to the United States, where he founded Mucca Design in 1999, a company involved in logos, type, and corporate identity. He teaches font design at the Parsons School of Design in New York. His typefaces include Food Mucca, Hair Updown, Littoria, Filo Mucca, Mirra Mucca (gorgeous lettering), Mongo Mucca, Rigid Mucca, Rubens Mucca, Vox Mucca, Egizio Mucca, Latina Mucca, Joung Mucca and Pravda (cyrillic simulation font). Free fonts: Geo Mucca, Fax Mucca, Melt Mucca, Updown Mucca, Pepina Mucca (curly lettering). Mucca Design custom-designed Balazs, Decora, Moranda Serif and Grotesque, One Atlantic (a slabbed Garamond done by Joshua Darden), Faux Cyrillic (done for Manhattan's Pravda restaurant), Victoria's Secret Logotype. At iFontMaker, he did ItalianoAMano, and ItalianoAManoPieno. In 2015, he created the industrial squarish vernacular typeface NoExit. Originally designed for the Chicago Athletic Association Hotel, its inspiration was an old sign that said STAIRWAY found the hotel's old building. In 2017, Mucca Design (via Schriftlabor) created the custom typeface Sephora (Sans, Serif). [Google] [More] ⦿
Pietro Cesare Bologna	At iFontMaker, Pietro Cesare Bologna designed these typefaces in 2016: Hand Din Engschrift, HandDin 2.0, HandDin 1.0, Pit 2016 Script, Pit 2016 Extrude, Manolibera, Walt Pit (Walt Disney script), Giovedi (a great poster script), Susanna, Hand Dillium, Bollicina. Earlier, he made HandtypeCondensed and Bollicina Type Hand (2010, hand-printed). Aka Pitbol. Old iFontmaker link. [Google] [More] ⦿
Luca Bolognese	Italian calligrapher and programmer who splits his time between Spain and Italy. He writes that he is inspired by the classical Italic hand, as exemplified by Fairbanks and Lloyd Reynolds and that his fonts strike a balance between the freshness of the pen and the rigidity of the digital medium. Typefaces from 2021: Italiko (a calligraphic typeface family; see also his Github page on Italiko). [Google] [MyFonts] [More] ⦿
Lucio Bolognesi	Senior Italian designer who is based in London. Basik home page. His typefaces include Bass It Up (squarish), Privacy (modular), and Wellvetica (+Bold). [Google] [More] ⦿
Francesca Bolognini	Graduate of the KABK in Den Haag in 2008. Originally from Italy, she was at Spiekermann Partners in Berlin for two years, working closely with Erik Spiekermann for clients such as Birkhauser, Bosch, Messe Frankfurt, and FontShop. After Den Haag, she moved to London where she works as a graphic and type designer, and worked for Dalton Maag. She created the heavily serifed Kina family as a student at KABK. That was followed by the quite original alphabet Python, the feminine transitional family Duchesse. The last typeface is a revival of this typeface from a French book dating from 1908. About this mysterious face, Hrant Papazian writes: That font looked familiar to me, and I immediately looked at my copies of Audin's books, since that's such a singular repository for funky old French stuff. The roman is shown in figure 125 of volume 3 as "Type Beaudoire" #2 (the #1 is actually even more fascinating). The italic is a few pages down in figure 141, shown as the font "XXe Siècle" by Mayeur. I remember from the time I translated Ponot's article about Perrin that there's a connection between Perrin, Beaudoire and Mayeur (and Marquet). IIRC one of them swiped a design from one other, with the help of another, or something. In 2011, she and Miles Newlyn created Frank, a 5-style humanist sans family. In 2017, Francesca Bolognini and Selma Losch co-designed the ribbon calligraphy font Volina at Dalton Maag. [Google] [MyFonts] [More] ⦿
Pavel Bolotov	Designer of the foliate typeface Leaf Cut (2016) and Stencil-And-Grunge (2017). [Google] [More] ⦿
Bela Bolovits	Co-designer with Roland Huse of the free script typefaces Hawaii Beach (2017: curly script), Strawberry Cocktail (2017) and Snowman Dudes (2017). [Google] [More] ⦿
Nickolay Boltachev	Kirov, Russia-based type and graphic designer. Creator in 2008 of BeckettGothic (blackletter), Veloprofy (bike chain-inspired glyphs), Podval (type in the form of pressure meters), a few Cyrillc sans typefaces, and Slash (an oriental simulation typeface in Cyrillic). Behance link. [Google] [More] ⦿
François Boltana	French type designer based in Toulouse, b. 1950, d. 1999. He was an early graduate of Scriptorium de Toulouse (1972). In his lifetime, Boltana achieved a great deal of success, including the Morisawa Prize in 1990. From 1975 until 1997 he was also a freelance graphic designer. Brief CV. Read his article in Cahiers GUTenberg, Ligatures&calligraphie assistée par ordinateur (1995). Fontshop link. Frank Adebiaye wrote François Boltana et la naissance de la typographie numérique together with Suzanne Cardinal in 2012. His fonts: Aurore (1993): a calligraphic copperplate script typeface. For a free revival, see Claude Pelletier's Maratre (2013). The typewriter font Capitole (1974). Champion (1989): a wonderful copperplate calligraphic font inspired by the models of Joseph Champion (1754-1759). Frédéric. Geneviève (1969, Hollenstein Phototypo). Girus. Lineameca (1970, Hollenstein Phototypo). Messager (1991); in two styles, Romain and Tradition. Oscar. Prosper. Rabelais (1997): for this effort, he obtained the Meilleur Ouvrier de France en 1997 award. Toscan. Toulouse. Stilla (1973): a modern psychedelic high-contrast ornamental didone display typeface with many ball terminals. In 1990, Elsner&Flake published Stilla EF. It is also in the Scangraphic collection as Stilla SH. Linotype too has a version of Stilla. Softmaker's version is called Salmon Pro. Stilla is often incorrectly credited to Middleton. [Google] [More] ⦿
Caleb Bolt	Aka Sudsie and as ScrewLoose Design. Designer of the decorative Western typefaces Fistful of Font (2016, spurred) and Gentleman Clown (2016). [Google] [More] ⦿
Laura Bolter	Graphic designer in Lenexa, KS, who created these commercial hand-drawn typefaces in 2014: LBBrushy, LBSweetieBold, LBSweetie. In 2015, she designed Anne with an E (handcrafted), and LB Pie (curly script). In 2017, she created Bonjour Mon Ami (calligraphic brush font) and Little Princess. Creative Market link. Behance link. [Google] [More] ⦿
Lina Bolt	Fontstructor who made the elegant horizontally-striped monospaced all caps techno typeface Bolt (2011), the liquid typeface Lolly (2011), and LB17 (2011). [Google] [More] ⦿
Mitch Bolton	Colorado Springs, CO-based designer of the handcrafted typefaces Zee Zee (2016), Crash (2016, a comic book typeface) and Dark Blue Light (2016). His studio is called Lightly Illustrated. Creative Market link. Behance link. [Google] [More] ⦿
Xavier Boluda	Barcelona-based creator of the free modular techno (perhaps soccer shirt?) typeface Melbourne (2014) and the free handcrafted typeface Munich (2016). Behance link. [Google] [More] ⦿
Elisabeth Bolzon	Graphic designer in London. At TypeParis 2017, she designed the Baskerville / Garamond hybrid Basgar. [Google] [More] ⦿
Sabrina Bolzoni	Buenos Aires, Argentina-based designer (b. 1997) of a delightful painted alphabet in 2017. [Google] [More] ⦿
Linus Boman	Brisbane (Australia)-based freelance graphic designer. Creator of Couther Sans (2005, sans serif). [Google] [More] ⦿
Wesley A. Bomar	Wesley A. Bomar (yi3artist) is the American designer of the artificial language script typefaces PhonnishBrushed, PhonnishCourier, PhonnishThick (2003). This page explains the coding scheme of Phonnish. [Google] [More] ⦿
Carla Bombere Nees	Type designer in the 1970s who won a Letraset type competition in 1973 with her wire frame design, Bombere. Harold Lohner revived the font under the name Wireframe (2000). See also here. Postscriptum: Carla was born Carla Bombere, then was Carla Ward for some time, and is now Carla Bombere Nees. Klingspor link. [Google] [More] ⦿
Martino Bombonato	Italian designer (b. 1994) of the free hexagonal / rhombic typeface Romb (2014). [Google] [More] ⦿
Yolanda Bomfim	Designer of the free bubblegum font Chico (2017). [Google] [More] ⦿
Hellmut G. Bomm	HGB is Helmut G. Bomm's design studio. Bomm was born in 1948 in Backnang, Baden-Württemberg. Stuttgart-based type designer who publishes his type designs with Linotype and URW++. Catalog of some of his typefaces: Jazz Ragtime (URW++). Joga (URW++), 2008. A stylish theatre headline face, art deco. HGB Grotesk (URW++), 2005. A geometric sans family. Klassika (URW++), 2004. A sans family with a nice 3d version, Klassika Bronze. Probably the same as HGB Klassika. Legal (Linotype), 2004. A 6-weight sans family that grew out of his HGB Grotesk which he made in the 1970s. Solo Mito (URW++), Solo Data (URW++). Schillerplatz (URW++), 2008. A condensed didone typeface. Rotate Modern (URW++), Rotate Nouveau (URW++), Rotate Klassik (URW++), 2004. Also, Rotata Mysticons (URW++), 2004. Neudoerffer Fraktur (Linotype), 2009. HGB Lombardisch (URW++), 2008. A Lombardic typeface. Linotype Nautilus (Linotype), 1999. A humanist sans based on a handwritten type used for the text Li. Das Helle, Klare from the I Ging. See also Nautilus Text (2009) and Nautilus Monoline (2009, Linotype). Baldur (URW++), 2004. Linotype Invasion (Linotype), 2002. Bommi (URW++), in styles called Bommi Carbon and Bommi Oxygen. Linotype Männeken Outline and Black (2002). Dingbats with funny guys, part of TakeType 4. Linotype Scott (Linotype), 1999, and Linotype Scott Venus (1999). Alien script-like typefaces. Linotype Humanistika (Linotype), 1997. Exposition of his work in 2004 (site includes a bio). Linotype link. FontShop link. Klingspor link. View Hellmut Bomm's typefaces. [Google] [MyFonts] [More] ⦿
John Bomparte	Bomparte's Fonts is John Bomparte's (b. Port of Spain, Trinidad, 1959) foundry in Wake Forest, NC. A graphic and type designer, John Bomparte was the assistant to, and a protege of renowned type designer Ed Benguiat, at the legendary Photo-Lettering Inc. It was there that John was surrounded by other great type designers such as Tony Stan, Vic Caruso, Vincent Pacella and Bob Alonso. John designed the art deco sans typeface Hamptons BF, and another art deco headline face, Take Two BF. In 2006, he published the 12-style family Blackletter Sans and the exquisite poster semi-Greek simulation art deco typeface Abstrak BF (modeled after a 1931 ATF font by Robert Foster called Abstract). In 2007, he surprises with the 1920s poster font Michelle BF, the hand-printed Brandy BF, its follow-up Johnny Script BF (2008), the quirky Freaky Frog BF, the dot matrix halftone effect font Subliminal BF, the frizzy Glow Gothic BF (2007), and the gorgeous swashy 3-style blackletter family Black Swan BF (2007). His 2008 typefaces: Jacky Sue BF (based on the hand of Jackie Geerlings), SoHo Nights BF, Hamburger Font BF (a rounded fat face), and the art deco sans serif typefaces Sidewalk Cafe BF (2008) and Hamptons BF (2 weights). Emerge BF (2009) is a flare serif inspired by Admiral, c.1900, from the Keystone Type Foundry. Freedom Writer BF (2009) is a connected handwriting script face. Danielle BF (2010) is hand-printed, based on the hand of Danielle Paradis. Factor BF (2010) is an electronic / futuristic / techno face. FingerSpeller BF (1994) is an American sign language typeface. Retroscript BF (2010) and Capistrano BF (2010) are beautiful connected scripts. In 2011, he added the fat felt tip pen typeface Sherbet BF and the funky rounded display typeface Dragonfly BF. In that same year, he published the stunted black wood type typeface Squat (BA Graphics, based on earlier work of or with Bob Alonso). Typefaces from 2012: Rockport BF (a gaspipe font inspired by 19th century wood types), Wilmington Script BF (an upright loopy connected script). In 2014, Seagrass BF, a connected script, and My Write Hand BF were published. Footloose (2015, BA Graphics) is a dynamic script typeface that was unfinished when Bob Alonso died. John Bomparte finished it. Typefaces from 2016: Shandy BF (a playful connected script). Typefaces from 2018: Petals BF. A flourished curvaceous ornamental didone. Typefaces from 2021: Between The Lines BF (a display typeface with some Super Veloz vibe). Klingspor link. Catalog of some of his commercial fonts. [Google] [MyFonts] [More] ⦿
Callie Bonaccorsy	Graphic designer in Annapolis, MD, who created a Peignotian art deco sans typeface in 2014. Behance link. [Google] [More] ⦿
Priscille Bonachon	Graphic designer in Nantes, France, who created the display typeface Variance (2015, with Victoria Dubois). [Google] [More] ⦿
John Bonadies	Type foundry set up in 2013 in Champaign, IL, by John Bonadies who has an MFA in graphic design from the University of Illinois. In 2011, he set up an iPad application in which one can move wooden letters around as in a letterpress. He says: LetterMpress will be a virtual letterpress environment---released first on the iPad---, that will allow anyone to create authentic-looking letterpress designs and prints. The typefaces are based on letterpress and/or vintage wood type, and have names that are prefixed by MPI. In 2013, Mpress Interactive published MPI Roman Condensed (based on a typeface from Showcard Machine Company), MPI Old Style, MPI Bodoni Ultra, MPI Sardis (after Warren Chappell's Lydian from 1938, ATF), MPI Republic Gothic, MPI No. 510 (based on a design by William H. Page, 1887), MPI No. 508 (based on William H. Page, 1890), MPI No. 507 (based on William H. Page, 1890), MPI Headline Modified (also called Modified Gothic by some type manufacturers, it is based on a typeface by Hamilton Manufacturing Company from 1897), MPI Gothic, MPI Aldine Extended (based on a 1872 wood type by William H. Page), MPI Antique (slab serif), MPI French Clarendon (based on wood type from 1865 by William H. Page), MPI French Antique (a typical far West saloon font based on wood type by William H. Page, 1869), MPI Egyptian Ornamented (a western typeface based on a 1870 wood type by William H. Page), MPI Arcadian (based on a 1870 design by William H. Page), MPI Tuscan Extra Condensed (based on William H. Page wood type from 1872), MPI Norwich Aldine Reversed (from a 1872 original), MPI Nouveau, MPI Delittle (based on a wood type by DeLittle), MPI Deco (art deco caps), MPI Atlas (slightly art nouveau typeface based on a font by Day & Collins), MPI Circle Sans (white on black letters). [Google] [MyFonts] [More] ⦿
Bruno Bonamore	Roman graphic designer and landscape architect who created the fun display typeface Amaro (2014). [Google] [More] ⦿
Christina Bonanno	Montreal-based designer of the slab serif typeface Bonanno (2014). [Google] [More] ⦿
Mattia Bonanomi	MTT is the commercial type foundry of Mattia Bonanomi (b. 1985, Brescia) in Milan, Italy, est. 2013. In 2010, Mattia graduated from Central Saint Martins College in London. He writes about the elegant ten-style sans typeface family MTT Milano (2013): MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance. In 2016, MTT published MTT Roma, a humanist sans inspired by the Trajan capitals, as is apparent from the razor sharp terminals. It is designed to re-create the atmosphere of the city of Rome of the 21st century. In 2014, he set up Type Firm in Milan, and republished his successful MTT Milano and MTT Roma there in 2016. [Google] [MyFonts] [More] ⦿
Juliana Bonardi	Sao Paulo, Brazil-based designer of the display sans typeface Xilo (2016) and a sign alphabet (2016). [Google] [More] ⦿
Jonas Bonas	Jonas Bonas / Jonas Kraus is the Wuerzburg, Germany-based designer of the sans typeface Bamberger (earlier called Proud) (2015). [Google] [More] ⦿
Pietro Bonati	Or Pietro Raheem. Florence, Italy-based designer of the condensed sans typeface The Block (2019). [Google] [More] ⦿
Franco Bonaventura	Zürich-based creator of the dot matrix typeface called Bubbles (1996, Garcia Fonts) and of the curly typeface Loop (1996). [Google] [More] ⦿
Josefina Bonavia	During her studies at FADU / UBA in Buenos Aires, Argentina, Josefina Bonavia created the display typeface Clax (2016). [Google] [More] ⦿
Laszlo Aron Boncz	As a student at KREA School of Arts and Design under the supervision of Amondo Szegi, Laszlo Aron Boncz (Budapest, Hungary) designed the wonderfully exaggerated vernacular typeface Helvetika (2017). [Google] [More] ⦿
Ilaria Bondanelli	Rimini, Italy-based designer of the friendly roundish sans typeface Garbino (2019). [Google] [More] ⦿
Natali Bondarenko	Russian designer of Polka Dot Font (2015) and Hilarious (2015, handcrafted). [Google] [More] ⦿
Olga Bondarenko	Kiev-based creator of Industrial Font (2011), in which each glyph is created with the help of industrial machinery. [Google] [More] ⦿
Pavel Bondarenko	Designer of the great free poster font Troja Script (2014). Aka Paschka21. Inside the font, we find the name Jung von Matt. Fontspace link. Dafont link. [Google] [More] ⦿
Julia Bondar	Cracow, Poland-based designer of the mosaic typeface Organic (2019), which was inspired by the leaves of the Physalis. [Google] [More] ⦿
Corine Bond	Vancouver, BC-based student who created the pixelish or video game typeface Arcus (2014). [Google] [More] ⦿
Ronné Bonder	American designer in New York associated with ITC, d. 2015. Creator of these typefaces: ITC Machine (1970, octagonal font; designed with Tom Carnase). ITC Machine equivalences: Machine, Motor (Corel-branded version of Bitstream's Machine), Automaton Caps (SSK), Mechanic (Softmaker), M651 Deco (SoftMaker), Pittsburgh (SWFTE), Metal Encasement (SWFTE), Monotone (WSI/IMSI). ITC Grouch (1970, with Tom Carnase). A heavy Caslon face. This is Dutch 791 at Bitstream and Zepp at SoftMaker. ITC Gorilla (1970, with Tom Carnase). This rough-edged typeface is based on Post Oldstyle. ITC Pioneer (1970, with Tom Carnase). ITC Toms Roman (1970, with Tom Carnase). ITC Honda. A heavy expressionist typeface. ITC Ronda (1970). By Tom Carnase and Ronne Bonder. MyFonts credits Herb Lubalin though. It is R791 Deco and Rosa (2019) over at SoftMaker. ITC Grizzly (1970, with Tom Carnase). Borrows elements of Kabel. ITC Bolt (1970, with Tom Carnase). A squarish and modular sci-fi typeface. Copied by Bitstream as Square 821 and by SoftMaker as Boss (2012). ITC Neon (1970; jointly by Ronné Bonder and Tom Carnase). Based on Prisma, and initially shown by Photo-Lettering as Neon. Prisma in turn was based on Rudolph Koch's Kabel. Digitizations include Neptune (FontBank, 1990-1993) and the free shadowed Multistrokes (Manfred Klein, 2003). His fonts are available from ITC, Bitstream and Elsner&Flake (such as Pioneer No2 EF). Linotype link. FontShop link. Klingspor link View Ronne Bonder's typefaces. [Google] [MyFonts] [More] ⦿
Jane Bond	Pensacola, FL-based creator of the hand-printed caps typefaces 003 Engineer's Hand (2012), 003 Mikey (2013, a fun script face), 003 Anna Caps (2012) and 003 Katie Caps (2012), and of Block Code (2012). [Google] [More] ⦿
Nicholas Bond	New York City-based graphic designer. He created a geometric rounded monoline typeface in 2012 called GRD. [Google] [More] ⦿
Nikala Bond	Gig Harbor, WA-based designer, at Northwest College of Art and Design, of the condensed sans serif typeface Nikalas Type in 2017. [Google] [More] ⦿
Onna Bondoc	Designer from Woburn, MA, who made the font "US Presidents", which contains autographs by ALL US presidents in the order in which they served. Demo versions are in various places, but while Onna Bondoc is asking to send your money to her for a full version, the copyright notice in the demo font says "Oliver Wiess", go figure. [Google] [More] ⦿
Sarah Bond	Graphic design student in the UK who created the modular typeface Week Project (2011). [Google] [More] ⦿
Ian Bone	London-based designer of the animated typeface Vita Cyclum (2015). [Google] [More] ⦿
Juliane Bone	California-based designer of the fat finger font Scenders (2017). Creative Market link. [Google] [MyFonts] [More] ⦿
Maxim Bonenfant	Montreal-based designer. Home page. He made Toolbox (2010). [Google] [More] ⦿
Soledad Bone	Buenos Aires, Argentina-based designer of the display typeface Anchored (2015), which was completed during her studies at UADE. [Google] [More] ⦿
Amélie Bonet	French graphic and type designer, b. Paris, who graduated from Ecole Estienne in 2005 with a thesis entitled La cancellaresca, L'âge d'or de la calligraphie italienne.. She previously studied visual communications at Ecole Duperré in Paris. She has an MA in typeface design from The University of Reading (2009), based on her typeface Polydom, later renamed Roxane, which covers Latin, Greek and Devanagari. In the spring of 2010, she joined Dalton Maag in South London as a type designer. Since 2010, she has developed custom Indic fonts for Nokia, HP, Intel, Linotype and Google Fonts, and has collaborated with type foundries and designers such as URW Type Foundry, Brody Associates, Raoul Gottschling, Anatole Type, Lineto, Pangram Pangram & The Northern Block. She spent significant time in Los Angeles and London, before settling in Berlin. Her typefaces include Groe (2010). We Folk (2010, caps only). Operetta (a cancellaresca based on Tagliente's lettering). PSA (an iconographic and sans type system for Peugeot and Citroen). Gustan (for Lux Typographics). Nokia Bengali (Dalton Maag). This typeface won an award at Granshan 2013. Roxane (2011, Rosetta Type), which covers Latin, Greek and Devanagari. PP Neue Montreal Mono (2023, Pangram Pangram). Noto Sans Oriya (Google Fonts). Ubuntu Monospace (Canonical). Typecache link. [Google] [More] ⦿
Boris Bonev	Bulgarian graphic and type designer who made Versus (2008, pixelish). Also check out his colorful type poster. [Google] [More] ⦿
Roy Boney	Type designer for the Cherokee language. He and Joseph Erb explained the Cherokee font design problems at ATypI 2011 in New Orleans. [Google] [More] ⦿
Shane Bonfield	Freelance designer in Dublin, Ireland. In 2016, he developed the typeface Athru for a journal on contemporary Ireland. He worked uncial elements into its design. Behance link. [Google] [More] ⦿
Martine Bongard	Graphic designer in Oslo, Norway, who created the hipster typeface Phoenix in 2014. . [Google] [More] ⦿
Christopher Bong	Tunis, Tunisia-based designer of the (vector format?) alphabet Ruban (2014). [Google] [More] ⦿
Felix Bonge	Felix Bonge (b. Hamburg, Germany, 1982) studied communications design at the Design Department of the Hamburg University of Applied Sciences (HAW) in 2005 under Jovica Veljovic. Since 2012 he teaches type design at the HAW Hamburg and is part of the design studio Allerzeiten. His typefaces: Levato (2011-2012, Linotype). A 5-style low x-height antiqua with calligraphic and didone influences. FF Bauer Grotesk (2014, Fontfont), co-designed by Thomas Ackermann and Felix Bonge. Fontfont writes: FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the Art Deco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval O is a good example of this approach, as are characteristic shapes like the capital M or the unconventional varying stroke endings on the c and s which give them a less constructed look. Faba (2014). Based on his diploma thesis. Allmono, a monospaced font that forms part of the corporate identity of Allerzeiten. Fontfont link. Behance link. [Google] [MyFonts] [More] ⦿
