Miloš Ćirić

Serbian book illustrator, graphic arts teacher and phototype, woodtype and linocut letter type designer, b. Despotovo, 1931, d. Belgrade, 1999. His sons Rastko and Vukan write about both aspects of his life. His CV: he graduated in 1954 from the Academy of Applied Arts, Belgrade and took his Masters Degree in 1959, under Professor Mihailo S. Petrov. He was professor at the Faculty of Applied Arts, University of Arts, Belgrade from 1964 until 1997. He was Head of the Graphic Department from 1974 to 1975. His publications include Graphic identification 1961-1981 (SKZ, Belgrade, 1982), Graphic communications 1954-1984 (Vajat, Belgrade, 1986), Heraldry 1 (University of Arts, Belgrade, 1983) and Coat-of-Arms of Belgrade, Heraldry 2 (Cicero, Belgrade, 1991). Most of Ćirić's types were for Cyrillic, while some have Latin alphabets as well. Many would be classified today as poster types, type to accompany illustrations. The list of his typefaces:

• Rastko, Latin, 1955: It is a versal typeface made in only one weight. Rastko himself thinks it was devised as light, almost linear and it was a part of his character.
• Vukan, Latin, 1960: Named after his second son, Vukan, this is a sharply cut orthogonal typeface.
• Galerija Grafiki kolektiv, Cyrillic, 1962 (Graphic Collective Gallery): A beautiful Cyrillic display face. This was the first of his typefaces transformed in a computer font.
• Triptihon, Cyrillic, 1962 (Triptych): Another cut face, but this time really taken from the sample made in linocut. The prototypical Cyrillic poster face.
• Akademija, Cyrillic, 1966 (Academy): This typeface was made for the University and Academy where he worked. It was designed so that it can be used equally well on the paper, metal plates, seals, plaques and everything else Academy needed. He used similar typefaces on book covers and charters, in solemn situations. Rastko: Although one may think it is an ordinary serif face, it contains Cira's specific typographic handwriting. The shapes are almost geometrically reduced thus providing a decorative effect, legibility and possibility to be transferred in all materials..
• Bolsko, Latin, 1966/67/68: Bol is a small place on the island Brač. This simple condensed headline typeface was designed for pedagogical purposes made to be used for lectures at the Faculty of Applied Arts abd in its graphic identity.
• Devojačko, Cyrillic, Latin, 1969 (Maiden): A curly affectionate face.
• Ćirićica, Cyrillic, 1970/72: This typeface was designed as a result of the first research on transforming Serbian handwritten Cyrillic into constructive letterforms. The raw model was the manuscript of the Fourth Gospel (John's Gospel) written at time of Despot Djurdje Barnković (1428) created then by by a Inok from Dalša. The result was a letterform of optimal proportions. The study was made on the occasion of the opening of the new building of the National Library, Republic of Serbia.
• Vojničko, Cyrillic, 1975 (Soldiers): When designing this typeface Ćirić consulted the book Blue Line of Life (Plava linija života) by Branko V. Radičević, a book about monuments and tombstones posted along roads. It is a sentimental ornamental headline face.
• Face VMA, Latin, 1976/77: A big project for the Military Medical Academy (abbreviated VMA) in which the letters had to be constructed on grids using rulers and compass only. The result is a Bank Gothic look.
• Bogradsko, Cyrillic, Latin, 1982: This typeface was used for designing the covers and title of his second book of graphic communications.
• Duklja, Cyrillic, Latin, 1984: In this case the typeface makes basis of graphic identification. As a model for designing the typeface of Montenegrin Lexicographic Institute was a text from leader seal of Petar, Prince of Duklja. Ira wrote that he enlarged and systematize the letters from the drawing which was made in time when the seal was in good condition and that he wanted to preserve the freshness of irregularities and that there were several weights in each letter while their height is only optically the same. It seems that save for that irregularity which inspired and provocative vagueness this model could not offer many clear stylistic characteristics. But what ira could read from those forms is the language of their linocuts and cut symbols. Thus his personal style naturally added to all that was missing to finish the face. In compromise between typeface with serifs and sanserifs in combination of legibility and universal applicability he saw practical solution for many tasks.
• Iva's typeface, Cyrillic and Latin, 1986: Rastko: My brother's daughter, Iva, was the first child that joined our family of applied artists. Ćirić immediately awarded himself with the title of granddad, opened the door of his studio and showed her all those games and toys from the world of the applied and other arts. Apart from the crazy games, obligatory signum and many other things Iva got many picture books which her grandpa made from time to time. The picture books contained poems, drawings, pictures and of, course letters. On one of those picture books entitled Grandpa' Stories I have found, so far, the only place where the typeface was used. It is a type of typeface imitating relief forms.
• Vukov bukvar, Cyrillic, 1987 (Vuk's Abecedary): One of the rare typefaces with lower case letters, this typeface is dignified and named after Vuk Kardžić.
• Sava's face, Cyrillic, 1987: A gorgeous old slavonic style typeface with upper and lower case.
• Epitaf, Cyrillic (Epitaph, my name, unknown year): An unpublished typeface found by his sons in the files. Ćirić used it to write names of births and deaths of friends and family members in a notebook. It could be seen as a prototype for tombstones.

3type

Shanghai, China-based type foundry, est. 2017, with a foreign office in Berlin. They specialize in multilingual and multiscriptual typography and type matching, in particular for Chinese, Latin, Cyrillic and Arabic. Their font catalog in 2020:

• Astronomer (2018). An attractive Latin / Hanzi text typeface that refers to the Ming Dynasty astronomer / mathematician / scholar Xu Guangqi (aka Paul Siu, 1562-1633).
• Dinkie Bitmap (2018-2020). A pixel typeface for Latin, Arabic, Hebrew, Cyrillic and Chinese by Willie Liu.
• Ellenda (2018). An art deco typeface by Zheng Chuyang.
• Faustina (2010-2018). A poster typeface by Zheng Chuyang, after an idea by Luise Schenker. It covers Latin, Cyrillic and Arabic, including the Persian, Urdu, Uyghur, Kazakh and Kirgiz versions. It also has a rich set of Emojis.
• Freundschafts-Antiqua Neue (2017), by Roman Wilhelm. Covering Latin, Vietnamese, and Hanyu Pinyin, this 6-style typeface family revives the award-winning text typeface Freundschafts-Antiqua made in 1959 by Yu Bingnan.
• Hong Kong Street Face (2015). A Hanzi font by Roman Wilhelm that reflects the character of Hong Kong.
• Xingkai Next (2017). A modern polygonal typeface for Hanzi, by Li Zhiqian. It was derived from cursive handwriting and Chinese calligraphy.
• Ryan Serif (2017). A Latin display typeface by Ryan Lau.
• Weaf Mono (2017-2018). A monospaced monolinear sans family by Zheng Chuyang and Li Zhiqian, covering Latin, Hanzi (Chinese), Arabic, Cyrillic and Devanagari. It also has some emoji characters.

Samo Ačko

Ljubljana, Slovenia-based creator of CE Star (2006, a highway font for Eastern Europe), and Grill Serif Extra Bold Wide Latin Lover Case during the design workshop TipoBrda in 2008. In 2011, he designed Morgana, a daring wedge-serif medieval fortress face, while participating at the tipoRenesansa 3rd international type design workshop in Ljubljana. In 2014, he created the great headline and poster font Bad News Sans Extreme.

Codesigner, with Diana Ovezea, of the typefaces Passenger Display and Passenger (2017, Indian Type Foundry). Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. Passenger Serif (released in 2019) on the other hand is a Clarendon. In 2019, Diana Ovezea and Samo Acko added Passenger Sans, which is characterized by horizontal and vertical terminal strokes and small apertures, and delivers a relaxing read in long texts. Facebook link. [Google] [MyFonts] [More]  ⦿

Aigeriwa Aaa

At Camberwell College of Arts, London, UK, Aigeriwa Aaa created a squarish bilined typeface in 2015. [Google] [More]  ⦿

Espen Aaeng

Espen Aaeng has been a designer and art director in Oslo since 1973. At Behance, he showed the high-contrast ball terminal / teardrop typeface Drops (2010), which is said to be marketed by Foundr-E, but I could not find a link to that foundry.

Another URL. Hellofont link. [Google] [More]  ⦿

Johan Aakerlund

Danish designer (b. 1990) who lives in Copenhagen. He worked for five months to complete the good-looking geometric type family Comfortaa (2008), which is free at CTAN and Google Font Directory.

In 2009, he made Trunkmill (2009) and the useful organic sans family Lastwaerk.

In 2010, he added Montepetrum (a basic condensed family).

Devian Tart link. Fontspace link. Font Squirrel link. Fontspace link. Catalog in 2010. Fontsy link. Kernest link. Klingspor link. Dafont link. Abstract Fonts link. Google Plus link. [Google] [More]  ⦿

Da Only Aan

Surabaya, Indonesia-based designer, b. 1987, of these typefaces in 2017: Clone Line, Blitz, Genio Script, Rhythm Script, Luzhniki, Cendana, Wow, Single, Mantra, Lovable, Eruption, Finger Dance, Never Old, Bravo, Funday, Lexa Sans, Supernova, Ventura sans, Lol Signature, Frysca, Granite, Signsation, Addictive, Magic Wave, Vallent (sans), Signora, Magic Wave, Signature Talk, Alexis, Prologue, Bullet, Red Blood, Talkin Talk, Tsamina, Jealous Boy, Almost Soul Mate, Romantic Story, Alayhome Dirty, Angle Silence, Wave of Love, Sleeping Child, Move On, Hompimpa, Cheap Road, Cheerful, Stay Close, Wholess Script, Morning Painters, Slow Down Script, Empty Family, Jumping Pack, Signaspies (signature font), Private Emotion, Cubby Cheeks, Lonely, Cat Cute, Thin Man, Sheep Horn, Angelie, Aza (brush script), Wrong Way, Solid, Swirling, Slash, Child Write, Ink Scratches, Stalk, Being Lazy, Longitudinal End, Unchained, Curbside, Naura, Lay, Elastic, and Ladies Sky.

Typefaces from 2018: Dilan Signature, Syndrom, Ground (rounded sans), Glass, Flowrish (floriated), Aline (multiline), Salting (script), Sellow, Marion, Melting, Move Closer, Reflection, Cavalry, Sway Script, Chenthini, Vero, Inner, City, Break, Bat Hill.

Typefaces from 2019: Pring, Racheto (bilined), Alusans, Tooth (Tuscan), Apache, Analyst (stencil), Amblas (geometric monoline sans), Nona (oriental look), Pieces, Black Forest (textured caps), Drops.

Typefaces from 2020: Barella, Bound, Fillet, Gigs, Greysia, Playon, Rindang, Squad, Tuman, Ampera, Asolola, Britania, Coobra, Focus, Force, Gopoh, Rumput, Black Boxes, Canthink, Garage, Ledre, Pashion, Vonari, Ambyar, Bendoyo, Bergomi, Buroq, Cydro, Gresix, Langgam, Laron, Risole, Super Fans, Trailer. [Google] [More]  ⦿

Kristoffer Aarak

Norwegian designer of the detached all caps typeface Detached (2018). [Google] [More]  ⦿

Andres Aarik

Andres Aarik is a graphic designer and a student in Media and Advertisement design in Tartu, Estonia. Designer of the fat and wide typeface Hustler (2010) and the chiseled typeface Tode Ja Oigus (2009).

Behance link. [Google] [More]  ⦿

Christine Aaron

Christine Aaron is a New York-based designer specializing in lettering and typography. She studied graphic design at the School of Visual Arts, with a focus in editorial design, branding, and motion graphics.

She created Conjure (2013). [Google] [More]  ⦿

Holley Aaron

Graphic designer in Pensacola, FL, who created Gill Sans Icons (2013). [Google] [More]  ⦿

June Aarseth

As a student at KHIB in Bergen, Norway, June Aarseth designed the decorative caps typeface The Most Amazing Font (2016). [Google] [More]  ⦿

Anna-Elina Aartola

Finnish designer of Electra-Normal. [Google] [More]  ⦿

Anne Aarup

During her studies at the School of Visual Communication in Haderslev, Denmark, Anne Aarup created a brushy typeface with an asparagus (2014). [Google] [More]  ⦿

Mehmet Abaci

Mehmet Abaci (b. 1978) is based in Istanbul. In 2014, he established Studio Typo, where one can buy his typefaces. Limited forms of the fonts can be downloaded fpr free from the Dafont site.

Creator of the elegantly plump rounded sans typeface Vinyl Cuts (2013), Samatya (2013, a unicase piano key typeface), Boldie (2013), Laundry Day (2013, alphadings), and the wood log typeface Timbers (2013).

Typefaces from 2014: Smush, Slim Fir (athletic lettering), Typonome, Typo Slab, Neons, E-Square (sci-fi typeface), Screamer, Typoline (piano key typeface), Omniblack (flared display face), Papillons (flared caps), Typoster (a great fat geometric slab serif typeface family accompanied by an equally great shaded outline style), Typo Comica (a family drawn to compete with Comic Sans), Tipo Press, Manyeto (calligraphic), Quatroline (prismatic typeface), Wardoom, Cabold Comic, Digiform, Akaju (oily fat typeface with lighting effects), Almira, Bonebastic, Comic White Rabbit, Sinema (a bit of retro movie art deco), Sober, Cali Brush, Tiny Plate, College Player, Smart Kid, Barbed, Wideroy, Angella (+outline: a poster family), Megi Sans.

Typefaces from 2015: Bro 4D (outlined 3d capitals), Typo GeoSlab, H&B Sketch (a gorgeous sketched didone), Mixiva (a six-style athletic lettering slab serif family), Typo Sketch (sketched font), Malter Sans, Parole Script, Degaws (a great sketch font), Typo Comics, Gribal, Gribal Shadow, Early Times (a sans family), Quizma (an elegant sans family), Super Seven (shaded), Typo Slab Inline, Type Slab Irregular, Geoma (hairline geometric sans), Double Bubble (bubblegum typeface), Mona Bella, Typo Grotesk, Typo Grotesk Rounded, The Matic, Typografix (avant garde sans), Move X (techno family), Savaro Stencil (in the geometric style that is characteristic of Futura Black), MindBlue (sans), A Space.

Typefaces from 2016: Wox Striped (multiline typeface), Wox Modelist (organic sans), Aprikas (sans), Meltix (techno sans family), Widolte (sans family), Mayeka, The Wireframe, Typo College (athletic lettering), Halftone Poster, Chocolate Bar (oily and gleaming), Type Round (circle-based sans typeface family).

Typefaces from 2017: Zelta Six (octagnal), Wida Round (round sans), Prestij (geometric sans), Typo Style, Naughty Squirrel (fat poster typeface family that includes hatched and shadow styles), Typo Quik, Ageta (bubblegum style), Rock On (glaz krak typeface), Typo Square, Typo Angular Rounded, Planetium-X (monoline, techno), Big Pixel (octagonal), White Festive, Watchword Hairline.

Typefaces from 2018: At the Midday, Typo Hoop (rounded circle-based sans family), Typo Longest (tall condensed sans), Maccos (a multilined font family), Asectica, Magettas (rounded monoline sans), Bluefish, Bluefish Eroded, Bluefish Scratched, Quesat (rounded sans), Quesat Striped.

Typefaces from 2019: Manti Slab College, Pesta Stencil, Type Draft (a drafting font), Pages Grotesque (a caps only geometric sans), Typo Cut-Out, Swera, Minalis (futuristic).

Typefaces from 2020: Typo Cut-Out Shaky, Typo Oval, Typo Formal (a tall monolinear sans), Typo Ring (circle-based, monolinear), Manti Slab, Manti Sans (+Fixed), Geco Strong (a fat sans), Tually, Slabten (an inline typeface), Minalis Double (an inline typeface). Home page. Fontspace link. [Google] [More]  ⦿

Jenifer Abad

During her studies at UEMG (Universidade do Estado de Minas Gerais), Jenifer Abad (Belo Horizionte, Brazil) created an untitled connect-the-dots typeface (2014). [Google] [More]  ⦿

Pablo Abad

Studio with offices in Madrid and Bilbao, first called Supperstudio and then PAAM (run by Pablo Abad and Vicente Garcia Morillo from Madrid). Pablo Abad created the free poker card typeface DealerType (2009).

Pablo Abad's other typefaces: No Future (2009, sci-fi), Knife (2008, modular), Pinza (2008, clothespin-themed), Romantique (2008, ultra-fat modular art deco face), Modul01 (2008), and Mambo (2008, super-ultra-fat art deco), Slaba (2009, fat slab serif), Voyeur (2009), Nostalgia (2013, Hype For Type).

Old URL. Behance link. [Google] [More]  ⦿

Julie Abahouni

During her studies at ECV in Paris in 2016, Julie Abahouni designed a modular squarish typeface. [Google] [More]  ⦿

Ramón Abajo

Free and commercial school fonts by Ramón Abajo, all made in 1999 or 2000: Ramon is a high school Spanish teacher in California. His fonts are floating around in cyberspace. His fonts were also for sale at Fonts 4 Teachers (or: Tiende Escolar). A list: AbcAlegria, AbcAmSignLang, AbcAmSignLangLetter, AbcBulletin, AbcClocks, AbcCursive, AbcCursiveArrow, AbcCursiveArrowDotted, AbcCursiveDotted, AbcCursiveDottedLined, AbcCursiveLined, AbcDNManus (AbcDNManusArrow, AbcDNManusArrowDotted, AbcDNManusDotted, AbcDNManusDottedLined, AbcDNManusLined, AbcDNManuscript), AbcDomino, AbcFaces, AbcHeadlines, AbcKids, AbcMath, AbcPhonicsOne, AbcPhonicsTwo, AbcPrint, AbcPrintArrow, AbcPrintArrowDotted, AbcPrintDotted, AbcPrintDottedLined, AbcPrintLined, AbcTeacher.

Klingspor link. [Google] [More]  ⦿

Luis Abaladas

Graduate of ESAD Matosinhos, class of 2014, who is based in Porto, Portugal. During his studies, he created the soccer shirt font Chile (2013). [Google] [More]  ⦿

Luis Abaladas

During his graphic design studies at ESAD Matosinhos, Porto-based Luis Abaladas created the soccer jersey typeface Chile (2013). [Google] [More]  ⦿

Dani Abarca

Llo Lleo, Chile-based designer of the dada typeface Guagua Sans (2015). This typeface was inspired by Patrick Griffin's Fido. [Google] [More]  ⦿

Anita Abarenkova

At Escola Superior de Artes e Design de Caldas da Rainha (ESAD.CR), Portugal, during an exchange program, Anita Abarenkova (Riga, Latvia) created the stencil typeface Anita PT Light (2013). [Google] [More]  ⦿

Frank Abasse-Chevalier

French graphic designer. Creator of the typefaces Robinson (decorative caps), Mondaine, Girofle, and Pixel. [Google] [More]  ⦿

Qalib Abassov

Creator of the free font Dekas (2012, OFL). This looks like a copy of Geoffrey Lee's Impact (1965, Monotype), with multilingaul (Cyrillic, etc.) sets added in. I am not sure how kosher this all is. [Google] [More]  ⦿

Nadia Abate

Nadia Abate (Turin) designed the paperclip font Clips in 2010 during a workshop led by Piero De Macchi. She graduated from ISIA in Urbino in 2010, and designed the outline typeface Naa there. Nadia created the flowing script typeface Female (2013).

Behance link. [Google] [More]  ⦿

Aydin Abbas

Graphic designer in Baku, Azerbaijan, who created the free octagonal Latin typeface Auroor in 2017. [Google] [More]  ⦿

Faisal Abbas

Faisal Abbas "merged" (?) an Arabic font by Jamil ur Rahman and a Latin font by Astigmatic in his free typewriter fonts Profaisal Elite Riqa and Profaisal Elire Tahreer (2012, OFL). [Google] [More]  ⦿

Hasan Abbas

Designer of Temhoss (1993). [Google] [More]  ⦿

Menna Abbas

While studying in Cairo, Egypt, Menna Abbas created the thin Latin display typeface Emerlad (2014). [Google] [More]  ⦿

Muhammad Abbas

Founded in 2020, Abbas Type is a type design studio based in Aceh, Indonesia, Designer of the swashy formal calligraphic typeface Delayed Love (2020). [Google] [MyFonts] [More]  ⦿

Soroush Abbassi

Designer of the Persian font soroush (2006), which can be found here. [Google] [More]  ⦿

George Abbate

Type designer who published these fonts at Photo Lettering: Aqua Bold (signage font), Black Gothic Condensed, Gothic Bold, Nixon (a soft poster face), Stencil Condensed. [Google] [More]  ⦿

Mauro Abbattista

Mauro's graduation thesis in Rome was about the development of the Sady typeface, wg=here Sady stands for Sabon Dyslexic. He took Tschichold's Sabon and broke the smooth Beziers up to increase the angular aspect of each glyph. In addition, attention was paid to the spacing and global word shapes (or Boumas). [Google] [More]  ⦿

Michael Abbink

Mike Abbink (b. 1967) earned a BFA in Fine Arts, and another one in Graphic Design and Packaging from Art Center in Pasadena. Born in 1967, he was a graphic designer at Meta Design San Francisco doing corporate and web design. In March 1999 he co-founded Method, Inc., a San Francisco-based company specializing in communication strategy, interaction and graphic design. Mike Abbink is the Executive Creative Director of the Brand Experience and Design Team within IBM Studios. Before that, he worked as a Creative Director for the Museum of Modern Art, Wolff Olins (New York), Saffron Consultants, Method (also co-founder) and as a Design Director at Apple Computer. His typefaces:

• The sans serif family FF Kievit (2000). This font family is also in the FontBureau collection, and is by many seen as the long-term replacement of Helvetica and Frutiger. FF Kievit won the typeface award at the ISTD TypoGraphic Awards 2001. It was also used to make the house font CDU Kievit for the CDU party in Germany. With Paul van der Laan, he co-designed FF Kievit Slab in 2013 in nine styles. In 2019, Abbink and van der Laan released FF Kievit Serif, which has wide apertures and large counters that make it quite legible.
• At Agfa Monotype, he and others designed the large GE Inspira family (2003-2005), about which Michael writes: I actually spent over a year working on the design of Inspira. It was Patrick's [Patrick Giasson] early concept that GE was drawn to, but at that time, it was way too funky and more display like then they wanted. I then took patricks original thoughts and spent several months refining the roman and created an italic (which Patrick did not do) which was then handed to monotype to create more weights and refine a bit. What you see in Inspira now, is quit different from Patrick's original concept. However, the more unique forms from Inspira are indeed driven by patricks original drawings and are the interesting forms of the font (v, x, z, y). I was also involved with art directing and working with the Monotype team (for over a year) in developing all the other iterations of inspira. All told, there were many people involved in the refinement of the Inspira font family. but I must say I would have to take a large credit in the design of inspira along with Patrick. I believe Patrick's designs and my designs created a nice balance that has made Inspira what it is today and of course let's not forget the hard work of monotype in really taking the font to the next level with all the weights, the condensed version, and exotics (Greek, Cyrillic, Turkish, etc.). Michael now works at Wolff Olins in New York. GE Inspira Sans and Serif (Mike Abbink, Paul van der Laan and Pieter van Rosmalen, Bold Monday) won an award in the TDC 2015 Type Design competition.
• From 2000 until 2006, he created FF Milo, which was followed in 2009 by FF Milo Serif. These typefaces were developed for magazine and newspaper print and have therefore short ascenders and descenders. Paul van der Laan helped with the production. In 2014, the series was augmented with FF Milo Slab (by Mike Abbink and Jesse Vega).
• In 2014, Abbink finished Brando (Bold Monday), which won third prize in the TDC 2015 Type Design competition. It was followed in 2016 by Brando Sans (Bold Monday).
• IBM Plex (2017). A large free font family created by Mike Abbink and Bold Monday for IBM's new corporate identity. It includes IBM Plex Sans, IBM Plex Serif and IBM Plex Mono subfamilies. Direct download at Github. Aneliza (2018) is a fork that has a single storey g in the italics.