Stephanie Bonica	Chicago-based designer of the ornamental typeface Downton (2013). She writes: typeface was inspired by BBC series Downton Abbey. The embellishments combine classic and modern elements. The aesthetic of this font reflects the feel of a 1920s brunch scene in Downton. Her Helvetica Reduced typeface strips down Helvetica to its bare minimum. [Google] [More] ⦿
David Boni	In 2012, David Boni created a display typeface. [Google] [More] ⦿
Vinicius Bonifacio	In 2014, Vinicius Bonifacio (Santa Barbara d'Oeste, Brazil) proposed a typeface, Sens, for use by the blind. [Google] [More] ⦿
Clara Bonikowske	During her graphic design studies at NWTC in Green Bay, WI, Clara Bonikowske (Waupaca, WI) created the poster typeface Take Note (2013). [Google] [More] ⦿
Katherine Bonilla	San Salvador, El Salvador-based designer of the children's book typeface Monster (2013). [Google] [More] ⦿
Marco Bonilla	Cartago, Costa Rica-based creator of the neon sign font Neonia (2012), the calligraphic Sakura logo (2012), and Almendra Unicase (2013). Behance link. [Google] [More] ⦿
Shelby Bonilla	New media designer in San Francisco, who created the inline typeface Ribbon Folds in 2014. [Google] [More] ⦿
Eric Bonillo	Graduate of the Faculty of Fine Arts of the Polytechnic University of Valencia. Madrid, Spain-based designer of the fat didone display typeface 1994 (2017). Its design is based, according to Bonillo, on Pistilli Roman (John Pistilli) and Paris Pro (Moshik Nadav). [Google] [More] ⦿
Elis Bonini	Designer in Reggio nell'Emilia, Italy, who created the paint brush typeface From Scratch (2015, free download). Behance link. [Google] [More] ⦿
Brian J. Bonislawsky	Born in 1973 in Pittsburgh, PA, Brian Bonislawsky has been involved in many type design projects and created many foundries. He started out and became known for Astigmatic One Eye Typographic Institute (or: AOE, or: Astigmatic One Eye, or: Astigmatic), which offered about half of its large collection of fonts for free. Fontspace link. FontShop link. Astigmatic is located in Las Vegas, NV. Versus Twin was established by Brian Bonislawsky and Brian Jaramillo in 2004. It produced about 12 typefaces in all. Breaking The Norm (or: BTN) was started by Brian Bonislawsky and Stuart Sandler ca. 2005. It offers about 500 typefaces, many of which are in a handwritten style. Monogram Fonts Co. (or: MFC) was started ca. 2005, and is also located in Las Vegas, NV. It specializes in monogram-style fonts, whichare often ornamental and/or Victorian. In 2007, Debi Sementelli and Brian set up Correspondence Ink, which saw its first font, Belluccia, appear on MyFonts in 2011. In 2010-2011, Brian placed some free fonts at the Google Directory. Klingspor link. View the typefaces made by Brian Bonislawsky. [Google] [MyFonts] [More] ⦿
Brian J. Bonislawsky	Commercial foundry, est. 2009 by Brian J. Bonislawsky (Las Vegas, NV), known for his participation in the Astigmatic One Eye Typographic Institute, the Breaking the Norm Font Library, VersusTwin Type Foundry, and Foundry-X. Most of the fonts done after 2013 were in cooperation with Jim Lyles. Fonts made in 2009 include MFC Franklin Corners (based on Metal Corners from the 1889 "Convenient Book of Specimens" from Franklin Type Foundry in Cincinnati), MFC Manoir Monogram (2009, Victorian initials), MFC Bijou Monogram, MFC Escutcheon Monogram, MFC Pantomime Monogram, MFC Peony Monogram (2009), MFC Vice Monogram (an Art Deco letterset (capitals only) from a 1915 publication by Cartier-Bresson of Paris), MFC Viper Monogram (based on Hollywood Combination Initials, found in a 1934 ATF book), MFC Carson Monogram (from Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition, 1912), MFC Semicirculus Monogram, MFC Royaume Monogram (after lettering from the 1884 Ames' Guide to Self Instruction in Practical and Artistic Penmanship by Daniel T. Ames), MFC Bindi Monogram (after a 1915 publication by Cartier-Bresson of Paris), Carson Monogram (a letter set from the book Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition published in 1912, where it was simply labeled New Antique 53), Noir Monogram (after the "Pearl" letterset from the 1854 Becker's Ornamental Penmanship and Draughtsman's Letter Book by George J. Becker), Distinto Borders (after the Black&White and Running Borders from the 1906 Abridged Keystone Type Foundry Specimen Book), Tagliato Monogram (after a decorative letterset (capitals only) from the 1899-1900 Treatise on Embroidery, Crochet and Knitting booklet by M. Hemingway&Sons Silk Co), Mouchoir Monogram, Memoriam Initials (based on University Initials in the 1934 Book of American Types by ATF), Moissanite Monogram (based on Diamond Combination Monograms from the same book), MFC Monarchy Initials (based on Diamond Combination Monograms from the same book), Morningside Monogram and Neuport Monogram (both based on letters found in the 1934 Book of American Types by American Type Founders), Diamant Monogram, Distinto Borders (based on borders found in the 1906 Abridged Keystone Type Foundry Specimen Book), Ruse Monogram (an all caps typeface based on DeRoos Inline), MFC Tagliato Monogram (from the 1899-1900 Treatise on Embroidery, Crochet and Knitting booklet by M. Hemingway&Sons Silk Co), and Tryst Monogram. MFC Franklin Corners (2009) is a series of three border dingbat fonts. MFC Hills Medieval (2010) was developed from an overly ornamental blackletter type specimen found in the 1882 Hills Manual of Social and Business Forms. The interesting Victorian outline family Sappho Monogram (2010) was inspired by an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg&Cie, first published in the 1890s. Typefaces from 2012: MFC Bruce Corners. Typefaces from 2013, all done with Jim Lyles: MFC Baelon Monogram (an 800-character monster font with outlined spurred letters from Dollfus Mieg's book, ca. 1890), MFC Bontebok Monogram, MFC Carnivale Monogram (known as Romantiques No. 3 and Ornate No. 2), MFC Thornwright Monogram (from the Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800s), MFC Zulu Monogram (an African-themed font inspired by Bibliothèque D.M.C: Alphabets et Monogrammes 2nd Series), MFC Jewelers Monogram (based on a decorative alphabet designed in 1901 by Marcus Goldsmith, an inventor of elegant accessories), MFC Verre Monogram, MFC Triangulus Monogram (based on a vintage publication called "Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series"), MFC Chaoxiang Monogram, MFC Fantasie Monogram, MFC Mastaba Monogram, MFC Voyeur Monogram (based on Broadway Monogram Initials in Book of American Types (1893, ATF)), MFC Haute Monde Monogram, based on Elite Monogram Initials in Book of American Types (1893, ATF)), MFC Budding Monogram, MFC Hardwood Monogram, MFC Almond Monogram, MFC Brass Rules Petit (based on filets from the Franklin Type Foundry), MFC Damask and MFC Damask Flourish (by Brian J. Bonislawsky and Jim Lyles, a Victorian capitals and floriated caps pair of typefaces based on Oxford No. 2 from the 1893 catalog of the Cleveland Type Foundry). Typefaces from 2014: MFC Medieval Monogram (a Lombradic caps typeface based on Book of American Types (1934, American Type Founders)), MFC Chaplet Monogram (from Dessins de Broderies---Album No. 486 (Sajou, late 1800s)), MFC Capulet Monogram (based on Monograms and Alphabets for Combination (Dollfus Mieg & Cie, 1890s)), MFC Klaver Monogram, MFC Billow Monogram (from Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800's), MFC Aldercott Monogram (by Brian J. Bonislawsky and Jim Lyles, after a 1901 alphabet by Marcus Goldsmith, an inventor of elegant accessories of personal nature). Typefaces from 2015: MFC Tattersaw Monogram, MFC Livermore Monogram (based on Victorian alphabets shown in Charles J. Strong's The Art of Show Card Writing, 1907), MFC Ringold Monogram (based on Strong's Book of Designs, 1917), MFC Petworth Monogram, MFC Piege Monogram, MFC Gilchrist Initials, MFC Gilchrist Monogram, MFC Arteaga Borders One, MFC Arteaga Borders Two, MFC Arteaga Borders Three, MFC Brass Rules Grand (based on Franklin Type Foundry's brass rules in Convenient Book of Specimens, 1889). Typefaces from 2016: MFC Diresworth Monogram (based on an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg & Cie, first published in the 1890's), MFC Spindler Borders, MFC Imperator Monogram (based on Monograms and Alphabets for Combination by Dollfus Mieg & Cie, 1890s), MFC Mercer (an initials set from the book Monograms and Alphabets for Combination by Dollfus, Mieg & Cie, first published in the 1880s), MFC Botanical Borders (based on a collection of border treatments from the 1886 Spécimens de caractères d'imprimerie by E. Houpied a Paris), MFC Diamondside Monogram, MFC Redding Monogram (a highly ornate lettering style from Letters and Lettering by Carlyle & Oring), MFC Rodizio (a layered chromatic typeface family inspired by wood types by William H. Page), MFC Falconer Monogram, MFC Glencullen Monogram, MFC Bruce's Corners Two (based on Metal Corners found in Specimens of Printed Types (1882, Bruce Type Foundry)), MFC Westport Monogram, MFC Arkena Monogram (art nouveau font based on Strong's Book of Designs (1917)). Typefaces from 2017: MFC Enschede Borders (based on floral borders in the 1904 Ornamenten Hoofdlijsten en Sluitstukken book by Joh. Enschedé & Zonen, Haarlem), MFC Keating Monogram (based on Monograms and Alphabets for Combination (1890s, Dollfus, Mieg & Cie)). Typefaces from 2018: MFC Stencil Borders Six, MFC Elmstead Monogram and MFC Endeavor Monogram (both based on Dollfus, Mieg & Cie, 1890s), MFC Blossom Monogram (a chromatic layering font), MFC Buttergin Monogram (based on Tuscan typeface shown in Letters and Lettering by Carlyle & Oring), MFC Stencil Borders Five, MFC Stencil Borders Four, MFC Stencil Borders Three, MFC Stencil Borders Two, MFC Stencil Borders One (all by Brian Bonislawsky), MFC Diamondstack Monogram, MFC Sansome Monogram (an art nouveau typeface based on John F. Irwin's Rustic Roman from 1906). Typefaces from 2019: MFC Joliet Monogram (2019: based on a vintage McCalls Kaumagraph Transfer), MFC French Roman (an all caps typeface based on French Roman Light in an 1899 lettering publication by International Correspondence Schools), MFC Diamerrick Monogram (diamond-shaped monograms), MFC Ambeau Monogram (2019, based on the decorative art nouveau alphabet called American Beauty in J.M. Bergling's Art Alphabets and Lettering, 1914), MFC Diamas Monogram (diamond-shaped monograms), MFC Nadall Medieval (an uncial/blackletter font based on Bernd Nadall's Faust from 1898). Typefaces from 2020: MFC Patisserie Monogram (from Letters and Lettering by Carlyle & Oring), MFC Decatur Monogram (after an alphabet seen in J.M. Bergling's book Monograms and Engraving Alphabets). Typefaces from 2021: MFC Deco Diamond Monogram. View the typefaces made by Brian Bonislawsky. Typefaces from 2022: MFC Heathcliff Monogram (2022: rhombic monograms). Creative Market link. [Google] [MyFonts] [More] ⦿
Brian J. Bonislawsky	Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV. Fontsquirrel link. Dafont link. Fontspace link. A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco typeface at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2010, a free old typewriter face), Aclonica (2011). Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline; + grungy version), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003: papercut sans), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script Pro (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE (described as a bacterial stencil typeface), PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie, BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth (an eerie brush script), Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper (Halloween font), Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier. At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream. In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm. In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum. From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong. In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif typeface Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012). In 2011, several other typefaces followed there, like Ultra (fat didone), Maiden Orange, Special Elite (2010, a free old typewriter face), Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display typeface at Google Web Fonts). Contributions in 2012: Marcellus (2012, Trajan, flared roman, at Google Fonts and CTAN), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation typeface inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script]. Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously). Stiggy & Sands is the American type foundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic). Typefaces from 2014: Franken Jr AOE Pro (inspired by the title screen from the 1966 Hanna Barbera cartoon Frankenstein Jr), Good Eatin Pro AOE (inspired by the title screen from the 1942 Warner Bros. cartoon Dog Tired), Ghostkid AOE Pro (comic letter style). Typefaces from 2015: Shanks Antique 5 AOE (after the newspaper typeface Memorial (1865, Stevens, Shanks & Sons)), Reliquaire AOE (a somber blackletter typeface inspired by Memorial (1881, Boston Type Foundry)). Typefaces from 2016: Mailuna Pro AOE (a gothic sans), Kentish AOE Pro (art deco). Reardon AOE (a digitization of a film typeface called Joyce Black by LetterGraphics), Berkmire AOE (1970s style robot-inspired techno font), Blackheath Pro AOE (this typeface started as a digitization of a film typeface called Roberts Square by LetterGraphics), Delaware Pro AOE (art deco), Rutland AOE (a futuristic font that is a digitization of a film typeface called Maccaro by LetterGraphics). In 2016, Brian J. Bonislawasky and Jim Lyles published the rugged octagonal mega typeface family Tradesman at Grype. In 2017, they added the art deco typeface Cowling Sans AOE (which is based on alphabet from "Lettering for Commercial Purposes" by Wm. Hugh Gordon). In 2018, they published the letterpress emulation typeface Prison Pro, Pink Sangria (50s style movie font), Manic Tambourine, Motenacity (a Martian cartoon font), the old typewriter font Office Memorandum Pro, and the Flintstone font Strongman. Typefaces from 2021: Klutz AOE Pro (a condensed all caps beatnik font), Data Error AOE Pro (based on early dot matrix printers), Customs Paperwork AOE Pro (based on the NuMode Type No. 61 vintage typewriter), Rinzler AOE Pro (a great stencil font that revives LetterGraphics' Caren), Restraining Order AOE Pro (an old typewriter font), Brazarri AOE Pro (an Aztec emulation font based on MacKeller, Smiths and Jordan's Bizarre from 1884). View Astigmatic's typeface library. View the typefaces made by Brian Bonislawsky. Fontsquirrel link. Dafont link. Fontspace link. Creative Market link. [Google] [MyFonts] [More] ⦿
J. Bonito	FontStructor who made Decaying Thorns (2011). [Google] [More] ⦿
Daniel Bonive	Cabudare, Venezuela-based designer of the weathered stone script font Terra Fabula (2016). [Google] [More] ⦿
Dragan Bonjak	Dragan Bonjak&Damir Bonjak designed Iron-Maiden, an octagonal font. [Google] [More] ⦿
Amanda Bonnar	During her studies at Art Institute of Pittsburgh, Buzzards Bay, MA-based Amanda Bonnar designed the brush script typeface Roman Holiday (2016), which was inspired by the 1953 movie starring Audrey Hepburn and Gregory Peck. Behance link. [Google] [More] ⦿
Laurie Bonneau	Graphic designer in Bordeaux, France, who created the hipster display typeface Tur in 2015. [Google] [More] ⦿
Nathanael Bonnell	Nathanael Bonnell studied in Cincinnati, OH, and set up the Looseleaf Fonts commercial foundry in 2012 in Wyoming, OH. Before that, he created Cyril, a Cyrillic typeface. Creator of the retro minimalist geometric beauty Yoshiko (2006)---disregard the typophiles' comments, because this one is going to live a glorious life. His third project, Salamander (2006), a classic roman with a luscious italic to boot, is another winner. However, probably because of pressure from Linotype, which owns the name Linotype Salamander, the latter font was renamed Newt. In 2009, Newt Serif was published by Cabinet Type / Veer. Free download of Newt Serif at Github. In 2010 he published the angular flared Solveig family. Solveig Text and Solveig Display followed in 2013. The Looseleaf Foundry published the serifed typeface Walleye (2013), which covers Latin, Cyrillic and Greek. Klingspor link. Blogspot link. Github link. [Google] [MyFonts] [More] ⦿
K.C. Bonnem	Creator of the grungy Special Product, the dot matrix typeface Ride The Fader (1998), and the futuristic Fader. The site was called earliest memory of cassettes in the late 1990s. [Google] [More] ⦿
Lynnette Bonner	Designer of the tree branch-motif typeface Briarwood (2015). [Google] [More] ⦿
Steven Bonner	Graphic designer in Stirling, Scotland. He created some fonts and designed some letters for GQ Magazine in 2011. He also made the modular typeface Build (2011). In 2012, he created the stencil typeface Muirside, and published a modular compose-as-you-go blackletter type system called Granimator or Blackpack. Together with Gary Greenall (XLN Telecom), he created the headline sans typeface Langdon (2013). He has produced a few interesting type posters. Behance link. HypeForType link. [Google] [More] ⦿
Lissy Bonness	Born in Germany, Lissy Bonness moved to the UK in 2007 to study design. at the University of Northampton, where she graduated in 2012. Behance link. She used sound signal time plots in her experimental typeface Sonic Typography II (2012). [Google] [More] ⦿
Antonin Bonnet	In 2020, at The Type Department, Paul Coumoul, Clothilde Bouan and Antonin Bonnet published the display typeface Octane. It is a variable font with two axes, weight and width. Octane is a free font consisting of a total of 18 weights, but the free version consists in fact only of one variable font and it has no numbers. They explain that Octane was initially created to fit with any car designed by Pininfarina. [Google] [More] ⦿
Clément Bonnetin	French graphic designer who created these typefaces: Publica (a sans workhorse family that started out from Touraine (Cassandre, 1947) but became a more practical typeface in Bonnetin's hands---it is Bonnetin's major contribution to type design), Lausangeles (a grotesque), Touraine (revival of Cassandre's typeface from 1947), Dockside (heavy octagonal). [Google] [More] ⦿
Niels Bonnevie	Danish designer of amor, blogs, boring, dogma, elektra (Greek simulation), fatboy, kromozone (grunge), mainstreet, micro, mousecrap, oilhand, onakite, raw, rec, risk, roundabout, starbeam (grunge), strike, Improvised (a pixel font). Niels lives in Copenhagen. Dafont link. At FontStruct in 2008, he created Dub Chuck, Structor, Work In Progess, and Monkey Wok. [Google] [More] ⦿
Leung Ka Ying Bonnie	Aberdeen, Hong Kong-based designer of Book Type (2012). [Google] [More] ⦿
Lisa Bonnion	During her studies at ENSAAMA in Paris, Lisa Bonnion designed the counterless typeface Verybold (2014), the artistic poster typeface Ivresse (2014), the extreme contrast fashion mag typeface Vulpine (2015), Wing Chun stick figure icons (2014), Scan Font (2015), and the fat finger font Dans Ta Face (2014) Behance link. [Google] [More] ⦿
Belinda Bonomelli	During her studies at Curtin University of Technology in Bentley, Western Australia, Belinda Bonomelli (Perth, Australia) created the handcrafted typeface Seaswirls (2014). [Google] [More] ⦿
Giacomo Bonomi	For a school project at Politecnico di Milano---Bovisa, Giacomo Bonomi (Monza, Italy) designed the sans typeface Hylki in 2016. Designed in the shadow of Futura, it shows more curvature and roundness. [Google] [More] ⦿
Damián Bonomo	Argentinian designer of the experimental typeface Vertical Control (1999). [Google] [More] ⦿
Cristina Bonora	Valenci, Spain-based designer of the thin art deco caps typeface Fair Font (2013). This work was done in collaboration with Dailos Perez Gonzalez (Valencia, Spain), Alicia Raya (Valencia, Spain), and Haizea Najera. Behance link. [Google] [More] ⦿
Daniel Bonrath	As a design student in Germany, Daniel Bonrath created the free duct tape blackletter font Ruhrpott (2016, Citype), also called Gantzfeld Black. [Google] [More] ⦿
Emil Bonsaksen	Norwegian outfit in Valderøy. Emil Bonsaksen created the handwriting typeface Hi Emil (2009). Fontspace link. [Google] [More] ⦿
Nicole Marie M. Bonsol	Designer in Maila, The Philippines, of the free fonts Bonsol (2013) and Bonsol Comic (2013). Fontspace link. [Google] [More] ⦿
Alysia Bonte	As a student in Zwolle, The Netherlands, Alysia Bonte created a straight-edged papercut typeface (2015). [Google] [More] ⦿
Francesco Bonvecchio	Graphic designer and illustrator in Trento, Italy, who created the floral caps typeface Sprout (2016). [Google] [More] ⦿
François Bonzon	Swiss boy scout and designer of MorseCode (1999), which can be downloaded here. [Google] [More] ⦿
Eldora Boo	Creator of the dot matrix typeface Eldora (2012). [Google] [More] ⦿
John Boof	Creator of the hand-printed typeface JobBoof (2013) and of the brush typeface Job Boof Kwast (2013). [Google] [More] ⦿
Amber Booler	Aka Amber Caitlin. Designer of the curlified typeface Andalasia (2011). [Google] [More] ⦿
David Boon	Designer at 2Rebels of db8-digital (2003), a dot matrix font. FontShop link. [Google] [More] ⦿
Heather Rose Boone	Creator of a poster typeface in 2012 called Hinged. Hinged is based on the handwriting of University of Kansas student Emily Grigone. [Google] [More] ⦿
Peggy Boon	Designer at RGB107,6 of the dingbat font Stukkie. [Google] [More] ⦿
Gavin Boorman	UK-based FontStructor (student at Bristol UWE) who made the grungy typeface Ghost Signs (2010), which was based on decaying advertising signs in Bristol. [Google] [More] ⦿
Salman Boosty	Graphic designer. Creator of the ornamental caps typeface Orial Bold (2009). Dafont link. He was born in 1980 in Pekalongan, Indonesia, but lives in Yogyakarta. [Google] [More] ⦿
Alasdair Booth	During his studies at Milton Keynes, UK, in 2015, Alasdair Booth created the techno typeface G-Shock. [Google] [More] ⦿
Andrew Booth	Four free medieval-style typefaces made by Andrew Booth in 1997: Court_Hand1590, Parish-Register-Virginia-1590, Parish_RegisterJamestown1615, Court Virginia 1552. [Google] [More] ⦿
Ash Booth	Manchester, UK-based designer of the chunky typeface Chunk (2018). [Google] [More] ⦿
Carrie Booth	Montreal-based designer of Dot Typeface (2015), a hairline display typeface with embedded dots. [Google] [More] ⦿
Dan Booth	Type designer who participated in the Linotype International Type design Contest in 2000. [Google] [More] ⦿
Jason Booth	Derby, UK-based creator of the multilne typeface Beeline (2013). [Google] [More] ⦿
Jeremy Booth	Designer and illustrator in Louisville, KY. Creator of Goon (2013), a hand-drawn typeface custom designed for an app called Goon. Lucent (2013) is a blackboard bold typeface. [Google] [More] ⦿
John Booth	Bau Type Foundry, or Typo Haus, was cofounded by John Booth and Jake Ivill in Manchester, UK. They created the blackboard bold typeface Bayer 13 (2014, FontStruct) and the paino key typeface Bayer 14 (2014, FontStruct). Before Bau, John Booth studied at Manchester's University of Salford. During his graphic design studies in Manchester, UK, John Booth did what I had been waiting for all year long---create a typeface to honor the 100th birthday of Alan Turing in the Alan Turing year. The typeface is grid-based and called Decoded (2013). Behance link for John Booth. [Google] [More] ⦿
Layla Booth	Nottingham, UK-based designer of Aarhus (2019), a typeface whose shapes are inspired by the Isbjerget building in Aarhus, Denmark. It was created for a school project at Nottingham Trent University. [Google] [More] ⦿
Daisy Boothman	During her studies, Woking, UK-based Daisy Boothman created the modular triangulated typeface Triad (2015) and priced it at 790 pounds. [Google] [More] ⦿
Tom Booth	Sheffield, UK-based designer of the free textured octagonal/mechanical typeface family Sheff (2013), for which he was inspired by the steel industry. Woodhouse (2014) is a monoline sans based on arcs of circles. Dafont link. [Google] [More] ⦿
Tony Booth	Graphic designer and lettering artist in England. He has a deal with FontShop to design a complete series of hand-drawn fonts, to be distributed exclusively by FontShop International. The series will include various hand-drawn styles of brush scripts and creative freestyle fonts. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Maxene Booysen	Johannesburg, South Africa-based designer of the ancestral pattern font Max (2018) and the personal branding font ENE (2018). [Google] [More] ⦿
Pedro Bopp	Sao Paulo-based designer of the rounded organic sans typeface Delgado Black Sans (2014). [Google] [More] ⦿
Silvia Boracchi	During his studies in Monza, Italy, Silvia Boracchi created a compass-and-ruler typeface (2015). [Google] [More] ⦿
Aaron Borad	Codesigner with Douglas Crawford McMurtrie and Leslie Sprunger in 1928 of UltraModern. Jim Spiece at Spiece Graphics revived this design as Ultramodern Classic SG in 1996. MyFonts link. [Google] [MyFonts] [More] ⦿
Mihaela Borak	Croatian designer of the hand-printed typeface Mihaela Borak (2011). [Google] [More] ⦿
Alastair Bor	Creator of the free dingbat fonts Harvey Balls (2008), VSM Symbols (2009) and Dice. [Google] [More] ⦿
Nabaneet Bora	New Delhi-based designer of Dipak Regular (2015), an Assamese display typeface designed keeping in mind and inspired by old Assamese manuscripts. [Google] [More] ⦿
Purva Bora	Designer of the modular display typefaces Varn (2016) and Scrape It (2015), which were finished during her studies in London. She also designed Hind Mala (2016) and many display typefaces. [Google] [More] ⦿
Rumi Borbala	Budapest-based designer of a fun take on Helvetica called Strip (2014). Behance link. [Google] [More] ⦿
Marci Borbas	Eger, Hungary-based designer of the free backslanted school project font Bebas Tam (2014), the free poster font ABC Handwritten (2014), and the free texture font Helvetica-Black-SemiBold Pettern Bold (2014). [Google] [More] ⦿
Andrea Borbély	Graphic designer and illustrator in Waterloo, Canada. Creator of Dress My Hair (2012, an ornamental alphabet for hairdressers) and Block Cut (2012, a modular octagonal typeface). Behance link. [Google] [More] ⦿
Lucas Borboleta	Designer of Dutrilin (2016), a mix of sci-fi and runes. [Google] [More] ⦿
Chelsea Borchardt	Student at Saginaw Valley State University (MI). Creator of the dymo label grunge typeface Jukebox (2011). [Google] [More] ⦿
David Borchers	Offenbach-based German designer (b. 1979, Frankfurt). Co-founder of Magazin 212 in 2001. At typeoff.de, he created the symbol font Teppic (2003). [Google] [More] ⦿
Uwe Borchert	German type designer and software expert who offers his fonts for free. He is mostly doing revivals, and started in 2010. His typefaces: Neu5Land (2018). Based on the Schmale Erbar Grotesk (Jakob Erbar, 1922ff) that was very popular on signs in the former German Democratic Republic / Deutsche Demokratische Repubik. Bstyle (2013). A squarish typeface family, perhaps a revival of Binder Style which Joseph Binder cut for the Stempel foundry ca. 1959. Schilder Grotesk (2012). Based on the old handlettered road signs in Karlsruhe. ST37K and ST32K (2010). Based on Stahl by Rudolf Koch (1933). Other digital versions of Stahl, but inadquate according to Borchert, include CG Lisbon and Lydian. Saarland (2010). Based on hand-lettered typefaces on factory walls and propaganda posters from the 1930th in Germany and Czechia. In this genre, see also Iwan Reschniev (2008, Sebastian Nagel), Teuton (Storm), Stahlbeton (2005, Patric Schwarz), Stahlbetonträger (2008, Nils von Blanc), Urban Constructed (Nils von Blanc) and Nonstop (Jakob Fischer). Plakative Grotesk (2010). A geometric poster face. In this style, see also Pilsen Plakat (Dieter Steffmann), Steelfish (Ray Larabie) and Placard MT Condensed. Uwe Borchert added Sturkopf Grotesk in 2013. Grabstein Grotesk (2010). A geometric poster face. In this style, see also Iwan Reschniev (2008, Sebastian Nagel), and Teuton (Storm). Mops Antiqua (2010). Or Pug Serif. A quaint serif typeface for menus. Similar typefaces include Chesterfield Antique (Alan Meeks), Chelsea (Dieter Steffmann) and Cheboygan (Christine Mauerkirchner and Rainer Grunert Schwalbach). Fabrik (2012). A grotesk family based on Beteckna by Johan Mattsson. He calls it a real Deutsche Grotesk of the 1920s, with many influences of Bauhaus like Paul Renner's Bahnhofsfutura (1924), Erbar Grotesk, Drescher Grotesk BT, and Dr. Klein's numbers for the German highways. Similar typefaces include Verlag (Hoefler), Drescher Grotesk (Arno Drescher), and Universalis ADF (by Arkandis). Jakob (2010). A grotesk inspired by Jakob Erbar's typeface Erbar Grotesk and the first versions of DIN Fette Engschrift. Similar typefaces include Verlag (Hoefler), Avenir (Adrian Frutiger), Erbar Grotesk (Jakob Erbar), Drescher Grotesk (Arno Drescher), and Universalis ADF (by Arkandis). Tattoo U (2012). Capitalis Minimalis (2012). A Trajan caps face. Klingspor link. Abstract Fonts link. Open Font Library link. [Google] [More] ⦿
Drashti Borda	Surat, India-based designer of a triangle-themed typeface in 2016. [Google] [More] ⦿
Solenn Bordeau	Graduate of Ecole Estienne in Paris, class of 2019. She quickly turned into one of the world's top designers. Her typefaces: During her studies at Ecole Estienne in Paris, Solenn Bordeau designed the display typeface Jules Verne (2019). At Zetafonts, she helped with the design and production of Eastman (2020, by Francesco Canovaro and Andrea Tartarelli). Eastman is a 178-font geometric sans workhorse family with Bauhaus genes developed for maximum versatility both in display and text use, with a wide weight range and a solid monolinear design featuring a tall x-height. It comes with a two axis variable font (weight, italic angle). In 2020, Cosimo Lorenzo Pancini and Mariachiara Fantini---with the help of Solenn Bordeau---released Erotique at Zetafonts. Erotique evolved from Lovelace, an earlier Zetafonts typeface. Zetafonts describe this evil serif as follows: it challenges its romantic curves with the glitchy and fluid aestethic of transmodern neo-brutalist typography. co-designer with Jérémie Hornus of Egitto (2020, Black Foundry), a huge Egyptian (slab serif) family that is accompanied by a handy variable font. In 2020, Francesco Canovaro and Solenn Bordeau released their hip exaggerated-inktrap font family Sunshine at Zetafonts. Sunshine Pro (2020, Zetafonts) was designed by Cosimo Lorenzo Pancini and Solenn Bordeau expanding the original Sunshine design by Francesco Canovaro, part of the Quarantype collection (2020), which in turn was designed as a typeface for good vibes against Covid-19. Sunshine Pro is an experimental Clarendon-style font with variable contrast along the weight axis---contrast is reversed in light weight, minimized in the regular weight and peaks in the bold and heavy weights. [Google] [More] ⦿
Christian Bordeaux	Swiss type designer at Fontnest who designed these fonts: Neuro (2006), Lubmin (2008). He writes: The Lubmin typeface is a product of adaption of a standard character set (by VEB Typoart, Dresden) that was applied on roadname signs in the former Democratic Republic of Germany. It is, as far as documented, a production of early Prussian standard typefaces, which were also pattern for nowadays DIN font. The type went into action in many ways: Road signs, railway and military signals and also car plates; so almost anywhere a functional, easy reproduceable type was needed. The original letters were often different from road sign to road sign, because the signpainters had a variable elaborateness in painting the letters; some shapes are much more angular than others. So it had been a way of finding a compromise in this case. Also some points were interpreted in a new way, curves had been changed a little bit to accord readability aspects; but all in all, the Lubmin type is as original as in the time of the #Iron Curtain#. His future site. [Google] [More] ⦿
Cristi Bordeianu	Iasi, Romania-based designer of the great mischievous retro sans typeface family Brightwell (2018), co-designed with Tudor Munteanu, with whom she runs Namogo. In 2018, Tudor Munteanu and Cristi Bordeianu co-designed the all-caps sans typeface Jaques. In 2018, Cris published the grotesque sans family Kentledge. In 2021, Cristi Bordeianu and Andrei Robu co-designed Champ, a starkly incised display typeface family ranging from fashionable ultra-heavy to a flared thin. It includes a variable font as well. [Google] [MyFonts] [More] ⦿
Cody Borden	Los Angeles-based designerLos Angeles-based designer. He designed Futata (2012). [Google] [More] ⦿
Emily Borden	At Nazareth College of Rochester, Emily Borden (Honeoye Falls, NY) designed the elegant display typeface Aurea Script (2017). [Google] [More] ⦿
Rémi Bordet	Montpellier, France-based designer of these display typefaces in 2019: Orpheus, Arkham, Auriga, Neo Sapiens, Hydra, Zephyr, Leviathan, Mythologics, Scarab, Scythe, Heretics. In 2021, he designed Fleshy (a blocky ultra-fat font inspired by graffiti writing) and Transylvania (an experimental display font inspired by old school gothic Fraktur). [Google] [More] ⦿
Fred Bordfeld	German designer of GP.F La Muerte (2005, with Ollie Peters), GP.F Bitur 1.0 (2005, bitmap fraktur font), GP.F Mudam (2005, with Ollie Peters) and Jado (2005, FF DIN modified for Jadolabs GmbH). GP.F Bitur 1.0 is on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). MyFonts link. Creator of Deja Rip and Deja Web (2010, with Elena Albertoni; Cyrillic included), a family of eight sans typefaces sold via Anatoletype. [Google] [MyFonts] [More] ⦿
Bruno Bordijol	Toulouse, France-based creator of the graffiti typeface Billybop Maj Tag (2011) and the tall hand-printed typeface Billybop Miniskuli (2011). Dafont link. [Google] [More] ⦿
Erika Bordonali	Born in 1992 in Siracusa, Sicily, Erika Bordonali first studied in Rimini (class of 2015) and then settled as a graphic designer in Osimo. Creator of Oxygen (2015), a monoline typeface whose glyps are absed on two circles. [Google] [More] ⦿
Giulio Bordonaro	Milan-based graphic designer who made the display typeface Amie Sans (2011), about which he says: Amie Sans is an obscene font. It's all about friendship, love, sex and casual relationships between glyphs. Behance link. [Google] [More] ⦿
Paulo Bordón	Graphic designer and illustrator in Asuncion (and before that, Fernando de la Mora), Paraguay. Creator of Timoca (2014: a pixel typeface) and Albanu (2014: a display sans). [Google] [More] ⦿
Regina Bordon	Buenos Aires, Argentina-based designer of the angular typeface Bond Street (2015). [Google] [More] ⦿
Iury Borel	For a branding project for Abanca Bar Café, Iury Borel () designed the vernacular typeface Bem Vindis (2016). Behance link. [Google] [More] ⦿
Jacques Borel	Swiss outfit now located in Amsterdam, est. 2003 by Jacques Borel and Harry Bloch, two Swiss graphic designers who graduated from ECAL, the University of Art and Design, Lausanne. At Fontnest, one can ogle their font creations: Pink (semi-stencil), Planp (Swiss sans), Franks (rounded sans headline), and Rudolf (rounded sans with fill-in bowls). [Google] [More] ⦿
Athenais Borg	As a student in Paris, Athenais Borg designed the display typeface Gemini (2017, based on FontStruct). Behance link. [Google] [More] ⦿
Rebecca Borg Cardona	Madliena, Malta-based creator of the fat geometric stencil typeface Logo (2014). [Google] [More] ⦿
David Willem Borgdorff	German researcher at Ruhr University Bochum. Creator of the font Minoan Linear A (2004), which has the glyphs for the still undeciphered Minoan language. [Google] [More] ⦿
Gersan Borge	Creator from Managua, Nicaragua, b. 1979, of the grungy display sans Promises Broken Dream (2011), the grungy Policia Corrupta (2012), and the military stencil typefaces Kripton A and Kripton B (2006-2008). Smash Punkers is a grungy stencil face. Alambrado Infernal (2006, Triton Company) is a barbed wire-inspired face. Cerca of Skulls (2008), Deat+Deat (2011), 1 Dimencion (2011), 5 Mentarios (2011), 48 Ver Lost (2011), One Punk (2011) and Breaksteel (2006) are grunge typefaces. Black Metal G (2011) are scanbats of black metal bands. Backspacer (2011) is a circled letter typeface made as a tribute to Pearl Jam. In 2013, he published The Libertines (old typewriter font) and Batman Evolution Logo (batman dings). [Google] [More] ⦿
Charles Borgerding	Kutztown, PA-based art director and illustrator. In 2010, he drew a blackletter alphabet called Kutztown Fraktur. [Google] [More] ⦿
Marc Borgers	Belgian-born Paris-based designer and painter whose fonts may be bought from 2Rebels in Montreal. Some creations: LeScript, Manosk (1995, irregular hand), Marker, Maria's Font, Napoléon, Vintage Gothic. His work for Swatch. [Google] [MyFonts] [More] ⦿
Alexandra Borges	Graduate of ESAD Caldas da Rainha, Portugal. Creator of the elegant rounded stencil typeface Sonder (2017). [Google] [More] ⦿
Arminda Borges	London-based creator of an unnamed display typeface in 2013. [Google] [More] ⦿
Charles Borges de Oliveira	The CBdO Fonts Foundry is headed by Charles Borges de Oliveira (b. New Orleans, 1971) and is located in Arlington, WA. Borges's typefaces are mostly scripts, signage typefaces and comic book style typefaces. many of them were first done at or are copublished with Letterhead Fonts. Aloha Script and Aloha Script Casual (2013): signage scripts. Developed together with Pierre Tardif. Alpine Script (2009). A brushy signage script. Avalanche (2004). Bounce Script (2004, a fifties style script). Published by P22 in 2013. LHF Chicago Script (2007). A fat baseball or signage script published by Letterhead Fonts. Desire (2013). A didone typeface with 644 glyphs for swash and titling work. The distressed version is Desire Rough & Ragged (2016). See also Desire Lite (2018). Enchanted (2007, informal script). Published by P22 in 2013. LHF Gloria (2011, Letterhead): pure art deco caps. Kodiak (2014). A Western slab serif co-designed with sign painter Brian Grant. Louisiana (2008): a hand-printed font based on the hand of Melanie Snedeker. It comes with Louisian Grab bag which has text balloons and arrows. Mocha Script (2011): a signage script typeface jointly developed by Borges and sign painter Bruce Bowers. Sadey Ann (2009, signage script). Sadey Pants (2009). Sarah Script (2003). Shocard Rodeo (2009). Versatile Bold (2017). A Latin / Greek / Cyrillic font family for layering with plenty of hatched, shadow, rust and 3d options. By Charles Borges de Oliveira and Vassil Kateliev. Followed by Versatile EP (a layerable poster font). Future Tense (2019). A sci-fi typeface by Charles Borges de Oliveira and Vassil Kateliev. He also sells through Font Bros and Letterhead. Klingspor link. View the typeface library of Charles Borges. Fontspring link. Interview in 2013. View Charles Borges's typefaces. Adobe link. [Google] [MyFonts] [More] ⦿
Leonardo Rosa Borges	Brazilian codesigner with Anderson Kleber, Fábio Henrique and Carlos Santos of the calligraphic typeface Amor e Odio (2005, Tipos do aCASO). [Google] [More] ⦿
Millena Borges	For a course at UFRJ in Rio de Janeiro, Millena Borges developed the smooth script font Maestra (2013). [Google] [More] ⦿
Elizabeth Borgeson	During her studies at Grand Valley State University, Grand Haven, MI-based Elizabeth Borgeson created a high-contrast typeface (2015). [Google] [More] ⦿
Pedro H. Borges	Illustrator and cartoonist in Caxias do Sul, Brazil, who designed the modular techno font SciFont in 2016. [Google] [More] ⦿
Roberlan Borges	Illustrator, lettering artist and graphic designer in Vitoria, Brazil. Creator of the great bold poster sans typeface Condensa (2016) and the vintage (art deco) display font Calzone (2013). Behance link. Devian Tart link. [Google] [More] ⦿
Traviss Borgess	Ramsey, NJ-based graphic designer who made this type study in 2008. Behance link. [Google] [More] ⦿
Helen Borg	During her studies at Durban University of Technology in South Africa, Helen Borg designed the Umlungu typeface (2015), which depicts hand signals used by South African taxi drivers to communicate with white dummies. [Google] [More] ⦿
Bianca Borghi	Designer of the (free) decorative hairline typeface Kaptor (2014). [Google] [More] ⦿
Valerio Francesco Borghi	Fontstructor who made Modulo (2011). [Google] [More] ⦿
Seth Wilder Borg	Designer of the rune font "Icelandic Runes" (1998). [Google] [More] ⦿
Cheri Borgstrom	Aka Cheeseborger. Born in the USA in 1986, Cheri designed the crayon / brush typeface Cheeseborger (2013). Dafont link. [Google] [More] ⦿
Timm Borg	Born in Sète, France, in 1983, Timm Borg is a graduate type design student at ENSAD, Paris. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Anthony Dathy, Perrine Saint Martin and Ok Kyung Yoon, he developed a complete family of fonts that extend blackletter and roman typefaces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿
Luc Borho	Lyon, France-based designer of the reverse stress display sans typeface Fadoli (2017). In 2018, he co-founded Pizza Typefaces with Adrien Midzic. [Google] [More] ⦿
Anne-Dauphine Borione	During her studies at ECV in Paris, Anne-Dauphine Borione (perhaps with alias Daytona Mess) designed the angular typeface Cleankut (2017, free). Cleankut will be renamed Dagmar. In 2018, she designed the free typeface Neuro and the electrical arc font Grigio, which was inspired by some Lady Gaga merchandise. Her Lobby Display (2018) is an ultra-black block font which was inspired by the writings of Jack Kerouac on jazz music. Typefaces from 2019: Pron (a revival of Souvenir), Dinguerie. In 2020, she joined Type Department, where she promptly released Alienor Display, which was co-designed by Lou Rainaldo and Anne-Dauphine Borione. Typefaces from 2021: Cxfein (a grungy typeface made with her eyes closed after drinking way too much coffee), Nautila, Ladio (a rounded blocky cyberpunk typeface). Typefaces from 2022: Untitled, Bulato, Guchi Culver Grotesk, Zeeth, Yandera, Zireael, Lithops (a free textured typeface at Velvetyne). Type Department link. [Google] [More] ⦿
Igor Borisenko	Moscow-based typographer and art director. Creator of the fat rounded outline typeface Bolshoi (2008). [Google] [More] ⦿
Iam Boris	Designer of the scratchy handwriting font Sickness (1999), and of Highguard and Highguard New (2002) based on the title art of Gene Roddenberry's syndicated television show Andromeda. [Google] [More] ⦿
Boris Borisogljepski	Belgrade-based creator of these typefaces in 2012: Hokus Pokus (hand-printed), Airport Arrival, Trotoar (grunge). 500 icons and a set of medal icons called Medals in 2012. In 2013, he added Trotoar (grunge). Graphic River link. Brandbusters link. Behance link. [Google] [More] ⦿
Borissov	Designer of the Cyrillic font Choc Borissov (1996, after Choc), which can be found here. [Google] [More] ⦿
Paulina Merchán Borja	Graduate of Escuela Superior Politénica de Chimborazo de la ciudad de Riobamba, Ecuador. Now an art director in Riobamba, she created the triangle-inspired Suky typeface in 2015 [Google] [More] ⦿
Barbara Borko	Slovenian designer of Slap Slab (2013), a slab serif typeface developed during Typeclinic 6 and Typeclinic 7 in 2013. [Google] [More] ⦿
Adrianne Born	American designer of a text typeface for butchers, Rashid (2016), and of Farfalla Display Text (2016, a decorative didone). [Google] [More] ⦿
Dominik Borner	Swiss graphic designer. Creator of My First Font (2012, based on DIN). Behance link. [Google] [More] ⦿
Sid Borne	FontStructor of the dot matrix typeface 5 Cent Game (2010). Borne Programming. [Google] [More] ⦿
Dan Bornstein	Dan Bornstein (Fuzz Fonts) offers one font for now: ElseIf (2003). Elseif is a programmer's screen font, meant for legible display on high-resolution displays. [Google] [More] ⦿
Gergely Boroka	As a student at ENSAD in Paris, he co-designed Recréation (2000). [Google] [More] ⦿
Tanit Boronat	Tanit Boronat (Valencia, Spain), together with Albert Gómez and Ana Civera, created Versa (2013, a beveled typeface). [Google] [More] ⦿
Viktoria Borosova	Jelka, Slovakia-based designer of the textured typeface Modular (2017). [Google] [More] ⦿
Viktoria Borosova	During her studies, Jelka, Slovakia-based Viktoria Borosova designed a modular typeface (2017). [Google] [More] ⦿
James Boross	Senior graphic designer in London, who created the poster typefaces Chique and Alto in 2017. Behance link. [Google] [More] ⦿
Serg Borovikov	Saint Petersburg-based creator of the free Latin / Cyrillic display typeface Odin (2013). [Google] [More] ⦿
Ralf Borowiak	In house type designer at Elsner&Flake in Hamburg. Designer of EF KaffeeSatz. [Google] [More] ⦿
Pawel Borowiec	Katowice, Poland-based designer (b. 1982) of MediaWorks Drivec Font (2006), a smooth pixel face, and of Pebe Pixelblack (2006). As Enebene, he sells these fonts: Vayle (2014, rounded sans). Creative Market link. [Google] [More] ⦿
Adam Borowski	During his studies in warsaw, Poland, Adam Borowski created the free display typeface Brekol (2014). Aka Adam Boro. [Google] [More] ⦿
Elizabeth Borowski	During her studies, Easley, SC-based Elizabeth Borowski designed the display typeface Promenade (2016). [Google] [More] ⦿
Ali Borowsky	Graphic design student at The Illinois Institute of Art Schaumburg, IL. Creator of the slab serif typeface Coris Catholic (2012). [Google] [More] ⦿
Guillermo Borras	Valencia, Spain-based designer of Norsk (2016), a typeface inspired by Viking Futhark writing. He also designed Airport Icon Set (2016). Behance link. [Google] [More] ⦿
Rocio Borrayo Arteaga	Mexico City-based designer of the Arabic emulation typeface Roshana (2016). [Google] [More] ⦿
Oscar Borrego	Óscar Borrego is the Mexican designer of the high contrast sans typeface Almatica (2004). Designer at the Argentinian outfit SantoTipo of Tequila Heights Sobria&Borracha (2001). At Tiypo, we find Frankenhauss and the futuristic Freon 22. [Google] [More] ⦿
Julia Borrelli	Designer of the school project font Epa sans at FADU / UBA (Buenos Aires) in 2013. [Google] [More] ⦿