Klingspor link. FontShop link. FontFont link. [Google] [MyFonts] [More]  ⦿

Danielle Abbon

Florence, Italy-based designer of the Cymatics dingbat series (216) and the sans typeface Straya (2016), which is based on iconic Australian shapes. [Google] [More]  ⦿

Jonathan Abbott

Julian Moncada, Jonathan Abbott and Jonathan Barnbrook jointly designed Doctrine Sans and Doctrine Stencil in 2013 at Virus. [Google] [MyFonts] [More]  ⦿

Maxine Abbott

Maxine Abbott (Nottingham, UK) studies graphic design at Nottingham Trent University. He created the pixelish typeface Nokia Snake (2012). [Google] [More]  ⦿

François Abboud

During his studies, Leipzig-based François Abboud created the blocky typeface Cubix (2015). [Google] [More]  ⦿

Daniella Abdalla

Graduate of FAAP (Fundação Armando Alvares Penteado) in Brazil. Sao Paulo-based graphic designer who created the lava lamp typeface Damascus in 2015. [Google] [More]  ⦿

Ibrahim Abdallah

During his studies in Beirut, Ibrahim Abdallah designed the Latin / Arabic typeface Wavy (2017). [Google] [More]  ⦿

Mohamad Abdallah

Kuwait-based designer of the Latin typeface MHD (2014). [Google] [More]  ⦿

Sarah Abdallah

Sharjah, UAE-based designer of a hand-drawn Latin / Arabic typeface in 2014. [Google] [More]  ⦿

Khaled Abdelaziz

Khillo is Khaled Abdelaziz, a Sétif, Algeria-based illustrator and designer, b. 1986. He created Architek (2010) and Burger (a free avant-garde typeface).

Behance link. Dafont link. Another URL. [Google] [More]  ⦿

Ali Abdelghaffar

Mansoura, Egypt-based designer of the Arabic typeface Tagarob (2013). Behance link. [Google] [More]  ⦿

Ghady Abdellatif

New Cairo, Egypt-based designer of the triangular typeface Map My Art (2017). Behance link. [Google] [More]  ⦿

Omar Abdellatif

Designer at Full Sail University in Winter park, FL, of the multiline art deco typeface FS Radial(2018). [Google] [More]  ⦿

Elias Abdelnor

Argentinian designer of the speed and car mechanics font Super Chevy (2018) and the art deco poster typeface Chalke (2018). [Google] [More]  ⦿

Chantal Abdel-Nour

Sudbury, Ontario-based creator of the silent movie font Charlie Chaplin (2013). [Google] [More]  ⦿

Maha Abdelrazek

Cairo-based graphic designer. Creator of Bird Man (2012, a simple sans) and some Arabic typefaces. [Google] [More]  ⦿

Maged Abdelsalam

Kirkland, WA-based designer of the display typeface GuGu (2013).

Behance link. Open Font Library link. [Google] [More]  ⦿

Abdillah Abdi

Yogyakarta, Indonesia-based designer, b. 1992, of these script typefaces in 2019: Raquen, Sunset City (a monoline script). Typefaces from 2020: Coolesta (a signature font), Vertica Scripts, Raquen. [Google] [More]  ⦿

Irsyad Abdilah

Kota Bogor, Indonesia-based designer of the free elliptical modular typeface Abdi (2016). [Google] [More]  ⦿

Zain Abdillah

Wonosobo, Indonesia-based designer of the monoline script typefaces Rosallinda (2019) and Quattro (2018), the signage script typefaces Rallina (2019) and Billyon (2019), the fashion mag typeface Brandson (2019), and the handcrafted typeface Roller Dodlle (2019) and Sweet Donuts (2019).

Typefaces from 2020: Hello Doctor (script), Berlin Monogram (decorative caps), Stayola (script), Unicorn Dancing, Garden Party (script), Bolder, Darllinge, Rosallinda, Power Sell, Adventures, Smiles Women (an upright script), Beauty Moon. [Google] [More]  ⦿

Edin Abdiu

Linz, Austria-based designer of these handcrafted (mostly brush) typefaces in 2018: Berlin Lives (dry brush), Steyr, Reid, Lynn, Jorik, Jora (dry brush), Hayes, Ened, Danata, Aidana, Neilella, Hyllus, Dionisia, Davis, Correia, Momina, Ryder, Norene, Maxene, Leilani, Hailee, Dory, Calista, Genus, Correia, Davis. Aka Edin Ab.

Typefaces from 2019: Simone, Ramina, Barbara, Andronika, Elisenda, Valentina, Saturnia, Hanna, Francisca, Dominik, Aubrielle, Samantha, Farrand, Castianiera. [Google] [More]  ⦿

Deema Abdo

Amman, Jordan-based designer of a multiline Arabic typeface in 2018. [Google] [More]  ⦿

Abdulrohman Abdolgony

Free Khmer fonts, aka Khmer Smart Writer Fonts designed in 1995-1997 by Abdulrohman Abdolgony (Cambodian Software Development): Battambang, Kaoh Kong, Kom Pong Toum, Kom Pot, Kompong Cham, Prey Veng, Pursat, Siem Reap, Stung Treng, Svay Rieng, TaKeo, KSW Battambang, KSW Kaoh Kong, KSW KeyBoard, KSW Kom Pot, KSW Kompong Cham, KSW Preh Vihia, KSW Prey Veng, KSW Pursat, KSW Siem Reap, KSW Stung Treng, KSW Svay Rieng, KSW TaKeo. Download here. [Google] [More]  ⦿

Mahmoud Abdoun

Graphic designer in Algiers. He created the octagonal Latin typeface Lizerta (2009). [Google] [More]  ⦿

Aizhan Abdrakhmanova

Graphic designer in London who created Mirror (2013). [Google] [More]  ⦿

Abdul

Lebanese designer who created Beantown (2004, an athletic lettering font), Staubach (2004, an athletic lettering typeface based on the lettering of the Dallas Cowboys), Wagner Modern (2011), Kroftsmann (2004, on octagonal face), Kavelry (2004, based on the Kemper Insurance logo), 4th and inches (2008, rounded octagonal; based on the proprietary font used by Russell Athletic, makers of sports apparel as used by Georgia Tech BKB, Washington State, Alabama State, Tennessee State, Mississippi Valley State, and many others in college football), and PopWarner (2004, a Bank Gothic lookalike), Wagner Zip Change (grotesque), Richardson Fancy Block. Creator of some free soccer team lettering alphabets in 2010: Louisville, Puff Script, Red Raiders, Richardson Fancy Block, Wagner Zip-Change (based on grotesque signage letters), ACMilan2009, ASRoma, ChampionsLeague, England2007, MLSUniform, RealMadrid2009. About his GeauxXPDF typeface (2010), he writes: I had extracted a nearly complete set on this one a few years back, except for J and Z which I created on my own. As best I can tell, it only exists as an upper case font without most punctuation, so I created that too to make it more useable. I don't know how much LSU [Louisiana State University] paid for this design, but to me it always looked like something that Larabie or Iconian would have given away. He also extracted HDRadioAlphabet from a rounded Arial typeface he found on HD radio. His UScoreRGK (2012) is a blocky angular font used on-screen by Fox Sports. LCD Display (2012) is a 28-segment LED font. UA Terrafont (2012) was based upon the vector art in this PDF file.

In 2013, he published the athletic lettering family High School USA and the octagonal typeface UA Cadet.

See also here. Dafont link. Fontspace link. Another URL. [Google] [More]  ⦿

Shaden Abdulaziz

Cairo, Egypt-based designer of the bold typeface Black Widow (2018). [Google] [More]  ⦿

Ebaz Abdul

Jakarta, Indonesia-based designer of the Arjuna puppet font Wayang (2018). [Google] [More]  ⦿

Jude Abdulhadi

During her studies in Würzburg, Germany, Jude Abdulhadi created an experimental Arabic typeface (2015). [Google] [More]  ⦿

Eva Abdulina

Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Eva Abdulina is a designer from Riga in Latvia. Before studying at Type and Media she obtained a Bachelor of Arts in Visual Communication from Arts University Bournemouth. Her graduation typeface at KABK was Austra (2019), a robust and sturdy typeface with a nostalgic touch of Latvian heritage. [Google] [More]  ⦿

Izrin Abdul

Birmingham, UK-based graphic designer who created the art-nouveau-meets-the-future typeface Cosmic. (2009). [Google] [More]  ⦿

Aaram Abdulla

Creator of the children's hand font Aram Abdulla (2013). [Google] [More]  ⦿

Basim Abdulla

Based in Male on The Maldives, digital artist Basim Abdulla created the hand-drawn typeface Black Widow in 2013. [Google] [More]  ⦿

Rayan Abdullah

Type designer (b. 1957, Mosul, Iraq) who participated in the Linotype International Type design Contest in 2000 and lives in Germany, where he set up Markenbau in 2000. Author (with Roger Hübner) of Pictograms and Icons (2005, Herman Schmitz, Mainz) and Arabische Schriftkunst (1993, Hochschule der Künste Berlin). [Google] [More]  ⦿

Rina Abdullah

During her studies in Bandar Seri Begawan, Brunei, Rina Abdullah designed Hexrunic (2017). [Google] [More]  ⦿

Shakirah Abdullah

Nusajaya, Johor, Malaysia-based designer (b. 1995) of the hairline hand-printed typeface Sweet Life (2013). [Google] [More]  ⦿

Symon Adam Abdullah

Aka Ay Terry, Ayi Teiry, Roy Yan, Jorse Creative, Symon Adam, Symon Adam Abdullah, Ront Beld, Groen Studio, Lage Jorse, Roiyani, Roiyani Teungku, Roy Yani, Ront Jorse, Groen Lagoe and Roy Jorse, b. 1979. Banda Aceh, Indonesia-based creator of the connected retro signage script typefaces Exoticus (2015), Random Ink (2015), Catfish Script (2015), Umbrella (2015), Wolf Bane (2015: an upright connected script; a Pro version appeared in 2018), Bettaria Script (2015), Matador (2015), Melani Script (2015), Aslang Barry (2015, connected calligraphic script), Fameliya (2014, a connected wedding script), Olivera (2014), Mutiara (2014), Routine Script (2014), Bunthok (2014), Fretaliya (2014), Fatimma (2014), Cuplex Script (2014) and Semadome Script (2014). Ront also designed the brush typefaces Rocket (2015) and Fronte (2015), the more formal connected script typeface Monalisa (2014, renamed later to Montala, probably under pressure from Monotype, owner of ITC Mona Lisa), the calligraphic Amtenar (2015), the brush script Fire Vector (2015), the connected brush script typeface Standly (2015), the script font Maphylla (2015), Freestyle (2015), and the fun connected script typeface Emillia Script (2015).

Typefaces from 2016: the connected script typefaces Hermes, Beatrice, Bellati, Slowly and Elmaira, the sans typeface Asiach, the handcrafted typeface Country, and the brush script typefaces Astro, Getter, Metric, Brusher, Spontance, Fronte Script, Rocket, Arthands, Brokelly, Armant, Batagors (calligraphic dry brush style), and Almaida, the sans titling typeface Asiach, the connected script Spontance, the handcrafted Country Light, Twetter (swashy calligraphic style), Rantes, Lucue, Brusher (dry brush), Beetle (connected script), Freestyle, Notulen.

Typefaces from 2017: Herawati (signature font), Shabira, Bintang, Hand Boys, Sambilan, Betania (brush), Blangku, Valentina, Mother Love, Mangifera (calligraphic script), Happy Berry, Expant (dry brush script), Boston (brush script), Rosenesya (calligraphic script), Bonita (fat brush), Shabira, Amster (an elegant high-contrast signage script), Just Beauty, Justin, Blangku, Mother Love, Bettol, Anitha (calligraphic script), Settiya, Hello Sweety, Expant (dry brush), Boston, Bonita, Astro (brush script), Metric, Getter (dry brush script), Hermes, Arthands, Brokelly, Bellati, Country Family, Batagors (a great dry brush calligraphic script), Armant, Slowly, My Heart, Love & Heart, Heartless, Justin (rough brush script), Muthya.

Typefaces from 2018: Romantina, Solution (sans), Mellanie, Rocket, Fronte Script, Berlian.

Typefaces from 2019: Muctar (a signage script by Ront Jorse), Taranum (a calligraphic script), Delegation (Script, Sans; by Symon Adam Abdullah), Quintrell, Vortices, Wolfsbane (by Sai Poel), Wamelo.

Typefaces from 2020: Creative Signature.

Typefaces from 2021: Chayton (script), Osmont (a Treefrog script), De Monte (a 20-style geometric sans).

Behance link. Graphic River link. Yet another Creative Market link. Graphic River link. Newest Creative Market link. Fontspring link. Graphicriver link. [Google] [MyFonts] [More]  ⦿

Symon Adam Abdullah

Pekanbaru, Riau, Indonesia-based designer of these script and calligraphic typefaces in 2019: Shabira Bloom, Adinda Script, Script Mothers, Ramadhan Kareem, Rosenesya, Mother Love, Bointang Cifoy, Sambilan, The Playing, Eisha Script, Sugartina Font Signature, Romantina Font Script, Herawati Signature Font, Bintang, Hand Boys, Betania, Blangku, Mangifera, Happy Berry, Beatrice, Almaida, Elmaira. [Google] [More]  ⦿

Mohammad Esmat Abdullhalem

Egyptian designer in 1992-1994 of these Arabic fonts: ACS-Akeek-Bold, ACS-Akeek-Extra-Bold, ACS-Akeek, ACS-Almass-Bold, ACS-Almass-Extra-Bold, ACS-Almass, ACS-Bassmalah, ACS-Fayrouz-Bold, ACS-Fayrouz-Extra-Bold, ACS-Fayrouz, ACS-Hieroglyphic, ACS-Islamy, ACS-Koraan, ACS-Morgan-Bold, ACS-Morgan-Extra-Bold, ACS-Morgan, ACS-Symbols, ACS-Topazz-Bold, ACS-Topazz-Extra-Bold, ACS-Topazz, ACS-Yaqout-Bold, ACS-Yaqout-Extra-Bold, ACS-Yaqout, ACS-Zomorrod-Bold, ACS-Zomorrod-Extra-Bold, ACS-Zomorrod. They can be downloaded here, here and here. [Google] [More]  ⦿

Julia Abdullina

Moscow-based designer of several experimental typefaces in 2014. [Google] [More]  ⦿

Fatima Abdulrahman

Abu Dhabi, UAE-based designer of the Arabic typeface Hibr (2014). [Google] [More]  ⦿

Shaden Abdulrahman

As a student at the University of Dammam in Saudi Arabia, Shaden Abdulrahman created the squarish Kufic typeface Diamond (2015). [Google] [More]  ⦿

Rosyad Abdurahman

Bandung, Indonesia-based designer of the uppercase display typeface family Srivijaya (2017). [Google] [More]  ⦿

Ismail Abdurrasyid

Bantul, Indonesia-based designer of several icon sets (Ecommerce, Football, Bathroom, Moslem Worship), and handcrafted typefaces sucxh as Kinley (2019: monoline script), Layla Script (2019), Star Medina (2019: an Arabic simulation typeface), Zamalek (2019: a script typeface), Seggo Jagung (2019: a minimalist monoline sans), Jaguar (2019: squarish), Sinau (2019: a script typeface) and Modaz (2019: an all caps brush typeface for horror applications).

Typefaces from 2020: Sharifa (script), Emyrla (2020: a minimalist futuristic sans), Samosan (2020: titling sans), and Marrowish (titling serif). Creative Fabrica link. [Google] [More]  ⦿

Brian J. Abe

North-Carolina-based designer (b. 1989) of the dot matrix font Sam's Town (2006) and the graffiti typeface February (2007). Alternate URL. [Google] [More]  ⦿

Amin Abedi

Tabriz, Iran-based designer (b. 1990) of these typefaces:

• The paperclip typeface First Shine (2016).
• The outline typeface AAR (2017).
• The programming font Cherry (2017).
• The calligraphic typeface Perfection (2017).
• The monoline Arabic/Latin typefaces Estedad (2017-2018) and Mikhak (2018).
• The monospaced sans typeface AzarMehr Monospaced (2018). For Arabic and Latin. It has a great arched background font.
• The fancy Persian font Fandogh (2017).

Github link. [Google] [More]  ⦿

Negin Abedi

Graduate of the Communication Design program at Emily Carr University of Art & Design in Vancouver, 2012. Creator of the high-contrast artsy headline typeface called Yaletown (2012).

Cargo collective link. [Google] [More]  ⦿

Hirofumi Abe

Japanese type designer. [Google] [More]  ⦿

Adhi Abel

During his studies in Jakarta, Indonesia, Adhi Abel designed the sans typeface Belanusa (2014-2015). Behance link. Home page. Dafont link. Cargo Collective link. [Google] [More]  ⦿

Bernie Abel

Designer of Abel Cursive (Compugraphic, 1974). For a digital revival, see Alan Prescott's APT New Abel Cursive (1996). [Google] [More]  ⦿

Nina Abele

Schwäbisch Gmünd, Germany-based designer of a custom typeface for Deutsches Verpackungsmuseum (2017). [Google] [More]  ⦿

Clara Gutierrez Abellan

Granada, Spain-based designer of the cutesy typefaces Alice, Smiles, Alhambra and Ohlala in 2015. [Google] [More]  ⦿

Joanne Abellar

Creator (b. 1991, The Philippines) of the outlined hand-drawn typeface Chickfactor (2013), as well as Ham And Eggs (2013), Bookends (2013), Bookends with Accents (2014), Font5 (2013) and Whiplash Girl Child (2013).

Typefaces from 2014: Basic Space, Hypersober (textured shadow face), Hypersober Clean.

In 2015, she designed the avant garde sans typeface Morning Crescent. In 2016, she published the handcrafted typeface Summer Fling.

Dafont link. Fontspace link. Home page. [Google] [More]  ⦿

Nava Abel

Israeli type designer at MasterFonts. Klingspor link. [Google] [MyFonts] [More]  ⦿

Kelly Abeln

Graphic designer in Minneapolis, MN. Creator of the handcrafting all-caps face Knots&Loops (2011). Behance link. [Google] [More]  ⦿

Elizabeth Abernethy

Graphic designer who created the art deco headline typeface Strain Theory (2011). [Google] [More]  ⦿

Vincenzo Abet

Napoli, Italy-based designer of the geometruc sans typeface Ulio (2015). [Google] [More]  ⦿

Puangroi Abhaiwongse

Thai type designer. His typefaces at Ziam Type include -ZT Khun Saibua (2018). [Google] [More]  ⦿

Sarah Abichaker

Beirut, Lebanon-based designer of the Latin / Arabic multiline art deco typeface Str8 Tracks (2016). [Google] [More]  ⦿

Rachel Abidov

Israeli type designer at MasterFonts who made the hand-printed Hebrew typeface Racheli MF (2009). [Google] [MyFonts] [More]  ⦿

Soufiane Abid

Kenitra, Morocco-based designer (b. 1993) of Kenta (2020) and Semlor (2020), a Latin / Cyrillic typeface that plays with stress and is destined for posters. Earlier typefaces include the handcrafted Agenzada and the free formal sans typeface Jervinho (2019), which was inspired by Maven Pro and Titillium Web. [Google] [MyFonts] [More]  ⦿

Huda Smitshuijzen AbiFarès

Huda Smitshuijzen AbiFarès, was born in Beirut in 1965. Author of Arabic Typography A Comprehensive Sourcebook (Saqi Books, London, 2001), Experimental Arabic Type (Saatchi&Saatchi, Dubai, 2002), Typographic Matchmaking (BIS Publishers, Amsterdam 2007), Arabic Type Specimen Book (2008), Typographic Matchmaking in the City (2010) and Arabic Type Design for Beginners (2013), and a number of articles on multilingual communication in the Middle East such as Arabic Type: a challenge for the 2nd millennium (1998). She holds degrees in graphic design from Yale University School of Art and Rhode Island School of Design, and specializes in bilingual typographic research and design. She has worked as a designer for a number of years, in the USA, Amsterdam, France and Beirut. She has taught typography and graphic design at the American University of Beirut. She was the Chair of the Visual Communication Department for three years at the American University in Dubai and founded the Khatt Foundation, Center for Arabic Typography in Amsterdam. She curates exhibitions, organizes collaborative design research projects between Europe and the Middle East, and is editor of the Khatt Foundation online network of Arab/Middle Eastern designers (www.khtt.net). She is currently pursuing a PhD at Leiden University while working between Europe and the Middle East as a typography and design consultant on projects of cultural relevance. She has art directed and collaborated on the design of several contemporary Arabic fonts for magazines like Aleph (London) and companies in the Gulf. Typefaces include Alef Caps (2008), done with Pascal Zoghbi. KHTT link. [Google] [More]  ⦿

Christianne Abigael

During her studies at Nanyang Academy of Fine Arts in Singapore, Christianne Abigael created the wonderful pearl-studded (or floriated) decorative typeface Daisy (2015). [Google] [More]  ⦿

Badeeh Abla

Designer of LX Sans (2016). Creative Market link. [Google] [More]  ⦿

Lales Ab

Madrid, Spain-based designer of the art deco revival typeface Cine Rex (2016). This typeface is based on the sign for the Cine Rex movie theater. [Google] [More]  ⦿

Adiljan Abliz

Designer of these Uyghur typefaces: Ukij 3D, Ukij Esliye (with Turghun), Ukij Imaret (with Turghun), Ukij Jelliy, Ukij Kawak, Ukij Merdane, Ukij Qolyazma, Ukij Qolyazma. With Turghun at Alpsoft Science and Technology Development Co., Ltd., Urumchi, he designed Ikij Esliye. With Alim Ahat, Memtimin (Alyar) and Abdureshit (Qarlighach), he designed Ukij Zilwa. Open Font Library link. [Google] [More]  ⦿

Mert Abolar

Antalya, Turkey-based designer of a display typeface in 2017. [Google] [More]  ⦿

Thomas Abold

At H. Berthold AG, Thomas Abold published the phototype typeface Abold (1972). [Google] [More]  ⦿

Renz Jezrel Abong

During his studies in Montalban, The Philippines, Renz Abong created the free sans typeface Tale (2013, FontStruct), the free condensed typeface Versa (2013, FontStruct), and the free monoline geometric font Tribe (2013).