Marc Borrell	Designer in Vilanova i la Geltru near Barcelona. Interior design student in the Graduate School of Design Elisava, which is part of Universitat Pompeu Fabra. Creator of the semi-stencil typeface Claim Claim (2012). [Google] [More] ⦿
Lisi Borriello	Or Elisabetta Borriello. Rome, Italy-based designer of the sci-fi typeface Blade Stencil (2015), a modular type created for a school project in Bolzano. In 2016 she designed the decorative bicolored typeface Flamingo. [Google] [More] ⦿
Aliz Borsa	Aliz Borsa is a packaging designer from Hungary. She graduated with an MA from the University of West Hungary, Institute of Applied Arts (AMI), Sopron, in 2010. She also studied painting in Helnaes, Denmark, and typography at MOME, Budapest. Before studying at KABK Den Haag (TypeMedia class of 2012), Aliz worked as junior designer on Subjective Atlas of Hungary with Annelys de Vet at new media lab Kitchen Budapest. Her graduation project at KABK was the Leda family (2012): Leda Broken Bold (blackletter), Leda Serif. [Google] [More] ⦿
Agustina Borsani	Graduate from FADU, University of Buenos Aires, who created the typeface Onirik (2010), a unicase typeface made on the basis of Dante MT. [Google] [More] ⦿
Mirko Borsche	Bureau Borsche, a graphic design studio in München, Germany, was founded in 2007 by Mirko Borsche. They made almost exclusively bespoke typefaces. These include: Isar, Tush Extra (2012: a flared typeface), Archive and Alston (2012, The Entente) for Tush Magazine. A custom typeface for Tunica Magazine. Tweety for Korakrit Arunanondchai. Super Paper Grotesque for Super Paper. Moroi (2013, by Galle Renaudin) for (R)evolution by Danton Denk Raum. Libreville (2012: derived from Libre Baskerville) for SEPP Magazine. Felipe (by Geoffrey Pellet) for I Iz Felipe Fanzine. Muenchen Regular (2012, by Bureau Borsche and Tobias Weber: a Trajan caps typeface). For the Bavarian State Opera. Harial for the Bavarian State Opera. Andri3000 for BR Orchestra. Dalhem for Bjoern Dahlem Theorie des Himmels. Sumatra for Mickey Mao book (ECAL). Dorothy for Horst Magazine. [Google] [More] ⦿
Carleen Borsella	Chief Operating Officer, Director of Licensing and Marketing, Hoefler & Frere-Jones, located in New York City. Carleen Borsella holds both a Master of Business Administration in Marketing and Management and a Bachelor of Science degree in Marketing and International Business from New York University's Stern School of Business. She joined H&FJ in 2002 with ten years of marketing and management experience in the financial services (JP Morgan Chase) and entertainment Industries (Time Warner, Bertelsmann AG). As Chief Operating Officer, Carleen supervises all aspects of the business, and is charged with continuing its growth and development. As Director of Licensing and Marketing, she oversees all of H&FJ's promotional activities, and directs H&FJ's Enterprise Licensing program which is responsible for providing customized licenses to corporate end-users. She is married to Jonathan Hoefler. In 2009, Carleen was credited with the design of Sentinel at H&FJ. Sentinel is a 12-weight slab serif family with italics. Some type designers think that Sentinel was not created by Borsella. In fact, both Sara Soskolne and Jesse Ragan claim that they did work on Sentinel. The motto at H&FJ has always been smoke and mirrors. They do not list any designers with their typefaces. [Google] [More] ⦿
Giulia Borsi	Florence, Italy-based designer of Universo (2015), a connect-the-dots typeface inspired by the Braille grid. [Google] [More] ⦿
Manuel Borst	Hamburg, Germany-based designer of the humanist display sans typeface Niccolo (2018). [Google] [More] ⦿
Martin Borst	Martin Borst (b. 1981, Germany) is a graphic designer who studied in Karlsruhe graduating from Karlsruhe University of Arts and Design in 2011. He is partner in the independent publishing house �Hands on Papers� and currently lives and works in Berlin. Designer of the sans display typeface Hopfen (2008, Avoid Red Arrows). In 2012, he won the Tokyo TDC award for his brush typeface family Mondra. Klingspor link. [Google] [More] ⦿
Christian Bortey	Toronto-based graphic designer who created the alchemic typeface Lord & Saviour (2012), dedicated to Jesus Christ. [Google] [More] ⦿
Steven Borthick	American designer of Binary Code Font (2005, letters are in binary), Borthick's Braille Font (2006), Braille 2 (2006), Hiragana Bold (2005), Steve's Handwriting (2006). URL for his fonts. Alternate URL. Yet another URL. And another one. [Google] [More] ⦿
Olga Bortiokova	Krimean artist and illustrator based in Simferopol. Her work includes Narrow (2015, a hand-drawn Latin alphabet), Romantic Alphabet (2015), Ice Cream Alphabet (2015), Snacks and Drinks Doodles (2015), Floral Brushes (2015) and Hand-drawn Zen Letters (2015). [Google] [More] ⦿
Jeff Bortniker	Jeff Bortniker from Overland Park, KS, designed Psychedelic Fillmore East, Psychedelic Fillmore West and Psychedelic Avalon at T-26 in 1995. The irregular hand The Walls (1994, T-26) is also due to him. He set up Vitatype to make retail and custom typefaces in the 1990s. Other typefaces from the 1990s at Vitatype included Bodhisattva, Woolly Bully, and Lost Dog Good Dog. Klingspor link. [Google] [MyFonts] [More] ⦿
Rafaella Bortolan	At UNESP in Bauru, Brazil, Rafaella Bortolan designed the display typeface Australia (2016). [Google] [More] ⦿
Sabrina Bortoloso	Designer in Buenos Aires. In Pablo Cosgaya's course at UBA, she created the high-contrast dodone-inspired fashion mag typeface Viphnori (2012). [Google] [More] ⦿
Alejandra Bortoni	Creator of Walking Around (2012, a Victorian typeface). [Google] [More] ⦿
Shawn Borton	Illustrator in Pennsylvania. He created the strongly geometric typeface Elegance (2011) and the typeface Velocity (2011). Behance link. [Google] [More] ⦿
Matt Bortz	New York City-based designer of the Escher style illusion typeface Prism (2016). Behance link. [Google] [More] ⦿
Ruben Borup	Danish designer at Litewerx of the (free) pixel font City Lights (2000). [Google] [More] ⦿
Marton Borzak	Based in Copenhagen for his studies at The Royal Danish Academy of Fine Arts, School of Design, Marton Borzak (b. Hungary) created the modular typeface Islands Brygge (2013). Behance link. [Google] [More] ⦿
Laura Bosazzi	Freelance graphic designer in Zagreb, Croatia. She made the devilish blackletter typeface Black Widow (2010). [Google] [More] ⦿
Bert Bos	Bert Bos studied Mathematics in Groningen (1982-1987), and wrote a thesis about Graphic User Interfaces (1987-1993). He worked on an Internet browser and the surrounding infrastructure for the Faculty of Arts in Groningen and is now working for The World Wide Web Consortium on style sheets and math. He lives in Sophia Antipolis near Nice in France. Author of Cascading Style Sheets---designing for the Web (3rd ed.) (2005, Hakon Wium Lie & Bert Bos). He also created a free transitional family in metafont and opentype for use with TeX, Gladiator and Gladiator Sans (1991). Klingspor link. [Google] [More] ⦿
Jessica Boscardin	During her studies in Sao Paulo, Jessica Boscardin created the octagonal typeface Letras Geometricas (2014). [Google] [More] ⦿
Alexis Boscariol	Alexis Boscariol is a Paris-based freelance graphic and type designer. He completed his Masters in graphic design at ESAD Valence, before entering the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His KABK graduation typeface is Picardy, a variable font designed for the web. The display version also has a variable outline axis, enabling more interactivity and animations. In 2020, he published the rounded display typeface Caspar Condensed at Future Fonts. Caspar Github link. Future Fonts link. [Google] [More] ⦿
Albert Bosch	Barcelona-based designer of the Peignotian typeface Lonia (2016). [Google] [More] ⦿
Sebastian Boschert	German designer of SPADORE (1998), a Novella lookalike. Another Novella lookalike is Bay Animation's Terra. [Google] [More] ⦿
Israel Boschetti	Florianopolis, Brazil-based designer of the art deco typeface Coiote (2014). [Google] [More] ⦿
Roberto Boschetto	Italian creator of the free font Brivido (2011, OFL). [Google] [More] ⦿
Jordi Bosch	Graphic designer in Barcelona who created an unnamed stencil typeface for a school project in 2013. [Google] [More] ⦿
Lydeke Bosch	Dutch designer (b. 1991) of Curly (2008) and Lydeke Handwriting (2008). [Google] [More] ⦿
Pablo Bosch	Pablo Bosch (Valencia, Spain) developed the legible typeface Atiza (2013) during an intensive study program at Type@Cooper in New York. He writes: Atiza is a text face for editorial purposes but with characteristics to also be used in newspapers. High X-hights, relatively low contrast and strong asymmetrical serifs make Atiza a very legible typeface in small sizes with a perfect behaviour in sizes between 8pt and 11pt, but with also with extraordinary legibility at 6pt. The Designers Foundry link. [Google] [More] ⦿
Ryan N. Bosch	American 3d modeler, b. 1981. He created the bmp-format pixel font Zebesian. [Google] [More] ⦿
Alfred R. Bosco	Designer (b. 1901, Neapel) of the upright script Romany (ATF, 1934). Mac McGrew: Romany is a simple monotone script, designed by Alfred R. Bosco for ATF about 1934. It is vertical, rather wide, and characters don't quite connect. There is an alternate e as shown, also an alternate A which is similar to the lowercase form. The F has no crossbar and could be taken for a T except by context. Compare Keynote, Brody, Repro Script. Romany is available from Dan Solo as Romany Script. Also available in a major extension as Apricot (2005) by Rebecca Alaccari at Canada Type. And also done by Terrance Weinzierl (Ascender Type, 2009) as Romany. Klingspor link. [Google] [MyFonts] [More] ⦿
Ambar Amill Bosco	As a student at Elisava in Barcelona, Ambar Amill Bosco designed a lachrymal all caps typeface (2015). [Google] [More] ⦿
Bosco	Brazilian designer from Sao Paulo who created the typefaces Manguebat 3 and 4 (both with "Buggy") at Tipos do aCASO (2005). Educated at UFPE. [Google] [More] ⦿
Deepayan Bose	Chicago, IL-based designer of Papercut (2015). Behance link. [Google] [More] ⦿
Dipankar Bose	Bose designed the soccer hero scanbat typeface Soccerman (2010). [Google] [More] ⦿
Raimo Böse	Born in Wittingen, Germany, in 1978, Raimo Böse is a freelance graphic designer in Berlin. He designed the fat rounded typeface Snoogle and Snoogle Dingbats together with Hannes von Döhren, which was released into the Linotype library in early 2009. [Google] [More] ⦿
Rony Bose	Wellington, New Zealand-based creator of Goaface (2012), the official language of Goafest in India. [Google] [More] ⦿
Wolf Böse	Wolf Böse (Der Graph, NeueDeutsche, est. 2010, Berlin) is the alias of prolific German experimental font designer Thomas Helbig. His typefaces date from ca. 2009. In 2021, he opened a shop on MyFonts as NeueDeutsche. His typefaces there, published in 2021, include ND Dildo (an 8-style sex-positive rounded sans for Latin, Greek and Cyrillic), ND Gestalt (experimental and circle-based), ND Kronenberg (experimental and circle-based), ND Alias (a modular font that uses basic geometric elements) and ND Gambit (an experimental font with glyphs composed of arcs, circles and line segments). [Google] [MyFonts] [More] ⦿
Celine Bosheh	During her graphic design studies at the American University Of Madaba, Celine Bosheh, who is based in Amman, Jordan, created the stencil display typeface Ishtar (2014). [Google] [More] ⦿
Nicolo Bosio	Graphic designer in Torino, Italy. In 2014, he created the grid-based sans typeface Slimfit. [Google] [More] ⦿
Anne Boskamp	German designer of the nice scratchy grungy all caps typeface Merlin LL (1994, Linotype). In 2003, she published Goodies LT Std A and B in the Linotype Taketype 5 collection. Bio at Linotype. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Martijn Boskamp	Graphic designer in Rotterdam, The Netherlands, b. 1987. Behance link. For a project for the art academy in Rotterdam, he made the experimental typeface Blik Font (2010), which is based on crushed cans. [Google] [More] ⦿
Blanka Boskov	Belgrade, Serbia-based designer of Obsidian (2015). [Google] [More] ⦿
Oszkár Boskovitz	Hungarian type designer who studied at MOME, Moholy-Nagy University of Art & Design, Budapest, Hungary, BA and MA, Communication Design, 1995-2000. Oszkár Boskovitz ran Nepfont Digital Foundry, and at some point, ca. 2009, changed its name to Fontbistro (dead link). He digitized the award-winning typeface family Pannon (2001) made by Edit Zigány in 1972. He is working on a book that will summarize Hungarian type in the 1970s and 1980s. His repertoire: Experimental typefaces: Balek (2005), Cassius (2001), Tubyfex (2005). Stencil: Syrup (2005), Digital Sherpa (2002), Tilos (2002, rough stencil family), Wagon (2001, another rough-edged family). Brush style: Ecsetirás (2001, based on a typeface of Zoltán Nagy, 1967). Techno: Krax (2001, free), Konwektor (2001), Moab (2002, family), Shrapnel (2004, octagonal family). Signpainting: Thaifun (2003). Simple monospaced fonts: Monostar (2002). Unicase: Troppauer (2005, many weights). Text families: Pannon Antiqua (2001, based on a family by Edit Zigány (1972). Testosterone enhanced typefaces: Pluto (2006). [Google] [More] ⦿
Oszkár Boskovitz	Oszkár Boskovitz's Hungarian foundry. Before Fontbistro, he ran Nepfont Digital Foundry. He is a graduate of MOME, Moholy-Nagy University of Art & Design, Budapest, Hungary. His fonts sold at Fontbistro include Balek, Blabla, Ecsetirás (2001, a brush typeface based on a typeface of Zoltán Nagy, 1967), Konwektor (techno), Hardware, Monostar (2014, a monoline rounded sans), Pannon Antiqua (2001, based on a family by Edit Zigány (1972), Pluto (2006), Shrapnel (organic), Syrup (2005, stencil), Tilos (2002, rough stencil family), Troppauer (2005, unicase), Tubyfex (2005, experimental). [Google] [More] ⦿
Khrys Bosland	Aka Khrys Kreations. Kindergarten teacher (b. 1988) in Florida, who made many hand-printed typefaces that appeal to children. Her typeface list as of 2012: KBBlockParty, KBChubby, KBDabble, KBDinoMite, KBDottyDot, KBFancyMe, KBKinderWrite, KBNeat, KBPeppy, KBRoundUp, KBSketch, KBSpacingOut, KBStripedPajamas, KBSubtle, KBSunshine. Many of these fonts were made with FontMaker and/or MyScriptFont. Typefaces from 2013: KB Up In Smoke, KB True Believer, KB Sneaky Walrus, KB Radio Wizard, KB Jumping Jellybeans, KB Fun House, KB Brght and Merry, KB Tiny Red Whale, KB The End Is Broken, KB Pancake Party, KB Googley Eyes, KB Funky Glasses, KB Brainy Skeleton, KBanAvoxlost, KB Zipa Dee Doo Dah, KB Seriously Into Her, KB Miso Soup, KB Hear Me Play, KB Earthquake, KB Camera Shy, KB And It Slips My Mind, KB Witching Hour, KB Pay The Lady, KB Reindeer Games, KB Gobble Day, KB Stick, KB Lucky Clover, KB Dunk Tank, KB Dark Hour, KB Planet Earth, KB Lace Nightgown, KB The Silent Night, KB Nosy Neighbor, KB Bubblegum, KB Freezer Burn, KB Hold the Phone, KB Jellybean, KB Jukebox, KB Starlight, KB Broken Apart, KB Push Over, KB Sandy Shorts, KB Love It Down, KB Pink Lipgloss, KB When Pigs Fly, KB Crazy Town, KB Her Highness, KB Lola Loves Me, KB Scared Straight, KB Write It On A Post It, KB Wiggle Worm, KB Saucey Lady, KB RiceaRoni, KB Pasta For Two, KB Ninja Power, KB Moonlight Falls, KB Maker Factory, KB Hot Tamale, KB Fancy Footwork, KB Cheetah Rita, KB Stylographic, KB Snowballin, KB Shot In The Dark, KB All Aboard, KB Troubled Soul, KB Delicate Soul, KB ABC Doodles, KB Grandeur, KB Turning Gears, KB Queeny Me, KB A Stitchin Time, KB Pop The Bubbly, KB Quipster, KB Cloudy Day, KB Noodle Monster, KB Out Of Towner, KB Ribbons and Bows, KB Skittled, KB You've Been Spotted, KB You're Just My Type, KB Bonjour Sweetheart, KB Curious Soul, KB Framework, KB Push, KB Washi, KB Camp Out, KB Chatter Box, KB Lime Light, KB Kinder Write Bold, KB Ruffled Feathers, KB So Thinteresting (+Bold), KB Sunshine Bold, KB Swirl N Twirl. Typefaces from 2014: KBCallMe, KBNeiledIt, KBNowWalkItOut, KBRacecars, KBReallyDnealie, KBTheFlowerFarm, KBTwoLovers, KBHabitsCanBeBroken, KBInterestingZebra, KBLikePinkStars, KBOneBigScrape, KBQuietStories, KBRadioWatcher, KBSecretPassage, KBSourdoughBread, KBSquishyBlanket, KBStickToThePlan, KBTropicalVACATION, KBWalkingontheTable, KBWanderAround, KGSummerSunshineBlackout, KGSummerSunshineShadow, KGSummerSunshine. Typefaces from 2016: KB Balloon Animal, KB Bus Stop, KB Caterpillar, KB Darling MG, KB Expansive, KB Mommy Dearest, KB Mosaic, KB Play Date, KB Swifty, KB The Little Fella, KB Warm Her Up. Dafont link. [Google] [More] ⦿
Markus Bosl	As a student in Regensburg, Germany, Markus Bosl created the display typeface Urbon (2015). [Google] [More] ⦿
Jelle Bosma	Jelle Bosma (b. Rijswijk, The Netherlands, 1959) studied at the Royal Academy of Art in The Hague and. like many of his contemporaries, was influenced by Gerrit Noordzij. He works from a studio near The Hadue, and designs type, programs font tools, hints, and produces type. His typefaces: He created WTC Cursivium (1986, World Typeface Center). He was one of the main type designers at Scangraphic from 1988-1991, where he designed Forlane in 1991. Bosma joined Monotype in 1992. His role was to oversee TrueType� production and hinting. One of Bosma's first projects for the company's UK office was to manage the production of Greek and Cyrillic core fonts for the Windows� 3.1 operating system. Known for his work with non-Latin typefaces, Bosma has produced fonts for Hebrew, Thai, Arabic and Indic scripts. He relies a lot on his own software, including a truetype font editor called FontDame. He also claims that there are no more than 25 professional hinters world-wide. Alternate URL. Bosma was part of the team that developed corporate identity typefaces for Nokia. Launched in 2002, the Nokia types include sans, serif, and bitmap versions in varying weights. The Nokia fonts are used for everything from architectural signage and printed brochures to screen type for phones and other devices. In 2004, he created the OpenType family Cambria for Microsoft's ClearType project. Klingspor link. Monotype link. [Google] [MyFonts] [More] ⦿
Max Bosmans	UK-based designer of a colorful roman caps typeface in 2016. [Google] [More] ⦿
Monica Bosque	San Jose, CA-based designer of the display typeface Frida (2016), which is named after Frida Kahlo. [Google] [More] ⦿
Anthony Bossard	French graphic designer, illustrator and type designer (b. 1982) who graduated from LISAA in 2006. His typefaces: Danoise (+Bold) (art nouveau influences, 2006), Station Debout (2006, sans), Krug (2006, irregular handwriting), Digitaline (2006), Forficula (2006, artsy). Bossard lives in Rennes, where LISAA is located. Dafont link where one can download Danoise. [Google] [More] ⦿
Carla Boss	Madrid, Spain-based designer of the blackboard bold typeface Thypography (2015). [Google] [More] ⦿
Daniel Boss	During his graphic design studies in 2015, Daniel Boss (Portsmouth, UK) created the experimental typeface Negative and the straight-edged hipster typeface Crosswise (2015). [Google] [More] ⦿
Rick Bossenbroek	Ermelo, The Netherlands-based designer of a circle-themed typeeface in 2017. Behance link. [Google] [More] ⦿
Solange Bosseur	During her studies in France, Solange Bosseur designed the hairline dipaly typeface Delicate (2013). [Google] [More] ⦿
Jacqueline Boss	Designer of the free display typeface Parrot Leaf (2015). [Google] [More] ⦿
Stephen Boss	Emboss was founded in 1995 by Stephen Boss (b. 1969, Michigan), and is located in Beacon, NY, and Camillus, NY. Stephen Boss lived in Gloucester, MA, then in Brooklyn, NY, and finally near Syracuse, NY. His fonts are sold by Monotype Imaging / ITC and Myfonts. Typefaces include Babalon, Oo La La, Chubbét (2010: sans family, +Distended), Tobago, Phervasans (pixel face), DNA, Elefont, Eurydome (2010, like Eurostile?), Thai One One (a Thai simulation font), Jerusalem Syndrome, Dramaminex, Crossell (2010, a sans family), FaxFont97, Embossanova (2012), Chubbét Extended (2012), EmBauhaus (2012), and Zyncho. [Google] [MyFonts] [More] ⦿
Justin Bost	Justin Bost (Washington, DC) graduated from the Corcoran College of Art + Design in Washington, DC, with a degree in Graphic Design. He morphed DIN and Didot together, two genetically incompatible parents, and created the mutant typeface Balance (2011). [Google] [More] ⦿
Julie Boswell	Creator of the thin curly typeface Iron Gate (2012). [Google] [More] ⦿
Allison Bosworth	Alexandria, VA-based creator of the 3d typeface Mondo Condo (2010). [Google] [More] ⦿
Diego Botaccini	Graphic designer in Campinas, Brazil. Creator of Inny Sans (2013). Behance link. [Google] [More] ⦿
Joseph Botero	New York City-based graphic and print designer. In 2013, he created the techno typeface Rubikface. [Google] [More] ⦿
Lindie Botes	During her studies at the University of Pretoria, South Africa, Lindie Botes created the Geometria typeface (2014). Behance link. [Google] [More] ⦿
Alex Botezatu	Illustrator and digital artist in Cluj-Napoca, Romania. He created a script face in 2010. [Google] [More] ⦿
Elzé Botha	At AAA School of Advertising in Cape Town, South Africa, Elzé Botha designed the display typeface Stems & Sticks (2017). [Google] [More] ⦿
Karen Botha	Karen Botha (Cape Town, South Africa) created the organic display typeface Medea in 2013. [Google] [More] ⦿
Rachel Botha	Designer of the hairline constructive typeface Linotype Clascon (1997, with Rachel Godfrey). Klingspor link. [Google] [More] ⦿
Clarence Bothwell	FontStructor, aka Luis Castellon, who made the folded paper typeface Klaus (2013). [Google] [More] ⦿
José Botika	FontStructor who made the mechanical typeface Milogo (2010). [Google] [More] ⦿