Behance link. [Google] [More]  ⦿

Ashique Aboobacker

Aka Minz Creations. Indian designer of the free Malayalam typefaces Ashique ML Minnu Semi Bold (2013) and Ashique ML Ashu Condensed Bold (2013). In 2014, he created Ashique ML Minnu Bold.

Fontspace link. [Google] [More]  ⦿

Mounira Shady Abouauf

During her graphic design studies in Cairo, Egypt, Mounira Abouauf designed the Latin typeface Simplicity Serif (2015), and the Arabic display typeface Mousool (2016) and Mamary (2016). [Google] [More]  ⦿

Carine Abou

French designer of the human figure silhouette font C Comme Corps (2015). [Google] [More]  ⦿

Adham Aboudoma

Cairo, Egypt-based designer of the Latin display typeface Rondo (2014). [Google] [More]  ⦿

Sherine Abouelmagd

Inspired by the movie Edward Scissorhands (1990), and Fontdiner Swanky (1996, Stuart Sandler), Sherine Abouelmagd designed a Latin display typeface and the great Arabic typeface Sherif ElKordy in 2018 during her studies at German University in Cairo. [Google] [More]  ⦿

Yasmine Aboul-Hosn

Beirut, Lebanon-based designer of the Latin / Arabic display typeface Skeletal (2016). [Google] [More]  ⦿

Thibaut Abou Mrad

Based in Rennes, France, Thibaut Abou Mrad created the logotype typeface Dantek (2014) for Zit Dantes, a web service company. His layered rounded stencil typeface family Normograph (2014) is created for wayfinding applications. Trix (2014) is a triangulated typeface. Miron (2014), designed for the Miron Rivoli gallery, is a hybrid of Filosophia Grand and Gravur Condensed. Behance link. [Google] [More]  ⦿

Carine Abraham

Designer at Union Type of Timura (deconstructivist face). [Google] [More]  ⦿

Israel Abraham

Venezuelan creator of the experimental / alchemic typeface Carnada (2011). [Google] [More]  ⦿

Jaeda Abraham

Graphic designer based in Gold Coast, Australia. In 2018, she created the rounded sans typeface Mochi. [Google] [More]  ⦿

Bradley Abrahams

Cape Town, South Africa-based designer (b. 1979) of the art deco stencil typeface Daddy Dont Disco (2008). [Google] [More]  ⦿

Federico Abrahams

Aka Bicho. Designer in San Jose, Costa Rica, b. 1974. He created the decorative typeface Malajeno (2011). [Google] [More]  ⦿

Konor Abrahams

During his studies at RGD, Konor Abrahams (Toronto, Ontario) designed the piano key typeface Oppose Display (2019). [Google] [More]  ⦿

Sophia-Rose Abraham

Australian student-designer of the organic typeface Pandanus (2019). [Google] [More]  ⦿

Tanuj Thomas Abraham

At MIT Institute of Design in Pune, India, Tanuj Thomas Abraham created the monoline sans typeface family Burgeon (2017). [Google] [More]  ⦿

Vytautas Abraitis

Lithuanian designer of these free display fonts in 1993: KABlokHead, KABlokHeadJam, KACobra, KACobraCreep, KADinoSlay, KADinoSob, KAHorrible, KAHorribleSquish, KAMarble, KAMarbleClear, KAMonster, KAMonsterSmirk, KAPasta, KAPastaAldente, KAPizza, KAPizzaMunch, KASnake, KASnakeNite, KAStorm, KAStormRain. [Google] [More]  ⦿

Alyssa Abram

Vancouver-based designer of the pixel font Bitmap (2013). [Google] [More]  ⦿

Heric Longe Abramo

Italian designer (b. Bologna, 1976) of some deconstructivist fonts such as Kill Your Neighborhood (2000, knife dingbats and scanbats of typefaces), and the broken stencil font Metal Meltdown (2001). In 2000, he co-founded the magazine Pressure, dedicated to graffiti art. [Google] [More]  ⦿

Raisa Abramova

Vladivostok, Russia-based designer of Salty Cracker (2021: an angular typeface true to its name), Basely Bagel (2021: a children's book typeface), Small Baguette (a funky hand-printed typeface), Mooncake (a monolinear display sans) (2021). [Google] [MyFonts] [More]  ⦿

Vit Abramov

Founder and creative director at Flëve in New York City.

Mobispot Regular (2013) is a beautiful contemporary geometric grotesque for Latin and Cyrillic, designed by Olga Balina and Vit Abramov at Flëve for Mobispot Social Systems, a company that creates cool applications for life and business based on NFC technology.

Behance link. Behance link for Flëve. [Google] [More]  ⦿

Vsevolod Abramov

Moscow-based designer of the free Latin / Cyrillic typeface Lena (2017). He also cyrillicized Ben Dalrymple's Geared Slab here. [Google] [More]  ⦿

Rob Abram

Graphic designer from Kansas who made several experimental fonts in 2011. [Google] [More]  ⦿

George Abrams

George Abrams (b. 1919 or 1920, Brooklyn, d. 2001, Manhasset, NY) is the designer of the gorgeous font families Augereau, Abrams Caslon and Venetian, at Expert Alphabets in Great Neck, NY. Abrams taught lettering and typeface design at the Parsons School of Design, the New School for Social Research and at the Columbia University Teachers College. He had over 50 years of Madison Avenue experience designing ads, logos, typography and lettering for Fortune 500 companies and more. His early typefaces were photo types published by Headliners in New York City. He died on June 7, 2001 at age 81.

About Augereau: This is the only digitized typeface by George Abrams [in fact, the digitization is due to Charles Nix, for George Abrams]. Its 28 weights include over 2,000 sorts including expert, OsF,&alts. Augereau is named for Antoine Augereau, who was a typographer who had a few claims to fame - one was that he was Claude Garamonds teacher, and two was that he was sentenced to death for heresy in 1544. Heresy for a typographer in 1544 meant that he printed something that the king or the Pope didn't like and died for it.

I would like to thank Poul Steen Larsen for clarifying the history of Abrams' Venetian: The Abrams Venetian was donated to Mr. Poul Kristensen of Herning (in Jutland), then Printer to the Royal Court (which he has ceased to be in 1995). You are right about the font being today locked to Poul Kristensen' old Linotron, from which not even Linotype experts brought in to unlock it, could get it out for conversion into an up-to-date digital font. So the font will disappear from the type arena when Kristensens Linotron one day breaks down. You can trust me, for I was the one who established the contact between George and Mr. Kristensen back in 1986. The font was first used in 1989 in a book by Martin Lowry, British renaissance historian, with the title Venetian Printing. George Abrams' chalk drawings of the entire alphabet in regular and italic were scanned, more precisely vectorised on-screen and downloaded in Denmark by the Kristensens and therefore, in one sense, could be called the first Danish complete font. A sample of the first use of Abrams' Venetian. A second sample from "Venetian Printing". Abrams Venetian was digitized at some point by Jorgen Kristensen for Poul Kristensen Grafisk Virksomhed Printer.

Apostrophe wrote this about Abrams Caslon: This was actually reviewed by Caflish and, if I remember correctly, Mark vonBronkhorst, so there are at least 3 or 4 copies of it out there, other than the Abrams' estate original data. Sumner Stone once said that this is the best Caslon he has ever seen. At least he has seen it; I haven't.

The typefaces by Abrams (Abrams Venetian and Augereau) are preserved in the New York City-based Abrams Legacy Collection (see also here).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Josh Abrams

Student in the Masters in Typography program at EINA in Barcelona. He is working on Filler Sans (2011) and Holden (2011, serif face). Behance link. [Google] [More]  ⦿

Madelaine Abrams

During her studies at the University of Falmouth in the UK, Madelaine Abrams designed the fun display typeface ChatterBox (2016) and the circle-based Cirque (2016). [Google] [More]  ⦿

Sara Abrantes

During her studies at ESAD.cr, Sara Abrantes (Lisbon, Portugal) designed the high contrast text typeface Eros (2019). [Google] [More]  ⦿

Mani Sarao Abrawan

Auckland, New Zealand-based designer of a multilined typeface in 2014, possibly called Ponsonby. [Google] [More]  ⦿

Jack Abrehart

Creator of simplistic hand-printed typefaces such as Pointy Fontawlious, Plain Sexy and Best Font Ever (2010). [Google] [More]  ⦿

Demetrius Abreu

Fortaleza, Brazil-based creator of an electronic circuit-inspired blackletter typeface called Cyber Gothic or Cibergotica (2014). This typeface was developed during his studies at Universidade Federal do Ceará, together with Eduardo Novais (project leader), Deivith Silva, Onofre Paiva, and Rodrigo Almeida. [Google] [More]  ⦿

Francisca Abreu

During her studies in Lisbon, Portugal, Francisca Abreu designed the modular display typeface Close (2016). [Google] [More]  ⦿

Gilenny Abreu

Boston, MA-based designer of the school project font Azua Sans (2014). Behance link. [Google] [More]  ⦿

Hanry Abreu

During his graphic design studies in Rio de Janeiro, Hanry Abreu designed the ethnic typeface Guarany Serif (2014), and the informal custom typeface Lorenzo Sans (2014). [Google] [More]  ⦿

Joao Abreu

Joao Abreu (Quarteira, Portugal, b. 1985) designed the free font Horny Village (2013).

Dafont link. Behance link. [Google] [More]  ⦿

Miguel Abreu

Based in Matosinhos, Portugal, Miguel Abreu created the rounded bold printed typeface Untitled (2014). [Google] [More]  ⦿

Rubinei Abreu

Sao Paulo-based designer of the liquid display typeface Abreus RD (2004). [Google] [More]  ⦿

Rui Abreu

R-Type was founded by Rui Abreu in 2008. Rui graduated from FBAUP (Faculdade de Belas Artes da Universidade do Porto) in 2003. He has been working as an interactive media designer in different design agencies, and he has been designing typefaces. Based in Porto, he created Tirana (2006, sans family at T26), Catacumba (2007, a gorgeous bold didone titling face, T26; in 2009 at Fountain/PsyOps), Cifra (2006, a lovely ten weight sans family, T26), Nomada (2007, a monoline slab serif), Salto Alto (2006, avant garde sans family, with octagonal influences), Foral (2008, monoline slab serif; published by Fountain in 2010), and Forma (2006, stencil family, T26).

In 2008, he published Orbe (Fountain), an exotic all-caps blackletter inspired by Portuguese and Lombardic calligraphy [it deservedly won an award at TDC2 2009; Orbe Pro at MyFonts], Gesta (2008, sans family), Gesta Condensed (2012), Gesta Semi Condensed (2012), Gira Sans (2012, a grotesque family), Foral Pro (2011, an elliptical slab serif), Catacumba (2011, a high-contrast ball terminal wedge serif family), Aria Pro (2011, a delicate high-contrast transitional serif family), Forma Solid (T26).

In 2013, Rui published Aria Text (a rational (transitional) toned-down version of Aria that comes in three sets of optical sizes, G1, G2, and G3), the geometric sans family Azo Sans and Azo Sans Uber, a geometric sans with a humanist element. Grafolita Script (2013) is a connected typeface family that borrows ideas from signage scripts.

Typefaces from 2014: Litania (medieval-style typeface with roman capitals, Lombardic capitals, and Carolingian minuscules; nice fists accompany the type), Signo (a dynamic sans serif with reverse contrast, designed for editorial and branding). Signo won an award in the TDC 2015 Type Design competition.

Typefaces from 2015: Montblanc (a custom sans for the Montblanc company that won the IF Design award in 2015), Usual (a neutral sans with large x-height). In 2010, Peter Bruhn started a typeface but he died before it was finished. In 2015, Rui Abrey and Göran Söderström finished it as Bruhn Sans (Fountain Type). In 2010 Peter was commissioned to design a wordmark for the documentary Harbour of Hope. The type was to ellicit Malmö's harbor, and Peter found inspiration from the painted type of industrial tankers docked in his hometown.

Typefaces from 2016: Grifo, Symbio and Symbio Arabic (at Typotheque; prize winner at Granshan 2016), Sul Sans (a geometriclly constructed sans with features frequently seen on signs and buildings in Portugal).

Typefaces from 2017: Sul Mono (a typewriter style), Grifito, Grifinito (condensed versions of the sharp-edged display typeface Grifo), Aquino (by Rui Abreu and Ricardo Santos; a display calligraphic stencil typeface inspired by a liturgic book made by Portuguese friar Tomas Aquino in 1735).

Typefaces from 2018: Gliko Modern (an award winner at the Type Directors Club's Type Design Competition 2019).

Typefaces from 2019: Flecha (a sharp and streamlined old-style typeface made for editorial design that won an award at 23TDC in 2020), Staff (a neo-grotesk from X Wide to XXX Condensed).

Typefaces from 2020: Flecha Bronzea (M, L: the condensed version of Flecha).

Typefaces from 2021: Azo Super (a heavy display font), Staff Grotesk (a low key sans family derived from Abreu's 2019 font, Staff), Gineto (a grotesque developed from the brevier size of Gothic no. 4, a nineteen century design by the New York type foundry Farmer, Little & Co), Chassi (in three optical sizes, S, M and L: a revival of Garamond as a genre, slightly reinterpreted for our times; I duisagree though with the word "slightly").

MyFonts interview in August 2013. MyFonts page. T-26 page. Old home page. Klingspor link. Fountain Type link.

View Rui Abreu's typefaces. [Google] [MyFonts] [More]  ⦿

Clément Abrial

Graphic design student in Lyon. Creator of Antarctica (2012), and Miles Davis (2012, an inline art deco typeface). [Google] [More]  ⦿

Jean-Charles Abrial

Parisian designer of the Bauhaus-inspired Ortaki (2012, with Cyril Barrier). In 2014, he designed the display typeface Norris and the calligraphic typeface Yonne.

Behance link. [Google] [More]  ⦿

Andrea Abril

Photographer and graphic designer in Sevilla, Spain, who created the italic didone stencil typeface Doñ in 2017. [Google] [More]  ⦿

Rafael Abril

Bogota, Colombia-based designer of the paper fold typeface Fabric Type (2017). [Google] [More]  ⦿

Anna Absolut

Designer who used FontStruct in 2009 to make HBK Friday, an LED simulation face. [Google] [More]  ⦿

Hasan Abu Afash

Arabic typography web site and font foundry established in 2007 by Hasan Abu Afash, an Arab designer living in Gaza/Palestine. Typefaces: HS Dream (2019), HS Gold (2018), HS Almisk, HS Almisk Serif (2018: modern kufi style), HS Aleman (2018: a kufi /naskh hybrid), HS Alnasma (2017), HS Alhoson (2017), HS Alwajd (2016), HS Almajd (2016), HS Rahaf (2015, covering Pashtu, Persian, Urdu, Kurdish Sorani, Kurdish Kirmanji, and Arabic), HS Alnada (2015, kufi), HS Headline (a fat calligraphic didone display typeface by Gunnlaugur Briem (Latin) and Hasan Abu Afash (Arabic, based on the simple lines of Naskh calligraphy), HS Ali (2015; designed using equal amounts of anger and sorrow, Hasan writes: HS Ali was designed in memoriam of my brother---Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014), HS Alhuda (2014, Kufi font), HS Almaha (2014: this font combines the features of linear Naskh and modern Kufi), HS Almidad (2014), HS Ishraq (2013), HS Alkitab (2013), HS Albadr (2013), HS Almohandis (2007-2011, Arabic display face), HS Alhandasi (2007 and 2011), Hasan AlQuds family (2004, a display typeface done with Mamoun Sakkal), Hasan Hiba, Hasan Enas (Arabic text typeface), Hasan Elham (2006, a modern Kufi art deco face), Hasan Ghada (2007-2008, based on modern Kufi calligraphy--first known in 2002 as KactTitle), Hasan Manal (2008, Kufi style), Hasan Aya (2007, Kufi style famaily based on Corel's 1992 typeface Bedrock), Kouffi Fatemic, Safwat, HS Amal. In 2008, Hasan Hiba and Hasan Noor (a classic squarish Kufi face) were upgraded to the DecoType font format for use in WinSoft Tasmeem which is now bundled with InDesign CS4---thanks to a cooperation with Mirjam Somers. Still with Somers, he upgraded the Basim Marah display typeface (2008) for Tasmeem. Basim Marah was drawn by Basim Salem Al Mahdi from Iraq and then digitized by Hasan himself. The same year, Hasan developed an OpenType project for Alinma TheSans fonts which are based on TheMix Arabic (designed by Luc(as) de Groot and Mouneer ElShaarani for Al Inma Bank, Saudi Arabia). Later he developed the OpenType features for Jumeirah Arabic which was designed by Pascal Zoghbi (29letters) and Huda AbiFares (Khatt) for Jumeirah International, UAE. He developed the OpenType layout features needed for the Arabic script system in the Seria Arabic fonts family which was designed by Pascal Zoghbi for FontShop International, as well as the Chams fonts family which was designed by Al Mohtaraf Assaudi for the redesign of the Shams Newspaper in Saudi Arabia and the Arajhi fonts for Alrajhi Bank. Since 2002 Hasan has worked and collaborated with Mamoun Sakkal in several projects, such as the Burj Dubai Shilia project, Sakkal Baseet and the Microsoft project which included the updating of the OpenType instructions for fonts such as Tahoma, Microsoft Sans Serif (1997), Arial, Times New Roman, Segoe, Courier, Time New Roman, Ms Uighur and Majalla UI. In 2009-2010, he cooperated with Parachute to make DIN Text Arabic.

Releases in 2012 include HS Future Sans (with Abdulsamie Rajab Salem), HS Amal, HS Alfaris, HS Al Basim A, and HS Almohandis.

Typefaces from 2013: HS Alwafa, HS Masrawy (a display typeface done with Abdulsamiea Rajab Salem), HS Elham (Kufi).

Behance link. MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Martín Abud

Montevideo-based designer of the organic typeface Escrin. See also here. [Google] [More]  ⦿

Jorgito Abuin

Jorgito Abuin (b. 1967, Spain) designed the brush font Cabanyal Z (2013).

Fontspace link. [Google] [More]  ⦿

Saad Dean Abulhab

Arabetics is run by the Iraqi-American New York-based type designer, librarian, and systems engineer Saad Dean Abulhab (b. 1958, sacramento, CA), who in 2000 patented the Mutamathil (unified and symmetric) type style for Arabic. He grew up in Karbala and Baghdad, Iraq, but was born in Sacramento, CA. He attended the University of Baghdad, and holds a Bachelors degree in electrical engineering from Polytechnic University and a masters degree in library and information science from Pratt Institute, both in New York. He resides in the USA since 1979. In 2004, he set up Arabetics.

His type design work covers Arabic, Urdu, Persian, Kurdish, and Pashtu.

His typefaces include Zena (2009), Layal (2007), Mehdi (2005: follows the guidelines of the Mutamathil Taqlidi type style), Sabine (2008: it too follows the guidelines of the Mutamathil Taqlidi type style), Fallujah (2005), Mutamathil Falujah, Yasmine Mutamathil, Mutamathil Taqlidi, Arabic Mutamathil, Arabic Mutamathil Mutlaq (2004), Arabic Mutamathil Tibaah, Arabic Mutamathil Mutlaq Tibaah, Arabic Mutamathil Muttasil and Arabic Mutamathil Tibbaah Muttasil. Mutamathil and Mutamathil Taqlidi include optional Lam-Alif ligatures. See also Kufa Mutamathil (2011). Other font families: Nasrallah, Silsilah, Yasmani, Mutamathil, Yasmine Mutamathil, Amudi, Amudi Mutamathil, Anbar (2008), Handasi, Yasmine Mutlaq, Jazm (2010), Jalil (2011).

In 2012, he added Nuqat, Nastarkib, Lahab, Ibrani, Hallock, Arabetics Latte (for Latin and Arabic), and Banan (Mutamathil Taqlidi type style).

In 2005, he created Handasi, about which he writes: The idea behind Handasi, Arabic word for engineered, was to design a font without a single curve that would at the same time resembles traditional curves-rich Nask style. The font strictly uses straight lines. The design of Handasi is based on the Mutamathil Taqlidi design style where each letter is represented by one normal glyph assigned the basic Unicode number and an additional final shape glyph to letters capable of dual connection within traditional Arabic text. No initial, medial, or standalone shapes are provided.

Arabetics Symphony (2012) is a sans serif Latin typeface with a comprehensive support for the Arabetic scripts, including Quranic texts.

In 2013, he published PF Nuyork Arabic at Parachute. His Arabetic fonts from 2013 include Nagham, Arabetics Harfi (for Latin and Arabic), Camille, Raqmi and Raqmi Monoshape.

In 2015, he published Hazim (in Mutamathil Taqlidi style), Sada (for small devices, in Mutamathil Taqlidi type style), Khatt, which follows the Arabetics Mutamathil Taqlidi style.

Typefaces from 2016 include Mashq, possibly the first typeface implementation ever of the early Quranic scripts of the Early Mashq, Mashq Kufi, and Mashq Ma'il. The font family design is primarily based on the scripts of the Quran manuscripts of the Topkapi Museum, the Bergstraesser Archive, and other scattered samples.

Typefaces from 2018: Arabetics Detroit.

Typefaces from 2020: Arabetics Aladdin.