Albert Boton	Albert Boton is a Parisian type designer and teacher, born in 1932 in Paris. Boton died in 2023. In 1957 he started work at Deberny&Peignot under Adrian Frutiger. From 1958 to 1966 he helped create several typefaces for the Hollenstein phototype catalog. In 1968 he became the art director for Robert Delpire publishers, but continued designing typefaces for the Hollenstein collection and later for Mecanorma and Typogabor. From 1968 to 1997 he was a teacher of type design and calligraphy at the École nationale des arts décoratifs (ENSAD) in Paris. From 1988 to 1998 he taught type design at the Atelier National de Recherche Typographiques. In 1981 he became art director and head of type department at the design agency Carré Noir. Interview in the ENSAD Journal B. His company is called BVS Boton. He is the designer of Berthold's Boton family (1986), FF Bastille Display package (2002, consists of FF Aircraft, FF Aircraft TF, FF District Bold, FF District Bold TF, FF Studio, FF Studio TF, FF Zan), FF Elegie (2002, art nouveau, a take on Auriol), Agora (1990, Berthold: a lapidary typeface), Chadking (1958), Roc (1959), Brasilia (1960), Primavera (1963), Rialto (1964), Black Boton (1970), PL Brazilia (PhotoLettering, a sans family), Zan (1970), Pharaon (1971, a great fat slab, eventually digitized by Monotype), Pampam (1974), Hillman (1972, an Egyptian family at Mecanorma), Tzigane (1973, a condensed family at Mecanorma), Chinon (1973, Mecanorma), Hudson (1973), Boton and Navy Cut (1986, for Mecanorma), the Scherzo family (at the Agfa Creative Alliance), Carré Noir (1996, also at Agfa), Bellini, Praxitel, Albotoni Book (made in 1974 originally), Kit, FF Page (2003, in PageSans and PageSerif families). Since 1998, he distributes his own fonts through BVS Albert Boton: Agora BQ (Berthold). Boton BE (Berthold), Boton BQ (Berthold), and Boton Pro (Berthold). Created in 1986. See also B790 Slab in the Softmaker collection. Carre Noir (Monotype). Chinon (Mecanorma Collection). FF Aircraft (FontFont). FF Cellini Pro (FontFont), FF Cellini Titling Pro (FontFont) and FF Cellini (2003, FontFont). Boton's take on Bodoni. FF District (2004, FontFont). A squarish sans family. FF Elegie (FontFont). FF Page Sans (FontFont) and FF Page Serif (FontFont). FF Studio (FontFont). FF Tibere (2004, FontFont). A classic roman family. FF Zan (FontFont). Hillman (Mecanorma Collection). ITC Elan (1985, ITC). A lapidary typeface. ITC Eras (1961-1976, ITC, Adobe). ITC Eras, a weird high x-height and open-bowled-a fashion victim of the 1970s, was copied by many---see, e.g., E820 Sans in the Softmaker collection. Linex Sans (Monotype) and Linex Sweet (Monotype). These fonts were first published by Agfa in 2003. Memo (Monotype). Pompei (1993, Monotype). Scherzo (Monotype). Tzigane (Mecanorma Collection). Albotoni Book (made in 1974 originally), Kit, FF Page (2003, in PageSans and PageSerif families), FF Tibere (2003, a classic roman family), FF District (2004, a squarish sans family) are some his latest typefaces. Citroen's logo font at Delpire. Klingspor link. Bio at FontFont. Pictures of an exposition in 2003. Linotype link. FontShop link. MyFonts link. Aude Degrassat wrote a thesis on Boton in 2008 at Estienne. Picture. View Albert Boton's typefaces. Announcement of his death. [Google] [MyFonts] [More] ⦿
Patricia Boto	Graphic designer and photographer (b. 1978) in Lisbon. Behance link Patricia used circles, triangles and squares only in the construction of My Geometric Font (2012). [Google] [More] ⦿
Amit Botre	Amit Botre (Redfonts) is the Indian designer (b. 1978) of AB Dent (1999), AB Engraved (1999), AB Fatchic (1999), AB Fubu (1999, pixel), AB Ultrachic (1999, rounded sans), ABBarberian (1999, art nouveau meets gothic), ABExp (1999, striped letters), ABMindblock (1999, Franz Kafka's lettering?), AbFangs (2000), ABFuturun (1999, futuristic), AB Cave (1999, grunge), AB Majik (1999, slender letters) and AB Nirvana (1999, display lettering). Devian Tart link. [Google] [More] ⦿
Lizzie Botterill	During her studies at Falmouth University, UK, Lizzie Botterill designed the swashy swppoing typeface Swooper (2016). [Google] [More] ⦿
Laon Bottex	Graduate of the DSAA program at Ecole Estienne in Paris. In 2018, he co-designed Savon Italic with fellow Estienne student Leo Guibert. It was released at E162. Other typefaces at E162 include the brush script Strike (2016), and the text typeface Garamond Grotesk (2017). [Google] [More] ⦿
Nina Botthof	Austrian graphic designer who studied Information Design and Communication Design at the University of Applied Sciences FH Joanneum in Graz. Graduate of the TypeMedia program at the Royal Academy of Art (KABK) in Den Haag, The Netherlands, class of 2020. Her graduation typeface was the macabre text family Ceres. [Google] [More] ⦿
Jonas Böttiger	Digitizer of the newspaper typeface Zero One (2004), which was designed by Carl Fredrik Hultenheim. [Google] [More] ⦿
Alice Bottigliero	Bordeaux, France-based studio set up in 2016 by Alice Bottigliero, a graduate of ENSAAMA, Olivier de Serres. In 2017, she published Memento, a typeface that includes compressed and stretched letters for special effects. Behance link. [Google] [More] ⦿
Nicolas Botti	Designer of the pixel typefaces Opti and Opti Small which can be downloaded at Proggy Fonts. [Google] [More] ⦿
Megan Bottomly	Graduate of Kansas City Art Institute, class of 2004. Designer of King Street (2017), and Fairfax Solid Fishtail (2017) and Fairfax Open Fishtail (2017), named after Fairfax, VA. Aka mkraft94. Creative Market link. [Google] [More] ⦿
Giampaolo Bottoni	South European (Maltese) language fonts with the suffix SudEuro in the name include ArienaSudEuro-Bold, ArienaSudEuro-Italic, ArienaSudEuro-BoldItalic, ArienaSudEuro, BookmanSudEuro-Bold, BookmanSudEuro-Italic, BookmanSudEuro-BoldItalic, BookmanSudEuro, CourierSudEuro-Bold, CourierSudEuro-Italic, CourierSudEuro-BoldItalic, CourierSudEuro, GaramondSudEuro-Bold, GaramondSudEuro-Italic, GaramondSudEuro, TimesSudEuro-Bold, TimesSudEuro-Italic, TimesSudEuro-BoldItalic, TimesSudEuro, VerenaSudEuro-Bold, VerenaSudEuro-Italic, VerenaSudEuro-BoldItalic, VerenaSudEuro. These fonts are based on ISO/IEC 8859-3 (aka Latin-3). [Google] [More] ⦿
Rania Bouabdallah	Paris-based designer of the display typeface Combattant Africain (2012). [Google] [More] ⦿
Agustín Luis Bou	Hailing from Rosario, Argentina, this designer (b. 1992) created the free athletic lettering typefaces Bou Collegiate (2008) and Bou College (2008), the hand-printed Bou Handwriting (2009) and Handform (2009), the dot matrix typeface Score Board (2009), Squarefont (2011), Movie Letters (2011), and BOU Western (2011). [Google] [More] ⦿
Clothilde Bouan	In 2020, at The Type Department, Paul Coumoul, Clothilde Bouan and Antonin Bonnet published the display typeface Octane. It is a variable font with two axes, weight and width. Octane is a free font consisting of a total of 18 weights, but the free version consists in fact only of one variable font and it has no numbers. They explain that Octane was initially created to fit with any car designed by Pininfarina. [Google] [More] ⦿
Both Bou	Siem Reap, Cambodia-based designer of the piano key typeface Bou Figura (2017). He currently is the creative director at Anagata, a design studio specializing in brand identity and type design. Home page. [Google] [More] ⦿
Connor Bouchard	During his studies at Flagler College, Florida, Connor Bouchard (b. 1994) created the display typeface Aqueous (2015). Behance link. [Google] [More] ⦿
Maxime Boucheras	French designer (b. 1999) of the squarish sans typeface Gaz (2021). [Google] [More] ⦿
Thomas Boucherie	Maelle Keita is the second identity of Thomas Boucherie (Montpellier, France, b. 1977). The Maelle persona is a prolific Swiss creator of many free fonts, which are mainly calligraphic or connected scripts. Typefaces from 2017: Adventure of the Old Giant, The Curious Incident, The Fabulous Orchestra, The Butcher factory, Dancing in the Moonlight. Typefaces from 2016: La Bataille du Sanctuaire, The Quest of Discoveries, Sentimental Beach, October Quotes, Hercule vs Goliath, Band of Reality, Street Gathering, Alicia on the Enchanted Highlands, Adventures on the Mountains, League of Giant, Richard True Crime, Dragons and Chickens, The Elves And The Secret Garden, Pokerface, Gentleman on the Rainbow, La Pantoufle en Or (tattoo font), Bulles de Chocolats, Atlantide Starlight, The Golden Flower, Mr Fisherman and the Shoemaker, Catherine de Beaumont. In 2015, Maelle made Gravity of Love (white on black letters), Incredible Angel (beatnik style), The Red Horse, The Spaghetti Movie (Western font), The Hundred King, The King of Lost Towel, les Soeurs Samurai, Mr. Jackson Rankenstein, Mathilde Castleland (calligraphic script), Question and Love (calligraphic script), Chateaux des Olives (calligraphic script), Le Cachalot du Grand Nord (a hilarious funky font), Le Grimoire du Bonheur, The Constellation of Heracles, The Citizens, Secret of the Octopus, Fabulous Vikings, King Arthur (ribbon font), Mademoiselle Catherine, Alfred La Moule, Jackie Talks to You, Les Carottes Sont Fraiches, Claudette aime le Chocolat (connected dessert script), LA-CHAMBRE-77, LACHAMBRE67, LE BAL DES COCHONNES, LE BAL DES COCHONS, LE CABARET DES FOUS, LE SILENCE DES CAFARDS, La Tortue, Le-Jardin-de-Calista (strong brush typeface), ONLY IN THIS CASE, Stink on the Death (signage script). Before 2015, Maelle designed Black December (2014), Une Grenouille Le Soir (2014), La Kame A Leon (2014, heavy brush), The Best Things In Life Are Free (2014), Caviar De Lapin Blanc (2014), La Truite à Papa (2014), Mougatine (2014, a needle thread script), Chicken Chorizo (2014), Ventilla Stone (2014), Mademoiselle Camille (2014, swashy), Authentic Hilton (2014), Olympic Branding (2014), Le Laboratoire du Docteur Steak (2014), The Chicken Love Story (2014), Les Sorcières de la Lune Noire (2014), La Compagnie des Ombres (2014), Les Sensations de Cerise (2014), La Chatte à Maman (2014, a creamy script), Aligot de Mirabelle (2014, a great delicate calligraphic script), L'Antre du Corniche (2014, thin script), Caviar de Diane (2014, thin script), Karine Aime Les Chocolats (2014: a connected script), Death in the Shadow (2014: brush script), Akhenaton (2014: brush script), Mayumi Gumi (2014), Font For Children Indo (2014: dingbats), Anabelle Script (2014, a heavy brush script), Mademoiselle K (2014, a cursive typeface), Anacondas (2014, an upright connected script), Walker on the Moon (2014, connected script), Angelique ma douce Colombe (2014), Pomerole (2014), Paper For Your Ass (2014), Paper Towel (2014), Wolf in the City (2014), Dragon is Coming (2014), J'aime bien le dimanche (2014), Camelia (2014, grungy signage script), Kosmo Cat (2014, a stone age script), Ophelia Script (2014), Monkey Snake (2014), Ventilla Script (2014), Slow Motion (2014), Ail et Fines Herbes (2014: hairline script), Mister Fish : upright curly script (2014), Elephant (2014), Nemo One (2014), Royal Chicken (2014, signage script), Nenuphar of Venus (2013), There Can Only Be One Breaver Im It (2013: flourishes), Ruskof (2013, grunbgy Cyrillic simulation face), Kawaii Food Font (2013, dingbats), Chouette Alors (2013, owls), Eglantine (2013, upright script), Zentai Itacha (2013), Magnolia (2013), God Bless America (2013), Jack And The Beanstalk (2013, upright connected script), Halloween Trick (2013, dingbats), Noyeux Joel (2013, Christmas dings), Angel of Blood (2013), Matriochkas (2013), My Princess Likes A Frog (2013), Skate or Die (2013, dingbats), Chouette Alors (2013, owls), Sleep on the moon (2013), Animox (2013, teddy bear dingbats), It Was A Good Day (2013, ornaments and filets), Ordre de Depart (dot matrix face), Diane de France (2013, calligraphic), Serval (2013, script), Chicago Eskimo (2013, fat outlined signage face), Quality Street (2013, vintage signage script), From The Moment (2013, frames), Arabia (2013, upright connected script), Hector Le Dragon (2013), Fantom Better (2013), Mont Royal, Coccinelle, Ponctuation, Miel & Abeille, La Petite Puce, Yo te amo pero en secreto, Conjecture (a sketch font), Coloscobik (2013, a marquee face), Ejaculator, This Is Not A Font, Tell Me A Secret (2013), Chocolate Cake (2013, plump outline face), Eglantine (2013), Ornamind (2013, floral dingbats), La Grosse Cochonne (2013), Toyzareux (2013, bubblegum font), Oliver Tue Les Fourmis (2013), Two Fingers King (2013, an ornamental blackletter), Piragniac (2013), Marguerite (upright connected script), Gulliver, Arakphobia (2013, a spiderweb font), Gelatina Elemente (connected script), Zenzai Itacha (oriental simulation), Atlas Eternal 78 (2013), Serial MKV 1 (2013), The Black Manba (2013), Gang Bang Crime (2013, a dripping paint font), La Grenouille Verte Qui Devient Toute Rouge (2013), Aracme Waround (2013), Zoa Elephantesque (2013), Estrela Fulguria 1748 (2013, calligraphic), Cirus Quantum Solace (2013), Paint All Time (2013), Jumbo Burn (2013), Allo t'as pas de shampoing, Helene Queen K (2013, script), Not Only The Quake (2013, script), One Day Before Rain (2013), Bullet Campus (2013), Eternal Call (2013, swashy calligraphic font), Kill The Panda (2013, a textured blackletter face), Trash Butterfly (2013, ornamental caps) and In Secret I Love You (2013, hand-printed), A Sweet Melody My Lady (a circular font), Lady Solarus Queen 1789. Fontspace link. Dafont link. [Google] [More] ⦿
Thomas Boucherie	Based in Montpellier, France, Thomas Boucherie designed the dingbat typefaces Ghost Smileys (2009), Punk Smileys (2009), thomasboucherie (2007), thomasboucherie3 (2008), Pictoserie 5 (2009, Pingbats), pictoserie 6 (2011, dingbats), Poulpi (2011, octopi), Piou (2011, ducklings), Pucca (2004, Japanese dolls), Thomas1 (2007) and Thomas (2007). In 2012, he created Toy Cloud, Pictoserie 7, Kawai Medical (medical dingbats), Square Face, the rhombic typeface Iddi Head, and the dingbat typefaces Animal Kai, Kawaii Eyes, Kokeshi Kawaii, Mustache, Polynesian Etua (dingbats), Kawaii Food II, Pirats (sic) (pirate dingbats), LaLinea Sea (sea dingbats), Toy Kars, Galaxia, and Bow. Typefaces from 2013: Toy Stum, Dead Head, Nox One, Mix One. Catalog. He also has icon sets. In 2013, Thomas set up a second identity, that of the Swiss woman Maelle Keita. Dafont link. Another Dafont link. And another link. Abstract Fonts link. Old URL. [Google] [More] ⦿
Vincent Boucher	Parisian designer of the decorative typeface Fox (2015). [Google] [More] ⦿
Ryan Bouchie	Minneapolis, MN-based designer of the glitchy retro font Active Child (2016). [Google] [More] ⦿
Félicie Bouckaert	Overijse, Belgium-based designer of the free display typeface families Amalgame (2015, modular design) and Carpathe (2015). [Google] [More] ⦿
Adam Boudaoud	American designer of Color Slope (2016). [Google] [More] ⦿
Noémie Boudet	During her studies at Iscom, French communication designer Noémie Boudet created a color art deco typeface (2020). [Google] [More] ⦿
Florence Boudier	Graphic designer in Strasbourg, France, who created Meerschweinchen in 2014. Behance link. [Google] [More] ⦿
Agathe Boudin	Parisian graphic designer. Creator of Evolutive Typeface (2013, alchemic). [Google] [More] ⦿
Leandro Boudouve	Leandro Boudouve (Buenos Aires) designed the art deco typeface Ego in 2014 during his studies at FADU / UBA. [Google] [More] ⦿
Clement Charbonnier Bouet	French co-designer, with Malou Verlomme of Ionic No 5 (2021), a ten-style Clarendon that revives and refreshes a classic Linotype Clarendon-style serif for Monotype. Noteworthy is that the designers replaced Clarendon's ball terminals by 21st century serifs, even including the hipsterish coathanger f. The ball terminals are relegated to the "alternates". [Google] [MyFonts] [More] ⦿
Elie Boufadel	Beirut, Lebanon-based designer of an Arabic typeface simply called Arabic Shape (2016). [Google] [More] ⦿
Issam Boufelja	Founded by Youssef Boufelja and Issam Boufelja in January 2021, Issam Type is a type foundry based in Morocco. In 2021, Issam Boufelja designed Magide (a 6-style serif in the Windsor genre), Macing (an 8-style Peignotian sans), Diastema (a stylish display serif), Brisky (a very decorative serif), Bogosa (a high-contrast serif) and the display serif typeface Blue Village. Typefaces from 2022: Basgem (a fashion mag serif with many ligatures), Brigelo (a retro dispay serif), Dorige (a retro serif). [Google] [MyFonts] [More] ⦿
Charlie Bouffart	Art director in Lille, France, who created the rounded sans typeface Eliz Dream (2015) for the French photographer Eliz Dream. Behance link. [Google] [More] ⦿
Guillaume Bougro	During his studies at École de design Nantes Atlantique, in Nantes, France, Guillaume Bougro created a sketched art deco typeface for the signage of Les Poulettes in Nantes. [Google] [More] ⦿
Thaira Bouhid	Born in Rio, Thaira Bouhid (b. Rio de Janeiro) lives in Vancouver. She designed Orlo (2013), a techno display typeface that is inspired by the beaches of Ipanema and Leblon. [Google] [More] ⦿
Thomas Bouillet	French graduate of the TypeMedia program at the Royal Academy of Art (KABK) in Den Haag, The Netherlands, class of 2020. Designer of Coupeur Almeida (2014). His KABK graduation typeface, designed for news print, was called Tandem. [Google] [More] ⦿
Zoe Bouillet	During her studies in Grenoble, France, Zoe Bouillet designed the spurred blackboard bold typeface Whisky (2013). [Google] [More] ⦿
Ludivine Bouillot	During her studies in Lille, France, Ludivine Bouillot designed the circle-themed typeface DG2 (2018). [Google] [More] ⦿
Andrea Bouin	Rennes, France-based student-designer of the display typeface Straight Lines (2017). [Google] [More] ⦿
Marie Bouis	Strasbourg-based designer of the techno typeface Carron (2012). [Google] [More] ⦿
Benjamin Boukagne	GGI stands for Grenoble Graphik It, a French outfit run by Benjamin Boukagne, who is the designer of the dingbat typeface Tha Boukagne's (2005). Dafont link. [Google] [More] ⦿
Marie Boulanger	Paris-born and London-based independent type designer. She originally studied graphic design at Ecole Estienne in Paris, and worked for publishing and branding agencies in Europe and North America. She obtained an MA in Design & Typography at ECV Paris, class of 2018, under the direction of Jean François Porchez. Earlier, she studied linguistics at University College London. The debate on gender-inclusive writing in France sparked the idea for her original and engaging MA thesis XX, XY: Sex, Letters & Stereotypes, investigating the gendered identity of letter shapes and presented (December 2018). In 2020, she started teaching graphic design at Kingston University in London, and joined Neil Summerour's Positype Flourish foundry. Her typefaces include Aligre (a playful revival of Fleischman Antiqua by Dutch typographer and punchcutter Fleischman), Romane, Manuel, Faubourg (2021, at Positype: a glamorous display serif called Faubourg Display, and an accompanying Peignotian sans, Faubourg Aussi), and Scoop (a font family for use in online publications (with Margaux Chambon and Cécile Heidemann). [Google] [MyFonts] [More] ⦿
Chris Boulden	London-based designer of Monster Alphabet (2016) and Bloodline (2016: a poster typeface). [Google] [More] ⦿
Alicia Boulos	During her studies at the University of Massachusetts Dartmouth, Milford, MA-based Alicia Boulos designed the outlined sans typeface Outline (2016), and the display sans typeface Next (2016), which is characterized by teardrop-shaped counters. Behance link. [Google] [More] ⦿
Camille Boulouis	French designer who obtained an MA in typeface design from The University of Reading (2009), based on her typeface Guillotine, which was intended for newspaper weekend edition magazines. It is characterized by soft triangular serifs. [Google] [More] ⦿
Brenda Bounsaythip	Parisian student-designer (at ECV) of the pixel typeface Game Over (2014). [Google] [More] ⦿
Ammar Bouras	Algerian type designer and calligrapher. Creator of the Arabic / Latin typeface Shahrazed (2021). The Arabic part has calligraphic elements from Naskh and Maghrabi. [Google] [MyFonts] [More] ⦿
Manuela Bourboulon	Parisian designer of an unnamed mini-slab serif typeface in 2013. [Google] [More] ⦿
Laurent Bourcellier	A resident of Aulnay-sous-Bois, he specializes in scientific typefaces. Laurent lives in Scherwiller, France. He is a freelance graphic and type designer who is working at Porchez's foundry in Sèvres. Graduate of Ecole Estienne in 2006, where his thesis was entitled Gothiques et XXe siècle. Création, propagande, détournement. In 2008, he cofounded Typographies.fr with Jonathan Perez in Paris. His typefaces: The Latin italic typeface Joos (2009). Joos won an award at TDC2 2010. It was inspired by an italic created in 1536 by Joos Lambrecht, from Gent, Belgium, who was one of the great printers and punchcutters of the 16th century. Unicopte (for Coptic, 2008). He co-designed Copte Scripte in 2008 with Jonathan Perez. Copte Scripte won an award at TDC2 2009. His thesis at Estienne was about the development of Unicopte. Luciole (2019). he explains about this free monolinear sans family: A typeface for visual impairment. Word massing, spacing, the structure of the letters: the concept for Luciole adheres to a dozen specific design criteria to provide the best possible reading experience for the visually impaired. Particular care has been taken in drawing the figures, mathematical signs, and punctuation. Each style of Luciole contains over seven hundred characters and supports almost all European languages. The character set also includes many Greek and mathematical symbols for scientific notation. Luciole aims to facilitate both optimal readability for visually impaired students and efficient deployment by publishing professionals. For the development, he had help from DIPHE laboratory at the Université Lumière Lyon 2. [Google] [More] ⦿
Marie Bourcier-Bele	Graduate of ECV Lille, France. Her brush typeface Brut (2017) is based on brutalist art art Dubuffet's signature. [Google] [More] ⦿
Sarah Bourdin	Toulouse, France-based creator of the modular geometric typeface Loving (2013). [Google] [More] ⦿
Tristan Bourdon	Parisian graphic designer. He created the dotted outline typeface Discommander (2010). [Google] [More] ⦿
Chloe Boureau	Parisian designer of a glitched version of Bodoni called Filoni (2020). [Google] [More] ⦿
Ingrid Bourgault	For Ludovine Loiseau's course at ERG in Brussels, Ingrid Bourgault (b. Quebec) created the free font Brush Lettering One (2014, OFL), which is based on Eben Sorkin's Merriwaether Bold Italic (2013). In 2015, she drew an experimental alphabet based on the grid system of the excellent Belgian newspaper Le Soir [on par with De Standaard], and created an experimental multicolor modular typeface. Behance link. [Google] [More] ⦿
Pablo Nicolas Gavilanes Bourgeat	During his graphic design studies in Quito, Ecuador, Pablo Nicolas Gavilanes Bourgeat created the modular display typeface Nonchalant (2012). [Google] [More] ⦿
Cesar Bourgeois	During his studies, Bassano del Grappa, Italy-based Cesar Bourgeois created the ruler-and-compass typeface Process (2015). [Google] [More] ⦿
Sterenn Bourgeois	Sterenn Bourgeois (Trait pour trait, France) studied graphic and type design at Ecole Estienne in Paris. She created several typefaces, including Nature (a great children's book typeface created for Mille Ans de Contes, ed. Milan), Québec (same purpose as Nature), Titi (hand-drawn), Super Héros, Ariol (comic book face), Gabri, PLR (license plate sans) and a set of initial caps done for Editions Ex Nihilo in 2011. [Google] [More] ⦿
Natalia Bourges	Based in Mexico City, Natalia bourges designed the modular typeface Contra Condensed (2013), which is based on Hoefler's Knockout. [Google] [More] ⦿
Frederic Bourgoin	British creator of these typefaces in 2012: Untitled, Jacqueline (Peignotian), Clinah (prismatic). [Google] [More] ⦿
Lennert Bourgonjon	Lokeren, Belgium-based designer of the display sans typeface Lebou (2017). [Google] [More] ⦿
Ulick J. Bourke	According to Michael Everson, either Bourke or James Marr made the roman Gaelic font Bourke (or: Romano-Keltic), ca. 1877. [Google] [More] ⦿
George Bourle	Or George Bourle. Thessaloniki, Greece-based lettering artist. Designer of Ellinikon (2019), The Knot (2019: a font duo meant for weddings), Left Hand Kids Font (2019), Boldera (2019: brush style), Coolscript (2019) and Brulee (2019: a monoline script). [Google] [More] ⦿
Adrien Bourmault	As a student in Suresnes, France, Adrien Bourmault designed the artistic typeface Point Type in 2013. Behance link. [Google] [More] ⦿
Craig Bourne	During his studies at ATRiuM USW, Cardiff, Wales, Craig Bourne designed the vampirish typeface Freaks of Fairytales (2013). [Google] [More] ⦿