Hiba Studio link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Fadwa Abulughod

Communication design student in Milwaukee, WI, who made Embodiment (2011), a typeface for genies. [Google] [More]  ⦿

Aya Aburaida

Designer of Matmos, which won an award at ProtoType in 2016. [Google] [More]  ⦿

Abdoaroof Aburzizh

Tripoli, Libya-based designer, with Abd-Elrahman Ammar (development), of the free Arabic font family Raoof. [Google] [More]  ⦿

Hani Abusamra

London-based graphic designer and illustrator, who studied graphic design at London's Architecture and Visual Arts school. Behance link. Her typefaces include Valence (2011, blackletter/tattoo face). Also, starting in 2011, she decided to drawn one letter per day. Shapes (2011) is a geometric face. [Google] [More]  ⦿

Nora Abushadi

Cairo-based designer of an Arabic Tetris-inspired typeface (2014). [Google] [More]  ⦿

Nayera Abusteit

Based in Cairo, Nayera Ezzal Din Abesteit created an Arabic typeface using compass and ruler in 2013. In 2014, she published a condensed Latin/Arabic typeface called Tall. [Google] [More]  ⦿

Ruby Abutaleb

American designer of the bicolored caps typeface Ketab (2018). [Google] [More]  ⦿

Federico Abuyé

Argentinian designer in Buenos Aires of the pixel typeface Andina (2012). Home page [Google] [More]  ⦿

Abyme

Abyme is a type foundry founded by Adrien Vasquez and John Morgan. Their typefaces:

• English Egyptian (2011-2017, by John Morgan and Adrien Vasquez). English Egyptian is an interpretation of William Caslon's Two Lines English Egyptian of 1816, considered by some to be the first sans serif printing type to be sold commercially.
• Nizioleti (2011-2017). An all caps stencil typeface designed by John Morgan and Adrien Vasquez, Nizioleti is named and modeled after the nizioleti, or Venetian street signs. Nizioleti is a typeface consisting of painted letters stencilled within white plaster panels directly onto the city walls, in use since the early 19th century.
• Berthe (2011-2018), designed by Charles Mazé. Berthe is designed after another typeface called Série no. 16, whose first cuts were produced at the end of the nineteenth century by the Parisian type foundry Deberny & Peignot. It was engraved by Constant and Auguste Aubert under the direction of Charles Tuleu, the adoptive son of Alexandre Deberny whose mother, Laure de Berny, had bought from her lover Honoré de Balzac the printing house he didn't manage to transform in a profitable company. Série no. 16 quickly became a popular choice among printers and found its way into many editions of classic and popular texts. Review by Hrant Papazian, who wrote that it presents a congenial evolution of the theatrical Didone style of type. Lower contrast, fluid structures, humane proportions. It is like a Didot or Bodoni taking leave of the catwalk and relaxing among friends..
• Mercure (Charles Mazé, 2010-2021). Mercure is based in part on Beaudoire's Elzévir, and also goes back to the epigraphic origins of Perrin's Augustaux.

Muhammd Aby

Muhammd Aby (Alqawoms, Aceh Besar, Indonesia) created the script typefaces Marabella (2016: brush script), Yolanda (2016: calligraphic), Bougainvillea (2016: calligraphic), Panthers (2015) and Breakout (2015, brushy).

Typefaces from 2016: Annabelle (formal script), Beautification (connected script), Better (2016). [Google] [More]  ⦿

Yussrri Ab

Designer of the 3d font Yashi (2020). [Google] [More]  ⦿

Petar Acanski

Novi Sad, Serbia-based designer (b. 1985) of the fat hand-drawn typeface Oneer (2014). Typefaces made in 2016: School Stop (a wonderful variable width and interlocking poster typeface), the free oriental brush script font Bold Brush or Blow Brush (according to the designer it was influenced by the hip hop culture).

Dafont link. Behance link. Old URL. Creative Market link. [Google] [More]  ⦿

Angel Suazon Acar

Madrid-based designer of Always Typeface (2015) and Camera Icons (2015). [Google] [More]  ⦿

Bengisu Acar

During her studies in Ankara, Turkey, Bengisu Acar created the modular computer emulation typeface Majesty (2015). [Google] [More]  ⦿

Eylem Eylül Acarsoy

At Yasar University, Izmir, Turkey-based Eylem Eylül Acarsoy designed the squarish typeface MGMT (2018). [Google] [More]  ⦿

Umut Acar

Izmir, Turkey-based designer of the foliate typeface Acar (2016). [Google] [More]  ⦿

Halit Açıkgöz

Turkish designer of the bouncy squarish font Halit (2008). [Google] [More]  ⦿

A. Accent

Designer at Mecanorma of AccessMN. [Google] [More]  ⦿

Josefina Accini

Art director in Buenos Aires, Argentian, who designed a squarish all caps typeface called Thesame (2017). [Google] [More]  ⦿

Alexei Accio

Or Aleksey Achyo. Omsk, Siberia-based designer of the free Pacman-inspired typeface Accio Beta (2016). Behance link. [Google] [More]  ⦿

Beatriz Accioly

Brazilian graphic design student. Creator of Lovato Serif (2012). [Google] [More]  ⦿

Nina Acciuolo

Buenos Aires-based designer of the tall thin typeface family Dunn (2016) as a project at Universidad de Palermo. [Google] [More]  ⦿

Brian Acevedo

Cranbrook Academy of Art student who designed Thermal (2001). [Google] [More]  ⦿

Daniela Acevedo

During her studies at Flagler College, and exactly obn the day hurricane Irma hit Florida in 2017, Orlando, FL-based Daniela Acevedo designed the decorative caps typeface Interlace. [Google] [More]  ⦿

David Acevedo

Barcelona-based designer of the Escher-style outline typeface Barcelona (2014). Behance link. [Google] [More]  ⦿

Lilibeth Acevedo

Merida, Venezuela-based designer of Joro Pop (2012). [Google] [More]  ⦿

Anina Achermann

During her graphic design studies at Fachklasse Grafik in Luzern, Switzerland, Anina Achermann created a bold sans typeface (2014). Behance link. [Google] [More]  ⦿

Clare Acheson

Creator of the hand-rendered typeface Rubbish (2012). [Google] [More]  ⦿

Clare Acheson

Designer of the 3d shadow typeface Rubbish (2009, HypeForType). [Google] [More]  ⦿

Connie Achilles

The Iching truetype font by Connie Achilles and Font Source, Inc. (1997). [Google] [More]  ⦿

Lutfi Achmad

Indramayu, Indonesia-based designer of the modular sans typeface Daun (2018), the squarish techno typeface Troton (2018) and of Modern Ball Icons (2018). [Google] [More]  ⦿

Vilja Achté

Finnish graphic designer and illustrator, who is finishing a BA in Graphic and Media Design, at London College of Communication in 2013. Creator of a collaborative typeface (with Sam Brogan) in 2013. [Google] [More]  ⦿

Ian Acid

Rego Park, NY-based creator of the free techno typeface Acid Structure (2011). Behance link. [Google] [More]  ⦿

Elif Acikgoz

Eskisehir, Turkey-based designer of Wave Script (2018). [Google] [More]  ⦿

Gokalp Acikgoz

Istanbul, Turkey-based designer of the free sans typeface Nektarin (2015) and the free condensed titling typeface Wonderwall (2015). [Google] [More]  ⦿

Memet Emre Acikgoz

Istanbul, Turkey-based creator of the circle-inspired typeface Retrospective (2014). Behance link. Dafont link. [Google] [More]  ⦿

Nenad Acimovic

Designer of the first Serbina Cyrillic blackletter font, Gotica (2012). [Google] [More]  ⦿

Anderson Acioli

Recife, Brazil-based designer of the display typeface Monsters (2014) and the pixel typeface Games (2014). [Google] [More]  ⦿

Christian Acker

Christian Acker (b. 1979, Norwalk, CT) and Kyle Talbott, two graphic designers in New York City, set up Handselecta on Long Island in 2003 as a division of Adnauseum, Inc. They have pages on graffiti art, graffiti and calligraphy, and graffiti-based typefaces: Espo, Joker (done with Jerry Inscoe), Sabe, Mesk, Mesk AOK. Run by Brooklyn-based Christian Acker. They are selling the graffiti fonts. MyFonts link. MyFonts sells HSMene One NYThrowie (2006), 24 HRS, Joker Straight Letter, Mene One Mexicali, Mesh One AOK, Meskyle Laid Back, Sabe Ghetto Gothic, and Sailor Gothic.

Behance link. Interview by Ping Mag in 2006.

In 2008, he made a custom graffiti font called Lebron6 for tge launch of Lebron James's Sixth Shoe.

View Christian Acker's typefaces. [Google] [MyFonts] [More]  ⦿

Christian Acker

Adnauseum is an experimental design studio in Brooklyn, NY, run by Christian Acker, an American type designer (b. 1979, Norwalk, CT) who graduated from the Parsons School of Design in New York City in 2002. Christian occasionally guest lectures typography classes at Parsons. He set up Adnauseam in 2002 and Handselecta in 2003.

He designed Sailor Gothic (2003), the Spanish-looking font Sailor Jerry (2002), Joker Straight Letter (2006), Mene One NY Throwie (2006), Mesh One AOK (2006), Meskyle Laid Back (2006), Sabe Ghetto Gothic (2006), and 24Hrs (2002, Cubanica).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Paul Ackerley

Fonts made by Paul Ackerley include Ackadia (1999, 3D simulation font). [Google] [More]  ⦿

John Ackerman

Lansing, MI-based designer of Glyph Sans (2015), a free experimental sans typeface made with FontStruct. [Google] [More]  ⦿

Kyla Ackerman

Cape Town, South Africa-based designer of the 3d shadow typeface Disclosed (2016). [Google] [More]  ⦿

Phil Ackermann

Cape Town, South Africa-based designer of the blocky typeface Pajitnov (2015), which was inspired by the classic arcade game Tetris and named after its Soviet developer, Alexey Pajitnov. [Google] [More]  ⦿

Thomas Ackermann

Thomas Ackermann studied Communication Design at Hochschule für Angewandte Wissenschaften Hamburg (Germany) and Shenkar School of Engineering and Design in Tel Aviv. He worked as freelance designer for Blotto Design in Berlin and teaches typography at the design department of HAW Hamburg. He specializes in corporate design, typography and type design favouring big letters in architectural spaces. In 2010, he founded PBLC---Büro für Visuelle Kommunikation---with three other partners in Hamburg.

Codesigner of FF Bauer Grotesk (2014, Fontfont), with Felix Bonge. Fontfont writes: FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the Art Deco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval O is a good example of this approach, as are characteristic shapes like the capital M or the unconventional varying stroke endings on the c and s which give them a less constructed look. [Google] [MyFonts] [More]  ⦿

Richard Acker

Designer at Cubanica Fonts of 24hrs. [Google] [More]  ⦿

Karen Ackoff

Designer of the delicate font Russell at Alphabets Inc., and of Russell Oblique (1994, Adobe). Karen Ackoff has a BFA in Illustration from the Philadelphia College of Art and an MFA in Medical Illustration from the Rochester Institute of Technology. She has worked as Scientific Illustrator at the National Museum of Natural History, Smithsonian Institution in Washington, DC. She presently teaches and coordinates the Graphic Design program at Indiana University South Bend. She is available for freelance commercial artwork and fine arts commissions.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Mezz Acmal

Mezz Acmal is the Brunei-based creator of the futuristic font Akmal [no downloads]. [Google] [More]  ⦿

Omar Acoltzi

Graphic designer in Queretaro, Mexico, who created the stencil typeface Warnol (2015). [Google] [More]  ⦿

Adolfo Gregorio Acosta

Graduate from FADU, University of Buenos Aires, who created the typeface Xixo Xixo (2008). [Google] [More]  ⦿

Camila Acosta

Graphic designer in Montreal who created the italic didone typeface Vogue in 2017---her Vogue is not at all related to the well-known geometric sans Vogue. Behance link. [Google] [More]  ⦿

Alejandra Acosta Chavez

Based in Mexico City, Alejandra Acosta Chavez created Gormley Bold (2013), which is a squiggly typeface created from Helvetica in the style of the English painter Anthony Gormley. [Google] [More]  ⦿

Edna Isabel Acosta

Lagartija desino is the Puerto Rican foundry of Edna Acosta that produced Aliance (1998), Chupacabra (1998), the Diplomatica family (1998, with ornaments), Acosta Regular, Acosta Italic, Acosta Bold, Acosta Bold Italic, Acosta Black, Acosta Black Italic, Spirograf (1998, dingbats). All fonts by Edna Acosta. Edna graduated from the Parsons School of Design in New York in 1990 with a BFA.

Klingspor link. [Google] [More]  ⦿

Javier Acosta

Bogota, Colombia, and Montreal-based designer of the great poster series Puscifer (2016) and the handcrafted typeface Nuvoo (2018). [Google] [More]  ⦿

Jeanette Acosta

Freelance designer in Buenos Aires, Argentina, who created the blackboard bold typeface Cinemanette in 2016. [Google] [More]  ⦿

Jose Luis Acosta

Mexican designer of the delicate text typeface Enrico (2003). [Google] [More]  ⦿

Manuel Acosta

Guarenas, Venezuela-based designer of the multiline typeface Typossibilia (2014). [Google] [More]  ⦿

Patricia Acosta

Graphic designer in Mesquita, Brazil. A painting by Herbert Bayer inspired Patricia Acosta to create the art nouveau typeface Bayou (2014). [Google] [More]  ⦿

Vinicius Acquesta

Sao Paulo, Brazil-based graphic designer (b. 1988) and art director. Creator of the ultra black typeface SubSquare (2009).

Aka "subdoom". Dafont link. Devian Tart link. Behance link. [Google] [More]  ⦿

Steven Acres

Graphic designer in Brooklyn, NY. He made the custom logortype Chimaera (2010) for a mediaeval-style cafe. Behance link. [Google] [More]  ⦿

Attila Acs

Hungarian designer (b. 1982) of the grungy typewriter typeface AA Typewriter (2010), and the handwritten Budapest Markets (2010). Home page. He lives in Burley Heights and/or Gold Coast, Australia.

Behance link. Dafont link. [Google] [More]  ⦿

Thomas Acton

During his studies at University of South Wales (CCI/ATRiuM, Cardiff), Thomas Acton created the experimental typeface The Captain Is A Storyteller (2013). [Google] [More]  ⦿

David Acuña

Caracas, Venezuela-based designer of the thematic typeface Headphone (2017). [Google] [More]  ⦿

Valentina Acuña

Fray Luis Beltran, Argentina-based designer of the display typeface Linear Group (2019). [Google] [More]  ⦿

Ximena Acuña

Creator of the free fonts Fontanera (2013) and XII (2013, a clean hand-printed caps typeface). [Google] [More]  ⦿

Yuji Adachi

Free original fonts by Yuji Adachi: Nice Age, Arcade (pixel font family that includes a horizontally-striped style, 1998), Bop Gun, No Problem, Dymos, One Nation, Atari 80, Bad Matrix and Lavalite, Dimension (kids' orthographic font, 1999), UHF (baseball shirt lettering, 1999), LogoSystem (1998), Bangalore (Stephen Coles says that this is still the world's best small pixel script), Radio Dept, Ole Segments, Code3X (barcode font, 1999), Neo Dymos, Major Kong (handprinting, 1999), Ohio Player.

Font Pavilion sells his Dymos (katakana), One Nation, Bop Gun, Logo System.

In Digitalogue's DPI72 package, he published the screen pixel fonts CODE14X (1999), DryBones7 (1999), Tempo9 (1999). Promised fonts: Wax, Problems, Bad Matrix, Atari80, Neo Dymos, No Problem, Ole Segments.

Fontspace link. Dafont link. [Google] [More]  ⦿

Adadglgwut

Creator of Circuit Mage (2012). [Google] [More]  ⦿

Jimmy Adair

The Scholars Press Fonts are public domain fonts that are designed to work on both Windows computers and Macs. Fonts for Hebrew, Greek, Syriac, Coptic, and Semitic-language transliteration. (Mac and Windows): SPEzra (fixed width Hebrew/Aramaic, 1998) and SPTiberian (Hebrew/Aramaic), SPIonic (Greek, see also here), SPEdessa (Syriac), SPDoric (1999, uncial Greek), SPAchmim (Coptic), SPDamascus (Hebrew, 1998), SPCaesarea (dingbats, 1998), and SPAtlantis (transliteration). All fonts by Jimmy Adair. He states: "Patrick Durusau, formerly my colleague in crime at Scholars Press and now with the Society of Biblical Literature, was instrumental in the design and disseminatation of the SP fonts." FTP access. Truetype archive. See also here. fontspace link. [Google] [More]  ⦿

Matthew Adair

American designer (b. 1984) of Nefraka Print (2006, runes for an artificial language). Home page. [Google] [More]  ⦿

Adais

Creator of the free typeface Adais (2010, OFL). Download dysfunctional. [Google] [More]  ⦿

Carlos Adalid

During his studies in Barcelona, Carlos Adalid designed the wonderful free piano key typeface Judo (2016) and the curvy monoline typeface family Wilbo (2018). [Google] [More]  ⦿

Abdi Adam

Creator of the free ink run typeface Symbiote (2012). [Google] [More]  ⦿

Adam

London-based designer of Bootround (2006, a techno version of Amelia). [Google] [More]  ⦿

A.K.M. Adam

Creator of the cross-themed dingbat typeface called Little Gidding. Alternate URL. [Google] [More]  ⦿

Alex Adam

Software developer in Bucharest, Romania, who specializes in generative and algorithmic art and design. Github page. He has used Andreas Koller's Fontastic tool to create a family of generative experimental typefaces in 2015. [Google] [More]  ⦿

Amelia Adam

American designer, b. 1984. Home page. Her free fonts include Selfish Bitch (2010, hairline, hand-printed), and the ornamental art deco caps typeface Sundays Are Boring (2010). [Google] [More]  ⦿

C. Adam

Designer at Genzsch&Heyse, who made Rex (1924). [Google] [More]  ⦿

Carl Adam

Carl Adam taught design at the Staatlichen Fachschule für das Buchgewerbe in Hamburg. He designed the openface font Rex (1924, Genzsch & Heyse). [Google] [More]  ⦿

Blaise Adamczyk

Blaise Adamczyk (aka de Seingalt) is the Polish designer (b. 1986) of Rounded (2006), an all caps stencil face. [Google] [More]  ⦿

Mateusz Adamczyk

Graphic designer in Poznan, Poland, who published the squarish typeface Quadrum (2019). [Google] [More]  ⦿

Gabriela Adame

During her studies in Tijuana, Mexico, Gabriela Adame created the geometric display typeface Geogar (2013). [Google] [More]  ⦿

Hubert Adamek

Polish designer of the hand-printed typeface Szarpany (2004). [Google] [More]  ⦿

Ish Adames

Ish Adames, a graphic designer and photographer in Philadelphia, PA, designed the titling sans typeface Duma in 2013.

Behance link. [Google] [More]  ⦿

Ismael Adames

Philadelphia-based designer of the free geometric sans typeface Duma (2014) and the free Duma Bold (2014). Behance link. [Google] [More]  ⦿

Gabriel Adam

Graduate of Masaryk University in Brno, Czechia, class of 2013. Brno-based graphic artist who created a blackletter typeface in 2011 at Masaryk University that is based on lettering in the Krems Bible (1333/1334, Austria). In 2015, he published the splendid handwriting font Linkingabo. Behance link. [Google] [More]  ⦿

Michal Adamiec

Michal Adamiec (b. 1987) is studying at the Pedagogical University in Krakow, Poland. He made Murena (2012, a bouncy sans family), Cello Sans typeface (2010, organic), and the techno-inspired Penumbrum (2010).

Behance link. [Google] [More]  ⦿

Jiri Adamik-Novak

Stockholm-based graphic and type designer who cofounded Theygraphics with Stockholm-based Fredrik Forsberg and Prague-based Zdenek Patak. He obtained an MA in Graphic Design at the Konstfack College of Arts and Design, Stockholm, Sweden. [Google] [More]  ⦿

Tiziano Adamini

Rome-based designer of Racing Font (2014). [Google] [More]  ⦿

Julien Adam

Belgian designer (b. 1978) of Lazy Sunday (2007, octagonal, mechanical) and SNC Bishop (2007, grunge). Dafont link. Goes under the alias Magic Chicon. [Google] [More]  ⦿

Betti Adamko

Hungarian designer of the shadow typeface Invisible (2015). [Google] [More]  ⦿

Daniel Adamko

Hungarian designer of HUN-DIN 1451 (2012). [Google] [More]  ⦿

Lizzie Adam

Redhill, UK-based designer of Rapide Sans (2015, a hexagonal typeface). [Google] [More]  ⦿

Patrick Adamove

Patrick Adamove (Charter Design) is the Hamburg-based designer of Horoscopia (2000, dingbats) and CharterD-Normal (1999, grungy) at Garagefonts.

At Charterdesign, he created Dementia 13 and Planquadrata.

Klingspor link. FontShop link. Garagefonts link. [Google] [More]  ⦿

Yana Adamovic

Illustrator, cartoonist and comic book author, who, during her studies in Belgrade, designed the calligraphic old church Slavonic / Latin typeface Sokolar (2013). This delicate and readable typeface was her Master's graduation project. [Google] [More]  ⦿

Andrew Adams

Designer of the hand-printed typeface Uncensored (2013). I am not entirey sure, but this could be the same Andrew Adams in Orem, UT, who designed a Deseret typeface in 2016. The latter Andrew Adams graduated from Utah Valley University in 2014. [Google] [More]  ⦿

Calum Adams

Freelance graphic designer from Chipping Norton in rural Oxfordshire, UK. In 2015, Calum designed the sans typeface Zyana. Dafont link. Behance link. [Google] [More]  ⦿

Christopher Adams

Designer at the Open Font Library, who contributed Just Letters (2012, blackletter) to the project. This was based on Albrecht Duerer's Of the Just Shaping of Letters (1525). [Google] [More]  ⦿

Dan Adams

Wellington, New Zealand-based designer of Dan Sans (2015). Behance link. [Google] [More]  ⦿

Dwayne Adams

Winter-Garden, FL-based designer who studied at the Art Institute of Fort Lauderdale. Creator of the tall handcrafted typeface Procerus (2020). [Google] [More]  ⦿

Evan Adams

Evan Adams graduated with a Computer Science degree from Oregon State University and has been with Google since 2005. He worked on Google Slides, ensuring consistent line-breaking in the face of different browsers, OSs, font files, font-rendering engines, zoom levels and kerning. Adams is currently part of the Google Fonts team, where he focused on discovering the best strategies for delivering Korean fonts. Speaker at ATypI 2018 in Antwerp. Graduate of the TDi program in 2018 at the University of Reading. [Google] [More]  ⦿

Gregor Adams

German designer (b. 1981) of the techno font PBIO (2014). Dafont link. [Google] [More]  ⦿

Heidi Adams

A graduate of NC State's College of Design, Heidi created a slabby monoline typeface there in 2009. Born in Columbus, OH, she lives in Raleigh, NC. Behance link. [Google] [More]  ⦿

Hugh Adams

Melbourne, Australia-based designer of the opentype SVG color font Newport Tracks (2019) and the rough brush script Yiayia (2017). [Google] [More]  ⦿

Ian Adams

During his studies at The Columbus College of Art and Design in Columbus, OH, Ian Adams designed the mini-serifed display typeface Aroma (2016). [Google] [More]  ⦿

Londyn Adams

American designer of the piano key typeface Lure (2019). [Google] [More]  ⦿

Matthew Adams

Fonts by Matt Adams, all made in 2001: Atari, AtariTheTempleofDoom, DaddysTools, Drafting (2001), HelBit, IUD, Naked, Paprika, PopularMechanics, StillPantless. Some of these fonts are derived from screen fonts, and have jagged looks. [Google] [More]  ⦿

Michael D. Adams

Memphis, TN-based Michael Adams (Roadgeek Fonts) developed a series of (free) heavy sans US highway sign fonts in 2002: Roadgeek2000SeriesB, Roadgeek2000SeriesC, Roadgeek2000SeriesD, Roadgeek2000SeriesE, Roadgeek2000SeriesEModified, Roadgeek2000SeriesF, RoadgeekTransportHeavy, RoadgeekTransportMedium. In 2005, he extended his font collection to include UK, German and US highway signs:

• Roadgeek 2005 Series B/C/D/E/E(M)/F fonts are intended to closely approximate Highway Gothic fonts
• Roadgeek 2005 Series 1B/2B/3B/4B/5B/6B are intended to closely approximate the new fonts, and are inteded for dark-on-light background signs.
• Roadgeek 2005 Series 1W/2W/3W/4W/5W/5WR/6W are close kin to the -B fonts, but are intended for light-on-dark background signs.
• Roadgeek 2005 Transport Heavy and Transport Medium should approximate the fonts used on British highway signs.
• Roadgeek 2005 Engschrift and Mittelschirft should approximate the fonts used on German highway signs.
• Roadgeek 2005 Arrows 1&2, Icons, and SignBacks are intended to help you in approximating U.S. highway signs, and are based on sign specifications from the Nebraska online MUTCD/SHS manuals.

Dave Adamson

One Way Out (or: Church Art Fonts) sells about 100 display fonts. Eleven collections of seven fonts at about 95 USD per collection. By Dave Adamson. Some font names: Beat Street, Blitzkrieg, Day Three, El Nino, Erratic, Espresso, Frazzle, JiveTalk, Knucklehead, Lost Tribe, Lunatic, Protoplazm, Ragamuffin, Slackhappy, Squidly, Thud, Twitch, Toxic, Toxic Waste, Astro Boy, HunkyDory, Hybrid, Jolly Roger, Shameless, Surf City, Swanky, Armageddon Medium, Mystery 2, Raw, Neo-Human Outline, Cattitudes (cats), Epidemic, Dimentia, Dimentia Wide, Damage Light, Thus Thin, chronicle, Hoopla, Wisecrack, Dimentia Thin, Yoo-Hoo, Why Kee Kee, AlterEgo, Damage, Havva Nice Day, reactor, Slade, Aspire, Scooter, Squidly Bold, Shogun (oriental simulation), NeroHuman, Euphoria (handwriting), Army Surplus (stencil), Armageddon Bold, Chop Top. Most fonts distributed by T-26 and copyright of "One Way Out". Please will someone explain to me who designed what for whom? Earlier, Adamson designed for FontHaus, see, e.g., Bristol Adornado Regular (1994). [Google] [More]  ⦿

Dave Adamson

Designer in 1996, with Tony Knight at T26, of Hybrid, Protoplazm and Shameless. [Google] [More]  ⦿

Rachel Adams

Rachel Adams (Savannah College Of Art & Design, Savannah, GA) created the stick typeface Touch (2013). [Google] [More]  ⦿

Rachel Lauren Adams

Rachel Adams (R Lauren Designs, Pennsylvania) Savannah, GA) created the sketched typeface Lemonade (2013), the hand-printed typeface Kyoritsu Dengyo (2013), the art deco typeface Sunspots (2013), and the shadow typeface Without A Trace (2013). Vegan Pizza (2013) is a hand-drawn typeface.

Fontspace link. Dafont link. [Google] [More]  ⦿

S. Adams

FontStructor who made the textured typeface Amoeba (2012). [Google] [More]  ⦿

Samantha Adams

At The Art Institute of Austin, Austin, TX-based Samantha Adams designed the handcrafted typeface Sam's Font Lie To Me (2016). Behance link. [Google] [More]  ⦿

Scott Adams

Scott Adams, of Dilbert fame, created a font for his lettering, which is not generally distributed. However, the free font Filbert (2004) does a good job imitating the lettering in Dilbert. And so does Dilbert Font (2010, freefontfan). [Google] [More]  ⦿

Shannah Adams

Student at ZIVA, a typography and graphic design school in Harare, Zimbabwe, led by Saki Mafundikwa. In 2001, she designed a font with letters made up of lizards. [Google] [More]  ⦿

Toby Adams

Poole, UK-based designer of Urbane (2014). [Google] [More]  ⦿

Vernon Adams

Vernon Adams (born England, 1967) was a furniture restorer, woodcarver and typeface designer. On August 24, 2016 Vernon Adams passed away from injuries sustained in a scooter accident in May of 2014. New Typography was his type design site. Vernon graduated in 2007 with an MA in type design from the University of Reading and lived in San Clemente, California. His wife Allison now holds the trademark and/or copyright to most of his fonts.

He developed Mako (2007), a type family for text and image in magazines. Earlier, he created AutoPacHousehold. Nobile (2010) is part of the Google font directory. Through the Open Font Library, one can get the source Fontforge code for this open source sans family. About Mako, he writes that he submitted the font to Fontsmith, which sat on it for a while and rejected it, only to publish a few weeks later Lurpak, which according to Vernon is too similar to his rejected design. Free fonts at Google Code by Vernon, as of the end of 2010 include Coda (a heavy elliptical face), Nobile (mentioned above), Corben (a curvy bold typeface in the style of Cooper Black), and Gruppo (a thin sans).

In 2011, he added Coustard (a slab serif family), Damion (connected signage script), Smythe (Victorian), Radley (display face), Oswald (a reworking of the Alternate Gothic style: see this dedicated page; Oswald was updated continually by Vernon Adams until 2014. Vernon added Light and Bold weights, support for more Latin languages, tightened the spacing and kerning and made many glyph refinements throughout the family based on hundreds of users' feedback. In 2016 the family was updated by Kalapi Gajjar and Alexei Vanyashin to complete the work started by Vernon, and support languages that use the Cyrillic script), Candal (sans), Pacifico (connected signage face), Bangers (comic book face), Anton (heavy sans), Bevan (a reworking of Beton, a traditional slab serif display typeface created by Heinrich Jost in the 1930s), Six Caps (a condensed headline face), Meddon (a display font created from the handwritten script of an Eighteenth century legal document), Rokkitt (an Egyptian), Paytone One (headline face), Holtwood One SC (wood block simulation face), Monofett (white on black), Carter One (casual face), Francois One (gothic sans), Sigmar One (think mid twentieth century pulp magazine advertising), Bigshot One, Metrophobic, Mako, Francois One, Nunito (rounded; CTAN link), Shanti, Sigmar, Muli (minimalist sans), Kameron (an Egyptian), Stardos Stencil, Bowlby One, Bowlby One SC (fat poster face), Tienne (serif), Monoton (a multiline face in the style of Koch's Prisma, 1931), Sancreek (emulating an ornamental wood font), Amatic SC (hand-printed poster family), Sancreek (a Tuscan face), Oswald (in the old Alternate Gothic tradition of sans typefaces---a free Google font; CTAN link), Rammetto (based on the Stephenson Blake uppercase display font Basuto, released in 1926), and Michroma (modeled after Microgramma).

Typefaces made in 2012 include Bench Nine (Google Web Fonts: based on old Stephenson Blake typefaces), Oxygen (a sans typeface available from Google Web Fonts; forked in 2016 at Open Font Library as Comme and in 2017 as Oxygen Sans, with two new oblique styles), Oxygen Mono (Google Web Fonts), Norican (free script font at Google Web Fonts based in part on Stephenson Blake's Glenmoy from the 1920s), Cutive (free at Google Web Fonts, based on the IBM typewriter typefaces Executive and Smith-Premier), Pontano Sans (Google Web Fonts: a light basic sans), Trocchi (Google Web Fonts: derived from Nebiolo's Egiziano, and Caslon & Co's Antique No.4 and Ionic No.2), Seymour One (Google Web Fonts: derived from Sigma One), Anaheim (sans, Google Web Fonts), Cutive and Cutive Mono (Google Web Fonts: based on the typewriter typefaces of IBM's Executive and the older Smith-Premier).

Typefaces from 2013: Mondo (sans), Anton (grotesque).

In 2016, Jacques Le Bailly extended Nunito to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans. Another extension of Nunito is Iunito (2019, unknown designer).

In 2020, Jacques Le Bailly, Cereal and Vernon Adams (posthumously) released the sans typeface family Mulish at Google Fonts. Mulish is a minimalist sans, designed for both display and text typography. It was initially drawn in 2011 by Vernon Adams under the name Muli and then refined until 2014. In 2017 the family was updated by Jacques Le Bailly to complete the work started by Vernon after he passed away, in collaboration with his wife Allison, an artist who holds the trademark on the typeface family name. In August 2019, it was updated with a variable font weight axis.

Donations to Vernon's family. Memorial. Fontspace link. Dafont link. Google Plus link. Fontsquirrel link. Klingspor link. Github link. [Google] [More]  ⦿

V.P. Adams

Designer in 1999 of Insect (grunge), Crew (clean sans), City (clean sans) and Gruppo (rounded, outlined). [Google] [More]  ⦿

Will Adams

Two fonts being designed by Will Adams. [Google] [More]  ⦿

Valentin Adam

French graphic designer who spent 2007-2009 at Ensaama Olivier de Serres in Paris. He does experimental type. His creations include Fake, Madone, Composite, Hommes Femmes (2008: geometric solid) Eleanor (hard sans), Marlene (octagonal), Magdalena, Versailles, Strates (multilined), Vanina-Vanina (artsy hairline sans), Quarante Cinq, TweenLady, Tatiana (hairline) and Lettuce. Old URL. [Google] [More]  ⦿

Jeremia Adatte

Lausanne, Switzerland-based type designer. He created Swissa Piccola (2012, an old typewriter font).

In 2014, he designed the multicolor layered typeface Bron and Bron Shadline. Bron is based on Zelek, designed in the early 1970s by Polish type designer Bronislaw Zelek at Mecanorma. This typeface was originally made for dry transfer lettering sheets. It is has been redrawn and refreshed by Adatte. Also in 2014, he created Day and Collins Logotype (2014, based on catchwords and fists fond in a 1910 wood type catalog by Day & Collins, London).

In 2015, he designed Marcel, an angular upright script typeface that was inspired by Jacno (1948) by French type designer Marcel Jacno.

In 2016, Jeremia designed Script Typewriter Rough, which is the very first complete cursive digital typewriter font ever made after the original 1960 Smith-Corona Electra 210 typewriter.

Behance link. [Google] [MyFonts] [More]  ⦿

Marie-Morgane Adatte

During her studies at Schule für Gestaltung Biel, Switzerland, Neuchatel-based Marie-Morgane Adatte created Brandhair (2014, watercolor script) and Garage (2014, a wayfinding minimalist sans). [Google] [More]  ⦿

Navin Adchariyavanich

Creator of the grungy typeface Tomb Raider (2014). [Google] [More]  ⦿

Laura Addari

Laura Addari (Venice) created Positive Negative (2013). [Google] [More]  ⦿

Carlos Addiel Gaxiola Soto

Creator of the psychedekic typeface Addiel (2008). [Google] [More]  ⦿

Hielman Nur Addin

Graduate of Indonesia University of Education, b. 1993. Ciamis, Indonesia-based designer of the Peignotian typeface Viola (2017) and the tall monolinear sans typeface Grosella (2020). [Google] [More]  ⦿

Emlyn Addison

Designer of IDM Minimal (2011, organic).

Abstract Fonts link. [Google] [More]  ⦿

Randall Addison

Designer from Keller, TX, whose fonts at Garagefonts include the futuristic family Transpond (1999-2000).

Home page. FontShop link. MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Stefanie Addy

Canadian designer of Stefanie (2009, hand-printed using Fontcapture). Devian tart link. [Google] [More]  ⦿

Frank Adebiaye

Velvetyne Type Foundry (or VTF) is the French foundry of Parisian Frank Adebiaye (b. 1982, Versailles). It used to be called Velvetyne TypeForgery because he uses FontForge to design all his free fonts, which come complete with FontForge sources. Originally, it had many free fonts by Frank Adebiaye himself. At some point, it became more of a coop, and started publishing experimental typefaces by several contributors and collaborators. These fonts are reported elsewhere on my pages under the names of their designers.

Creator of some free (often experimental) fonts in 2010-2011. Cooperators include Sylvain Henri, Jérémy Landes-Nones, and Sébastien Hayez. Frank's typefaces:

• Ajonc.
• Babacar (2012). He calls it an African fractur.
• Babbage.
• Backout (2012). He writes about this flared poster all-caps typeface: BackOut is what an African Albertus could be.
• Barjavel and Barjavel Mono.
• Basteljau.
• Bi-lined typefaces: Eighteen, Bachibouzouk.
• Bluff, Bold, Boxer, Cardinal, Grotesk, Jimmy: geometric experiments.
• Chaumont: ransom note family.
• Chedid.
• Combat (2015). A wedge serif based on the title of an early 20th century anarchist newspaper published in Limoges, France, called Le combat social.
• Compute, Elektron: computer-inspired typefaces.
• Coqnegre Perspective: angular face.
• Coqnegre Turismo, Stencil: art deco stencil typefaces.
• Experimental typefaces: Blanka, Courrrier (sic), Faber, Firenze, Five, Georges, Ink, Jake, Lenny, Normant.
• Fabuliste: an experimental modern face.
• Fersen.
• Forward (2021). A commercial futuristic font at Future Fonts, co-designed with Studio Triple.
• Frank: monospaced techno blackletter face.
• Geek, Inky, Marcelle, Ping: playful typefaces.
• Gegenwart.
• Gorki and Gorki Block: a pixel typeface and a constructivist brother.
• VTF Grotesk (2010).
• Format 1452: a DIN style typeface.
• Hangul: A Korean simulation font.
• Konzern: a texture font.
• Kravitz.
• Leyde.
• Lineal: clean sans.
• Lment.
• Mandeville.
• Mainz: Ornaments based on sewer plate designs in Mayence.
• Manset: a geometric sans.
• Meginhart.
• Mercandieu: grotesk.
• Metropolis.
• Mono (2011). A monoline sans.
• Mont Chauve: experimental.
• Mourier. Based on a geometric alphabet created in 1973 by Danish graphic designer Eric Mourier. The font uses square of 7 x 7 units and consists of unclosed lines. The first and only use was in the booklet The Myth about Bird B by Knud Holten. Sébastien Hayez was the first to digitize the typeface (in 2002). Published by Velvetyne in 2011.
• Murat.
• Mutations.
• New Wave: avant-garde.
• Nkm.
• Pierrafeu. A brush face.
• Pompidou.
• Prospective, Robusto Mechanica, Grey Charles: more geometric experiments.
• Radikal.
• Resistance (2016). A geometric sans serif created using Glyphr Studio by the students of ENSAD Paris at La Gééale.
• Rhinox.
• Rnic. A runic simulation typeface.
• Sagittaire.
• Slang.
• Stencil typefaces: Free Jazz, Rogue Leader, Rogue Two, Stencil.
• Steps Mono Mono (2015). An octagonal monospaced typeface created for the magazine Étapes.
• Therow.
• Thiefaine.
• Vielfalt: dingbats.
• Waltenberg.
• Wozniak.
• Zukunft (+Oblique): a geometric sans family.

Author of a book on the life and work of Fran+çois Boltana (2012, with Suzanne Cardinal).

Behance link. Open Font Library link. Klingspor link. Home page. Future Fonts link. [Google] [More]  ⦿

Adebowale Adegoke

Lagos, Nigeria-based designer in 2020 of Business Icons and Masegfo (a free squarish typeface). [Google] [More]  ⦿

Beckii Adel

Montreal-based designer. During her studies at Concordia University, she created the free floriated caps typeface Floralism (2013), a font whose glyphs are shaped like in Novecento, one of the "in" typefaces of early 2013. Its decoration is inspired by art nouveau and psychedelia from he 1960s.

Behance link. [Google] [More]  ⦿

Christine Adel

Egyptian designer of Coxa Headline (2011), a geometric typeface in which the Arabic and Latin parts were created in harmony. [Google] [More]  ⦿

Prissy Adelina

Jakarta, Indonesia-based designer of the display typeface Qurvene (2016). [Google] [More]  ⦿

Barry Eshkol Adelman

A web page devoted to Hugh J. Schonfield's reformed Hebrew script. I quote: In his 1932 book The New Hebrew Typography (London: Denis Archer), Hugh J. Schonfield ranted about his dissatisfaction with the Hebrew writing system. His complaints included a limited selection of typefaces, the lack of a capital-lowercase distinction, and finding Hebrew type ugly. His solution was to revise how Hebrew was written. Schonfieldian script has capital and small letters; Hebrew script letters do not have this distinction. Five Hebrew letters have special forms for when they occur at the ends of words; Schonfieldian does not have any final forms. Hebrew letters forms usually are emphasized horizontally; Schonfieldian letters are emphasized vertically like Latin letters. Punctuation and numerals are horizontally flipped versions of the usual Western forms; in Hebrew script, they are not flipped. The pages include four truetype fonts made by Barry Eshkol Adelman, called Schonfield. Schonfield experiments: Cable Light Hebrew (1932), Caslon Old Face Heavy Hebrew (1932). [Google] [More]  ⦿

Nate Adelman

Bozeman, MT-based designer of these mostly vintage typefaces: Eastport (2015), Aloha Friday (2015), Frigate (2015), Whydah (2015), Betty Bop (2015), Munster (2015). [Google] [More]  ⦿

Dennis Adelmann

Mannheim, Germany-based creator of Surya Grotesque (2013, an alchemic typeface created during his studies at the University Of Applied Sciences in Mannheim). Behance link. [Google] [More]  ⦿

Moira Adel

Cairo, Egypt-based designer of the black Arabic display typeface Mikha (2019). [Google] [More]  ⦿

Veronia Adel

Cairo, Egypt-based designer of The Mask (2018), which is named after the 1994 movie. [Google] [More]  ⦿

Yosra Adel

Graphic designer in Cairo who created the Mokabat typeface for Arabic in 2015. [Google] [More]  ⦿

Marine Ade

During her studies at ESAIG (Ecole Estienne) in Paris, Marine Ade designed the graceful script typeface Bengale (2016) and the informal calligraphic typeface Aicha (2016). In 2017, she designed the calligraphic print typeface Zadig. [Google] [More]  ⦿

Okeowo Adeniyi

Nigerian designer of 3d (2011). [Google] [More]  ⦿

Iara Adeodato

Brazilian designer who looks like Woody Allen. His typefaces include Chora na Rampa (2012, signage family), Fonte Gorda (2011, pixelish) and Fonte Galhos (2010, dot matrix face). [Google] [More]  ⦿

Hendra Adevio

Jakarta, Indonesia-based designer of the children's book or ecological studies font Bornywale (2021), which has a free set of aquatic dingbats. Typefaces from 2020: Gwynothe (an SVG brush font), Donald Dickies (a handcrafted casual text typeface family) and Silky Watery (handcrafted). [Google] [MyFonts] [More]  ⦿

Glyn Adgie

Electronics engineer from Birmingham, UK, who created Clarissa (2005) in regular and bold weights as a sans body family. No downloads. Continued here. In 2005, he started the serif typeface Ledbury. [Google] [More]  ⦿

Kaustubh Adhav

Graphic designer in Pune, India. Designer of the rounded marker typeface Bublont (2017), which comes with shaded, outlined and coloured substyles. Behance link. Creative Market link. [Google] [More]  ⦿

Novanda Rizki Adhika

Indonesian illustrator who created Box Sliced (2011, counterless face). [Google] [More]  ⦿

Andhika Randy Adhitia

Surabaya, Indonesia-based designer of the condensed didone typeface family Hollow (2017). In 2018, he designed Local (a sans serif) and Legacy (a geometric sans). His partially free squarish typeface family Dirty (2018) was influenced by Bebas Neue. [Google] [More]  ⦿

Ezza Adhreza Brahma

Based in Bandung, Indonesia, Adhreza Brahma (b. 1987) is a typographer and illustrator. At Dafont, one can download Barbarossa (2013), Libre (2013, bilined typeface), Variol (2013), Attic (2009) and Vol (2009). The last two are (incomplete) techno fonts. Bite of Crab (2010) is a monoline octagonal shell. Angled (2013) is a futuristic typeface inspired by traditional letters from Makassar, Indonesia called Lontara. Bite of Crab (2013) is a modular octagonal typeface. Wallflower (2013, free) is a headline sans typeface. Nocte (2013) is a free gothic condensed sans typeface.

Typefaces from 2014: December, Kandel (a great layered typeface in Regular, Bevel and Inline versions), Jingga, Expatriate (a compass-and-ruler typeface), Father (vintage signage face, with 3D and Distort styles).

In 2015, he designed Puna (copperplate), Nawaitu (signage typeface), Tresno (a curly brush script), Mementomori (a modern blackletter), Gulana Slab Serif, the piano key typeface Zaun, and the 7-style vintage typeface family Sonten, which comes in 3D, Bevel, Contour, Deboss, Outline, and Shadow forms.

Typefaces from 2016: Hujan (a fun calligraphic printed typeface), Canda, Canda Script, Ririwa (evil ghost: a wonderful scary ink splatter font).

Typefaces from 2017: Oun (a vernacular blackletter typeface inspired by the Khmer alphabet).

Aka Ezza Zebra. Behance link. Creative Market link. [Google] [MyFonts] [More]  ⦿

Didi Adianto

Surabaya, Indonesia-based designer, b. 1996, of the tall octagonal typeface The Hangover Decade (2019). [Google] [More]  ⦿

Gumilar Pratama Adiatna

Serang, Indonesia-based designer (b. 1990) of the free handwriting fonts Rafiosa (2019) and Hasta La Vista (2019), and the script typefaces Gilani Sign, Galinah (a rabbit ear script), Patlystic, Raline, Gilar Saleh, Aminarthie, Charlotte Bellamy, Gallillea, Hellowish, Hokie, Holiday Script, Isabela, Jhon Wick, Pandora, Riverlands Tully, Rudolp, Samudera, Santuy, Sella Callista, Shalitta, Starlight, Sunday Rully, and Taman Signature.