G. R. Bourne	GeoBo Fonts is a San Diego-based foundry, established in 2004 by G.R. Bourne. Their typefaces can be bought at MyFonts: Daisy (2004, a bouncy display face), Gothika, Scimitar, Raven, Nifty, RomanSanSer (2004, designed to have features of both University and Times-Roman), BlackThorne. Klingspor link. [Google] [MyFonts] [More] ⦿
Jamie Bourne	Jamie Bourne (Richmond, VA) created the tiled film font Saviors (2013). [Google] [More] ⦿
Sabrina Bourque	At Cegep de Sherbrooke in Quebec, Sabrina Bourque designed a deco typeface (2013). [Google] [More] ⦿
Cyril Bourreau	Designer of Back to the Future (2002). [Google] [More] ⦿
Fleury Bourriquant	Fleury Bourriquant made a Civilité honneste, which was used in the region around Toul, Chatellerault and Troyes, in the early part of the 17th century. [Google] [More] ⦿
Alison Bours	At he Type @ Cooper program in 2012, Alison Bours designed Hamre. [Google] [More] ⦿
Nejma Bousaid	During her studies in Paris, Nejma Boussaid designed the pixelish typeface FFatty (2016). Behance link. [Google] [More] ⦿
Randy E. Bouse	Randy Bouse (PurOKC Creations, UK) is the designer of the extended display font Ponchovia, and of Madrid. He also calls his fonts OKCRandy fonts, but currently, there are no fonts on his site. They used to be free but won't be in the future. [Google] [More] ⦿
Dimitris Bouskos	Athens, Greece-based designer of the free brush typeface Katana's Edge (2016) and the powerful beer brandig font Cannibale (2016). [Google] [More] ⦿
Guillaume Bousquet	Sherbrooke, Quebec-based designer of the all caps typeface Division (2015). [Google] [More] ⦿
George Boussenko	Graphic and web designer in Auckland, New Zealand. He created the simple yet elegant headline family Blanco (2011). [Google] [More] ⦿
Corrie Boustany	Beirut, Lebanon-based designer of the experimental Arabic typeface Totem (2017). [Google] [More] ⦿
Kimberly Boustead	Designer and illustrator in Minneapolis. She created the illustrative typeface Seashore Spectacular (2012). [Google] [More] ⦿
Angelique Boutaud	During her studies, Toulouse, France-based Angelique Boutaud designed a deconstricted brushy version of DIN (2016). [Google] [More] ⦿
Mélanie Boutet	Parisian designer of the display typeface La Super Typo (2015), a custom job for Galerie Sakura. [Google] [More] ⦿
Pierre Boutet	Cognac, France-based designer (b. 1979) of the dot matrix typefaces Led Panel Station On and Led Panel Station Off (2021), which were inspired by old station and airport panels. [Google] [More] ⦿
Dara Boutin	Quebec City-based designer of the decorative typeface Flos (2016). [Google] [More] ⦿
Gary David Bouton	Gary David Bouton and Barbara Bouton's site was called Exclamations. Gary has been writing books on computer graphics for over 20 years, inlcuding eight books on Corel Draw. In 2015, Gary went commercial as Gare. Their typefaces: International Symbols (2015, an icon font), Twooth (2015), Greek Diner Inline (2015, based on Carol Twombly's Lithos), BifurOverlay (2015, an overlay font based on Cassandre's Bifur (1929)), Bouton Kursiv (2008), Odissey (2008), Russel Write (2010), Elephants and Bears (dingbats), GreekDiner Inline, GeotypeTT (1997), WebKnobsTT (1997), Beacon (2008, a Schwabacher), BOUTON Nouveau Ornaments II (2009), BifurFoundation (2010), BifurOverlay (2010, after Cassandre's Bifur), Frankfurter Venetian (2008, fat rounded horizontally striped all caps face), Folks (medieval caps), Nouveau Rococo Deco Dings I (2008, art nouveau ornaments), Simulata (2006, geometric deco typeface with Bifur influences), Whimsy (comic book font), SymbolsTT (1998, charityware dingbat font). Exclamations link. Alternate URL. Dafont link. Creative Market link. [Google] [More] ⦿
Gary David Bouton	Big collection of 3d fonts (commercial). Three free 3d fonts, Balthazar, Dayton and GeoType (by Gary David Bouton). The fonts in their packages look like renamed examples of well-known fonts. The subpage with the fonts seems to have disappeared. [Google] [More] ⦿
Arlette Boutros	Lebanese type designer who runs the London-based Boutros Foundry with Mourad Boutros. She created or co-created the Arabic typefaces Boutros Ads Pro, Boutros Advertising, and Boutros Thuluth Light. She also was one of the four co-designers (with Mourad Boutros, Richard Dawson and Dave Farey) of Tanseek Pro (2008, Monotype), a typeface family for Latin and Arabic. It contains Tanseek Modern and Tanseek traditional. In 2017, Arlette Boutros designed Boutros Futura, or Futura Arabic, at URW to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. URW's Futura Arabic contains, of course, as a subset, the regular Latin Futura. Still in 2017, Boutros Fonts added URW Geometric Arabic to Joern Oelsner's URW Geometric. In 2019, Volker Schnebel (URW) and Arlette Boutros joined forces and published URW DIN Arabic. She also published the ten-style Latin/Arabic humanist sans typeface Boutros Angham in 2019. Klingspor link. [Google] [MyFonts] [More] ⦿
Mourad Boutros	Boutros calligraphic Arabic fonts (sold by Glyph Systems of Andover, MD) are fonts designed by "Boutros International" a group of experts headed by Lebanese designers Mourad and Arlette Boutros, who run Boutros Foundry out of London, UK. The blurb: These beautiful TrueType Fonts are designed to work in Microsoft's Arabic Windows versions 3.1 / 95 / 98 / NT as well as on the Mac OS with an Arabic Language Kit. Their fonts include Boutros Decorative Kufic, Boutros Display, Boutros Koufic, Boutros MB Naskh, Boutros Modern, Boutros New Koufic Modern, Boutros Simplified Naskh, Boutros Asifa, Boutros Farah, Boutros Farasha, Boutros Fares, Boutros Najm, Boutros Thuluth (2012, based on Arabic bamboo calligraphy), Boutros Advertisers Naskh, Boutros Advertising, Boutros BBC Arabic, Boutros GE Tasmeem, Boutros Latin (Serif, Sans Serif), Boutros Maghribi, Boutros Minaret. See also here. Mourad Boutros is an experienced Arabic creative director, calligrapher and typographer. From his bio: Since 1978, he has been Arabic typographical consultant to many international companies including Letraset. Mourad has designed more than 50 Arabic typefaces, some of which are available on IBM printers as core fonts. Typeface commissions have included corporate typefaces for Mercedes-Benz and for Al Anba, the leading Kuwaiti Arabic newspaper. The early ITC collection in the 1980s had six Arabic typefaces: ITC Latif, ITC Boutros Calligraphy, ITC Boutros Setting, ITC Boutros Kufic, ITC Boutros Modern Kufic, ITC Boutros Rokaa. At Ascender, Mourad published Boutros Maghribi (2009, co-designed with Rana Abou Rjeily), based on the Arabic calligraphy bamboo classical Maghribi style. In 2008, Boutros co-designed Tanseek Modern and Tanseek Traditional with Richard Dawson and Dave Farey. Here you can download these 2004 fonts by Boutros: GEBox-Bold, GECapMedium-Medium, GEContrastBold-Bold, GECurvesMedium-Medium, GEDinarOne-LightItalic, GEDinarOne-Medium, GEDinarOne-MediumItalic, GEDinarTwo-Light, GEDinarTwo-LightItalic, GEDinarTwo-Medium, GEDinarTwo-MediumItalic, GEEast-ExtraBold, GEEast-ExtraboldItalic, GEElegant-Italic, GEElegantMedium-Medium, GEFlow-Bold, GEFlow-BoldItalic, GEFlow-Italic, GEFlow, GEHili-Book, GEHili-Light, GEJarida-HeavyItalic, GEJaridaHeavy-Heavy, GEMBFarahBold-Bold, GEMBFarashaLight-Light, GEMBFaresMedium-Medium, GEMBMBBold-CondensedBold, GEMBNajmBold-Bold, GEModernBold-Bold, GEModernLight-Light, GEModernMedium-Medium, GENarrowLight-Light, GESSTVBold-Bold, GESSTextBold-Bold, GESSTextItalic-LightItalic, GESSTextLight-Light, GESSTextMedium-Medium, GESSTextUltraLight-UltraLight, GESSThree-Italic, GESSThree-Light, GESSTwoBold-Bold, GESSTwoLight-Light, GESSTwoMedium-Medium, GESSUniqueBold-Bold, GESSUniqueLight-Light, GESmooth-LightItalic, GESmoothLight-Light, GETasmeem-Medium, GEThameen-Book, GEThameen-BookItalic, GEThameen-DemiBold, GEThameen-DemiBoldItalic, GEThameen-Light, GEThameen-LightItalic, GETye, GEUnique-ExpandedBold, GEWideExtraBold-ExtraBold. Here one can find Boutros-Ads-Pro-Bold, Boutros-Ads-Pro-Bold-Condensed, Boutros-Ads-Pro-Light, Boutros-Ads-Pro-Medium, and Boutros-Ads-Pro-Medium-Italic. In 2017, Mourad Boutros and Soulaf Khalifeh published the free low contrast Tajawal sans typeface family for Latin and Arabic. Google Fonts link. Github link. In 2018, Boutros Fonts published URW Geometric Arabic. FontShiop link. [Google] [MyFonts] [More] ⦿
Amélie Boutry	French type designer (b. 1977) currently based in Paris, who created Cargoth (2001), a hybrid of Carolingian and Gothic. Other typefaces by her include Pelleport in 2004 and Trente-trois in 2006. She is involved now in type design and corporate identity projects at Porchez Typofonderie. As a student at ENSAD, she co-designed the Garamond typeface Recréation (2000). Typofonderie link. [Google] [MyFonts] [More] ⦿
Lionel Bouvet	French designer, with Epok Design, of the compass-and-ruler typeface Ready in 2017. [Google] [More] ⦿
Thomas Bouville	French type designer at 205TF, who graduated in 2013 from ESAD in Amiens, and regularly teaches typography at the ESAD in Reims. Creator of Alterate (sic) Gothic (2012, with Sarah Kremer), based on Morris Fuller Benton's Alternate Gothic (1903). His ESAD graduation typeface was Kelvin (2013) in Avec (serif) and Sans styles. Kelvin was created for academic and scientific texts. In 2020, he designed Dédale at 205TF. Dédale is a hybrid (sans to slab serif) type family inspired by stone-carved inscriptions in the catacombs of Paris. It has a variable style as well. [Google] [More] ⦿
Bas Bouwense	Bas Bouwense (Social Animal) is the Dutch designer (b. 1974) of Social Animal (2007, grunge). Home page. Bas lives in Rotterdam. Behance link. [Google] [More] ⦿
Philip Bouwsma	Type designer born in Boston in 1948 who created many exquisite designs such as Alexia (1992), Sallando Italic, Dorothea or Cresci Rotunda. His work shows the influence of masters such as Arthur Baker. A list of typefaces done for Agfa (which became Monotype): Alligators (dingbats), Aureus Uncial, Bollatica (a blackletter script), Carmela, Connach (a Gaelic font), Corvallis (1995), Cresci Rotunda (a rotunda), Dorothea, Francesca (1994), Hrabanus (1994, Monotype: Based on the lettering of Hrabanus Maurus, c. 776-856, archbishop of Mainz and author of many commentaries on the scriptures), Lexie's Animals, Ludovico, LudovicoWoodcut, Makondo (tribal glyphs), Mantegna (named after the renaissance era engraver Andrea Mantegna), Mariposa, Mariposa Sans, Mexican Birds, Borders&Symbols, Monmouth (1994, a Lombardic / blackletter face), Neuhengen, Ophelia Italic, Palatino Rotundo, Percival, Poggio Bookhand, Pompeii Capitals, Ramsey (1997, Lombardic face), Sallando Italic, Southwest (dingbats), Synthetica (1996), Thalia Italic, Trieste, van der Hoef Capitals (Monotype, an art deco typeface after 1920 lettering by Dutch artist Christian van der Hoef), and Wolfdance. At Alphabets Inc: Alexia (1992; a broad nib font), Benedict Uncial, BouwsmaScript, Juliana and Weissenau. A complete list of all Philip Bouwsma fonts on the Creative Alliance v9.0 CD: Alligators (1994, letters made up from alligators), Aqua Life (2005), Carmela, Clemente Rotunda, Corvallis (1995), Corvallis Oblique, Corvallis Sans, Corvallis Sans Oblique, Dorothea, Fransesca Gothic (1996, Lombardic / blackletter style), Hrabanus, Lexie's Animals, Lombardic Capitals (1994, Monotype), Ludovico Smooth, Ludovico Smooth Flourishes, Mariposa, Mariposa Bold, Mariposa Book, Mariposa BookItalic, Mariposa Black, Mariposa Medium, Mariposa Sans, Mariposa Sans Bold, Mariposa Sans Book, Mariposa Sans BookItalic, Mariposa Sans Black, Mariposa Sans Medium, Mexican Birds, Polenta Black Italic, Polenta Italic, Ter Gast, Ter Gast Alternates, Wolfdance, Wolftrack, Schildersblad Capitals (Dutch deco, at Monotype), Tresillian Roman, Tresillian Script (1999: a calligraphic script). From 2005 on, he started publishing his typefaces at Canada Type. There he published a fantastic calligraphic blackletter-inspired family, Torquemada, and Bouwsma Script (2006), an extension of his 1994 handwriting face. Still at Canada Type, he updated Alexia in 2006, and added Luminari in 2008, a Lombardic / uncial font influenced by the prolific humanist Poggio Bracciolini from the early fifteenth century (+Greek, +Cyrillic, +Celtic). The 8-style Bouwsma Text (2008, Canada Type) is a full-bodied truly "roman" family well worth visiting. The 5-style calligraphic script family Mirabel (2008, Canada Type) is based on the handwriting of Beverly Bouwsma (Philip's mother), which she developed in the 1930s. Styx (2008, Canada Type) is a 4-font connected calligraphic script family with rough and smooth variations. But his grandest achievement at Canada Type is perhaps Maestro (2009), a 40 style chancery family, in 2 weights each, with 3350 characters per font, co-designed with Patrick Griffin. Still in 2009, he designed the 6-style calligraphic Tupelo family. In 2010, his main contribution, with Patrick Griffin, is the calligraphic uncial Testament II. His Lorenzo family (2010, Canada Type) is has both chancery and calligraphic styles. In 2011, he published the Carolingian script family Symposium Pro, with the help of Patrick Griffin. In 2015, Bouwsma published te calligraphic typeface Lyra, an Italian Renaissance script somewhere between the humanist bookhand and the chancery cursive. View Philip Bouwsma's typefaces. [Google] [MyFonts] [More] ⦿
Pierre Bouyer	During his studies at Lisaa in Nantes, France, Pierre Bouyer designed a poster entitled L'Alphabet Sexuel (2016). He also designed the free vector format connect-the=dots typeface Stelar (sic) (2016), the free vector format dry brush typeface Azade (2016). In 2017, he published the free AI-format dry brush script Müburbs. Behance link. [Google] [More] ⦿
Benedetta Bovani	As a member of the Italian open source font cooperative Collletttivo, Benedetta Bovani designed the polygonal typeface Ortica Bold (2019) and the thin display serif typeface Ortica Light (2019). Ortica Bold takes inspiration from the work of Czech designer Vojtech Preissig. [Google] [More] ⦿
Michel Bovani	French designer of the (free) Fourier-GUTenberg package (dated 2003) for Latex, which includes a number of mathematical type 1 fonts that are new: Fourier-Alternate-Black, Fourier-Alternate-Bold, Fourier-Alternate-BoldItalic, Fourier-Alternate-Italic, Fourier-Alternate-Roman, Fourier-Alternate-SemItalic, Fourier-Alternate-SemiBold, Fourier-Math-BlackBoard, Fourier-Math-Cal, Fourier-Math-Extension, Fourier-Math-Letters-Italic, Fourier-Math-Letters, Fourier-Math-Symbols. By 2020, the package features Fourier-Orns (ornaments, including fists and fleurons) and opentype files. Fourier Gutenberg is derived from Adobe's Utopia font. [Google] [More] ⦿
Lionel Bovet	Lionel Bovet (Geneva, Switzerland) founded Helveticfonts ca. 2012. He created the Peignotian typeface family La Collongeoise (2012). The following typefaces are being planned: Geometria, Geofil, Geofil Slab, Elbé. Personal web site. Behance link. [Google] [More] ⦿
Carine Bovey	Graphic designer and art director in Genève, Switzerland, who created the runic simulation typeface Runiska in 2016. Behance link. [Google] [More] ⦿
Tommaso Bovo	Tommaso Bovo (Florence, Italy) created Istanbul (2013), a typeface inspired by the city. Behance link. [Google] [More] ⦿
Dan Bow	In 2017, Dan Bow (Sheffield, UK) designed the copperplate style roman alphabet Praetura (2017), which haselements of Futura. [Google] [More] ⦿
Caitlin Bowden	Student at Lasalle, who created the textured typeface Lines (2012). [Google] [More] ⦿
George Bowditch	Designer in 1957 of a typeface used for Idaho State Historical Markers. Digitized by Ray Larabie as Goldburgs (2006). [Google] [More] ⦿
Anthony Bowe	First called Geronimo Fonts, then Paradox Fontworks, and then Typewire Studios, this American studio created these free fonts in 2015: For Sara, Funkytown, Necktie (blackboard bold), Northpoint (strong octagonal varsity font), Kevin Eleven (handcrafted 3d font), Back to School (handcrafted), Musicnet (dot matrix font), Anxiety, Starship One, Astronaut City (comic book style), Internet Friends, Solitude (rounded sans), Kinetic Extreme (+Solid), Crank, Disco Flow, Psychedelic, Lemons, Bokai, Royalty Code, Operation (military octagonal stencil face), Northwest (squarish), Hijack, Establishment, Jamstone, Skinz, The Antenna, Distortion, Los Mesitos, Rock Salmon, Hand Stencil, Crossroads, Upton Funk, Zero Theory, The Million Mile Man (3d outline font), Blueberry Pie, Boraodway Musical, Block Cartoon, Cinematic Language, Kayak, Aerospace, Russian (constructivist), Lines (white on black), Ohio Collegiate, Alkaline. In 2014, Anthony designed these typefaces: The Ambrosia Society, The American (stencil), Clockwork (rounded and octagonal), Basico 1983, Crash Test, Christmas Sweater (textured, knitted), Dysfunctinal, Winter Sans, Tazorblade, Origami, Kingsbury, Mike, Secret Stencil, Braillefont, Encrypted, Spacecraft, Retro Serif, Something Blue, Lakeside, Amelia Pond, Kindergarten, Superpowers, Homeboys, Dispensations, Neutron (sans), Chrome, Mandarin, Battlecry (stencil), Spacebar, Starlight, Square Deal, Timeline, Simpetico, Guardians (octagonal), Pixel Rocks, Snakeway, The Spaceman, Paint Brush, Series Slab, Simple Life, Warehouse, Flappy Birdy, Brushmark, Hammers and Strings, I Do Not Trust You, My Dad Drives Me Crazy, Scriptfont, Widehand, Bastille, Destruction, Remember, Handlebars, Marksman, Animated, Chubby Gothic, Highlight, Lighthead, Random Type, Readable, Archibald, Stenciles, Andersans, Gondola (monoline geometric sans), Sundance Neue, Jangotype, Limousine, Crayon Kids, Packing Tape, Cartoon Adventures, Telescope, Little Shrimp, Destiny (FontStruct), Al Dente, Copper Four (piano key font), Digit LCD, Dimension (horizontally striped), Highway Block Sans, Integration, Overload (LED font), Scoreboard LED, The Distance LCD, Ace Gaffigan, Grean, The Distance (FontStruct), Reason to Believe, Quincy Egbert, Oklahoma, Anonymous, Amaretto, Espionage (horizontally striped), Waffleboy, Angular, Equalizer, Spangled, Freewind, Ancient Grease, Black Pine Trees, Etra Preview, Fun Fragment, Multilingual hand, Red Velvet, The Fragile Wind, Lightweight Serif, Instant Access, Black Pixel, Rapid Mental Thursday, Blue Chucks, Hand Power, Royalty Waffles, Anger Management, Pocket, Effective, Florida, Pencil Sharp, Silence Will Fall (a prison say counter font), Chuck, Caged, Diamond, Uncle Salsa, Zebru, Sun, Stafona, Questions, Fancy, Sunwave, Doodle Digit, Einstein Grand, Lollipop, Lemon Rose, Gentleman, Jukebox, Fuzzy, Monster Taxi, Popsicle, Ripleys, Fragment, Crashy, Ravioli, Little Picnic, Strobelight, Cool, Cheddar (hand-printed) and Comic Fade (a dot matrix font done at FontStruct), Schnoodle, Ice Cubed (pixel face), GF Albert, Garfield, Black Friday, National Industry, Warlox, Moneto, Troublemaers, Sundrop, Magnitude, Break The Chain, Black Fire, Ralph, Hexoto, Flubber, Crazy Smile, Angel, Cheapskate, Flatboard, Stitcher, Black Shadow (20143, a dripping blood font), Probably Yes, True Love, Charlie, George, Alpine Script, Aztec Kingdom, Megafont, LCD Expanded, Generation, Arcadia, Cosmo, Jokerface, Deco Future (a blackboard bold typeface, +Inline). Many of the typefaces were made with FontStruct. Typefaces from 2016: Inklings (textured), Scorpion (squarish), Vincentio (text typeface), University (varsity font), Gameplay, Barbershop (squarish blackboard bold style), Elevation (sans), Revolution Script, New Chinese (oriental simulation), Underground, The Neverlanders. Typefaces from 2017: Snowball, War of 1930, Superguns, High School, Destructive (octagonal stencil font), American Grunge, French Fries (shaded). Typefaces from 2018: Oldies Cartoon, Showtunes, Topline (squarish sans), Grunge Band, The Friendly Indians. Typefaces from 2019: Land+Mine (spurred), Jersey Slim. Typefaces from 2020: Meatloaf (pixelish), Space Galaxy, Ouitfield Pro (heavy sans caps), Alkine (circled letters), Flower Girl (alphadings), Lightzone (a dot matrix font), Gameplay 1987 (a pixel font). [Google] [More] ⦿
Matt Bowe	Auckland, New Zealand-based designer of the balloon font Space Head (2012). [Google] [More] ⦿
Audrey Bowen	Monson, MA-based designer of the decorative caps typeface Supernova (2017). Behance link. [Google] [More] ⦿
Elise Bowen	Designer in Salt Lake City, UT. At the University of Utah, she created an unnamed grid-based typeface. [Google] [More] ⦿
Jeremy Bowen	Jeremy Bowen is a graphic designer from Seattle, WA. He set up the foundry seven eight in Renton, WA. His first typeface is the basic monoline sans Kollar Sans (2013), which comes in one style. It was originally designed for an exhibition at the Seattle Art Museum featuring Japanese woodblock prints from the collection of Allan and Mary Kollar. Gaslight (2014) is described by Jeremy as a sans-serif rich with humanist charm and lyrical curves. Creative Market link. [Google] [MyFonts] [More] ⦿
Kevin Bowen	American designer (b. 1991) of the graffiti font Delusion (2008) and of Bubble Wrap (2009, outline font). [Google] [More] ⦿
Nathan Bowen	Illustrator and designer in Lynchburg, VA, who created the alchemic Future Viking font in 2013 while studying at Liberty University. [Google] [More] ⦿
Sara Bowen	Graphic designer in Ann Arbor, MI, who created the pixel typeface Tribbles in 2016 using FontStruct. Behance link. [Google] [More] ⦿
Michael Bower	Designer of Riven (1998). This font was singled out by the typophiles as a problematic pirate font---even the name of its parent, Perpetua, was left inside the font file. [Google] [More] ⦿
Chris Bowers	During his studies in Boston, Chris Bowers designed the typeface family Ketman Display (2015), a revival of the German art deco typeface Patria (1938, Henry Reinhard Moeller). On the project page, users can interpolate between several different masters of Ketman. [Google] [More] ⦿
Harold Bowers	Commercial GD&T fonts by Harld Bowers for "geometric dimensioning and tolerancing". And Engineering/Technical fonts in truetype at 15 USD a shot. Architectural CAD drawing fonts. And Make-A-Screw truetype font for 99USD. [Google] [More] ⦿
Louie Bowers	London-based designer of the caps typeface Ode to Eine (2011). [Google] [More] ⦿
Lucas Bowers	Creator of the iFontMaker font Blueprint (grunge, sketchy). [Google] [More] ⦿
Micah Bowers	Illustrator and letterer in Portland, OR, who designed the signage typeface Bohammer Script in 2015. Behance link. [Google] [More] ⦿
Michelle Bowers	American artist and graphic and type designer. Her typefaces include Eudaemonia (2004, organic), Purgatory (2004), Artburn (2004), Pastiche (2004), and Hootenanny (2003, ornamental). [Google] [More] ⦿
Tristan Bowersox	Colorado Springs, CO-based designer of the heavy poster typeface Laffy (2014), which is advertised as a children's book font. Behance link. [Google] [More] ⦿
Graham Bowes	University of Salford (Manchester, UK) graduate who created Illuminati (2012, octagonal), and Potato (2012, potato printing). [Google] [More] ⦿