Typefaces from 2020: Fontana, Houston (inline caps), Goord (titling caps), El Fonte (all caps), Norland, Bonjour (condensed caps), Sigtia (calligraphic), Honney (calligraphic), Bigola, Axilia, Sunkisa, Santhin, Sulqata, Nagisha, Rithey, Rodelia, Betharia, Celya, Sonetha, Ruang Teduh, Reality, Jallu Salafi, Tagonda, Sigoda.

Typefaces from 2021: Bunny Flowers (a scrapbook font), We Are Allstar (a playful font, perhaps even beatnik), African Paradise (a beatnik font), House Easter (a scrapbook font), Nona Manis (a beatnik font), Anak Sultan (a scrapbook font), Luar Galaxy, Lovely Unicorn (a scrapbook typeface), Ikan Salmon (a beatnik font), The Crafty (a scrapbook font), The Funy Times (a scrapbook font), Lovely Unicorn, Fontena (an all caps arts-and-crafts sans), Amoselia (a wild calligraphic script), Bontour (a skyline font), Goordy (a classical roman caps typeface with unbracketed serifs), Hatolie (display wedge serif caps), Marisa, Cameta Cuttes (wild calligraphy), Hello Crimsons (blackboard bold), Chris Master (wild and calligraphic), Carilos (an all caps decorative serif), Budyloves (a romantic script), Valentina (an upright Valentine's day script), Berylover (a wild calligraphic script), Love Birdy (a wild calligraphic script), Loving Hearty (a lovers' script), Night City (a forceful script), Beach Loves (wild and inky calligraphy), Kity love (wild calligraphy), Love Angel (wild calligraphy), Lovely Valentine, Helo Xmas (wild calligraphy), Karoline (wild calligraphy), Looqie (a display font), Mettalian (a wild calligraphic script), Royante (a signage script), Verali (a wild calligraphic script), Quality Times (a wild script). [Google] [MyFonts] [More]  ⦿

Ahmad Adib

Indonesian designer, b. 1981, of the modular typeface Therover (2019) and the script typeface Elabor (2019). [Google] [More]  ⦿

Maxim Adien

Creator of the free font Probolinggo (2010, monoline simple sans). [Google] [More]  ⦿

Fajri Adi

Designer of these handcrafted typefaces: Biglittle Script (2019), Barossa Brush (2019), Exotic Queen (2019), Willona Script (2019), Hellokids (2019), Blondy (2019), Christopher Script (2019), Villaque script (2019), Daniella Script (2019), Villaque Script (2019), Tegofia (2019), Gallant (2019), Aleysia Script (2019) and Capital Script (2019). [Google] [More]  ⦿

Erik Adigard

M-A-D is an interdisciplinary design agency with primary expertise in branding and visual communications. Located in Sausalito, CA, its main designer is Erik Adigard.

In 2012, Erik Adigard and Joachim Müller-Lancé co-designed the rounded octogonal monospaced typeface family Oktal Mono (Delve Fonts). [Google] [More]  ⦿

Erik Adigard

Cocreator of TX Signal Simplifier (2002, Typebox), a hilarious information design dingbat face. MyFonts writes: Eight designers present a set of icons that indicate the fun and fantastic world of signage. Each collaborator's solution represents a completely different interpretations on signage vernacular. The designers are Erik Adigard, Cynthia Jacquette, Akira Kobayashi, Michael Kohnke, Patricia McShane, Joachim Müller-Lancé, Jean-Benoît Lévy, Kevin Roberson, Diana Alisandra Stoen. [Google] [MyFonts] [More]  ⦿

Laurensius Adi

Jakarta, Indonesia-based creator (b. 1995) of the free soft sans typeface Livewell (2015).

In 2017, he designed Hagano Sans. Blogspot link. Behance link. Home page. [Google] [More]  ⦿

Nurkhairina Adinda

Indonesian designer of the free organic sans typeface RixPinkRibbon M (2013). [Google] [More]  ⦿

Bhahtiar Nugroho Adiputro

Or Adi Nugroho, b. 1987, Indonesia. Illustrator since 2008. In 2018, he published the script typeface Granotta, the handcrafted font Nafeeda, and the poster typeface Balbeer. [Google] [More]  ⦿

Pria Adireddi

Pria Ravichandran (formerly Pria Adireddi, b. 1984, India) studied type design at the University of Reading, class of 2011, and is now pursuing a PhD at the University of Reading focussing on the developemnt of typographic forms for the Kannada and Telugu scripts. She intends to relocate to Hamburg, Germany on completion of her Ph.D. and dedicate her time wholly to URW++.

Her MA graduation typeface at reading was Tranquebar, which covers Latin and Tamil. In some places, this typeface is called The Herald. Pria also designed the free monolinear Latin / Devanagari typefaces Palanquin Dark and Palanquin in 2014 at Google Web Fonts that also covers Tamil, Bengali, Kannada, Telugu, Malayalam, Burmese, Khmer, Gujarati, Gurumukhi, Sinhalese & Oriya. In addition, she designed an 11-script Indic companion in four weights for URW++'s Nimbus Sans (and thus Helvetica), that includes the following scripts: Tamil, Bengali, Kannada, Telugu, Malayalam, Myanmar, Devanagari, Gujarati, Gurumukhi, Sinhala & Oriya.

Catamaran (2015) is a contemporay sans typeface family for Latin and Tamil. Github link for Catamaran.

Neue Frutiger Tamil (2018) was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.

In 2019, at URW, she published the humanist sans typeface family Olivine.

In 2021, Kostas Bartsokas, Mohamad Dakak and Pria Ravichandran set up Foundry 5 Limited.

Github link for Palanquin. In 2020, Eben Sorkin, Pria Ravichandran, Inga Ploennigs and Dan Reynolds co-designed the sans family Karow at URW. [Google] [MyFonts] [More]  ⦿

Khairil Adithya

Banda Aceh, Indonesia-based designer of Takeshi (2018), Studio 18 (2018), the creamy script font Chocolate (2018), the squarish typeface Everest (2018), and Winda (2018: a signature font). [Google] [More]  ⦿

Rama Aditia

Bandung, Indonesia-based designer, b. 1979, of the outlined typeface Difo (2019). Creative Fabrica link. [Google] [More]  ⦿

Muhammad Zahran Aditiyawan

Indonesian designer of the outlined handcrafted typeface Rev (2018). [Google] [More]  ⦿

Muhammad Aditya

Bandung, Indonesia-based designer of the semi-alchemic typeface Arcaditya (2019). [Google] [More]  ⦿

Sai Aditya

Designer of the pixelish typeface Cedge 1 (2014, FontStruct), the organic typeface Syny (2014, FontStruct), and the rounded sans typeface Roung (2016). [Google] [More]  ⦿

Bayu Adityawarman

Jakarta, Indonesia-based designer of the hand-drawn typeface Octopus (2013). [Google] [More]  ⦿

Helpy Adiwinoto

Bandung, Indonesia-based designer of the organic typeface Fooner (2010). Home page. [Google] [More]  ⦿

Yanuar Adi

Semarang, Indonesia-based type designer, b. 1992. His typefaces from 2020: the script typeface Moonlight Sonata, Happy Lucky, Mirabelle (script), Den Basuky (a dry brush script), Musashi (squarish and interlocking), Bratterly (a monoline script), Anastasya (a signature script), Signaline (a font duo), Camilla (a thick poster brush script), Ravenda (a unicase piano key font), Rosseville (a flowing script).

Typefaces from 2021: Eksellena (a weathered blackletter), Etheryna (script), Anderlacht (a vintage all caps font with antiqued outlines), Puertofino (script), Rhinestone (an expressive hand-printed font), Alleyosha (a Treefrog style brush script), Hayabusha (a squarish typeface with interlocking letters), Sancho, Cornetta, Lucky Sunshine (calligraphic), Kintapani (a brush script), Sendang Mulyo (brush script), Manokwary (script). [Google] [MyFonts] [More]  ⦿

Ardelia Adjandra

Jakarta, Indonesia-based designer of the decorative typeface Kathakali (2015), which is patterned after an ornament on Kerala Island. This typeface was finished during her studies at Binus International University. [Google] [More]  ⦿

Emmanuel Adjei

Graphic designer at Emanart in Scranton, PA, who created a decorative alphabet in 2014. [Google] [More]  ⦿

Michael Gene Adkins

The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.

Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed ARB-187 Moderne Caps AUG-47 (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt.

Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt.

Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999), Jackport (2014, athletic lettering and Western typeface family).

Adkins also designed the commercial font First Vision at GarageFonts in 1998. Review at &Type. List of the fonts on his CD.

MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter typefaces Ironhorse and Ironrider (2007), revivals of classic wood type typefaces. FontShop link.

Some fonts are inspired by sign painter Frank H. Atkinson. These include the Broken Poster series done in 2010, FHA Modernized Ideal Classic (2011), and FHA Nicholson French (1999-2014: art nouveau).

In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline typefaces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010-2018) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge typefaces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (1999-2014, art nouveau) are based on Frank H. Atkinson's examples.

Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family).

Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling), FTY Varoge Saro Noest.

Typefaces from 2015: FHA Sign DeVinne (after a popular sign painting design by Frank H. Atkinson named after DeVinne).

Typefaces from 2016: FTY Delirium (+Neon), Delirium NCV.

Typefaces from 2017: FTY Galactic VanGuardian.

Typefaces from 2021: Fty Old Sport (a slab serif athletic lettering font family, one of the best in this genre).

Typefaces made by Fontry West. Typefaces by Mike Adkins.

Fontspace link. Klingspor link. Dafont link. Abstract Fonts link. Creative Market link. [Google] [MyFonts] [More]  ⦿

Taylor Adkins

During her studies at Flagler College, Saint Augustine, FL, Taylor adkins (b. 1992) designed the angular bas de casse typeface Salt of the Earth (2013). [Google] [More]  ⦿

Todd Adkins

Todd Adkins' fonts: Shatterfont, Chaotix, AortalHard, CaniptionFit (1996, alternative for Treefrog), LeprocyFace (1996), Mercurial and SuessFont (1996) are free. Mac and PC. They also sell font packages in all formats. [Google] [More]  ⦿

Elmer Adler

American typographer, 1884-1961. [Google] [More]  ⦿

Otmar F. Adler

German designer of the phototypeface Black Wings (1976, H. Berthold AG). [Google] [More]  ⦿

Reuven Adler

Israeli type designer who created the Hebrew typeface Adler MF (2002) and Helena Gothy MF (2016) at Masterfont. [Google] [MyFonts] [More]  ⦿

Sandra Adler

German graduate of the MATD program at the University of Reading in 2012. Her graduation typeface is Emelia (2012), a humanist design that covers Latin and Tibetan. [Google] [More]  ⦿

Ursula Adler

Adler's Dings shut down. In an earlier life, we could find here, from Vienna, Ursula Adler's commercial dingbat fonts: "LaMorte" dingbat fonts (13 fonts in all, and counting), Kick-a-ding (3), Roll-a-ding (3), Ring-a-ding (3), Divide-o-rama (3). 25 USD per 3-font set (truetype for Mac and PC). Other fonts: Butterbees, Reboot1, Abracadabra, Hidden Ghosts, Trinsomnia, U-Mix-U, DaDoodle, Stars No Stripes, Daymares. TypOasis (the link on the left) has a back-up of her non-commercial fonts. Her collection is now here: it has LaMorte 1 to 9, 11, 12, Abracadabra 1, Butterbees, Da Doodle, Daymares, Hidden Ghosts, Insanity Stroke, Reboot 1, Stars no Stripes, Trinsomnia, and U-Mix-U. Alternate URL. [Google] [More]  ⦿

Pria Admaja

Indonesian designer, b. 1991, of the upright script typeface Silvermain (2018), Monoline (2018), Koala Script (2018) and Tanpa Kata (2018), and the sans headline typeface Rave (2018).

In 2019, he designed the script typeface Yosephine and the monoline script Jack & Jean.

Typefaces from 2020: Port Harcourt, Siroep Mardjan, Baby's Dream. [Google] [More]  ⦿

Christine ADM

German designer who is now located in Chicago, IL. For a club night in Frankfurt, she created the straight-edged techno typeface Sexpol (2014). For KISD Gala 2012, she designed an experimental geometric solid typeface. Behance link. [Google] [More]  ⦿

Haslinda Adnan

Or Kak Alin. Kuala Lumpur, Malaysia-based designer of Anak Anak (2017), Kiddy (2017, a clean hand-printed typeface), Montel (2017, a soft plump typeface), Batik Alin (2017), Technolin (2017), Personality (2017: a scanbat typeface of famous people), Alin Speech Bubbles (2017), Mak Ngah Punya (2017), Senyum Sokmo Deh (2017, comic book font), Cute Animal (2017), Face Alin (2017, dingbats with smilies), Yop Pekabor (2017), Sayang MakAbah (2017), Sorry Sorry (2017), Sempoi (2017) and Alin Kid (2017). Dafont link. [Google] [More]  ⦿

Nadia Adnan

During her studies in Kota Bharu, Malaysia, Nadia Adnan created a display typeface (2014). [Google] [More]  ⦿

Nurul Hidayah Adnan

Sydney, Australia-based designer of the 3d typeface Cubic (2018). [Google] [More]  ⦿

Vasile Alin Adnan

Timisoara, Romania-based student who is developing some typefaces. He is working on an artsy, 45-degree serifed, silent-film inspired type family called Stab (2007) that can be viewed here. [Google] [More]  ⦿

Florencia Adobbato

Graphic designer in Buenos Aires who created the informal typeface Pinecone (2014). [Google] [More]  ⦿

Danielle Adolfo

Recife, Brazil-based creator of the pixelish typeface Gordina (2015). [Google] [More]  ⦿

Mattias Adolfsson

The initial caps alphabet created in 2010 by Mattias Adolfsson is quite stunning--it has an old carved stone look that is quite effective when forced onto a Clarendon. He drew another animal-themed 3d alphabet in 2010 as well. Not surprisingly, Mattias is an illustrator---Dachshund (2010) and Glasses (2010). He lives in Sigtuna, Sweden. Home page. [Google] [More]  ⦿

Jürgen Adolph

Jürgen Adolph studied Communication Design with Werner Schneider at the Fachhochschule Stuttgart, and started his career in 1995 at Michael Conrad & Leo Burnett. He was responsible for trade marks such as Adidas, BMW, Germanwings and Merz. He has been honored as a member of the Art Directors Club (ADC) with more than 100 award. He participated in the Linotype International Type design Contest in 2000. In 2018, he published these well-balanced and integrated typeface families at Elsner & Flake: Vianova Slab Pro, Vianova Serif Pro, Vianova Sans Pro. [Google] [MyFonts] [More]  ⦿

Juliane Adomat

German designer of the paperclip typeface Drahtika (2017). [Google] [More]  ⦿

Emilia Adorno

Argentinian designer of Neon Summer (2021: a condensed handcrafted monolinear font family), Cookie Time (2021: script), Arkhania (2020: a vampire script for Halloween), Aeonian (2020: a 12-style retro futuristic sans), Nature Boy (2018, a display type that is almost art nouveau). [Google] [MyFonts] [More]  ⦿

Guru Adrian

Designer of some fonts at Chank's place, including The Naughties (1999). [Google] [More]  ⦿

Juan Francisco Adriani

Graduate from FADU, University of Buenos Aires, who created the condensed blackletter typeface Wayne Bruce (2009). [Google] [More]  ⦿

Rivo Adriansyah

Design studio in Bengkulu, Indonesia, established in 2018 by Rivo Adriansyah, a designer specializing in decorative serif typefaces. His catalog from 2021: Orchidesta (a stylish formal serif), Elegante Classica (a decorative serif), Kavaloora (a roman caps typeface), Magicher (a ligature-laden serif), Black Delights (a display serif with hipster coathanger lower case f and t), Wonderlova (spurred), Stangith (co-designed with Abdul Malik Wisnu), Elegante Classica (+Stencil), The Quality, Kavaloora. Typefaces from 2020: Bestorika (a decorative serif by Abdul Malik Wisnu and Rivo Adriansyah), Magicher, Stinker. [Google] [MyFonts] [More]  ⦿

Rivo Dwi Adriansyah

Bengkulu, Indonesia-based designer (b. 1996) of these typefaces in 2019: Ophelie (script), Piedmont Hill (modular sans), Romerio (a sharp-edged text typeface), Black Roasters (monoline script), Maryland, Golden Gate (a font duo), Braceline, Custer Sans & Serif, Rafflesian Poem.

Typefaces from 2021: Phenorush (a dry brush script). [Google] [MyFonts] [More]  ⦿

Santiago Adur

Graduate from FADU, University of Buenos Aires, who created the typeface Etile (2010). [Google] [More]  ⦿

Doron Adut

Israeli type designer at MasterFont. He designed the Hebrew typeface Karnaf in 2008. [Google] [MyFonts] [More]  ⦿

Shashi Advani

10USD shareware Hindi font by Shashi Advani. [Google] [More]  ⦿

Ryan Advent

Westerville, OH-based designer of Reservation Sans (2015), a geometric handcrafted vintage display font custom designed for one of his friends. Behance link. [Google] [More]  ⦿

Acitya Adyana

Designer of the script typeface Adyana (2019), which is advertised as a modern dancing font. Adyana also designed Vougoat (2019). [Google] [More]  ⦿

Aqib Ady

Indonesia-based designer (b. 1996) of these display or logo typefaces in 2021: Agora, Albra, Aqila, Austin Smith (a signature script), Nyore, Qillot (sans), Rosok, Rucas, Satdam.

Typefaces from 2020: Besan, Pazea, Volux. [Google] [More]  ⦿

Alain Aebersold

Zurich-based creator of an experimental squarish 3d typeface (2013), tentatively called 360 Degrees.

Behance link. [Google] [More]  ⦿

Sylvain Aerni

Swiss type designer at Fontnest who designed these fonts: mtrxs (with Jérôme Rigaud: a dot matrix font), Troyd, Encoda MM (sans serif), Encoda Anfang (sans serif), Absinthia, Punebot, Alchemia, Basicrounded, Bacted_Flagada_Trigger (a dirty look font), Helveliga (with Jerome Rigaud and Fabian Monod). [Google] [More]  ⦿

Anupriya Aeron

At the National Institute of Fashion Technology, Mumbai, India-based Anupriya Aeron designed the devanagari typeface Aeranya (2017). [Google] [More]  ⦿

Alexander Aeschbach

Idealphabet was founded in 2008 by Alexander Aeschbach (Zurich, Switzerland), who studied at ECAL (Ecole cantonale d'art de Lausanne). It sells these typefaces: Arc (a minimalistic hairline sans), Encyclo (slab serif), Wurst, Equilibrium (serif face), Signalo (humanist sans family), Element (monospaced typewriter face), Eckig (experimental), Optional. [Google] [More]  ⦿

Akhmad Afandhi

Magelang, Indonesia-based designer (b. 1990) of the octagonal all caps sports jersey typeface Basketball (2020) and the fat finger font Beloved Girl (2020). [Google] [More]  ⦿

Ahmad Syarif Afandi

Yogyakarta, Indonesia-based designer (b. 1994) who started out as Peterdraw and in 2019 joined Delapan Studio, where his fonts are marketed. His studio was renamed Letterafa in 2020.

Creator of the display typefaces Pistachio (2019), and Brewok (2019: a sans with hairy outlines), Glippy (2019: a glitch font), and Neon Desmon (2019), the fat finger fonts Granada (2019) and Macadamia (2019), the rounded handcrafted sans typefaces Maven (2019) and Dear Audrey (2019), and the script typefaces Attaya (2019), Sabrina (2019), La Petite (2019), Molita (2019), Geulis Stylish (2019), Gladyss (2019), Nina Ninut (2019), Lulla (2019), Dear Audrey Script (2019) and Camellia (2019).

Typefaces from 2020: Sparkle (a connected script), Mischella (a signature script), Chia Seeds, Summer Pisces, Jerome (a condensed slab serif in three weights), Marylinda (script), New Interspeaker, Revnosa (a dry brush typeface), Chasy (script), Sherletta, Candela (a monoline script), Danyla, Grand Duke (a display serif), Sintya (a stylish script), Hey Monday, Chapillada, Butterfly, Good Vibes, Techno Space (futuristic), Oregano, Sabrina, Femme, Bilderberg (a display serif), Sagara (a vintage text typeface co-designed by Ahmad Syarif Afandi and Tri Kuncoro).

Typefaces from 2021: Agathis, Allenisa (an open connected script), Beautiful Variella, Betteryou (a smooth script with contrast), Bitterlove (a curly script), Bunnyheart, Christmas Heart, Christmas Winter, Early Christmas (a scrapbook script), Easter Story, Evelyne, Febriella (a fine script), Firstlove (an upright script), Fishbone, Gabriella, Geollitta, Halloween Monoline, Hillarie, Holidate, Honey Love Bunny, Jaggielka, Kattsia, Lovebird, Phitaya (a hand-printed typeface with small x-height), Rabitta, Salminah (a monoline script), South Town (a monoline script), Spooky Hunter, Summer Beach (a playful font), Sweet Christmas, Thanks Mom (a scrapbook script), Warilah, We Love Mom (a fat finger font), Wolfriend, Yattina (script).

Old link for Peterdraw. Old link for Delapan. [Google] [MyFonts] [More]  ⦿

Hovig Afarian

During his studies in Beirut, Lebanon, Hovig Afarian created a modular Arabic typeface (2015). [Google] [More]  ⦿

Laure Afchain

Graduate from KABK, The Hague, 2009, Type and Media MA program. Her typefaces:

• Malaussène (2009), a fun muscular display face, done as her graduation typeface at KABK. She says that her (large) family is designed for corporate identitities. It contains Malaussène Translation, Malaussène Expansion and Malaussène Sans as subfamilies, and is published by Die Gestalten in 2011. Examples: A | B | C | D | E | F | G | H.
• At KABK, she worked on a revival of the calligraphic typeface Meidoorn, originally designed in 1928 by Sjoerd Hendrik de Roos for The Heuvelpers.
• She was also at the Fine Arts School in Toulouse. Together with Alejandro Lo Celso, François Chastanet and Géraud Soulhiol, she designed the official typeface for the city of Toulouse, Garonne (2009, 4 styles).
• A handwriting font.
• The display family Pixat.
• Peno (2009), done in a class of Peter Verheul.
• A stone chisel/biline/paper cut experimental family Vampyr.

Asnan Affandi

During his studies, Malang, Indonesia-based Muhamad Asnan Affandi designed Hoerop 45 (2017). [Google] [More]  ⦿

Haziq Affandy

Bandar Seri Begawan, Brunei Darussalam-based designer of the free display typeface Forged (2017). Behance link. [Google] [More]  ⦿

Anisia Affek

Art director, photographer and illustrator in Tel Aviv-Yafo, Israel. Creator of the Hebrew typeface Zelda (2015). [Google] [More]  ⦿

Charles H. Affolter

Swiss designer of Affolter Grotesque (1945), aka Ouvrière. That typeface was digitally revived by Alex W. Dujet, Dylan Sauty and Hugo Marucco in 2011 (League, Genève). I have been unable to verify this information which was seen on an image shown by Hugo Marucco. [Google] [More]  ⦿

Werner Affolter

Werner Affolter ran a phototype and printing company in Basel, Switzerland, called Affolter und Gschwind AG, Fotosatz&Reprotechnik. In 1981, Affolter published an extensive catalog entitled Letterama that showed over one thousand alphabets. Few of those were original, so I suspect he acted as a vendor of sorts, but at least a couple seemed original, or were claimed to be original or exclusive: Guigoz, Moby Dick. Moby Dick was revived in 2014 by Nick Curtis as Call Me Ishmael NF.

Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic typeface also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau typefaces, some Victorian ornamental typefaces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter typefaces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental typefaces), Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More]  ⦿

Fernando Affonso

During his studies in Pelotas, Brazil, Fernando affonso designed an unnamed curly typeface (2013). [Google] [More]  ⦿

Choirul Afidah

Designer of the brush font Emerald Brush (2016). [Google] [More]  ⦿

Burhan Afif

Yogyakarta, Indonesia-based designer (b. 1988) of the font duo Nesans and Nesans Signature (2019), the script fonts Sweet Love (2019: upright), Mondena (2019), The Bellinda (2019: calligraphic), Austin Capittal (sic) (2019: monoline script), Bread Store (2019) and Wrongler (2019), and the vintage (often, Victorian) display typefaces Blue Spirits (2019), Bandits (2019), Sonia (2019), Belgia (2019), Berlina (2019) and Berlin (2019).

Typefaces from 2020: Blue Spiris, Grapine (Victorian), Ricasto (a signage script), Grizlie (an octagonal sports font), Madanira (a semi-formal script), Amellisa Ink, Anstec (a techno / sports font), Razen (a techno / sports font), Sourta (a speed emulation sports font), Abigile (an upright script), Off Side (all caps, brush), Bastina Sindey (a dry brush script), Bread Store, Feeling Blessed (an upright rabbit ear script), Meristmas, Mosteri (a fantasy font), Ateros (a sci-fi typeface), Aloner (a sci-fi font), Nucleo (a sci-fi font), Roline (prismatic), Tahu Bullats (a creamy signage script), Valentiqu (a curly upright script), Magic Funk (a psychedelic script), Letter Magic (a decorative serif), Craft Lovers, Magzo (a decorative serif), Belights, Cute Meow, Baking Pastry, Sweet Butter, Feeling Blessed, Baby Bunny Script, Misteri Caps, Carglos (blackletter), Traditian, Genta (a rounded bold all caps typeface), Beyond Stars, Off Side (brush), Santoriu, Hi Panda, Crows (a curly serif), Zeniq (a stencil font), Nucleo, Abigile, Blaster, Botania, Crunchy, Femina, Graphite, Holly Days, Hot Sauce, Just Swirls, La Fiesta, Lets Espresso, Little Baby, Magic Sparkle, Ricota, Secillia, Shinesy, Skid Rock, Stripline, The Englands, The Spectre, USA Nation, Magzo (a display serif indeed for food packaging and logos), Stabillo (a food logo brand typeface), Austina Capitton, Kora Kora, Mosherif (Regular, Tall, Short), Golden Stanbury (a signature script font duo), Risolla Calisto (a wild calligraphic typeface), Wild Wolf (brush), Balistone (a wild script), Glastia Monoline, Amorista (a rabbit ear script), Eastblue, Crimmy (a dry brush script), Buchery, Castel, The Begundals, Sambal Pedas (a dry brush script), Blastoic (a dry brush script), Queen Sea, Skid Rock, Platinum Signature, Sonita (a condensed decorative serif typeface).

Typefaces from 2021: Sunroll (fashion mag caps), Romla (a wide dsiplay serif), Magic Retro (a heavy magic mushroom typeface), Holingston (a dry brush script), Gopetter, Ballomont (handwriting), Astopher, Restoe Bumi (a handwriting font), Rotenfold (a script), Halima Sofira, Anastia Buttery (an inky signature script), Belighta (wild calligraphy), Bittle Birdy (an irregular typeface that will cause psychological damage), Magic Sparkle (a decorative all caps serif), Notted (an exaggerated fashion mag font loaded with smooth ligatures and featuring surprise gyhphs such as a lower case a that is a mirror of the lower case e).

HansCo Studio. [Google] [MyFonts] [More]  ⦿

Muhammad Afif Ersya

Padang, Indonesia-based studio and designer that changes its name almost monthly: Mevstory Studio, Mandeh Studio, Eleanor Studio, Mevricks Studio, Lettercorner Studio, Mhdafifersya, take your pick. Designer of these typefaces:

• Signage script: Retroshoes (2021), Pokechu (2021), Stanok Valley (2020: a retro signage script), Sunnylise (2020), Cansast (2020), The Bellerin Script (2020), Bealiva Vintage (2020), Retropus (2019), The Dreamstars (2019), Codename (2018).
• Script: Scripted (2021), Tropical Smoothie (2021), Adelynn Display (2020), Babyla (2020), La Rosaleda (2020: a creamy rhythmic script with some personality, accompanied by La Rosaleda Serif), Sunnylise (2019), Toulouse (2019) Kick Slide (2019), Speakup Script (2019), Hendys Playfull (2019), Pandal Sikek (2019), North Landon (2019), Natash Sena (2019).
• Brush style: Litch in Holland (2020), Bryana (2020), Little Linka (2020: kawaii style), Tormanted (2019), Future Enforcer (2019), Jorge (2019), Kafka (2019), Kick Slipe (2019), Royal Dutch (2019).
• Monoline script: Mocha Frappuccino (2020), Pergola (2020), Breachery (2019).
• Signature script: Danisya (2019).
• Eerie fonts: The Tormanted (2019).
• Vintage: Satisfice (2021: a chunky didone display serif), Akira Jimbo (2020: spurred), Revicil (2019: spurred), Tropper (2019: spurred).
• Stencil: The Time Machine (2020), Cosmos (2020: futuristic).
• Squarish, techno: Crizen (2021), Raceline (2021: a speed font), Time Machine (2020), Astroman (2019), Droping Sans (2019).
• Decorative serif: Devitos (2020: free)), Pulchella (2020), Vikendi (2020: a free chubby serif), Cholens (2020), Kiano (2020).
• Font duo: Lachi (2020), Futusicia (2019).
• Arabic emulation: Al Risalah (2019).
• Sans: Nomz (2020), Molina (2020), Gelael (a 16-style artistic sans loosely related to Peignot) (2020), Bechtlers (2020), Garuda Kencana (2020). Giagonic Regular (2019), Muvcix (2019), Fourty (2019), Hello World (2018: a display sans).
• Western: Stinky Pete (2020).
• Alphadings: Christmasland (2020).
• Speed emulation fonts: Super Drift (2021).
• Miscellaneous: Crafton (an octagonal mechanical typeface).

Muhammad Afifersya

Aka Muhammad Afif. Indonesian designer of these typefaces in 2018: Kalimastha (script), Pariangan (a script), Kafka (a signage script), Hello World (free), Codename, Natash Sena (a script), Futusicia (font duo), Jorge (a brush font), Fourty (sans), Giagonic (a hipster sans), Muvcix (a display sans).

Typefaces from 2019: North London (script), Astroman (sci-fi), Retropus (signage script), Sureface (a dry brush typeface), Kick Slipe (a free brush font), The Tormanted (sic) (a scary brush type), The Breachery Script, The Dreamstars (a creamy script), Starhawks (a font duo), Speakup Script, Droping (a techno sans). [Google] [More]  ⦿

Denis Afonin

Art director in Moscow who created the multilayer font Cifricci (2013), the geometric solid typeface Modal Font (2013), and the decorative typeface Blitz Type (2013). [Google] [More]  ⦿

Edgar Afonso

Edgar Afonso (b. Viana do Castelo, Portugal, 1976), is a graphic designer and illustrator who embarked in 2010 on some fontr projects. These include the modular typeface Nave (2010). Behance link. [Google] [More]  ⦿

Gurgen Afrikian

Yerevan, Armenia-based designer of the squarish Latin typeface Riccardo (2019). [Google] [More]  ⦿

Fred Afrikyan

Aka Fred Africkian. Yerevan, Armenia-based architect, letterer and type designer who wrote The Art of Letter-Type by Fred Africkian. 120 Tables of Armenian decorative types (1984). See also here. Taboo (Canada Type) is a Latin typeface inspired by lettering from Africkian's book. Patrick Griffin of Canada Type writes: Virtually unknown in the West, Africkian was one of the most talented eastern block artists. Though mainly a calligrapher working with traditional tools, he embraced geometry on multiple occasions for the sake of drawing simple modern Armenian and Cyrillic alphabets. Though he normally tried to maintain in his work a certain homage to Mesrop Mashtots (5th century Armenian monk who invented the Armenian alphabet), his late 1970s experiments made use of so many modern elements that the results were hailed as "real art mingled with science." [Google] [More]  ⦿

Afronsu Afronsu

Aka afronsu Afronsu. Crazy Sao Paulo-based Brazilian designer (b. 1986) of the grunge typeface Antropofagia (2010). Born in 1986. He also made Urbana (2020), Futurista (2019: an experimental font), Afronsu (2011), Estaktu (2012, influenced by Sao Paulo's graffiti or pixacao), and Abstract Rua (2012). [Google] [More]  ⦿

Petros Afshar

London-based creator of the super-experimental geometric and hipster typefaces Artificer (2011), Insomiak (2015, a hipster typeface), Illusive (2014, alchemic), Tuna (2014), Kim (2014), Solaris (2017), Sleipnir (2012) and Flatland (2011).

Petros is also a talented typographic illustrator---see, e.g., his Blue Heron (2011). An example of his typography for information design: Table Tennis for the 2012 Olympics.

At Studio SAP in London, he had a hand in many illustrations and illustrative typefaces such as Sleipnir (2012).

In 2018, he designed the alchemic or hipster typeface family Geometrica, which comprises Arcane, Orion and Gravity. He also created the hipster font Bastion (2018, with Kimmy Lee and Matthew James) and the blackboard bold typeface Trindle Sans.

As Swash Hub, he designed the hexagonal Elixia (2018), the hipster font Avion (2018, with Joshua Baron), and the rounded lowercase sans Kaige (2018). It is possible that SwashHub is Kimmy Lee (London).

Still in 2018, Matthew James and Petros Afshar co-designed the Japanese emulation font Okami.

Typefaces from 2019: Bael (sans, by Petros Afshar and Matthew James), Berman Bold (a blackletter font by Petros Afshar and Matthew James).

Behance link. Another Behance link. Home page. [Google] [More]  ⦿

Sahar Afshar

Sahar Afshar is a type designer and researcher from Iran. She studied at the University of Tehran and the University of Reading (where she obtained an MA in Typography & Graphic Communication). After graduating, she has been working on the design of Arabic typefaces and researching the printing of Arabic and Indic scripts. She is currently based in the UK, and is a doctoral candidate at Birmingham City University, where she is researching Punjabi printing history and culture in post-war Britain.

In 2017, she published Athelas Arabic at TypeTogether, to accompany Scaglione and Burian's Athelas (2008).

Speaker at ATypI 2017 Montreal. [Google] [MyFonts] [More]  ⦿

Zachary Afshar

Manchester, NH-based designer of Vernacular Typeface (2015). This typeface was finished during his studies at New Hampshire Institute of Art, Behance link. [Google] [More]  ⦿

Raj Afzal

London-based designer of the techno typeface Tokyo Type Font (2015). [Google] [More]  ⦿

Saba Afzal

Creator of the free font Quater Circles (2013). [Google] [More]  ⦿

Stefano Agabio

Italian designer of Mr. Whippy (2011), a fluffy typeface inspired by ice cream and whipped cream. He studied at Politecnico di Milano. [Google] [More]  ⦿

Bedirhan Agac

Istanbuul-based designer of the angry modular typeface Pasif Agresif (2018). [Google] [More]  ⦿

Oleg Agafonov

Tula, Russia-based design studio, whose owners (Oleg and Kate, or Oleg Agafonov and Katja Buzova) studied at British Higher School of Art and Design in Moscow (2012-2014) and Tula State University (2006-2010). In 2016, they created the handcrafted / crayon typeface I Am Berliner. They are now based in Berlin.

Typefaces from 2017: YD Modernist (monospaced sans).

Behence link for Oleg Agafonov. Behance link for Ekaterina Buzova. [Google] [More]  ⦿

John Arne Van Nordby Agaid

Norwegian design student at Norges Kreative Fagskole in Oslo. Creator of a floriated caps alphabet in 2012, and the typeface Creativity in 2011.

Devian tart link. Behance link. [Google] [More]  ⦿

Haim Agami

Jerusalem-based creator of the Hebrew typeface Haimon (2005). Behance link. [Google] [More]  ⦿

Yaacov Agam

Israeli type designer at Masterfont, where he published Agam MF. [Google] [MyFonts] [More]  ⦿

Ronny Agan

Cipta Nuansa, Indonesia-based designer of the decorative Victorian typeface Bogalakon (2019) and the Victorian typeface D Warung (2019). [Google] [More]  ⦿

Devin Agar

Santa Monica, CA-based designer of some experimental typefaces. [Google] [More]  ⦿

B. Agaric

Designer of the Agave font between 2013 and 2019. He writes: Agave was an attempt at making a small, monospaced, outline font that would be geometrically regular and simple. The endeavor was motivated by a deep adoration of old-school console bitmap fonts, of Consolas, of Pragmata Pro, as well as a novice's curiosity for typographical design. When it came to establishing a "simple" design scheme, the natural inclination was to separate the glyph design concerns into that of "frame" and "trait". By frame, we refer to the naive geometric extent of a glyph and its parts. And by trait, we mean, for example, the "way" in which a stroke curves, or the relationship between one part of a glyph and another. Adhering to personal tastes, bone-deep laziness, and the quirky spirit of old computer terminal fonts, the delineations of frame and trait amounted to two mathematical patterns: the power of two and the golden ratio. That is of course an understatement. This wonderful font has almost 5000 glyphs, half of them useful icons. To be sure, many of these glyphs were added by Ryan McIntyre in his Nerd Fonts version of Agave in 2020.

Earlier (pixel) fonts by Agaric include Autonoe [autonoe is a fixed-width, 7x14, bold-only, unicode, bitmap typeface] and Ino.

Github link. [Google] [More]  ⦿

Anusha Agarwal

During her studies at MSU Baroda (India), Anusha Agarwal designed the sci-fi typeface Chunk (2019) and the handcrafted Kooky (2019). [Google] [More]  ⦿

Avi Agarwal

During her studies at the MIT Institute of Design in Pune, India, Avi Agarwal (New Delhi) created the condensed typeface Canister (2014), which is based on basic geometric shapes. [Google] [More]  ⦿

Sanchitaa Agarwal

As a student in Bangalore, India, Sanchitaa Agarwal designed a curvy handcrafted Latin stencil typeface. [Google] [More]  ⦿

Umang Agarwal

During her studies in Bangalore, India, Umang Agarwal designed the squarish typeface Brick & Block (2019). [Google] [More]  ⦿

Vrinda Agarwal

As a student at NIFT in New Delhi, Gurgaon, India-based Vrinda Agarwal designed the fun figurine typeface Porangi (2018). [Google] [More]  ⦿

Evgeniy Agasyanc

Izhevsk, Russia-based designer of a brush pen set of numerals in 2015. Behance link. [Google] [More]  ⦿

Evgeniy Agasyants

Udmurtia, Izhevsk, Russia-based type foundry, est. 2018. Their typefaces are mostly in the comic book or cartoon genre. They include OT Puppy (2018: brush style) and Chekharda (2018). Home page. [Google] [MyFonts] [More]  ⦿

Tallal Gul Aga

Graphic designer in Northampton, UK, who created a circle-based typeface called Aga (2013). [Google] [More]  ⦿

Ahya Agawiss

Yogyakarta, Indonesia-based designer of the script typefaces Blasty (2017), Sweet Saturday (2017) and Bianglala (2017), and the calligraphic typeface Dandelion Script (2017). Graphicriver link. [Google] [More]  ⦿

Alexis Agbunag-Jones

Graphic designer in Nashville, TN, who created the decorative typeface Twisted in 2016. [Google] [More]  ⦿

Gerardo Agbuya

Toronto-based designer of the display caps school project typeface Feather Font (2013). Behance link. [Google] [More]  ⦿

Michael Ageev

Russian designer of BedrockCyr after an original by Corel. [Google] [More]  ⦿

Mike Agency

On the day the FCC voted for net neutrality, Toronto-based Mike Agency published the display typeface Pirlo (2015). Behance link. [Google] [More]  ⦿

Obys Agency

Kharkiv, Ukraine-based design agency that comprises Viacheslav Olianishyn, Olia Olianishyna, Konstantin Yakovlev, and Roman Salo. Together, they designed

• The Night Watch (2021). a free all caps display serif inspired by the paintings of Rembrandt van Rijn.
• OTF Glusp (2021). A free all caps avant garde font.

Yudha Ageng

Or Yudha Rahmat Ageng. Yogyakarta and/or Jakarta, Indonesia-based designer (b. 1996) of the bold script typefaces Eusthalia Sans and Clean (2018: a free font duo), the signage script typeface Chillout (2018), the calligraphic typeface Anthasic (2018), Helsinki (2018), Manhattan (2018) and Matane (2018), the vintage typeface Boatman (2018), the signature font Better Signature (2018), the monoline script typeface Royaland (2018) and the modern script typefaces The Blendhes (2018: a baseball script), Bellasic (2018) and Pharosi (2018).

Typefaces from 2019: Haydes (a signage script), Eusthalia Stamped, Boatman Stamped, Buryland ((monoline) Script, (Victorian) Sans, Serif), Rocka + Billy.

Typefaces from 2020: Sunpalm Addict (script).

Typefaces from 2021: Boatman (a vintage label font).

Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Louise Agerlund

Art director in Aarhus, Denmark, who created the signage script typeface Freddy (2014). [Google] [More]  ⦿

Kristofer Totte Agermark

Stockholm-based designer of So Low Sans (2014). [Google] [More]  ⦿

Pranjali Aggarwal

New Delhi-based designer of a pixelish typeface in 2014. [Google] [More]  ⦿

Andrea Zudip Aggasi

Madiun, Indonesia-based designer of these handcrafted typefaces in 2019: Gandhewa (a signature script), Odense, Kids, Agashi Signature, Best Signature, Davina, Baby Boss, Himeka, Kanzalea, Marion, Kirani, Lavana, Odense, Danilla.

Typefaces from 2020: Natuna (a very wide script), Kidszania (a curly children's font). [Google] [MyFonts] [More]  ⦿

Yannis Aggelakos

Tripoli, Greece-based designer of the free angular vampire font Vampyri (2015, FontStruct). Behance link. [Google] [More]  ⦿

Salma Hisham Aggour

Salma Hisham Aggour (Cairo, Egypt) created the Latin typeface Punk Plan and Movie Genre Pictograms during her graphic design studies in 2013 under the supervision of Sabine Schwarz at the German University in Cairo. [Google] [More]  ⦿

Virag Agg

Budapest-based designer of a set of decorative caps called Public Transport 2014. This was a school project. Behance link. [Google] [More]  ⦿

Tatevik Aghababyan

Tatevik Aghababyan is an Armenian designer who lives and works in Frankfurt, where she is the main person at the studio Tatssachen. She designed these typefaces: Fedra Sans Armenian (with Peter Bilak; Third Prize at Granshan 2010 for Armenian text types), Elien (an experiental modular family), Glueziffer (2010; a Treefrog-style scratchy hand family), Arpi (2007; sans Armenian unicode face). Elien (2009, 26plus) is a monospace typeface inspired by bike chains and dot matrix ideas. [Google] [More]  ⦿

Masoud Aghaie

Designer of the Ostovar typeface for Persian in 2011. He lives in Sari, Iran. [Google] [More]  ⦿

Reand Aghara

Indonesian designer (b. 1975) of the techno typeface Aghara (2015) and the casual typeface Peyori (2016). Dafont link. [Google] [More]  ⦿

Sabina Aghova

Prague, Czechia-based designer of the brush scripts Lemonfish (2016), Cupcakia (2016) and Karlita (2016), the handcrafted typeface Funisima (2016) and the calligraphic script typefaces Lavandia (2016) and Hanelka (2016).

Typefaces from 2017: Cedrika (calligraphic script), Florisa (signature script).

Typefaces from 2018: Magic Winter, Snowy Christmas Script, Bright Side, Elderflower. [Google] [More]  ⦿

Chris Agiasotis

Australian designer of Cap Constructed (2005).

Dafont link. [Google] [More]  ⦿

Dilan Agic

Eskisehir, Turkey-based designer who created the uncomplicated sans typeface Simple (2014). [Google] [More]  ⦿

Ece Agirtmis

London, UK-based designer of the children's lettering font Ecel (2017). [Google] [More]  ⦿

Julia Agisheva

Based in London, UK, Yulia (or Julia) Agisheva designed Ribbon Type (2012) and Now Grotesk (2012) during her studies. Behance link. [Google] [More]  ⦿

Luke John Agius

Agius is from Mosta, Malta, b. 1994. Creator of the children's handwriting font Children Once Where (2007), as well as Rough Graffiti and Space and Astronomy. Dafont link. Alternate URL. [Google] [More]  ⦿

Omer Agiv

Omer Agiv (Fontomania) made freeware Latin, Hebrew and dingbat fonts such as Amraheb, Electroni, Jumang, Krashim-signs, LironAgiv, Moshe, Outline, Samurai, Samuraiheb, Sunnyday, Transport, Worms, arrow, boards, bw, dotty, goggles, krashim, leaves, nuni, nurit, wood-sticks, Dinorific, omerh.