Emma Bowey	Emma Bowey is the Manchester, UK-based designer (b. 1990, London) of Mancitecture (2015, an experimental font influenced by the architecture of Manchester), the spindly handwriting typeface Alphasplat (2012, Treefrog style) and of Mancitecture (2013), Chippy Handwriting (2012), Bond Me (2012, a piano key face), Sponge (2012, a fat poster font), and Tickle Me Elmo (2012). Aka Girl with the AWOL muse. University of Salford link, where she participates in Salford Type Foundry. Fontspace link. Dafont link. Behance link. Aka Chippy Bowey. [Google] [More] ⦿
Sidney Bowhill	Designer of the compressed western font Townsend, and of Trajan. [Google] [More] ⦿
Kelly Bowker	Graphic designer in Massachusetts. Creator of the display typeface Panogram (2013) and Circuit (2013). [Google] [More] ⦿
Thomas Bowler	Thomas Bowler (Stealthcow) is the British designer of the sans font BubbleFont (2003) [no downloads]. Alternate URL. [Google] [More] ⦿
Ryan Bowles	Gold Coast, Australia-based designer of the marker pen typefaces Sunday Morning (2016) and Angeles (2015) and of the copperplate gothic typeface Copper Bowles (2016). Typefaces from 2017: Hell Or Highwater. Creative Market link. [Google] [More] ⦿
Chris Bowman	Type designer. With Jason Thorpe, he made Temple of the Dog (1991), a child's handwriting font. [Google] [More] ⦿
Jeffrey Bowman	Jeffrey Bowman (Hemsedal, Norway) created some very original typographic illustrations in 2013 including Skirt for a Virgin Media Shorts film. He created the experimental microbial typeface Hemsedal (2013), which was contributed in 2014 as a free font to Citype. Behance link. DE [Google] [More] ⦿
John H. Bowman	Programme Director for Library and Information Studies at University College, London. At the meeting in Thessaloniki in June 2002, he spoke about The fine printing of Greek in Britain and its types. Author of Greek printing types in Britain, from the late eighteenth to the early twentieth century (Thessaloniki : Typophilia, 1998). That book is based on the author's thesis completed in 1988 for the Department of Typography and Graphic Communication at the University of Reading, England. [Google] [More] ⦿
Trev Bowman	Designer of a modular stencil typeface in 2017. [Google] [More] ⦿
Trevor Bowman	Clovis, NM-based designer of a few typefaces in 2017, including an avant garde and a stencil style. [Google] [More] ⦿
Erika Box	Creator of a bilined caps typeface in 2012: Typeface inspired by the Melbourne Cup horse races. I wanted to mix the timeless elegance of serif typefaces with the glamour of the Melbourne Cup. The font was inspired by the beautiful feathers on the hats, the bubbling champagne and the swift, smooth movements of the horses. [Google] [More] ⦿
Sieb Boxmeer	Owner of the graphic design company Sieb Design, Dutchman Sieb Boxmeer created the hand-printed Bottenbreker TV (2008), named after a TV program in The Netherlands, Brute Bottenbreker. [Google] [More] ⦿
Basil Boyacos	Berlin, Germany-based designer of the free weathered blackletter typeface family Au (2018). [Google] [More] ⦿
Robert Boyall	Robert Boyall (Norwich, UK) created a typographic spider in 2012 to create fear. Designer of the experimental dots and lines typeface Modular Type (2012). [Google] [More] ⦿
Nelly Boyanova	Copenhagen, Denmark-based designer (b. Bulgaria) of the free vector format geometric solid typeface Metra (2019). [Google] [More] ⦿
Anna Boyar	FontStructor who made the display typeface Digitollipop (2010). [Google] [More] ⦿
Jean Boyault	JB Foundry was established by Jean Boyault (b. 1960, Suilly La Tour, France), a type designer who lives in Suilly La Tour. He is the designer of the cursive and other school fonts for teachers, all free and made in 2006-2007: JBCursive, JBEtude-Regular, JBMatrice, JBBatonRond-Bold, JBBatonRond-Extra, JBBatonRond-Italic, JBBatonRond-Regular, JBChantier, JBCursive++Feutre, JBCursive++Marqueur, JBCursive++Normal, JBFil, JBRond, JBScolaireT1-Bold-Italic, JBScolaireT1-Bold, JBScolaireT1-Italic, JBScolaireT1, JBScolaireT2-Bold-Italic, JBScolaireT2-Bold, JBScolaireT2-Italic, JBScolaireT2. Typefaces made after 2007: Simple Ronde (2011, upright connected script), JB Etude (2007), JB Script (2010), JB Haut>, JB Lames (2008), JB Elegant (2008), JB Cursive, JBStyle (2008), JB Fil Std (2009) and JB Calli (2008). Commercial typefaces: JB Davayé (2010, connected upright script), Belladone (2010, a graceful display family), Maceriam (2010, +Nova, +Putri, +Lapide: letters cemented into walls---a great idea). From 2011: Old French School Bold (upright connected script), Filature (a monoline connected upright script). Typefaces from 2012: Only One Dollar (a shaky script), JB Cursive 3, Purple Line, Purple Deco, Suilly La Tour, Typha Latifolia, Bouclettes (a curly upright typeface). Typefaces from 2013: Friandise (a decorative typeface reserved for chocolate enthusiasts), Capucine (a chocolate store pair of typefaces), Cuivrerie (a flared interlocking typeface based on lapidary inscriptions found in Bourgogne), Suilly La Tour (calligraphic script), Gaston (a large script family), Typha, Centaurea (a beautifully executed layered type system based on a didone with curved serifs), Toubib (hand-printed). Typefaces from 2014: Hirondelle (connected script), Lecteur Heureux (connected upright loopy script), Happy Reader (connected script), Hopeful Giraffe (a very tall and thin upright script). Typefaces from 2015: HopefulGrasshopper (a fun printed script), Henri Modeste (an experimental didone typeface), Gaston (upright connected ronde script), R+C (the ultimate explicit ruler-and-compass technical drawing typeface with filled, outlined and sketched substyles). Typefaces from 2016: Belle Allure (connected upright school script). Typefaces from 2017: Badinerie (flowery semi-connected connected script), Badinerie Love (with hearts added), badinerie Christmas. Fontsy link. Klingspor link. Dafont link. [Google] [MyFonts] [More] ⦿
J. Boyce	Designer at FontStruct in 2008 of Porkchops (heavy), TWO2, ONE1. [Google] [More] ⦿
Galynka Boychuk	Lviv, Ukraine-based creator of the Cyrillic blackletter typeface Melanzh (2015). Behance link. [Google] [More] ⦿
Phillip Boydell	Designer (b. 1932) of Festival Titling or Festival of Britain (1950-1951, Monotype) at the London Press Exchange for festival advertising. This almost beveled typeface has caps and numerals only. Monotype carries digital versions. Klingspor link. Fontshop link. [Google] [MyFonts] [More] ⦿
Charlie Boyden	During his studies in in Suffolk, Ipswich, UK-based Charlie Boyden created an untitled avant garde typeface (2014). Also in 2014, he created the Bauhaus-inspired typeface Circles. [Google] [More] ⦿
Megan Boyd	Graduate of Savannah College of Art and Design who now freelances in Orlando, FL. Creator of the Victorian typeface Ephemere (2013). Behance link. [Google] [More] ⦿
Molly Boyd	Born and raised in Seattle, WA, Molly Boyd created a proposal replacement typeface for Esso's pre-1911 logo font in 2013 while studying at the University of Washington. [Google] [More] ⦿
Shelby Boyd	As a student at Algonquin College, Ottawa, Canada-based Shelby Boyd created the art deco typeface Colonnade (2015). [Google] [More] ⦿
William Boyd	William Boyd made some semi-uncial fonts such as Carolingia (1991, based on Dorovar-Carolus FLF, made in 1988 by Casady & Greene, where "based on" is a euphemism). His designs were at the basis of the Celtic font Boyd Uncial Unicode (2003). He also did the Western font Laramie (1993), the monoline marker font Hopalong, and the octagonal athletics typeface Freshman (1993). [Google] [More] ⦿
Emil Boye	As a student at the School of Visual Communication in Haderslev, Denmark, Emil Boye designed the free font New Industry (2015). [Google] [More] ⦿
Alba Boyer	Alba Boyer Margalef was born in 1990 in El Perello, and studied at ELISAVA. She is now a freelance designer in Barcelona. In 2013, she designed a serifless didone called Dorina. Behance link. [Google] [More] ⦿
Alyssa Boyer	Freelance designer in Lexington, VA, who created a display typeface in 2017. [Google] [More] ⦿
Genna Boyer	While studying at the University of Montana, Genna Boyer created the fat finger typeface Lemonade Stand (2013). [Google] [More] ⦿
Jenn Boyer	Jenn Boyer's free alphabet fonts with food themes (FoodFonts package): Cookie Dough, Accent Hotdog, Swiss Cheese, Accent Wet Noodle, Watermelon. There is also a free Spooky font. Commercial fonts at 1USD a shot: Accent Balloon, Accent Bubble, Accent Paper Clips, Accent Stringy, Accent Ziggy Zag. [Google] [More] ⦿
Keren Boyko	Designer of the Hebrew font Grapholog MF (2013, Masterfont). [Google] [MyFonts] [More] ⦿
Vladyslav Boyko	Warsaw, Poland-based co-designer, with Lesha Pushkarev, of the free Latin / Cyrillic display typeface Rimma Sans Bold (2021), that takes inspiration from concrete buildings and monumental architecture. Rimma Sans is rooted in the square grid and is named after Russian architect Rimma Aldonina. [Google] [More] ⦿
Samuel R. Boylan	Designer of the conlang typeface Lashema (2017, Open Font Library). [Google] [More] ⦿
Andrew Boyle	Saginaw, MI-based creator (b. 1989) of the grungy dymo label typeface Sensitivity (2011). [Google] [More] ⦿
Grace Boyle	During her studies at the Corcoran College of Art and Design, Washington, DC-based Grace Boyle created the display typeface Divetica (2015) be combining two weights of Helvetica. Her Progressive Synthesis experimental typeface (2015) is quite striking. [Google] [More] ⦿
Matthew Boyle	Creator of Anemone Mime (2009, brush script, Monotype). [Google] [More] ⦿
Melinda Boyle	Pictifont is the foundry (est. 2011) of Seattle, WA-based type designer Melinda Boyle, who grew up in Colorado. She created PictiFont (2011, + On The Beach), a 16-glyph set of symbols to personalize one's calendar containing a star, a snowflake, an apple, and so forth. This dingbat typeface accompanies a set of four monolined sans titling typefaces called PictiFont Thin (2011). Klingspor link. [Google] [MyFonts] [More] ⦿
Sally Boyle	Leeds, UK-based designer of the display typeface Tacit (2011). [Google] [More] ⦿
David Bruce Bozarth	Designer of the Amtorian language script typeface AMTOR (1998), based on ERB's Venusian alphabet. This is Startrek stuff. [Google] [More] ⦿
Mustafa Bozdemir	Sakarya, Turkey-based creator of the sans typeface family Tower (2015). [Google] [More] ⦿
Elif Melisa Boz	Izmir, Turkey-based designer of the logotype sans typeface Mappa (2018). [Google] [More] ⦿
Kris Bozeman	Graphic designer in Atlanta, who created a personal logotype in 2012, called Bozeman. [Google] [More] ⦿
Slavka Bozhinova	Graphic designer from Sofia, Bulgaria, now based in London. Creator of a circular arc experimental Cyrillic typeface in 2012. She also created the experimental typeface Former (2012). The Plant (2012) is a modular geometric font experiment. In 2016, she designed a grid-based modular typeface and a monoline wavy typeface. [Google] [More] ⦿
Helena Bozic	Freelance designer in Ljubljana, Slovenia, who created the Metropolitana typeface in 2013 together with Metka Bacar. During her studies, she created Burja Sans (2014). Behance link. [Google] [More] ⦿
Marjan Bozic	Slovenian designer, at Apostrophic Laboratory, of the R-rated dingbat font Hard Talk. [Google] [More] ⦿
Carla Soledad Bozzola	Graduate from FADU, University of Buenos Aires, who created the modern typeface Aliro (2008). [Google] [More] ⦿
Stanislav Brabec	Moonphases in metafont format, by Stanislav Brabec from Czechia. [Google] [More] ⦿
David Braben	Designer of Elite (1984, with Ian Bell), Frontier: Elite 2 (1993), and Frontier: First Encounters (1995, with Frontier Developments). These fonts were created to simulate the Elite games, and are of the pixel variety. See also here. [Google] [More] ⦿
Grazzia Bracamonte	During her graphic design studies at Instituto Toulouse Lautrec in Lima, Peru, Grazzia Bracamonte designed the illustrated caps typeface Font Face Me (2013). [Google] [More] ⦿
Andrea Braccaloni	Leftloft is a visual communications studio in Milan, founded in 1997 by graphic designer Andrea Braccaloni (b. Bologna, 1973), Francesco Cavalli, Bruno Genovese and David Pasquali. The studio is mainly engaged in corporate identity, and now also has an office in New York. Andrea Braccaloni teaches visual communication at the III Faculty of Architecture/Design at the Politecnico di Milano. At ATypI in Rome in 2002, he spoke about new typefaces he designed the old-fashioned way, as a handicraft. Within the studio, there is a small lab for type design, called "Die kleine Fonderie", at which Andrea Braccaloni and Veronika Burian are active. Designs include LL Egeo (1999, shifted letters), LL Mila (2002, a condensed sans with a trademark "g"), LL Etica (2001-2002, a sans family that derives its name from Helvetica, and has soft strokes and wide apertures---in 2009, Etica Seriffo was published by Type Together as the "trappist type family"; see also LFT Etica Sheriff in 2016, and LFT Etica Mono in 2019), LL Chicane (2001, geometric and experimental, between paperclip and neon sign), LL Impresa (2001, octagonal-themed font), LL SanSiro (masculine sans family), LL EU (a delicate sans), LL Alice ditalunghe (transitional text face), LL Officiel (extreme didone titling face, developed for French fashion magazine L'Officiel, in collaboration with Patricia Sartori), LL Crudo (experimental, now LFT Crudo), LL Ubu Re (2002, made by lines and circles only), Lemon (1998), L'Amante Perduto (1999), Solferino Text (2007, with Luciano Perondi, for Corriere della Sera), Brera (2007, a sans family by Leftloft and Molotro). In 2014, Leftloft published the semi-techno wayfinding typeface family LFT Iro Sans at Type Together. It has a unicase set of styles. In 2020, he released the flared humanist sans typeface LFT Arnoldo at TypeTogether. Klingspor link. [Google] [MyFonts] [More] ⦿
Phil Bracco	Foundry located in Westbury, NY, and run by Phil Bracco (b. 1981, Big Horn, MT), a graduate of the Pratt Institute. Creator of the festive signage fonts Charming Charlie PB (2009), Hip Hopper PB (2008, inspired by the lettering on an art poster by Patrick Owsley for the cartoon character Hoppity Hooper), Fat Rhino PB (2008) and Pink Broccoli PB (2008). Hideaway (2008) is a light-hearted comic flare serif typeface inspired by a 1964 Speedy Gonzalez cartoon title. More comedy in Chop Phooey (2008), Astronaut Jones (2008), Lil Rhino PB (2008), Houseguest PB (2008), Spidertoes PB (2009) and Tiny Butler (2008). Chorizo PB (2008) is inspired by some of the wild lettering of comic creator Paul Coker, Jr. Houndcats PB (2008) is a comic book sans based on a 1972 cartoon called Houndcats. Manic Mood PB (2008), Kid Captain PB (2009), Bear Club PB (2009), Hot Streak PB (2009) and Suited Horse PB (2008) have more comic book lettering. Suited Horse PB (2009) is a chalkboard font inspired by the title screen of a 1968 Walt Disney film titled, The Horse in the Gray Flannel Suit. Monster Fiesta PB (2009) is a curly display typeface. Chop Chop PB (2009) is an oriental brush simulation face. Fathoms BB (2009) is a crazy sans serif font based on the titling from one of ABC's Movie of the Week series from 1969 called Daughter of the Mind. Dead Rite PB (2011) and Whipsnapper (2013) are oddball cartoon typefaces. In 2012, Bracco published Mister Rii PB. In 2013, Phil Bracco designed Screwby (offbeat retro style that started out as a digitization of the film typeface Surf by Lettergraphics) and Contraption (an octagonal typeface family that started out as a digitization of a film typeface called Intrigue by Lettergraphics). Typefaces from 2014: Wonderbear PB (a cartoon typeface based on the title screens and comic books of the Hair Bear Bunch), Sackem PB (Bracco explains: Sackem started as a digitization of a singular film typeface called Benman Jumbo by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of playful widths and obliques: from the condensed Slim style to the original Jumbo style). Typefaces from 2015: Beaucoup PB (Beaucoup started as a digitization of a film typeface called Bippie by Facsimile Fonts), Luckmeister PB (offbeat, retro and cartoonish, from the vintage record cover, Music from MR. Lucky, composed and conducted by Henry Mancini), Good Grief PB (which started out as a digitization of a film typeface called Carmel by Letter Graphics), MardiKrewe PB (funky psychedelic letters, described by Phil as delightfully insane; it started as a digitization of a film typeface called MardiGras by Lettergraphics). Typefaces from 2016: Cat Burglar PB (inspired by the titling of a 1961 Looney Tunes cartoon called "The Pied Piper of Guadalupe"), Birthday Wish PB (beatnik style), Flawless Flygirl PB (beatnik style), Jus Hangin PB (children's script inspired by the lettering on the cover of the 1999 Counting Crows album "This Desert Life"). Typefaces from 2017: Roadie PB. Typefaces from 2018: Roadie PB, Chilidog PB, Cattleprod PB, Varmint PB (an offbeat flared serif font inspired by the titling of the early 1970s Yosemite Sam & Bugs Bunny comics from Gold Key), Nudity PB (a revivo the film font Ad Shadow by LetterGraphics as a layerable font), Wintermint (a revival and extension of the flared almost psychedelic typeface Lori by LetterGraphics). Nudity PB, Wintermint, Patsy PB (beatnik style). Typefaces from 2019: Ridiculous PB (beatnik), Troubled PB, Blackhole PB (a digitization of a bullethole psycjedelic film typeface known as Circue Solid by LetterGraphics), Stacked Deck PB (a retro font), Mushmouth PB (based on Lettergraphics' cartoon font Albert), Rackem PB (a beatnik font that started as a digitization of a film typeface known as Eightball by LetterGraphics). Typefaces from 2020: Jughead PB (inspired by Cooper Black and Archie Comics). Typefaces from 2021: Uncanny Cat PB (a beatnik font), Goondocks PB (octagonal; a faithful recreation of the titling font from 1985 film, The Goonies), Friday Freak PB (a beatnik all caps typeface inspired by the 1976 Disney movie Freaky Friday), Soulfinger PB (a psychedelic and beatnik hybrid). View Phil Bracco's typefaces. [Google] [MyFonts] [More] ⦿
Brad Brace	Californian designer of fonts at Garagefonts, including the texture dingbat font family GF Millennium (1997-1998). [Google] [More] ⦿
Braczyk	Braczyk (aka esbe, sandman and moa) is the French designer of Jules (2002). [Google] [More] ⦿
Chris Bradbury	London, UK-based designer of Penny 200 (2015), a typeface made for a children's book. Behance link. [Google] [More] ⦿
David Bradbury	American designer of Hoyle Playing Cards Font (2004). Fontspace link. Aka Conexion. Dafont link [Google] [More] ⦿
Lisa Bradbury	Lisa Bradbury (Adelaide, Australia) created the hand-printed typeface Slipghtly Loopy in 2014. [Google] [More] ⦿
Richard Bradbury	Richard Bradbury (UK) is a graphic design student. In 2011, he designed a modular typeface by intersecting circles---it is called Kaleidoscopic. [Google] [More] ⦿
Stephen Bradbury	Stephen Bradbury (Fallen Designs, UK) is the Manchester-based student designer of the custom typefaces Gothon Pro (2013) and Paradox (2013). In 2016, he created the brush typeface Venture. In 2017, he designed Monoline Script. Creative Market link. [Google] [More] ⦿
Felix Braden	Floodfonts has freeware fonts by Felix Braden (b. Koblenz, Germany, 1974, an ex-student at the Trier College of Design). In 2000 he founded the free-font site Floodfonts with Peter Hoffmann. After working for five years as an art director for Gaga-Design, Koblenz, he decided to set up his own graphic design studio in Cologne. He now lives in Cologne working as a freelance designer and as a art director for MWK Cologne. In 2016, he set up his own Felix Braden type foundry. His free fonts at Floodfonts included Polaris (2011), Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002, a Bauhaus style corporate and headline font for the Cologne based design bureau Glashaus), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001: an angular constructivist typeface---free), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997). His commercial typefaces at Floodfonts include Kontiki (2018: a woodprint emulation typeface family; a grungy version of Clarendon), Capri Pro (2011-2015): an expressive constructed sans serif typeface in the tradition of Kabel and Avant Garde, partly constructivist, and partly hipster. Peter Hoffmann designed Alita (2001) and Lacuna (2001). Commercial fonts at Fountain: Grimoire (since 2015 at Floodfonts), Sadness (2001). In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face). At Ductype, Braden published Timetwisteight (2005, a pixel face). At URW++, he published the Supernormale family (part techno, part pixel) in 2006. At Volcano, he made the rounded display face Bikini (2010). At Fountain, he published the original version of Capri in 2011. After Fountain's demise, it reappeared as Capri Pro at Floodfonts in 2015. The Orchidee project started in 1999 led to a fantastic free font. Felix: Orchidee was created as a part of the business stationary of the restaurant Orchidee located in the luxory hotel Quellenhof in Aachen, Germany. After the founding of the restaurant the hotel manager realized that there earlier was a bordello in the city with the same name, so he wanted to change the name. At the time when our agency had to presentate the logotype the name was not appointed so I created the font. The restaurant was specialized on crosscultural european-asian cuisine. Because of that I wanted to mix up some elements of traditional asian typography with european typography. The letters are designed in freehand by the repetition of just a few basic elements. To create the rough outline I used xerox-copier because I wanted to have some chaotic elements to give the font a handmade touch. Other free fonts: Coraline (2012), Sonar Script (2013), Rollmops (2013). At FontShop, he published FF Scuba (2012), as an offline companion to Verdana. It was one of the winners of the Communication Arts Typography Annual 2013. In 2019, he published Pulpo, a ten-style family inspired by Century Schoolbook and Clarendon. In 2020, he released Turbine (at Fontwerk: a 14-style neo-grotesque family), and Arpona, an 18-style lapidary flared typeface with slight wedge serifs. Typefaces from 2021: Capitana (an 18-style geometric sans with large counters; not as severe as Futura), Arpona Sans (a 20-style humanist sans with rhombic tittles). FontShop link. Klingspor link. Fontspace link. Dafont link. Behance link. Fontsquirrel link. Personal page. Another Behance link. Fountain Type link. Home page of Felix Braden. [Google] [MyFonts] [More] ⦿
Peter Braden	British designer of Evil Green Plant (2009, grunge) and Castafiore (2009). Home page. GitHub link for his typefaces. Dafont link. [Google] [More] ⦿
Sarah Braden	Creator of the curly scratchy Bipolar Braden (2009). Sarah lives in Wisconsin and runs SB creative llc. [Google] [More] ⦿
Julian Bradfield	Metafonts developed by Julian Bradfield. [Google] [More] ⦿
Jazmen Bradford	Student at the Academy of Art University, San Francisco. He created the squarish typeface Proto (2011). [Google] [More] ⦿
Aaron Bradley	UK-based designer, b. 1999, of the modular typeface Loncazt (2019) and the squarish typeface family Gipfel (2019). [Google] [More] ⦿