Some fonts are commercial. Personal handwriting font service for 55USD (Latin, Hebrew or Arabic). Personal signature for 10USD. Some commercial fonts at 8 to 12 dollars, such as Smily, Cookie (curly), Orenh (handwriting), Geometry, Tal, Jifa, Sun, Hairy, ABC, Chains, Liner, Chinese, Arak, Parkinson, Papio, Tropical Sickness and IceSticks.

The free and commercial Hebrew fonts include the Tapuach package (8 fonts).

Fontomania also sells the 13-font 44 USD-"Silver Collection" on CD.

Free handwriting font download: Janet Luther.

At Elifont, one can download Wood Sticks, Samurai, Liron, Ice Sticks, and Boards.

Dafont link. Old URL. [Google] [More]  ⦿

Margot AG

Tours, France-based designer of the experimental typeface Pli (2017). [Google] [More]  ⦿

Alessio Agnello

London, based-designer of the stencil font Vacui (2020). [Google] [MyFonts] [More]  ⦿

Vanessa Agnes

Jakarta, Indonesia-based designer of HelpetikA. [Google] [More]  ⦿

Emiliano Agnetti

Graduate from FADU, University of Buenos Aires, who created the typeface Read Praz Std (2010), a typeface that evolved from Adobe Caslon Pro. [Google] [More]  ⦿

Eric Agnew

Eric Agnew is the codesigner with Shaun Kardinal, Starseed and Brian Barbour at Themes of a scorched earth of TSP Dingbats. [Google] [More]  ⦿

Prabudha Agnihotri

Bangalore, India-based creator of the alchemic typeface Tricul (2014), for which inspiration came from semaphore signals. [Google] [More]  ⦿

Vedang Agnihotri

During his studies in Pune, India, Vedang Agnihotri created the modular squarish typeface Tirccha (2015). [Google] [More]  ⦿

agnuaspflibko

Futuristic, experimental, grungy stuff not found elsewhere, by agnuaspflibko in Sweden. Check Pormask Ytterhud. Tarmsaft is no more, though. Some of its fonts may still be found on archives, so here is a list of font names: Äggstock, ArsleGothic, ArsleGothic, Bajoran-Ancient-STsemicanonbased, Bajsmaskintjocksprutande, Bajsmaskin, Bajsmaskintjocksprutande, Bajsporr, BantarbjrnHeavy, BilligHora, Bonushora, Brottardolme, Brunkål, Brunst, BrunstCaps, Brunöga, FetmaHeavy, Fisring, Fisring, Fittsvamp, Flottig, FlytningarSvulstiga, Flytningarsprutande, Flytningar, FlytningarSvulstiga, Flytningarsprutande, GallaBlack, GallaBold, Galla, GallaBlack, GallaBold, Gathora, Gubbrra, elvetet, InavelFrtvinad, InavelKromosomkalas, InavelKusin, InavelMutant, InavelStorebror, InavelTetkaCyr, InavelTjockaSlkten, Kewken, Kattakodd, Kisskorv, Knarkarsvin, Knulla, Lantfnask, Läderbög, LillSnase, Lingonvecka, Manslem, Multihora, Muttprutt, Ollon, Onani, Pormask2039, PormaskRemix, Pormask-Ytterhud, Pormask, PormaskInnebrännare, PormaskInnebrännare, PormaskKlämd, PormaskKlämd, PormaskRemix, Porrblaska, Psttning, Pungen, Psttning, Reningsverk, Rättpick, Rugguggla, Rumpnisse, Runkspad, RuttenSpya, Rvkrm, Rvple, RvpleTjock, Rännskita, Rvkrm, Skinnbanjo, Skäggbiff, Snderfistad, SneflabbNormal, Snetripp, Snuskpk, SpinkigJvel, SpinkigJvel, Spräckaren, Spritad, Sprutfest, Spräckaren, Spyhink, Stjrt, Stngkorv, Stngkorv, Snderfistad, TarmSystem, Taskekseminflamerat, Taskeksem, Taskekseminflamerat, Tidelag, Tidelagskoprofag, Tjackluder, Tjockebo, TrampaIntePMinKukSlyna, TrampaIntePMinKukSlyna, TrampaIntePMinKukSlyna, Våldtäkt, Våldtäkt, Våldtäkt, Aptango, Åderpåk, Nobrain, Tjockebo, Äggstock, ÄggstockGravid, Åderpåk. The full archive has been restored by CybaPee at TypeOasis. Italian tarmsaft site. typeOasis archive. URL at DaFont. [Google] [More]  ⦿

Claire Agopian

Claire Agopian graduated in 2007 from Ecole Estienne in Paris with a thesis entitled Exotisme familier: une typographie de diaspora, in which she develops an elegant Armenian/Latin typeface, Le Loussiné (2007). She also wrote Edward Fella "I am the vernacular" (2007) at Estienne. She designed the playful display typeface Knock, the handwriting typeface Coquillette, and a font based on glyphs of an imaginary tribe, the Kanaks. [Google] [More]  ⦿

Riccardo Agostinelli

Milan, Italy-based designer of the free classy sans display typeface Cyrene (2020). [Google] [More]  ⦿

Joao Agostinho

Caldas da Rainha, Portugal-based designer of the serif typeface Sbn (2011). [Google] [More]  ⦿

Paolo Agostini

Designer of Phoinike, 1998. Downloadable here. [Google] [More]  ⦿

Paulo Agostini

Joinville, Brazil-based designer of the graffiti font Vandalbier (2016). Behance link. [Google] [More]  ⦿

Laura Agostino

During her studies at FAU / UBA, Laura Agostino created an untitled boudoir typeface (2013). [Google] [More]  ⦿

Rahmad D. Ag

Banda Aceh, Indonesia-based student-designer of the brush script typeface Millenials (2017). Behance link. [Google] [More]  ⦿

Rebecca Agra

Brazilian graphic designer who lives in Aracaju and studied communication at UFBA in Bahia. Studio. She created Egito (2009), an out-of-focus optical illusion font. The papyrus font Egypt Typography was done in 2003 during her studies. Aka Bebecca. [Google] [More]  ⦿

Gregorius Prima A

Jakarta, Indonesia-based designer of the Moluccan tribal-themed font Maluku (2019). [Google] [More]  ⦿

Serge Agronsky

Designer at Graphic bureau Az-Zet of the zodiac sign font LifeSigns (1995), the Cyrillic/Latin fonts AZGaramondExtraBoldC (1990-1995), ParagonNordC (1990-1995), and ELIZAZPS (1993). [Google] [More]  ⦿

Greta Agst

During her studies in Vilnius, Lithuania, Greta Agst designed the display typefaces Viscera (2018) and Teutonik (2018). [Google] [More]  ⦿

Rodrigo Aguadé

Madrid-based creator of the beveled and drop shadow typeface family Smoking Club (2013), which was inspired by titling in black and white movies. Buy the typeface at MATOI Design lab. Ogle it here.

Typophile link. [Google] [More]  ⦿

Pedro Águas

Student at the University of Algarve, Portugal. Creator of Escorregar do Moreno (2011), a typeface based on toilet paper rolls. [Google] [More]  ⦿

Emary Aguayo

Houston, TX-based designer of the connect-the-dots constellation typeface Oblivion (2018). [Google] [More]  ⦿

Marco Aguayo

Creator in Colima, Mexico, of Aprim (2011, hand-printed) and Secondo (2012, fat finger face). [Google] [More]  ⦿

Paco (Francisco) Aguayo

Typoidea is an outfit in Guadalajara, Mexico, run by Paco Aguayo, the Jalisco-based designer at the Argentinian outfit SantoTipo of Sapucai Picada and Mofles. Aguayo also designed the bitmap font family SacrilegaPX (2001) and the pixel font family Escritura PX. At Tiypo, you can also find Artimania, Hija de Perra, and La Neta (simulating paint). [Google] [More]  ⦿

Patricia Aguayo

Patricia graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the curly vine-inspired typeface Primavera. [Google] [More]  ⦿

Josep Agüero

Barcelona-based designer of the blackletter font Gothic Proto (2019) and the circle-themed Round Proto (2019). [Google] [More]  ⦿

Natalia Aguerre

During her studies in Buenos Aires, Natalia Aguerre created a fat poster typeface (2014). [Google] [More]  ⦿

Ana Carolina Aguiar

During her design studies in Porto Alegre, Brazil, Ana Carolina Aguiar created the display typeface Schloss (2014). [Google] [More]  ⦿

Elizabeth Aguiar

Recife, Brazil-based designer of the vintage script typeface Arcaico (2015). [Google] [More]  ⦿

Murilo Aguiar

Recife, Brazil-based designer of the signage typeface Tipografia Vernacular (2015). [Google] [More]  ⦿

Veronica Aguiar

Graphic designer in Sao Paulo who created the display typeface Crype in 2014. [Google] [More]  ⦿

Maria Aguila

During her studies in Gaithersburg, MD, Maria Aguila designed Chain Mail (2013), a photographic alphabet. [Google] [More]  ⦿

Aaron Aguilar

Overland, KS-based designer of the outlined typeface Nin-Nah (2016). [Google] [More]  ⦿

Carlos Aguilar

Art director and graphic designer in San Luis Potosi, Mexico. Creator of the bold display typeface Pildora Pro (2014). [Google] [More]  ⦿

Christian Aguilar

Arequipa, Peru-based designer of the display typeface Fabric (2015). [Google] [More]  ⦿

Dulce Aguilar

During her studies in Leon, Mexico, Dulce Aguilar created Mctypo (2016), Craft Sticks (2014, a hand-drawn typeface), and Creatures (2014, hand-drawn monster dingbats). [Google] [More]  ⦿

Ferchongo Aguilar

Monterrey, Mexico-based designer of an unnamed display typeface in 2013. [Google] [More]  ⦿

Jo Aguilar

Quezon City, The Philippines-based designer of the experimental geometric typeface Geometreo (2014). Behance link. [Google] [More]  ⦿

Jorge Aguilar

Jorge Aguilar (Reaktor Lab, Guadalajara, Mexico) is mainly into graphic design and illustration. His Solera family of typefaces (2011: Solera 2D, Solera 3D and Solera Canto) is designed for chrome jobs---smooth and flashy. Behance link. [Google] [More]  ⦿

Marcell Aguilar

Sao Paulo-based designer of the ultra fat typeface Hong Kong (2010) and of this experimental face (2010). [Google] [More]  ⦿

Arnau Aguilar Marcos

Barcelona-based designer of Kandu (2013), a thin typeface that was derived from Bell MT in 2013. Behance link. [Google] [More]  ⦿

Miguel Aguilar

Mexico City-based designer of Tourist (2012, an inline typeface), Holy Type (2012, experimental typeface), Lemon (2012, display typeface) and Profane (2012, alchemic typeface). [Google] [More]  ⦿

Ozcar Aguilar

Puebla de Los Angeles, Mexico-based designer of the bike gang tattoo typeface Boa (2014). [Google] [More]  ⦿

Ricardo Aguilar

Freelance designer in Puebla, Mexico. Creator of Nina Sans (2014) and Puro Cuento (2014, a simple monoline font for children's books). [Google] [More]  ⦿

Sebastian Aguila

Santiago, Chile-based design group. One of them, Sebastian Aguila, co-designed Amazonia Life (2018), a typeface that depicts 104 endangered animals, with Sofia Mohr. MyFonts link for Amazonia. [Google] [More]  ⦿

Felipe Aguilera

Aka Felipe Felipe. Graphic designer from Santiago, Chile, who made the origami typeface MyTypo (2012). [Google] [More]  ⦿

Gina Aguilera

Gina Aguilera (JMRBooks) created the hand-gridded free font Olde Wampum Belt (2009), classified by Fontspace under "Native American". JMR stands for Jennie's Music Room. [Google] [More]  ⦿

Marcela Aguilera

Marcela Aguilera is a Chilean type designer and calligrapher. She graduated from the Santo Tomas professional institute in 2013, and has a post-graduate degree in Type Design from Universidad de Chile (2015) and a Masters in Advanced Type Design (2017) from EINA in Barcelona. She develops typefaces for Type-o-Tones with Laura Meseguer and Josema Uros, and for PeGGO Fonts with Pedro Gonzalez.

In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats). [Google] [MyFonts] [More]  ⦿

Pep Aguilo

Barcelona-based creator of the modular typeface Pagesa (2015). [Google] [More]  ⦿

Roberto Aguiluz

San Salvador-based graphic designer (b. 1985) who created the 3d sketch font Elli Noise (2008) and the refreshing jungle font Adry of Hanabi (2009). Abstract Fonts link. Yet another URL. [Google] [More]  ⦿

Ana Aguirre

Vitoria-Gasteiz, Spain-based designer of the Basque typeface Gasteiz (2015), which is a redesign of Bilbao. She also created the modular typeface Fontana (2015). Behance link. [Google] [More]  ⦿

Arieh Aguirre

As a student at UPC (Universidad Peruana de las Ciencias), Lima-based Arieh Aguirre designed the shadow caps typeface Chola Pink (2018). [Google] [More]  ⦿

Mar Aguirre

Cali, Colombia-based designer of the slightly squarish display typeface Presser (2016). [Google] [More]  ⦿

Mariana Aguirre

Designer (b. 1991) of the free fashion mag typeface Modikasti (2016). [Google] [More]  ⦿

Marko Aguirre

During his studies in Montreal, Marko Aguirre co-designed the experimental minimalist typeface Emmentype (2016) with Marie Chénier. [Google] [More]  ⦿

Wasana Creative (or: Wasana Agung)

Illustrator and designer in Madiun, Indonesia, who created the calligraphic typefaces Helena and Caroline Script, the vintage typeface Clementine, and Prastika Script in 2017. Behance link. Creative Market link. [Google] [More]  ⦿

Muhammad Ridha Agusni

Architect and designer in Banda Aceh, Indonesia, b. 1980, who set up Grayscale, then 38 Lineart, and finally Fontsources.

In 2018, he released the hexagonally-patterned color font Space, the nervous monoline display typeface Barcelona, the monoline script Brandy, the tattoo and metal band blackletter font Amstha, Twinkle (hexagonal texture), Premium Quality, Hightide (signage script), Ashley Pages, Bold Grunge (a wood style Western font), Rabbit House, Strongbold (brush style), Onthel (a rhythmic signage script), Cafeine, Seulanga (calligraphic), Sweet Bubble, Downhill, Architecture (technical writing font), Wisethink (rough brush), Emerald, Ghotic, Oakland (signage script), Parthenon (signage script), Strawberry Night (script), the formal calligraphic font Beauty Athena, the inline font Epicentrum, and the signature font Attitude in 2018.

Typefaces from 2019: Ghoust (a marker font done at Cititype), Diamant Handwriting (a signature font), Utrecht (with Siti Saribanon Nurjannah), Exhibitionist (a fine rhythmic script), Holimount, Prague Metronome (a thin signature script), Allegroost (a brush typeface), Anisha (script), Kyoto Northern, ChiQuel (a Victorian display typeface that can be layered), Hillstone (a dry brush script), Malique, Ginchiest (a retro signage script), Kid Knowledge, Haghia, Khatija Calligraphy, Bernound, Graffity, Brandy Script (monoline), Downhill, Concept (sketched, blueprint font), Konya (signature script), Blacksmith, Curve Calibration (condensed sans).

Typefaces from 2020: The Pallace (a great natural inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Chipen (inline, all caps), Jakarta (a flowing inky script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Rhode White (a great signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Bailamore (a creamy signage script), Vogie (a sporty / techno sans family of 72 fonts, plus a variable font), Rollingtime (a brush script jointly designed by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Piedmont (a heavy connected handwriting script advertized as a masculine signature font), Whiplash (an all caps dry brush font), Aceh (a 36-style geometric sans), Youthink, Sacred Letter (a vintage weathered script), Serif Sketch (by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Corinthiago, Smart Chameleon (a handcrafted typewriter font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Hiroshima Gyoshi (a brush font inspired by Japanese calligraphy), Roughmarker (dry marker font), Brotherhood, Blugie (a fat finger font), Rome Ionic (an all caps roman typeface), Black Orchestra (a great horror or black metal font), Black Orchestra (a horror font).

Typefaces from 2021: Zouk (blackletter), Zagreb (an inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Alsace (Victorian), Backbone (a black metal blackletter typeface), Roundkey (a 24-style condensed, but not round, sans), Wordwalker (a marker pen font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah for Cititype), Sweet Bubble (a bubblicious font), Souljah (an elegant inky calligraphic script).

Creative Fabrica link. Another Fontbundles link. [Google] [MyFonts] [More]  ⦿

Fadil Agustiansyah

Siak, Indonesia-based designer (b. 2000) of the handcrafted typeface Filatelis (2019) and the sans typeface Boomerang (2019). [Google] [More]  ⦿

Asri Agusti

Jakarta, Indonesia-based designer of the dot matrix typeface Agata (2017). [Google] [More]  ⦿

Agustina

Spanish designer of Agustina (2005, scratched handwriting). [Google] [More]  ⦿

Ayu Agustina

Tangerang, Indonesia-based graphic designer and photographer who created the umbrella-inspired typeface Pyoong (2015). [Google] [More]  ⦿

Edwin A. Ahaar

Designed (the ugly) Futura EF Script in 1954. [Google] [More]  ⦿

C. Ahab

Designer of the freeware font OeBB-Plain. [Google] [More]  ⦿

Bastian Ahad

Bekasi, Indonesia-based designer (b. 1997) of the graffiti font Dxdiag (2015). [Google] [More]  ⦿

Tuvia Aharoni

Israeli type designer, b. Radomska, Poland, 1909, d. 1981. In 2020, Masterfont released an expanded version of Aharoni's famous typeface as Aharoni MF as well as Aharoni Polished MF (by Zvika Rosenberg). [Google] [MyFonts] [More]  ⦿

Jessica Aharonov

Caracas, Venezuela-based creator of Kahue (2013), Dot Typeface (2012), Mechanoid (2012), Folded Typeface (2012) and Cubika (2012, a 3d face).

Behance link. [Google] [More]  ⦿

Alim Ahat

Designer of these Uyghur typefaces: Ukij Ruqi (with Xoten Chiwer Qol), Ukij Zilwa (with Memtimin (Alyar), Abdureshit (Qarlighach) and Adiljan Abliz (Uchqur)). Open Font Library link. [Google] [More]  ⦿

Alex A'Hearn

Cedar Rapids, IA-based designer of the video game typeface Arcade (2016). [Google] [More]  ⦿

Aheneah

Lisbon, Portugal-based designer of the embroidery font Means Sans in 2017. [Google] [More]  ⦿

Dwi Ahidian

Bandung, Indonesia-based designer (b. 1995) of these script typefaces in 2020: Calton Elegance (a Peignotian sans), Janelotus (an inky script), Destoria, Estrada Signature, Befront, Simfony Sign, Kaishou (brush style), Malona, Hamiltone Signature, Anthurium, Mondeylla, Belligiant, Southernsky. In addition, he made these fonts in 2020: Sachi (font duo), Visual Hollow (font trio), Kreis 8 (prismatic and slinky), Rosvelit (a display serif).

Typefaces from 2021: Katagiri (script), Luthon Southard (a font duo), Fife Gallery, Sign Rathi (an inky signature script), Penguin Blush (a scrapbook font), Bostroom (a dry brush script), Sagata Normal (sans and script), Monosign (a monolinear signature script), Dontheus (an inky script), Magis Authentic. [Google] [MyFonts] [More]  ⦿

Chirag Ahir

Designer in Denver, CO. Behance link. He was inspired by some Bollywood movies when he made Pyar Mohabbat (2010, Devanagari face). [Google] [More]  ⦿

Pravin Ahir

Creative designer in Mumbai who designed the prismatic op-art Latin typeface Squoil (2014), the Buds typeface (2014, a modification of Cooper Black), and the decorative dot matrix typeface Bandhani (2014). [Google] [More]  ⦿

Johan Ahlberg

Johan Ahlberg's site on pixel fonts that are very readable at extremely small point sizes, on screen, anno 2000. The web site disppeared so here is Ahlberg's original list: Pixel, Pixel4x4, PixelClassic. Plus an archive of techno/computer/dot/pixel fonts, including many Chinese and Japanese character fonts: 35base, 35basewide, 35lines, 35rounds, ArakawaPlane (katakana), BMUGAsianFont, Beatbox, BlobThin, DFFangSong1B_GB (simple Chinese characters), DotplLCD_KANA, Dotplain, Flytningar (Tarmsaft), Flytningarsprutande, Futalic_win (kana), BlockOut2097 by Matthew Sephton, CoilKtb, MM, Parade20, Pinponpan, Gachaponka__akana (the latter five fonts by Masayuki Sato at Maniackers Design), Jim_s_Kanji_A__PS, Kiloton_v1_0, ManiacKt, Olasfontirregular, Onakanormal, PKNB, PropellerFuel, Sevenet7, Thyristor, Ticker, VTMeiOrnaments (Susan Townsend's nice Chinese ornaments), VTMeiOrnamentsOnBlack, VTMeiOrnamentsOnCircle, WA50, Hirosh, InavelMutant, InavelStorebror, Jetplus, KEWKEN, Koshgarian_Light, Neuropol_Medium, Ollon, Reningsverk, Shamen_Remix.

Abstract Fonts link. [Google] [More]  ⦿

Lea Ahlers

Berlin-based designer of the handcrafted typeface Lefi (2016). Behance link. [Google] [More]  ⦿

Helena Ahlstrom Jole

Designer of the free fonts Helena'sHand (handwriting), and Scrapbook-Chinese (Chinese characters). Helena grew up in Ohio and graduated from Brigham Young University. [Google] [More]  ⦿

Dida Ahluddin

Tasikmalaya, Indonesia-based designer (b. 1997) of the upright script typeface Charganolton (2019) and the modular typeface Mitsuha (2019). In 2020, he released the script typefaces Raleigh Modesto, Sweenline, The Disnathos, and Dhelman.

Typefaces from 2021: Angela Heart, Anghora, Backstone, Bloadrish, Boendalove, Bootterfly, Brush Curly, Cheerful Dynamite, Christmas Halcyon, Christmas Holland, Elizafat, Fallind, Hand of King, Hatimune, Higher Monday, Holiday Sweet Lovely, Hypherin (a bold signage script), Kandel, Kashiwa, Kawula Moeda, Kidszonia, Kralken (a display serif), Signatype, Skyzone, Soulness, Sweenline, The Mainstay. [Google] [MyFonts] [More]  ⦿

Aamnah Ahmad

As a student at Indus Valley School of Art and Architecture, Karachi, Pakistan-based Aamnah Ahmad created the Urdu typeface Qatrah (2015). [Google] [More]  ⦿

Akbar Ahmad

Paris-based designer of the great custom vintage typeface Illusions of Grandeur (2017). Behance link. [Google] [More]  ⦿

Fiki Ahmadi