Abygail Bradley	During her studies in Manchester, UK, Abygail Bradley created the rhombic typeface Diamond Heist (2014). [Google] [More] ⦿
Amy Bradley	Amy Bradley (b. 1984) lives in Sudbury, Ontario. At Devian Tart, she designed the scribbly handwriting font Jagged Thoughts (2001). [Google] [More] ⦿
Graham Bradley	A Lebanese American, Graham Bradley grew up in Pasadena, CA. He studied twentieth-century European history at the University of California, Berkeley, and graduated in 2009. He also graduated from the Type@Cooper program at The Cooper Union in New York. Graham designs printed materials, lettering, typefaces, and the occasional website. He is located in California. Before founding Roxaboxen, Graham was the first employee at Frere-Jones Type, where he worked with Tobias Frere-Jones on Mallory and Retina. He is an instructor at Type West at the Letterform Archive. During his studies at Type@Cooper in 2012, he designed Anacapa, and writes: Anacapa is an attempt to subtly express, in type, the identity of my home state: the cool, gray calm of beach volleyball courts in the early morning, the dispersed energy of Los Angeles, the warmth of the sunlight on the rocky Central Coast... It is an imagined piece of California's vernacular, designed to be as flexible and complex as the emotional range it seeks to capture. His typeface Madtown (2019, Future Fonts) is inspired by letters from the American West, in particular the styles that have a capital oh with wedge-shaped serifs. In 2019, he also released the arts and crafts-inspired Mara des Bois at Future Fonts. Other typefaces by Graham include Ogilvy Serif (2021, with Jeremy Mickel), and Bacterium (2014, a molecular typeface done for Alexander Issey Inc; it has multiple versions for each glyph). Graham also helps with type design at MCKL Type, Jeremy Mickel's type foundry in Los Angeles. Future Fonts link. Home page. [Google] [More] ⦿
Heather Bradley	Graphic Designer based in Leeds, UK. She is scheduled to obatin a BA in Graphic Design from the Leeds College of Art in 2011. Behance link. Creator of the counterless typeface Squircle (2010) and the mini-serifed typeface Elegance (2013). Behance link. [Google] [More] ⦿
Jason Bradley	Designer in 2007 of the bullethole font Trigun. [Google] [More] ⦿
Mark Bradley	Codesigner with Carl Seal of Phobia at the Manchester, UK-based foundry Tealeaf. That font can be downloaded from Seal's new foundry, Little Red Circles. [Google] [More] ⦿
Richard J. Bradley	Artist, calligrapher and type designer born in Portsmouth, England, in 1947. Richard Bradley designed ITC Bradley Hand (1995), Fine Hand (1987), Calligraphic Ornaments (1993, ITC; also in the Corel collection), and the flowing Bible Script (1979). Part-time teacher at the Portsmouth College of Art, and type designer for Linotype. From 2006 onwards, he cooperated with David Kettlewell at New Renaissance Fonts, where he jointly developed these renaissance-era fonts: AliceScrolltipRoman, RicksDecoratedUncial-Medium, RicksFolkloreRoman, RicksRelaxedHand-Italic, SevilliaDancingText, Sevilliastandingtext, Sevilliatiles, Ashbourne 1241 (2009, an uncial based on a gravestone in Ashbourne, Derbyshire, dated 1241). Future releases will include Ashbourne Uncials, Rick's Christmas card, Country Cursive, Curly Classic, Rick's Graphica, Rick's Rustic Caps, Rick's Rustic lettering, and Rick's Square Caps. In 2011, he and Linotype released a 3-style extension of Bradley Hand called Bradley Type. At New Renaissance Fonts, he released Bradley Chancery (2011), Alice Scrolltip (2006) and Sonnet Script (2011, inspired by the calligraphy of the Welsh artist and poet David Jones (1895-1974)). Bradley Texting (2014) is an informal script. FontShop link. Klingspor link. Linotype link. [Google] [MyFonts] [More] ⦿
William H. Bradley	Book designer, poster designer and typographer, born in Boston (1868). He died in 1962. His typefaces include the following: Abbey Text (1895, A.D. Farmer). Bradley (ATF, 1895). This blackletter typeface was cut into a wood type by Hamilton in 1900. A beautiful unnamed lettering for the Inland Printer (1891-1892). He drew the Bradley Series and licensed it to American Type Founders in 1895. That blackletter design was copied and issued by the Inland Type Foundry (as "St. John") and by A.D. Farmer&Son Type Founding Co (as "Abbey Text", still 1895). Also in 1895, Hermann Ihlenburg at ATF made the Germanic-language version of the Bradley Series. Several German foundries had metal versions of his 1895 series under the names Halbfette Altgotisch, Altfettgotisch and Amerikanische Altgotisch, such as Bauersche Giesserei and Schelter & Giesecke (1903). Digital revivals: Fyne Fish NF (Nick Curtis, 2009), Bradley Pro (2005, Ralph Unger at Profonts), Bradley DJR (2018, David Jonathan Ross). Bradley was used by Disney in its Sleeping Beauty Castle. Priory Black (ATF, 1897-1898) is said to be due to Bradley. In 1904, ATF introduced a modernized version called Cloister Black (or Cloister Text), designed by Joseph W. Phinney or Morris F. Benton. Bradley Roman and Italic saw the light in 1901 when Bradley was writing Peter Poodle, Toymaker to the King, and these typefaces are known as the Peter Poodle types. In 1904, he co-designed Antique Bold with J.W. Phinney and Morris Fuller Benton at ATF. His Bewick Roman series (1904) has gorgeous ligatures (tt, ct, and so on). Mac McGrew: Bewick Roman was designed by Will Bradley in 1904 and issued by ATF the following year. It is a quaint display type with a number of unusual characteristics. Several capitals have both wide and narrow versions, although generally the typeface is rather narrow; there are also several tied charac$Gters and ornaments in the font, as was common with nineteenth-century designs. Compare Rogers, Vanden Houten. Wayside Roman and Italic. Mac McGrew: Wayside Roman and Italic were shown by ATF in 1900, as a handsome interpretation of modern typeface similar to Scotch Roman, but without the heavier capitals of the latter face. Some sources say the designer was Will Bradley, but this is disputed by other authorities, and most likely it is a revival of an older face. It was not in regular production very many years, but special castings have been made at times. Some figures appear to be oversize---6, 7, and 9 in the specimen shown here---but this is a characteristic of the font, although not uniform from one size to another. Also compare Oxford, Bell. In 1904, he created the beautiful Chap-Book series (Cuts, Borders, Directors (pointing fingers), Guidons (unbelievable parentheses)), as well as the Mission Toys Ornaments, all at ATF. Thereafter followed Missal Initials, Wayside Borders (1904), Wayside Ornaments (1904), Cloister Borders (1905), Cloister Initials (1905), Indian Borders (before 1908). Some of his ornaments made it to American Pi NF (2006, Nick Curtis) and to the five-font-set Bradley Dingies (by Paulo W, 2009). Mac McGrew: Missal Initials were issued by ATF in 1904; their design has been ascribed to Will Bradley. Derived from fifteenth-century sources, each letter is designed to fill a square area. Compare Caxton Initials, Lombardic Initials. For a digital version of Missal Initials, see Initials ATF Missal Caxton (2012, Alter Littera). Bradley Initials (1934). For a degital version, see Glenda de Guzman's Bradley Intials (1994, Font Bureau). Vanity (1921-1930) is custom type he made while he was art director. His last group of typefaces was Bradley Combination Ornaments, made in 1952 for Steve Watts, type merchandising director of the American Type Founders Company. Roman alphabet by Bradley. Fontshop link. A Booklet of Designs (1915, New York) contains many of his interesting drawings for typefaces. [Google] [MyFonts] [More] ⦿
Melissa Bradshaw	St. Louis, MO-based designer of the display typeface Bawse (2014). [Google] [More] ⦿
Anne Bradt	Designer of the free paperclip typeface Wireplay (2012). Dafont link. [Google] [More] ⦿
Sam Bradway	During his studies at American University, Sam Bradway (Washington, DC) designed a decorative typeface (2016). [Google] [More] ⦿
David Brady	David Brady (The Creative Rebellion, London, UK) is an advertising designer. He created the experimental typeface Nokia (2010). [Google] [More] ⦿
Iain Brady	Designer at FontStruct in 2008 of Thin (ultra fat face). [Google] [More] ⦿
Kate Brady	New York City-based creator of the lipstick crayon font Fierce (2013). Kate writes: Fierce is a decorative sans-serif typeface inspired by drag queens and Lil Kim. This typeface was made by applying lipstick, making a shape with my mouth then pressing paper to my lips to create the letter forms. Kate also made a partial typeface called Electric Forest (or Maya) in 2013. [Google] [More] ⦿
Larry Brady	Lawrence Robert Brady (b. International Falls, MN, 1936-d. Salida, CO, 2023) was an American calligrapher, type designer, graphic designer, and educator. He studied Fine Arts at Montana State College and then completed a Masters Degree in design from California State University Long Beach. He taught for some time at Cerritos College. Brady's type designs include the titling font he designed in the 1980s for the J. Paul Getty Trust and Museum in Los Angeles (he was commissioned by Saul Bass to work on the museum's identity). Obituary. [Google] [More] ⦿
Thomas Braestrup	Copenhagen-based designer. Behance link. For Malmö Konsthall, Thomas developed Creo (2012). It was created to function well in two different scenarios---print typography and public signage. Typefaces for posters, catalogs and brochures need to be narrow enough to work in crowded environments, but still dynamic enough to encourage people to keep reading. Typefaces designed for wayfinding programs need to be open enough to be legible at a distance. Creo is designed to meet both scenarios. [Google] [More] ⦿
Bernardo Braga	During his studies in Porto, Portugal, Bernardo Braga created the display typeface Graph (2013). In 2015, uner the direction of Joana Correia at ESAD Matosinhos, Bernardo designed the angular text typeface Gaveto. [Google] [More] ⦿
Cadu Braga	During his studies at Escola De Design UEMG in Belo Horizonte, Brazil, Cadu Braga designed the architectural typeface Alla Fontana (2016), which was inspired by the architecture of the La Fontana neighborhood of Milan. [Google] [More] ⦿
Diana Braga	North Arlington, NJ-based designer of the pixelish typeface Belle (2017). Behance link. [Google] [More] ⦿
Eduardo Braga	Brazilian type designer, who made fonts such as Nossa Senhora do Bom Sucesso. He studied at and is currently professor at the Universidade de Minas Gerais in the School of Graphic Design. Based in Sao Paulo. [Google] [More] ⦿
Tiziano Fani Braga	Roman graphic designer. He created a condensed geometric typeface for Digital Art Magazine (2011) based on a carefully planned hexagonal grid. [Google] [More] ⦿
Claude Fayette Bragdon	Claude Fayette Bragdon (b. Oberlin, OH, 1866-1946) was an American architect, writer, and stage designer based in Rochester, New York, up to World War I, and in New York City after that. He was known for his creative geometric ornaments. At some point, he proposed this modern American italic for architectural plans. Check also his set of modern small letters. This page shows his art nouveau art. [Google] [More] ⦿
Dakota Bragdon	Louisville, KY-based designer (b. 115) of the duct tape font Riley's Tape (2017). [Google] [More] ⦿
Ashley Bragg	Lawrence, KS-based designer of the dadaist typeface Scissor (2014). [Google] [More] ⦿
Lana Bragina	Designer of the mental damage typeface Kurzwaren (2004). Dafont link. [Google] [More] ⦿
Irina Braginsky	Toronto-based graphic designer who created the fashion mag typeface Sibilant (2012): Sibilant is a display typeface designed primarily for fashion editorials. The initial basis of the concept was to eliminate parts of the letterforms while still having the typeface recognizable. The typeface is very light and airy, yet the combination of high stoke contrast and elegant curves gives this typeface a whispery, edgy, hissing quality reminiscing of snakes. Hence the name Sibilant. Behance link. [Google] [More] ⦿
Jaime Brahmbhatt	Based in London, Jaime Brahmbhatt created the iornamental caps typeface Random (2013). [Google] [More] ⦿
Louis Braille	Louis Braille (b. Coupvray, France, 1809, d. Paris, 1852) is the inventor of the six dot raised Braille reading system for the blind first proposed in his book Method of Writing Words, Music and Plain Songs by Means of Dots for Use by the Blind and Arranged for Them (1829). In fact, the Braille system was based on a method of communication originally developed by Charles Barbier in response to Napoleon's demand for a code that soldiers could use to communicate silently and without light at night, called night writing. Links: Hammill Institute on Disabilities, wikipedia. [Google] [MyFonts] [More] ⦿
b-rain	Italian designer of Yagiza (2001, techno face), which can be downloaded here. [Google] [More] ⦿
Daniel Brainer	Fortaleza, Brazil-based designer of Moscou (2014), a display typeface that is inspired by the city (and by snow flakes). [Google] [More] ⦿
Jack Brain	Sheffield, UK-based creator of Pixel Type (2014). Behance link. [Google] [More] ⦿
Clay Brains	New Delhi-based designer of the free vector format 3d tubular typeface Gudgoo Hindi (2017). Behance link. [Google] [More] ⦿
David Brajnovic	Rovinjsko Selo, Croatia-based designer of the free sci-fi techno typeface Kontakt (2016). [Google] [More] ⦿
Josip Brakus	Creator of the grungy typeface Format (1998). [Google] [More] ⦿
Charles Bud Braman	Lettering artist and typeface designer, who worked for Hallmark Cards in Kansas City for 26 years, retiring in 2002. He lived from 1938-2004, and created many calligraphic script letterforms and typefaces. Jill Bell writes: Scarcely a soul outside of the Hallmark lettering and typography department is aware of the large body of lovely, skilled typographic work you have done because the fonts are proprietary. And Bud was a quiet sort of guy. Bud had hoped to produce fonts of his own when he retired but unfortunately the grim reaper quickly arrived. Quite unfortunate for the type world. I know the Hallmark lettering and type department really misses having Bud's talents and knowledge available to them because they truly understood what he contributed and appreciated it." And Calvert Guthrie wrote: "Bud was enormously generous with his understanding of font design and I know no one who had a better grip on making script ligatures work. Bud was doing it elegantly back in the days we were setting up linking ligatures for film fonts on Linotype VIP. We only had 18 increments for spacing refinement and this was made even tougher by script's particularly small x-height. His caps and his card captions were outstanding. Many of the short cuts we still use these days here at Hallmark were first developed by Bud Braman. Some of his work appeared in Michael Clark's Scripsit last year [2003]. Some of his typefaces at Hallmark include TwizotHmk (1999, with John Dawbarn), HogwartsWizard (2002, based on style by Connie Smiley, commissioned by Warner Brothers). Picture by Jill Bell. [Google] [More] ⦿
Lucas Bramas	Nimes, France-based designer of the display typeface Adrian (2017). Behance link. [Google] [More] ⦿
Gianluca Brambilla	Designer of the metal band typeface Nether Type (2018). [Google] [More] ⦿
Benedikt Bramböck	Benedikt Bramböck (Austria) studied visual communication in Dornbirn, Austria and Lucerne, Switzerland. After graduating in 2011, he moved to Berlin to work in the fields of exhibition design, graphic design and type (briefly, for FontShop), and is font engineer at Alphabet Type GmbH in Berlin since 2015. In the TypeMedia program at KABK in Den Haag, Benedikt Brambröck designed Ronkey (2015), which has Regular and Micro styles for very small print. He is part of the team behind Berlin's Typostammtisch. Linkedin link. [Google] [More] ⦿
Lauren Brame	At Elon University in Elon, NC, Lauren Brame designed the minimalist all caps typeface Ster (2016). [Google] [More] ⦿
Molly Bramlet	Chicago-based graphic designer who has a BA from DePaul University. She based her Bodoni Poster Script typeface (2012) on Bodoni Poster Italic. Cargocollective link. [Google] [More] ⦿
Anne Marie Brammer	Danish designer, with Lotte Reinert, of a font made for the Botanic Gardens in Copenhagen in 2000, a very dark almost-slab serif face. [Google] [More] ⦿
Melania Branca	Firenze, Italy-based designer of a pixel font in 2017. [Google] [More] ⦿
Angela Brancato	Type designer in Switzerland. [Google] [More] ⦿
Elisa Branco	Graphic designer in Rio de Janeiro, Brazil. She created a neon light typeface called New Retro Font (2009). [Google] [More] ⦿
Fernanda Branco	Sao Paulo, Brazil-based designer of the straight-edged City Font (2017). [Google] [More] ⦿
Fernando Castello Branco	During his studies at UFC in Fortaleza, Brazil, Fernando Castello Branco created Niemeyer (2013), a display typeface that was influenced by Oscar Niemeyer's architecture. [Google] [More] ⦿
Gonçalo Branco	Cascais, Portugal-based designer who graduated from IADE. He created HexaFont (2011). [Google] [More] ⦿
Ines Branco	During her studies in Lisbon, Portugal, Ines Branco designed the monoline sans typeface Bago (2017). [Google] [More] ⦿
Pia Alvarez Brancoli	As a student in Santiago, Chile, Pia Alvarez Brancoli designed a modular typeface (2016). [Google] [More] ⦿
Manuela Rodrigues Branco	Nantes, France-based designer of the outlined display typeface Horizon (2016). [Google] [More] ⦿
Mariam Branco	Portuguese creator of the art deco typeface Estação (2009, FontStruct), as part of a typography project of the design class at Aveiro's University. The thype was used for some of Aveiro's street names. [Google] [More] ⦿
Rafael Branco	Born in 1985, this designer in Rio de Janeiro created the hand-printed typeface Rodrix (2011, iFontMaker), as well as Gothira (2011, iFontMaker), Sparatrap (2012), Harakiri (2012, oriental simulation face), Dotnation (2012), Blocknation (2012, iFontMaker), Typeotape (2012), Albion (2012) and the texture typeface Sublev (2011). Typefaces from 2013: Taping Your Hand (straight-edged face). [Google] [More] ⦿
Alexander Branczyk	Born in Frankfurt, Germany in 1959, Alexander Branczyk is the main typographer at F2F (Face 2 Face), which is based in Berlin and Frankfurt. Other participants include Stefan Hausen, Alessio Leonardi, Torsti Maier-Bautor, Thomas Nagel, Haike Dehl and Sybille Schlaich. F2F specializes in what it calls anarchistic typography. Branczyk made F2F CzykagoTrans (1995) and a few other experimental fonts, as well as Bellczyk, CZYKago-Cameo, CZYKago-Quer, OCR-Alexczyk, OCR-Bczyk, SubberlogoMini, TheczykM, MadzineScript (curly vampire typeface), BurnoutChaos, Frontpage, MonakoStoned, Entebbe (a ransom note font), OCRFBeta and OCRHeike. Other designers: Thomas Nagel (ScreenScream, Shakkarakk, ElDeeCons, Madame Butterfly, Pixmix, Shpeetz, TyrellCorp), Heike Nehl (LoveGrid, Starter Kid, Lego Stoned, Twins), Alessio Leonardi (PrototipaMultipla, TagliatelleSugo, Mekanik Amente, Metamorfosi, provinciali, AlRetto, F2F TechLand, F2FAlLineato, F2FMekkasoTomanik, F2FSimbolico (1992, dingbats), Poison Flowers (1992)), Stefan Hauser (F2FBoneR, Haakonsen), Sybille Schlaich (Styletti Medium). Face2Face groups the designers of Moniteurs and xplicit ffm. Bitstream link. Alternate URL. In 2003, these designs by Alexander Branczyk appeared in the Linotype Taketype 5 collection: F2FBurnoutChaos LT Std, F2FCzykago LT Std Light, F2FCzykago LT Std Semiserif, F2FCzykago LT Std Trans, F2FEntebbe LT Std, F2FFrontpageFour LT Std, F2FMadZine LT Std Dirt, F2FMadZine LT Std Fear, F2FMadZine LT Std Script, F2FMadZine LT Std Wip (1992), F2FMonakoStoned LT Std, F2FOCRAlexczyk LT Std Regular, F2FOCRAlexczyk LT Std Shake, F2FOCRBczyk LT Std Bold, F2FOCRBczyk LT Std Regular, F2FTechLand LT Std. Alexander Branczyk studied visual communication at HfG Offenbach under Friedrich Friedl. From 1988 until 1994, he was project manager at Erik Spiekermann's MetaDesign. Since 1994, Alexander is partner and managing director of xplicit Gesellschaft für visuelle Kommunikation mbH (xplicit.de) based in Frankfurt/Main. Alexander Branczyk is co-publisher of Emotional Digital, and since 2003 a visiting professor for typography at the Bauhaus University Weimar. Codesigner of Czykago Rough (2019, with Manuel Viergutz), Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures), TWIGS 4 kids (2020: designed for a garden exhibition for children by Daniela Costa, Julia Stanossek, Alexander Branczyk and Manuel Viergutz). Showcase of Alexander Branczyk's typefaces. [Google] [MyFonts] [More] ⦿
Bianca Brandao	Sao Paulo, Brazil-based designer of the display sans typeface Macchi (2016). [Google] [More] ⦿
Joao Brandao	Recife, Brazil-based designer at UFPE of the spurred typeface Paraiso (2016). [Google] [More] ⦿
Milena Brandao	Sao Paulo-based creator of a logotype for a CD cover for Florence and the Machine (2012). Designer of the fat rounded monoline typeface Fredoka One (2011, Hafontia), which is free at Google Fonts, where it was published in 2012. See also here. Fredoka is accompanied by Fredoka Dingbats. A variable font with weight and width axes was added in 2022. Typefaces from 2017: Quitanda (brush script), Jazzling (script and sans), Zenith (monoline script), Fruit Salad (brush script). 1001 Fonts link. Behance link. Creative Market link. [Google] [More] ⦿
Chris Brand	Born in Utrecht in 1921, Chris Brand lived in Breda, and died in 1998. He studied calligraphy in 1940, and worked in Brussels from 1948-1953. He taught design at various academies until 1986. Known for book cover jackets, Brand created the clean serif typeface Albertina in 1964-1965 (Monotype). This typeface was first used for a retrospecive on Stanley Morison's work exhibited at the Albertina Library in Brussels in 1966. Dean Allen [Textism]: Working designers should have at least one text family to focus on; to test its idiosyncrasies and stretch its limits, to see how it responds to the unpredictable demands of day-to-day work. Albertina is the family with which I do the most tinkering. It's remarkably flexible, offering a full complement of text and titling figures, roman and italic small caps, as well as supplemental Greek and Cyrillic fonts. It has the sort of strength, or presence on the page absent from most digital type, owing to sturdy construction, and it lacks fussiness. The digital font DTL Albertina saw the light in 1987 at Dutch Type Library. Brand also created Veerle Uncialis (1991, named after his granddaughter Veerle Simons) but it is unclear whether this font is his or a reworking of a typeface by the Parisian typefounder Fournier. Finally, he made the coptic font Draguet (1968). FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿
Digitally Branded	Web site of Kent Hertzog. It resets the page size though to fill the screen. Designer of the free pixel fonts Haysom (2002), Hearst (2004), Hayes (2004) and Cafe 405 (2003). He also created the handwriting typeface Jack's Mannequi (2005) and the blackletter typeface Queen of Pain (2002). [Google] [More] ⦿
Shane Brandes